Latest / Drama, Darling: A Real Housewives Comedy Podcast / RHOSLC Recap "Race to Coach"

Transcript

RHOSLC Recap "Race to Coach" · Drama, Darling: A Real Housewives Comedy Podcast

• 0:05
  Speaker 1: Drama Darling. Drama, Darling, Drama, Darling.
• 0:19
  Speaker 2: Darling's welcome in. It is November. It's Thursday, the fourteenth.
• 0:24
  Speaker 2: Today we are recapping the Real Housewives of Salt Lake
• 0:27
  Speaker 2: City and I am here with Emily Teresi's hi, Emily.
• 0:31
  Speaker 3: Hello, how are you?
• 0:33
  Speaker 2: I'm great?
• 0:33
  Speaker 3: Good.
• 0:34
  Speaker 2: You want me to plug the Instagram Okay at Drama
• 0:39
  Speaker 2: Darling show over on Instagram. It's a highly curated experience.
• 0:43
  Speaker 2: Please follow, and if you love this podcast or just
• 0:46
  Speaker 2: like it in a mediocre way, please follow and give
• 0:49
  Speaker 2: it a five star review and maybe drop a Darling comment. So,
• 0:54
  Speaker 2: before we get into the Real Housewives of Salt Lake City,
• 0:58
  Speaker 2: I want to mention that one of the Darlings over
• 1:00
  Speaker 2: on Patreon dropped this message and it's from Colleen and
• 1:03
  Speaker 2: she this is about last week's episode, and she said,
• 1:07
  Speaker 2: yay for Meredith bringing up hearing aids. I am an
• 1:10
  Speaker 2: audiologist and this was so important coming from a beautiful woman.
• 1:15
  Speaker 2: This explains a lot of Meredith being so quote unquote
• 1:19
  Speaker 2: out of it at times. Loss of hearing is often
• 1:22
  Speaker 2: the beginning isolation for many, so shout out also to
• 1:26
  Speaker 2: a d audiologist.
• 1:28
  Speaker 3: Dementia starts with a loss of hearing.
• 1:32
  Speaker 2: I remember you saying that last time. Yeah, yep, I
• 1:35
  Speaker 2: love that. And you just never know who's listening to
• 1:38
  Speaker 2: this podcast and the types of careers and occupations that
• 1:41
  Speaker 2: people have. And I just love it when people drop
• 1:43
  Speaker 2: in and they're just like boom, I'm an audiologist. It's amazing.
• 1:47
  Speaker 2: So shout out Colleen and your audiology. Thank you for
• 1:52
  Speaker 2: dropping that note, and let's welcome ourselves in.
• 1:57
  Speaker 4: Do you know what other beautiful person has hearing aids?
• 2:03
  Speaker 2: Who?
• 2:04
  Speaker 3: Mister Bruce Springsteen?
• 2:08
  Speaker 1: Well?
• 2:09
  Speaker 2: Yes, how could we not acknowledge him? He is healing
• 2:15
  Speaker 2: and thriving.
• 2:19
  Speaker 4: We're healing and were throbbing. Now viagra.
• 2:25
  Speaker 2: It also makes yeah, lexapro It also makes sense though too.
• 2:29
  Speaker 2: He's a like a rock star. He's been having music
• 2:31
  Speaker 2: blaring in his ears. Yeah, so you know.
• 2:35
  Speaker 4: But we're all going to have it because we all
• 2:37
  Speaker 4: blast everything in our ears with our headphones since we
• 2:42
  Speaker 4: had walkman's and air pods and everything.
• 2:45
  Speaker 2: So and look at us now with our headphones.
• 2:47
  Speaker 1: You know what.
• 2:50
  Speaker 2: I said, Look at us now? Can you hear that? Hey? Listen?
• 2:58
  Speaker 2: Is this coming through on your or your left ear? Oh?
• 3:03
  Speaker 3: Shoot?
• 3:03
  Speaker 4: Wait?
• 3:04
  Speaker 3: Was that supposed to be a direction?
• 3:06
  Speaker 2: Yeah, I can't isolate that. I'm talking with Chat, I'm
• 3:09
  Speaker 2: walking with Chat. I can't go prank now. That is
• 3:14
  Speaker 2: a great Aaron, you know what. I'm sorry. I know
• 3:18
  Speaker 2: we said we were getting into into Salt Lake City.
• 3:20
  Speaker 2: But Emily, as somebody like yourself who enjoys a prank,
• 3:25
  Speaker 2: what did you think about the Aaron Rebecca prank?
• 3:28
  Speaker 3: Prank is on us as the viewers. That was not cool.
• 3:32
  Speaker 2: Don't thank you, thank you.
• 3:34
  Speaker 4: Don't have it being set up in your whole trailer
• 3:37
  Speaker 4: going into the season making a cliffhanger of like this
• 3:40
  Speaker 4: whole thing. Like, I'm not so mad at Aaron. It's
• 3:44
  Speaker 4: not like she crafted this.
• 3:46
  Speaker 3: Yeah she did, she did, but she but Bravo could
• 3:50
  Speaker 3: have just made it a small thing. They're the ones
• 3:52
  Speaker 3: that really were like making it a huge event for
• 3:56
  Speaker 3: the show. I mean, this was in the pre show
• 3:59
  Speaker 3: trailer getting into this season. It made this season seem
• 4:03
  Speaker 3: like holy shit, you know, like it was it seems
• 4:06
  Speaker 3: so big. The fact that it's it was just a
• 4:09
  Speaker 3: prank that and we carried it over almost two episodes.
• 4:13
  Speaker 2: I'm glad you agree. I mean, I'm glad that you,
• 4:15
  Speaker 2: as a prankster, don't accept this and don't approve of it.
• 4:19
  Speaker 4: So thank I didn't mind the prank. It was just
• 4:21
  Speaker 4: that Bravo made it the thing that it was. It
• 4:24
  Speaker 4: could have been my mirank thing. Really like, I didn't
• 4:27
  Speaker 4: mind it for what it was. It's just Aaron doing
• 4:30
  Speaker 4: being Aaron. And and but she she didn't have control
• 4:34
  Speaker 4: over Bravo the editors making it this huge thing. And
• 4:37
  Speaker 4: it just goes to show like, maybe there's not much
• 4:40
  Speaker 4: going on with me, York.
• 4:42
  Speaker 3: They didn't trust, don't cast.
• 4:44
  Speaker 2: Yeah, we all knew that. Yeah, alrighty, So let's head
• 4:50
  Speaker 2: on over to the real house lives of Salt Lake
• 4:53
  Speaker 2: City and here here we are. But we didn't get
• 5:02
  Speaker 2: a ton of that because there was no snow. We're
• 5:04
  Speaker 2: still in Palm Springs and now we are basically, you know,
• 5:09
  Speaker 2: at this sprawling home with a lot of activities, and
• 5:15
  Speaker 2: we are picking up where Todd and John, where Todd
• 5:21
  Speaker 2: says to John like Lisa's got to go. Then John
• 5:23
  Speaker 2: tells Lisa and to either settle down or we have
• 5:27
  Speaker 2: to leave. And she's really upset, you know, she's you know,
• 5:30
  Speaker 2: crying and kind of like I don't I don't want
• 5:32
  Speaker 2: to fight with Bronwynn. So they end up getting all
• 5:36
  Speaker 2: back together for lunch, and here we are eating.
• 5:41
  Speaker 4: Lunch after John Barlow says Lisa ten different ways, you
• 5:45
  Speaker 4: should just go talk to Bronwy, just you and her
• 5:47
  Speaker 4: one on one, and Lisa's like okay, and then John's like,
• 5:51
  Speaker 4: cause if you talk you just one on one, like
• 5:53
  Speaker 4: go talk to Bronwin. Yeah, and then he's like, hey,
• 5:57
  Speaker 4: bron Win's over there and you need to go talk
• 5:58
  Speaker 4: to her one on one. Just clear this, and Lisa's like,
• 6:00
  Speaker 4: got it, okay, And guess.
• 6:02
  Speaker 2: What she didn't do? Go talk to bron when one
• 6:05
  Speaker 2: on one? How are you not? So you don't listen?
• 6:09
  Speaker 2: Obviously you don't take your husband's advice whatsoever. You set
• 6:12
  Speaker 2: it a table with a large gathering and continued to
• 6:15
  Speaker 2: fight and bring things up. And then incomes all these
• 6:20
  Speaker 2: other people who all have problems with Lisa, and it's
• 6:23
  Speaker 2: so true. I actually thought one of the biggest truth
• 6:25
  Speaker 2: bombs is Braun went in her confessional when she was like,
• 6:29
  Speaker 2: I mean, I tried to get an apology from Lisa,
• 6:32
  Speaker 2: and every time I try to talk to her and
• 6:34
  Speaker 2: sit her down, everyone else is coming out. And I
• 6:38
  Speaker 2: can't even get an apology because everyone else is man.
• 6:43
  Speaker 2: I mean, it's so true. Like every single time someone
• 6:46
  Speaker 2: tries to work it out with Lisa, others pile on
• 6:49
  Speaker 2: and they're just like, but Lisa, you did this to
• 6:51
  Speaker 2: me and you know, oh god, so here we are,
• 6:55
  Speaker 2: and then basically they're arguing again. And then what I
• 7:00
  Speaker 2: actually thought was super funny was when Lisa says to
• 7:04
  Speaker 2: Whitney because Whitney's like, where's the proof? Because then she's
• 7:07
  Speaker 2: piling on about Ali Baum and she's like, you know,
• 7:10
  Speaker 2: where's the proof? And Lia says, where's the proof? Whitney
• 7:16
  Speaker 2: is the horse gonna come running over here with the proof.
• 7:19
  Speaker 2: There's more proof in my tequila than comes out of you.
• 7:23
  Speaker 4: The smile that Whitney gave her right after that was
• 7:26
  Speaker 4: so quietly demented. It was just like, that's the sound
• 7:31
  Speaker 4: that we go with it.
• 7:33
  Speaker 2: It was you know what I saw in her face?
• 7:36
  Speaker 2: It was, Hey, my hat's off to you. That was
• 7:38
  Speaker 2: a good one. You know what eggs on my face?
• 7:41
  Speaker 2: You got me there. That's kind of like what I
• 7:44
  Speaker 2: saw in that. I don't know what could have actually been.
• 7:49
  Speaker 4: Yeah, because it was just just a slow crank and
• 7:52
  Speaker 4: we don't see that much with her, so I.
• 7:54
  Speaker 2: Slow crank, Yeah, I appreciate it was also Whitney being
• 7:58
  Speaker 2: like did you think that on your own? Or did
• 8:01
  Speaker 2: you write that down with John? You know, like I
• 8:03
  Speaker 2: think that she was thinking good one. How long were
• 8:06
  Speaker 2: you working on that? But Lisa just fired it off?
• 8:11
  Speaker 4: And is that also then when Bronan was like, oh,
• 8:13
  Speaker 4: I guess we fixed everything, and then they cut to
• 8:16
  Speaker 4: the credits the editors.
