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One Piece, 829-831 · Spoil Me! One Piece

• 0:02
  Speaker 1: This is an Unspoiled Network podcast.
• 0:07
  Speaker 2: This is spoil Me, covering one Piece episodes eight twenty
• 0:15
  Speaker 2: nine through eight thirty one. Loofy engages in a secret maneuver,
• 0:21
  Speaker 2: The wedding full of conspiracies starts, soon, the family gets together,
• 0:26
  Speaker 2: the hellish tea party starts, and the broken couple Songy
• 0:32
  Speaker 2: and Pudding enter. In these episodes, we are just starting
• 0:39
  Speaker 2: to do our table setting here for everything that is
• 0:42
  Speaker 2: about to come. But I have got to be honest,
• 0:45
  Speaker 2: you guys, it's taking a little too long to get
• 0:49
  Speaker 2: around to doing something. We gotta we gotta just fucking start,
• 0:54
  Speaker 2: can't we just start?
• 0:57
  Speaker 1: Welcome to spoil Me.
• 1:17
  Speaker 2: Welcome to the show everyone. I am Natasha. Thank you
• 1:21
  Speaker 2: very much to Florian for commissioning this episode.
• 1:27
  Speaker 1: Yeah, I like, look, I'm gonna be honest with you guys.
• 1:31
  Speaker 1: I have been really enjoying this.
• 1:33
  Speaker 2: Arc so far, y'all know that. But this trio of
• 1:36
  Speaker 2: episodes was very much not it. It's funny because I
• 1:40
  Speaker 2: had just been saying how it feels like Oda has
• 1:43
  Speaker 2: figured out a nice balance for showing us a bunch
• 1:46
  Speaker 2: of characters, and like he has figured out how to
• 1:50
  Speaker 2: drop everything into the story in a way that's like
• 1:55
  Speaker 2: easier to comprehend than just front loading everybody at once.
• 2:00
  Speaker 1: Little did I know.
• 2:02
  Speaker 2: That there are going to be even more people showing
• 2:05
  Speaker 2: up than we had already seen. I don't know about y'all,
• 2:09
  Speaker 2: but we don't need more characters in the mix here.
• 2:13
  Speaker 2: We just don't need it. It's so overpacked as it
• 2:16
  Speaker 2: is that I'm genuinely startled at the fact that we're
• 2:21
  Speaker 2: doing this, that we have like another whole crew that
• 2:25
  Speaker 2: comes in.
• 2:25
  Speaker 1: It's just weird, and you know, I feel like.
• 2:32
  Speaker 2: It feels like we're starting to get into a kind
• 2:39
  Speaker 2: of ratio where it feels more like Marine Ford.
• 2:44
  Speaker 1: You know.
• 2:44
  Speaker 2: I don't think that I was anticipating just how intense
• 2:53
  Speaker 2: everything here was going to get regarding they were all
• 3:01
  Speaker 2: battle because I am picturing it as We've got all
• 3:04
  Speaker 2: the people that are here for the wedding that are
• 3:06
  Speaker 2: like part of the family, either Big Mom's family or
• 3:10
  Speaker 2: Sanji's family, and that's already a pretty big crew because
• 3:14
  Speaker 2: Big Mom has all these husbands and so all these kids,
• 3:18
  Speaker 2: and then just the people who are like cohorts of hers,
• 3:22
  Speaker 2: and many of them are also family.
• 3:26
  Speaker 1: So in my mind.
• 3:30
  Speaker 2: That was already just like a good two hundred people
• 3:35
  Speaker 2: at least, and it never occurred to me that there
• 3:40
  Speaker 2: were people who still hadn't even shown up. So we're
• 3:45
  Speaker 2: now getting into a level of like new people, new abilities,
• 3:52
  Speaker 2: new names coming into the mix, and I don't know
• 3:57
  Speaker 2: how I am going to be able to keep all
• 3:59
  Speaker 2: of it straight. I'm probably going to need to like
• 4:02
  Speaker 2: use the wiki, which I don't like to do because
• 4:05
  Speaker 2: occasionally it can like very vaguely spoil it really is
• 4:09
  Speaker 2: pretty good. I can see that they put in effort
• 4:12
  Speaker 2: to not do that, but there are times where it's
• 4:16
  Speaker 2: just sort of sneaks in there.
• 4:18
  Speaker 1: You know.
• 4:18
  Speaker 2: It's like any wiki where there's a bunch of people
• 4:20
  Speaker 2: working on it and assembling it, so you've just you're
• 4:24
  Speaker 2: doing the best you can, but it's not perfect. And
• 4:29
  Speaker 2: I just I don't know how many of these people
• 4:34
  Speaker 2: are going to matter right away, how many of these
• 4:37
  Speaker 2: names I really need to keep in mind, or how
• 4:39
  Speaker 2: many of them are going to you know, And I
• 4:43
  Speaker 2: also have to be honest y'all that like, I'm concerned
• 4:46
  Speaker 2: about it on another level as well, where more than
• 4:50
  Speaker 2: just whether or not I personally can keep everybody straight,
• 4:54
  Speaker 2: there's also like, now we have so many different baddies
• 4:57
  Speaker 2: that we may have to defeat that it was already
• 5:04
  Speaker 2: a booked lineup as far as I was concerned, And
• 5:11
  Speaker 2: now I cannot imagine how we are going to not
• 5:18
  Speaker 2: overstretch this arc in a way that's going to get
• 5:22
  Speaker 2: really tedious really quickly. You know, It's just such a
• 5:26
  Speaker 2: fine balance and it can be done, I guess, but
• 5:33
  Speaker 2: I feel like it was already going to be difficult
• 5:36
  Speaker 2: to pull off with a number of people we already had.
• 5:39
  Speaker 2: I was like at a point where I felt pretty
• 5:41
  Speaker 2: good about it, but I was sort of like reteetering.
• 5:45
  Speaker 1: Now that we have thrown all of.
• 5:47
  Speaker 2: These other folks into the mix, I am officially on
• 5:49
  Speaker 2: the side of like, I don't think this is.
• 5:51
  Speaker 1: Going to be good. I'm worried.
• 5:55
  Speaker 2: I'm feeling like he's bitten off more than he can
• 5:58
  Speaker 2: chew here in a way, it's going to drag on forever.
• 6:03
  Speaker 2: And you know, this has been repeatedly something that has
• 6:09
  Speaker 2: happened with this show, where a new arc really captures
• 6:12
  Speaker 2: my fancy and I'm super into it and it feels
• 6:15
  Speaker 2: like we're getting reveals and interesting backstory and stuff at
• 6:21
  Speaker 2: a pretty good clip, and then all of a sudden
• 6:26
  Speaker 2: we hit the brakes and it all it's like the
• 6:30
  Speaker 2: same three or four episodes repeated over and over again
• 6:35
  Speaker 2: for like thirty episodes in a row. So I don't like,
• 6:42
  Speaker 2: I'm trying to decide exactly how to say this, because
• 6:46
  Speaker 2: I feel like that's how I have felt about even
• 6:51
  Speaker 2: the arcs that I have mostly liked, is that they
• 6:54
  Speaker 2: just dragged on too far at the end. You know,
• 6:57
  Speaker 2: I actually like Dress Rosa, but the end just takes
• 7:01
  Speaker 2: forever and a thriller Bark is another one that's like
• 7:04
  Speaker 2: a particular favorite of mine, and you guys know how
• 7:07
  Speaker 2: I felt out about that. So I just want this
• 7:11
  Speaker 2: show to ever like nail the ending of an arc.
• 7:18
  Speaker 2: I want that for them. I'm rooting for them, and
• 7:23
  Speaker 2: there's a real feeling for me of like maybe that's
• 7:28
  Speaker 2: just never gonna happen. I'm on episode eight hundred and thirty,
• 7:33
  Speaker 2: like maybe this is just how it's gonna be every time.
• 7:38
  Speaker 2: I don't want to believe that. And I'm not trying
• 7:41
  Speaker 2: to be negative overall about the show, because you guys
• 7:45
  Speaker 2: know that I have a great time covering this, But
• 7:50
  Speaker 2: is there any arc that it doesn't feel like the
• 7:55
  Speaker 2: same thing happens toward the end as well, where and
• 8:00
  Speaker 2: I'm saying toward the end, where like there's an optimism
• 8:05
  Speaker 2: in me saying that to begin with, because this isn't
• 8:08
  Speaker 2: toward the end, I would hazardou guess based on the
• 8:12
  Speaker 2: way things are being talked about that actually this is
• 8:17
  Speaker 2: toward the middle where it's feeling like we should be
• 8:22
  Speaker 2: on our way. If I were watching this as a
• 8:24
  Speaker 2: regularly paced show, all of this stuff that's happening here,
• 8:30
  Speaker 2: this would be out of a ten episode season. This
• 8:34
  Speaker 2: would all be happening in episode eight, and the next
• 8:38
  Speaker 2: episode from here would be the battle, and it would
• 8:42
  Speaker 2: last an episode and then we would go into wrap
• 8:46
  Speaker 2: up for the next season. Obviously, there's like there's I'm
• 8:51
  Speaker 2: saying this as just like an example. I understand that
• 8:53
  Speaker 2: there's really no point in even making that comparison because
• 8:57
  Speaker 2: the way the show is stretched out, like it's just
• 8:59
  Speaker 2: there's no way.
