Latest / philly has heART / Minisode Redux feat. Becca Haber
Transcript
- 0:00Hey guys, Robert here. You may have noticed that
- 0:04we have gone 48 weeks of pushing podcast episodes,
- 0:08as many as three a week. Hello, Pride. And I
- 0:13think it's time to give myself and podcast producer
- 0:16Lou... the hardest working working mom in philadelphia
- 0:20and probably the world a break don't you robert
- 0:24me thinks you are right as much as i love this
- 0:26project i love my sleep and my kids sometimes
- 0:30most of the time my husband more i think i might
- 0:33spend august hanging out with the family and
- 0:36taking more naps Such is the life of a - Robert,
- 0:40rude! Wasn't it just your birthday? It is Leo
- 0:44season, rawr. We will be rerunning some deep
- 0:47cut mini episodes featuring conversations between
- 0:50us two and those who are both consultants of
- 0:54the pod and friends in real life throughout the
- 0:57majority of August. And Lucinda will be napping
- 1:00through it. Did you know I snore? Your husband
- 1:03told me. He didn't tell you anything else, did
- 1:05he? You mean about how you like - Robert Thomas!
- 1:08Stay tuned through the month of August into September
- 1:10when we will open season three. And if you are
- 1:14out and about and see us, make sure you stop
- 1:16us and introduce yourself. Hey guys, Robert here.
- 1:33We're on summer vacation, so we recorded a few
- 1:35mini episodes with our friends of the pod. Next
- 1:39up, we have Becca Haber, our brilliant marketing
- 1:42consultant. Hey, Becca. Hey, Robert. how are
- 1:59you i'm great welcome to the pod thank you for
- 2:02having me on this side of it i know this is so
- 2:06strange usually i'm just sitting in the corner
- 2:09observing like literally setting the scene for
- 2:12everyone sitting in the room there's a stool
- 2:15literally in a corner and that's where i sit
- 2:17and just watch them do their magic the last guest
- 2:22said i needed to have a dunce cat And I think
- 2:25I agree. No, no, no. That's the last thing you
- 2:29need. I get to sit on the couch now. You need
- 2:32a crown. Ooh, I'll take a crown. Becca, let the
- 2:38audience know what you do with and for the pod.
- 2:42Okay, so marketing consultant, what does that
- 2:45mean? It's a lot of things. I think Lucinda and
- 2:50Robert are the brains behind this operation.
- 2:53And, you know, Robert does such an amazing job
- 2:55hosting and asking such thoughtful questions
- 2:58and making the guests feel comfortable. Oh, the
- 3:01compliments. And then Lucinda does all the preparation,
- 3:05booking the guests, arranging studio time. She
- 3:09makes everything run so efficiently. And then
- 3:12I have come on to help really Gain more of you
- 3:17all, the listeners. Because, you know, a podcast
- 3:21needs listeners. I know, that's so silly. So
- 3:24I'm coming on to help the team put together what
- 3:27does the brand look like. for Philly Has Heart?
- 3:30How can we reach more of the Philadelphia community
- 3:34and art lovers and maybe even people who are,
- 3:37you know, want to dip their toe into the Philly
- 3:40art community but don't know where to start?
- 3:43And I think what you have put together has been
- 3:46so captivating, so inspiring. It's helped me,
- 3:50who is a Philadelphia native who kind of took
- 3:54a stint somewhere else for a long time. and has
- 3:58recently come back, kind of get acquainted with
- 4:02the Philly art scene, as well as bring me, you
- 4:06know, bring me out of my shell a little bit.
- 4:07Bring me out of, you know, just the traditional
- 4:10institutions here. So, yeah, I've been really
- 4:16enjoying the pod myself. My job is to just help
- 4:20you all get a bigger audience, and let's support
- 4:23all these local Philly artists and gallery owners
- 4:26and, you know. musicians and dancers and I think
- 4:31that's that's what it's all about supporting
- 4:33each other in the community and that's why I'm
- 4:35here yes you are going to be able to expand the
- 4:39voice and allow us to allow us to ripple out
- 4:44into the community even more. I sure hope so.
