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Actors Prepare for the SAG Strike · Artists on Artists on Artists on Artists

• 0:04
  Speaker 1: Welcome back to Artists on Artists on Artists on artists.
• 0:06
  Speaker 1: This week one of the most monumental moments in Hollywood
• 0:11
  Speaker 1: history the beginning of or the quick abatement of two
• 0:17
  Speaker 1: unions striking at the same time. That's right, sag Aftra
• 0:23
  Speaker 1: might be going on strike.
• 0:26
  Speaker 2: As of today. It's currently two forty five Eastern time
• 0:31
  Speaker 2: on July twelfth, twenty twenty three. What happens in the
• 0:34
  Speaker 2: next eight hours will determine the course of human.
• 0:37
  Speaker 3: History and determine the course for acting as an art
• 0:43
  Speaker 3: We sit down with four monumentous actors to discuss the
• 0:46
  Speaker 3: potential of a strike and what they're going to do
• 0:49
  Speaker 3: to make the most of this time, as only actors would.
• 0:54
  Speaker 4: So get at those picket signs and take out your
• 0:56
  Speaker 4: SAG cards and listen in.
• 1:00
  Speaker 1: How are you just feeling Is the energy feeling good?
• 1:02
  Speaker 1: Are you just feeling good?
• 1:04
  Speaker 3: Yeah? No, I feel good. I feel really good. I
• 1:07
  Speaker 3: feel great, and I feel really excited about this.
• 1:09
  Speaker 1: I feel good.
• 1:10
  Speaker 2: I'm fired up as all hell and I'm not gonna
• 1:14
  Speaker 2: take any more.
• 1:16
  Speaker 1: I am stoked. I am stoked. I am stoked. I'm stoked.
• 1:19
  Speaker 1: I literally feel like there are ants in my feet
• 1:23
  Speaker 1: dragging me to fight for what I need.
• 1:26
  Speaker 4: I think it's the saying. I think the saying is
• 1:29
  Speaker 4: answer my pants.
• 1:30
  Speaker 3: No.
• 1:30
  Speaker 1: But but for me because I process things differently, because
• 1:33
  Speaker 1: I went to a conservatory. So for me, I feel
• 1:35
  Speaker 1: like I have ants in my feet. I just can
• 1:38
  Speaker 1: specifically I did Suzuki. I don't know if you guys
• 1:40
  Speaker 1: it's Zuki. I can specifically feel it's good. It's good,
• 1:43
  Speaker 1: it's good, it's really good.
• 1:44
  Speaker 3: I love Slotki. Siziki is one of my favorite systems
• 1:47
  Speaker 3: in the world.
• 1:47
  Speaker 5: He said.
• 1:48
  Speaker 1: Czeki said, Zeki is it's a white Greek sauce.
• 1:53
  Speaker 3: Yeah, maybe to you guys, but that's actually I studied
• 1:56
  Speaker 3: Saziki method and it was extremely monumental for my Oh yeah,
• 1:59
  Speaker 3: what was it?
• 1:59
  Speaker 2: Is?
• 1:59
  Speaker 1: The method?
• 2:00
  Speaker 3: The Zeki method is a great method where you kind
• 2:03
  Speaker 3: of start, you know, outside in, inside out. Since zz
• 2:06
  Speaker 3: method you start up to down, You start with the
• 2:08
  Speaker 3: top of your head and work the character all the
• 2:10
  Speaker 3: way through you. It's was created by Greco Taziki. He's
• 2:15
  Speaker 3: a Greek amazing actor from the two thousands and he
• 2:20
  Speaker 3: from twenty years ago, from twenty years ago, and he
• 2:23
  Speaker 3: was very monumental in my career. So yeah, I do
• 2:26
  Speaker 3: the Tatsiki method.
• 2:28
  Speaker 2: I the Suzuki method. What is that famous baseball player
• 2:33
  Speaker 2: of ten years ago, Ichi Rose Suzuki for the national
• 2:37
  Speaker 2: the Seattle Maritors. I've trained in professional baseball for many,
• 2:42
  Speaker 2: many years, and it taught me more about acting than
• 2:45
  Speaker 2: anything else.
• 2:47
  Speaker 3: You are fired off. I've fired up.
• 2:50
  Speaker 2: These fists have been read in a punch for forty years,
• 2:54
  Speaker 2: and now I finally get the chance for a battle.
• 2:57
  Speaker 3: Royale I shirt.
• 3:00
  Speaker 1: I need to go get my shirt. I'm gonna get
• 3:01
  Speaker 1: I'm gonna go get my shirt.
• 3:03
  Speaker 2: You get your shirt. Tonight we rest, Tomorrow we punch.
• 3:09
  Speaker 5: Oh you you He went.
• 3:11
  Speaker 2: To get his shirt?
• 3:12
  Speaker 3: Oh, he really went.
• 3:14
  Speaker 2: He's gone. He's gone for sure.
• 3:17
  Speaker 4: I'll talk about my snooky snoo Zuki method.
• 3:23
  Speaker 2: Oh, the Snoonookie method.
• 3:26
  Speaker 5: It's Ananki method.
• 3:28
  Speaker 4: It's it's the intersection between snooky and snoopy.
• 3:34
  Speaker 2: Oh how did those two things go together?
• 3:37
  Speaker 5: I'll just leave that there. Did you find your shirt?
• 3:39
  Speaker 1: No, I'm still looking for my shirt.
• 3:42
  Speaker 2: Oh my god, he keeps leaving.
• 3:45
  Speaker 5: Oh my god. Climbing looks like he's hanging off his side.
• 3:52
  Speaker 2: He's playing with his little feet sis on the top
• 3:55
  Speaker 2: of his bunk bed. Get back here. We need to fight.
• 4:01
  Speaker 3: He can't hear us. He's plugged in.
• 4:04
  Speaker 5: We need to fight.
• 4:06
  Speaker 3: Wow, this is taking a long time.
• 4:09
  Speaker 2: This is taking a very long time.
• 4:11
  Speaker 3: Okay. I think, don't worry about your shirt. I think,
• 4:14
  Speaker 3: don't worry.
• 4:14
  Speaker 1: No, I'm looking for my shirt. I think maybe I
• 4:16
  Speaker 1: was wearing it earlier. I gotta find my shirt.
• 4:19
  Speaker 2: I mean, it's just so boy, come back here.
• 4:23
  Speaker 3: What yeah?
• 4:24
  Speaker 2: Yeah, shirt look like maybe we could see it in
• 4:27
  Speaker 2: your video.
• 4:28
  Speaker 3: So so so the shirt.
• 4:29
  Speaker 1: The shirt says Sag stands with Sag, and it's it's
• 4:33
  Speaker 1: a union shirt and it's gonna be really important because
• 4:36
  Speaker 1: if you're on the.
• 4:36
  Speaker 5: Sad says, Sag stands with Sag.
• 4:39
  Speaker 1: Yeah, it's it's it's a shirt that I bought online.
• 4:42
  Speaker 1: I bought it on Etsy. Uh, somebody's actually been selling
• 4:45
  Speaker 1: it for years, which is kind of creepy because I'm
• 4:47
  Speaker 1: wondering where it came from. But it's it's an important shirt,
• 4:50
  Speaker 1: and I think I was really excited to be wearing
• 4:53
  Speaker 1: that shirt today just to kind of show solidarity. I
• 4:56
  Speaker 1: really annoyed that I couldn't find my shirt. It's got
• 4:59
  Speaker 1: to be here somewhere. I'm so sorry, guys.
• 5:02
  Speaker 3: Well, what's your name, buddy?
• 5:03
  Speaker 1: Oh, I'm so sorry. My name is Skip. I'm Skipping,
• 5:08
  Speaker 1: Skipe Wantrell. I am the lead of the new sitcom Skip.
• 5:14
  Speaker 1: I'm a stand up comedian and i just got my
• 5:17
  Speaker 1: own multi cam show. I'm so stoked. It just got
• 5:21
  Speaker 1: greenlit a month ago and I'm fucking excited.
• 5:26
  Speaker 5: It's did you guys film the pilot?
• 5:27
  Speaker 1: And we filmed the pilot. Yeah, a Whoopy Goldberg plays
• 5:31
  Speaker 1: my godmother and just normal godmother, not fairy godmother or anything,
• 5:36
  Speaker 1: but is half the jokes and then.
• 5:40
  Speaker 3: Uh and then.
• 5:42
  Speaker 1: Yeah, yeah, of course. My dad is being played by
• 5:45
  Speaker 1: Ed Begley Jr. And my girlfriend is being played by
• 5:51
  Speaker 1: Leyton Measter and it's been so fun.
• 5:54
  Speaker 4: Wait, I think I saw the trailer. They're already trailering
• 5:57
  Speaker 4: it out. I saw the promo, like, Whoopy Goldberg comes out.
• 6:00
  Speaker 4: It's a Halloween episode. She's dressed as a fairy and
• 6:03
  Speaker 4: she's like, I know what you're thinking, I'm just his godmother.
• 6:07
  Speaker 1: Right, And it actually every episode of a Halloween episode
• 6:10
  Speaker 1: takes place in a Halloween store. And it's that's kind
• 6:13
  Speaker 1: of the joke because when I so kind of part
• 6:15
  Speaker 1: of my story, which is I say in all my
• 6:17
  Speaker 1: generals is for about three months of my life, I
• 6:19
  Speaker 1: worked at a Halloween store in high school. And I've
• 6:21
  Speaker 1: really centered it as part of my narrative and it's
• 6:24
  Speaker 1: been really fun to build into that. But man, oh man,
• 6:29
  Speaker 1: if I could talk about this strike wearing that shirt
• 6:31
  Speaker 1: that I had, it would really really change. You know, God,
• 6:36
  Speaker 1: I wish I had my shirt I got. I wish
• 6:38
  Speaker 1: I had it, you know what I mean, Because I'm
• 6:40
  Speaker 1: really excited about it. I'm really pumped. Did I miss
• 6:43
  Speaker 1: your intros?
• 6:44
  Speaker 3: Not at all?
• 6:45
  Speaker 2: Oh, waiting for you to find your damn shirt? Yeh,
• 6:49
  Speaker 2: We've got a good fighting I'm sorry. I've got a
• 6:53
  Speaker 2: maximum of five to eight years left in me, and
• 6:57
  Speaker 2: by god, if we don't change this industry now, I'm
• 7:01
  Speaker 2: gonna be freaking pissed off in my grave. I tell
• 7:04
  Speaker 2: you that.
• 7:06
  Speaker 4: Besides this, I don't know your name. We were just.
• 7:10
  Speaker 3: She's an icon.
