Latest / Four Finger Discount (Simpsons Podcast) / Papa Don't Leech (S19E16)

Transcript

Papa Don't Leech (S19E16) · Four Finger Discount (Simpsons Podcast)

• 0:00
  Speaker 1: Congratulations. That song I wrote.
• 0:02
  Speaker 2: You were so patriotic they decided to make it into
• 0:05
  Speaker 2: a shavy commercial. So I changed a few lines.
• 0:09
  Speaker 3: I don't know. You're asking us to sell out our
• 0:11
  Speaker 3: song and for what? Cash?
• 0:13
  Speaker 1: Money?
• 0:15
  Speaker 2: Money?
• 0:16
  Speaker 3: We love money. That's great, Buy me a clock radio.
• 0:20
  Speaker 1: Four finger Discount.
• 0:21
  Speaker 3: Dude, Welcome to four figure discount where this week we're
• 0:39
  Speaker 3: here to review a sequel episode to a beloved episode
• 0:43
  Speaker 3: of The Simpsons, all away from season three. That episode
• 0:45
  Speaker 3: in question is Colonel Homer. This is a sequel to that.
• 0:48
  Speaker 3: It is Papa Don't match. I'm down, I'm guy.
• 0:50
  Speaker 1: Welcome to forefinger Discount, the podcast that has more boogie
• 0:53
  Speaker 1: less woogie? Should we throw it down? Flipping and revers
• 0:57
  Speaker 1: should we should we turn up the woogie? Should we
• 0:59
  Speaker 1: up jump the bookie?
• 1:00
  Speaker 3: I really related to grandpart in that moment. By the way,
• 1:02
  Speaker 3: Actually one of my favorite moments was Grandpa there was
• 1:06
  Speaker 3: It might have been exactly what it was I was
• 1:08
  Speaker 3: going to write down, but it was when he was
• 1:09
  Speaker 3: ranting about the radio and his little grievances. I was like,
• 1:12
  Speaker 3: I find grievous of these things too. Now I am
• 1:15
  Speaker 3: I'm now thirty six, you see happy birthday to you. Yeah,
• 1:19
  Speaker 3: it was.
• 1:20
  Speaker 1: Time has passed since we last recorded, Dan it has
• 1:23
  Speaker 1: got another year. Roll now I have got another year. Yeah,
• 1:25
  Speaker 1: we exchanged gift. Happy birthday to you, and we're both
• 1:29
  Speaker 1: very very happy with our current situations and our current ages.
• 1:32
  Speaker 1: I'm not sad at all. I was about to say,
• 1:36
  Speaker 1: yeahs I have put together playlists of songs on your
• 1:41
  Speaker 1: various streamers, like great, all my favorites all in one place.
• 1:44
  Speaker 1: Scare it, scare it? Not in the mood for it,
• 1:46
  Speaker 1: scare it? Why do I put this on here?
• 1:48
  Speaker 3: Yeah?
• 1:49
  Speaker 1: So, yes, I am constantly relating to Grandpa, but not
• 1:52
  Speaker 1: more so in that moment. Look a lot to talk
• 1:54
  Speaker 1: about in this episode, which I think we both enjoyed.
• 1:56
  Speaker 3: Yes, yes, now for the first I'm gonna be ready
• 1:58
  Speaker 3: off my phone for you people watching the show, because
• 2:00
  Speaker 3: I read watch this in bed last night and took
• 2:02
  Speaker 3: my notes on my phone. I thought it was better
• 2:05
  Speaker 3: to do that because in bed, I know, I was
• 2:07
  Speaker 3: just more relaxed, sort of just calm taking my notes.
• 2:10
  Speaker 3: I feel like when I'm sitting here at the desk,
• 2:11
  Speaker 3: it feels like not work work, but it feels like
• 2:14
  Speaker 3: I'm really over analyzing my thoughts in this episode. I
• 2:17
  Speaker 3: actually feel like I enjoyed the episode more just by
• 2:18
  Speaker 3: watching in a more relaxed environment, do more.
• 2:20
  Speaker 1: Things in bed. That's the fourth way get into your
• 2:26
  Speaker 1: racecar bed And yes, zoom zoom zoom.
• 2:28
  Speaker 3: My first note. I've got here, though it says a
• 2:30
  Speaker 3: sequel we didn't necessarily need, although I'm glad it existed
• 2:33
  Speaker 3: because I always hated the idea that Llewleine Lumpkin just
• 2:36
  Speaker 3: became this failure. Who I believe it's the monorail Episodehere,
• 2:38
  Speaker 3: she sayes, I spoke last night in the ditch. It
• 2:41
  Speaker 3: always felt sad that she sort of just she needed
• 2:44
  Speaker 3: home in her life to keep her on track. When
• 2:45
  Speaker 3: she lost home and she lost everything, it just seems
• 2:47
  Speaker 3: like a sad end to that timeline to her life.
• 2:50
  Speaker 3: I like the fact that while she didn't pay her
• 2:52
  Speaker 3: taxes and her life wasn't sort of because music country
• 2:54
  Speaker 3: music wasn't sort of the thing anymore. She wasn't exactly
• 2:57
  Speaker 3: a success. She still wasn't living in a ditch. I
• 2:59
  Speaker 3: guess she was kind of homeless but kind of underpass Absolutely,
• 3:03
  Speaker 3: it's nice that she got the she got a life
• 3:05
  Speaker 3: back on track because of this episode. Though.
• 3:07
  Speaker 1: Yeah, I will say the country music, I mean it
• 3:09
  Speaker 1: ebbs and flows, of course, but I think it's been
• 3:10
  Speaker 1: a constant for a very very long time, and it's
• 3:12
  Speaker 1: always very very popular in its lane. And sometimes once
• 3:15
  Speaker 1: in a while you'll have a breakout out of Twain. Yeah,
• 3:18
  Speaker 1: someone like that. Absolute that the Chicks. The Chicks, Yeah,
• 3:21
  Speaker 1: the artist formerly known as.
• 3:22
  Speaker 3: The Dixie Chicks. Their appearance was actually quite good, it
• 3:26
  Speaker 3: was indeed. Yeah, I'm sorry to derayl.
• 3:28
  Speaker 1: I just wanted to do a couple of quick bits
• 3:29
  Speaker 1: of business before we actually talk about the episode.
• 3:31
  Speaker 3: Patreon, subscribe to the channel.
• 3:34
  Speaker 1: Make more friends of the Pie, come be our buddies. No, no,
• 3:37
  Speaker 1: I want to say a couple of things. Today is
• 3:39
  Speaker 1: the day this is Simpson's right, trust meet, It's not
• 3:42
  Speaker 1: just me being perving on young female music artists. Today
• 3:46
  Speaker 1: was the day that I learned that Sabrina Carpenter. You
• 3:49
  Speaker 1: may know her for the song That's Me Me Espresso.
• 3:51
  Speaker 1: I don't know her for the song. I don't know
• 3:53
  Speaker 1: that song, don't you know? She is apparently the niece
• 3:55
  Speaker 1: of Nancy can't write the voice of about Simpson. So
• 3:57
  Speaker 1: there we go. All the kids out there who are like, yeah,
• 4:00
  Speaker 1: Sabrina Carbon, It's like Simpson's connection. So it's all part
• 4:04
  Speaker 1: of the unified theory of four finger discount that we
• 4:05
  Speaker 1: pride ourselves on. On a sounder note, today is the
• 4:08
  Speaker 1: day that we lost one of the great actors, one
• 4:11
  Speaker 1: of the great voices absolutely of American entertainment, of world
• 4:15
  Speaker 1: wde entertainment, James L.
• 4:16
  Speaker 3: Jones.
• 4:17
  Speaker 1: It would be facetious and lid for me to go no,
• 4:20
  Speaker 1: so I won't do that, but I will say that, Yeah,
• 4:23
  Speaker 1: just one of the great actors we ever had. And
• 4:25
  Speaker 1: of course you know pivotal in the voice of Darth Vada,
• 4:28
  Speaker 1: the voice of Vasa.
• 4:30
  Speaker 3: Yeah. Also the old man who owned the Beast in
• 4:32
  Speaker 3: the sound Lot kids, there is.
• 4:34
  Speaker 1: That as well, Terrence Man from Field of Dreams and
• 4:37
  Speaker 1: of course False Doom Cone of the Barbarians are Jenmey
• 4:40
  Speaker 1: one of my favorites of his performances, James L. Jones,
• 4:43
  Speaker 1: what a lord.
• 4:44
  Speaker 3: Yeah, I think the whole world is in morning because
• 4:46
  Speaker 3: he's just one of those people that everyone loved him. Absolutely.
• 4:48
  Speaker 3: It feels like Star Wars won't feel the same in you.
• 4:50
  Speaker 3: It's like, oh, we've lost We've lost darf Vada. Yeah,
• 4:53
  Speaker 3: we lost a real core aspect. Yeah, I wonder if
• 4:56
  Speaker 3: any form of Darth Vada appearance is going forward just
• 4:59
  Speaker 3: Ai his voice of his family.
• 5:01
  Speaker 1: Well, I think that I think they may have already
• 5:03
  Speaker 1: done that to some degree. Okay, yeah hopefully, but yeah,
• 5:06
  Speaker 1: hopefully it gets to continue on because it really is
• 5:09
  Speaker 1: a pivotal part of the whole Star Wars universe.
• 5:11
  Speaker 3: Yeah.
• 5:12
  Speaker 1: I just wanted to throw those things in, But we
• 5:14
  Speaker 1: now return you to Papa don't leitch already in progress?
• 5:17
  Speaker 1: So what we your initial thoughts of the episode when
• 5:18
  Speaker 1: he finished it? Did you enjoy it or did you
• 5:20
  Speaker 1: not enjoy it? I did enjoy it a whole lot. Look,
• 5:21
  Speaker 1: there are aspects of it, and it certainly starts off
• 5:23
  Speaker 1: in a way that's like, oh, I don't know.
• 5:25
  Speaker 3: What I was really annoyed by it until I've read
• 5:27
  Speaker 3: what it was a reference to.
• 5:29
  Speaker 1: Okay, Well, tell us a bit about should we tell
• 5:30
  Speaker 1: the Well, I at first I thought we're here to
• 5:33
  Speaker 1: tell the listers what an episode is about. So I
• 5:35
  Speaker 1: will say that it's basically homely euthanizing Grandpa.
• 5:39
  Speaker 3: I've got he could have done with that. Homer wanting
• 5:41
  Speaker 3: to kill Grandpa in his dream and then feeling no
• 5:44
  Speaker 3: remorse for it when he woke up, right, I didn't
• 5:46
  Speaker 3: realize that was a reference to spoiler left Sopranos Tony
• 5:50
  Speaker 3: killing in the car accident. Yes, yea, yeah, so that
• 5:54
  Speaker 3: was at that time. It just happened. It was so
• 5:56
  Speaker 3: this is two thousand and eight. That ended in two
• 5:57
  Speaker 3: thousand and six, so that was a big moment in
• 5:59
  Speaker 3: TV history. They were acknowledging that. I feel though he
• 6:02
  Speaker 3: should have woken up. I feel that might would have
• 6:04
  Speaker 3: felt better if you woke up and go, oh my god.
• 6:05
  Speaker 3: A couple if I did that to Grandpa and he goes, what, Oh,
• 6:08
  Speaker 3: it was just a dream, and then Grandpa arrives and
• 6:11
  Speaker 3: he goes, go away, Oh man, that's not as harsh
• 6:13
  Speaker 3: as wanting to kill him. Absolutely, he should have felt
• 6:15
  Speaker 3: remorse for killing him in his dream. He could still
• 6:17
  Speaker 3: be petty and not treating him well. Sure, that's the
• 6:19
  Speaker 3: game that had been running for with the last nineteen
• 6:21
  Speaker 3: seasons of the show, but not but feeling happy that
• 6:24
  Speaker 3: he killed him. I thought, that's just silly.
• 6:26
  Speaker 1: It was, and it sort of It starts the episode
• 6:28
  Speaker 1: on a bit of a sound note, but I thought.
• 6:30
  Speaker 3: Before the actually the car was funny. The first line
• 6:33
  Speaker 3: of you should be sure you should be driving at night.
• 6:35
  Speaker 3: It's night that yeah, particularly someone who hates driving at
• 6:39
  Speaker 3: night now because the headlights are too bright.
• 6:42
  Speaker 1: But I find that a lot of people are saying
• 6:43
  Speaker 1: this are not just olds like myself. Young people are saying,
• 6:46
  Speaker 1: what's what's the new with headlights? I was driving my
• 6:48
  Speaker 1: mum's car to go pick up. I bought a signed
• 6:51
  Speaker 1: two thousand and nine ge Long Premiership guernsey in a
• 6:53
  Speaker 1: frame right from the guy in Geelong. But it didn't
• 6:56
  Speaker 1: fit in the back of Nicholas car, so I'd say
• 6:59
  Speaker 1: it didn't especially glass. What the hell this is for
• 7:04
  Speaker 1: a road?
• 7:05
  Speaker 3: And I buy my mum's car right, and it's a
• 7:08
  Speaker 3: an SUV style car. It's a bigger car. It's a
• 7:11
  Speaker 3: bigger car. Yeah, it's like a four wheel drive kind
• 7:13
  Speaker 3: of stuff. And I'm in law and order suv. Yeah. Yeah,
• 7:16
  Speaker 3: it's a canyon narrow it looks red and everything. And
• 7:19
  Speaker 3: I turned on the headlights and it just felt like
• 7:21
  Speaker 3: the high beams run, I said. I got to the
• 7:23
  Speaker 3: point where I was driving past the car. I thought,
• 7:24
  Speaker 3: this isn't right. I'm going to cause the car I
• 7:26
  Speaker 3: pulled over. I was like, Mom had you turn your
• 7:27
  Speaker 3: higher beams off. I feel like I'm on auto, but
• 7:29
  Speaker 3: it's still your high beam. She goes, it's not the
• 7:31
  Speaker 3: high beams bright. I was going, Mum, you don't understand.
• 7:33
  Speaker 3: I can see right down the street this. These are
• 7:35
  Speaker 3: clearly the high beams. She just flicker forward, flick the
• 7:38
  Speaker 3: forward high beams. It was like daytime. I was like,
• 7:40
  Speaker 3: this is this now the standard for a headlight? I
• 7:43
  Speaker 3: can see what people are doing in Sydney. Yeah, so
• 7:46
  Speaker 3: I get that headlights are do right now. Thank god.
• 7:49
  Speaker 3: It's not just me. No, it's not just you.
• 7:52
  Speaker 1: Yeah, but you're right. That's that initial part with yeah,
• 7:55
  Speaker 1: driving at night.