• 9:01
  Speaker 1: There's no way.
• 9:03
  Speaker 2: But all I'm saying is that the way that I
• 9:07
  Speaker 2: think about the story unfolding, my brain can sort of
• 9:11
  Speaker 2: be locked in that thinking. And so you will catch
• 9:16
  Speaker 2: me saying things like towards the end of the arc,
• 9:20
  Speaker 2: when if I really stop and.
• 9:21
  Speaker 1: Think about it. I good and god damn, well, no,
• 9:23
  Speaker 1: this is not toward the end. That's not it at all.
• 9:27
  Speaker 2: I just thought that, and now I'm getting signals that's
• 9:29
  Speaker 2: not where we are, and I'm beginning to get worried
• 9:32
  Speaker 2: about it, you know. So all this to say, I
• 9:38
  Speaker 2: just really I want to be wrong, and I was
• 9:46
  Speaker 2: feeling very very good about everything pretty much until this
• 9:51
  Speaker 2: trio of episodes. And we'll see, because if I'm wrong,
• 9:58
  Speaker 2: nobody will be happier about it. There are things I
• 10:01
  Speaker 2: don't want to be right about.
• 10:02
  Speaker 1: We'll get there. Okay, So.
• 10:05
  Speaker 2: Let's start with Lufy engages in a secret maneuver. Now
• 10:11
  Speaker 2: we don't actually find out much about what this maneuver
• 10:15
  Speaker 2: is going to entail, but I will say, at the
• 10:19
  Speaker 2: very least my idea earlier about the fact that Lufy
• 10:24
  Speaker 2: is unlikely to follow the plan that he and Beije
• 10:32
  Speaker 2: undertook to set up. I feel like, yeah, this is
• 10:38
  Speaker 2: like gonna be a real He says something at one
• 10:41
  Speaker 2: point about planning for his funny entrance, and rightfully, BEGGI
• 10:48
  Speaker 2: is like, wait, what does that mean?
• 10:52
  Speaker 1: Why funny? You don't have to be funny? What are
• 10:54
  Speaker 1: you doing?
• 10:56
  Speaker 2: And the way that Lufy is like running in and
• 10:59
  Speaker 2: out of Beggi's body as well.
• 11:02
  Speaker 1: It is all.
• 11:03
  Speaker 2: Very much giving. Loofy doesn't understand the stakes right now.
• 11:08
  Speaker 2: There's just a sense of like he doesn't get it,
• 11:11
  Speaker 2: and it's it's a little bit like surprising to me
• 11:19
  Speaker 2: how much we wildly swing back and forth with him
• 11:25
  Speaker 2: where And I'm not even saying that this is like
• 11:28
  Speaker 2: not true to character, because I actually think it is.
• 11:32
  Speaker 2: But I just have to reflect on the fact that,
• 11:34
  Speaker 2: you know, he is all like I'm saving my friend,
• 11:38
  Speaker 2: let's do this, let's see, you know, very serious, and
• 11:42
  Speaker 2: then this trio of episodes, it's like everything is a
• 11:44
  Speaker 2: complete joke to him, even though this is supposed to
• 11:47
  Speaker 2: be a pretty big deal. You know, it's supposed to
• 11:51
  Speaker 2: be pretty serious what they are about to launch, and
• 11:56
  Speaker 2: it's like he has totally lost touch with the gravity
• 11:59
  Speaker 2: of this situation. And like I said, I think this
• 12:03
  Speaker 2: is actually fairly in character because he is so easily
• 12:07
  Speaker 2: distracted that in the moment where he like looks up
• 12:12
  Speaker 2: and realizes this guy's body is crazy and I can
• 12:15
  Speaker 2: run in and out of it and do all this stuff,
• 12:17
  Speaker 2: he's not thinking about things rationally, you know, he's not
• 12:21
  Speaker 2: looking at the whole situation. He is fully and completely
• 12:27
  Speaker 2: oh my god, this guy's body and distracted at what's
• 12:29
  Speaker 2: going on right now at this very instant. And that's
• 12:32
  Speaker 2: as much as his little peanut brain can handle. But
• 12:36
  Speaker 2: it's difficult because I always wind up getting just a
• 12:42
  Speaker 2: little bit suckered into expecting more of him. You know,
• 12:50
  Speaker 2: I don't know's it's. I feel like I can't decide
• 12:57
  Speaker 2: if I'm annoyed at my self.
• 13:01
  Speaker 1: Or wishing that there was more growth with him or what.
• 13:07
  Speaker 1: I don't know.
• 13:08
  Speaker 2: I'm a part of me appreciates the consistency, and another
• 13:13
  Speaker 2: part of me does feel like, shouldn't we be able
• 13:16
  Speaker 2: to expect more from him by now? So anyway, this
• 13:23
  Speaker 2: first episode is like, there's very when you really look
• 13:29
  Speaker 2: at what's going on, there isn't that much movement in
• 13:33
  Speaker 2: this episode. We get a very little first. We're sort
• 13:38
  Speaker 2: of like wrapping up this meeting with Beggie and we're
• 13:41
  Speaker 2: figuring out exactly how all of this is going to work.
• 13:45
  Speaker 2: He says, as soon as we know that big Mom's out,
• 13:48
  Speaker 2: this boob is going to enter the scene, and I
• 13:52
  Speaker 2: love it. Caesar just says, leave it to this boobe
• 13:55
  Speaker 2: and then wait, what did you call me? I appreciate
• 13:59
  Speaker 2: Cesar every time he turns up. I just think he's fun.
• 14:02
  Speaker 2: I really have missed him a little bit, like you know,
• 14:08
  Speaker 2: and he like because the straw hats are sort of like,
• 14:12
  Speaker 2: why do we even have to work with this fucking dude?
• 14:14
  Speaker 1: He sucks? And he's like, use your brain.
• 14:17
  Speaker 2: Since I can fly, I'll dive onto the scene with
• 14:21
  Speaker 2: a mirror to create an easy escape route for everyone
• 14:25
  Speaker 2: courtesy of her ability, and Brulet in the background is
• 14:31
  Speaker 2: just like, ah shit, this, I'm gonna get fucking nailed
• 14:36
  Speaker 2: to the wall for letting them use me like this,
• 14:40
  Speaker 2: And I actually did feel for her a little bit.
• 14:42
  Speaker 2: Like There's another character later, the little egg Plant dude,
• 14:46
  Speaker 2: who similarly is just like, oh, I am about to
• 14:48
  Speaker 2: be in so much trouble if anybody finds out that
• 14:52
  Speaker 2: I like showed up or that I slipt on the
• 14:55
  Speaker 2: job and let Sanji get out and YadA YadA, and
• 15:01
  Speaker 2: I couldn't help, but like, think about what would it
• 15:07
  Speaker 2: be like to run an organization where everybody wasn't constantly
• 15:13
  Speaker 2: terrified of being in trouble? Would it be possible that
• 15:18
  Speaker 2: things might go better because they communicate and actually decide to, like,
• 15:24
  Speaker 2: you know, take responsibility for things and bring it up
• 15:28
  Speaker 2: when there's a problem and address it. You Know what
• 15:31
  Speaker 2: I'm saying, not that I know how to be that
• 15:37
  Speaker 2: kind of leader, because you do need people in order
• 15:40
  Speaker 2: to be a good leader, to be a little, if
• 15:43
  Speaker 2: not afraid, at least in awe of you to a point,
• 15:47
  Speaker 2: you know, and balancing that with being understanding enough that
• 15:55
  Speaker 2: they feel comfortable coming to you when something's gone wrong.
• 16:00
  Speaker 2: I just I don't know how you strike that balance.
• 16:05
  Speaker 2: And I'm all I'm saying is I don't have all
• 16:08
  Speaker 2: the answers, but I can't help but think about it,
• 16:13
  Speaker 2: because I'm sure there has to be some organization out
• 16:18
  Speaker 2: there that functions with that kind of like lack of toxicity.
• 16:22
  Speaker 2: And maybe that lack of toxicity means that they are
• 16:27
  Speaker 2: less famous because they actually don't become so hyper powerful
• 16:33
  Speaker 2: or notorious.
• 16:35
  Speaker 1: And that's sort of the way.
• 16:37
  Speaker 2: The world works in general, isn't It feels like the
• 16:39
  Speaker 2: people who are willing to be the most ruthless and
• 16:42
  Speaker 2: the most ethically compromised are the ones that get to
• 16:49
  Speaker 2: be famous and the people who are actually running things
• 16:53
  Speaker 2: in a way that's like above board and caring about
• 16:57
  Speaker 2: everyone involved. They don't have achieve that kind of ascension
• 17:04
  Speaker 2: because in order to do that, you have to compromise,
• 17:07
  Speaker 2: and they just don't do it anyway. Just thinking out
• 17:11
  Speaker 2: loud here, So the bruleet is going to be key
• 17:18
  Speaker 2: to this, and I'm really really worried about her. So
• 17:22
  Speaker 2: much of our plan is hinging on being able to
• 17:27
  Speaker 2: use her for a quick escape, and I am just
• 17:32
  Speaker 2: not sure that is going to work out for them.
