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The Electric Stork (Feat. Library Of The Untold) · Cosmic Peach

• 0:00
  Speaker 1: Baby, are my gamester too?
• 0:02
  Speaker 2: It takes a little tangle.
• 0:04
  Speaker 3: You don't want.
• 0:05
  Speaker 2: Mess with me?
• 0:06
  Speaker 1: Mess with me by my gamester too, baby.
• 0:15
  Speaker 2: Game statoo.
• 0:23
  Speaker 4: For good warnings.
• 0:25
  Speaker 2: This podcast is designed to take you outside of your
• 0:27
  Speaker 2: comfort zone and make you question reality. Listener discretion is
• 0:31
  Speaker 2: a vibe.
• 0:39
  Speaker 5: Fellas, this ain't.
• 0:42
  Speaker 2: My first time at the rodeos.
• 0:53
  Speaker 4: Welcome to the Occult Rejects.
• 0:56
  Speaker 6: This episode, we got a favorite, one of the favorite
• 0:58
  Speaker 6: returning guests.
• 1:00
  Speaker 3: It's always a blast when we have this guy on,
• 1:02
  Speaker 3: and I'm always.
• 1:02
  Speaker 6: Excited when he hits me up he's got a new
• 1:04
  Speaker 6: topic because it's always a banger.
• 1:06
  Speaker 4: But before we introduced Joey Pete, Oh.
• 1:10
  Speaker 2: He just did.
• 1:12
  Speaker 3: Sorry. I think he was repeating in the background of
• 1:15
  Speaker 3: my apologies.
• 1:16
  Speaker 4: No, all right, yeah, but before.
• 1:19
  Speaker 6: We introduce Joey, please, let's introduce the other rejects.
• 1:23
  Speaker 4: And Headless isn't here. He's supposed to.
• 1:24
  Speaker 6: Be showing up, but Addless I know, right, But first
• 1:28
  Speaker 6: we're gonna introduce Julia.
• 1:30
  Speaker 2: What is going on? Julia?
• 1:31
  Speaker 4: So happy you can make it?
• 1:33
  Speaker 3: This is awesome.
• 1:34
  Speaker 5: Yeah, so even the little bit we talked before we
• 1:38
  Speaker 5: got started live. I'm very excited and can't wait to
• 1:43
  Speaker 5: get into it. But thanks for.
• 1:44
  Speaker 6: Having me Nick, of course, no, thank you for making
• 1:47
  Speaker 6: it and we got to eat an indigo with us.
• 1:49
  Speaker 4: What is going on, sir?
• 1:50
  Speaker 1: Always a pleasure to have.
• 1:51
  Speaker 7: You, pe salute all. I'm excited for this. Jolly is
• 1:55
  Speaker 7: always dropping knowledge and wisdom. This is gonna be a
• 1:58
  Speaker 7: great I know it. Ethan Indigo Smith easy to find
• 2:02
  Speaker 7: on the interwebs and got a few books out there
• 2:05
  Speaker 7: and a bunch of articles.
• 2:07
  Speaker 1: Appreciate it, Gus.
• 2:09
  Speaker 3: Well, yeah, thank you, sir, appreciate you.
• 2:11
  Speaker 2: Send me a link to your books. I didn't know
• 2:13
  Speaker 2: you had books out No, yeah, I will do it.
• 2:15
  Speaker 1: We'll do that, all right, cool?
• 2:17
  Speaker 6: Yes, Joey, I mean for people who don't know, you know,
• 2:21
  Speaker 6: let them know, please, what's up with Joey pen from
• 2:23
  Speaker 6: the library?
• 2:24
  Speaker 3: Are being told?
• 2:25
  Speaker 2: I host a show called Library of the Untold on YouTube,
• 2:29
  Speaker 2: and uh, every time I have a new episode idea,
• 2:32
  Speaker 2: it's been traditioned as of the last three or four
• 2:36
  Speaker 2: now to hit up Nick and say let me practice
• 2:38
  Speaker 2: on you. And then I stumble across my words and
• 2:42
  Speaker 2: make a fool of myself trying to utter the things
• 2:46
  Speaker 2: that I've already written down. And I'm gonna try to
• 2:48
  Speaker 2: do that again today for you guys.
• 2:51
  Speaker 3: Come on, do a great job, sir.
• 2:53
  Speaker 6: And yeah, if people don't know, uh I don't know
• 2:55
  Speaker 6: if his channel yet, please go check it out and
• 2:58
  Speaker 6: I will say the production is off the charts and
• 3:00
  Speaker 6: his music he makes that all himself.
• 3:03
  Speaker 3: Oh for real.
• 3:05
  Speaker 6: I mean I was like listening to uh, you know
• 3:07
  Speaker 6: the episode you know something that he sent me recently.
• 3:10
  Speaker 6: I was like, yo, like no, lie to this was
• 3:12
  Speaker 6: like fucking The intro was like art bro I.
• 3:14
  Speaker 3: Was and everything else.
• 3:17
  Speaker 6: Yeah, yeah, yeah, yeah, you had this shre in there.
• 3:19
  Speaker 6: But I was just like, yo, like this is fucking
• 3:21
  Speaker 6: deep man.
• 3:22
  Speaker 3: It was just so that's.
• 3:24
  Speaker 2: How I don't use background music. I like to actually compose,
• 3:27
  Speaker 2: so I'll talk and edit it and then I'll actually
• 3:31
  Speaker 2: write play the keyboard saying and then turn it into
• 3:34
  Speaker 2: tubas or whatever, so I write the scores to it.
• 3:36
  Speaker 2: That's why it kind of seems kind of cinematic, you know.
• 3:40
  Speaker 3: He made this ship.
• 3:41
  Speaker 2: Yeah, especially for the intros.
• 3:43
  Speaker 5: It makes me major props to that because I use
• 3:46
  Speaker 5: like non copyright background.
• 3:49
  Speaker 3: Music and.
• 3:52
  Speaker 2: I would love to send you some musical scores because
• 3:54
  Speaker 2: all my music is free to use. So yeah, hit
• 3:59
  Speaker 2: me up on that.
• 4:00
  Speaker 6: Oh yeah, definitely definitely cool. Cool all right, man, So, uh,
• 4:03
  Speaker 6: the electric store. Do you want to tell us how
• 4:06
  Speaker 6: you got stumbled upon this idea?
• 4:08
  Speaker 2: Man, I'll do stumbled upon is correct, but not unlike
• 4:12
  Speaker 2: anything else I guess. But a while back, I was
• 4:17
  Speaker 2: this was two years ago. I was talking to a
• 4:19
  Speaker 2: woman who is a no nonsense, non occult, not an
• 4:23
  Speaker 2: esoteric woman, and she kind of saw what I was into,
• 4:28
  Speaker 2: and she was like, I gotta tell you this, and
• 4:31
  Speaker 2: she was like, when I was seven months pregnant, my
• 4:35
  Speaker 2: guy went out to go get me some ice cream,
• 4:38
  Speaker 2: some chocolate mint ice cream, which is awful, to be clear,
• 4:42
  Speaker 2: and uh, about five minutes later, she felt him sit
• 4:47
  Speaker 2: down on the edge of the bed and she was
• 4:48
  Speaker 2: pissed because she thought that, you know, he changed his mind.
• 4:51
  Speaker 2: But she pretended to sleep, but he was just sitting there,
• 4:54
  Speaker 2: not saying anything, and so she opened her eyes to
• 4:58
  Speaker 2: look and it was some else. Entirely it wasn't her guy.
• 5:02
  Speaker 2: It was a tall, black, jet black figure that looked
• 5:06
  Speaker 2: like a shadow sitting at the edge of her bed,
• 5:09
  Speaker 2: and she froze in absolute terror. Admittedly kind of half asleep,
• 5:15
  Speaker 2: and whenever it felt her notice it. It kind of
• 5:21
  Speaker 2: felt a disturbance, and then turned around and looked at
• 5:25
  Speaker 2: her and she was telling me the story. I could
• 5:28
  Speaker 2: see that she was like, has shivers from it, dude.
• 5:32
  Speaker 2: But when they made eye contact, it got frightened, jumped
• 5:37
  Speaker 2: up off the bed and ran out of the room
• 5:40
  Speaker 2: to where she was like frozen in fear. About ten
• 5:44
  Speaker 2: minutes later, her guy walked in and they searched the house.
• 5:48
  Speaker 2: They refrained from calling the police because of the circumstances,
• 5:53
  Speaker 2: you know, they didn't want to invite police into their
• 5:57
  Speaker 2: place for premature reasons. But she told me the story
• 6:03
  Speaker 2: and I looked into it, and this is actually so
• 6:07
  Speaker 2: common that it's called hypnogogic hallucinations. Doctors have a word
• 6:12
  Speaker 2: for it because women don't like to talk about it
• 6:15
  Speaker 2: with their friends, but they'll tell their doctors about it.
• 6:19
  Speaker 2: And a hypnogogic hallucination during pregnancy happens at about seven
• 6:23
  Speaker 2: weeks in. And what's weird about it is with a hallucination,
• 6:31
  Speaker 2: especially with sleep deprivation, you see a wide variety of
• 6:35
  Speaker 2: different visions, but with these it's very specific. It's usually
• 6:39
  Speaker 2: something that revolves around a tall black figure that often
• 6:44
  Speaker 2: it seemed like the hat Man, Slenderman, these kind of things.
• 6:47
  Speaker 2: But she was telling me. She was like, I'll admit
• 6:52
  Speaker 2: it was a hallucination now, but I'm telling you there
• 6:56
  Speaker 2: was something about it that was visceral. It was for real,
• 7:00
  Speaker 2: and when it ran out the door, there was something
• 7:03
  Speaker 2: symbolic about it. So I looked into this. I was
• 7:07
  Speaker 2: curious about it, and so turns out a couple of
• 7:11
  Speaker 2: facts here, the pineal gland of the human being develops
• 7:17
  Speaker 2: at seven weeks in This is when hypnagogic hallucinations start
• 7:23
  Speaker 2: for women. So I was like, kind of out on
• 7:26
  Speaker 2: a limb. I was like, what is the mythology of
• 7:29
  Speaker 2: the stork? We see the stork nowadays in cartoons it
• 7:34
  Speaker 2: carries the baby to the mother? What did that want?
• 7:37
  Speaker 2: Because everything is a simolocrum, a copy of a copy.
• 7:40
  Speaker 2: Now everything has an origin. So did you know that
• 7:44
  Speaker 2: the original stork mythology originates in Egypt? Dude? Check this out.
• 7:50
  Speaker 2: This is the Ba and the co the bird is
• 7:55
  Speaker 2: the Ba, and the black figure in the doorway is
• 7:59
  Speaker 2: the That was fast, Nick, Dude, You're fucking good, Doug.
• 8:04
  Speaker 2: So I stumbled across this and I looked into it
• 8:09
  Speaker 2: and immediately just off of sheer face value. That's that
• 8:14
  Speaker 2: dude in the doorway. That's the CA and he is
• 8:18
  Speaker 2: the earthly version of the ba the It's what brings
• 8:23
  Speaker 2: the soul to the fetus in the mother's womb at
• 8:27
  Speaker 2: seven weeks in when the eye of horce develops in
• 8:30
  Speaker 2: the baby. I was blown away, dude. So maybe it
• 8:36
  Speaker 2: was hypnogogica hallucination, sure, but this is this is the
• 8:42
  Speaker 2: story of the bond k So when a child is conceived,
• 8:46
  Speaker 2: Canoum gets to work shaping their earthly life force on
• 8:49
  Speaker 2: his potter's wheel. He needs to have this CA ready
• 8:54
  Speaker 2: because the BAA is on its way to imview it
• 8:56
  Speaker 2: with soul flown in long distance. The bird is what
• 9:00
  Speaker 2: does this best at the changing of the seasons, out
• 9:04
  Speaker 2: with the old into the new. Unlike the CA that
• 9:07
  Speaker 2: is applicable to all human people, the BA is that
• 9:09
  Speaker 2: person's individual personality and psyche, that is, their wondering soul.
• 9:15
  Speaker 2: The ba arives from the land of spirits, lands gently
• 9:18
  Speaker 2: on the bed and breathes this essence into the new
• 9:21
  Speaker 2: child to be What are the chances that this thing
• 9:24
  Speaker 2: comes to the mother while she's sleeping or seemingly sleeping
• 9:29
  Speaker 2: and then sometimes these women catch it in the act, right,
• 9:32
  Speaker 2: So this set me down a huge rabbit hole. And
• 9:35
  Speaker 2: I got to ask Julia, considering that she's got a
• 9:38
  Speaker 2: new baby, I mean, if she did you have anything
• 9:41
  Speaker 2: like this or.
• 9:43
  Speaker 5: I had so many weird things like that happened to
• 9:46
  Speaker 5: me when I was pregnant, and I would tell my
• 9:49
  Speaker 5: husband about them, and I really told him several times
• 9:54
  Speaker 5: that being pregnant was such a spiritual experience. It was
• 10:01
  Speaker 5: the craziest thing I've ever been through in my life.
• 10:04
  Speaker 5: And I had visions I had and so before I
• 10:09
  Speaker 5: was pregnant, I actually never dreamed. I never dreamed. I
• 10:15
  Speaker 5: would just go to sleep, blackout, wake up. It was
• 10:18
  Speaker 5: the next day. I think I was like four weeks pregnant,
• 10:23
  Speaker 5: and I started having the most wild dreams ever, and
• 10:30
  Speaker 5: I felt like my baby. Hank was actually showing me
• 10:34
  Speaker 5: things and telling me things, and I had dreams about
• 10:38
  Speaker 5: and he would this is I know it sounds crazy,
• 10:41
  Speaker 5: but at long right, it's like you're listening to the
• 10:45
  Speaker 5: occult rejects. So maybe not. But I would have dreams
• 10:51
  Speaker 5: where like Hank was telling me about, I was always
• 10:54
  Speaker 5: with you, and I was always with Colby, and he
• 10:59
  Speaker 5: would show me like in weird times through his life
• 11:02
  Speaker 5: and that he was always with him and always with me.
• 11:05
  Speaker 5: And I literally was having like paranormal experiences while I
• 11:11
  Speaker 5: was pregnant. And you know, that's not something you just
• 11:15
  Speaker 5: go and just share with people, because unless you listen
• 11:18
  Speaker 5: to the occult rejects, you're not gonna You're gonna be like,
• 11:21
  Speaker 5: are you on meds or something? But it, yeah, I
• 11:26
  Speaker 5: mean it was a very very spiritual experience.
• 11:31
  Speaker 2: There's a public stigma about weird shit that has been
• 11:35
  Speaker 2: imposed upon us that you can't talk about it at
• 11:37
  Speaker 2: the water cooler at the office, but you tell your
• 11:40
  Speaker 2: doctor about it, and then the doctors have to come
• 11:43
  Speaker 2: up with something. So they say hormonal changes and sleep
• 11:46
  Speaker 2: deprivation causes visions or hallucinations. But like placebo, what is
• 11:52
  Speaker 2: a hallucination? You know? I mean, these women are awake,
• 11:56
  Speaker 2: and this explanation doesn't satisfy the women any more than
• 12:01
  Speaker 2: the scientists men do, so yeah, pun intended, but like.
• 12:06
  Speaker 5: Sleep paralysis, right, because they see the hat man and
• 12:08
  Speaker 5: the slender man and the shadow man. But they say
• 12:11
  Speaker 5: it's because your brain is still sleeping, but your physical
• 12:16
  Speaker 5: body is awake. So you see things because you're you're
• 12:19
  Speaker 5: actually in a dream state. Bullshit, all of that. It's
• 12:25
  Speaker 5: not like, Yeah, to say.
• 12:27
  Speaker 2: That the brain generates these visions is like saying that
• 12:30
  Speaker 2: the brain generates consciousness. It just doesn't hold up under scrutiny.
• 12:37
  Speaker 2: I think the whole thing is electromagnetic. And this even
• 12:42
  Speaker 2: ties into Egypt as well, which is this is where
• 12:45
  Speaker 2: we could get kind of weird, because like the story
• 12:48
  Speaker 2: that we're telling here is a story and it's mythological,
• 12:53
  Speaker 2: and it's an urban legend until you until you start
• 12:57
  Speaker 2: to consider the bodies electromagnetic weight, which is important here.
• 13:04
  Speaker 2: So all right, another thing that's we all every culture
• 13:11
  Speaker 2: doesn't matter which culture Native American and across the ocean, Indian,
• 13:16
  Speaker 2: which is literally the swan. By the way, they talk
• 13:19
  Speaker 2: about a bird bringing the soul, and this is the
• 13:23
  Speaker 2: mythology of the stork. What is interesting about the bird
• 13:27
  Speaker 2: is that it can see electromagnetic forces of the earth,
• 13:32
  Speaker 2: and it can see things that we don't. It's literally
• 13:36
  Speaker 2: guided by an electromagnetic force the same way our mitochondria is.
