Latest / Fake Doctors, Real Friends with Zach and Donald / 115: My Bed Banter and Beyond With Randall Winston

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115: My Bed Banter and Beyond With Randall Winston · Fake Doctors, Real Friends with Zach and Donald

• 0:00
  Speaker 1: It's Memorial Day. We're recording this today, Memorial Day. We
• 0:03
  Speaker 1: should be at a barbecue together.
• 0:06
  Speaker 2: Yeah, we should be eating ribs. We should be Wait,
• 0:09
  Speaker 2: are you really trying wait, hold on, let me get
• 0:11
  Speaker 2: this straight going.
• 0:12
  Speaker 3: Are you really trying not to eat meat nowadays?
• 0:14
  Speaker 1: I am a pescatarian. I'm trying that out.
• 0:17
  Speaker 2: When did you become a pescatarian?
• 0:20
  Speaker 1: I watched this documentary that really got me inspired about
• 0:24
  Speaker 1: stopping eating animals besides fish.
• 0:28
  Speaker 2: You sound like my dad. My dad is the same
• 0:30
  Speaker 2: way right now.
• 0:31
  Speaker 1: The documentary was it's called the Game Changers. Is that
• 0:35
  Speaker 1: what it's called? Yes, game changers. So, but I've never
• 0:39
  Speaker 1: done anything. I love burgers, I love I love all
• 0:41
  Speaker 1: the shit we all have eaten our whole lives. But
• 0:44
  Speaker 1: we have all this time on our hands, right, it's
• 0:46
  Speaker 1: like an experimentation time on every front, right, Like you
• 0:49
  Speaker 1: can experiment with you know, I've been experimenting with all
• 0:53
  Speaker 1: sorts of things in my life. Is I'm sure a
• 0:55
  Speaker 1: lot of people have. And one was like, okay, well
• 0:56
  Speaker 1: let me just try this this during this time to
• 0:59
  Speaker 1: only be a fitter. And I do feel better, I
• 1:02
  Speaker 1: do feel healthier.
• 1:03
  Speaker 2: Well that's great, but I know you're.
• 1:06
  Speaker 1: I know you're very meat passionate.
• 1:08
  Speaker 4: Donald.
• 1:08
  Speaker 2: You know, I'm trying to stay away from the red meat.
• 1:11
  Speaker 2: That's the hardest thing to stay away from. It's so tasty.
• 1:15
  Speaker 2: So I've been trying to figure out different ways to
• 1:17
  Speaker 2: cook a chicken, and I've been doing that a lot lately.
• 1:21
  Speaker 2: But yeah, you're right. I do agree that too much
• 1:24
  Speaker 2: meat is bad for you, obviously, because you know, cholesterol
• 1:29
  Speaker 2: says something about that, blood pressure says something about that,
• 1:32
  Speaker 2: heart disease, colorectal cancer says a lot about that, you
• 1:37
  Speaker 2: know what I mean, And that's when you eat too
• 1:39
  Speaker 2: much red meat, usually or processed foods. I'm having a
• 1:42
  Speaker 2: hard time getting off of all of that stuff though.
• 1:44
  Speaker 4: That's the problem.
• 1:45
  Speaker 1: I I gotta tell you last night we had a
• 1:48
  Speaker 1: fake burger.
• 1:50
  Speaker 2: You had Beyond Burger.
• 1:51
  Speaker 1: It wasn't one of the fancy ones. Beyond It wasn't
• 1:54
  Speaker 1: beyond it impossible. It was the only two names I know,
• 1:57
  Speaker 1: and we just got it at a supermarket. It was
• 1:59
  Speaker 1: a nice a nice brand. I forgot the brand, but
• 2:02
  Speaker 1: it was amazing. I mean, once you put cheese on
• 2:05
  Speaker 1: it and all the fixens and your spices, it's great.
• 2:08
  Speaker 2: But once you put the cheese on it, you're no
• 2:10
  Speaker 2: longer prescytarian whatever it is that you're treescatarian.
• 2:13
  Speaker 1: That's yeah, I'm I can eat cheese. I'm just not
• 2:15
  Speaker 1: eating I'm not eating meat. I'm not eating I'm not
• 2:19
  Speaker 1: eating any form of meat other than fish.
• 2:20
  Speaker 2: All right, well should we sing?
• 2:23
  Speaker 1: You don't seem happy. I want you to get happy.
• 2:26
  Speaker 1: You seem very dumb. You can't sing unless you're happy. Donald,
• 2:29
  Speaker 1: very old.
• 2:29
  Speaker 2: Song, hold on, hold on, hold on.
• 2:31
  Speaker 1: You just you have a furrowed brow.
• 2:34
  Speaker 2: I am very happy. First of all.
• 2:36
  Speaker 1: Well, okay, well, let's let me see it. We're about
• 2:38
  Speaker 1: to bring on Randall Winston, one of the most exciting people.
• 2:41
  Speaker 2: I'm really excited, but I don't want him.
• 2:43
  Speaker 1: To see you. Better turn that motherfucking bearded frown upside down.
• 2:46
  Speaker 2: I'm telling you something right now. Randall Winston is responsible
• 2:49
  Speaker 2: for some of the most happiest moments of my life.
• 2:52
  Speaker 2: So I can't wait to have him on.
• 2:53
  Speaker 1: Okay, well, then count these motherfuckers in five, six, seven, eight.
• 2:57
  Speaker 3: Motherfucker's here some story.
• 3:00
  Speaker 5: I'm that show we made about a bunch of talks
• 3:04
  Speaker 5: and nurses and.
• 3:07
  Speaker 6: He said he's a stormy so Yanda around you here,
• 3:15
  Speaker 6: YadA around here?
• 3:18
  Speaker 1: WI No, there he is? Why is he wearing like
• 3:28
  Speaker 1: a gaming headset?
• 3:34
  Speaker 4: That's the only headset I can find.
• 3:35
  Speaker 1: Oh my god, you're so inorgle.
• 3:37
  Speaker 3: You can play an Xbox later, buddy.
• 3:40
  Speaker 1: Did we interrupt you from call of duty? Or are
• 3:44
  Speaker 1: you flying atop? Are you flying a chopper anytimes too?
• 3:48
  Speaker 4: A w.
• 3:52
  Speaker 3: Oh my god, we're so excited to have you on
• 3:54
  Speaker 3: the show. Yeah, we hear you.
• 3:55
  Speaker 4: Just awesome. Yes, these are this is my son's gaming
• 3:58
  Speaker 4: heads I knew it.
• 4:00
  Speaker 1: By the way, this is gonna be I wish the
• 4:01
  Speaker 1: audience could see Randel is wearing a gaming headset. But
• 4:05
  Speaker 1: if you don't play games, picture a helicopter headset and
• 4:10
  Speaker 1: he's in his beautiful garden and he's wearing his kids
• 4:14
  Speaker 1: gaming indset.
• 4:15
  Speaker 3: Well that literally is it?
• 4:16
  Speaker 2: Literally is a game lights up? I love it? I
• 4:20
  Speaker 2: love it.
• 4:21
  Speaker 4: How are you man?
• 4:22
  Speaker 1: How are you? Randy?
• 4:23
  Speaker 4: I am fantastic, I mean, of things considered, I'm great.
• 4:26
  Speaker 2: You know, congratulations on your pickup.
• 4:30
  Speaker 4: Yes we did.
• 4:32
  Speaker 2: We didn't get picked up, Randall, but.
• 4:37
  Speaker 1: I didn't know you didn't get picked up. I'm sorry.
• 4:39
  Speaker 3: It's all good.
• 4:40
  Speaker 2: ABC decided not to go further with Emergents, but better news,
• 4:43
  Speaker 2: ABC decided to go further with Mixed Dish, which is
• 4:47
  Speaker 2: Randall's show.
• 4:49
  Speaker 3: Now, let me get this straight.
• 4:50
  Speaker 2: Randal, you're executive producer on the show.
• 4:52
  Speaker 4: Now that is correct.
• 4:54
  Speaker 2: Look at you man started.
• 4:56
  Speaker 1: At a rand We gotta go back because Randall's career
• 4:59
  Speaker 1: is on and I think if for people that want
• 5:02
  Speaker 1: to go into Hollywood, Randall is a really exciting case
• 5:06
  Speaker 1: of someone that's on Fuego right now.
• 5:08
  Speaker 2: Well, not only is Antuego. I remember a video. I
• 5:11
  Speaker 2: don't know how I saw this video, but it was
• 5:13
  Speaker 2: a video of you pretty much manifesting your destiny, you
• 5:17
  Speaker 2: know what I mean, saying this is what I want
• 5:19
  Speaker 2: to do. I want to move to Hollywood. I want
• 5:21
  Speaker 2: to be a I want to be a big time producer.
• 5:23
  Speaker 2: And you know, and you're very young in this video too.
• 5:27
  Speaker 3: I don't know how I saw this video.
• 5:31
  Speaker 7: It was it was posted by a friend of mine.
• 5:34
  Speaker 7: It was we were like it was our twenty first
• 5:37
  Speaker 7: birthday or something like that.
• 5:38
  Speaker 4: This is a.
• 5:39
  Speaker 7: Girl who I met on the journey to Los Angeles.
• 5:44
  Speaker 7: We met at a rest stop in Oklahoma and became
• 5:47
  Speaker 7: life for friends. We were on our way to come
• 5:48
  Speaker 7: find our dreams. And she was very into documenting everything
• 5:53
  Speaker 7: and Donald, I can't believe you saw that.
• 5:55
  Speaker 4: That's that's crazy.
• 5:56
  Speaker 1: Donald and I are very into well I don't know, Donald,
• 5:59
  Speaker 1: I think you are, but I'm very pro right now
• 6:02
  Speaker 1: manifesting your shit and making everything happen. My friend, our friend,
• 6:06
  Speaker 1: Amanda is missed like whiteboard and writing everything down. And
• 6:10
  Speaker 1: actually I became friendly with John Legend's manager. I think
• 6:14
  Speaker 1: I've told you this story, Donald, who said that everything
• 6:16
  Speaker 1: that John Legend has accomplished they put on a whiteboard
• 6:19
  Speaker 1: when they were kids, like out out of college, and
• 6:22
  Speaker 1: they were like writing down, like they were laughing, like
• 6:25
  Speaker 1: I don't know this many Grammys and cover a Time
• 6:28
  Speaker 1: magazine and they were just like cracking each other up.
• 6:30
  Speaker 1: And She's like, every single thing we put on that
• 6:32
  Speaker 1: whiteboard happened.
• 6:33
  Speaker 2: Yeah, John Legend got an egot.
• 6:36
  Speaker 1: He's got well, Randall's gonna get a fucking egot, especially
• 6:40
  Speaker 1: for his acting skills.
• 6:41
  Speaker 2: Oh boy, here we go.
• 6:42
  Speaker 1: No, we had to get into it because Donald called
• 6:45
  Speaker 1: me out to Randall saying that I dissed his work
• 6:48
  Speaker 1: as death in the show, and Randall texted me very
• 6:52
  Speaker 1: upset about his work. Is Death being criticized.
• 6:57
  Speaker 7: I mean, I think I played the part that was
• 7:00
  Speaker 7: required of Death. And I also, you know, death is
• 7:07
  Speaker 7: not the only role that they played on Scrubs, you know.
• 7:09
  Speaker 2: No, you also well, we haven't gotten to the to
• 7:11
  Speaker 2: the security guard yet.
• 7:13
  Speaker 3: He hasn't been introduced yet.
• 7:14
  Speaker 2: The hook the hook handed security guards.
• 7:16
  Speaker 1: Oh, I forgot that you were the hook handed security guard.
• 7:21
  Speaker 7: Leonard who had letter Leonard who had tens of fans?
• 7:28
  Speaker 1: Randall, how many episodes did Leonard do? Do you think?
• 7:31
  Speaker 7: I don't know exactly how many episodes he did, but
• 7:35
  Speaker 7: I will tell you this, all fans that wrote to me.
• 7:38
  Speaker 7: So many people from Men's prison got some sort of
• 7:43
  Speaker 7: treat assigned script or something from Scrubs.
• 7:46
  Speaker 2: So you were you weren't able to you weren't you
• 7:48
  Speaker 2: were able to do it and not get carpor tunnel,
• 7:51
  Speaker 2: is what you're saying, because there's only like tens of them.
• 7:54
  Speaker 1: Exactly would you really give fan mail?
• 7:58
  Speaker 4: Yeah? Yeah, I got like not a.
• 8:02
  Speaker 1: Lot, but you got more fan mail Leonard or death.
• 8:10
  Speaker 4: Leonard? For sure.
• 8:11
  Speaker 3: All right, let's go back to the beginning.
• 8:13
  Speaker 1: Yes, let's start at the very beginning.
• 8:15
  Speaker 2: I tried to do that with you manifesting your destiny.
• 8:19
  Speaker 2: But at some point things changed for you, Like you
• 8:22
  Speaker 2: lived in New York for a little bit and then
• 8:24
  Speaker 2: you moved to Los Angeles. Can you just tell us
• 8:26
  Speaker 2: how it all started and how you got connected with Bill,
• 8:29
  Speaker 2: and how this became and how this all trans sent
• 8:33
  Speaker 2: it into scrubs.
• 8:35
  Speaker 7: Yes, the truth is Bill and I met socially first.
• 8:39
  Speaker 7: As a matter of fact, on scrubs. We kept a
• 8:43
  Speaker 7: graduation photo in Turk and JD's apartment and told everybody
• 8:47
  Speaker 7: that was our graduation picture. But we really we met
• 8:52
  Speaker 7: on the basketball court. I had an I had an
• 8:54
  Speaker 7: old room, so I had I had driven out from
• 8:58
  Speaker 7: the Midwest, you know, I trying to trying to find
• 9:01
  Speaker 7: my dream, got to Los Angeles, snuck onto all the
• 9:05
  Speaker 7: lots in town, got myself a job, and I started
• 9:09
  Speaker 7: creating my circle, you know, your chosen family, your la family,
• 9:14
  Speaker 7: and a guy who was my best friend, who I
• 9:19
  Speaker 7: lived with, a guy named Greg Malon's who went on
• 9:21
  Speaker 7: to run friends, and how I met your mother, and
• 9:24
  Speaker 7: a bunch of other stuff. He and Bill had this
• 9:28
  Speaker 7: played in this Saturday game and invited me to play
• 9:32
  Speaker 7: a few times. And that's how that was how I
• 9:36
  Speaker 7: originally met met Bill. I went from working for a
• 9:42
  Speaker 7: guy named Gary Dave Goldberg. That was my very first job.
• 9:45
  Speaker 7: He's the guy who created Family Ties.
• 9:47
  Speaker 4: Yeah.
• 9:49
  Speaker 7: He was amazing. He was an amazing mentor and he
• 9:52
  Speaker 7: had taken Bill under his wing. So so Gary is
• 9:56
  Speaker 7: in some ways the reason that we started working together.
• 10:00
  Speaker 7: And the first show we did together was a show
• 10:02
  Speaker 7: called Champs. That was the first show we did together
• 10:05
  Speaker 7: and Kevin Neelan was in it, and it was it
• 10:08
  Speaker 7: was DreamWorks very first TV show.
• 10:12
  Speaker 3: So that kind of okay.
• 10:14
  Speaker 2: Just to so Kevin Nielan, who Zach remembers being at
• 10:20
  Speaker 2: the first party we ever had in our scrub up.
• 10:25
  Speaker 2: That's why Kevin Nielan was there, Zach. He wasn't there
• 10:27
  Speaker 2: because he was a fan of the show. He was
• 10:29
  Speaker 2: there because he worked with Bill and Randall.
