Latest / Movie Meltdown / The Many Facets of Brad Dourif

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The Many Facets of Brad Dourif · Movie Meltdown

• 0:04
  Speaker 1: My name's Serena Vincent and you're listening to Movie Meltdown.
• 0:15
  Speaker 2: This episode is rated M for Misty. Yes, that's right,
• 0:18
  Speaker 2: this is a Misty episode, so it will be laced
• 0:20
  Speaker 2: with profanity even more than usual. If you're not comfortable
• 0:23
  Speaker 2: with this level of profanity, perhaps this isn't the episode
• 0:26
  Speaker 2: for you. But we have many other episodes to choose
• 0:28
  Speaker 2: from that do not feature Misty and will probably be
• 0:31
  Speaker 2: far less offensive. Okay, maybe. that having been said on
• 0:35
  Speaker 2: with the show.
• 0:36
  Speaker 3: It's showtime folks enjoy the show our nuclear reactor pumping
• 0:40
  Speaker 3: out one million kilowatts of power.
• 1:22
  Speaker 4: This isn't the Junior Chamber of.
• 1:25
  Speaker 3: Commerce, Brad.
• 1:38
  Speaker 5: What's up and welcome to Movie Meltdown.
• 1:39
  Speaker 2: I'm Brian.
• 1:40
  Speaker 1: I am Misty.
• 1:41
  Speaker 5: And we're coming to you live via digital recording from
• 1:44
  Speaker 5: Fandom Fest here in Louisville. And we are currently, once again,
• 1:47
  Speaker 5: in the Hall of Dead Creepy Meat Guys.
• 1:50
  Speaker 1: Yeah, I did more exploration while you and David were talking.
• 1:54
  Speaker 1: I was reading some of the signs and they're a
• 1:55
  Speaker 1: lot more disturbing than I'd originally anticipated. Because we are
• 1:58
  Speaker 1: in the saddle and sirloin section.
• 2:01
  Speaker 5: I have a wing of that in my place too.
• 2:03
  Speaker 6: I know.
• 2:03
  Speaker 1: Apparently it's all those who have thrived in the meat and...
• 2:07
  Speaker 1: saddle industry i guess i don't.
• 2:09
  Speaker 5: Know horses you gotta pick the right saddle.
• 2:11
  Speaker 1: Yeah one over there one guy over there his whole
• 2:13
  Speaker 1: achievement was that he uh was judging carcasses or something
• 2:17
  Speaker 1: he was a good judge and the other one wrote
• 2:21
  Speaker 1: a book like on meat.
• 2:24
  Speaker 5: It just says meat he's holding it it's.
• 2:26
  Speaker 1: The meat handbook it's it helps.
• 2:28
  Speaker 5: You that sounds really different than what i'm assuming it
• 2:31
  Speaker 5: well i could be wrong i don't know what that
• 2:32
  Speaker 5: guy's into but I'm pretty sure if you go Google
• 2:36
  Speaker 5: Book of Meat, you're going to get something different.
• 2:38
  Speaker 1: I do that on a daily basis. Let me tell you.
• 2:40
  Speaker 5: Hey, to each their own, man.
• 2:41
  Speaker 6: I know, right?
• 2:42
  Speaker 5: I pass no judgment. I mean, I do, but not
• 2:44
  Speaker 5: about that.
• 2:44
  Speaker 1: I pass all the judgment, especially yours.
• 2:45
  Speaker 5: We've been doing that most of the day. I know, right? Oh,
• 2:48
  Speaker 5: that's not the costume for you.
• 2:49
  Speaker 1: That is not the costume for your body shape.
• 2:52
  Speaker 5: That is not the way to go. I mean, more
• 2:54
  Speaker 5: power to you.
• 2:55
  Speaker 2: Feel free to.
• 2:55
  Speaker 1: While dodging people that I don't want to see, like
• 2:57
  Speaker 1: my crazy potential stalker from.
• 3:00
  Speaker 5: back in the day junior.
• 3:01
  Speaker 1: To senior year who mysteriously disappeared after she claimed that
• 3:04
  Speaker 1: she saw her boyfriend get murdered in front of her
• 3:06
  Speaker 1: and then she had to go work somewhere.
• 3:07
  Speaker 5: This boyfriend that you'd never met before yeah.
• 3:09
  Speaker 1: She was my best friend yet I'd never heard of
• 3:11
  Speaker 1: this boyfriend and yet didn't she had to go she
• 3:13
  Speaker 1: ran off to New York to work at a horse racing.
• 3:17
  Speaker 5: Place that equals strip club for you at home And
• 3:20
  Speaker 5: then she showed.
• 3:21
  Speaker 1: Up on my door one day with a child.
• 3:25
  Speaker 5: It was yours.
• 3:27
  Speaker 7: No.
• 3:27
  Speaker 5: Oh, damn.
• 3:28
  Speaker 1: She claimed that I was the godmother, and I'm like, no.
• 3:33
  Speaker 5: I don't think that's how it works.
• 3:34
  Speaker 1: And then she had no teeth.
• 3:36
  Speaker 5: Math will do that to you.
• 3:37
  Speaker 1: And me being as smooth as I am, she's like, yeah,
• 3:39
  Speaker 1: I had a baby. I'm like, did they take all
• 3:41
  Speaker 1: your teeth at the same time?
• 3:43
  Speaker 5: You are a caring woman.
• 3:45
  Speaker 1: And this is why I've never had any children or friends.
• 3:49
  Speaker 5: It's just me.
• 3:50
  Speaker 1: It is, truly.
• 3:52
  Speaker 8: Jesse.
• 3:53
  Speaker 1: Jay likes me.
• 3:54
  Speaker 5: Jesse moved far, far away.
• 3:56
  Speaker 1: Jesse's always been far away. Oh, wait.
• 3:58
  Speaker 5: That's the only way it works. She stays away from you.
• 4:01
  Speaker 5: Every once in a while, she runs into you. Even
• 4:05
  Speaker 5: that's not much these days. Hardly ever see her.
• 4:07
  Speaker 1: I haven't seen her since her wedding.
• 4:08
  Speaker 5: And we know Jay's got issues.
• 4:10
  Speaker 8: He does.
• 4:10
  Speaker 5: Otherwise, what the hell would he be doing in that house?
• 4:12
  Speaker 1: He's been hitting the head a lot.
• 4:13
  Speaker 5: That's true. That explains so much.
• 4:15
  Speaker 1: But, yeah, she's just very strange, my stalker. She's not
• 4:19
  Speaker 1: really a stalker. I just try to avoid her at
• 4:21
  Speaker 1: all costs. She found me on Facebook several years back,
• 4:24
  Speaker 1: and the last time I heard from her was she
• 4:26
  Speaker 1: was crying. I think she just got arrested, and one
• 4:30
  Speaker 1: of her kids was in the hospital, and I'm just like,
• 4:33
  Speaker 1: why am I not getting dragged into this whole crazy.
• 4:36
  Speaker 5: Why is the state not taking them away yet?
• 4:38
  Speaker 1: We saw her today, and I did not see any children, so.
• 4:41
  Speaker 5: In this place where it would be fine to bring children,
• 4:43
  Speaker 5: she didn't have any with her, so I'm assuming they've hopefully,
• 4:47
  Speaker 5: been taken away from her.
• 4:48
  Speaker 1: She did name one of them Azrael.
• 4:50
  Speaker 5: That's just child abuse right there.
• 4:52
  Speaker 1: I know, right? I didn't bother to learn what the
• 4:55
  Speaker 1: other kids that she had names were of.
• 4:57
  Speaker 5: She probably didn't either.
• 4:58
  Speaker 1: I know, right? But, yeah, it was an immediate gut-wrenching reaction.
• 5:02
  Speaker 1: I'm like, I saw her. I'm like, it's Crazy Head. Run, run, run.
• 5:06
  Speaker 1: Don't look back. Don't look back.
• 5:07
  Speaker 5: Go, go, go, go, go. Yeah, it takes a lot
• 5:09
  Speaker 5: to make Misty want to run.
• 5:10
  Speaker 2: I know.
• 5:11
  Speaker 5: That's hard to do it.
• 5:13
  Speaker 1: I walked briskly.
• 5:14
  Speaker 5: That's more than you normally want to do.
• 5:16
  Speaker 1: I got winded walking up the stairs. I'm fat.
• 5:20
  Speaker 5: I wouldn't go that far. You're just not the most
• 5:22
  Speaker 5: active person. You like a couch. I do like a couch.
• 5:25
  Speaker 5: You can watch TV.
• 5:25
  Speaker 1: I like my jammies.
• 5:27
  Speaker 5: Yeah, I was surprised you didn't show up in them today.
• 5:29
  Speaker 1: If I'd known that was an option, I've seen several
• 5:31
  Speaker 1: people walking about in their gym jams, and I'm just like,
• 5:33
  Speaker 1: wait a second.
• 5:35
  Speaker 5: Robes? So... Do we want to address more walking around peoples?
• 5:41
  Speaker 4: I don't know.
• 5:42
  Speaker 1: There have been quite a few. There have been a
• 5:44
  Speaker 1: lot of cosplayers here. A lot, like I said, a
• 5:46
  Speaker 1: lot in costumes that somebody should have pulled them aside
• 5:48
  Speaker 1: and said, you know, Spanx are really good.
• 5:53
  Speaker 5: Well, again, I say more power to you. If that's
• 5:56
  Speaker 5: your thing, go for it. It's all too much trouble
• 5:59
  Speaker 5: to me. I got a show to make. I ain't
• 6:01
  Speaker 5: got time for costumes.
• 6:02
  Speaker 1: Or at least accessorize properly. Don't wear fucking flip flops.
• 6:05
  Speaker 5: That I'll let you have.
• 6:06
  Speaker 1: Or don't wear Crocs. With your fucking gladiator outfit.
• 6:10
  Speaker 5: If you're going to go, go all the way. So
• 6:11
  Speaker 5: if you're willing to do the whole thing.
• 6:14
  Speaker 9: You know.
• 6:14
  Speaker 1: Extraterrestrials don't wear flip flops. Except for maybe Paul. I
• 6:17
  Speaker 1: don't know.
• 6:19
  Speaker 5: Alf wasn't wearing flip flops. He was in there again.
• 6:21
  Speaker 8: He reappeared.
• 6:21
  Speaker 5: I didn't see him.
• 6:22
  Speaker 1: I didn't see him.
• 6:23
  Speaker 5: He's walking around full on furry Alf costume with a
• 6:26
  Speaker 5: sign that says, got cat.
• 6:28
  Speaker 1: I must have missed it.
• 6:30
  Speaker 5: And, again, it's a dated reference. And I saw that
• 6:32
  Speaker 5: costume years ago. And this dude must have dusted it
• 6:35
  Speaker 5: off and brought it back out because he's wandering around today.
• 6:37
  Speaker 1: I totally squealed with, like, excitement and joy because of,
• 6:41
  Speaker 1: I can tell from my voice right now. Sorceress, is
• 6:45
  Speaker 1: that what we decided?
• 6:46
  Speaker 5: Oh, yes. Sorceress and She-Ra. That was Sorceress and She-Ra.
• 6:49
  Speaker 1: The Sorceress was pretty impressive.
• 6:51
  Speaker 5: That was a good costume. They were both good costumes.
• 6:53
  Speaker 5: But Sorceress looked good. Like, she dead on was Sorceress. Like,
• 6:58
  Speaker 5: She-Ra just looked like she was in a She-Ra costume,
• 7:00
  Speaker 5: but sorceress looked like sorceress.
• 7:01
  Speaker 1: She committed. She wore appropriate convention footwear.
• 7:05
  Speaker 5: But we did give bonus points to She-Ra because she
• 7:08
  Speaker 5: had a bitchin' Bowie tattoo.
• 7:10
  Speaker 1: Fuckin' A she did.
• 7:11
  Speaker 5: That was a cool tattoo.
• 7:11
  Speaker 1: It was pretty awesome.
• 7:12
  Speaker 5: She did get extra bonus points for that.
• 7:14
  Speaker 1: So She-Ra, if you're out there, hell yeah on the
• 7:16
  Speaker 1: David Bowie tattoo.
• 7:17
  Speaker 5: All right, so have you seen anything lately?
• 7:22
  Speaker 1: I've not watched any movies, but I did start watching Preacher.
• 7:29
  Speaker 5: Still haven't gotten around to it.
• 7:30
  Speaker 1: I think I've got two episodes left in the first season,
• 7:32
  Speaker 1: so even I can't ruin it for people out there
• 7:34
  Speaker 1: because I don't even know what's happening right now. I
• 7:37
  Speaker 1: put off watching it for a long time because it
• 7:39
  Speaker 1: has that one guy whose name I don't know right now.
• 7:42
  Speaker 5: Ah, that guy.