• 7:13
  Speaker 5: Sorry icon. I'm sorry.
• 7:15
  Speaker 2: I am Doris.
• 7:17
  Speaker 5: I'm I'm like, I'm like an old soul.
• 7:22
  Speaker 2: I am not well. Yes, I am on the internet.
• 7:26
  Speaker 2: I post tiktoks in the silly Grandma. Right, you're not well?
• 7:31
  Speaker 2: I am.
• 7:32
  Speaker 5: I'm sorry.
• 7:33
  Speaker 2: Part of my thing. But I've also been an actor.
• 7:38
  Speaker 2: I've been a co star in nearly every network sitcom
• 7:42
  Speaker 2: since the beginning of time. I've every receptionist, I've played
• 7:47
  Speaker 2: every janitor. I've played every teacher and hospital attendant. And
• 7:53
  Speaker 2: this industry used to be a place for a place
• 7:56
  Speaker 2: for bit, for people like us.
• 8:00
  Speaker 1: Wo and now it's not. Dolores. It's incredible. It's incredible
• 8:03
  Speaker 1: that you're doing this fight with us, because you're just
• 8:06
  Speaker 1: a legend, and to have you out there fighting. I
• 8:09
  Speaker 1: heard you've actually been in a lot of the negotiating
• 8:11
  Speaker 1: meetings and I actually heard gossip wise, you're the reason
• 8:15
  Speaker 1: they're taking so long.
• 8:17
  Speaker 2: Well, yes, because nobody seems to want to everyone is
• 8:22
  Speaker 2: so okay. I hate to break this out, but we've
• 8:25
  Speaker 2: gone soft. We've got soft as a nation because every time.
• 8:29
  Speaker 3: You were gonna get to that, you were gonna get
• 8:31
  Speaker 3: to that.
• 8:32
  Speaker 2: Oh okay, it's a well it's a woman of my age,
• 8:35
  Speaker 2: and I feel we've gone soft as a nation. Stereotype
• 8:39
  Speaker 2: stereotype boooo. Every time the AMPTP says something in one
• 8:44
  Speaker 2: of those meetings, oh, I wind up my fisticuffs, it
• 8:47
  Speaker 2: makes me so pissed off. Then they put me on
• 8:50
  Speaker 2: time out for a little while and then we go
• 8:51
  Speaker 2: back to the table, so it takes a minute. I'll
• 8:54
  Speaker 2: be honest, and I wish I could tell you what's
• 8:56
  Speaker 2: going on in there about the content of the discussions,
• 8:58
  Speaker 2: because oh, you'd beat che eased off too. Just know
• 9:02
  Speaker 2: I'm biting.
• 9:04
  Speaker 5: Off.
• 9:05
  Speaker 2: You'd be cheesed off. You'd be you'd be pissing your ankles,
• 9:10
  Speaker 2: you'd be you'd be flaming your elbows, you'd be so angry.
• 9:14
  Speaker 1: Well, I I also saw that picture where they had
• 9:16
  Speaker 1: you handcuffed to Pedro Pascal so he could keep you settled.
• 9:21
  Speaker 2: He was responsible for every buff man in this industry
• 9:25
  Speaker 2: takes a shift where they're assigned to me to keep
• 9:29
  Speaker 2: me from causing physical harm. Because while I may be
• 9:33
  Speaker 2: weak and feeble, my fists go faster than a goddamn
• 9:37
  Speaker 2: road runner and they know that.
• 9:41
  Speaker 5: Yeah, your fists, they they move like like legs.
• 9:45
  Speaker 2: I wish you guys could see it on those people
• 9:48
  Speaker 2: listening to the podcast. I'm like a praying man, tis
• 9:51
  Speaker 2: Muhammad Ali, and I'm gonna get these producers for all
• 9:56
  Speaker 2: they're worth, or I'm gonna get me. They're gray, who's hugry.
• 10:03
  Speaker 3: WHOA, Who's hungry?
• 10:04
  Speaker 1: That was good shirt. I wish I had that shirt.
• 10:07
  Speaker 1: I wish I had my other shirt. Who else is here?
• 10:12
  Speaker 3: Hi guys. My name is Noel Finkerton. I am a
• 10:17
  Speaker 3: series regular on the new Apple Plus show Just About Eggs.
• 10:23
  Speaker 3: It's a great show about bakery and I yes, and
• 10:29
  Speaker 3: now we are on strike, or we might go on strike.
• 10:33
  Speaker 3: So we've had two seasons of Just About the Eggs
• 10:36
  Speaker 3: and it's going really well for me. But you know,
• 10:38
  Speaker 3: there have been some discrepancies. As a series record. I've
• 10:41
  Speaker 3: been paid two hundred and fifty dollars episode and that
• 10:46
  Speaker 3: feels a little low, but you know, we're about to
• 10:49
  Speaker 3: go on strike.
• 10:50
  Speaker 2: WHOA, that's so frigging low. You should be pissed off.
• 10:53
  Speaker 1: Yeah.
• 10:54
  Speaker 3: You know, if they're nice, they're really nice. They're nice
• 10:56
  Speaker 3: to me on set. You know, I get all the
• 10:58
  Speaker 3: free food I want. I mean, I have to pay
• 11:00
  Speaker 3: a subscription to get to be able to have the
• 11:04
  Speaker 3: food on set. But other than that, it's been so
• 11:07
  Speaker 3: nice working on set, you know, and I really like
• 11:10
  Speaker 3: working on set.
• 11:11
  Speaker 1: Dude, dude, dude, dude, listen, man, this is the kind
• 11:13
  Speaker 1: of stuff we're fighting for, Like I want, I want
• 11:15
  Speaker 1: you to know. And I know Dolores can speak to
• 11:17
  Speaker 1: this as well. I want you to know, Doris. I'm
• 11:22
  Speaker 1: so sorry. Please don't punch me, okay please.
• 11:25
  Speaker 2: Oh I would never punch another actor.
• 11:28
  Speaker 3: My god, my god, I would go good. Well, I'm
• 11:32
  Speaker 3: just say sorry.
• 11:33
  Speaker 2: I haven't seen that egg show, but it sounds pretty good.
• 11:38
  Speaker 3: You got nominated for a lot of em right, It
• 11:40
  Speaker 3: is very funny. We are nominated for a lot of
• 11:43
  Speaker 3: any Emmys.
• 11:44
  Speaker 2: They paid you two hundred dollars.
• 11:46
  Speaker 3: They paid me two hundred and fifty dollars. It's actually
• 11:49
  Speaker 3: what it is. It's a spin off of Coach Ted
• 11:52
  Speaker 3: Lasso spin off, Yeah, Coach Ted. Coach I think.
• 11:57
  Speaker 1: It's called Ted Lasso. I don't think it's called Coach Ted.
• 12:00
  Speaker 3: I'm pretty sure it's called Coach Ted.
• 12:03
  Speaker 4: That's just simply not the name of the show. There's
• 12:05
  Speaker 4: Ted Lasso. Is there another show called coach something that
• 12:08
  Speaker 4: you're thinking.
• 12:09
  Speaker 1: There's a show just called coach which is from the
• 12:11
  Speaker 1: nineties with Corregtie Nelson.
• 12:13
  Speaker 3: No, there's a show called Coach Ted about Jason Sedakis
• 12:16
  Speaker 3: plays a coach for a soccer team in England. So
• 12:20
  Speaker 3: it's called a football.
• 12:21
  Speaker 1: Team and so basically no, no, no, no, but bro, bro, listen,
• 12:26
  Speaker 1: listen like you that show just about the Eggs is
• 12:30
  Speaker 1: being disrespected, like it's in the industry everyone. I didn't
• 12:34
  Speaker 1: take a role on it. The role ended up going
• 12:39
  Speaker 1: I think it went to Andre Brower. And I read
• 12:42
  Speaker 1: that Andre Brower was paid college credit for that show.
• 12:46
  Speaker 3: Why Yeah, yeah, he did it for college credit. But
• 12:49
  Speaker 3: that's you know, it's kind of fair because he's really
• 12:50
  Speaker 3: trying to graduate. He's he's really and he needs internship credit.
• 12:56
  Speaker 3: He needs credit. He's like thirty six credits away from graduating.
• 13:00
  Speaker 5: He's so trying.
• 13:01
  Speaker 3: I think it actually really helped him. But I you know,
• 13:03
  Speaker 3: I'm not trying to defend it. I'm not trying to
• 13:04
  Speaker 3: defend it at all. Obviously, like we need to go
• 13:06
  Speaker 3: on strike, and there are some major things. I just
• 13:08
  Speaker 3: want to say. I really like that show. It's a
• 13:11
  Speaker 3: great spin off. The bartender in Coach ted Lasso decides
• 13:15
  Speaker 3: that she wants to open up a bakery in Sacramento.
• 13:19
  Speaker 3: But she's not in the show. It's just understood that
• 13:21
  Speaker 3: she bought the land and opened up the bakery and
• 13:23
  Speaker 3: these are your step work there. Yeah, it's really fun
• 13:26
  Speaker 3: and it's really funny.
• 13:27
  Speaker 1: And it's and the bakery is just about the eggs.
• 13:30
  Speaker 3: It's the bakery is called just about the eggs because
• 13:32
  Speaker 3: people don't know when you bake. They think it's all
• 13:35
  Speaker 3: about the bread. But our bakery is just about the eggs.
• 13:38
  Speaker 2: Are bread in the show or selling eggs?
• 13:42
  Speaker 3: No? No, no, we sell egg products primarily, but we
• 13:45
  Speaker 3: call it.
• 13:46
  Speaker 2: That's not a bakery. Oh my god, everything is upside down?
• 13:49
  Speaker 1: Can I can I make a wild guest?
• 13:52
  Speaker 2: Uh?
• 13:52
  Speaker 3: Huh?
• 13:52
  Speaker 1: Does the show owner of your show live on Melrose?
• 13:55
  Speaker 2: Yes?
• 13:56
  Speaker 3: They live on Yeah. So why do you guess? Is
• 13:59
  Speaker 3: it because of all about the bread? That's all about
• 14:02
  Speaker 3: the bread? And you're saying they got the name of
• 14:04
  Speaker 3: all about the Bread from and they ripped it and
• 14:06
  Speaker 3: turned it just about the eggs.
• 14:07
  Speaker 1: This is that's my guest. The store, the rest are
• 14:10
  Speaker 1: all about that bread, all about the bread. I'm wondering
• 14:13
  Speaker 1: if he walked by it and he saw it and
• 14:15
  Speaker 1: he said, I want to name a show just about
• 14:16
  Speaker 1: the eggs.
