Latest / Miss Billy Married / 030 - By a Baby's Hand
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- 0:00Speaker 1: Chapter thirty of Miss Billy Married. This is a LibriVox recording.
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- 0:08Speaker 1: information or to volunteer, please visit LibriVox dot org. Recording
- 0:14Speaker 1: by Phil Schinever, Miss Billy Married by Eleanor H. Porter,
- 0:18Speaker 1: Chapter thirty By a baby's hand. After all, it was
- 0:23Speaker 1: the baby's hand that did it, as was proper and
- 0:27Speaker 1: perhaps to be expected. For surely was it not Bertram
- 0:31Speaker 1: Junior's place to show his parents that he was indeed
- 0:35Speaker 1: no wedge, but a dear and precious tie, binding two loving,
- 0:39Speaker 1: loyal hearts more and more closely together. It would seem,
- 0:43Speaker 1: indeed that Bertram Junior thought so, perhaps, and very bravely
- 0:47Speaker 1: he set about it. Though to carry out his purpose
- 0:51Speaker 1: he had to turn his steps into an unfamiliar way,
- 0:55Speaker 1: a way of pain and weariness and danger. It was
- 0:59Speaker 1: Arkwright who told Bertram that the baby was very sick,
- 1:02Speaker 1: and that Billy wanted him. Bertram went home at once
- 1:06Speaker 1: to find a distracted, white faced Billy and a twisted,
- 1:10Speaker 1: pain racked little creature, who, it was almost impossible to
- 1:14Speaker 1: believe was the happy, laughing baby boy he had left
- 1:17Speaker 1: that morning for the next two weeks. Nothing was thought
- 1:21Speaker 1: of in the silent old Beacon Street house but the
- 1:24Speaker 1: tiny little life hovering so near death's door that twice
- 1:29Speaker 1: it appeared to have slipped quite across the threshold. All
- 1:33Speaker 1: through those terrible weeks, it seemed as if Billy neither
- 1:36Speaker 1: ate nor slept, and always at her side, comforting, cheering,
- 1:41Speaker 1: and helping whenever possible was Bertram tender, loving, and marvelously thoughtful.
- 1:48Speaker 1: Then came the turning point when the universe itself appeared
- 1:51Speaker 1: to hang upon a baby's breath. Gradually, almost imperceptibly, came
- 1:56Speaker 1: the fluttering back of the tiny spirit into the longing
- 2:00Speaker 1: arms stretched so far far out to meet it and
- 2:04Speaker 1: hold it, and the father and the mother, looking into
- 2:08Speaker 1: each other's sleepless, dark ringed eyes, knew that their son
- 2:12Speaker 1: was once more theirs to love and cherish. When two
- 2:17Speaker 1: have gone together with a dear one down into the
- 2:19Speaker 1: valley of the shadow of death, and have come back,
- 2:22Speaker 1: either morning or rejoicing, they find a different world from
- 2:26Speaker 1: the one they had left. Things that were great before
- 2:30Speaker 1: seemed small, and some things that were small seem great.
- 2:34Speaker 1: At least Bertram and Billie found their whorld thus changed.
- 2:38Speaker 1: When together, they came back, bringing their son with them.
- 2:42Speaker 1: In the long weeks of convalescence, when the healthy rosiness
- 2:46Speaker 1: stole bit by bit into the baby's waxen face, and
- 2:50Speaker 1: the light of recognition and understanding crept day by day
- 2:54Speaker 1: into the baby's eyes, there was many a quiet hour
- 2:57Speaker 1: for heart to heart talks between the two, who so
- 3:00Speaker 1: anxiously and joyously hailed every rosy tent and fleeting sparkle.
- 3:06Speaker 1: And there was so much to tell, so much to hear,
- 3:09Speaker 1: so much to talk about, and always running through everything
- 3:14Speaker 1: was that golden thread of joy, besides which all else
- 3:18Speaker 1: paled that they had baby and each other, as if
- 3:22Speaker 1: anything else mattered. To be sure, there was Bertram's arm.
- 3:27Speaker 1: Very early in their talks Billy found out about that.