• 7:43
  Speaker 1: But Cassidy, his name is Cassidy on the show. He's
• 7:47
  Speaker 1: the vampire, but he's also the fucker that ruined Misfits.
• 7:51
  Speaker 1: And then part of me is like, did he ruin
• 7:53
  Speaker 1: Misfits so much as Robert Sheehan leaving ruined Misfits?
• 7:58
  Speaker 5: That's going to happen.
• 7:59
  Speaker 1: Because it happened at the same time. I blamed, I blamed,
• 8:02
  Speaker 1: he was Rudy on Misfits. But now he's Cassidy. But
• 8:06
  Speaker 1: I don't hate him as Cassidy. So I'm like, maybe
• 8:08
  Speaker 1: if I can make it through all of Preacher, maybe eventually, someday,
• 8:11
  Speaker 1: I can potentially go back. And then I'm like, no,
• 8:13
  Speaker 1: I can't. Fuck Misfits after Nathan left. Because after Nathan left,
• 8:18
  Speaker 1: there's no point in watching Misfits. I don't even care.
• 8:21
  Speaker 1: But anyways, back to Preacher. I've decided that I love
• 8:24
  Speaker 1: it because I'm pretty sure, in my head at least,
• 8:28
  Speaker 1: I don't remember his name right now. Dominic Cooper? Is
• 8:30
  Speaker 1: that his name?
• 8:31
  Speaker 5: That sounds like a name.
• 8:33
  Speaker 1: To me, he is like poor man's Carl Urban, so
• 8:35
  Speaker 1: you know I am all over that shit.
• 8:37
  Speaker 5: You're all on board.
• 8:38
  Speaker 2: I am.
• 8:39
  Speaker 1: I don't know what it is exactly, but something about him.
• 8:42
  Speaker 1: Maybe it's just the sarcastic look he gives everyone. So
• 8:44
  Speaker 1: I'm like, dude, that's Carl Urban right there. Because Carl
• 8:46
  Speaker 1: Urban is one sarcastic looking motherfucker.
• 8:48
  Speaker 5: Yeah, I can't argue that.
• 8:50
  Speaker 1: He's so fucking handsome, though. But both of them, Carl
• 8:54
  Speaker 1: Urban and I'm thinking Dominic Cooper. Because first I was like,
• 8:58
  Speaker 1: is his name Dominic West? And I'm like, no, that
• 9:00
  Speaker 1: is not Dominic West because he is not attractive.
• 9:03
  Speaker 5: Not the same.
• 9:04
  Speaker 1: Not at all. And I'm like, what other Dominic are there?
• 9:07
  Speaker 1: Because I'm like, I know it's a Dominic, but it's like, whatever.
• 9:10
  Speaker 1: But yeah, I've gotten really, I said, I've got two
• 9:12
  Speaker 1: episodes left. So I'm pretty sure I like this show.
• 9:15
  Speaker 1: Because it was like, oh, there's another girl from Misfits
• 9:16
  Speaker 1: was on there too. Nikki was on there. Which is
• 9:20
  Speaker 1: weird seeing her going from playing kind of a slutty
• 9:23
  Speaker 1: British girl to kind of a slutty white trash Alabama girl.
• 9:28
  Speaker 5: Isn't that different?
• 9:30
  Speaker 1: The accent's different.
• 9:31
  Speaker 5: I'll give you the accent.
• 9:32
  Speaker 1: At least Rudy and Cassidy have the same accent because they're,
• 9:35
  Speaker 1: you know, whatever, the same. But yeah, hers was just
• 9:38
  Speaker 1: completely different. I'm like, where do I know this girl?
• 9:39
  Speaker 1: It took me forever. I'm like, where do I know
• 9:40
  Speaker 1: this girl? What have I seen her in? And I'm like,
• 9:43
  Speaker 1: I looked at the book. Nikki, which accent is alive?
• 9:48
  Speaker 5: All of them. It's called acting.
• 9:50
  Speaker 8: No.
• 9:53
  Speaker 1: I haven't watched any other movies or really any other shows,
• 9:55
  Speaker 1: but we did go to some concerts. Should we talk
• 9:56
  Speaker 1: about the concerts?
• 9:58
  Speaker 5: I think that's on the music episode. Do you want
• 10:01
  Speaker 5: to talk about the concerts?
• 10:02
  Speaker 10: I guess not.
• 10:02
  Speaker 1: We don't have to. I haven't watched anything else, so
• 10:06
  Speaker 1: that's all the extent of my.
• 10:08
  Speaker 5: I saw the new Star Tricks.
• 10:10
  Speaker 1: I have not seen the new Star Trek movie yet.
• 10:12
  Speaker 1: I've been slacking.
• 10:13
  Speaker 5: It's... it's fine. Like, I think that was my thing. Like,
• 10:16
  Speaker 5: I didn't have, like, a huge response to it one
• 10:19
  Speaker 5: way or the other. Afterwards, I was like, yeah, all right.
• 10:23
  Speaker 1: We just haven't had a chance to go see it
• 10:24
  Speaker 1: yet because Boyfriend's been working ridiculous hours.
• 10:26
  Speaker 5: Yeah, that's true.
• 10:27
  Speaker 1: So, like, now that he's going back to a more
• 10:30
  Speaker 1: realistically hour job, maybe we'll get a chance to go
• 10:32
  Speaker 1: see it.
• 10:33
  Speaker 5: I feel like this was one of those, like, again,
• 10:35
  Speaker 5: if we're doing it like it's episodes, it's like it's
• 10:38
  Speaker 5: one of those other episodes. I mean, like, I don't
• 10:41
  Speaker 5: want to put it that way because I feel like
• 10:43
  Speaker 5: there's big, stuff kind of going on within this own story,
• 10:47
  Speaker 5: but it does feel like, okay, there was this big
• 10:49
  Speaker 5: thing that happened in that last movie, and then at
• 10:51
  Speaker 5: the end, there's gonna be, oh, here we go to
• 10:54
  Speaker 5: go do some more big things. But this one's, like,
• 10:56
  Speaker 5: so self-contained, it feels like it's its own little, like,
• 10:59
  Speaker 5: bottle episode of, like, you can just watch this one,
• 11:02
  Speaker 5: and everything that goes on, you're like, eh, okay, good enough.
• 11:04
  Speaker 5: You know, like, you don't have to have tons of history. Like,
• 11:07
  Speaker 5: it's its own little weird offshoot adventure on this planet, and, like,
• 11:10
  Speaker 5: within this little setup.
• 11:13
  Speaker 1: Was Carl Urban snarky?
• 11:14
  Speaker 5: He's always snarky.
• 11:15
  Speaker 1: I know, that's why I love him.
• 11:17
  Speaker 5: The thing that's probably, I guess two different things within
• 11:19
  Speaker 5: the cast that are most shocking, not going to be
• 11:22
  Speaker 5: the thing everybody's talking about right now. Well, to me,
• 11:24
  Speaker 5: I just went in going, well, I expected, especially in
• 11:28
  Speaker 5: the light of the sad way things have worked out,
• 11:31
  Speaker 5: there's hardly any Anton.
• 11:33
  Speaker 1: I think it was already done.
• 11:34
  Speaker 5: Oh, it was. That's what, but I'm saying like, I
• 11:36
  Speaker 5: think it was done and ready to roll. Like it
• 11:38
  Speaker 5: was probably, you know, ready to ship the theaters by
• 11:40
  Speaker 5: the time his accident happened. But I'm like, I think
• 11:43
  Speaker 5: just as a story, like I was surprised, I felt
• 11:45
  Speaker 5: like more, he was more involved in the team, you know,
• 11:49
  Speaker 5: in previous movies, especially that first one. And like, he's
• 11:52
  Speaker 5: just kind of in the background in this.
• 11:54
  Speaker 1: So will it not be as hard to phase him
• 11:55
  Speaker 1: out then?
• 11:56
  Speaker 5: I guess so. I mean, based on this one, no,
• 11:58
  Speaker 5: I'm trying.
• 11:59
  Speaker 1: To like belittle his death or anything. Cause I was,
• 12:01
  Speaker 1: I was very sad.
• 12:02
  Speaker 5: We both like, yeah, you sent me that message. Like, uh,
• 12:05
  Speaker 5: what the hell happened? And like, it sucks. Like it
• 12:08
  Speaker 5: really sucks because he's so damn good. And I, side note,
• 12:14
  Speaker 5: I also just watched green room, watch green room. It
• 12:16
  Speaker 5: is a, fucking great movie it is a great movie
• 12:19
  Speaker 5: and he that's the one I was like I was
• 12:22
  Speaker 5: really depressed watching that because I'm like he's really good
• 12:25
  Speaker 5: in this like he was a really good actor that
• 12:28
  Speaker 5: we granted he's got like 8 movies that are already
• 12:30
  Speaker 5: finished that I guess we are still going to get
• 12:32
  Speaker 5: to see more performances out of him but I think
• 12:34
  Speaker 5: it would have been really cool to see where he
• 12:36
  Speaker 5: turned up in 20-30 years because I feel like he
• 12:39
  Speaker 5: had the chops to be a really big actor.
• 12:43
  Speaker 1: I know I don't know if they actually plan on
• 12:45
  Speaker 1: any at any point.
• 12:46
  Speaker 5: I don't think so, actually.
• 12:47
  Speaker 1: I don't think so either.
• 12:48
  Speaker 5: But damn it.
• 12:49
  Speaker 1: Sad days. Our shoes match.
• 12:52
  Speaker 5: Because we're super cool like that.
• 12:53
  Speaker 1: Are yours low tops or high tops?
• 12:56
  Speaker 5: These are high tops. So we have at least different
• 12:58
  Speaker 5: variations on the subject. But, you know, Chuck's for life, man.
• 13:02
  Speaker 1: Fuckin' A.
• 13:05
  Speaker 5: The other thing on the Star Trek front that is,
• 13:07
  Speaker 5: this one's a little more, and I'm not complaining. I
• 13:09
  Speaker 5: like it. I think it's just interesting that This one,
• 13:14
  Speaker 5: I feel like, has a much bigger role for Scotty.
• 13:17
  Speaker 5: By the way, guess who wrote the movie?
• 13:20
  Speaker 1: Simon Pegg.
• 13:20
  Speaker 5: Simon Pegg co-wrote the movie. I feel like Scotty's got
• 13:24
  Speaker 5: a lot more screen time in this one than before.
• 13:26
  Speaker 1: They cut out certain aspects of his idea for Sulu.
• 13:31
  Speaker 5: It's still there, the big thing. I won't go into it.
• 13:34
  Speaker 5: It's its own little news item. Feel free to Google
• 13:37
  Speaker 5: it if you haven't heard. I'm sure you have if
• 13:38
  Speaker 5: you're a geek.
• 13:39
  Speaker 1: Even George Takei wasn't happy with it.
• 13:41
  Speaker 5: That and that's the thing like that and i don't
• 13:45
  Speaker 5: again i don't mind it within the movie but it
• 13:47
  Speaker 5: is interesting what george's issue was with it and it
• 13:50
  Speaker 5: wasn't all of the social justice warrior reasons you might
• 13:54
  Speaker 5: think it was artistic it was within the context of
• 13:56
  Speaker 5: the story canon it didn't fit the way that he
• 14:00
  Speaker 5: played him before and i it is interesting because this
• 14:03
  Speaker 5: isn't a different character this isn't a reboot this is
• 14:06
  Speaker 5: a different timeline but it is the same character so
• 14:09
  Speaker 5: He doesn't feel like it should be a different person
• 14:13
  Speaker 5: or played differently. It's very complicated.
• 14:15
  Speaker 8: I don't know.
• 14:16
  Speaker 5: I'm leaving all that alone. The movie's done with, so
• 14:19
  Speaker 5: I guess there's nothing to do about it now. But yeah,
• 14:22
  Speaker 5: I found more issues with the fact that there was
• 14:24
  Speaker 5: no Anton and there was a whole bunch of Simon.
• 14:27
  Speaker 5: And once again, proving that sabotage is the greatest accomplishment
• 14:33
  Speaker 5: of humanity, I feel.
• 14:34
  Speaker 1: Is it in there again? I thought it was in
• 14:35
  Speaker 1: the first one.
• 14:37
  Speaker 5: Sabotage. Go see the movie. It's all about sabotage.
• 14:41
  Speaker 1: It's in the first movie, isn't it? It's been a
• 14:45
  Speaker 1: long time since I've watched them. I'm slacking on my nerddom.
• 14:48
  Speaker 5: Sabotage. But on to a different song, and this is
• 14:52
  Speaker 5: something I almost said something yesterday. I'm like, no, no, wait.
• 14:55
  Speaker 5: I've been meaning to bring this up on the show.
