Latest / Reality with The King / RHOA- Kandi Quits, Phaedra Fits and Porsha is IT

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RHOA- Kandi Quits, Phaedra Fits and Porsha is IT · Reality with The King

• 0:00
  Speaker 1: Hey, rain Drops. Yes, so I finally got merch. That's right.
• 0:05
  Speaker 1: You can buy.
• 0:06
  Speaker 2: Your Allegedly and my Boys mugs, T shirts, rain Drops,
• 0:12
  Speaker 2: hoodies and T shirts all on Carlos Kingshop dot com.
• 0:17
  Speaker 1: That's right. Get your hoodies, your T shirts, and.
• 0:21
  Speaker 2: Your mugs all on Carlos Kingshop dot com. Welc up
• 0:28
  Speaker 2: to Reality the King. It's me Carlos kings the King
• 0:32
  Speaker 2: of Reality TV and one of the most sought after
• 0:35
  Speaker 2: executive producers in reality television with over ten years a
• 0:39
  Speaker 2: production experience. Twice a week on Reality with the King,
• 0:43
  Speaker 2: we'll sit down with my friends across the entertainment industry,
• 0:47
  Speaker 2: recap our favorite reality shows and revisit unforgettable moments that
• 0:51
  Speaker 2: we are still talking and tweeting about. Oh, rain Drops,
• 0:59
  Speaker 2: it is the end of an era. Where do we begin?
• 1:05
  Speaker 2: As we discussed candy versus departure from the Real Housewives
• 1:11
  Speaker 2: of Atlanta.
• 1:12
  Speaker 1: Now this is shocking news to the world.
• 1:16
  Speaker 2: This is breaking news. This is not shocking to me.
• 1:21
  Speaker 2: It's already knew.
• 1:29
  Speaker 1: Well, honey, I am the King of reality television, darling,
• 1:32
  Speaker 1: So I knew about these days ago.
• 1:35
  Speaker 2: And when I first learned of this, I was definitely surprised.
• 1:41
  Speaker 2: I was surprised that Candy would leave, and I want
• 1:45
  Speaker 2: to set the record strate I can exclusively confirm that
• 1:51
  Speaker 2: Candy was indeed asked back for season sixteen of the
• 1:57
  Speaker 2: Real Housewives of Atlanta.
• 1:59
  Speaker 1: She did not get fired.
• 2:01
  Speaker 2: Candy was indeed asked to come back to this upcoming
• 2:05
  Speaker 2: season sixteen, and she did turn it down. Candy one
• 2:11
  Speaker 2: hundred percent walked away from the show.
• 2:15
  Speaker 1: She walked away. When I learned that she walked away, I.
• 2:20
  Speaker 2: Was surprised because I know how much the show means
• 2:24
  Speaker 2: to her and the check. I mean, listen, it's a
• 2:28
  Speaker 2: good check. I keep telling y'all. Making over two million
• 2:33
  Speaker 2: dollars allegedly for four months of work, sign me up,
• 2:38
  Speaker 2: I honey, I don't even want to be a reality star.
• 2:42
  Speaker 2: I like producing it. I like making people famous. I
• 2:46
  Speaker 2: like making people rich. I like making people be successful.
• 2:51
  Speaker 2: But bitch, you're paying me two million for four months
• 2:55
  Speaker 2: of work. I don't know. I may have to talk
• 2:57
  Speaker 2: about being the African the Dogs honey by, I don't
• 3:00
  Speaker 2: know that's a good coin. So I know that she
• 3:05
  Speaker 2: loves the show and she loves the money, and who
• 3:10
  Speaker 2: could blame her?
• 3:11
  Speaker 1: Is a que check.
• 3:13
  Speaker 2: So when I learned that she was leaving, I was
• 3:16
  Speaker 2: definitely surprised for those two reasons. But then what I
• 3:21
  Speaker 2: said to myself is you got to give her her props.
• 3:25
  Speaker 2: At least she knew to leave instead of being fired.
• 3:30
  Speaker 2: And there's a lesson in all of this that I
• 3:32
  Speaker 2: want you all to take away. You never want to
• 3:36
  Speaker 2: stay at the party when everyone else went home. And
• 3:41
  Speaker 2: this applies to everybody in the world. You don't have
• 3:45
  Speaker 2: to make two million for four months of work for
• 3:48
  Speaker 2: this to.
• 3:48
  Speaker 1: Apply to you.