• 7:56
  Speaker 3: It's a it's a soprano's reference that can't find the d.
• 7:59
  Speaker 1: That was all good, Yes, that bit was a bit darker.
• 8:02
  Speaker 1: It's like if you don't know the Sopranos, which is
• 8:03
  Speaker 1: sad to say, I don't really. Apparently it's a good
• 8:06
  Speaker 1: doco on the making of the Sopranos now on We've
• 8:08
  Speaker 1: got it on foxtewel here in Australia, HBO in the
• 8:11
  Speaker 1: States called wise Guy The Making David Chase and the
• 8:14
  Speaker 1: Making of the Sopranos. I'm gonna watch it. I bought
• 8:17
  Speaker 1: the having not watched the Sopranos, I bought.
• 8:18
  Speaker 3: The Blu ray collection and it's got like so many
• 8:21
  Speaker 3: audio commentaries and documentaries in retrospectives, which I will probably
• 8:24
  Speaker 3: watched first. Yeah, but that was the sound that the
• 8:29
  Speaker 3: episode started with. It want the reference, but.
• 8:31
  Speaker 1: Yeah, but once it started to roll and I'm really
• 8:34
  Speaker 1: enjoyed it. I mean I was. I was a fan
• 8:35
  Speaker 1: of Colonel Homer, like I imagine a lot of people are.
• 8:38
  Speaker 1: And this didn't feel necessarily like a cash grab or
• 8:41
  Speaker 1: a cash in or got that's what avating scrap does it,
• 8:43
  Speaker 1: or a trading on of course, it's going to be
• 8:46
  Speaker 1: trading on your warm feelings of that previous episode, but
• 8:49
  Speaker 1: not in a way that makes you go, remember this,
• 8:53
  Speaker 1: remember how you felt then, Well you're going to feel
• 8:55
  Speaker 1: it again now because you're you know, Asuka. It's like no, no,
• 8:57
  Speaker 1: it earns it and she never wants flirts with Homer,
• 8:59
  Speaker 1: which is good as well. That's right, Becau.
• 9:01
  Speaker 3: They could have just rehashed that story, but it's a
• 9:02
  Speaker 3: completely new story, is completely fresh story for learning love
• 9:06
  Speaker 3: it is.
• 9:06
  Speaker 1: And the way that she and Marge interact, I think
• 9:10
  Speaker 1: it was to be expected the way they would do it,
• 9:12
  Speaker 1: but they they play it well, they don't overplay it.
• 9:15
  Speaker 1: There are aspects of it that are a little, I
• 9:17
  Speaker 1: guess obvious, but also to be expected.
• 9:20
  Speaker 3: It's understandable why Marge would not want this woman in
• 9:22
  Speaker 3: her house, completely understandable. And I like that they brought
• 9:26
  Speaker 3: those things up. With the teeth of the teeth. That
• 9:28
  Speaker 3: was sort of like the one hey remember when that
• 9:30
  Speaker 3: happened moment with the teeth we're getting some sound on
• 9:32
  Speaker 3: the track, remember that moment. Yeah, yeah, that's the only
• 9:34
  Speaker 3: time they sort of sort of go, hey, remember that
• 9:36
  Speaker 3: for the nostalgia factor. But I like that in the
• 9:39
  Speaker 3: and Marje realizes, Oh, she's not here to flirt with Homer,
• 9:43
  Speaker 3: she has daddy issues. Let's help her with that.
• 9:46
  Speaker 1: I was actually really charmed when you see the reappearance
• 9:50
  Speaker 1: of Girl Home.
• 9:51
  Speaker 3: Yeah, and major Mara. Yeah. It wasn't like in the
• 9:55
  Speaker 3: Dream Full Circle. It's like, oh, now the woman she
• 9:58
  Speaker 3: hated Nami, the woman that you know she shoots her
• 10:00
  Speaker 3: perhaps aroount Yeah, with the opening thing. So the opening
• 10:03
  Speaker 3: story I've got here of them faking a disaster to
• 10:05
  Speaker 3: get money only get full again was swift enough that
• 10:08
  Speaker 3: it didn't feel like it was filler, that's right. Yeah,
• 10:11
  Speaker 3: it set up the story. The best Simpsons episodes of
• 10:13
  Speaker 3: the one sometimes it got like you know that tramampoline right,
• 10:16
  Speaker 3: just like five minutes, it doesn't feel like it's filler.
• 10:18
  Speaker 3: This one here, I quite enjoyed. It goes and that's
• 10:21
  Speaker 3: how we got routed by that.
• 10:23
  Speaker 1: We're counting ahead to one of my favorite moments, which
• 10:24
  Speaker 1: I thought was fantastic. It was a really good dag.
• 10:29
  Speaker 3: Now we're even more broke. They tried to pull the
• 10:32
  Speaker 3: swiftly and they got rauted again.
• 10:34
  Speaker 1: And as you know, I'm a fan of any time
• 10:37
  Speaker 1: we get more Quimni because I just love the guy. Yeah,
• 10:39
  Speaker 1: and the show that is just as corrupt as the
• 10:42
  Speaker 1: day is long to the point where he's just willing
• 10:45
  Speaker 1: to grab girls, gag cookies off for girls.
• 10:48
  Speaker 3: That was marvelous reservations in five minutes.
• 10:53
  Speaker 1: A lot of good one liners in this one, and
• 10:56
  Speaker 1: they all surround like a really solid story idea. Yeah,
• 10:59
  Speaker 1: there's not too as I said, starts off on the
• 11:02
  Speaker 1: sale note, but you're hard pressed to find too many
• 11:03
  Speaker 1: bum notes in this episode. I think it worked really
• 11:05
  Speaker 1: really well.
• 11:06
  Speaker 3: Well, it's just it's an interesting plot point in that
• 11:08
  Speaker 3: lurl dependence on a man steps from her father abandoning her.
• 11:10
  Speaker 1: Yeah, I'm glad to mention that this is maybe it's
• 11:13
  Speaker 1: not even an issue that i'd had, because whoever voices
• 11:17
  Speaker 1: is it Royce Lumpkin.
• 11:19
  Speaker 3: Who voiced voice I know the Beverly return for Lurline here,
• 11:21
  Speaker 3: which which made it even feel more special. Absolutely, yeah, no,
• 11:25
  Speaker 3: just it sounds like a Hank iss Ario, it does,
• 11:28
  Speaker 3: doesn't it.
• 11:28
  Speaker 1: And look, well, do you respect a hank Man of
• 11:30
  Speaker 1: a thousand voices? Yeah, I'll probably do with that a poop, but.
• 11:34
  Speaker 3: We couldn't do with the poop, but not a poo.
• 11:36
  Speaker 3: Oh no, we've got to do with a poop.
• 11:38
  Speaker 1: Actually, press pauls from a moment, we'll be right back.
• 11:44
  Speaker 1: It felt like this would be a great opportunity for
• 11:47
  Speaker 1: if not necessarily a star, then just like a really good,
• 11:51
  Speaker 1: well revered character actor to come in. And just I
• 11:55
  Speaker 1: thought Hank did great, but to add a little bit
• 11:57
  Speaker 1: of extra spice.
• 11:58
  Speaker 3: To it, a country western Keny Rodgers something, or like
• 12:01
  Speaker 3: Willie Nelson, Yeah, or even someone like I want the
• 12:05
  Speaker 3: King of the Hill. Do they had they had to
• 12:07
  Speaker 3: tell me Whenette was the mother, wasn't That's right? Yeah,
• 12:09
  Speaker 3: and who was that? Who was the Jewish comedian Carl Ryan?
• 12:12
  Speaker 3: You can't run it? Yes, Yeah, they're really good at
• 12:14
  Speaker 3: picking guest stars on King of the Hill, aren't you.
• 12:16
  Speaker 1: Yeah. So I mean, if you could get an actual
• 12:18
  Speaker 1: country music performer who dabbles in acting, Yeah, like Kenny
• 12:20
  Speaker 1: Rodgers or Willie Nelson or Johnny cashtill alive at.
• 12:23
  Speaker 3: That stage, Johnny Cash when I was walk the Line
• 12:26
  Speaker 3: two thousand and five, so he's passed away before that
• 12:28
  Speaker 3: wasn't either that?
• 12:28
  Speaker 1: Or you need someone who's got a literally a bit
• 12:32
  Speaker 1: of ham on the bone.
• 12:32
  Speaker 3: Because Ham ham Berlin.
• 12:35
  Speaker 1: That always makes me think of a guy we used
• 12:37
  Speaker 1: to work with Andy because he loved that bit from
• 12:40
  Speaker 1: was it Regular show that had show you the bit
• 12:42
  Speaker 1: with hamd But every once in a while you'd hear Andy.
• 12:46
  Speaker 3: Go if you Andy, Andy Sandler shout to Andy heat you,
• 12:50
  Speaker 3: I'm in a Natree care.
• 12:55
  Speaker 1: But you need someone with a little like Ham on
• 12:57
  Speaker 1: the bone. He's notoriously apparently he's pretty good to work with,
• 13:00
  Speaker 1: but not so good on the publicity trail. Someone like
• 13:02
  Speaker 1: Tommy Lee Jones. He played Loretta Lynn's husband in Coleman
• 13:07
  Speaker 1: and his Daughter of the movie that was sort of
• 13:09
  Speaker 1: made about her life, and I get the feeling.
• 13:12
  Speaker 3: He could probably I he'd be wacky enough.
• 13:15
  Speaker 1: I don't know.
• 13:15
  Speaker 3: He tried to be wacky and Batman to keep up
• 13:17
  Speaker 3: with carry. I don't feel like he'd beat this.
• 13:19
  Speaker 1: He had that period in the in the mid nineties
• 13:21
  Speaker 1: was like I'm really going for it. I think it's
• 13:22
  Speaker 1: in Batman Forever, in Natural Warm Killers, where he's like, well,
• 13:25
  Speaker 1: you really played to the back row, aren't you. There's
• 13:27
  Speaker 1: a guy who's been on the show before, Charles Napier, Yes, yeah,
• 13:33
  Speaker 1: you get the thing. He'd be really good, or someone
• 13:35
  Speaker 1: like Harry Dean Stanton, like a character actor who sort
• 13:37
  Speaker 1: of plays wildly old guys. I think that I think
• 13:39
  Speaker 1: they would have been great, But it just struck me
• 13:42
  Speaker 1: as a missed opportunity more than something that derails the episode.
• 13:44
  Speaker 1: But generally very very happy with with Papa Don't Lege and.
• 13:48
  Speaker 3: Happy to talk about it. I want to talk about
• 13:50
  Speaker 3: the Dick Dixie Chicks.
• 13:51
  Speaker 1: I want to talk about that.
• 13:52
  Speaker 3: So they were they were they were canceled.
• 13:57
  Speaker 1: Yeah, canceled before cancelation was the thing, and not even
• 14:00
  Speaker 1: canceled by canceled by some sections of.
• 14:04
  Speaker 3: The of the music against Bush, right, they did.
• 14:07
  Speaker 1: They said not our president or he was they we
• 14:10
  Speaker 1: were ashamed that he's our president because they were very
• 14:13
  Speaker 1: anti war on terror, and this was of course post
• 14:15
  Speaker 1: nine to eleven, and everyone was like, go get them.
• 14:17
  Speaker 3: To because there because the worst of the song are
• 14:20
  Speaker 3: basically mocking them. We've learned that lesson pro Fox News.
• 14:26
  Speaker 3: Oh yeah, we said the things out of line.
• 14:29
  Speaker 1: They're pretty savvy that you're like, oh god, we've got
• 14:31
  Speaker 1: to go on the apology tour to.
• 14:32
  Speaker 3: They go to one of my spoil on my Chrivy questions.
• 14:34
  Speaker 3: They record at White Trash Records. I missed that, so
• 14:37
  Speaker 3: I'm glad that you spoiled that Drivia question.
• 14:40
  Speaker 1: I would not have been able to answer to the
• 14:42
  Speaker 1: best of my recollection. The Dixie Chicks, now that known
• 14:46
  Speaker 1: as the Chicks, never really backed down from the whole.
• 14:49
  Speaker 1: I think they made an album called not Ready to
• 14:51
  Speaker 1: Make Nice or or there maybe it was a documentary
• 14:54
  Speaker 1: about I'm called Unapologetic or something along those lines. But yeah,
• 14:56
  Speaker 1: they were very much nowhere sticking to our guns. So
• 15:00
  Speaker 1: for them to take the piss out of themselves pretty
• 15:02
  Speaker 1: well here with the whole with the song thing. But
• 15:05
  Speaker 1: also I mean to jump ahead to one of my
• 15:08
  Speaker 1: favorite moments near the end, when I think it's lou
• 15:11
  Speaker 1: Lane comes and said I wrote that song, and they're
• 15:13
  Speaker 1: all like, whoa, I love that.
• 15:15
  Speaker 3: Well, why do we sell our song cash? But cash money,
• 15:19
  Speaker 3: money money. That's probably my favorite moment. Oh, I love money.
• 15:24
  Speaker 3: That was great. I think that did a really good
• 15:26
  Speaker 3: job my favorite. Let's jump in a favorite moment. Yeah,
• 15:30
  Speaker 3: so that was. That was probably just about my top moment, oh,
• 15:32
  Speaker 3: cash cash money.
• 15:36
  Speaker 1: I wonder if I've used the wrong pins to put
• 15:38
  Speaker 1: trivia quick because I've doubled up the trivia question the
• 15:40
  Speaker 1: favorite moment here, so let me get my brain in
• 15:43
  Speaker 1: order favorite moments.
• 15:44
  Speaker 3: I like the femur gig of course that was Did
• 15:47
  Speaker 3: I see that coming at all?
• 15:49
  Speaker 1: Nor did I?
• 15:50
  Speaker 3: And it felt as when people who do despicable things
• 15:53
  Speaker 3: get get yeah yeah, get hoisted on their own batad
• 15:57
  Speaker 3: Classic Simpsons.
• 15:58
  Speaker 1: One might say, I you that a whole lot Champagne comedy.
• 16:03
  Speaker 1: I initially had this as a favorite moment, but I
• 16:05
  Speaker 1: then repurposed the trivia questions so I could have my three.
• 16:09
  Speaker 1: So I'll skip ahead two. Yeah, the chicksia on what
• 16:15
  Speaker 1: I just thought it was very, very funny. Daddy's Back
• 16:17
  Speaker 1: is a good song. Oh that's the thing. So one
• 16:20
  Speaker 1: of the things I love the most about Colonel Homer
• 16:22
  Speaker 1: was the country music because I wasn't raised on country music.