- 4:46I mean, that's definitely my goal here and feel
- 4:49very honored to be a part of this. Well, we'd
- 4:52love to have you. Going back, you know, as we
- 4:54do with all of our guests, can you tell us a
- 4:57little bit about your origin story? My origin
- 4:59story. So as I mentioned, I grew up here in Philadelphia,
- 5:03primarily in the Northeast. Think like Oxford
- 5:07Circle, Somerton area. So like real Northeast.
- 5:11spent basically my whole childhood here except
- 5:14for high school they shipped me off to the burbs
- 5:16unfortunately my parents are both philadelphia
- 5:19natives their families are philadelphia natives
- 5:22so like a really deep history like i actually
- 5:25like i said i grew up in the northeast but now
- 5:27i live in the fairmount area and The, like, house
- 5:30that my great -great -grandparents lived in when
- 5:34they first came to America is, like, around the
- 5:37corner. Oh, my gosh. And where they had their,
- 5:39like, I think it was, like, a shoe repair business.
- 5:42And so, like, I feel like I'm even, like... you
- 5:45know, returning home in a deeper way. Like I
- 5:47grew up in Philly. But yeah, so I went to Philadelphia
- 5:51Public Schools. And, you know, that's really
- 5:54where I got kind of experienced my interest in
- 5:58the arts and got really acquainted with it. I
- 6:00was really fortunate to take part in a lot of
- 6:03programs going up through the School District
- 6:05of Philadelphia. I can think back to one of my
- 6:09elementary schools had a relationship with the
- 6:11Rock School of Ballet. Oh, my gosh. And we would
- 6:15go down and watch the dancers go through a rehearsal
- 6:19and practice. If we were lucky, we got show tickets
- 6:23later to see the Philadelphia Ballet. I, you
- 6:27know, saw operas like Madame Butterfly and Romeo
- 6:31and Juliet. Like, I think I was probably eight
- 6:33years old. Oh, my gosh. And it was all free,
- 6:36all through the school district. I hope these
- 6:37programs still exist today. Yes, yes. If not,
- 6:40we should. I think it's through ArtReach. Yes.
- 6:43need more because yeah it's really what got me
- 6:46got me started and really loving arts I took
- 6:49a like a free art camp in Fairmount Park for
- 6:52like a week and now I live near Fairmount Park
- 6:55and it's just like it's so rich and so nice to
- 6:59like full circle so actually I brought with me
- 7:03too because I've talked to Lucinda about this
- 7:05too that I you know through other programs through
- 7:07the city too I got to do reports on artists and
- 7:12stuff like that. And we would go to the wood
- 7:13mirror in the evening and like do a presentation.
- 7:18So yeah. For the audience, we're looking at little
- 7:22baby Becca at the museum in front of what your
- 7:26entire class. Yeah. And probably their parents
- 7:29and other folks. Doing your little report in
- 7:33a beautiful pink dress. Thank you. Purple dress.
- 7:35Yes. Thank you. And this is a real photograph
- 7:39that we're looking at. This is not on the phone.
- 7:41Yeah, this is not digital at all. Dating myself
- 7:45here, I think this might have been like 28 years
- 7:47ago, which is crazy to say. So I would say that,
- 7:50yeah, my history really started in Philadelphia.
- 7:53Like I said, exploring kind of the history and
- 7:56the art scene here. I always was like very interested
- 7:59in art. It's like some sort of career. And I
- 8:02dabbled in a lot of things like ceramic, painting,
- 8:05graphic design, but really stuck with me. Now
- 8:09we're moved to the suburbs and I got to take
- 8:12a class in advertising. I think it was junior
- 8:15or senior year. And that to me was the perfect
- 8:19intersection between my analytical side of my
- 8:23brain as well as my creative side of the brain.