• 8:19
  Speaker 2: Yea, oh because because John Barlow came in, that's John
• 8:24
  Speaker 2: Barlow tried to shut it down, which I actually he
• 8:28
  Speaker 2: kind of did shut it down, to be honest with you.
• 8:30
  Speaker 2: He was like, Whitney, did you did you? Did you
• 8:34
  Speaker 2: believe that Lisa did that? And can you just ask
• 8:37
  Speaker 2: her that? And she's like, Lisa, did you do that?
• 8:40
  Speaker 2: And Lisa's like, no, I didn't. He's like done and
• 8:45
  Speaker 2: then he's like, Lisa, do you want to ask Whitney whatever?
• 8:48
  Speaker 2: And then she was like Whitney or no. Yeah, She's like, Whitney,
• 8:52
  Speaker 2: did you mean to do that when you said that?
• 8:54
  Speaker 2: And she's like no, I did, NA didn't and he's
• 8:56
  Speaker 2: like done. And then it's like Bran wins funny confessional
• 9:02
  Speaker 2: was Oh wow, the men have come in and saved
• 9:04
  Speaker 2: it all for us. I guess that's the end, and
• 9:07
  Speaker 2: then cut to the music.
• 9:08
  Speaker 4: Cut to the credit at the hot up footage at
• 9:10
  Speaker 4: the end with the credits.
• 9:13
  Speaker 2: It's good.
• 9:14
  Speaker 4: I thought it was great.
• 9:15
  Speaker 2: They had a lot of fun. These editors had a
• 9:17
  Speaker 2: great time. Yeah, this episode. Now here's where I have
• 9:22
  Speaker 2: a real problem with Sean, Angie's husband. He is. I mean,
• 9:27
  Speaker 2: I know people might be having issues with Todd right
• 9:29
  Speaker 2: now in the bravosphere, but I'm having an issue with Sean.
• 9:33
  Speaker 2: That's who I have the biggest issue with. He seems
• 9:35
  Speaker 2: to be a gas lighter and when and we can
• 9:39
  Speaker 2: obviously talk about what he said to Meredith about saying,
• 9:42
  Speaker 2: oh you're playing victim now later, but I did not
• 9:45
  Speaker 2: like how he was like saying to Lisa, He's like,
• 9:49
  Speaker 2: it's borderline abuse that you called her a fucking bitch.
• 9:53
  Speaker 2: I'm like, have you seen this show? Also, your wife
• 9:56
  Speaker 2: stood up and you know, knocked a chair over, not
• 10:00
  Speaker 2: even out of anger faking, but like breaking glasses, right,
• 10:04
  Speaker 2: that's not borderline abuse. Sean.
• 10:07
  Speaker 4: Yeah, I just want to be like, stay out of it, guys,
• 10:11
  Speaker 4: just stay out of it, right, And I know, And
• 10:14
  Speaker 4: also it was a weird thing Justin said about like, oh,
• 10:17
  Speaker 4: what's the difference here with the men getting involved?
• 10:20
  Speaker 3: And then he's implying that it's seth. I'm like, you want.
• 10:23
  Speaker 4: To be Joe Gorga so bad justin Yeah, you want
• 10:27
  Speaker 4: your spaghetti sauce commercial in between uh, Bravo episodes, like
• 10:34
  Speaker 4: you want in this thing so bad?
• 10:36
  Speaker 2: Did Joe Gorga have a spaghetti sauce commercial? Oh?
• 10:39
  Speaker 3: Yeah, the Gorgas have one.
• 10:41
  Speaker 4: It's him, it's him, Uh yeah, it's mare Nera and
• 10:46
  Speaker 4: then Melissa comes in and their son's there.
• 10:48
  Speaker 1: Yeah.
• 10:49
  Speaker 2: I mean I edit at it because if I say
• 10:52
  Speaker 2: I don't know this, they're doing commercials for REOs.
• 10:56
  Speaker 4: Yeah, but I think it's only when the just during Jersey,
• 11:01
  Speaker 4: but it's.
• 11:02
  Speaker 2: Only on robos.
• 11:04
  Speaker 3: Yeah.
• 11:04
  Speaker 2: The reason why I didn't know that, you guys, is
• 11:06
  Speaker 2: because I either watch it the Bravo screeners where I'm
• 11:09
  Speaker 2: watching it on Peacock. So it's not that I don't
• 11:12
  Speaker 2: know what's going on. I just.
• 11:16
  Speaker 4: You know everybody and I agree, you don't understand the rayoverse,
• 11:21
  Speaker 4: and everybody says Amy does not pay attention to the Rayoverse. No.
• 11:26
  Speaker 2: I love the Raio verse. I love Rao Sauce. I
• 11:29
  Speaker 2: really really do. That's why I'm so impressed that they
• 11:31
  Speaker 2: got that campaign. Wow. And it's just probably on Bravo
• 11:35
  Speaker 2: and that's it. Like, it's not going anywhere else. It's
• 11:38
  Speaker 2: isolated to that cable station.
• 11:40
  Speaker 4: Yeah, and I'm pretty sure that it's in their home
• 11:43
  Speaker 4: and I'm pretty sure they they were able to get it.
• 11:46
  Speaker 3: In one take.
• 11:48
  Speaker 4: It feels like that though, well it feels like a
• 11:50
  Speaker 4: hundred but it sure feels not very naturally one take.
• 11:56
  Speaker 2: Hey, you want me to take my pants off for this? No, No,
• 12:00
  Speaker 2: Rayo's does not want to have that kind of branding. Joe,
• 12:04
  Speaker 2: Oh my god.
• 12:06
  Speaker 4: It's long too. It's a long commercial anyway.
• 12:10
  Speaker 2: Okay, Yeah, Sean wants that, but he is contradicting himself,
• 12:16
  Speaker 2: and I don't like him coming to Lisa and like
• 12:19
  Speaker 2: saying all these things to her directly and then contradicting
• 12:22
  Speaker 2: himself yet again later with Meredith. I have an issue
• 12:25
  Speaker 2: with him, But at the end of this conversation, Lisa
• 12:29
  Speaker 2: does say to Angie, you know, if I hurt you,
• 12:31
  Speaker 2: I'm sorry, and then Seth just tries to break it
• 12:34
  Speaker 2: up with his asparagus pea talk so he gets us
• 12:37
  Speaker 2: out of that, which is fine. I think we needed
• 12:40
  Speaker 2: a little bit of a shift, and Seth is fine
• 12:42
  Speaker 2: for that.
• 12:43
  Speaker 4: I will say I'm not a Sewan fan. That said
• 12:47
  Speaker 4: of everybody that is going to maybe get in and
• 12:51
  Speaker 4: maybe has something to say, he I feel like was
• 12:54
  Speaker 4: really dragged in unwillingly less or it was at Angie's
• 12:59
  Speaker 4: for season last season with the room brs and then ask.
• 13:04
  Speaker 2: Hamsmand yeah, so absolutely, you're right.
• 13:08
  Speaker 4: I do feel like he does. We should be hearing
• 13:10
  Speaker 4: something from him, but I'm just not.
• 13:13
  Speaker 3: Enjoying what I'm hearing.
• 13:15
  Speaker 2: But we should have heard from him last season like
• 13:18
  Speaker 2: we did this season. He's got nothing, he doesn't need
• 13:21
  Speaker 2: to add anything, especially with Lisa. The follow up with
• 13:24
  Speaker 2: Meredith completely fine, But when they had that conversation, I'd
• 13:28
  Speaker 2: like to jump to it at the dinner table at
• 13:30
  Speaker 2: the end when they're going back and forth. You know,
• 13:34
  Speaker 2: he we heard the audio, and I love that they
• 13:37
  Speaker 2: played it for us because he did say she's leveraging
• 13:41
  Speaker 2: her son Yeap, to deflect or to get herself out
• 13:45
  Speaker 2: of this situation. He actually said that, and then here
• 13:48
  Speaker 2: he is completely denying it, and he's saying, did you
• 13:51
  Speaker 2: listen to the podcast? It's like, well, obviously you didn't
• 13:54
  Speaker 2: because you did say the words her son. So whether
• 13:58
  Speaker 2: or not you meant it to be mean and vindictive,
• 14:04
  Speaker 2: you still mentioned it and it's still warrants an apology.
• 14:07
  Speaker 2: And he completely talking about his pet peeve. When they
• 14:13
  Speaker 2: had that conversation.
• 14:15
  Speaker 4: I walked away from that conversation. You were good, and
• 14:18
  Speaker 4: now you bring it up and we're not good. Welcome in, Sean.
• 14:22
  Speaker 2: Yeah, are you a housewife? Yeah, you are a housewife. Yeah,
• 14:28
  Speaker 2: welcome in.
• 14:31
  Speaker 4: He's got like so much layered it out perfectly. I'm like, yeah,
• 14:35
  Speaker 4: that's where we are right now, buddy, Yeah.
• 14:38
  Speaker 2: Yeah. And then he's like my pet peeve that when
• 14:41
  Speaker 2: I say I'm sorry to somebody or no, he doesn't
• 14:44
  Speaker 2: even say sorry. When I have a conversation with somebody
• 14:47
  Speaker 2: and I have them take accountability and I don't take accountability,
• 14:52
  Speaker 2: I walk away feeling great. So when I find out
• 14:55
  Speaker 2: that they have a problem, boy, that really, you know,
• 14:58
  Speaker 2: scratches my ass.
• 15:00
  Speaker 4: It's like, why didn't you just say it then?
• 15:02
  Speaker 2: Like come on, dude, Yeah, he's in another world of delusion.
• 15:07
  Speaker 3: Also, they were at his house when they had that conversation,
• 15:10
  Speaker 3: at his anniversary party. I can see Meredith just being like.
• 15:14
  Speaker 2: Yeah, him a little bit. Yeah, and then he's like,
• 15:17
  Speaker 2: I didn't say anything about your son in the press,
• 15:20
  Speaker 2: and then Whitney is like give the proof, which is like,
• 15:24
  Speaker 2: stay out of it.
• 15:25
  Speaker 4: But also Heather's like, easy, I am not there to
• 15:28
  Speaker 4: deliver the line and that is the right trademark.
• 15:32
  Speaker 2: Don't take it, don't tag it. And then Sean pulls
• 15:36
  Speaker 2: up the headline and is like proof bach, which is
• 15:40
  Speaker 2: his attempt at being that was Seth. I'm sorry. What
• 15:43
  Speaker 2: did I say?
• 15:43
  Speaker 1: Oh?
• 15:44
  Speaker 2: Yeah, I'm sorry, Seth, Yes, apologize my notes are wrong.
• 15:47
  Speaker 3: Yeah, but I but yeah, what did you think about?
• 15:50
  Speaker 5: That?
• 15:50
  Speaker 2: Not a big deal. When Sean, he's so literal and
• 15:53
  Speaker 2: he has no sense of humor or timing or understanding
• 15:58
  Speaker 2: of anything. So when he was like, huh that was uh.
