Latest / The Bootleg Kev Podcast / #298 - E. Ness

Transcript

#298 - E. Ness · The Bootleg Kev Podcast

0:00
Speaker 1: Ship boys. Make sure y'all check me out Bootleg CAV Podcasting,
0:05
Speaker 1: bom Boutlet CAV podcast. Special guests in here represent Philly. Yes, sir,
0:14
Speaker 1: my guys man, welcome bro. You already know King of
0:17
Speaker 1: battle Rap, the King of battle rap. What makes you
0:19
Speaker 1: free styles? What makes you the king of battle rap er?
0:21
Speaker 1: I've been doing it before battle Leagues was battle leagues.
0:24
Speaker 1: That's why I'm the King of battle rap. Before they
0:25
Speaker 1: start up made it a corporate thing and bring it
0:28
Speaker 1: into the building and kind of monetized it. I was
0:30
Speaker 1: I was battle rapping. That's how I mean. What is
0:32
Speaker 1: about Philly man that the battle rap shit is just
0:35
Speaker 1: so like, you know, I feel like you guys are
0:38
Speaker 1: just like a walking Smack DVD out there. Yeah, man,
0:41
Speaker 1: it's real. The coach is real heavy. Out there is
0:44
Speaker 1: a Commonwealth's city, so it's like state and it's just
0:48
Speaker 1: like real competitive, and we all bunched in together. It's
0:51
Speaker 1: like row houses and so it's people on top of people.
0:53
Speaker 1: So the competitiveness is real heavy. So when it comes
0:55
Speaker 1: to battle rap is real aggressive and sometimes they can
0:59
Speaker 1: spill out into streets. I technically technically was in Philly once. Okay,
1:04
Speaker 1: but it was only because I rode the train through
1:05
Speaker 1: from DC to New York. But they did stop. There
1:08
Speaker 1: was like a stop in Chester and I looked out
1:10
Speaker 1: the window. Chester, Pennsylvania looks like it might be the
1:13
Speaker 1: worst place on the planet. No, it is. It's real bad.
1:16
Speaker 1: I remember just looking out the window on my train
1:19
Speaker 1: and there was like two like naked kids just in
1:22
Speaker 1: the streets running around, and I remember being like, where
1:24
Speaker 1: the fuck am like a third world country? Put my
1:27
Speaker 1: maps on said Chester and then I googled it and
1:30
Speaker 1: I was like always lit out here, shout out to Chester, man,
1:34
Speaker 1: I need to get out to Philly. Hey, what is
1:35
Speaker 1: the because I always hear if you go to Philadelphia
1:38
Speaker 1: that there is like the tourist cheesesteak spot, but then
1:41
Speaker 1: there's like the real spot, right Well, max Max is
1:45
Speaker 1: like the spot where you want to go to get
1:47
Speaker 1: a real, authentic cheese steak. Gino's is the tourist spots,
1:51
Speaker 1: So don't go to Gino's. I'm not going belittle any
1:57
Speaker 1: landmark in Philly, right It's not what I'm into. What
1:59
Speaker 1: I'm just saying overrated. If you want to go get
2:01
Speaker 1: authentic cheese steak, go to maxis broadinary. It's almost like
2:06
Speaker 1: when people come to LA and they expect Rosco's to
2:08
Speaker 1: be like the best food they were eating, and it's like, guys,
2:11
Speaker 1: it's just do I come here? That's what they say, Like, Bro,
2:14
Speaker 1: you want to go to rad school? Like it's okay,
2:15
Speaker 1: But I've been coming out here since the early two thousands,
2:17
Speaker 1: so I'm like over the like yeah, like the first
2:21
Speaker 1: time being out here type shit. So everybody want to
2:24
Speaker 1: come that come out La. They want to go to
2:25
Speaker 1: rad schools. But it's all right, yeah, I'm saying, but
2:28
Speaker 1: if you've been into Atlanta and Glad, it's just the
2:30
Speaker 1: same thing. Or if you go to Arizona go to
2:32
Speaker 1: Lolos Chicken and Waffles. I would argue to say it's
2:35
Speaker 1: the best chicken and waffle spot I've ever had shots
2:37
Speaker 1: to Lolos for sure. When did you feel like the
2:41
Speaker 1: battle rap shit? Because like you're I feel like you're
2:43
Speaker 1: really in your bag right now when it comes to
2:45
Speaker 1: like being looked at as like one of the elite
2:47
Speaker 1: guys in that world, Like when do you feel like
2:49
Speaker 1: you kind of had hit your stride in terms of
2:51
Speaker 1: getting your respect in that world? Because it's like a
2:53
Speaker 1: very it's like almost like a I feel like you
2:58
Speaker 1: could be a diehard hip hop head and not know
3:00
Speaker 1: what the fuck's going on in the battle rap world
3:02
Speaker 1: because they are so different, and it is like such
3:06
Speaker 1: a subgenre of It's almost like we have to be
3:09
Speaker 1: baptizing the battle rap coature. Now you have to go
3:12
Speaker 1: through something. You have to have a near death experience
3:14
Speaker 1: or com close to dying from them to even sanctify
3:17
Speaker 1: you as being anybody that has any validity of saying
3:20
Speaker 1: anything or speaking about battle rap coach. It's that intense, right,
3:24
Speaker 1: so I don't speak it. So with that being said,
3:29
Speaker 1: it's a high regard for battle rappers and their accountability.