• 3:50
  Speaker 2: This applies to everybody when you are at a place,
• 3:55
  Speaker 2: a marriage, a job, or friendship.
• 3:59
  Speaker 1: In this case, let's just stick to the job.
• 4:02
  Speaker 2: If you are at a job for a long period
• 4:07
  Speaker 2: of time, it's always best to not be the last
• 4:12
  Speaker 2: one to leave. It's always best to be the one
• 4:17
  Speaker 2: who is not kicked out of the party. Hey Winter,
• 4:20
  Speaker 2: Hey Joy From Love and Matters DC, you always want
• 4:24
  Speaker 2: to be the one to leave the party early. I
• 4:27
  Speaker 2: know what that feels like. When I left Atlanta Housewives
• 4:30
  Speaker 2: after season nine, I knew that I had more to
• 4:33
  Speaker 2: do with my life and my career, and I knew
• 4:37
  Speaker 2: that it was time for me to go, and I
• 4:40
  Speaker 2: wanted to leave on a high, and season nine is
• 4:43
  Speaker 2: arguably top two. Hey, season six number one. Season nine
• 4:48
  Speaker 2: is number two of the best Real Housewives of Atlanta seasons.
• 4:51
  Speaker 2: Argue with the Wall, Season nine is arguably the second
• 4:54
  Speaker 2: best season of the Real Housewives of Atlanta history. Season
• 4:59
  Speaker 2: six is number so I relate to that. Okay, I
• 5:04
  Speaker 2: wanted to leave on a high. I applaud Candy Burris
• 5:07
  Speaker 2: for leaving on the high that she felt it was
• 5:11
  Speaker 2: time for her to go.
• 5:13
  Speaker 1: Right.
• 5:14
  Speaker 2: There has been tons of conversations, tons of speculation, tons
• 5:19
  Speaker 2: of posts about whether or not.
• 5:21
  Speaker 1: It was time for Candy to go.
• 5:24
  Speaker 2: And the reason why I wanted to do this episode
• 5:26
  Speaker 2: solo is because I didn't want people to misread my smiles,
• 5:34
  Speaker 2: my smirks, my stares if I'm talking to another person.
• 5:38
  Speaker 1: Carlo's being shady Carlos.
• 5:40
  Speaker 2: You know, when Carlos talks about certain people or when
• 5:43
  Speaker 2: he gets certain people to talk about them, he.
• 5:45
  Speaker 1: Has a smirk.
• 5:46
  Speaker 2: So I wanted to do this episode solo because I
• 5:49
  Speaker 2: wanted you guys to hear from me. Obviously, I was
• 5:52
  Speaker 2: there season two when Candy came on the show and
• 5:55
  Speaker 2: I said this story before, and I say it again.
• 5:57
  Speaker 2: You got to give Candy her props because in two
• 6:00
  Speaker 2: thousand and nine, when she debuted on the Real Housewives
• 6:04
  Speaker 2: of Atlanta, she was the first housewife to have a
• 6:09
  Speaker 2: name a name outside of the city of Atlanta. She
• 6:13
  Speaker 2: obviously comes from a girl group, She obviously won a Grammy,
• 6:17
  Speaker 2: wrote songs. She was definitely a recognizable person. So her
• 6:24
  Speaker 2: coming on the show was a big deal to all
• 6:25
  Speaker 2: of the executives, myself included, in addition to the cast.
• 6:30
  Speaker 2: They felt like, Okay, this may give us some gravatas
• 6:33
  Speaker 2: that you know, the show needed. And she came on
• 6:38
  Speaker 2: and she made her mark, and I don't think people
• 6:41
  Speaker 2: give Candy her props in the sense of Candy has
• 6:44
  Speaker 2: definitely given.
• 6:47
  Speaker 1: Us some great personal story.
• 6:49
  Speaker 2: You can't discount the fact that when she came on
• 6:51
  Speaker 2: the show her first season, she was then engaged to
• 6:55
  Speaker 2: a man named aj who has since passed away.
• 6:58
  Speaker 1: She gave you personal story with that.
• 7:01
  Speaker 2: We were first introduced to Mama Joyce and on Bertha
• 7:05
  Speaker 2: and the rest of her family when they were talking
• 7:08
  Speaker 2: about whether or not Candy should be with this person.