• 16:02
  Speaker 2: That meant the word bitch. When someone says bac, that
• 16:06
  Speaker 2: means the actual word bitch, which means that he is
• 16:11
  Speaker 2: calling you a bitch, which is a female dog but
• 16:15
  Speaker 2: ultimately the greatest insult, and that's what he meant, and
• 16:19
  Speaker 2: that is borderline abuse. So him just taking it to
• 16:22
  Speaker 2: the next level is ridiculous.
• 16:25
  Speaker 4: And quite frankly, no, I didn't like it.
• 16:28
  Speaker 2: You didn't okay, it didn't bother me. It didn't bother
• 16:31
  Speaker 2: me that much.
• 16:32
  Speaker 4: There was something in his face and the way he
• 16:36
  Speaker 4: was like bitch that I could like in that moment,
• 16:39
  Speaker 4: if I were Whitney, I would be like, okay, dude,
• 16:43
  Speaker 4: like it was just very aggressive.
• 16:45
  Speaker 2: Now, yeah it was. It was aggressive.
• 16:48
  Speaker 4: I don't think it. I don't think it was like
• 16:50
  Speaker 4: cut him off kind of thing. But I just feel like,
• 16:53
  Speaker 4: m it is upset because people were coming for his kid.
• 16:57
  Speaker 2: It's his son, and Whitney is getting involved when she
• 17:00
  Speaker 2: doesn't need to. And she literally was like, where's the.
• 17:03
  Speaker 4: Proof that she's true?
• 17:05
  Speaker 2: She was provoking. But here's where I agree in the
• 17:09
  Speaker 2: sense that he shouldn't be respond like the men should
• 17:12
  Speaker 2: not be responding to these types of things. But it's
• 17:13
  Speaker 2: very difficult when it's you're talking about your own son
• 17:16
  Speaker 2: and he's at the table. So he pulled it up,
• 17:19
  Speaker 2: and yes, in a perfect world, he should have just
• 17:22
  Speaker 2: been like, here's the proof instead of trying to be funny.
• 17:26
  Speaker 2: And yet there's anger behind it. It's not going to
• 17:28
  Speaker 2: land well. So at the same time, I kind of
• 17:32
  Speaker 2: feel like, uh, yeah, he didn't handle it perfectly, but
• 17:35
  Speaker 2: it wasn't as bad as I feel like it he
• 17:38
  Speaker 2: took it.
• 17:39
  Speaker 3: Yeah. Yeah, now I think I can land there with that.
• 17:43
  Speaker 2: H that's about right, and there really is proof and
• 17:45
  Speaker 2: the fact that Sean just kept trippling. He was like,
• 17:48
  Speaker 2: I will triple down that I never mentioned your son
• 17:51
  Speaker 2: and I didn't leverage Brooks as a pawn. And then
• 17:55
  Speaker 2: he says for you to victimize yourself once again. I
• 18:00
  Speaker 2: was like, oh, this is really triggering me, Like, yeah,
• 18:04
  Speaker 2: this is triggering the misogynistic, you know, tendencies that that
• 18:10
  Speaker 2: men have towards women. And for me, I was like,
• 18:13
  Speaker 2: it made me feel fire inside and so for me
• 18:15
  Speaker 2: to get that kind of feeling, I thought, that's wrong.
• 18:18
  Speaker 4: Yeah, and I don't think that that could have been
• 18:21
  Speaker 4: I got to put it all on Sean because I
• 18:22
  Speaker 4: don't that's him. I don't think it's like, oh well,
• 18:25
  Speaker 4: maybe he got an unkind edit. I'm like, no, this
• 18:28
  Speaker 4: bitch talks down to women. He thinks he's helping them. Yeah, Beach,
• 18:34
  Speaker 4: he's like like, let he's like browbeating her and yaslating
• 18:38
  Speaker 4: her at the same time. And I was like, get
• 18:40
  Speaker 4: the fuck out of my table.
• 18:41
  Speaker 2: Yeah. And also Meredith handled it really well. She yeah,
• 18:47
  Speaker 2: tried to explain it in several different ways. And I
• 18:50
  Speaker 2: wish that they did have the proof, the actual line
• 18:53
  Speaker 2: and the audio recording right there to show him, But
• 18:57
  Speaker 2: then that would have really been They probably would have
• 19:00
  Speaker 2: held that against Meredith, like, oh, do you have an
• 19:02
  Speaker 2: audio recording now you know, because that mighty would have
• 19:05
  Speaker 2: shut him up, or he could have explained, you know what,
• 19:08
  Speaker 2: You're right. I said the word son, and I'm I
• 19:11
  Speaker 2: am sorry for that. So what I meant was you
• 19:13
  Speaker 2: know or something?
• 19:15
  Speaker 3: Yeah, I was.
• 19:16
  Speaker 4: I think that she would have been fine to have it,
• 19:19
  Speaker 4: but I was glad she did. I felt very like,
• 19:23
  Speaker 4: I don't know, I could have gone either way on
• 19:24
  Speaker 4: that too, because if she had it, I would be like, oh,
• 19:26
  Speaker 4: this clearly really upset her and fucking she knows exactly
• 19:31
  Speaker 4: what you said. And I know what, I just want
• 19:33
  Speaker 4: to see his face here.
• 19:35
  Speaker 2: I want to see his face. Oh, he probably still
• 19:37
  Speaker 2: deny it. But you know what I think is at
• 19:38
  Speaker 2: the bottom of this, he's still mad about last year.
• 19:42
  Speaker 2: And you know what my pet peeve is Emily when
• 19:45
  Speaker 2: cast members come into a season and they say they're
• 19:48
  Speaker 2: over it, and everyone's apologized and they accept their apology,
• 19:52
  Speaker 2: but underneath that they're still angry and they still am
• 19:55
  Speaker 2: a vendetta and it comes out in all these different
• 19:57
  Speaker 2: ways by using someone of being a vict him and
• 20:00
  Speaker 2: victimizing themselves and not owning things and.
• 20:04
  Speaker 4: Yeah, so hot, that's a pet piece.
• 20:07
  Speaker 5: Is it? Really?
• 20:08
  Speaker 2: It's so crazy? Oh my god, what a coincidence. So
• 20:12
  Speaker 2: I just think he's still mad, and I think that
• 20:15
  Speaker 2: he is trying to get back at her underneath all this,
• 20:17
  Speaker 2: which is why he's not even willing to look at
• 20:20
  Speaker 2: any of it.
• 20:22
  Speaker 4: Keep in mind, by the way, to Meredith's point, he's
• 20:26
  Speaker 4: mad at her, But she didn't start the rumors.
• 20:29
  Speaker 2: She had start the what you can't say that word.
• 20:33
  Speaker 3: Without saying sorry and then nastiness.
• 20:38
  Speaker 4: Yeah, now that's where I get a little like okay,
• 20:42
  Speaker 4: but Meredith.
• 20:44
  Speaker 2: Well she brought it up, so yeah she did over
• 20:47
  Speaker 2: Yeah the woman I know him on a husband.
• 20:53
  Speaker 3: Yeah.
• 20:54
  Speaker 2: Well anyway, okay, so why don't we Yeah, Oh.
• 20:59
  Speaker 4: Go ahead, I was going to say, because like after
• 21:02
  Speaker 4: they get up to pee, is that when we see
• 21:05
  Speaker 4: Mary back home?
• 21:07
  Speaker 2: That's what I was just going to say. We need
• 21:09
  Speaker 2: to talk about Mary and Robert Junior and Lex eating
• 21:13
  Speaker 2: donuts in the bed and being you know, in what
• 21:16
  Speaker 2: looks like allegedly an altered state. So you know, I
• 21:20
  Speaker 2: appreciate that the editors are trying to make it look
• 21:23
  Speaker 2: funny and trying to bring comedic timing into it by
• 21:27
  Speaker 2: stripping out audio and kind of making them look like
• 21:29
  Speaker 2: Beavis and butt Head. But at the end of the day,
• 21:32
  Speaker 2: we all know what's actually going on, and it's very
• 21:34
  Speaker 2: serious and it is extremely sad, and I feel very
• 21:40
  Speaker 2: bad for them.
• 21:42
  Speaker 4: I don't I mean, I see what you're saying. I
• 21:44
  Speaker 4: don't get the vibe that they're trying to make it comedic.
• 21:47
  Speaker 4: I felt it felt pretty raw to me.
• 21:50
  Speaker 2: Oh really okay, But.
• 21:52
  Speaker 4: Maybe that was more because Mary was so raw. There's
• 21:56
  Speaker 4: a something in her voice that we don't hear any
• 21:58
  Speaker 4: other time. But when she's like, my son is missing,
• 22:02
  Speaker 4: I have to find him, you know, like these so
• 22:04
  Speaker 4: I just there was something like very Mary is just
• 22:09
  Speaker 4: meant to be taken very seriously in these scenes, I
• 22:12
  Speaker 4: guess yeah.
• 22:14
  Speaker 2: And she's got the head piece on, which is always
• 22:17
  Speaker 2: a jump cut to that. It's like, whoa, because we're
• 22:19
  Speaker 2: going from like the Beavis and butt Head like they're
• 22:22
  Speaker 2: here's what I thought was comedic. The immediate shot is
• 22:25
  Speaker 2: them like eating donuts when they're filming, and I'm like,
• 22:30
  Speaker 2: this is so ridiculous, So why are you showing them
• 22:35
  Speaker 2: do that? I think they look high as f you know,
• 22:40
  Speaker 2: they look like they are so then you just have
• 22:43
  Speaker 2: them sitting in bed and it's like, is this summer house?
• 22:46
  Speaker 2: You know?
• 22:48
  Speaker 4: I think, Like, to me, it just felt so real,
• 22:53
  Speaker 4: like it felt.
• 22:54
  Speaker 2: Like, yeah, it did feel real.
• 22:57
  Speaker 4: Even when Mary's like, I feel like I'm talking to
• 22:59
  Speaker 4: two little babies and the girlfriend's like blink.
• 23:03
  Speaker 2: Yeah, She's like yeah, and I was just I was scary.
• 23:07
  Speaker 2: I'm sorry, Yeah it was.
• 23:09
  Speaker 3: It does feel very different.
• 23:12
  Speaker 2: I'm shocking that Mary would Yeah, I'm shocked that Mary
• 23:15
  Speaker 2: would allow them to be filmed. Like I don't even
• 23:18
  Speaker 2: understand that choice.
• 23:20
  Speaker 3: I don't know.
• 23:21
  Speaker 2: Yeah, look, if I had kids, and if I had kids, no,
• 23:26
  Speaker 2: I'm saying, if my child was struggling in some way
• 23:30
  Speaker 2: in which I knew that they were with, whether it
• 23:33
  Speaker 2: be drugs or alcohol or something, and I'm shooting a
• 23:37
  Speaker 2: reality show, I'm not going to put them on camera, Like,
• 23:40
  Speaker 2: I'm not going to expose them in that way.