• 16:24
  Speaker 1: I obviously loved the pop song, the Spy Scales and
• 16:26
  Speaker 1: the Backstreet Boys, but my dad has always been a
• 16:29
  Speaker 1: huge country music fan. A lot of my family have
• 16:30
  Speaker 1: loved country music, so I've got that connection with country music.
• 16:33
  Speaker 1: The songs in our original Colonel Homer episode, the songs
• 16:35
  Speaker 1: in this one aren't as good as that, but I
• 16:37
  Speaker 1: thought it was just nice. They still had new songs
• 16:40
  Speaker 1: in eide that are really catchy. Oh yeah, Daddy, he said,
• 16:43
  Speaker 1: a great song. When I think about Colonel Homer, I mean,
• 16:45
  Speaker 1: the first thing that brings to mind is just the lines,
• 16:48
  Speaker 1: like the season's turning around for me now I finally
• 16:50
  Speaker 1: bagged me home great.
• 16:52
  Speaker 3: Lyric Yeah, catchy tune. Yeah, I would recommend, but I
• 16:56
  Speaker 3: never really like bunk with me. That was fine, But
• 16:57
  Speaker 3: what's the one who sings at the end? She knows
• 17:01
  Speaker 3: just lucky. It's like, oh shit on crying. So yeah,
• 17:05
  Speaker 3: Daddy's back and continues in the tradision. It's a pretty
• 17:08
  Speaker 3: nifty song and they use her songs in this episode
• 17:10
  Speaker 3: as a device to further the story as well.
• 17:12
  Speaker 1: Absolutely yeah, absolutely uh. And I guess the thing I
• 17:15
  Speaker 1: like most was a very nice positive message given by
• 17:19
  Speaker 1: Marge Lulin. You're not a door mat, you're a door prize.
• 17:23
  Speaker 3: Good on here.
• 17:24
  Speaker 1: Yeah, everybody take that into account.
• 17:27
  Speaker 3: They're on board. A very positive episode this is and
• 17:31
  Speaker 3: that everyone who deserves to get the comments gets the
• 17:33
  Speaker 3: come umments. Anderline gets the I like that Marge gets
• 17:37
  Speaker 3: into at the end because I'm just like Marg even
• 17:39
  Speaker 3: got her moment. She was just like, I've helped you
• 17:41
  Speaker 3: get on your way if you fucking come back. So
• 17:45
  Speaker 3: they were my favorite moments, always said about most of mine.
• 17:48
  Speaker 3: The one we haven't touched on yet is my day
• 17:50
  Speaker 3: it starts tomorrow. It felt like we're that, but was
• 17:55
  Speaker 3: say that, But I just I just love my day
• 17:57
  Speaker 3: it starts tomorrow. How many times we said that to
• 17:58
  Speaker 3: ourself last week? And then I had a sisage roll
• 18:02
  Speaker 3: for lunch. It's like tens ten to ten dollars my
• 18:06
  Speaker 3: day it starts tomorrow. I felt terrible, Well the same
• 18:10
  Speaker 3: I felt terrible.
• 18:10
  Speaker 1: What I felt great? I was doing some shopping last night.
• 18:13
  Speaker 1: I need to pick up some things and I'm in
• 18:14
  Speaker 1: the frozen fruit section, and of course they.
• 18:16
  Speaker 3: See limited clearance about fifty.
• 18:21
  Speaker 1: Well this was limited time only, but it was like, uh,
• 18:26
  Speaker 1: popcorn chicken, but with like a Thaie coconut flavor.
• 18:30
  Speaker 3: They get you with the extra flavors, don't they.
• 18:31
  Speaker 1: I really do.
• 18:33
  Speaker 3: What do these potato chips for you? All these novelty
• 18:35
  Speaker 3: flavors and still.
• 18:36
  Speaker 1: Is to something great. I'm weaning myself off the potato chips.
• 18:40
  Speaker 1: But yeah with the popcorn chickens, like hmm tai coconut flavor,
• 18:45
  Speaker 1: you say, and they're only little, They're really little.
• 18:47
  Speaker 3: I can I live in the future some, of course
• 18:49
  Speaker 3: I did. I got home and I whacked them in
• 18:50
  Speaker 3: the air fire. These are really good, serving size tenpeed back.
• 18:55
  Speaker 3: I'll take ten.
• 18:58
  Speaker 4: Now.
• 18:58
  Speaker 1: I gotta buy mayonnaise and sweet.
• 19:00
  Speaker 3: What are your dips for popcorn chicken? My dips aolich
• 19:05
  Speaker 3: and mustard. These were so special that I just had.
• 19:07
  Speaker 1: Them naked, really and they weren't bad. Yeah I could
• 19:10
  Speaker 1: have I'll make up a dipping sauce for next time.
• 19:14
  Speaker 3: Limited. It's like I walk by now and I fought
• 19:18
  Speaker 3: for the one I always ran about. Have the half
• 19:21
  Speaker 3: priced sales. That's how they get you. I will buy down.
• 19:22
  Speaker 3: I'm like, I'm just looking for the half priced take
• 19:25
  Speaker 3: you got me. I'm the one that I know what
• 19:27
  Speaker 3: you do it in Your stuff's still falling for.
• 19:28
  Speaker 1: Hi, it's me. I'm the problem this man, even though
• 19:32
  Speaker 1: you're the problem supermarkets. Though, I was happy because I
• 19:36
  Speaker 1: went to Ali in my favorite Halloomi curzo burgers were back,
• 19:39
  Speaker 1: So like, I bought two and I'm gonna go back
• 19:41
  Speaker 1: to and put them in the freezer.
• 19:44
  Speaker 3: Next question, you there eating the paste? Okay, it is
• 19:47
  Speaker 3: now trivia time, mister Davis. You hit me with your
• 19:50
  Speaker 3: first question. Please, okay.
• 19:51
  Speaker 1: Then Lisa has three a merit badges. Oh damn it?
• 19:56
  Speaker 3: Three bucks? Is how much of the class? That was
• 19:57
  Speaker 3: my first question. That's true, Tree bade.
• 20:04
  Speaker 1: All part of my grand scheme. She has three merit badges.
• 20:07
  Speaker 3: What are they for? She even mentions one of them.
• 20:09
  Speaker 3: I can't remember what it is.
• 20:10
  Speaker 1: It They are four skepticisms, that's the one. She mentions, Yeah,
• 20:13
  Speaker 1: apple polishing and vegetarianism. Okay, correct, So I ruined my
• 20:17
  Speaker 1: first one thirty dollars for three boxes or ten dollars
• 20:19
  Speaker 1: a box?
• 20:20
  Speaker 3: What is so? It says the emergency town meeting. What
• 20:25
  Speaker 3: does it say? Oh, it's.
• 20:28
  Speaker 1: Is it Hospitals of FIM and you.
• 20:29
  Speaker 3: Choose, you decide?
• 20:30
  Speaker 1: Yeah, reminding us too much of Geelong.
• 20:38
  Speaker 3: A lot of this feels like classic Simpsons that you
• 20:40
  Speaker 3: think it really does. Yeah, I mean it had its
• 20:44
  Speaker 3: moments being I didn't need that, but the suicide acts
• 20:46
  Speaker 3: could have done without that, right, Yeah, I think.
• 20:48
  Speaker 1: That was the other one.
• 20:49
  Speaker 3: I'm like, eh, yeah, and homergoing to how can I
• 20:53
  Speaker 3: abandon my family? You don't need those games.
• 20:56
  Speaker 1: But the Simpson always works best when it's a small
• 20:58
  Speaker 1: town comedy.
• 20:59
  Speaker 3: So, Bob, yes, I love I always go back to
• 21:02
  Speaker 3: Radio Bart with a good old fashion hold dig and
• 21:04
  Speaker 3: a lot of them when the whole town is getting
• 21:05
  Speaker 3: together and doing something. They're all looking for Lurline. But yeah,
• 21:07
  Speaker 3: continue your next question.
• 21:09
  Speaker 1: My next question. When Lureline is dropped off at the underpass,
• 21:13
  Speaker 1: there is one of those so and so for so
• 21:15
  Speaker 1: and so, you know when you had your first love
• 21:18
  Speaker 1: And you're right, So.
• 21:20
  Speaker 3: I did see Alberto. I didn't see the other one
• 21:22
  Speaker 3: with her. Yeah, they were initials. You don't remember.
• 21:24
  Speaker 1: It was cr for kW.
• 21:27
  Speaker 3: I trying to think that any Simpson's characters ce r
• 21:31
  Speaker 3: see Montgomery Burns c r okay for dw was it
• 21:36
  Speaker 3: kW kW okay? All right? My next question for you
• 21:40
  Speaker 3: is how much did lurline oh originally and what did
• 21:44
  Speaker 3: it become?
• 21:46
  Speaker 1: Was it one hundred thousand dollars fifty k fifty k?
• 21:48
  Speaker 3: Okay?
• 21:49
  Speaker 1: Then and became I don't remember.
• 21:51
  Speaker 3: Based on that math. What did I say at the
• 21:55
  Speaker 3: top of the episode, five million dollars?
• 21:58
  Speaker 1: Oh my gosh, that's that's almost as much as we
• 22:01
  Speaker 1: make from Patreon almost.
• 22:05
  Speaker 3: Quick wake up with dreaming a couple of zeros, cut.
• 22:09
  Speaker 1: Off a couple of zeros. My final question for you,
• 22:12
  Speaker 1: what does Chief Wigham call Lulene.
• 22:15
  Speaker 3: When he's up on the Patsy Crime.
• 22:17
  Speaker 1: Patsy Crime initially one of my favorite moments, but I'm like,
• 22:20
  Speaker 1: I can't come in with two true questions. I'm going
• 22:22
  Speaker 1: to come in with three, So yeah, change that.
• 22:25
  Speaker 3: I also like to look, why did you chop off
• 22:26
  Speaker 3: the roof?
• 22:27
  Speaker 1: Chief once?
• 22:31
  Speaker 3: All right, let's get into our review eyes before we
• 22:32
  Speaker 3: do it.
• 22:33
  Speaker 1: Stone cutters cut some stones stone cutters, starting, of course,
• 22:45
  Speaker 1: with the lovely Lady herself.
• 22:46
  Speaker 3: katG Okag's on holiday at the moment.
• 22:49
  Speaker 1: Is she really it seems like she's either sending pictures
• 22:53
  Speaker 1: to social media from either the top of the country
• 22:55
  Speaker 1: or some other part of the world. Okay anyway, but
• 22:57
  Speaker 1: enjoy your holiday, Katy G. I hope that we're in
• 23:00
  Speaker 1: your ears while you are elsewhere.
• 23:01
  Speaker 3: If not, hope you and joined us whenever you do
• 23:03
  Speaker 3: listen to this show.
• 23:04
  Speaker 1: Katy G.
• 23:04
  Speaker 3: Yes, kdy G with a one hundred dollar sport. Thank
• 23:06
  Speaker 3: you so much. Andrew's, of course, with his fifty dollars support.
• 23:09
  Speaker 1: Let's story a little love to Andrew.
• 23:10
  Speaker 3: We will.
• 23:11
  Speaker 1: We're talking about Katy G a lot, and deservedly so.
• 23:12
  Speaker 1: But Andrews what a lord.
• 23:14
  Speaker 3: He's an absolute legend. Yeah, of course. Also Zach Truitt,
• 23:17
  Speaker 3: who's going to be starting a Malcolm in the Middle
• 23:19
  Speaker 3: podcast soon to look out for that on the four
• 23:21
  Speaker 3: Fire discount network.
• 23:22
  Speaker 1: The future is then, old man, call it that get
• 23:27
  Speaker 1: me just so I can say that that's and you
• 23:30
  Speaker 1: can leave now.
• 23:30
  Speaker 3: Guy, who are you remember this? Cut that out?
• 23:37
  Speaker 5: You might remember that you might remember me from podcasts.
• 23:41
  Speaker 5: Cut that out over such deleted clips some podcasts. As
• 23:46
  Speaker 5: Also our man Andrew Swan it's just recently moved house
• 23:50
  Speaker 5: and his internet's been playing up so having access to
• 23:52
  Speaker 5: his plex at the moment.
• 23:52
  Speaker 3: Soy, I mean, have you been paying attention with that
• 23:54
  Speaker 3: in the ads? No, You're gonna.
• 23:56
  Speaker 1: Have to rely on my pleasures, like why is guy
• 23:58
  Speaker 1: watching these weird European sex movies are Ronning Tales, Acceptance
• 24:04
  Speaker 1: Tales with an I c Ai ls Sonic snuff.
• 24:08
  Speaker 6: Film anyway, Also the following people Jonathan Rossi, Rach Beasley,
• 24:16
  Speaker 6: Stephen Roberts, Sewn Dvi, Pete Anderson, Timothy Belson, Andrew Davis,
• 24:21
  Speaker 6: Ryan Dunlap, Kevin Dentel, Planed Flood, Shannon.
• 24:24
  Speaker 3: Hofer, Bella Window Bank, Jack McFadden, Heath Appleby, Adrick McLeod,
• 24:27
  Speaker 3: Lewis Kavanaugh, Matralivinrhyese, Roberts, Ginger and Pickle Preston, Murray, tale, Enriquez,
• 24:33
  Speaker 3: Jake Mersado, Declan Phoenix, Brian McCoy, Josh Hallier, Logan b
• 24:37
  Speaker 3: James Shepard, Joe Read and Sect, Dave Pretzels McNally, Gavin Lane,
• 24:40
  Speaker 3: and Damian Miller. Thinks so much guys have been Top
• 24:42
  Speaker 3: tier Stonecutter supporters are here at the four Finger discat network.
• 24:45
  Speaker 3: Remember if you do join up during the month, but
• 24:47
  Speaker 3: no top tea supporter but you do support us on
• 24:49
  Speaker 3: a lower tier, you get your name right out at
• 24:50
  Speaker 3: the end of the month.
• 24:51
  Speaker 1: Indeed, I'm on record as saying the song was the
• 24:53
  Speaker 1: ultimate humble bragg and not one that I necessarily like.
• 24:56
  Speaker 1: But you guys are the wind beneath our wings?
• 24:58
  Speaker 3: Do you want to sing a bit of more popular
• 25:00
  Speaker 3: Don't Leach is a play on as.
• 25:01
  Speaker 1: Well Papa Don't Preach She's in trouble deep.
• 25:05
  Speaker 3: Well, least favorite Madonna song of her biggest hits. I've
• 25:08
  Speaker 3: never liked Papa Don't Preach. No No just gets annoying
• 25:11
  Speaker 3: to me. I'm just something. There's some songs you know
• 25:14
  Speaker 3: are good songs, but for me, another one is Living
• 25:17
  Speaker 3: on a Prayer. I can live without it. I know
• 25:19
  Speaker 3: it's an absolute banger of a song. I'm not saying
• 25:22
  Speaker 3: it's a bad song. It's just I just don't like it.