• 13:41
  Speaker 2: And so it's easy to say, oh, these ancient people
• 13:46
  Speaker 2: associated with birds because the soul is weightless or whatever.
• 13:49
  Speaker 2: But that's a modern conception. It doesn't hold up if
• 13:53
  Speaker 2: you think about where did that soul come from the
• 13:55
  Speaker 2: first place? Why did it not just emerge in the
• 13:57
  Speaker 2: brain like science contends today.
• 14:01
  Speaker 6: You know, Joe, you're going on about like electromagnetic stuff,
• 14:05
  Speaker 6: and like, you know, when it comes to birds, that's uh,
• 14:08
  Speaker 6: it's a huge thing with them that well, for one,
• 14:11
  Speaker 6: any any a lot of animals that I see used,
• 14:14
  Speaker 6: especially in Egyptian art and stuff, a lot of those
• 14:19
  Speaker 6: animals actually have eyes that will pick up more of
• 14:22
  Speaker 6: that field than me do.
• 14:23
  Speaker 4: Right, even with birds, you know you're talking about like.
• 14:28
  Speaker 6: This is gonna kind of like I'm trying not to
• 14:30
  Speaker 6: try to say this without like making a mess out
• 14:32
  Speaker 6: of it. You know, with birds, there's one thing that's
• 14:36
  Speaker 6: interesting with them that I.
• 14:37
  Speaker 2: Said to a diagram by the way, if I think
• 14:40
  Speaker 2: you have that picture.
• 14:41
  Speaker 6: But okay, uh, with birds nowadays, they are starting to
• 14:45
  Speaker 6: notice too that when it comes to them making noises
• 14:49
  Speaker 6: in the in the morning, the morning chorus, it is
• 14:53
  Speaker 6: because now they're also thinking that their eyeballs can actually
• 14:57
  Speaker 6: hear yeah, wolf of the sun, and basically what they're
• 15:01
  Speaker 6: doing is chirping back what they think it's saying, mm hmm,
• 15:05
  Speaker 6: well you're talking about like all this stuff with these birds,
• 15:07
  Speaker 6: and then they're they're they're very uh.
• 15:09
  Speaker 3: Special with this stuff.
• 15:11
  Speaker 6: And then if you actually kind of look at how
• 15:14
  Speaker 6: you know, birth is even done. The the the you know,
• 15:19
  Speaker 6: the woman's thing is actually sending out a signal, right,
• 15:23
  Speaker 6: and it just seems like very much like again like
• 15:25
  Speaker 6: the messenger of birds. It's associated with air electromagnetic field.
• 15:29
  Speaker 4: You just saw.
• 15:30
  Speaker 6: Wondering if there's actually science actually being depicted in all
• 15:33
  Speaker 6: this stuff like what you're saying.
• 15:35
  Speaker 2: So, uh, the Egyptians depicted the plasmatic electricity of the
• 15:41
  Speaker 2: soul entering the mother's womb quite literally in their uh
• 15:47
  Speaker 2: coffer texts, and today we see uh, the the nickel flash.
• 15:52
  Speaker 2: They call it a zinc flash. Actually, uh, whenever there's
• 15:56
  Speaker 2: a conception and this repeats whenever, uh, the seven weeks
• 16:00
  Speaker 2: of the pineal gland is formed, there's there's a flash
• 16:03
  Speaker 2: of light. And that's when you watched that.
• 16:05
  Speaker 3: It looks like an eclipse.
• 16:07
  Speaker 2: Yeah, dude, it looks like an eclipse, dude. As above,
• 16:10
  Speaker 2: so below this is what we're dealing with here.
• 16:12
  Speaker 6: You come out and you come in a flash of
• 16:14
  Speaker 6: light you go out with one man.
• 16:16
  Speaker 7: Right, And there actually is beyond an eclipse too, there's
• 16:22
  Speaker 7: the what's known as the green flash of a sunset
• 16:26
  Speaker 7: over the ocean when it's totally clear out and you
• 16:31
  Speaker 7: got to be looking at it and on it, and
• 16:33
  Speaker 7: conditions have to be like I said, clear and just right,
• 16:36
  Speaker 7: but there'll be what's called the green flash, right, which
• 16:42
  Speaker 7: is similar in the microcosm macrocosm idea.
• 16:45
  Speaker 2: Anyway, it's exactly that because the Egyptians considered Earth to
• 16:50
  Speaker 2: be green, not because the plants were green, but because
• 16:53
  Speaker 2: of the heart chakra, which is green, and that happens
• 16:55
  Speaker 2: to be the center of the above and below worlds,
• 16:59
  Speaker 2: you know. And they say that the soul is carried
• 17:01
  Speaker 2: by the ba from the above world, but it can
• 17:05
  Speaker 2: it can descend down into the below. Uh. The kiss
• 17:10
  Speaker 2: kind of weird because Signus, you know, the constellation of
• 17:14
  Speaker 2: stars that is called Signus. Uh. Signus is a swan
• 17:18
  Speaker 2: to all every culture across the board, except for the
• 17:21
  Speaker 2: cultures who didn't have a swan, but they still called
• 17:25
  Speaker 2: it a bird. The swan happens to be, uh, the
• 17:31
  Speaker 2: signess happens to be where they say the soul came
• 17:33
  Speaker 2: from in the in the first place, and that one
• 17:36
  Speaker 2: depiction was actually a really good one there. But uh sorry,
• 17:41
  Speaker 2: well we'll get to those Hindu temples in a minute now.
• 17:44
  Speaker 2: But uh, every culture depicts this, this fucking same thing.
• 17:49
  Speaker 2: They call it Signus, and Signess happens to be, uh,
• 17:52
  Speaker 2: a neutron star, which is what ancient people went into
• 17:56
  Speaker 2: caves about in order to commune with where they said
• 18:00
  Speaker 2: the soul comes from. But what is weird about Signus
• 18:05
  Speaker 2: is that as the nutrons are, it creates gold. Our
• 18:08
  Speaker 2: sun does lead, and it won't create gold until it
• 18:12
  Speaker 2: goes supernova, like Signess lead into gold. This is the
• 18:16
  Speaker 2: story of the Elohim. So if I might like jump
• 18:20
  Speaker 2: kind of ahead here, if you know the story of Zarasutra,
• 18:25
  Speaker 2: he's like big in the esoteric fucking thing. He was
• 18:28
  Speaker 2: a man, He was a gangster dude. He was a slippery,
• 18:32
  Speaker 2: dangerous motherfucker. And Zarasutra met with these light beings called
• 18:38
  Speaker 2: elo Him and they Elohim means spirits of the Sun,
• 18:43
  Speaker 2: of the Sun. So what they did was they poured
• 18:48
  Speaker 2: lead or yeah, they poured lead onto his chest, liquid lead,
• 18:52
  Speaker 2: to see if he could suffer in silence it's the
• 18:55
  Speaker 2: metal of ehremin right, and then if he could pass
• 18:59
  Speaker 2: that in this siation, they would turn that to gold,
• 19:03
  Speaker 2: which is very interesting. But what's more interesting is that
• 19:06
  Speaker 2: the elo Him are called the spirits of the Sun.
• 19:09
  Speaker 2: Their goal was to alchemize the entire earth into an
• 19:14
  Speaker 2: entire body of light. Whenever Zarasutra told that to the king,
• 19:19
  Speaker 2: the king was obviously very afraid of change and had
• 19:21
  Speaker 2: them locked up into jail, but he was slippery he
• 19:26
  Speaker 2: got out. This is, by the way, I can't stress
• 19:29
  Speaker 2: this enough. Zarasutra is a person. He's a man, He's
• 19:32
  Speaker 2: a flesh and blood dude. That was such an immense
• 19:35
  Speaker 2: character that he became mythology later. But he taught a
• 19:41
  Speaker 2: whole street gang from the Gotto how to use their
• 19:45
  Speaker 2: magic from within, making him the archetype for the first wizard.
• 19:50
  Speaker 2: But the whole idea was he got his initiation from
• 19:53
  Speaker 2: the Elohim plural, which are spirits of the sun. So
• 19:58
  Speaker 2: this is what started me down this whole rabbit hole
• 20:02
  Speaker 2: about our soul maybe originating from the sun, just like
• 20:07
  Speaker 2: this and a million other alchemical diagrams depict this is
• 20:11
  Speaker 2: where shit gets fucking weird, dude.
• 20:14
  Speaker 6: Because Joey real quick. I just wanted to real quick,
• 20:17
  Speaker 6: and I thought it was weird when it could just
• 20:19
  Speaker 6: with Jamatria. Yeah, I put stork in.
• 20:22
  Speaker 3: I just wanted to see if it hit anything interesting.
• 20:25
  Speaker 6: Uh, it matches in Hebrew's son, and then in English
• 20:28
  Speaker 6: it matches black son.
• 20:30
  Speaker 2: Black Son.
• 20:32
  Speaker 5: Shut up.
• 20:34
  Speaker 7: About the first image?
• 20:36
  Speaker 2: Is the only ye want to say?
• 20:39
  Speaker 1: Yeah, like it.
• 20:41
  Speaker 7: Seemed maybe like a pupil too, but also a black
• 20:45
  Speaker 7: son in that first image.
• 20:46
  Speaker 1: Joe, do you know what thought it's about?
• 20:49
  Speaker 2: The black son in alchemy is the stage of complete
• 20:54
  Speaker 2: disarray with the human soul, the dark knight of the soul,
• 20:57
  Speaker 2: where everything is scattered to pieces and we are left
• 21:01
  Speaker 2: with no identity. We have to literally overcome the black
• 21:05
  Speaker 2: sun in order to alchemize it into you know, lead
• 21:09
  Speaker 2: into gold. That's the whole idea of it. But I mean,
• 21:15
  Speaker 2: the black sun is is synonymous with the black cube
• 21:19
  Speaker 2: because and that's what this all kind of comes down to,
• 21:22
  Speaker 2: is that we live in the cube versus the circle,
• 21:26
  Speaker 2: the squaring the circle. This is the idea of the
• 21:29
  Speaker 2: heavens are a circle and then the earth is a
• 21:32
  Speaker 2: cube or a square, and between the two is the
• 21:35
  Speaker 2: triangle that pierces its points into the into the cube.
• 21:41
  Speaker 2: Which is weird because Hermes both all these all these
• 21:45
  Speaker 2: communions between man and the heavens happens through mercurial figures.
• 21:52
  Speaker 2: Mercury is not just a metal, it's it's it's the
• 21:56
  Speaker 2: planet between us and the Sun. It's almost as if
• 22:00
  Speaker 2: what the alchemists were trying to say was our soul
• 22:04
  Speaker 2: is that of heaven, but our body is that of Earth.
• 22:07
  Speaker 2: We are both God and man simultaneously. And if that's realized,
• 22:13
  Speaker 2: the alchemy takes place to turn the entire Earth into
• 22:18
  Speaker 2: a vast body of light. But we can't do that.
• 22:21
  Speaker 2: We can't do that on our own though as animals
• 22:23
  Speaker 2: we have to. Damn, Vincent is in this fucking chad
• 22:27
  Speaker 2: going wild. But so, okay, the Ba is the bird.
• 22:34
  Speaker 2: Here in the Caa is this black figure right, there's
• 22:38
  Speaker 2: another rhyming word within this Egyptian fucking pantheon that is raw.
• 22:43
  Speaker 2: So the Bab, the ka, and the ra Ra is
• 22:46
  Speaker 2: the Sun. And this is where it kind of gets
• 22:50
  Speaker 2: fucking weird, because Elohim, spirits of the Sun, all mercurial
• 22:54
  Speaker 2: messenger is between us and the Sun. I think that
• 23:00
  Speaker 2: the Sun is where our soul comes from and we
• 23:04
  Speaker 2: are fractals of the Sun itself trying to experience itself.
• 23:11
  Speaker 2: And if we can experience it in this fucking grotto,
• 23:15
  Speaker 2: in this hell hole that we call Earth that is
• 23:18
  Speaker 2: ruled by the archans, inside the orbit of Saturn, we
• 23:22
  Speaker 2: can transcend that and join the netter in the in
• 23:27
  Speaker 2: the ether, in the stars, so to speak, with a
• 23:29
  Speaker 2: sickness X two and all them to that point.
• 23:34
  Speaker 7: The Egyptians had eight aspects of the soul, which reminds
• 23:39
  Speaker 7: me of what you're saying.
• 23:40
  Speaker 1: As far as the spectrum.
• 23:41
  Speaker 7: Of light, right, there's the seven, so it's approximation, but
• 23:46
  Speaker 7: it's just this you know, lighte force coming through a
• 23:49
  Speaker 7: relationship anyway.
• 23:52
  Speaker 2: Yeah, there's a there's been as above so below alchemy
• 23:57
  Speaker 2: taking place here that I feel like it can't be ignored.
• 24:01
  Speaker 2: And the fact that these ancient people knew of these
• 24:05
  Speaker 2: things before our modern day science is very telling because
• 24:10
  Speaker 2: it's a hint that maybe they knew what they were
• 24:13
  Speaker 2: talking about. So, so, the Sun is made out of plasma,
• 24:18
  Speaker 2: as even mainstream will admit. So David Bohm was the
• 24:24
  Speaker 2: first physicist to talk about plasma in a lab is alive.
• 24:31
  Speaker 2: It acts on its own a chord, and it creates
• 24:33
  Speaker 2: its own dust, just like suns create their own planets.
• 24:35
  Speaker 2: He didn't say that second part, but he did notice
• 24:38
  Speaker 2: that it creates its own dust and it acts on
• 24:41
  Speaker 2: its own accord. And then another physicist of some Russian
• 24:47
  Speaker 2: physicists I'd have to find the name, talks about, well,
• 24:50
  Speaker 2: if plasma does this in labs, that means directly it
• 24:55
  Speaker 2: must the masses of plasma up in space must also
• 25:00
  Speaker 2: do the same thing. Therefore, the plasma in space must
• 25:04
  Speaker 2: also be alive, indicating like Rupert Sheldrake talks about the
• 25:09
  Speaker 2: stars and the suns are alive. Rupert Rake is hard
• 25:13
  Speaker 2: to ignore. I mean, he's not like Neil de grass
• 25:16
  Speaker 2: Tyson and fucking Neil bill Ny the Science Guide. He
• 25:20
  Speaker 2: doesn't just talk shit. He actually does the experiments. He
• 25:23
  Speaker 2: does the experiments that talks about.
• 25:27
  Speaker 3: Yeah, he does.
• 25:29
  Speaker 2: The Sun is reactive and it's and it's it's a
• 25:32
  Speaker 2: self regulating system that's not very nuclear explosion y. The
• 25:37
  Speaker 2: sun is most likely electrical. If the sun is electrical,
• 25:42
  Speaker 2: that means that it matches the body, and we shouldn't
• 25:45
  Speaker 2: be surprised about that. If the body is electrical, then
• 25:48
  Speaker 2: the sun should be electrical as well, and it holds
• 25:51
  Speaker 2: the earth in place with electromagnetism, just the way that
• 25:54
  Speaker 2: electrons are held into place by atoms. We are literally,
• 26:00
  Speaker 2: we are literally a constellations as human beings that are
• 26:04
  Speaker 2: carbon copies of our solar system, just like many p.
• 26:08
  Speaker 2: Hall said with the Adam Cadmus. But all right, so
• 26:19
  Speaker 2: it was just there.
• 26:21
  Speaker 7: There was an earthquake, uh and a solar eruption that
• 26:26
  Speaker 7: happened at exactly the same time, uh, two or three
• 26:29
  Speaker 7: days ago.
• 26:30
  Speaker 1: I forget it was an earthquake in California.
• 26:32
  Speaker 7: Or Japan, but a major solar eruption and a pretty
• 26:36
  Speaker 7: substantial earthquake happened at the exact same time to the
• 26:39
  Speaker 7: electrical idea, right.
• 26:42
  Speaker 2: That is weird, dude. Human blood clots according to the Sun.
• 26:47
  Speaker 2: And there's a lot there's a lot of weird ship
• 26:50
  Speaker 2: about blood and the sun. The arc of the covenant
• 26:55
  Speaker 2: uh in in in uh in Jewish mythology, uh acts
• 27:00
  Speaker 2: to blood. Whenever blood is put on the mercy seat,
• 27:04
  Speaker 2: which sounds a lot like mercury, you can commune with
• 27:09
  Speaker 2: God at that point, which is very mercurial in the
• 27:12
  Speaker 2: first place. But there's a direct connection there between us
• 27:17
  Speaker 2: and the Sun. That's kind of hard to avoid. It's
• 27:20
  Speaker 2: almost as if the Earth is a daughter to the son,
• 27:24
  Speaker 2: so to speak. It's almost as if our solar system,
• 27:30
  Speaker 2: the planets are archons, and the entire solar system is
• 27:35
  Speaker 2: a demiurge, and the Sun itself is Sophia, who gave birth.