• 23:42
  Speaker 4: Yeah, he's also like an adult, and maybe she thought
• 23:47
  Speaker 4: him seeing himself on camera would help him.
• 23:50
  Speaker 3: I don't know.
• 23:50
  Speaker 2: Oh, kind of like an intervention meets Housewives situation. That's
• 23:54
  Speaker 2: a maybe. I think that he probably maybe he gets paid.
• 23:59
  Speaker 2: I don't know because he's not a child. So if
• 24:01
  Speaker 2: he's an adult and they're twenty one, they're going to
• 24:04
  Speaker 2: agree to it because they need the money.
• 24:06
  Speaker 3: Yeah, maybe Mary's paying him, because I don't think Bravo
• 24:09
  Speaker 3: is because like, husbands don't even get paid.
• 24:11
  Speaker 2: So that's what I'm wondering, wondering if I do now
• 24:15
  Speaker 2: I play them.
• 24:16
  Speaker 4: I bet Mary's like, this is your job. You have
• 24:19
  Speaker 4: to be on camera with me because I can't film
• 24:22
  Speaker 4: with Robert Senior, So I will pay you x both
• 24:25
  Speaker 4: of you.
• 24:26
  Speaker 2: You're probably right because she was done, like, her face
• 24:29
  Speaker 2: was beat like she had makeup on, she had an outfit,
• 24:32
  Speaker 2: and I guarantee you that it's not what they exactly
• 24:35
  Speaker 2: look like when they're in that room for hours on end.
• 24:38
  Speaker 3: Oh yeah, the girlfriend totally she was done up. Yeah,
• 24:42
  Speaker 3: she had a face.
• 24:43
  Speaker 4: And then when Mary came in, the girlfriend's like, wow,
• 24:46
  Speaker 4: you look really great. I was like, does Mary walk
• 24:49
  Speaker 4: around there not perfect? I can't imagine that either.
• 24:52
  Speaker 2: Right, Well, next week, you know, we do see a
• 24:55
  Speaker 2: flash forward too, or actually it's the mid season trailer
• 24:59
  Speaker 2: where where's a it's a very emotional conversation she's having
• 25:02
  Speaker 2: with Robert Jr. And he's crying, and but to see
• 25:06
  Speaker 2: her in this confessional and be like, I don't know,
• 25:09
  Speaker 2: you know who this person is. I feel like I've
• 25:12
  Speaker 2: lost him to something and it's just right before our
• 25:16
  Speaker 2: very eyes and it's really really heartbreaking and it's hard
• 25:20
  Speaker 2: to see. Yeah, agreat So back to the Meanwhile, back
• 25:27
  Speaker 2: at the ranch, we got the another little parody situation
• 25:31
  Speaker 2: going on that they editors had fun with, which is
• 25:34
  Speaker 2: the Salt Lake City Top Wives thin off of Top Gun.
• 25:40
  Speaker 2: So they got super cute.
• 25:43
  Speaker 4: Yeah, and the song was like getting over Drive, kicking
• 25:47
  Speaker 4: I Gear. It's like the public domain version of Danger.
• 25:51
  Speaker 2: So it was awesome.
• 25:53
  Speaker 4: It was like it was really good spot on you know,
• 25:58
  Speaker 4: yeah driving, getting over Driving.
• 26:03
  Speaker 2: Yeah.
• 26:04
  Speaker 4: In the hag Year, Yeah, lexapro.
• 26:08
  Speaker 2: And then we get to bron Win in Todd's tenth
• 26:11
  Speaker 2: anniversary dinner party, where we got to see that necklace
• 26:16
  Speaker 2: just sparkling away and lit up all the palm springs.
• 26:20
  Speaker 4: And Whitney arrived in a dress very much like what
• 26:23
  Speaker 4: Alexis wore did the bridesmaid party on O se a
• 26:27
  Speaker 4: nice like Maxie dark green dress.
• 26:31
  Speaker 3: That's totally fine Alexis.
• 26:34
  Speaker 2: Anyway, Johnny Jay said, it's not. Was her like in
• 26:41
  Speaker 2: two pieces or kind of connected. There was a midriff
• 26:44
  Speaker 2: situation maybe going on. I just always imagine her in
• 26:46
  Speaker 2: a midriff midriff.
• 26:47
  Speaker 4: Situation see that. But it was definitely like a corset
• 26:50
  Speaker 4: cut on top. It was different, but it just made
• 26:53
  Speaker 4: me think of the other dress.
• 26:56
  Speaker 2: You know, Meredith Mars had on seth great representation.
• 27:00
  Speaker 4: It was a Brooks Marx hat. It was Brook's hat
• 27:03
  Speaker 4: and they got called out as Meredith and I was like,
• 27:05
  Speaker 4: it's his kid's hat.
• 27:07
  Speaker 2: It didn't say Meredith Mars.
• 27:09
  Speaker 3: It says Brooks Brooks Marks.
• 27:15
  Speaker 2: That's so funny.
• 27:16
  Speaker 1: I have it.
• 27:17
  Speaker 4: Okay, Wow, I mean I'm sure it all's the same,
• 27:21
  Speaker 4: but I mean still, I thought it was kind of cool.
• 27:23
  Speaker 4: It was his son's hat. Yeah, anyway, he's I mean
• 27:27
  Speaker 4: ball cap, but.
• 27:28
  Speaker 2: Probably why he wore it to represent Brooks in that argument. Yeah.
• 27:34
  Speaker 2: And then they end up playing the Angie's Newlywed game
• 27:38
  Speaker 2: where she's like, all right, everybody, I always wanted to
• 27:41
  Speaker 2: be on this newlywed show show here's my version. Is
• 27:46
  Speaker 2: it just for the couples that're on TV, so sorry
• 27:48
  Speaker 2: about you guys with the unruled trible oh raw Lo's poorer,
• 27:53
  Speaker 2: and then we just get all their weird questions and
• 27:56
  Speaker 2: then see all their weird answers that I don't really
• 27:59
  Speaker 2: need to know about. But John Barlow talking about Lisa
• 28:02
  Speaker 2: on Top was very surprising.
• 28:04
  Speaker 4: Yeah, it was also funny because like bron Wynn said
• 28:08
  Speaker 4: something about.
• 28:09
  Speaker 3: Lifetime just subscription to BJ, and then Antie was.
• 28:11
  Speaker 5: Like, I mean I'm going to have to give him
• 28:14
  Speaker 5: a lifetime med J for that dird like she like
• 28:19
  Speaker 5: caught got caught up, and then it was she definitely
• 28:23
  Speaker 5: said me J, me J.
• 28:28
  Speaker 3: And then nothing happened by the end of the sentence.
• 28:30
  Speaker 3: But calm down, Angie.
• 28:33
  Speaker 2: Yeah, was like, oh no, really, I love my husband.
• 28:36
  Speaker 2: I really am attracted to my husband.
• 28:38
  Speaker 4: I am.
• 28:41
  Speaker 2: And then I don't promise him anything because he sleeps
• 28:43
  Speaker 2: and he snores, and then he's aways I don't know,
• 28:47
  Speaker 2: and then yeah, ANGI really strawn. And it's just slow motion.
• 29:04
  Speaker 4: Yeah, I mean, I mean, yeah, what where where are
• 29:07
  Speaker 4: we on this Todd situation? Oh right, well, I mean
• 29:11
  Speaker 4: the bron went the way she handled that toast was insane.
• 29:16
  Speaker 4: If I'm Todd listening to that, I'm like, do you
• 29:19
  Speaker 4: hate me? When she was like, well she she just
• 29:23
  Speaker 4: was kind of like this guy, right. And I didn't
• 29:28
  Speaker 4: write any of it down. I should have so I
• 29:29
  Speaker 4: could directly quote it. But here I am Meredith talking
• 29:32
  Speaker 4: to Sean. I have no proof. Yeah, but it just
• 29:36
  Speaker 4: seemed like it was. You know, she kind of dismissed
• 29:38
  Speaker 4: him pretty hard in the toast. In the toast, yeah, oh.
• 29:42
  Speaker 2: Yeah, she definitely has some roasting left and right. I
• 29:46
  Speaker 2: think it's a coping mechanism for sure.
• 29:49
  Speaker 4: Yeah, but I don't I don't know. We can get
• 29:52
  Speaker 4: to Todd when when you when you're ready.
• 29:58
  Speaker 2: I'm talking for I know. Okay, Well, Justin and Lisa
• 30:04
  Speaker 2: apologize to each other, which is nice. And now the
• 30:08
  Speaker 2: Ali Baba fight is I hope over at least for now.
• 30:13
  Speaker 2: And that was good. That was very good. I was
• 30:14
  Speaker 2: happy to see that. And Meredith tells Sean that, you
• 30:19
  Speaker 2: know what, let me take a quick break. You can
• 30:22
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• 35:02
  Speaker 2: Better Help. You know what, I'd like to take a
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  Speaker 2: minute just to give a little shout out to my
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  Speaker 2: own personal therapist. I know you're listening, and listen. I
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  Speaker 2: just think that we all don't give enough shout outs
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  Speaker 2: to ourselves. Maybe you don't take the time to pat
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• 35:21
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• 35:25
  Speaker 2: showing up. As they say, I'm the Bachelor. But listen,
• 35:29
  Speaker 2: this month is all about gratitude and along with my therapist,
• 35:34
  Speaker 2: who I just shouted out publicly to the world because
• 35:37
  Speaker 2: I'm not ashamed to be in therapy, but we also
• 35:41
  Speaker 2: need to thank ourselves. And it's hard to remind ourselves
• 35:45
  Speaker 2: that we're trying our best to make sense of everything
• 35:48
  Speaker 2: in this world, in this crazy, crazy world, and it's
• 35:50
  Speaker 2: just not easy. So here's a reminder to all you
• 35:54
  Speaker 2: darlings out there that to send some thanks to yourself
• 35:57
  Speaker 2: and the people in your life, but don't forget to
• 35:59
  Speaker 2: include you on that now. My therapy journey has been fantastic.
• 36:06
  Speaker 2: I have gone through hard times. I've many times I
• 36:10
  Speaker 2: haven't wanted to show up for myself for my appointment,
• 36:14
  Speaker 2: and I've benefited from it, whether it's little things like
• 36:19
  Speaker 2: how to be a better parent, or harder things like
• 36:23
  Speaker 2: you know, putting up more boundaries for myself, and maybe
• 36:28
  Speaker 2: little things like I don't want to end up like
• 36:30
  Speaker 2: a specific real housewife, so what can I do to
• 36:34
  Speaker 2: make sure that doesn't happen. Maybe you've got some things
• 36:37
  Speaker 2: you'd like to work on, and it's also one of
• 36:39
  Speaker 2: those things where you don't need to have major trauma
• 36:43
  Speaker 2: in your life or have experienced it in order to
• 36:46
  Speaker 2: benefit from therapy. To empower you to be the best
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• 37:18
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• 37:25
  Speaker 2: and we're back talking about the Real Housewives of Salt
• 37:28
  Speaker 2: Lake City. So here we have tod which we can
• 37:33
  Speaker 2: discuss now Emily. And this is when Angie stops playing
• 37:38
  Speaker 2: her newly award girme.
