Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / Yours Truly Johnny Dollar: The Caylin Matter, Part Five and the Widow is Willing (EP0991)

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Yours Truly Johnny Dollar: The Caylin Matter, Part Five and the Widow is Willing (EP0991) · Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas

0:28
Welcome to the Great Detectives of Old Time Radio from Boise Idahol. This is
0:34
your host, Adam Graham. If you have a comment, email it to
0:38
me Box thirteen at Great Detectors dot net, follow us on Twitter at Radio
0:42
Detectives, and become one of our friends on Facebook, Facebook dot com slash
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Radio Detectives. A reminder if you have a favorite episode of the Great Detectives
0:53
of Old Time Radio that we played, or a favorite program, email it
0:58
to me and let me know about a. Box thirteen at Great Detectors dot
1:03
Net will be selecting three of your choices that we will go ahead and play
1:10
as a specials during our listener support campaign coming up in August. So email
1:15
it to me and including the subject line play it again, Adam, and
1:23
I'll choose the three best entries. It can either be an episode or just
1:27
a name a program and try and get them to me by the end of
1:33
July. All right, well, now it is time for today's episode of
1:38
Yours Truly Johnny Doller, brought to you by the financial support of our listeners,
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The Killing Matter, Part five from Hollywood. It's time now for Johnny
1:49
Deller. Johnny, Oh, I was just gonna call you. Pete Steimer
1:55
is dead. A few minutes ago. He almost regained consciousness for a few
2:00
seconds and that was all. There's no chance to question him. Yeah,
2:05
he might have been able to clear it up for us. I think maybe
2:07
it is cleared up, Johnny, or will be at least in the next
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hour. What do you mean we picked up Marty midnight? When where a
2:13
few minutes ago at the bus teap over the ticket for San Diego in her
2:15
hand. I haven't talked to her yet. They're holding her downtown headquarters.
2:20
Why don't you meet me there? Wine right away? Looks like to wind
2:22
up, Johnny. I hope, so, I really hope so tonight and
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every weekday night Bob Bailey in the transcribed Adventures of the Man with the Action
2:38
Packed Expense Account, America's Fabulous Freelance Insurance Investigator. Oh it's Juley Johnny Doller.
2:53
From Special Investigator Johnny Doller, location, Los Angeles to the home office
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Trinity Mutual Insurance Company Limited, Hartford, Connecticut. Assignment the calin Matter Expense
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Account, final page ADEM twelve A dollar and sixty cents taxi from Queen of
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the Angel's Hospital to police Headquarters and Interrogation Room nine. The police clerk showed
3:14
me to the observation and a roman left. I paused for a moment.
3:17
It looked in through the one way mirror window. Serge and Rhinosa was already
3:22
there, and the girl Mightty Midnight sat facing him across a plain wooden table.
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He was glancing through the arrest file and apparently hadn't started to question her
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yet. She was younger than i'd expected, out over twenty two or twenty
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three, and she was obviously scared, but her face was set and ready,
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sullen defiance. I tapped on the door, and the jail matron lit
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me in. Oh, come on, Johnny, take that chair if you
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will. Thanks. When do I get to see a lawyer? You go
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into the name Mighty Midnight. That's right, I said, what's your real
4:00
name? How long have you been in Los Angeles? Where'd you live before
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that? You see? We got hold of here, Johnny. Yeah,
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I see one of those wise winds. Or so she thinks, if you're
4:15
ever arrested, keep your mouth shut. Somebody told her that back along the
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line. She thinks it's good advice. I want a lawyer. Don't talk
4:20
they can't pin anything on you. She believes it. She'll probably still believe
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it right at the door of the gas chamber. I haven't done anything.
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You've gotta let me see a lawyer. It's a law. You'll see one
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at the usual time. I know that law too, Marty, and you're
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not being deprived of any of your legal rights. What's your real name?
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And I guess we'll have to contact your folks and see if they have any
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influence. Contact my folks. Who are they? Go on, tell me,
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well, let's see. Oh yes, mister and missus John R.
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Jack Lyon of San Diego at four two, and your name is or was
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Jane low End jack Lyne. Don't let my folks know. Please, I'll
5:03
talk, Sargeant. I'll answer anything you want to know if you just won't
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use my real name, if you won't let my folks find out, please.
