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Doolittle - Pixies · Barber Cuts: Beats and Bars

0:15
Welcome to Barbara Cuts, Beats and bars.
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We're a father to daughter music podcast that slices into some of
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the greatest albums, one cut at a time.
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With no industry ties or formal training, just a shared love of
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music, we explore albums across genres, rating favorites and
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skips while digging into what makes each one iconic.
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I bring the beats. And I bring the bars and
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together we deliver real talk and fresh takes from both sides
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of the sound. Hey everybody, I'm Riley.
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And I'm Todd, and welcome to this week's edition episode.
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Always say edition episode of Barber Cuts.
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This week we are talking about the 1989 album, another 80s one.
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So all of a sudden we seem to be stuck in the 80s.
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Oh, Trats, But it's a different tangent.
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So 1989 here we go. Doolittle by the Pixies.
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And so I guess we can jump right into it.
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Riley, what are your least favorite songs from this album?
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I was about to do what I did that one time and start with my
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with my favorites again and then just get everyone confused.
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Anyway, my least favorites was probably.
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Least favourites was. Yep, I'm sticking with my
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grammar. OK, so I did not like the song A
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there's some vulgar language in there that's not the most
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pleasant to listen to. Besides that, I just I just I
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just didn't really like it that much.
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And then my other least favorite was probably like right next to
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it was sorry, I'm looking at them and I'm realizing that I
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only picked 1, so we're only gonna get one least.
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I only really had the one least favorite.
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I was trying to pick a different one.
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And then I couldn't pick 1. So it was just hey, I just don't
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like hey, OK. Pour hey.
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Yeah. Pour Hey, so you know one of the
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things with with hey, it wouldn't mind.
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But when it first started the beat, and you may not know this
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song, but go listen to it. The beat initially reminded me a
2:35
beast of burden by The Rolling Stones.
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So I was like. But anyway, so my least
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favorite. I actually do have two because I
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followed the rules I saw. So one of them was I bleed and,
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and I think it was the IT was the double voices where I think
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she is, she is singing and the the guy is speaking singing.
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Sometimes it was rather strange to me and, and I, I don't think
3:16
I ever recovered. That may be one of your
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favorites. The other one is Silver.
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And, and that was right after Hey and, and hey, at least for
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me, it, it fit the vibe, but silver just had a different vibe
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than the rest of the album had. So it, it, it felt out of place
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to me. So it gives off a eerie, you
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know, almost appropriate Halloween mystical sound to it
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with the voices. They're very melodic.
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And then it was a slide guitar, so there was never really
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anything hard. It was always moving up and down
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again, just gave an eerie kind of feel.
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So which is different than most every other song on there.
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So those were my least favorite. I love slide guitar.
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That's probably like I do. There is nothing.
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There's no better feeling to me than when a band walks on stage
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and they carry out a little slide guitar and I just get to
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watch someone play slide guitar for the night.
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It is so impressive and interesting to watch.
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Richie mentioned the coal miners when I went to their.
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I went to a music festival, the Moon River, hosted by Drew and
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Ellie Holcomb. I think someone's mentioned them
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somewhere somehow their one of their guys had a slide guitar
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and I was just watching it the entire time.
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Like completely entranced is. I didn't get a video of it
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'cause I was entranced. Yeah, so I'll put it in quote a
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a real slide guitar where they sit down and play it.
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Yeah. OK.
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Yeah, those are cool. Yeah, I know sometimes.
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I know sometimes like the finger long whatever it looks like,
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extra long thimble and where they're slide knit across a
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normal. Guitar he had, like the metal
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ball, yeah. And everything.
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Those are cool. Those are.
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Cool. It was.
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It was so impressive. And I don't even think, if I'm
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remembering correctly, this person was not actually a member
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of the band. He could just play the slide
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guitar and he took their pictures so he's their
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photographer and could play slide guitar.
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It's really cool. Yeah, it was.
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Right. So, favorite favorites?
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OK, so this album started off strong with me, with Debaser
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being one of my favorites. I mean, it's just classic alt
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rock. It's a great intro into what
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this album is and to who this band is.
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It's just a really good intro song to set the tone for the
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rest of the album. Yeah, that opening base is like,
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oh, this is good. Yeah, it and just like having a
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little bit of the girl sitting in the background like it, it's
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just it's the classic intro of the loud, soft, loud.