• 37:40
  Speaker 4: But they're all in their blankets from Aruba, curled up
• 37:43
  Speaker 4: in the in their capes.
• 37:45
  Speaker 2: Yes, yeah, same likekets. Yes, that's so funny. Those must
• 37:49
  Speaker 2: obviously be production blankets.
• 37:52
  Speaker 3: I hope they bring I hope they pack them every time.
• 37:55
  Speaker 4: Get your capes.
• 37:58
  Speaker 2: We always wrap to your health of these blanks gets
• 38:00
  Speaker 2: in case something very serious rappens. Don't buy the beach
• 38:04
  Speaker 2: and the wind is winding. So yeah, So the game
• 38:11
  Speaker 2: ends and then Angie's like, okay, so well, well let's
• 38:14
  Speaker 2: talk about something or else. So Todd Gwen was reconnecting
• 38:20
  Speaker 2: with her grandparents. It's so exciting. Are throw a party
• 38:23
  Speaker 2: a Greek a Greek theme? If you want to know,
• 38:26
  Speaker 2: She's not. We're not going there. This is not gonna happen.
• 38:29
  Speaker 4: Don we're just talking about that's worse. This is worse.
• 38:33
  Speaker 4: I was like, this is worse, Angie, what are you doing?
• 38:36
  Speaker 2: She's so she put her foot in her mouth. She
• 38:39
  Speaker 2: didn't know, but I like that, you know, she just
• 38:41
  Speaker 2: didn't know. How is anyone to know when you're not
• 38:44
  Speaker 2: in these conversations? And uh and yeah, she's like, ron Win,
• 38:49
  Speaker 2: yeah we're not dead. It's not a get good conversation topic.
• 38:54
  Speaker 2: And Lisa, Lisa knew because she just coincidentally ran into
• 38:58
  Speaker 2: them and saw the picture I accidentally pulled up and
• 39:01
  Speaker 2: showed her, and yeah, Todd shut it down. I here's
• 39:09
  Speaker 2: where I land with him at this point, and this
• 39:11
  Speaker 2: is that I did not have a problem with that
• 39:14
  Speaker 2: at all. He's protective over his daughter. He is extremely
• 39:18
  Speaker 2: disappointed that the grandparents have acted this way her entire life.
• 39:22
  Speaker 2: He also doesn't want to discuss this on camera. Totally fine,
• 39:26
  Speaker 2: Yeah done, Like if any housewife would have said that
• 39:29
  Speaker 2: acceptable as well. So and then in ron Win's confessional,
• 39:33
  Speaker 2: she's like, Toad has a specific point where you have
• 39:38
  Speaker 2: to shut the fuck you know. So interesting that we
• 39:44
  Speaker 2: see in the mid season trailer where she's like, if
• 39:47
  Speaker 2: you really want to know what the issues have been,
• 39:51
  Speaker 2: what we've gone through, you know, we can go there,
• 39:55
  Speaker 2: which I thought.
• 39:55
  Speaker 4: We saw some Todd coming out this episode for sure.
• 40:00
  Speaker 2: Yep. So where are you at with with Todd?
• 40:03
  Speaker 3: I feel like he's a little here.
• 40:05
  Speaker 4: There's there's just a whiff of all the legal side
• 40:10
  Speaker 4: of Tom Girardi coming through.
• 40:12
  Speaker 3: It reminds me a little bit of Wow.
• 40:16
  Speaker 4: That dynamic in general reminds me a little bit of
• 40:19
  Speaker 4: Erica and Tom.
• 40:20
  Speaker 2: Oh my gosh, you're so right.
• 40:23
  Speaker 3: But he's not as biting as Tom Girardi.
• 40:26
  Speaker 4: But there's just something about the stay in line that
• 40:31
  Speaker 4: I'm giving you this wonderful life, but.
• 40:33
  Speaker 3: There is a price to pay.
• 40:35
  Speaker 4: Yeah, that's the vibe I get, absolutely, And so where
• 40:39
  Speaker 4: it's not as biting and doesn't seem as oppressive as
• 40:43
  Speaker 4: Tom Girardi, that's where I'm thinking like, hmmm, well, well
• 40:48
  Speaker 4: he is kind of paying for everything. He's paying for
• 40:51
  Speaker 4: this whole trip, and he's clearly works really hard and
• 40:55
  Speaker 4: he doesn't want the bullshit. So but there's something about
• 40:59
  Speaker 4: it that, yeah, just it tips the line of like
• 41:02
  Speaker 4: I'm not comfortable with it, but I'm more comfortable than
• 41:06
  Speaker 4: the Girardi situation.
• 41:07
  Speaker 2: And I remember when we first were introduced to Tom Girardi,
• 41:10
  Speaker 2: and there were similar feelings where it was like, well
• 41:13
  Speaker 2: that was a little abrupt, but you know, he's this
• 41:15
  Speaker 2: high powered lawyer and he's a good person because the
• 41:18
  Speaker 2: Aaron Brockovich and all that, so you kind of he
• 41:21
  Speaker 2: got a lot of passes up front, and it was
• 41:24
  Speaker 2: always like, you know, done, He's always there's any and
• 41:27
  Speaker 2: I love him so much. You know. It was like
• 41:29
  Speaker 2: you're trusting the housewife that everything's great, and then you
• 41:32
  Speaker 2: see the dynamic and you're like huh.
• 41:35
  Speaker 4: But then then we had that dinner where Lisa, oh yeah,
• 41:39
  Speaker 4: and he shut Lisa vander Pump up.
• 41:41
  Speaker 2: That's when we were all like, he shut up Erica. Yeah,
• 41:45
  Speaker 2: he shut up Erica and then he shut up Lisa
• 41:47
  Speaker 2: vander Pump. I don't know if it was the same dinner.
• 41:49
  Speaker 2: I think it was because I think he maybe went
• 41:51
  Speaker 2: to Yeah, it was two things. So in the entire time,
• 41:55
  Speaker 2: like he would wasn't there very often. So yeah, I'm
• 41:58
  Speaker 2: getting that vibe toumb. It's a perfect big way to
• 42:00
  Speaker 2: describe it.
• 42:01
  Speaker 4: So yeah, and maybe I would rather. And then I
• 42:05
  Speaker 4: think about like David Foster and like him demanding, like
• 42:08
  Speaker 4: no one singing, and there's something about.
• 42:12
  Speaker 3: This level of wealth and.
• 42:13
  Speaker 2: David the piano my love shut up, He'll get some mad.
• 42:20
  Speaker 4: Yeah, So I don't know of the If you're gonna
• 42:25
  Speaker 4: say Todd, Tom Girardi, David Foster, who do you want
• 42:29
  Speaker 4: to hang out with? I would pick Todd, I think
• 42:31
  Speaker 4: because I barely know him yet. The other, oh, I would.
• 42:35
  Speaker 2: I would definitely pick Foster because of the music. I mean,
• 42:39
  Speaker 2: I don't need to like talk to him or be respected.
• 42:42
  Speaker 2: I'm saying, you just music.
• 42:44
  Speaker 3: You can't hear his music. You guys to sit there
• 42:46
  Speaker 3: and have a conversation with him, like the three of them.
• 42:48
  Speaker 2: Okay, if I'll have a conversation with him about music,
• 42:51
  Speaker 2: he's a Look, here's the thing.
• 42:52
  Speaker 3: He's respect him.
• 42:53
  Speaker 2: He's a monster. Yeah, but he's a genius.
• 42:57
  Speaker 3: But Todd might be a monster and a genius.
• 42:59
  Speaker 2: Yeah, but I don't need to know about finances or
• 43:02
  Speaker 2: what he does. Like, I'm not enjoyed in that.
• 43:04
  Speaker 4: I know you are your day, Yeah, I would, I
• 43:06
  Speaker 4: would enjoy it. And then like, you gotta look at
• 43:09
  Speaker 4: Tom Girardi.
• 43:10
  Speaker 3: He was a fucking genius at manhandling the Los Angeles
• 43:14
  Speaker 3: legal system into the ground.
• 43:16
  Speaker 4: So yeah, that's interest hahaha.
• 43:18
  Speaker 2: At the good point. Yeah, I guess I would want to,
• 43:23
  Speaker 2: all right, I guess there's a different way to look
• 43:24
  Speaker 2: at this. So at the end of the day, who
• 43:27
  Speaker 2: am I going to want to hang out with? It? Will?
• 43:29
  Speaker 2: I'm gonna choose David Foster no matter what. That's just
• 43:32
  Speaker 2: why I go. Sorry, that's what it is. How about you?
• 43:34
  Speaker 2: I mean, it's like you have to take the worst of.
• 43:37
  Speaker 4: The most fucking faith. They aren't the worst. That's the
• 43:39
  Speaker 4: other thing what Girardi is. But these guys aren't the
• 43:42
  Speaker 4: worst the worst, like like truly.
• 43:45
  Speaker 2: You know there, you are right about that.
• 43:47
  Speaker 3: It's just something.
• 43:49
  Speaker 2: Yeah, it's not the really scary ones out there.
• 43:53
  Speaker 3: It's just their need to.
• 43:56
  Speaker 4: Heavy hand off screen. Can the situation that I'm like,
• 44:02
  Speaker 4: wh what, what's going on?
• 44:04
  Speaker 3: Man?
• 44:04
  Speaker 4: Chill?
• 44:05
  Speaker 3: And then you're like, oh, you're paying for everything. I
• 44:07
  Speaker 3: think you think you can do this?
• 44:09
  Speaker 2: That's what I Okay, Well, I wonder if we should
• 44:12
  Speaker 2: do like a Mary f Kill situation.
• 44:16
  Speaker 4: Or yeah, maybe something, Yeah, have the darlings pull it out.
• 44:21
  Speaker 2: I think we're going to do this on the Patreon Okay,
• 44:23
  Speaker 2: so we'll do like a marf Kill. I think we'll
• 44:26
  Speaker 2: do across the board. We might make it more of
• 44:28
  Speaker 2: a complex poll than just maryf Kill, because I feel
• 44:32
  Speaker 2: like that's a little too basic, But we will do
• 44:37
  Speaker 2: that over on Patreon. You know what, I will put
• 44:39
  Speaker 2: it on the free public Patreon so that the darlings
• 44:44
  Speaker 2: listening today on the public can utilize the poll over there.