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Suddenly she was just a frightened kid, not a hard boy, a
5:15
little carus pony, a nightclub stripper, but only a scared girl who didn't
5:18
want her folks to find out. She kept her head down, and she
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answered Rainosa's questions her eyes lord like a repentant school kid who had been caught
5:26
playing hockey, and I remembered the charge here was murder. Did you know
5:30
that Eddie Calyn was married when you started going around with him? Not at
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first, and lady, you found out, but you kept on going with
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him. Well, he said he was getting a divorce. He said he'd
5:40
been trying to get free of his wife for six months, but she wouldn't
5:43
let him. Did you believe that? Well, yes, I don't know.
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I didn't until he came here that night. He said we're going to
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run away to Mexico together, the night he killed Mike Kelso. Yes,
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but I told you I didn't know about that until two days later. And
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it was self defense, honest. Mike was trying to hold him up to
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get back the money Eddie won in that poker game. It was self defense.
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Why did Eddie go into hiding, Well, I told you that too.
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It was his chance to get away from Lila. Where were you going
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when the police arrested you over there in the bus station, San Diego,
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Do my folks? Nobody here? Every knew me by any name except Marty
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Midnight. I didn't think you could trace me, and you didn't want to
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be traced well of course not. I came back and saw the police car
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at my apartment, and I knew you'd found Eddie. I didn't want to
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be mixed up in it. Why'd you kill him? Marty kill who Eddie?
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It wasn't Eddie. It was Mike Kelso. Eddie's the one who killed
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him in a fight. I told you that it was Oh, but you
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know it wasn't Eddie. You picked him up at my apartment, didn't you
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sure we picked him? I'm in a basket. What he's across the street
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to the morgue. Why did you kill him? Marty didn't kill anybody.
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I didn't know Edny was dead. I was coming home and I saw the
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police car. I thought you'd found him, that's all. I didn't know
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he was dead. I didn't kill him. You gotta believe me. I
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didn't know anything about it on it, honest, Marty Midnight's sharp, hard,
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tough, strict, teased dancer who had been around knew all about it.
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Marty Midnight, a scared, sobbing little child. Honest crossed my heart
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and hope to die. Well, maybe she wouldn't. I left a few
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minutes later, and Sergeant Brainoso walked out with me to get a breath of
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air. It was a cold, gloomy night with a gray dawn just ahead.
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Three people were dead, and in the Great Stone building we walked out
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of, the machinery was grinding away, getting ready to take the life of
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a fourth one. Well, I guess i'd better get back inside. Jenny
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all right, search lab boys making a paraffin test. You know it's too
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bad. She's just a kid. Yeah, I was helping it beat Tapo
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Lanley that I'd love. He's long overdue. Well, he's still on the
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loose. It's a kid up there. You know it, and I know
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it, And anything else is just wishful thinking. That witness saw her leave,
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saw her wipe off the gun, throw it back into the apartment.
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Yeah, I know. Well, where'll you be, Johnny, hotel on?
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Not for a while. I'm gonna stop by Lilac Kailin's At this time
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of night, I should be waiting up. I promised her i'd see her
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and tell her what happened. She's taking quite a beating out of this miss.
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Why did they do it? Johnny? Why did Dames fall for a
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guy like Eddie Kaylin? Philosophy At this time of morning. I'll see you
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later. Expense account IDEM thirteen two dollars and eighty cents taxi fair to the
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August Terrace apartments to talk to the widow and beneficiary Lila kiln Oh, Johnny,
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come on in, thanks, lyman. I've been sitting in here in
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front of the fireplace all night long. I'd almost given you up. Well,
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a lot of things happened, really beat coffee or a drink? Coffee?
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I guess black? Is Is it all over now? Johnny? Well?
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And I'm answer that they've apparently got the killer that Giry was hiding out
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with Morty midnight. She's a stripped tease dancer. Why why did you do
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it for money? I suppose they haven't found it yet, but they will.
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Did your coffee? Oh? Thanks? I feel sorry for maybe because
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I feel sorry for myself or anybody who ever got mixed up with Eddie?