• 27:40
  Speaker 2: Just like plasma gives birth to dust and laboratories, these suns,
• 27:46
  Speaker 2: which are plasma, no mistake about it, give birth to
• 27:49
  Speaker 2: dust themselves, which are planets. Sophia gave birth to the
• 27:52
  Speaker 2: demi Ergos, but she imbued its children with her soul,
• 27:58
  Speaker 2: saying even the miner world needs to be saved. I
• 28:03
  Speaker 2: think that's the soul. I think our bodies are the dust.
• 28:07
  Speaker 2: We are a copy of a copy of that arkond
• 28:10
  Speaker 2: of the Demiurgos, which we act like the demi Ergos
• 28:12
  Speaker 2: all day. Look at politics, right, But our soul is
• 28:17
  Speaker 2: imbued by Sophia, which is the Sun. If we consider
• 28:20
  Speaker 2: the fact that the Sun used to be female, and uh,
• 28:25
  Speaker 2: well the sun is now considered male. Used to be female.
• 28:28
  Speaker 2: That got switched around in like the dark ages. That's
• 28:31
  Speaker 2: really confusing. So that's conjecture at that point. But we
• 28:36
  Speaker 2: were births by this this mother figure that might have
• 28:40
  Speaker 2: been the Sun, and it abuses us with soul, hoping
• 28:42
  Speaker 2: that we wake up to it, to its knowing. It's
• 28:48
  Speaker 2: alchemy basically the nosis of knowing that we are part
• 28:52
  Speaker 2: of the greater whole because we're separated right now.
• 28:55
  Speaker 5: What do you think about when they say you get
• 28:59
  Speaker 5: to choose whose who your parents are?
• 29:04
  Speaker 2: If according to the Egyptians, that's exactly what we did,
• 29:07
  Speaker 2: because the Bob comes to earth this bird guy and
• 29:12
  Speaker 2: then it chooses a body based on what it needs
• 29:15
  Speaker 2: to learn, which I mean, that's soul alchemy right there.
• 29:20
  Speaker 5: Yeah. So I was looking into this obviously because I'm
• 29:24
  Speaker 5: interested in it because I just had a baby. But
• 29:27
  Speaker 5: it's not so much you choose your parents based on, oh, well,
• 29:33
  Speaker 5: I'm going to choose them because they're going to give
• 29:35
  Speaker 5: me the best life. It's like, I'm going to choose
• 29:37
  Speaker 5: them because they're going to teach me the things that
• 29:43
  Speaker 5: I need to learn this time around. Like you might
• 29:46
  Speaker 5: choose the shittiest parents anybody's ever had ever because you
• 29:51
  Speaker 5: needed to have that experience this time around. It's an
• 29:56
  Speaker 5: interesting concept to think about.
• 29:59
  Speaker 2: And we are just ride as orphaned souls by Manly
• 30:03
  Speaker 2: p Hall when he talks about the Adam Cadmus. And
• 30:07
  Speaker 2: just like Sophia when she went into her amnesic type
• 30:10
  Speaker 2: of forgetting, she wanted to see if she could create
• 30:14
  Speaker 2: while separated from source and forgetful of it. So coming
• 30:19
  Speaker 2: into this body with say, hypothetically some of us shit
• 30:24
  Speaker 2: parents were to see if we could create without any
• 30:30
  Speaker 2: sort of help, because Sophia was alone, no doubt about it.
• 30:36
  Speaker 2: That's why she created the archons in the first place.
• 30:38
  Speaker 2: You know. Oh, so we talked about Rupert Sheldrake, the
• 30:47
  Speaker 2: son is alive blah blah blah. Okay, so Hindu temples
• 30:54
  Speaker 2: and this seems like a bit of a stretch, but
• 30:58
  Speaker 2: follow me on this. So this is called a a
• 31:04
  Speaker 2: door gy. I'm pronouncing that wrong, but that's okay. And
• 31:08
  Speaker 2: scholars maintain that this is decorative. I don't think this
• 31:14
  Speaker 2: is decorative. It's got faces on it, and outside of
• 31:18
  Speaker 2: the faces which obviously represent it being alive, it looks
• 31:24
  Speaker 2: like electricity, it looks like lightning, it looks like plasma
• 31:28
  Speaker 2: in a lab that takes on the shape of a taurus,
• 31:31
  Speaker 2: which it very well does and can be looked up.
• 31:36
  Speaker 2: So this is the same shape that happens to take
• 31:39
  Speaker 2: place whenever plasma is exposed to electromagnetic forces in a laboratory,
• 31:47
  Speaker 2: especially those that are replicating the radiation from sidneys X two.
• 31:52
  Speaker 2: This is what gets fucking really weird because scholars will
• 31:56
  Speaker 2: also maintain that these hint the temples are decorative just
• 32:02
  Speaker 2: like this. I don't think so, because Uh, I'm gonna
• 32:11
  Speaker 2: bring up a couple quotes here and this will make sense.
• 32:13
  Speaker 2: In a second, I'm gonna directly quote from from Hindu Uh,
• 32:21
  Speaker 2: from Hindu ancient texts. As the sun gives light, the
• 32:27
  Speaker 2: temple gives liberation. That's h I'll try to pronounce it
• 32:32
  Speaker 2: this new Dharmarata Perorana, I fucked that up. Don't listen
• 32:37
  Speaker 2: to me, okay. Second quote, he who builds a temple
• 32:41
  Speaker 2: builds a bridge to heaven agne Purana, forty two to three.
• 32:46
  Speaker 2: The temple is a diagram of the universe Silpa Sastra Mahamarata,
• 32:54
  Speaker 2: chapter one. Sorry, all right, The temple is a purifier
• 32:59
  Speaker 2: of all beings. On what's important, The temple is a purifier
• 33:02
  Speaker 2: of all beings scanned Uh, Purana, I don't know Kung
• 33:07
  Speaker 2: Fu Panda one three thirty seven. So I if just
• 33:12
  Speaker 2: to back myself up here in case someone has doubts,
• 33:16
  Speaker 2: you can screenshot this and that's the correct pronunciations of each.
• 33:22
  Speaker 2: Hindu temples are weird. They look like electricity, first of all,
• 33:27
  Speaker 2: but they also take on the shape of titmatics. As
• 33:30
  Speaker 2: we're looking at it right there. That sound and the pillars,
• 33:34
  Speaker 2: the beams, they they look like machines. They look like mitochondria.
• 33:41
  Speaker 2: So I'm gonna pull this up real quick on my
• 33:43
  Speaker 2: pictures and you can if it matches. So this is, uh,
• 33:48
  Speaker 2: this is a Mito kandria as above so below right
• 33:50
  Speaker 2: like this is one of these. Uh, this is happening
• 33:54
  Speaker 2: within us to create us as we speak right right,
• 34:00
  Speaker 2: So that's happening within us right now, dude, right look
• 34:08
  Speaker 2: at this, look at look at that, and then look
• 34:12
  Speaker 2: at some of these. They First of all, they look
• 34:15
  Speaker 2: like turbines that we use today to create energy, electromagnetic energy.
• 34:24
  Speaker 2: Right that's that's not decorative what we're looking at right there.
• 34:28
  Speaker 2: That is, if I didn't know any better, that's some
• 34:31
  Speaker 2: DMT shit. These pillars spin and they move, and the
• 34:38
  Speaker 2: ship that doesn't spin and move in these Hindu temples, dude,
• 34:42
  Speaker 2: they hover above.
• 34:45
  Speaker 4: I was gonna ask you if you if you heard
• 34:46
  Speaker 4: of that.
• 34:47
  Speaker 5: Yeah.
• 34:47
  Speaker 6: Yeah, they don't even think you could slit a piece
• 34:49
  Speaker 6: of paper underneath the dude.
• 34:51
  Speaker 2: Uh, you could get Jessica Alba to fucking get her
• 34:54
  Speaker 2: ass underneath one of these fucking things because it's hovering
• 34:57
  Speaker 2: so high above the ground. Uh. But these fucking pillars
• 35:02
  Speaker 2: are electrodes. Uh. Now, by the way, I can't take
• 35:07
  Speaker 2: I can't take all credit for this. Uh. Base Forge
• 35:11
  Speaker 2: Static in the Attic under the name of base Forge
• 35:14
  Speaker 2: makes a bunch of reels and shorts. I wish he
• 35:17
  Speaker 2: would make long form, but uh, I got this idea
• 35:20
  Speaker 2: from him. And then there's uh a man if I
• 35:25
  Speaker 2: can remember his damn name. Uh, there's a there's an
• 35:29
  Speaker 2: Indian dude who makes videos about these Oh my goodness,
• 35:34
  Speaker 2: I'm feeling is it Provene? Yes, I did my whole
• 35:41
  Speaker 2: Coral Castle episode on Provine's work, just pitty piggybacking off
• 35:45
  Speaker 2: of him. So this whole, this whole next segment is
• 35:49
  Speaker 2: kind of picking backing off of Provene and Static in
• 35:53
  Speaker 2: the Attic of base Forge. But these Hindu temples are
• 35:56
  Speaker 2: first of all, absolutely incredible.
• 35:59
  Speaker 3: There.
• 36:00
  Speaker 5: I was just gonna say, like, all right, we're looking
• 36:04
  Speaker 5: at them in the correlation between like what happens inside
• 36:06
  Speaker 5: the body and like electric And another aspect of this
• 36:12
  Speaker 5: is how the fuck did they make it right, Because
• 36:15
  Speaker 5: they're going to tell you that they took a little
• 36:18
  Speaker 5: chisel and they fucking chiseled this shit and it took
• 36:21
  Speaker 5: them seventeen thousand years to chisel one little column. And
• 36:24
  Speaker 5: they were in there with the little pickaxe.
• 36:26
  Speaker 2: And that's the thing is they don't say it takes
• 36:29
  Speaker 2: seventeen thousand years, which is what it would take. Basically,
• 36:32
  Speaker 2: it's like twenty years to do, which it Yeah, completely,
• 36:36
  Speaker 2: it would take twenty years just to remove the dirt around.
• 36:40
  Speaker 2: These are built into the fucking stone. These temples are
• 36:44
  Speaker 2: one piece of stone, one one unit. They're not separate
• 36:50
  Speaker 2: columns brought in like in Egypt. This is what fucks
• 36:53
  Speaker 2: us up. This is what you're looking at right now,
• 36:57
  Speaker 2: is in the ground, and it's one They don't into
• 37:00
  Speaker 2: the into the fucking granite, the fucking limestone into the
• 37:04
  Speaker 2: earth with.
• 37:05
  Speaker 5: The pickaxe and the donkey and a horse, and they
• 37:10
  Speaker 5: did it all like that's just like even if you made.
• 37:14
  Speaker 2: A mistake, you got to make it four times. On
• 37:16
  Speaker 2: the other side, and on the back.
• 37:18
  Speaker 3: Right.
• 37:18
  Speaker 5: But if even if you can get past how they
• 37:22
  Speaker 5: made it, why did they make it? Why would they
• 37:26
  Speaker 5: put and why did they make it look like this?
• 37:29
  Speaker 2: Right? So I have a theory about it which ties
• 37:32
  Speaker 2: us into the whole thing today, which, by the way,
• 37:35
  Speaker 2: I would love to do in a whole a whole
• 37:37
  Speaker 2: episode on how they did it. But I have no
• 37:40
  Speaker 2: fucking idea that is outside of everything I've ever like.
• 37:45
  Speaker 5: I think you're the first person who I've ever met
• 37:48
  Speaker 5: that can admit that, because I say that all the time,
• 37:51
  Speaker 5: as long as we can agree, it wasn't ropes and pulleys, no, okay,
• 37:55
  Speaker 5: But I don't know what the fuck they were doing,
• 37:59
  Speaker 5: you know what I'm saying.
• 38:00
  Speaker 2: Thing about these Hindu temples is okay. The Egyptian pyramids,
• 38:04
  Speaker 2: which are made out of pieces, were impossible for us
• 38:07
  Speaker 2: to build today. No one's done it ever since, so
• 38:11
  Speaker 2: it's not likely. These are not like that. You can imagine, Okay,
• 38:17
  Speaker 2: if they could find a way to lift a stone
• 38:20
  Speaker 2: into the air, then maybe they could, YadA YadA. These
• 38:25
  Speaker 2: are different. These must have been done with some kind
• 38:28
  Speaker 2: of three D printing or some kind of laser technology.
• 38:31
  Speaker 2: There's no way around it. You can't have multiple people
• 38:34
  Speaker 2: doing it. That's what's fucking weird. It has to be
• 38:39
  Speaker 2: one person because it's all the same.
• 38:43
  Speaker 5: It's like a fingerprint.
• 38:45
  Speaker 2: It's like a yes, there's a fingerprint happening here. And
• 38:49
  Speaker 2: all these pillars make different pitches. Notice their different sizes.
• 38:54
  Speaker 2: They make perfect cords a fifth of one another octaves.
• 38:59
  Speaker 2: So we have a problem about how they did it.
• 39:05
  Speaker 2: I'm gonna step over that because that's outside my pay grade.
• 39:10
  Speaker 2: What I'm here to say is why they did it,
• 39:13
  Speaker 2: which again i've never seen online, same as the stork shit.
• 39:20
  Speaker 2: I think I have an idea of why they did it.
• 39:23
  Speaker 2: So I have a little chart here, So yeah, one
• 39:27
  Speaker 2: of them. Yeah, this one I actually found on Google.
• 39:30
  Speaker 2: So we can agree that these temples are machines, and
• 39:38
  Speaker 2: we can also agree they look like turbines. We can
• 39:40
  Speaker 2: also agree that they look like mitochondria that's happening within
• 39:43
  Speaker 2: us today. So the question becomes, Okay, they created an
• 39:48
  Speaker 2: enormous amount of energy from the sun. Sure, what were
• 39:53
  Speaker 2: they trying to power with these machines? This is where
• 39:57
  Speaker 2: we get tricky. What I think is why power your
• 40:03
  Speaker 2: fucking air fire and the big screen TV? When you
• 40:07
  Speaker 2: can tune your soul that very electromagnetic energy called kundalini
• 40:14
  Speaker 2: by these very same cultures, by the way that serpent
• 40:18
  Speaker 2: within man that comes up from the dick or vagina
• 40:23
  Speaker 2: and then into the pineal gland to die for three
• 40:25
  Speaker 2: days called the cristos, and just just a little bit
• 40:28
  Speaker 2: east of India, west of India, these machines were meant
• 40:34
  Speaker 2: to be devices that tuned the soul into enlightenment before
• 40:42
  Speaker 2: we had that uh the chemical, the chemical uh uh ratio,
• 40:51
  Speaker 2: Amazonian ayahuasca, d MT, all this shit, right, there's a
• 40:55
  Speaker 2: lot of different ways, but these these devices match up
• 41:01
  Speaker 2: with the human, the human vessel absolutely perfectly. Not only
• 41:06
  Speaker 2: do they match the human vessel perfectly, but they are
• 41:09
  Speaker 2: maps of the cosmos itself. Fibonacci, all that shit, golden ratio,
• 41:17
  Speaker 2: squaring the circle, all this impossible shit simatics, all these things,
• 41:22
  Speaker 2: and these these somatic patterns taken on by these pillars
• 41:26
  Speaker 2: are that these frequencies that we see on YouTube now
• 41:32
  Speaker 2: that represent our chakras four three, two, five to eight, eight,
• 41:36
  Speaker 2: fifty two, nine thirty six. It goes up right as
• 41:41
  Speaker 2: you enter the temple. It goes up your spine as
• 41:45
  Speaker 2: you enter the temple. It goes up your spine until
• 41:49
  Speaker 2: you get to this, and Nick, if you'll scroll a
• 41:52
  Speaker 2: little bit, you'll uh you get to the end where
• 41:58
  Speaker 2: you fall underneath this big fucking ufo looking uh circular
• 42:05
  Speaker 2: simatic pattern where there's a seat underneath it to sit
• 42:11
  Speaker 2: beneath it. I'm sure it's Zaza and style. Keep going here,
• 42:19
  Speaker 2: I'll find it.
• 42:20
  Speaker 3: I'll find one, uh, completely different picture.
• 42:24
  Speaker 2: Correct, Yeah, one of one of these, one of these
• 42:26
  Speaker 2: which also spin, by the way, it's the ceiling and
• 42:36
  Speaker 2: there's fucking dude, tons of them all over the place.
• 42:42
  Speaker 2: By the way, a Nick, real quick, awesome thumbnail. I
• 42:45
  Speaker 2: could not have envisioned a better thumbnail. Thank you for
• 42:48
  Speaker 2: last minute changing that for me. I hope I'm not
• 42:52
  Speaker 2: a pain in your ass.
• 42:53
  Speaker 6: No, no, no, I normally would make eventually make a
• 42:57
  Speaker 6: thumbnail anyway.
• 42:58
  Speaker 2: Oh yeah, So all right, so these ceiling pieces. Directly
• 43:05
  Speaker 2: above these ceiling pieces is a temple like a cathedral
• 43:10
  Speaker 2: that goes into the sky. There's no doubt about it.