• 44:47
  Speaker 2: So just go to patreon dot com slash drama Darling
• 44:50
  Speaker 2: and all you would have to do is just join
• 44:52
  Speaker 2: for free and then you can vote. So, okay, I
• 44:56
  Speaker 2: will do that. We'll do that later today. So you
• 44:59
  Speaker 2: know what's in is that later on that evening, after
• 45:02
  Speaker 2: all this happens, and they show this montage of them
• 45:05
  Speaker 2: having a fantastic time. It legitimately looks awesome. They have
• 45:09
  Speaker 2: the fireworks, they're like, ooh ah, Angie walking through to
• 45:14
  Speaker 2: the kitchen in the double unicorn rafts was hilarious to me. Yeah,
• 45:19
  Speaker 2: I just wanted to know if anybody wanted to go
• 45:21
  Speaker 2: swimming in the pool. Whoa boom boompom, and then they're
• 45:28
  Speaker 2: in the jacuzzi and they're playing pool. It was great.
• 45:31
  Speaker 4: Yeah, we had that great scene with Melee. She's awesome.
• 45:37
  Speaker 2: Oh my gosh, how dare you.
• 45:42
  Speaker 3: Again?
• 45:42
  Speaker 4: We are now halfway through this season. We have a
• 45:45
  Speaker 4: cast member that no one knows.
• 45:47
  Speaker 2: She's not a cast member, she's just a friend.
• 45:50
  Speaker 4: Are you sure, because when I because when I look,
• 45:54
  Speaker 4: she's announced as a new cast member this season.
• 45:56
  Speaker 2: But that when they say that, it's always it doesn't
• 45:59
  Speaker 2: mean howie, It just means they're in the cast. You
• 46:03
  Speaker 2: can be in a cast and you can be an extra.
• 46:05
  Speaker 4: This is true. But she is photographed. I have to
• 46:09
  Speaker 4: watch the credits for once. Who wants to carrot our chie.
• 46:14
  Speaker 2: For once?
• 46:16
  Speaker 4: Because she's in She's wearing the gown Malee alone.
• 46:21
  Speaker 2: They did a housewife no shit, she and Heather are
• 46:26
  Speaker 2: having a they don't even know each other. They're in
• 46:29
  Speaker 2: Salt Lake City. They're living their own lives. They're not
• 46:31
  Speaker 2: even filming a scene. That's what's so funny. Family like
• 46:35
  Speaker 2: just a poor salt in the wound. Usually they go
• 46:37
  Speaker 2: back to the city and be like, what are the
• 46:40
  Speaker 2: other housewives doing that? Now are on the trip? Melee
• 46:43
  Speaker 2: and Britannica and Heather nowhere to be found.
• 46:47
  Speaker 4: They had to get that Robert Junior footage.
• 46:49
  Speaker 2: They oh, and Mary, I'm sorry, So that's what they did.
• 46:53
  Speaker 2: They went up and they went back and they did
• 46:55
  Speaker 2: the marriage.
• 46:55
  Speaker 3: But you're right. We usually get a little lunch and
• 46:58
  Speaker 3: talk about how upset so is that they aren't on
• 47:01
  Speaker 3: the trip. Yeah, I did not get that.
• 47:03
  Speaker 2: By the way, bron when posted all of these the
• 47:06
  Speaker 2: carousel from pictures from this cast trip and on it
• 47:10
  Speaker 2: she posted Heather gaze itinerary canceled like she had to
• 47:15
  Speaker 2: cancel her ticket, you know, which I thought was really
• 47:17
  Speaker 2: funny because it's like, I think she's trying to prove
• 47:20
  Speaker 2: that she did make arrangements for Heather in the case
• 47:24
  Speaker 2: that they could make up and she could come on
• 47:25
  Speaker 2: the trip, but that obviously Heather's like not coming, so
• 47:28
  Speaker 2: then she cancels it. Yeah, all right, But before we
• 47:31
  Speaker 2: get to the end of that, they go to the
• 47:33
  Speaker 2: indie race at Thermal and they've got VVP. This was
• 47:37
  Speaker 2: definitely very impressive. They've got their friends with Davey Hamilton
• 47:41
  Speaker 2: who hooks them up, and they have this whole situation.
• 47:44
  Speaker 2: Joseph Ken Neugarden comes over there and they're all hitting
• 47:48
  Speaker 2: on them, and John his confessional is like, oh, yeah,
• 47:53
  Speaker 2: take your shirt off, it's fine, No, just don't take
• 47:58
  Speaker 2: Leason for dinner. Is this thing on what he's really
• 48:04
  Speaker 2: coming into his own you know, John, he's like five
• 48:07
  Speaker 2: seasons in he's like ready to do some hot mic stuff,
• 48:10
  Speaker 2: like some stand up comedy. He's five minutes. He's just
• 48:13
  Speaker 2: he's shown.
• 48:14
  Speaker 4: Oh we didn't even talk about Todd's hot mics at
• 48:17
  Speaker 4: the party. When he's like mediocre tequila.
• 48:20
  Speaker 2: Tell me, yeah, I heard I heard mediocre tequila. What
• 48:24
  Speaker 2: else did he say?
• 48:25
  Speaker 4: He's a kid, they owned a tequila company, mediocre tequila.
• 48:28
  Speaker 2: And then he said he was Was he talking about
• 48:31
  Speaker 2: Lisa's company? Yes, Oh my god, Emily, So when he
• 48:36
  Speaker 2: said that, I thought, okay, So I didn't hear him
• 48:39
  Speaker 2: say the they own a media, they own a tequila company.
• 48:43
  Speaker 4: He's talking to the guests that didn't hear the newly
• 48:47
  Speaker 4: wet game, right, yeah, and he says something along the
• 48:51
  Speaker 4: lines of that they owned these people over there, they
• 48:54
  Speaker 4: own a tequila company.
• 48:56
  Speaker 2: Those people, or something along those lines. No, but he
• 48:59
  Speaker 2: did like these those people. He's always referring to them
• 49:02
  Speaker 2: as those people. Those people own a tequila company, and
• 49:06
  Speaker 2: it's mediocre tequila. Woe shots fired. That's gonna be the
• 49:13
  Speaker 2: end of Lisa and Bronwyn's relationship. Well, I yeah, at
• 49:19
  Speaker 2: the readion, I'm keeping it.
• 49:22
  Speaker 4: I think she yields so hard they all yield to
• 49:26
  Speaker 4: Todd's wealth. I mean, really like I don't think.
• 49:30
  Speaker 3: It was weird to see that. Like the guys were
• 49:33
  Speaker 3: all trying.
• 49:34
  Speaker 4: To please Todd at that dinner, and like I really
• 49:37
  Speaker 4: think that that's why they were trying to.
• 49:39
  Speaker 3: Like change the subject.
• 49:41
  Speaker 4: John's trying to not get kicked out, like they all
• 49:45
  Speaker 4: are afraid of Todd.
• 49:46
  Speaker 2: Yeah, it's amazing how wealth controls.
• 49:50
  Speaker 3: Yeah, this level of wealth.
• 49:52
  Speaker 2: Yeah yeah, and not my level, not my level of wealth.
• 49:57
  Speaker 3: Oh it does.
• 49:58
  Speaker 4: No, you've got to handle on that Santa Clarita neighborhood.
• 50:02
  Speaker 4: They're like, whoa, miss Phillips.
• 50:06
  Speaker 2: You know, pretty intimidating with my wealth up here in
• 50:09
  Speaker 2: Santa Clarita. What can I say? It's just it's who
• 50:12
  Speaker 2: I am. So all right, we're back.
• 50:17
  Speaker 4: At the racetrack and they had to have that's when
• 50:21
  Speaker 4: brons like I'm going to have my face to face
• 50:23
  Speaker 4: with Lisa right now and the cars are driving through
• 50:26
  Speaker 4: their faces. M I just.
• 50:33
  Speaker 3: I just want to really have a talk.
• 50:38
  Speaker 4: What happened?
• 50:40
  Speaker 3: Comment that happened?
• 50:42
  Speaker 2: Oh my god, that's so funny.
• 50:48
  Speaker 4: I'll do you do their talk.
• 50:52
  Speaker 2: It's just really okay, we beat that dead horse. That
• 51:07
  Speaker 2: was we really did.
• 51:09
  Speaker 3: Yeah, that was bringing the proof.
• 51:12
  Speaker 2: Yes, it was so Yeah. Then they're like, let's talk later.
• 51:16
  Speaker 2: And then Seth's like, by everybody asked, I see you
• 51:20
  Speaker 2: buy it? And you're just like, wow, that guy's late.
• 51:23
  Speaker 2: And he's in a hurry once get the hell out
• 51:25
  Speaker 2: of Dodge. And he goes over to Angie and Sean
• 51:29
  Speaker 2: and he's like, I'm going to Columbus at the pool
• 51:31
  Speaker 2: and then he's like I'm going to Columbus and she's
• 51:33
  Speaker 2: just like, old on, I need a second, let's kills me.
• 51:39
  Speaker 2: He's like, yeah, Columbus, Fortune nine two, Columbia Shield the Ocean,
• 51:44
  Speaker 2: Blue Crickets.
• 51:48
  Speaker 1: Okay.
• 51:49
  Speaker 2: Angie, He's like, yeah, I had not out of here.
• 51:54
  Speaker 2: I love that lady. She's corky as hell and not fun,
• 52:00
  Speaker 2: you know, but incidentally funny incidentally yeah, yeah, yeah, history
• 52:07
  Speaker 2: lesson and.
• 52:07
  Speaker 4: Help this episode recalling the rumors and the nastiness, like
• 52:13
  Speaker 4: about Seth and Meredith. Remember the the rumor that we
• 52:18
  Speaker 4: heard not too long ago about a couple on the outs.
• 52:22
  Speaker 2: You mean like blindam, Yes.
• 52:26
  Speaker 3: The blonde, the blonde Ottoman. That's right, that's what we have.
• 52:33
  Speaker 2: They call me the blonde Ottoman. I'm Columbus's highest paid escort.
• 52:46
  Speaker 4: Put your feet up, boys, sit on me.
• 52:53
  Speaker 2: Put your feet up.
• 52:56
  Speaker 3: And put your stuff inside me and then put your
• 52:59
  Speaker 3: feet up. I was a blonde ottoman, the blonde I
• 53:04
  Speaker 3: got the gossip.
• 53:08
  Speaker 2: That's like, I canna hear a blonde automan. Waiter, you
• 53:13
  Speaker 2: just did you just say blonde orman? That's weird. That's
• 53:18
  Speaker 2: borderline abusive, Angie. Is he talking about a woman being
• 53:23
  Speaker 2: an ottoman? That's actually you know what, Sean, I agree
• 53:26
  Speaker 2: with you. That is I agree, no, but you're right
• 53:32
  Speaker 2: because you know him rushing off to another city. It's
• 53:36
  Speaker 2: not looking too good.
• 53:37
  Speaker 3: Well, it's also sounding like it's happening very frequently.
• 53:41
  Speaker 4: And ass.
• 53:44
  Speaker 2: Yeah, it's like a used to marry.
• 53:47
  Speaker 4: Yeah, everything was fixed with that podcast where she's sitting
• 53:49
  Speaker 4: on him like an ottoman.
• 53:58
  Speaker 2: Spoiler alert, I'm the blonde onoman sat Lom's role plying
• 54:04
  Speaker 2: and that's how we keep our marbranch chink over.