- 3:31Speaker 1: But Billy, with baby getting well, was not to be
- 3:34Speaker 1: daunted even by this nonsense. Darling not paint again. Indeed,
- 3:39Speaker 1: why Bertram, Of course you will, she cried confidently. But Billy,
- 3:44Speaker 1: the doctor said, began Bertram, but Billy would not even
- 3:48Speaker 1: listen very well. What if he did, dear, she interrupted,
- 3:52Speaker 1: What if he did say you couldn't use your right
- 3:55Speaker 1: arm much? Again? Billy's voice broke a little, then quickly
- 3:58Speaker 1: steadied into something very much like triumph. You've got your
- 4:03Speaker 1: left one. Bertram shook his head. I can't paint with that,
- 4:08Speaker 1: Yes you can, insisted Billy firmly. Why Bertram, what do
- 4:12Speaker 1: you suppose you were given two arms for, if not
- 4:15Speaker 1: to fight with both of them? And I'm going to
- 4:18Speaker 1: be ever so much prouder of what you paint now,
- 4:20Speaker 1: because I'll know how splendidly you work to do it. Besides,
- 4:24Speaker 1: there's Baby. As if you weren't ever going to paint
- 4:28Speaker 1: for baby, why Bertram, I'm going to have you paint
- 4:31Speaker 1: Baby one of these days. Think how pleased he'll be
- 4:35Speaker 1: to see it when he grows up. He's nicer anyhow
- 4:38Speaker 1: than any old face of a girl you ever did paint. Why,
- 4:42Speaker 1: Bertram Darling, Of course you're going to paint, and better
- 4:46Speaker 1: than you ever did before. Bertram shook his head again,
- 4:51Speaker 1: but this time he smiled and patted Billy's cheek with
- 4:54Speaker 1: the tip of his forefinger. As if I could, he disclaimed,
- 4:59Speaker 1: But that Happennoon, he went into his long deserted studio
- 5:04Speaker 1: and hunted up his last unfinished picture. For some time
- 5:08Speaker 1: he stood motionless before it, then, with a quick gesture
- 5:11Speaker 1: of determination. He got out his pallet, paints and brushes.
- 5:16Speaker 1: This time, not until he had painted ten a dozen
- 5:20Speaker 1: a score of strokes did he drop his brush with
- 5:24Speaker 1: a sigh and carefully erase the fresh paint on the canvas.
- 5:29Speaker 1: The next day he worked longer, and this time he
- 5:32Speaker 1: allowed a little, a very little, of what he had
- 5:35Speaker 1: done to remain. The third day, Billy herself found him
- 5:39Speaker 1: at his easel. I wonder do you suppose I could,
- 5:43Speaker 1: he asked fearfully. Why, dearest, of course you can, haven't
- 5:48Speaker 1: you noticed? Can't you see how much more you can
- 5:51Speaker 1: do with your left hand now you've had to use it,
- 5:54Speaker 1: you see, And I've seen you do a lot of
- 5:56Speaker 1: things with it lately that you never used to do
- 5:59Speaker 1: at all. And of course the more you do with it,
- 6:02Speaker 1: the more you can I know. But that doesn't mean
- 6:06Speaker 1: that I can paint with it, sighed Bertram, ruefully, eyeing
- 6:09Speaker 1: the tiny bit of fresh color his canvas showed for
- 6:13Speaker 1: his long afternoon's work. You wait and see, nodded Billy
- 6:18Speaker 1: with so overwhelming a cheery confidence that Bertram, looking into
- 6:22Speaker 1: her glowing face, was conscious of a curious throb of exultation,
- 6:28Speaker 1: almost as if already the victory were his. But it
- 6:32Speaker 1: was not always of Bertram's broken arm, nor even of
- 6:35Speaker 1: his work that they talked. Bertram, hanging over the baby's
- 6:39Speaker 1: crib to assure himself that the rosiness and the sparkle
- 6:43Speaker 1: were really growing more apparent every day, used to wonder sometimes,
- 6:48Speaker 1: however in the world, he could have been jealous of
- 6:51Speaker 1: his son. He said as much one day to Billy.
- 6:54Speaker 1: To Billy, it was a most astounding idea. You mean
- 6:59Speaker 1: you were act truly jealous of your own baby? She gasped,
- 7:03Speaker 1: Why Bertram, how could? And was that why you you
- 7:08Speaker 1: sought distraction? And oh, but Bertram, that was all my fault,
- 7:13Speaker 1: she quavered remorsefully. I wouldn't play, nor sing, nor go
- 7:17Speaker 1: to walk nor anything. And I wore horrid frowsy rappers
- 7:22Speaker 1: all the time. And oh, come come, Billy, expostulated the man.