• 10:32
  Speaker 1: Okay, well he may have been a coincidence, but okay,
• 10:34
  Speaker 1: I'll hear you.
• 10:35
  Speaker 2: Okay.
• 10:36
  Speaker 1: Randal V. Froze, are you still there? Oh boy?
• 10:41
  Speaker 2: And that was when we lost Random.
• 10:42
  Speaker 1: Oh god, what are you drinking there?
• 10:45
  Speaker 2: Mamosa, little Mimosa.
• 10:47
  Speaker 1: Memorial Day, Yeah, buddy. The think about Memorial Day is
• 10:51
  Speaker 1: it's just another weekday that you can rationalize it's okay
• 10:54
  Speaker 1: to drink early. Yeah, in this day and age, it
• 10:58
  Speaker 1: doesn't feel any different. My girlfriend was like, it's a
• 11:00
  Speaker 1: memorial day. I'm like, how is that going to be
• 11:02
  Speaker 1: different from any other day that we're living in hibernation
• 11:05
  Speaker 1: right now?
• 11:06
  Speaker 2: Well, a kid can drink.
• 11:08
  Speaker 3: Yeah, the kids don't have to get on zoom today.
• 11:10
  Speaker 1: Okay, I guess if you have kids, they don't have
• 11:11
  Speaker 1: to get on their zoom things.
• 11:13
  Speaker 2: But but today is a is a day where you know,
• 11:17
  Speaker 2: my wife looked at me, it was like, you're drinking already,
• 11:19
  Speaker 2: and I was like, it's it's.
• 11:20
  Speaker 1: A memorial day.
• 11:23
  Speaker 2: It's a memorial day.
• 11:24
  Speaker 1: So did she then join you?
• 11:26
  Speaker 4: No?
• 11:26
  Speaker 2: She did not. She was like, you're an alcoholic.
• 11:28
  Speaker 1: I was like, oh shit, be like, baby, it's a
• 11:31
  Speaker 1: memorial day.
• 11:32
  Speaker 2: And on that note, I'm going upstairs to do my podcast.
• 11:37
  Speaker 4: Okay.
• 11:37
  Speaker 2: Randall says he's resetting the Wi Fi. Oh god, that's
• 11:42
  Speaker 2: that's that's unfortunate.
• 11:43
  Speaker 1: You know, we lost all the momentum of blowing this
• 11:45
  Speaker 1: guy up. We're gonna have to regenerate it.
• 11:47
  Speaker 2: We're gonna have to regenerate it.
• 11:48
  Speaker 1: We're gonna have to regenerate our Randall blow up.
• 11:51
  Speaker 2: He said, fucking Spectrum.
• 11:56
  Speaker 8: I just had my dad switch off of Spectrum for
• 11:58
  Speaker 8: the same reason that shit is do.
• 12:01
  Speaker 1: Trum is bad. Dan, you don't support No, guys, I
• 12:03
  Speaker 1: want you to listen. This is a very very technical
• 12:05
  Speaker 1: man here, and he's saying fuck Spectrum. So if you're
• 12:08
  Speaker 1: choosing a provider, listen to Dan.
• 12:10
  Speaker 8: The only way that I found that you get good
• 12:13
  Speaker 8: internet service is if you just switched from provider to
• 12:16
  Speaker 8: provider every year or so. Because they don't reward loyalty.
• 12:19
  Speaker 8: There's no like your bill is reduced, your service is better.
• 12:22
  Speaker 8: It just gets worse and worse and worse, and they
• 12:24
  Speaker 8: want to keep getting new customers. So I have gigabit
• 12:27
  Speaker 8: Internet a thousand megabytes up and down for seventy five
• 12:29
  Speaker 8: bucks a month, which is the cheapest Internet I've ever had.
• 12:32
  Speaker 8: And it's just because I switched.
• 12:33
  Speaker 1: I What are you using now, Dan, AT and T
• 12:38
  Speaker 1: and T All right, Well, guys, you're hearing it a
• 12:40
  Speaker 1: year first that Dan really recommends AT and T. It's
• 12:44
  Speaker 1: really about you can work the companies against each other.
• 12:47
  Speaker 1: If you're constantly quitting one and saying no, fuck off,
• 12:50
  Speaker 1: you suck, and then they give you a better rate.
• 12:52
  Speaker 1: So if you have the time, which you do now,
• 12:54
  Speaker 1: you two can have fancy fast internet like Dan Randall
• 12:58
  Speaker 1: welcome back, blowing you up. And then you had to
• 13:02
  Speaker 1: do a Wi Fi problem.
• 13:04
  Speaker 2: All right, so let's get back into it.
• 13:05
  Speaker 1: So you let's just jumped to in the spirit of time,
• 13:07
  Speaker 1: let's just keep this moving. You start work on Spin
• 13:10
  Speaker 1: City with Bill, and you hit it off. You become besties.
• 13:14
  Speaker 1: You're partying around the city. Your young men in Manhattan go.
• 13:19
  Speaker 4: From LA.
• 13:20
  Speaker 3: How did you get from LA to Manhattan? How did
• 13:22
  Speaker 3: that happen?
• 13:23
  Speaker 2: Well, we're playing Donald no doubt, fuck you man the fight.
• 13:27
  Speaker 3: If I could reach through this right now.
• 13:31
  Speaker 7: Uh, you know what, it goes back to basketball. We
• 13:34
  Speaker 7: came off to the basketball court one night playing and uh,
• 13:37
  Speaker 7: Gary and Bill pulled me aside and they said, you know,
• 13:41
  Speaker 7: we just wrote this pilot.
• 13:43
  Speaker 6: Uh.
• 13:43
  Speaker 7: We sent it to uh. We sent it to Michael J.
• 13:46
  Speaker 7: Fox and they said, there's a character. The mayor is
• 13:50
  Speaker 7: named after you. I think your mother would be very proud.
• 13:53
  Speaker 7: Had Mayor Randall Winston and uhlaid by the Great Barry
• 13:57
  Speaker 7: box work and with the show Gut. We did the
• 13:59
  Speaker 7: pilot LA, but Michael was living in New York and
• 14:03
  Speaker 7: said he would only do this series if we took
• 14:05
  Speaker 7: it to New York. So that was the opportunity of
• 14:09
  Speaker 7: a lifetime, you know, change my life. I got the
• 14:11
  Speaker 7: chance to go to New York. Garry took a select
• 14:14
  Speaker 7: group of people and Donald you know Sebastians.
• 14:17
  Speaker 4: Do you guys know Sebastian Gens.
• 14:18
  Speaker 3: We moved.
• 14:19
  Speaker 7: We all went to New York with all excitement, like
• 14:25
  Speaker 7: nobody was over anything. Everybody just was into going to
• 14:28
  Speaker 7: the city.
• 14:29
  Speaker 4: You were, how old were you I was? I think
• 14:34
  Speaker 4: I was twenty nine. I think I turned thirty that year.
• 14:38
  Speaker 4: But Bill was.
• 14:41
  Speaker 7: Bill's like a year younger than me, and he had
• 14:44
  Speaker 7: like the first American Express black card, and he would say,
• 14:48
  Speaker 7: you know, randall go out and find us in after
• 14:49
  Speaker 7: hours every Friday. So we were there'd be lines at
• 14:53
  Speaker 7: these after ours clubs and they're like, you know, absolutely,
• 14:56
  Speaker 7: we don't have any room.
• 14:57
  Speaker 4: I'd be like, you got room now, motherfucker.
• 14:58
  Speaker 7: Now Now I say, I say, I need two cases
• 15:03
  Speaker 7: of champagne and a private room. And that was just
• 15:06
  Speaker 7: the beginning.
• 15:07
  Speaker 2: Right now, I got to tell you something. Some of
• 15:10
  Speaker 2: my favorite moments, some of the best moments of my life.
• 15:13
  Speaker 2: I've shared with you. Rend You have been present at
• 15:16
  Speaker 2: some of the most special moments, some of the most
• 15:20
  Speaker 2: wildest moments, some of the craziest moments of my life
• 15:24
  Speaker 2: have been with you there.
• 15:27
  Speaker 4: I love that.
• 15:27
  Speaker 1: Everything everything from partying in Vegas to marrying him and
• 15:32
  Speaker 1: his wife and everything in between, Randall has been there.
• 15:35
  Speaker 3: He has been there.
• 15:36
  Speaker 1: How many people have you married, Randall?
• 15:39
  Speaker 4: U seventeen successful couples? Donald? What I said?
• 15:44
  Speaker 7: I said, you gotta be serious, because everybody I marry
• 15:46
  Speaker 7: stays together?
• 15:47
  Speaker 4: Right?
• 15:48
  Speaker 3: How many? How many people have gotten divorced?
• 15:51
  Speaker 4: Zero?
• 15:53
  Speaker 1: You got a good streak.
• 15:56
  Speaker 4: I don't have people messing my streak up.
• 15:59
  Speaker 1: Now, Now, Randal, if I'm listening to this, I was
• 16:03
  Speaker 1: preparing for this, and I thought, if I'm listening to this,
• 16:05
  Speaker 1: and I'm interested in production, but I don't know anything
• 16:08
  Speaker 1: about it. I see in the credits all the time
• 16:10
  Speaker 1: a line producer, but I see exec producer, I see
• 16:13
  Speaker 1: associate producer. I see all these titles. Could you explain
• 16:16
  Speaker 1: to people that I have nothing to do with the
• 16:17
  Speaker 1: business what a line producer does?
• 16:20
  Speaker 4: Yes, yes, it is.
• 16:21
  Speaker 7: It's true that the TV credits are lousy with producers
• 16:25
  Speaker 7: and usually if the credit is line producer or produced
• 16:31
  Speaker 7: by That credit is reserved for the person who is
• 16:36
  Speaker 7: essentially responsible for keeping the train running on time, making
• 16:40
  Speaker 7: sure that you've got the right group people in the
• 16:42
  Speaker 7: right place, making sure that the show is on budget,
• 16:46
  Speaker 7: that it is getting delivered on time, not just within
• 16:50
  Speaker 7: the time constricts of your time slot, but delivered the
• 16:52
  Speaker 7: day that it's supposed to be delivered, you know, sort
• 16:55
  Speaker 7: of soup to nuts. That it starts with the prep
• 16:59
  Speaker 7: which is, as it sounds, the preparing of the show.
• 17:02
  Speaker 7: When you first get a little bit of information about the
• 17:04
  Speaker 7: about the series and each episode, you know, you start
• 17:07
  Speaker 7: to break it down with your team. You know, how
• 17:10
  Speaker 7: many actors are we going to need, do we need
• 17:11
  Speaker 7: to build sets? Are we going out anywhere? And what
• 17:15
  Speaker 7: is it going to take? And I think that job
• 17:18
  Speaker 7: at its best is a negotiator and a translator. You know,
• 17:23
  Speaker 7: that's somebody who you know, oftentimes it was between I'm
• 17:28
  Speaker 7: working between Bill on scrubs, between Bill who created the show,
• 17:33
  Speaker 7: and the studio and the network.
• 17:35
  Speaker 4: So everybody's getting what they need and.
• 17:39
  Speaker 7: Even when they're not speaking the same language, or figure
• 17:42
  Speaker 7: out what the best thing to accomplish what's in the
• 17:47
  Speaker 7: script is can be accomplished within the box that's been built.
• 17:52
  Speaker 1: Yeah, and the line bruisers also, if you think about it,
• 17:55
  Speaker 1: the keeper of the purse in a sense that when
• 17:58
  Speaker 1: you're directing or show running, you will often think, oh,
• 18:02
  Speaker 1: I think we should I wrote this big scene, would
• 18:04
  Speaker 1: be great to shoot it in this amazing restaurant. And
• 18:06
  Speaker 1: then I want to get a crane outside that's gonna
• 18:08
  Speaker 1: come down here, And then it'd be cool if it
• 18:10
  Speaker 1: was raining outside. And this is when the line producer
• 18:14
  Speaker 1: starts to sweat, when we start to go, wait, we
• 18:16
  Speaker 1: need rain, need rain.
• 18:18
  Speaker 7: Every every time, every time Zach got a directing assignment,
• 18:22
  Speaker 7: before there was even a script, he could come here and.
• 18:24
  Speaker 4: Say, I need a crane exactly exactly.
• 18:28
  Speaker 1: I don't even know what the fucking script says, but
• 18:29
  Speaker 1: I'm gonna need a big ass cran. But so it's
• 18:32
  Speaker 1: the line producer's job, almost like a parent, to be like, look,
• 18:35
  Speaker 1: you used a dollar and you got your candy bar.
• 18:38
  Speaker 1: You should have saved it and you could have gotten ice.
• 18:40
  Speaker 4: Cream, Yes, right, I could have. You could have you
• 18:43
  Speaker 4: could have one big thing or two little things, right right.
• 18:47
  Speaker 1: And a lot of times it's negotiation, like you like, hey,
• 18:49
  Speaker 1: you know, they're keeper of the money. But in terms
• 18:51
  Speaker 1: of the money, it's not just the camera gear, but
• 18:53
  Speaker 1: how many crew, how many extras are you're gonna be
• 18:55
  Speaker 1: able to afford? Are you gonna be able to do
• 18:57
  Speaker 1: any overtime? All of that is off into the relationship
• 19:01
  Speaker 1: I often have with the line producer. As they say it,
• 19:02
  Speaker 1: think of it like a Chinese food menu, in that
• 19:05
  Speaker 1: you're choosing from a myriad of things that you can have,
• 19:09
  Speaker 1: but you can't exceed that budget. So if you do
• 19:12
  Speaker 1: want a big ass crane, then maybe you can't have
• 19:14
  Speaker 1: as many background at the wedding.
• 19:17
  Speaker 7: It's so funny that you say that. I, oftentimes it
• 19:20
  Speaker 7: crossed my career have literally made a Chinese menu for
• 19:23
  Speaker 7: directors and producers, you know, because you inevitably get to
• 19:27
  Speaker 7: a point and Bill and I used to have, you
• 19:29
  Speaker 7: know something back then it was like the thousand dollars deal,
• 19:34
  Speaker 7: which was once we had locked the budget, he was
• 19:38
  Speaker 7: not allowed to bring me any.
• 19:40
  Speaker 4: Problems that cost more than one thousand dollars.
• 19:42
  Speaker 7: Like I could figure it out, you know, if it
• 19:44
  Speaker 7: was a thousand or under. But you know, you can't
• 19:46
  Speaker 7: be adding stuff once we're once we started rolling.
• 19:50
  Speaker 1: Now on screen. Back in the day, we would do
• 19:52
  Speaker 1: a lot of overtime, which which now people don't really
• 19:55
  Speaker 1: do anymore, right, I mean on your jobs now, are
• 19:58
  Speaker 1: people pretty much keeping it to twelve hours these days?
• 20:01
  Speaker 7: It depends, really, I mean for the for the most part, yes,
• 20:04
  Speaker 7: but a lot has changed. You know, we did for
• 20:06
  Speaker 7: a big chunk of that show a true single camera show,
• 20:09
  Speaker 7: which is almost all shows have more than one camera
• 20:12
  Speaker 7: rolling at the time now, so you can get more
• 20:14
  Speaker 7: work done within the hours you can get you know,
• 20:17
  Speaker 7: for those who do people you know that just between
• 20:20
  Speaker 7: single and multi like usually on the single camera show,
• 20:23
  Speaker 7: you're getting one angle at a time, shooting one actors
• 20:25
  Speaker 7: close up, and then you turn around and get the
• 20:27
  Speaker 7: other actor, and the more actors in a scene, you know,
• 20:29
  Speaker 7: the more times you're turning, And if you have multiple cameras,
• 20:33
  Speaker 7: then you can get multiple shots.