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They do that. It just, it encompasses
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everything that this band really is known for in one song, which
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I just really enjoyed and. Then before you move on, a
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little bit of trivia, because that's what maybe my part of
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this whole thing is. That song is based off of a 1929
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short film, but in the earliest version of the lyric, the vine
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was originally shed Apollo NIA, which is actually a reference to
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Purple Rain the movie. So it's neat to see.
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You know. Some various items connecting in
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the musical world with We just did Prince what, 2 weeks ago
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maybe? So neat to see those things
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connecting. So my next favorite, I just
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really enjoyed it was Monkey Gone to Heaven.
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Another classic alt rock, but the one that so first.
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I like that in this album or this song Monkeys gone to Heaven
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is like funny to hear it it most of their lyrics, and I can talk
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about that more later. Don't have that much to them.
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Most of their songs are just very repetitive lyrics and it's
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a lot more about like how they're saying it and that makes
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it interesting and not the actual lyrics themselves, which
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is really cool. But this one it, it's kind of
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the same thing. There's some like interesting
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parts, but to just like keep going.
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This monkey's gone to heaven is really funny to listen to.
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But the part that like really stuck this song for me is the
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part where he repeats if man is five, then the devil is 6, then
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God is 7. The way he sings that and it
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progressively gets more like screamy almost is so much fun to
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listen to you. And it just like scratches an
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itch for me. And which is again, I mean, that
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is like a classic trope in indie alt rock is like that
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progressively getting more screamy.
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But it just it worked really well in this song, and it just
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shows the emotion in the song without the lyrics necessarily
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backing it up, which is a very interesting way to get emotion,
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yeah, out of a song. Yeah, there are several biblical
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references throughout the throughout the album actually.
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So my one of my favorites actually carries that theme a
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little further. So one of mine is gouge away
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again, another great example of the loud, loud, quiet, loud.
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You've heard us talk about it on Nirvana and and this is really
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where they pulled it from. But the this one song actually
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like, because it's really a reverse on that loud, loud,
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quiet, loud or loud, soft, loud, because the first part is the
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loud part and the course is the where they get quiet and, and
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usually it's the other way around.
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Also love. They've got a a driving base
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that you can hear throughout the song.
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And this one, the biblical reference here, is it's inspired
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actually by the story of Samson and Delilah from the Bible.
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Which personal trivia used to be my favorite story of the Bible
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when we had a kid? Bible because I liked the hair
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and thought Delilah was pretty. And then I grew up and I read
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the story again. And very different.
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Yeah. You know the the the last verse
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there it says chained to the pillars, a three day party.
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I break the walls and kill us all with holy fingers.
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So you can you can see the reference there the the other
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one in that's large not on my list.
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But the other biblical reference there is dead, which was
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inspired by the David and Bathsheba story.
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And so toward the end, it has the line Uriah hit the crapper,
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which is unfortunately funny. But you know, the biblical
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story, Uriah is Bathsheba's husband and he's a soldier that
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David sends to the front line and actually hasn't killed.
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So your eye hit the crapper is Black Francis, who is the lead
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singer of the Pixies. His his way of interpreting
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that. So but yeah, that's but my other
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favorite song is Wave of Mutilation.
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And so I also really, really like Here Comes Your Man, and
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that is probably my favorite, but I didn't want to put it
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because it was my song of the week back on The White Stripes
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episode. So go listen to what I said
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about it on that episode. So I wanted to pick a different
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one. But Wave of Mutilation again,
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quiet first you hear the drum, the bass line shine through with
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the verse. The course really picks up with
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the repeat, you know, pounding of the of the snare drum.
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The lyrics, on the other hand, when I went back and looked at
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them like, OK, the lyrics are rather dark and inspired by
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during the time. Most of these I think were
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written in the late late 80s, maybe 8887, and the lyrics were
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inspired by news reports of Japanese businessmen committing
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murder suicides by driving their cars into the ocean.
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So yeah, lyrically a very deep song with dealing with self
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destruction and surrendering to the circumstances of the world.
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But as we see often with many songs, the lyrical meaning is
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juxtaposed with this. What upbeat, happy sounding
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music that you're like, oh, yeah, I can, I can beep out my
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head to this. And then you go figure out what
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it's talking about and read the lyrics.
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You're like, OK, that brings a slightly different meaning to
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it. So I guess it's down with
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favorites. Any any other thoughts about
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songs or we just want to talk about them?
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I guess we can talk about songs as we tell people why you should
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listen to this album. I am very biased because the why
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should you listen to this album? I mean, the Pixies are iconic.
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Whether or not you know of the Pixies, you know of the bands
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that they've inspired, like like Nirvana.