- 7:28Speaker 1: I'm not going to have you talk like that about
- 7:31Speaker 1: my wife. But I did. The book, said I did,
- 7:34Speaker 1: wailed Billy. The book. Good heavens, are there books in
- 7:38Speaker 1: this too, demanded Bertram. Yes, the same one, the the
- 7:43Speaker 1: talks to young wives, nodded Billy. And then, because some
- 7:47Speaker 1: things had grown small to them and some others. Great.
- 7:51Speaker 1: They both laughed happily. But even this was not quite all.
- 7:55Speaker 1: For one evening, very shyly, Billy brought out the chessboard.
- 8:00Speaker 1: Of course I can't play well, she faltered, And maybe
- 8:03Speaker 1: you don't want to play with me at all. But Bertram,
- 8:06Speaker 1: when he found out why she had learned, was very
- 8:09Speaker 1: sure he did want very much to play with her.
- 8:13Speaker 1: Billy did not beat, of course, she did several times experience,
- 8:17Speaker 1: for a few blissful minutes the pleasure of seeing Bertram
- 8:21Speaker 1: sit motionless studying the board because of a move she
- 8:25Speaker 1: had made. And though in the end her king was
- 8:29Speaker 1: ignominiously trapped with not an unguarded square upon which to
- 8:33Speaker 1: set his poor distracted foot, the memory of those blissful
- 8:37Speaker 1: minutes when she had made Bertram stare more than paid
- 8:41Speaker 1: for the final checkmate. By the middle of June, the
- 8:45Speaker 1: baby was well enough to be taken to the beach,
- 8:47Speaker 1: and Bertram was so fortunate as to secure the same
- 8:51Speaker 1: house they had occupied before. Once again, William went down
- 8:55Speaker 1: in Maine for his fishing trip, and the strata was closed.
- 9:00Speaker 1: In the beach house, Bertram was painting industriously with his
- 9:03Speaker 1: left hand. Almost he was beginning to feel Billy's enthusiasm.
- 9:08Speaker 1: Almost he was believing that he was doing good work.
- 9:12Speaker 1: It was not the face of a girl now, it
- 9:15Speaker 1: was the face of a baby, smiling, laughing, even crying,
- 9:19Speaker 1: sometimes at other times just gazing straight into your eyes
- 9:24Speaker 1: with adorable soberness. Bertram still went in to Boston twice a
- 9:29Speaker 1: week for treatment, though the treatment itself had changed. The
- 9:32Speaker 1: Great Surgeon had sent him to still another specialist. There's
- 9:36Speaker 1: a chance, though perhaps a small one, he had said,
- 9:40Speaker 1: I'd like you to try it. Anyway. As the summer advanced,
- 9:44Speaker 1: Bertram thought sometimes that he could see a slight improvement
- 9:47Speaker 1: in his injured arm, but he tried not to think
- 9:50Speaker 1: too much about this. He had thought the same thing before,
- 9:54Speaker 1: only to be disappointed in the end. Besides, he was
- 9:58Speaker 1: undeniably interested just in seeing if he could paint with
- 10:02Speaker 1: his left hand. Billy was sure, and she had said
- 10:05Speaker 1: that she would be prouder than ever of him if
- 10:08Speaker 1: he could, and he would like to make Billy proud.
- 10:12Speaker 1: Then too, there was the baby. He had no idea
- 10:15Speaker 1: a baby could be so interesting to paint. He was
- 10:18Speaker 1: not sure, but that he was going to like to
- 10:21Speaker 1: paint babies, even better than he had liked to paint
- 10:24Speaker 1: his face of a girl that had brought him his
- 10:26Speaker 1: first fame. In September, the family returned to the Stratum.
