Latest / Vanity Farah with Chris Farah / 90 Day The Single Life Season 5, Episode 14 “The Act of Making It Official”

Transcript

90 Day The Single Life Season 5, Episode 14 “The Act of Making It Official” · Vanity Farah with Chris Farah

• 0:03
  Speaker 1: Hi, everyone, Welcome back to Vanity Farah. I am your host,
• 0:07
  Speaker 1: Chris Farah. And as one ninety day spinoff ends, another
• 0:16
  Speaker 1: ninety day spinoff and or regular ninety day will come
• 0:19
  Speaker 1: and that is the circle of life. And we're in
• 0:22
  Speaker 1: the middle of spring, so that makes sense. And were
• 0:26
  Speaker 1: talking about ninety day this Single Life. This is season five,
• 0:30
  Speaker 1: episode fourteen, act of making it official. Certainly we are
• 0:36
  Speaker 1: going to head right into the tell all after this,
• 0:40
  Speaker 1: hosted by the Ross Matthews, so we get a little
• 0:44
  Speaker 1: pin on all the stories as they come to an end.
• 0:47
  Speaker 1: And let's talk about it. It was an extra long episode.
• 0:51
  Speaker 1: I mean they really had to pack it in an
• 0:53
  Speaker 1: extra long Single Life with all of the fixens. Honey,
• 0:57
  Speaker 1: it's the jerk chicken, it's the jacouterie appetizer, honey, and
• 1:01
  Speaker 1: the dessert crystals, you know what I'm talking about, and
• 1:05
  Speaker 1: a pouting Sophie. Let's start with Sophie and Liz and
• 1:10
  Speaker 1: you know also Pedro and Julia I guess, and you
• 1:13
  Speaker 1: know all the friends. So we start. Sophie is applying
• 1:17
  Speaker 1: a spray kind of hair product, maybe a wave spray
• 1:21
  Speaker 1: onto her hair. And I really want to also say
• 1:24
  Speaker 1: this about Sophie. Sophie's personality in single life has really
• 1:28
  Speaker 1: cemented in the fact that I do not like her,
• 1:31
  Speaker 1: but I will give her this grace when we get
• 1:35
  Speaker 1: like cutbacks to like Sophie and Rob when we first
• 1:38
  Speaker 1: met them. I'm so happy she upgraded her hair away
• 1:42
  Speaker 1: from that weird blonde wig she was wearing, and like
• 1:46
  Speaker 1: what she was doing to the hair that she has now,
• 1:48
  Speaker 1: I'm sure there's extensions in but they blend really perfectly.
• 1:52
  Speaker 1: And she's using her natural hair, which is like curly,
• 1:54
  Speaker 1: and I think it looks really really good. So there
• 1:58
  Speaker 1: is something nice that I said it I think you did. Okay,
• 2:02
  Speaker 1: so we are we obviously she is doing her hair
• 2:07
  Speaker 1: like I said, She's in a pink Gucci print bikini.
• 2:10
  Speaker 1: It's cute. And she's really upset about the way things
• 2:14
  Speaker 1: end with Pedro and it's the last day and basically
• 2:18
  Speaker 1: she's like, I've texted him, he won't text back, and
• 2:20
  Speaker 1: she's like really upset by this. And that's confusing for
• 2:24
  Speaker 1: us because we don't understand why she would be, or
• 2:26
  Speaker 1: at least I don't, because she made a choice and
• 2:34
  Speaker 1: seems to not think there would be any repercussions for it.
• 2:38
  Speaker 1: She doesn't seem to like tether her action to the consequence,
• 2:44
  Speaker 1: which is that she disrespected him and he's like a
• 2:49
  Speaker 1: machi'sim guy and he is not going to be happy
• 2:53
  Speaker 1: that you went on a date with someone and kissed
• 2:55
  Speaker 1: them when you were there to hang out with him,
• 2:57
  Speaker 1: and you guys had been like flirting and sort of dating.
• 3:02
  Speaker 1: She could be like, we're not in a relationship, sure,
• 3:04
  Speaker 1: but you're still like seeing that person. I mean, you know,
• 3:07
  Speaker 1: not to just pull out a Wayne. I guess labels
• 3:13
  Speaker 1: are trying to define where two people are in I mean,
• 3:19
  Speaker 1: for lack of a better word, a relationship or the
• 3:21
  Speaker 1: space between them. Trying to like define the space that
• 3:25
  Speaker 1: they are in and between them is difficult. Right from
• 3:29
  Speaker 1: seeing or dating or hooking up or talking to It's
• 3:33
  Speaker 1: like it's awkward because you don't want to say this
• 3:36
  Speaker 1: person's my boyfriend and girlfriend, but like wherein you guys
• 3:41
  Speaker 1: are heading towards that way or you both have the
• 3:44
  Speaker 1: intention to get to know each other in a way
• 3:47
  Speaker 1: that is respectful, and you're also on TV and you
• 3:53
  Speaker 1: know you're meeting that person's parents. It sort of means
• 3:56
  Speaker 1: that your focus should be on whether this one person
• 4:01
  Speaker 1: is right for me to like label in some way.
• 4:05
  Speaker 1: But I mean, you know, the kids are going to
• 4:06
  Speaker 1: do what the kids are going to do, and you
• 4:08
  Speaker 1: know Wayne's gonna do what he's gonna do, and you
• 4:10
  Speaker 1: know he's no kid. But again talking about Sophie and Liz.
• 4:12
  Speaker 1: So it is the last day for them, and so
• 4:15
  Speaker 1: the girls meeting Liz and Julia come over to Sophie's apartment,
• 4:19
  Speaker 1: sorry hotel room, and they drink champagne. At one point,
• 4:22
  Speaker 1: I'm like, is Julia drinking champagne? It's a little confusing. Julia, though,
• 4:27
  Speaker 1: has a bucket hat and it's very Aviva coded, it's
• 4:30
  Speaker 1: very Why two coded, and she has like a neon
• 4:33
  Speaker 1: green little set. She looks really really cute. Good for her.
• 4:37
  Speaker 1: So the pool of the resort is going to have
• 4:40
  Speaker 1: a phone party, and it's not what I thought was
• 4:44
  Speaker 1: going to happen, because you know, I already told you
• 4:47
  Speaker 1: I went to a phone party and it was like
• 4:49
  Speaker 1: a dry phone party, like it was just a foam
• 4:51
  Speaker 1: It was like a massive foam party on a dance
• 4:54
  Speaker 1: floor where there was actual phone. But this pool party
• 4:58
  Speaker 1: is just they put some down this show. I guess.
• 5:02
  Speaker 1: In the pool, there's like barely any bubbles. What happens
• 5:07
  Speaker 1: after this? Do they drain the pool or so to
• 5:11
  Speaker 1: just be in the pool? I guess, yeah, right, I mean,
• 5:13
  Speaker 1: I don't know pools. You really think about what happens
• 5:16
  Speaker 1: in pools, which is just a bunch of like suntan
• 5:19
  Speaker 1: lotion and a bunch of pea and whatever else is
• 5:21
  Speaker 1: on people just swirling around. It's quite gross, but you know,
• 5:26
  Speaker 1: I'll get in one, I guess. Sophie again is poudy
• 5:31
  Speaker 1: mcpouts a lot. She is just so upset that Pedro
• 5:34
  Speaker 1: isn't paying attention to her, and it's the last day
• 5:37
  Speaker 1: and she's like wildly annoyed that he's not coming to
• 5:41
  Speaker 1: the pool party, also probably not paying attention, like not
• 5:44
  Speaker 1: like wanting to be with her. She really seems like
• 5:46
  Speaker 1: upset by this. Bia however, comes who is obsessed with Liz,
• 5:51
  Speaker 1: and he comes into the pool party and then you know,
• 5:56
  Speaker 1: Sophie's like, have you talked to your friend? Is he coming?
• 5:59
  Speaker 1: And you know, he's like no, and she's like why
• 6:02
  Speaker 1: and he's like, because you went on a date with
• 6:06
  Speaker 1: another guy and kissed him. And then Sophie starts to
• 6:12
  Speaker 1: take the stand like well, I mean he won't even
• 6:15
  Speaker 1: tell me a fuck off. He won't even tell me
• 6:17
  Speaker 1: that he's over it. And it's like, girl, we watched
• 6:20
  Speaker 1: him get up and leave and be like I'm over
• 6:22
  Speaker 1: it and leave, Like I don't understand why that action
• 6:25
  Speaker 1: alone doesn't some men in your head. No, I mean,
• 6:31
  Speaker 1: of all of the situation, I'm on Pedro's side, and
• 6:34
  Speaker 1: I'm really happy for him the way that this all
• 6:35
  Speaker 1: works out, because she is someone who obviously didn't want
• 6:43
  Speaker 1: him but really wants him to want her so she
• 6:48
  Speaker 1: can just feel good about herself. And you know, it's
• 6:52
  Speaker 1: a thing that happens and it's it's you know, like
• 6:57
  Speaker 1: I said, disrespectful, it's super weird, it's super like narcissistic behavior.
• 7:02
  Speaker 1: It's like it really goes to show how much validation
• 7:06
  Speaker 1: she needs and like maybe the insecurity that she has.
• 7:10
  Speaker 1: And at the same time, I'm hoping that he learns
• 7:12
  Speaker 1: a lesson, and the lesson is, like, you know, if
• 7:15
  Speaker 1: you want to go for someone like Sophie, you are
• 7:21
  Speaker 1: going to pay the consequences. And the consequences are she's
• 7:25
  Speaker 1: going to play mind games because she is insecure because
• 7:30
  Speaker 1: you can see that this person has tried to change
• 7:32
  Speaker 1: every part of her. Maybe maybe that like gives you
• 7:35
  Speaker 1: a clue that this person's mental game is not intentional
• 7:39
  Speaker 1: about relationships and more intentional about making herself into the
• 7:43
  Speaker 1: Kardashianist Kardashian of Kardashian Land, you know, God bless. So
• 7:50
  Speaker 1: at this point, they're in the pool and Julie is like, well,
• 7:55
  Speaker 1: he might still have texted you, So let's get out
• 7:57
  Speaker 1: of the pool and you can check your phone. And
• 7:59
  Speaker 1: at this point I was so upset. I was like,
• 8:01
  Speaker 1: he better not have texted her, and also this is
• 8:03
  Speaker 1: horrible writing if he does. And so she gets out
• 8:06
  Speaker 1: of the pool and he hasn't texted her, but he
• 8:08
  Speaker 1: is online because you can tell on WhatsApp. And so
• 8:11
  Speaker 1: Julie just takes the phone and calls him facetimes and
• 8:13
  Speaker 1: he declines right away. Oh that is cold. I loved it,
• 8:19
  Speaker 1: and I was also just, yeah, really happy that he
• 8:21
  Speaker 1: didn't just suddenly pick up and was like, okay, I'll come.
• 8:25
  Speaker 1: We cut to him he's packing and leaving, honey. He's like,
• 8:28
  Speaker 1: I have a lot of dignity, and I was like good.
• 8:32
  Speaker 1: He's like I can she really broke my heart, this Sophie.
• 8:35
  Speaker 1: But I went through a divorce. So this is just
• 8:36
  Speaker 1: a little rock in the road. Yeah, he stands up
• 8:41
  Speaker 1: for himself. He drew a line. I don't understand quite
• 8:44
  Speaker 1: if he was gonna be okay if she went on
• 8:46
  Speaker 1: a date and just the fact that she kissed another
• 8:48
  Speaker 1: guy was the you know, Nail macoffin. But I want me,
• 8:54
  Speaker 1: I want you. I want everyone to put a little
• 8:59
  Speaker 1: pedro in your pocket. So if someone is fucking around
• 9:02
  Speaker 1: with you and you're single and is trying to make
• 9:05
  Speaker 1: you jealous, and it's not giving you what you deserve,
• 9:08
  Speaker 1: and you know how much you know you like someone
• 9:11
  Speaker 1: and this person is making it unclear or awkward for you,
• 9:14
  Speaker 1: get the fuck out. Get out, because it's never going
• 9:19
  Speaker 1: to be good. If she's going to do that to you, now,
• 9:22
  Speaker 1: she's going to always have her eye out for someone else.