3:32
Speaker 1: So over the weekend it was a battle rap. It
3:35
Speaker 1: was a battle big battle League. You were here, that
3:37
Speaker 1: was here for that. So it was the Ownership battle League,
3:39
Speaker 1: which in the main event being a King Bob versus Daylight.
3:42
Speaker 1: They like being a residence in West Coast, So yeah,
3:45
Speaker 1: like a beast, so shot them they like. And we
3:48
Speaker 1: are from the same battle rap click which is Dot
3:51
Speaker 1: Me t Rex, Murder, Moot, Daylight, Big Cannon, real deal.
3:55
Speaker 1: So is that's a serious crew. You guys are like
3:58
Speaker 1: the nWo battle Rap and a lot of flat from
4:00
Speaker 1: that from being from Philly and being that as a
4:02
Speaker 1: New York based click, but Daylights from l A right,
4:06
Speaker 1: so it's all over there. Yeah, is there other clicks
4:09
Speaker 1: like that? Yeah? You got gun Titles. You got the Goonies,
4:12
Speaker 1: which is aheaded by Twerk. You got gun Titles, which
4:16
Speaker 1: was kind of like Coke Coke Coke founded by h
4:20
Speaker 1: Tay Rock and sus Surf was so yeah, you got
4:24
Speaker 1: little like clicks dark Side, you got a bris Rowstein
4:28
Speaker 1: and t Top So it's like little sub clicks and
4:31
Speaker 1: what's the name of our nitties from Phoenix? Right from
4:33
Speaker 1: me from Phoenix? He's down with a fuck my bad
4:38
Speaker 1: gech Gotti and him are called every fucking bar e
4:42
Speaker 1: f B. I like that. See all this ship Like
4:45
Speaker 1: I know the names, but bro, I'm not in tune
4:49
Speaker 1: with the battleship like that. I just feel like I
4:50
Speaker 1: don't have the bandwidth to like learn this. Like when
4:53
Speaker 1: I was a kid, I used to download the battles
4:55
Speaker 1: on Napster, like when it was like Supernatural and Juice. Yeah,
4:59
Speaker 1: those those guys is like almost like ancient artifacts compared
5:03
Speaker 1: to where it's at now. And then I would no
5:05
Speaker 1: disrespect for those guys. Guys are the fucking goats. They
5:08
Speaker 1: are the fucking gods of the ship with the freestyling
5:10
Speaker 1: off the top of the dunk ship in the room
5:13
Speaker 1: and all that. In the crowd, it's different. It's not
5:16
Speaker 1: brand motherfucker's got wavy hair, dreadlocks, bald these these crip
5:20
Speaker 1: members is blood members, Latin King Well no, and then
5:24
Speaker 1: like there was like the Smack DVD era and like
5:26
Speaker 1: I got my name because I used to sell a
5:28
Speaker 1: bunch of bootleg mixtapes and and DVDs and ship at
5:31
Speaker 1: the Swami, So I was like the Smack DVD eras
5:33
Speaker 1: are probably the highest peak of me being like super
5:37
Speaker 1: engaged in that ship. And then obviously I know who's
5:40
Speaker 1: killing it, Like I know yourself. I know murder Mook
5:43
Speaker 1: sues my boy rum Nitti is incredible. Uh. Yeah, there's
5:48
Speaker 1: there's guys that, especially Loaded Lux, you know all these guys.