• 14:57
  Speaker 5: So when we were hanging out at a weird concert
• 14:59
  Speaker 5: yesterday talking about music, at some point you brought up
• 15:02
  Speaker 5: a certain artist, and I went, oh, no, wait. This
• 15:04
  Speaker 5: occurred to me when I first heard the song, and
• 15:06
  Speaker 5: then I heard somebody else restate it, and I was like,
• 15:09
  Speaker 5: this was in a coffee shop. The dude behind the
• 15:11
  Speaker 5: counter said something to his coworker, and I went, see,
• 15:13
  Speaker 5: it's not just me. Okay, so you're quite familiar with
• 15:18
  Speaker 5: Twilight Zone. Well, yeah. Night call. You know night call.
• 15:24
  Speaker 10: The old lady in the bed.
• 15:26
  Speaker 1: She's getting called and it's from her husband.
• 15:29
  Speaker 5: It's from the cemetery. The wires down in the graveyard.
• 15:32
  Speaker 1: Yeah, in the cemetery and it's on her husband's head.
• 15:35
  Speaker 5: Now, put that in your mind. Hello by Adele. It
• 15:40
  Speaker 5: took on a whole different meaning now.
• 15:42
  Speaker 1: I don't even know how to process this properly.
• 15:46
  Speaker 5: It's going to blow your mind. This whole concept is
• 15:50
  Speaker 5: just going to blow your mind. So, yeah, jump. We're
• 15:55
  Speaker 5: going to go out on it here. You can listen
• 15:56
  Speaker 5: for yourself. But let's just get to the point of
• 15:59
  Speaker 5: hello from the other side. I must have called a
• 16:01
  Speaker 5: thousand times to tell you I'm sorry for everything I've done.
• 16:05
  Speaker 5: But when I call, you never seem to be home.
• 16:08
  Speaker 5: Hello from the outside. At least I can say that
• 16:11
  Speaker 5: I've tried to tell you I'm sorry for breaking your... Like,
• 16:14
  Speaker 5: there's nothing in this that says the person she's calling
• 16:18
  Speaker 5: is alive. There's weird... Even as you go into it,
• 16:22
  Speaker 5: it gets more specific about California and all that bullshit.
• 16:25
  Speaker 5: But I'm like, it's all one-sided in this story, in
• 16:29
  Speaker 5: this song. It's completely one-sided. It very well could be
• 16:32
  Speaker 5: to no one or someone who's dead.
• 16:35
  Speaker 1: I thought that it was to herself.
• 16:37
  Speaker 5: It's so typical of you to mention yourself in the
• 16:41
  Speaker 5: middle of this story about Adele.
• 16:42
  Speaker 1: I know, right?
• 16:45
  Speaker 11: I don't know.
• 16:45
  Speaker 5: I just thought it was funny. The guy, he brought
• 16:47
  Speaker 5: up the exact same thing that I'd been thinking. It
• 16:50
  Speaker 5: is very kind of creepy in its own weird way
• 16:54
  Speaker 5: for something that became the most played song in America.
• 16:57
  Speaker 5: It's kind of a creepy thing.
• 16:58
  Speaker 1: I would never look at it the same again.
• 17:01
  Speaker 5: It kind of made me like it a little more
• 17:02
  Speaker 5: because I like Twilight Zone. I like it better as
• 17:06
  Speaker 5: a weird, creepy song to a person that's not around
• 17:09
  Speaker 5: anymore versus just a I screwed up a relationship song.
• 17:13
  Speaker 5: There's tons of those out there. But it now has
• 17:16
  Speaker 5: a nice creepy little thing going on. So, yeah, think
• 17:21
  Speaker 5: about that, people.
• 17:22
  Speaker 1: Well, now I'm creeped out.
• 17:26
  Speaker 5: That's the way to go out. So we'll take a
• 17:28
  Speaker 5: break and be back. And you guys process this.
• 17:33
  Speaker 1: My brain's broken.
• 17:34
  Speaker 10: Hello, it's me.
• 17:40
  Speaker 12: I was wondering if after all these years you'd like
• 17:45
  Speaker 12: to meet To go over everything They say that I'm
• 17:53
  Speaker 12: supposed to heal ya But ain't done much healing Hello?
• 18:01
  Speaker 12: Can you hear me? I'm in California dreaming about who
• 18:08
  Speaker 12: we used to be When we were younger and free
• 18:16
  Speaker 12: I forgot how it felt before the world fell at
• 18:21
  Speaker 12: our feet Such a difference between us and a million.
• 18:31
  Speaker 3: Miles Hello from the outside.
• 19:12
  Speaker 1: Yes, sir.
• 19:13
  Speaker 8: May I help you?
• 19:14
  Speaker 5: I'd like two of those, please.
• 19:16
  Speaker 4: Hot dogs?
• 19:18
  Speaker 8: Yes, sir.
• 19:18
  Speaker 3: And three of those. And one of those.
• 19:22
  Speaker 1: And five bars of these. And a cup of that
• 19:25
  Speaker 1: nice hot liquid.
• 19:26
  Speaker 5: Coffee. Coming right up.
• 19:29
  Speaker 1: Oh, and two bags of those peculiar white coffee material.
• 19:32
  Speaker 8: You mean our crunchy popcorn.
• 19:35
  Speaker 2: Uh, uh, shall I wrap that for you, sir?
• 19:38
  Speaker 9: Oh, that's all right.
• 19:39
  Speaker 8: My saucers jumped outside.
• 19:42
  Speaker 2: They come from miles to enjoy our intermission.
• 19:52
  Speaker 9: In a world of breathtaking models and the beautiful people,
• 19:58
  Speaker 9: Academy Award winner Faye Dunaway is photographer Laura Mars.
• 20:03
  Speaker 2: Her work, the subject of controversy.
• 20:07
  Speaker 9: Tommy Lee Jones is Detective John Neville. intrigued by her
• 20:11
  Speaker 9: photographs for his own reasons.
• 20:14
  Speaker 2: These are police photographs.
• 20:17
  Speaker 7: They are strictly our own material.
• 20:19
  Speaker 10: They were never published anywhere at all.
• 20:21
  Speaker 2: So my question is very simple.
• 20:23
  Speaker 1: Why are my photographs so much like yours?
• 20:25
  Speaker 2: That's right.
• 20:27
  Speaker 9: Somewhere between the sensations of high fashion and the precise
• 20:30
  Speaker 9: form of her art lies another dimension, unexplored, unexpected. Unwillingly,
• 20:47
  Speaker 9: Laura Mars becomes a witness to a series of murders
• 20:51
  Speaker 9: watching through the eyes of a killer. Eyes of Laura Mars.
• 21:02
  Speaker 2: This episode is sponsored by World of Leathercraft. Specializing in
• 21:06
  Speaker 2: handmade leathercraft items with a specific nod to the geeky genres.
• 21:10
  Speaker 2: Whether you're looking for a wallet, purse, keychain, bracelet, money clip,
• 21:13
  Speaker 2: luggage tag, book cover, phone sleeve, laptop bag, whatever it is,
• 21:17
  Speaker 2: World of Othercraft has so much to choose from. Plus,
• 21:20
  Speaker 2: with genre themes like Star Wars, Doctor Who, Supernatural, Cowboy Bebop,
• 21:25
  Speaker 2: Magic the Gathering, and more, you'll let people know you
• 21:28
  Speaker 2: aren't messing around with store-bought junk. Your fandom runs deep
• 21:31
  Speaker 2: because you're carrying a handmade work of art. And since
• 21:35
  Speaker 2: you're a Movie Meltdown listener, you get a special deal.
• 21:37
  Speaker 2: Just use coupon code MELTDOWN25 at checkout and get 25%
• 21:41
  Speaker 2: off all orders over $ 50. Plus free shipping on everything.
• 21:46
  Speaker 2: So to find World of Leathercraft, go to etsy.com slash
• 21:49
  Speaker 2: shop slash World of Leathercraft. Or just go to moviemeltdown.com
• 21:53
  Speaker 2: and click on the World of Leathercraft banner at the
• 21:55
  Speaker 2: bottom of the page. Then it will take you to
• 21:57
  Speaker 2: their Etsy page and you can take a look at
• 21:59
  Speaker 2: all the geek-friendly products they have to offer.
• 22:14
  Speaker 13: Hey, this is Danielle Harris. So I am now maybe,
• 22:17
  Speaker 13: quite possibly, one of the newest members of Movie Meltdown.
• 22:21
  Speaker 13: If I can ever actually get to the movies. But
• 22:24
  Speaker 13: I'll review some old 80s rom-coms for you.
• 22:29
  Speaker 5: See ya. It had to be you It had to
• 22:35
  Speaker 5: be you.
• 22:38
  Speaker 12: I wandered around and finally found the somebody who.
• 22:46
  Speaker 2: This week I was thrilled to get a chance to
• 22:48
  Speaker 2: sit down and talk with Brad Dourif.
• 22:50
  Speaker 10: He's a fascinating and intense.
• 22:53
  Speaker 1: Actor who's worked with some of the.
• 22:55
  Speaker 3: Greatest names in the business.
• 23:11
  Speaker 5: So now we'll go to our segment with Brad as
• 23:13
  Speaker 5: we learn a lot about his experiences working on different
• 23:16
  Speaker 5: projects over the years and the process he goes through,
• 23:19
  Speaker 5: or maybe more accurately, the way he processes the world
• 23:23
  Speaker 5: to turn it into these amazing performances. I try to
• 23:32
  Speaker 5: kind of get in early and see how everybody kind
• 23:34
  Speaker 5: of finds their way into the entertainment industry. Were you
• 23:38
  Speaker 5: interested in... theater as a kid or how did it
• 23:42
  Speaker 5: start as far as the arts were concerned? Well, it
• 23:44
  Speaker 5: was really my mother.
• 23:48
  Speaker 8: She was an actress. As I was growing up, she
• 23:53
  Speaker 8: did plays at the local community theater and I used
• 23:57
  Speaker 8: to go and watch her rehearse and she was doing
• 24:03
  Speaker 8: Anastasia and I watched a rehearsal where she was She
• 24:09
  Speaker 8: was talking about butterflies, and I could see them on
• 24:13
  Speaker 8: the stage even though they weren't there. And I thought
• 24:17
  Speaker 8: to myself, I want to learn how to do that.
• 24:22
  Speaker 5: It already seemed like a craft, like something you definitely
• 24:25
  Speaker 5: needed to learn. You had already kind of pieced together
• 24:29
  Speaker 5: how much work it was going to be that young?
• 24:31
  Speaker 8: Yeah, kind of. I just knew I wanted to do it.
• 24:36
  Speaker 8: Something inside me clicked.
• 24:38
  Speaker 5: And then did it end up going down the school road,
• 24:41
  Speaker 5: or did you end up sticking with her?
• 24:45
  Speaker 8: No, I went to boarding school, and I acted as
• 24:50
  Speaker 8: much as I could in boarding school.
• 24:53
  Speaker 10: And loved it.
• 24:54
  Speaker 8: And then I went when I finished, or during the summers, actually,
• 24:58
  Speaker 8: while I was still in boarding school, I worked at
• 25:01
  Speaker 8: Greenbrier Repertory Theater doing... anything I could get my hands
• 25:08
  Speaker 8: on and taking the small little parts that they gave
• 25:12
  Speaker 8: to locals. And, uh, so I, I worked there for
• 25:16
  Speaker 8: three years. Um, finally after I graduated, um, I spent
• 25:20
  Speaker 8: my last year there. Then I went to college, uh,
• 25:24
  Speaker 8: and at Marshall University and I was, um, doing a
• 25:28
  Speaker 8: sort of a political review at the time. And Conchata
• 25:32
  Speaker 8: Farrell actually came up to me and she said, you know, I'm,
• 25:36
  Speaker 8: I'm at this new theater and you should come to
• 25:38
  Speaker 8: New York. Um, I got a lucky draft number and
• 25:44
  Speaker 8: went to New York and, and started it and took
• 25:47
  Speaker 8: her up on her offer and, and went and started doing, um, um,
• 25:52
  Speaker 8: you know, stage managing all, anything I could do there
• 25:56
  Speaker 8: and took small parts again. And, uh, Marshall Mason saw
• 26:00
  Speaker 8: me who was the, um, the head of circle rep
• 26:03
  Speaker 8: at that time. And, and, um, you know, was, uh,
• 26:07
  Speaker 8: the artistic director for years during its heyday as well. Um,
• 26:12
  Speaker 8: and he saw me in a rehearsal and made me
• 26:14
  Speaker 8: a member of the permanent company.
• 26:17
  Speaker 10: Um, and then I got bigger parts.
• 26:20
  Speaker 8: Um, and I, um, I worked, you know, there and then, um,
• 26:26
  Speaker 8: I realized that I needed more help and I studied
• 26:28
  Speaker 8: for two years with Sandy Meisner. And during that time,
• 26:32
  Speaker 8: even though he told me I couldn't do theater, I, um,
• 26:35
  Speaker 8: I did a workshop production of When You Come In Back,
• 26:38
  Speaker 8: Red Rider, and that went off-Broadway.
