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Transcript

KAYBLACK _ VULGO FK - Podpah _981 · Luke's English Podcast

• 0:00
  Speaker 1: Here you have exclusive opportunities. E falando em oportunidades, quem
• 0:21
  Speaker 1: é aluno fã pode estagiar até no maior podcast do Brasil.
• 0:25
  Speaker 2: E aí, pronto para viver no novo? Inscreva-se já. Fã,
• 0:28
  Speaker 2: seu futuro na prática. Chega aí, meu consagrado.
• 0:53
  Speaker 3: Todo dia pode ser um super dia. Baixe o app Superbad.
• 0:59
  Speaker 2: Seja super.
• 1:17
  Speaker 4: Oh, my dears, my dears, welcome to the first Podpá
• 1:19
  Speaker 4: of the week. Give it up!
• 1:21
  Speaker 2: Let's go! I always say, if there's a audience, I
• 1:27
  Speaker 2: ask for a paw, but I don't even want to know.
• 1:29
  Speaker 2: You're being shown, right? You're being shown, right? You're being shown, right?
• 1:32
  Speaker 2: You're being shown, right?
• 1:33
  Speaker 4: You're being shown, right? You're being shown, right?
• 1:36
  Speaker 2: You're being shown, right? You're being shown, right? You're being shown, right?
• 1:39
  Speaker 2: You're being shown, right? You're being shown, right? You're being shown, right?
• 1:42
  Speaker 2: You're being shown, right? You're being shown, right? You're being shown, right?
• 1:45
  Speaker 2: You're being shown, right? You're being shown, right? You're being shown, right?
• 1:49
  Speaker 2: You're being shown, right? You're being shown, right? You're being shown, right?
• 1:56
  Speaker 3: I'm fine.
• 1:56
  Speaker 2: Thank God.
• 1:57
  Speaker 1: You're also very beautiful, very stylish. We're working for this, right,
• 2:01
  Speaker 1: my brother?
• 2:01
  Speaker 2: Let's... The icon of.
• 2:02
  Speaker 3: Pará, right?
• 2:02
  Speaker 2: It's true. You're from Osasco, right? And you're from casa.
• 2:05
  Speaker 2: Let's go. Let's start this program. Stop leaving your like. Really, today,
• 2:09
  Speaker 2: I promise, it's going to be very cool. Before introducing
• 2:12
  Speaker 2: our guests.
• 2:13
  Speaker 3: Mítico Jovem.
• 2:14
  Speaker 2: Speak, dear Ligão de Agra... Talk about our sponsors. Starting
• 2:17
  Speaker 2: with Airbnb. The end of the year is coming. With
• 2:20
  Speaker 2: the end of the year coming, the carnival is coming.
• 2:24
  Speaker 2: So that's it, guys. Close an Airbnb for the carnival.
• 2:27
  Speaker 2: Incredible houses to gather everyone. So it's time. Enter the platform.
• 2:32
  Speaker 2: Use the guest's favorite filter. Because it's already good. There
• 2:35
  Speaker 2: will be only the fillets there for you. Remember that
• 2:37
  Speaker 2: the Airbnb... Ah, that's it. Now I got it. Mítico Jovem,
• 2:42
  Speaker 2: do you remember our first Pó de Pó de Verão?
• 2:44
  Speaker 2: Wonderful and well. You're crazy. Chamomile show live in the backyard,
• 2:49
  Speaker 2: in off, just for us. We almost died electrocuted. Almost. Almost.
• 2:52
  Speaker 2: A lot of barbecue and a lot of joy.
• 2:54
  Speaker 3: Really.
• 2:55
  Speaker 2: I saw it in a lot of Marília Mendonça, I
• 2:57
  Speaker 2: remember that. We heard a lot. Really, very good. Oh, oh,
• 2:59
  Speaker 2: amazing things happened in that house. And the guys are saying,
• 3:02
  Speaker 2: but how are you promoting the carnival for February? Man,
• 3:04
  Speaker 2: you have to program it. But that's it, you have
• 3:07
  Speaker 2: to prepare.
• 3:08
  Speaker 3: Exactly.