• 25:24
  Speaker 1: Well, it's like Piano Man for Billy Joels.
• 25:26
  Speaker 3: That's probably my least favorite hit of his. Yeah, I
• 25:30
  Speaker 3: just don't get it. I don't. I know it's a
• 25:33
  Speaker 3: great song, I can't get it. I get we're coming
• 25:35
  Speaker 3: from Living on a Prayer.
• 25:36
  Speaker 1: I can kind of live with because, yeah, it's one
• 25:38
  Speaker 1: you can really bud along to the chorus with and
• 25:41
  Speaker 1: the story of Tommy and Gina seems, I don't know,
• 25:43
  Speaker 1: kind of sweet to me. Um, Papa, don't preach, Papa, don't.
• 25:47
  Speaker 3: Preach is fine by me. It's okay.
• 25:49
  Speaker 1: I remember the film clip more than I remember the Yeah, okay,
• 25:52
  Speaker 1: you know where she's got the sort of the big
• 25:56
  Speaker 1: bruising Italian daddy.
• 25:57
  Speaker 3: I think it's Danny.
• 25:57
  Speaker 1: I elo am, I gonna tell this guy I'm knocked
• 26:01
  Speaker 1: up and he turns out to be an okay guy,
• 26:06
  Speaker 1: and even the guy who knocked her up, Like, I'm
• 26:07
  Speaker 1: sticking around your Madonna.
• 26:08
  Speaker 3: What is your favorite Madonna song?
• 26:11
  Speaker 1: I am very partial to Ray of Light.
• 26:13
  Speaker 3: Really yeah. I like that when I was wanted for
• 26:15
  Speaker 3: my childhood that, yeah, it's fine. When I was a
• 26:18
  Speaker 3: kid that I was like, here is this lady? Is
• 26:20
  Speaker 3: this old lady?
• 26:23
  Speaker 1: There's one that I like called Live to Tell Okay.
• 26:27
  Speaker 1: It's from the sound side from a single. It's from
• 26:31
  Speaker 1: the soundtrack of a movie called At Close Range The
• 26:34
  Speaker 1: Sean Pen and my man Chris b Walkin. Really good movie,
• 26:37
  Speaker 1: really sort of gritty crime drama. And I think she
• 26:39
  Speaker 1: was married to Sean Penn at the time.
• 26:40
  Speaker 3: Too.
• 26:40
  Speaker 1: It's like, give you guys a bit of a hand
• 26:42
  Speaker 1: by recording a song for your Pierre outro.
• 26:46
  Speaker 3: It's a good song. Yeah. I've always just liked like
• 26:48
  Speaker 3: a Virgin and like a prayer. There are two obvious ones,
• 26:51
  Speaker 3: I know, but like a Prayer is a great one. Yeah. Yeah,
• 26:53
  Speaker 3: and just like a Virgin. I don't know, it's just
• 26:56
  Speaker 3: it's so boppy.
• 26:58
  Speaker 1: I forgot probably my favorite of the dance numbers. Oh,
• 27:00
  Speaker 1: actually a dance no no, into the groove okay, yeah,
• 27:05
  Speaker 1: I love into the group. That's a fantastic song.
• 27:06
  Speaker 3: Yeah, I know it's similar era and nothing to do
• 27:10
  Speaker 3: with Madonna. I never get sick of hearing I want
• 27:13
  Speaker 3: to Dance with somebody come on the radio. This morning.
• 27:15
  Speaker 3: I was like, this is what you call a fucking
• 27:17
  Speaker 3: great song.
• 27:18
  Speaker 1: It's a really good song.
• 27:18
  Speaker 3: It's a really sweet song. It is what I mean.
• 27:20
  Speaker 3: It's kind of like name.
• 27:22
  Speaker 1: It's almost like something you hear in the fifties. I
• 27:24
  Speaker 1: was like, I'm gotta take my best girl to the
• 27:26
  Speaker 1: Mulch Show and maybe later we can jitterbug. Do I
• 27:29
  Speaker 1: want to dance without it? I was like, you can't
• 27:32
  Speaker 1: be unhappy when this had to put on the Tray Parkertoy.
• 27:35
  Speaker 3: But it's a really sweet song.
• 27:36
  Speaker 1: And you look at you know, Whitney in the film
• 27:39
  Speaker 1: call which you singing, she's yeah, young, fresh faced, beautiful.
• 27:42
  Speaker 1: It's like, oh man, you got everything ahead of you.
• 27:44
  Speaker 1: And then yeah, well it happened.
• 27:46
  Speaker 3: It happened.
• 27:47
  Speaker 1: Yeah, life happened.
• 27:49
  Speaker 3: Speaking of what happened this episode, which put a.
• 27:51
  Speaker 1: Smile on my dial and because Dander was smiling.
• 27:55
  Speaker 3: Beverly Dangelo returns as Learning Loa, which we discussed was
• 27:58
  Speaker 3: a great choice. I'm glad that they waited until she
• 28:01
  Speaker 3: was available to do this because they've had times where
• 28:04
  Speaker 3: characters return and they've had to not have the actual
• 28:06
  Speaker 3: original voice acted, couldn't have the time to voice or whatever,
• 28:08
  Speaker 3: and it's like, doesn't quite feel the same. This reminded
• 28:11
  Speaker 3: me this episode remember the Ziff who Came to Dinner
• 28:13
  Speaker 3: where Artie returned as a sequel and they got John
• 28:16
  Speaker 3: loved and it was a really good episode. This felt
• 28:19
  Speaker 3: similar to me. This was sort of like, because that
• 28:21
  Speaker 3: was a guy who was getting in between margin Homer,
• 28:22
  Speaker 3: this is the woman who got in between margin Homer.
• 28:24
  Speaker 3: It's almost like the Marge version of the si If
• 28:26
  Speaker 3: he came to Dinner in my opinion. Sorry, I'm just
• 28:30
  Speaker 3: looking something up real quick. Yeah, I've got here. The Chicks,
• 28:32
  Speaker 3: the Dixie Chicks in their God the chicks I thought
• 28:34
  Speaker 3: they were.
• 28:35
  Speaker 1: Yeah, yeah, sort of all stuff related to Dixie, the
• 28:40
  Speaker 1: Confederate South, all that kind of. It's funny that Royce
• 28:42
  Speaker 1: Lumpkin actually has the Confederates.
• 28:45
  Speaker 3: No child support, and then when he's rich, he's got
• 28:49
  Speaker 3: the same ship, but it's got lives blitter.
• 28:52
  Speaker 1: What do you call that the I guess it's called
• 28:56
  Speaker 1: the Union.
• 28:56
  Speaker 3: Flag, the Union yeah, yeah, yeah, the Confederate flag, I
• 28:59
  Speaker 3: mean Confederate fly.
• 29:00
  Speaker 1: Yeah, sorry, not the Union flag like you just fucked
• 29:04
  Speaker 1: up the Civil War.
• 29:07
  Speaker 3: The Southern flag, yes, yeah, it used to be on
• 29:10
  Speaker 3: the top of the dukes of Hazard's car. Yeah.
• 29:13
  Speaker 1: Again, that's the thing that wouldn't It's not really passes,
• 29:16
  Speaker 1: doesn't really pass master these days, doesn't really pass the
• 29:18
  Speaker 1: smell test, and neither does the term Dixie in all honesty.
• 29:20
  Speaker 1: So yeah, they just cut it off their name and
• 29:22
  Speaker 1: now they're just the checks. By the way, I just
• 29:24
  Speaker 1: wanted to you mentioned Beverly D'Angelo. It's funny that he
• 29:28
  Speaker 1: called her Patsy Crime. I mentioned the movie Cold Marner's
• 29:31
  Speaker 1: daughter earlier about Loretta Lynn. Yeah, Beverly Angelie played Patsy
• 29:35
  Speaker 1: Klin in that movie. So there we go.
• 29:39
  Speaker 3: We got there.
• 29:42
  Speaker 1: Welcome to four figure disc out, your home of research
• 29:44
  Speaker 1: done on the fly. It's very much we do, of course,
• 29:48
  Speaker 1: going down to south Park and I think was the
• 29:50
  Speaker 1: what was the episode Welcome to the Neighborhood When.
• 29:53
  Speaker 3: Cartman's doing his homework, he comes the neighborhood.
• 29:55
  Speaker 1: He comes to neighborhoods. So Cartman's in class doing something
• 29:58
  Speaker 1: stand by, that's us.
• 30:02
  Speaker 3: We get there in the are.
• 30:03
  Speaker 1: We get there in the end, and we prove fried
• 30:05
  Speaker 1: you with quality information that you'd get on Wikipedia.
• 30:07
  Speaker 3: Yes, did you know that? By supporting our show on Patreon,
• 30:11
  Speaker 3: you get access to four exclusive podcasts per month, including
• 30:15
  Speaker 3: Talking Signfould, Tales of Futurama, Speaking of the Hill, and
• 30:18
  Speaker 3: the Movie Guys. Plus you also get early and add
• 30:21
  Speaker 3: free access to four Finger discount Going down to south
• 30:24
  Speaker 3: Park TV, launch pod, and the one about Friends. That's
• 30:26
  Speaker 3: twenty hours of podcast each month for the cost of
• 30:29
  Speaker 3: a cup of coffee. Fie got it, got here, So
• 30:32
  Speaker 3: go ahead and support your palas guyandand There today at
• 30:35
  Speaker 3: patreon dot com. Slash fourth Finger. Discount link is an
• 30:37
  Speaker 3: description of this podcast.
• 30:41
  Speaker 1: Papa, Don't Let's Talk about It.
• 30:42
  Speaker 3: Original air day was April thirteenth, two thousand and eight,
• 30:44
  Speaker 3: written by Reid Harrison, the last episode he wrote before
• 30:47
  Speaker 3: so he passed away two thousand and this year, actually
• 30:49
  Speaker 3: in January this year, passed away. He also wrote The
• 30:51
  Speaker 3: Springfield Files, one of my favorite episodes of all time.
• 30:53
  Speaker 1: He's got some bangers on his resumek.
• 30:55
  Speaker 3: Yeah, and Chris Comments was the director. So the episode
• 30:57
  Speaker 3: starts off with we don't realize it's a but it's
• 31:00
  Speaker 3: actually a dream. Homer and Grandpa are driving at night,
• 31:03
  Speaker 3: and I just thought there was a lot of funny
• 31:05
  Speaker 3: zingers in here. So the you sure you can drive
• 31:07
  Speaker 3: it night? It's not And it's him going through the
• 31:09
  Speaker 3: because he plays the Tommy Dorsey's White Orchestra, All White Orchestra.
• 31:16
  Speaker 2: Yeah, are you sure you're okay to drive at night?
• 31:18
  Speaker 3: It's night? All right?
• 31:19
  Speaker 2: That pullover now, don't you worry. Just sit back and
• 31:23
  Speaker 2: relax to the smooth sounds of Tommy Dorsey's All White Orchestra.
• 31:29
  Speaker 4: Done.
• 31:30
  Speaker 2: Let this music take you to a time when girls
• 31:32
  Speaker 2: were girls in a Hirshey bar was as stick as
• 31:35
  Speaker 2: a phone book. I'm sick of it song. I don't
• 31:40
  Speaker 2: like this one either, too optimistic, too slow, too fast,
• 31:45
  Speaker 2: no dads, too much, says her. Boogie less, woogie, my
• 31:50
  Speaker 2: back hurt.
• 31:50
  Speaker 1: Oh my friends are dead.
• 31:52
  Speaker 3: But then Patty and Salo are driving off the cliff.
• 31:54
  Speaker 3: I guess in the sense we can go it's a dream,
• 31:57
  Speaker 3: so none of this actually is well.
• 31:58
  Speaker 1: Also, the Simpsons is by it's nature cartoonish. Ye could
• 32:01
  Speaker 1: probably buy if this actually did happen.
• 32:03
  Speaker 3: Yes, I actually liked the four repeating over and over again.
• 32:07
  Speaker 3: It's just stops felt classic. Yes, Homer ends up killing
• 32:11
  Speaker 3: Grandpa because he doesn't have to have him lived with
• 32:14
  Speaker 3: him and things like that, and I went, that's a
• 32:15
  Speaker 3: bit much. Forgot that it was a reference to the
• 32:17
  Speaker 3: Sopranos scene in the last season as a huge moment
• 32:20
  Speaker 3: where something happens very similar to this, And yeah, I
• 32:24
  Speaker 3: get what they were referencing there, although I don't think
• 32:27
  Speaker 3: at the time it would have felt relevant. I just
• 32:29
  Speaker 3: whilst the surprise were huge at the time, I don't
• 32:32
  Speaker 3: think in twenty twenty four it's timeless, like some of
• 32:34
  Speaker 3: the stuff they did in parodies of Indiana Jones and
• 32:36
  Speaker 3: whatnot in the in the earlier of The Simpsons, you know,
• 32:39
  Speaker 3: just it feels like, oh, I see you doing that,
• 32:42
  Speaker 3: but we're watching it now twenty twenty four, like, well,
• 32:44
  Speaker 3: that's a horrible thing to do.
• 32:45
  Speaker 1: But then at the same time, and when we've talked
• 32:46
  Speaker 1: about references and shoutouts and homages that the Simpsons will
• 32:50
  Speaker 1: do that aren't necessarily I mean they yeah, do India
• 32:53
  Speaker 1: the Jones stuff style, will stuff well, stuff that's really
• 32:55
  Speaker 1: popular and really well known. But occasionally it'll be oh,
• 32:58
  Speaker 1: that's a reference to That's an interesting.
• 33:00
  Speaker 3: Reference, And but they make it obvious that this is
• 33:02
  Speaker 3: something you go, I know, this is something.
• 33:05
  Speaker 1: That's true, Like when they say, do a bit of
• 33:07
  Speaker 1: on Hitchcock's Burdigo, and it's like, my camera angle is
• 33:10
  Speaker 1: so weird that it has to be a reference to something. Yeah,
• 33:13
  Speaker 1: you're right. This doesn't necessarily feel so blatant that you're
• 33:19
  Speaker 1: going to go, oh, it's that, or ah, this must
• 33:21
  Speaker 1: be something right, Yeah.
• 33:23
  Speaker 3: And it's just because you know, we've.
• 33:26
  Speaker 1: We're you know, in the Weeds of season nineteen, here
• 33:29
  Speaker 1: in the weeds of this sort of era where weeds,
• 33:32
  Speaker 1: we're in the weeds where you know, there have been
• 33:37
  Speaker 1: gags that are off color or abrasive or.
• 33:42
  Speaker 3: You're trying to be family go right, Yeah, yeah, so
• 33:44
  Speaker 3: we can do this too, you guys.