• 17:38
  Speaker 2: I was going to say, I'm not sure that's wise,
• 17:40
  Speaker 2: and the truth is it's not wise. But also there's
• 17:44
  Speaker 2: not really another choice. They don't have a good alternative.
• 17:48
  Speaker 2: So I'm not even like mad at them about it,
• 17:50
  Speaker 2: because you're going to take advantage of the tools that
• 17:53
  Speaker 2: you have at your disposal, granted, and what are you
• 17:59
  Speaker 2: not going to factor the insane thing that Brulet can
• 18:02
  Speaker 2: do into your plan. You've gotta You've absolutely fucking got to.
• 18:07
  Speaker 1: But I just it feels like we are depending on
• 18:12
  Speaker 1: it so much.
• 18:13
  Speaker 2: And I just don't see that going well. The fact
• 18:19
  Speaker 2: that she is still under their control even now is
• 18:24
  Speaker 2: actually kind of incredible, you know, I mean this, at
• 18:32
  Speaker 2: this point, I really do think we have had her
• 18:37
  Speaker 2: in custody for longer than I would have expected if
• 18:40
  Speaker 2: you had asked me to predict it. Yeah, I think
• 18:47
  Speaker 2: that I would have said she'd have escaped at this point.
• 18:51
  Speaker 2: So still having a hold of her like pretty good,
• 18:56
  Speaker 2: pretty impressive. That said, though, I am like, how smart
• 19:04
  Speaker 2: is she? It's hard for me to tell, you know,
• 19:07
  Speaker 2: I run into this with all kinds of new characters
• 19:11
  Speaker 2: when they turn up, trying to get a sense of
• 19:13
  Speaker 2: like what do they actually accomplish?
• 19:17
  Speaker 1: What are their goals?
• 19:18
  Speaker 2: And do they get close? And Brulai, the only thing
• 19:21
  Speaker 2: that she was meant to do was to like distract
• 19:25
  Speaker 2: Loofy long enough that what's his face was able to
• 19:29
  Speaker 2: swoop in Cracker. I would argue she did achieve that
• 19:35
  Speaker 2: it was a simple.
• 19:36
  Speaker 1: Thing and she managed it.
• 19:40
  Speaker 2: But you know, then getting captured, all of this this
• 19:46
  Speaker 2: is pretty bad, pretty rough, and.
• 19:51
  Speaker 1: I can't like, she hasn't.
• 19:53
  Speaker 2: Really made any move to free herself or trick them
• 19:56
  Speaker 2: or anything. It's all been her going, no, you can't
• 19:59
  Speaker 2: do no, you can't do that, let me go, let
• 20:02
  Speaker 2: me out of here, the most ineffectual kind of like
• 20:08
  Speaker 2: half attempts. And I don't know, man, maybe she won't
• 20:16
  Speaker 2: but here's what's probably gonna happen. Actually, when I think
• 20:19
  Speaker 2: about it, is she's not gonna free herself. Somebody is
• 20:23
  Speaker 2: gonna like come in and rescue her somehow.
• 20:25
  Speaker 1: I bet that's probably like more likely what's going to happen.
• 20:31
  Speaker 2: And I suppose, you know, because like she sure she
• 20:36
  Speaker 2: isn't totally competent, So I guess that makes sense. But
• 20:43
  Speaker 2: I'm not looking forward to seeing them all like probably
• 20:46
  Speaker 2: being trapped in whatever the place is that they wind
• 20:49
  Speaker 2: up in, because I figure that's where we're heading. So anyway,
• 20:53
  Speaker 2: I'm spending too much time on this.
• 20:55
  Speaker 1: I'm sorry, guys.
• 20:55
  Speaker 2: I'm just sort of thinking out loud throughout this episode,
• 20:57
  Speaker 2: and so there's gonna be a lot of stops and.
• 20:59
  Speaker 1: Starts with the I'm talking about things.
• 21:02
  Speaker 2: But yeah, Capone says, as soon as you finish your work,
• 21:05
  Speaker 2: dive right into his mirror. Big Mom is still going
• 21:07
  Speaker 2: to be shrieking your head off, So you should have
• 21:09
  Speaker 2: just enough time. Once we're in the mirror dimension, we
• 21:12
  Speaker 2: can run away safely and you'll come out on your ship.
• 21:17
  Speaker 2: So think of a mirror big enough for you to
• 21:19
  Speaker 2: fit through. And this as an idea was great. This
• 21:24
  Speaker 2: didn't even enter my mind that they should be able
• 21:28
  Speaker 2: to escape directly out onto one of their own ships.
• 21:31
  Speaker 2: That's pretty rad like, or one of their own ships
• 21:34
  Speaker 2: onto their own ship. I'm bringing in everybody into this
• 21:37
  Speaker 2: equation because we've got, you know, a variety of people here.
• 21:40
  Speaker 2: But and again, I think this sounds great, but we'll
• 21:47
  Speaker 2: see how this actually goes. And Pedro is the one
• 21:49
  Speaker 2: who's like, the problem with this plan is that everything
• 21:55
  Speaker 2: depends on every other thing going exactly the way that
• 21:58
  Speaker 2: we intend it to go, and that's.
• 22:00
  Speaker 1: Not really very likely.
• 22:02
  Speaker 2: And Jim Bay chimes in and says the same thing.
• 22:05
  Speaker 2: It's just like, yeah, we really have to make sure
• 22:08
  Speaker 2: this is like exact. Now here's my issue as well.
• 22:16
  Speaker 2: Beij is underhanded as a person. We have seen the
• 22:23
  Speaker 2: way that he just took for himself and left no
• 22:29
  Speaker 2: crumbs for anybody. I think that I need to begin
• 22:35
  Speaker 2: to suspect him more than I currently am. I think
• 22:40
  Speaker 2: it would behoove me to be more suspicious and concerned
• 22:45
  Speaker 2: about what it is he is going to do when
• 22:50
  Speaker 2: push comes to shove, because right now I'm just thinking
• 22:54
  Speaker 2: about like things that could go wrong because of the enemy,
• 22:58
  Speaker 2: But I really should be thinking even further ahead, excuse me,
• 23:01
  Speaker 2: further ahead than that, and considering what could go wrong
• 23:08
  Speaker 2: because he intends it to go wrong, what could go wrong?
• 23:13
  Speaker 2: Because it's actually going right for Beggie? Ah, you know
• 23:19
  Speaker 2: what I'm saying, Like it's a problem. Genuinely, it's like
• 23:26
  Speaker 2: he who knows what he has up his sleeve? And
• 23:30
  Speaker 2: I don't even have, like because the thing that has
• 23:32
  Speaker 2: been mentioned already is that he tended to like take
• 23:37
  Speaker 2: money in possessions. What is it that he might want
• 23:42
  Speaker 2: to take The first thing that I think of is
• 23:46
  Speaker 2: the ship itself. The other thing is the rubbing of
• 23:52
  Speaker 2: the pony glyph. I am not sure he is aware
• 23:57
  Speaker 2: they have this rubbing to begin with, So that's a
• 24:02
  Speaker 2: big question.
• 24:03
  Speaker 1: It's just like what does he know?
• 24:05
  Speaker 2: And it's not an overtly valuable thing in terms of like,
• 24:12
  Speaker 2: you know, it's not gold and diamonds, it's not flashy.
• 24:15
  Speaker 2: This is something that would have to be sold by
• 24:17
  Speaker 2: a middleman or himself to an interested.
• 24:21
  Speaker 1: Buyer, and it would be a whole thing.
• 24:22
  Speaker 2: Is that the type of shit he's into? Does he
• 24:25
  Speaker 2: put forth that sort of effort? I It's a thing
• 24:30
  Speaker 2: about the rubbing, too, is that it's super portable, So
• 24:34
  Speaker 2: the way that he could like make off with that
• 24:36
  Speaker 2: and nobody notice for like a good bit the ship,
• 24:40
  Speaker 2: I just don't see how that could work because he's
• 24:45
  Speaker 2: got this whole little world inside him. But I don't
• 24:48
  Speaker 2: know if he can pull that ship up into it.
• 24:51
  Speaker 1: Could he do that?
• 24:51
  Speaker 2: Could he steal the sunny? I really don't know if
• 24:53
  Speaker 2: that's even possible. Yeah, I don't know, guys, But anyway,
• 25:01
  Speaker 2: there's just a I am excited that we're working with Beggie.
• 25:06
  Speaker 2: For the record, I want to I want this to
• 25:09
  Speaker 2: go forward because it's interesting and they don't really have
• 25:13
  Speaker 2: any other good options, so things working out this way
• 25:17
  Speaker 2: make sense to me. But I also know the way
• 25:23
  Speaker 2: that things like this often shake out is by somebody
• 25:27
  Speaker 2: getting stabbed in the back eventually, And I don't like
• 25:34
  Speaker 2: there's a part of me that weirdly likes Beggie, and
• 25:38
  Speaker 2: I think that's part of what I'm bumping up against
• 25:42
  Speaker 2: is just the fact that I'm like, Ah, he's gonna
• 25:44
  Speaker 2: fucking ruin things, and I'm gonna be so sad to
• 25:48
  Speaker 2: see it happen because I actually like this guy, you know,
• 25:53
  Speaker 2: and the way that he is with.