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Why do we do it? Johnny? Why do we go blind when a
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guy like that comes along? Hi? I don't know. You tell me.
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I wish I knew maybe A girl I mean yesterday evening had a tag.
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She said she knew Eddie was always lying. He made it sound so
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exciting. He did. I had four years of it, never knowing when
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he'd walk out and not come back, never knowing who he was with,
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knowing only one thing for sure. But he was lying to me every hour
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of the day. Now that it's over, I wonder why I went through
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with it. But he did make it sound exciting. Well, the best
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thing you can do, Lyland. As soon as it's cleared up. Who
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can that be? It might be sergeant right now, so I told him
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i'd be here. Hello. Oh, yes, just a moment, you
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were right? Thanks? Yeah, hold on your hat, Johnny, it's
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wide open again. What do you mean negative? What Marty Midnight hasn't fired
10:48
a gun in the last two days? She was telling the truth witness and
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no witness. So it looks like top. Wait, what was Marty wearing
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when they picked her up at the bus people? Why the same thing she
11:03
was when you saw a skirt and sweater? Did she have a coat on?
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Short jacket? What are you getting at hey? Johnny? You're still
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there? Oh? Sorry, I was thinking, and it is sergeant.
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Can you come out here right away the Lilah's place? Why it's important,
11:20
believe me, all right, Johnny? Right away? What Johnny Lilah with
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a cool black hair. It's beautiful, thank you, Johnny. Pe Peter
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has black hair too, Mighty Midnight Eddy, only light dark hair girl.
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But Marty didn't have a white raincoat. I'll bet you do, though.
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What where is it here in the closet? John what's all about? A
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witness saw a girl leave Marty's apartment right after the shots, but it was
11:54
dark and all the witness could make out was the black hair and the white
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raincoat. What do you mean? And I saw the girl wipe off a
12:01
gun on the front of her coat, then throw it back into the apartment
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and run. There are smudges on your raincoat, Lallah, it's greats off
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the door of the car. Supposedly you haven't been out of this place since
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I talked to you yesterday evening, but it hadn't started to rain then,
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and the coat's damp. Why did you kill him? You out of your
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mind? Johnny? Are you honey? Renos is on his way out here.
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They'll make a paraffin test and prove you fired a gun. They'll probably
12:24
dig up the taxi driver who took you out there. They'll search the place
12:28
here find the money. Was that it the money. Was that why you
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killed him? Oh, I didn't need to. When I went out there
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yesterday evening, while I was talking to you, I suddenly wondered if it
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might not have been somebody else's body in that car. I knew about Mighty
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Midnight. Of course I knew about all of them. After you'd gone.
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I went out there. I did until I saw pe time I leave.
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Finally, Mighty and I forced my way in. Eddie was furious. We
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argued and fought. Eddie drew a gun on me and threatened me with it's
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going to be a pet shant plea of self defense. That's it, Johnny,
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self defense, Well, good luck, you'll need it. Expense account
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Item thirteen, two hundred and sixty three dollars and thirty five cents incidentals,
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et cetera in Los Angeles and playing Fair back to Hartford. Expense account total
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five hundred and ninety six dollars and eighty five cents. End of expense account,
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end of report remarks. So the question still stands, why do they
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do it? Why do girls go blind? When the Eddie Klan's walk in?
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You might ask a strip teaser down at San Diego, but don't look
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for her under the name of Mighty Midnight. She's Jean Louaine Jackline. Now
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a quiet kid. What's at home with the folks? Yours Trulli Johnny Doller.
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Now here's our star to tell you about next week's intriguing story. Next
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week the case of a beautiful girl who refuses to see the man she loves
14:28
as he really is a killer. Join us, won't you? Yours Tully
14:35
Johnny Doller. Yours Truly Johnny Doller, starring Bob Bailey, is transcribed in
14:52
Hollywood, written by Les Crutchfield. It is produced and directed by Jack Johnstone
14:58
hurt In this week's cast where Virginia Gregg, Lucille Meredith, Alma Latton,
15:03
Gloria Blondell, Howard mcneer, Harry Bartell, Peter Leeds and Byron Kane.