• 33:46
  Speaker 1: Yeah, it's like, oh, okay, so this is you being edgy.
• 33:50
  Speaker 3: You could you could buy it one hundred percent. Yeah,
• 33:52
  Speaker 3: And I just think they needed to follow it up
• 33:53
  Speaker 3: with Homer feeling showing some sort of remorse for killing Grandpa,
• 33:56
  Speaker 3: him being happy that he killed can not read if
• 33:59
  Speaker 3: I'm wrong. Was he driving the car when he had
• 34:00
  Speaker 3: a sleep, That's right, It wakes up when he was driving, right,
• 34:02
  Speaker 3: he drives off again? And yeah, anyway, so he's driving
• 34:06
  Speaker 3: with Lisa. She's selling or dropping off her Scout gallic
• 34:08
  Speaker 3: cookies to the people who purchased them. So clearly he's
• 34:12
  Speaker 3: already ordered them and paid for them while she be
• 34:14
  Speaker 3: dropping them off. She's here's your Scout gol cookies, may quimby. Yeah,
• 34:19
  Speaker 3: wouldn't she already collected the money? Bad business model?
• 34:21
  Speaker 1: If you Yeah, have you have you ever bought cookies
• 34:26
  Speaker 1: from someone coming to your door?
• 34:27
  Speaker 3: Like yeah, but they don't give those cookies until you're
• 34:28
  Speaker 3: given them money, Like it's not like, yeah, I'll take
• 34:31
  Speaker 3: your order. That's why I always feel like when I
• 34:33
  Speaker 3: call up a piece of shop or a Chinese shop
• 34:35
  Speaker 3: or fish and chip shop, I wonder how often they
• 34:38
  Speaker 3: get orders and the people just don't rock up because
• 34:41
  Speaker 3: they're just trusting you. You know, I'll have you know,
• 34:45
  Speaker 3: I'm ordering like forty dollars worth of food. These guys
• 34:47
  Speaker 3: are going to cook it up and just hope that
• 34:49
  Speaker 3: we come.
• 34:50
  Speaker 1: It seems like a bad business model, especially when you
• 34:52
  Speaker 1: say delivered the icy wienery.
• 34:55
  Speaker 3: But when I'm ordering for a pickup, You're just going
• 34:59
  Speaker 3: to trust the caller.
• 35:00
  Speaker 1: That's true.
• 35:00
  Speaker 3: I don't know if I could run a business based
• 35:02
  Speaker 3: off trust like that. I just do you think you
• 35:06
  Speaker 3: trust that I show up to talk ship? I know that,
• 35:10
  Speaker 3: But just if you were running a business and someone
• 35:11
  Speaker 3: caught up and said, I want to order eight large pizzas? Right,
• 35:14
  Speaker 3: would you start cooking those eight lge pizzas unless they'd
• 35:16
  Speaker 3: page you first. It's usually you're usually getting some, if
• 35:21
  Speaker 3: not monetary details. You're usually getting well, a contact number.
• 35:25
  Speaker 3: Aren't you even trusted giving you the right number? I
• 35:28
  Speaker 3: guess yeah, we're dealing with modern phones where the number
• 35:31
  Speaker 3: sometimes comes up hopefully. Yeah, I'm I'm trying to be
• 35:34
  Speaker 3: glass half all here. We said, there's outside kindsbury glass
• 35:37
  Speaker 3: half full because.
• 35:38
  Speaker 1: I think we went out for dinner and I was
• 35:40
  Speaker 1: like the poop was really good.
• 35:42
  Speaker 3: It was like the service was terrible, and all this happened.
• 35:44
  Speaker 3: I sounded like Leu and Nickel are the same person,
• 35:46
  Speaker 3: never happy when we go out. Why do you bring me.
• 35:51
  Speaker 1: Out here again? I told you we could stay in.
• 35:58
  Speaker 1: I don't want to go on.
• 35:59
  Speaker 3: But she drop it off scatcher cookies to make Quimby,
• 36:00
  Speaker 3: who'spparently ordered three boxes for thirty dollars. So he checks
• 36:03
  Speaker 3: the town treasury to try and find some money, but
• 36:04
  Speaker 3: it's completely empty. We'll get their obligatory gay joke here
• 36:08
  Speaker 3: where he says, if you don't give any cookies, I'll
• 36:10
  Speaker 3: pass the legislation to allow gay Scout leaders into your industry.
• 36:14
  Speaker 3: I'd support that. Blah blah blah. In the end, it
• 36:17
  Speaker 3: is that Lisa won't give the cookies. He has no money.
• 36:19
  Speaker 3: The town is emergency town meeting because the town's got
• 36:21
  Speaker 3: no money left. So are they really broke or A. O. J.
• 36:23
  Speaker 3: Simpson broke as Mo brings up, and they really broke
• 36:26
  Speaker 3: his cheap novelty what they called gabble gable yes, I've
• 36:29
  Speaker 3: got gaggle here. I'm like, that's not the word. I
• 36:31
  Speaker 3: know it sounds like that, but yeah, gavel and gabble, yes,
• 36:34
  Speaker 3: gavel gable, gable, he's making the squeaky party sounds. Yes.
• 36:39
  Speaker 3: But then Homer with his hat, hat on heart.
• 36:42
  Speaker 1: I know this isn't exactly what they're referencing, but there's
• 36:45
  Speaker 1: kind of a meme going around. If someone wants to
• 36:48
  Speaker 1: make a quote unquote controversial statement, they'll use this pictures
• 36:51
  Speaker 1: And it's a painted by Norman Rockwell of this guy
• 36:54
  Speaker 1: standing up in like a town meeting or something, and
• 36:57
  Speaker 1: he's like the one man speaking. It's the power. It's
• 37:00
  Speaker 1: like dress dress and workingman gear.
• 37:02
  Speaker 3: What are you talking about?
• 37:03
  Speaker 1: Yeah, well, I may not know much about your your
• 37:06
  Speaker 1: your big city politics, but I know what's right wrong,
• 37:10
  Speaker 1: And it'll be like something like I think is hot.
• 37:16
  Speaker 3: Preach, but I was pitching, we've all up past sleeves
• 37:21
  Speaker 3: and we fake a disaster the federal government into giving
• 37:25
  Speaker 3: us some relief money. And they all said, yep, we
• 37:27
  Speaker 3: should do that, and then of course it's the fake FEMA.
• 37:30
  Speaker 7: Now, when exactly did the hurricane pass through your town
• 37:34
  Speaker 7: five minutes ago? You just missed it.
• 37:36
  Speaker 3: FEMA will help you rebuild this town. Your first ten
• 37:41
  Speaker 3: million dollars will arrive as soon as you submit this
• 37:44
  Speaker 3: form and the twenty five hundred dollars processing fee.
• 37:50
  Speaker 2: And chowey fake FEMA official scam doo shot at twenty
• 37:53
  Speaker 2: five hundred dollars.
• 37:54
  Speaker 1: We are now worse than broke.
• 37:56
  Speaker 3: What a great twist. It's just that spent a whole
• 37:59
  Speaker 3: week sent.
• 38:03
  Speaker 1: This is probably I've forgotten the line that it was like,
• 38:06
  Speaker 1: we are now we got ripped up by that fake
• 38:09
  Speaker 1: FEMA guy and now we are officially broken.
• 38:11
  Speaker 3: I think this is the most Smartsworter gag we've had
• 38:13
  Speaker 3: in years. It's really great.
• 38:15
  Speaker 1: It's probably the highlight of the.
• 38:16
  Speaker 3: Episode because I thought, when he goes and you ten
• 38:19
  Speaker 3: million dollars just when you paid this twenty five hundred,
• 38:21
  Speaker 3: I thought, Oh, that's just damn taking the mickey out
• 38:22
  Speaker 3: of the government. Oh yeah, you got to give something
• 38:24
  Speaker 3: back to get something return. Nope, you just got ripped off.
• 38:29
  Speaker 3: They're now worse than broke. And Lisa realized she went
• 38:32
  Speaker 3: through the records and there's millions of dollars in uncolanted taxes.
• 38:37
  Speaker 3: No first listening, We just looked at the camera.
• 38:43
  Speaker 1: Not me because I had my birthday of the day
• 38:47
  Speaker 1: and the taxman decided to give me a gift my
• 38:49
  Speaker 1: account and got in touch on my birthday and said, okay,
• 38:51
  Speaker 1: we've done your things. Here's a nice return for you.
• 38:54
  Speaker 3: Are you got a return?
• 38:55
  Speaker 1: I did.
• 38:55
  Speaker 3: I had to pay because this is a business. Now
• 38:57
  Speaker 3: I have to pay twelve grand. What the yeah, but
• 39:00
  Speaker 3: there's a business now.
• 39:01
  Speaker 1: It's twelve round that could go into our pockets.
• 39:02
  Speaker 3: Yeah, pay, I'll pay you then paid extra twelve grand
• 39:06
  Speaker 3: tax half my bunney.
• 39:09
  Speaker 1: Half of that's not adding up half of that.
• 39:12
  Speaker 3: I disapprove. That's just like a ship. But it's another
• 39:18
  Speaker 3: that is a drag. I'm sorry to hear. The beauties
• 39:22
  Speaker 3: have started a business.
• 39:24
  Speaker 1: It'll all payoff in there.
• 39:25
  Speaker 3: Yes, a thousand dollars a month and paying back to
• 39:28
  Speaker 3: tax man. Oh my goodness. But Lisa, yes, I said,
• 39:32
  Speaker 3: all unclect the tax he goes through. We're clicked from
• 39:34
  Speaker 3: everybody from Exkiffs, Burns, Reguard to Quimby. And then there's
• 39:40
  Speaker 3: news report here. Even Brockman had to pay taxes. But
• 39:43
  Speaker 3: there's only one person left. It was Blowlin Lumpkin, who
• 39:46
  Speaker 3: originally was famous and she didn't pay taxes. It was
• 39:48
  Speaker 3: originally fifty thousand, now it's twelve million. And they showed
• 39:51
  Speaker 3: a clip of when she was on The Muppet Show
• 39:53
  Speaker 3: singing to Kermit, singing the bump with me, Miss Piggy.
• 39:55
  Speaker 3: This Piggy was always violent.
• 39:57
  Speaker 1: It's something that has become it's more and more recognized
• 40:01
  Speaker 1: that this was an abusive relationship.
• 40:03
  Speaker 3: You'd always be going, I don't want to get married, Josh,
• 40:05
  Speaker 3: we are getting married. Run Kermit, run. I know you're
• 40:11
  Speaker 3: a muppet. You don't have actual legs, but run, yes
• 40:13
  Speaker 3: the kids. Then no, he's on the bike and the
• 40:15
  Speaker 3: Muppet Movie, isn't he. That was a great scene. The
• 40:17
  Speaker 3: way they made that. It was not just him, it
• 40:19
  Speaker 3: was the entire Mupper cast. Oh and the way they
• 40:21
  Speaker 3: did it was basically you can watch the making of
• 40:23
  Speaker 3: It's the way they had to do it, so much effort.
• 40:25
  Speaker 3: But that one shot makes the Muppets feel real, doesn't it.
• 40:28
  Speaker 1: That's the thing I remember seeing it as a kid,
• 40:29
  Speaker 1: Go I forgot buppets are on bikes.
• 40:35
  Speaker 3: Like the movie.
• 40:37
  Speaker 1: I'm simultaneously impressed and appalled.
• 40:40
  Speaker 3: It's like when you know, I always when watch Trussed
• 40:42
  Speaker 3: part of the first and one. I know all those
• 40:43
  Speaker 3: other dinsaurs I fake. These ones are real.
• 40:46
  Speaker 1: This was this guy in the theater watching the Muppet
• 40:49
  Speaker 1: Movie with Kerman on a bike.
• 40:52
  Speaker 3: Apologies to Sam Neil, Apologies to listeners. I don't idea
• 40:56
  Speaker 3: what's going on.
• 40:57
  Speaker 1: Yeah, but if you're.
• 40:58
  Speaker 3: Watching this on YouTube, which you should do, you got
• 41:01
  Speaker 3: a great visual gag. You turn her head to turn
• 41:09
  Speaker 3: towards towards the cinema like Jack gold I just done
• 41:15
  Speaker 3: did my shirt. But while we're we talking about other Muppets. Yeah,
• 41:19
  Speaker 3: so they've announced that that Lerline owes money, so that
• 41:22
  Speaker 3: all the whole town's looking for her, and she's in
• 41:24
  Speaker 3: the back of homes car.
• 41:24
  Speaker 1: It's the pleasure of destroying someone they once admired, save
• 41:27
  Speaker 1: something from me.
• 41:28
  Speaker 3: Yes, that's that's what we all love doing, isn't it
• 41:30
  Speaker 3: It is? Indeed, Yeah, he finds her her crews on
• 41:33
  Speaker 3: a dawnward spiral. I told her not to do that,
• 41:36
  Speaker 3: but it finds her in the back of the car.
• 41:37
  Speaker 3: They hope, says all right, we'll go home. They get home.
• 41:39
  Speaker 3: We here muffled screaming. Clearly Marge's not okay with this.
• 41:42
  Speaker 3: Marge's driving it back to where she came from I'm
• 41:44
  Speaker 3: taking you out of my house before you wreck it,
• 41:46
  Speaker 3: or taking you back to your house before you wreckon.
• 41:47
  Speaker 3: Mine realizes that she's actually homeless. They ask her to
• 41:50
  Speaker 3: change a toilet March as I can't leave her here
• 41:51
  Speaker 3: doing this takes her back, and she accidently makes a
• 41:54
  Speaker 3: fat joke towards March because she's a bigger woman than
• 41:56
  Speaker 3: she is.
• 41:57
  Speaker 1: Well, yeah, it's not even accidentally joked. Ludlin's trying to
• 42:01
  Speaker 1: pay her a compliment. Yeah, Marge is just so inclined
• 42:05
  Speaker 1: to dislike and distrust.
• 42:06
  Speaker 3: Looking for a fault. Yes, but Leewlin's now cooking barbecue Uline.
• 42:12
  Speaker 7: This barbecue is delicious.
• 42:14
  Speaker 4: Oh, it's a traditional Southern recipe, Catcher Cola, inflicacy bars
• 42:19
  Speaker 4: and jeuz Kid.
• 42:21
  Speaker 1: It's actually chip double ill.
• 42:23
  Speaker 3: Well, I think it's wonderful. My diet starts tomorrow.
• 42:27
  Speaker 2: Listen.
• 42:28
  Speaker 1: I'm sorry, I can't all those mean things like oh,
• 42:32
  Speaker 1: I don't even.