• 25:55
  Speaker 1: His little kid. I'm it's just very adore. It's cute.
• 26:02
  Speaker 1: I'm so sorry. I want this terrible man to wind.
• 26:08
  Speaker 2: Up being a good guy somehow, and it's just like,
• 26:12
  Speaker 2: it's just not likely, Natasha. It's just probably not gonna happen.
• 26:15
  Speaker 2: So I got to deal with it anyway. The tea
• 26:22
  Speaker 2: party doesn't kick off till ten o'clock, so we have two.
• 26:27
  Speaker 1: And a half hours. I better head back to my room.
• 26:29
  Speaker 2: They'll be looking for me, and Beggie says, yeah, we
• 26:34
  Speaker 2: better get moving because we need to pretend to be security.
• 26:38
  Speaker 2: And this is when Lufy comes up to him and
• 26:40
  Speaker 2: he's like, hey, can you do me a favor when
• 26:41
  Speaker 2: I make my big funny entrance And he's like, wait,
• 26:44
  Speaker 2: what do you mean? Why are you trying to be funny?
• 26:48
  Speaker 1: It cuts off there.
• 26:49
  Speaker 2: And I just wanted to see what Lufy's response to
• 26:53
  Speaker 2: this was. I was very very curious. So then we
• 27:00
  Speaker 2: go to this uh I keep forgetting his name, the
• 27:04
  Speaker 2: guy who has this book power, and he is finding
• 27:08
  Speaker 2: out that Bobin was killed. Now I just want to
• 27:11
  Speaker 2: register my surprise here because I fully expected that, like Bobin.
• 27:18
  Speaker 1: Was gonna be fine.
• 27:19
  Speaker 2: Loofy deals with him, I think in the hall, or
• 27:22
  Speaker 2: is it just as he gets outside. Either way, I
• 27:26
  Speaker 2: you know, nobody dies in this show, and he's talking
• 27:29
  Speaker 2: about him as if he's for sure dead. So I'm
• 27:31
  Speaker 2: sort of going with it, and I never expected this
• 27:36
  Speaker 2: to be a permanent thing. Also a little sad because
• 27:41
  Speaker 2: Bobin is so unsettling and I was weirdly enjoying him.
• 27:47
  Speaker 2: I like, I don't really know how else to say it.
• 27:50
  Speaker 2: He is unsettling in a way that I think really
• 27:53
  Speaker 2: often works well for the story. And his overall costume
• 27:59
  Speaker 2: is super simple, which is what makes him unsettling on
• 28:04
  Speaker 2: a certain level. There's something about the simplicity of it
• 28:07
  Speaker 2: that it almost makes me think of the kinds of
• 28:10
  Speaker 2: super creepy Halloween costumes that they used to wear in
• 28:13
  Speaker 2: like the twenties and like even earlier turn of the century,
• 28:19
  Speaker 2: you know what I'm saying, where there's a almost disconnect
• 28:25
  Speaker 2: between the elements of the costume, and so it doesn't
• 28:28
  Speaker 2: really make sense to our eye the way it does
• 28:31
  Speaker 2: with costumes today, where we always pick a specific theme
• 28:34
  Speaker 2: and then we dress up on every level to go
• 28:38
  Speaker 2: with that theme. And they just didn't used to do
• 28:41
  Speaker 2: that with costumes. It was just sort of wear a weird,
• 28:45
  Speaker 2: big smock and then a mask of any random type.
• 28:50
  Speaker 2: And I think that's why Beget is so like just creepy.
• 28:55
  Speaker 2: That friggin' cloth just sort of draped over his face. Anyway,
• 29:02
  Speaker 2: So book guy is like, do you think the straw
• 29:06
  Speaker 2: hats killed him?
• 29:07
  Speaker 1: And Gallette?
• 29:09
  Speaker 2: I saw her name because of the subtitles, No way,
• 29:13
  Speaker 2: Opera was watching him and the cat Burglar. He said
• 29:16
  Speaker 2: he burned them to death. Remember Montdor, that's his name.
• 29:21
  Speaker 2: No offense to him. Once I see the bodies and
• 29:24
  Speaker 2: not a moment sooner. So I'm really everybody is hiding something,
• 29:33
  Speaker 2: considering that he was Opera was like saying he killed them.
• 29:38
  Speaker 2: We have a bunch of people just really like dropping
• 29:41
  Speaker 2: the ball and then covering it up. So then there's
• 29:47
  Speaker 2: the mention of Soanji being out and about. I think
• 29:51
  Speaker 2: that the soldiers, the little chess men just call him
• 29:55
  Speaker 2: the groom something like that. So this is suspicious and
• 30:00
  Speaker 2: it results in Montdor being like, all right, well let's
• 30:04
  Speaker 2: go check on this guy and see what the fuck
• 30:05
  Speaker 2: is going on. Montdor is the really only like competent
• 30:09
  Speaker 2: one in the mix right now?
• 30:11
  Speaker 1: It feels like so.
• 30:15
  Speaker 2: We see Sanji just fucking booking it through the woods
• 30:19
  Speaker 2: trying to get back to his room in time, and
• 30:22
  Speaker 2: he's already too late because Montdor is at his like
• 30:27
  Speaker 2: chamber door, knock, knock, knocking at his chamber door, and
• 30:33
  Speaker 2: he keeps knocking, and we have this little egg plant
• 30:37
  Speaker 2: man who had been asleep like waking up and panicking
• 30:43
  Speaker 2: because he's looking around realizing that Sonji is not here,
• 30:47
  Speaker 2: somebody is here to see him. He was asleep in
• 30:50
  Speaker 2: Sanjy's bed and like, just the way in which he
• 30:55
  Speaker 2: utterly fucked up here cannot be overstated. So he's buying
• 31:02
  Speaker 2: time standing there as they keep knocking and banging and
• 31:05
  Speaker 2: shaking the door, and he's like, what do I do?
• 31:08
  Speaker 1: Fuck? What do I do? How is this?
• 31:10
  Speaker 2: And then suddenly the door opens and there is Sanji
• 31:15
  Speaker 2: and mont Door rightfully is just like, why'd you take
• 31:21
  Speaker 2: so long?
• 31:22
  Speaker 1: Were you even in there? You were here the whole time?
• 31:25
  Speaker 1: I doubt it?
• 31:27
  Speaker 2: And Sanji is just like, yeah, but I was asleep
• 31:30
  Speaker 2: because it's very late.
• 31:33
  Speaker 1: So what are you doing?
• 31:35
  Speaker 2: Leave me the fuck alone. I gotta get ready for
• 31:37
  Speaker 2: the wedding. And pretty much like a way to get
• 31:43
  Speaker 2: any one of these sort of lower level guys off
• 31:45
  Speaker 2: your back is to just remind them that big Mom
• 31:50
  Speaker 2: is extremely fixated on this wedding going perfectly, and you
• 31:56
  Speaker 2: are about to do something to fuck that up.
• 31:59
  Speaker 1: Is that really what you want to do?
• 32:03
  Speaker 2: Is this how you want to spend your time? And
• 32:06
  Speaker 2: mostly it seems like people instantly begin to back off
• 32:09
  Speaker 2: because they don't want to be the one to ruin
• 32:12
  Speaker 2: this event. Rightfully so, because I don't think any amount
• 32:16
  Speaker 2: of explanation of like, no, no, no, but this is
• 32:19
  Speaker 2: what was happenings. She's not the bit she's gonna listen.
• 32:23
  Speaker 2: She's just not She's gonna fucking lose her mind and
• 32:29
  Speaker 2: yell at you or accuse you of something. You know
• 32:32
  Speaker 2: what I'm saying. So what else is there to do
• 32:35
  Speaker 2: but fucking cover it up, I guess. So let's see, I'm.
• 32:41
  Speaker 1: Trying to find the spot here. Oh right.
• 32:43
  Speaker 2: So after he gets out of there, he's like talking
• 32:46
  Speaker 2: an eggplant guy who's like, but what were you actually doing?
• 32:51
  Speaker 2: And you're just like, whatever, shut up, don't worry about it.
• 32:54
  Speaker 2: We get an interstitial, we get the beginnings of all
• 32:57
  Speaker 2: of the town's people.
• 33:00
  Speaker 1: Oh right, we go to like the let's see what
• 33:03
  Speaker 1: is it called.
• 33:04
  Speaker 2: It's called like peanuts something island we go to like
• 33:08
  Speaker 2: the Chocolate Island. We go all over the place and
• 33:11
  Speaker 2: we get to see how everybody is celebrating. It's like
• 33:15
  Speaker 2: they have pulled off, pulled out all the stops for
• 33:18
  Speaker 2: all of the surrounding islands to have the day.
• 33:24
  Speaker 1: As a holiday for all of them.