15:09
Musical supervision by Amerigo Marino. Be sure to join us on Monday night,
15:15
same time and station for another exciting story of Yours Truly, Johnny Duller.
15:22
This is Roy Rowan speaking welcome back. I remembered that there was a twist,
16:22
and we definitely got that towards the end. I think the role of
16:29
the twenty two year Old was classically played one of these performances where there's a
16:36
facade that's just absolutely stripped away by the reality and gravity of the situation.
16:44
Those remain among some of my most of the best radio performances because it does
16:48
require some real depth from the actress. So very very sharp twist here.
17:00
All right, Well, now, let's go ahead and take a lesson to
17:06
part four of The Widow is Willing Cartern brown Mystery Adventures in Excitement and Suspense,
17:27
based on the best selling novels by the slick storytelling sensation Carter Brown.
17:47
Have you ever felt a nice tipped finger hit the base of your spine and
17:49
slide all the way out to the back of your skull? Or how I
17:52
felt when the three shots on the scream shadowed the silence in the Insurance Racket.
17:57
They consider Mark Hunt a strong character in The Goldbride House. I considered
18:03
Mark Count a scared kid. Mark Hunt wasn't arguing with me, How could
18:07
he? He's me? When John Cross grabbed my arm and yelled frantically that
18:11
it was Lilah who had screamed. My heart was in my mouth, my
18:15
gun was in my hand Cross, and I ran for Lilah's room. La,
18:22
she's not moving. You don't go off half cock cross. Let's take
18:25
a look. What has happened? I heard trot and screamed. It sounded
18:29
like Lila quickly open his Line's okay, she's still breathing. She's only fainted.
18:37
Then, she has not been killed. There were three of them.
18:42
Yeah, and if you look at the wall over the bed, you'll see
18:45
where they ended up. She had a very lucky escape. How killing?
18:48
How killing? A question is who is him? Yes? That is it?
18:52
Who fired the shots? You have the nerve to answer that you murder
18:56
and swine. Wasn't your fault those bullets. Miss. I'll take you apart
19:00
with my bare hands, but I'm gonna save you for the police, the
19:03
grad school. You are ready, stop it, both of you. Lalla's
19:07
moving. It's all right, honey, everything's all right. What happened?
19:15
It was dark? Door open, has so gone? That was shot?
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Don't finish now, Lada, And you're saying the shots Moss? Did I
19:23
scream? Did you scream? Baby? You made more noise than a hula
19:27
girl haddled on an iceberg. I suggest we all go downstairs. I think
19:32
there's safety and numbers tonight an excellent idea. I would not fancy going back
19:37
to my own room. Now, you don't have to worry. You wouldn't
19:40
try to shoot yourself. More's the pity. Cut it out. Cross.
19:44
Let's get downstairs as Beavers, says manage Lallahan. Yes, of course I
19:48
can, John, I'll be all right now, Okay, you and Cross
19:52
go first, Lallah and Beavis and the grad school. I'll bring up the
19:55
rear with Leavis. Hang onto my arm, Darling, Thank you, Jo.
20:00
I'm glad to be behind mister Cross with these crazy notions. I would
20:03
rather not be in front of him. Well, let's know he was looking
20:06
to me for protection. Never been the physical type. You can say that
20:10
again, kid, Never minded disappointments made. It's listen to me, what
20:12
Mark when we get downstairs. Anything I say about the photograph, you back
20:17
me up. Why what are you going to do? Set a little snare
20:21
for the killer, that's all. When we filed into the living room,
20:30
someone realized it was breakfast time. But with the death of Clem Goldbright the
20:33
night before, the hullabaloo with the police, the hours had been turned upside
20:37
down. It was after everyone had eaten that I decided to try my idea.
20:42
Ladies and gentlemen, I've got something to say. This situation can't go
20:47
on any longer. I had intended keeping quiet little a police return some time
20:51
tomorrow morning. That's impossible. Now, what are you talking about, Hunt?
20:56
Keep quiet about what? Simply? This the identity the murderer? Yes,
21:02
I know who the murderer is. Who who is it? Then?