• 14:18
  Speaker 3: I think he might have, but I think you might
• 14:20
  Speaker 3: be wrong. I think he actually got it from his childhood.
• 14:23
  Speaker 3: His mom used to make a bunch of things with
• 14:25
  Speaker 3: just about the eggs. Well, at least that's what the
• 14:27
  Speaker 3: mom does in They Care in the in the show, Can.
• 14:29
  Speaker 1: I make a guest? Did his mom grow up on Melrose?
• 14:32
  Speaker 3: His mom did grow up on Melows. Yes, his mom
• 14:35
  Speaker 3: grew up on Melro.
• 14:36
  Speaker 2: Everybody grew up on Melrose Boulevard, right next to all
• 14:41
  Speaker 2: the stores where people wait in line for shoes and sneakers.
• 14:46
  Speaker 1: And Swedish candy.
• 14:49
  Speaker 2: Has changed.
• 14:51
  Speaker 4: Okay, guys, hey guys, what is up? My name is
• 14:56
  Speaker 4: Anna Fish. I am also grew up around here. I
• 15:01
  Speaker 4: was in I was in Thirteen Reasons Why. I was
• 15:05
  Speaker 4: also in the Quibi pickup of that fourteen Reasons Why
• 15:10
  Speaker 4: haven't worked since so sad.
• 15:12
  Speaker 3: I was so excited to see the fourteenth reason and
• 15:15
  Speaker 3: also the camera turned vertical and horizontal at the same time.
• 15:19
  Speaker 2: Yeah.
• 15:19
  Speaker 4: No, when Quibi did the fourteenth Reason why, it was
• 15:22
  Speaker 4: when the camera turned there was a fourteenth reason that
• 15:25
  Speaker 4: I mean you can watch it. I mean I believe
• 15:28
  Speaker 4: that someone recorded the Quibi version and put it on YouTube,
• 15:31
  Speaker 4: So I do believe you could see it on YouTube.
• 15:34
  Speaker 2: Now I'm really quickly because I did watch this show
• 15:37
  Speaker 2: with my granddaughter. What is the fourteenth reason?
• 15:42
  Speaker 5: Climate change? Anyway?
• 15:43
  Speaker 2: So I'll say that balad reason valid reason to do
• 15:46
  Speaker 2: what she did.
• 15:48
  Speaker 4: Anyway, I have been striking with my fellow writers for
• 15:56
  Speaker 4: thirteen reasons why, just standing in solidary for them, and
• 15:58
  Speaker 4: now unfortunately it looks like it's probably going to be
• 16:01
  Speaker 4: affecting us, So then I'll be standing with us. And
• 16:05
  Speaker 4: I've been leading with my friends, some of my gal pals.
• 16:08
  Speaker 4: I've been leading strike for singles. We've been doing the
• 16:13
  Speaker 4: meetups for all of If you've been seeing on the twitters,
• 16:18
  Speaker 4: we've been getting some of the singles meeting up and
• 16:21
  Speaker 4: seeing if we can turn this awful, awful time for our.
• 16:25
  Speaker 5: Industry into a moment to find love.
• 16:28
  Speaker 4: So, if you've been seeing on some of the signs,
• 16:30
  Speaker 4: we've been putting some signals if.
• 16:33
  Speaker 5: You are single and looking for love, we've been.
• 16:36
  Speaker 2: Okay, I'm so sorry, miss Fish. I have a bone
• 16:39
  Speaker 2: to pack with you, because I've been on the WGA
• 16:42
  Speaker 2: picket lines as well, and there was a there was
• 16:45
  Speaker 2: a day on the Paramount lot what we were trying
• 16:48
  Speaker 2: to start marching. But then I believe you must have
• 16:51
  Speaker 2: been orchestrating. All these groups of people were making out
• 16:54
  Speaker 2: and we had to shove them out of the way
• 16:57
  Speaker 2: to get to the front. Yeah, I could see J
• 17:00
  Speaker 2: fun to talk and it was just clouds of people
• 17:03
  Speaker 2: just going to town on each other.
• 17:05
  Speaker 5: Oh yeah, well listen, it happened.
• 17:08
  Speaker 4: When people we were We're make love not war, is
• 17:13
  Speaker 4: what I'll say to that make love not scripts right
• 17:18
  Speaker 4: now is.
• 17:19
  Speaker 2: Probably gonna go get his T shirt that says that.
• 17:22
  Speaker 1: I think my assistant took my T shirts to the
• 17:27
  Speaker 1: dry cleaning and I think I think that's what's going
• 17:29
  Speaker 1: on because I texted her and she's not texting back,
• 17:31
  Speaker 1: but I think I have that shirt. I can't stop
• 17:35
  Speaker 1: thinking about it.
• 17:36
  Speaker 4: It's okay, Skip, I mean I do think, I do
• 17:38
  Speaker 4: think like the T shirts, the signs. So much of
• 17:41
  Speaker 4: this is like you want to be a part of it, right,
• 17:44
  Speaker 4: Like I like, like I want to wear my shirt,
• 17:47
  Speaker 4: especially because I want to look good and I want
• 17:49
  Speaker 4: to meet people, and I think there's a part of
• 17:51
  Speaker 4: networking on these picket lines, right And Skip, it's okay
• 17:54
  Speaker 4: not to have your shirt, like.
• 17:55
  Speaker 1: Yeah, But for me as an actor, it's all about
• 17:57
  Speaker 1: the costume, right, Like, I really can only feel the
• 17:59
  Speaker 1: character from wearing the costumes. So I feel like I'm
• 18:01
  Speaker 1: not on strike if I'm not wearing the shirt and
• 18:03
  Speaker 1: that's what's hard for me, and it's just really hard
• 18:05
  Speaker 1: for me.
• 18:06
  Speaker 5: Well, I feel that way.
• 18:07
  Speaker 4: I feel that way when I'm not like being my
• 18:09
  Speaker 4: best self because I feel like, like, to address what
• 18:12
  Speaker 4: you said, Doris, I I think if we're not using
• 18:16
  Speaker 4: this picket line to show up as humans, Like, sure,
• 18:19
  Speaker 4: we're using this to show up as fighters, to show
• 18:23
  Speaker 4: to show up, but if we're also not using this
• 18:25
  Speaker 4: to show up as humans and also address other human needs,
• 18:28
  Speaker 4: which is love, which is just like basic human needs,
• 18:32
  Speaker 4: which is connection, then what are we doing there?
• 18:35
  Speaker 1: I also want to say, though, for the sake of representation,
• 18:37
  Speaker 1: that I went to an asexual WGA picket line, the
• 18:42
  Speaker 1: most efficient picket line I've ever been at, so much.
• 18:45
  Speaker 2: Done, they walk so fast, so much.
• 18:53
  Speaker 5: Well, Skip, that's for you, Skip, that's for you.
• 18:56
  Speaker 1: And it was for me. It was awesome.
• 18:58
  Speaker 3: Yeah, And I'll just.
• 18:59
  Speaker 4: Say that's not for me, Skip, And that's not for
• 19:01
  Speaker 4: the cast and writers of Thirteen Reasons Why.
• 19:04
  Speaker 2: Okay, Okay, I'm kind of remembering what the cast of
• 19:07
  Speaker 2: that show looks like. You guys are all kind of
• 19:10
  Speaker 2: hooking up with each other, right.
• 19:11
  Speaker 5: Yeah, yeah, Doris, we sucking fuck wha.
• 19:17
  Speaker 3: Would you would you believe on Coach? Would you believe
• 19:20
  Speaker 3: on Coach? Ted Lasso spinoff? Just about the eggs? We
• 19:22
  Speaker 3: also suck and fuck.
• 19:24
  Speaker 6: I don't believe a lot and uh unless you're unless
• 19:33
  Speaker 6: you're the complete outlier of the rest of the cast,
• 19:36
  Speaker 6: I don't believe that.
• 19:37
  Speaker 1: But if you're like the rest of the cast, I
• 19:40
  Speaker 1: don't believe it.
• 19:40
  Speaker 3: Okay, crazy the animosity that came. I felt like you
• 19:44
  Speaker 3: guys took all the anger that you have at the
• 19:46
  Speaker 3: producers and directed it at me. And all I wanted
• 19:48
  Speaker 3: to say was like, I feel like I will say
• 19:51
  Speaker 3: that I'm a little happy that actors are gonna maybe
• 19:53
  Speaker 3: join the picket lines, because for me, picketing with the
• 19:56
  Speaker 3: writers was really tough. I showed up like trying to help,
• 19:59
  Speaker 3: and I just had some ideas of like, why don't
• 20:02
  Speaker 3: I pass out my headshot and just give it a
• 20:05
  Speaker 3: microchip of my reel, Like, just pass out a thumb
• 20:08
  Speaker 3: drive of my I put it on micro chip.
• 20:12
  Speaker 1: You are the one of the syringe walking around.
• 20:14
  Speaker 3: Yeah, So so the idea is I give you my
• 20:17
  Speaker 3: headshot and then if you want, I can give you
• 20:19
  Speaker 3: a little prick and microchip you with my reel and
• 20:21
  Speaker 3: then later you can you can put your thumb on
• 20:24
  Speaker 3: the hot key of your of your computer that turns
• 20:28
  Speaker 3: it on and my reel will pop up. You just
• 20:30
  Speaker 3: will do that, and I feel like the writers hated it.
• 20:33
  Speaker 2: I can learn a new trick. Put it in my arm.
• 20:36
  Speaker 3: You want do you want it? Yeah?
• 20:37
  Speaker 5: Don't do that to dous So she only has so
• 20:39
  Speaker 5: many working veins.
• 20:40
  Speaker 2: Don't I want to see I want to see what
• 20:44
  Speaker 2: you see?
• 20:44
  Speaker 3: Yeah? Okay, well okay, so this, well it depends which
• 20:47
  Speaker 3: one do you want? Do you want my drama reel
• 20:49
  Speaker 3: twenty twenty two or my comedy reel twenty one?
• 20:53
  Speaker 5: Comedy reel?
• 20:54
  Speaker 1: He hasn't updated it real, but his drama reel is
• 20:56
  Speaker 1: all is all eating disorder stuff, So it's really heavy.
• 21:00
  Speaker 3: Get what am I supposed to do?
• 21:02
  Speaker 2: Do you have any anything commercial?
• 21:05
  Speaker 3: Uh? You don't really make a commercial reel. They don't
• 21:07
  Speaker 3: really like that. I've got a voiceover reel. Yeah, do
• 21:09
  Speaker 3: you want to date doors? It's it's from my voiceover
• 21:12
  Speaker 3: class in twenty sixteen to.
• 21:14
  Speaker 1: It dor Doors, Doors, Doors.