• 43:14
  Speaker 2: That was meant to pick up electromagnetic energy from the
• 43:18
  Speaker 2: sun to beam it into a funnel down into the
• 43:23
  Speaker 2: human being that was sitting beneath this fucking simatic, dick
• 43:28
  Speaker 2: looking simatics, fucking thing right here to tune your soul
• 43:33
  Speaker 2: into its optimum, most prime position, to realize bliss and
• 43:38
  Speaker 2: to commune with God itself, just like the Mercury of
• 43:42
  Speaker 2: the Ark of the Covenant, just like the Tower of Babel.
• 43:46
  Speaker 2: We're trying to do but failed because that's fallen angel
• 43:49
  Speaker 2: tech into the hands of human beings who are confused.
• 43:53
  Speaker 2: These guys got it though. I believe that these Hindu temples,
• 43:59
  Speaker 2: everyone asking the question what did they power? They powered
• 44:03
  Speaker 2: the Kundalini, their serpents, snakes and stone everywhere around this,
• 44:09
  Speaker 2: but they're not here. They're on the outside of the temple.
• 44:15
  Speaker 2: These machines tuned our soul to be able to commune
• 44:19
  Speaker 2: with God on a one to one, face to face basis,
• 44:24
  Speaker 2: and also gave us shamanic powers and in the most
• 44:31
  Speaker 2: literal way possible, it's like a forced Cunelini awakening, as
• 44:36
  Speaker 2: if DMT is rumored to be. If you can imagine
• 44:41
  Speaker 2: drinking some blue lotus, if you know what I'm saying,
• 44:44
  Speaker 2: and then sitting underneath this fucking bitch, you're gonna have
• 44:47
  Speaker 2: some shit to say afterwards. And those who are gifted
• 44:51
  Speaker 2: might give birth to say, the upanashads, you know, the Ramayana,
• 44:57
  Speaker 2: the fucking Baga Vegita, the you know, this is this
• 45:02
  Speaker 2: is where these things came from. But just alone looking
• 45:07
  Speaker 2: at this image right here, we know that that that's
• 45:10
  Speaker 2: not decor. Decor is never symmetrical in that way. This
• 45:15
  Speaker 2: was a machine, This was a device. These items spin.
• 45:19
  Speaker 2: We have lost the technology ever since, just like the
• 45:22
  Speaker 2: moon landing, and we are no longer doing this. I
• 45:29
  Speaker 2: think if we were to wake these machines up, we
• 45:35
  Speaker 2: would be in a completely different world today. But we're
• 45:40
  Speaker 2: in the Cali yoga, just emerging out of it. When
• 45:44
  Speaker 2: these machines were built, we were in the Prana yoga.
• 45:48
  Speaker 2: I'm saying that wrong, That's my bad. But you know
• 45:51
  Speaker 2: I'm saying the Golden age, and it's been the sent
• 45:54
  Speaker 2: ever since the thirteen hundreds. When these things, you know.
• 46:00
  Speaker 6: In a way, do you think these things stop working
• 46:03
  Speaker 6: for a specific reason or do you think maybe depending
• 46:07
  Speaker 6: on how the earth is lined with everything else, this
• 46:10
  Speaker 6: will only work in a certain time cycle according to
• 46:16
  Speaker 6: turn back on, say two thousand years from them.
• 46:19
  Speaker 2: That's I love that question. Asha Nanda, that old eighty
• 46:24
  Speaker 2: eight year old woman in the in the in the
• 46:26
  Speaker 2: blue dress who she teaches. She's a direct student of
• 46:29
  Speaker 2: Yoga Nanda. She told me that the that the sun
• 46:35
  Speaker 2: moves on a sine wave. So there's a galactic center
• 46:39
  Speaker 2: and the and the sun moves on a sine wave
• 46:41
  Speaker 2: around the galactic center, and when we are lined up
• 46:44
  Speaker 2: with it, we get a direct shotgun from the galactic center.
• 46:50
  Speaker 2: Now that lines up with Sickness, by the way, which
• 46:53
  Speaker 2: if you look in the sky, that bird of Signus
• 46:55
  Speaker 2: is literally crossing the galactic center. Her where that black
• 47:01
  Speaker 2: hole is? They say it's a black hole. I don't
• 47:03
  Speaker 2: think it is, but she says, when we're aligned with
• 47:07
  Speaker 2: that is the Golden Age, and when we're drifting from
• 47:09
  Speaker 2: that is the kali Yuga. People have said it's not
• 47:13
  Speaker 2: the galactic center, but it's Signess itself. But again, that's
• 47:19
  Speaker 2: that's in the same path it's so who's to say
• 47:22
  Speaker 2: which it is? Uh, Sickness happens to be a neutron star,
• 47:26
  Speaker 2: so that could be it. So the last time we
• 47:30
  Speaker 2: were aligned with the galactic center was forty thousand years ago.
• 47:36
  Speaker 2: That's the same age that cave paintings not only started
• 47:41
  Speaker 2: but exploded. We started painting on cave walls forty thousand
• 47:45
  Speaker 2: years ago. We can carbon date cave paintings. We can't
• 47:50
  Speaker 2: carbondate the stone, but the paint we can. Forty thousand
• 47:53
  Speaker 2: years ago cave painting was invented. That's the last time
• 47:57
  Speaker 2: we were down the barrel of that sine wave in
• 48:01
  Speaker 2: the galactic center maybe.
• 48:06
  Speaker 3: Sugged out.
• 48:07
  Speaker 5: Yeah, I think that they've destroyed a lot of stuff.
• 48:13
  Speaker 5: I think that whenever the flood came through, it fucked
• 48:16
  Speaker 5: a lot of stuff up. I think it was like
• 48:18
  Speaker 5: a global flood that you know. Yeah, I think that
• 48:24
  Speaker 5: they've destroyed it a lot on purpose so that we
• 48:27
  Speaker 5: could never know about this stuff. But if you look
• 48:31
  Speaker 5: at even the pyramids in Egypt, they say that they're
• 48:34
  Speaker 5: burial chambers, and it's like, dude, there's not. All the
• 48:39
  Speaker 5: bodies are in the valley of the King's right, right,
• 48:42
  Speaker 5: So these pyramids with all these weird chambers and shit,
• 48:46
  Speaker 5: it's not a fucking casket, like I don't And if
• 48:51
  Speaker 5: you look at it, it's like it was designed to
• 48:55
  Speaker 5: have like these chambers where they would resonate sound, and
• 48:58
  Speaker 5: like if you were fucked up, you would go into
• 49:02
  Speaker 5: like one chamber and they would like blast you with
• 49:05
  Speaker 5: sound and it would like heal your body, and like
• 49:08
  Speaker 5: they had it was very They of course hide like
• 49:12
  Speaker 5: all of the real shit to make it seem like,
• 49:16
  Speaker 5: oh well, they just built them for like the Pharaohs,
• 49:19
  Speaker 5: and it's okay. Then why are most of them in
• 49:22
  Speaker 5: the valley of the kings? Then? Right, why did they
• 49:26
  Speaker 5: put all the bodies in the Valley of the Kings?
• 49:28
  Speaker 5: And then we have these three pyramids with all these
• 49:30
  Speaker 5: weird connecting chambers and like all this intricate. It's like, no,
• 49:34
  Speaker 5: this is not a burial chamber like that. It doesn't
• 49:39
  Speaker 5: make sense.
• 49:40
  Speaker 2: What's crazy is Egypt has burial chambers. They have tombs,
• 49:44
  Speaker 2: and they're decorative. The the Ocerion, the pyramids, all of
• 49:52
  Speaker 2: these machine looking structures were not decorative. They were they
• 49:57
  Speaker 2: were square, unintended so speak, they were blocks. They were
• 50:03
  Speaker 2: not decorated.
• 50:04
  Speaker 7: Uh.
• 50:05
  Speaker 2: I would even argue that this is not decorative, this
• 50:09
  Speaker 2: is a pattern. Have you have you ever heard an
• 50:13
  Speaker 2: audio clip of the so called sarcophagus in the King's
• 50:19
  Speaker 2: chamber getting hit with someone's fists. There is uh, there's
• 50:25
  Speaker 2: an audio of that, and you put it on on
• 50:28
  Speaker 2: a PA system with subs and it's uh, it really
• 50:31
  Speaker 2: is something else.
• 50:33
  Speaker 5: That's what I'm saying though, is like that is not
• 50:37
  Speaker 5: They were not designed to just hold a dead person, right, Like,
• 50:42
  Speaker 5: why would you go through the links of doing all
• 50:45
  Speaker 5: that to just put a sarcophagus in there? It doesn't
• 50:49
  Speaker 5: make sense.
• 50:50
  Speaker 2: I have a theory about that as well. But it's
• 50:52
  Speaker 2: the opposite of these Hindu temples, which is where it
• 50:55
  Speaker 2: gets fucking weird, because the same mathematics are you in
• 51:00
  Speaker 2: both in this intricate design that we're looking at right now,
• 51:05
  Speaker 2: versus the the pyramids, it's the same, they look different,
• 51:10
  Speaker 2: same mathematics. Uh So in the Coffer text in Egypt,
• 51:15
  Speaker 2: they talked about the pharaohs rockets hid their souls out
• 51:22
  Speaker 2: of the out of the the shafts, the king's chamber
• 51:28
  Speaker 2: shaft and into draco or fuck, what's the serious? Serious? Yes?
• 51:42
  Speaker 2: Oh what is it?
• 51:43
  Speaker 7: Plates?
• 51:45
  Speaker 2: Yeah, that's another one. And then there's there's a third one.
• 51:49
  Speaker 7: Uh the dog star was the dog star one of them?
• 51:53
  Speaker 2: Or yeah, yeah, that's that's the dog star? Right? Which
• 51:56
  Speaker 2: one is a dog star?
• 51:57
  Speaker 5: Serious? Is the dog star?
• 51:59
  Speaker 2: And in m they said to join the nets her,
• 52:03
  Speaker 2: they rocketed their souls out of by the way. The
• 52:07
  Speaker 2: shaft that comes out of the pyramid is about it's
• 52:11
  Speaker 2: about this bit literally, and it goes through I mean
• 52:16
  Speaker 2: how many meters of granted, So there's something, there's something
• 52:23
  Speaker 2: of a utility happening there. What they said they were
• 52:27
  Speaker 2: doing was joining them netter. They would bypass the sun,
• 52:31
  Speaker 2: leave some sorrow. Some sorrow as an Indian word, but
• 52:33
  Speaker 2: I'm using it here. I guess an Egyptian culture it'd
• 52:37
  Speaker 2: be called the you know what, I fuck it. I'm
• 52:42
  Speaker 2: not writing a script right now.
• 52:44
  Speaker 1: Is hard to living world right, just.
• 52:50
  Speaker 2: Yeah, I don't know it on the fly, but there
• 52:52
  Speaker 2: is a word parallel to that. And they would leave
• 52:57
  Speaker 2: some sorrow. They would leave, they would bypass the Sun,
• 53:00
  Speaker 2: they would bypass Saturn, which is what's important, and they
• 53:04
  Speaker 2: would join the netter, which the netter were the stars Draco, Sirius,
• 53:11
  Speaker 2: these guys, and then they would have direct influence on
• 53:19
  Speaker 2: our solar system, which is what drives me fucking bananas,
• 53:27
  Speaker 2: because every time we die, we go to the Sun
• 53:32
  Speaker 2: and then bring incarnate through the moon. But when the
• 53:37
  Speaker 2: pharaohs died, they left, and then they fucked with us
• 53:41
  Speaker 2: ever since, good or bad, I don't know. This is
• 53:45
  Speaker 2: where we get kind of off the rails here because
• 53:50
  Speaker 2: we can join the netter as well. But we have
• 53:54
  Speaker 2: to realize what's been imposed upon us artificially, and we
• 53:59
  Speaker 2: don't know what that is. The Tibetan Book of the
• 54:03
  Speaker 2: Dead talks about it. Jesus talked about it in the
• 54:08
  Speaker 2: Book of Jah, which is a whole nother fucking rabbit hole.
• 54:13
  Speaker 2: But speaking of books of the dead, there's a book
• 54:16
  Speaker 2: of the Dead almost in damn near every culture, and
• 54:18
  Speaker 2: they talk about the same thing, but they always use
• 54:22
  Speaker 2: their own symbolic nature to understand what they're talking about.
• 54:26
  Speaker 2: We don't have scientific terminology today to represent what they're
• 54:30
  Speaker 2: talking about, so it gets confusing. I don't know what
• 54:34
  Speaker 2: it takes to leave some Sara, or if it's even
• 54:37
  Speaker 2: worth it. I know Nick has done this, you know,
• 54:42
  Speaker 2: earth shit, like a thousand times. You can tell look
• 54:45
  Speaker 2: at him smoking that fucking cigarette, like damn, Like he's
• 54:49
  Speaker 2: just native here at this point, you know. But I'm
• 54:52
  Speaker 2: a brand new baby. I'm a baby Doe deer here,
• 54:56
  Speaker 2: you know, trying to change things up a bit, but
• 55:00
  Speaker 2: I wanted to.
• 55:01
  Speaker 7: I had a thought about how these temples manipulate light
• 55:08
  Speaker 7: and sound, and there is the there's the idea of
• 55:12
  Speaker 7: the photon, and then there's also forgive me, I've forgotten
• 55:20
  Speaker 7: how it's pronounced, what is it? There's the sound equivalent,
• 55:24
  Speaker 7: which is the phonon. And these are like the beginning
• 55:29
  Speaker 7: quantum uh uh material of light and sound. And I wonder,
• 55:37
  Speaker 7: you know, we're we're at the point now.
• 55:39
  Speaker 1: Where we're.
• 55:42
  Speaker 7: Kind of postulating quantum computers and quantum machines based on
• 55:49
  Speaker 7: actually phonons and photons. And I wonder if they were
• 55:54
  Speaker 7: doing something like this in a totally different way that
• 55:59
  Speaker 7: than we might have might perceive to do it now,
• 56:02
  Speaker 7: an enhancing sound and light to produce electromagnetic effects and
• 56:07
  Speaker 7: so on.
• 56:09
  Speaker 1: Just just just throwing.
• 56:11
  Speaker 2: It out there, Ethan, I'm no, do you just throw
• 56:13
  Speaker 2: it up there? That's fucking great, and I'm glad you
• 56:15
  Speaker 2: said that. So, Okay, what you just said kind of
• 56:20
  Speaker 2: summarizes the question that's answered in these two books here.
• 56:25
  Speaker 2: So where this whole shit started in the first place
• 56:28
  Speaker 2: was uh so I got the body electric which I'm
• 56:32
  Speaker 2: not quoting from directly, but it is very important to
• 56:35
  Speaker 2: the subjects. But more importantly, this book is called The
• 56:40
  Speaker 2: Secret of Life. Straight up, called the Secret of Life
• 56:43
  Speaker 2: it's by George Lakowski, who is a disgraced scientist. No
• 56:50
  Speaker 2: one wants anything to do with him anymore. That's how
• 56:53
  Speaker 2: you know it's good, So okay to lead in to
• 57:00
  Speaker 2: what you're saying. He talks about birds in this way,
• 57:06
  Speaker 2: no clear explanation has yet been given. My theory of
• 57:11
  Speaker 2: radiation in living beings is in perfect harmony with the facts. Similarly,
• 57:16
  Speaker 2: the role of orientation in the flight of birds and
• 57:21
  Speaker 2: migration are explicable by the phenomenon of auto electrification and
• 57:28
  Speaker 2: living beings. These fundamental principles cover the whole field of biology.
• 57:35
  Speaker 2: But why are the importance to biology? So just before
• 57:38
  Speaker 2: I move on real quick, that's fucking The Secret of
• 57:41
  Speaker 2: Life by George Georgie's he's multiple Georges. I don't get that,
• 57:48
  Speaker 2: all right? Cool? And then so everyone has heard of Schwaller,
• 57:57
  Speaker 2: Di Lubics and Chris Dunn into my house and was like,
• 58:02
  Speaker 2: if you don't have ship on Swallower, then what why
• 58:06
  Speaker 2: the fuck am I here? And old man Chris done?
• 58:10
  Speaker 2: I respect him, and uh he turned me onto this ship.
• 58:14
  Speaker 2: So now I've got several books by Schwaler, which I'll
• 58:17
  Speaker 2: go into in a minute, but check this check this
• 58:21
  Speaker 2: fucking shit out, dude. So first of all, h just
• 58:26
  Speaker 2: sink in these diagrams real quick. That's the Sun. Admittedly
• 58:31
  Speaker 2: maybe the sun. Swaller. I hate his name, like I
• 58:38
  Speaker 2: wish he would just fucking be Nick or something like
• 58:42
  Speaker 2: Kevin damn. But uh he he he coins in on
• 58:48
  Speaker 2: some of these hieroglyphics. As such, she says, our old
• 58:53
  Speaker 2: laws no longer apply to the atom, the constituent of matter.