5:51
Speaker 1: Of course, there are legends that if you're a part
5:54
Speaker 1: of the culture, you have to know who they are.
5:55
Speaker 1: I'm just not I haven't bro I've watched a few,
5:58
Speaker 1: like in the last year, but like when there's these
6:02
Speaker 1: big events, I feel like I'll just catch the highlights
6:05
Speaker 1: on Twitter, right, So batter rap it's like a it's
6:10
Speaker 1: like a revolving door. So you're only good as your
6:12
Speaker 1: last battle and if you don't do very well, they
6:14
Speaker 1: put you in a box. So I mean, if you
6:17
Speaker 1: don't do other things to h to like to pose that.
6:21
Speaker 1: So I went and built the whole leverage on the
6:23
Speaker 1: other side of the spectrum with my music, reintroducing myself
6:26
Speaker 1: as an artist or red and creating myself always into
6:28
Speaker 1: the point and putting out a new project where I
6:30
Speaker 1: got the battle rap culture and there I got tay
6:32
Speaker 1: rock on there, I got method Man, I got Benny
6:34
Speaker 1: the Butcher, I got a vital Corey Guns, Beanie Siegel Freeway,
6:40
Speaker 1: I got all of like the top spinners on my Jones.
6:43
Speaker 1: So I used that the leverage and the buzz that
6:45
Speaker 1: I built with my freestyles on social media and the
6:47
Speaker 1: content and uh and and and the projects and the
6:50
Speaker 1: materity I was putting out outside of batter rap to
6:52
Speaker 1: leverage batter rap to get the bigger bags in the
6:54
Speaker 1: bigger looks. Because once you lose in the eyes of
6:57
Speaker 1: the culture, they put you in a certain box and
6:58
Speaker 1: it's like boxing. You got to climb back up the
7:01
Speaker 1: ranks until you get to the top brass and compete
7:03
Speaker 1: with like the top tier guys. And if you got
7:05
Speaker 1: the catalog, you got the music outside of it. It's
7:07
Speaker 1: almost like it it would behoove them to not include
7:11
Speaker 1: you and shit, because you got a fan base, you
7:13
Speaker 1: running it up on your own, you know what I'm
7:15
Speaker 1: saying for sure, and shout out. I mean a lot
7:17
Speaker 1: of there is there is a stereotype, and I don't
7:20
Speaker 1: know how true it is or not, but back in
7:22
Speaker 1: the day, there used to be a lot of the
7:24
Speaker 1: guys who did battle rap weren't great at making records.
7:28
Speaker 1: I mean, that's the number one stigment. And I was
7:30
Speaker 1: the guy who bridged that gap gap. I was one
7:32
Speaker 1: of the first guys who started out battle rapping on
7:35
Speaker 1: the corners of Philadelphia and in front of the Chinese
7:38
Speaker 1: stalls and stuff like that, and actually took it corporate
7:41
Speaker 1: and made an album and came out with a full
7:43
Speaker 1: fledged album and you, I mean was able to you know,
7:46
Speaker 1: go like walk on, take a walk on both sides
7:48
Speaker 1: right and still having a seat planet and battle rap
7:51
Speaker 1: coach as well as like mainstream I mean releases and
7:55
Speaker 1: stuff like that. Because at two thousand and eight, when
7:56
Speaker 1: I battled Mike signed the World Series of Hip Hop,
7:58
Speaker 1: I was still currently sign a boy and was like
8:01
Speaker 1: currently like back then, recording for my solo release. My
8:06
Speaker 1: son shot Tolf, So yeah, so like that's how far
8:08
Speaker 1: I go back, And that was before Smack was created.
8:11
Speaker 1: At that event, Smack was the actual cameraman. He was
8:13
Speaker 1: hired to do a service. So now look at them
8:16
Speaker 1: now to where they're a full fledged company and got
8:17
Speaker 1: the caffeine dail and all the things they got going on.
8:20
Speaker 1: So I was a part of that. I'm a part
8:22
Speaker 1: of those building blocks. I just don't get my credit,
8:24
Speaker 1: but I embraced that fact. So that's why I'm here
8:26
Speaker 1: still twenty years later, beating these young opponents up, beating
8:29
Speaker 1: a new competition, up, getting there with the youngins. Let
8:32
Speaker 1: them know that a guy that's considered some would say
8:37
Speaker 1: pass his proms still got enough in the tank to
8:39
Speaker 1: get in there and destroy these guys, these young cats. Hey,
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Speaker 1: it for free. You linked up with Kanye last year?