• 21:17
  Speaker 3: Before we do this, I want to be clear.
• 21:19
  Speaker 1: You know his voice is gonna be implanted in your
• 21:21
  Speaker 1: body forever. I want to be clear that you know
• 21:24
  Speaker 1: that I'm ready.
• 21:26
  Speaker 2: Okay, I got five good years left. Put the weird
• 21:29
  Speaker 2: breaka shit in my body. I don't give a shit.
• 21:32
  Speaker 3: So this is a Gavin de Gras voiceover class I
• 21:35
  Speaker 3: took in twenty sixteen. It's yeah, he he got out
• 21:38
  Speaker 3: of music and got into voiceover. You should see his commercials. So, okay,
• 21:43
  Speaker 3: here we go. It's just a an.
• 21:47
  Speaker 2: My god, that was more than a prick. That was
• 21:50
  Speaker 2: more than a prick. With Farmers Insurance, you and your
• 21:53
  Speaker 2: family could be safe forever. Oh I hated that.
• 21:57
  Speaker 5: That's your voice.
• 21:58
  Speaker 3: No, yeah, that's my voice. It's my voice. Well that's
• 22:01
  Speaker 3: the thing with the voiceover reheel. My voice gets transmuted
• 22:04
  Speaker 3: through whoever has the chip, so it'll come out every
• 22:08
  Speaker 3: once in a while. Wait, can I get it?
• 22:09
  Speaker 5: Give it to me, give it to me.
• 22:11
  Speaker 3: Well, do you want my voice over? I don't think
• 22:13
  Speaker 3: you want to.
• 22:14
  Speaker 5: I wanted to give it to me.
• 22:15
  Speaker 1: This is.
• 22:18
  Speaker 3: I've never given out any of these. This is me.
• 22:22
  Speaker 3: Oh green alien, Green Alien. So that was I was
• 22:28
  Speaker 3: doing a I was doing it animated. That's like an
• 22:30
  Speaker 3: animation reference right there. I was working on my animated voices.
• 22:35
  Speaker 3: So wow, thanks guys, thanks so much. So yeah, I
• 22:40
  Speaker 3: feel like actors are so much more responsive than writers
• 22:43
  Speaker 3: to kind of the things that actors do. You know, you.
• 22:46
  Speaker 4: Handing those around makes me feel better. I got in
• 22:49
  Speaker 4: so much trouble when I was doing a single mixer
• 22:52
  Speaker 4: outside of Netflix and I was handing around glasses of
• 22:55
  Speaker 4: wine of natural wine, and people were really mad at me.
• 23:00
  Speaker 2: Natural line is gross and it doesn't. Yeah.
• 23:04
  Speaker 5: People were like, well the real exactly, so disrespectful upsode
• 23:07
  Speaker 5: exactly exactly.
• 23:09
  Speaker 4: Everyone was like, we're picketing, we need the real stuff,
• 23:12
  Speaker 4: and I was like, but natural wine really opens you up,
• 23:15
  Speaker 4: and we're trying to meet people.
• 23:16
  Speaker 2: Well, I'm surprised because you were you were doing a
• 23:19
  Speaker 2: singles mixer outside of Netflix. Did they try and turn
• 23:23
  Speaker 2: that into a dating show? Because I bet they would
• 23:25
  Speaker 2: be all over that.
• 23:26
  Speaker 3: Oh I did hear that. The producers actually from their
• 23:29
  Speaker 3: high windows saw what was going on and came down
• 23:31
  Speaker 3: and lightly asked if you could come and pitch it
• 23:34
  Speaker 3: for at Yeah.
• 23:34
  Speaker 4: No, but it was the day the Imagine dragons were there,
• 23:36
  Speaker 4: so it was a sound nightmare.
• 23:38
  Speaker 1: Oh my gosh, that's what I will say. I won't
• 23:40
  Speaker 1: pick it in front of Netflix anymore because I heard
• 23:42
  Speaker 1: that anything caught on their cameras they can potentially use
• 23:46
  Speaker 1: as material, so they have a lot of close caption
• 23:49
  Speaker 1: cameras up there.
• 23:50
  Speaker 4: Just really it's it's there's just been a lot of
• 23:52
  Speaker 4: struggle there because it's just been it's just been really
• 23:56
  Speaker 4: hard because I've just been getting a lot of like
• 23:59
  Speaker 4: backlash for not being focused as someone who's just trying.
• 24:03
  Speaker 4: I'm trying to meet the love of my life. Guys, Okay,
• 24:06
  Speaker 4: and let's.
• 24:06
  Speaker 1: Talk about what we're really doing here, right, because that's
• 24:08
  Speaker 1: not what we're supposed to be doing. The things we're
• 24:10
  Speaker 1: talking about. While we're talking about why yeah, we're talking
• 24:12
  Speaker 1: about residuals on streaming, right, we're talking about making sure
• 24:15
  Speaker 1: that AI doesn't take our jobs because if we go
• 24:18
  Speaker 1: on something and they have our likeness, they can make
• 24:21
  Speaker 1: a three D image of it and it's a nightmare.
• 24:24
  Speaker 1: That's why I also think, Noel, potentially your microchip situation
• 24:29
  Speaker 1: might be kind of like AI.
• 24:31
  Speaker 3: Does that make sense? So it doesn't really to me?
• 24:34
  Speaker 3: It doesn't to me, Okay, can you explain it?
• 24:36
  Speaker 1: So why would you think it isn't like AI?
• 24:39
  Speaker 3: Well, AI is artificial intelligence this is a microchip of
• 24:43
  Speaker 3: my voice in twenty sixteen.
• 24:44
  Speaker 2: I agree, this is more similar to like that fungus
• 24:47
  Speaker 2: that gets in your brain to control you, like Last
• 24:51
  Speaker 2: of Us style.
• 24:52
  Speaker 3: That's what I would like. That's what it is.
• 24:54
  Speaker 2: That's Jane's going through my body and I kind of
• 24:57
  Speaker 2: feel like, I like, like something.
• 24:59
  Speaker 3: Isn' the first where are we on this planet?
• 25:03
  Speaker 2: Give me some jeez? What the fuck was that show?
• 25:07
  Speaker 3: So that was me doing a fun adult swim type
• 25:10
  Speaker 3: of cartoon, like a family guy cartoon voice. Oh, I
• 25:14
  Speaker 3: mean it is funny, it is that was Oh, Papa,
• 25:18
  Speaker 3: give me some chicken. That was the classic titular character.
• 25:21
  Speaker 3: So I made that up. Part of it was Gavin saying,
• 25:24
  Speaker 3: just make up some characters and see what you can
• 25:25
  Speaker 3: do with the voices. So that was really fun. But yeah,
• 25:28
  Speaker 3: this is like a monumental time for both unions because
• 25:32
  Speaker 3: basically what's been happening is over time, we've never actually
• 25:36
  Speaker 3: had a true conversation about how streaming is affecting our
• 25:40
  Speaker 3: contracts and how streaming is affecting.
• 25:42
  Speaker 5: For sure, and real talk, real talk Doris and Skip.
• 25:45
  Speaker 4: I mean, you guys are doing multiicams and you're doing
• 25:48
  Speaker 4: them on network television, and it looks like, Doris, you've
• 25:51
  Speaker 4: had like what you say, one line on one episode
• 25:53
  Speaker 4: of television, like in one show like once a month,
• 25:58
  Speaker 4: and you have like seven houses.
• 26:00
  Speaker 2: And then yes, that's how it works.
• 26:03
  Speaker 4: Nolan I, Nolan I do like like Nolan and I
• 26:07
  Speaker 4: are in New Zealand six months out of the year
• 26:09
  Speaker 4: during literal movie length episodes and we're not even getting
• 26:15
  Speaker 4: we don't.
• 26:15
  Speaker 5: Get residuals at all. People can inge our show.
• 26:18
  Speaker 3: And we're just about the exits set and Sacramento. But
• 26:20
  Speaker 3: we filmed eight months out of the year in New
• 26:22
  Speaker 3: Zealand because it's cheaper for Apple to hire New Zealand
• 26:26
  Speaker 3: locals than actually pay people in California the California rates.
• 26:31
  Speaker 3: But Doris and we have to pay for our own
• 26:33
  Speaker 3: flights out there, and we have to pay for our
• 26:34
  Speaker 3: own board. It's crazy.
• 26:37
  Speaker 4: But Doris, I think I think you walking into Young
• 26:40
  Speaker 4: Sheldon and you say, like, what is it?
• 26:42
  Speaker 5: You walk in there and you go, oh, this isn't
• 26:44
  Speaker 5: my classroom and you walked out. I think you got
• 26:46
  Speaker 5: paid more exactly mine was.
• 26:48
  Speaker 2: This kid doesn't belong in my classroom.
• 26:51
  Speaker 5: Thank you.
• 26:52
  Speaker 4: Yes, that's really legendary that you got paid more than
• 26:55
  Speaker 4: my entire career on thirteen reasons.
• 26:57
  Speaker 2: Why, And I hate that for you. I hear this
• 27:01
  Speaker 2: all the time with the you know, younger actors, because
• 27:04
  Speaker 2: they're cover to me. They're worried about the negotiations, and
• 27:06
  Speaker 2: they're telling me. They're telling me crazy stuff. I heard
• 27:09
  Speaker 2: of a girl who was on a Hulu show and
• 27:12
  Speaker 2: she said she was paid two hundred dollars, but they
• 27:14
  Speaker 2: had a claws in her contract where they got to
• 27:19
  Speaker 2: kick her in the toes a bunch of times before
• 27:22
  Speaker 2: she went on.
• 27:22
  Speaker 3: I know her, I know her, Yeah, let them do that.
• 27:25
  Speaker 5: I know car toes are so swollen.
• 27:28
  Speaker 3: Oh my gosh, to be kicked in the toes specifically,
• 27:31
  Speaker 3: it's like it's one of the worst torture, you think,
• 27:34
  Speaker 3: because it's crazy.
• 27:36
  Speaker 1: Well, and you thought you're wondering are they kicking down
• 27:38
  Speaker 1: or they kicking into the toes. They're kicking under the toes.
• 27:40
  Speaker 1: They have her razor toes up and they kick they
• 27:42
  Speaker 1: kick them up so her toes go up.
• 27:44
  Speaker 5: I mean, how are they raising her toes?
• 27:46
  Speaker 1: They're making her put her toes in the air and
• 27:48
  Speaker 1: then they kick them.
• 27:49
  Speaker 2: Yes, it's very like she knows what's about to happen.