• 7:11
  Speaker 2: We saw all of that personal story from her out
• 7:15
  Speaker 2: the gate personal story Galore. Candy was the first person
• 7:21
  Speaker 2: on the Real Housewives franchise to give us.
• 7:25
  Speaker 1: Great family drama.
• 7:28
  Speaker 2: We were introduced to the olg Ladies her first season,
• 7:35
  Speaker 2: dealing with being engaged to somebody that they didn't think
• 7:39
  Speaker 2: was worthy of Candy's time.
• 7:43
  Speaker 1: She gave us that.
• 7:45
  Speaker 2: She's the first to give us that, and she's the
• 7:49
  Speaker 2: first to ever produce a hit song that came from
• 7:54
  Speaker 2: a Real Housewife. Don't be Tardy. It's a hit, a
• 8:01
  Speaker 2: iconic song, and for the world, Dun't Be Tardy is legendary.
• 8:06
  Speaker 1: She produced it. She gave all of us.
• 8:10
  Speaker 2: The first ever iconic song that came out of not
• 8:14
  Speaker 2: only the Real Housewives universe, but also reality television if
• 8:21
  Speaker 2: you really think about it. And she did all that
• 8:25
  Speaker 2: her first season, and I think people sometimes forget about that.
• 8:30
  Speaker 1: She came on and then she got into Benini.
• 8:33
  Speaker 2: I'm gonna stop talking to you right now before I
• 8:36
  Speaker 2: be blowing up on your ass. She gave you an
• 8:38
  Speaker 2: argument with Nini. She gave you family drama. She produced
• 8:42
  Speaker 2: a hit song for Kimsoziak. That's a lot to do
• 8:46
  Speaker 2: your first season. And then when it came to the reunion,
• 8:49
  Speaker 2: is when we all learn prior. Like I want to say,
• 8:52
  Speaker 2: like a week or days prior to the taping of
• 8:55
  Speaker 2: the reunion, her then fiance passed away and she showed
• 8:59
  Speaker 2: up at the reunion. Still, she gave you all of
• 9:03
  Speaker 2: that her first season. So when we have these conversations
• 9:07
  Speaker 2: about Candy's relevancy on the show, I do think sometimes.
• 9:13
  Speaker 1: A lot of people miss what she brought out the gate.
• 9:19
  Speaker 2: She's not the loudest in the room, she's not the
• 9:22
  Speaker 2: most argumentative, but she had this ability to really give
• 9:28
  Speaker 2: you great personal story where it allowed her to showcase that,
• 9:33
  Speaker 2: and she was always this very interesting peacemaker because all
• 9:38
  Speaker 2: of the girls really did respond well to her, which
• 9:42
  Speaker 2: is why she became one of the fan favorites from
• 9:45
  Speaker 2: the franchise.
• 9:47
  Speaker 1: And then after that, you guys know the rest.
• 9:52
  Speaker 2: Todd came on, Mama Joyce started being way more integral
• 9:57
  Speaker 2: into the show, and we saw ultimately what happened between
• 10:02
  Speaker 2: her and Phedra. So she was definitely a staple on
• 10:07
  Speaker 2: this show, and I think all of us are. It's
• 10:11
  Speaker 2: a bittersweet thing to see her go again. There were
• 10:15
  Speaker 2: tons of conversation about Candy should go. She's boring, she
• 10:20
  Speaker 2: doesn't bring anything to the show. Ninni Leek said on
• 10:24
  Speaker 2: my podcast that Candy is not the most exciting person
• 10:27
  Speaker 2: to watch. She doesn't think the camera loves her. That's
• 10:32
  Speaker 2: her opinion. There has been conversations about whether or not
• 10:36
  Speaker 2: it was time for Candy to go, and I'm pretty
• 10:38
  Speaker 2: sure Candy has definitely seen those tweets and heard those conversations.
• 10:44
  Speaker 2: I always said that you should always leave on top.
• 10:50
  Speaker 2: I really do believe, in my heart of hearts that
• 10:55
  Speaker 2: it was time for her to go. I said on
• 10:59
  Speaker 2: my podcast as the first season where all of you
• 11:02
  Speaker 2: guys took it and ran with it, and y'all made
• 11:04
  Speaker 2: a big story out of it, y'all, which I was
• 11:07
  Speaker 2: really confused as to why. But my friend and fellow
• 11:10
  Speaker 2: podcaster Kate Casey and I did an episode about the
• 11:14
  Speaker 2: real hospots of Atlanta and we brought up Candy and
• 11:18
  Speaker 2: Kate Ksey felt that it was time for Candy to go.