• 20:36
  Speaker 4: But on a show like Mixed Dish, you know.
• 20:40
  Speaker 7: Or you know, American Housewife or any show that's got
• 20:43
  Speaker 7: a family, you know, family show as opposed to community,
• 20:46
  Speaker 7: you're up against kid hours. So those shows in particular
• 20:49
  Speaker 7: are held to a bricter standard.
• 20:51
  Speaker 2: Powers I'm gonna be honest with you, I love it
• 20:52
  Speaker 2: when kids are on the show now and you're working
• 20:54
  Speaker 2: the show because you're not going past twelve hours. Dude,
• 20:57
  Speaker 2: you might not even do eight hours that day, you
• 20:59
  Speaker 2: know what I mean?
• 21:00
  Speaker 3: I love it.
• 21:01
  Speaker 2: I did love so I did emergence this uh this
• 21:04
  Speaker 2: last year didn't get picked up ABC.
• 21:06
  Speaker 3: Thank you.
• 21:07
  Speaker 4: You were great in it.
• 21:09
  Speaker 1: Donald, by the way, you were great in that show.
• 21:10
  Speaker 1: I think we should pour some out for emergence of Emergence.
• 21:15
  Speaker 2: But I remember we had two very young ladies on
• 21:18
  Speaker 2: the show and they were in school, and once they
• 21:21
  Speaker 2: showed up to set, we had the clock was ticking.
• 21:24
  Speaker 2: We had eight hours to get them done or they
• 21:26
  Speaker 2: would they turned into a pumpkin.
• 21:28
  Speaker 4: And so.
• 21:32
  Speaker 2: I used to love that. It would be like, are
• 21:34
  Speaker 2: the kids working today? And they'd be like yeah, and
• 21:35
  Speaker 2: I'd be like, great. That means I'm done before you know,
• 21:38
  Speaker 2: I'm done before the sun goes down. Is when the
• 21:40
  Speaker 2: kids weren't working that you were like, oh my god,
• 21:42
  Speaker 2: I'm gonna be here forever. Well, random, you.
• 21:45
  Speaker 7: See kids on there, you can make it right, Yeah.
• 21:47
  Speaker 3: Right, You'd be like, I can make that eight o'clock
• 21:49
  Speaker 3: movie tonight.
• 21:50
  Speaker 1: Randall, you and I always got along so well. You know,
• 21:53
  Speaker 1: sometimes the relationship between a director and a line proderher
• 21:57
  Speaker 1: could be contentious because the director feels like, oh, you're
• 22:00
  Speaker 1: taking away. You're not you're not working with me, you're
• 22:01
  Speaker 1: not making it, you're not helping me realize all the
• 22:04
  Speaker 1: things I want to do. Of course, the line producer
• 22:06
  Speaker 1: has a stressful job. You're like, dude, you're killing me.
• 22:08
  Speaker 1: You're so over budget, what the hell are you talking about.
• 22:10
  Speaker 1: But but when the two are friends and they feel like, hey,
• 22:14
  Speaker 1: let's work it out, then it then then it never
• 22:15
  Speaker 1: gets contentious. But of course sometimes when people don't get along,
• 22:19
  Speaker 1: the line producer and the director don't always like each other.
• 22:22
  Speaker 7: Well, I think that uh it has been to the
• 22:26
  Speaker 7: great benefit of my career in general. Part of it
• 22:28
  Speaker 7: is just I think the way that I like to
• 22:30
  Speaker 7: work is that the goal is to be symbiotic. Like
• 22:33
  Speaker 7: you know, when people think that it's contentious, it is contentious,
• 22:36
  Speaker 7: but you know, we're all rowing in the same direction.
• 22:38
  Speaker 7: You want, you want a great show. You want and
• 22:40
  Speaker 7: comedies in particular, you know, like I think about the episode,
• 22:44
  Speaker 7: not that the episode of ting About Day, but your
• 22:47
  Speaker 7: episode when you when you go into the puddle and
• 22:50
  Speaker 7: you see uh.
• 22:55
  Speaker 1: Se monster do you see a sea monster? It was
• 22:58
  Speaker 1: not a sea monster. Rand named Julian.
• 23:02
  Speaker 4: Julian. I love that you.
• 23:05
  Speaker 1: Said sea monsters. What was the sea monster's name?
• 23:10
  Speaker 7: So that's a perfect example of that script had so
• 23:15
  Speaker 7: much in it.
• 23:17
  Speaker 4: But that was the biggest joke in the show.
• 23:19
  Speaker 7: And you know, we had to call the city and
• 23:22
  Speaker 7: get Diggler and it was the first time I got
• 23:23
  Speaker 7: to use a Jack Cameron and we're like digging holes
• 23:25
  Speaker 7: in the parking lot and creating a swimming pool that
• 23:29
  Speaker 7: we're gonna have to fill in. But but the question was,
• 23:32
  Speaker 7: you know, is this one of the funniest things.
• 23:35
  Speaker 4: In the script.
• 23:35
  Speaker 7: What what are we what are we gonna give up
• 23:37
  Speaker 7: or combined so that we can keep that and that
• 23:41
  Speaker 7: trusting relationship, you know, with with with the actor, with
• 23:44
  Speaker 7: the director, with the writers, you know, builds that thing
• 23:48
  Speaker 7: that you're talking.
• 23:48
  Speaker 1: And Ron and Renald you're the kind of person that
• 23:50
  Speaker 1: was like so on board. You'd be like, oh my god,
• 23:53
  Speaker 1: we have to figure out we have to figure out
• 23:54
  Speaker 1: a way. I know because I think that I think
• 23:58
  Speaker 1: that gag, which involved building two different small swimming pools
• 24:01
  Speaker 1: to code because the city was not gonna let anyone
• 24:04
  Speaker 1: not do it to code was one of the most
• 24:05
  Speaker 1: expensive gags in Scrubs history, as I recall.
• 24:08
  Speaker 4: Yes it was, Yes it was very expensive.
• 24:12
  Speaker 2: But that's you're right, Zach. That's a very important point.
• 24:16
  Speaker 2: If you have a line producer who's game, and it's like,
• 24:19
  Speaker 2: I can figure this out. If you work with me,
• 24:22
  Speaker 2: we can figure this out, You're gonna get some of
• 24:25
  Speaker 2: the best stuff, you know what I mean.
• 24:26
  Speaker 1: Of course, of course I was so worried about Randall
• 24:28
  Speaker 1: was he wasn't you know some of these guys and
• 24:30
  Speaker 1: gals are sitting in office and they're rolling your eyes
• 24:32
  Speaker 1: when you walk in. Randon was out there with the
• 24:34
  Speaker 1: jackhammer being like, I can't believe O're building is.
• 24:45
  Speaker 4: Totally true? All right?
• 24:46
  Speaker 1: Should we get into the episode. Let's get into the episode. So, Randal,
• 24:50
  Speaker 1: this one is supersized. Let's talk about that very rare.
• 24:54
  Speaker 1: Most episodes thus far in the show are been twenty
• 24:57
  Speaker 1: two minutes without commercials. This one is twenty eight, which
• 24:59
  Speaker 1: is a bit big leap to supersize.
• 25:01
  Speaker 7: Right, It was a big It was a big issue
• 25:03
  Speaker 7: at the time, this show with the pizza clock as
• 25:07
  Speaker 7: we as we called it. But the network was very
• 25:11
  Speaker 7: contemptous about this episode, and they did not rerun it
• 25:13
  Speaker 7: again in certainly not that season, and I don't think
• 25:17
  Speaker 7: for years because being supersized and it's a it's a
• 25:24
  Speaker 7: very thoughtful episode, you know, very emotional goes inside where
• 25:27
  Speaker 7: are where the characters are?
• 25:29
  Speaker 4: And I think at the time, you know.
• 25:31
  Speaker 7: We were still in season one and they wanted it
• 25:33
  Speaker 7: to just to be you know, more JD falling.
• 25:37
  Speaker 1: Yeah, exactly, they were like, what are you doing this
• 25:40
  Speaker 1: weird documentary style interludes? I mean, where's JD running into
• 25:43
  Speaker 1: a wall? And you know, but it's a great episode.
• 25:46
  Speaker 1: I just want to say. Written by Gabrielle Allen and
• 25:50
  Speaker 1: directed by Lawrence Trilling, who became one of our favorites
• 25:55
  Speaker 1: early on. He then went on to do Pushing Daisies
• 25:58
  Speaker 1: and Parenthood and I just googled now that he's on Goliath.
• 26:03
  Speaker 1: But super talented guy.
• 26:05
  Speaker 2: I think Lawrence Trilling and I did Felicity together.
• 26:07
  Speaker 1: You did?
• 26:08
  Speaker 2: You did?
• 26:08
  Speaker 1: You did? Were we ever on Alias? Done?
• 26:11
  Speaker 2: No? I was never on Alias?
• 26:12
  Speaker 1: Okay, well he also did Alias, but yeah, he directed
• 26:15
  Speaker 1: Young Donald Faison and Felicity.
• 26:17
  Speaker 7: He's a really great guy, really fun, good director, and
• 26:21
  Speaker 7: Gabby got I love her.
• 26:24
  Speaker 1: Good team great team, and I just thought there's a
• 26:28
  Speaker 1: lot of style to this. So so there became this
• 26:30
  Speaker 1: convention a few conventions. There's the pizza clock thing if
• 26:33
  Speaker 1: you look down at the pizza guys in case you
• 26:36
  Speaker 1: didn't notice, the idea was that it was mimicking a clock.
• 26:39
  Speaker 1: And so as the episode is cutting between that one
• 26:43
  Speaker 1: night of Sarah and I in bed and then back
• 26:45
  Speaker 1: to the few weeks that follow us trying to date,
• 26:49
  Speaker 1: whenever it cuts back the pizzas trying to look like
• 26:52
  Speaker 1: a clock from that night. So there's that sort of gag,
• 26:56
  Speaker 1: the timeline shake up, and then there's these documentary stole,
• 27:00
  Speaker 1: shaky cam, grainy film as though we're all being interviewed
• 27:04
  Speaker 1: for a psychologist project on why people become doctors?
• 27:09
  Speaker 2: Right, all right, okay, well that's not I thought that
• 27:13
  Speaker 2: was the next episode.
• 27:14
  Speaker 1: But okay, no, that's my bed banter. And beyond that's
• 27:17
  Speaker 1: like inter cutting Salen I and our big epic fuck
• 27:21
  Speaker 1: fest for lack of.
• 27:23
  Speaker 2: A better term, I gotta tell you something, man, nobodd
• 27:26
  Speaker 2: miss that. Let's go back. Are you said the word?
• 27:30
  Speaker 2: And now I'm gonna now we can talk about it.
• 27:32
  Speaker 2: I guess I missed those days. I missed the days
• 27:35
  Speaker 2: when it was just sex all day, you know, before kids,
• 27:39
  Speaker 2: when you could just bone all day, then go out
• 27:43
  Speaker 2: to dinner that night and then bone some more. My
• 27:47
  Speaker 2: wife and I, you know what, we gotta make an
• 27:49
  Speaker 2: appointment now, and.
• 27:50
  Speaker 1: It sucks, isn't in your eye?
• 27:52
  Speaker 2: Cow Dude, I'll be like, it's you think it's a joke,
• 27:56
  Speaker 2: and a lot of stand up comics have made this joke,
• 27:58
  Speaker 2: but it's real. You'll be like, how about sex Thursday?
• 28:01
  Speaker 3: Can we do Thursday? I'm having my hair done right, No, no, no, no,
• 28:06
  Speaker 3: no, no no.
• 28:07
  Speaker 2: The kid's got zoom all day. I'm gonna be exhausted
• 28:09
  Speaker 2: by eight o'clock. There's no way. And Ozark comes on.
• 28:13
  Speaker 2: I gotta watch Ozark.
• 28:15
  Speaker 1: Okay, well, Jason Bateman, Jason Bateman is stealing your sex night.
• 28:19
  Speaker 2: Jason Bateman is fucking it.
• 28:21
  Speaker 4: Up for me right now.
• 28:22
  Speaker 1: Dude.
• 28:23
  Speaker 2: I hear the shows, the good looking man, I hear
• 28:26
  Speaker 2: the shows great, but damn you, Jason Bateman. I just
• 28:30
  Speaker 2: wish he could get through the show already. I just
• 28:32
  Speaker 2: missed those days. I missed the days where it was
• 28:34
  Speaker 2: like and granted, I love my children and I love
• 28:37
  Speaker 2: having them in my life.
• 28:39
  Speaker 3: But I just missed the days.
• 28:40
  Speaker 2: Of freaking waking up, boning, going to Hugo's to get
• 28:45
  Speaker 2: breakfast or brunch, right, brunch, whatever it is, coming back
• 28:52
  Speaker 2: home and being like, well, what do you want to do? Well,
• 28:54
  Speaker 2: we haven't fucked in like five hours, we might as
• 28:56
  Speaker 2: well fuck again.
• 28:58
  Speaker 4: Perfect Donald.
• 29:00
  Speaker 7: I am sitting outside looking longingly at my blackout shutters
• 29:05
  Speaker 7: and how will you to use them?
• 29:06
  Speaker 4: So much more?
• 29:07
  Speaker 9: Right?
• 29:07
  Speaker 7: Like craik it down, black out the bedroom and.
• 29:12
  Speaker 3: And do what you gotta do right them? Days is
• 29:15
  Speaker 3: over them?
• 29:16
  Speaker 2: Days?
• 29:16
  Speaker 1: Is you guys are really doing a great ad for
• 29:19
  Speaker 1: having children right now?
• 29:21
  Speaker 2: No, you should do it.
• 29:22
  Speaker 3: It's great, It's wonderful.
• 29:25
  Speaker 1: As you both drink your white claw.
• 29:29
  Speaker 4: Now.
• 29:29
  Speaker 1: Elliott has said in previous episodes that she's never had
• 29:32
  Speaker 1: an orgasm, and she said that she doesn't like sex.
• 29:35
  Speaker 1: So is JD the first person to not only bring
• 29:40
  Speaker 1: her to orgasm but show her the wondrous world of
• 29:43
  Speaker 1: epic sex days?
• 29:45
  Speaker 3: I'm sure you would like to think so.
• 29:47
  Speaker 1: I think. Yes, I'm not JD. Donald, I'm Zach Braff,
• 29:51
  Speaker 1: but I'm character of JD. Probably was good in.
• 29:55
  Speaker 2: Bed well, you know, in the beginning of it all,
• 29:57
  Speaker 2: JD was kind of a sucker when he's like he
• 30:00
  Speaker 2: almost let her walk out of the house, and she
• 30:02
  Speaker 2: was obviously very much into JD.
• 30:06
  Speaker 1: Well, I don't know, dude, I disagree. I was watching
• 30:09
  Speaker 1: it with fresh eyes and I was thinking I couldn't
• 30:11
  Speaker 1: read where she was. Was she like, hey, I should go?
• 30:15
  Speaker 1: And then you know, you know what that's like back
• 30:17
  Speaker 1: in the day.
• 30:18
  Speaker 3: Do I hate that shit? I hate that shit?
• 30:20
  Speaker 2: Why to test? Why I gotta be tested for? How
• 30:22
  Speaker 2: come you can't just be like, you know what, maybe
• 30:25
  Speaker 2: uh if this was a mistake.
• 30:27
  Speaker 3: Was it a mistake though? Or did you know what
• 30:29
  Speaker 3: I mean?