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I mean, they're considered founding fathers, founding
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members of the alt rock indie movement, which despite what I
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said, my favorite album was, I stand by that.
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But alt rock and indie tends to be my favorite genre.
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I love that type of music. And you mentioned Nirvana, some
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of the other bands that like are influenced by the Pixies and all
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these have specifically listed this album as well, which is
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even more impressive. Radiohead.
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Yep. Modest Mouse, Yep.
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Smashing Pumpkins, Weezer. So like those are some big name
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bands that. Yes, and.
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By this particular album. And let's not forget one of my
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favorite bands of all time is Cage the Elephant.
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Cage the Elephant has also directly cited this album as an
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inspiration. In fact, So I was listening to
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Baser is the first one that as soon as it come on, it made me
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think of early Cage songs. It was just like almost to AT
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and so I looked it up. I told you to listen to one of
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their songs or one of their albums.
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They actually got called like Pixies, like Pixies 2 point O
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like people thought that they were just directly trying to do
15:05
the Pixies. And they've said like, I mean,
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that's kind of what we were trying to do.
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We were just trying to do the Pixies.
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And so after that, this isn't like Cage the Elephant episode.
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But after that, they did an interesting thing where they
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stopped listening to any music when they were recording and
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creating theirs so that they wouldn't get any outside and
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accidentally, like, RIP off someone.
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Yeah, when they were forming their ideas and getting their
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feet wet, they took a lot from the Pixies and the album Thank
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You, Happy Birthday, I think is the one that kind of gets called
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the Pixies, specifically a song called Aberdeen.
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But like, they just have inspired like everyone in the
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alt rock and indie scene, like they're like the higher ups in
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this field. And you can see why when you
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listen to it and hear all the different bits and pieces that
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different artists pull and take from it, like the loud, soft,
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loud, like the like dark lyrics to the happy beat and the
16:19
repetitive lyrics and the screams and experimentation
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within it. And like all of this stuff.
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And you can be like, I recognize that from this, and I recognize
16:31
that from this. And then you realize that you
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don't recognize it because it's from somewhere else, like from
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someone else before you recognize it because they
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inspired it. Yeah.
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And that's what's crazy. That's what's always cool to get
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in music, just kind of get closer to the front lines.
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Yeah. So that's, in my opinion, why
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you should go listen to it, is because it inspired some of the
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best music that's currently existing.
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True. Yeah, I agree with that.
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You know, the their first studio album is called Surfer Rosa and
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it's probably got their most well known song on it.
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Where is my mind? Most well known them at least
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all the cool kids. So, so yeah, someone didn't know
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who it was that should have known who it was, but that that
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is also because of you. Also like Cage the Elephant,
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they're also Speaking of Cage the Elephant.
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Where is My Mind? And songs like Ain't No Rest for
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the Wicked I thought were equivalent to Bohemian Rhapsody,
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Journey, that one song by Journey.
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Like, I thought everyone just knew these songs, like these
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were just a part of music for everyone.
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And then when I got to college, it started like talking to
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people about music. And I was like, oh, and
17:55
obviously Ain't No Rest for the Wicked.
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And they're like, I've never heard that song.
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And we're like, yeah, you have. You just don't recognize it
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playing it. And they're like, no, I still
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don't recognize that song. And I'm like, my world is
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shattered. Yeah, so that one was a
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shattering event. Yeah, but that that was that
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song is how I actually got introduced to the Pixies.
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And when I was in college, a band called Three would actually
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play that song and a lot of their shows.
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So so, you know, grew to be introduced to him from there and
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and started going further. But you know the.
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So why do you listen to it? Yeah, we've already talked about
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it. Like Cobain said, this was
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Smells Like Teen Spirit. One of the biggest rock songs,
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maybe the biggest of the 90s, was Nirvana's attempt at writing
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a Pixie song. Like that's what they said it
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was. And so I.
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Think they also used the words like RIP off at some point.
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Yeah, like. So you know, it's it's it's just
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crazy, but you know, if if you like drums and bass lines, this
19:03
is your album because of the loud, soft, loud, the drums and
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bass line. We've talked about this.
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Where was it Prince, where there was a missing bass line?
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And when doves cry. Well, when these verses or
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whatever, during the quiet parts of the songs you hear the drum
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in the bass keep going and oftentimes it's just a voice on
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top of it. And the while, you know, going
19:30
back to where's My mind? Maybe the song they're best
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known for this is their second studio album.