• 54:11
  Speaker 4: Oh my gosh.
• 54:12
  Speaker 2: She meets him in Columbus dressed in a blonde wig. Uh.
• 54:19
  Speaker 3: Well I would be bummed if they split up, but
• 54:23
  Speaker 3: well me too.
• 54:24
  Speaker 2: Yeah. So now Bronwin and Lisa finally talk without the
• 54:28
  Speaker 2: cars racing by, and this was interesting. So where are
• 54:33
  Speaker 2: we landing on this, Bronwyn versus Lisa, and I know
• 54:36
  Speaker 2: that they made up in the end, obviously, but Lisa
• 54:40
  Speaker 2: in her confessional says it all saying like she's like,
• 54:43
  Speaker 2: you know, she is two fays. I'm having a hard
• 54:46
  Speaker 2: time with this, So should Bronwyn. Should Lisa have stuck
• 54:52
  Speaker 2: up more to for Bronwyn to heather because she really
• 54:56
  Speaker 2: didn't do anything. She was she was playing Switzerland by
• 55:00
  Speaker 2: hearing both sides, but she could not say to Bronwin's face, no,
• 55:04
  Speaker 2: you're not two faced, and she believes that she is,
• 55:08
  Speaker 2: which is concerning.
• 55:09
  Speaker 4: To me face Well, yeah, like Lisa, I do feel
• 55:12
  Speaker 4: like I was surprised that Lisa wouldn't say that to Bronwin's.
• 55:16
  Speaker 2: Face, because that's all she needed to say to squash
• 55:19
  Speaker 2: the argument was that I don't believe.
• 55:21
  Speaker 3: You to be, or to say I do think you are,
• 55:24
  Speaker 3: and this is why I think you are, And.
• 55:25
  Speaker 2: Maybe she should have said that, but she's not properised that.
• 55:29
  Speaker 2: Whenever you say I was surprised, it just reminds me
• 55:31
  Speaker 2: of Whitney being like, I surprised that she responded it
• 55:35
  Speaker 2: that way. I is surprised. I think that Lisa gave
• 55:40
  Speaker 2: her as much as she could and held back the
• 55:42
  Speaker 2: actual issue because she knows better that she has to
• 55:46
  Speaker 2: bring it up later. She can't give it all right
• 55:48
  Speaker 2: now the trip is ending, they're gonna have to fly
• 55:51
  Speaker 2: home together. Really, yeah, good point. At this point she
• 55:58
  Speaker 2: thinks they're flying home together, and so she's giving her something.
• 56:03
  Speaker 2: But she also knows that at least she's not lying
• 56:06
  Speaker 2: to her. At least she's keeping her honest. She's being honest,
• 56:10
  Speaker 2: you know. So yeah, later she's gonna have to tell her.
• 56:12
  Speaker 2: She's not telling her now. It's bron Win's property that
• 56:16
  Speaker 2: she paid for. She's not going to bring it up.
• 56:17
  Speaker 2: But it is strange, very very strange. Bronwyn was like,
• 56:22
  Speaker 2: I let when I had that conversation with Heather, I
• 56:24
  Speaker 2: left and I was in tears because of the things
• 56:26
  Speaker 2: that Heather was saying two face, conniving and mean, and
• 56:30
  Speaker 2: I understand where bron Win's coming from. She's like, are
• 56:32
  Speaker 2: you really going to sign off on this? Like that's
• 56:34
  Speaker 2: what she's saying about me? Can't you please stick up
• 56:37
  Speaker 2: for me and me being friends with your friends is
• 56:40
  Speaker 2: really changing things.
• 56:41
  Speaker 4: Yeah, it's because Lisa brought her on the show. And
• 56:45
  Speaker 4: that's the other thing.
• 56:45
  Speaker 3: I think bron Win's kind of like, you know me
• 56:48
  Speaker 3: better than anybody here, how come? Where's the loyalty?
• 56:52
  Speaker 4: Which is actually kind of funny because it usually is reversed.
• 56:55
  Speaker 4: It's usually the person that brings the wife on that
• 56:58
  Speaker 4: feels betrayed by the new friend Chips, and then feels
• 57:01
  Speaker 4: like you should have my back more than anybody here.
• 57:04
  Speaker 3: I brought you into this world.
• 57:05
  Speaker 4: Yeah, it's kind of reverse, yeah with these two.
• 57:08
  Speaker 2: Yeah, and this is kind of the way I think
• 57:10
  Speaker 2: it should be in a way, you know, you brought
• 57:13
  Speaker 2: somebody on and you kind of lead them in.
• 57:16
  Speaker 3: But I didn't appreciate the way Bronwin handled herself in
• 57:20
  Speaker 3: that moment because it was very much like like, let's
• 57:23
  Speaker 3: stick to the hard line. Do you think I'm two face?
• 57:27
  Speaker 4: Do you like?
• 57:27
  Speaker 3: There was me ander?
• 57:29
  Speaker 4: It was just like is it this or is it that?
• 57:32
  Speaker 4: Answer the question? Yeah, Yeah, I appreciated that. And again
• 57:37
  Speaker 4: I go back to like, I bet her and otherre
• 57:40
  Speaker 4: are BFFs right now, Bronwin and Howther and none of
• 57:43
  Speaker 4: this will matter because I think the second they see
• 57:46
  Speaker 4: each other on the film, I think they're going to
• 57:47
  Speaker 4: get it.
• 57:48
  Speaker 3: But right now this is where we are.
• 57:50
  Speaker 2: Yeah, I hope. So I love it She's like, am
• 57:52
  Speaker 2: I terrifying? She's like, yeah, You're not terrifying? And then
• 57:57
  Speaker 2: she's like, am I two faced? And Lisa's like and
• 58:03
  Speaker 2: then Broun was like, Lisa, are you kiddingly? Are you?
• 58:07
  Speaker 4: No?
• 58:07
  Speaker 2: Honestly, if someone like paused, if there was that big
• 58:10
  Speaker 2: of a pause, I'd be like fuck you. Then like
• 58:12
  Speaker 2: why are we ens clearly think I'm two faced? Yeah
• 58:17
  Speaker 2: for sure, and then her saying in my experience with you,
• 58:21
  Speaker 2: are you two faced? Hum? Hum? Let me think about that.
• 58:29
  Speaker 2: We don't have time. The plane is leaving, Okay. The
• 58:33
  Speaker 2: bottom line is I'm here because I wanted to be
• 58:35
  Speaker 2: with you. Oh yeah, And the fact that bron Wan
• 58:39
  Speaker 2: was like okay, fine, like let's just move on, well,
• 58:42
  Speaker 2: also like.
• 58:43
  Speaker 4: The it's not the it's not the bottom line. I
• 58:47
  Speaker 4: also don't know how Heather got out of filming. I
• 58:49
  Speaker 4: really don't understand that this was a huge two episodes
• 58:53
  Speaker 4: where we really don't have any other I.
• 58:55
  Speaker 2: Wonder now I was thinking the same thing like I
• 58:58
  Speaker 2: wonder now with Heather watching this, she realizes how much
• 59:01
  Speaker 2: she kind of fucked up, like she should have tried
• 59:03
  Speaker 2: to meet braun Win halfway at her house and said look,
• 59:06
  Speaker 2: I'm willing to, you know, start over, like all the
• 59:10
  Speaker 2: housewives do. Let's start over. Let's put that behind us
• 59:14
  Speaker 2: and let's just start fresh, you know. Like, so I
• 59:17
  Speaker 2: thought that was a real misstep for Heather. It's disappointed.
• 59:21
  Speaker 4: Maybe she thought that it wouldn't be that big of
• 59:23
  Speaker 4: a deal or yeah it was odd. I don't and
• 59:26
  Speaker 4: I don't know the ins and outs, but I am like, well,
• 59:28
  Speaker 4: how did she get out of that? Mary?
• 59:30
  Speaker 3: I get Mary gets out of everything?
• 59:32
  Speaker 4: He get out of it, right?
• 59:34
  Speaker 2: And no one's asking how to Britannica or.
• 59:38
  Speaker 4: Malee's asking Yeah, I don't even know if that's her name,
• 59:41
  Speaker 4: I calling her that.
• 59:43
  Speaker 3: I think that's her name, Melee anyway, So.
• 59:47
  Speaker 2: I really am dying to talk about this first class
• 59:50
  Speaker 2: versus versus coach Lisa.
• 59:51
  Speaker 4: Barlow carry coach and I don't fly coach.
• 59:55
  Speaker 2: Yes, okay, yes, bitch, this is what I want. I'm
• 59:59
  Speaker 2: so like, this is what I want out of some
• 1:00:02
  Speaker 2: some housewives. And when she delivers this with such conviction,
• 1:00:05
  Speaker 2: she cannot get over this. She physically cannot get on
• 1:00:09
  Speaker 2: a plane where she's going to be sitting in coach.
• 1:00:12
  Speaker 2: It is not possible, scientifically, emotionally, mentally physically, nothing about
• 1:00:19
  Speaker 2: it will ever line up. She's even putting that before
• 1:00:24
  Speaker 2: her own child. She's like, I can't wait to get
• 1:00:28
  Speaker 2: back to Henry Wade. We're in Coach. Henry's fine.
• 1:00:35
  Speaker 3: Meanwhile, I'd be like, I only fly Coach and I
• 1:00:37
  Speaker 3: only watch Coach.
• 1:00:39
  Speaker 2: Oh boom, yes, yes, yes, nice.
• 1:00:45
  Speaker 4: Yeah, I love that.
• 1:00:47
  Speaker 3: This is the part of Lisa that like it's very
• 1:00:50
  Speaker 3: real and it's so real.
• 1:00:52
  Speaker 2: It's so real, it's so awesome. I haven't how many
• 1:00:56
  Speaker 2: times did she talk about it, Like from the beginning
• 1:01:01
  Speaker 2: when they're all taking the picture and then Angie's like, horror,
• 1:01:04
  Speaker 2: We're gurgling home, and then promise, you know what I'm
• 1:01:10
  Speaker 2: actually realizing is that I bet you it's Angie that
• 1:01:13
  Speaker 2: pushed Meredith into getting the hearing aids. But can can
• 1:01:15
  Speaker 2: you imagine struggling with hearing and then having Angie talk
• 1:01:18
  Speaker 2: at that base level and then it's.
• 1:01:21
  Speaker 3: All mumbling throat and then it's like, yeah.
• 1:01:26
  Speaker 2: It's probably like I really think I'm I'm really having
• 1:01:30
  Speaker 2: a problem. Ever since we started filming with Angie, it's
• 1:01:35
  Speaker 2: very weird. So Angie's like horrormgurgling home, and then bron
• 1:01:41
  Speaker 2: Win's like I've looked you fly. Everybody has a fight,
• 1:01:45
  Speaker 2: and then Angie is so confused about where she's sitting,
• 1:01:48
  Speaker 2: and then Lisa's like, wait a minute, wait, I need
• 1:01:52
  Speaker 2: to fix this about getting first class. And then Angie's like,
• 1:01:55
  Speaker 2: you're not, that's not going to happen. So then bron
• 1:01:58
  Speaker 2: Win is like, oh, yeah, I put Todd in my
• 1:02:01
  Speaker 2: skanky asses in first class. That okay, listen, I understand
• 1:02:07
  Speaker 2: you plan this trip, but like this is tough because
• 1:02:11
  Speaker 2: where are we where are we landing with her being
• 1:02:14
  Speaker 2: in first class, with Todd not being able to give
• 1:02:17
  Speaker 2: them first class.