• 30:30
  Speaker 2: Like I remember saying to my wife when she was
• 30:32
  Speaker 2: my girlfriend, like, you know, I don't know, I don't
• 30:35
  Speaker 2: know if this is if this is working out, you
• 30:38
  Speaker 2: know what I mean, and her being like, you don't
• 30:41
  Speaker 2: this is Wait a second, this is the best thing
• 30:45
  Speaker 2: that's ever happened to you.
• 30:46
  Speaker 3: What do you mean you don't know if this is
• 30:48
  Speaker 3: working out? Like that was real talk.
• 30:50
  Speaker 2: The fact that JD almost had her out the door
• 30:53
  Speaker 2: before he was before she turned around and was like, yo,
• 30:56
  Speaker 2: just say you want me to stay and stop being
• 30:58
  Speaker 2: a sucker, stop being a a little punk about this.
• 31:02
  Speaker 2: Just say you want me to stay, and I'll stay
• 31:04
  Speaker 2: and we can go have sex again. And then he's
• 31:06
  Speaker 2: finally like will you stay? She's like, yeah, you gotta
• 31:09
  Speaker 2: pay for that though, because I almost will.
• 31:11
  Speaker 1: But don't you remember back in the day when you weren't,
• 31:13
  Speaker 1: when you weren't in such a long term relationship. When
• 31:16
  Speaker 1: something's new and you're kind of insecure about it, You're like,
• 31:19
  Speaker 1: did this person have as good of fun as I did?
• 31:21
  Speaker 1: I don't want to be the one who put I
• 31:23
  Speaker 1: don't want to put my one. I don't want to
• 31:24
  Speaker 1: be the one who puts myself out there and and
• 31:26
  Speaker 1: and gets dissed. Like you're you're You're in a very
• 31:29
  Speaker 1: vulnerable state. You're like, I kind of like this person,
• 31:31
  Speaker 1: do they like me?
• 31:32
  Speaker 4: You know? Well?
• 31:33
  Speaker 3: Did I ja?
• 31:34
  Speaker 7: Do you?
• 31:34
  Speaker 4: The character just wasn't he in the friend zone a
• 31:36
  Speaker 4: couple episodes before that? Yeah?
• 31:38
  Speaker 3: Yeah they were? They were friend zoned?
• 31:40
  Speaker 2: Yeah, like, uh, maybe seven episodes before he gets friend
• 31:44
  Speaker 2: zoned and.
• 31:45
  Speaker 1: Then he and then we gotta go to break. We'll
• 31:47
  Speaker 1: be right back with the legendary Randall Winster.
• 31:57
  Speaker 2: Random where instand is. We're very excited.
• 32:05
  Speaker 1: We're very excited Randall's here. We're talking about sex. JD
• 32:08
  Speaker 1: and Elliott have an epic, epic twenty four hours of sex,
• 32:13
  Speaker 1: and it seems that JD has found a way to
• 32:16
  Speaker 1: bring Elliott all the way to the Promised Land because
• 32:19
  Speaker 1: she seems to be really enjoying sex.
• 32:21
  Speaker 2: Well, the fact that they have it like six or
• 32:23
  Speaker 2: seven times is ridiculous. And she even brings up, I'm
• 32:25
  Speaker 2: gonna need a vagina transport.
• 32:26
  Speaker 1: Yeah, she says, she said, I need av giinant transplant,
• 32:28
  Speaker 1: which is a very funny fantasy. Cutting to the guys,
• 32:31
  Speaker 1: uh running through.
• 32:33
  Speaker 2: Don't go Bucks Boler.
• 32:40
  Speaker 7: Randall was that they should have done the song vagainaa Bucks.
• 32:44
  Speaker 1: Randall was vagina transplant something that anyone was worried about
• 32:47
  Speaker 1: getting through the sensors because it seems pretty pretty risque
• 32:50
  Speaker 1: to have a vagina in a box.
• 32:53
  Speaker 7: Yes, I remember there being like some conversation, but I
• 32:58
  Speaker 7: can't remember whether it was whether it was a lot
• 33:00
  Speaker 7: of crims. But the great thing about Scrubs was that
• 33:03
  Speaker 7: there was always something else to point at, like you know,
• 33:06
  Speaker 7: another red herring. I was like, well, we have a
• 33:08
  Speaker 7: giant in the box. But he says dick three times
• 33:11
  Speaker 7: two pages later, we'll get rid of that and let
• 33:13
  Speaker 7: us keep the giant.
• 33:14
  Speaker 1: So part of Randall's job was was being Bill's liaison
• 33:17
  Speaker 1: to the studio and being like, listen, guys, it's just
• 33:20
  Speaker 1: one vagina in a box. We're not gonna have vaginas
• 33:23
  Speaker 1: in boxes every week.
• 33:27
  Speaker 7: And and the and the great thing about about the uh,
• 33:31
  Speaker 7: the working with the person. There was a woman I
• 33:35
  Speaker 7: can't remember this if this was Sandy Christmas, it was
• 33:37
  Speaker 7: this Sandy Christmas. It was this very sweet woman who
• 33:41
  Speaker 7: used to have these conversations with So I'd get on
• 33:43
  Speaker 7: the phone and she'd be like, now, Randa, I packed
• 33:45
  Speaker 7: the vagina in the box, and you know, and then
• 33:51
  Speaker 7: you later say, Penis you know do we have to
• 33:54
  Speaker 7: have all of that in the show.
• 33:56
  Speaker 4: Yeah.
• 33:56
  Speaker 1: And what's funny is they'll often give you they'll often
• 33:59
  Speaker 1: give you a sheet of all their objections and it's
• 34:01
  Speaker 1: a negotiation, and then even when you get it through,
• 34:04
  Speaker 1: they'd be like, Okay, we're fine with the vagina in
• 34:06
  Speaker 1: the box, Please do not show a vagina in a box.
• 34:10
  Speaker 1: Like even shit, You're like, really, guys, you had to
• 34:14
  Speaker 1: write that on the paper, like you think we were
• 34:16
  Speaker 1: gonna cut into a vagina on for NBC in the box.
• 34:19
  Speaker 7: And sometimes they say sometimes they say stuff and you're thinking,
• 34:22
  Speaker 7: oh damn, you're weight dirtier than I thought.
• 34:24
  Speaker 4: Right now, that is not what we meant. This is
• 34:30
  Speaker 4: a true story.
• 34:31
  Speaker 7: We had to go into the effects visual effects and
• 34:36
  Speaker 7: adjust Donald scrubs in a particular scene because they thought
• 34:39
  Speaker 7: were seeing too much of a bob.
• 34:40
  Speaker 1: Oh, that is how we do, Dan, how about thunder
• 34:46
  Speaker 1: and we do. Let's have some thunders.
• 34:49
  Speaker 3: Applause or as applause from my junk.
• 34:54
  Speaker 1: And then Dan, if you wouldn't mind put him?
• 34:57
  Speaker 7: That was I used to do a Loma at the
• 35:00
  Speaker 7: and most of my yes inspired me to just.
• 35:02
  Speaker 4: Go mm hmm.
• 35:05
  Speaker 1: Whenever Nurse Roberts couldn't be at the table, read Randa
• 35:08
  Speaker 1: would would play her and his favorite part was doing her.
• 35:12
  Speaker 2: Speaking of speaking of Aloma. Holy cow, she's amazing in
• 35:16
  Speaker 2: this episode, very funny. Every one of her lines lands hard.
• 35:21
  Speaker 4: You know what I mean?
• 35:22
  Speaker 2: White boys? Uh? You mean it was a secret all
• 35:26
  Speaker 2: of that stuff, everything that everything that she said in
• 35:29
  Speaker 2: this episode, I laughed out loud.
• 35:30
  Speaker 1: Now let's get ready into it right away, you know,
• 35:33
  Speaker 1: let's you know, the janitor sees Aloma and she sees him,
• 35:39
  Speaker 1: and she looks at him like get the fuck out
• 35:42
  Speaker 1: of my way and Randall, Bill is still hanging on
• 35:45
  Speaker 1: to his his his dream that the Janitor was only
• 35:49
  Speaker 1: seen by JD in season one and we we are
• 35:52
  Speaker 1: Donald and I are detectives that are quickly proving him
• 35:55
  Speaker 1: wrong in every other episode.
• 35:57
  Speaker 4: Yes, yes, I was.
• 35:59
  Speaker 7: I never bought into that, that that he was a
• 36:02
  Speaker 7: figment of JD's imagination.
• 36:03
  Speaker 2: It's mister Snuffles.
• 36:05
  Speaker 7: Yeah, yeah, I mean, and I remember he had because
• 36:09
  Speaker 7: there's some episodes later. I remember an episode I directed
• 36:12
  Speaker 7: where he has a group of henchmen played by our
• 36:14
  Speaker 7: grip team, you know in they are all in it with.
• 36:19
  Speaker 2: Him, and isn't his his side? He has two sidekicks,
• 36:24
  Speaker 2: Troy and Randall.
• 36:25
  Speaker 1: Right, yeah, Randall.
• 36:27
  Speaker 2: I remember Randall played by Martin, played by.
• 36:30
  Speaker 1: Martin Martin, who was also in Oz the Great and
• 36:33
  Speaker 1: Powerful with me, and he was also in Pirates of
• 36:35
  Speaker 1: the Caribbean.
• 36:36
  Speaker 2: Yes that.
• 36:40
  Speaker 1: Let's talk about Colleco Vision, which comes up at seven
• 36:42
  Speaker 1: twenty one. Did you have Collecovision either one of you?
• 36:45
  Speaker 3: I did not.
• 36:45
  Speaker 2: My friend had Calleco Vision, and I remember colleco Vision
• 36:48
  Speaker 2: being so awesome because the video games looked exactly like
• 36:51
  Speaker 2: they look in the arcade. So if we had Donkey Kong,
• 36:54
  Speaker 2: it looked like Donkey Kong from the arcade.
• 36:56
  Speaker 4: Yeah.
• 36:56
  Speaker 1: I thought that was the first thing.
• 36:57
  Speaker 2: And you at first do you remember that game? I don't.
• 37:00
  Speaker 2: I don't remember the Smurf.
• 37:02
  Speaker 1: Well, if you were interested in video games, please go.
• 37:04
  Speaker 1: I'm sure on YouTube they can play you the theme
• 37:07
  Speaker 1: music from Smurfs on Cleacovision. And that jam was fire,
• 37:11
  Speaker 1: was it?
• 37:12
  Speaker 9: La la la la la la la la la la.
• 37:16
  Speaker 4: Come on?
• 37:16
  Speaker 3: That was the dope ship la.
• 37:18
  Speaker 9: La la la la la la la la la la.
• 37:21
  Speaker 1: Ahead.
• 37:22
  Speaker 2: Let me, let's put it this way. If jay Z
• 37:25
  Speaker 2: can make a song from Hard Knock Life, Yes.
• 37:28
  Speaker 1: Dude, do that again and I'll kick in my beat
• 37:30
  Speaker 1: box and we got a jam halfway there.
• 37:33
  Speaker 9: Hey, la la la la la la la la la
• 37:42
  Speaker 9: la la la la la la la la.
• 37:45
  Speaker 2: La la la la.
• 37:48
  Speaker 1: Dam And you're gonna have to line that up with
• 37:50
  Speaker 1: some delay. But we I think it's fire, and I
• 37:52
  Speaker 1: think we can beat a Hard Knocked Life.
• 37:56
  Speaker 7: You you did me that Donald On set you to
• 38:00
  Speaker 7: do Transformers as a dude.
• 38:03
  Speaker 2: Late Neil Diamond, Neil Diamond singing Transformers. I thought I
• 38:07
  Speaker 2: did it already, but if I haven't, if you missed it,
• 38:09
  Speaker 2: Transformers more than meets the eye. Keep going, keep going,
• 38:18
  Speaker 2: bus face their battles to destroy the evil forces of
• 38:25
  Speaker 2: the Decepticons.
• 38:29
  Speaker 1: By the way, Neil Diamond's your best impersonation. You also
• 38:32
  Speaker 1: do a pretty good Uh, I don't know how much.
• 38:36
  Speaker 3: My well, you do a better version of Aaron Neville
• 38:38
  Speaker 3: than I do.
• 38:39
  Speaker 2: I mean, here, mine's trash that maybe yeahs is way
• 38:51
  Speaker 2: better than mine, way better than mine.
• 38:53
  Speaker 1: There you go. That's the extent of our impressions. Gleco
• 38:55
  Speaker 1: Vision great game system. I felt like a baller because
• 38:58
  Speaker 1: I had it, and uh, you know, I remember that
• 39:01
  Speaker 1: control was like it was like a long rectangle and
• 39:04
  Speaker 1: then there was the.
• 39:05
  Speaker 2: Circle on the bottom.
• 39:06
  Speaker 4: Yeah.
• 39:06
  Speaker 1: Not to be confused within television, which I didn't have.
• 39:09
  Speaker 2: Or in television. Wow was it in television? It was
• 39:13
  Speaker 2: Kalico Vision.
• 39:15
  Speaker 1: I start with the Atari twenty six hundred. I remember
• 39:18
  Speaker 1: that everybody had that.
• 39:20
  Speaker 2: Yeah, and then.
• 39:21
  Speaker 1: There was Kalovision. Go ahead, Randall, I feel like the
• 39:24
  Speaker 1: guy with the gaming head that you weigh in.
• 39:29
  Speaker 7: But this makes me said one hundred years old. I
• 39:31
  Speaker 7: am currently doing a puzzle during COVID that is all
• 39:36
  Speaker 7: of the original video games Atari and like, yeah, so it's.
• 39:41
  Speaker 1: I need that puzzle. We we got a Van Gos
• 39:45
  Speaker 1: Starry Night and we are not even getting anywhere near
• 39:47
  Speaker 1: to starting it. But I feel like if it was
• 39:48
  Speaker 1: the old game consoles, we've had it done already.
• 39:51
  Speaker 4: I'm sending it to you.
• 39:52
  Speaker 2: There's an Alf mentioned in this show ALF. I was
• 39:56
  Speaker 2: a huge fan of ALF when.
• 39:57
  Speaker 1: I too, Max, Right, what do you doing out?
• 40:03
  Speaker 2: The puppet from out of space who loved to eat cats?
• 40:07
  Speaker 1: I remember being a little kid and the trailer teaser
• 40:10
  Speaker 1: for ALF came on and I remember being a little kid,
• 40:12
  Speaker 1: my first film critic going that looks so stupid. Cut
• 40:16
  Speaker 1: to me loving Alf, like having alf stuffed animals?
• 40:20
  Speaker 7: What was not to love about ALF? I visited the
• 40:23
  Speaker 7: ALF set, you did, I remember?
• 40:25
  Speaker 4: Yes?
• 40:25
  Speaker 1: That was it raised up so they could have a
• 40:27
  Speaker 1: puppet teer.
• 40:28
  Speaker 7: Yes, And it was like it was It wasn't at
• 40:30
  Speaker 7: a real stage. It was at uh an a warehouse
• 40:33
  Speaker 7: in Culver City.
• 40:34
  Speaker 1: Is I Paul Max Wright, who was who played the father,
• 40:37
  Speaker 1: who was an accomplished theater actor and Shakespearean actor and
• 40:41
  Speaker 1: genius act all around fucking hated it. I think that's
• 40:44
  Speaker 1: part of the lore is that he absolutely hated doing
• 40:47
  Speaker 1: a puppet show.
• 40:51
  Speaker 7: Now, did you did you watch all the Alps? We
• 40:54
  Speaker 7: were religious elf because.