- 8:27And how do you like marry art with creating brands
- 8:31and telling a brand story? And that kind of led
- 8:34me to a degree in marketing at the University
- 8:37of Pittsburgh. And after that, I moved to New
- 8:40York. I followed a boy. But like, I really did
- 8:44want to live in New York. I had some opportunities
- 8:47to come back to Philly, but I think ultimately
- 8:50I wanted to. expand my horizons a little bit
- 8:54you know again I grew up here I went to school
- 8:57in Pennsylvania not too far away and my whole
- 9:00family's still here so I wanted to do something
- 9:02different had like several marketing jobs at
- 9:05a variety of companies but now I'm back in Philly
- 9:08so happy to say that I'm taking a little work
- 9:11sabbatical right now Mostly because I want to
- 9:15do something more local. And so I think this
- 9:17is like perfect. Working on the pot and reconnecting
- 9:20to my roots. Spoiler alert. She married the boy.
- 9:24Oh, I did marry the boy. I guess that was. I
- 9:27guess it was worth it. I guess it was worth it.
- 9:30Oh, man. Shout out. If you could get a season
- 9:40subscription. From any Philadelphia performing
- 9:43arts companies, which one would it be? Oh, man,
- 9:47this is a tough one. And you know what? I've
- 9:49had subscriptions to a few over the course of
- 9:54my existence. Like I mentioned, I have a long
- 9:59experience with the Philadelphia Ballet that
- 10:01dates back to my youth, thanks to... those philly
- 10:05school programs i've done the like philly broadway
- 10:09subscriptions which was so fun that was such
- 10:11a nice way for me and my mom to like reconnect
- 10:14not reconnect we never got disconnected but i
- 10:17was living in a different state a different city
- 10:20for so many years that it was a nice way it forces
- 10:22a date yes for you to come together exactly have
- 10:26dinner go see a show Absolutely. That's exactly
- 10:31what it did. And it was so nice to be doing that.
- 10:34Also, don't sleep on the Broadway shows of Philly.
- 10:38Just as great of productions as New York. So
- 10:41much more convenient and affordable. And you
- 10:44get to see all the latest shows pretty soon after
- 10:46they come off. Not even come off Broadway, but
- 10:49launch. Get on that, people. More recently, I
- 10:53was... Exposed? Exposed seems like not the right
- 10:58word, but exposed to the Philadelphia Orchestra.
- 11:02A friend of mine is a member there, and she mentioned
- 11:07to me that they were having, they had this annual
- 11:10Martin Luther King Day performance at Girard
- 11:13College. And so she brought her daughter and
- 11:16I brought my son. There were five. Honestly,
- 11:21I was floored. I played clarinet in band in middle
- 11:26school and high school. I know some of the classics
- 11:28and stuff like that, but I think just listening
- 11:31and probably in art because of screens and all
- 11:33that, it feels hard to listen to just music as
- 11:38a performance versus having something visual
- 11:41to kind of see with that. And I think this performance
- 11:45just really broke that kind of narrative for
- 11:48me. so engaging sitting there and listening to
- 11:52the live music surrounding you with so many different
- 11:55pieces you know instruments and and people and
- 12:00backgrounds and i was really speechless yeah
- 12:03and i don't know if i've ever really just kind
- 12:06of listened to the music the music of the orchestra
- 12:09that way and it was such a beautiful event like
- 12:14their like auditorium there It's just gorgeous
- 12:17at York College. There were so many people filling
- 12:20the halls. It is free every year, but you do
- 12:22need to register for a ticket. We got to sit
- 12:25so close and, you know, we got to be exposed
- 12:27to music that I just had never even heard or
- 12:30didn't know who was behind the music. So if anyone's
- 12:35familiar with, you know, the works of Mozart.
- 12:38No, this wasn't Mozart. I mean, don't get me
- 12:43wrong. love Mozart that's a great focus music
- 12:47for when you're studying and such but this was
- 12:52uh this was some of the selections that were
- 12:55in included were feature selections from william
- 12:58grant um stills wood notes which is just so delightful
- 13:02and was like kind of based on some poems on like
- 13:05the landscape of the southern u .s they did an
- 13:10amazing feature where they did barbers adagio
- 13:13for strings which they paired with like mlk's
- 13:16uh words and like honestly that had me weeping
- 13:20so i think like just like this was a free performance
- 13:23and so i'm very long long way to say i'm very
- 13:26inspired to kind of attend the orchestra more
- 13:29and i think that they're always putting on some
- 13:32really interesting events and and kind of getting
- 13:34yeah just more acclimated with that as a type
- 13:37of art and like how i had that's my life you
- 13:42know um that feels not the prettiest way to say
- 13:47it yes that's where i'm at orchestra subscription
- 13:51in our future So good. I did prepare for this.