• 58:59
  Speaker 2: They remained valid formatter, but in the atom, Newtonian gravitation
• 59:04
  Speaker 2: no longer plays a part. It is electromagnetic effects that
• 59:08
  Speaker 2: come into play. This is a fact, but one that
• 59:12
  Speaker 2: needs to be studied, for we are still confronted with
• 59:14
  Speaker 2: the unknown that the affenities represent. Energy ceaselessly creates matter
• 59:23
  Speaker 2: through the atmosphere. Nitrogen is transmuted into an isotope of carbon,
• 59:28
  Speaker 2: which is then it nourishes all vegetation on Earth, a
• 59:34
  Speaker 2: fact that throws a curious light onto the vital phenomenon
• 59:39
  Speaker 2: of the Earth's surface. Right So, a couple pages later
• 59:45
  Speaker 2: he shows this diagram right here, which many people have
• 59:49
  Speaker 2: seen in museums but didn't get the same explanation as Schwaller.
• 59:54
  Speaker 7: Will forgive me is that what is not depicting some
• 1:00:00
  Speaker 7: some god with snakes, three snakes on each.
• 1:00:03
  Speaker 2: Side, which one the second one of the first one
• 1:00:06
  Speaker 2: the second one that you just it looks like it
• 1:00:12
  Speaker 2: is horrs but with damn whichever whichever god represents that jackal.
• 1:00:22
  Speaker 5: And then there's three anubis.
• 1:00:27
  Speaker 2: Okay that yeah, that's a newbis. Yeah. And then on
• 1:00:31
  Speaker 2: each side is three of pappus. So a pappus would
• 1:00:37
  Speaker 2: be our DNA, so to speak. Uh, it is in
• 1:00:42
  Speaker 2: fact a question of cosmic influence to which the Earth,
• 1:00:47
  Speaker 2: along with everything it is, subjected. A phase in the
• 1:00:52
  Speaker 2: gestation of the planetary particle of our solar system planetary
• 1:00:57
  Speaker 2: particle of our solar system is completed, quote, a mutation
• 1:01:04
  Speaker 2: of the spirit unquote. A new period must begin. And
• 1:01:09
  Speaker 2: this is heralded by seismic movement, movement, climatic changes, and finally,
• 1:01:15
  Speaker 2: above all, by the spirit that animates man. But where
• 1:01:20
  Speaker 2: did the spirit that animates man come from in the
• 1:01:23
  Speaker 2: first place? So leaving this book behind, jumping to another
• 1:01:30
  Speaker 2: Schwaller d Lubis, which, by the way, again I don't
• 1:01:33
  Speaker 2: know if I mentioned this, hate his name, quit it
• 1:01:38
  Speaker 2: like fuck lubics bitch.
• 1:01:42
  Speaker 7: All right, that's it's crazy that he these concepts about energy,
• 1:01:50
  Speaker 7: especially that one that really strikes me as the subatomic
• 1:01:55
  Speaker 7: or whatever he used exactly. But maybe the atom is
• 1:01:59
  Speaker 7: not a affected by gravity, it is merely electromagnetism that
• 1:02:04
  Speaker 7: drives it. It's right that that really is striking its
• 1:02:07
  Speaker 7: It amazes me that he came up with this by
• 1:02:10
  Speaker 7: studying Egypt.
• 1:02:12
  Speaker 2: Which not only studying Egypt, but he studied his own
• 1:02:17
  Speaker 2: shit about birds, which uh Owski. But that ties into
• 1:02:25
  Speaker 2: Schwaler quite a bit. So all that shit I just
• 1:02:30
  Speaker 2: read leads me into so here in Saint Louis, we
• 1:02:34
  Speaker 2: have a museum called the the Saint Louis Relics Museum.
• 1:02:39
  Speaker 2: I think it's called the museum or whatever. But we
• 1:02:43
  Speaker 2: went and we noticed that all the head dresses of
• 1:02:47
  Speaker 2: the Egyptian motherfuckers are By the way, Nick, you can
• 1:02:51
  Speaker 2: get rid of this image. I think I don't have
• 1:02:54
  Speaker 2: an image for the next part, but there there is
• 1:03:01
  Speaker 2: something really weird about the uh the headdresses, and they
• 1:03:08
  Speaker 2: tie into what Schwaler brings forth here. And sorry Nick,
• 1:03:14
  Speaker 2: I didn't I didn't send you an image of this,
• 1:03:17
  Speaker 2: but you see how there's three fucking things right there.
• 1:03:21
  Speaker 3: Yeah, so.
• 1:03:24
  Speaker 2: There's a holy Trinity in every religion. Christianity has the
• 1:03:28
  Speaker 2: Holy Trinity, Hinduism has the uh Trimercy, Brahma, Vishnu, and Shiva,
• 1:03:39
  Speaker 2: and they all represent the same thing. As I've always said,
• 1:03:43
  Speaker 2: The names have changed, but the story stays the same.
• 1:03:49
  Speaker 2: Did you know that the Egyptian pantheon has a Holy
• 1:03:54
  Speaker 2: Trinity as well? I didn't know this until literally a
• 1:03:58
  Speaker 2: week ago, again diving into this all the stork shit,
• 1:04:02
  Speaker 2: but they described with this trinity. I'm boring Julia at
• 1:04:07
  Speaker 2: this point, but uh, how the soul enters the body
• 1:04:14
  Speaker 2: and it's through the Trinity's fucking crazy. These three symbols
• 1:04:19
  Speaker 2: in succession, the Uas, the Ankh and the Jed. It
• 1:04:27
  Speaker 2: are a gesture of influx which can be well can
• 1:04:33
  Speaker 2: well be seen as a celestial nettter. That's what we are,
• 1:04:38
  Speaker 2: a carbon copy of the celestial netter. This gets weird.
• 1:04:45
  Speaker 2: The sideposts of the temple, at the great entrance of
• 1:04:48
  Speaker 2: the doors, they show all three every time. Generally read
• 1:04:56
  Speaker 2: prosperity for the uas stember one was life for the
• 1:05:00
  Speaker 2: Ankh that's number two, and stability for the Jed that's us.
• 1:05:05
  Speaker 2: Carbon is number three. The Jed is carbon. It looks
• 1:05:09
  Speaker 2: like a spine, doesn't it. So it's a descent of
• 1:05:15
  Speaker 2: a god into human form. So there are three principles. Yeah,
• 1:05:23
  Speaker 2: not yet manifest into human form. The euas commonly called
• 1:05:28
  Speaker 2: the key of the Nile, is represented in the to
• 1:05:32
  Speaker 2: and common panopoly of a cane and scepter. Which is
• 1:05:38
  Speaker 2: that right there? This is going somewhere. I promise it's
• 1:05:44
  Speaker 2: a branch of a tree. Symbolically it pertains to a
• 1:05:48
  Speaker 2: living branch conducting the vivifying sap. But this sap only
• 1:05:53
  Speaker 2: ascends without again descending, as it must do in order
• 1:05:59
  Speaker 2: to take on the body beneath the bark. Think about
• 1:06:03
  Speaker 2: our Kundalini energy, right that goes down the spine, but
• 1:06:08
  Speaker 2: we can't send it back up yet. We need that
• 1:06:12
  Speaker 2: heat below from seeming retention or whatever it is, to
• 1:06:16
  Speaker 2: bring it back up into our pituitary glance to die
• 1:06:19
  Speaker 2: for three days in YadA YadA. The die for three
• 1:06:22
  Speaker 2: days thing is not Egyptian. It's Egyptian two. But the
• 1:06:28
  Speaker 2: second symbol of this trinity is the ankh giving life
• 1:06:34
  Speaker 2: to the king either through the neck or with breath
• 1:06:38
  Speaker 2: through the nose. This anc is presented as a loop
• 1:06:42
  Speaker 2: crossed by a horizontal bar, but the two elements are
• 1:06:46
  Speaker 2: not truly not it. Think of a triangle. You can't
• 1:06:49
  Speaker 2: have a shape yet there's only two. We're not in
• 1:06:53
  Speaker 2: three D yet you can there's only there's no t.
• 1:06:57
  Speaker 2: The triangle is the first shape. This crux a nata,
• 1:07:03
  Speaker 2: as the ANC is called, is thus not really across,
• 1:07:08
  Speaker 2: but a symbol of the intention to not together two
• 1:07:12
  Speaker 2: elements without having truly done so. So there's a shape
• 1:07:17
  Speaker 2: in the ether that mathematically exists, but it has not
• 1:07:24
  Speaker 2: yet come into form into our mineral world that the
• 1:07:30
  Speaker 2: Sophia gave birth to. So this is what happens in
• 1:07:39
  Speaker 2: this Egyptian trinity, presenting an intangible appearance, which the ancient
• 1:07:47
  Speaker 2: sage is called the odor of the gods. It is
• 1:07:51
  Speaker 2: said that the soul ties to the body, to the spirit,
• 1:07:55
  Speaker 2: and the soul, although invisible but not tangi, it is
• 1:08:01
  Speaker 2: the eye of Horace pineal glam seven weeks. Thus, the
• 1:08:07
  Speaker 2: not of the anc, indicated but not executed, is that
• 1:08:11
  Speaker 2: which gives life to the spirit of the uas the
• 1:08:14
  Speaker 2: first one. When linked to the third symbol, the jed,
• 1:08:20
  Speaker 2: the ANC is not life, but it is the ANC
• 1:08:24
  Speaker 2: that gives life to that two principles, spirit and body.
• 1:08:29
  Speaker 2: They exist the three symbols. Is the image itself an
• 1:08:36
  Speaker 2: explanation of these three principles, and not yet the thing
• 1:08:40
  Speaker 2: quote unquote. Hence the jed or column of Osiris, the
• 1:08:45
  Speaker 2: principle of stability, bearing the four elements which make the
• 1:08:49
  Speaker 2: formal existence. But the Jed is not yet the ka
• 1:08:53
  Speaker 2: or the ba. The Jed will be ka as soon
• 1:08:58
  Speaker 2: as there is corporeality. Corporeality through the distinction of spirit,
• 1:09:06
  Speaker 2: of soul and of body, which is a direct quote
• 1:09:09
  Speaker 2: from the actual pillars, which makes their intersection possible. The
• 1:09:15
  Speaker 2: jed next becomes the actual co remember the bond the
• 1:09:20
  Speaker 2: cop from earlier, the fixed support giving corporeal I'm gonna
• 1:09:26
  Speaker 2: say that word every fucking time, wrong, corporeal form, good
• 1:09:31
  Speaker 2: spirit and the soul or specific tincture. And then the
• 1:09:37
  Speaker 2: last bit here the Osyrian column that's the jed as
• 1:09:42
  Speaker 2: a fixed support. Here becomes the sheath like a plasma
• 1:09:47
  Speaker 2: sheath containing the anc and the oas it is no
• 1:09:52
  Speaker 2: longer the image of the Trinity born and by the
• 1:09:55
  Speaker 2: it's borne by the woven basket DNA, but the reunion
• 1:10:02
  Speaker 2: of spirit soul and body within a new oneness and
• 1:10:06
  Speaker 2: is and indicated by the Jed as incarnated unity capable
• 1:10:11
  Speaker 2: of going out going toward resurrection. So it can go
• 1:10:17
  Speaker 2: toward resurrection, but it can also go toward excarnation as well,
• 1:10:24
  Speaker 2: which is not mentioned in the book, but is mentioned
• 1:10:27
  Speaker 2: in the Coffer text from from outside of this book
• 1:10:33
  Speaker 2: that I read from another fucking thing. But there's there's,
• 1:10:37
  Speaker 2: there's a holy Trinity. This is what is crazy. The
• 1:10:41
  Speaker 2: Holy Trinity in Christian mythology is symbolic. The Holy Trinity
• 1:10:47
  Speaker 2: in Hindu mythology is symbolic. The Holy Trinity in Egyptian
• 1:10:52
  Speaker 2: mythology is quite literally plasma sis in a lab and
• 1:10:58
  Speaker 2: displayed as such as if they had a laboratory of
• 1:11:03
  Speaker 2: their own, and damn it, dude, I wouldn't doubt it
• 1:11:06
  Speaker 2: if they did, because look at that shit. It's the plasma,
• 1:11:12
  Speaker 2: the electricity and the mind behind it, just like we
• 1:11:16
  Speaker 2: have in cymatics the plate the sand and the tone
• 1:11:21
  Speaker 2: that brings a shape to the sand. Fuck.
• 1:11:28
  Speaker 5: I think they were doing all kinds of stuff with genetics,
• 1:11:34
  Speaker 5: timeira beings, altering DNA. I think someone in the chat
• 1:11:42
  Speaker 5: just said, your blood has plasma it's all connected. And
• 1:11:46
  Speaker 5: then they said, PS, do not sell your plasma, which
• 1:11:50
  Speaker 5: is also correct because fuck that. I don't know if
• 1:11:52
  Speaker 5: anybody has ever done that. But the fifty bucks ain't
• 1:11:56
  Speaker 5: worth it, no whatever they give you. But yeah, I
• 1:12:02
  Speaker 5: think that the same way. We don't know how they
• 1:12:04
  Speaker 5: built this stuff. We don't know, we don't have an
• 1:12:08
  Speaker 5: iota of a clue what they were into, like how
• 1:12:14
  Speaker 5: advanced they were, what they were working on, Like, we
• 1:12:19
  Speaker 5: aren't even there today. We are not even advanced as
• 1:12:24
  Speaker 5: advanced as they were today.
• 1:12:26
  Speaker 2: We're like barely there today because like, uh, whenever we
• 1:12:32
  Speaker 2: look at Egyptian headdresses, ah shit, we noticed that, dude,
• 1:12:43
  Speaker 2: it looks like plasma in a lab. And anyone anyone
• 1:12:47
  Speaker 2: here who watches Thunderbolts Project, we'll see what plasma does
• 1:12:54
  Speaker 2: when entering our earthly atmosphere, which is the womb suggestively
• 1:13:00
  Speaker 2: that we're talking about here, it looks like these headdresses.
• 1:13:07
  Speaker 2: Quite literally, here we go. So this is this is
• 1:13:09
  Speaker 2: the Egyptian book the Dead, and this is not a rendition.
• 1:13:14
  Speaker 2: This is the literal Egyptian book the Dead. And if
• 1:13:18
  Speaker 2: you look at these head dresses, each one quite literally
• 1:13:25
  Speaker 2: represents a different uh, formation of pinched plasmas in a laboratory,
• 1:13:35
  Speaker 2: So we have the Holy Trinity that is no longer
• 1:13:43
  Speaker 2: it's no longer symbolic, it's literal. Egyptian hieroglyphs might this
• 1:13:49
  Speaker 2: I'm gonna sound fucking crazy, dude, They might be fucking literal,
• 1:13:55
  Speaker 2: and this is anatomy.
• 1:13:56
  Speaker 5: I've always said that. I've always said that. And I'll
• 1:14:00
  Speaker 5: also think that they knew something that we don't understand,
• 1:14:04
  Speaker 5: which is how to combine science in spirituality because it's
• 1:14:11
  Speaker 5: the same ship. And what has happened is there's this
• 1:14:14
  Speaker 5: big schism where it's like, well, you either believe in
• 1:14:17
  Speaker 5: the science or you believe in spirituality when it's the
• 1:14:21
  Speaker 5: same fucking shit.
• 1:14:22
  Speaker 2: Yes, literally, that's the main point of this whole thing
• 1:14:28
  Speaker 2: is like these these are scientific equations. That's why they
• 1:14:33
  Speaker 2: took so much time to make them.
• 1:14:36
  Speaker 5: They knew how to put the spirit in them, right.
• 1:14:40
  Speaker 2: See. That's what That's what makes Egypt special, I think
• 1:14:43
  Speaker 2: is it's both literal and allegory, which we were missing
• 1:14:48
  Speaker 2: out on today.
• 1:14:49
  Speaker 7: That's a really nick what we're gonna say some.
• 1:14:53
  Speaker 3: Just real yeah, real quick.
• 1:14:55
  Speaker 6: There was headdresses that I had covered in the eyeball
• 1:14:57
  Speaker 6: series that even looked like cones and rods in the
• 1:14:59
  Speaker 6: back of our rble, right, some Egyptian I saw.
• 1:15:03
  Speaker 3: I was like, what the fuck, what's the odds of that? Right?
• 1:15:07
  Speaker 7: Right?
• 1:15:07
  Speaker 3: That's out there. Definitely, the headdresses really looked a lot
• 1:15:11
  Speaker 3: like the suction.
• 1:15:12
  Speaker 2: Well, it happens within, but it also happens on a
• 1:15:16
  Speaker 2: celestial scale as well with these plasmachines, And I mean,
• 1:15:21
  Speaker 2: what are the chances of that? They Egypt they claimed
• 1:15:25
  Speaker 2: that they were the center, the green of the I mean,
• 1:15:29
  Speaker 2: it's worth mentioning that that green is the center of
• 1:15:32
  Speaker 2: the color spectrum, and the heart chakra is green like
• 1:15:39
  Speaker 2: it's it's the center. We are in the center, and
• 1:15:42
  Speaker 2: we get to choose which way this thing goes, which
• 1:15:46
  Speaker 2: really comes down to the main wager of what we're
• 1:15:49
  Speaker 2: doing here. We get to collectively choose which way that
• 1:15:54
  Speaker 2: we go. And that's alchemy, and that's what is both
• 1:15:58
  Speaker 2: difficult and simple at the same time, you know.