• 40:55
  Speaker 1: There's episodes on Mitch. I mean, I'm not ready to
• 40:57
  Speaker 1: do the rewatch podcast, but.
• 40:58
  Speaker 7: There's a there's a very special ALF where I remember
• 41:02
  Speaker 7: mostly is crying during alf.
• 41:04
  Speaker 4: Alf would to visit the girl in the hospital. It
• 41:06
  Speaker 4: was like, you know, tonight on a very special alf.
• 41:11
  Speaker 1: Do you remember when they would do you remember when
• 41:13
  Speaker 1: they would like back in the day, for those of
• 41:14
  Speaker 1: you who are too young, they when there was a
• 41:16
  Speaker 1: sad like on Scrubs. We had sad episodes all the time.
• 41:19
  Speaker 1: But on the old school sitcoms they would always warn you,
• 41:22
  Speaker 1: like tonight on a very special Silver Spoons, the ricker
• 41:27
  Speaker 1: will the ricker will kill a deer. We recommend and
• 41:31
  Speaker 1: they would go, we recommend parents watch with their children.
• 41:34
  Speaker 1: Do you remember that for sure?
• 41:35
  Speaker 7: But on Scrubs, if it was sad, we just would
• 41:38
  Speaker 7: play the theme song a little.
• 41:40
  Speaker 1: Yeah, So there was silver Spoons when the wrecker killed
• 41:49
  Speaker 1: a deer, there was different strokes. When Dudley got molested
• 41:52
  Speaker 1: by the bike shop owner, remember that.
• 41:55
  Speaker 2: I do remember that and everything happened to Dudley or Arnold.
• 41:59
  Speaker 1: Yeah, and then I don't know what happened on Alf,
• 42:01
  Speaker 1: but I don't know if they made the announcement, it
• 42:02
  Speaker 1: must have been serious.
• 42:07
  Speaker 2: Special episode of Alf.
• 42:09
  Speaker 1: Alf learns to touch himself.
• 42:11
  Speaker 2: Oh boy, oh boy.
• 42:13
  Speaker 1: But you can't handle it. I used to have an
• 42:15
  Speaker 1: alf stuffed animal, and uh, well, never mind without that, man,
• 42:19
  Speaker 1: it sounded like I fucked the doll. I didn't.
• 42:21
  Speaker 2: I just I just it did sound like you were
• 42:23
  Speaker 2: about to say it sounded like you were about to say, yeah,
• 42:26
  Speaker 2: I fucked the doll.
• 42:27
  Speaker 1: Did Alf have a tail?
• 42:30
  Speaker 2: I don't know. No, No, no, he did not.
• 42:32
  Speaker 4: I don't think so. Well.
• 42:33
  Speaker 1: Can you please look up if Alf had a tail?
• 42:34
  Speaker 3: Alf did not have a tail.
• 42:36
  Speaker 1: You're feeling really confident about that.
• 42:37
  Speaker 2: You didn't see.
• 42:38
  Speaker 1: You didn't see Alf's ask that much.
• 42:41
  Speaker 2: Okay, let's talk about how well Johnny does in this episode.
• 42:44
  Speaker 1: Yeah, in the monologue, in the monologue section, everybody's great.
• 42:47
  Speaker 1: In the oh, Joelle, what you look? Your face lit up?
• 42:51
  Speaker 2: Alf does have a tail?
• 42:57
  Speaker 1: Donald, You fucking liar.
• 43:00
  Speaker 2: I just don't remember out for the long terilt.
• 43:03
  Speaker 5: No, it's like a dog's tail, and it only because
• 43:06
  Speaker 5: you can see him like he's looking out the window
• 43:08
  Speaker 5: in a single shot.
• 43:10
  Speaker 1: Listen, but I want to see if the album.
• 43:11
  Speaker 2: I barely remember episodes of Scrubs. How am I supposed
• 43:14
  Speaker 2: to remember Alf?
• 43:16
  Speaker 1: He does have a tail, so I have a memory.
• 43:19
  Speaker 1: I think what I was trying to say with the
• 43:20
  Speaker 1: stuff animals, I used to pull Alf's tail through his
• 43:24
  Speaker 1: legs to make it look like it was Alb's.
• 43:25
  Speaker 10: Peenis Oh my gosh, all right, all.
• 43:40
  Speaker 1: Right is good in this episode? Yes, he's not.
• 43:42
  Speaker 4: Only that.
• 43:42
  Speaker 3: Before we do that, let's go back a little bit.
• 43:45
  Speaker 2: Uh, I didn't know that Kelso's actual name was Kelso Kelso.
• 43:51
  Speaker 1: Kelsanovitch. Yeah, well, I don't think that comes up again.
• 43:54
  Speaker 1: But this is the first episode where he introduces his
• 43:56
  Speaker 1: wife's name, Enid.
• 43:57
  Speaker 2: Right, And I thought that was just very interesting that,
• 44:01
  Speaker 2: you know, he changed his name to fit in to
• 44:03
  Speaker 2: be to sound more American, so instead of kel Sonovich,
• 44:07
  Speaker 2: it then became Kelso.
• 44:09
  Speaker 1: I think everybody did, including uh, Donald Faison and Judy
• 44:14
  Speaker 1: and Sarah. Everybody was great in these monologue sections. They
• 44:18
  Speaker 1: were Oh, it was kind of a cool. It's funny
• 44:21
  Speaker 1: because that documentary style became very common in shows like
• 44:23
  Speaker 1: the Office and a modern family that were doing sort
• 44:27
  Speaker 1: of the shaky cam documentary style. Was not a style
• 44:30
  Speaker 1: we did on Scrubs. But because of this segment, I
• 44:33
  Speaker 1: don't know why the interviewer was so hirky jerky with
• 44:35
  Speaker 1: the damn camera. I mean, put the fucking thing on
• 44:36
  Speaker 1: a tripod and calm down.
• 44:37
  Speaker 2: But it was the.
• 44:39
  Speaker 1: Interviewer was making like his own shaky cam TV show.
• 44:43
  Speaker 1: But I thought everyone it seemed like the mandate was
• 44:46
  Speaker 1: that they were not going to have cuts in them
• 44:47
  Speaker 1: and they would all be long takes and yeah, and I
• 44:50
  Speaker 1: thought everyone did a really nice job in those scenes.
• 44:52
  Speaker 2: Do you call it? They prepared us for that, because
• 44:55
  Speaker 2: the fact that I knew my lines like that was
• 44:58
  Speaker 2: very weird yourself. I'm watching it and I'm like, they're
• 45:02
  Speaker 2: gonna cut soon, because there's no way I remember all
• 45:04
  Speaker 2: of this.
• 45:06
  Speaker 7: We talked about it a lot, and we knew it
• 45:09
  Speaker 7: was gonna be one take. If I remember correctly, those
• 45:12
  Speaker 7: are half the monologue that we did. I mean, part
• 45:15
  Speaker 7: of the reason why the episode is so long is
• 45:17
  Speaker 7: because those chunks. And I remember Johnny c I feel
• 45:20
  Speaker 7: like he was disappointed because there was another long take.
• 45:25
  Speaker 4: You know, So even though this episode is what do
• 45:27
  Speaker 4: We Say?
• 45:28
  Speaker 7: Twenty four eight twenty eight, twenty eight, I think the
• 45:32
  Speaker 7: editor's cut was closer to forty.
• 45:34
  Speaker 1: Yeah, and there's a really cool section later on where
• 45:37
  Speaker 1: Donald and Judy are side by side and they're still
• 45:40
  Speaker 1: not cutting, so they were able to time out. I
• 45:42
  Speaker 1: don't know, was Judy in the room reading with you? Donald,
• 45:44
  Speaker 1: do you remember?
• 45:45
  Speaker 7: No?
• 45:45
  Speaker 2: That was it. They gave us earwigs, I think for that, because.
• 45:51
  Speaker 1: Earwig, for those who don't know, is a tiny ear
• 45:53
  Speaker 1: piece that goes in your ear that you can't see
• 45:55
  Speaker 1: the camera can't see.
• 45:56
  Speaker 2: I remember rehearsing it with the voice track. I think
• 46:01
  Speaker 2: they recorded Judy first. I could be wrong, though, I
• 46:04
  Speaker 2: think they recorded Judy first and then I went in
• 46:09
  Speaker 2: after her to record.
• 46:10
  Speaker 1: Well, the timing of that was perfect because you you know,
• 46:12
  Speaker 1: you had to stall, so you were like thinking and
• 46:14
  Speaker 1: then you took a sip of your water and like
• 46:16
  Speaker 1: it totally looked natural, but it was. It was well
• 46:18
  Speaker 1: done by by Larry trilling.
• 46:20
  Speaker 2: Trilling Man, that was one of the that was one
• 46:22
  Speaker 2: of the highlights in my notes that I wrote. You know,
• 46:27
  Speaker 2: this was his first episode to direct for us, and
• 46:29
  Speaker 2: we gave him a pretty you know, you guys gave
• 46:31
  Speaker 2: him a big Randall and you and Bill gave him
• 46:34
  Speaker 2: a pretty big episode to produce. I wondered if it
• 46:37
  Speaker 2: was ever like, Yo, what money do I get to
• 46:39
  Speaker 2: make this go easier for me? You know what I mean?
• 46:43
  Speaker 1: Like, I'm guessing he was told that it was going
• 46:45
  Speaker 1: to be a long one because right Randall or was
• 46:48
  Speaker 1: it was decided after the fact.
• 46:51
  Speaker 4: It was decided after the fact.
• 46:52
  Speaker 7: We didn't know it was going to come out, but
• 46:53
  Speaker 7: we knew from timing the table read that we were
• 46:56
  Speaker 7: up against it and that we didn't want to make
• 46:58
  Speaker 7: cuts in those you know, soliloquy pieces, you know, directly
• 47:03
  Speaker 7: to the camera. For some reason, I feel like production wise,
• 47:07
  Speaker 7: there was just a lot of talk about the pizza clock,
• 47:10
  Speaker 7: like getting the right angle and how much pizzad it
• 47:12
  Speaker 7: take out. And you know, we were we were in
• 47:14
  Speaker 7: that bedroom for so long, which was a tight set.
• 47:17
  Speaker 1: Yeah, and Sarah and I, you know, we were friends
• 47:21
  Speaker 1: and we really loved each other. But that was a
• 47:24
  Speaker 1: very bizarre thing to have that much fake sex all
• 47:28
  Speaker 1: over one set for many days on end.
• 47:31
  Speaker 2: Well, yeah, not just that, you guys were very much
• 47:33
  Speaker 2: in each other's face. I was going to ask you,
• 47:35
  Speaker 2: you guys made out a lot in this episode. Yeah,
• 47:38
  Speaker 2: how awkward was that for you?
• 47:41
  Speaker 1: I think it was, Uh, you know, you always hear
• 47:45
  Speaker 1: actors talking about, Oh it's you know, it's all very
• 47:47
  Speaker 1: you know, choreographed, and it's not weird at all.
• 47:49
  Speaker 4: It is weird.
• 47:50
  Speaker 1: You know, there's everyone standing around, you're making out with
• 47:52
  Speaker 1: your good friend. Uh, it's you know, it was. It
• 47:57
  Speaker 1: was bizarre. I remember being because also a lot of
• 47:59
  Speaker 1: most times, like okay, there's a quick makeout scene. It's
• 48:01
  Speaker 1: a TV show, you know, That's that's all it ever is.
• 48:04
  Speaker 1: This was like, you know, wrestling around and groping each
• 48:07
  Speaker 1: other and for days.
• 48:09
  Speaker 4: So it was.
• 48:10
  Speaker 2: Weird face to face and not only face.
• 48:14
  Speaker 1: To fanaka Donald you gotta have Banaka. We had a
• 48:17
  Speaker 1: boom man named Kevin what was his last name? Randall?
• 48:20
  Speaker 1: Do you remember?
• 48:22
  Speaker 4: I can't figure it right now.
• 48:25
  Speaker 1: Also hires the whole crew everybody, so he should really
• 48:28
  Speaker 1: know Kevin's last name. But Kevin used to see that
• 48:31
  Speaker 1: we all used to have banaka. This is like back
• 48:33
  Speaker 1: in the day still that we had like spray the
• 48:35
  Speaker 1: aerosol banokam and uh we made a joke like oh,
• 48:38
  Speaker 1: it'll be great because the boom mike's right over your head.
• 48:40
  Speaker 1: We're like, it'd be great if there was a boom
• 48:42
  Speaker 1: if there was banaka on the boom, because then we
• 48:44
  Speaker 1: can just reach up, pull the boom mic down and
• 48:46
  Speaker 1: grab it off. Next day we show up and he
• 48:47
  Speaker 1: had velcrowe a banaka to the end of the boom mic,
• 48:51
  Speaker 1: not not the mic itself, the stick and poll and
• 48:56
  Speaker 1: Kevin santy, thank you and uh and and literally he
• 48:59
  Speaker 1: wasn't just a joke. He kept it up there for
• 49:00
  Speaker 1: like months, and whenever you need a banaka, you just
• 49:03
  Speaker 1: reach up, grab the boom pole, pull it off to
• 49:05
  Speaker 1: a spray. They'll crow it back and stick it off.
• 49:08
  Speaker 2: I used to go crazy with the banaka because I
• 49:10
  Speaker 2: felt like, maybe if I spray enough in my mouth
• 49:12
  Speaker 2: the aarosol and the freaking mint will get me high enough.
• 49:18
  Speaker 1: When your weed was wearing all, so Donald this weed
• 49:21
  Speaker 1: had worn off and he was on set too long.
• 49:23
  Speaker 1: He's like, let me try and get high on baca.
• 49:24
  Speaker 4: Yeah.
• 49:25
  Speaker 3: I remember one day Randall came into the room.
• 49:27
  Speaker 2: Randall, tell me if you remember this, and you were
• 49:29
  Speaker 2: like Donald and we were on set and you were like, Donald,
• 49:32
  Speaker 2: wake up. Do I need to splash cold water in
• 49:33
  Speaker 2: your face and something wake the ass up when you.
• 49:36
  Speaker 3: High or something? No? No, no, no, no no no no.
• 49:43
  Speaker 3: But in my mind I was like, they.
• 49:45
  Speaker 5: Know, they know.
• 49:48
  Speaker 1: It's probably because you were taking too long to get
• 49:50
  Speaker 1: to set.
• 49:51
  Speaker 9: No.
• 49:52
  Speaker 2: The only time I took a long time to get
• 49:53
  Speaker 2: to set was when Grand Theft Auto Vice City came out.
• 49:56
  Speaker 2: And I remember one time they were trying to get
• 49:58
  Speaker 2: me the set and I was on my way out
• 50:00
  Speaker 2: the door and Randall's pushing my door in as I'm
• 50:03
  Speaker 2: pulling it, and I was like hi, and he was like,
• 50:07
  Speaker 2: get upstairs, random.
• 50:12
  Speaker 1: You had to be bad cop.
• 50:14
  Speaker 7: I had to get with the gripe. Yeah, grabbing people,
• 50:16
  Speaker 7: steer them. I remember sending a PA to your house
• 50:18
  Speaker 7: one time, Zach. Somebody had to climb over the fence
• 50:21
  Speaker 7: to get you to like, wait, it.