- 13:56I think I overprepared. So recently we went to
- 14:01a first Friday at the Barnes and you gave me
- 14:04some hot goss on how the collection wound up
- 14:07in its current location. Can you share it with
- 14:11our listeners? So this is such an interesting
- 14:13story. I think I even had. been a little confused
- 14:18by the rumors that have been going around but
- 14:20i i went back fact -checked and this story is
- 14:24just so interesting to me and it's it feels like
- 14:27such a like a philly drama oh yeah that is unfolding
- 14:30so enter barnes he's this self -made millionaire
- 14:34who co -invented something called argoil which
- 14:38was essentially this like silvery metallic like
- 14:41substance that they used as an antiseptic back
- 14:44in the day to treat gonorrhea They used to put
- 14:47this on like baby's eyes to like clear up. gonorrhea
- 14:50infections and i mean like since then we've moved
- 14:53on to some better whatever makes a dollar i guess
- 14:58i know but this is what a way to make your first
- 15:00million yeah exactly um so in in itself like
- 15:04he's a chemist like this you know very you know
- 15:07feels very distant from the art world but this
- 15:09is how he kind of made his money so he decides
- 15:13to use his wealth to explore art and art education
- 15:17and he starts collecting at the start of the
- 15:2020th century. He has this friend from high school,
- 15:23William Glackens, who's also a American artist
- 15:27and says, go on this spending spree in Europe.
- 15:31While he's on this spending spree in Europe,
- 15:33he acquires what is today like half a million
- 15:36dollars of art, acquires things like Van Gogh's
- 15:40Postman and several other really like famous
- 15:44impressionist pieces of art and stuff like that.
- 15:47Like over the years, He continues to collect
- 15:49and like eventually he amasses what is known
- 15:52as the biggest personal collection of Impressiveness
- 15:55and modern art, which if you've been to the Barnes
- 15:58Foundation, you know, the walls are packed. Pact.
- 16:03Brimming. It's not a large museum, but you have
- 16:07to go back because you will miss things. There
- 16:10are so much on the walls. And apparently that
- 16:12was his style too. Correct. Because the actual
- 16:15location was in Marion. In Marion, PA. In Marion.
- 16:20Yeah. And the collection at the Barnes currently
- 16:23is supposed to match the way that it was on the
- 16:26walls in his house in Marion. Yes. Because that's
- 16:30what he stipulated in his will, which had been
- 16:32like figured out for a while. But like no one
- 16:34really knew what was in this thing. So in 1951,
- 16:38he tragically dies in a car crash. And his foundation
- 16:42is kind of left to deal with this aftermath of
- 16:45like executing his will, which has so many stipulations
- 16:49in it. You kind of just touched on it. One of
- 16:51them was that the artwork has to be arranged,
- 16:55densely populated with other pieces of art. And
- 16:58also include other pieces of his collections
- 17:01that includes like medieval antiquities and like
- 17:05African art. And that is his aesthetic. He wants
- 17:10it like that. Screw the curators. Screw the curators
- 17:13where it's like nice clean walls with like one,
- 17:16two pieces on the wall. He wants you to just
- 17:19be like hate in the face with art. I mean, I
- 17:21love a gallery wall. So I'm here for it. Was
- 17:25he the inventor of the gallery wall? Gosh, I
- 17:28would love to know that. With that too, it's
- 17:31like no piece can be removed from the wall. Like
- 17:34once it is placed, it cannot be moved anywhere
- 17:36else and it can't be sold, lent, nothing. The
- 17:40biggest stipulation is the art was not to be
- 17:43removed from the foundation and Marianne PA.