• 11:22
  Speaker 2: And I remember saying, and I still stand by what
• 11:26
  Speaker 2: I said, because I don't regret anything I said.
• 11:28
  Speaker 1: I stand on business. I said that I one day see.
• 11:31
  Speaker 2: Candy running a network or having a network, or streaming
• 11:35
  Speaker 2: and winning you know a Tony an Oscar and Emmy.
• 11:40
  Speaker 2: I see her do all those things. And I said
• 11:42
  Speaker 2: that on my podcast, and then I said, I don't
• 11:48
  Speaker 2: see her getting all of those things as long as
• 11:51
  Speaker 2: she's on the show, because the show will always be
• 11:55
  Speaker 2: a distraction to where her future goals are. So I
• 12:00
  Speaker 2: started to tell my belief in terms of I believe
• 12:06
  Speaker 2: this show was holding her back. I believe it was
• 12:09
  Speaker 2: time for her to leave because I know that she
• 12:11
  Speaker 2: has other aspirations and goals. And I got read for
• 12:15
  Speaker 2: saying that, and look what's happening now. She left because
• 12:20
  Speaker 2: she said, and I quote, she got tired of sitting
• 12:26
  Speaker 2: around waiting on the Real Housewives of Atlanta producers to
• 12:30
  Speaker 2: figure out what they were going to do with the show.
• 12:33
  Speaker 2: She said that because she had so much time to
• 12:38
  Speaker 2: really sit and think about her life and what she
• 12:41
  Speaker 2: was going through and fillding all of these offers. When
• 12:45
  Speaker 2: they did come to her with an offer, instead of
• 12:49
  Speaker 2: her negotiating and being like, i'll accept that, I want
• 12:55
  Speaker 2: to accept this, she said, she felt like, I don't
• 12:58
  Speaker 2: want to do this anymore to break because she has
• 13:01
  Speaker 2: so many other things.
• 13:02
  Speaker 1: Percolating in her world.
• 13:05
  Speaker 2: The same thing I said last year that I got
• 13:08
  Speaker 2: read for filth for, especially by the fans, that I
• 13:13
  Speaker 2: was a hater, and I won her off the show.
• 13:15
  Speaker 2: So the same thing I said last year is happening now.
• 13:21
  Speaker 1: One day y'all going to respect my voice.
• 13:25
  Speaker 2: I know my voice may not sound the way you
• 13:27
  Speaker 2: want it to sound.
• 13:28
  Speaker 1: No, I don't have that much base in it. But baby,
• 13:31
  Speaker 1: there's truth in the voice. If I don't have base
• 13:34
  Speaker 1: in it, that's fine.
• 13:35
  Speaker 2: I got truth in this voice. Call me Judge King, Honey,
• 13:43
  Speaker 2: I got truth in his voice.
• 13:45
  Speaker 1: So I said all of that to say, that's how
• 13:49
  Speaker 1: you leave.
• 13:52
  Speaker 2: When you are a reality star. You have to know
• 13:56
  Speaker 2: when it's time to exit. I literally had a conversation
• 14:00
  Speaker 2: with somebody who will remain nameless, because despite what y'all
• 14:04
  Speaker 2: want to believe, I don't tell people's business when it's private.
• 14:07
  Speaker 2: That's why all the girls talk to me and tell
• 14:09
  Speaker 2: me their personal business, honey, because they not keep it
• 14:12
  Speaker 2: a secret. I just told y'all I knew about Candy
• 14:15
  Speaker 2: not coming back days ago. I didn't say anything because
• 14:18
  Speaker 2: it's not my story to tell. Anyways, I was talking
• 14:21
  Speaker 2: to a reality star recently and I said to her,
• 14:29
  Speaker 2: you need to leave. And I said, I feel like
• 14:32
  Speaker 2: God is telling me it's time for you to go.
• 14:35
  Speaker 2: I know that it's scary to do the unknown. It's
• 14:41
  Speaker 2: scary to walk away from something that is all you know.
• 14:45
  Speaker 2: That's why a lot of people stay at jobs they hate.
• 14:49
  Speaker 2: That's why a lot of people stay in relationships they hate.