• 9:27
  Speaker 1: It's I mean, she's like Sophie kind of goes back
• 9:31
  Speaker 1: and forth and being like, well, I guess you know,
• 9:34
  Speaker 1: I shouldn't have gone on a date with him, But
• 9:35
  Speaker 1: he should have listened to me when I said I
• 9:37
  Speaker 1: didn't want to be in a relationship. And it's like, well,
• 9:39
  Speaker 1: then listen to him when he says he doesn't want
• 9:41
  Speaker 1: to talk to you. He got up and left. I mean,
• 9:42
  Speaker 1: you should just listen to him. It's so confusing that
• 9:46
  Speaker 1: she's so confused, Like it's baffling to me that she's like,
• 9:53
  Speaker 1: he's so emotionally immature. No, he very much was open
• 9:58
  Speaker 1: and honest with his feeling. You said you wanted to
• 10:03
  Speaker 1: like see how things went, and then in his home,
• 10:07
  Speaker 1: like homeland, you just picked up your phone and scrolled
• 10:11
  Speaker 1: and met some dude who didn't want anything to do
• 10:13
  Speaker 1: with you, and then you felt bad about that, try
• 10:17
  Speaker 1: to get back with him, told him, and he was like, nah,
• 10:20
  Speaker 1: hell no, I mean it seems pretty fucking cut and dry.
• 10:23
  Speaker 1: He realized that you play games, and he was like,
• 10:26
  Speaker 1: I don't want to be fuck around. I'm just so
• 10:30
  Speaker 1: happy for him, and like, you know, yeah, Sophie's personality
• 10:33
  Speaker 1: really sucks, Like it's gross. We cut to Liz. She's packing,
• 10:37
  Speaker 1: and Liz uses cubes when she's packing, and she looks
• 10:40
  Speaker 1: like she's organized. I mean, at one point, Liz is
• 10:44
  Speaker 1: folding clothes to go in her suitcase. I'm like, I
• 10:46
  Speaker 1: have never folded clothes as tight as you folding these
• 10:50
  Speaker 1: clothes right now, Like I wish I could fold sheets
• 10:54
  Speaker 1: and towels and shirts, like how other people do I mean,
• 10:57
  Speaker 1: you know, I mean tight and small? I mean like,
• 11:00
  Speaker 1: what did you work at the gap? How do you
• 11:01
  Speaker 1: do that? For some reason, I don't know if it's
• 11:04
  Speaker 1: like my floppy, big ass hands, but I can't fold,
• 11:07
  Speaker 1: for shit, all my footed sheets look crazy, you know.
• 11:11
  Speaker 1: Fia comes over and he says he hasn't packed yet.
• 11:15
  Speaker 1: So this is what's confusing. Also to me, I didn't
• 11:19
  Speaker 1: realize until this very last episode that Pedro and Via
• 11:22
  Speaker 1: were staying at this resort. Like I thought Pedro was
• 11:25
  Speaker 1: staying I don't know, at his mom's house or like
• 11:29
  Speaker 1: at a property that like an apartment that he owns like,
• 11:32
  Speaker 1: but he was staying at the resort as these ladies were,
• 11:35
  Speaker 1: and so was Via. Like Via lives here, I don't know,
• 11:40
  Speaker 1: they live on different parts of the island. I mean
• 11:42
  Speaker 1: obviously I feel like production was paying for this. I
• 11:44
  Speaker 1: don't quite understand, like what, you know, what's happening? Why
• 11:48
  Speaker 1: is he packing? Where does he live? You know? Okay,
• 11:52
  Speaker 1: So she sits down with him and she says, you know,
• 12:00
  Speaker 1: long term just isn't in the cards for me, and
• 12:03
  Speaker 1: she sort of blames which you know, I'm not saying
• 12:06
  Speaker 1: it's bad that she blames you know, her sickness, which
• 12:08
  Speaker 1: is cancer. She also had told him that she's like
• 12:11
  Speaker 1: in a relay lae with someone else. She never says
• 12:13
  Speaker 1: that's the reason why she doesn't want to be with
• 12:15
  Speaker 1: that guy, but I'm pretty sure she's engaged to that
• 12:18
  Speaker 1: guy now. So I also want to be like, what
• 12:21
  Speaker 1: does that guy think of like watching you hook up
• 12:23
  Speaker 1: in the dr anyway? Also, I mean, like V is
• 12:25
  Speaker 1: so hot. I don't know. She's like, I just want
• 12:28
  Speaker 1: I get it, Like I have a child and I
• 12:31
  Speaker 1: want someone that's going to be there like night and
• 12:32
  Speaker 1: day for me and the kid, and like you know
• 12:34
  Speaker 1: when I have to go to doctor's appointments, and yeah,
• 12:39
  Speaker 1: you can't do that with a long term relay. I
• 12:42
  Speaker 1: wonder if he was like, yeah, I would move there,
• 12:44
  Speaker 1: then I would be on ninety apance. Have you heard
• 12:46
  Speaker 1: of the show? You know? I'm not quite sure. So
• 12:50
  Speaker 1: they cry. It's really really sweet. He's like, don't blame yourself.
• 12:53
  Speaker 1: She's like I do, and he's and then she's like,
• 12:55
  Speaker 1: I have to say that meeting you changed me. And
• 12:58
  Speaker 1: he is comforted by that fact and is happy that
• 13:01
  Speaker 1: she shared it, and they seem to have like a
• 13:04
  Speaker 1: genuine connection, which is like a beautiful thing to watch
• 13:08
  Speaker 1: and love is hard. So it feels like Liz had
• 13:11
  Speaker 1: the only genuine storyline on single Life, like hers is
• 13:17
  Speaker 1: the only one. I can be like, yeah, that I
• 13:19
  Speaker 1: think that happened. Everyone else is like what, anyway, we'll
• 13:23
  Speaker 1: get into it. So Via ends up carrying her purse,
• 13:29
  Speaker 1: her Stanley, and her suitcases out that Stanley Honey makes
• 13:32
  Speaker 1: it through the whole vacation. I'm as happy for her
• 13:34
  Speaker 1: that she kept that Stanley because I feel like if
• 13:37
  Speaker 1: I brought my own water bottle like through the airport
• 13:40
  Speaker 1: to a resort, like day three at the resort, this
• 13:43
  Speaker 1: Stanley would be gone. I would have left it by
• 13:44
  Speaker 1: a pool chair or at a bar when I was
• 13:47
  Speaker 1: trying to drink water but also throwing back my ties,
• 13:49
  Speaker 1: and it would just like have left me very early
• 13:51
  Speaker 1: on in my life, like have to put an Apple
• 13:53
  Speaker 1: tag on it. But she again is an organized gal.
• 13:56
  Speaker 1: Like I saw the way that she packed to go home.
• 13:59
  Speaker 1: I mean that packing was top tier. It was top tier.
• 14:05
  Speaker 1: So Liz meets up with Liz. Sorry, Yeah. Liz meets
• 14:09
  Speaker 1: up with Julia and Sophie, and she tells Julia in
• 14:12
  Speaker 1: front of you that they are parting ways, and Julia's
• 14:17
  Speaker 1: like what, I what, and she has to be like,
• 14:20
  Speaker 1: I'm sorry, we're not We're just friends now, not going
• 14:23
  Speaker 1: to be you know, lovers, and Julia gets that. So
• 14:27
  Speaker 1: then Sophie is so quick just She's like, get me
• 14:30
  Speaker 1: the fuck out of here. She climbs into a car.
• 14:33
  Speaker 1: She's again pouting, pouting, pouting, I mean so upset that
• 14:37
  Speaker 1: like no guy is giving her any sort of reaction
• 14:39
  Speaker 1: in of course, like Liz leaves with like a man
• 14:42
  Speaker 1: that's in love with her, which is what Sophie wanted
• 14:45
  Speaker 1: to leave the DR with. Sophie wanted to leave the
• 14:47
  Speaker 1: DR with many men's in love with her, and what
• 14:50
  Speaker 1: she got was no one being in her, not the
• 14:54
  Speaker 1: guy that she tried to, like, you know, cheat on
• 14:56
  Speaker 1: Pedro with, and definitely not Pedro. So Julia's like, what
• 15:03
  Speaker 1: did you guys learn on this trip, like real mom style,
• 15:05
  Speaker 1: and Sophie's like nothing. I wish I hope that I
• 15:10
  Speaker 1: want Ross to ask her in the tell all watching
• 15:14
  Speaker 1: her behavior if she in fact learned something, because truly,
• 15:21
  Speaker 1: if she was talking to a guy that she liked
• 15:24
  Speaker 1: and then the guy was like let me go meet Claire.
• 15:26
  Speaker 1: Your mom and Claire had clared it up and she
• 15:31
  Speaker 1: was like, Okay, well, I know that my mom's crazy,
• 15:33
  Speaker 1: which she is, but I still like you. And if
• 15:37
  Speaker 1: Batman went on a date in her hometown with some
• 15:39
  Speaker 1: other girl and kissed her, she would be livid, livid.
• 15:44
  Speaker 1: So I don't understand why she doesn't understand the double standard.
• 15:48
  Speaker 1: She really confuses me. Again. Her hair looks good. I'll
• 15:50
  Speaker 1: give her that. Let's keep it moving, shall we. We're
• 15:56
  Speaker 1: going to move on to Colt and Courtney. So we
• 16:01
  Speaker 1: get a horrible shot of him sunbathing. I mean where
• 16:05
  Speaker 1: I'm like, you're doing this for the camera. There's no
• 16:07
  Speaker 1: way that the position of him is like discussing he
• 16:11
  Speaker 1: really is I'm going to go out on a limb.
• 16:14
  Speaker 1: I think he's like an exhibitionist. He's only too happy
• 16:18
  Speaker 1: to be almost naked on camera. And whether the producers
• 16:23
  Speaker 1: are like yeah, keep showing that bod, like make sure
• 16:26
  Speaker 1: to pick those legs up in the air so we
• 16:27
  Speaker 1: can really get a good crop shot or whatnot, it's
• 16:30
  Speaker 1: so confusing to me. Now. Courtney, of course, is over
• 16:35
  Speaker 1: at her boyfriend Phil's, and Phil is for some reason
• 16:39
  Speaker 1: letting cold stay there, which makes no goddamn sense, but
• 16:43
  Speaker 1: we're supposed to believe all of this hook line and sinker,
• 16:45
  Speaker 1: and it's hard. It's a hard pill to swallow. And
• 16:51
  Speaker 1: basically Phil and Courtney have decided that now that he
• 16:54
  Speaker 1: can walk for cold to get the f out, and
• 16:56
  Speaker 1: so Courtney decides to make him like a last Supper.
• 17:00
  Speaker 1: And the Last Supper is truly like a depressing charcuterie board.
• 17:07
  Speaker 1: Like it has rich ritz crackers, It has like weird salami,
• 17:11
  Speaker 1: like not the good kind of salami, like Hormel. It
• 17:14
  Speaker 1: has grapes like not on the grape stem where it's
• 17:18
  Speaker 1: still presentable. It's just picked off and like thrown about.
• 17:21
  Speaker 1: There's just olives in the plastic container they came in.
• 17:25
  Speaker 1: I mean, the cheese looks like cheddar uh, Like you know,
• 17:27
  Speaker 1: it's a bargain basement charcouteri plate. She comes out, she's like,
• 17:31
  Speaker 1: I made this. We're like, we we know, it's obvious.
• 17:37
  Speaker 1: It really looks like the whole thing was like a
• 17:40
  Speaker 1: lunchable that she just peeled the film back and then
• 17:43
  Speaker 1: just dumped it on a plate. Remember when charcouterie boards,
• 17:48
  Speaker 1: like during COVID were like the biggest thing, like everyone
• 17:51
  Speaker 1: was doing snack kind of charcouteri plates and or charcuterie plates.