• 33:28
  Speaker 2: And some of the soldiers are talking about how like,
• 33:31
  Speaker 2: I guess today is a day of peace and they
• 33:33
  Speaker 2: won't need us, which is important, I think, because we
• 33:38
  Speaker 2: are going to eventually get to a point where we
• 33:43
  Speaker 2: need these guys and they are not going to be available,
• 33:48
  Speaker 2: and it may not be that they're like completely unavailable,
• 33:53
  Speaker 2: but that they're just not ready right now that we're
• 33:58
  Speaker 2: going to have to wait for them how And uh,
• 34:02
  Speaker 2: I'm kind of looking forward to that moment to all
• 34:04
  Speaker 2: these dudes who really thought they were about to have
• 34:06
  Speaker 2: the day off. You know, they really expected that they
• 34:10
  Speaker 2: could just chill for fucking once and relax, and it
• 34:15
  Speaker 2: all has gone up in flames. You know, life comes
• 34:19
  Speaker 2: such a fast boys, sorry about it. So, uh, we
• 34:25
  Speaker 2: have all of the guys from Jurma being woken up.
• 34:29
  Speaker 2: Rageu is like wandering around and we see her again later.
• 34:34
  Speaker 2: But there's a mention of like where is she and
• 34:38
  Speaker 2: her being in another room check like getting her preparations ready.
• 34:44
  Speaker 2: And the dude who is telling them this is I
• 34:48
  Speaker 2: don't remember having seen him before. We maybe we have
• 34:51
  Speaker 2: and I just don't remember. I think that he is
• 34:53
  Speaker 2: part of Big Mom's crew, but I may be wrong.
• 34:58
  Speaker 2: He's got this top hat and this very weird sort
• 35:01
  Speaker 2: of ovoid like blush on his cheeks, but otherwise he
• 35:05
  Speaker 2: looks pretty ordinary, and he is assuring them that Regi
• 35:09
  Speaker 2: is fine. But there was a sense of like the
• 35:13
  Speaker 2: expression on his face that it looked like he was
• 35:16
  Speaker 2: sneering or like smirking to himself, and I couldn't tell
• 35:19
  Speaker 2: if I was supposed to be interpreting something from that.
• 35:25
  Speaker 2: So then we have everybody like running into Big Mom's
• 35:28
  Speaker 2: bedroom because she is crying and yelling, and we get
• 35:33
  Speaker 2: something happening here that is way different than what I
• 35:38
  Speaker 2: thought we were gonna get. My by expectation, I thought
• 35:47
  Speaker 2: for sure we're gonna have her wake up, see that
• 35:51
  Speaker 2: Brooke is gone, that there's a decoy, and be like,
• 35:54
  Speaker 2: oh shit, no, they're up to no good, what's going
• 35:57
  Speaker 2: on here? Instead, she sees this decoy and still thinks
• 36:07
  Speaker 2: it's Brooke and that it's simply his dead body. I mean,
• 36:16
  Speaker 2: like I said, it's just I never thought for a
• 36:19
  Speaker 2: moment that she would think this was Brooke. And when
• 36:24
  Speaker 2: I stopped to consider, you know, Brooke doesn't have a heartbeat, right, Like,
• 36:30
  Speaker 2: how do you know that he's alive by the fact
• 36:33
  Speaker 2: that he's moving around, not buy anything, like, you know,
• 36:38
  Speaker 2: him being warm to the touch like a regular person.
• 36:43
  Speaker 2: So I guess if you just have this weird dummy
• 36:47
  Speaker 2: that's like pretty close to how he looks, and it's
• 36:50
  Speaker 2: just inert that you would take that as like, no,
• 36:54
  Speaker 2: this is him, but the life's gone out of him.
• 36:57
  Speaker 1: I just it's surprise.
• 36:59
  Speaker 2: I'm I'm not mad at this. I just want to
• 37:01
  Speaker 2: be clear about that. I think that this is kind
• 37:03
  Speaker 2: of delightful because it obviously gives our friends a lot
• 37:08
  Speaker 2: of room since the idea that he has escaped doesn't
• 37:13
  Speaker 2: enter her mind. There's no further like searching for him.
• 37:16
  Speaker 2: But I just never ever even considered that she was
• 37:20
  Speaker 2: going to think this was actually Brooke.
• 37:24
  Speaker 1: So she starts to cry.
• 37:26
  Speaker 2: She's super upset, and then Prometheus and Zeus both swooped
• 37:32
  Speaker 2: down and they're like, hey, look on the bright side,
• 37:36
  Speaker 2: today is the big day, and you know what that means.
• 37:40
  Speaker 2: And she just starts chanting wedding cake and like waving
• 37:44
  Speaker 2: her arms in the air and is so delighted.
• 37:47
  Speaker 1: Now.
• 37:48
  Speaker 2: I don't know if there is something really specific about
• 37:52
  Speaker 2: this wedding cake because she does nothing but talk about it,
• 37:56
  Speaker 2: or if it's just you know, a bitch loves kate.
• 38:01
  Speaker 2: It could be that fucking simple. She really loves cake
• 38:04
  Speaker 2: and she's excited to have some. And if that's all
• 38:07
  Speaker 2: it is. If it turns out that there is nothing
• 38:10
  Speaker 2: at all really significant about the cake except that it
• 38:13
  Speaker 2: is delicious, I will love that.
• 38:17
  Speaker 1: I just want to.
• 38:18
  Speaker 2: Put that out there right now. I personally think that
• 38:24
  Speaker 2: would be a wonderful surprise, because I have got it
• 38:30
  Speaker 2: in my head the way that this is like probably
• 38:34
  Speaker 2: going to shake out, but the cake is going to
• 38:38
  Speaker 2: be very significant somehow. I don't even have a good
• 38:44
  Speaker 2: explanation on what that means. But I personally can get
• 38:53
  Speaker 2: very fixated on food related things myself, and it would
• 38:58
  Speaker 2: be deeply relatable if she were just very excited about
• 39:04
  Speaker 2: a regular but extremely well made and delicious wedding cake
• 39:07
  Speaker 2: and that was it and there was no warlike significance
• 39:11
  Speaker 2: to it. It had nothing to do with her master plan.
• 39:14
  Speaker 2: And you know, maybe it's like a kind of celebratory
• 39:17
  Speaker 2: thing where she's like after I finished taking down drama.
• 39:22
  Speaker 2: Because like the way that wedding cake usually fits into
• 39:26
  Speaker 2: the wedding day is you complete the ceremony, you have
• 39:32
  Speaker 2: your little cocktail hour, you have dinner, and then you
• 39:35
  Speaker 2: go into dancing, and then eventually the dancing is brought
• 39:40
  Speaker 2: to a halt for a bit for the cutting of
• 39:43
  Speaker 2: the cake and distributing of the pieces. Music comes back
• 39:47
  Speaker 2: on and some people go back out on the dance floor,
• 39:50
  Speaker 2: and other people decide to sit with their cake and
• 39:52
  Speaker 2: chat and whatever. I am not sure if this goes
• 39:56
  Speaker 2: differently in Japan, because I don't even know if like
• 40:02
  Speaker 2: a wedding cake the way that I imagine it is
• 40:04
  Speaker 2: traditional in Japan either. So what I have been thinking
• 40:11
  Speaker 2: kind of in the back of my mind this whole
• 40:13
  Speaker 2: time has really been that the cake is meant to
• 40:16
  Speaker 2: be consumed.
• 40:17
  Speaker 1: After the win.
• 40:20
  Speaker 2: You know that we have all of our plans go
• 40:24
  Speaker 2: exactly right, and we managed to pull it off and
• 40:31
  Speaker 2: then have our celebratory cake because we actually did something incredible,
• 40:37
  Speaker 2: and now I have all this power and I got
• 40:40
  Speaker 2: my exact wish and everything is wonderful and we'll see,
• 40:47
  Speaker 2: we'll see, guys. I just I keep saying that, and
• 40:51
  Speaker 2: that's just the way storytelling works. So there's also this
• 40:56
  Speaker 2: interesting moment. So we've got first, uh what's his name,
• 41:03
  Speaker 2: Oh my god, Peckham's and he is demanding from Aladdin.
• 41:11
  Speaker 2: Jimbay is like, kind of a second, I don't know
• 41:13
  Speaker 2: if that's really true.
• 41:15
  Speaker 1: I was about I was saying this.
• 41:16
  Speaker 2: Then I was like, why do I assume he's subordinate
• 41:18
  Speaker 2: to Jimbay? But he has got Peckhams tied up, and
• 41:23
  Speaker 2: Peckham's is demanding to be let go, and he's like,
• 41:30
  Speaker 2: you're trying to sneak off without so much as a word,
• 41:33
  Speaker 2: and you're just gonna leave me here, And Aladdin straight
• 41:36
  Speaker 2: up is just like, yeah, I'm sorry, but uh bye,
• 41:41
  Speaker 2: And he's like, this is a betrayal of Mama if
• 41:45
  Speaker 2: you leave, like you're not allowed to, and Aladdin is like, well,
• 41:49
  Speaker 2: why would I go face her? If you try to leave,
• 41:52
  Speaker 2: you die? So yeah, we're just gonna take off without
• 41:57
  Speaker 2: saying anything like what exactly would you suggest that wouldn't
• 42:01
  Speaker 2: get us killed? And then he says, jim May sends
• 42:06
  Speaker 2: his regards and Peckhams asks what does that mean? And
• 42:12
  Speaker 2: we have a bit of a flashback here where it's
• 42:16
  Speaker 2: Aladdin talking with Jimbay about Beje's plan and he's saying that, like,
• 42:23
  Speaker 2: it seems kind of far fetched, but if Loofy finds
• 42:27
  Speaker 2: out about this, he'll brave any danger to rescue Sanji.