• 26:43
  Speaker 5: Did he tell you that because he wanted you to
• 26:45
  Speaker 5: focus on what he was doing?
• 26:47
  Speaker 8: Yes, he wanted me to focus on what he was
• 26:50
  Speaker 8: trying to teach me, and I wasn't supposed to do that,
• 26:53
  Speaker 8: and he put me in what was known as the
• 26:55
  Speaker 8: retarded class for the second year, and then I guess
• 27:01
  Speaker 8: he'd He reads reviews, and I'd gotten some good reviews
• 27:04
  Speaker 8: from When You're Coming Back, Red Ryder. And he said,
• 27:09
  Speaker 8: so I see you're doing a play when I told
• 27:14
  Speaker 8: you not to. No, he said, who told you you
• 27:17
  Speaker 8: could do a play? And I said, me. And, you know,
• 27:23
  Speaker 8: that was the play that Milos Forman saw me and
• 27:27
  Speaker 8: eventually cast me as Billy Bibbit. Wow. in Cuckoo's Nest,
• 27:31
  Speaker 8: and that was sort of the start of my career.
• 27:33
  Speaker 5: I mean, that's such a different medium and a different
• 27:37
  Speaker 5: style of acting and approaching an audience versus working specifically
• 27:42
  Speaker 5: for a camera. Was film something you were concerned with
• 27:46
  Speaker 5: early on? Was it something that interested you?
• 27:48
  Speaker 8: No, I knew that if I watched people who had
• 27:54
  Speaker 8: done it, I could figure out pretty much how to
• 27:58
  Speaker 8: do it. Once you know, a little something about acting,
• 28:02
  Speaker 8: all you have to do is act. And so I,
• 28:07
  Speaker 8: you know, I just watched Nicholson and kind of, and
• 28:11
  Speaker 8: he was extraordinarily generous as an actor and learned a
• 28:16
  Speaker 8: lot and somehow managed to.
• 28:20
  Speaker 10: Muff my way through the shooting.
• 28:23
  Speaker 5: Well, yeah, I mean, that, Other than working with Males Form. Like,
• 28:30
  Speaker 5: that cast is amazing. Like, looking back now, like, everybody
• 28:35
  Speaker 5: that was in there turned out to be these amazing actors.
• 28:38
  Speaker 8: Yeah.
• 28:38
  Speaker 5: And some huge stars later. So, I don't know. I
• 28:41
  Speaker 5: guess at the time, could you kind of feel that?
• 28:45
  Speaker 5: That everybody was kind of going.
• 28:47
  Speaker 8: I knew something extraordinary was going on.
• 28:50
  Speaker 2: Yeah.
• 28:50
  Speaker 5: I mean, it's... Obviously, working with Nicholson at that point
• 28:54
  Speaker 5: is pretty.
• 28:55
  Speaker 2: Overwhelming, but.
• 28:57
  Speaker 5: I guess you said you learned from him. Was he
• 28:59
  Speaker 5: someone that was super.
• 29:01
  Speaker 7: Approachable at that point? Did he like to work with people?
• 29:04
  Speaker 8: He loved working with other actors. He loved to watch
• 29:07
  Speaker 8: what other actors were doing. He has a very improvisational
• 29:13
  Speaker 8: style and he's very funny. He did a magnificent job
• 29:21
  Speaker 8: of shepherding us into a different medium.
• 29:26
  Speaker 5: And then, I guess, how is Foreman to work with
• 29:29
  Speaker 5: as a director? And what was the balance, I guess,
• 29:31
  Speaker 5: between Nicholson? I mean, was he, you know, Foreman still
• 29:35
  Speaker 5: in charge of the set because he's the director?
• 29:38
  Speaker 10: Foreman was.
• 29:39
  Speaker 8: Milos was definitely in control of the set. Milos definitely
• 29:46
  Speaker 8: just knew where a performance was and how to shoot it,
• 29:50
  Speaker 8: how to use actors. You know, he would shoot a
• 29:54
  Speaker 8: lot of actors that annoyed people just because it annoyed people.
• 29:58
  Speaker 8: you know, and he would get reactions from people. And
• 30:04
  Speaker 8: he just kept us all very awake and made sure
• 30:11
  Speaker 8: we got it.
• 30:13
  Speaker 5: And then, I mean, especially in that movie, in that
• 30:17
  Speaker 5: scenario that everybody's in, how much was everyone preset as to, okay,
• 30:22
  Speaker 5: this is what you need to be doing sometimes very specific,
• 30:25
  Speaker 5: like in that moment, because everybody's kind of doing their
• 30:28
  Speaker 5: own crazy little things at any given moment. Was it
• 30:30
  Speaker 5: all everybody had stuff that was preset that they were
• 30:34
  Speaker 5: supposed to be doing at any given moment?
• 30:36
  Speaker 8: Well, we rehearsed all the scenes before we shot them.
• 30:39
  Speaker 8: We did two weeks of rehearsal before, so we knew
• 30:42
  Speaker 8: how the scenes were going to go, but there was
• 30:45
  Speaker 8: an improvisational aspect to it.
• 30:47
  Speaker 5: And then that, I guess he just kind of rolls
• 30:50
  Speaker 5: with it and lets you go with it, yeah. I
• 30:53
  Speaker 5: was trying to go through some of the other, the
• 30:56
  Speaker 5: earlier ones, and I was thinking Eyes of Laura Mars
• 30:59
  Speaker 5: is one of those I watched years, and just Irving
• 31:02
  Speaker 5: Kirschner is one of those that he was a, his
• 31:06
  Speaker 5: career was always weird. He was always coming in on
• 31:08
  Speaker 5: somebody else's property, so I didn't know what he was
• 31:11
  Speaker 5: like to work with as a director.
• 31:12
  Speaker 8: He was a great deal of fun.
• 31:14
  Speaker 5: Yeah.
• 31:15
  Speaker 8: You know, and we all had a great time with him,
• 31:19
  Speaker 8: I think.
• 31:19
  Speaker 5: I always thought he was such a solid director and
• 31:22
  Speaker 5: never really, really got thrown into the limelight he was
• 31:25
  Speaker 5: he was always just like good studio director and they
• 31:28
  Speaker 5: would always bring him in but he never got to
• 31:29
  Speaker 5: be the name that a lot of the other guys
• 31:31
  Speaker 5: did you just had the screening of wise blood i
• 31:34
  Speaker 5: guess had you seen that on the big screen in
• 31:37
  Speaker 5: recent years.
• 31:40
  Speaker 8: Uh actually i did see that at the you know
• 31:42
  Speaker 8: at the harry dean stanton fest and um I came
• 31:49
  Speaker 8: in in the middle, and it's part of the performance
• 31:54
  Speaker 8: that I didn't like as much. I like some of
• 31:56
  Speaker 8: the stuff I did, but I've always had problems with
• 31:58
  Speaker 8: my performance in that. Other people haven't, but I had.
• 32:02
  Speaker 5: Yeah, and that's working with John Huston. I mean, at
• 32:07
  Speaker 5: that time, he was still already kind of legendary.
• 32:10
  Speaker 8: Very much so.
• 32:11
  Speaker 5: Is that overwhelming to deal with coming in as an actor?
• 32:15
  Speaker 8: Not really, no.
• 32:18
  Speaker 10: Not really. We were at a point where cinema was changing.
• 32:24
  Speaker 8: And he kind of got a boost from that and
• 32:27
  Speaker 8: he went on to make other films.
• 32:30
  Speaker 10: But he wasn't difficult at all.
• 32:33
  Speaker 5: A lot of the directors you've worked with and projects
• 32:38
  Speaker 5: became very well known for different reasons. Something like Heaven's Gate.
• 32:43
  Speaker 5: That's one of those that In recent years now, I
• 32:47
  Speaker 5: hear so many people go back and watch it or
• 32:49
  Speaker 5: re-watch it and have a totally different take on it.
• 32:51
  Speaker 5: And it just kind of got caught up in the
• 32:53
  Speaker 5: press at the time, I guess. But being on that set,
• 32:56
  Speaker 5: I guess, what was that experience like? Did it seem
• 33:00
  Speaker 5: like it was running the way it needed to be?
• 33:03
  Speaker 8: It was an exercise in extravagance. I mean, I had
• 33:09
  Speaker 8: a wonderful time there. Um, uh, you know, but it,
• 33:14
  Speaker 8: you know, I came, I was supposed to come in
• 33:16
  Speaker 8: and shoot for three weeks, leave for two and shoot
• 33:18
  Speaker 8: for one more week and be finished. I stayed for
• 33:21
  Speaker 8: five months. Yeah.
• 33:24
  Speaker 7: And that's, I guess, in many ways what got them
• 33:27
  Speaker 7: in so much trouble.
• 33:28
  Speaker 8: No, he spent way too much money on that shoot.
• 33:30
  Speaker 5: That's crazy.
• 33:31
  Speaker 7: But yeah, I mean, as far as just performances and actors.
• 33:33
  Speaker 10: But some of it is beautiful.
• 33:35
  Speaker 8: Some of it is really, really beautiful.
• 33:38
  Speaker 6: Yeah.
• 33:39
  Speaker 5: So it's one of those that I think people are
• 33:41
  Speaker 5: rediscovering now and being like, well, it.
• 33:43
  Speaker 7: Has its issues.
• 33:44
  Speaker 8: It's probably one of, it's a very underrated. I mean,
• 33:48
  Speaker 8: Vincent Camby's review was, I think the biggest line was,
• 33:54
  Speaker 8: it was like being given a four-hour tour of your
• 33:57
  Speaker 8: own living room.
• 33:59
  Speaker 5: That's a hell of a line.
• 34:02
  Speaker 8: It died very quickly. Most people never saw it.
• 34:07
  Speaker 5: And then, again, a few years later, in the middle
• 34:09
  Speaker 5: of Dune, which, I mean, they had planned for that
• 34:13
  Speaker 5: to be the epic sci-fi movie of, you know, the
• 34:16
  Speaker 5: next decade.
• 34:18
  Speaker 7: It was too expensive.
• 34:19
  Speaker 8: Yeah. It was just too expensive to do, and they
• 34:24
  Speaker 8: cut some things. What is remarkable is how uneven the
• 34:29
  Speaker 8: movie is. Some of the stuff is gorgeous and wonderful,
• 34:34
  Speaker 8: but Some of the special effects stuff.
• 34:36
  Speaker 10: With the worm and some of the battle.
• 34:39
  Speaker 8: Stuff is just bad.
• 34:41
  Speaker 5: And again, the kind of stuff you could do easily
• 34:44
  Speaker 5: now with CG, which probably wouldn't look good, but I'm
• 34:47
  Speaker 5: sure they could easily find a way to do it.
• 34:49
  Speaker 8: Oh, I think the folding of the, watching them fold space,
• 34:53
  Speaker 8: what was in the script was way better. But the
• 34:56
  Speaker 8: script was ultimately the problem. It was way too much
• 34:59
  Speaker 8: to take on in one script. And much of it
• 35:02
  Speaker 8: wound up like illustration issues.
• 35:04
  Speaker 5: Yeah.
• 35:05
  Speaker 8: Um, and not, not really. It lost, um, it lost tension.
• 35:11
  Speaker 5: Um, it's a huge story to try to, especially in
• 35:15
  Speaker 5: one movie, but just in general, it's so complex.
• 35:18
  Speaker 8: It should have been, I mean, there could have been,
• 35:21
  Speaker 8: it could have been so cool with, um, with the
• 35:24
  Speaker 8: Fremen and it wasn't.
• 35:25
  Speaker 5: Yeah.
• 35:26
  Speaker 8: It fell apart once that, that story, that story happened. And, and, um,
• 35:32
  Speaker 8: And that was the real problem.
• 35:35
  Speaker 5: And bringing Lynch in, was he the right director? I mean,
• 35:39
  Speaker 5: it didn't work.
• 35:40
  Speaker 1: Out, but.
• 35:40
  Speaker 7: He was the right director.
• 35:41
  Speaker 8: He had the wrong script.
• 35:43
  Speaker 5: Yeah. And that was partially.
• 35:45
  Speaker 8: Well, I don't know whose fault that was. And I
• 35:52
  Speaker 8: think a lot of stuff that he really wanted to
• 35:54
  Speaker 8: do was cut. Folding space was a joke. And it
• 36:00
  Speaker 8: was gorgeous in the script.