• 17:57
  Speaker 1: You know when everyone was like doing like multi layers
• 17:59
  Speaker 1: and frosted grapes and you know the salami roses. Remember that. Anyway,
• 18:10
  Speaker 1: during this last supper, they're like, well, what are your plans?
• 18:14
  Speaker 1: And you know, cold He's like, I knew this day
• 18:15
  Speaker 1: would come, and it's like yeah, and then he's like
• 18:19
  Speaker 1: I'm not quite sure. He's like, well, you you know,
• 18:20
  Speaker 1: you start thinking about it. Yeah, a couple of days, buddy,
• 18:26
  Speaker 1: couple of days, and you know, Courtney at the end
• 18:30
  Speaker 1: of this is like, I haven't talked to him. I
• 18:32
  Speaker 1: have no idea where he went to Canada or to Brazil.
• 18:34
  Speaker 1: For some reason, Canada wasn't an option earlier, which makes
• 18:37
  Speaker 1: such sense, and he for sure went back to Brazil.
• 18:40
  Speaker 1: And it's like, I want to really hear and I
• 18:42
  Speaker 1: don't understand why they didn't give us the conversation or
• 18:45
  Speaker 1: conversations between Debbie and Colti where he was like, mom,
• 18:51
  Speaker 1: can I come live with you?
• 18:52
  Speaker 2: And Debbie was like, now, no, you're going to ruin
• 18:57
  Speaker 2: this relation, you know, like, no, I've got it now
• 19:01
  Speaker 2: for you, you know, because she has, but also she
• 19:05
  Speaker 2: hasn't done enough for him by telling him he's no
• 19:07
  Speaker 2: good and needs to get his shit together.
• 19:10
  Speaker 1: His treatment of women is to be studied and he's
• 19:16
  Speaker 1: weird and to have the wherewithal that he knows he's
• 19:19
  Speaker 1: not shit, but then also doesn't seem to want to change.
• 19:23
  Speaker 1: It's almost like he's addicted to being shitty to women.
• 19:29
  Speaker 1: The producers are like, well, when you go to Brazil,
• 19:31
  Speaker 1: are you gonna ship up and like act right for her?
• 19:33
  Speaker 1: And he's like, I mean no. His demeanor is so baffling.
• 19:48
  Speaker 1: It's bizarre. He's a bizarre man, for sure. He he
• 19:55
  Speaker 1: has awareness, and he also has absolutely no fording tude,
• 20:03
  Speaker 1: because I can't tell if it's just that he doesn't
• 20:05
  Speaker 1: believe in himself to make a change at all, or
• 20:08
  Speaker 1: if he's just like, I just want to do what
• 20:10
  Speaker 1: I want to do, which is, you know, try and
• 20:14
  Speaker 1: get as many women as possible. It's kind of like
• 20:16
  Speaker 1: being like Sophie, except Sophie doesn't have the awareness. Sophie
• 20:21
  Speaker 1: also wants right attention from at this point the opposite sex,
• 20:26
  Speaker 1: and so does Colt in some way, so anyway, and
• 20:29
  Speaker 1: he wants because Colt also wants to feel good in
• 20:32
  Speaker 1: his relationships. He wants to feel like he's the man,
• 20:35
  Speaker 1: you know, like he wants to feel like he's a
• 20:38
  Speaker 1: big shot. And the problem is, you know, he's not.
• 20:42
  Speaker 1: He's not. And so his only way to do that
• 20:45
  Speaker 1: now is to date like super young women from like
• 20:47
  Speaker 1: different countries, which is you know, passport barrowie, which is
• 20:51
  Speaker 1: a lot is what most of the men on here do.
• 20:54
  Speaker 1: Oh god, Okay. So next scene, Phil court Or at
• 21:01
  Speaker 1: a restaurant and on the way there they had talked
• 21:06
  Speaker 1: about the fact that they had met at a bar,
• 21:09
  Speaker 1: and I'm like, I wish we saw this scene and
• 21:11
  Speaker 1: that they had talked and that he'd never asked for
• 21:13
  Speaker 1: her number, and then he felt bad about that. So
• 21:15
  Speaker 1: when she left, he talked to the bartender, whose name
• 21:18
  Speaker 1: is Liz. I'm like, thank you for giving that name.
• 21:21
  Speaker 1: And the bartender was like, oh, Courtney, she comes in Fridays,
• 21:24
  Speaker 1: and so we kept coming back and it took six
• 21:25
  Speaker 1: months as she came. She was there one Friday. So
• 21:29
  Speaker 1: at the restaurant, Courtney orders more chikouterie. I don't know
• 21:34
  Speaker 1: what that's fun. I mean, she loves fucking cheese, honey,
• 21:37
  Speaker 1: she loves cheese and salami. Give her some cheese, Give
• 21:39
  Speaker 1: her some salami. It's a Keto special, honey. He orders oysters,
• 21:45
  Speaker 1: and when the oysters come, she's like, suck it, which
• 21:50
  Speaker 1: makes my face melt off. And then she's like, what
• 21:53
  Speaker 1: does it taste like? And he's like oysters and I'm like,
• 21:55
  Speaker 1: oh my god, can you imagine if this is for
• 21:57
  Speaker 1: the rest of your life? And then he's like, what,
• 22:00
  Speaker 1: you've never tasted oyster? She's like, I'm allergic to seafood
• 22:04
  Speaker 1: and he didn't know that because it's been only three months.
• 22:08
  Speaker 1: He's like, what other things do I not know about you?
• 22:11
  Speaker 1: You know what? Perfect timing for me to get down
• 22:14
  Speaker 1: on one knee and ask you to marry me, which
• 22:18
  Speaker 1: is the fucking Nana's Could you imagine having just learned,
• 22:22
  Speaker 1: first of all three months and having just learned like,
• 22:25
  Speaker 1: you know, a major thing about your loved one, which
• 22:28
  Speaker 1: is like you know, they're allergic to seafood, and then
• 22:30
  Speaker 1: not realize in that moment there's still much more to
• 22:33
  Speaker 1: learn about this person, and you know, the journey that
• 22:35
  Speaker 1: you're on of whatever seeing or doating this person. He
• 22:38
  Speaker 1: decides to like be like, I need to know everything
• 22:42
  Speaker 1: else as my fiance soon, so like, I'm just going
• 22:45
  Speaker 1: to put that label on you. He's the antithesis of
• 22:47
  Speaker 1: other people. He's like please, He gets down on one
• 22:50
  Speaker 1: knee gives her a ring. The ring is beautiful, it's
• 22:54
  Speaker 1: a pretty ring. And she is like, yes, absolutely, yes,
• 23:00
  Speaker 1: we just have a lot of sex. You know, you
• 23:03
  Speaker 1: always have it up, you know, I don't know if
• 23:06
  Speaker 1: it's the twelfth pack of soda you drink a day, like,
• 23:09
  Speaker 1: oh my god, he do. It's a twelve pack of
• 23:10
  Speaker 1: soda a day. Like even then she's drinking champagne. He's
• 23:15
  Speaker 1: drinking like coke? Is he like an ex Mormon? He
• 23:19
  Speaker 1: can't wait to get all the soda in. So then
• 23:21
  Speaker 1: she cries because she has to. Like she sits there
• 23:23
  Speaker 1: and recounts the six months of her last life. And
• 23:26
  Speaker 1: she had gone on for love. She had met cold
• 23:28
  Speaker 1: he and she had brought him to the parents' house.
• 23:31
  Speaker 1: Then he cheated on her, and then she met this
• 23:34
  Speaker 1: guy and then you know, now she's gonna get married,
• 23:35
  Speaker 1: and she's always wanted to get married. Blah blah blah
• 23:37
  Speaker 1: blah blah. I'm like, well, book yourself, honey. The Pearl
• 23:40
  Speaker 1: option Atlinefeldts. Then because let's see that dress. Oh god,
• 23:46
  Speaker 1: by the way, the thing about her is that, like
• 23:49
  Speaker 1: there have been us weekly articles and things of her
• 23:52
  Speaker 1: and her man, and the man that she's with doesn't
• 23:55
  Speaker 1: look like Phil, so it already looks like she's said,
• 24:00
  Speaker 1: know to Phil, he's out of her life, and she's
• 24:02
  Speaker 1: with a new, older man that's also kind of white
• 24:06
  Speaker 1: and blonde looking. I'm not quite sure exactly what happens,
• 24:09
  Speaker 1: and Ross's gonna get to the bath bottom of it.
• 24:11
  Speaker 1: But yeah, Cortney is a confusing one, even like her
• 24:22
  Speaker 1: cadence when she talks is so confusing. She can be
• 24:26
  Speaker 1: so dry and then she's like like when he proposes,
• 24:29
  Speaker 1: she's like, oh my god, I can't I'm gonna cry,
• 24:34
  Speaker 1: and then she starts crying. But she's never like she
• 24:36
  Speaker 1: just starts crying. It's like there's a I don't know
• 24:41
  Speaker 1: if she like I wonder what medication she's on. She
• 24:48
  Speaker 1: seems to be like dabbling in reality at all times,
• 24:52
  Speaker 1: but not fully in it, like not fully invested in
• 24:55
  Speaker 1: her body in the moment. She seems to be like
• 24:58
  Speaker 1: peeking at it from like a bird's nest up high.
• 25:00
  Speaker 1: You know what I'm saying. Does that make sense. Anyway,
• 25:05
  Speaker 1: Let's move on to Vanya and Tony. So we are
• 25:10
  Speaker 1: in the thick of Vanya meeting Tony's parents, and we
• 25:14
  Speaker 1: like had stopped and have not moved on from her.
• 25:18
  Speaker 1: From Tony's mom be like, will you go to church?
• 25:22
  Speaker 1: And Vanya being like no, no, honey. He Tony is
• 25:27
  Speaker 1: into the fact that I'm like a carefree wild gal
• 25:31
  Speaker 1: and I say no church in the wild you know
• 25:36
  Speaker 1: I'm talking about Don't worry. It's not the only song
• 25:38
  Speaker 1: I'll sing. But remember that song. Remember when jay Z
• 25:41
  Speaker 1: and Kanye were a thing. Wow, times have obviously changed.
• 25:47
  Speaker 1: So the parents leave and Vanya like goes to the
• 25:52
  Speaker 1: door to say goodbye to Tony's parents in a way
• 25:55
  Speaker 1: that's kind of like she also has ownership of the house.
• 25:59
  Speaker 1: I'm always caught miscent of people who don't live in
• 26:02
  Speaker 1: a home that like pretend they are the host of
• 26:07
  Speaker 1: that home four family members of the homeowner. Does that
• 26:12
  Speaker 1: make sense? I one time have this. I have I
• 26:16
  Speaker 1: have like a cousin who was dating someone who had
• 26:20
  Speaker 1: my other cousins come to her house, and it was
• 26:23
  Speaker 1: like a thing where the guy that this my cousin
• 26:27
  Speaker 1: one was dating was like, well, thank you guys so
• 26:30
  Speaker 1: much for coming over. We really appreciate it. And then
• 26:32
  Speaker 1: my other cousin being like, what the fuck are you
• 26:34
  Speaker 1: at my cousin's house? You're happy? This is my I mean,
• 26:37
  Speaker 1: I've been here my whole life. You know what I'm saying? What?
• 26:39
  Speaker 1: I don't know what you think you're doing. It's like, yeah,
• 26:41
  Speaker 1: it must be like yeah, there's there's something awkward about it.
• 26:47
  Speaker 1: I don't know, Like what, yeah, do you know what
• 26:48
  Speaker 1: I'm saying? Why is she at the door being like,
• 26:50
  Speaker 1: thank you guys so much for coming That's their son's house.
• 26:54
  Speaker 1: They've been there more times than you, for longer periods
• 26:57
  Speaker 1: of time, over years than you.
• 26:59
  Speaker 3: Like.