• 50:23
  Speaker 1: Was a really bad moment. Know what happened was the
• 50:25
  Speaker 1: power What had happened was the power went out. The
• 50:29
  Speaker 1: power went out in my in my on my street
• 50:31
  Speaker 1: or my neighborhood, and so the alarms didn't go off,
• 50:35
  Speaker 1: and and also the phones didn't work, and so I
• 50:38
  Speaker 1: woke up to a PA knocking on my window. And
• 50:42
  Speaker 1: which is the worst sight if you're an actor. It's
• 50:45
  Speaker 1: like the most horrible feeling. And I remember getting to
• 50:48
  Speaker 1: set really late and Bill looked at me and he's like, no, no,
• 50:50
  Speaker 1: don't worry, we'll split the fifty grand.
• 50:55
  Speaker 7: I think during scrubs I had a real moment of
• 50:58
  Speaker 7: peace about producing, which was I gave up on the
• 51:02
  Speaker 7: idea of everything being okay for more than five minutes
• 51:05
  Speaker 7: at a time, because nothing's ever always okay. It's like,
• 51:10
  Speaker 7: and nobody comes to my door to be like everything's great.
• 51:16
  Speaker 7: It's like, you know, somebody took my candy. We don't
• 51:19
  Speaker 7: have any film. You know, somebody's late.
• 51:22
  Speaker 2: Did we ever run out of film?
• 51:25
  Speaker 4: We came, We came close.
• 51:26
  Speaker 7: We used to a lot of short ends one particular
• 51:28
  Speaker 7: week because part of the reason that we were able
• 51:32
  Speaker 7: to fly under the radar financially, and one of the
• 51:35
  Speaker 7: reasons that that show is one of the last shows
• 51:38
  Speaker 7: to be on film is because we shot on sixteen.
• 51:42
  Speaker 7: We shot Super sixteen, not thirty five, So we cut
• 51:44
  Speaker 7: our production costs, you know, by a lot.
• 51:47
  Speaker 4: But we made a great print.
• 51:48
  Speaker 7: I mean, we showed that show on a DJA in
• 51:52
  Speaker 7: the GGA screening room and held up.
• 51:55
  Speaker 1: So, yeah, those of you who don't know, this was
• 51:57
  Speaker 1: one of the last shows still being shot on film,
• 52:00
  Speaker 1: especially sixteen millimeter film probably at the time. Probably nothing
• 52:04
  Speaker 1: is right now, I would guess, unless it's like a
• 52:07
  Speaker 1: big budget feature on Netflix or something. But most people
• 52:11
  Speaker 1: don't do that anymore anyway. And it's one of the
• 52:13
  Speaker 1: reasons why people always ask how come there's no blu
• 52:16
  Speaker 1: ray and high resolution sixteen by nine version of the show.
• 52:22
  Speaker 1: It's because when we made it, we didn't and we
• 52:24
  Speaker 1: were done with it. No one anticipated all this streaming stuff,
• 52:27
  Speaker 1: so it was never like upres to be four K video.
• 52:31
  Speaker 7: Right, they didn't cut the film and then we do it,
• 52:34
  Speaker 7: and some of the film that we used you can't
• 52:36
  Speaker 7: even get anymore. A lot of the flashback scenes I think,
• 52:40
  Speaker 7: I think you'll see it in season one are shot
• 52:43
  Speaker 7: on something that was called reversal film, which was like
• 52:47
  Speaker 7: from the Vietnam War.
• 52:48
  Speaker 4: It could had this look of Yeah.
• 52:50
  Speaker 1: That's why they have a specific texture, though in fact
• 52:53
  Speaker 1: there's different clearly a different film stock being shot for
• 52:56
  Speaker 1: these interview sequences, because they're very grainy and have a
• 52:59
  Speaker 1: different color sort of palette than the show itself.
• 53:03
  Speaker 2: When did we switch When did we switch over to chip?
• 53:05
  Speaker 2: Then when did we switch over to digital?
• 53:07
  Speaker 1: Because I know, did you do it in season nine?
• 53:09
  Speaker 1: It would only be in season nine.
• 53:11
  Speaker 3: I think it was before season nine, to.
• 53:12
  Speaker 7: Be honest with you, I don't think so. I mean
• 53:15
  Speaker 7: because because it was talked about so much shows, because
• 53:19
  Speaker 7: NBC had made this mandate that everybody was going digital.
• 53:21
  Speaker 7: But then when they looked at our numbers, they were like, hey,
• 53:23
  Speaker 7: keep doing what you're doing. Like I think, I think
• 53:26
  Speaker 7: maybe in that season nine we went digital, Like I
• 53:28
  Speaker 7: honestly can't remember us the top of my head.
• 53:30
  Speaker 3: I remember that.
• 53:31
  Speaker 2: I remember that that was very interesting when you would
• 53:33
  Speaker 2: see them changing mags or somebody getting the film ready
• 53:38
  Speaker 2: for the day and having to put the film in
• 53:40
  Speaker 2: a mag so that it could fit on the camera
• 53:44
  Speaker 2: and reaching into this like bag. It looked like a bag,
• 53:48
  Speaker 2: is what it looked like.
• 53:49
  Speaker 1: Well, it was a picture like a miniature camping tent
• 53:52
  Speaker 1: that like that would fit on a desktop and it
• 53:55
  Speaker 1: was blacked out so that they could put their hands
• 53:57
  Speaker 1: in there and not expose the film while loading them
• 54:00
  Speaker 1: of camera magazines.
• 54:01
  Speaker 2: Right, I used to I used to be like, I
• 54:03
  Speaker 2: remember when we switched over to I guess it was
• 54:06
  Speaker 2: season nine where we switched over to Chip and I
• 54:08
  Speaker 2: remember being like, this is the easiest thing in the world.
• 54:10
  Speaker 2: Why didn't we do this before? Like we could do
• 54:13
  Speaker 2: takes for days and days and days. All I remember
• 54:18
  Speaker 2: all my fuck ups, every time I missed a line
• 54:21
  Speaker 2: or forgot a line and everything like that. I remember
• 54:23
  Speaker 2: being like, how much how much more room do we
• 54:26
  Speaker 2: have on the mag before before you know what I mean,
• 54:29
  Speaker 2: before we're out and we have to and we have
• 54:30
  Speaker 2: to change the mag again.
• 54:32
  Speaker 1: You'd have eleven you'd have about eleven minutes on a
• 54:34
  Speaker 1: sixty millimeter magazine and uh and and you'd be like
• 54:37
  Speaker 1: trying to trying to get it, be like, how much
• 54:39
  Speaker 1: how much more fun we got before you roll out?
• 54:40
  Speaker 1: I got it? I got I got it.
• 54:42
  Speaker 4: Let's go.
• 54:42
  Speaker 1: Let's don't go. You can go forever.
• 54:44
  Speaker 3: Now you'd be like, don't cut, don't cut. We gotta cut,
• 54:46
  Speaker 3: we gotta cut. We only got like nineteen feet all right.
• 54:48
  Speaker 1: If I cut. When I say to Sarah, we're gonna
• 54:53
  Speaker 1: need a stool sample not for medical reasons, my robot
• 54:56
  Speaker 1: needs food. I made that, I'm proud to say, and
• 55:01
  Speaker 1: Sarah cracked up at it. And it's so random and weird,
• 55:05
  Speaker 1: but I love it. Okay, I gotta feed my robot. Yes,
• 55:09
  Speaker 1: poo pooh.
• 55:10
  Speaker 2: Yeah, nobody's pooh, patient pooh, patient poof for the rover.
• 55:15
  Speaker 4: It all comes down to pooh.
• 55:16
  Speaker 1: And I laughed out loud when Sarah is seventeen oh four.
• 55:20
  Speaker 1: Sarah is making fun of my laugh because she's like
• 55:22
  Speaker 1: already over me, and she's.
• 55:23
  Speaker 7: Like, yeah, oh my god, that is so funny that
• 55:27
  Speaker 7: she does a funny impression of you, because I mean
• 55:31
  Speaker 7: that laugh has got a lot of genuine laughs with
• 55:35
  Speaker 7: the silly JD laugh all through the season.
• 55:37
  Speaker 1: Yeah.
• 55:38
  Speaker 2: I feel like that's how every I think that's how
• 55:40
  Speaker 2: every relationship should be.
• 55:41
  Speaker 3: What you see is what you get, you know what
• 55:43
  Speaker 3: I mean.
• 55:44
  Speaker 2: Unfortunately, unfortunately what you see and what you get sometimes
• 55:49
  Speaker 2: you think you want it, and then eventually it makes
• 55:52
  Speaker 2: you want to kill the person what it turns out
• 55:54
  Speaker 2: to turns out to be. With Elliott and JD, she
• 55:56
  Speaker 2: loved the laugh in the beginning, Oh, I love it
• 55:59
  Speaker 2: so cute, and then at the end of the show
• 56:02
  Speaker 2: she's like, fuck that laugh, dude.
• 56:04
  Speaker 3: Laugh like that again one more time. I dare you.
• 56:08
  Speaker 1: It's like, say what again?
• 56:09
  Speaker 2: Say again, motherfucker, say what one more time?
• 56:13
  Speaker 1: I know I hear you. Isn't that so sad though?
• 56:15
  Speaker 1: When a relationship goes sour and all the things you
• 56:17
  Speaker 1: thought were so adorable you now just fucking hate.
• 56:20
  Speaker 2: Yeah, that was my life back in the day. Oh,
• 56:24
  Speaker 2: he's got such potential.
• 56:26
  Speaker 1: We have some guests here, Randall. So we have a
• 56:29
  Speaker 1: guest that come on the show. Randal, I know that
• 56:31
  Speaker 1: you don't listen to the podcast.
• 56:32
  Speaker 2: So Randall listens to the podcast.
• 56:35
  Speaker 1: He does. I don't, ye he does.
• 56:37
  Speaker 3: Yeah he does.
• 56:37
  Speaker 2: Because somebody was like, yo, they talked about you on
• 56:39
  Speaker 2: the podcast the other.
• 56:40
  Speaker 1: Yeah, that means that means that Randall was told by
• 56:43
  Speaker 1: someone and he went and listened to one.
• 56:45
  Speaker 3: He was like, oh they got a podcast.
• 56:48
  Speaker 2: To check that out.
• 56:48
  Speaker 7: Oh, somebody's on the podcast.
• 56:52
  Speaker 4: They talked his real friends. I was like, oh.
• 56:55
  Speaker 1: Nice, Hey, yeah, I got shut out.
• 56:57
  Speaker 2: All right, we're gonna go to a break and when
• 56:58
  Speaker 2: we come back, we'll have our guests.
• 57:07
  Speaker 1: So Randall, when we do the commercial breaks and the
• 57:10
  Speaker 1: song comes back, it doesn't have them. A lot of
• 57:13
  Speaker 1: a lot of our fans like to add their own.
• 57:16
  Speaker 1: That's part of Barbara, Robbie, Barbara and Robbie, are.
• 57:23
  Speaker 3: Twins one of your doctor?
• 57:27
  Speaker 1: My god, things are getting weird, you guys. Two different
• 57:30
  Speaker 1: women have entered and they appear to be identical twins
• 57:33
  Speaker 1: in different parts of the world.
• 57:35
  Speaker 3: Where you guys call it from.
• 57:36
  Speaker 11: I'm calling from UK, in the UK, and.
• 57:42
  Speaker 3: You're so you guys. Are you a doctor?
• 57:47
  Speaker 11: Yes, I am, Yes, I am, but I'm not working yet.
• 57:50
  Speaker 2: Okay.
• 57:51
  Speaker 11: I had some problems for coronavirus which delayed some technical issues.
• 57:58
  Speaker 2: Okay, okay.
• 57:59
  Speaker 3: And then Robbie, what about you? Are you a doctor too?
• 58:03
  Speaker 2: No?
• 58:03
  Speaker 12: No, I got doited in law last February.
• 58:07
  Speaker 3: So you've got a lawyer and a doctor.
• 58:09
  Speaker 1: Your parents will be very happy, very proud.
• 58:13
  Speaker 4: Yeah.
• 58:13
  Speaker 12: And last time we saw each other was at the
• 58:16
  Speaker 12: beginning of March when I brought Bobby to the airport
• 58:21
  Speaker 12: to take her flight to go to the UK and
• 58:24
  Speaker 12: move there.
• 58:25
  Speaker 1: So you've been apart for a long time. I just
• 58:27
  Speaker 1: miss each other.
• 58:28
  Speaker 11: Yes, a lot, a lot. That's why I also asked
• 58:31
  Speaker 11: you to do this meeting because I knew that it
• 58:36
  Speaker 11: was very important to her. It is important also for me.
• 58:39
  Speaker 11: But she had a very rough time, so oh well, we're.
• 58:42
  Speaker 1: Here to cheer her up. I'm so glad that you
• 58:44
  Speaker 1: called in, because not only do you have the legendary
• 58:46
  Speaker 1: Donald Faizon here and he's always funny, you have Randall Winston,
• 58:50
  Speaker 1: who was our line producer but you may know him
• 58:53
  Speaker 1: as Leonard the security guard. And also he played Death
• 58:56
  Speaker 1: and you know, we've gotten a lot of questions for
• 58:59
  Speaker 1: Death on our Instagram pages. So finally you can ask
• 59:04
  Speaker 1: Death any question you have.
• 59:06
  Speaker 4: Oh, that's wonderful.
• 59:11
  Speaker 2: Played much Mouth from the Yeah, you did play much
• 59:14
  Speaker 2: mouth from Freaking the Fat Out Jump.
• 59:17
  Speaker 1: Yes, different, you had three different parts.
• 59:20
  Speaker 2: Rand you had that big ass helmet on your head too,
• 59:26
  Speaker 2: all right, So let's get it.
• 59:27
  Speaker 1: Go ahead, ladies, ask a question.
• 59:29
  Speaker 12: I would like to start it because I am in
• 59:31
  Speaker 12: a theater company as well, so sometimes we argue about
• 59:36
  Speaker 12: the best ways to perform. You know, when you have
• 59:40
  Speaker 12: to feel in character and you have to feel what
• 59:45
  Speaker 12: your character is feeling in order to act. So I
• 59:50
  Speaker 12: was wondering whether sometimes you had some difficulties with that
• 59:55
  Speaker 12: and to make a very strange scene you couldn't really
• 1:00:00
  Speaker 12: feel what JD or Turk or Death or Leonard.
• 1:00:06
  Speaker 1: Thank you, Bobby, thank you for including him.
• 1:00:11
  Speaker 2: My pleasure.
• 1:00:12
  Speaker 12: So if you had to find some strange way to perform.
• 1:00:17
  Speaker 12: I thought about this question when I was listening to
• 1:00:20
  Speaker 12: your podcast last week, and Donald said when he had
• 1:00:24
  Speaker 12: to memorize the line you need the surgical counsole, so
• 1:00:28
  Speaker 12: you had to make a song about it. So if
• 1:00:33
  Speaker 12: if my question is not about memorizing things, it's more
• 1:00:37
  Speaker 12: about like acting the feeling.
• 1:00:38
  Speaker 2: Yeah, uh, you know, let Leonard go first.
• 1:00:44
  Speaker 1: When I strapped on the arm.
• 1:00:47
  Speaker 3: Here's here's the thing. You you work hard.
• 1:00:52
  Speaker 2: You work so hard to try to feel everything, and
• 1:00:56
  Speaker 2: that's what comes with being an actor. You're gonna work
• 1:00:58
  Speaker 2: hard hard and you've ever worked in your life to
• 1:01:01
  Speaker 2: try to feel it. But when the camera rolls and
• 1:01:05
  Speaker 2: you don't feel it, you better act the shit out
• 1:01:07
  Speaker 2: of it, you know what I mean, Because at the
• 1:01:10
  Speaker 2: end of the day, it still has to be made.