• 14:54
  Speaker 2: That's why a lot of people stay in friendships they hate,
• 14:57
  Speaker 2: because they're afraid of the unknown. And as I was
• 15:01
  Speaker 2: talking to this reality star, I promise you all, I
• 15:06
  Speaker 2: felt like God was telling me to speak on his behalf,
• 15:12
  Speaker 2: and I said, it's so sad that you just don't
• 15:17
  Speaker 2: see more for your life than this show. You've been
• 15:22
  Speaker 2: on this show for X amount of years. It's time
• 15:25
  Speaker 2: to just go. And any time you are ever in
• 15:29
  Speaker 2: a situation where you're only staying for money, it's never
• 15:34
  Speaker 2: going to end well. I promise you it's never going
• 15:38
  Speaker 2: to end well.
• 15:40
  Speaker 1: That's just the law of life.
• 15:42
  Speaker 2: Anytime you stay in a situation for financial gain and
• 15:46
  Speaker 2: you are miserable, you're telling God, I don't trust that
• 15:50
  Speaker 2: you have more for me financially than what I currently see.
• 15:58
  Speaker 2: An I applaud Candy, who has a shitload of money.
• 16:03
  Speaker 2: I applaud her for saying, you know what, maybe it's
• 16:09
  Speaker 2: time I take a break now. She said, A break
• 16:13
  Speaker 2: In my opinion, I think she should leave and never
• 16:17
  Speaker 2: come back to the show because I think there's more
• 16:20
  Speaker 2: for her to do, and I think that show is
• 16:25
  Speaker 2: a huge distraction.
• 16:27
  Speaker 1: From the goals that she wants.
• 16:30
  Speaker 2: And my hope for her is that the same way
• 16:34
  Speaker 2: she left a top selling group and ultimately found her
• 16:39
  Speaker 2: way writing music and winning a Grammy for writing those scrubs,
• 16:45
  Speaker 2: that's the same God who can take you and show
• 16:49
  Speaker 2: you that there is life after the Real Housewives. And
• 16:54
  Speaker 2: a lot of the reasons why the Real Housewives orbit
• 17:00
  Speaker 2: of reality stars reeks of desperation is because a lot
• 17:06
  Speaker 2: of those women don't.
• 17:08
  Speaker 1: See what their life is like without it.
• 17:11
  Speaker 2: That's why you see them so desperately trying to do
• 17:14
  Speaker 2: anything to stay on the show, because they don't know
• 17:18
  Speaker 2: what life is like without the show. A lot of
• 17:21
  Speaker 2: them see themselves, and I'm not saying I see them
• 17:24
  Speaker 2: this way.
• 17:25
  Speaker 1: A lot of them see themselves.
• 17:26
  Speaker 2: As middle aged women who was given a second chance
• 17:30
  Speaker 2: in life. Because you are internationally famous within four months.
• 17:36
  Speaker 1: Of the show airing, the entire world knows you, and
• 17:40
  Speaker 1: fame is a drug, and.
• 17:43
  Speaker 2: It's hard for them to not get their fix. It's
• 17:48
  Speaker 2: hard for them to not be injected with the drug
• 17:54
  Speaker 2: that pleases them. That's why a lot of them leave
• 17:58
  Speaker 2: their husbands, leave their family, and lose sight on who
• 18:01
  Speaker 2: they are because of the drug of fame.
• 18:05
  Speaker 1: And as you watch.
• 18:07
  Speaker 2: Candy go through some very challenging times. In my opinion,
• 18:16
  Speaker 2: I felt that Candy should have left seasons ago because
• 18:20
  Speaker 2: I could tell by knowing her that she wasn't into it.
• 18:25
  Speaker 2: You will never be happy when you don't follow God's direction.
• 18:29
  Speaker 1: I appreciate people who leave my.
• 18:32
  Speaker 2: Shows who's like, I'm good, it ain't for me, lows love,
• 18:37
  Speaker 2: you love your crew. I got to go. I don't
• 18:40
  Speaker 2: beg anyone to stay. I don't beg staff to stay.
• 18:45
  Speaker 2: I don't beg my stars to stay. I've had stars
• 18:49
  Speaker 2: come to me and say I would like to leave,
• 18:51
  Speaker 2: and I say you should go. Then you should never
• 18:55
  Speaker 2: be in any situation that doesn't surface you.
• 18:58
  Speaker 1: You should go. You should definitely go.
• 19:02
  Speaker 2: I think it's weird that people people think there has
• 19:05
  Speaker 2: to be some dramatic situation to leave. As an executive
• 19:10
  Speaker 2: producer of reality shows, we as executives sometimes know when
• 19:15
  Speaker 2: it's time to have the conversation and the conversation isn't great.