• 26:59
  Speaker 1: You know, anyway, I think it's weird. So then Vannie's like,
• 27:04
  Speaker 1: what they think of me? And we had seen what
• 27:07
  Speaker 1: they thought of her, which is basically that the mom
• 27:10
  Speaker 1: was like, I God doesn't like her, and God's on
• 27:13
  Speaker 1: my side if it works out, fine, but Rod's gonna
• 27:18
  Speaker 1: see what God wants, and I don't think God wants
• 27:20
  Speaker 1: a non God loving person to be with my God
• 27:23
  Speaker 1: fearing son. You know that's her vibe, so we kind
• 27:26
  Speaker 1: of know what it means. But Tony's like, well, I
• 27:28
  Speaker 1: think it's really great, and I think they approved of you.
• 27:31
  Speaker 1: And the reason why I know that is because they
• 27:33
  Speaker 1: ask you questions and I'm like, yeah, the question was
• 27:44
  Speaker 1: would you go to church with me? And the answer
• 27:47
  Speaker 1: was no. I mean, which is Vanya's choice. I'm not
• 27:50
  Speaker 1: saying that Vanya should have said yes, but you know
• 27:54
  Speaker 1: therein lies the rub. Yeah, So he knows that this
• 28:03
  Speaker 1: was a weird moment for her, and so he's like,
• 28:05
  Speaker 1: you know what, I have a little present for you.
• 28:08
  Speaker 1: I want to give you something as a symbol of
• 28:11
  Speaker 1: the acceptance my parents told me through only mentally because
• 28:19
  Speaker 1: they didn't say it that they like you. So he
• 28:21
  Speaker 1: gets out a white box and in the white box
• 28:26
  Speaker 1: is a heart shaped box. She eyes me like a
• 28:31
  Speaker 1: pieces when I'm we very Nirvana coated. Those are the
• 28:36
  Speaker 1: two songs for you. I'll try not to sing it again,
• 28:39
  Speaker 1: but have you heard the Amber Mark version of that song?
• 28:41
  Speaker 1: It's so good. So anyway, it's a heart shaped box,
• 28:45
  Speaker 1: like I said, And then she opens it and it
• 28:47
  Speaker 1: has like an led light that comes shoots out of
• 28:50
  Speaker 1: the box, which is so weird because they're in a
• 28:53
  Speaker 1: fully lit room. I don't quite understand, like, first of
• 28:57
  Speaker 1: all that box has to be for a diamond because
• 29:00
  Speaker 1: it's going to show all the brilliance the diamond. At
• 29:03
  Speaker 1: the same time, if you know there's a weird ass light,
• 29:05
  Speaker 1: then like turn down the lights whatever, God bless, but
• 29:07
  Speaker 1: they can't they're filming. So in the box is a key.
• 29:11
  Speaker 1: It's a key to his ugly ass home. I mean
• 29:16
  Speaker 1: it's ugly, like there's butter yellow walls, which we're going
• 29:19
  Speaker 1: to see again. It's like such a weird home with
• 29:21
  Speaker 1: a bunch of nineties furniture and she's like, oh, oh okay.
• 29:28
  Speaker 1: He's like, I want you to move in. She's like
• 29:32
  Speaker 1: in her confessionals, I thought it was gonna be a ring,
• 29:35
  Speaker 1: and I'll be honest, I didn't think it was going
• 29:36
  Speaker 1: to be a ring, but I didn't think it was
• 29:38
  Speaker 1: going to be like something jewelry wise, Like I did
• 29:40
  Speaker 1: think that maybe it was going to be like a
• 29:41
  Speaker 1: very pretty tennis bracelet or some sort of heart shaped
• 29:44
  Speaker 1: necklace or something to be like a symbol. Because if
• 29:47
  Speaker 1: someone says they want to give me a symbol of acceptance,
• 29:51
  Speaker 1: I'm not going to automatically think that it's like a
• 29:53
  Speaker 1: ring to be proposed. I am going to think that
• 29:55
  Speaker 1: if it's a jewelry box, there will be jewelry inside.
• 29:58
  Speaker 1: And even if he wanted to get her a ring,
• 30:00
  Speaker 1: he should have absolutely gave her a ring with some jewelry.
• 30:07
  Speaker 1: He should have bought her a tennis bracelet. I mean,
• 30:09
  Speaker 1: that's obviously what that had to have been, or some
• 30:11
  Speaker 1: sort of I don't know, do the the little weird
• 30:17
  Speaker 1: I don't know, Just do one of the I can't
• 30:19
  Speaker 1: remember of those stupid clover looking bracelets all the girls,
• 30:22
  Speaker 1: like I forgot the name brain Fog, you know, the
• 30:26
  Speaker 1: one that Chloe has. You know, I'm talking about what
• 30:29
  Speaker 1: a nightmare. So, as I said, she wanted a ring,
• 30:35
  Speaker 1: and now we're like, oh, that's what Vanya's on. Manya
• 30:37
  Speaker 1: wants to get like murried, you know, and he just
• 30:39
  Speaker 1: is like, here's the key to my house. Because I'm
• 30:41
  Speaker 1: a doctor, you can come over whenever. And she's like, oh, okay,
• 30:44
  Speaker 1: I've always wanted that kind of kitchen. But the kitchen's
• 30:46
  Speaker 1: right behind them. I'm like, what's so great about that kitchen?
• 30:49
  Speaker 1: I saw your kitchen. Your kitchen was fine. Your kitchen
• 30:51
  Speaker 1: was the one that you like, got peaches out and
• 30:54
  Speaker 1: cut peaches at Okay, So the next scene, she put
• 31:00
  Speaker 1: on like what looks like a Zimmerman dress and this
• 31:03
  Speaker 1: is probably the best off that she's worn. It's cream
• 31:06
  Speaker 1: with gold embroidery, very Zimmerman like, and he picks her
• 31:11
  Speaker 1: up in the red Ferrari. It's back, so we know,
• 31:14
  Speaker 1: you know, he didn't just rent it, or he rented
• 31:16
  Speaker 1: the same one, you tell me. And then the conversation
• 31:19
  Speaker 1: turns to he decided he wants to start fresh because
• 31:24
  Speaker 1: instead of her moving into his home, he now wants
• 31:30
  Speaker 1: both of them to buy a home together. And I
• 31:34
  Speaker 1: thought that was weird. She's like why, and then he
• 31:39
  Speaker 1: you know, first of all, I think this might have
• 31:41
  Speaker 1: been the same home that he had the like ex
• 31:43
  Speaker 1: wife with that was Mary for a couple of weeks.
• 31:46
  Speaker 1: And I want to think, like, okay, if you are
• 31:49
  Speaker 1: a doctor and you ask someone to move in with you,
• 31:53
  Speaker 1: I think it's a weird jump to be like, actually, no,
• 31:56
  Speaker 1: you know what, buy a home with me, Get all
• 31:58
  Speaker 1: your money, and let's buy a home together. She's also
• 32:01
  Speaker 1: weirded out by it for different reasons. She's like, I
• 32:03
  Speaker 1: don't want to tie finances without an engagement, which is
• 32:07
  Speaker 1: totally valid. It's a valid thing. I don't understand because okay,
• 32:11
  Speaker 1: so then we'll get into it. So they roll upon
• 32:15
  Speaker 1: a house. It's like a beach house. He sees the house,
• 32:17
  Speaker 1: he's like, wow, this house is so voluminous, and we're like,
• 32:20
  Speaker 1: what is this. That's what you talk to about, like
• 32:23
  Speaker 1: a hairdoo, that's how you describe hair or eyelashes. This
• 32:27
  Speaker 1: house is so volumeous. So it has a lot of
• 32:30
  Speaker 1: square footage. Is that what you're saying. It's a big house.
• 32:33
  Speaker 1: It's again butter yellow. It's weird looking, but I guess
• 32:42
  Speaker 1: it's by the ocean, and it's very modern. It's been refurbished.
• 32:46
  Speaker 1: And so they are showing around this house and she's
• 32:48
  Speaker 1: dying over it. She likes it a lot. It's definitely
• 32:51
  Speaker 1: a better looking interior than both of their homes, which
• 32:55
  Speaker 1: is so wildly nineties I couldn't even deal with it.
• 32:58
  Speaker 1: At one point though, they show the master bedroom and
• 33:02
  Speaker 1: it looks like the washer and dryer room is a
• 33:07
  Speaker 1: part of it, like for some reason, the washer and
• 33:10
  Speaker 1: dryer room is just right off to the side of
• 33:12
  Speaker 1: the bed of the master bedroom. I also thought was crazy,
• 33:18
  Speaker 1: Why so you can't go to bed you to hear
• 33:22
  Speaker 1: the the dryer on like one of the perks of
• 33:27
  Speaker 1: having your own washer and dry and your homes you
• 33:28
  Speaker 1: can wash and dry whenever they want. It's like, why
• 33:31
  Speaker 1: would you want to hear that right when you're sleeping?
• 33:34
  Speaker 1: What weird design? Also, and this is something is you know,
• 33:38
  Speaker 1: this other thing I'm going to complain about is rampant
• 33:41
  Speaker 1: not in just their home. They go through the master
• 33:44
  Speaker 1: bath and their bathtub is one of those like free
• 33:48
  Speaker 1: standing bathtubs with like you know, high sides, and I
• 33:52
  Speaker 1: feel like those bathtubs and you see them a lot,
• 33:56
  Speaker 1: are death traps. How the are you supposed to get
• 33:59
  Speaker 1: out of that thing? Think about it? Like, I like
• 34:02
  Speaker 1: a good old fashioned low ass bathtub, extra large, like
• 34:06
  Speaker 1: an extra wide one, you know that you can just
• 34:09
  Speaker 1: stand up out of and easily use your leg barely,
• 34:13
  Speaker 1: you know, pick up the knee, but get the hell
• 34:15
  Speaker 1: out of it easily. But with those high sided ones,
• 34:19
  Speaker 1: it's like you have to high knee your way out
• 34:22
  Speaker 1: and you're you know, on a slippery surface and your
• 34:25
  Speaker 1: foot's wet, and then you're supposed to then pick it
• 34:28
  Speaker 1: up and then somewhat high jump out of it. It's
• 34:32
  Speaker 1: so weird. Sometimes modern design is so unlivable. I can't
• 34:38
  Speaker 1: even stand it anyway, God bless. So they decide to
• 34:48
  Speaker 1: walk down to the beach. She's wearing red bottoms. At first.
• 34:51
  Speaker 1: She decides to walk into the sand in her red bottoms,
• 34:55
  Speaker 1: which is otherworldly. She decides to take them off, which
• 34:59
  Speaker 1: makes and she's like why did you Why do you
• 35:04
  Speaker 1: want to do this? And he's like, well, I have
• 35:06
  Speaker 1: to work forty five minutes away, so I thought it'd be,
• 35:08
  Speaker 1: you know, a good practical decision, and she's like, oh,
• 35:13
  Speaker 1: how romantic. Also, I'm not into the order of events.
• 35:18
  Speaker 1: She again is like, I want to move in with
• 35:21
  Speaker 1: someone that is my fiance. I don't want to move
• 35:24
  Speaker 1: in with someone at forty four that's just like some
• 35:26
  Speaker 1: weird dude. And he's like, well, you know, I also
• 35:30
  Speaker 1: think it might be good, but I'm just not ready
• 35:32
  Speaker 1: for that, And then in his confessionals, he's like, I
• 35:35
  Speaker 1: thought house hunting would distract her. And then she's like, well,
• 35:42
  Speaker 1: if you're not ready, she's like, he's like, he just
• 35:44
  Speaker 1: keeps saying he's not ready, and she's like, well, if
• 35:46
  Speaker 1: you're not sure that you want to marry me, then
• 35:48
  Speaker 1: what the fuck am I doing? And he's like well,
• 35:49
  Speaker 1: I never said I wasn't sure. I just said I
• 35:53
  Speaker 1: wasn't ready. Okay, what does that mean? You be sure
• 36:02
  Speaker 1: that someone is for you, but you're not ready. He
• 36:07
  Speaker 1: just keeps saying that he needs it to be on
• 36:09
  Speaker 1: his timeline, which I find to be weird and controlling,
• 36:12
  Speaker 1: also incredibly selfish. I think that's like a huge red flag.
• 36:20
  Speaker 1: I can understand if you're young and you're like, I'm
• 36:24
  Speaker 1: sure this person is for me, Like, I'm sure of it.