• 1:01:12
  Speaker 2: So you're gonna work your hard is to try and
• 1:01:15
  Speaker 2: feel the emotion and find the emotion and pinpoint what
• 1:01:19
  Speaker 2: it is that you're You know, you'll make notes and
• 1:01:21
  Speaker 2: you'll do all of that stuff, but there comes a
• 1:01:23
  Speaker 2: time when you're doing it where all of that preparation
• 1:01:26
  Speaker 2: and stuff isn't helping, you know what I mean. And
• 1:01:29
  Speaker 2: so when it's not helping, it's time for you to
• 1:01:31
  Speaker 2: act the shit out of it. And that's just how
• 1:01:34
  Speaker 2: it goes, you know what I mean.
• 1:01:35
  Speaker 1: I would say there's times when it's really just natural,
• 1:01:38
  Speaker 1: and then there's times where it feels forced and you
• 1:01:40
  Speaker 1: don't feel present. You can see the cameraman and you
• 1:01:43
  Speaker 1: can see the crew, and your stomach's growling because you're hungry,
• 1:01:47
  Speaker 1: and you know, you had an argument with someone in
• 1:01:49
  Speaker 1: your family and all these things that happen in any job,
• 1:01:51
  Speaker 1: and you and you're in your head and you're distracted,
• 1:01:54
  Speaker 1: and the trick with acting is to always be as
• 1:01:56
  Speaker 1: present as possible. The good news about acting on film
• 1:01:59
  Speaker 1: and tell vision is you really only need to do
• 1:02:01
  Speaker 1: it in spurts because you're you're you're trying to shine
• 1:02:06
  Speaker 1: for your other actor, but also when the camera's on you,
• 1:02:08
  Speaker 1: when it's on when you're no matter what the shot is.
• 1:02:11
  Speaker 1: When you're doing a play, you have to maintain that
• 1:02:14
  Speaker 1: for for two hours and and scene real. But with
• 1:02:17
  Speaker 1: with film and TV acting, the real challenge is to
• 1:02:20
  Speaker 1: get it in spurts enough so that it will cut
• 1:02:22
  Speaker 1: together and be believable. But but yeah, it can be
• 1:02:25
  Speaker 1: really it can be really challenging, especially when you're there's
• 1:02:28
  Speaker 1: so much distraction. You know, there's phones ringing, and there's
• 1:02:31
  Speaker 1: a helicopter overhead, and and you're upset about something in
• 1:02:35
  Speaker 1: your private life. You know, it's it's it's a real
• 1:02:38
  Speaker 1: challenge to do everything you can to be present in
• 1:02:42
  Speaker 1: the moment.
• 1:02:43
  Speaker 2: And when you can't be present, that's what that's what
• 1:02:46
  Speaker 2: acting is.
• 1:02:46
  Speaker 1: Then you fake it till you make it.
• 1:02:48
  Speaker 2: Fake it till you make it.
• 1:02:49
  Speaker 1: Now, Randall, when you were playing Leonard, did you did?
• 1:02:54
  Speaker 1: You didn't? Didn't Leonard have a love interest? By the way, Oh?
• 1:02:57
  Speaker 4: Yes, I had to.
• 1:02:59
  Speaker 1: It was a scene.
• 1:03:00
  Speaker 4: Yes she was.
• 1:03:04
  Speaker 1: Uh And wasn't she a fellow security guarden?
• 1:03:07
  Speaker 7: No, no, she was. Maybe she was a candy striper
• 1:03:10
  Speaker 7: or something.
• 1:03:11
  Speaker 4: I just.
• 1:03:15
  Speaker 1: Oh, Robbie knows she was an old Yes, take that
• 1:03:20
  Speaker 1: was I had to. Were you open mouth kissing her?
• 1:03:25
  Speaker 4: That was specifically requested.
• 1:03:31
  Speaker 1: By her? Was it in the script?
• 1:03:35
  Speaker 4: That parts a little foggy.
• 1:03:39
  Speaker 1: But you know, I think Robbie's question, how did you
• 1:03:43
  Speaker 1: maintain being president in the moment when you were kissing
• 1:03:46
  Speaker 1: the senior citizen?
• 1:03:47
  Speaker 7: You know what, Robbie, I should have been listening and
• 1:03:50
  Speaker 7: I've been listening to her.
• 1:03:51
  Speaker 1: Yeah, you were listening to her mouth. Okay, ladies, good question, Yes,
• 1:03:59
  Speaker 1: go ahead with another one. Donald left he was so
• 1:04:01
  Speaker 1: offended by that question he left.
• 1:04:04
  Speaker 11: Okay. So my question is, we watched Scrubs a lot
• 1:04:08
  Speaker 11: of time, and the first time we watched it we
• 1:04:11
  Speaker 11: were just teenagers, and so we watched it in Italian.
• 1:04:15
  Speaker 11: So I wondered, have you ever listened to yourself dubbed
• 1:04:19
  Speaker 11: in other languages such as Alan or Spanish or Japanese.
• 1:04:23
  Speaker 4: Yes?
• 1:04:23
  Speaker 2: Yeah, I hate how they dubbed me in Spanish and
• 1:04:26
  Speaker 2: Italian and stuff like that.
• 1:04:28
  Speaker 3: I never have a deep voice.
• 1:04:29
  Speaker 13: I'm always like, yeah, I prefer your voice.
• 1:04:40
  Speaker 1: You know. It's funny is that in most countries, when
• 1:04:43
  Speaker 1: you become a known actor, they pick the same actor
• 1:04:46
  Speaker 1: to always do you. So if Donald's in one, if
• 1:04:49
  Speaker 1: he's in Scrubs and then he goes off to do
• 1:04:52
  Speaker 1: another film that is not even to do with Scrubs,
• 1:04:54
  Speaker 1: it's usually the same actor being Donald. And I hate that.
• 1:04:57
  Speaker 2: I hate that that one person is like, oh, oh no,
• 1:05:00
  Speaker 2: was he playing in this?
• 1:05:02
  Speaker 3: Oh don't worry about it. I did him on Scrubs.
• 1:05:04
  Speaker 3: I got this.
• 1:05:11
  Speaker 1: So to Donald's to Donald's dismay, that voice will always
• 1:05:15
  Speaker 1: be his voice.
• 1:05:18
  Speaker 3: That pisses me off.
• 1:05:20
  Speaker 4: Man.
• 1:05:21
  Speaker 1: Yeah, I have. I've heard myself in almost so many
• 1:05:25
  Speaker 1: voices traveling around there, especially when the show was on NonStop.
• 1:05:27
  Speaker 1: We'd travel around the world and you turn on the
• 1:05:30
  Speaker 1: TV and there you were speaking German. It was very funny.
• 1:05:33
  Speaker 1: I remember. Uh, then there was a thing where we
• 1:05:35
  Speaker 1: had Germans in the show Herman the German right with
• 1:05:37
  Speaker 1: the with the balloon things, none of that. And then
• 1:05:40
  Speaker 1: I remember in Germany they had to change where they
• 1:05:42
  Speaker 1: were from because it made no sense that their language
• 1:05:44
  Speaker 1: was different, like you know, so you know, like think
• 1:05:46
  Speaker 1: about it. If the show has a character that's speaking
• 1:05:48
  Speaker 1: of the language, and all of a sudden, the show's
• 1:05:50
  Speaker 1: dubbed into that language, they then have to switch that
• 1:05:52
  Speaker 1: person's language, so it doesn't make sense.
• 1:05:55
  Speaker 4: I think we made them Belgium.
• 1:05:57
  Speaker 1: Yes, I think you're right. N Randall. How do you
• 1:06:00
  Speaker 1: feel as being dubbed as Death and Leonard.
• 1:06:06
  Speaker 4: As long as my fan base? All?
• 1:06:10
  Speaker 3: Did you ever hear?
• 1:06:11
  Speaker 2: Have you ever heard yourself dubbed in other languages?
• 1:06:14
  Speaker 4: Randall? I have not.
• 1:06:16
  Speaker 1: The good thing about dubbing Death is that you don't
• 1:06:18
  Speaker 1: see his mouth moves, so it doesn't look bad.
• 1:06:21
  Speaker 4: Exactly.
• 1:06:22
  Speaker 1: I prefer subtitles, but they don't. They don't do that.
• 1:06:25
  Speaker 1: A lot of countries just dub it.
• 1:06:27
  Speaker 2: I don't prefer subtitles. I do not like subtitles.
• 1:06:31
  Speaker 1: You know you'd rather be dubbed.
• 1:06:32
  Speaker 2: Yeah, I'm a I'm a very poor reader. So having
• 1:06:35
  Speaker 2: to read subtitles.
• 1:06:37
  Speaker 1: Does your poor screen? Does your dyslexia? I've never asked
• 1:06:41
  Speaker 1: you this before, but does that make you less likely
• 1:06:44
  Speaker 1: to watch subtitled films?
• 1:06:46
  Speaker 5: Uh?
• 1:06:46
  Speaker 2: No, you know a good movie is a good movie,
• 1:06:48
  Speaker 2: no matter what, even with a learning disability, even if
• 1:06:52
  Speaker 2: it is written on the screen. My dyslexia isn't so
• 1:06:56
  Speaker 2: bad that I can't keep up right.
• 1:07:00
  Speaker 1: I just never asked you. I wondered if you if
• 1:07:01
  Speaker 1: you said, ah, fuck, it's be paying the ass for
• 1:07:03
  Speaker 1: me to read these subtitles, or no.
• 1:07:05
  Speaker 2: I would I would prefer not to read. I'd prefer
• 1:07:08
  Speaker 2: to listen to a dubbed mix.
• 1:07:10
  Speaker 1: Right, got it?
• 1:07:11
  Speaker 3: Do you guys have another question?
• 1:07:13
  Speaker 1: Oh, you're giving them three because they're separated sisters.
• 1:07:15
  Speaker 3: They're separated sisters.
• 1:07:17
  Speaker 2: This is the first time they've talked to each other
• 1:07:19
  Speaker 2: since March.
• 1:07:20
  Speaker 1: Right, they're using us. They don't care about scrubs. They
• 1:07:22
  Speaker 1: just want to, you know, get on our zoom and
• 1:07:24
  Speaker 1: talk to each other.
• 1:07:26
  Speaker 2: Like I did a show back in a day called
• 1:07:28
  Speaker 2: free to Be a Family, and we did a space
• 1:07:30
  Speaker 2: bridge to Russia and this is like our space bridge
• 1:07:33
  Speaker 2: between the UK and Italy.
• 1:07:35
  Speaker 1: Was that like to be? Was that like free to
• 1:07:37
  Speaker 1: be you and me?
• 1:07:38
  Speaker 4: Yeah?
• 1:07:38
  Speaker 2: It was free to be you and me.
• 1:07:40
  Speaker 1: We're gonna have to see free to be you and
• 1:07:41
  Speaker 1: me songs one day.
• 1:07:42
  Speaker 2: We're free to be I could say in a Russian
• 1:07:46
  Speaker 2: glee wee wheat e e t t e glee weeat
• 1:07:50
  Speaker 2: nois sennoi. Right, wow, We're free to be you and me.
• 1:07:54
  Speaker 2: You and me were free to be a family.
• 1:07:56
  Speaker 1: I only know a little Russian from the Billy Joel
• 1:07:58
  Speaker 1: Coleopt album when he played and he said Milly Joe
• 1:08:05
  Speaker 1: and the crowd went crazy.
• 1:08:06
  Speaker 2: I know that because I got to wrap We're free
• 1:08:09
  Speaker 2: to be you and me with the Fat Boys. There
• 1:08:11
  Speaker 2: a lot of people don't remember the Fat Boys, but
• 1:08:15
  Speaker 2: one of them was an amazing beat boxer, and he
• 1:08:18
  Speaker 2: beat boxed while I rapped.
• 1:08:21
  Speaker 3: Anyway, So if you guys have.
• 1:08:22
  Speaker 7: Another you ever answer any any any calls on the
• 1:08:27
  Speaker 7: scrubs phone, that were from out of the country.
• 1:08:29
  Speaker 2: No, I never.
• 1:08:30
  Speaker 1: Answered any When we did this episode with Call Turk
• 1:08:33
  Speaker 1: and we had cal Turk, we had to get a
• 1:08:35
  Speaker 1: real phone line, and Bill thought it would be I
• 1:08:39
  Speaker 1: don't know if it was you or Bill Randall, but said,
• 1:08:41
  Speaker 1: you know, rather than do a five five five number,
• 1:08:43
  Speaker 1: let's get a real number and have it all ring
• 1:08:46
  Speaker 1: on a cell phone. And so the cell phone was
• 1:08:48
  Speaker 1: in the Scrubs production office and it would just ring
• 1:08:51
  Speaker 1: all the time. And when you were randomly just walking
• 1:08:54
  Speaker 1: through and you had a minute to kill, you just
• 1:08:56
  Speaker 1: answer it and talk to fans because it would just
• 1:08:58
  Speaker 1: ring NonStop.
• 1:09:01
  Speaker 4: Stop for like five years.
• 1:09:02
  Speaker 7: And we kep the map and we put pins in it,
• 1:09:04
  Speaker 7: you know, every time we would get calls.
• 1:09:07
  Speaker 1: Yeah, that was cool. It's all over the world. All right, ladies,
• 1:09:10
  Speaker 1: one last question, go ahead.
• 1:09:12
  Speaker 13: That's the thing.
• 1:09:13
  Speaker 12: I started to really watch the show as well during
• 1:09:17
  Speaker 12: this quarantine because my boyfriend was with me and he
• 1:09:20
  Speaker 12: never watched Scrubs before, so I wanted to rewatch it
• 1:09:23
  Speaker 12: with him, and we watched it on Amazon Prime. And
• 1:09:27
  Speaker 12: I noticed the thing that you mentioned sometimes in the
• 1:09:30
  Speaker 12: podcast that they changed a few songs, especially one. It
• 1:09:34
  Speaker 12: really pissed me off they changed it. It was the
• 1:09:36
  Speaker 12: one in the second season when j D and Elliott
• 1:09:39
  Speaker 12: kiss again and they start again and it's dreaming of You,
• 1:09:45
  Speaker 12: of the choral and I was so waiting for that scene,
• 1:09:51
  Speaker 12: and when it arrived, the song was a different one.
• 1:09:53
  Speaker 11: So I was so pissed off.
• 1:09:55
  Speaker 1: And we are too.
• 1:09:58
  Speaker 11: Yeah.
• 1:09:58
  Speaker 12: So I it's wondering whether you have some one song
• 1:10:03
  Speaker 12: or two that you really really like and you're attached
• 1:10:07
  Speaker 12: to it, you know, in one seat of Scrubs, and
• 1:10:11
  Speaker 12: you would really be angry if someone changed.
• 1:10:16
  Speaker 6: Wow.
• 1:10:16
  Speaker 1: Good question.
• 1:10:17
  Speaker 2: Well, you know, anytime Josh Rayden did music on the show,
• 1:10:21
  Speaker 2: if that got taken off of the show, I would
• 1:10:24
  Speaker 2: be very upset. One because Josh is a very close
• 1:10:27
  Speaker 2: body of mine. And two his songs it seems like
• 1:10:33
  Speaker 2: were made for the episodes of Scrubs, you know what
• 1:10:38
  Speaker 2: I mean. Like, I don't know if Zach and Josh
• 1:10:41
  Speaker 2: had a thing where Zach would be like, yo, I
• 1:10:43
  Speaker 2: need you to write a song about this, and he'd
• 1:10:45
  Speaker 2: be like, I got it.
• 1:10:46
  Speaker 4: No.
• 1:10:46
  Speaker 1: But I mean the example that comes to mind the
• 1:10:49
  Speaker 1: same thing with me is is Robbie is Josh's song?