- 10:31Speaker 1: The move was made a little earlier this year on
- 10:34Speaker 1: account of Alice Gregory's wedding. Alice was to be married
- 10:37Speaker 1: in the pretty living room at the Annex, just where
- 10:41Speaker 1: Billy herself had been married a few short years before,
- 10:45Speaker 1: and Billy had made great plans for the wedding, not
- 10:48Speaker 1: all of which he was able to carry out. For Alice,
- 10:52Speaker 1: like Marie before her, had very strong objections to being
- 10:55Speaker 1: placed under two great obligations. And you see, really anyway,
- 11:00Speaker 1: she told Billy, I owe the whole thing to you,
- 11:02Speaker 1: to begin with, even my husband nonsense. Of course you
- 11:06Speaker 1: don't disputed, Billy, but I do. If it hadn't been
- 11:10Speaker 1: for you, I should never have found him again. And
- 11:14Speaker 1: of course I shouldn't have had this dear little home
- 11:17Speaker 1: to be married in. And I never could have left
- 11:20Speaker 1: mother if she hadn't had Aunt Hannah and the annex,
- 11:23Speaker 1: which means you, And if I hadn't found mister Arkwright,
- 11:27Speaker 1: I might never have known how how I could go
- 11:31Speaker 1: back to my old home as I am going on
- 11:34Speaker 1: my honeymoon trip. And just know that every one of
- 11:37Speaker 1: my old friends who shakes hands with me isn't pitying
- 11:39Speaker 1: me now because I'm my father's daughter and that means you.
- 11:44Speaker 1: For you see, I never would have known that my
- 11:47Speaker 1: father's name was cleared if it hadn't been for you.
- 11:50Speaker 1: And Oh, Alice, please please beg Billy laughingly, raising two
- 11:56Speaker 1: protesting hands. Why don't you say that it's to me
- 11:59Speaker 1: you owe just breathing and be done with it? Well?
- 12:03Speaker 1: I will then, avowed Alice doggedly, and it's true too.
- 12:06Speaker 1: For Honestly, my dear, I don't believe I would have
- 12:09Speaker 1: been breathing today, nor mother either if you hadn't found
- 12:13Speaker 1: us that morning and taken us out of those awful rooms.
- 12:18Speaker 1: I never you wouldn't let me take you out, laughed, Billy,
- 12:22Speaker 1: you proud little thing. Maybe you've forgotten how you turned
- 12:26Speaker 1: poor Uncle William and me out into the cold, cold
- 12:29Speaker 1: world that morning, just because we dared to aspire to
- 12:33Speaker 1: your lowestoft teapot. But I haven't, Oh Billy, please don't
- 12:38Speaker 1: begged Alice the painful color staining her face if you
- 12:43Speaker 1: knew how I've hated myself since for the way I
- 12:46Speaker 1: acted that day, and really you did take us away
- 12:50Speaker 1: from there, you know, No, I didn't. I merely found
- 12:53Speaker 1: two good tenants for mister and missus. Delano corrected Billy
- 12:57Speaker 1: with a sober face. Oh yes, I know all about that,
- 13:01Speaker 1: smiled Alice affectionately. And you got mother and me here
- 13:06Speaker 1: to keep Aunt Hannah company and teach Tommy done. And
- 13:10Speaker 1: you got aunt Hannah here to keep us company and
- 13:13Speaker 1: take care of Tommy done. And you got Tommy done here.
- 13:16Speaker 1: So Aunt Hannah and we could have somebody to teach
- 13:19Speaker 1: and take care of. And as for the others, but
- 13:23Speaker 1: Billy put her hands to her ears and fled. The
- 13:26Speaker 1: wedding was to be on the fifteenth from the west.
- 13:29Speaker 1: Kate wrote that, of course it was none of her affairs,
- 13:33Speaker 1: particularly as neither of the interested parties was a relation.
- 13:37Speaker 1: But still she should think that for a man in
- 13:39Speaker 1: mister Arkwright's position, nothing but a church wedding would do
- 13:43Speaker 1: at all, as of course, he did in a way
- 13:46Speaker 1: belonged to the public. Alice, however, declared that perhaps he
- 13:49Speaker 1: did belong to the public when he was don somebody
- 13:53Speaker 1: or other in Dublin and Hose, but when he was
- 13:56Speaker 1: just playing Michael Jeremiah Arkwright in a frock coat. He
- 14:01Speaker 1: was hers, and she did not propose to make a
- 14:04Speaker 1: grand opera show of her wedding, And as Arkwright too
- 14:08Speaker 1: very much disapproved of the church wedding idea, the two
- 14:12Speaker 1: were married in the annex living room at noon on
- 14:15Speaker 1: the fifteenth, as originally planned, in spite of missrus Kate
- 14:20Speaker 1: Hartwell's letter. It was soon after the wedding that Bertram
- 14:23Speaker 1: told Billy he wished she would sit for him with
- 14:26Speaker 1: Bertram Junior. I want to try my hand at you
- 14:29Speaker 1: both together, he coaxed. Why, of course, if you like, dear,
- 14:32Speaker 1: agreed Billy promptly, though, I think baby is just as
- 14:36Speaker 1: nice and even nicer alone. Once again, all over Bertram's
- 14:41Speaker 1: studio began to appear sketches of Billy, this time a
- 14:44Speaker 1: glorified tender Billy with the wonderful mother love in her eyes. Then,
- 14:50Speaker 1: after several sketches of trial poses, Bertram began his picture
- 14:54Speaker 1: of Billy and the baby together. Even now Bertram was
- 14:58Speaker 1: not sure of his work. He knew knew that he
- 15:00Speaker 1: could not yet paint with his old freedom and ease.