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And it's probably what most people would say defines them as
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a band and, and just why it is. And so another analogy, if you
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like roller coasters and not the Kitty kind, but if you like true
19:53
legit roller coasters, then this may be an album for you as well
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because it is a roller coaster of music.
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Which I do like roller coasters. Yes, and not always so roller
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coasters are a new thing for both.
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The Barber kids. But So what I mean by that?
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The styles of songs differ. So you've got pop, you got a
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random swing tempo a bit and Mr. Grieves.
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You got what seems like a punk and crockety Jones.
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La La Love you is a you know, sweet sounding like love song,
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just to name a few. You got tempos that bury often
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times the tempos, you know, the speed of the song.
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It speeds up and slows down across the album, but it does it
20:46
within songs too, which is, which is crazy voices.
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You know, the the sound of their voices.
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You know, Black Francis is the main male singer, Kim Deal is
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the female. And so sometimes you have
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melodic voices, sometimes you have stressed voices, screaming
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voices spoken. And again, sometimes their
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shifts are in the middle of the song.
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So you never know what is actually going to come across,
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you know, the next beat. And, and that's what I mean by
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that roller coaster. You never know where the loop de
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loop or the big drop is about to happen.
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And so that's, that's really, it's a really neat thing that
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they've done throughout this album.
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Yeah, which is my favorite thing about the indie genre in general
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is it's such a wide genre and it's just considered Indian alt
21:48
rock because like you can't fit it in anything else quite.
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And that's what's so fun. You never know what you're going
21:55
to get. There's so much to explore with
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it in the genre that it's very hard to get bored of listening
22:01
to it over and over again because it's just you.
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You pick up different things each time you listen to it, and
22:08
something new surprises you and you forget that there's a big
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drop there that they start screaming out of nowhere and
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it's just so much fun. But I think something that I did
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want to mention with the female singer is we've talked about in
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another album, I think it was The White Stripes, where
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randomly bringing in like female singers can really be off
22:33
putting to the song, especially in a barter album, cuz getting
22:38
such a melodic voice come in is like very off putting.
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And I, I think it just works so well for the Pixies.
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It does like the and Debaser, the melodic singing of the
22:52
Debaser of singing Debaser and Here Comes Your Man and Where is
22:57
My Mind, Like all of these. I know that where is my mind?
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It's not this album. But still, her melodic voice
23:05
works so well for the Pixies in a way that I think in other
23:10
bands that we've seen, it hasn't worked super well.
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And I think that's also a testament to like how well the
23:18
Pixies understood what they were doing and the experimentation
23:21
that was going into it. Yeah, I agree.
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You know, and another, another bit of, of trivia.
23:27
Kim Deal, the the female singer actually left the Pixies joined
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up with her twin sister to form the Breeders.
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And so the Breeders have a big super hit from the early 90s
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called Cannonball. You remember that one?
23:42
No, I don't. Cannonball.
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That's a great. It's a good song and so, you
23:53
know, playing into what alt rock and indie rock are really not
23:59
even alt rock and indie rock, but alt and indie in any genre.
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So I'll, I'll clarify that all of those bands do this and, and
24:08
the Pixies is, is no different with this album.
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These albums are made for the artist and the fans and they
24:15
don't care if it gets radio play.
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They don't care if it blows up. You know, they they really do it
24:22
for what they really want the music to be like.
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And they know that they've got fans that love it.
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And so that that's again, we've talked about it before about
24:32
artists that, you know, quote UN quote sell out.
24:36
That's that's not what this is at all.
24:39
This is really that that alt and indie type of mentality.
24:44
So, yeah. But it's a really good, you
24:49
know, we, we have talked about the loud, soft, loud.
24:52
We'll continue to talk about it through various bands that do
24:56
it, you know, and, and again, there was there was some of that
25:00
happening even before the Pixies, but the the Pixies
25:03
really are credited with really popularizing it.
25:07
So this this album, and I think maybe Tame is the is that the
25:12
second one after? Because I got it up here.
25:15
Yeah, the second song after Debaser.
25:18
Tame has got maybe the most drastic shift between loud,
25:23
loud, soft, loud. So to to really get an idea of,
25:27
of, of what we're talking about. So any anything else about the
25:32
album before I get to best beats I don't think.
25:36
So. All right, so in that case,
25:38
Riley, what's the what's the best bar, best lyric from the
25:42
album? So as I mentioned before, they
25:47
repeat a lot. But so the lyrics in this album
25:52
are interesting, don't get me wrong, but there there's not
25:57
that many to choose from because it's usually just very repeated
26:02
throughout the song. If you don't know what I'm
26:04
talking about, go listen to them or go read the lyrics would be
26:07
the better way to do it because they say the lyrics so
26:11
differently. So it sounds like they're
26:13
singing something different, if that makes any sense.