• 1:10:52
  Speaker 1: Because you know, we've told this on the podcast before.
• 1:10:55
  Speaker 1: But when he wrote that song Winter that played at
• 1:10:57
  Speaker 1: Benefaer's character's funeral, it was the first song you'd ever written,
• 1:11:01
  Speaker 1: like he didn't have. Everyone was like, oh my god,
• 1:11:03
  Speaker 1: this is amazing. Where's your album? He's like, album, this
• 1:11:06
  Speaker 1: is the only ting ever written. So that one was
• 1:11:09
  Speaker 1: particularly special to all of us because Josh was our friend.
• 1:11:12
  Speaker 1: He started playing guitar late in life. He wasn't someone
• 1:11:14
  Speaker 1: who played as a kid, and all of a sudden,
• 1:11:17
  Speaker 1: you know, with the thanks to Bill putting him on
• 1:11:19
  Speaker 1: the show, his career blew up and he travels, you know,
• 1:11:22
  Speaker 1: when the world is not under lockdown. He travels all
• 1:11:24
  Speaker 1: around the world. And you guy should see him when
• 1:11:26
  Speaker 1: he comes to Italy because you'll see you recognize a
• 1:11:29
  Speaker 1: lot of his music that was in scrubs. Another person
• 1:11:31
  Speaker 1: I want to just mention was Colin Hay, who was
• 1:11:33
  Speaker 1: really special for the show. And we're trying to get brandall.
• 1:11:36
  Speaker 1: I need your help. By the way, the fans are
• 1:11:37
  Speaker 1: all listening, Yes, I need to get Colin's information because
• 1:11:42
  Speaker 1: we'd like to have him on for the episode he
• 1:11:43
  Speaker 1: was on in season two.
• 1:11:45
  Speaker 7: Okay, I get you. Whatever I had is my last contact.
• 1:11:49
  Speaker 7: But Colin was a real friend of the show and
• 1:11:51
  Speaker 7: fun and funny and had a good sense of humor
• 1:11:53
  Speaker 7: about himself. There was a song I think it's in
• 1:11:56
  Speaker 7: this season, the Christmas episode in Donald you are running
• 1:12:00
  Speaker 7: and we play Centerman. Yeah, that song was super powerful
• 1:12:04
  Speaker 7: in the episode. And and we were all disappointed when
• 1:12:07
  Speaker 7: songs got changed out, particularly in those first couple of seasons,
• 1:12:10
  Speaker 7: because we were sort of like the bastard step child
• 1:12:15
  Speaker 7: over there and like always held to a very strict,
• 1:12:18
  Speaker 7: low budget number. We licensed a lot of songs not
• 1:12:23
  Speaker 7: for forever. You know, when you license a song may
• 1:12:26
  Speaker 7: have something called in perpetuity and all of the media
• 1:12:28
  Speaker 7: that is now known or yet to be figured out,
• 1:12:31
  Speaker 7: and you can keep the song in. So there's one
• 1:12:34
  Speaker 7: and two. The music wasn't licensed that way, so we
• 1:12:37
  Speaker 7: had to make some of those decisions about which they.
• 1:12:41
  Speaker 1: Say, I always assumed it was that I didn't know.
• 1:12:44
  Speaker 1: What you're implying is that as the seasons go on,
• 1:12:46
  Speaker 1: you then did shot started doing contracts that would cover streaming,
• 1:12:50
  Speaker 1: but no one knew what streaming was at.
• 1:12:51
  Speaker 14: The time, exactly exactly, So like that first couple of seasons,
• 1:12:56
  Speaker 14: the first couple of seasons, if the licensing has run
• 1:12:58
  Speaker 14: out and then and didn't renegotiate or sign on to
• 1:13:04
  Speaker 14: continue the licensing.
• 1:13:06
  Speaker 3: The network automatically just changed the song.
• 1:13:09
  Speaker 4: Yeah.
• 1:13:09
  Speaker 7: I mean I actually had to sit with music editor
• 1:13:12
  Speaker 7: and music licensing for like a week or so after
• 1:13:16
  Speaker 7: the seasons were over in the summertime to figure out
• 1:13:19
  Speaker 7: like what songs were. Oh.
• 1:13:21
  Speaker 1: I always wondered who was who was putting these songs on.
• 1:13:24
  Speaker 1: We've we talked about that on the podcast that you
• 1:13:26
  Speaker 1: don't listen to, But we always wondered, what what intern
• 1:13:30
  Speaker 1: what intern somewhere is choosing these like second best songs.
• 1:13:35
  Speaker 7: It's it was an exercise and killing babies like everything.
• 1:13:38
  Speaker 4: It was great.
• 1:13:39
  Speaker 7: But they're like, they're like, you absolutely cannot have all
• 1:13:42
  Speaker 7: of this. You know what do you want to say?
• 1:13:45
  Speaker 4: Right?
• 1:13:45
  Speaker 1: You're not gonna have Center Man forever. Wow, all right, ladies,
• 1:13:49
  Speaker 1: we have to move on because death has to take
• 1:13:52
  Speaker 1: his kids swimming. And but thank you. I I'm sorry
• 1:13:56
  Speaker 1: that you're I feel sad that your two sisters that
• 1:13:58
  Speaker 1: are separated. That's horrible.
• 1:14:00
  Speaker 3: Is there anything you want to say to each other?
• 1:14:02
  Speaker 2: Yeah?
• 1:14:02
  Speaker 1: Is there anything want to say to each other? While
• 1:14:03
  Speaker 1: everyone's listening.
• 1:14:04
  Speaker 3: It's a free call ye.
• 1:14:09
  Speaker 12: We actually rehearsed it before. Can we take a picture
• 1:14:16
  Speaker 12: with you?
• 1:14:16
  Speaker 1: Yes, of course.
• 1:14:17
  Speaker 4: Yeah.
• 1:14:17
  Speaker 3: Let me just get fresh for you.
• 1:14:18
  Speaker 2: Let me get fresh. Here we go.
• 1:14:21
  Speaker 1: Thank you, thank you, Thank you, lady so much, thank
• 1:14:25
  Speaker 1: you be saying so much. Nineteen oh nine, in the
• 1:14:30
  Speaker 1: Bowling Alley, two people on the left side of the
• 1:14:32
  Speaker 1: screen spike the lens looked directly into the camera. I'm
• 1:14:36
  Speaker 1: not sure.
• 1:14:37
  Speaker 4: Oh my god, the Bowling Alley.
• 1:14:38
  Speaker 7: Is that not the day when our prop man got
• 1:14:43
  Speaker 7: stuck in the under Yes, it is.
• 1:14:46
  Speaker 4: It does to retrieve the ball that he reached it.
• 1:14:50
  Speaker 4: It was proper set.
• 1:14:51
  Speaker 1: Or Patrick, my name Patrick Bolton.
• 1:14:52
  Speaker 2: No, it wasn't.
• 1:14:53
  Speaker 7: Wasn't because it was somebody who we laughed at much
• 1:14:56
  Speaker 7: longer before we helped him. It was because the th
• 1:15:00
  Speaker 7: the thing came down on him and we thought it
• 1:15:02
  Speaker 7: was hilarious. It was like a cartoon. You just saw's
• 1:15:03
  Speaker 7: legs kick it, and then suddenly somebody was like, oh
• 1:15:06
  Speaker 7: my god, we.
• 1:15:07
  Speaker 3: Should probably take get him out of there.
• 1:15:10
  Speaker 2: I remember. He wasn't with us very much longer after that, either.
• 1:15:16
  Speaker 7: He was.
• 1:15:18
  Speaker 1: Soon after he hid rowdy in the ceiling.
• 1:15:21
  Speaker 4: He went to that guy.
• 1:15:22
  Speaker 7: That guy went to uh, Jimmy Kimmel.
• 1:15:25
  Speaker 1: Ah, Okay, So anyway, two people at the bowling Eye,
• 1:15:29
  Speaker 1: look right in the lens. If you're interested in your
• 1:15:30
  Speaker 1: in your new hobby of finding people who spiked the lens.
• 1:15:34
  Speaker 1: Donald you say, my baby knows how to knock him down.
• 1:15:36
  Speaker 1: That was funny.
• 1:15:38
  Speaker 2: My baby does know.
• 1:15:38
  Speaker 7: Not.
• 1:15:39
  Speaker 3: That was a lot of fun I don't remember.
• 1:15:41
  Speaker 2: Okay, like most episodes we've watched so far, when watching this,
• 1:15:45
  Speaker 2: I didn't remember any of it, and I thought that
• 1:15:47
  Speaker 2: was the cutest thing. I thought Turk and Carla was
• 1:15:49
  Speaker 2: so cute and so on point for the joke when
• 1:15:53
  Speaker 2: JD's like, you know, couples go through this, this is
• 1:15:57
  Speaker 2: what happens. Name show me a happy couple. And then
• 1:15:59
  Speaker 2: right the way you see Turk and Carla enjoying themselves. Yeah, yes,
• 1:16:03
  Speaker 2: that was wonderful.
• 1:16:04
  Speaker 1: And they're so sweet together. I mean you just you
• 1:16:06
  Speaker 1: just love them. And then especially of course when you
• 1:16:08
  Speaker 1: cut to the documentary footage thing and they're you know,
• 1:16:11
  Speaker 1: and they're being so adorable and and and both saying
• 1:16:14
  Speaker 1: how much they love each other.
• 1:16:16
  Speaker 2: No, and you're rooting for them yeah yeah, yeah, and
• 1:16:19
  Speaker 2: not necessarily for Elliott and j D. In this episode,
• 1:16:22
  Speaker 2: even though it starts off where you're rooting for them,
• 1:16:24
  Speaker 2: you can tell, uh, once it gets to the bad times,
• 1:16:28
  Speaker 2: you're like, wow, these guys really aren't good for each other.
• 1:16:32
  Speaker 2: Went sour so quick though, very well, you only have
• 1:16:35
  Speaker 2: a half an hour to tell the story.
• 1:16:37
  Speaker 1: No, I'm saying like, in the world of the show,
• 1:16:39
  Speaker 1: they dated for like in two weeks and then they
• 1:16:41
  Speaker 1: were like, this isn't working.
• 1:16:42
  Speaker 7: But I think that was acision by Bill because he wanted,
• 1:16:46
  Speaker 7: you know, he didn't want to have that protracted Will
• 1:16:50
  Speaker 7: they yeah, will they won't? The friends thing, you know.
• 1:16:54
  Speaker 1: Then he ended up doing it anyway.
• 1:16:56
  Speaker 2: Yes, well, but that's the works well even at the end, right,
• 1:16:59
  Speaker 2: but even at the end of the episode, you say,
• 1:17:04
  Speaker 2: you know that the therap do I think it'll work?
• 1:17:06
  Speaker 4: Yeah?
• 1:17:07
  Speaker 3: I do.
• 1:17:08
  Speaker 2: And JD's right. JD's right, it does work. It just
• 1:17:12
  Speaker 2: doesn't work at that moment in time. In the long run,
• 1:17:17
  Speaker 2: in the in the grand scheme of things, these two
• 1:17:21
  Speaker 2: are meant to be together.
• 1:17:22
  Speaker 1: So sad though I was, I was sad watching it
• 1:17:24
  Speaker 1: that the two people who love each other who can't
• 1:17:26
  Speaker 1: I'm just a sucker for unrequited love and and love
• 1:17:29
  Speaker 1: that cannot be and here's two people that we want
• 1:17:32
  Speaker 1: to be together but they can't.
• 1:17:34
  Speaker 2: But that's when Harry met Sally. Like you said, that's it,
• 1:17:37
  Speaker 2: That's when Harry met Sally all over again, you know
• 1:17:39
  Speaker 2: what I mean. Like, that's such one of my favorite
• 1:17:42
  Speaker 2: that's first of all, one of my favorite movies Billy
• 1:17:44
  Speaker 2: Crystal and Meg Ryan.
• 1:17:45
  Speaker 3: But that story is great, you know.
• 1:17:49
  Speaker 1: It reminds me of that Fiona Apple lyric when she says,
• 1:17:53
  Speaker 1: only kisses on the cheek from now on, and.
• 1:17:56
  Speaker 2: In a littlely they have wave no, no, baby, all right,
• 1:18:06
  Speaker 2: if I need you, I'll just use your simple name.
• 1:18:11
  Speaker 1: Keep going. Finish it.
• 1:18:13
  Speaker 2: Only kisses on the cheek from now on and in
• 1:18:18
  Speaker 2: a little while, we'll only have to wave.
• 1:18:22
  Speaker 1: That's so fucked up. They don't have to wave. Hey,
• 1:18:25
  Speaker 1: how you doing?
• 1:18:26
  Speaker 7: Hey?
• 1:18:27
  Speaker 2: I remember breaking up with someone and then going to
• 1:18:30
  Speaker 2: give them a kiss and they gave me the cheek
• 1:18:33
  Speaker 2: and being like, yeah, that's probably where what I should
• 1:18:36
  Speaker 2: We should probably kiss on the cheek from one one.
• 1:18:38
  Speaker 2: Oh yeah, and now I just wave.
• 1:18:40
  Speaker 1: The last thing I want to say is that when
• 1:18:42
  Speaker 1: I liked how Judy a her delivering and also the
• 1:18:44
  Speaker 1: writing when she she ends the documentary section, and she
• 1:18:48
  Speaker 1: says he seems to like who I am, and I
• 1:18:52
  Speaker 1: just thought that was so sweet, Like, you know, all
• 1:18:54
  Speaker 1: bullshit aside, it seems like he genuinely likes who I
• 1:18:58
  Speaker 1: genuinely am, and I just thought that was really pretty. Yeah, man, Randall,
• 1:19:03
  Speaker 1: you've been a phenomenal guest.
• 1:19:06
  Speaker 4: Thank you for having me.
• 1:19:07
  Speaker 1: I feel like we're one step away from getting in
• 1:19:08
  Speaker 1: your car with you, so we want to let you go.
• 1:19:11
  Speaker 2: We should you just promise us you'll come back.
• 1:19:14
  Speaker 1: And do you come back? Randall? I feel like you're
• 1:19:16
  Speaker 1: gonna be a fan favorite because delight here Randall. Randall,
• 1:19:20
  Speaker 1: do you use a washcloth in the shower? U?
• 1:19:23
  Speaker 4: Yes?
• 1:19:24
  Speaker 1: Okay, Randall's black, dude.
• 1:19:25
  Speaker 2: I'm trying to tell you this. I'm trying to tell
• 1:19:28
  Speaker 2: you this. All black people use wash cloths.
• 1:19:31
  Speaker 1: We have house, right, Randall? We love you. You can count
• 1:19:36
  Speaker 1: us into our theme song. Thank you everybody for listening
• 1:19:38
  Speaker 1: to Fake Doctor's Real Friends. Randall count us in three
• 1:19:41
  Speaker 1: two one. Now he doesn't listen to the doesn't listen
• 1:19:48
  Speaker 1: to the pod. He's just been outed. He's just been outed,
• 1:19:54
  Speaker 1: you guys.
• 1:19:55
  Speaker 3: He doesn't listen to the podcast six seven eight.
• 1:19:58
  Speaker 5: Story show We made about a bunch of talks and
• 1:20:04
  Speaker 5: nurses in Canada.
• 1:20:06
  Speaker 3: I said, here's the stories next.
• 1:20:09
  Speaker 6: All should know, So gather round you here, up, gather
• 1:20:15
  Speaker 6: around you here up. Stuff me.
• 1:20:17
  Speaker 7: My show is a