• 3:08
  Speaker 2: If you want to create carnival memories with your friends,
• 3:11
  Speaker 2: start sending the links in the group to teach the guys, okay?
• 3:15
  Speaker 2: Airbnb has it for all tastes and all pockets and
• 3:18
  Speaker 2: you can pay up to six times without interest or
• 3:20
  Speaker 2: on Pix. So it's cute, easy for you to travel
• 3:23
  Speaker 2: with your friends. Just do the ratting quickly and let's go.
• 3:25
  Speaker 4: Do the ratting with your friends and send it to Pix.
• 3:27
  Speaker 2: That's crazy. Look, Mítico Jovem. Talk, dear, like an underground
• 3:31
  Speaker 2: or a phenomenon. Damn, thank you. Pepsi Black, which makes
• 3:34
  Speaker 2: everything better, everything more intense. It's a delight. Mítico Jovem
• 3:37
  Speaker 2: has already opened his own, so he's going to take this.
• 3:39
  Speaker 2: It's going to get more intense, right? Exactly. The thing is,
• 3:42
  Speaker 2: if you use the coupon PEPSIPODEPA10, you have R $ 10
• 3:45
  Speaker 2: of discount to guarantee your Pepsi cold there in the
• 3:49
  Speaker 2: comfort of your home. So, please, guarantee. Pepsi, thank you
• 3:53
  Speaker 2: for being with us for a while now. I'm more
• 3:55
  Speaker 2: intense now. You're an intense kid, right? This is better
• 3:57
  Speaker 2: than a mother's hug.
• 3:58
  Speaker 3: Wow.
• 3:58
  Speaker 2: Your mother will be mad. Dona Marta, a big hug, huh?
• 4:01
  Speaker 2: A big hug for Dona Patrícia too. You know, right, mom?
• 4:03
  Speaker 2: The thing is this, talking about education, mythical young man,
• 4:06
  Speaker 2: talking about fan, the fan's black is already there. The
• 4:08
  Speaker 2: Black Fan Day has arrived. Your chance to start graduating
• 4:10
  Speaker 2: in 2026 with the best conditions of the year. Quais
• 4:22
  Speaker 2: são essas condições, Igão? A primeira mensalidade por R $ 49,00.
• 4:26
  Speaker 2: Tem noção do que é isso? R $ 49,00 tu
• 4:29
  Speaker 2: paga tua primeira mensalidade na faculdade. Com bolsas de até
• 4:33
  Speaker 2: 80% off. Caramba, isso é demais. Isso é demais. Corre
• 4:37
  Speaker 2: porque a promoção é por tempo limitado. Consulte as condições
• 4:40
  Speaker 2: no site. Curso nas áreas de tecnologia, gestão, saúde, comunicação
• 4:44
  Speaker 2: e muito mais. Com aulas práticas desde o primeiro semestre.
• 4:47
  Speaker 2: Siga o Arroba Vem Pra Fante. Tia Leila, um forte abraço.
• 4:49
  Speaker 5: Boa!
• 4:49
  Speaker 2: É nóis, viu? 80%, meu Deus do céu. Isso é bom, né, Medico?
• 4:53
  Speaker 4: I went to college and my pocket money was R $ 80.
• 4:55
  Speaker 4: I paid R $ 120 a month.
• 4:55
  Speaker 2: Now, let's talk about our sponsor, Master. Ipiranga. My God,
• 5:01
  Speaker 2: I love you guys from Ipiranga. I wanted to give
• 5:03
  Speaker 2: a big hug to Nicole, who was promoted. The monster, Palmas!
• 5:08
  Speaker 2: Thank you, Nicole. I hope we stay together. You're jumping
• 5:09
  Speaker 2: on our ball, not on yours. It's good because Ipiranga
• 5:12
  Speaker 2: is about to renew. I'm going to ask for more money.
• 5:15
  Speaker 2: It's nice to work with Ipiranga. It's a great company.
• 5:18
  Speaker 2: We're together.
• 5:24
  Speaker 1: A gente no posto, invadiu um posto de madrugada com
• 5:26
  Speaker 1: a rapazada, foi muito legal.