• 19:23
  Speaker 2: I never think it's surprising, though, but the conversation is
• 19:26
  Speaker 2: never great when it's time for someone to leave, especially
• 19:29
  Speaker 2: somebody who's been on the show for so long. Candy's
• 19:32
  Speaker 2: been on the show for fourteen years. That's a very
• 19:34
  Speaker 2: long time, and the show has done wonder for her
• 19:38
  Speaker 2: and her career and her personal life. She met her
• 19:42
  Speaker 2: husband on set, so everything surrounding the show has been
• 19:46
  Speaker 2: a huge benefit to her. So when you are an
• 19:51
  Speaker 2: executive and you feel like it's time for someone to go,
• 19:55
  Speaker 2: there is a conversation to be had. And I think
• 19:58
  Speaker 2: just based on the fact that they did give her
• 20:01
  Speaker 2: a contract showed her that they do value her. At
• 20:06
  Speaker 2: the end of the day, I think it was smart
• 20:09
  Speaker 2: to leave, and I thought it was smart to leave
• 20:14
  Speaker 2: with your head up high and with grace and with dignity.
• 20:19
  Speaker 2: Because Shelle she wants to come back. I strongly believe
• 20:24
  Speaker 2: they will invite her back and that the door isn't.
• 20:28
  Speaker 1: Closed on her.
• 20:29
  Speaker 2: Now that she is gone, we get to now talk
• 20:32
  Speaker 2: about who's coming back, bitch. Yeah, Okay, So look, all
• 20:39
  Speaker 2: I'm gonna say is this as I go through my
• 20:41
  Speaker 2: text shot because my phone has been blown up all
• 20:44
  Speaker 2: day with people like Carlos, have you heard the news?
• 20:47
  Speaker 2: Are you going to the cloth office? Blah blah blah
• 20:49
  Speaker 2: blah blah blah blah. So, now that Candy is not
• 20:54
  Speaker 2: coming back to the Real Housewives of Atlanta Season sixteen,
• 20:58
  Speaker 2: I'm gonna say this, and I don't care what talk.
• 21:00
  Speaker 1: Bring Favra back to the show. Please, please, please.
• 21:06
  Speaker 2: Bring favor back. Faedra is excellent on Traders. She's excellent
• 21:12
  Speaker 2: on Traders. Faedr is not so excellent American Medicine because
• 21:17
  Speaker 2: she's not meant to be in that show.
• 21:18
  Speaker 1: I said it, I said it.
• 21:20
  Speaker 2: Be mad at me all you want to you'a were
• 21:22
  Speaker 2: mad at me last year when I say Candy should leave,
• 21:24
  Speaker 2: And these are the reasons why she would leave. Now
• 21:27
  Speaker 2: that she left, y'all like, well, damn, Carlos was right.
• 21:31
  Speaker 2: Faedra is not great on Meriti medicine because that's not
• 21:34
  Speaker 2: her world. It's like me being on a show called
• 21:37
  Speaker 2: Botch and I'm not a plastic surgeon. Why would I
• 21:41
  Speaker 2: go on a show called botch and I don't know
• 21:43
  Speaker 2: how to fix botch surgeries because I'm not a plastic surgeon.
• 21:48
  Speaker 1: Why is Faedri here? She doesn't even go to the school.
• 21:52
  Speaker 2: Faedr is a formidable talent. She's a great talent. Faedri
• 21:57
  Speaker 2: needs to get off of Meriti Medicine. That show is
• 22:00
  Speaker 2: not for you. You do not fit there, you do
• 22:03
  Speaker 2: not belong there. You don't go to that school. You
• 22:06
  Speaker 2: are a sore thumb. It doesn't make sense. You need
• 22:10
  Speaker 2: to get back on the Real Housewives of Atlanta. Fadrin
• 22:13
  Speaker 2: needs to come back to the Real Housewise of Atlanta,
• 22:15
  Speaker 2: and I'm on a Porsche to come back with her.
• 22:20
  Speaker 2: This show will always be my legacy, and I'm about
• 22:23
  Speaker 2: to have a moment, a meltdown, if you will. I
• 22:26
  Speaker 2: am so sick and tired of seeing my legacy tarnished.