26:16
And then when you read the lyrics and you're like, oh,
26:18
they've just repeated the same words for the past five minutes
26:21
and you're like, ah, sick. That happened to me a few times
26:24
where I was listening to it and I was listening to it closer and
26:27
I was like, they haven't said anything new, but my brain is
26:29
registering it as something new. So all I have to say, I do have
26:35
favorite lyrics, it's just harder to pick out.
26:39
My favorite lyrics were actually what you mentioned as the dark
26:42
point was the Wave of Mutilation song, just because it is so
26:49
juxtaposed and so like heavy that it kind of hits you and
26:54
forces you to pay attention. I mean, the song starts with
26:57
saying cease to resist giving my goodbye, driving my car into the
27:00
ocean. You'll think I'm dead, but I
27:02
sail away on a wave of mutilation.
27:06
And it it just forces you to pay attention to anything that comes
27:10
next. It's just very beautifully said.
27:16
I always say that when I come to the lyrics as if they're not
27:18
beautifully said. They're lyrics, they're going to
27:20
be beautifully said. But anyway, it just forces you
27:24
to pay attention to the song in a way that I think was I, I, I
27:30
just guess what I'm trying to say is it it captured me most
27:33
more than most other lyrics. Like it just forced my attention
27:36
on it. The, the, you know, the cease to
27:39
resist is from what I read, a call back to a Beach Boys lyric,
27:45
which is a call back to a Charles Manson lyric or a poem.
27:50
I think he, he had a lyric, The Beach Boys slightly redid it and
27:55
then they're calling it back to there.
27:57
But, you know, even speaking to those lyrics, you know, we
28:00
talked about it's about driving a car into the ocean, which is
28:03
what you just mentioned as the lyrics.
28:05
You know, the, the next verse, not to mean a laugh, but it's
28:11
just interesting the way the lyrics continue.
28:14
I've kissed mermaids and rode the El Nino walk the sand with
28:18
the crustacean. So I mean, he's even continuing
28:21
like what happens after they've driven into the ocean?
28:25
Yeah. I mean.
28:26
Like there's again juxtapose, like there's some humor in that,
28:32
but yet that's still dark in how they got to that point.
28:38
Yeah. I think also something that's
28:40
interesting with that song is like he's taking it even
28:44
further, but it's taking it even further.
28:47
He's saying like he didn't die, he's just on a new adventure.
28:52
Yeah. And so like somehow there's like
28:54
this kind of hopeful little message that's like, even
28:58
through the pain, you're on this new little adventure and it's
29:01
like, where did that come from? How did we get here?
29:04
Yeah, And I, that's another great part of the song.
29:09
But I just. I love the opening lyrics and
29:12
how in your face and attention grabbing they really are.
29:16
Meanwhile, you got people like me that are just be bopping
29:19
right along because we're not paying attention to lyrics, you
29:23
know, oblivious to the underlying message.
29:29
So so my best beat for me and I think we may have swapped right.
29:36
So your favorite, your best bar came from my favorite.
29:42
Your favorite song was Monkey going to Heaven.
29:45
So that's where my best beats coming from.
29:48
There we go. Interesting how this has worked
29:50
out. So it's actually the opening 30
29:54
seconds of monkey gone to heaven.
29:57
So it opens with loud drums, guitar, like all the
30:02
instruments, like it just comes in hard, loud.
30:07
And then very quickly it just all of that drops, goes to the
30:11
lyric of there was a guy and it's not really song.
30:16
It's more spoken like it's a weird thing.
30:21
And then that's all he says. And then it goes to maybe like a
30:25
drum and bass mini solo for a few seconds.
30:30
And then it comes in with another lyric, same way spoken,
30:35
an underwater guy who controlled the sea, Like, OK, you got me.
30:42
And like you can clearly hear these like the sitting rock
30:45
where sometimes you can't understand.
30:48
I'm like, you know exactly what's saying.
30:51
And then what's what's neat after this one is a cello
30:55
actually joins in. So again, the lyric goes away,
30:58
still the drum and bass, but a cello joins in.
31:02
It was some real quick staccato notes that and then the cello,
31:09
the lyrics come back in. You can hear the cello in the
31:11
back start to play some really long notes with everything going
31:16
on. And then you get the lyric that
31:18
again very clear. You know, there was a guy, an
31:22
underwater guy who controlled the sea.