• 5:27
  Speaker 2: Vai assistir esse episódio aí. Essa semana promete o Mítico Jovem,
• 5:30
  Speaker 2: pois tem feriado na quinta-feira, que já emenda na sexta.
• 5:33
  Speaker 2: Mas antes de você dar aquele rolê, você tem que planejar,
• 5:37
  Speaker 2: fazer um check-up no carro, ver se tá tudo certinho. Então,
• 5:39
  Speaker 2: quer dar aquela checkada no carro? It's at Posto Ipiranga, guys.
• 5:42
  Speaker 2: Do you want to complete your tank with quality fuel?
• 5:46
  Speaker 2: There at Posto Ipiranga.
• 5:47
  Speaker 5: Exactly.
• 5:47
  Speaker 2: Do you want to buy... There at Posto Ipiranga. Sorry,
• 5:49
  Speaker 2: it's because it's there.
• 5:50
  Speaker 5: It's there.
• 5:51
  Speaker 6: It's there.
• 5:51
  Speaker 2: You already know. It's from the old days. Is there
• 5:53
  Speaker 2: everything at Posto Ipiranga, Mítio? There's everything, brother. Even coal.
• 5:56
  Speaker 2: These days I bought it.
• 5:56
  Speaker 3: I swear.
• 5:58
  Speaker 2: And don't call me to the barbecue.
• 6:00
  Speaker 1: True.
• 6:01
  Speaker 2: Aí que não descobre os bagulho, mano. Olha, foi mal.
• 6:03
  Speaker 3: Que desgramado.
• 6:04
  Speaker 2: Mas é porque lá tem de tudo, cara.
• 6:05
  Speaker 3: É isso.
• 6:06
  Speaker 1: Se você abastece o seu carro, vai ali na MPM ali,
• 6:09
  Speaker 1: compra um monte de coisa e volta.
• 6:10
  Speaker 2: Qualidade e confiança desde que eu e o Mítico Jovem
• 6:13
  Speaker 2: era guri. Desse tamanhinho. Desde que eu era uma criança.
• 6:15
  Speaker 2: E se você quer ficar por dentro das promoções, aponta
• 6:18
  Speaker 2: o celular pro QR Code e já siga a Ipiranga,
• 6:21
  Speaker 2: tá bom? Muito obrigado, Ipiranga, por estar com a gente.
• 6:23
  Speaker 2: Segue as redes sociais deles que é muito engraçadinha também.
• 6:26
  Speaker 2: É muito legal, de verdade. Toma um golinho d' água. Receive
• 6:30
  Speaker 2: it with a lot of affection, make a lot of noise,
• 6:32
  Speaker 2: knock down this studio, because there are a lot of
• 6:34
  Speaker 2: people here. And I was missing talking to them. Make
• 6:38
  Speaker 2: a lot of noise for Kai Black and Vulgo FK,
• 6:40
  Speaker 2: our guests today. Make more noise there.
• 6:41
  Speaker 3: That's it.
• 6:48
  Speaker 2: It's the chow, damn it.
• 6:50
  Speaker 3: Let's go.
• 6:51
  Speaker 2: How are you, my brothers?
• 6:52
  Speaker 4: We're good.
• 6:52
  Speaker 2: Thank God, we're very good.
• 6:53
  Speaker 3: You guys are beautiful.
• 6:54
  Speaker 6: What's going on?
• 6:55
  Speaker 2: These singers, these people are getting beautiful. You guys are
• 6:58
  Speaker 2: very beautiful. Congratulations. We're all different. We're all different. We're
• 7:02
  Speaker 2: all different. Take care of your health.
• 7:03
  Speaker 6: It's cool, it's cool.
• 7:12
  Speaker 2: The guys are celebrating, they're taking care of themselves.
• 7:14
  Speaker 3: It was Kai, right? Kai was the guy who inspired
• 7:17
  Speaker 3: our squad to grow.
• 7:17
  Speaker 2: I remember, he pulled the boxing stuff.
• 7:19
  Speaker 3: After I saw Kai, with that size he was, he
• 7:21
  Speaker 3: managed to lose weight, I said, I can do it.