• 42:32
  Speaker 3: Remember confederate, degenerate Southern fried. Then we can find her
• 42:38
  Speaker 3: because it Patsy Crime jumps off the roof and he
• 42:40
  Speaker 3: just wanted to be extraordinary. I now at the courthouse,
• 42:43
  Speaker 3: the science at the front. Yeah, it's like vacancy, no
• 42:45
  Speaker 3: vacancy that he was no nonsense, Yes, yes, nonsense, was
• 42:52
  Speaker 3: the bailiff in just a few moments. But he's ordered.
• 42:54
  Speaker 3: He orders her to pay one hundred dollars a week
• 42:56
  Speaker 3: until her music is back in style or it is
• 42:59
  Speaker 3: appreciated for it can't value ye, And then the bailiff
• 43:02
  Speaker 3: tries to act like the People's Court. If it watched
• 43:03
  Speaker 3: the People's Court, it is horrific.
• 43:05
  Speaker 1: No, I never have. But when this was happening, I'm
• 43:08
  Speaker 1: like this because I don't watch Judge Judy. That your
• 43:11
  Speaker 1: girlfriend Judge Judy. It's like former, Oh that's okay, It's like,
• 43:16
  Speaker 1: this is a play on judge duty. But then I
• 43:17
  Speaker 1: actually mentioned the people's courts. Okay, I guess they're doing
• 43:19
  Speaker 1: the People's.
• 43:20
  Speaker 3: Court because I Judge Judy had some ridiculous cases. But
• 43:23
  Speaker 3: People's Court just felt like, you know, as he says,
• 43:25
  Speaker 3: he's suing her from not dressing sexy enough.
• 43:27
  Speaker 1: What was the case call?
• 43:28
  Speaker 3: Was the case of the I can't remember, but yeah,
• 43:31
  Speaker 3: but this is what it felt like. And because the
• 43:33
  Speaker 3: voice of a guy on Judge Judy goes to do
• 43:35
  Speaker 3: on Judge, he tries to make it sound serious. People's
• 43:38
  Speaker 3: cause like today you will believe what's going to be
• 43:40
  Speaker 3: on the show whatever, whatever, And they had the team
• 43:44
  Speaker 3: Z guy as like the host outside. What do you
• 43:46
  Speaker 3: think of that case? It gets into walks up to
• 43:48
  Speaker 3: with a microphone ridiculous. I love that the credits role
• 43:51
  Speaker 3: of Judge Judy there where they go, So what are
• 43:53
  Speaker 3: your thoughts on today? I thought Judge Judy made it
• 43:55
  Speaker 3: a great decision. It is what it is. That's the
• 44:00
  Speaker 3: frames were lord. You know we always make one we
• 44:08
  Speaker 3: turn one sentence into one word as gone. Oh ye yeah,
• 44:11
  Speaker 3: but that that you weren't near. Do you know what
• 44:14
  Speaker 3: America you can marry your cousin? I found that ou
• 44:16
  Speaker 3: from Judge Duty last week.
• 44:17
  Speaker 1: You can do an Australia if you're confident enough.
• 44:20
  Speaker 3: Legally, there are states where you can marry your cousin.
• 44:22
  Speaker 3: Because we're watch some case and we went, wait a minute,
• 44:24
  Speaker 3: they're cousins. What we're getting married? Isn't this illegal? No?
• 44:27
  Speaker 3: Not illegal? Okay, shall we go married the cousin? Guys flubbergast,
• 44:32
  Speaker 3: I thought, twenty twenty four, we're still marrying her cousins. Okay,
• 44:35
  Speaker 3: cool stuff out there on the dating pool, Yeah it is, yeah,
• 44:38
  Speaker 3: on the tin up anyway, so people's court hasn't gone
• 44:41
  Speaker 3: Lowland's way. She's spae hundred dolls a week, so she's
• 44:43
  Speaker 3: getting her job at most. I actually really like, as
• 44:46
  Speaker 3: racist as it is, if the she tips with Manoel
• 44:51
  Speaker 3: is a good job, let's just a oh hank. Do
• 44:57
  Speaker 3: you think that joke would have been funnier had he
• 45:00
  Speaker 3: just said share it with Manuel? And then he just
• 45:01
  Speaker 3: put the mustache shop rather than explain and it's just
• 45:05
  Speaker 3: me with a feet mustache. Do you think you needed
• 45:06
  Speaker 3: to say that? What do you think would be funny?
• 45:07
  Speaker 3: You just put on the mustache and pretend to be Manuel.
• 45:09
  Speaker 3: I think it would have been funnier if he didn't
• 45:12
  Speaker 3: explain explain it. Yeah, then Lenny and Carl flirt, and
• 45:16
  Speaker 3: but respectfully yeah, espectfully yes, Lenny and Car. Yes, but
• 45:21
  Speaker 3: I did like Lenny.
• 45:22
  Speaker 1: Someone's looking for a snack in the mailbox.
• 45:24
  Speaker 3: But March couple of she turned, well why does she
• 45:26
  Speaker 3: hate men so much?
• 45:27
  Speaker 1: And did that's not like it not liking hamburgers or.
• 45:30
  Speaker 3: Or hot dogs? Yes, and then she over heres singing
• 45:33
  Speaker 3: the song about the dead beat daddy given a choice
• 45:35
  Speaker 3: hamburger or hot dog, hamburger. I don't eat sausages, okay
• 45:39
  Speaker 3: at all. I haven't eaten this like a sausage, beef sausage,
• 45:42
  Speaker 3: anything since I was about ten.
• 45:44
  Speaker 1: Okay, yeah, just never.
• 45:46
  Speaker 3: I saw a video in school of how the matuslage
• 45:48
  Speaker 3: and I went, because I'm not eating meals anymore? Did
• 45:52
  Speaker 3: they not? You're not meant to know how the sausage is.
• 45:55
  Speaker 3: It would have been year seven. That would have been
• 45:57
  Speaker 3: twelve to thirteen, year seven science.
• 46:00
  Speaker 1: When they don't be mistaken, belly a cow would kill
• 46:04
  Speaker 1: you when everyone you know ask me that question, right,
• 46:09
  Speaker 1: I prefer the handballs a hot dog? Oh yeah, both.
• 46:16
  Speaker 3: I got a funny photo Holly, right, I can hold
• 46:20
  Speaker 3: this up to the camera, not to the viewers of
• 46:21
  Speaker 3: the listeners, obviously, Holly eating her first hot dog at
• 46:25
  Speaker 3: the foota the other day. She never had a hot
• 46:26
  Speaker 3: dog before. Show. Oh one of those, one of those.
• 46:29
  Speaker 3: She so this is what we get? So where's a photo?
• 46:32
  Speaker 3: He she is massive hot dog there? Oh my god,
• 46:36
  Speaker 3: she's sitting there. She's just like, okay, she goes, this
• 46:38
  Speaker 3: is big because she's looking at she text a bit
• 46:39
  Speaker 3: and she goes text a bite. She goes smells weird
• 46:47
  Speaker 3: Nicholas like I just spent eight dollars on a fucking
• 46:49
  Speaker 3: hot dog. She's like, it smells the okay, so.
• 46:53
  Speaker 1: You didn't have the normal garbage disposal option of dad
• 46:57
  Speaker 1: eating it.
• 46:57
  Speaker 3: No, mum made it. Oh okay, thanks to call my
• 47:00
  Speaker 3: wife a garbage a spiceful Nikola. I'm just a normal man.
• 47:12
  Speaker 1: You know he's gonna tell like it is that women
• 47:14
  Speaker 1: be eaten sad? Cut that out?
• 47:22
  Speaker 3: Where were we up?
• 47:22
  Speaker 1: Tos and hot dogs?
• 47:25
  Speaker 3: Yes? She places us on dead bat daddy of course, Yes,
• 47:27
  Speaker 3: which is a really sad song, but just a very
• 47:28
  Speaker 3: country song.
• 47:32
  Speaker 1: I was crying in my cradle when my daddy hot
• 47:37
  Speaker 1: the train.
• 47:39
  Speaker 3: He left a.
• 47:39
  Speaker 4: Hole in my heart and build it up with fain.
• 47:44
  Speaker 1: I know, no woman liquor.
• 47:47
  Speaker 4: We'll soothe my aching chicken. Of course, the love from
• 47:52
  Speaker 4: a deadbeat daddy is still pumping through my base.
• 48:00
  Speaker 3: And Homer wants to know how do I abandon my family?
• 48:02
  Speaker 3: And I thought, we don't need this. This isn't funny.
• 48:04
  Speaker 3: We know that you think being a joke's cool, but
• 48:07
  Speaker 3: it's not. Just move on from that ship, but mar
• 48:10
  Speaker 3: says that she will help her Marge looking for the
• 48:13
  Speaker 3: various lumpkins in Springfield, including Choe lum Kin. Yes, good luck,
• 48:17
  Speaker 3: just so I can get their racist Asian voice in there, thinks,
• 48:21
  Speaker 3: just batting a thousand, just playing the hits. And she
• 48:25
  Speaker 3: finds Royce with his no child sports shirt and he says,
• 48:28
  Speaker 3: I haven't seen her since she was a baby, and
• 48:30
  Speaker 3: she says, she needs to see you, and he's like,
• 48:32
  Speaker 3: does something to his well.
• 48:33
  Speaker 1: At first he has to whiskey out those corn flakes.
• 48:35
  Speaker 3: Yes, orange juice, but that Leolin is now at home.
• 48:39
  Speaker 3: She wakes up. She hears there's any one person like
• 48:41
  Speaker 3: a handbone like that. I thought he left when she
• 48:44
  Speaker 3: was a baby. Maybe I was wrong. How would she
• 48:46
  Speaker 3: know what he? Hambone's like, Oh, I think that's going
• 48:48
  Speaker 3: to be a primal memory. Okay, But he says, how
• 48:52
  Speaker 3: many nights do.
• 48:52
  Speaker 1: You stand over Elliot's crub when he was a little boy,
• 48:54
  Speaker 1: saying my son, I want so much for you On
• 48:58
  Speaker 1: this l like Hambone.
• 49:01
  Speaker 3: He's like, I want to go back to sleep. Oh
• 49:04
  Speaker 3: Aliot never slept. Oh it was holy. Holly didn't sleep
• 49:07
  Speaker 3: an entire night until she was nearly three. Oh my gosh.
• 49:10
  Speaker 3: We haven't had a full night sleep until she's nearly three.
• 49:12
  Speaker 3: So three straight years nearly. I was going to comment
• 49:14
  Speaker 3: on those bags on here, but then Homer says here,
• 49:18
  Speaker 3: I know that. Dad says here, you're the spitting image
• 49:20
  Speaker 3: of your mother's hotter sister. She slaps him, and he says,
• 49:23
  Speaker 3: forgive us, please forgive me the way I forget myself. Yeah,
• 49:27
  Speaker 3: despicable person.
• 49:28
  Speaker 1: Like I said, a lot of great lines and just
• 49:32
  Speaker 1: I don't think he did anything wrong, but I just
• 49:33
  Speaker 1: would have loved someone to put a bit more of
• 49:35
  Speaker 1: a fastball on him. Yeah, he's such a he's such
• 49:37
  Speaker 1: a gross and despicable character that you'd have real fun
• 49:40
  Speaker 1: with it.
• 49:40
  Speaker 3: I thought Billy West could have done a good job
• 49:42
  Speaker 3: with this, howbe he played the the texting guy and
• 49:45
  Speaker 3: King of the hill oh yeah, really really prickish guy. Yeah,
• 49:49
  Speaker 3: the rich guy that the mogul.
• 49:52
  Speaker 1: Yeah, and the fight to get get his business.
• 49:54
  Speaker 3: Yeah yeah. I always love those for sex sitcom set ups,
• 49:58
  Speaker 3: trying to win over someone's business. But we just watched
• 49:59
  Speaker 3: the bad episode. We're trying to get Honda's business. But
• 50:04
  Speaker 3: Marge is now proud that oh no, she's paid, that
• 50:07
  Speaker 3: she's made it happen, she's made a dad and whatnot
• 50:10
  Speaker 3: and home it's just jealous that you know, he's a
• 50:12
  Speaker 3: dead beet dad and he's gett all his adelation and
• 50:15
  Speaker 3: I'm just a dad. It's just too lazy to run
• 50:16
  Speaker 3: and he has Hay, I'm just like enough of this ship.
• 50:19
  Speaker 3: But need this is it needed? Got the suicide accidentally, by.
• 50:22
  Speaker 1: The way, I haven't really alluded to it and this
• 50:24
  Speaker 1: maybe we'll do it at the end. But I did
• 50:26
  Speaker 1: like the running gag that.
• 50:27
  Speaker 3: All of exes were variations of home. Yes, well she
• 50:33
  Speaker 3: mentioned that earlier. Yeah, that's where all the money's gone
• 50:36
  Speaker 3: to ex husband's. Yeah, we went out the fair and
• 50:38
  Speaker 3: with the Daddy's Little Girl shirt to in liice little moment.
• 50:40
  Speaker 3: She goes, I was going to see your face. He goes,
• 50:41
  Speaker 3: don't worry, I'm never going to leave you again. And
• 50:43
  Speaker 3: then we get Homer trying to do it with his
• 50:45
  Speaker 3: kids and it ends up being at Daddy Special Pair.
• 50:48
  Speaker 3: It was a lot of work for a fine moment
• 50:52
  Speaker 3: for a B plus payoff. Yes, we're now at dinner
• 50:56
  Speaker 3: and homos again. Homas is runny, he wants to leave.
• 50:58
  Speaker 3: He goes, why can't I leave for thirty years? That
• 51:02
  Speaker 3: why they thought they needed this? I don't know.
• 51:04
  Speaker 1: Yeah, I hadn't really noticed that they really are throwing
• 51:06
  Speaker 1: these gangs. I know, yeah, right, No, I know, I
• 51:09
  Speaker 1: thought you.
• 51:09
  Speaker 3: I thought I heard something. Did you hear something?
• 51:11
  Speaker 1: I did?
• 51:11
  Speaker 3: I heard a voice? Did you hear that?
• 51:14
  Speaker 1: And I don't think it was coming from me? The
• 51:15
  Speaker 1: row phones which I muted.
• 51:16
  Speaker 3: Yeah, they're both muted. That was bizarre because the ghost
• 51:21
  Speaker 3: spooky ghosts a spooky ghost. But everyone's I'll before that though.
• 51:27
  Speaker 3: So yeah, but at dinner home is Randy blah blah blah.
• 51:29
  Speaker 3: Bart's packed his suitcase, he's hat. He thinks he's using
• 51:31
  Speaker 3: reverse psychology. But then Royce and low Lean arrive and
• 51:34
  Speaker 3: she plays Daddy's back.