• 22:31
  Speaker 2: It's upsetting to me and my homegirls when we talk
• 22:35
  Speaker 2: about the Real Housewalds Atlanta. I was having dinner recently
• 22:38
  Speaker 2: with a black actress who's a friend of mine, and
• 22:43
  Speaker 2: we were just talking about, like, what happened to that show, Carlos,
• 22:45
  Speaker 2: what happened to it? And I'm just like, why are
• 22:48
  Speaker 2: you asking me? And she's like, let's bitch, it's your show.
• 22:54
  Speaker 2: You will always be associated with that show. Sorry, So
• 23:00
  Speaker 2: what we gonna do?
• 23:00
  Speaker 1: And I was like, I ain't doing nothing.
• 23:03
  Speaker 2: So I sell all that to say that show is
• 23:07
  Speaker 2: my legacy and it will always be my legacy, and
• 23:12
  Speaker 2: I want the show to win. That's the reason why
• 23:14
  Speaker 2: when I interview Kenya, I told y'all for the first
• 23:17
  Speaker 2: time that I was the one who told Kenya, go
• 23:20
  Speaker 2: to Cynthia's party while you're pregnant because you would come
• 23:25
  Speaker 2: back next season. I'm the one who have off the
• 23:28
  Speaker 2: record conversations with some of the girls, not all, with
• 23:32
  Speaker 2: some of the girls, and give them advice on how
• 23:35
  Speaker 2: to keep him pushing, because that's how much I love
• 23:38
  Speaker 2: the show.
• 23:40
  Speaker 1: I'm tired of the show being not great. I want
• 23:45
  Speaker 1: the show to win.
• 23:47
  Speaker 2: The only thing I'm gonna say to y'all because I'm
• 23:49
  Speaker 2: not gonna give you out the whole cast that I see,
• 23:51
  Speaker 2: because honey, that cost so rain drops. I'm giving y'all
• 23:55
  Speaker 2: the exclusive In order for season sixteen to be great,
• 24:00
  Speaker 2: you at least need Porsche and Phaedra back. Phaedra is
• 24:05
  Speaker 2: having the best year she's had in years, and it's
• 24:11
  Speaker 2: not because of Maritime Medicine. I can tell you that
• 24:14
  Speaker 2: Faedra does not belong a Meriti medicine. It doesn't make sense.
• 24:19
  Speaker 2: It was called stunt casting. It was to get the eyeballs,
• 24:25
  Speaker 2: and that's not what's gonna make That show already been great.
• 24:29
  Speaker 2: It's the best showan Bravo to me, you don't need
• 24:32
  Speaker 2: Faedra to make Meritive Medicine great.
• 24:35
  Speaker 1: Mariti Medicine was great before Faedra.
• 24:38
  Speaker 2: We call that BP before Phaedra, and it'll be great
• 24:42
  Speaker 2: ap after Phaedra put Faedra back on the show she
• 24:47
  Speaker 2: helped make successful, which is the Real Housewives of Atlanta.
• 24:52
  Speaker 2: She fits that show like the body con dresses. She
• 24:58
  Speaker 2: wears a Mariti Medicine.
• 25:00
  Speaker 1: It fits.
• 25:01
  Speaker 2: It hugs her curves those body con dresses. Honey, we
• 25:06
  Speaker 2: want to see Apollo. I want to see Porsche's house.
• 25:10
  Speaker 2: I want to see Porsche's Rose Royce, her Bentley, her
• 25:13
  Speaker 2: private play. Simon is looking good. Sorry, Porsche, no shade.
• 25:19
  Speaker 2: Simon looks good, Porsche. I'm sorry, we both have apricants.
• 25:24
  Speaker 2: I'm just saying, Simon looks good. I want to see
• 25:28
  Speaker 2: Simon and Porsche in the bathroom when she's putting on
• 25:32
  Speaker 2: her wig and she got the glue on the forehead
• 25:34
  Speaker 2: and he comes in. I want to see a double
• 25:37
  Speaker 2: date with I'm telling y'all too much that I want
• 25:41
  Speaker 2: to see, I.
• 25:41
  Speaker 1: Might as well.
• 25:42
  Speaker 2: Just my advice costs a COI, Honey, I'm about to
• 25:47
  Speaker 2: give y'all so much tea about what needs to happen.