• 1:02:19
  Speaker 4: There were four seats in first class, and this is
• 1:02:22
  Speaker 4: probably one of those small, like little jumper planes.
• 1:02:24
  Speaker 3: Yeah, so I think, like Todd is not gonna sit and.
• 1:02:30
  Speaker 2: Coach put Todd in first class.
• 1:02:32
  Speaker 4: I agree, That's what I was gonna say. Maybe put
• 1:02:35
  Speaker 4: Todd and then do a straw graph ye.
• 1:02:37
  Speaker 2: For the other seat, I agree, Or in this situation,
• 1:02:41
  Speaker 2: just put Lisa next to Todd.
• 1:02:44
  Speaker 4: Todd, yeah, because because it's like you could book it
• 1:02:46
  Speaker 4: for anybody and just then switch the seat.
• 1:02:49
  Speaker 2: Right right, and and well, at this point, Bronwin doesn't
• 1:02:53
  Speaker 2: know that Lisa's trying to figure this out.
• 1:02:55
  Speaker 4: But but I do think, like I I hope that
• 1:03:00
  Speaker 4: because in my mind I was like, Bronwin knows exactly
• 1:03:02
  Speaker 4: what she's doing and this is hilarious, And either Bronwyn
• 1:03:05
  Speaker 4: knew or a producer was like, you know what, just yeah.
• 1:03:09
  Speaker 2: I don't think she could have done it deliberately. I mean,
• 1:03:11
  Speaker 2: I think that when you book a trip and there's
• 1:03:13
  Speaker 2: only going to be so many seats, it's a lot
• 1:03:15
  Speaker 2: of people to fly back.
• 1:03:17
  Speaker 3: It is a lot of people to go back.
• 1:03:19
  Speaker 4: Yeah.
• 1:03:19
  Speaker 2: I don't think this was a diabolical plan to put
• 1:03:22
  Speaker 2: Lisa out of but.
• 1:03:23
  Speaker 3: I do think like she could have put somebody else
• 1:03:27
  Speaker 3: up there instead of.
• 1:03:28
  Speaker 2: Her, and the fact that she even from the beginning
• 1:03:31
  Speaker 2: got yeah, but Todd wouldn't wouldn't allow that. I think
• 1:03:36
  Speaker 2: it's very possible that she was like, oh, the ladies
• 1:03:38
  Speaker 2: aren't gonna like it, and I will see who wants
• 1:03:43
  Speaker 2: to sit here, and Todd's like, Nope, you're not doing that.
• 1:03:47
  Speaker 2: End of conversation, you know.
• 1:03:48
  Speaker 3: What I mean?
• 1:03:49
  Speaker 4: Yeah, but I definitely think the producers had something to
• 1:03:51
  Speaker 4: do with it. That's why we got the reactions. I
• 1:03:54
  Speaker 4: don't know if it was produced or they realized it
• 1:03:57
  Speaker 4: was going to be a moment, but the fact that
• 1:03:59
  Speaker 4: she was like, we're to be flying commercial home, but
• 1:04:02
  Speaker 4: no one knew their itinerary till that day before, right
• 1:04:05
  Speaker 4: before they're leaving, when cameras are rolling because an em.
• 1:04:09
  Speaker 2: Yeah good point. Yeah yeah, yeah yeah yeah, so something
• 1:04:12
  Speaker 2: they could have gotten that beforehand.
• 1:04:14
  Speaker 4: Yeah, but that was great.
• 1:04:16
  Speaker 1: I loved it.
• 1:04:17
  Speaker 2: It was absolutely a gift from heaven. And when you
• 1:04:21
  Speaker 2: look at it and you realize that this is just
• 1:04:23
  Speaker 2: a sixty five minute flight and you're only you know, well,
• 1:04:27
  Speaker 2: kept going from sixty five minutes to forty seven minutes.
• 1:04:29
  Speaker 2: But I don't know if that's about boarding or whatever.
• 1:04:33
  Speaker 2: It's ridiculous that you can't do that. And she literally
• 1:04:36
  Speaker 2: is having an allergic reaction in the line when she goes,
• 1:04:40
  Speaker 2: oh my god, I'm in seventeen C. I was like,
• 1:04:44
  Speaker 2: when I see that number, I'm like, fuck, yeah, seventeen C.
• 1:04:49
  Speaker 2: I am perractically in firds class, you know, like yeah, baby,
• 1:04:58
  Speaker 2: And then her being like, I haven't sat in the
• 1:05:01
  Speaker 2: back of a plane since since college or flown coach.
• 1:05:05
  Speaker 2: And then here's the thing, like, so they're going to
• 1:05:09
  Speaker 2: take the flight from Palm Springs to where to get
• 1:05:13
  Speaker 2: to the other.
• 1:05:14
  Speaker 4: It sounds like a direct flight. It had to be
• 1:05:16
  Speaker 4: a direct flight.
• 1:05:17
  Speaker 2: You can't get from Palm Springs to Salt Lake City
• 1:05:19
  Speaker 2: in sixty five minutes.
• 1:05:21
  Speaker 3: M is, it's not that far.
• 1:05:23
  Speaker 4: Oh no, you're right.
• 1:05:24
  Speaker 2: No, you're right, you're right, you're right. Yeah, so you're
• 1:05:27
  Speaker 2: right right.
• 1:05:28
  Speaker 4: At least, it was going to add a stop in
• 1:05:30
  Speaker 4: LA because she wanted to fly first class, and I
• 1:05:33
  Speaker 4: was like, you're going to add three hours, like.
• 1:05:36
  Speaker 2: Like to fly, but then you'd have to fly to
• 1:05:38
  Speaker 2: LAX unless you're planning on saving She didn't mention the
• 1:05:41
  Speaker 2: driving part, Like, okay, so you're going to get in
• 1:05:42
  Speaker 2: a car and drive four hours with traffic to LA
• 1:05:47
  Speaker 2: with traffic. Yeah, go through all of that shit so
• 1:05:49
  Speaker 2: you can sit in first class even if you're doing
• 1:05:52
  Speaker 2: a layover.
• 1:05:53
  Speaker 3: What the hell like?
• 1:05:55
  Speaker 4: It just doesn't make any Nothing about that seemed enjoyable
• 1:05:59
  Speaker 4: at all. It's a quick flight to LA, but then
• 1:06:02
  Speaker 4: you're sitting at LAX and then you're waiting it and
• 1:06:05
  Speaker 4: then oh my forget, there's not anything about that. I
• 1:06:08
  Speaker 4: would rather fly in the cargo bay than.
• 1:06:13
  Speaker 2: Go I have to go to LAX when you don't
• 1:06:15
  Speaker 2: have to thank you, and it's only an hour. Actually,
• 1:06:19
  Speaker 2: cargo sounds great. You could lay there. You don't even
• 1:06:21
  Speaker 2: have to buckle yourself in. You take a risk, you know,
• 1:06:23
  Speaker 2: maybe bump around. Yeah, you don't hang out with the animal,
• 1:06:27
  Speaker 2: the pets person, you don't need air. Yeah, okay, that's
• 1:06:33
  Speaker 2: gonna be really fun to see how this pans out.
• 1:06:35
  Speaker 2: And the fact that John is so used to her
• 1:06:37
  Speaker 2: that he's like, oh, you really don't want to do that. Okay, Well,
• 1:06:41
  Speaker 2: oh come on, Like he's handles her so well. I
• 1:06:45
  Speaker 2: can't imagine her being with anybody else.
• 1:06:47
  Speaker 3: Also, it's a I.
• 1:06:48
  Speaker 4: Mean, I know that it seem to care about this
• 1:06:50
  Speaker 4: at all, but I would be like, thank you bron
• 1:06:52
  Speaker 4: Wynn for booking our flights, which is a pain in
• 1:06:55
  Speaker 4: the ass to book everybody's flights. Maybe an assistant did it,
• 1:06:59
  Speaker 4: but to get all that in for and then also
• 1:07:00
  Speaker 4: do pay for it.
• 1:07:02
  Speaker 2: But let me ask you this, just putting it out there.
• 1:07:05
  Speaker 2: If you fly everyone private to a destination, why would
• 1:07:10
  Speaker 2: you not fly them back private? That to me seems
• 1:07:13
  Speaker 2: in this situation a little strange. So they were probably
• 1:07:18
  Speaker 2: all expecting that they were going to be flying back
• 1:07:22
  Speaker 2: private like they did on the way there.
• 1:07:24
  Speaker 4: Well, they weren't surprised that they were flying commercial though
• 1:07:27
  Speaker 4: nobody was surprised that they were flying commercial back.
• 1:07:30
  Speaker 3: They were just waiting for their seats. They were waiting
• 1:07:32
  Speaker 3: for the itinerary.
• 1:07:34
  Speaker 2: That's fine, that was the I got. I'm still positioning
• 1:07:37
  Speaker 2: the question, if you're going to fly people private one way,
• 1:07:40
  Speaker 2: why wouldn't you fly them private back?
• 1:07:42
  Speaker 4: Well without it being about Swiss still like why bother
• 1:07:46
  Speaker 4: fifty grand I don't know.
• 1:07:49
  Speaker 2: I think, like, look, I've never seen a one way
• 1:07:52
  Speaker 2: private plane trip on a Housewives thing before.
• 1:07:55
  Speaker 3: And see I was just thinking I can't remember a return.
• 1:07:59
  Speaker 2: Actually, damn it, damn it, you're right again.
• 1:08:02
  Speaker 4: I'm no.
• 1:08:04
  Speaker 2: I think you're right. I think it's a little bit
• 1:08:06
  Speaker 2: more common than I'm actually giving it credit for, because
• 1:08:09
  Speaker 2: I'm thinking about Tahoe and like Sutton's plane to New
• 1:08:14
  Speaker 2: York City and to and cus to. Yeah, but maybe
• 1:08:19
  Speaker 2: they don't show it, Okay, Yeah, yeah, maybe they go
• 1:08:23
  Speaker 2: all right, we got to figure that out. Okay, So
• 1:08:27
  Speaker 2: thank you guys so much for listening. Darlings head on
• 1:08:30
  Speaker 2: over to patreon dot com slash drama Darling and you
• 1:08:33
  Speaker 2: can get all recaps over there. Monday, Wednesday and Friday
• 1:08:37
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• 1:08:41
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• 1:08:44
  Speaker 2: And thank you so much for listening. Bye Bye, Emily, Bye.
• 1:08:52
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