• 7:24
  Speaker 3: I posted it yesterday, he posted it on Facebook. Why
• 7:26
  Speaker 3: did you have that motivation? What was it, Kai?
• 7:28
  Speaker 2: What do I remember? You pulled there. I remember that
• 7:30
  Speaker 2: I stayed at home, eating directly, and.
• 7:36
  Speaker 7: It's true, bro, because we used to do a lot
• 7:38
  Speaker 7: of shows only at the weekend, Saturday and Sunday we
• 7:40
  Speaker 7: were on the streets and most of the time at night, right?
• 7:42
  Speaker 7: And my day, I lost a lot, I wasted a
• 7:44
  Speaker 7: lot on my couch, and then I would stay... Waking
• 7:47
  Speaker 7: up late.
• 7:48
  Speaker 3: Waking up late, smoking a lot.
• 7:50
  Speaker 2: That unnecessary laziness.
• 7:51
  Speaker 7: Yeah, so I was lazy, I didn't want to do anything,
• 7:53
  Speaker 7: and one day, bro, like out of nowhere, just in
• 7:55
  Speaker 7: my head, I said like this, bro, I need to
• 7:57
  Speaker 7: wake up, wake up, I don't know, look at the
• 7:59
  Speaker 7: guys from Gringa, Fifi de Sente, the guys are all pretty,
• 8:02
  Speaker 7: That's why his career lasted longer, besides music. He took
• 8:05
  Speaker 7: care of himself. Many people have this prejudice of judging
• 8:10
  Speaker 7: people before they know them. He looked at me, he
• 8:14
  Speaker 7: looked at a guy like that. Obviously, it would give
• 8:16
  Speaker 7: more credibility to a guy like that. I took it
• 8:18
  Speaker 7: and said, no, I'm going to start taking care of myself.
• 8:21
  Speaker 7: I started running alone, like I already told you here once.
• 8:22
  Speaker 3: But you flew, bro. And after that.
• 8:24
  Speaker 6: Bro, I saw that I was getting very.
• 8:26
  Speaker 7: very thin too because I didn't know how to do
• 8:28
  Speaker 7: anything I started to practice other sports box jiu-jitsu.
• 8:31
  Speaker 2: And he says but I keep looking at the stories
• 8:35
  Speaker 2: of the car black.
• 8:36
  Speaker 8: One day box one day jiu-jitsu capoeira he's in all
• 8:39
  Speaker 8: martial arts bro that's cool bro the guy has a
• 8:42
  Speaker 8: hyper focus like that he liked the thing he gave
• 8:46
  Speaker 8: up somehow and he's our pitbull but it's because.
• 8:48
  Speaker 4: It's cool because it's true right but.
• 8:50
  Speaker 7: It's because it's like this bro I had like this
• 8:53
  Speaker 7: I couldn't I didn't want to put.
• 8:55
  Speaker 6: On weight, you know?
• 8:56
  Speaker 7: I didn't like to do those repetitions, to stay in
• 8:58
  Speaker 7: the gym. Nowadays it's cool, nowadays... It's not that it's cool, right?
• 9:02
  Speaker 3: But you do it to improve your box, your jiu-jitsu,
• 9:04
  Speaker 3: and then you go. You say, it's cool.
• 9:05
  Speaker 9: But, like, for me not to start there, in a
• 9:06
  Speaker 9: business that I wouldn't... That I would know that I wouldn't...
• 9:13
  Speaker 9: I didn't want to take it to the next level.
• 9:16
  Speaker 3: I wanted to start in a business that I thought
• 9:18
  Speaker 3: would be cool.
• 9:19
  Speaker 7: That's the secret, man. I was already a fighter since
• 9:21
  Speaker 7: I was a kid. I said, bro, let me go
• 9:22
  Speaker 7: to something that will make.
• 9:24
  Speaker 3: Sense to me.
• 9:24
  Speaker 2: But what was the martial art that.
• 9:27
  Speaker 6: You fell in love with?
• 9:28
  Speaker 3: First.
• 9:28
  Speaker 7: The first was Muay Thai.
• 9:30
  Speaker 3: I did Muay Thai for almost two years.