• 27:52
  Speaker 1: It's hard. She's aware, it's just brutal. I mean, the
• 27:56
  Speaker 1: rates are not liveable, you know. As a stand up comic,
• 27:58
  Speaker 1: I was touring, I had specials. That money is fantastic.
• 28:02
  Speaker 1: And I suggest if any of you have an interest
• 28:04
  Speaker 1: in doing stand up comedy, I suggest you guys go
• 28:06
  Speaker 1: become touring comics. And I suggest you guys go become
• 28:09
  Speaker 1: headlining comics, because for me it was easy.
• 28:11
  Speaker 3: And I'm sure you're if you're like a you're on
• 28:13
  Speaker 3: the clean comedy circuit, aren't you.
• 28:14
  Speaker 1: I was on the clean comedy circuit. Yeah, absolutely, and
• 28:17
  Speaker 1: I was. I was really doing it. I was. I
• 28:20
  Speaker 1: I was part of uh angel Baby Comedy and uh.
• 28:25
  Speaker 5: That was just I become a headliner.
• 28:27
  Speaker 3: Yeah.
• 28:27
  Speaker 1: I would suggest that if you guys have some time
• 28:29
  Speaker 1: to like kind of put into it.
• 28:30
  Speaker 3: I think you give us oney of your jokes. Please
• 28:32
  Speaker 3: give us one of your jokes, one of my jokes, Yeah,
• 28:35
  Speaker 3: one of your jokesyah.
• 28:36
  Speaker 1: One of your baby. So one of my things I
• 28:39
  Speaker 1: talk about is I always say, can I just say something?
• 28:42
  Speaker 1: That's always what I say. Can I just say something?
• 28:47
  Speaker 1: Can I just say something? Cantilope is basically the filler
• 28:53
  Speaker 1: fruit of a fruit salad. And then I talk a
• 28:56
  Speaker 1: lot about that where I go, I'm sorry, Uh, Candleope
• 28:59
  Speaker 1: is the Chevy Impala of fruit salads. Cantalope is the
• 29:05
  Speaker 1: Kim Kardashian of fruit salads.
• 29:09
  Speaker 5: Now that I don't agree with.
• 29:10
  Speaker 3: That feels completely different, so different. That feels like you're
• 29:13
  Speaker 3: just saying, Kim Kardashian, wow.
• 29:17
  Speaker 5: At the end, let me finish, Let me finish.
• 29:21
  Speaker 1: Let me finish, because I say, and you might not
• 29:23
  Speaker 1: think of Chevy and Paula and Kim Kardashian you are
• 29:25
  Speaker 1: the same, but get up close to it, and you
• 29:28
  Speaker 1: see there's a lot of work done.
• 29:31
  Speaker 3: Can okay?
• 29:34
  Speaker 1: And then I said, when I was eighteen, I worked
• 29:37
  Speaker 1: in a Halloween store for three months. And then I
• 29:41
  Speaker 1: go into that and which I don't want to spoil
• 29:42
  Speaker 1: because that's in the show. And if we ever get
• 29:44
  Speaker 1: to film the rest of SKIP, you're gonna want to
• 29:47
  Speaker 1: see it, and it's gonna be really fun, but it's
• 29:49
  Speaker 1: it's tough.
• 29:50
  Speaker 3: You know.
• 29:50
  Speaker 1: I'm really excited to be part of this union now
• 29:52
  Speaker 1: because I got taps Heart lead in as soon as
• 29:54
  Speaker 1: I got on the show, obviously, and we were trying
• 29:57
  Speaker 1: to start a stand up comedians union, and it just
• 29:59
  Speaker 1: wasn't work.
• 30:00
  Speaker 3: Yeah, it's tough to do a stand up comedians union
• 30:03
  Speaker 3: because everybody is so cynical.
• 30:06
  Speaker 1: Yes, yeah, yeah, and the rights we were asking for,
• 30:09
  Speaker 1: you know, it was just so much free speech stuff
• 30:12
  Speaker 1: right now, where it was just kind of like being like,
• 30:14
  Speaker 1: we want the right to be able to say anything.
• 30:17
  Speaker 3: Crazy because who are they trying to unionize against, just
• 30:20
  Speaker 3: in general, the American people.
• 30:23
  Speaker 1: The venues were like totally fine, we'll pay you in
• 30:25
  Speaker 1: a sandwich, and so like that was hard because of negotiating.
• 30:28
  Speaker 4: With sandwich size and it's like, how do you You're
• 30:32
  Speaker 4: basically inventing a new type of just like like dollar Yeah, exactly.
• 30:37
  Speaker 1: It was tough and it wasn't worth it. So I'm
• 30:38
  Speaker 1: happy that I'm now part of a union that's gonna
• 30:40
  Speaker 1: get stuff done.
• 30:42
  Speaker 3: And that's another shirt I have.
• 30:43
  Speaker 2: That's gonna don't get it skipped. I really get it.
• 30:47
  Speaker 3: If I can find shirt.
• 30:49
  Speaker 1: I feel like, if I can find it, you'll.
• 30:51
  Speaker 2: Never find that shirt skip you You've got a mountain
• 30:54
  Speaker 2: of laundry behind you.
• 30:56
  Speaker 1: Yes, I can find it.
• 30:57
  Speaker 5: And while but listen, it's.
• 31:02
  Speaker 4: Listen, we're gonna get We're gonna get what we want,
• 31:04
  Speaker 4: and we're gonna get what we need. And while we
• 31:05
  Speaker 4: fight for that, I'm also gonna get the love of
• 31:07
  Speaker 4: my life and I and I also ask for people
• 31:09
  Speaker 4: to join me in that because I think it's so
• 31:12
  Speaker 4: important that we don't lose time in the life. And
• 31:14
  Speaker 4: also our life isn't just storytelling, it's also just basic
• 31:19
  Speaker 4: human needs.
• 31:20
  Speaker 2: Right, And you have so much time left, you know,
• 31:25
  Speaker 2: many years. You have to find love right away. You
• 31:28
  Speaker 2: should date yourself. No, it's on yourself and the love
• 31:33
  Speaker 2: will come later.
• 31:35
  Speaker 4: Doris Doris, How Doris is actually active?
• 31:39
  Speaker 2: Oh, of course, of course I'm on a dating app for.
• 31:46
  Speaker 5: You mean Field No, no, no, I am on that too.
• 31:52
  Speaker 2: But this one's called Okay Grandma, And it's where angry
• 31:57
  Speaker 2: men and angry women of a certain age get together
• 32:02
  Speaker 2: and we say why I yata all day long. It's perfect.
• 32:07
  Speaker 2: I've met many loves of my life. It never sticks
• 32:09
  Speaker 2: around because we're always we get sick of each other
• 32:12
  Speaker 2: almost immediately, but it's a wonderful place. Look. I also
• 32:15
  Speaker 2: wanted to bring up we were talking about negotiations just
• 32:18
  Speaker 2: a minute ago, and as you know, I am in
• 32:21
  Speaker 2: those meetings with the AMPTP. So I want to hear
• 32:25
  Speaker 2: from you, the younger generation, in addition to all the
• 32:28
  Speaker 2: demands that we have, you know, is there anything else
• 32:31
  Speaker 2: as an actor that we should be aware of that
• 32:33
  Speaker 2: we should be bringing to the table.
• 32:35
  Speaker 3: That's a really good question. Thank you for asking that.
• 32:39
  Speaker 3: I would love if they could maybe include something that
• 32:44
  Speaker 3: says like I can get food and meals three times
• 32:48
  Speaker 3: a day. Is that? Is that already in there?
• 32:51
  Speaker 1: That should be in there, man, Yeah, that should already
• 32:53
  Speaker 1: be in there. How many meals are you getting?
• 32:54
  Speaker 3: I get half a meal a day and they don't.
• 32:57
  Speaker 3: They don't let me eat anymore, which is my god?
• 33:00
  Speaker 3: Which the second half?
• 33:03
  Speaker 5: Okay?
• 33:04
  Speaker 2: So the rest of the asparagus.
• 33:07
  Speaker 3: The rest of the potatoes, the rest, so whatever, the
• 33:10
  Speaker 3: kind of it's kind of like the leftovers. The producers
• 33:12
  Speaker 3: get to eat first and whatever is left the scraps
• 33:15
  Speaker 3: kind of go to that.
• 33:15
  Speaker 5: That's so sad.
• 33:16
  Speaker 4: I also need like four to five men to like
• 33:19
  Speaker 4: kind of flirt with me.
• 33:21
  Speaker 1: And can I give you no no, no, no, hold on,
• 33:23
  Speaker 1: can I give you some advice? I think you'd be
• 33:25
  Speaker 1: a lot happier if you didn't date in the industry.
• 33:27
  Speaker 1: Have you ever tried that not dating other actors or writers.
• 33:31
  Speaker 2: No, what about a woodworker, a man who works with
• 33:36
  Speaker 2: his hands, a lumber jack.
• 33:38
  Speaker 3: You'd be so good. You'd be so good with a woodworker.
• 33:41
  Speaker 3: I have a couple of woodworker friends. You would love them.
• 33:44
  Speaker 4: But Doris, I do want to say, I'm I'm so
• 33:48
  Speaker 4: glad you're so close with fran Dresher. I think you guys'
• 33:51
  Speaker 4: friendship is really special.
• 33:53
  Speaker 2: Oh, we're best friends. We're like Yin and yang. She's
• 33:57
  Speaker 2: a good cup and I'm the bad cup.
• 34:00
  Speaker 3: She's the good cop to your bad.
• 34:03
  Speaker 1: So let's talk about a couple of real frustrating things
• 34:07
  Speaker 1: that friend Fresher has done lately. Right, she did. She
• 34:10
  Speaker 1: held that giant town hall where she was in the
• 34:12
  Speaker 1: middle of a town hall. This is a real thing.
• 34:14
  Speaker 1: Where it was about five hour meeting where everyone was
• 34:16
  Speaker 1: talking about their negotiating rights and what they want to
• 34:19
  Speaker 1: negotiate with the AMPTP four. She got really mad at everyone.
• 34:22
  Speaker 1: She left for twenty minutes. She came back, she had
• 34:25
  Speaker 1: a bathrobe on and she had a wet hair.
• 34:28
  Speaker 3: Clearly had just.
• 34:29
  Speaker 5: Taken a bath or a court.
• 34:33
  Speaker 2: The friend to tell me about that part. I didn't
• 34:36
  Speaker 2: know she.
• 34:36
  Speaker 5: Did that she ard that I friended this.
• 34:39
  Speaker 2: I guess I'm the bad cop in that I've been
• 34:42
  Speaker 2: to jail more than she had, and that's kind of
• 34:47
  Speaker 2: how we've delineated it.