31:25
And then you get this got killed by 10,000,000 lbs of sludge from
31:30
New York and New Jersey and then all of a sudden the loud kicks
31:34
in for the course. The song continues.
31:38
And like that opening is very well done musically, lyrically,
31:48
and to me and you hopefully you'll agree it's a little 32nd
31:54
32 seconds, maybe microcosm of the whole album, just all in
32:00
there. There's so much going on in just
32:02
a few seconds of of music because it comes in with a loud,
32:05
then it goes soft, then you know, and then it comes back
32:08
loud at the end that the lyrics that make you think but yet this
32:13
interesting drum and bass line and then a cello that comes in
32:18
which they don't use a lot of other instruments and other
32:21
places. So that cello was a little bit
32:23
surprising. But anyway, the as you go listen
32:28
to Riley's favorite song, Listen paid really close attention to
32:33
those first 30 seconds. That's my that's my best beat
32:36
from the album Monkey. Call me, I think.
32:38
I think the only way I can explain the Pixies is like
32:43
they're almost like the alt version of the Beastie Boys who
32:52
like don't mess around as like don't aren't as vulgar.
32:55
I guess that's what I'm trying to say.
32:57
Like you can tell they're just having fun.
33:00
They're just doing what they want and like it.
33:03
Almost like the Beastie Boys is famous for saying like they
33:06
would pitch lines and if it didn't make someone laugh, it
33:08
didn't get written down. It almost seems like they're
33:11
doing that. But dude, that's sick.
33:14
If they did something and it didn't get that reaction, it's
33:17
like whatever. Everything they do is just
33:19
trying to get a like that sounds cool, which is music, but it
33:24
seems as if they were just having fun.
33:26
We'll do it. And the insurance monkey gone to
33:28
heaven. The great example of that
33:30
because oh boy does it catch you off guard and drive in as well.
33:34
And, and I think in, in like right after those 30 seconds is
33:39
where it repeats like 4 times in a row.
33:42
Monkey gone to heaven, monkey gone to heaven, Monkey go to
33:45
heaven. Yeah, that's, that's the, I
33:48
guess the chorus of where it's, you know, blows up fast and, and
33:52
loud. So it's a, it's a, it's a good
33:55
song. I really like that song too.
33:57
So that being said, what are your ratings?
34:03
So I really liked this album. I, I put it as a as a 9.5 just
34:10
because my, my 10 so far it like other than the one that I chose
34:16
is Arcade Fire and it's not quite there for me.
34:22
Like Arcade Fire is like where I'm I'm putting in, you know,
34:25
like if they can live up to that.
34:27
But it itself, the album itself was not up there.
34:32
Everything that it's inspired, which it even probably inspired
34:36
Arcade Fire because Arcade Fire is indie.
34:38
Whatever. There's nowhere this album
34:41
doesn't reach. But I put it as a 9.5.
34:44
I really enjoyed it. I knew about the Pixies.
34:47
I hadn't listened to this album in total before, but I could
34:51
listen to this album over and over and be happy with it.
34:55
Minus just like sometimes the the fatigue of like being on a
35:00
roller coaster and the unpredictable because that is
35:04
real. I would say objectively, I would
35:06
still give it a 99.5. I can't kind of I can't tell if
35:12
like part of that is just because I'm going 9.5.
35:16
I'd say 9.5 just because their techniques are what inspired
35:23
like hundreds of thousands of artists.
35:25
Not just like, oh, this sounds nice, but like the loud, soft,
35:28
loud, the drums and bass, the doing their lyrics differently
35:34
with the repetitiveness, the off guard, the like all of these
35:37
things that they're like known for, they may not be known for,
35:42
but like they're the ones who made it big, You know, I don't
35:45
know if that made any sense cuz a lot of people don't credit the
35:48
Pixies or they should credit the Pixies.
35:50
That's the thing with the Pixies that they're upset about.
35:52
I know, but like they have contributed so much like
35:58
objectively and so it would be hard to rate it any lower than
36:04
almost perfect simply because of how big they made everything
36:08
they did. Yeah, I agree, Which ironically
36:11
is why my objective rating is just like yours, 9.5.
36:16
I chose the right one. Yeah, my personal ratings at a
36:19
nine, so just a half step lower, but objectively at 9.5, like if
36:25
the you know, Radiohead, Nirvana, yeah, I'll mention
36:30
those two because again, you know, 90s, early 90s and 90s is
36:37
really where where I fell in love with music.