• 36:04
  Speaker 5: Again, I definitely had to get to him, especially as
• 36:07
  Speaker 5: you go ahead and move into Blue Velvet. I don't
• 36:11
  Speaker 5: know if there are better movies and a director so
• 36:15
  Speaker 5: in the perfect space and time than the way that
• 36:18
  Speaker 5: Blue Velvet came together. It's so perfect. And kind of
• 36:22
  Speaker 5: him right at that perfect balance in Lynch's career. He
• 36:27
  Speaker 5: does the weirder stuff when he's younger and he goes
• 36:30
  Speaker 5: on to do different stuff for TV, but like it's
• 36:32
  Speaker 5: that perfect mix right in the middle when blue velvet
• 36:35
  Speaker 5: hits and like everybody in the cast, like everything just
• 36:39
  Speaker 5: fell into place. I mean, I guess what, you know,
• 36:42
  Speaker 5: being on that set, like, did it feel like it
• 36:45
  Speaker 5: was coming together that perfectly at the time or were
• 36:47
  Speaker 5: you just shooting? I, we were, you know, it, it
• 36:51
  Speaker 5: seemed like it was really going to be a good
• 36:53
  Speaker 5: movie to me, um, as we were shooting it.
• 36:56
  Speaker 10: But, you know, I had a very small part and felt.
• 36:59
  Speaker 5: A little frustrated.
• 37:00
  Speaker 1: Yeah.
• 37:01
  Speaker 5: Was there supposed to be more to everyone in that group? No, no, no.
• 37:05
  Speaker 8: It was what it was written, but I just, I
• 37:08
  Speaker 8: just wanted more.
• 37:10
  Speaker 5: Yeah. I mean, it's, it's still pretty rich. Just the, the,
• 37:15
  Speaker 5: for me. Yeah. I mean, just, but even that little group,
• 37:18
  Speaker 5: like there feels like there is chemistry and there is
• 37:21
  Speaker 5: some sort of history.
• 37:22
  Speaker 10: We were having fun.
• 37:23
  Speaker 5: Yeah. There's definitely something there just with the limited amount
• 37:27
  Speaker 5: of screen time. It, It feels very real and very...
• 37:30
  Speaker 5: Jack working.
• 37:31
  Speaker 8: It's the second time I worked with Jack Nance.
• 37:33
  Speaker 5: He's amazing.
• 37:34
  Speaker 8: You know, he was, you know.
• 37:37
  Speaker 7: And that's... Yeah, he's another one that just.
• 37:39
  Speaker 5: There's like that unspoken language between him and David Lynch
• 37:43
  Speaker 5: and it's those two together.
• 37:46
  Speaker 8: Well, Eraserhead is still an extraordinary movie. It's... And his
• 37:51
  Speaker 8: performance in that was beautiful.
• 37:52
  Speaker 5: People will be watching that for generations trying to decide...
• 37:56
  Speaker 5: what they think of it. Like, I think even as
• 37:57
  Speaker 5: a viewer.
• 37:58
  Speaker 8: I tell you what, if you want to, I'll describe
• 38:01
  Speaker 8: to you what I thought of it. My wife at
• 38:06
  Speaker 8: the time was a heroin junkie, and I had a
• 38:10
  Speaker 8: couple of children, and it was an extremely difficult and
• 38:14
  Speaker 8: painful time in my life. And I... I went on that,
• 38:20
  Speaker 8: you know, really fearing for my daughter and, and, um, and, uh,
• 38:29
  Speaker 8: and I was really mad at, at my wife at
• 38:32
  Speaker 8: the time. And, um, uh, I, he decided to show
• 38:38
  Speaker 8: us Eraserhead. So, you know, he came up and said,
• 38:42
  Speaker 8: you know, he said, um, I did this movie and, um,
• 38:46
  Speaker 8: I'm just going to show it. And, uh, I hope
• 38:49
  Speaker 8: you guys don't decide to leave town. And then he
• 38:53
  Speaker 8: showed it, and everybody, everybody, I was astounded by it.
• 38:58
  Speaker 10: I mean, I didn't know what I was seeing.
• 39:04
  Speaker 8: And I, after it was over, I was speechless. And
• 39:09
  Speaker 8: everybody was coming out to him like they got it,
• 39:11
  Speaker 8: and I felt like I didn't understand a second of it.
• 39:16
  Speaker 8: And I, I didn't even say anything. They had a
• 39:21
  Speaker 8: car and the car took me back to the hotel.
• 39:24
  Speaker 8: And I was in the car, and the movie was
• 39:27
  Speaker 8: flashing through my head. And suddenly, for the first time
• 39:31
  Speaker 8: in so long, I missed my wife. And I had
• 39:35
  Speaker 8: all these warm feelings about her. And then this imagery
• 39:39
  Speaker 8: came back, and I suddenly got it, that it was
• 39:43
  Speaker 8: an honest, male.
• 39:48
  Speaker 8: Fear of the female psyche it was that's what it
• 39:52
  Speaker 8: was and the whole thing came together for me in
• 40:02
  Speaker 8: a very powerful and vivid way and that was the
• 40:06
  Speaker 8: most dramatic way I have ever understood a movie that
• 40:09
  Speaker 8: I was completely in the dark and suddenly bam there
• 40:13
  Speaker 8: it was but I had to have this personal reaction
• 40:18
  Speaker 8: this really deep-seated reaction to it for it to finally,
• 40:24
  Speaker 8: you know, the images begin to cascade and the whole
• 40:27
  Speaker 8: thing began to cascade.
• 40:28
  Speaker 10: And that's when I realized it was.
• 40:31
  Speaker 8: It was such a series of feminine.
• 40:36
  Speaker 10: Imagery.
• 40:39
  Speaker 5: Again, this was something like years ago, a friend told
• 40:42
  Speaker 5: me that so much of his take on it was
• 40:44
  Speaker 5: also how family-oriented it is. Maybe not even in a
• 40:48
  Speaker 5: positive way. His take was they should sit every kid
• 40:51
  Speaker 5: down in like probably grade school now because they start sooner.
• 40:55
  Speaker 5: But yeah, and make them watch this as like, forget
• 40:58
  Speaker 5: your like, you know, don't go out and have sex
• 41:01
  Speaker 5: kids speech. Just show them a razor head and the
• 41:04
  Speaker 5: scenes of him and the baby. And like, it's crazy.
• 41:08
  Speaker 8: All men feel that terror.
• 41:10
  Speaker 1: Yeah.
• 41:11
  Speaker 8: When you look at a woman who looks beautiful to
• 41:13
  Speaker 8: you That could.
• 41:15
  Speaker 5: Be your life.
• 41:16
  Speaker 9: Yeah.
• 41:17
  Speaker 10: You know, and.
• 41:20
  Speaker 8: It's terrifying. It's really terrifying, this, I guess, natural hook
• 41:29
  Speaker 8: thing that hooks you in, and you can become its
• 41:33
  Speaker 8: prisoner if you don't take it on with open eyes.
• 41:39
  Speaker 8: I guess that's what he.
• 41:40
  Speaker 10: Means, but I.
• 41:45
  Speaker 8: It's more profound than that. It's a fear that we
• 41:52
  Speaker 8: are utter and complete mysteries to one another. Here's this
• 41:57
  Speaker 8: person who you never... I mean, I look at my
• 42:02
  Speaker 8: girlfriend now. We've been together for 22 years. And I
• 42:09
  Speaker 8: adore the ground she walks on. she's the best thing
• 42:13
  Speaker 8: that ever happened to me and is my great and
• 42:17
  Speaker 8: truest friend. But I don't know who she is.
• 42:24
  Speaker 5: There's always that aspect.
• 42:27
  Speaker 8: I think she once remarked to me, she turned to
• 42:29
  Speaker 8: me and she said, you know, I think you know
• 42:31
  Speaker 8: me way better than I think you do. So, I mean,
• 42:36
  Speaker 8: you don't.
• 42:37
  Speaker 10: Really know anybody.
• 42:38
  Speaker 5: There's a level, yeah.
• 42:40
  Speaker 7: I mean, even.
• 42:41
  Speaker 10: You're just caught up in the.
• 42:44
  Speaker 8: Whirl of it, and you never do.
• 42:46
  Speaker 5: Especially something like that relationship. I think you get to
• 42:48
  Speaker 5: know their movements, their habits. You exist with them enough
• 42:53
  Speaker 5: that you know the way they normally work, but what's
• 42:56
  Speaker 5: going on inside their head may be a totally different thing. Yeah,
• 43:00
  Speaker 5: and it's interesting.
• 43:02
  Speaker 7: And again, the lynch.
• 43:04
  Speaker 5: Thing like that.
• 43:05
  Speaker 8: The other wonder of it is that you're always surprised. Yeah.
• 43:10
  Speaker 5: Looking at something to be able to take such different
• 43:14
  Speaker 5: interpretations of it and everybody kind of takes what they
• 43:16
  Speaker 5: need that's again why he still especially at that point
• 43:20
  Speaker 5: is such an artist that like it is what you
• 43:23
  Speaker 5: need it to be it is a work of art
• 43:26
  Speaker 5: as it is I assume that's what everybody strives for
• 43:30
  Speaker 5: but it's amazing when it comes together I don't know
• 43:33
  Speaker 5: I was going through just different ones that I guess
• 43:36
  Speaker 5: it's a hard turn to take getting to child's play but.
• 43:41
  Speaker 7: That's definitely still one you're.
• 43:42
  Speaker 5: Known for so well these days that's to me it's
• 43:46
  Speaker 5: one of those you read that screenplay does it seem
• 43:50
  Speaker 5: like it's gonna work because eventually it did and it
• 43:53
  Speaker 5: became you know such a favorite with fans but that
• 43:56
  Speaker 5: seems like it would be one to read the screenplay
• 43:58
  Speaker 5: and not really know where it was going to go
• 44:00
  Speaker 5: or how it was going to go over so did
• 44:03
  Speaker 5: it i don't know as you read it that first
• 44:04
  Speaker 5: time did it seem like It had a sense.
• 44:07
  Speaker 8: It really made sense.
• 44:08
  Speaker 7: Yeah.
• 44:09
  Speaker 8: You know, I mean, that was a screenplay that very
• 44:14
  Speaker 8: clearly could work.
• 44:15
  Speaker 5: Yeah.
• 44:16
  Speaker 8: It was all down to the doll and how well they,
• 44:23
  Speaker 8: you know, the animatronics of the doll. But it, you know,
• 44:28
  Speaker 8: it had very powerful undercurrents and it was well nailed.
• 44:36
  Speaker 3: Yeah.
• 44:36
  Speaker 5: And then, I mean, so much of it is you
• 44:38
  Speaker 5: finding that character. Where do you go to try to
• 44:43
  Speaker 5: piece together what you want to do with that person?
• 44:47
  Speaker 7: Like, it's evil, but it's a weird form of evil,
• 44:50
  Speaker 7: so it's not.
• 44:51
  Speaker 5: Even something like you would normally, you know, some sort of.
• 44:54
  Speaker 5: Regular serial killer. Well, it's innately.
• 44:58
  Speaker 8: The first thing that you relate to, that I related to,
• 45:02
  Speaker 8: was his fear. He did not want to die. He
• 45:04
  Speaker 8: was terrified of it. Oblivion terrified him. And at this
• 45:11
  Speaker 8: point in the thing, he's sort of mastered it. He's
• 45:15
  Speaker 8: never going to die. I think at this point the
• 45:19
  Speaker 8: doll believes he will never die.
• 45:21
  Speaker 5: Which continued as the, as the sequels went on, it continued. So,
• 45:26
  Speaker 5: I mean, is that, I don't know, stuff like that. You've,
• 45:29
  Speaker 5: you've turned up in a lot of horror over the years.
• 45:30
  Speaker 5: And I think it's, it's always interesting when people are,
• 45:36
  Speaker 5: you know, brave enough to take on new genres and
• 45:38
  Speaker 5: at the same time, take it seriously. Like there's a
• 45:41
  Speaker 5: good amount of people who can take horror is kind
• 45:44
  Speaker 5: of a campy thing, but like, again, you've always seemed
• 45:47
  Speaker 5: to approach everything is, you know, it, it is the
• 45:50
  Speaker 5: performance just like any drama or anything else.
• 45:52
  Speaker 7: And now that you've, so how do, how do.
• 45:54
  Speaker 5: You approach the horror when you're, when you're looking at
• 45:57
  Speaker 5: these different properties that you go towards?
• 46:00
  Speaker 8: Well, I, somebody defined this to me and it's pretty
• 46:03
  Speaker 8: much stood up that horror is, requires a monster. And
• 46:09
  Speaker 8: a monster is an entity who will kill you. And, um,
• 46:17
  Speaker 8: with which there is no negotiation.
• 46:21
  Speaker 7: Even if it's just psychological.
• 46:25
  Speaker 8: We are, you are prey.
• 46:29
  Speaker 10: And that's what horror is.
• 46:34
  Speaker 8: And then there are very violent movies. I did one
• 46:39
  Speaker 8: which was probably people will mistake as horror, but it
• 46:42
  Speaker 8: isn't horror. Because the monster in that is something that you.
• 46:48
  Speaker 5: Can negotiate with.
• 46:50
  Speaker 8: It has a very human aspect to it. That's a
• 46:55
  Speaker 8: thing called Wildling. And that's not out yet. And I
• 47:03
  Speaker 8: think it will be in the horror genre, but it
• 47:06
  Speaker 8: isn't a horror film.