• 9:32
  Speaker 6: I did it for a year and a.
• 9:33
  Speaker 10: Half, I think.
• 9:34
  Speaker 2: Felipe was there.
• 9:35
  Speaker 3: Damn, man.
• 9:35
  Speaker 2: You had started boxing.
• 9:36
  Speaker 7: No, I started doing Muay Thai. But I entered Muay
• 9:39
  Speaker 7: Thai thinking it was all the same. Like boxing, Muay Thai.
• 9:41
  Speaker 3: So... I said, I want to join Muay Thai because.
• 9:43
  Speaker 7: Besides kicking, I see that the guys dodge, but it's
• 9:46
  Speaker 7: not Muay Thai, Boxing, the guys dodge more.
• 9:49
  Speaker 6: Man, if you dodge like that, you're going to get
• 9:51
  Speaker 6: a cramp, a knee, it's going.
• 9:51
  Speaker 3: To be bad. So I said, no, that's not what
• 9:53
  Speaker 3: I want.
• 9:53
  Speaker 2: I want to be able to dodge.
• 9:57
  Speaker 7: I like that. Mike Tyson and such. Then the guys said, no,
• 10:01
  Speaker 7: that's boxing.
• 10:02
  Speaker 3: It's not Muay Thai. It took a.
• 10:04
  Speaker 2: Year and a half for you to say. No, because
• 10:06
  Speaker 2: I wanted to kick.
• 10:07
  Speaker 7: But I wanted to dodge too. I wanted to learn
• 10:09
  Speaker 7: to kick. But I only had one leg. You wanted everything, brother.
• 10:12
  Speaker 2: I wanted everything.
• 10:12
  Speaker 7: I say, for soccer, I'm right-handed. And in Muay Thai,
• 10:15
  Speaker 7: I only had the left leg to kick. The right
• 10:17
  Speaker 7: leg didn't even go up on the bus. Not even
• 10:20
  Speaker 7: on the bus.
• 10:21
  Speaker 6: It's weird.
• 10:21
  Speaker 3: I didn't want to do it like that. It's weird.
• 10:24
  Speaker 2: You're doing Muay Thai, right?
• 10:26
  Speaker 3: No, I do more Muay Thai because I broke my
• 10:28
  Speaker 3: Achilles tendon. So, for me, it's good to do something more...
• 10:30
  Speaker 3: You're always on the hook. I already thought that... And
• 10:32
  Speaker 3: I also like a lot of Muay Thai. He came
• 10:34
  Speaker 3: in like that out of nowhere.
• 10:35
  Speaker 4: Not out of nowhere. He's seeing himself. He's getting inspired
• 10:40
  Speaker 4: by the gringos. But what about you?
• 10:42
  Speaker 2: You said you saw him. But how was this movement
• 10:43
  Speaker 2: of yours? I didn't get inspired by the gringos, no.
• 10:44
  Speaker 3: I saw the guy and I was like.
• 10:46
  Speaker 2: That's cool, man.
• 10:47
  Speaker 3: Man, it worked out. I can do it too. I'm
• 10:50
  Speaker 3: close to him every day, man. And he says, go, dude.
• 10:52
  Speaker 2: Come here, man. I'm fucking lazy, man.
• 10:54
  Speaker 3: I said, no, I have a laziness that I don't
• 10:56
  Speaker 3: know how to explain.
• 10:58
  Speaker 2: The shit of F is.
• 10:59
  Speaker 6: That he lives far away.
• 11:00
  Speaker 2: I have a laziness and I live far away.
• 11:02
  Speaker 3: He lives far away. But it's not in Mogi. I
• 11:04
  Speaker 3: live after Mogi. I live next to the beach. I hide,
• 11:06
  Speaker 3: but I love to live where I live. It's good,
• 11:15
  Speaker 3: isn't it?
• 11:15
  Speaker 6: No, it's very peaceful there.
• 11:16
  Speaker 3: I went there.
• 11:16
  Speaker 6: It's crazy.
• 11:17
  Speaker 3: It's very peaceful.
• 11:18
  Speaker 2: But how long did it take to get there?
• 11:20
  Speaker 6: It took... For me to get to the result, I think.