• 51:39
  Speaker 4: Due usually made me cry. Now, I see you ain't
• 51:44
  Speaker 4: such a bad guy. I haven't felt this good since
• 51:48
  Speaker 4: the Lord knows we and I'm sure you got a
• 51:54
  Speaker 4: million pieasons for being Ghana under twins seasons. But Daddy's back,
• 52:01
  Speaker 4: and I'm feeling like a doll again. Yeah, Daddy's back,
• 52:08
  Speaker 4: and I'm feeling like a donna.
• 52:10
  Speaker 3: Daddy's back, and she's feeling like she ut it. God's
• 52:14
  Speaker 3: back down A drink and bottle of water, he began,
• 52:18
  Speaker 3: and hayth my body wash his estay.
• 52:24
  Speaker 1: Daddy's back and feeling like a dog.
• 52:30
  Speaker 2: And here comes crab wait and oct Ober Dad, I
• 52:35
  Speaker 2: took three bushes.
• 52:36
  Speaker 3: To get here. I know they want us to enjoy
• 52:39
  Speaker 3: the song, but I feel it needs sometimes the always
• 52:40
  Speaker 3: have the family walking with big smiles and their face
• 52:42
  Speaker 3: going yeah, just be cause you don't know. This is
• 52:43
  Speaker 3: a this is a fucking bag. Everyone's going to enjoy this.
• 52:46
  Speaker 3: And at the end Grandpa arrives with these otter.
• 52:48
  Speaker 1: I don't know why has everything sort of rhymed with
• 52:51
  Speaker 1: otter up until then? Probably yeah, daughter, And yet it's
• 52:54
  Speaker 1: like it's slightly off. But yeah, as someone who appreciates
• 52:57
  Speaker 1: the otter as an animal, they're awfully cute?
• 53:00
  Speaker 3: Are they like? Vicious? Is anything?
• 53:02
  Speaker 1: Though? I thought that was like a ferret.
• 53:04
  Speaker 3: No, I thought like otters like maybe I'm wrong. I
• 53:08
  Speaker 3: mean they're adorable.
• 53:09
  Speaker 1: Yeah, yeah, you know, lying in the river and they'll
• 53:11
  Speaker 1: hold hands so they don't drift apart, and you give
• 53:13
  Speaker 1: them a little rock.
• 53:15
  Speaker 3: There's a as a version of an otter, otters vicious
• 53:17
  Speaker 3: and they're like bigger versions like a stoat the violent
• 53:21
  Speaker 3: necrophiliac serial killing fur What here we go? What the
• 53:26
  Speaker 3: case against ODIs necrophiliac serial killing fer monsters of the sea. See,
• 53:30
  Speaker 3: they are actually like horrific. People love otters. Hell we
• 53:34
  Speaker 3: even once employed its own full time enthusiasts, and I
• 53:37
  Speaker 3: guess that get the appeal. They hold each other's hands,
• 53:39
  Speaker 3: they juggle rocks. Maybe one's raising captivity. Squak go on
• 53:41
  Speaker 3: an introduced to water for the first time. Legend has
• 53:43
  Speaker 3: it they saved him in lives on occasion. But there
• 53:45
  Speaker 3: comes a point in which rational people have put adorable
• 53:48
  Speaker 3: hydigx aside and recognized otters for what they are. Disease ridden, murderous,
• 53:51
  Speaker 3: necrophiliac aqua weasels whose treachery knows few bounds. They are
• 53:54
  Speaker 3: not wonderful animals, as Misstschanel would have you believe. They're
• 53:57
  Speaker 3: merciless hellspaorn who use their intellects for great evil. Here's
• 54:00
  Speaker 3: what you need to know about these terrible animals and
• 54:02
  Speaker 3: way should feed them and hate them.
• 54:04
  Speaker 1: I only heard miss Deshanel, so I'm assuming that it's
• 54:07
  Speaker 1: Tim Motter, so therefore I'm Tim Motter. Okay, then I
• 54:12
  Speaker 1: mean you have me until necrophiliac. See, I can forgive
• 54:16
  Speaker 1: a lot of stuff.
• 54:17
  Speaker 4: But.
• 54:20
  Speaker 3: You're gonna be absolutely disgusted like I can't believe it
• 54:23
  Speaker 3: changed my out looking life.
• 54:26
  Speaker 1: Say me.
• 54:29
  Speaker 3: Cat's, on the other hand, still adorable. Oh yeah, still
• 54:32
  Speaker 3: still They're my favorite animal at the zoo, the mere cat,
• 54:34
  Speaker 3: still the goat. Yes, me cat, I'm going mercat every
• 54:36
  Speaker 3: day of the week.
• 54:37
  Speaker 1: It's a tough one, but you were just presented a
• 54:39
  Speaker 1: compelling evidence against against artis a compelling case against the atta.
• 54:44
  Speaker 1: So yeah, it might be mea cat number one.
• 54:46
  Speaker 3: Yes, But everyone's sleeping and then Royce leaves, seeing daddy's
• 54:49
  Speaker 3: a dead beat, he's leaving his daughter again.
• 54:51
  Speaker 1: I would have liked a little more.
• 54:53
  Speaker 7: Oh.
• 54:53
  Speaker 3: I mean, I guess we understand why he's going to
• 54:55
  Speaker 3: do it, But I thought I actually didn't get to
• 54:58
  Speaker 3: make my notes. I thought the time between him leaving
• 55:01
  Speaker 3: and him being with the Dixie Chicks wasn't long enough.
• 55:04
  Speaker 3: He's gone from walking out till the next morning. He's
• 55:06
  Speaker 3: famous with the Dixie Chicks.
• 55:08
  Speaker 1: I get where you're coming from. I didn't mind that
• 55:10
  Speaker 1: so much. It's like I would have liked some indication
• 55:13
  Speaker 1: that he was going to be a ramblin man before
• 55:16
  Speaker 1: he actually took off, or that's like, oh gee, this
• 55:19
  Speaker 1: is all great, having this Rameland thing. But I'm a
• 55:21
  Speaker 1: little uncomfortable with it, but show that.
• 55:23
  Speaker 3: Yeah, because he seems to be, like he said at
• 55:26
  Speaker 3: once at the fair, I'm going to be a man forever. Yeah.
• 55:28
  Speaker 3: We need to sort of plant the seeds, will he though?
• 55:30
  Speaker 1: Yeah?
• 55:30
  Speaker 3: Yeah, anyway, but you know, if you don't want me man,
• 55:34
  Speaker 3: we shouldn't laugh. The greatest moments in history of television.
• 55:37
  Speaker 1: That's true, as covered on TV Launchpod, I brought to
• 55:39
  Speaker 1: you by your Friend's dandel Guy.
• 55:41
  Speaker 3: Next time we were recording is dexter. Did you know that?
• 55:43
  Speaker 3: By supporting our show on Patreon, you get access to
• 55:46
  Speaker 3: four exclusive podcasts per month, including Talking Signfouled, Tales of Futurama,
• 55:51
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• 55:57
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• 56:00
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• 56:03
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• 56:08
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• 56:10
  Speaker 3: four Finger di scout link is an description of this podcast.
• 56:15
  Speaker 3: So Lwlin's really sad Now Shet pop out of all
• 56:17
  Speaker 3: the foods something horrifying about ice chicken tarts, but Lisa says,
• 56:27
  Speaker 3: you still heart itr talent and your new song it's
• 56:28
  Speaker 3: going to be a hit song. And then cue the
• 56:30
  Speaker 3: dissy Chicks.
• 56:31
  Speaker 1: Oh so like that not just cut the word pop out,
• 56:34
  Speaker 1: gally cut pop out of stra snap crackle.
• 56:36
  Speaker 3: Out, yes, and then made butts. Yeah, rice crackers fallout, rice,
• 56:41
  Speaker 3: rice bubbles. They call them rice crispiesspies. That's right.
• 56:43
  Speaker 1: In Australia we call them rice bubbles. That was my
• 56:45
  Speaker 1: serial of choice when I was a young lad.
• 56:47
  Speaker 3: I thought, I'm very plain that I have to sugar them. Yeah,
• 56:50
  Speaker 3: I've whacked a bunch of sugar. Now his new favorite
• 56:52
  Speaker 3: thing is fruit loops, but we make him have nutri
• 56:54
  Speaker 3: green first or weeps first, and then you have Yeah,
• 56:57
  Speaker 3: he's just that bowls of cereal every morning. Good lord, Yeah,
• 57:02
  Speaker 3: as long as two of them are nutri grain. I
• 57:04
  Speaker 3: don't tell you how many nuggets he smash the other day.
• 57:06
  Speaker 1: It's it's a bigger number than the one before because
• 57:09
  Speaker 1: he seems to be going through the nuggets.
• 57:11
  Speaker 3: So he ate thirteen a couple of weeks ago. Now
• 57:16
  Speaker 3: there was twenty, so there's twenty. Holly had four he
• 57:20
  Speaker 3: ate sixteen nuggets. Oh my god, sixteen nuggets and how
• 57:23
  Speaker 3: was this boy? Six sixteen nuggets at a large ships.
• 57:26
  Speaker 1: Reminded me of that paralympian who you know, she was
• 57:29
  Speaker 1: in the in the heat and she smashed her personal
• 57:31
  Speaker 1: best and then no, no, she's got to be in
• 57:34
  Speaker 1: the actual not the actual race, but you know, like
• 57:36
  Speaker 1: the final that night. Then she went in the ny
• 57:39
  Speaker 1: and she smashed her really that she smashed earlier that day.
• 57:42
  Speaker 1: It's like, Elliott, let's go to k seeing him some
• 57:45
  Speaker 1: more nuggets that you can get.
• 57:47
  Speaker 3: When I was in high school, I felt like a
• 57:48
  Speaker 3: manuer smash twenty four nugget. Right's like, let's go do
• 57:50
  Speaker 3: twenty four. Oh yeah, he could do it now.
• 57:51
  Speaker 1: Yeah, my man, JP and I went first year at UNI.
• 57:54
  Speaker 1: We skip classic. There's go get some nuggets. It's like,
• 57:58
  Speaker 1: what's the most we can eat.
• 57:59
  Speaker 3: Let's trap the twenty four. We've got easy, we've got youthful.
• 58:03
  Speaker 3: The tabolism that we'll just burn it off.
• 58:04
  Speaker 1: This is not going to come back to the finest
• 58:06
  Speaker 1: in the house later.
• 58:07
  Speaker 3: In life anyway, anyway.
• 58:12
  Speaker 1: Nuggets.
• 58:13
  Speaker 3: But so the Dixie Chicks have now got the song.
• 58:15
  Speaker 1: There's no type popcorn, popcorn chicken. No, not at all.
• 58:18
  Speaker 3: No, no coconut, no coconut. But Royce has now given
• 58:21
  Speaker 3: the song to the Dixie Chicks, or he hasn't given.
• 58:23
  Speaker 3: He said he's written to himself. Indeed, they're singing it
• 58:25
  Speaker 3: for him. He's now getting a lot of money for it.
• 58:27
  Speaker 3: He's doing very well.
• 58:28
  Speaker 1: It's rising fast on the rocket with a rocket of.
• 58:30
  Speaker 3: It's But yeah, he's still got the no child sports
• 58:32
  Speaker 3: show them this time. It's a light up one that
• 58:34
  Speaker 3: you see a lot of country Western people have.
• 58:41
  Speaker 7: We said some things that came out wrong, but now
• 58:45
  Speaker 7: we've got a brand new song because free speech needs
• 58:49
  Speaker 7: courktail and now and we pledge legiance to Fox News.
• 58:58
  Speaker 3: Take away all right, juice, Oh that sounds just like
• 59:03
  Speaker 3: m song.
• 59:04
  Speaker 7: But how could they have heard?
• 59:07
  Speaker 3: Oh ditty, America's back down.
• 59:10
  Speaker 1: We're feeling Patriota again.
• 59:15
  Speaker 7: The bus backgam were feeling Patriota, freedoms of Germanan. We're
• 59:21
  Speaker 7: glad that we Codder, liberty has never looked hotter I
• 59:26
  Speaker 7: used to love welcome back, Codder never goes back and
• 59:31
  Speaker 7: feeling Patriota again.
• 59:36
  Speaker 3: Take it away, Royce, he wrote this song, then Lewline,
• 59:44
  Speaker 3: She's really said she's if anyone needs me orho my kid,
• 59:46
  Speaker 3: no one needs me. I was like, oh, cute, colonel,
• 59:49
  Speaker 3: how much of the rescue and major March and Major Marge. Yeah,
• 59:53
  Speaker 3: is very cute, very cute moment. And she says, you know,
• 59:56
  Speaker 3: you're just stop giving your dad too much power, stop
• 59:58
  Speaker 3: getting yourself esteem from the men in your life, and
• 1:00:00
  Speaker 3: you can do this. Any one person that can tell
• 1:00:01
  Speaker 3: you what to do. Mirror Santa Claus like, oh, Santa's bed, Yes,
• 1:00:05
  Speaker 3: that's Christmas decorations, by the way, very creepy looking Santa.
• 1:00:08
  Speaker 1: Yeah, he's like looking stern.
• 1:00:09
  Speaker 3: A lot of Sanded's decorations are creepy, though, why do
• 1:00:13
  Speaker 3: you think that is poor design? Okay?
• 1:00:17
  Speaker 1: I was wondering if it was some sort of psychological
• 1:00:18
  Speaker 1: thing that was just a you problem as opposed to
• 1:00:20
  Speaker 1: a Santa problem.
• 1:00:21
  Speaker 3: I don't know there's a Santa. We went to b
• 1:00:23
  Speaker 3: W dea that and they've already got the Chrismas stuff
• 1:00:24
  Speaker 3: out in BW. It's really it's our September because.
• 1:00:27
  Speaker 1: I saw Halloween stuff and I'm like, it's a bit early.
• 1:00:28
  Speaker 3: They've got some Yeah, we've got Christmas stuff out. Now,
• 1:00:30
  Speaker 3: there's an entire Christmas section of all decorations already out.
• 1:00:33
  Speaker 3: They're just kipped out away.
• 1:00:34
  Speaker 1: Like we've we've got to have something to look forward to.
• 1:00:37
  Speaker 3: Yeah, well, I spoke to somebody who worked at Super
• 1:00:39
  Speaker 3: Michael right, and he goes, no one's buying Halloween shit anymore.
• 1:00:42
  Speaker 3: You go, so I don't think we're going to really
• 1:00:43
  Speaker 3: go harder anymore. He goes the decorations. He goes, they
• 1:00:46
  Speaker 3: just sit on the shelves year on year in, year out.