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Speaker 1: How did that? First of all, that's a big, big connect.
11:53
Speaker 1: I remember you were supposed to come on the show
11:54
Speaker 1: and he was like, bro, I'm with Kanye right now.
11:56
Speaker 1: I was like, don't even worry about it. You even
11:59
Speaker 1: sent me a pick like believe you don't worry about that. Yeah, no,
12:02
Speaker 1: because everybody you know, I just want to sorry by
12:05
Speaker 1: saying I knew Kanye for over twenty five years, way
12:08
Speaker 1: before he was saying I always knew what he was
12:11
Speaker 1: going to do. Yeah, I know, always knew he was different.
12:13
Speaker 1: And just just short story. We had a mutual friend
12:17
Speaker 1: playing Pat and Phillris Buler. They there was executives over
12:21
Speaker 1: def Jam had dropped, so uh, you know we have
12:27
Speaker 1: mutual friends and dur like during the recording process, I
12:30
Speaker 1: up making the band album. I invited him to the
12:32
Speaker 1: to the crib recording and soho at the Double Brownstone.
12:37
Speaker 1: By chance, mister Bentley said we couldn't have no company.
12:40
Speaker 1: So I had to tell Kanye he couldn't come in
12:43
Speaker 1: and submit beats. And then two years later, mister Bentley
12:45
Speaker 1: signed to Good Music. That's so hilarious. I forgot that
12:49
Speaker 1: he got signed. I forgot Diddy's assistant had a record
12:52
Speaker 1: deal and put out some records. Yep. So that was crazy.
12:55
Speaker 1: I always me and finds the worth. Always laugh about this.
12:58
Speaker 1: You don't even remember when you let Kanye in and
13:00
Speaker 1: now you're signing him. That shit's hilarious. So me and
13:03
Speaker 1: Kanye had a relationship and by my Instagram a presence
13:07
Speaker 1: and just dropping freestyles of being consistent. He's seen one
13:10
Speaker 1: of notice styles. He said, Yo, been my bro for
13:13
Speaker 1: a minute, come out and gave me an open invitation
13:15
Speaker 1: to come you know, some writing sessions with him. Yeah,
13:18
Speaker 1: so I saw that. You know, there was the I
13:22
Speaker 1: don't know if that documentary is ever going to come out,
13:23
Speaker 1: but he was previewing a record and you were saying
13:26
Speaker 1: that you were on that record with him and Soldier Boy. Yeah.
13:29
Speaker 1: Well I did some references, so he was actually hearing
13:32
Speaker 1: me playing a reference off my phone for him. In
13:35
Speaker 1: the footage, he was both in the car and you know,
13:38
Speaker 1: I mean I forgot he was being taped because he's
13:40
Speaker 1: being taped filmed all day long. If you're like helping ya, right,
13:44
Speaker 1: what is the what mind state you have to be in?
13:46
Speaker 1: If you're like I have to help the like one
13:48
Speaker 1: of the greatest artists of all time. It was just
13:54
Speaker 1: it's not like working for Diddy. Working for Ditty is
13:57
Speaker 1: like real. So okay, So everybody asked me why I
14:00
Speaker 1: put out so much material on why I'm so it
14:03
Speaker 1: seems like me, it's an easy transposition for me to
14:06
Speaker 1: keep putting out these constant freestyles. Well, when I came
14:09
Speaker 1: up in a bad boy system, they used to make
14:11
Speaker 1: us write five verses for every verse. So if we
14:13
Speaker 1: was doing a three verse song, I would have to
14:15
Speaker 1: write five verse fifteen verses per song. Wow, So and
14:19
Speaker 1: then you pick the best one, which usually is the
14:21
Speaker 1: first fucking verse you wrote, right, So from there you're like,
14:25
Speaker 1: so I got thirteen extra I got fourteen extra verses
14:29
Speaker 1: just just just unused, unused. Do you still do that? Yeah?