• 1:16:04
  Speaker 7: Really dope breakdown of the trinity there with the was
• 1:16:07
  Speaker 7: and the jed and then and I wanted to say too,
• 1:16:12
  Speaker 7: as far as like building energy within the Eastern arts
• 1:16:17
  Speaker 7: talk about the trinity of the high middle and low
• 1:16:22
  Speaker 7: dante enne or center points, and and and also the
• 1:16:30
  Speaker 7: of course we don't get this from the old teachings,
• 1:16:32
  Speaker 7: but the implications of chi is essentially the building up
• 1:16:40
  Speaker 7: of our mitochondria to.
• 1:16:41
  Speaker 1: Be more active and stable.
• 1:16:44
  Speaker 2: Right, And.
• 1:16:47
  Speaker 7: There's a really powerful jet more unlikely. It looks exactly
• 1:16:52
  Speaker 7: like a jed in the Pyramid of Giza. It has
• 1:16:57
  Speaker 7: it has a design and between the kings and queen's
• 1:17:01
  Speaker 7: chambers where it's really unnecessary and doesn't look and engineering sound.
• 1:17:09
  Speaker 7: But once you know about the dijet, you'll see you'll
• 1:17:13
  Speaker 7: see it.
• 1:17:13
  Speaker 1: In the Great Pyramid.
• 1:17:16
  Speaker 7: So it's and to the point of the Egyptians being
• 1:17:19
  Speaker 7: so excellent at bringing science and spirituality together and even
• 1:17:26
  Speaker 7: somehow expressing numerous things within the same structure, right, like
• 1:17:31
  Speaker 7: different rules of interpretation and presentation in the same series
• 1:17:37
  Speaker 7: of hieroglyphs.
• 1:17:38
  Speaker 2: Profound, Yeah, there's a there's it seems like there's a
• 1:17:45
  Speaker 2: trinity in everything. It seems to always be there's a
• 1:17:49
  Speaker 2: left and a right and a center. There's a north
• 1:17:52
  Speaker 2: in the south, and there's a censor. And I don't
• 1:17:57
  Speaker 2: know if my fucking thing is delayed here and Nick
• 1:18:00
  Speaker 2: pulled this up, right, am I in the future in
• 1:18:03
  Speaker 2: the past, Like, what the fuck? Uh?
• 1:18:06
  Speaker 1: I just zapped that to him right before you. I
• 1:18:08
  Speaker 1: guess you pulled it up. Maybe I guess I don't see.
• 1:18:11
  Speaker 2: It on my chat, but I see it. Oh damn. Okay,
• 1:18:14
  Speaker 2: so my chat's behind Okay. But yeah, that's that trinity
• 1:18:18
  Speaker 2: right there. Is like there's always polarity ones and zeros
• 1:18:24
  Speaker 2: plus and minuses, like one way or another.
• 1:18:28
  Speaker 5: I do have a question for you, since we're talking
• 1:18:31
  Speaker 5: about all this, but I did want to add something
• 1:18:36
  Speaker 5: that might not be related. But when you're pregnant, you
• 1:18:40
  Speaker 5: start figuring out all kinds of stuff about how to
• 1:18:43
  Speaker 5: make yourself feel better and whatever. And I started getting
• 1:18:47
  Speaker 5: kind of into like the Chinese medicine, and I was
• 1:18:52
  Speaker 5: really trying to go into labor, and I went to
• 1:18:54
  Speaker 5: an acupuncturist. Yeah, and she literally jabbed me with a
• 1:18:58
  Speaker 5: bunch of needles and I went into labor like a
• 1:19:01
  Speaker 5: day later. But yeah, they talk about how your body
• 1:19:09
  Speaker 5: is connected with the spirit and your chi if you will,
• 1:19:14
  Speaker 5: and how when you give birth there's this coldness inside
• 1:19:19
  Speaker 5: your body and the wound inside where you've literally given
• 1:19:24
  Speaker 5: birth in your uterus is still huge and it's empty,
• 1:19:27
  Speaker 5: and it creates like a void within you, and it's cold.
• 1:19:31
  Speaker 5: So in order to heal yourself, you eat your placenta
• 1:19:35
  Speaker 5: and it warms your body and it balances the cold
• 1:19:39
  Speaker 5: and the heat, and it returns you to a like
• 1:19:43
  Speaker 5: a neutral zone. And people just discard their placenta. They
• 1:19:48
  Speaker 5: throw it away, or the hospital takes it and sells
• 1:19:51
  Speaker 5: it on like the black market or something like that.
• 1:19:54
  Speaker 5: But it's just, it's just we've gotten so far away
• 1:19:58
  Speaker 5: from understanding science and spirituality and how those two things
• 1:20:03
  Speaker 5: work together that it's like everything is just modern medicine,
• 1:20:10
  Speaker 5: medicine quote unquote that ends up killing you eventually. But
• 1:20:17
  Speaker 5: I just had a quick question for you about simulation theory,
• 1:20:23
  Speaker 5: like how could this be integrated? How could that matrix
• 1:20:28
  Speaker 5: see weird zeros and ones, like, how could that be
• 1:20:31
  Speaker 5: integrated into this? You think because a lot of people
• 1:20:34
  Speaker 5: subscribe to that like this is all a simulation right?
• 1:20:39
  Speaker 2: Well okay, so okay, So first of all, when I
• 1:20:43
  Speaker 2: started laughing there, I was laughing at Nick for coughing
• 1:20:47
  Speaker 2: after it took a bong rip. So it wasn't in
• 1:20:50
  Speaker 2: your direction.
• 1:20:51
  Speaker 5: Oh okay, Yeah, No, I didn't need.
• 1:20:52
  Speaker 2: It as Mike took a rip and he started coughing,
• 1:20:56
  Speaker 2: and that's hilarious to me. All right. Uh, the simulation
• 1:21:01
  Speaker 2: theory thing, dude, Okay, So to run it backwards, h
• 1:21:05
  Speaker 2: I think that simulation theory quote unquote is a modern
• 1:21:12
  Speaker 2: rendition of what the ancients we're talking about in the
• 1:21:15
  Speaker 2: first place. It's not literally a computer, but it's also
• 1:21:19
  Speaker 2: not literally atoms. So like modern science will have us
• 1:21:24
  Speaker 2: believe it's either atoms or it's a simulation, you get both,
• 1:21:31
  Speaker 2: which is very, very silly. Uh, there's always a middle ground.
• 1:21:35
  Speaker 2: There's always a middle ground. But that means that if
• 1:21:39
  Speaker 2: you were to use the video game analogy, we can
• 1:21:41
  Speaker 2: level up or we can level down. And that's kind
• 1:21:44
  Speaker 2: of the idea here, I think, and just just as
• 1:21:49
  Speaker 2: it's been displayed in these in the ant the jed
• 1:21:53
  Speaker 2: the fucking whip in the staff of the Pharaoh to
• 1:21:55
  Speaker 2: keep your uh, because the look at the whipping the
• 1:21:58
  Speaker 2: staff of the pharaoh, right, the whip is to keep
• 1:22:02
  Speaker 2: your mind subjugated. You own it, Like twenty one pilot says,
• 1:22:08
  Speaker 2: my mind is its tied to a tree and you
• 1:22:10
  Speaker 2: must obey me. I forgot the exact line, but twenty
• 1:22:13
  Speaker 2: one pilots is fucking.
• 1:22:14
  Speaker 8: Amazing, and and the shepherd hooks on on the the
• 1:22:21
  Speaker 8: pharaoh is also to keep your thoughts kind of shepherded in.
• 1:22:28
  Speaker 2: And whenever you do that, you're you are now qualified
• 1:22:34
  Speaker 2: to make more people. And when you make more people,
• 1:22:38
  Speaker 2: you teach them those things, and then that human condition
• 1:22:45
  Speaker 2: continues up and forward and up and forward. Is alchemy.
• 1:22:53
  Speaker 2: That's what alchemy is. There is no other definition of alchemy.
• 1:22:58
  Speaker 2: People can say it's let in the gold. People can
• 1:23:01
  Speaker 2: say it's your spirit and see your soul, or vice versa.
• 1:23:04
  Speaker 2: People can say it's this into that all of those
• 1:23:08
  Speaker 2: things point to one direction, up and forward. It's always
• 1:23:13
  Speaker 2: lesser and some more. And that's the idea we make it.
• 1:23:17
  Speaker 5: But don't you think like when people say like simulation theory,
• 1:23:22
  Speaker 5: Like what goes through my mind is like the opening
• 1:23:25
  Speaker 5: scene of the Matrix where it's all like nineteen nineties
• 1:23:28
  Speaker 5: graphics of like weird green zeros and ones, and like
• 1:23:32
  Speaker 5: for me it just feels so I don't know, like
• 1:23:38
  Speaker 5: when you have a baby and you look at them
• 1:23:41
  Speaker 5: and you look at their face, you realize what a spiritual, magical, mysterious,
• 1:23:49
  Speaker 5: mystical place we're living in. Right, And when I think
• 1:23:53
  Speaker 5: of simulation theory, I can't get past that. It's like
• 1:23:57
  Speaker 5: somebody's just plugged us into a computer game, so where
• 1:24:00
  Speaker 5: they're just like playing us and like living out our
• 1:24:03
  Speaker 5: lives for us or something. And I don't know, it
• 1:24:06
  Speaker 5: just seems nasty to me to think that we're just
• 1:24:09
  Speaker 5: in a simulation by video game or something.
• 1:24:13
  Speaker 2: Right, But the person behind signed the hedgehog is invested
• 1:24:18
  Speaker 2: in his success, so they want him to do as
• 1:24:23
  Speaker 2: well as he can. I think that we're meant to
• 1:24:27
  Speaker 2: pass that down, of course, but to become Mario or
• 1:24:32
  Speaker 2: Luigi or whatever, you have to like give up your
• 1:24:37
  Speaker 2: own self gratitude to pass that torch on to another
• 1:24:44
  Speaker 2: person who will succeed you, not only succeed you, but
• 1:24:49
  Speaker 2: like to surpass you. And that's the point of it is. Uh,
• 1:24:54
  Speaker 2: have you ever noticed death metal vocalists since the nineties
• 1:24:58
  Speaker 2: get fucking crazier or figure skaters get do nonsensically bonkers
• 1:25:08
  Speaker 2: compared to what their predecessors did, And then people will
• 1:25:11
  Speaker 2: say I couldn't do it, but then I saw that
• 1:25:16
  Speaker 2: it was possible, and now I can do it. This
• 1:25:19
  Speaker 2: is the morphic resonance. This is what Rupert Sheldrake is
• 1:25:22
  Speaker 2: talking about the reason we have babies. This is not
• 1:25:26
  Speaker 2: what Rupert Childrake that was. But what I'm saying is
• 1:25:31
  Speaker 2: with Rupert Sheldrake's morphic resonance, meaning that rats can solve
• 1:25:37
  Speaker 2: puzzles on the other side of the world easier if
• 1:25:40
  Speaker 2: we do the puzzle here first, which is fucking crazy,
• 1:25:43
  Speaker 2: but a fact means that the entire, the entire purpose
• 1:25:51
  Speaker 2: of our existence is to do as good as we
• 1:25:56
  Speaker 2: can to see if our our predecessors can do it too,
• 1:26:03
  Speaker 2: and they will, and they'll do it better, and when
• 1:26:06
  Speaker 2: they do it better, we're gonna be like, holy fuck,
• 1:26:08
  Speaker 2: have you seen Lauren Ashore compared to cannibal corpse? Like
• 1:26:12
  Speaker 2: damn Like they can not only do it better, but
• 1:26:15
  Speaker 2: they have upgraded the entire process. So that's I think it.
• 1:26:24
  Speaker 2: That's it. We're not meant to complete anything. We are
• 1:26:30
  Speaker 2: meant to give birth to those who will carry it
• 1:26:33
  Speaker 2: on better and higher than we once were. Up and forward,
• 1:26:40
  Speaker 2: always up and forward. We're gonna fuck up, They're gonna
• 1:26:44
  Speaker 2: fuck up. We're gonna make birth to people who fucked up.
• 1:26:48
  Speaker 2: Our parents fucked up. But we're curious, can we fuck
• 1:26:54
  Speaker 2: it up too? That's the magic of it. Can we
• 1:26:58
  Speaker 2: can we create something that's never been done before? If
• 1:27:04
  Speaker 2: if no one's if I know Nick does but from
• 1:27:10
  Speaker 2: from Chris Barnes and Cannibal Corpse in the nineteen nineties,
• 1:27:15
  Speaker 2: who had to write in his album no vocal effects
• 1:27:19
  Speaker 2: were used on this album and he sounded like an
• 1:27:22
  Speaker 2: idiot today I fucking you know to Lorna Shore or
• 1:27:28
  Speaker 2: cattle Decapitation today who sounded like literal fucking monsters with
• 1:27:34
  Speaker 2: effects from Hollywood and the movies used like they they
• 1:27:40
  Speaker 2: did what was impossible and then upgraded into what is
• 1:27:45
  Speaker 2: not considered possible, and then passed the buck to the
• 1:27:48
  Speaker 2: next generation. To do something that was utterly impossible moving
• 1:27:55
  Speaker 2: into today would be uh fuck. I don't know who
• 1:28:02
  Speaker 2: the newest whatever is, but there's some new death metal
• 1:28:05
  Speaker 2: bands that fit the bill.
• 1:28:08
  Speaker 1: But uh.
• 1:28:10
  Speaker 2: But that's the idea, is that we are not meant
• 1:28:17
  Speaker 2: to complete anything before we die. We are meant to
• 1:28:22
  Speaker 2: give as much as possible to the next guy as
• 1:28:27
  Speaker 2: we pass the torch before we die. Our meaning of
• 1:28:31
  Speaker 2: life is not to do fucking good. It's for them
• 1:28:35
  Speaker 2: to do fucking good and then them to pass it
• 1:28:38
  Speaker 2: on to do what's good. The whole universe gets better
• 1:28:42
  Speaker 2: and sharper better, and sharper better and sharper that's alchemy.
• 1:28:47
  Speaker 5: So but do you think it's like a circle though, So,
• 1:28:49
  Speaker 5: like you start at caveman, you know, like scratching their
• 1:28:56
  Speaker 5: bee hole with an acorn, and then you get to
• 1:28:59
  Speaker 5: like Starbucks workers, and then you get to like.
• 1:29:06
  Speaker 2: Back around there you went down.
• 1:29:09
  Speaker 5: But it's like it's like, okay, you get from drawing
• 1:29:13
  Speaker 5: on cave walls to Egypt, which was way more advanced
• 1:29:19
  Speaker 5: than we are now, and then somehow it went back
• 1:29:21
  Speaker 5: down to like zero, and then now we have to
• 1:29:24
  Speaker 5: like build our way. It's like a circle, like we're
• 1:29:26
  Speaker 5: getting to the top at some point, like back to
• 1:29:30
  Speaker 5: Egyptian times, and then it's we're going to have like
• 1:29:32
  Speaker 5: some cataclysmic event happened, and then we're going to go
• 1:29:35
  Speaker 5: back down to zero and b cavemen scratching our be
• 1:29:39
  Speaker 5: holes with an acorn, and then we're gonna like we
• 1:29:42
  Speaker 5: have to keep doing this weird circle of like gradual
• 1:29:46
  Speaker 5: you know what I'm.
• 1:29:47
  Speaker 7: Saying earlier, and the the Yugas operate very much like that.
• 1:29:54
  Speaker 7: And I think golden or going to golden, but golden
• 1:29:59
  Speaker 7: bronze silver. There's there's four yugas. We are in the
• 1:30:05
  Speaker 7: most difficult one, right, and they said that meditation in
• 1:30:10
  Speaker 7: the colaie Yuga, which is the Angry Goddess yoga, is
• 1:30:17
  Speaker 7: worth more than in other time periods. So it's in
• 1:30:21
  Speaker 7: fact very difficult to go into the light and so
• 1:30:24
  Speaker 7: forth in the Calie Yugas that they said.
• 1:30:29
  Speaker 2: That's that's a day on fact and if we can,
• 1:30:32
  Speaker 2: if we can like remember our divine certitude while in
• 1:30:38
  Speaker 2: this callega the physical flesh. Apparently that's the whole idea,
• 1:30:43
  Speaker 2: and uh, that's how we make it. And uh, now
• 1:30:49
  Speaker 2: I don't know why it resets, but damn it does.
• 1:30:55
  Speaker 2: It seems. I mean, you have.
• 1:30:58
  Speaker 5: If you look back in the past that these megalithic structures,
• 1:31:05
  Speaker 5: it had to have reset at some point because and
• 1:31:09
  Speaker 5: I think there may have been another one when you
• 1:31:12
  Speaker 5: see like what they call the mud flood era with
• 1:31:15
  Speaker 5: these cathedrals and these like oh they just built it
• 1:31:20
  Speaker 5: for like it's a church. Okay, yeah, it's just a church.