• 36:26
  Speaker 1: I just want to get past grad school or whatever
• 36:30
  Speaker 1: it is, like, I don't want to get engaged while
• 36:31
  Speaker 1: I have you know, tests. But he's already been married,
• 36:35
  Speaker 1: and he's you know, older, and she's you know, forty three.
• 36:39
  Speaker 1: So if you were sure that this person was, you know,
• 36:45
  Speaker 1: the love of your life, then it seems like at
• 36:49
  Speaker 1: this age you should be ready. But he's not sure.
• 36:52
  Speaker 1: He just lied to her. He's a weird guy. He's weird.
• 37:00
  Speaker 1: So at this point, she's like, I'm done with this.
• 37:01
  Speaker 1: I don't want to deal with this anymore, and we're
• 37:03
  Speaker 1: kind of like yeah, I mean yeah. She was just
• 37:08
  Speaker 1: so happy that he had made the initial move about
• 37:11
  Speaker 1: asking her to move in with her, but then because
• 37:14
  Speaker 1: again she had pressured him to get in a relationship
• 37:16
  Speaker 1: and everything, and so when he was like, move in
• 37:21
  Speaker 1: with me, she was like, oh, I guess that's a
• 37:22
  Speaker 1: sign that he's also in this relationship with me, but
• 37:25
  Speaker 1: he's not. He seemed to want to pacify her to
• 37:30
  Speaker 1: keep like a lady in his life. He's like, we've
• 37:34
  Speaker 1: only been dating for six months, and she's like, I've
• 37:36
  Speaker 1: known you for two years. We've been friends for two years.
• 37:39
  Speaker 1: I'm like, yeah, but part of that was with him
• 37:42
  Speaker 1: marrying someone else. I mean, Vanya, you know, kept saying
• 37:53
  Speaker 1: that she was celibate, which was not true. She just
• 37:55
  Speaker 1: was waiting for him to have sex with him. Celibate
• 37:57
  Speaker 1: kind of means that like you're not going to have sex.
• 37:59
  Speaker 1: She was just going through a dry spell. And I
• 38:04
  Speaker 1: wonder if their sex life up until this point was
• 38:07
  Speaker 1: like really good, because I can't imagine it was. He
• 38:12
  Speaker 1: sweat so much. She has had to deal with so
• 38:16
  Speaker 1: much wetness in between them, like their bodies, like, oh
• 38:19
  Speaker 1: my god, just like like little platypuses all the time.
• 38:24
  Speaker 1: I mean, obviously I thought it platypuses because of Gino,
• 38:27
  Speaker 1: but they're like seals, you know, They're like seals. I
• 38:38
  Speaker 1: I don't know what to say for someone who desperately
• 38:42
  Speaker 1: wants to be in a relationship and therefore is willing
• 38:47
  Speaker 1: to settle just enough with someone. I guess she could
• 38:50
  Speaker 1: have just kept going on with it and that was
• 38:52
  Speaker 1: her settling and be like, Okay, well just wait till
• 38:54
  Speaker 1: you're ready, and god bless she didn't. But I feel
• 38:58
  Speaker 1: like the reason otherwise that she didn't was because he
• 39:01
  Speaker 1: wasn't also doing enough in other areas, Like if he
• 39:05
  Speaker 1: was a really good boyfriend and sexually satisfying her and
• 39:11
  Speaker 1: you know, was probably willing to buy a home with
• 39:16
  Speaker 1: all of his money for them to live in, like
• 39:19
  Speaker 1: maybe she would be like, oh, you know, I'm going
• 39:22
  Speaker 1: to stick around. But I think the fact that she
• 39:24
  Speaker 1: was bad in bed, and he sweats so much and
• 39:27
  Speaker 1: he seems to be cheap, like it's a like it's
• 39:30
  Speaker 1: sort of a fucked up, weird, cheap maneuver to ask
• 39:34
  Speaker 1: someone to move in with you and then turn around
• 39:36
  Speaker 1: and ask her to go all in on a home
• 39:40
  Speaker 1: with him, because it feels like he wasn't able to
• 39:46
  Speaker 1: buy a new home without her money. Because if he
• 39:52
  Speaker 1: isn't ready to get married to someone, why the hell
• 39:56
  Speaker 1: would you. But I don't get it. Why would you
• 39:57
  Speaker 1: buy a home with someone? Then what happened if you
• 40:00
  Speaker 1: break up? Like you already had this huge ass asset
• 40:06
  Speaker 1: would you expect would you then buy her out of
• 40:09
  Speaker 1: the home? Like was there something written in the contract?
• 40:11
  Speaker 1: Like I don't know. I think that's so weird too,
• 40:15
  Speaker 1: all right, my babes, God we still have this is
• 40:19
  Speaker 1: This was such a long episode, Like and by the way,
• 40:23
  Speaker 1: when it started, I was like, it's an two hours.
• 40:26
  Speaker 1: It was two hours. They had to wrap a lot
• 40:30
  Speaker 1: of things up. And at the same time, like, I'm
• 40:32
  Speaker 1: still surprised about the things they didn't give us, Like
• 40:37
  Speaker 1: why didn't we ever see Courtney being single, like going
• 40:40
  Speaker 1: on dates or going to the bar that she always
• 40:42
  Speaker 1: goes on, you know, at like on Fridays. We never
• 40:46
  Speaker 1: saw Courtney like trying to date or trying not like
• 40:49
  Speaker 1: you know, speed match or going on And this is
• 40:53
  Speaker 1: what I would love. I think that with kim Balie
• 40:57
  Speaker 1: and Courtney and you know, I mean obviously they had
• 41:00
  Speaker 1: this whole dr thing with like Sophie and Liz, But
• 41:04
  Speaker 1: why don't they just set up a bunch of like
• 41:07
  Speaker 1: dates for them and film at least five dates where
• 41:10
  Speaker 1: we get to really see them struggle with like new dates,
• 41:14
  Speaker 1: maybe second dates that seems more of a single life.
• 41:19
  Speaker 1: But like Courtney obviously was with Quote for most of it,
• 41:24
  Speaker 1: and then we just had to meet Phil and things
• 41:26
  Speaker 1: were already like in the heat of things, it does
• 41:32
  Speaker 1: feel like the schedule of filming for Single Life is
• 41:35
  Speaker 1: like one day every two months, and for Courtney specifically,
• 41:41
  Speaker 1: they like canceled one day of shooting and they hadn't
• 41:45
  Speaker 1: come back three months later. You know what I'm saying. Okay,
• 41:51
  Speaker 1: so now let's move to jolly old England. Honey. It's England, Honey.
• 41:57
  Speaker 1: Have you heard of it? Hello, Gabner, don't worry and
• 42:00
  Speaker 1: say it. This time, I had this great comment from
• 42:03
  Speaker 1: someone who was like, I'm from London, yes, yes, yes,
• 42:06
  Speaker 1: and my boyfriend is from the Midlands, which I don't
• 42:09
  Speaker 1: quite know what Midland's me and I got to look
• 42:10
  Speaker 1: it up and that person her boyfriend says ello Gavna
• 42:14
  Speaker 1: all the time. Okay. So Kimale is meeting Wayne's daughters
• 42:22
  Speaker 1: Aisha and Italia, and Kimberly says, oh, you guys are
• 42:26
  Speaker 1: so cute and tiny. And it's always kind of weird
• 42:30
  Speaker 1: when people like call out people's physical traits right away. Anyway,
• 42:39
  Speaker 1: So Wayne is like, you, guys, I'm going to introduce
• 42:42
  Speaker 1: you to something new. It was blacksmithing, it was you know,
• 42:45
  Speaker 1: steam training, and now we're going to play Skittles. You guys,
• 42:48
  Speaker 1: I will tell you this right now. I've always been
• 42:50
  Speaker 1: a big fan of Skittles. Not this stupid game they play,
• 42:52
  Speaker 1: which is basically like, you know, chucking and bowling at
• 42:55
  Speaker 1: the same time, but the actual candy. I'm a candy girl.
• 42:58
  Speaker 1: You should know. I do love candy, and I hate
• 43:01
  Speaker 1: that because you know, it's not great for you, and
• 43:04
  Speaker 1: specifically candy has like every horrible chemical in it. Just like, yeah,
• 43:09
  Speaker 1: I don't I don't like cakes, I don't like donuts.
• 43:12
  Speaker 1: I do like cookies, but I do love candy. I
• 43:14
  Speaker 1: love red liquorice vines, not Twizzlers, red licorice, you know
• 43:19
  Speaker 1: I'm talking about. I love skittles, I love the flavor
• 43:23
  Speaker 1: red starbursts, and I love mic and ikes. I love fruity,
• 43:29
  Speaker 1: chewy gummy candy. Oh, skittles. I wish I had some
• 43:35
  Speaker 1: right now, regular flavor, including not green apple, but lime
• 43:40
  Speaker 1: green skittles. See, I'm like very particular so skittles again
• 43:47
  Speaker 1: is kind of like bowling, except instead of like rolling
• 43:49
  Speaker 1: the ball, you just like you throw it and you
• 43:52
  Speaker 1: have to hit the first pin and then whatever happens
• 43:53
  Speaker 1: like with that. Fine, So they do it, you know,
• 43:57
  Speaker 1: and Wayne's you know, excited to like show off that
• 43:59
  Speaker 1: he can do something well, and Jamal also is good
• 44:01
  Speaker 1: at it, and Kimberly knew that he would be. And
• 44:04
  Speaker 1: then Jamal kind of like blows up Kimberly spot doesn't
• 44:07
  Speaker 1: tell about the siblings, but it's like, yeah, you know
• 44:10
  Speaker 1: my mom's last last relationship. She's was fucking looney tunes
• 44:14
  Speaker 1: about that one, and that one was twenty years younger
• 44:16
  Speaker 1: than her, and Kimberly's like, shut up, just shut up,
• 44:21
  Speaker 1: shut up. Sorry, I thought I wasn't gonna sing again,
• 44:24
  Speaker 1: and then I said shut up to shut up, shut up,
• 44:27
  Speaker 1: and I maybe think of that song. So Wayne's like,
• 44:29
  Speaker 1: don't even worry about that, I've dated younger two. Jamal's like, well,
• 44:33
  Speaker 1: I date older and younger. And then I thought we never,
• 44:37
  Speaker 1: like for a single life episode and for Jamal to
• 44:39
  Speaker 1: be on every episode, why didn't we see just one
• 44:43
  Speaker 1: part of his love life? Because we only got to
• 44:46
  Speaker 1: see him with Veronica. I know we might see him
• 44:49
  Speaker 1: coming up on like Hunt for Love or something like that,
• 44:51
  Speaker 1: but it would have been great to set us up
• 44:54
  Speaker 1: by like letting us see like him on a date,
• 44:57
  Speaker 1: you know, with the person of his age or someone
• 44:59
  Speaker 1: younger or someone older. I don't even know a couple,
• 45:02
  Speaker 1: but we would know we never see him, you know,
• 45:04
  Speaker 1: with any of those peeps. And then Kimberly asks Wayne's
• 45:10
  Speaker 1: daughters what their dag's red flags are, which is such
• 45:15
  Speaker 1: a weird thing to ask. It's negative. Why the fuck
• 45:21
  Speaker 1: are you asking his children what his like red flags are? Like,
• 45:26
  Speaker 1: I don't know, it's just a weird negative question to ask.
• 45:29
  Speaker 1: They're like, well, he expects someone to have no baggage,
• 45:33
  Speaker 1: and she just is like what. She's so upset by that.