• 34:48
  Speaker 3: It's you know, yeah, I maybe i'd maybe let the
• 34:53
  Speaker 3: shower thing slide if During the last week of negotiations,
• 34:57
  Speaker 3: she was actually seen in Italy with Kim carr Ashan
• 35:00
  Speaker 3: taking photos at events the Cape of People.
• 35:04
  Speaker 5: By the way, were you in Doris? Were you in
• 35:08
  Speaker 5: Italy with them?
• 35:09
  Speaker 2: No, I was working. I was sitting in the boardroom
• 35:12
  Speaker 2: with the AMPTP, swinging my fists around at the carrot
• 35:16
  Speaker 2: they dangle on a string to keep me busy, and
• 35:19
  Speaker 2: I was so pissed off. I can't believe the things
• 35:24
  Speaker 2: they do to me. It's so disrespectful. They just jangle things.
• 35:28
  Speaker 2: I think they've rigged a bunch of fishing wire in
• 35:30
  Speaker 2: the ceiling, and they dangle different objects that they know
• 35:33
  Speaker 2: will entice me, like a cupcake or a carrot, or
• 35:36
  Speaker 2: a bunch of shiny, shiny keys, and they keep me
• 35:41
  Speaker 2: distracted because they know they know then if they let
• 35:45
  Speaker 2: me talk, and if they let my fist swing, this debate,
• 35:49
  Speaker 2: this contract would be settled. Tomorrow and they would have
• 35:53
  Speaker 2: to cave because they can't keep getting okay the way
• 35:56
  Speaker 2: because the way I punch. I want to explain something
• 35:59
  Speaker 2: about the way I punch.
• 36:00
  Speaker 3: Yeah, go aheads go please, because I've been wondering strong.
• 36:03
  Speaker 2: I'm not strong, right, and so if I deck a
• 36:06
  Speaker 2: member of the AMPTP in the face, They're not gonna fall.
• 36:10
  Speaker 2: It's like a slow and gradual erosion of the coastline.
• 36:15
  Speaker 2: I punch a thousand times a minute. It's like Chinese
• 36:18
  Speaker 2: water torture, where if you get punched enough times in
• 36:21
  Speaker 2: the arm, just slightly, just ever so slightly, you will
• 36:25
  Speaker 2: go mentally insane. And so that's the tactic that I've
• 36:29
  Speaker 2: kind of been using, and that's what makes me beat.
• 36:32
  Speaker 2: I also wear a motorjike by motorcycle jacket, and that's
• 36:36
  Speaker 2: kind of why I'm the bad cop.
• 36:37
  Speaker 3: I guess, oh, you just kind of look like the
• 36:40
  Speaker 3: bad cop. Yeah.
• 36:42
  Speaker 2: They sort of pulled me in a little outfit.
• 36:44
  Speaker 4: You are out there on the sidelines fighting for actors
• 36:48
  Speaker 4: and writers and creators and teamsters.
• 36:52
  Speaker 5: Meanwhile, she's in Italy. You are the good cop, Doris.
• 36:55
  Speaker 1: I honestly don't know who the worst cop is. I
• 36:57
  Speaker 1: think you're both pretty bad cops in different regards.
• 37:00
  Speaker 3: Yeah, you're a bad cop in the tense of like
• 37:02
  Speaker 3: you're gonna hold for justice in a bad way. She's
• 37:04
  Speaker 3: a bad cop in like a bad apple in the industry,
• 37:07
  Speaker 3: you know, like not helpful keeping everything. So, so I know,
• 37:10
  Speaker 3: now we're gonna have like a lot of downtime. You know,
• 37:13
  Speaker 3: we're gonna be striped, but we're also gonna be doing
• 37:14
  Speaker 3: a lot of other things. How what are you guys
• 37:17
  Speaker 3: gonna do to pass the time now, Like.
• 37:19
  Speaker 5: Oh, that's such a good question.
• 37:21
  Speaker 1: It's it's tough. I mean, it's really tough for me.
• 37:23
  Speaker 1: It's it's kind of a bummer because I was really
• 37:25
  Speaker 1: excited to do the show so and I really didn't
• 37:28
  Speaker 1: want to have to do this, but unfortunately I do
• 37:30
  Speaker 1: have to go back to headlining pig shows, and it's
• 37:32
  Speaker 1: gonna be tough for.
• 37:33
  Speaker 3: Me to a headline So you sorry, So just just
• 37:37
  Speaker 3: setting your story straight. You joined the Union a month
• 37:40
  Speaker 3: ago before you're.
• 37:41
  Speaker 1: Pilot, Yeah, yeah, yeah, yeah, yeah yeah.
• 37:44
  Speaker 3: I mean now you're gonna go headline shows around the country, Okay, yeah, totally.
• 37:48
  Speaker 1: I mean that's just kind of what I'm up to
• 37:49
  Speaker 1: and it's such a bummer because I'm so ready. I mean,
• 37:51
  Speaker 1: I'm gonna be picketing. Obviously, that's gonna take up a
• 37:54
  Speaker 1: good amount of every day, and I'm really excited about that. Again,
• 37:58
  Speaker 1: the shirt is really really good, guys. It's so good
• 38:03
  Speaker 1: and I'm gonna be seeing in it and people can
• 38:04
  Speaker 1: take pictures of me and tell me what.
• 38:06
  Speaker 2: The shirt is. Again, Saga stands with.
• 38:10
  Speaker 1: Bag stands with Sag.
• 38:11
  Speaker 2: Yeah, it doesn't have what it takes. It's it's not
• 38:16
  Speaker 2: the shirt.
• 38:17
  Speaker 3: Okay, I'll take a shirt it's worth looking for.
• 38:23
  Speaker 2: That's not the shirt.
• 38:24
  Speaker 5: It's not the shirt, it's the people you meet in
• 38:26
  Speaker 5: the shirt.
• 38:28
  Speaker 1: I don't think that's it for me either.
• 38:30
  Speaker 2: Everyone.
• 38:30
  Speaker 1: Yeah, I don't actually receive that as being hit on.
• 38:33
  Speaker 1: As again, I was at the Sexual Pride March, so
• 38:36
  Speaker 1: I don't. I don't think that that is gonna happen
• 38:38
  Speaker 1: for me. Listen, Okay, I I am ready to get
• 38:42
  Speaker 1: out there and I'm gonna be using all of my
• 38:44
  Speaker 1: energy into picketing. I'm gonna be making some great signs,
• 38:48
  Speaker 1: I'm gonna be making some big statements, and I'm gonna
• 38:51
  Speaker 1: be talking about this on my headlining tour. So people
• 38:54
  Speaker 1: are aware of what's going on. So it's it's everything
• 38:59
  Speaker 1: I can do. And so I'm gonna be in Baltimore
• 39:03
  Speaker 1: in August, and then we're gonna be going up to
• 39:06
  Speaker 1: New Haven, Connecticut, and then we're jumping over to New
• 39:09
  Speaker 1: York City. I'm doing a week in New York and
• 39:11
  Speaker 1: then I'm going south. I'm gonna be going over to
• 39:13
  Speaker 1: New Jersey. I'm doing some uh in Bridgetown, New Jersey,
• 39:17
  Speaker 1: and then I'm gonna be jumping across the country. I'm
• 39:19
  Speaker 1: gonna start in Washington. I'm gonna be going down Washington.
• 39:23
  Speaker 1: I'm gonna start a Seattle jumping the country. I'm gonna
• 39:27
  Speaker 1: go to Seattle, and I'm gonna go to Portland, and
• 39:29
  Speaker 1: then we're doing Redding, California, and then we're gonna be
• 39:32
  Speaker 1: going over to San Francisco.
• 39:36
  Speaker 4: All right, thank you so much for your service, SKIPT
• 39:40
  Speaker 4: that's really awesome.
• 39:43
  Speaker 2: Single I'm fighting, some.
• 39:46
  Speaker 5: Of us will be fighting, Okay, no, what about you?
• 39:49
  Speaker 3: Oh thank you. So I legally, contractually they are keeping
• 39:54
  Speaker 3: me in a pen in New Zealand until the strike
• 39:57
  Speaker 3: is over. Contractually, contractually, I yeah, Unfortunately, the AMPTP and
• 40:02
  Speaker 3: this is a thing that I also would love to
• 40:04
  Speaker 3: be considered in the negotiations, maybe taking just a little
• 40:07
  Speaker 3: more power away from the AMPTP.
• 40:09
  Speaker 1: Do you have reps? Do you have people who are
• 40:11
  Speaker 1: reading these contracts before you sign them?
• 40:13
  Speaker 3: My reps are the producers on the show from Apple.
• 40:15
  Speaker 4: Oh no, oh no, yeah, what what's wrong with that?
• 40:22
  Speaker 3: No?
• 40:23
  Speaker 1: I think you're like one of the first people in
• 40:25
  Speaker 1: like maybe the new studio system. It sounds like the
• 40:28
  Speaker 1: studio system is back, which.
• 40:30
  Speaker 2: Is seems like it's like a shark for the eat.
• 40:36
  Speaker 3: That is what they said verbatim to me, and then
• 40:39
  Speaker 3: they laughed and laughed and laughed and then opened up
• 40:41
  Speaker 3: a pit with a bunch of sharks and said see
• 40:43
  Speaker 3: as a metaphor.
• 40:44
  Speaker 4: And they oh, no, no, no, no, that's not that Well.
• 40:49
  Speaker 3: This is actually great because I'm also gonna be working
• 40:51
  Speaker 3: on my pilot Oh no nol, which is actually based
• 40:54
  Speaker 3: on my life, and I'm excited. I know we're not
• 40:57
  Speaker 3: supposed to be writing during the strike, because that's actually bad,
• 41:00
  Speaker 3: but I'm hoping if you guys have any notes, you
• 41:02
  Speaker 3: guys will read it and give me notes. So that's
• 41:05
  Speaker 3: that's that's cool. Okay, never mind.
• 41:11
  Speaker 2: It's just a series of misfortunes.
• 41:14
  Speaker 3: It's so a series of unfortunate events, so kind of
• 41:18
  Speaker 3: it is the it's the Bodolaires siblings, but it's just
• 41:22
  Speaker 3: me and my just me and my two friends. And
• 41:25
  Speaker 3: it is a situation where my parents die and we're
• 41:28
  Speaker 3: sent to an uncle and he's really really mean and
• 41:31
  Speaker 3: he just wants me to die for my money. So
• 41:34
  Speaker 3: he's constantly trying to kill me and my two buddies,
• 41:36
  Speaker 3: greg and Gregory. And it is all about the high
• 41:40
  Speaker 3: jinks and it's really really fun. It's kind of set
• 41:43
  Speaker 3: in this imaginary world I built by myself, I built
• 41:47
  Speaker 3: as a child. It was really fun to build. And
• 41:50
  Speaker 3: I'm just kind of exploring that world.