36:41
You know, you got you inspired Nirvana and Radiohead, who both
36:47
have probably in the 90s. Both of them have two of the
36:51
best albums of the 90s and like, OK, you've done something very
36:58
good in in that. And even past then, sorry,
37:03
you're gonna get bands that say they're inspired.
37:05
This is going back to they don't get credited.
37:07
Bands that say they're inspired by Nirvana and Radiohead and
37:11
Cage and all these bands, most of the times the thing they're
37:14
inspired by are what those bands directly credit to the Pixies.
37:18
Yeah. So like it's, it's the more you
37:21
look into it, the more you're just genuinely like the Pixies
37:24
are everywhere without anyone knowing.
37:26
Yeah, yeah. So we'll, we'll give you know,
37:30
not that they care, because you know me, you and our three
37:34
followers. Hey, we have like 20 now.
37:38
Yes, we are growing. 20. Followers and, and all the other
37:41
countries that are, that are joining the bandwagon.
37:45
But yeah, so I mean, we'll, we'll give, we'll give the
37:48
Pixies their due credit here and say, you know, it's, it's, it's
37:54
worth a, it's worth a listen. And, and again, I'm going to
37:58
admit like, you know, our, you know, our song taste.
38:01
So, so obviously there's going to be some bias in there of, of
38:05
what we like. And so you may not like that.
38:08
So be aware I'm going into it, but there is a roller coaster of
38:13
music that will happen in there. And so just keep listening and
38:17
you'll find bits and pieces I think in this album that you may
38:20
not like it overall, but you'll find places in it that you're
38:24
like, oh, I really like that song.
38:26
Or, you know, I really like these 3 or 4 songs because the
38:30
songs can vary that much, which again is impressive to have a
38:37
sound, but then to have so much of it sounds so different is,
38:43
is, is really impressive. All right, so to get both of
38:49
them, so 99.5 for me, 9 1/2's for Riley.
38:55
So that takes us to song of the week.
38:58
Riley, what was your song of the week?
39:00
Three song of the week. Three Song of the Weeks.
39:03
Three song of the week, so my first one, two of them we've
39:07
already mentioned my first one was Aberdeen.
39:11
Just because I love this this song.
39:14
You can you can account for that, that I've always loved
39:17
this song because I can't whenever him and I went to a
39:20
cage the ping concert and he asked me what song I wanted to
39:24
hear and it was Aberdeen and they didn't play Aberdeen, but
39:27
Aberdeen is one of my favorite Cage songs.
39:31
I love it and it's probably the one you can hear the Pixies
39:34
influence on the most. It's it's just a really good
39:39
song and incredible how much it does sound like Pixies after
39:43
listening to it. But it just reminded me of that.
39:47
The other one I listened to a lot this week was Where is My
39:50
Mind? And also on your cage.
39:52
When we went to the concert, I knew Riley's rule of not
39:58
videoing and not taking pictures.
40:01
So I I videoed and took videos of her.
40:05
Not of her, but of the band. So.
40:07
One of me. Yeah, one of you where I zoomed
40:09
over and she was singing and dancing.
40:12
But yeah, I did all the recordings so she could have
40:16
longer clips of the concert. Yes, by Aberdeen.
40:21
So then my other one was Where is My Mind?
40:24
Just a great song that I often forget about, unfortunately.
40:31
So when listening to the Pixies and album finishes and it just
40:34
kind of goes on its own little ramble.
40:36
Of course it plays Where is My Mind because it's so big and
40:41
it's just a great reminder anytime I remember that song.
40:45
So again. I'll I'll bring up the 90s.
40:47
So you probably don't do this, but I do.
40:51
And maybe a lot of people from the 90s that would hear this
40:53
song. Do you know at the beginning
40:56
goes stop? Elaborate and listen.
41:01
Always without fail. Intention.
41:04
I say collaborate and listen in my head.
41:07
Did I just make you the proudest dad?
41:09
If if you, if you do it when? Yes, you did because you knew
41:12
where I was going. So, you know, there we go.
41:16
Yeah, and then the other one, funnily enough, also starts with
41:20
where is, but it's a newer song called Where is My Husband by
41:26
Ray Funny funny name. It just came out September 19th,
41:33
so not even a month old. It, it's huge, it's, it's
41:38
getting a lot of traction, but I, I love riots and artists, but
41:43
this is just such a fun song to listen to.
41:47
It's very, it's, it's poppy. It's pretty poppy.
41:53
She sings really fast. She has a very like jazzy voice.