• 45:36
  Speaker 1: They also said that one time he dated their vegetarian
• 45:38
  Speaker 1: and they became a vegetarian, and he was like, well, yeah,
• 45:43
  Speaker 1: so here's the thing. I mean, I do feel bad
• 45:45
  Speaker 1: about that. It's like, if you are dating, yeah, a
• 45:48
  Speaker 1: vegan or vegetarian, it is hard because if they're militant
• 45:51
  Speaker 1: about it, you have to be like, well, what do
• 45:53
  Speaker 1: I do with my life? I can't eat meat in
• 45:54
  Speaker 1: front of you, and so you're like, well, I guess
• 45:56
  Speaker 1: I won't eat meat. I mean, I don't know how
• 45:58
  Speaker 1: great that you know, pe was, but maybe it was
• 46:00
  Speaker 1: good enough that he swore off that you know, jerk
• 46:02
  Speaker 1: chicken for a minute. So anyway, as I said, they
• 46:05
  Speaker 1: also said the thing about the baggage, and Kim Bully
• 46:08
  Speaker 1: is like so upset because she feels like the children
• 46:12
  Speaker 1: she put up for adoption are part of her baggage.
• 46:15
  Speaker 1: But it's not. Those kids aren't her shame is. It's
• 46:20
  Speaker 1: a really interesting thing. Later on, I'm gonna be like
• 46:23
  Speaker 1: he's going to have a conversation where he's like, bagg
• 46:25
  Speaker 1: is a shitty word. It's a negative, shitty word. Everyone
• 46:28
  Speaker 1: has history, and yeah, there's a part of Kim Bully
• 46:30
  Speaker 1: that is weird and negative, and she doesn't process it
• 46:34
  Speaker 1: as being like weird and negative. It's weird to ask
• 46:37
  Speaker 1: his kids what his bad qualities are in front of him,
• 46:42
  Speaker 1: Like it's not comfortable, it's just it's an awkward thing.
• 46:46
  Speaker 1: And yeah, like she has so much shame about the
• 46:50
  Speaker 1: decisions that she made when she was younger that she
• 46:53
  Speaker 1: holds it and carries it and then is like embarrassed
• 46:56
  Speaker 1: by it. So I saw this interview with Kasha. I
• 47:00
  Speaker 1: always feel like that's anything. Yeah, it's Keisha, And she
• 47:05
  Speaker 1: was talking about how during her lawsuit with doctor Luke,
• 47:10
  Speaker 1: which is so fucked up, that all of her medical
• 47:15
  Speaker 1: records were made public and live on the internet, including
• 47:19
  Speaker 1: medical records from like a ed treatment center she had
• 47:24
  Speaker 1: gone to and things, because fucking lawsuits are incredibly vindictive
• 47:30
  Speaker 1: and horrible and if they ascertain your like mental health records,
• 47:33
  Speaker 1: they can just use that against you. It's so fucked up.
• 47:37
  Speaker 1: And she was saying like she was embarrassed by it
• 47:41
  Speaker 1: for so long, but on the other side of it,
• 47:43
  Speaker 1: now everyone knows, and she's like, I don't actually have
• 47:47
  Speaker 1: any shame, Like, in fact, I find it incredibly freeing
• 47:51
  Speaker 1: to be like, Yep, everything's out there, Yep, you can't
• 48:00
  Speaker 1: anything against me, as like a they're gonna find out
• 48:03
  Speaker 1: about this. My shit is out there, and those who
• 48:08
  Speaker 1: like me like me, and if you don't fuck you,
• 48:11
  Speaker 1: I'm over it. I thought it was, like, I mean,
• 48:14
  Speaker 1: it was really I thought it was a really beautiful
• 48:18
  Speaker 1: sentiment and I was really happy for her, And I
• 48:20
  Speaker 1: think it kind of goes into the parts of ourselves
• 48:25
  Speaker 1: that we are. We attach shame to with what that
• 48:29
  Speaker 1: means and how it sort of breathes in the darkness
• 48:32
  Speaker 1: and then plagues us with feelings of insecurity or not
• 48:36
  Speaker 1: good enough or trying to hide this thing when absolutely
• 48:41
  Speaker 1: everyone has their own set of history and issues and
• 48:46
  Speaker 1: things and traumas that they have dealt with or are
• 48:50
  Speaker 1: still dealing with or maybe not dealing with. But there's
• 48:54
  Speaker 1: just no one in this world that doesn't have something.
• 48:59
  Speaker 1: And it's kind of the gift you give yourself to
• 49:07
  Speaker 1: be able to free yourself of those chains and just
• 49:10
  Speaker 1: be like, yep, this is me, yep at one point, this,
• 49:13
  Speaker 1: at one point this, you know, I mean, when you
• 49:19
  Speaker 1: listen to this, it's it's going to be Tuesday. And
• 49:24
  Speaker 1: I would have had to deal with like a Mother's
• 49:26
  Speaker 1: day where I don't talk to my mom. It's weird,
• 49:30
  Speaker 1: and I like, yeah, the things that I have shared
• 49:33
  Speaker 1: on this podcast of things that I feel weird about
• 49:37
  Speaker 1: my life or things I've gotten over all still exist.
• 49:41
  Speaker 1: I have a weird relationship with my mom, my dad,
• 49:43
  Speaker 1: you know, helps me financially. I had weight loss surgery
• 49:47
  Speaker 1: in twenty seventeen. I used to weigh you know, two
• 49:50
  Speaker 1: hundred and eighty three pounds. I don't weigh that anymore.
• 49:53
  Speaker 1: I'm still like I'm an average sized person, and I have,
• 49:57
  Speaker 1: you know, like definitely not a perfect body. And I've
• 50:02
  Speaker 1: made mistakes in my friendships, and I've had codependent friendships,
• 50:06
  Speaker 1: and I've stayed too long, you know, in relationships that
• 50:10
  Speaker 1: like didn't serve me and really drained me and like
• 50:12
  Speaker 1: stole away a lot of my joy and happiness. I mean,
• 50:16
  Speaker 1: you know a lot of things have happened because I
• 50:19
  Speaker 1: felt insecure or I wasn't good enough, or I have
• 50:22
  Speaker 1: mommy issues, and I wanted to have female friends like
• 50:25
  Speaker 1: super close to me and also like think of me,
• 50:29
  Speaker 1: you know in a certain way. And it really has
• 50:31
  Speaker 1: been hard to step back and see the ways in
• 50:37
  Speaker 1: which I have not helped myself. And also yeah, like
• 50:42
  Speaker 1: I mean yeah, and I wish that I had, you know,
• 50:46
  Speaker 1: like a better love life. I certainly wish that I
• 50:49
  Speaker 1: was in a relationship with someone who loved me. And
• 50:51
  Speaker 1: I wish that I was able to tablescape a home
• 50:58
  Speaker 1: on Christmas Eve and put down many plates where my
• 51:02
  Speaker 1: children and like my husband and like our family members
• 51:05
  Speaker 1: could come and like you know, have like a beautiful dinner,
• 51:09
  Speaker 1: you know, on coordinated Ralph Lauren style plaid, you know,
• 51:18
  Speaker 1: napkins and the whole thing. I'm not a big table
• 51:22
  Speaker 1: scaping person for some reason, Like that's my thing. When
• 51:25
  Speaker 1: I want to go to bed at night and my
• 51:26
  Speaker 1: mom is racing, I think about table scaping. Isn't that
• 51:29
  Speaker 1: weird anyway? There's definitely things I wish, and there's definitely
• 51:32
  Speaker 1: things I've done wrong, but I don't think that they're
• 51:36
  Speaker 1: so horrible that it's like people can't relate to me.
• 51:42
  Speaker 1: I definitely used to think some of those things were,
• 51:45
  Speaker 1: but I have somewhat gotten over them now because I'm
• 51:49
  Speaker 1: older and I understand people really are dealing with their
• 51:53
  Speaker 1: own things all the time. And the amount of people
• 51:59
  Speaker 1: when you share your truth that feel like seen or
• 52:02
  Speaker 1: validated or not alone is like one of the most
• 52:08
  Speaker 1: beautiful things about human connection because the things that you share,
• 52:17
  Speaker 1: the truths that you maybe once hid, that other people
• 52:21
  Speaker 1: listen to and then see themselves in, Like those are
• 52:23
  Speaker 1: the things that transcend gender, age, race, like religion, all
• 52:30
  Speaker 1: of those, And I sort of fantasize about like a
• 52:38
  Speaker 1: state of humanity where we have a lot more of
• 52:42
  Speaker 1: those moments and a lot less of the division and
• 52:46
  Speaker 1: that's maybe why I love art so much. And it's
• 52:50
  Speaker 1: like the different myriad ways in which it touches people.
• 52:53
  Speaker 1: It sort of like gets past all those things and
• 52:55
  Speaker 1: showcases the human soul in a way. And there's just
• 52:58
  Speaker 1: so many mediums to do that, but definitely theater is
• 53:01
  Speaker 1: the best one. Ha ha ha, you know what I'm saying.
• 53:02
  Speaker 1: And also comedic podcasting of pop culture recap shows, ha
• 53:06
  Speaker 1: ha ha. Anyway, all right, so next scene, Okay, oh,
• 53:13
  Speaker 1: one more thing, So kim Buly having here. Now we're
• 53:17
  Speaker 1: going back to the show. Kimberly after hearing that those
• 53:21
  Speaker 1: two things that he had asked sorry, Kimberly had asked
• 53:23
  Speaker 1: Wayne's kids about his red flags, and then she listens
• 53:27
  Speaker 1: to two of them. One is that you know, he
• 53:29
  Speaker 1: becomes the person he's dating, and one is that he
• 53:31
  Speaker 1: sometimes doesn't like uh to think that other people have baggage.
• 53:34
  Speaker 1: And then Kimbaly is like, now I'm seeing why Wayne
• 53:38
  Speaker 1: is single, which is weird because you're also single. You're single.
• 53:44
  Speaker 1: Why are you like pointing a finger at him, being like,
• 53:46
  Speaker 1: now I see why you're a single, bitch, you're single too,
• 53:50
  Speaker 1: you know what I'm saying. Anyway, I just like yeah,
• 53:54
  Speaker 1: I'm single too. But it's like I can't imagine a
• 53:55
  Speaker 1: world in which I'm like, oh, I can see why
• 53:57
  Speaker 1: that person's single without thinking, and that person can see
• 54:01
  Speaker 1: why I'm single. Like, I just can't imagine that the
• 54:03
  Speaker 1: one finger pointing at someone you can automatically see like
• 54:06
  Speaker 1: the three pointing back at you. So it's the last
• 54:10
  Speaker 1: night and he's going to cook for her, and he
• 54:12
  Speaker 1: cooks Jamaican chicken and he's like, don't worry, it's not spicy,
• 54:16
  Speaker 1: and I'm like, oh, please make it spicy. I mean,
• 54:19
  Speaker 1: you know, you have to put some spice in there.
• 54:22
  Speaker 1: And he's nervous to cook for her, and she's never
• 54:24
  Speaker 1: had a man cook for her, and I have had
• 54:26
  Speaker 1: a man cook for me before, and you know what,
• 54:28
  Speaker 1: it is really nice, especially it tastes good when she
• 54:32
  Speaker 1: walks in. He had gotten someone to draw a picture
• 54:36
  Speaker 1: of Jamal and her that was taken from a picture
• 54:39
  Speaker 1: of them at Disneyland, and it's not good. It's not
• 54:43
  Speaker 1: good at all. I mean it's just real shoddy looking.
• 54:48
  Speaker 1: I'm like, I hope he didn't pay for that fucking picture.
• 54:50
  Speaker 1: He's like, she's like, oh, great, Stoker, and then he's
• 54:54
  Speaker 1: like do you want it? And she's like, oh no, no,
• 54:58
  Speaker 1: I'm good. I'm not gonna haack a frame in my
• 55:01
  Speaker 1: fucking suitcase. What the fuck am I gonna do with that?
• 55:04
  Speaker 1: I had the real picture anyway. Then they have an
• 55:07
  Speaker 1: awkward conversation where she's like what, well, what are we now?
• 55:10
  Speaker 1: And he's like, I don't want to rush in anything,
• 55:14
  Speaker 1: so I'm not comfortable putting a label on this yet.