• 41:52
  Speaker 2: No, do you have anybody looking out for you, like
• 41:56
  Speaker 2: a like a therapist or a bodyguard of sort.
• 42:00
  Speaker 3: Well, my therapist is from Apple. My bodyguards are Silicon
• 42:09
  Speaker 3: Valley guys who got hired from Apple.
• 42:11
  Speaker 1: Are they big.
• 42:17
  Speaker 2: Micro chips?
• 42:19
  Speaker 3: Yeah, so they gave me the micro chips. They really
• 42:21
  Speaker 3: helped me with my career. Oh god, those bodyguards are
• 42:26
  Speaker 3: not big, not big at all, but they did help
• 42:28
  Speaker 3: me develop microchips.
• 42:30
  Speaker 4: So yeah, I'm just gonna be on the picket lines.
• 42:33
  Speaker 4: I'm gonna be you know, like really just trying to
• 42:38
  Speaker 4: like open my heart up to any connections. And then
• 42:42
  Speaker 4: at nights I have I'll just probably be zabulon Barflores,
• 42:49
  Speaker 4: Low Boy, El Prado.
• 42:51
  Speaker 5: Tenants of the Trees.
• 42:55
  Speaker 1: You name me, okay, and those are.
• 43:00
  Speaker 5: Bars?
• 43:01
  Speaker 1: Okay?
• 43:03
  Speaker 2: Yeah, he just got to town. He's never been to
• 43:06
  Speaker 2: Tenants of the Trees in his life, do you have?
• 43:10
  Speaker 2: I spent a lot of time in Tenants of the Trees.
• 43:15
  Speaker 3: Where it was just tenants of the tree. There was
• 43:17
  Speaker 3: just one tree.
• 43:19
  Speaker 2: Back in my day, we didn't need to have a
• 43:22
  Speaker 2: bunch of trees. Went wait were the tenants? We only
• 43:27
  Speaker 2: needed one tree and that was good enough for us.
• 43:30
  Speaker 2: That we could flirt and buck and share a cigarette
• 43:34
  Speaker 2: with a guy with a mullet all we wanted. We
• 43:37
  Speaker 2: didn't need multiple trees to do that. This generation has
• 43:41
  Speaker 2: gone soft, Doris.
• 43:43
  Speaker 5: You were there when it was Tenants of the Bush.
• 43:46
  Speaker 2: I was there when it was Tenants of the Bush.
• 43:48
  Speaker 2: You know what, I liked it. I liked it better
• 43:50
  Speaker 2: than there were only four people in the bar, and
• 43:53
  Speaker 2: that was good enough for me. This is why you're
• 43:55
  Speaker 2: having trouble with dating. There's too many options and a
• 43:58
  Speaker 2: fish there's too many options.
• 44:00
  Speaker 4: No, I know, And sometimes I think I'm too symmetrical.
• 44:04
  Speaker 4: And sometimes I think it's hard when I'm blonde. And
• 44:06
  Speaker 4: sometimes I think it's hard when I look pretty. And
• 44:09
  Speaker 4: sometimes I think there's just too many options.
• 44:12
  Speaker 1: I think, right, stop, I'm sorry.
• 44:14
  Speaker 5: And sometimes what what?
• 44:16
  Speaker 2: What?
• 44:17
  Speaker 5: And sometimes I just stop it, just stop, And sometimes
• 44:20
  Speaker 5: I think.
• 44:21
  Speaker 3: You really gotta stop, you gotta stop.
• 44:23
  Speaker 4: And sometimes I think on the picket lines there's too
• 44:26
  Speaker 4: many hot butt stop it.
• 44:28
  Speaker 5: And sometimes and sometimes they think what what?
• 44:30
  Speaker 1: No, No, can you activate your microchip or something?
• 44:34
  Speaker 3: Alien?
• 44:35
  Speaker 5: Green Alien?
• 44:36
  Speaker 3: Oh darn, I think I gave you just the one
• 44:38
  Speaker 3: with green aliens. I gave you one that's just green Alien.
• 44:42
  Speaker 3: I was hoping to go off first for a movie
• 44:46
  Speaker 3: Green Alien.
• 44:48
  Speaker 1: I want to ask this. Okay, maybe we can use
• 44:50
  Speaker 1: just to wrap up, because I do have a show tonight.
• 44:53
  Speaker 1: My question for you guys is we are recording this
• 44:56
  Speaker 1: the day before the strike.
• 44:58
  Speaker 3: May or may not go. Sorry, this has been recorded. Yes,
• 45:01
  Speaker 3: this is not gonna work for me. This is not
• 45:03
  Speaker 3: gonna work for me. This is not gonna work for me.
• 45:06
  Speaker 3: This is not gonna work for me.
• 45:08
  Speaker 2: Oh, don't look behind you. There are two guys who
• 45:12
  Speaker 2: sort of look like Zuckerberg, and they're who know.
• 45:17
  Speaker 3: It's greg and Gregory quit my bodyguard questions.
• 45:20
  Speaker 1: Okay, so my question before maybe they'll give you a
• 45:22
  Speaker 1: few more minutes and we can finish this. My question
• 45:25
  Speaker 1: is there's a chance that we may or may not
• 45:27
  Speaker 1: go on strike tomorrow, so by the time this comes out,
• 45:30
  Speaker 1: we could have We're basically talking to our future selves, right,
• 45:33
  Speaker 1: So to your future self, if you do go on strike,
• 45:36
  Speaker 1: what do you want to say? And if we are
• 45:37
  Speaker 1: not on strike, what do you want to say? This
• 45:39
  Speaker 1: is a great time capsule moment.
• 45:43
  Speaker 2: I would say, work hard, fight hard, play harder, and
• 45:51
  Speaker 2: never lose your sense of whimsy, never stop swinging, and
• 45:58
  Speaker 2: never stop firing. The greatest gun in the world, which
• 46:05
  Speaker 2: is a little shotgun I call being yourself.
• 46:09
  Speaker 1: And is that for your non striking self or your
• 46:11
  Speaker 1: striking self?
• 46:13
  Speaker 2: Oh yeah, right, Uh, this is for my non striking
• 46:18
  Speaker 2: self and my striking self. I'd say, get.
• 46:22
  Speaker 7: Out there, get out there, get out there and kill,
• 46:26
  Speaker 7: kill kill, fight, kill, Doris, fight, fight kill, kill, attack
• 46:31
  Speaker 7: attack shoot kill kill kill.
• 46:35
  Speaker 3: Oh wow, that.
• 46:36
  Speaker 2: Was I'm not allowed on the picket lines. They have
• 46:39
  Speaker 2: told me that, they have told me.
• 46:41
  Speaker 5: That Doris, Doris look a shiny thing?
• 46:45
  Speaker 2: Where is it? Where is it? Give me that?
• 46:47
  Speaker 5: Give me this?
• 46:47
  Speaker 2: What is it? A remote?
• 46:48
  Speaker 3: Oh?
• 46:49
  Speaker 2: I'm so pissed off. I want my residual. So gim me,
• 46:51
  Speaker 2: give me, gim me, gim me, gimme me. God, they
• 46:55
  Speaker 2: got me again.
• 46:57
  Speaker 1: No, what about you striking yourself? Non striking self?
• 47:00
  Speaker 3: To my striking self, I'll say, write that funny sign?
• 47:03
  Speaker 3: Uh it? Really? Come up with a funny sign. I
• 47:08
  Speaker 3: think it's gonna be tougher for actors because we're not
• 47:11
  Speaker 3: writers to come up with a funny sign. But I
• 47:13
  Speaker 3: would love to come up with a funny sign.
• 47:15
  Speaker 1: So I mean I'm a writer too, because I'm a
• 47:17
  Speaker 1: stand up. So if you want pitches, I'm happiness.
• 47:19
  Speaker 3: Yeah. Can we actually pitch out some funny sign ideas
• 47:21
  Speaker 3: for me? As Ted Sarandos is the cantalope of movies step.
• 47:26
  Speaker 2: Oh my god, if I saw that sign on the picket,
• 47:30
  Speaker 2: I would shoot myself.
• 47:34
  Speaker 3: That's that's wild. I like that. No, I love the intensity.
• 47:38
  Speaker 2: H honest, I'm just trying to be constructive.
• 47:42
  Speaker 1: Thank you.
• 47:42
  Speaker 3: Does anybody else have any pitches? Anybody else? What about?
• 47:49
  Speaker 3: What about?
• 47:50
  Speaker 2: Like? Uh?
• 47:51
  Speaker 3: Uh no? More lines until we get in line, or yeah,
• 47:58
  Speaker 3: that's yeah.
• 48:00
  Speaker 2: That's pretty good. I would run with that, though.
• 48:02
  Speaker 3: It doesn't it doesn't really make sense. It doesn't really
• 48:06
  Speaker 3: have to make sense.
• 48:07
  Speaker 2: The picket line sense. The signs, they don't totally make sense.
• 48:10
  Speaker 2: You gotta read it quickly. You want to read it
• 48:12
  Speaker 2: quickly and not think about it.
• 48:14
  Speaker 3: I want it to be funny.
• 48:15
  Speaker 2: I want it to be about the signs. That's something
• 48:17
  Speaker 2: about the writer's strike that I will say. It's the
• 48:19
  Speaker 2: people are being really mean about this sign. The writers
• 48:23
  Speaker 2: are so brutal.
• 48:25
  Speaker 5: They're so brutal.
• 48:27
  Speaker 2: Somebody tries their best to write a nice little sign
• 48:30
  Speaker 2: that says this is my cardio for the day, and
• 48:33
  Speaker 2: a bunch of comedy writers get on their sad little
• 48:36
  Speaker 2: phones and tear that person apart.
• 48:38
  Speaker 3: That is that's why I want. I don't want to
• 48:42
  Speaker 3: I don't want to be torn apart. I do not
• 48:44
  Speaker 3: want to be torn apart.
• 48:45
  Speaker 5: Those actors are in for a rude, fucking awake.
• 48:48
  Speaker 2: It's gonna be It's gonna be rough out there for us.
• 48:52
  Speaker 2: I'll just say that only posting on Instagram, do not
• 48:56
  Speaker 2: post it on Twitter. If you post it on Twitter,
• 48:58
  Speaker 2: they will have you did.
• 49:00
  Speaker 3: What about hashtag striking it? Hashtag striking it? Does that?