• 47:09
  Speaker 5: Does that become harder to process as an actor.
• 47:13
  Speaker 8: No you take it from a different um it's a
• 47:16
  Speaker 8: it's a false genre i i don't um i approached
• 47:21
  Speaker 8: it very differently.
• 47:23
  Speaker 5: But just in general as you approach horror roles is.
• 47:25
  Speaker 8: It because everything that you do everything that you do
• 47:30
  Speaker 8: is an event in and of itself um and that's
• 47:34
  Speaker 8: what the style of it is I mean, there's a,
• 47:38
  Speaker 8: and horror has all kinds of, of, um, uh, has
• 47:41
  Speaker 8: gone through all kinds of, some, at times it went through,
• 47:44
  Speaker 8: when we, when it, when Chucky switched, uh, when the
• 47:48
  Speaker 8: Child's Play, uh, series switched, uh, to becoming self-referential.
• 47:53
  Speaker 6: Yeah.
• 47:54
  Speaker 8: Um, uh, the way of, uh, that was, um, um, um,
• 47:59
  Speaker 8: Jennifer Tilly's, uh, job and, and that was, um, Tiffany and, and, um,
• 48:07
  Speaker 8: And her big thing was Bride of Frankenstein. She loved
• 48:14
  Speaker 8: that movie. And, of course, that was the self-referential thing.
• 48:19
  Speaker 8: And she sort of forced Chucky and her to live
• 48:23
  Speaker 8: out the, it was a love story.
• 48:27
  Speaker 5: Finding a different way to take these things.
• 48:30
  Speaker 10: Yeah, and it was campier.
• 48:32
  Speaker 8: And Seed was campier and then we went back to
• 48:36
  Speaker 8: the era of remakes and so.
• 48:39
  Speaker 10: We got to.
• 48:42
  Speaker 8: We got to to Curse and that again flipped and
• 48:50
  Speaker 8: we take horror back to its source.
• 48:54
  Speaker 5: Well then sort of in that realm but again just
• 48:58
  Speaker 5: a different version of it Exorcist 3 And that I
• 49:02
  Speaker 5: wanted to talk about because we did a whole episode
• 49:05
  Speaker 5: on Ninth Configuration and we're talking about William Peter Blatty
• 49:09
  Speaker 5: as a director. And he really only did.
• 49:11
  Speaker 7: Those two movies.
• 49:12
  Speaker 5: It's like part of his trilogy in his mind, I think,
• 49:15
  Speaker 5: was the Exorcist 9th Configuration and Exorcist 3. Again, I
• 49:22
  Speaker 5: guess how was he as a director and how much
• 49:24
  Speaker 5: of this seemed more personal because he'd written a lot
• 49:29
  Speaker 5: of stuff, but these are the only ones he chose
• 49:30
  Speaker 5: to direct.
• 49:31
  Speaker 8: Well, it was deeply personal.
• 49:33
  Speaker 5: Yeah.
• 49:35
  Speaker 8: And he worked with me a lot. As a matter
• 49:38
  Speaker 8: of fact, too much. I did one of the two
• 49:43
  Speaker 8: big scenes in the cell.
• 49:49
  Speaker 10: And one of them worked.
• 49:50
  Speaker 8: The second one didn't work at all. And it was
• 49:53
  Speaker 8: because I had let him over direct me. And I
• 49:59
  Speaker 8: just gave him every line framed in gold. And it
• 50:03
  Speaker 8: was awful boring.
• 50:05
  Speaker 10: And finally George C.
• 50:07
  Speaker 8: Scott came up to me and said, listen, you know.
• 50:11
  Speaker 8: You've let this guy really fuck you over. He said,
• 50:14
  Speaker 8: you know, just choose what's important and throw the rest away.
• 50:18
  Speaker 8: And I went, of course.
• 50:23
  Speaker 5: What was I thinking?
• 50:24
  Speaker 8: And of course the scene flew. That was all it took. So,
• 50:32
  Speaker 8: you know, him, his passion for it, you know, that
• 50:36
  Speaker 8: kind of thing can work against you, especially, you know,
• 50:39
  Speaker 8: somebody who was just too impressionable which i was um
• 50:44
  Speaker 8: i i was astounded by him in a way because
• 50:49
  Speaker 8: here was somebody who was really fighting who wanted real
• 50:56
  Speaker 8: evidence that there was um a god yeah i mean
• 51:01
  Speaker 8: something something really really beyond him and he felt like
• 51:06
  Speaker 8: he had found it in this um in this kind
• 51:09
  Speaker 8: of um thing that was in the papers, uh, on
• 51:13
  Speaker 8: which he based, on which he based his, um, The Exorcist.
• 51:18
  Speaker 2: Yeah.
• 51:18
  Speaker 10: And Legion.
• 51:19
  Speaker 2: Of all of those.
• 51:20
  Speaker 7: Yeah.
• 51:20
  Speaker 5: Those three stories are just, it is weird that not
• 51:24
  Speaker 5: just the characters are grappling with that, but the fact
• 51:26
  Speaker 5: that you do kind of feel the writer, the director
• 51:29
  Speaker 5: kind of working through those same things.
• 51:31
  Speaker 8: He really, and I think he came to the conclusion
• 51:33
  Speaker 8: that there was a God and he became pretty devout and, and, um,
• 51:38
  Speaker 8: I didn't come to that conclusion. I came to the
• 51:40
  Speaker 8: conclusion that there is no such thing as evil.
• 51:43
  Speaker 5: Ninth Configuration takes that weird turn that almost feels like
• 51:47
  Speaker 5: it was added in that is really hopeful and really
• 51:52
  Speaker 5: almost supernatural in the way.
• 51:55
  Speaker 8: That it becomes religious. That's what he's looking for. He
• 51:59
  Speaker 8: was looking for an argument that there is something, there
• 52:02
  Speaker 8: is a reason that uh that is that we're not
• 52:09
  Speaker 8: alone i guess which was the fear of the astronaut.
• 52:13
  Speaker 5: Yeah and takes like a physical like he gets a
• 52:16
  Speaker 5: trinket from you know actually from god he wanted physical
• 52:20
  Speaker 5: evidence almost.
• 52:21
  Speaker 8: And yeah there were a little miracle happens at the
• 52:24
  Speaker 8: at the end there um but um yeah that was
• 52:29
  Speaker 8: originally killer killer kane i.
• 52:31
  Speaker 5: Think yeah yeah which is is another one of those
• 52:33
  Speaker 5: just completely underrated, underseen movies. Like there's so many. I
• 52:37
  Speaker 5: thought it was a beautiful movie. Yeah. I really loved
• 52:40
  Speaker 5: that movie.
• 52:40
  Speaker 8: And I thought Scott Wilson did such a beautiful, beautiful
• 52:44
  Speaker 8: job in that.
• 52:45
  Speaker 9: Yeah.
• 52:45
  Speaker 8: Along with everybody else.
• 52:47
  Speaker 5: But yeah, that's, that's one of those he's, he's put
• 52:49
  Speaker 5: in so many good performances over the years. And he's
• 52:51
  Speaker 5: just now kind of finding his, his third, fourth wind,
• 52:55
  Speaker 5: you know, it's like getting this, this boost again, this
• 52:57
  Speaker 5: far in his career, but coming back, even like just,
• 53:00
  Speaker 5: I don't know, roles as the killer and like he
• 53:04
  Speaker 5: just taking on all these different different roles.
• 53:07
  Speaker 8: I have to say that the movie he did.
• 53:13
  Speaker 5: In cold blood yeah that's that's what I was yeah.
• 53:16
  Speaker 8: I thought that relationship that he had with Blake was
• 53:21
  Speaker 8: the most purest relationship I'd ever seen on film yeah
• 53:26
  Speaker 8: and that was the ultimate example of a relationship and
• 53:30
  Speaker 8: I always always always wanted that to do that and
• 53:36
  Speaker 8: i i never did on film but i feel i
• 53:39
  Speaker 8: did a play with amanda plumber about three years ago
• 53:43
  Speaker 8: and i feel like we got there yeah so i
• 53:47
  Speaker 8: feel like my life.
• 53:48
  Speaker 11: Is over you've checked it off yeah it's off that
• 53:52
  Speaker 11: list now i mean it does working on stage still
• 53:58
  Speaker 11: no it does no appeal to me nothing wow I mean,
• 54:01
  Speaker 11: working with her on stage did in that play.
• 54:05
  Speaker 5: Is it just the audience? Or I guess what is
• 54:08
  Speaker 5: the difference that doesn't attract you the way that film
• 54:11
  Speaker 5: now does? Oh, it's too difficult. It's too.
• 54:17
  Speaker 5: It is an ordeal. I mean, it's so much to
• 54:21
  Speaker 5: deal with.
• 54:21
  Speaker 8: It completely takes over your life. You have nothing else.
• 54:27
  Speaker 8: I mean, not that film doesn't do that. It does it,
• 54:29
  Speaker 8: but it does it in such a calculated and you
• 54:35
  Speaker 8: have this scene to do and this scene means this
• 54:38
  Speaker 8: and this scene means this and you do it piece
• 54:41
  Speaker 8: by piece but once you finish it that part is
• 54:44
  Speaker 8: over and you go on to the next part but
• 54:46
  Speaker 8: the play is like something that you that you know
• 54:51
  Speaker 8: I just before every performance I was backstage and I
• 54:54
  Speaker 8: went how the fuck did I do this to myself
• 54:56
  Speaker 8: and I was terrified and then I would look at
• 55:00
  Speaker 8: Amanda before we would go on. And suddenly I was
• 55:02
  Speaker 8: head over heels in love with her. And, um, and
• 55:06
  Speaker 8: for that brief period, I, we flew. And then I,
• 55:10
  Speaker 8: you know, I would come back and, and the play
• 55:13
  Speaker 8: was over and I was tired.
• 55:14
  Speaker 5: And then you have to relive it again. I think
• 55:16
  Speaker 5: that's it. You have to keep doing it.
• 55:18
  Speaker 8: And three days I'd do it twice a day.
• 55:20
  Speaker 5: So that's, yeah, that's the part that like it's draining
• 55:24
  Speaker 5: and then to have to turn around and do it
• 55:25
  Speaker 5: all over again the same day is, you know, I
• 55:28
  Speaker 5: can see why. For me, I wouldn't want anything to
• 55:31
  Speaker 5: do with it. But at least film is, yeah, it's
• 55:33
  Speaker 5: like focused.
• 55:35
  Speaker 7: Like literally in these little segments.
• 55:37
  Speaker 5: And then you don't have to keep, once you get that, yeah,
• 55:40
  Speaker 5: you don't have to relive it over and over and
• 55:42
  Speaker 5: deal with that drama. And it's more of the puzzle,
• 55:45
  Speaker 5: which I like.
• 55:46
  Speaker 7: Yeah.
• 55:47
  Speaker 5: I mean, the play literally is just the story straight
• 55:50
  Speaker 5: through over and over. But yeah, the filmmaking as a whole,
• 55:54
  Speaker 5: from the production end to the acting itself yeah is
• 55:58
  Speaker 5: just way more it is you're right it is a
• 56:01
  Speaker 5: puzzle it's a lot to deal with in a different
• 56:04
  Speaker 5: way in a less I guess constant grueling version that
• 56:09
  Speaker 5: the play probably is but play.
• 56:10
  Speaker 8: Can be powerful yeah people I mean I I met
• 56:15
  Speaker 8: some people who were really profoundly moved.
• 56:19
  Speaker 5: Yeah there is something about sharing space like being it
• 56:24
  Speaker 5: is something even doing this it's like I'm always way
• 56:28
  Speaker 5: more interested in sitting down and actually talking to someone
• 56:31
  Speaker 5: versus even phone or Skype. Definitely. There's just something that
• 56:37
  Speaker 5: doesn't work about it compared to actually sharing space with someone.
• 56:41
  Speaker 5: So I think you get that with performance in general.
• 56:43
  Speaker 5: I think there is something about them literally being in
• 56:46
  Speaker 5: the room with you that gives you a little more
• 56:49
  Speaker 5: from it.
• 56:49
  Speaker 2: But yeah, so I.
• 56:51
  Speaker 5: Guess back to some of the other stuff, um, I definitely,
• 56:56
  Speaker 5: you know, again, all these different directors, Peter Jackson is,
• 57:01
  Speaker 5: has made himself into like one of the, you know,
• 57:04
  Speaker 5: biggest names ever. I coming into something as huge as,
• 57:09
  Speaker 5: as the Lord of the Rings trilogy. I mean, again,
• 57:13
  Speaker 5: how do you figure out specifically what you need to do?
• 57:17
  Speaker 7: Or it's, I mean, just that scene, that.
• 57:19
  Speaker 5: Set, all those actors on, on the stage there. It's like,
• 57:23
  Speaker 5: It's just a lot you're coming into at that point.