21:07
You may remember after Henry Goldbright's death, Mabus mentioned a photograph. I believe
21:14
she spoke of it vaguely to everyone. I'm sorry, Mavis, I have
21:18
to tell this story, yes, Marker. Of course, Mavis was on
21:22
the jetty when Henry was killed, and she had a camera with her.
21:26
She saw a figure on the back andy, but the distance was too great
21:27
for her to recognize who it was. Being a keen amateur photographer, she
21:32
automatically raised a camera and got a shot of the murderer. She was desperate
21:37
for money, both she and Roger, so Mavis thought the murder would pay
21:40
heavily for the photograph. She didn't care whether Henry's death was ever revealed as
21:44
murder or not. She had no love for Henry as long as she obtained
21:47
enough money to keep their business solvent. But I don't understand why did Mabus
21:52
mention the photograph to everyone? Why not only to the murderer. Because like
21:55
a lot of women amateur photographers, Mavis can take a picture, but she
21:57
can't develop and print the film, so all she had was the exposed film.
22:03
She didn't know who the murderer was. Then Mavis turned the film over
22:07
to me. I can develop a film and printed, and once the film
22:12
was developed, the murderer was known. Who is it? I think it
22:18
better for everyone's sake if I don't tell you, then that must wait under
22:21
Lieutenant Wilder and his men return in the morning. In the meantime, I'm
22:26
going to my room. I shall stay there until the police arrive. I
22:30
just want to add that I have a gun and I have no intention of
22:33
sleep. That's all. And that was it, the trap set, bated
22:44
and ready to snap. I didn't really feel as confident as I sounded,
22:48
But there's one thing I've always believed, if you're gonna bluff, you might
22:52
as well make it good. I left them, looking amazed and wondering,
22:56
and went upstairs to my room. I checked my thirty too. This was
23:00
no time to have a gun that was empty or was lightly the jam,
23:03
and then I settled down for the long wait and a long way to turn
23:11
out to be. All Through the rest of that day, I sat in
23:15
my room and at one cigarette after another, and gazed at the view from
23:18
my window. The sky changed from pearl to smokey to leaden gray. The
23:23
water rippled and splashed and tumbled under the wind until darkness fell and I couldn't
23:27
see anymore. I opened the window somewhere there was a faint glimmer of moon
23:36
that, on the glow from my cigarette, made the only light in my
23:38
room. I wondered if I'd die from nicotine poisoning before I had a chance
23:44
to find out who the murderer was. The strain was stinging at my nerves.
23:48
Against the sound of the wind, I heard the murmur of voices as
23:52
the occupants of World's End went to their rooms to bed, all except one
23:56
of them, I thought, and he or she would be waiting as I
24:00
was. Till the house was completely still. The wind had changed its note.
24:17
I looked at my watch in the darkness. It's luminous hands pointed to
24:19
one thirty am. My eyes filled as though two pound lead weights were hanging
24:25
from their lids. I had no sleep for about thirty six hours, and
24:29
it was as much as I could do to keep them open. And then
24:32
from behind me, from the window which I had left open, I heard
24:34
a small sound someone was coming in. Don't try anything foolish by grabbing me
24:44
a gun. I bow the drinker before you can hope to get it.
24:48
Okay, the film the negative? Where is it? This is strictly for
24:52
laughs. It doesn't exist. Don't start Where is it? I told you
25:00
never existed. Sure, Maybus was there and she had a camera, but
25:03
she never took the picture. You're a lie. It was a bait and
25:07
you swallowed if it doesn't exist, and that's all I want to know.
25:14
That puts me right in the clear dispense with you, and no one compented
25:18
on me. You certainly put on a good act, a dumb college boy
25:22
who'll never grow up grief and outrage when poor Lila was nearly killed. Only
25:27
you never intended to hit it with those bullets, did you, Cross?
25:30
You just wanted to make it look as black as possible for the Greschool of
25:36
Goods. Rather clever of me. I thought I'll marry Lila get all the
25:41
dough I won, and neither you nor anyone else's gonna stop me hunt.