- 15:03Speaker 1: He knew that his stroke was not so sure, so untrammeled.
- 15:07Speaker 1: But he knew too that he had gained wonderfully during
- 15:10Speaker 1: the summer, and that he was gaining now every day.
- 15:14Speaker 1: To Billy, he said nothing of all this. Even to himself.
- 15:18Speaker 1: He scarcely put his hope into words. But in his
- 15:21Speaker 1: heart he knew that what he was really painting his
- 15:24Speaker 1: mother and Child picture for was the Bohemian ten Club
- 15:28Speaker 1: exhibition in March. If he could but put upon canvas
- 15:33Speaker 1: the vision that was spurring him on. And so Bertram
- 15:37Speaker 1: worked all through those short winter days, not always upon
- 15:40Speaker 1: the one picture, of course, but upon some picture or
- 15:43Speaker 1: sketch that would help to give his still uncertain left
- 15:46Speaker 1: hand the skill that had belonged to its mate. And
- 15:50Speaker 1: always cheering, encouraging, insisting on victory was Billy, so that
- 15:55Speaker 1: even had Bertram been tempted sometimes to give up, he
- 15:59Speaker 1: could not have done. And so and faced Billy's aggrieved,
- 16:02Speaker 1: disappointed eyes. And when at last his work was completed,
- 16:06Speaker 1: and the pictured mother and child and all their marvelous
- 16:10Speaker 1: life and beauty seemed ready to step from the canvas,
- 16:13Speaker 1: Billy drew a long, astatic breath. Oh, Bertram, it is
- 16:18Speaker 1: it is the best work you have ever done. Billy
- 16:22Speaker 1: was looking at the baby always she had ignored herself
- 16:25Speaker 1: as part of the picture, and won't it be fine
- 16:28Speaker 1: for the exhibition? Bertram's hand tightened on the chair back
- 16:33Speaker 1: in front of him. For a moment he could not speak.
- 16:36Speaker 1: Then a bit huskily, he asked, would you dare risk it?
- 16:41Speaker 1: Risk it? Why? Bertram Henshaw, I've meant that picture for
- 16:45Speaker 1: the exhibition from the very first Only I never dreamed
- 16:48Speaker 1: you could get it so perfectly lovely? Now, what do
- 16:52Speaker 1: you say about baby being nicer than any old face
- 16:55Speaker 1: of a girl that you ever did? She triumphed, and Bertram,
- 16:59Speaker 1: who even to had not dared whisper the word exhibition,
- 17:04Speaker 1: gave a tremulous laugh that was almost a sob. So
- 17:08Speaker 1: overwhelming was his sudden realization of what faith and confidence
- 17:12Speaker 1: had meant to Billy, his wife. If there was still
- 17:17Speaker 1: a lingering doubt in Bertram's mind, it must have been dispelled.
- 17:21Speaker 1: In less than an hour after the Bohemian Ten Club
- 17:24Speaker 1: Exhibition flung open its doors on its opening night, Once
- 17:27Speaker 1: again Bertram found his pictures the sinishure of all admiring eyes,
- 17:33Speaker 1: and himself the center of an enthusiastic group of friends
- 17:36Speaker 1: and fellow artists, who vied with each other in hearty
- 17:39Speaker 1: words of congratulation. And when later the feared critics whose
- 17:44Speaker 1: names and opinions counted for so much in his world,
- 17:47Speaker 1: had their say in the daily press and weekly reviews,
- 17:50Speaker 1: Bertram knew how surely indeed he had won. And when
- 17:54Speaker 1: he read that Henshaw's work shows how away peculiar strength,
- 17:58Speaker 1: a sort of reserve of power, as it were, which
- 18:02Speaker 1: beautiful as was his farmer work it never showed before,
- 18:06Speaker 1: he smiled grimly and said to Billy, I suppose now
- 18:10Speaker 1: that was the fighting I did with my good left hand,
- 18:13Speaker 1: A dear, But there was yet one more drop that
- 18:16Speaker 1: was to make Bertram's cup of joy brim to overflowing.