• 1:31:25
  Speaker 2: Ever since, dude, I want to do a whole episode
• 1:31:28
  Speaker 2: on Tartaria, but every time I dive into it, I
• 1:31:32
  Speaker 2: find a fucking roadblock. Like, but I'm going to eventually.
• 1:31:36
  Speaker 2: But they say it's a six thousand year cycle, which
• 1:31:39
  Speaker 2: the great flood would be twelve thousand years ago, you know,
• 1:31:42
  Speaker 2: the younger driest, and then there'd be a miniature one
• 1:31:47
  Speaker 2: six thousand years ago, which would consider the biblical flood.
• 1:31:51
  Speaker 2: And that oh, I mean that opens up some doors,
• 1:31:54
  Speaker 2: but damn like every time. So I went through sayingis
• 1:32:00
  Speaker 2: and I saw these cathedrals, and I can do I
• 1:32:04
  Speaker 2: looked into it, dude. The companies that build the cathedrals
• 1:32:09
  Speaker 2: right down the street from me in St. Louis, they
• 1:32:11
  Speaker 2: never existed, that's a fact.
• 1:32:14
  Speaker 5: There's never any pictures either. It's always like a drawing
• 1:32:17
  Speaker 5: of them building the there's one in like I want
• 1:32:22
  Speaker 5: to say, it's Mexico or Spain or something like that,
• 1:32:28
  Speaker 5: and they're like, well, look we're renovating it and they've
• 1:32:31
  Speaker 5: got like scaffoldings and we're fixed, you're not doing ship
• 1:32:35
  Speaker 5: up there. Okay, that place has existed for probably a
• 1:32:39
  Speaker 5: thousand years, and you're just like, you know.
• 1:32:43
  Speaker 2: Yeah, there's no reas.
• 1:32:47
  Speaker 7: Among all the interesting things about Tartaria, there's one that
• 1:32:50
  Speaker 7: strikes me that kind of insinuates that there's a lot
• 1:32:55
  Speaker 7: going on there. There is a diplomatic cable of the
• 1:32:59
  Speaker 7: UN States diplomat for Russia during the Cold War or
• 1:33:04
  Speaker 7: some period close to that fifties or sixties. I believe
• 1:33:09
  Speaker 7: it might have been earlier than that, but I believe
• 1:33:12
  Speaker 7: that time period. And it says essentially, you know how
• 1:33:16
  Speaker 7: these cables are just very factual and simple, and they
• 1:33:21
  Speaker 7: dictate something that happened, and it's said Russia has stopped
• 1:33:27
  Speaker 7: teaching about Tartaria, and it's and it's and it's and it's.
• 1:33:32
  Speaker 7: So it just kind of like is a very strange
• 1:33:35
  Speaker 7: and suggests that it's a matter of importance that they're
• 1:33:38
  Speaker 7: even mentioning it, because if they if they stopped teaching
• 1:33:42
  Speaker 7: about something about the Tartars or something about that, they
• 1:33:45
  Speaker 7: wouldn't be mentioned. It seems kind of to suggest that
• 1:33:50
  Speaker 7: it's a lot going on.
• 1:33:53
  Speaker 2: That's my issue with Tartaria is like, for every piece
• 1:33:57
  Speaker 2: of fucking crazy evidence that can't be explained, there's another
• 1:34:02
  Speaker 2: piece of evidence that knocks it down. And I'm trying
• 1:34:06
  Speaker 2: to find the fucking the center point of it, because
• 1:34:10
  Speaker 2: there is a lot of things that can't be explained,
• 1:34:13
  Speaker 2: and they outweigh the shit that can be explained, and
• 1:34:17
  Speaker 2: I'm just waiting for that moment of pivot for me.
• 1:34:20
  Speaker 7: I think it might be suggestive of communities that were
• 1:34:24
  Speaker 7: just less oligarchical, less controlled by a few, and that
• 1:34:31
  Speaker 7: the powers that be, whether they're Russian, Soviet, or American
• 1:34:35
  Speaker 7: or wherever, they don't like that idea being proliferated. Right,
• 1:34:39
  Speaker 7: that this was a global community that wasn't hostile and
• 1:34:43
  Speaker 7: wasn't oligarchical.
• 1:34:45
  Speaker 1: I could see that they would want to hide that.
• 1:34:48
  Speaker 5: But I guess that would also open the door to
• 1:34:51
  Speaker 5: like the weird World's Fair stuff in the crystal palaces
• 1:34:56
  Speaker 5: that they built overnight, and like where are they getting
• 1:34:59
  Speaker 5: this stuff from? Why are the doors so big? Why
• 1:35:03
  Speaker 5: are their trains with infants on them that are like
• 1:35:06
  Speaker 5: what is all of this? And like when did it reset?
• 1:35:09
  Speaker 2: Because fuck, dude, the trains with the infants and the
• 1:35:14
  Speaker 2: fucking plaster buildings drives me nuts. What why were they
• 1:35:21
  Speaker 2: shipping babies over train tracks? And why were they building
• 1:35:27
  Speaker 2: fucking buildings to take to tear down out of plaster?
• 1:35:31
  Speaker 2: So and and and and by the way, where did
• 1:35:34
  Speaker 2: twenty thousand infants come from? It?
• 1:35:37
  Speaker 5: Right, dude, that's because let's just say let's just say
• 1:35:44
  Speaker 5: that they were real infants and that this really happened.
• 1:35:52
  Speaker 5: They have had the technology to grow babies in some
• 1:35:56
  Speaker 5: type of way for a long time. There's no way
• 1:35:58
  Speaker 5: they got twenty thousand babies that came out of twenty
• 1:36:01
  Speaker 5: thousand human being mothers right to get on this train
• 1:36:05
  Speaker 5: to ship ship him across to Chicago or like where,
• 1:36:11
  Speaker 5: Like they have a freaking baby farm somewhere, like a
• 1:36:14
  Speaker 5: cabbage patch kid farm, and they're literally growing babies and
• 1:36:19
  Speaker 5: they would ship That's my opinion, though obviously obviously.
• 1:36:25
  Speaker 2: Well that's not just your opinion. But I mean read
• 1:36:28
  Speaker 2: Carl Jung around the end of his life like there
• 1:36:32
  Speaker 2: was something fucking weird going on. He didn't know what
• 1:36:35
  Speaker 2: it was either, And it almost seems like, and I'm
• 1:36:39
  Speaker 2: gonna sound crazy here, it almost seems like World War
• 1:36:44
  Speaker 2: Two was meant to erase history.
• 1:36:49
  Speaker 5: And then there was a big distraction, is what it was.
• 1:36:53
  Speaker 2: Right in my opinion, right, do you know how many
• 1:36:58
  Speaker 2: how many uh I Iraqi artifacts? That is un your
• 1:37:05
  Speaker 2: knaki bullshit. By the way, just I'm gonna say this,
• 1:37:09
  Speaker 2: but I don't agree with Zacharaiacisian, and I don't just
• 1:37:15
  Speaker 2: make clear Zachari Sisian. I don't, I do not, but uh,
• 1:37:19
  Speaker 2: but there was something important about sume Aria. The American
• 1:37:24
  Speaker 2: government hired the Taliban to destroy Iraqi artifacts, including Unnaki ones. Uh.
• 1:37:34
  Speaker 2: And that's that's that's a damn fact. There was no
• 1:37:37
  Speaker 2: money involved, there was no there's nothing to gain, just
• 1:37:40
  Speaker 2: destroy them, destroy it. And that was not World War two.
• 1:37:45
  Speaker 2: That's that's today. That's nine to eleven response ship. It
• 1:37:51
  Speaker 2: seems like the the winners write the history and sometimes
• 1:37:57
  Speaker 2: they're sloppy and sometimes they play catchup, and they always
• 1:38:05
  Speaker 2: expected to be sloppy. But now we have the Internet,
• 1:38:10
  Speaker 2: and now we have nick and now we have motherfuckers
• 1:38:14
  Speaker 2: tied together, and we're putting the pieces together and now
• 1:38:17
  Speaker 2: scary and and I mean, I shouldn't go too far,
• 1:38:21
  Speaker 2: but like, damn, you know.
• 1:38:27
  Speaker 5: If there weren't podcasts like this, I feel like I
• 1:38:29
  Speaker 5: would actually be like needing to be in a straight
• 1:38:33
  Speaker 5: jacket or like doing this looking at the wall, like
• 1:38:37
  Speaker 5: you know what I mean, because the thoughts that run
• 1:38:41
  Speaker 5: through my head on a daily basis should end me
• 1:38:45
  Speaker 5: up like you know, padded room style, like where were
• 1:38:50
  Speaker 5: the pyramids? Belt where we all of it? It's just
• 1:38:55
  Speaker 5: like but that's why I think there legitimately are like
• 1:38:59
  Speaker 5: in PC people you know when you're at Walmart, just
• 1:39:03
  Speaker 5: look around you, Oh, go to Target, take a look. Okay.
• 1:39:07
  Speaker 5: Sometimes you check out and you're like was there even
• 1:39:09
  Speaker 5: an interview with this person? Like how did they get here?
• 1:39:13
  Speaker 5: Like they're just like weird, like just floating through. And
• 1:39:18
  Speaker 5: if you work a nine to five job, which I
• 1:39:20
  Speaker 5: have in the past, like you have the same conversations
• 1:39:23
  Speaker 5: with people every morning, like oh, the coffee's cold again,
• 1:39:27
  Speaker 5: and it's just like the same crap, like repeated, and
• 1:39:31
  Speaker 5: it's just like where are like what are we living in?
• 1:39:35
  Speaker 5: What is it? Yeah, that's what I'm saying.
• 1:39:37
  Speaker 3: Nick.
• 1:39:37
  Speaker 5: It's just like you see little like fractals of like
• 1:39:42
  Speaker 5: what is this really? You know? And that's why I
• 1:39:46
  Speaker 5: love podcasting is because it's like an outlet. It's like
• 1:39:49
  Speaker 5: a therapy session and connecting with people who you know,
• 1:39:55
  Speaker 5: like I said, go to fucking McDonald's on a Tuesday
• 1:39:58
  Speaker 5: night and just just look and see that's what you're
• 1:40:03
  Speaker 5: that's what we're dealing with.
• 1:40:05
  Speaker 9: You're correct, Like that's what uh So that that is
• 1:40:10
  Speaker 9: what Nick has become for me because like I'm I'm
• 1:40:14
  Speaker 9: fucking I'm kind of chumped up over here.
• 1:40:18
  Speaker 2: I'm writing my scripts and I'm like, this is crazy.
• 1:40:21
  Speaker 2: And then I run it by Nick and he's like,
• 1:40:23
  Speaker 2: fuck that, Uh yeah, come on the show and so.
• 1:40:27
  Speaker 2: But you're right, like, if you want to if you
• 1:40:30
  Speaker 2: want to see these fucking arcons, these reptilians with your
• 1:40:35
  Speaker 2: own eyes, go to McDonald's, dude.
• 1:40:40
  Speaker 5: Just go through the drive through. The person at the
• 1:40:43
  Speaker 5: window is gonna give you.
• 1:40:46
  Speaker 2: You need to know what is the what is the
• 1:40:50
  Speaker 2: mythology of the reptilian ARCon? Right? If he's on children McDonald's,
• 1:40:56
  Speaker 2: it's a shape shifter McDonald's. It fuckingh it exists in
• 1:41:02
  Speaker 2: the underworld.
• 1:41:03
  Speaker 7: It you and he makes you happy about it.
• 1:41:06
  Speaker 1: McDonald's dude.
• 1:41:09
  Speaker 5: My husband, heck, my husband's mother went to a McDonald's
• 1:41:16
  Speaker 5: and found a fucking human tooth, or at least somebody
• 1:41:19
  Speaker 5: she knew, or her friend or somebody they found a
• 1:41:22
  Speaker 5: human tooth in the McDonald's burger. Okay, it was fucking
• 1:41:30
  Speaker 5: It was a fucking bicuspid, fucking human, fucking caneine tooth.
• 1:41:38
  Speaker 5: Someone need find in the McDonald's. Okay.
• 1:41:41
  Speaker 7: Alternatively, when I was traveling around the country, whenever I
• 1:41:47
  Speaker 7: wanted to go meet someone meet, I would go to
• 1:41:51
  Speaker 7: the most organic place I could find, and everyone was
• 1:41:55
  Speaker 7: always super friendly and welcoming and communicative and so like
• 1:42:00
  Speaker 7: the opposite can be true for you know whatever I say,
• 1:42:04
  Speaker 7: organic place, but just different different restaurant.
• 1:42:07
  Speaker 5: Rates like a like a like a food co op
• 1:42:10
  Speaker 5: or something like that. They're always like super nice. I
• 1:42:12
  Speaker 5: have a food co op near my house and I
• 1:42:14
  Speaker 5: always love going there because I got great chia seed pudding.
• 1:42:18
  Speaker 5: But fly fly from like I literally just I took
• 1:42:22
  Speaker 5: two flights from Oregon to Oklahoma. I had to stop
• 1:42:25
  Speaker 5: in Denver get on another just fly Look at your company?
• 1:42:29
  Speaker 3: Okay, oh yeah, look at.
• 1:42:31
  Speaker 5: The people flying across the country.
• 1:42:35
  Speaker 4: Should you I should you die? I swear to go.
• 1:42:37
  Speaker 6: When I was when I went to this event, I
• 1:42:40
  Speaker 6: was on the phone with somebody and I said, if
• 1:42:42
  Speaker 6: you want a good way to understand where humanity's at is,
• 1:42:44
  Speaker 6: watch people get off an airplane.
• 1:42:47
  Speaker 5: Literally, I had a baby so my chest okay, had
• 1:42:53
  Speaker 5: an infant tied to my chest with a diaper bag,
• 1:42:56
  Speaker 5: and I got ran over by two guys in a
• 1:42:59
  Speaker 5: cowboy hat and cowboy boots. Are supposed to be Southern gentlemen.
• 1:43:02
  Speaker 5: And they're running me over with an infant strapped to
• 1:43:06
  Speaker 5: my chest holding a diaper bag, trying to get off.
• 1:43:09
  Speaker 5: This is the state of the Marca. And then there's
• 1:43:14
  Speaker 5: a fat bitch in some jammi pants and a fucking
• 1:43:17
  Speaker 5: old lady with like seventy can't get her fucking carry
• 1:43:21
  Speaker 5: on back out of the thing. Nobody's helping her, like
• 1:43:24
  Speaker 5: this is the state of the country. When when when
• 1:43:29
  Speaker 5: a new mom with a baby strapped to her chest
• 1:43:32
  Speaker 5: and a diaper bag is helping the old lady get
• 1:43:34
  Speaker 5: her fucking carry on bag out of the thing, like
• 1:43:37
  Speaker 5: this is this is pathetic. We got fat bitches and
• 1:43:42
  Speaker 5: jammi pants flying on United with like it's like, what
• 1:43:46
  Speaker 5: are you doing?
• 1:43:48
  Speaker 2: Yeah, I mean there's the first problems. Your pajamas.
• 1:43:53
  Speaker 3: I don't get it.
• 1:43:56
  Speaker 2: Dude, pajamas on the airport. Think about that.
• 1:44:06
  Speaker 5: And these are the same ones that if you ask
• 1:44:08
  Speaker 5: their they got COVID vacs, they've gotten all their boosters,
• 1:44:13
  Speaker 5: they love Kamala, they got their blue hairs and wearing
• 1:44:16
  Speaker 5: their jammie pants at the airport.
• 1:44:20
  Speaker 2: And I was like.
• 1:44:22
  Speaker 5: Ye, that's what I'm saying. You want to see the
• 1:44:25
  Speaker 5: state of the country. Go on United Okay, take a
• 1:44:31
  Speaker 5: spirit flight somewhere.
• 1:44:33
  Speaker 4: Okay, spirits rough.
• 1:44:37
  Speaker 5: And I literally just heard Tim Dillon talking about this
• 1:44:41
  Speaker 5: on his show before I flew, and I was like, oh,
• 1:44:43
  Speaker 5: he's so right, Like they hire retards in the baggage claim.
• 1:44:47
  Speaker 5: It's like, why are people so mean at the airport?