• 11:23
  Speaker 2: No, you didn't get to his house.
• 11:23
  Speaker 3: No, I didn't get to his house. No, I didn't
• 11:25
  Speaker 3: get to his house. No, I didn't get to his house.
• 11:27
  Speaker 6: No, I didn't get to his house. No, I didn't
• 11:28
  Speaker 6: get to his house. No, I didn't get to his house.
• 11:30
  Speaker 3: No, I didn't get to his house.
• 11:32
  Speaker 2: No, I didn't get to his house. No, I didn't
• 11:33
  Speaker 2: get to his house. It was cheaper there.
• 11:36
  Speaker 3: So I moved there. I wanted to live in a house.
• 11:39
  Speaker 6: That's a lie.
• 11:40
  Speaker 3: You're in a lot of trouble. It's for more. I
• 11:41
  Speaker 3: really like where people live in Mogi.
• 11:43
  Speaker 2: But I said, I won't stay in these condos.
• 11:44
  Speaker 3: In Maruã. Because I'm very communicative. And sometimes I just
• 11:48
  Speaker 3: want to stay in mine. And my wife is no
• 11:49
  Speaker 3: longer in my rhythm of talking. She's calmer, dentist. So
• 12:03
  Speaker 3: I said, let's look for a condominium a little further away.
• 12:05
  Speaker 3: So I live a great life of titio there. But
• 12:07
  Speaker 3: this is good, man.
• 12:07
  Speaker 2: This is good, it's already for the father too, of two,
• 12:11
  Speaker 2: there's no way, right? Let's talk about the fight, how
• 12:14
  Speaker 2: is Muay Thai for you, man? I'm very interested in this, right?
• 12:17
  Speaker 2: I'm living this for fuck's sake too. It's very nice, really.
• 12:19
  Speaker 3: You see how far you can go, especially with physical resistance,
• 12:22
  Speaker 3: you know? Felipe is a guy who has been helping
• 12:24
  Speaker 3: us a lot in this thing. And since I started
• 12:27
  Speaker 3: doing I lost more than 10 kg when I fought him.
• 12:33
  Speaker 3: I was around 100 kg and now I'm 89 kg.
• 12:34
  Speaker 3: It's crazy. It's crazy. It's crazy.
• 12:36
  Speaker 2: It's crazy.
• 12:37
  Speaker 3: It's crazy. It's crazy.
• 12:38
  Speaker 2: It's crazy.
• 12:39
  Speaker 3: It's crazy.
• 12:40
  Speaker 6: It's crazy.
• 12:41
  Speaker 2: It's crazy.
• 13:00
  Speaker 3: And the fight helped me a lot. And now I'm
• 13:02
  Speaker 3: addicted to cycling.
• 13:03
  Speaker 6: Really?
• 13:03
  Speaker 3: I already took a roller there. I'm trying to get
• 13:07
  Speaker 3: a degree. I fell. I'm still in pain.
• 13:09
  Speaker 1: What's the charm of this bicycle thing?
• 13:11
  Speaker 2: Everyone is running and the bike is... Does it tire
• 13:14
  Speaker 2: you less than running on foot?
• 13:15
  Speaker 3: I think it's less impactful for me that I have
• 13:17
  Speaker 3: a tendon injury. So, for me, I got along well
• 13:20
  Speaker 3: with the bike.
• 13:20
  Speaker 2: But imagine, man. Married, get home, everything burst. What was it, man?
• 13:25
  Speaker 3: I fell off a bike. I fell off a bike
• 13:28
  Speaker 3: in the park.
• 13:29
  Speaker 2: But did you break all over?
• 13:30
  Speaker 3: Man, I got hurt. I got hurt. A black guy
• 13:33
  Speaker 3: doesn't get purple, right? But I think I would be
• 13:35
  Speaker 3: purple if I were white here.
• 13:39
  Speaker 2: So you're Muay Thai and bike.
• 13:42
  Speaker 3: Yeah, today it is. I'm not a big fan of
• 13:44
  Speaker 3: going to the gym. I'm ashamed. I'm a big guy coming.