• 25:51
  Speaker 2: Porsche is missed on television. It was great seeing her
• 25:55
  Speaker 2: Ultimus Girls trip. I just I want to see Porscha
• 25:59
  Speaker 2: in her hand happiness. I want to see Porsche on
• 26:02
  Speaker 2: the course side seats, Honey at the Hawks game. I'm
• 26:06
  Speaker 2: tired of watching mediocrity on that show.
• 26:09
  Speaker 1: I need to see wealth.
• 26:11
  Speaker 2: The show is missing wealth y'all have some girls on
• 26:15
  Speaker 2: the show who are declassing the show. Thein't got a coin.
• 26:18
  Speaker 2: We don't watch the Real Housewives of Atlanta to see
• 26:21
  Speaker 2: people attend thecent restaurants that we go to.
• 26:23
  Speaker 1: Well, I go to the bus a housewife. I did
• 26:28
  Speaker 1: that category.
• 26:33
  Speaker 2: We don't want to see these real housewives, Honey, going
• 26:37
  Speaker 2: to the local bars or going on domestic trips. We
• 26:44
  Speaker 2: need to see the wealth, and Porsche is wealthy. Porsche
• 26:48
  Speaker 2: is wealthy. Porsche hangs out with this crew.
• 26:51
  Speaker 1: Honey.
• 26:52
  Speaker 2: I'm not gonna tell you their names because I would
• 26:54
  Speaker 2: give away who I think should be on the show.
• 26:56
  Speaker 2: But Porsche got some baddies. I want to see Porsche
• 26:59
  Speaker 2: and her, her wealth and her comedy, her her husband,
• 27:04
  Speaker 2: their kids.
• 27:05
  Speaker 1: A blended family.
• 27:07
  Speaker 2: We need Porsche and Phaedri or the real freaking Frack
• 27:10
  Speaker 2: because apparently I thought Quad and Faedra Americian Medicine. We're
• 27:14
  Speaker 2: going to be freaking Frack part two. But child Faedri
• 27:18
  Speaker 2: left Quad at the airport. It took another flight because
• 27:21
  Speaker 2: she want to be seen with her because she said, Honey,
• 27:23
  Speaker 2: you are seeking ship and I can't be seen on
• 27:26
  Speaker 2: this Titanic.
• 27:27
  Speaker 1: Honey, let me catch this other flight.
• 27:29
  Speaker 2: Honey, I can't borrow porsche 's PJ, so let me
• 27:32
  Speaker 2: go Delta one.
• 27:33
  Speaker 1: Honey. We want to see that. So we would like to.
• 27:39
  Speaker 2: See Phaedra and Porscha back on the show. So, Candy,
• 27:45
  Speaker 2: we wish you nothing but the best. We know that
• 27:48
  Speaker 2: we're going to see and hear from you again, and
• 27:51
  Speaker 2: we thank you for your amazing contributions to the Real
• 27:56
  Speaker 2: Housewives of Atlanta fourteen seasons and it's nothing to sneeze at.
• 28:02
  Speaker 2: So I want to dedicate this episode to you and
• 28:05
  Speaker 2: to the amazing work you have given the Real Housewives
• 28:09
  Speaker 2: of Atlanta. And we cannot wait until we see what
• 28:13
  Speaker 2: other legendary things you embark on. Congratulations, happy birthday and
• 28:20
  Speaker 2: many many more to come, and.
• 28:23
  Speaker 1: To Portia and Phaedra. Please sign on the dot a line.
• 28:32
  Speaker 1: Thank you for listening to Reality with the Kings.
• 28:35
  Speaker 2: New episodes dropped on Tuesdays and Thursdays. Share, comment, follow,
• 28:40
  Speaker 2: and subscribe to Reality with the Kings. Wherever you get
• 28:44
  Speaker 2: your podcast, visit Reality Withtheking dot com and be sure
• 28:49
  Speaker 2: to follow me at Deep Carlos King, Underscore on Instagram, Twitter,
• 28:54
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• 28:57
  Speaker 2: get all of my visuals, baby, my expressions, Yeah, and
• 29:02
  Speaker 2: don't forget Tweet me your thoughts and hot takes about
• 29:05
  Speaker 2: this episode using the hashtag Reality with the King. Reality
• 29:11
  Speaker 2: with the King is a production of Kingdom Rain Entertainment.
• 29:15
  Speaker 1: It is produced by Sierra Spragley
• 29:17
  Speaker 2: Rix An executive produced by Me Carlos King, Kingdom Reign Entertainment,
• 29:33
  Speaker 2: Baby