• 1:44:50
  Speaker 5: Because they hire retards. But the problem is, it's like
• 1:44:55
  Speaker 5: that's what I'm saying, and and so it's that's what
• 1:45:01
  Speaker 5: I'm stay yin. Yeah, Okay, why is everybody so mean
• 1:45:05
  Speaker 5: at the Walmart? I don't know. There's these weird fluorescent
• 1:45:08
  Speaker 5: bulbs baking my brain and there's just like all of it,
• 1:45:14
  Speaker 5: all of it, all of it. But I mean, it's
• 1:45:17
  Speaker 5: just this is you get out in the world, you
• 1:45:20
  Speaker 5: see what the world has to offer, and then you
• 1:45:24
  Speaker 5: have all these thoughts cooking in your brain, especially with
• 1:45:27
  Speaker 5: a new baby, and it just feels so good to
• 1:45:29
  Speaker 5: like get it all out, like in a safe space,
• 1:45:33
  Speaker 5: you know, with other people who don't wear their Jami
• 1:45:36
  Speaker 5: pants to the airport. Yeah, but I mean it's you know,
• 1:45:40
  Speaker 5: it's weird, and I it's like I said, being pregnant
• 1:45:45
  Speaker 5: was one of the most spiritual things that ever happened
• 1:45:47
  Speaker 5: to me, and It just makes you concerned over everything,
• 1:45:51
  Speaker 5: Like what world did I bring them in?
• 1:45:53
  Speaker 2: Like?
• 1:45:54
  Speaker 5: How what if something happened to me? What would their
• 1:45:56
  Speaker 5: life be like? Like I need to get I need
• 1:45:59
  Speaker 5: to download some good theories into him, you know, I
• 1:46:03
  Speaker 5: need him to at least get old enough so I
• 1:46:05
  Speaker 5: can start downloading some stuff into his brain before something
• 1:46:09
  Speaker 5: happens to me.
• 1:46:10
  Speaker 2: Well, that's that's why I signed Nick over to be
• 1:46:13
  Speaker 2: my my kids godparents. That way, if anything happens to me,
• 1:46:17
  Speaker 2: he's got obligation to them pretty much directly. He doesn't
• 1:46:21
  Speaker 2: know this yet, but uh, there's gonna be a shipment
• 1:46:24
  Speaker 2: that takes place if and when the event.
• 1:46:28
  Speaker 5: Two little bald headed kids. Yeah, they're gonna uh huh.
• 1:46:33
  Speaker 2: I already see it with me in my in my
• 1:46:35
  Speaker 2: temple or back of the head twice, which is very popular,
• 1:46:39
  Speaker 2: very popular. Uh, my kids go straight to Nick. He'll
• 1:46:43
  Speaker 2: have to breastfeed them. It's just gonna be. It's gonna
• 1:46:48
  Speaker 2: be a no or deal that he'll have to deal with.
• 1:46:50
  Speaker 2: And I know he'll do great. I can tell because
• 1:46:53
  Speaker 2: I mean, look at that beard. Dude, he's almost as
• 1:46:56
  Speaker 2: great as I am. So like he's gonna do good.
• 1:47:00
  Speaker 5: I think they'll be. I think they'll do good. I
• 1:47:02
  Speaker 5: think they'll be okay, because we have a little community
• 1:47:05
  Speaker 5: set up. We got back ups. You know, we're here
• 1:47:08
  Speaker 5: for each other. So I think I think it'll work
• 1:47:12
  Speaker 5: out just fine. I actually probably have to get off
• 1:47:14
  Speaker 5: here soon and go be a mom. But I'm with you.
• 1:47:18
  Speaker 5: I think that. I mean, everything you touched on was amazing.
• 1:47:23
  Speaker 5: I enjoyed it.
• 1:47:25
  Speaker 3: Yeah, it was a fun talk.
• 1:47:27
  Speaker 6: I was really surprised where you took it to because
• 1:47:31
  Speaker 6: you know, I have said by yourself that I've questioned
• 1:47:33
  Speaker 6: if the Egyptian pyramids were like a way of shooting
• 1:47:36
  Speaker 6: your soul out, like I thought it might have been
• 1:47:38
  Speaker 6: a device to actually like give you a magical experience.
• 1:47:42
  Speaker 6: So you kind of like went on and when you know,
• 1:47:44
  Speaker 6: ended with that, I was like, oh fuck, I thought
• 1:47:46
  Speaker 6: that myself.
• 1:47:47
  Speaker 4: But I have no idea how it seems like that.
• 1:47:49
  Speaker 3: It makes sense somehow to me.
• 1:47:52
  Speaker 10: I've heard the idea that if you if you look
• 1:47:57
  Speaker 10: above the pyramid, the Great Pyramid on the solstices right,
• 1:48:03
  Speaker 10: you would notice I believe it said even when there
• 1:48:07
  Speaker 10: were the casing stones, that you would notice the eight.
• 1:48:13
  Speaker 7: Aspect of the pyramid, rather than just the four faces,
• 1:48:17
  Speaker 7: there's actually eight. And this would only have been noticed
• 1:48:21
  Speaker 7: if someone was above the pyramid on those dates, and
• 1:48:28
  Speaker 7: theoretically they were just if they were just whacking stones
• 1:48:31
  Speaker 7: with you know, other stones, that wouldn't have been the case.
• 1:48:34
  Speaker 7: So they say, that's kind of pointing to the idea
• 1:48:37
  Speaker 7: that souls were rising out and above.
• 1:48:39
  Speaker 2: It four minutes, four minutes during the equinox. I'm sorry,
• 1:48:45
  Speaker 2: fuck sorry, four minutes during the solstice. Four.
• 1:48:50
  Speaker 1: That's fascinating.
• 1:48:52
  Speaker 2: Did the pyramids have eight sides for four minutes during
• 1:48:57
  Speaker 2: the solstice? Right? As that's wild, but also it's the
• 1:49:03
  Speaker 2: same four minutes as uh as Cocoa con coming down
• 1:49:07
  Speaker 2: the uh the azpect pyramids, same four minutes Shatto effect
• 1:49:13
  Speaker 2: at that, you know what's bugged out?
• 1:49:15
  Speaker 1: I'm obsessed with four.
• 1:49:17
  Speaker 7: But the pyramid is kind of like a four, right,
• 1:49:22
  Speaker 7: It's like a cross with a slice and you put
• 1:49:25
  Speaker 7: two or three fourst together, I mean theoretically, just abstractly,
• 1:49:29
  Speaker 7: and it's like a pyramid.
• 1:49:31
  Speaker 2: Well, if you if you're gonna put something on onto
• 1:49:35
  Speaker 2: d earth, like on the ground, it's gotta have four
• 1:49:38
  Speaker 2: sides for north, south, east west. If you're outside of
• 1:49:44
  Speaker 2: the earth realm, you got three, you've got the trinity.
• 1:49:47
  Speaker 2: But uh, but that's Earth is where the first shape
• 1:49:51
  Speaker 2: takes place that that triangle. So we have the triangle,
• 1:49:56
  Speaker 2: but that triangle happens to be on Earth, with which
• 1:50:00
  Speaker 2: is the quad the four. So it's like heaven meets Earth,
• 1:50:05
  Speaker 2: triangle meets square. There's there's a heaven meets Earth element
• 1:50:11
  Speaker 2: to that. And there's a reverse notion of that as well,
• 1:50:15
  Speaker 2: is that we might be a square here, but we
• 1:50:19
  Speaker 2: can triangle into the circle above. And that seems to
• 1:50:24
  Speaker 2: be the whole purpose of all these megalists in the
• 1:50:27
  Speaker 2: first place.
• 1:50:29
  Speaker 6: You know, I think it pure for you guys don't
• 1:50:35
  Speaker 6: mine what I think. We can wrap it up here
• 1:50:38
  Speaker 6: if you guys don't mine. Yeah, there was one thing
• 1:50:40
  Speaker 6: I did want to add real quick. You guys talking
• 1:50:43
  Speaker 6: about United Airlines is fun fact. It's something I noticed
• 1:50:45
  Speaker 6: this last time flying Julia. They do not have section
• 1:50:49
  Speaker 6: thirty three of their.
• 1:50:53
  Speaker 11: Yeah, yeah, yeah, yeah, there's no row thirty three. I
• 1:51:01
  Speaker 11: was like, fucking, I'm gonna go thirty three, and I'm
• 1:51:02
  Speaker 11: looking at the thing and I'm like, why does it
• 1:51:03
  Speaker 11: go from thirty two to thirty four?
• 1:51:05
  Speaker 4: It did it all the way there?
• 1:51:07
  Speaker 3: It did it all the way back then, and.
• 1:51:09
  Speaker 6: Then I came home and checked it and I think
• 1:51:11
  Speaker 6: I found something where they actually, for some weird reason
• 1:51:14
  Speaker 6: to round it out to a certain number, they actually
• 1:51:18
  Speaker 6: take that rout. There was a fucking weird explanation about
• 1:51:24
  Speaker 6: why they.
• 1:51:24
  Speaker 2: Took that roll.
• 1:51:26
  Speaker 5: It's not an explanation.
• 1:51:27
  Speaker 6: Yeah, it was just like, but wouldn't it just why
• 1:51:30
  Speaker 6: it would still work the same way.
• 1:51:32
  Speaker 4: It was weird.
• 1:51:33
  Speaker 1: It's a fifty row and.
• 1:51:35
  Speaker 4: On a specific number.
• 1:51:36
  Speaker 3: But I was just like, well, they just put a
• 1:51:38
  Speaker 3: less row seats on it.
• 1:51:40
  Speaker 4: Wow, like some weird bullshit fucker.
• 1:51:43
  Speaker 2: It's weird. Ship where they take story thirteen out of
• 1:51:46
  Speaker 2: a building.
• 1:51:48
  Speaker 5: Yeah, they do hotels.
• 1:51:52
  Speaker 2: Yeah, I built skyscrapers for a living, and they take
• 1:51:55
  Speaker 2: they take out thirteen, twelve to fourteen.
• 1:51:59
  Speaker 1: Yeah, yeah, the fourth floor.
• 1:52:05
  Speaker 2: Mhmm.
• 1:52:06
  Speaker 7: In some parts of Asia they do the same with
• 1:52:08
  Speaker 7: the fourth floor.
• 1:52:09
  Speaker 4: They four damn you know, damn uh.
• 1:52:17
  Speaker 3: Joey, please let everybody know what they can find your
• 1:52:19
  Speaker 3: amazing channel.
• 1:52:21
  Speaker 2: Well, uh, it is Library of the Unsold and uh
• 1:52:27
  Speaker 2: it's probably it might be in the description of this
• 1:52:31
  Speaker 2: video afterwards.
• 1:52:33
  Speaker 3: Maybe, Yeah, I don't have anybody.
• 1:52:37
  Speaker 2: Some people aren't description guys. But you know, I get it.
• 1:52:39
  Speaker 3: Used to be I fill out.
• 1:52:42
  Speaker 2: I fill out my descriptions every every time I put
• 1:52:44
  Speaker 2: our video, I put a fucking description in that, bitch,
• 1:52:48
  Speaker 2: like I put every little bit of what I did
• 1:52:51
  Speaker 2: in the description. Because your description is the algorithm. So
• 1:52:56
  Speaker 2: just adds up. Your description is the algorithm. That's where
• 1:53:00
  Speaker 2: it finds its people. Oh by the way, also your uploads,
• 1:53:06
  Speaker 2: the name of your upload finds the algorithm first, So
• 1:53:09
  Speaker 2: just heads up. That's a YouTube thing. I don't know,
• 1:53:12
  Speaker 2: but yeah, I have library and told I do. The music.
• 1:53:17
  Speaker 2: The music is by Void Stares Back and that's available
• 1:53:21
  Speaker 2: online too. And that's all I got going on, besides
• 1:53:26
  Speaker 2: all of this fucking shit right here that is ever
• 1:53:31
  Speaker 2: changing and will be enunciated to Nick every month.
• 1:53:41
  Speaker 3: I appreciated, Man, that was an awesome, awesome show, Joey.
• 1:53:45
  Speaker 3: There was a lot of shit then, and I like
• 1:53:49
  Speaker 3: entertained all of it like anything. Any of it was crazy.
• 1:53:51
  Speaker 2: Actually, I just hope that you and your viewers will
• 1:53:55
  Speaker 2: stick around for the episode when that comes out about
• 1:53:58
  Speaker 2: three weeks from now, you guys will actually see it.
• 1:54:03
  Speaker 4: Well yeah, well, are you gonna premiere it or anything?
• 1:54:06
  Speaker 3: Or is it just like.
• 1:54:08
  Speaker 2: So whenever we did and it is in gray that
• 1:54:11
  Speaker 2: little game abduction or DMT thing we did that happened
• 1:54:16
  Speaker 2: about three three weeks later. I think this episode that
• 1:54:21
  Speaker 2: we talked about today will be premiering exactly the same
• 1:54:25
  Speaker 2: way about three weeks from now.
• 1:54:27
  Speaker 3: Nice.
• 1:54:27
  Speaker 6: Nice, Yeah, I let people. I'll make sure I tweeted
• 1:54:30
  Speaker 6: it out and share it or whatever's coming up. Thanks
• 1:54:34
  Speaker 6: man man, uh, Julia, thank you so much for jumping on.
• 1:54:37
  Speaker 6: It was great to have you as usual. So please
• 1:54:40
  Speaker 6: let everybody know where they can find your amazing show.
• 1:54:43
  Speaker 5: Thanks for having me, Nick. I have Cosmic Peach podcast.
• 1:54:49
  Speaker 5: If you haven't found it already, never will. But I
• 1:54:52
  Speaker 5: got Menindez Brothers three part series up right now if
• 1:54:56
  Speaker 5: you want to check that out. And I'm thinking about
• 1:55:00
  Speaker 5: covering something that you know that Rob Rein or whatever
• 1:55:04
  Speaker 5: just died and they said that his son killed him,
• 1:55:07
  Speaker 5: and for me, it was like hashtag Meninda's Brothers. Uh,
• 1:55:11
  Speaker 5: so we'll see, we'll see. I'm going to look into
• 1:55:13
  Speaker 5: that a little bit. But thanks so much for having me.
• 1:55:15
  Speaker 5: Super interesting stuff tonight. Always a blast, was Julia, what's
• 1:55:21
  Speaker 5: your channel called Cosmic Peach?
• 1:55:24
  Speaker 3: Okay, I don't think you're on YouTube though, are you? Oh, yeah,
• 1:55:29
  Speaker 3: you are.
• 1:55:30
  Speaker 5: I took myself off YouTube because the bitches had already
• 1:55:35
  Speaker 5: given me two strikes, and so I I am on
• 1:55:42
  Speaker 5: you know, Apple, Spotify.
• 1:55:44
  Speaker 2: Our height search for a cosmic peach.
• 1:55:48
  Speaker 5: Oh yeah, us right now, right now. But yeah, all
• 1:55:55
  Speaker 5: the videos for my show are on Patreon, but if
• 1:55:58
  Speaker 5: you just want to listen, you can find it on Spotify. iHeartRadio, Apple, whatever,
• 1:56:03
  Speaker 5: you podcast whatever?
• 1:56:07
  Speaker 6: All right, yeah, fine, thank you and Ethan then to
• 1:56:13
  Speaker 6: what is going on, sir?
• 1:56:15
  Speaker 7: Well, that was awesome. Thank you so much, Joey for
• 1:56:17
  Speaker 7: sharing that. That's a really fascinating group of information and ideas.
• 1:56:22
  Speaker 7: Always appreciate being on the occult rejects. It's stimulating and soothing, right,
• 1:56:28
  Speaker 7: So I appreciate you guys easy to find on the internet,
• 1:56:33
  Speaker 7: Ethan Indigo Smith and writing articles frequently, books infrequently. And yeah,
• 1:56:40
  Speaker 7: appreciate everybody.
• 1:56:42
  Speaker 3: Right, thank you all.
• 1:56:44
  Speaker 6: And again, Joey, that was an awesome, awesome, awesome presentation.
• 1:56:47
  Speaker 3: Always get crazy and weader.
• 1:56:49
  Speaker 2: Oh yeah, Julie, keep up with you. I will all right,
• 1:56:56
  Speaker 2: like those guys going on, I don't know what you're
• 1:57:01
  Speaker 2: doing over there, okay with your shadow babies all right,
• 1:57:07
  Speaker 2: I will subscribe.
• 1:57:10
  Speaker 3: Listen.
• 1:57:10
  Speaker 6: Thanks, thanks everybody, Yeah, yeah, of course, and uh, everybody
• 1:57:14
  Speaker 6: in the chat. There was a lot of people there.
• 1:57:16
  Speaker 6: I think a lot from from you also, Joey. I
• 1:57:18
  Speaker 6: appreciate that. Maybe you said something about coming on whatever,
• 1:57:21
  Speaker 6: but there was definitely people here that were from your channel.
• 1:57:24
  Speaker 6: That's what's up. Appreciate it. And thank you everybody for
• 1:57:27
  Speaker 6: the comments. There was a lot, a lot of comments
• 1:57:29
  Speaker 6: in there, so sometimes I get lost in that, but yeah,
• 1:57:32
  Speaker 6: there was some good ship to read. Uh, and thank
• 1:57:34
  Speaker 6: you everybody again and until the next one, everybody be well,
• 1:57:38
  Speaker 6: you know.
• 1:57:39
  Speaker 2: Bye, guys.
• 1:58:07
  Speaker 12: Stopper spoken staper of Stoker Stopper, one of full Stopper.
• 1:58:31
  Speaker 2: Stopper