14:35
Speaker 1: Every now and then. Well, back in the mixtape games,
14:37
Speaker 1: with mixtapes for Heavy, I would take the the the
14:40
Speaker 1: DJ Sycamores and all those type of guys. So, no
14:44
Speaker 1: matter whether I like the beat or not, And this
14:46
Speaker 1: is what I got from Diddy. This is one of
14:47
Speaker 1: the lessons I got from Diddy. He was like, that's
14:50
Speaker 1: just not writing about the writ into the beasts that
14:52
Speaker 1: you don't like. He's it's not about writing to the
14:54
Speaker 1: beasts that you do like. Try writing to the beats
14:56
Speaker 1: that you don't like. So then when you hear a
14:58
Speaker 1: beat that you do like, it's like fucking it's like water. Yeah,
15:02
Speaker 1: so I take I take every beat off the beat
15:05
Speaker 1: CD and write it's sixteen to it, no matter whether
15:07
Speaker 1: I like it or not. Hey, that's how you sharpen
15:09
Speaker 1: your your paying for real, because if you can write
15:11
Speaker 1: to some ship you don't fuck with, then if you
15:13
Speaker 1: start writing for somebody else and they might not be
15:16
Speaker 1: in your bag. Now I got an endless supply material.
15:19
Speaker 1: So when I do go do these writing sessions, it's
15:21
Speaker 1: not me physically half of the right now you can
15:24
Speaker 1: just I'm just pulling it out. I'm just pulling ideas
15:27
Speaker 1: out from everywhere. Wow, that's that's crazy. Uh, you got
15:31
Speaker 1: the new project out? Sure? Is this a mixing? This
15:34
Speaker 1: is a mixtape? Shut up, everybody. I know everything is digitized.
15:37
Speaker 1: I'm kind of one of those guys that's like coming
15:39
Speaker 1: into the new fruition of the where whereas on Spotify
15:43
Speaker 1: is we were trying to get that up and running down.
15:45
Speaker 1: But this is what I was everywhere here boy says,
15:47
Speaker 1: it's everywhere. But as as an artist that's been around,
15:51
Speaker 1: has been seasoned, I didn't come and like, come into
15:54
Speaker 1: the game around you know this era, right. So me
15:58
Speaker 1: and my team, we're still in under construction, figured out
16:01
Speaker 1: I got to get a distroc kid account. That easy? No,
16:03
Speaker 1: it is that easy? Is that easy? He's like, Bro,
16:05
Speaker 1: we got But everybody that said, why you got thatsaur nostalgia?
16:11
Speaker 1: You're not a I'm not a Dinostaur. But I want
16:13
Speaker 1: to tell you this is for the nostalgia. Ye let
16:15
Speaker 1: me tell you. This is literally how I made my
16:17
Speaker 1: whole entire for the nostalgia. This is That's what I'm saying.
16:20
Speaker 1: I used to for all the hip hop heads. This
16:22
Speaker 1: is not that I outdated. This is for the nostalgic
16:26
Speaker 1: feeling of mixtapes. I used to go to the actual
16:29
Speaker 1: hard copy and I used to buy these jewel cases
16:32
Speaker 1: and burn these CDs and print these covers in my parents' bedroom. Yep.
16:37
Speaker 1: So this is not saying I'm outdated. This is paying
16:41
Speaker 1: homage to where I came from. Physical products. Yeah, physical
16:44
Speaker 1: real fans can support. So that's the friends in that
16:46
Speaker 1: and friends, I got Bitty the Butcher, which is the
16:48
Speaker 1: first single trifecta. I got the single feature in Zoos
16:52
Speaker 1: and DJ Crazy This that was then and this is now.
16:55
Speaker 1: Got the blicky out Corey Guns, Beanie Seagull, Vodo and
16:59
Speaker 1: Who's who Like it's just like all speeders, who's you?
17:04
Speaker 1: If we're talking about the Mount Rushmore of Philly rappers,
17:08
Speaker 1: who's on it? Man excluding yourself? Beanie Segua has to
17:11
Speaker 1: go there, Meek Milly has to go there. Those are
17:15
Speaker 1: the Black Thought. Yeah, those are the three, right, and
17:17
Speaker 1: then the fourth one is kind of it could be
17:18
Speaker 1: free way it could be. Yeah. So I got those
17:23
Speaker 1: three at the top, but you need one more. It's
17:26
Speaker 1: Mount Rushmore. There's four people schooly D schooly D the
17:31
Speaker 1: og I like it. That's like the og era. Yeah.