• 42:30
  Speaker 2: The lives of his entire crew will be at risk,
• 42:33
  Speaker 2: and I can't sit back and watch them perish. I'm
• 42:37
  Speaker 2: left with no other choice. I must raise a rebellion.
• 42:44
  Speaker 2: I will betray Big Mom openly. I felt a sense
• 42:48
  Speaker 2: of duty to her, so I tried telling her directly
• 42:51
  Speaker 2: that I wanted to leave. But that plan was a
• 42:54
  Speaker 2: failure thanks to the sacrifice required by her. Roulette written
• 43:00
  Speaker 2: upon that cruel device represent the lives of my comrades.
• 43:06
  Speaker 2: That's why I need all of you to flee from
• 43:09
  Speaker 2: this place. The price that Big Mom required of me
• 43:13
  Speaker 2: was an unreasonable sanction, extended far past the value of
• 43:16
  Speaker 2: my own life. On the day of the tea party,
• 43:21
  Speaker 2: the Odour ships will be busy escorting the guests instead,
• 43:27
  Speaker 2: and attention will be even further diverted. If something shocking
• 43:30
  Speaker 2: happens at the tea party, it will be the perfect
• 43:33
  Speaker 2: chance to escape, and Aladdin is like, okay, sounds good,
• 43:39
  Speaker 2: We'll get ready to leave. We appreciate you, and Jimmy
• 43:44
  Speaker 2: says you oh, he says to him, you need to
• 43:48
  Speaker 2: get your head on straight.
• 43:50
  Speaker 1: Though.
• 43:50
  Speaker 2: We support you and there's nothing that we want more
• 43:53
  Speaker 2: than for you to be free. But joining straw hat,
• 44:00
  Speaker 2: It's like, I get you wanting to do that, but
• 44:03
  Speaker 2: you are way too eager to just throw your life away.
• 44:07
  Speaker 1: And jim Bay does the whole like it.
• 44:09
  Speaker 2: Would be my honor and privilege and duty et cetera,
• 44:13
  Speaker 2: et cetera to offer my life to a worthy captain
• 44:18
  Speaker 2: as for when I've already made up my mind, And
• 44:25
  Speaker 2: Aladdin realizes like, oh, okay, you're set on dying here,
• 44:31
  Speaker 2: and he says, all right, well, I want you to
• 44:35
  Speaker 2: at least try to save your own life if you can.
• 44:42
  Speaker 2: Jimbae also mentions that she might turn her fury on
• 44:45
  Speaker 2: her own home when she discovers that we betrayed her.
• 44:51
  Speaker 2: So there's a mention of the Reyugu Kingdom and the
• 44:54
  Speaker 2: fact that, like you know, we need to fight and
• 44:58
  Speaker 2: protect them. They are worth it. Also, I just want
• 45:05
  Speaker 2: to mention. I can't remember her name. I know that
• 45:07
  Speaker 2: we learned it. But the woman that I think he
• 45:12
  Speaker 2: is married to Aladdin. She's got that real crazy like
• 45:16
  Speaker 2: hair and rolls that stick way out from the sides
• 45:18
  Speaker 2: of her head, and the sharp teeth.
• 45:19
  Speaker 1: She's like a mermaid.
• 45:22
  Speaker 2: She is there the whole time that they talk this
• 45:26
  Speaker 2: plan through, and I can't help but worry about that
• 45:31
  Speaker 2: because she is so obviously still like a big mom
• 45:35
  Speaker 2: stand that I have to assume she goes and tells
• 45:38
  Speaker 2: her everything, Like that's immediately what I'm thinking when I see.
• 45:42
  Speaker 1: Her here, you know.
• 45:46
  Speaker 2: So they leave Peckham's tied to this to this rock
• 45:52
  Speaker 2: and just get on the ship. We don't actually see
• 45:55
  Speaker 2: them leave, and I'm assuming that you know, they are
• 45:57
  Speaker 2: waiting for everything to really fly off the handle. But uh,
• 46:02
  Speaker 2: I felt bad for Peckhams because he just has been
• 46:06
  Speaker 2: gripped up by like one person after another, and he
• 46:12
  Speaker 2: I'm not gonna say he deserves a break, because he doesn't,
• 46:15
  Speaker 2: but I will say that at least he seems.
• 46:20
  Speaker 1: He seems tired. I guess that's it.
• 46:24
  Speaker 2: So then we have all of the party from German Kingdom,
• 46:31
  Speaker 2: like the actual Vince smokes and they are heading in
• 46:36
  Speaker 2: to begin the tea party, and his sister is just like,
• 46:40
  Speaker 2: she just heard that they spoke to him this morning
• 46:43
  Speaker 2: and that he's getting ready, and so she's like, I
• 46:46
  Speaker 2: gave him the chance to fucking escape. Why did he
• 46:49
  Speaker 2: not take it?
• 46:50
  Speaker 1: What the fuck?
• 46:52
  Speaker 2: And we cut then to him getting dressed and he's
• 46:56
  Speaker 2: wearing full white, and it's extremes.
• 47:00
  Speaker 1: Realmly funny because we have him like he goes to see.
• 47:08
  Speaker 2: Pudding and you know, this whole tradition is different as well,
• 47:12
  Speaker 2: because we have this thing where you can't see the
• 47:15
  Speaker 2: bride before the wedding day, which is, honestly, when you
• 47:17
  Speaker 2: think about it, a really strange tradition. But uh, he
• 47:22
  Speaker 2: and putting hang out a little bit beforehand, after she
• 47:25
  Speaker 2: is like dressed and in her gown. And I love
• 47:30
  Speaker 2: the fact that the plan with Bejet, the whole thing
• 47:33
  Speaker 2: was meant to like sort of revolve around when you
• 47:38
  Speaker 2: kiss Pudding. He insists he is not going to kiss her.
• 47:45
  Speaker 2: He's just absolutely fucking.
• 47:48
  Speaker 1: Adamant, and.
• 47:53
  Speaker 2: Then when he sees her, when he actually sets eyes
• 47:56
  Speaker 2: on her, he comple completely loses all of his shit
• 48:04
  Speaker 2: and instantly begins to nosebleed and sway wildly. The way
• 48:12
  Speaker 2: that he does it is something to see. I didn't
• 48:19
  Speaker 2: expect this of him. It's completely in character. And I
• 48:22
  Speaker 2: must say that overall I really approve of this because
• 48:27
  Speaker 2: him being completely resistant to her charms. I mean, it
• 48:31
  Speaker 2: just wouldn't really make sense with who he is. But
• 48:35
  Speaker 2: I didn't expect this to be as dramatic a struggle
• 48:42
  Speaker 2: as it is. I expected it to be that he
• 48:45
  Speaker 2: had slightly better control over himself but kept having the
• 48:48
  Speaker 2: urge to, like, you know, And it starts off that way,
• 48:53
  Speaker 2: but eventually it comes to a point where it seems
• 48:56
  Speaker 2: like he's completely gone. He is just totally he has
• 49:02
  Speaker 2: lost the battle with himself. And it's her like him saying,
• 49:07
  Speaker 2: I could just kiss you on the cheek instead of
• 49:09
  Speaker 2: on the lips if you're shy about being in front
• 49:11
  Speaker 2: of all these people, and she says.
• 49:15
  Speaker 1: Just kiss me on the lips.
• 49:17
  Speaker 2: We're about to be married, after all, and he shoots
• 49:22
  Speaker 2: into the ceiling and lodges so firmly there that when
• 49:26
  Speaker 2: some of the staff comes in the door after they
• 49:28
  Speaker 2: hear the thunk, they look up and they're like, what
• 49:30
  Speaker 2: the fuck? And then he finally loosens from the crater
• 49:35
  Speaker 2: he made and falls to the floor, and I when
• 49:43
  Speaker 2: he is later introduced and he is beside her, I
• 49:48
  Speaker 2: can't remember who it is. I think it's Beggie who's
• 49:50
  Speaker 2: watching him and is like, huh, he's really selling this
• 49:58
  Speaker 2: that he's in love with her. And there's a tone
• 50:03
  Speaker 2: to Beji that's feeling like he can see, oh maybe
• 50:08
  Speaker 2: this is real.
• 50:09
  Speaker 1: Oh no, you.
• 50:11
  Speaker 2: Know I I really wonder if he's going to be
• 50:19
  Speaker 2: able to adhere to the plan, how is it going
• 50:22
  Speaker 2: to work? And like, is this going to be a
• 50:25
  Speaker 2: major part of having to deal with the enemy, is
• 50:31
  Speaker 2: that we need to somehow recapture Sanji's heart because he
• 50:38
  Speaker 2: begins to like sway toward believing in this fake relationship,
• 50:47
  Speaker 2: which I could actually kind of see, you.
• 50:51
  Speaker 1: Know what I mean, Like.