25:45
Maybe no one may be about it. That fool Beaver's girl had me worried
25:52
whose notes we exchanged. I thought you really had got a photo. I
25:56
would have paid for it too, But where was I going to get the
25:59
money from. That's why I ignored a last note I hope to agreed would
26:03
keep a mouth shut. I thought he knew who I was, and I'd
26:06
realized that I'd have to wait to get the money. But will of Henry's
26:10
must have uped sut your calculations a little when you realized Lila wasn't getting all
26:12
the money your voice done. Yeah, it threw me for the boy.
26:18
Then I realized that once I got rid of Clem, the whole estate would
26:22
be Lila's, so it didn't matter very much. You don't think you'll get
26:26
away with it, do you? But I will. There's nothing sure.
26:33
I'm afraid we'll have to terminate this conversation. If you've any prayers, say
26:40
them now. What's the ghost of Henry Goldbert? There's one thing about ghost
26:48
voice timing is terrific, and you won't get away with it. There's one
26:53
advantage about sitting in a room all day. You get to know it so
26:56
well that it doesn't matter when it gets done. Get you that was your
27:00
one chance to badge your miss the window. I'll take you with me,
27:07
not if I can help me. Are you all right? We heard your
27:29
voices. Yeah, I'm fine. It was a nice work, Roger.
27:33
You turned it beautifully. I didn't know what to do for the best.
27:37
We weren't asleep, that is, I would have been, but neighbors kept
27:41
me awake when we knew the murderer was there. She thought of the ghost
27:45
voice, drink and will. It worked like a charm. In fact,
27:48
I hate to think where I'd be without it in eternity. Probably I don't
27:52
know what I'm laughing for. Believe me, I wasn't laughing at the time.
27:56
There's nothing funny about fighting for your life in the dark with a killer
28:00
mark. What's been going on? Maybe it's made your wife I'm down line,
28:03
it's all over. The guy who murdered your husband and your brother in
28:07
Laura is down taking a drink a drink, yeah, in about fifteen fathoms
28:11
of water. That screaming was mister John Cross diving out the window. He
28:18
was the murder. John can't believe it. I'll never trust another man as
28:27
long as I live, who wants to be trusted. I got different ideas,
28:33
like what like a trip back to New York, preferably with a detour
28:38
through Mexico allone, not exactly. I was thinking of asking a certain widow
28:45
along for company. I'm just wondering what she'd say. I know what she'd
28:52
said. The widow is willing. This is Carter Brown. I guess being
29:06
an insurance investigator has its compensations for Mark Hunt anyway, and what a conversation.
29:11
A beautiful blonde and with money. There's a blonde in my next book
29:15
two, a story called meat a Body, but it's not the blondes,
29:18
who belongs to a little guy named Jacob Finney. And a character who meets
29:22
it is my hero. It's Sebastian Sure, a private detective. So this
29:25
is Carter Brown saying so long for now. He's seen in The Widow is
29:49
Willing. You heard Lynda Barber as Lila Goldbright, while as Mark Hunt,
29:53
you heard our star Richard mikel A Carter Brown mystery theater based on the best
29:57
selling novels by car A. Brown is dramatized and directed by Most Travelers for
30:03
Grace Gibson Radio Productions. Welcome back. While we get the reason for the
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title at the end, I have some mixed feelings on this episode. The
30:26
main thing is this is one where to me, the whole setup that we
30:33
were attempting here just rang of obvious ruse. But maybe I should take hard
30:41
and just write it off to Not all criminals are as perceptive as we might
30:49
like, so probably in terms of endings, this has probably been one of
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the more realistic and reasonable ones. We'll be back next week with the car
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Brown story that was advertised because that one's missing. But we'll be back with
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another Carter Brown story next week, and also on Monday, we'll pick it
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up with another episode of Yours Truly Johnny Dowler. We do have one listener
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comment, this one from VB Tiger sixteen over on iTunes. Nice app has
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what I want to listen to. Well, it doesn't get much better than
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that. All right, Well, that we'll do it for today. We'll
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be back tomorrow with the lineup. In the meantime, send your comments to
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Box thirteenth. Great Detectors dot app, follow us on Twitter, Radio Detactives,
31:41
and become one of our friends on Facebook, Facebook dot com. Slash
31:45
Radio Detectives from Boise, Idaho. This is your host, Adam Grahamson and Off