17:35
Speaker 1: Black Thought is like one of the most prolific shot
17:38
Speaker 1: the Thought lyricists ever man shot Crazy Yeah crazy. Hey,
17:42
Speaker 1: we got to stop the interview real quick to tell
17:43
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Speaker 1: Las Vegas dot com. Let's get back to the interview,
19:44
Speaker 1: all right. So that's how people can go get it.
19:45
Speaker 1: And I got the cheesecake too, So I turn limits
19:47
Speaker 1: and elimonade and he speak about that too, because I
19:49
Speaker 1: always but I gotta throw it in there. I was
19:51
Speaker 1: trying to go the whole interview without Yeah, I am
19:56
Speaker 1: tired of it, but I'm not never tiring to make
19:58
Speaker 1: money from you. Yes, so listen, you have your own cheese?
20:00
Speaker 1: And what year was Making the Band? Two thousand and two?
20:03
Speaker 1: Jesus so two thousand and two. Making the Band was
20:08
Speaker 1: one of the best reality shows ever. The most iconic
20:12
Speaker 1: episode is when you guys had to walk to juniors. Yes, cheesecake, revery,
20:16
Speaker 1: humbling experience, Yeah, lesson being learned and everything. It's not
20:20
Speaker 1: about what you want to do. It's about what needs
20:22
Speaker 1: to be done and get the job done. And you
20:23
Speaker 1: have your own cheesecake. Have my own cheesecake? Is it good? Yes?
20:27
Speaker 1: It is? How can they get it? Follow me on Instagram?
20:32
Speaker 1: That's cheesecake at any s S C h E E
20:36
Speaker 1: S E c A k E. Is that something people
20:39
Speaker 1: have to be in Philly to purchase? You could purchase
20:42
Speaker 1: an offline. We're trying to get the deal with the Oh,
20:46
Speaker 1: you got to get the ghost kitchen and we got
20:48
Speaker 1: the we got the boxes with the with the with
20:50
Speaker 1: the like the frigeration built in with Oh listen, all
20:53
Speaker 1: you got to do is get a ghost kitchen. Situation.
20:55
Speaker 1: Ghost kitchen got to put me up. Okay, if you
20:57
Speaker 1: ever opened up Postmates and seen that, like DJ Khalid
21:00
Speaker 1: has a restaurant, or like Tiger or whis Khalifa have
21:04
Speaker 1: like their own restaurants, like in every city you go to. Okay,
21:08
Speaker 1: what it is is you you'll you'll hire a ghost kitchen.
21:12
Speaker 1: So let's say you're in La or you are in
21:14
Speaker 1: New York or wherever you think you got a big following, right,
21:17
Speaker 1: you find a commercial kitchen that does Postmates or grub
21:22
Speaker 1: hub shit, and then you have you have a restaurant
21:25
Speaker 1: virtually online and all those cities, and this kitchen handles
21:30
Speaker 1: the fulfillment. They're pretty much licensing your likeliness to sell
21:33
Speaker 1: your cheesecake, but they cook it. They have the realest.
21:38
Speaker 1: They just essentially give you a cut to use your likeliness.
21:41
Speaker 1: Oh wow, put me on. So now you like, like
21:44
Speaker 1: if you open like Postmates right now, you'll see like
21:46
Speaker 1: DJ Khaled has a restaurant Postmates, I got you, got you.
21:48
Speaker 1: So he doesn't have a restaurant, but he just they
21:50
Speaker 1: just selling his product they give. They using his likeness
21:53
Speaker 1: to sell. Yeah, it's kind of like a lot of
21:57
Speaker 1: people are doing the ghost kitchen waves and just to
21:59
Speaker 1: clean it up. The album is everywhere digitally everywhere. It's
22:03
Speaker 1: on Spotify, It's on Apple Music, Spotify, Apple Music, and
22:07
Speaker 1: it might be an odega there. It is all right, man,
22:12
Speaker 1: we'll look yo new YouTube video with the freestyle, so
22:17
Speaker 1: check it out. Appreciate you pulling up, brother. What's the
22:19
Speaker 1: next battle? Award? R b a ar pi that's versus
22:23
Speaker 1: a ward? Stay tuned? What is it? I don't know.
22:26
Speaker 1: I was supposed to be on the May tenth card ARP.
22:28
Speaker 1: Holler at me. Do you battle people who are your friends? Ever? Always?
22:32
Speaker 1: I battle my fucking grandmother. If the check is right,
22:36
Speaker 1: I like it. There it is so I want no smoke, man.
22:39
Speaker 1: Est Appreciate your brother,