• 50:54
  Speaker 2: He is struggling not to forget what it is that
• 51:00
  Speaker 2: he saw and heard, and he has to tell himself
• 51:04
  Speaker 2: more than once because he just like there's a moment
• 51:08
  Speaker 2: where he's even like maybe that was just a dream.
• 51:11
  Speaker 2: Maybe I didn't even see anything, and I was like,
• 51:15
  Speaker 2: holy shit, dude, you are really gone, like you're about
• 51:19
  Speaker 2: to question reality. He snaps back at that moment pretty
• 51:24
  Speaker 2: quickly and is like, no, what am I saying?
• 51:26
  Speaker 1: Oh my god? But then when he hits the ceiling, Ah,
• 51:35
  Speaker 1: I don't know, man.
• 51:36
  Speaker 2: I feel like that's sort of a rap. So anyway,
• 51:41
  Speaker 2: I love this for the record, I really do.
• 51:45
  Speaker 1: I like it a lot, but I.
• 51:47
  Speaker 2: Just find it like it's opening a lot of doors
• 51:53
  Speaker 2: and making me ask a lot of questions about like
• 51:55
  Speaker 2: where are we going to end up from here? I'm
• 52:00
  Speaker 2: taking a lot of time. I'm sorry, guys, I'm like
• 52:03
  Speaker 2: just chewing over everything. So we have the beginning of
• 52:07
  Speaker 2: the reception, or I'm saying the reception, but what I
• 52:11
  Speaker 2: mean is literally we are receiving the guests as they arrive,
• 52:14
  Speaker 2: not the reception part of the wedding, and we get
• 52:22
  Speaker 2: all kinds of new people turning up, and I'll tell you, guys,
• 52:24
  Speaker 2: I'm just not going to go through them all. I
• 52:26
  Speaker 2: just don't think that it's necessary or worthwhile. Right now,
• 52:30
  Speaker 2: all we need to know is that there are a
• 52:32
  Speaker 2: lot of new players, and there is one particular guy
• 52:36
  Speaker 2: named the organ Dealer, who tries to behave as if
• 52:39
  Speaker 2: he's just a guest like any other guest, but then
• 52:43
  Speaker 2: quickly attempts to like attack them all and has to
• 52:47
  Speaker 2: get shot by a jellybean I think it is that's
• 52:53
  Speaker 2: being used as the bullet, and Benje is like, what
• 52:57
  Speaker 2: the fuck? This guy was a guest but also looks
• 53:00
  Speaker 2: like he was about to start some trouble and that's
• 53:02
  Speaker 2: supposed to be the type of thing that you stop
• 53:05
  Speaker 2: from happening, Beggie, so you're not really doing a good
• 53:07
  Speaker 2: job keeping your cover up. And oh god, and before
• 53:13
  Speaker 2: I forget, there's this whole other thing, you guys, there's
• 53:17
  Speaker 2: this whole other thing where Smoothie is greeting people and
• 53:22
  Speaker 2: offering them a drink, and she has a woman who
• 53:28
  Speaker 2: stabbed someone a I can't remember the first thing. And
• 53:34
  Speaker 2: then a giraffe that makes a funny sound when it screams,
• 53:38
  Speaker 2: or that sounds funny when it screams, and they decide
• 53:46
  Speaker 2: they squeeze each of these creatures to get a drink
• 53:50
  Speaker 2: out of them.
• 53:51
  Speaker 1: So these folks choose.
• 53:52
  Speaker 2: The giraffe, and like, the liquid that comes out of
• 53:56
  Speaker 2: the giraffe is evidently a champagne like substance. It's sparkling,
• 54:05
  Speaker 2: whatever it is. I hated this so much, like this
• 54:11
  Speaker 2: power I already didn't like, but seeing it in action
• 54:17
  Speaker 2: and it just being like, we think it's funny to
• 54:19
  Speaker 2: torture this animal.
• 54:22
  Speaker 1: I mean, I already don't.
• 54:24
  Speaker 2: Like her, but that really sealed it for me. I mean,
• 54:29
  Speaker 2: I mean, oh, I hated this so much. But okay,
• 54:33
  Speaker 2: So talking about not keeping his cover up, Begi is
• 54:39
  Speaker 2: not considering the implications of there being a bunch of
• 54:50
  Speaker 2: innimate objects around him. He is playing it real fast
• 54:59
  Speaker 2: and loose with who he talks about his secret plans with,
• 55:04
  Speaker 2: and the door is listening in and he simply doesn't
• 55:11
  Speaker 2: even think of that, which isn't great. And it's him
• 55:18
  Speaker 2: and Caesar just basically talking about every single aspect of
• 55:26
  Speaker 2: their plan, I mean everything. It's one of those conversations
• 55:30
  Speaker 2: where people are talking in a way that's very unnatural
• 55:36
  Speaker 2: because we need them to say the thing, you know
• 55:40
  Speaker 2: what I'm saying. So it feels like kind of silly
• 55:46
  Speaker 2: as you're watching it, because you're sort of going, why
• 55:49
  Speaker 2: would they even say this now or say this that way?
• 55:54
  Speaker 2: And the reason is simply because we need to blurt
• 55:59
  Speaker 2: it all out for the sake of the story. That's
• 56:02
  Speaker 2: purely it.
• 56:03
  Speaker 1: And I'm not even like mad about it.
• 56:06
  Speaker 2: It's like, because like I get what we're doing, but
• 56:10
  Speaker 2: there are a few moments, especially with Caesar, that I
• 56:13
  Speaker 2: was sort of like, all right, okay, like why why
• 56:17
  Speaker 2: would you even need to say that out loud to begi?
• 56:19
  Speaker 1: You know what I'm saying.
• 56:20
  Speaker 2: Anyway, the door is listening in and like the door,
• 56:28
  Speaker 2: she's not even hiding herself, you know what I'm saying,
• 56:33
  Speaker 2: Like she's her face is visible, she's clearly like talking
• 56:41
  Speaker 2: to folks who are walking by and walking through her,
• 56:44
  Speaker 2: and I don't feel like it's at all hidden that
• 56:48
  Speaker 2: the door is alive. She's put her face out there
• 56:50
  Speaker 2: a few times, but they are still just not considering
• 56:57
  Speaker 2: and can like the thing that I had said earlier
• 57:02
  Speaker 2: about how is it that really is going to get
• 57:05
  Speaker 2: out of this? And then I came to the conclusion
• 57:08
  Speaker 2: that she's going to be rescued. I feel it has
• 57:11
  Speaker 2: to be based on this that someone the door is
• 57:15
  Speaker 2: going to like alert somebody, and that is going to
• 57:20
  Speaker 2: be how they managed to get it. And I don't
• 57:22
  Speaker 2: know how they get into.
• 57:25
  Speaker 1: The mirror world. I'll say that like.
• 57:30
  Speaker 2: The way in which this actually mechanically is going to work,
• 57:34
  Speaker 2: I don't know, but it does seem like it's a
• 57:37
  Speaker 2: given we're going to have a wrench thrown in the
• 57:42
  Speaker 2: work somehow is she going to go straight to Big Mom?
• 57:47
  Speaker 2: I'm not even sure how she goes anywhere.
• 57:50
  Speaker 1: She's gonna just have to hail a soldier, I guess.
• 57:55
  Speaker 2: But is anybody who gonna want to tell Big Mom
• 57:59
  Speaker 2: this because it's going to ruin the day. I feel
• 58:02
  Speaker 2: like they just want to keep her as calm as possible,
• 58:06
  Speaker 2: So even when shit's really starting to pop off like
• 58:09
  Speaker 2: it is here, I feel like they're going to just
• 58:14
  Speaker 2: still continue to hide stuff from her.
• 58:17
  Speaker 1: I don't know. We'll see, We'll see, I guess. And
• 58:23
  Speaker 1: let's see.
• 58:24
  Speaker 2: I'm trying to like scrub through this now because I
• 58:26
  Speaker 2: have gone through my whole hour and I have not
• 58:28
  Speaker 2: finished talking about all of this, the whole thing. The
• 58:34
  Speaker 2: organ salesman or whatever it is. He's called that name,
• 58:38
  Speaker 2: organ dealer, that's what it is. Way to make me
• 58:42
  Speaker 2: instantly hate a person with a name like that. I
• 58:45
  Speaker 2: was like when he got shot, I was like, oh, well,
• 58:48
  Speaker 2: good fuck him. And he may not even literally do
• 58:51
  Speaker 2: what his name suggests, but it sure look like that.
• 58:55
  Speaker 1: That's all I'm saying.
• 58:59
  Speaker 2: And you know, there's a like one of the guys
• 59:02
  Speaker 2: literally yells to another as he's like trying to take
• 59:06
  Speaker 2: him down. We're gonna make a killing off of all
• 59:09
  Speaker 2: of your organs, So just like telling people, hey, we're
• 59:13
  Speaker 2: gonna we're gonna cut you open and take your parts
• 59:16
  Speaker 2: out and sell them.
• 59:18
  Speaker 1: Yikes.