• 49:04
  Speaker 3: Does that? You know what?
• 49:05
  Speaker 2: That's That's something.
• 49:07
  Speaker 1: You're gonna fly so under the radar with that, because
• 49:10
  Speaker 1: there's gonna be so many more highs and lows around
• 49:12
  Speaker 1: you that you're gonna last forever.
• 49:14
  Speaker 4: Mine's gonna say, here's your full body slate, and I'm
• 49:19
  Speaker 4: gonna flick.
• 49:19
  Speaker 1: Them You're and so you're gonna be flicking them off
• 49:22
  Speaker 1: for hours the whole time.
• 49:24
  Speaker 2: Yes, it kind of. It's one of those signs that
• 49:27
  Speaker 2: only works for the picture.
• 49:29
  Speaker 3: Yeah, I do like that. Maybe it's like, uh, yeah,
• 49:32
  Speaker 3: I'll show you my hands and then it's your fists.
• 49:35
  Speaker 5: Yeah, yeah, here's my hands.
• 49:37
  Speaker 1: When you leave the picket sign for the next day
• 49:40
  Speaker 1: for someone else to use it, you might want to
• 49:41
  Speaker 1: leave a note with it to talk about what your
• 49:43
  Speaker 1: hands are doing.
• 49:44
  Speaker 5: Hey girl, this sign goes with a physical action.
• 49:51
  Speaker 1: So yeah, so maybe you could use like self tap
• 49:55
  Speaker 1: requirements for all the signs. It's perfect.
• 49:57
  Speaker 2: Yeah, Well, we should know what our actors into is
• 50:00
  Speaker 2: when we're when we're chanting and when we're walking. We
• 50:03
  Speaker 2: have to you know, sometimes when I was on the
• 50:05
  Speaker 2: w g A picket lines, I would I would go, Okay,
• 50:08
  Speaker 2: now I should walk walk like a bubble would walk. Okay,
• 50:12
  Speaker 2: now I'm now I'm walking walking like a pirate would walk,
• 50:16
  Speaker 2: you know, having that secret intention that actors backstory so
• 50:19
  Speaker 2: that you can perform the role of the striker better.
• 50:22
  Speaker 2: I think my sign would say, memorize this, I'm angry.
• 50:28
  Speaker 1: It's pretty good.
• 50:30
  Speaker 3: That is really good. So that so I think that's
• 50:32
  Speaker 3: what my focus would be if I was on strike.
• 50:35
  Speaker 3: If we're not on strike, I think my advice to
• 50:39
  Speaker 3: me myself is figure out how to get out of
• 50:41
  Speaker 3: your situation because there's no way. It's because because you're
• 50:46
  Speaker 3: literally don't don't say it too loud. Greg and Gregory
• 50:50
  Speaker 3: don't have good hearing, but they could hear.
• 50:53
  Speaker 2: It, thank god, thank god they don't have good hearing.
• 50:57
  Speaker 1: Thank god they don't read lips or thank god if
• 51:00
  Speaker 1: they do relips that your face is turned away from them,
• 51:02
  Speaker 1: so you can.
• 51:03
  Speaker 3: Yeah, so my faces turned around and they can't really hear.
• 51:06
  Speaker 2: They just sort of just talking to each other now
• 51:08
  Speaker 2: about something else.
• 51:09
  Speaker 3: Well, they get very distracted by short selling things. So
• 51:12
  Speaker 3: I mentioned before this meeting so I could talk to
• 51:14
  Speaker 3: you guys. I said, wow, yeah, you guys think about
• 51:17
  Speaker 3: short selling anything, and they've just been talking about that
• 51:19
  Speaker 3: and also pickleball strategies, how to get better pickleball good.
• 51:23
  Speaker 3: So they're very distracted.
• 51:24
  Speaker 1: It makes me wonder what they're guarding. Are they guarding
• 51:27
  Speaker 1: things from you? Or you from things?
• 51:30
  Speaker 3: I can't tell, But every time I go near you know,
• 51:33
  Speaker 3: a car, a door, they feel like they go, who whoa, whoa, whoa, whoa, whoa, whoa,
• 51:37
  Speaker 3: where are you going? Chief? So, so I'm not sure
• 51:40
  Speaker 3: if they're guarding me or they're guarding me from things.
• 51:44
  Speaker 3: So and I'm too scared to ask. So yeah, so
• 51:48
  Speaker 3: that's that's my thing. But maybe they'll jump on the
• 51:51
  Speaker 3: picket line with me. That would be fun. That would
• 51:53
  Speaker 3: be very fun.
• 51:54
  Speaker 2: We can use the numbers. We're gonna get you out
• 51:57
  Speaker 2: of this.
• 51:57
  Speaker 1: Noel and a fish. What would you say to your
• 51:59
  Speaker 1: self for your non striking.
• 52:01
  Speaker 4: Self, Uh, striking self, get deck, non striking self, get
• 52:05
  Speaker 4: deck awesome?
• 52:07
  Speaker 3: Really focused?
• 52:08
  Speaker 2: I like that, and I want to I want to
• 52:10
  Speaker 2: show you a picture of my nephew. I think you
• 52:13
  Speaker 2: might like it.
• 52:14
  Speaker 3: He it's Penn Badgely, your nephew Pen Badly.
• 52:22
  Speaker 2: Yeah, my name is Doris Badley Badely. My my nephew
• 52:25
  Speaker 2: is pen Penn Badly. He's a baby, and I'm a aunt.
• 52:31
  Speaker 2: I'm a aunt, which came first.
• 52:36
  Speaker 3: Sorry, sorry we're.
• 52:39
  Speaker 5: On young Chldon. It's because your nephew.
• 52:42
  Speaker 3: I need to figure out what ant is. I need
• 52:44
  Speaker 3: to figure out what a So I was not born.
• 52:48
  Speaker 2: Than neo baby, but I became so successful that I
• 52:54
  Speaker 2: had a nephew that also became successful, thereby giving me
• 52:58
  Speaker 2: affording me these So it backflipped and now I'm a nepo.
• 53:03
  Speaker 3: So yes, so his parents got his parents were successful,
• 53:07
  Speaker 3: they had a neo baby of Pembadgeley. He got successful
• 53:10
  Speaker 3: so much so that you actually became successful. So you
• 53:13
  Speaker 3: hear so.
• 53:15
  Speaker 2: Most neo babies. Imagine a chart that with an arrow
• 53:18
  Speaker 2: pointing down right, famous mother, famous kid down Mine sort
• 53:23
  Speaker 2: of works like a like a check mark shape where
• 53:25
  Speaker 2: it goes mother to son and then back up to aunt.
• 53:30
  Speaker 4: Thank god we got through that. Okay, skip, what about you?
• 53:33
  Speaker 1: Well it's really simple, guys. I mean, I feel really
• 53:35
  Speaker 1: ignited by this fight. So if we don't end up striking,
• 53:39
  Speaker 1: what I'll say is, don't forget the energy we had
• 53:41
  Speaker 1: in this moment. I don't forget that we always should
• 53:44
  Speaker 1: value ourselves or shouldn't value each other. And this is
• 53:47
  Speaker 1: a viable working situation, this is a viable job in
• 53:51
  Speaker 1: a career that we need to fight for to continue
• 53:53
  Speaker 1: to ourselves, not a computer version of ourselves. Okay, we
• 53:56
  Speaker 1: need to get what we deserve. And because people love
• 54:00
  Speaker 1: us all over the world, millions of people pay to
• 54:03
  Speaker 1: see what we do.
• 54:03
  Speaker 4: So why are straight together like ourselves? There's more of
• 54:07
  Speaker 4: us than them.
• 54:08
  Speaker 1: We have two We have so much strength together, and
• 54:10
  Speaker 1: there's a lot of us, and I think I just
• 54:12
  Speaker 1: want to remember that if we don't strike, that we
• 54:14
  Speaker 1: can't get complacent, and we can't let something else happen
• 54:17
  Speaker 1: down the road.
• 54:18
  Speaker 2: Okay, exactly exactly. It's about all of us bending together,
• 54:22
  Speaker 2: hand in hand, then curling those hands into a fist
• 54:26
  Speaker 2: and sling it.
• 54:27
  Speaker 1: Exactly exactly. If we do end up striking, you can
• 54:31
  Speaker 1: catch me in Kansas City in September. You're gonna I'm
• 54:34
  Speaker 1: gonna head over to Lincoln a little bit after that.
• 54:37
  Speaker 2: Okay, Candilope, stop plugging.
• 54:40
  Speaker 3: Yeah, you feel like the Canalope of comedy.
• 54:43
  Speaker 1: Shut up, Shut up, because guess what that's merch that
• 54:47
  Speaker 1: I sell? And I have a shirt of that, I
• 54:49
  Speaker 1: have a shirt. Hold on a minute, wi.
• 54:51
  Speaker 3: No, no, no, no.
• 54:53
  Speaker 5: No, no, I have a shirt.
• 54:55
  Speaker 3: I have a shirt.
• 54:56
  Speaker 2: Oh my god, is that the shirt?
• 55:01
  Speaker 1: Yeah?
• 55:02
  Speaker 3: Wait?
• 55:02
  Speaker 5: Did you find the shirt?
• 55:04
  Speaker 2: Oh my god? Skip found the shirt. Skip, You're free.
• 55:09
  Speaker 2: You found the shirt. You don't have to do this anymore.
• 55:12
  Speaker 3: You don't have to strike.
• 55:14
  Speaker 5: We don't have to strike.
• 55:16
  Speaker 2: Skip the shirt.
• 55:19
  Speaker 1: I found the shirt and it smells like shit.
• 55:25
  Speaker 2: This has been artists on artists on artists on artists,
• 55:27
  Speaker 2: answering the question. Now, that's why they call it showbiz.
• 55:30
  Speaker 2: We'll see you next time.
• 55:35
  Speaker 3: Artists on artists on artists on artists. There's an improvised
• 55:37
  Speaker 3: Hollywood Roundtable podcast created, performed and produced by Kylie Brakman,
• 55:41
  Speaker 3: Jeremy Coldeane, Angela Girtana, and Patrick McDonald. Music is by
• 55:46
  Speaker 3: Gabriel Ponton. The opinions expressing this podcast do not reflect
• 55:49
  Speaker 3: the opinions of anyone who works on it, not even
• 55:51
  Speaker 3: the performers, because this is an improvised podcast and we're stupid.
• 55:54
  Speaker 3: Full video versions of AOAOAOA are available on YouTube, so
• 55:58
  Speaker 3: please like and subscribe and leave us a five star review.
• 56:01
  Speaker 3: Wherever you get your podcasts. Good Night, Hollywood,