- 17:45Of course, there's a lot of money to be made
- 17:48when displaying art and the dealings of art and
- 17:53stuff like that. There was a camp that wanted
- 17:56to keep it. In Marion, PA, exactly to his wishes.
- 18:00And then there was a camp that was, let's bring
- 18:02it to Philadelphia, which he was very opposed
- 18:04to. Through so many legal battles, actually kind
- 18:08of hilariously, there's like two like diss films
- 18:11about it. What? Yes. We are going to have a movie
- 18:17marathon weekend. With martinis? Yes. Yeah. It's
- 18:21like the one that originally came out is called
- 18:23The Art of the Steel. And then in response to
- 18:28that, there was The Barnes and Beyond In The
- 18:31End, Truth Prevails. I'll let you guess which
- 18:35side created which. We're talking years and years
- 18:39of legal battles, these just films coming out.
- 18:42But eventually, those who moved it to Philadelphia
- 18:46convinced the judge that they would keep everything
- 18:50exactly the same. And he prevented them to make
- 18:55the move, which people are still furious about
- 18:57today. I'll let you choose your side. The rumor
- 19:00is that the walls were actually taken from the
- 19:02house and like put in the in the foundation.
- 19:05That's not true. The architecture who built the
- 19:08new foundation, he did design it to the exact
- 19:12specifications of Marian location, including
- 19:16like the windows were and like the same. If you
- 19:20go in, you'll notice like the mustard colored
- 19:22burlap on the walls that is like exactly. To
- 19:26match how it looked at the old foundation, as
- 19:29well as they had to recreate the arches where
- 19:32Matisse's The Dance hangs, which was curated
- 19:35specifically for Barnes. The two of them were
- 19:39friends. Who's our casual artist friend? Maybe
- 19:43we don't know them yet. I mean, we just recorded
- 19:4520. Maybe you have 26 casual artist friends.
- 19:50I think about that all the time, especially when
- 19:53I'm at the Barnes, because he was friends with
- 19:56a lot of the living artists that hang on his
- 19:59walls. And it's kind of interesting. Some of
- 20:02them had already become pretty famous, but I'm
- 20:05like, who would that be in our modern era? I
- 20:09don't know. Maybe someone who was on the pod.
- 20:13We're going to move into some rapid fire questions.
- 20:15Yeah. Which artist in the Barnes collection is
- 20:18your favorite? This one might be somewhat surprising.
- 20:21I'm not sure. It's a piece by William Glackens,
- 20:24who I just mentioned from the previous story.
- 20:26I actually didn't put two and two together until
- 20:28I was fact checking. But it's called Girl in
- 20:32Green Turban. It's an oil on canvas. And if you're
- 20:36curious, it's in room 12 on the north wall, right
- 20:40by the doorway. It won't move. because it has
- 20:43to stay there. And there's really nothing particularly
- 20:46outstanding about this piece of art. Like, it's
- 20:49a Glackens. He's kind of famous in his own right.
- 20:52His earlier work, he's more known for. It's in
- 20:55portrait style, so very, you know, of the time.
- 20:59It's a portrait of a woman who's, you know, sitting
- 21:02in what is definitely a posed position, but there's
- 21:05just something that's just so captivating about
- 21:08her. I would say the colors are so bold and complimentary.