• 59:19
  Speaker 2: And this chain wraps around this dude that he's yelling at,
• 59:22
  Speaker 2: who I think his name is Oven. I'm not positive,
• 59:27
  Speaker 2: but I feel like it has to be him, because
• 59:31
  Speaker 2: like he heats up and he's able to melt all
• 59:33
  Speaker 2: of the chains off himself, and even there's this real
• 59:35
  Speaker 2: creepy clown off to the side that's part of like
• 59:38
  Speaker 2: the organ dealer crew, and he is looking at his
• 59:42
  Speaker 2: little rapiers melts it down to the hill and he's.
• 59:45
  Speaker 1: Just sort of like what happened to my sword?
• 59:49
  Speaker 2: And then there's a the landing of another like big Wig.
• 59:54
  Speaker 2: I can't remember this dude's name either, because I'm so sorry.
• 59:57
  Speaker 2: He lands hard and like lays everybody out, like there's
• 1:00:02
  Speaker 2: a shock wave from the contact with.
• 1:00:05
  Speaker 1: The ground and they all are flattened.
• 1:00:10
  Speaker 2: There's this huge cloud of smoke that when it clears away,
• 1:00:15
  Speaker 2: you see all the enemy laying face down on the ground.
• 1:00:19
  Speaker 2: And one of the guys goes up to that clown
• 1:00:21
  Speaker 2: and just it's oven steps on his back and just
• 1:00:24
  Speaker 2: like his foot is so hot that it sears through
• 1:00:27
  Speaker 2: the back of this clown's suit.
• 1:00:30
  Speaker 1: It's pretty grib.
• 1:00:33
  Speaker 2: Loofy is in the woods trying to catch animals for
• 1:00:39
  Speaker 2: reasons that I don't really want to know, and he
• 1:00:45
  Speaker 2: catches some monkeys, it seems like. But that's pretty much
• 1:00:49
  Speaker 2: all we get of that, not a lot more, and
• 1:00:52
  Speaker 2: then Sanji and Pudding enters the third episode, which I
• 1:00:58
  Speaker 2: had already talked a lot about, like what's going on
• 1:01:01
  Speaker 2: with the two of them. There's also some guys that
• 1:01:05
  Speaker 2: are working with Beggi who are trying to like sneak
• 1:01:09
  Speaker 2: into the basement area, and they run across a chef
• 1:01:14
  Speaker 2: or like a line cook or something. They are in
• 1:01:18
  Speaker 2: the right uniform, but they're heading in the wrong direction.
• 1:01:22
  Speaker 2: And this one dude who tries to be like, oh,
• 1:01:26
  Speaker 2: we're just looking for booze. He's attempting to appeal to
• 1:01:29
  Speaker 2: this cook because he's clearly drunk.
• 1:01:32
  Speaker 1: But the cook starts.
• 1:01:33
  Speaker 2: To realize, like, this doesn't really make a lot of
• 1:01:36
  Speaker 2: sense to you, being like heading in this direction. And
• 1:01:40
  Speaker 2: then here comes Vito, and this chef is like, hey,
• 1:01:44
  Speaker 2: I think these guys might be intruders.
• 1:01:47
  Speaker 1: I've never seen them before.
• 1:01:49
  Speaker 2: And Vito says, well, better not leave any loose ends,
• 1:01:55
  Speaker 2: don't you think Gotti? And Gotti slices this cook and
• 1:02:05
  Speaker 2: kills him. It seems like he's dead. You know, I
• 1:02:08
  Speaker 2: may be wrong about this now. I thought it was
• 1:02:11
  Speaker 2: odd because the whole thing with like Veto and Gotti,
• 1:02:14
  Speaker 2: like these are bug names. You know, they're part of
• 1:02:17
  Speaker 2: the mafia, like Miueu. So I was sort of like
• 1:02:20
  Speaker 2: they're working with.
• 1:02:21
  Speaker 1: Mom specifically, is that?
• 1:02:23
  Speaker 2: But they are evidently with Beggie, So we've got, you know,
• 1:02:27
  Speaker 2: a whole other group that's that's taking her out from
• 1:02:32
  Speaker 2: the inside. I say a whole other and it's like
• 1:02:37
  Speaker 2: not because it's they're part of Beggie's crew obviously, but
• 1:02:40
  Speaker 2: they felt like they were higher level, and I think
• 1:02:43
  Speaker 2: it's that they're related to Big Bomb. Am I right
• 1:02:47
  Speaker 2: about this. I'm recording this episode later than usual, so
• 1:02:50
  Speaker 2: there's nobody in the chat today, so you know, y'all
• 1:02:53
  Speaker 2: are gonna have to get back at me after the fact.
• 1:02:57
  Speaker 2: We have a brief moment of Big Mom just accept
• 1:03:00
  Speaker 2: do all of these various treasures as a gift from
• 1:03:03
  Speaker 2: people to sort of suck up to her, and there's
• 1:03:09
  Speaker 2: that particular box that she's really looking forward to opening.
• 1:03:12
  Speaker 1: The Tomago box is.
• 1:03:15
  Speaker 2: How it's what it's called, and she like, I feel
• 1:03:22
  Speaker 2: like the way that she's talking about it is that
• 1:03:25
  Speaker 2: she doesn't want to open it in front of everybody.
• 1:03:27
  Speaker 2: She's looking forward to it, but it seems like she thinks,
• 1:03:30
  Speaker 2: I better do this in private. So this is the
• 1:03:36
  Speaker 2: point where Caesar shows up and starts to like say
• 1:03:41
  Speaker 2: the whole plan to got to Gotti to Beggie. We
• 1:03:45
  Speaker 2: have Loofy like ducking in and out of Beggie's body
• 1:03:50
  Speaker 2: as well, and the general sort of sense of restlessness
• 1:03:56
  Speaker 2: as everybody waits for the moment to strike. And eventually
• 1:04:01
  Speaker 2: Lufy just falls asleep because of course he does. Like
• 1:04:04
  Speaker 2: everyone else is very tense sitting at this table, just
• 1:04:07
  Speaker 2: sort of sitting silently thinking it all through, and Lufy
• 1:04:11
  Speaker 2: is the only one that's just absolutely out because there's
• 1:04:16
  Speaker 2: nothing else to do right now, thinking why would I
• 1:04:18
  Speaker 2: do that? What's the point. Eventually we have the thing
• 1:04:24
  Speaker 2: with Sanjy and his nose bleed and hitting the ceiling.
• 1:04:29
  Speaker 2: He has to like change because he gets blood all
• 1:04:31
  Speaker 2: over himself. I enjoyed putting, thinking to herself, what the
• 1:04:36
  Speaker 2: hell is with this freak? And as he walks away,
• 1:04:41
  Speaker 2: and she's got this sweet look on her face, she
• 1:04:45
  Speaker 2: just thinks, I can't wait to blow your brains out,
• 1:04:50
  Speaker 2: And I am here for her, I really am.
• 1:04:53
  Speaker 1: She says, I can't wait to blow your dumb brains out.
• 1:05:00
  Speaker 2: And fucking Sanchi who knows this, He knows, and it
• 1:05:03
  Speaker 2: doesn't matter shit is fucking hilarious. I really I enjoy
• 1:05:08
  Speaker 2: it a lot.
• 1:05:10
  Speaker 1: So this is.
• 1:05:11
  Speaker 2: When we have like the fireworks going off and the
• 1:05:14
  Speaker 2: introductions of all of our guests and the bride and
• 1:05:19
  Speaker 2: groom and YadA YadA, and it's very dramatic and I
• 1:05:25
  Speaker 2: can't help but admire deciding to put this much money
• 1:05:27
  Speaker 2: into a wedding that isn't even really gonna happen. Fully,
• 1:05:31
  Speaker 2: I mean it will, but you know what I'm saying,
• 1:05:33
  Speaker 2: Like the Red Wedding, part of the hint that this
• 1:05:38
  Speaker 2: was not going to be what it looked like was
• 1:05:41
  Speaker 2: the fact that everything was done on the cheap and
• 1:05:44
  Speaker 2: it didn't seem like they had planned for a wedding
• 1:05:47
  Speaker 2: at all, which in retrospect makes sense. But this is
• 1:05:52
  Speaker 2: fully like a wedding that's happening.
• 1:05:54
  Speaker 1: It's being done. We've got all of the bells and
• 1:05:56
  Speaker 1: whistles going, so.
• 1:06:00
  Speaker 2: Yeah, fucking Sanji, he's like trying to resist, but we
• 1:06:05
  Speaker 2: have that like weird anime language of its his nostrils
• 1:06:09
  Speaker 2: being very large and wide open, which apparently means that
• 1:06:13
  Speaker 2: you're horny. And I still don't really know where that
• 1:06:15
  Speaker 2: comes from, but I know that's a thing, and uh,
• 1:06:19
  Speaker 2: Veggie looking worried about it. And that is the end
• 1:06:23
  Speaker 2: of the episode. All right, friends, I have got to
• 1:06:27
  Speaker 2: wrap up. Appreciate everybody who's listening. I hope you're enjoying
• 1:06:30
  Speaker 2: the coverage, and thank you to everybody commissioning episodes. Thank
• 1:06:33
  Speaker 2: you to Florian for this one. I will be seeing
• 1:06:36
  Speaker 2: you soon with a new episode. Until then, to the loom, motherfuckers.
• 1:07:14
  Speaker 2: That was an unspoiled network podcast.