• 57:27
  Speaker 5: How did you approach it all? Well, I talked to.
• 57:33
  Speaker 8: I talked to his wife and.
• 57:41
  Speaker 8: And we had a long sit-down about the character because
• 57:44
  Speaker 8: they were writing it more.
• 57:46
  Speaker 10: And we came to.
• 57:52
  Speaker 8: We spelled it out in a way that I really
• 57:54
  Speaker 8: understood and I knew I could play. And then it
• 57:58
  Speaker 8: was just getting the accent. And that was the first
• 58:02
  Speaker 8: time I did. I felt like I didn't really like
• 58:06
  Speaker 8: my work that much. And then after that, it was easy.
• 58:14
  Speaker 5: Again, just that story is another. But that, I guess,
• 58:17
  Speaker 5: shows the lesson eventually learned from something like Dune. they're
• 58:22
  Speaker 5: still trying to take a huge story and from a
• 58:24
  Speaker 5: novel and adapted and there is a way to do
• 58:27
  Speaker 5: it but it takes a lot more time and i
• 58:29
  Speaker 5: guess studio freedom than what they were given lynch back
• 58:32
  Speaker 5: in the day but but yeah there's it can come
• 58:36
  Speaker 5: together eventually um again just so many directors uh you've
• 58:40
  Speaker 5: worked with herzog several times do you just kind of
• 58:46
  Speaker 5: have a different relationship does he i don't know is
• 58:49
  Speaker 5: there a reason that you feel like he keeps coming
• 58:51
  Speaker 5: to you or you want to take on those projects
• 58:54
  Speaker 5: or well hartzog.
• 58:57
  Speaker 8: Is somebody who opens and and moves the envelope of
• 59:02
  Speaker 8: of um of what a film is and what a
• 59:06
  Speaker 8: film can do and he is somebody he's the only
• 59:10
  Speaker 8: person I would ever consider working for for nothing. He's
• 59:15
  Speaker 8: an important force in the world.
• 59:20
  Speaker 3: Does he.
• 59:21
  Speaker 5: I mean, is it something specific that you think he
• 59:24
  Speaker 5: does differently? Or is it just him?
• 59:26
  Speaker 8: His imagination is... is wild and free. His commitment is perfect.
• 59:38
  Speaker 8: He takes risks and they don't always work but they're
• 59:45
  Speaker 8: always worth it. You know nobody is the perfect director
• 59:51
  Speaker 8: but like I say his vision and what he tries
• 59:56
  Speaker 8: to do is is always something. And he writes beautifully.
• 1:00:02
  Speaker 10: And he's brilliant.
• 1:00:03
  Speaker 5: He's just so interesting. Even watching when he turns up
• 1:00:07
  Speaker 5: as an actor. He's just so different than... He's a
• 1:00:10
  Speaker 5: wonderful actor. He's a wonderful actor. No question about that.
• 1:00:14
  Speaker 5: He's got such a different approach to everything he does,
• 1:00:17
  Speaker 5: specifically directing. And he's also very funny.
• 1:00:21
  Speaker 8: He wasn't when I first... He said he didn't get irony,
• 1:00:25
  Speaker 8: but he's gotten it now.
• 1:00:27
  Speaker 3: You know, he.
• 1:00:27
  Speaker 8: Did that thing with Zach. I forget Zach's last name,
• 1:00:32
  Speaker 8: but Incident at Loch Ness.
• 1:00:35
  Speaker 5: Oh, yeah.
• 1:00:35
  Speaker 10: I thought it was hysterically funny. And bafflingly cool.
• 1:00:40
  Speaker 5: Yeah, and it's almost like he's... I don't know if
• 1:00:43
  Speaker 5: he started that way, but now he doesn't take himself seriously.
• 1:00:45
  Speaker 5: Even as serious as some of his work is, he
• 1:00:48
  Speaker 5: seems like he's got a sense of humor about himself now.
• 1:00:52
  Speaker 8: Yeah, that he didn't have.
• 1:00:54
  Speaker 5: Yeah.
• 1:00:55
  Speaker 8: That he didn't always have.
• 1:00:57
  Speaker 10: And it's wonderful.
• 1:01:00
  Speaker 5: Yeah, I guess he became sort of his own persona.
• 1:01:04
  Speaker 5: Like people knew him as that. So he at least
• 1:01:07
  Speaker 5: recognized that people knew him as that and started to
• 1:01:09
  Speaker 5: kind of play with it a little. Again, always kind
• 1:01:11
  Speaker 5: of pushing that envelope of like, what can I do?
• 1:01:14
  Speaker 5: And now that people think I'm this, how about if
• 1:01:16
  Speaker 5: I do something else? Yeah, he's always interesting.
• 1:01:21
  Speaker 7: Another one I had that, again, a little.
• 1:01:23
  Speaker 5: a little left turn but the uh mostly for the
• 1:01:26
  Speaker 5: co-star i i i guess both of the halloween movies
• 1:01:31
  Speaker 5: but we've had daniel harris on the show her dynamic
• 1:01:34
  Speaker 5: between you i that is my especially that second one
• 1:01:39
  Speaker 5: that is my favorite part of the movie is watching
• 1:01:42
  Speaker 5: you both of you as actors and then anytime you
• 1:01:45
  Speaker 5: two are together there was just a really good chemistry
• 1:01:48
  Speaker 5: there that that You don't always get. I don't know.
• 1:01:52
  Speaker 5: Was there something, you know, just different about her as
• 1:01:55
  Speaker 5: an actress?
• 1:01:56
  Speaker 8: She just was my daughter. Yeah.
• 1:01:58
  Speaker 5: I mean, it's so genuine. Like, it really, and, like, not,
• 1:02:01
  Speaker 5: you don't always get that.
• 1:02:02
  Speaker 8: I mean, she, you know, she got, she trusted me absolutely. Yeah.
• 1:02:08
  Speaker 8: You know, and she just knew, she just knew what
• 1:02:11
  Speaker 8: she was.
• 1:02:11
  Speaker 10: Doing in that role. And I, you know, I loved Danielle.
• 1:02:18
  Speaker 8: I see her from time to time, and I always go, God,
• 1:02:23
  Speaker 8: I've got to see her some more.
• 1:02:25
  Speaker 7: She's smart.
• 1:02:27
  Speaker 5: I'm just talking to her.
• 1:02:28
  Speaker 7: I love the fact.
• 1:02:29
  Speaker 5: That she's been in the business since she was a child,
• 1:02:33
  Speaker 5: and she's just kind of got this wisdom to her.
• 1:02:37
  Speaker 8: She's the real thing.
• 1:02:37
  Speaker 5: Yeah, she knows what she's doing and has a really
• 1:02:40
  Speaker 5: smart approach to everything she does.
• 1:02:42
  Speaker 8: She's quite beautiful.
• 1:02:43
  Speaker 7: I can't argue that either, but.
• 1:02:45
  Speaker 5: Yeah, she's really.
• 1:02:46
  Speaker 8: I mean, last time I saw her, I was... You know,
• 1:02:48
  Speaker 8: she's really one very, very beautiful lady and happily married and...
• 1:02:55
  Speaker 8: And not aging. No.
• 1:02:56
  Speaker 5: The fact that she was still playing a high schooler
• 1:02:58
  Speaker 5: in Halloween, that, like, she was a decade beyond that. And, like,
• 1:03:04
  Speaker 5: you couldn't tell.
• 1:03:05
  Speaker 8: Yeah.
• 1:03:06
  Speaker 7: It's amazing.
• 1:03:07
  Speaker 5: So, yeah, good genes, too. Well, I guess that's an interesting,
• 1:03:13
  Speaker 5: you know, With her playing your daughter, there's so many
• 1:03:16
  Speaker 5: actors I've talked to that most of the time when
• 1:03:20
  Speaker 5: I'll talk to them about family, they're like, the last
• 1:03:22
  Speaker 5: thing I want is my kids to go into the
• 1:03:23
  Speaker 5: business that I'm in. And you kind of had that happen.
• 1:03:27
  Speaker 5: Is that something you tried to talk your daughter out of?
• 1:03:31
  Speaker 8: Oh, I didn't have to. She was the last thing
• 1:03:34
  Speaker 8: on earth she wanted to be was an actress. And
• 1:03:37
  Speaker 8: I got her a PA job. On Deadwood.
• 1:03:40
  Speaker 5: That should scare her off.
• 1:03:44
  Speaker 8: And she was really doing well with it.
• 1:03:46
  Speaker 10: But even when.
• 1:03:50
  Speaker 8: David Milch said, okay, but I want to talk to her.
• 1:03:53
  Speaker 8: And so we had....
• 1:03:56
  Speaker 7: He brought her in.
• 1:03:57
  Speaker 8: We had lunch with her and me. And he asked
• 1:04:01
  Speaker 8: her a bunch of questions.
• 1:04:03
  Speaker 10: And he was talking.
• 1:04:04
  Speaker 8: She was asking her what she liked to read. And
• 1:04:06
  Speaker 8: she said she... She was reading.
• 1:04:16
  Speaker 5: Kafka at the time.
• 1:04:17
  Speaker 8: So whoever she's reading is her favorite author. And it
• 1:04:21
  Speaker 8: turned out he taught Kafka. And so that was the
• 1:04:24
  Speaker 8: right thing to say.
• 1:04:25
  Speaker 7: But he was.
• 1:04:26
  Speaker 8: Talking to her in the middle of it. He just
• 1:04:28
  Speaker 8: stopped and looked at her and said, how come you're
• 1:04:30
  Speaker 8: not an actress? And every time he looked at her,
• 1:04:34
  Speaker 8: he's going crazy.
• 1:04:35
  Speaker 10: Why am I not using her?
• 1:04:37
  Speaker 8: And finally he wrote something for her which they would
• 1:04:39
  Speaker 8: not let her do because she never acted. And then
• 1:04:44
  Speaker 8: he wrote a little part for her and she did it.
• 1:04:48
  Speaker 8: And she wasn't going to do it or she was
• 1:04:50
  Speaker 8: thinking about not doing it and my girlfriend, Claudia, sat
• 1:04:55
  Speaker 8: her down and said, Fiona, David Milch has just written
• 1:04:58
  Speaker 8: a role for you.
• 1:04:59
  Speaker 5: You have to do it.
• 1:05:01
  Speaker 8: You have to try this. And she caught the bug and,
• 1:05:05
  Speaker 8: and so, you know, rather, uh, and so it caught
• 1:05:09
  Speaker 8: her late in life. And, um, and she, you know,
• 1:05:14
  Speaker 8: then really put her self heart and soul into it.
• 1:05:17
  Speaker 8: And now she's, she's finally got some success. She, um, she's, uh,
• 1:05:25
  Speaker 8: was cast in a big part in, uh, as we
• 1:05:28
  Speaker 8: rise or whatever it is, uh, uh, Rise of LBG thing,
• 1:05:36
  Speaker 8: miniseries that's coming out. And now she's doing, she's a
• 1:05:45
  Speaker 8: regular on a new series. And it's a wild, incredible part.
• 1:05:52
  Speaker 8: I saw her audition and she, you've never seen anything
• 1:05:56
  Speaker 8: like it.
• 1:05:57
  Speaker 5: Like this character does she talk to you about acting
• 1:06:00
  Speaker 5: or is it one of those that works better of.
• 1:06:02
  Speaker 8: Course we you know she's helped me with auditions I've
• 1:06:05
  Speaker 8: helped her with auditions she's called me I've literally been
• 1:06:09
  Speaker 8: on set in between takes talking her through a problem
• 1:06:13
  Speaker 8: that she's having while she's in between takes you know
• 1:06:18
  Speaker 8: just telling her do this do this do this and
• 1:06:22
  Speaker 8: you know I don't hear from her but I I
• 1:06:25
  Speaker 8: know if I don't hear from her, it went well.
• 1:06:27
  Speaker 7: Yeah.
• 1:06:27
  Speaker 10: And it turns, and then when I do.
• 1:06:29
  Speaker 5: Hear from her, it went well. So she's, she's the
• 1:06:33
  Speaker 5: real thing.
• 1:06:33
  Speaker 10: And I'm, and I, and I think, and I'm, I'm.
• 1:06:38
  Speaker 8: Glad she's an actress because it's, it's, she's, it's where
• 1:06:43
  Speaker 8: she belongs.
• 1:06:44
  Speaker 7: And it took her a while to find that out.
• 1:06:46
  Speaker 5: So I guess it's good that I keep taking that
• 1:06:49
  Speaker 5: from talking to different people that, either didn't get into
• 1:06:52
  Speaker 5: it until later or worked for years and finally we
• 1:06:55
  Speaker 5: just talked with Nick Offerman and I was just like,
• 1:06:58
  Speaker 5: you were like 37 before you found your role, like
• 1:07:01
  Speaker 5: before you actually got to be where you needed to be,
• 1:07:05
  Speaker 5: you know, as far as finding success at least. But,
• 1:07:08
  Speaker 5: you know, it's always kind of inspiring when people, you know,
• 1:07:12
  Speaker 5: work at it and find where they need to be
• 1:07:14
  Speaker 5: in life. And that's definitely good. Do you feel you've
• 1:07:18
  Speaker 5: gotten there?