• 1:00:48
  Speaker 3: Oh boy, because just like you guys, I think you're
• 1:00:50
  Speaker 3: gonna see much Halloween shit this year.
• 1:00:51
  Speaker 1: There's going to be tough for my friend Steve, who
• 1:00:53
  Speaker 1: loves Halloween.
• 1:00:55
  Speaker 3: Big w Bunnies has like a four meter high skeleton.
• 1:00:59
  Speaker 3: It's massive. It's like size the fucking shelves at Bunnings.
• 1:01:02
  Speaker 1: This is the guy who used to run like the
• 1:01:05
  Speaker 1: neighboring hardware store, and he basically killed him in skin
• 1:01:08
  Speaker 1: and said, don't get any ideas, don't take on Big Bunnings.
• 1:01:13
  Speaker 3: But there she's told her, you can do this for yourself.
• 1:01:16
  Speaker 1: Bunning spread of the pod.
• 1:01:17
  Speaker 3: Homer says, you've still got your career. He makes the
• 1:01:19
  Speaker 3: joke about things that she can actually achieve, one of
• 1:01:21
  Speaker 3: them being TV Moon is actual movies, no TV movies.
• 1:01:24
  Speaker 3: Sky is the Limit, but now White Trash Records, and
• 1:01:27
  Speaker 3: Roy says he's changed the lines of the song because
• 1:01:29
  Speaker 3: he's sold for a Chevy commercial. So why would you
• 1:01:32
  Speaker 3: do this? Cash Money? Great? I love it. Cash Money
• 1:01:37
  Speaker 3: literally walks in, she goes, here's something that you can
• 1:01:39
  Speaker 3: probably understand. You think she's going to play a song.
• 1:01:40
  Speaker 3: She specially over the head with the guitar. Yeah, And
• 1:01:43
  Speaker 3: then they said, don't do that to his head. Need
• 1:01:46
  Speaker 3: we need that for him to think about songs? She says,
• 1:01:48
  Speaker 3: she she wrote it's for her, and then that's pretty
• 1:01:52
  Speaker 3: much the end of his story, right, I believe? So yeah, yeah,
• 1:01:55
  Speaker 3: because I think he still says I'm still the most
• 1:01:57
  Speaker 3: honorable producer you've ever had. They go, yeah, sure you
• 1:01:59
  Speaker 3: probably are. But she is basically Lisa's I don't need
• 1:02:01
  Speaker 3: you anymore. Lowlin's now successful. She's going to be opening
• 1:02:04
  Speaker 3: for the Dixie Chicks, and she's met husband number four,
• 1:02:07
  Speaker 3: who was just another version of Homer.
• 1:02:08
  Speaker 1: Who needs one hundred dollars for beer.
• 1:02:09
  Speaker 3: Yes, Marge says that you know, of all the people
• 1:02:11
  Speaker 3: who have hit on Homer, you are my favorite, brings
• 1:02:14
  Speaker 3: her in close and threatens her to strangle with her
• 1:02:16
  Speaker 3: own hair extensions.
• 1:02:17
  Speaker 1: That's right, she wears hair extensions.
• 1:02:19
  Speaker 3: That is the end of Papada Lynch. I enjoyed this
• 1:02:22
  Speaker 3: a lot more than I expected to, as did I,
• 1:02:24
  Speaker 3: And yes I was. As I said, we feel like
• 1:02:26
  Speaker 3: we're kind of in the weeds a bit in season nineteen.
• 1:02:28
  Speaker 3: But Vic said that we've had a few episodes recently
• 1:02:32
  Speaker 3: like it's not bad. There's a lot it's been season
• 1:02:34
  Speaker 3: nineteen so far, so smoke on the Daughter wasn't bad.
• 1:02:36
  Speaker 3: Last week. You don't think you enjoyed it, but it
• 1:02:38
  Speaker 3: wasn't too bad. I liked it for it the most part.
• 1:02:41
  Speaker 3: We also had dial in for Neerda, which was the
• 1:02:44
  Speaker 3: mystery with Martin. She wasn't bad. We had the Debater
• 1:02:47
  Speaker 3: which I love the Debutter. No, you like as much
• 1:02:49
  Speaker 3: as I did, but it was still a good episode.
• 1:02:51
  Speaker 3: Love Springfieldy and Style. Which one was that again? I
• 1:02:54
  Speaker 3: was the sit in Nancy. That was the nothing episode.
• 1:02:56
  Speaker 3: That was that ninety show. Yeah, that's rights, not even
• 1:02:59
  Speaker 3: a right. So far, there's been a couple of stinkers,
• 1:03:01
  Speaker 3: but for the most part it's been fine.
• 1:03:02
  Speaker 1: It's got a perfectly good back nights WI not good,
• 1:03:07
  Speaker 1: not good.
• 1:03:09
  Speaker 3: So there's been it's either like you know, good episodes
• 1:03:11
  Speaker 3: or absolute stinkers.
• 1:03:14
  Speaker 1: We're missing out on the creamy centers.
• 1:03:16
  Speaker 3: What do we learn, Bomber? What you learn from the episode?
• 1:03:19
  Speaker 1: I learn from this episode whisking corn flakes? Good mix?
• 1:03:25
  Speaker 3: Are they? Have you ever tried heroine with your orange juice?
• 1:03:28
  Speaker 1: Thank you for adding with orange juice? Uh, never tried
• 1:03:33
  Speaker 1: orange juice.
• 1:03:34
  Speaker 3: I've learned that my day starts tomorrow forward, your names
• 1:03:39
  Speaker 3: will be It's the Guy Davis Championship for Papa. Don't
• 1:03:43
  Speaker 3: leach the current leader board. Mister Davis stands at this
• 1:03:46
  Speaker 3: in first position. Here is miles ahead. It is Jared
• 1:03:48
  Speaker 3: Hol't beyond twenty two points in second position, Adam Woolhouse
• 1:03:52
  Speaker 3: on fourteen points, and Phil Hawkins on eleven in third position.
• 1:03:55
  Speaker 3: Take it away.
• 1:03:56
  Speaker 1: A great thing about the Guy Davis name New Name
• 1:03:58
  Speaker 1: Championships that it could change at any time, except in
• 1:04:01
  Speaker 1: this case probably not. But still we're going to go
• 1:04:05
  Speaker 1: through the motions and.
• 1:04:06
  Speaker 3: You never can tell.
• 1:04:07
  Speaker 1: It's it's always nice for someone to be acknowledged for
• 1:04:11
  Speaker 1: their creativity and coming up with a new name. So
• 1:04:14
  Speaker 1: let's start by giving one point to I Got Friends
• 1:04:17
  Speaker 1: in Dope Places. It's a nice play on a was
• 1:04:20
  Speaker 1: it Garth Brooks tune I Got Friends in Low Places?
• 1:04:23
  Speaker 3: It sounds like a country song. It sounds like some
• 1:04:25
  Speaker 3: Garth Books would write. When it comes to country music,
• 1:04:28
  Speaker 3: Garth books are sort of one of In the nineties,
• 1:04:29
  Speaker 3: he felt like he was the king of country music.
• 1:04:31
  Speaker 1: He really was.
• 1:04:32
  Speaker 3: He's the one to Keith Urban. He was like the
• 1:04:34
  Speaker 3: he was like the male Shania Twain. He sort of
• 1:04:36
  Speaker 3: somehow transitioned from like country to like made it like
• 1:04:38
  Speaker 3: poppy as well. Yeah, like mete it in the charts. Yeah, anyway,
• 1:04:41
  Speaker 3: So where is he there? But that's Andy Gengle. By
• 1:04:44
  Speaker 3: the way, Andy Gengle with the their first points of
• 1:04:46
  Speaker 3: the season. It looks like Andy Gongle, well done. First
• 1:04:49
  Speaker 3: point of the season.
• 1:04:50
  Speaker 1: Well done, Andy Gangler. Two points goes to don't mess
• 1:04:55
  Speaker 1: with taxes?
• 1:04:56
  Speaker 3: Don't mess with taxes? Is Phil Hawkins with two points? Yeah,
• 1:05:01
  Speaker 3: not quite past the three point line, but Phil two
• 1:05:02
  Speaker 3: points ever fufills That puts him now on thirteen points.
• 1:05:05
  Speaker 3: He is now only what twenty four points behind Jared.
• 1:05:07
  Speaker 3: Let me have a look, nine points behind Joe. They're
• 1:05:10
  Speaker 3: still time he.
• 1:05:12
  Speaker 1: Earned back the Jay. Yeah, and three points goes to
• 1:05:17
  Speaker 1: Country Lumpkins.
• 1:05:19
  Speaker 3: Oh like the lot, and that would be because it's
• 1:05:21
  Speaker 3: brought to you by Rage Beasley Modern Rach. That puts
• 1:05:24
  Speaker 3: her now on four points, her first three point of
• 1:05:26
  Speaker 3: the season.
• 1:05:27
  Speaker 1: Race Beasley are also like a lot.
• 1:05:29
  Speaker 3: So that's fantastic.
• 1:05:30
  Speaker 1: Okay, Well, that's the Guy Davis New Name Challenge for
• 1:05:34
  Speaker 1: Papa don't leitch.
• 1:05:35
  Speaker 3: Remember guys, you want to be part of the New
• 1:05:36
  Speaker 3: Name Challenge. You's just going to be a supporter of
• 1:05:38
  Speaker 3: ours on Patreon guy posting the Patreon group on Facebook
• 1:05:41
  Speaker 3: every single week and you can come at your new
• 1:05:42
  Speaker 3: names and if you win, which it seems like Jared
• 1:05:45
  Speaker 3: might for this, but Phil Hawkins or Adam Willherson still
• 1:05:47
  Speaker 3: catch up to him. If they catch up, they will
• 1:05:49
  Speaker 3: win their top tier supporter for the following season. So
• 1:05:52
  Speaker 3: for the next season, season twenty or four, fining a discount,
• 1:05:54
  Speaker 3: you will be a top tier supporter and we'll pay
• 1:05:56
  Speaker 3: for it. Oh my, well, my good, golly gosh, taking
• 1:06:00
  Speaker 3: money out of our pockets, yes.
• 1:06:01
  Speaker 1: But deservedly so. With your phone form during the New
• 1:06:05
  Speaker 1: Name Challenge for season nineteen.
• 1:06:07
  Speaker 3: That's right, guys, now thank you so much for all
• 1:06:08
  Speaker 3: his support here again. That's right, guys, that's right, guys,
• 1:06:12
  Speaker 3: that's right, guy. Don't forget. We do appreciate obvius sport
• 1:06:16
  Speaker 3: here at four finger discount. If you can't suppor us
• 1:06:18
  Speaker 3: on pageon you can't also do so. You can support
• 1:06:20
  Speaker 3: us by rating and reviewing us on Apple Podcasts or Spotify.
• 1:06:23
  Speaker 3: Revedeals into this show. Just check us. A review of
• 1:06:25
  Speaker 3: US five stars would be much appreciated. Boosters up those rankings.
• 1:06:28
  Speaker 3: And the next episode from season nineteen we shall be
• 1:06:30
  Speaker 3: reviewing will be Apocalypse cow Apocalypse now reference in the
• 1:06:35
  Speaker 3: last episode, didn't we but coming out of the that
• 1:06:37
  Speaker 3: is correct, dirty laundry or whatever it was at the
• 1:06:40
  Speaker 3: Ballet Center. But I thought we would do a classic
• 1:06:42
  Speaker 3: episode next week. I can tell people what it is.
• 1:06:44
  Speaker 3: I thought, next week, let's do a classic episode of
• 1:06:46
  Speaker 3: the Simpsons.
• 1:06:46
  Speaker 1: When you're saying let's not tell anyoneer who it is,
• 1:06:48
  Speaker 1: that includes me. Yes, you just start frames on me
• 1:06:51
  Speaker 1: right now.
• 1:06:51
  Speaker 3: We'll decide and you'll see it in your feeds next week,
• 1:06:55
  Speaker 3: and then follow that with apocalypsecut makes sense. Yes, don't forget.
• 1:07:00
  Speaker 3: Available for the price of a cup of coffee. On
• 1:07:03
  Speaker 3: our pageh you get access to exclusive podcast Towers the Future,
• 1:07:06
  Speaker 3: Speaking of the Hill, talking Siginfeld and the media guys.
• 1:07:08
  Speaker 3: And we do have a very exciting new podcast that
• 1:07:10
  Speaker 3: we'll be launching here at the four Finger Discount Network,
• 1:07:13
  Speaker 3: starring one Guy Davis. Oh, I'm there occasionally chiming in,
• 1:07:17
  Speaker 3: but it's good to start that way.
• 1:07:18
  Speaker 1: You're clashing together the pots and pans behind the scenes
• 1:07:21
  Speaker 1: and making it all sound very, very nice. And I'm
• 1:07:24
  Speaker 1: providing a bit of quality content with help from well
• 1:07:28
  Speaker 1: one might say illuminary.
• 1:07:29
  Speaker 3: Yeah, legend of the industry. And he's a legend because
• 1:07:32
  Speaker 3: basically the co host of that show, let's just say
• 1:07:35
  Speaker 3: the star, one of the stars of the show is
• 1:07:37
  Speaker 3: the man who took down Mechastrasan, So at least try
• 1:07:41
  Speaker 3: it to anyway, should we say his name? What's officially want?
• 1:07:50
  Speaker 3: That's enough for tease, right.
• 1:07:51
  Speaker 1: We recorded a test pilot this morning. He may listen
• 1:07:55
  Speaker 1: back to.
• 1:07:55
  Speaker 3: This guy sucked. I don't know, but it's a movie
• 1:08:01
  Speaker 3: podcast with one of the most iconic movie reviewers of
• 1:08:03
  Speaker 3: all time, Guy Davis, and his co star. That clanging
• 1:08:07
  Speaker 3: sound is us dropping clues.
• 1:08:09
  Speaker 1: I think you bombly picked it up by now, but yeah,
• 1:08:11
  Speaker 1: we'll reveal it officially a little bit later.
• 1:08:14
  Speaker 3: Yes, here's the biggest clue. It's called the Movie Guide.
• 1:08:18
  Speaker 3: Here's wow. So it's very exciting, Yes, very very exciting.
• 1:08:25
  Speaker 3: All right, enough teasing, enough teas, So the next episode
• 1:08:29
  Speaker 3: is going to be classic. Then we're going to be
• 1:08:30
  Speaker 3: doing a pocolypse cow. Another new podcast coming here, the
• 1:08:32
  Speaker 3: for Thing a discat Network. It's exciting time because the
• 1:08:34
  Speaker 3: Dad's had final words for those amazing listeners out there.
• 1:08:37
  Speaker 1: Oh comp for me to go whiskey up those corn
• 1:08:38
  Speaker 1: flex