- 21:13There's this very, you know, they call it a green
- 21:16turban. I would call it kind of like this muted,
- 21:19but like very fresh mint color. And then it's
- 21:22paired with these varieties of orange, kind of
- 21:25the same mustard that is on the walls of the
- 21:29foundation. I actually wonder it now. I'm like,
- 21:31oh, was that it actually painted there? Probably
- 21:33not the same time frame, but it's a very similar
- 21:37color. so many deep blues and it's just like
- 21:40very eye -catching and like very like comfortable
- 21:44you know it's like when you get all those complimentary
- 21:46colors together your brain just kind of like
- 21:48feels happy like yes this all goes together i
- 21:51don't know it's one of those ones again especially
- 21:53where it's placed like as you're walking the
- 21:55rooms it's right next to the doorway and she
- 21:58catches me every time and i'm like i could i
- 22:01could spend a lot of time like just again just
- 22:04thinking through like what is going on in the
- 22:06scene what do you think what is your secret this
- 22:08is why i love the artist talks yeah when you
- 22:12have an opportunity to go because then you kind
- 22:14of get the insider information yeah and i think
- 22:19we've been able to kind of change the way that
- 22:21we document the insider information where they
- 22:26didn't even have that opportunity before nobody
- 22:29wrote it down it's so interesting too and i think
- 22:32that maybe says something about the piece too
- 22:34that it probably was done as like a favor or
- 22:37for barnes himself since they were friends or
- 22:41or something to that extent because Even on the
- 22:45website, you can go to the Barnes Foundation
- 22:47website and you can look at all their artwork.
- 22:50They actually have it very nicely cataloged that
- 22:52you can go and view. And if it's in the public
- 22:55domain, you can download it too. Rapid fire questions.
- 22:58Yes. Fill it off the art scene in one word. Rich.
- 23:03love and i mean that like not rich as like you
- 23:05have to be rich to buy it but like rich as in
- 23:08just like there's so much so much it's so authentic
- 23:12it's i know this is now more than one word i'm
- 23:15sorry supposed to be brought to fire what is
- 23:19your favorite drink of the moment This is very
- 23:22funny. I've gotten into drinking cherry juice
- 23:25lately. It's supposed to help with inflammation,
- 23:28help with sleep, something that I'm really poor
- 23:31at. But I don't like to just drink a full thing
- 23:34of juice. So I'll do half cherry juice and half
- 23:37like maybe a flavored seltzer. I love Waterloo
- 23:42Seltzer. I think it's better than La Croix. Yeah,
- 23:47so the half and half of that, it creates a really
- 23:49fun drink. And it's become my kind of like go
- 23:51-to mocktail when I want something more interesting.
- 23:54Favorite Philadelphia neighborhood? I mean, I'm
- 23:57definitely partial to the Fairmount area just
- 24:00because of where I live. When the child grows
- 24:04up and is not living in the home anymore, I could
- 24:08see myself moving somewhere like downtown, like
- 24:10more like Queens Village area. Hey, hey, Lucinda.
- 24:14Or even like recently I went to dinner out on,
- 24:16like, I guess it's around Pass Young Square on
- 24:19Tasker. Yeah. I just really enjoyed it there.
- 24:22Like, I guess that's South Philly, but yeah.
- 24:24It's nice. Very neighborhood -y. Cheese steaks
- 24:27with whiz or without? With whiz. Philly girl.
- 24:31Yes. All the fixings. Becca. Yes. Sometimes we
- 24:35like to play fuck, marry, kill on the pod. Are
- 24:38you down? You ready? Yeah. Fuck, marry, kill.
- 24:42Mm -hmm. Cy Twombly. Mm -hmm. Marcel Duchamp.
- 24:46Uh -huh. Pablo Picasso. Ooh. Oh, those are good
- 24:50ones. Ooh. I would marry Duchamp. I know. Scandalous,
- 25:01right? I feel like his art kind of, it pushes
- 25:07the boundaries. And I like that. I kind of like
- 25:10that as a partner, right? Maybe to push me further
- 25:15into my ways of thinking. I don't know. Not that,
- 25:18Carrie. Carrie's like, I am nothing. He's probably
- 25:22like, do you want poop? Sorry, Carrie. Fuck,
- 25:29definitely Picasso. I feel like, yeah, he's a
- 25:33good time. Yeah, it'd be a fun night. Bendy.
- 25:39Lots of angles. And then Cy Duhamel scares me
- 25:46quite a bit. I think this might be, yeah, I don't
- 25:51know what's going on in this artist's brain,
- 25:54but yeah, I would kill him. Becca, thank you
- 25:59so much for joining us. Becca, it's been amazing.
- 26:02Thank you for the conversation. Thank you. If
- 26:04you like this episode, please like and subscribe.