• 13:46
  Speaker 3: I'm ashamed of what people will think. I know there's
• 13:48
  Speaker 3: no such thing. But I'm like, damn it. But every
• 13:54
  Speaker 3: time I go to the gym, it's a message. Let
• 13:55
  Speaker 3: me train there, I'm making mistakes, let me make mistakes
• 13:58
  Speaker 3: and learn. Watch the video of the guys, or have
• 14:01
  Speaker 3: a personal trainer with me, he will help me. Every
• 14:03
  Speaker 3: time I'm training in the gym, someone comes... Just correct
• 14:05
  Speaker 3: me to be a teacher. Yeah, someone who comes like this...
• 14:07
  Speaker 3: Hey man, are you crazy?
• 14:08
  Speaker 2: This will end with your back. Wow, I hate that, man!
• 14:12
  Speaker 2: What am I going through?
• 14:13
  Speaker 3: It's FK, don't do this shit, man. Sometimes I can do.
• 14:16
  Speaker 2: A little maneuver there and the guys... I was like,
• 14:20
  Speaker 2: this guard is low. I was like, I'm doing it
• 14:21
  Speaker 2: to improve.
• 14:22
  Speaker 3: I stopped posting videos because of that. I stopped.
• 14:25
  Speaker 2: I stopped posting for almost a year because of that.
• 14:28
  Speaker 2: I was like, these guys never.
• 14:29
  Speaker 7: Fought with anyone. I entered the profile here, I didn't
• 14:31
  Speaker 7: fight with anyone. But you will learn, bro, you will.
• 14:41
  Speaker 1: Stay, you will stay. And the worst is like this, bro,
• 14:44
  Speaker 1: I'm training, I'm doing this to learn.
• 14:46
  Speaker 2: So people criticize a lot, bro.
• 14:47
  Speaker 3: It's at this moment that I have to make mistakes,
• 14:49
  Speaker 3: people keep talking, bro. It's very difficult to go, then
• 14:51
  Speaker 3: the guy will say this, I'll say.
• 14:52
  Speaker 2: I won't go anymore. But do you want to fight?
• 14:56
  Speaker 2: But not these mediatic ones, no. You want to challenge
• 14:58
  Speaker 2: yourself in Muay Thai, that's it. You want to fight
• 15:01
  Speaker 2: or you just want to train?
• 15:02
  Speaker 3: I prefer to train more, bro. I'm not very good
• 15:04
  Speaker 3: at fighting, no. I already take it to the staff,
• 15:07
  Speaker 3: the guy is already going to lose, I'm going to
• 15:09
  Speaker 3: stay in the mod, hold him, hold him, I'm not
• 15:11
  Speaker 3: going to know how to lose, but I want to
• 15:13
  Speaker 3: graduate to a personal thing, to look at my house,
• 15:15
  Speaker 3: see the things all cute.
• 15:16
  Speaker 2: Are you going to want to fight then?
• 15:18
  Speaker 3: I'm sure he will.
• 15:19
  Speaker 2: But what fights do you do? What are you doing?
• 15:31
  Speaker 7: I did a little bit of Muay Thai, now I
• 15:33
  Speaker 7: do Boxing. How long have you been boxing? I've been
• 15:35
  Speaker 7: boxing for 4 years now.
• 15:37
  Speaker 6: Holy shit, bro!
• 15:38
  Speaker 3: It's a joke, man.
• 15:39
  Speaker 2: And we train every day, 2 or 3 times.
• 15:42
  Speaker 3: Every day.
• 15:42
  Speaker 6: Every day, man? Every day, even on Sundays.
• 15:44
  Speaker 7: Because the master is my security, you know? So the
• 15:47
  Speaker 7: master works with me in addition to the fight. He
• 15:56
  Speaker 7: works with me, we travel together, we go everywhere. So
• 15:58
  Speaker 7: you guys are always together. Everywhere we go, we're training,
• 16:01
  Speaker 7: we're doing.
• 16:01
  Speaker 3: Holy shit, bro!
• 16:02
  Speaker 10: You really loved it!
• 16:04
  Speaker 3: And Jiu-Jitsu?