• 55:16
  Speaker 1: She's like, oh, yeah, totally, I don't want to rush
• 55:18
  Speaker 1: on anything yet, boyfriend. She takes this opportunity to be like,
• 55:23
  Speaker 1: I had two other children besides them all, and I
• 55:26
  Speaker 1: put them up for adoption, my son Larry that found
• 55:28
  Speaker 1: me and my daughter. Period. He's like that's fine. This
• 55:34
  Speaker 1: is when he's like, baggage is just the history of
• 55:36
  Speaker 1: Blobbdy Blue blueby Blops. And she's like good, good, good.
• 55:39
  Speaker 1: And then she's like, well, what are we and he's like, well,
• 55:43
  Speaker 1: you are seeing each other and she's like oh okay.
• 55:48
  Speaker 1: He's like, do you want to spend the night and
• 55:49
  Speaker 1: she's like no, not to get up early tomorrow morning.
• 55:51
  Speaker 1: And so we're like, oh, yeah, they haven't boned, you know.
• 55:56
  Speaker 1: So she's like, okay, well I'm gonna leave, so you know,
• 55:58
  Speaker 1: I ain't going to change my relationship status ha ha
• 56:00
  Speaker 1: ha to totally not complicated, because you know, I don't
• 56:04
  Speaker 1: want men to hit on me anymore. By the way,
• 56:06
  Speaker 1: it's so funny because I forget like that Facebook has that.
• 56:11
  Speaker 1: It's so rare that I go on Facebook. I'm like,
• 56:15
  Speaker 1: my first thought was Instagram doesn't have relationship statuses. Oh,
• 56:20
  Speaker 1: she means Facebook. She does do something cute. She calls
• 56:23
  Speaker 1: Wayne her little English muffin, which I was excited about that.
• 56:26
  Speaker 1: And then the next morning she's packing and he had
• 56:29
  Speaker 1: texted her like hashtag girlfriend, which was confusing. She says
• 56:34
  Speaker 1: she has up really early to go to her flight,
• 56:36
  Speaker 1: but he comes over to the hotel to say goodbye,
• 56:39
  Speaker 1: which is nice, and he references that during the heartfelt
• 56:47
  Speaker 1: talk where she was like, I have other kids, he
• 56:50
  Speaker 1: should have given her a little hand or a little
• 56:54
  Speaker 1: cuddle to show that he was supportive, and she decides that, like,
• 57:02
  Speaker 1: here's the time. They kind of like cuddle a little
• 57:04
  Speaker 1: bit on her bed and she's like, it's a noisy bed.
• 57:08
  Speaker 1: He's like, how do you know, and she's like, I
• 57:10
  Speaker 1: sleep wild sometimes, and then she's kind of like, you know,
• 57:14
  Speaker 1: giving him little pats, and he's like, I like the
• 57:17
  Speaker 1: fact that she's tactile. Tactile. I've never heard of that
• 57:26
  Speaker 1: word used in the phrase that he like used in
• 57:30
  Speaker 1: the context he used it. She's touchy feely, she's affectionate,
• 57:36
  Speaker 1: She's tactile. I'm tactile. If I like you, I'm super tactile.
• 57:41
  Speaker 1: I mean, if I drink and you're around, I'm super tactile.
• 57:44
  Speaker 1: So I mean neither, you know, I'm kind of like
• 57:46
  Speaker 1: Katie that way from the new season. But Jamal says
• 57:51
  Speaker 1: that he respects his mom more for telling people about
• 57:53
  Speaker 1: the siblings, and that's nice. I'm glad that he respects
• 57:57
  Speaker 1: his mom more. This is where it gets also confused.
• 58:00
  Speaker 1: She keeps saying that she's going to come back to England.
• 58:02
  Speaker 1: She's like, I'm gonna come back in three months. I
• 58:04
  Speaker 1: can't wait to come back. And I want to be like, well,
• 58:06
  Speaker 1: can he He can't come to the US. He's this
• 58:09
  Speaker 1: is England. They like, it's not so hard visel wise, Like,
• 58:13
  Speaker 1: why isn't he making a plan to come visit you?
• 58:16
  Speaker 1: Now you've come to visit him, Like he can come
• 58:19
  Speaker 1: see what San Diego is, Like, it's great I thought
• 58:23
  Speaker 1: that was interesting because I also wanted an explanation why
• 58:27
  Speaker 1: she wasn't at all like come to visit me, because again,
• 58:33
  Speaker 1: you know, she didn't stay at his house. She could
• 58:35
  Speaker 1: just be like, we even had sex yet, so you
• 58:37
  Speaker 1: can come to San Diego and stay at a hotel,
• 58:40
  Speaker 1: maybe the Hotel del Coronado or something like that, and
• 58:44
  Speaker 1: you know, see what life's like in the good old
• 58:46
  Speaker 1: a USA. So he doesn't seem like he's that into her.
• 58:56
  Speaker 1: I mean, she's like, you're British, so you don't really
• 58:59
  Speaker 1: touch and maybe other things. But I think that I
• 59:03
  Speaker 1: think that if he wanted, you know, like a little
• 59:05
  Speaker 1: makeout sash, it should have been. There should have been
• 59:06
  Speaker 1: a makeout sash. Even like after the Jerk Chicken there
• 59:11
  Speaker 1: was no makeout sash. Not to really like Katie at home,
• 59:14
  Speaker 1: but I mean why they kind of kiss like you wouldn't,
• 59:18
  Speaker 1: you know, aunts and uncles, just a lot of like
• 59:20
  Speaker 1: closed mouth smooching like that. Okay gee, now, so moving on.
• 59:30
  Speaker 1: He says that he's on the way to something big,
• 59:33
  Speaker 1: and we're like, what does that mean? And then we
• 59:35
  Speaker 1: see that he's going to like a misty woo woo
• 59:38
  Speaker 1: tarot card reading crystal shop and are like, what the hell,
• 59:42
  Speaker 1: And so he walks in and the saleslady's like, I
• 59:46
  Speaker 1: sense in your aura you want to renewle of some kind.
• 59:49
  Speaker 1: Here's some stones. He's like, Yeah, the girl that is
• 59:53
  Speaker 1: the sales lady at this crystal place, I mean did
• 59:57
  Speaker 1: a thing, honey, where she cut her own bangs. I
• 59:59
  Speaker 1: mean she cut her bangs right before this show came
• 1:00:03
  Speaker 1: to film. And the cut of her banks is circular,
• 1:00:09
  Speaker 1: it's like so high at the top. And then she
• 1:00:12
  Speaker 1: decided to like add some like kind of French looking
• 1:00:15
  Speaker 1: fringe on the side. It certainly looks like I mean,
• 1:00:20
  Speaker 1: you know how there's like a part of almost every
• 1:00:22
  Speaker 1: child's life where they get a pair of scissors and
• 1:00:24
  Speaker 1: like cut their own hair. Like I feel like it's
• 1:00:25
  Speaker 1: one of the things that happens, Like you know, at
• 1:00:27
  Speaker 1: some point if you have a child, like between the
• 1:00:29
  Speaker 1: ages of like two and five, they're going to get
• 1:00:32
  Speaker 1: a pair of scissors when you're not looking and cut
• 1:00:34
  Speaker 1: their own hair. I certainly did, and you have to
• 1:00:36
  Speaker 1: like try and remedy that for them. That's what this
• 1:00:38
  Speaker 1: lady did. I mean, this lady's bangs are wild looking
• 1:00:44
  Speaker 1: so fresh. It looks like maybe someone cut them in
• 1:00:45
  Speaker 1: the middle of the night, like a ghost in her house.
• 1:00:47
  Speaker 1: And then she's like, oh, it's my friendly protector ghost.
• 1:00:50
  Speaker 1: You know I called them in for the crystals. It
• 1:00:52
  Speaker 1: was the hairstylist ghost. I'm not quite sure, but boy,
• 1:00:54
  Speaker 1: are those bangs absolutely bizarre? So then do you And
• 1:01:00
  Speaker 1: that was like, well, I am not going to buy
• 1:01:02
  Speaker 1: any of these things because you haven't seen the show.
• 1:01:04
  Speaker 1: I'm incredibly cheap. But I am here to see my lawyer.
• 1:01:09
  Speaker 1: And turns out that a person named Thomas Court's real name,
• 1:01:14
  Speaker 1: I'm sure, is a Harvard trained lawyer that also owns
• 1:01:20
  Speaker 1: this crystal shop and is real like I do reiki,
• 1:01:25
  Speaker 1: which is interesting. It feels like he's a jack of
• 1:01:27
  Speaker 1: all trades. He's like yoga on Monday's, reiki on Tuesday's,
• 1:01:30
  Speaker 1: meditation Wednesdays, and then I go to the courthouse Thursdays.
• 1:01:35
  Speaker 1: I'm like, what do you do on Fridays? Are you
• 1:01:36
  Speaker 1: mayor of this town? You know what? Uh? I hate
• 1:01:45
  Speaker 1: to not believe in reiki. It's just that the craziest
• 1:01:48
  Speaker 1: people do reiki. Like one time I was an equinox
• 1:01:55
  Speaker 1: like and I, which is like a workout place obviously
• 1:01:57
  Speaker 1: it's like a gym or whatever, and they have like
• 1:01:59
  Speaker 1: you know, body work, body body massuice therapists or whatever
• 1:02:03
  Speaker 1: the fuck it is. And there was a special okay.
• 1:02:05
  Speaker 1: So I was like, I'm gonna get a massage, okay.
• 1:02:08
  Speaker 1: And I mean to me, if you're doing a massage
• 1:02:11
  Speaker 1: at Equinox, it has to be like you know, it's
• 1:02:13
  Speaker 1: like sports focused. It's like people that work out or whatever.
• 1:02:15
  Speaker 1: It's not a misty woulu kind of massage. But I
• 1:02:18
  Speaker 1: had this weird old lady that was like, you know,
• 1:02:21
  Speaker 1: I also do reiki, so if you want, I can
• 1:02:23
  Speaker 1: do reiki during this massage. And I was like, no,
• 1:02:27
  Speaker 1: but you can deep tissue my muscles really get in
• 1:02:29
  Speaker 1: there in need. I don't need any reiki. So at
• 1:02:33
  Speaker 1: the very Yanda massage, she was like, I'm also gonna
• 1:02:36
  Speaker 1: give you my card so you can I can do
• 1:02:37
  Speaker 1: reiki for you. And I'm like, bitch, I don't want
• 1:02:39
  Speaker 1: any reiki. What are you talking about reiki to me?
• 1:02:42
  Speaker 1: And I'm not saying this is like so sad, but
• 1:02:44
  Speaker 1: like remember how there used to be these weird okay,
• 1:02:47
  Speaker 1: let me finish a sentence. There was like weird con
• 1:02:50
  Speaker 1: men cult people that would try and heal you with
• 1:02:53
  Speaker 1: their hands, and they would like get chicken livers and
• 1:02:57
  Speaker 1: shit in their hands. And so what they would do
• 1:02:59
  Speaker 1: is like they'd be massaging you and they would like musician, magician,
• 1:03:02
  Speaker 1: while like you know, a slide of hand, put like
• 1:03:04
  Speaker 1: a weird chicken liver in their hand. So when they
• 1:03:06
  Speaker 1: were like touching your stomach, they're like, ooh, let me
• 1:03:08
  Speaker 1: see if I can pull out the bed and they'd be
• 1:03:10
  Speaker 1: like look, I got it, and be like a chicken liver,
• 1:03:12
  Speaker 1: and you're supposed to be like, oh my god, they
• 1:03:14
  Speaker 1: took out the toxic organ that was ailing me. I mean,
• 1:03:20
  Speaker 1: who the hell knows what it was, but it reminds
• 1:03:22
  Speaker 1: me of that. I'm not saying that like mind and
• 1:03:26
  Speaker 1: body doesn't have a connection, but like it just seems
• 1:03:30
  Speaker 1: really fucking easy and convenient to call yourself a reiki
• 1:03:33
  Speaker 1: healer and just be like I'm breathing and touching you,
• 1:03:35
  Speaker 1: or not even touching you, just putting my hands over
• 1:03:37
  Speaker 1: you like you're you know, a deck of tarot cards.