41:56
A lot of people say that she looks and acts and kind of sings
42:00
very similar to Amy Winehouse. She has the big black hair, she
42:05
has the mole. Like she just kind of fits the
42:08
vibe of Amy Winehouse and she's just a lovely little character.
42:12
And whereas my husband is just, it's such a fun song to listen
42:16
to and has just been kind of capturing me the past week.
42:22
Very good. So mine is Song of the week is
42:26
also inspired by the Pixies. Funny how that works, but it's
42:32
Rhinoceros from Gish, Smashing Pumpkins first album and so
42:40
Gish, which very few people know about, often goes unnoticed by
42:45
casual fans. Casual fan is going to say that
42:48
Siamese Dream is the first Smashing Pumpkins album and then
42:53
you can go all fanboy fangirl on them.
42:56
Say no, it's not. And so Gish was released three
43:01
months before 10 and four months before Never Mind.
43:06
So that gives you a relation of you had a Smashing Pumpkins
43:09
album 10 and then Never Mind. It's actually the same producer
43:14
from Never Mind. But really like this album, this
43:18
song, it's probably one of my favorite Smashing Pumpkins
43:22
songs, but it's got a slow build up throughout.
43:26
The song starts almost as a as a ballad and the song just kind of
43:32
brings you into this dreamy world seemingly about just
43:37
looking at some of the lyrics, some mystery girl.
43:41
And again, this may take you back to some of the lyrics we
43:46
talked about with the Pixies, some some dreamy mystery girl,
43:50
an ice cream party that's being planned for June, and then
43:56
mustard lies. So, you know, Yeah, OK.
44:01
But the the first true notes of Hard Rock actually don't kick in
44:07
until about 3 minutes into the song.
44:11
And they really come in, you know, if you listen closely, you
44:15
can almost tell that they're about to happen, but really
44:18
unexpectedly. And then from then on out, you
44:20
hear guitar. You hear repeated lyrics again.
44:26
She knows is repeated over and over and over throughout the
44:30
song again, leading to some mystery that I think the singer
44:36
may have hoped would remain hidden.
44:38
But he also then realizes that it's not because she knows.
44:43
She knows. And then at 547 it's a shade
44:48
over 6 minutes on. At 547, all the drums in, you
44:52
think the song ends, but then there's about 45 seconds of
44:57
various tracks of guitar reverb. So you know, sound coming back
45:04
out of the speakers that were put together.
45:07
That basically ends the song. So it's just a neat, neat way to
45:11
do that. Another one that is that way
45:15
that you'd have to you have to go to YouTube.
45:17
If if you like that reverb, you have to go to YouTube and watch
45:20
it, but drown also by Smashing Pumpkins, which probably is my
45:25
favorite Smashing Pumpkins song. It's not available.
45:29
The the extended version is not available on Spotify.
45:33
It's off the single soundtrack, but you can go listen to it on
45:36
Spotify and you can, sorry, you can listen to it on YouTube and
45:41
find the extended version that's got maybe half the song and it's
45:44
a 7 minute song where it's just playing almost reverb which is
45:50
really cool so. Can can you can listeners guess
45:55
if someone has maybe for someone in this zoom room to do that
45:59
before yes or no? I see no hands going up so.
46:03
If you guessed yes. Nobody knows what you're talking
46:05
about, you know, But again, like Drown, yeah, so.
46:11
So Drown the that band 3 from college, that was another one
46:18
that they played and they would have the guitar going up to the
46:22
speakers doing feedback and it. Which is so also so much fun to
46:26
watch. Yeah.
46:27
And artists do that anytime. Shout out to those guys.
46:32
So I guess that's that's I guess that's it for the Pixies.
46:40
Which brings us to our next album.
46:44
Which boy are we going for a vibe shift 'cause our next album
46:48
is Songs for Swinging Lovers by Frank Sinatra?
46:53
Wow, get ready, that is a vibe switch.
46:58
That is a shift Pixies to Frank Sinatra.
47:02
Wow is an interesting choice by this album, by this list of
47:06
ours, but we're doing it, so here we go.
47:10
If you're a swinging lover or not.
47:12
Frank Sinatra. Listen to this album Songs for
47:15
swinging lovers. Yeah, Frank Sinatra.
47:18
Well, enjoy Frank Sinatra. Go back and listen to some of
47:21
the Pixies, maybe in between listening to Frank Sinatra.
47:25
If you need a little Hard Rock, pick me up from from Old Frank.
47:30
But until next time, I'm Todd. And I'm Riley, and this has been
47:34
another episode of Barbara Cut.