• 1:07:19
  Speaker 7: Did acting do that for you?
• 1:07:24
  Speaker 8: I guess I'm at a place where I'm really, I'm
• 1:07:27
  Speaker 8: retired in a way.
• 1:07:29
  Speaker 10: I mean, I'm taking my pension.
• 1:07:32
  Speaker 5: I'm 66, so.
• 1:07:36
  Speaker 10: And, you.
• 1:07:40
  Speaker 8: Know, I have enough money to live off of. So
• 1:07:45
  Speaker 8: I don't have a lot by any chance, but I
• 1:07:47
  Speaker 8: don't have to act anymore. And I'm finding myself turning
• 1:07:52
  Speaker 8: down a lot of stuff.
• 1:07:54
  Speaker 5: And turning up in different places. I saw the Calvin
• 1:07:57
  Speaker 5: Harris video.
• 1:07:59
  Speaker 7: Did that just come about?
• 1:08:01
  Speaker 5: Yeah, it just came about.
• 1:08:03
  Speaker 10: And it was fun. It was fun.
• 1:08:09
  Speaker 8: I mean, a lot of it, most of what I
• 1:08:11
  Speaker 8: did isn't there.
• 1:08:11
  Speaker 5: But I had a good time.
• 1:08:15
  Speaker 8: It was campy and I did some improvisational street improvs and.
• 1:08:20
  Speaker 5: How long was that shoot?
• 1:08:22
  Speaker 7: Because it seems like it just goes on.
• 1:08:23
  Speaker 5: Two days worth? Yeah, because that seems like a lot
• 1:08:25
  Speaker 5: of different places, different people.
• 1:08:27
  Speaker 10: Yeah, it was two days worth.
• 1:08:28
  Speaker 3: That's crazy.
• 1:08:29
  Speaker 5: But yeah, I mean, it's, I guess, good to be
• 1:08:31
  Speaker 5: able to pick and choose what you want to do.
• 1:08:35
  Speaker 7: Just end up in cool stuff. It comes your way.
• 1:08:40
  Speaker 5: And cool stuff he has certainly done over the years.
• 1:08:43
  Speaker 5: In fact, I'd say that's putting it mildly. But a
• 1:08:46
  Speaker 5: big thank you to Brad for joining us this week.
• 1:08:48
  Speaker 5: He's a terrific actor, so seek out his movies, and
• 1:08:51
  Speaker 5: he is doing the occasional appearances at conventions, so if
• 1:08:54
  Speaker 5: you get a chance to meet him, thank him for
• 1:08:56
  Speaker 5: his amazing work, and tell him hello from his friends
• 1:08:59
  Speaker 5: at Movie meltdown all right so i think it's time
• 1:09:15
  Speaker 5: to wrap it up misty wrap it on up then
• 1:09:18
  Speaker 5: we've had fun here at fandom We're.
• 1:09:20
  Speaker 1: Not done yet. I'm not done yet. I'm going to
• 1:09:21
  Speaker 1: go through and look at more shit.
• 1:09:23
  Speaker 5: Wandering around.
• 1:09:23
  Speaker 1: More 50 Cent Comics.
• 1:09:25
  Speaker 5: He's looking at comic books like a crazy person.
• 1:09:27
  Speaker 3: Hell yeah.
• 1:09:28
  Speaker 1: Unless they're overpriced, because if it's over like two bucks,
• 1:09:30
  Speaker 1: you are not getting my money.
• 1:09:32
  Speaker 5: I saw the original Godzilla dude. That was awesome. I'm
• 1:09:35
  Speaker 5: going to get him to sign something quick, because he's
• 1:09:37
  Speaker 5: getting up there.
• 1:09:38
  Speaker 1: I thought about getting Colin Ford, just so he can
• 1:09:39
  Speaker 1: afford to go get a sandwich afterward.
• 1:09:42
  Speaker 5: I'm telling you, he had that weird summer late. Because
• 1:09:44
  Speaker 5: he looked like one of them kids that used to
• 1:09:46
  Speaker 5: be kind of normal and then shot up and got
• 1:09:49
  Speaker 5: super skinny because he got really tall all of a sudden.
• 1:09:51
  Speaker 5: Only usually you get that when you're like 14 or
• 1:09:54
  Speaker 5: 15 and he had it now and he is well
• 1:09:56
  Speaker 5: over 18. He's not well.
• 1:09:58
  Speaker 1: He's like 19.
• 1:09:59
  Speaker 5: That is like a whole year.
• 1:10:00
  Speaker 1: Yeah, I think he's like 40 or something.
• 1:10:01
  Speaker 5: But you don't usually get that growth spurt at 19.
• 1:10:03
  Speaker 1: I was like, I'd feel creepy if I get his
• 1:10:06
  Speaker 1: autograph because he's like underage and I'm like, oh, wait
• 1:10:07
  Speaker 1: a second. I could be creepy because he's 19. It's okay.
• 1:10:10
  Speaker 5: You go by my rules. It's totally not creepy if
• 1:10:13
  Speaker 5: I like that girl now.
• 1:10:14
  Speaker 1: She had a birthday.
• 1:10:15
  Speaker 5: Duh.
• 1:10:17
  Speaker 1: He's totally 19. It's not at all creepy.
• 1:10:20
  Speaker 5: But yeah, he's like super tall and skinny now. I
• 1:10:23
  Speaker 5: don't know what the hell.
• 1:10:23
  Speaker 1: I wish they would have got young Dean because young
• 1:10:25
  Speaker 1: Dean was way hotter. Don't tell young Sam.
• 1:10:27
  Speaker 5: I said that. I'm telling. Wait till I get Colin
• 1:10:30
  Speaker 5: over here.
• 1:10:32
  Speaker 1: I could take him in a fight.
• 1:10:34
  Speaker 8: Well.
• 1:10:35
  Speaker 5: Because he's all waifu now. If he caught the.
• 1:10:37
  Speaker 1: Breeze off one of my punches, I would knock him out.
• 1:10:39
  Speaker 1: I wouldn't even have to touch him. I'd swing at
• 1:10:41
  Speaker 1: him and be like, whoo, there he goes. Catch one
• 1:10:44
  Speaker 1: of the hollows in his cheekbone just in a wind sail.
• 1:10:48
  Speaker 5: Just take him a big old sandwich.
• 1:10:51
  Speaker 1: Never mind, I ate all of my granola bars.
• 1:10:52
  Speaker 5: Son of a bitch. So, if nothing else, we'd like
• 1:10:55
  Speaker 5: to say thank you to Fandom Fest for letting us
• 1:10:58
  Speaker 5: come hang out and be part of this event. So,
• 1:11:01
  Speaker 5: for more information, go to fandomfest.com And you can find
• 1:11:05
  Speaker 5: out what's going on for the next round.
• 1:11:08
  Speaker 1: My socks have Loch Ness monsters on them.
• 1:11:10
  Speaker 5: But you can't see them.
• 1:11:11
  Speaker 1: But you can't see them because they're hiding in the
• 1:11:12
  Speaker 1: Loch Ness.
• 1:11:12
  Speaker 5: And those are low tops. I don't know what the
• 1:11:14
  Speaker 5: hell you're going to do. You're going to have to just.
• 1:11:17
  Speaker 2: Make up.
• 1:11:18
  Speaker 8: They're so cute, though.
• 1:11:19
  Speaker 5: You're going to have to get bigger socks. That's all
• 1:11:20
  Speaker 5: there is to it.
• 1:11:21
  Speaker 1: I have to see my Loch Ness monster.
• 1:11:26
  Speaker 8: His tail.
• 1:11:27
  Speaker 5: He's swimming.
• 1:11:29
  Speaker 8: They're so cute.
• 1:11:30
  Speaker 1: Back in the Loch Ness of my shoes.
• 1:11:34
  Speaker 9: All right.
• 1:11:34
  Speaker 5: Well, otherwise, that about does it. We will return next time.
• 1:11:36
  Speaker 5: Same geek feed. Thanks for listening.
• 1:11:38
  Speaker 2: Louis.
• 1:11:40
  Speaker 8: Louis Seifert, my friend.
• 1:11:41
  Speaker 5: So good to see you here today.
• 1:11:50
  Speaker 10: Patrick, let me tell you a little secret.
• 1:11:56
  Speaker 8: I fucked Joan of Arc in 1430.
• 1:11:58
  Speaker 10: She was just 18. Just a few months before.
• 1:12:05
  Speaker 6: Before she burned.
• 1:12:09
  Speaker 5: Before she burned.
• 1:12:35
  Speaker 4: Hollywood's a perverted, godless town. I, I, I, I, I, I,
• 1:12:56
  Speaker 4: I can pay for everything that's on you.
• 1:12:58
  Speaker 14: So everything is on me. Got them girls going, Cindy Lowe,
• 1:13:01
  Speaker 14: Paul Gargar, and a little blondie. If you ain't drunk,
• 1:13:04
  Speaker 14: then you're in the wrong club. Don't feel sexy, you're
• 1:13:06
  Speaker 14: on the wrong beach. Tell the bar that we don't
• 1:13:08
  Speaker 14: want no glass, just bottles, and I'm buying everybody one each. Yeah,
• 1:13:11
  Speaker 14: so bring the verb, click out. Figure out how to
• 1:13:13
  Speaker 14: hit the big three out. Party like it's carnival in Rio.
• 1:13:16
  Speaker 14: Life's too short, I need to be out.
• 1:13:18
  Speaker 3: Yo, we live.
• 1:13:19
  Speaker 14: We die, we give, we try, we kiss, we fight. Oh,
• 1:13:24
  Speaker 14: so we can have a good time, yeah. I'm in
• 1:13:27
  Speaker 14: NBC looking for the next top model. He's wearing something
• 1:13:31
  Speaker 14: new and something old and something borrowed. I know this
• 1:13:34
  Speaker 14: crazy life can be a bitter pill to swallow.
• 1:13:37
  Speaker 9: So forget about tomorrow.
• 1:13:39
  Speaker 5: Tonight, we're in control.
• 1:14:14
  Speaker 14: Yo, as long as they ain't getting it wrong, then
• 1:14:17
  Speaker 14: everything is all right. Got them girls going high, they
• 1:14:20
  Speaker 14: cream the car, that skin's got.
• 1:14:21
  Speaker 3: The rule types.
• 1:14:22
  Speaker 5: If you ain't leading, you're in the wrong scene.
• 1:14:24
  Speaker 14: If you ain't hiding, you're not on my vibe. Tell
• 1:14:26
  Speaker 14: the body we don't need no sparklers or nothing, just
• 1:14:28
  Speaker 14: keep the bottles coming all night. Yeah, so bring the verve,
• 1:14:31
  Speaker 14: we go.
• 1:14:31
  Speaker 5: Think about it, hit the big 3-0.
• 1:14:33
  Speaker 14: Fight it like it's carnival in Rio.
• 1:14:35
  Speaker 5: Life's too short, I need a V-O.
• 1:14:37
  Speaker 14: Yo, we live, we die, we give, we try, we kiss,
• 1:14:42
  Speaker 14: we fight.
• 1:14:43
  Speaker 5: Oh, so we can have a good time.
• 1:14:44
  Speaker 3: Yeah.
• 1:15:33
  Speaker 6: God always tries to get him to go to his.
• 1:15:37
  Speaker 4: Place, and I am willing to travel the world.
• 1:15:41
  Speaker 3: Tonight, we're drinking from the bone.
• 1:16:34
  Speaker 5: I don't stick around.
• 1:16:35
  Speaker 6: The devil doesn't dawdle. I take the window and leave
• 1:16:39
  Speaker 6: the sill hot. In my bed, they do-si-do with monkeys.
• 1:16:46
  Speaker 6: I make them feel like butterscotch and meat.
• 1:16:50
  Speaker 8: After they fuck me, smoke comes out and the toes
• 1:16:55
  Speaker 8: light up like Christmas. He did okay. He did just fine.
• 1:17:01
  Speaker 3: He was.
• 1:17:01
  Speaker 8: He was a legend by the time.
• 1:17:08
  Speaker 5: I worked with him.
• 1:17:09
  Speaker 2: This episode is a production of Movie Meltdown, produced and
• 1:17:12
  Speaker 2: edited by The Oddity Studios, with opening music performed by
• 1:17:15
  Speaker 2: The Empires. For more on how to sponsor or support
• 1:17:18
  Speaker 2: the show, email producer at moviemeltdown.com.
• 1:17:21
  Speaker 5: Talk hard!