• 1:03:40
  Speaker 1: I'm just infusing my energy. Okay, So this lawyer is
• 1:03:47
  Speaker 1: like only too happy to see you now, because Gino's
• 1:03:50
  Speaker 1: like you know, I'm I need to get a divorce,
• 1:03:52
  Speaker 1: and the lawyer is like, well, it's going to be
• 1:03:55
  Speaker 1: a very complicated slash expensive divorce because there's so many issues.
• 1:03:59
  Speaker 1: It's in Florida. She I'm sorry, she lives in Florida.
• 1:04:02
  Speaker 1: You're in Michigan. There's a child out of wedlock, and
• 1:04:05
  Speaker 1: there's immigration, so it's gonna be super expensive, really expensive.
• 1:04:10
  Speaker 1: I was like, what was Thomas Quartz's life like at Harvard?
• 1:04:14
  Speaker 1: What would his Harvard lawyer friends say about him? He
• 1:04:18
  Speaker 1: seems like an interesting guy. Gino's like, I got his
• 1:04:23
  Speaker 1: name through a friend and read his reviews. They're all awesome.
• 1:04:25
  Speaker 1: I'm like, on Yelp, on Google reviews? Are they AI reviews?
• 1:04:30
  Speaker 1: And then Gino's like, do I have to see that
• 1:04:32
  Speaker 1: narcissist if I go to court? And it's like probably probably.
• 1:04:38
  Speaker 1: He's like marrying Jazzmine, which is the worst mistake I've
• 1:04:41
  Speaker 1: ever made, And it's like probably she would say the same. However,
• 1:04:44
  Speaker 1: was it though? Because you get to be on the
• 1:04:46
  Speaker 1: show because of her, and you love being on this
• 1:04:49
  Speaker 1: show because literally the ninety day fans are kicking and
• 1:04:53
  Speaker 1: screaming never to see your ass again, And somehow You're
• 1:04:56
  Speaker 1: still here like a fucking cockroach. So anyway, next scene
• 1:05:02
  Speaker 1: is that he reveals that he's been talking to multiple
• 1:05:06
  Speaker 1: women online big surprise, how coldy of you, Jesus Christ,
• 1:05:12
  Speaker 1: and that he gets like some pheromone spray and sprays
• 1:05:15
  Speaker 1: him down. I mean, the pheromone spray honey is like
• 1:05:18
  Speaker 1: straight out of like Sassy or ym magazines. In the
• 1:05:21
  Speaker 1: back of those magazines in the nineties, it would always
• 1:05:23
  Speaker 1: be like the ads and they'd be like, want to
• 1:05:25
  Speaker 1: get the boy of your dreams, spray pheromone spray. Pheromone
• 1:05:30
  Speaker 1: is the love enzyme, chemicals that excrete and can make
• 1:05:38
  Speaker 1: sure whatever boy you like totally falls in love with you.
• 1:05:41
  Speaker 1: Was like that kind of shit. It's like then there's
• 1:05:42
  Speaker 1: sea monkeys right underneath that. You're like, oh my god.
• 1:05:46
  Speaker 1: He sprays down pheromone spray and I can't imagine how
• 1:05:48
  Speaker 1: bad it smells. I'm assuming it smells so weird and
• 1:05:51
  Speaker 1: so bad. And then he's like, I've been talking to
• 1:05:54
  Speaker 1: this girl Lexi, and we have natural chemistry where we
• 1:05:57
  Speaker 1: went out only as friends and then we had so
• 1:06:01
  Speaker 1: much fun I decided to ask her out again. I'm like,
• 1:06:02
  Speaker 1: why didn't we see the date of you dating her
• 1:06:05
  Speaker 1: as a friend then, but he sprays himself down. He's
• 1:06:10
  Speaker 1: like heck yeah, we're like no, And then we meet her.
• 1:06:13
  Speaker 1: She comes out honey, she's young as hell, and then
• 1:06:16
  Speaker 1: she has like these heart shaped ear muffs on oh,
• 1:06:22
  Speaker 1: and he says they're wine tasting. So they sit down
• 1:06:24
  Speaker 1: and the waitress looks right at lexis like can I
• 1:06:27
  Speaker 1: see your ID? And you know, Gina's like, do you
• 1:06:31
  Speaker 1: want to see mine? And she's like, no, weird asshole.
• 1:06:34
  Speaker 1: I'm low key trying to embarrass you right now by
• 1:06:38
  Speaker 1: asking your date to see her ID because she is
• 1:06:41
  Speaker 1: so young looking and you were so old looking. That's
• 1:06:45
  Speaker 1: what I'm doing. That's the old waitress trick. Anyway, she's thirty,
• 1:06:51
  Speaker 1: she looks younger than that. There's a twenty six age difference.
• 1:06:54
  Speaker 1: They end up like not having wine. They seem to
• 1:06:57
  Speaker 1: have like some cider tasting against She's like, yeah, you're
• 1:07:03
  Speaker 1: older than my dad, and he's like, she has a
• 1:07:08
  Speaker 1: four year old daughter, Mia, and he's like, I'd love
• 1:07:11
  Speaker 1: to meet your daughter some day, and I think in
• 1:07:13
  Speaker 1: his mine, he's like, Mia has to like me. She's
• 1:07:15
  Speaker 1: too young to not like me yet, Unlike Natalie's daughter,
• 1:07:19
  Speaker 1: and he kind of like low key shades Natalie.
• 1:07:21
  Speaker 2: And being like, I really want to be with a
• 1:07:23
  Speaker 2: younger woman who can ultimately give me my one two.
• 1:07:27
  Speaker 3: Dream to have a child. She's like, I think that
• 1:07:38
  Speaker 3: you'd be a really good father.
• 1:07:39
  Speaker 1: Like, so you've never seen the show because when you know,
• 1:07:43
  Speaker 1: when he was with Jasmine and he brought her over,
• 1:07:45
  Speaker 1: he couldn't gear less about the children she already had.
• 1:07:47
  Speaker 1: I mean, now that can she? But you know, what
• 1:07:49
  Speaker 1: can you do? So Lexi is also someone who like
• 1:07:53
  Speaker 1: snorts when she laughs, which is like something I do too,
• 1:07:56
  Speaker 1: And I was like, girl, run. Then they I realize
• 1:08:00
  Speaker 1: this wine tasting place that gets people really fucked up
• 1:08:02
  Speaker 1: also has a petting zoo attached so you can go
• 1:08:04
  Speaker 1: feed animals afterward. And I thought that was a really
• 1:08:07
  Speaker 1: bad decision. I don't think you should have alcohol and
• 1:08:10
  Speaker 1: animals so close to each other. You can't have people
• 1:08:12
  Speaker 1: getting fucked up and be like, let's go feed the
• 1:08:15
  Speaker 1: emil out, you know, like no, come peck your eyes out.
• 1:08:27
  Speaker 1: I don't know what to say of how much I
• 1:08:30
  Speaker 1: don't want to see him anymore, and how he's disgusting
• 1:08:32
  Speaker 1: and weirds me out and like it's you know, not
• 1:08:35
  Speaker 1: safe from my human eyes anymore. I really like it
• 1:08:40
  Speaker 1: when it's good people trying to find love, and I
• 1:08:44
  Speaker 1: don't like it when it's awkward, like toxic people with
• 1:08:51
  Speaker 1: their own disorders who like refuse to look themselves in
• 1:08:55
  Speaker 1: the eye and do no work on themselves over and
• 1:08:58
  Speaker 1: over again, having to see them look for love when
• 1:09:00
  Speaker 1: it's like look in a mirror first, you know, look
• 1:09:08
  Speaker 1: in a mirror first, and then go to therapy first.
• 1:09:10
  Speaker 1: I mean, go to a hard nosed therapist that's gonna
• 1:09:14
  Speaker 1: like help you out, and then go to i don't know,
• 1:09:16
  Speaker 1: like a dating coach. I would rather see single life
• 1:09:18
  Speaker 1: where like there was a dating coach involved, being like,
• 1:09:21
  Speaker 1: let's talk those some of the reasons why you know,
• 1:09:24
  Speaker 1: to quote unquote Kimberly, why you're still single or why
• 1:09:27
  Speaker 1: do you know still single? Or Courtney, what are you
• 1:09:30
  Speaker 1: looking for in a man? You know? Because Courtney's like
• 1:09:32
  Speaker 1: jumped from Colty if that was real to film is
• 1:09:34
  Speaker 1: like wild. The fill thing with Courtney reads so fake,
• 1:09:38
  Speaker 1: it's like obnoxious. Yeah.
• 1:09:43
  Speaker 2: Yi.
• 1:09:43
  Speaker 1: That is why I'm super excited for them to have
• 1:09:46
  Speaker 1: regular ninety day fiance back. I am so thankful for
• 1:09:50
  Speaker 1: this new season. I really had to do a two
• 1:09:54
  Speaker 1: parts of my recap because it was so long. But however,
• 1:09:58
  Speaker 1: this is a long episode too, so I'm going to
• 1:10:00
  Speaker 1: end it. But I'm excited for the tell all. Obviously,
• 1:10:04
  Speaker 1: Ross Matthews is going to be the host, and you
• 1:10:08
  Speaker 1: know I love me some Ross. You know that I
• 1:10:10
  Speaker 1: love Ross commenting and I enjoy, you know, seeing him
• 1:10:15
  Speaker 1: talk about fun things I did ten years ago. I
• 1:10:19
  Speaker 1: do now, all right, babes, If you want to follow me,
• 1:10:23
  Speaker 1: you can. I am at Chris L Farah on TikTok
• 1:10:26
  Speaker 1: and on Instagram. I'm making very fun content there, so
• 1:10:29
  Speaker 1: please go like and like share. If you want to
• 1:10:32
  Speaker 1: give this podcast five stars, please do and like a review.
• 1:10:36
  Speaker 1: You can tell me your favorite joke I'm mind that
• 1:10:38
  Speaker 1: I've made, or what stupid song but you don't mind
• 1:10:41
  Speaker 1: me singing? Or I don't know. You can tell me
• 1:10:44
  Speaker 1: like some weird, shameful thing that you are trying to
• 1:10:46
  Speaker 1: hide from the world and you want to just fucking
• 1:10:50
  Speaker 1: confess it. Do that, but also give me five stars
• 1:10:52
  Speaker 1: and you do it anyway, doublass. You don't have to
• 1:10:54
  Speaker 1: use your real name, but get it out there. I
• 1:10:56
  Speaker 1: also have a Facebook group Banity Farah, and you can
• 1:10:58
  Speaker 1: like my page Chris Farah. And finally, I have a Patreon.
• 1:11:01
  Speaker 1: It's only five dollars to join. You get the visuals
• 1:11:03
  Speaker 1: before anyone else and no commercials. You just get to
• 1:11:07
  Speaker 1: watch it twenty four hours before anyone else and then
• 1:11:09
  Speaker 1: I gotta put commercials on the YouTube video. But you
• 1:11:11
  Speaker 1: know what I mean. All right, my loves, and there's
• 1:11:14
  Speaker 1: also special lives there. So take care of yourselves. Oh no,
• 1:11:18
  Speaker 1: am I gonna breathe haha ha I need it, okay.
• 1:11:21
  Speaker 1: Two breaths, two breaths to hold our heart and allow
• 1:11:27
  Speaker 1: whatever we're hiding from this world that we think makes
• 1:11:29
  Speaker 1: us less than to leave us, to break the jail
• 1:11:35
  Speaker 1: cell to escape, and therefore our souls escape, and then
• 1:11:39
  Speaker 1: we join the transcendental world soul of humanity, where we
• 1:11:45
  Speaker 1: are all one and universal and everyone moves with pain
• 1:11:48
  Speaker 1: and pleasure and joy and trauma at the same time.
• 1:11:53
  Speaker 1: All right, babes, two breaths. I said breasts, but I
• 1:11:57
  Speaker 1: meant breaths. Alright, babies, now I can say it. Take
• 1:12:24
  Speaker 1: care of yourself and one another, stand up for what
• 1:12:27
  Speaker 1: you believe and make art okay, or make some jerk chicken.
• 1:12:33
  Speaker 1: Spice it up all right, I'll talk to you later. Bye.