- 18:20Speaker 1: It came just one month after the exhibition, in the
- 18:24Speaker 1: shape of a terse dozen words from the doctor. Bertram
- 18:28Speaker 1: fairly flew home that day. He had no consciousness of
- 18:31Speaker 1: any means of locomotion. He thought he was going to
- 18:35Speaker 1: tell his wife at once his great good news, But
- 18:38Speaker 1: when he saw her speech, suddenly fled, and all that
- 18:41Speaker 1: he could do was to draw her closely to him
- 18:44Speaker 1: with his left arm and hide his face. Why, Bertram, dearest,
- 18:48Speaker 1: what is it, stammered the thoroughly frightened Billy. Has anything happened? No, no, yes, yes,
- 18:55Speaker 1: everything has happened. I mean it's going to happen. Choked
- 18:59Speaker 1: the man, Billy, that old chap says that I'm going
- 19:02Speaker 1: to have my arm again. Think of it, my good
- 19:05Speaker 1: right arm that I've lost so long. Oh, Bertram breathed Billy,
- 19:11Speaker 1: and she too fell to sobbing. Later, when speech was
- 19:14Speaker 1: more coherent, she faltered, Well, anyway, it doesn't make any
- 19:19Speaker 1: difference how many beautiful pictures you paint after this, Bertram,
- 19:23Speaker 1: I can't be prouder of any than I am of
- 19:25Speaker 1: the one year left hand did Oh, but I have
- 19:29Speaker 1: you to thank for all that, Dear, No, you haven't disputed, Billy,
- 19:33Speaker 1: blinking teary eyes. But she paused, then went on spiritedly.
- 19:39Speaker 1: But anyhow, I don't believe anyone, not even Kate, can
- 19:43Speaker 1: say now that I've been a hindrance to you in
- 19:46Speaker 1: your career. Hindrance, scoffed Bertram in a tone that left
- 19:52Speaker 1: no room for doubt, and with a kiss that left
- 19:56Speaker 1: even less if possible. Billy for still another minute silent,
- 20:00Speaker 1: then with a wistfulness that was half playful, half serious,
- 20:05Speaker 1: she sighed, Bertram, I believe being married is something like clocks,
- 20:10Speaker 1: you know, especially at the first clocks. Dear. Yes, I
- 20:14Speaker 1: was out to Aunt Hannah's today. She was fussing with
- 20:17Speaker 1: her clock, the one that strikes half an hour ahead,
- 20:21Speaker 1: and I saw all those quantities of wheels, little and big,
- 20:25Speaker 1: that have to go just so, with all the little
- 20:28Speaker 1: cogs fitting into all the other little cogs just exactly right. Well,
- 20:33Speaker 1: that's like marriage. See. There's such a lot of little
- 20:37Speaker 1: cogs in everyday life that have to be fitted so
- 20:40Speaker 1: they'll run smoothly, that have to be adjusted, especially at
- 20:45Speaker 1: the first Oh, Billy, what an idea, But it's so really, Bertram. Anyhow,
- 20:51Speaker 1: I know my cogs were always getting out of place
- 20:54Speaker 1: at the first, laughed Billy. And I was like Aunt
- 20:57Speaker 1: Hannah's clock too, always going off half an hour ahead
- 21:00Speaker 1: of time. And maybe I shall be so again sometimes.
- 21:04Speaker 1: But Bertram, her voice shook a little. If you'll just
- 21:08Speaker 1: look at my face, you'll see that I tell the
- 21:11Speaker 1: right time there, just as Aunt Hannah's clock does. I'm
- 21:15Speaker 1: sure always I'll tell the right time there, even if
- 21:19Speaker 1: I do go off half an hour ahead, as if
- 21:22Speaker 1: I didn't know that answered Bertram very low and tenderly. Besides,
- 21:28Speaker 1: I reckon, I have some cogs of my own that
- 21:31Speaker 1: needed justin end of Chapter thirty, end of Miss Billy
- 21:36Speaker 1: Married by Eleanor H. Porter