• 16:05
  Speaker 2: I started Jiu-Jitsu five months ago.
• 16:06
  Speaker 6: What do you think?
• 16:08
  Speaker 2: There's a lot of Jiu-Jitsu too, bro.
• 16:09
  Speaker 6: Bro, straight talk.
• 16:10
  Speaker 2: Jiu-Jitsu made me put my.
• 16:11
  Speaker 6: Foot on the ground a little more.
• 16:12
  Speaker 3: Before.
• 16:16
  Speaker 7: When I was boxing in Muay Thai, I was still thinking,
• 16:19
  Speaker 7: I was looking at each other's faces. I was still
• 16:22
  Speaker 7: saying to the guys, we were going to do a show,
• 16:24
  Speaker 7: we were going to get to the place, I was
• 16:27
  Speaker 7: saying like this, man, from 0 to 10.
• 16:28
  Speaker 3: How many do you think we're going to get in
• 16:31
  Speaker 3: hand with everyone? Yeah, he was like that.
• 16:32
  Speaker 2: I'm training, I want to know if I won or not.
• 16:34
  Speaker 7: Brother, then after I entered Jiu-Jitsu, I understood that the
• 16:37
  Speaker 7: breeze is what? The guys, there is no face, brother. Jiu-Jitsu,
• 16:39
  Speaker 7: the guy who has the most face, like this, I'm
• 16:41
  Speaker 7: going to say it, boxing, the guys are badly faced
• 16:43
  Speaker 7: in Muay Thai. In Jiu-Jitsu, the guy who has the
• 16:47
  Speaker 7: most beast face is the.
• 16:48
  Speaker 1: One who will beat you the most.
• 16:49
  Speaker 2: And the mass, right?
• 16:50
  Speaker 3: That's true. The guy who will.
• 16:52
  Speaker 2: Beat you the most, you know? A little uncle came
• 16:54
  Speaker 2: in the other day in the gym, the biggest trucker
• 16:56
  Speaker 2: face of the stereotype. I said, okay. Out of nowhere,
• 16:59
  Speaker 2: he pulled out a black belt. I said, come on, dude.
• 17:01
  Speaker 2: Because my mind is already in malice. Because now, doing boxing,
• 17:03
  Speaker 2: this is the mass.
• 17:04
  Speaker 7: Jiu-Jitsu, you're going to put your foot on the ground
• 17:06
  Speaker 7: because you're going to get there. Like, beyond the hierarchy
• 17:10
  Speaker 7: and such.
• 17:12
  Speaker 7: .
• 17:15
  Speaker 2: .
• 17:28
  Speaker 7: .
• 17:29
  Speaker 2: .
• 17:36
  Speaker 7: We get 4 degrees and then
• 17:39
  Speaker 7: we get the blue belt. Do you do Jiu-Jitsu with
• 17:41
  Speaker 7: Felipe too? No, Jiu-Jitsu is with Victor Negão. I call
• 17:45
  Speaker 7: him Victor Negão, but it's Victor MMA, Victor Regis, Mr.
• 17:49
  Speaker 5: Regis.
• 17:50
  Speaker 2: Man, I'm living this thing a lot, watching a lot,
• 17:52
  Speaker 2: very cool. The other day I saw you going to Capoeira.
• 17:55
  Speaker 2: I said, man, he's playing in all martial arts. You
• 17:57
  Speaker 2: don't have this... Muay Thai is already good for you, right?
• 18:00
  Speaker 3: It's already a big fight, man. It's a big trap
• 18:03
  Speaker 3: for me. It's a big trap.
• 18:05
  Speaker 1: It's going to end. I'm not going to end it.
• 18:08
  Speaker 1: But now for the guys, the singers who are watching.
• 18:11
  Speaker 1: What do you say to them? What has changed in
• 18:14
  Speaker 1: your lives professionally, doing this movement? Academy, physical activity. What
• 18:18
  Speaker 1: has improved for.
• 18:19
  Speaker 2: Your work, you know?
• 18:19
  Speaker 7: Man, mine has changed a lot because I'm a guy
• 18:22
  Speaker 7: who has asthma, you know?
• 18:23
  Speaker 6: I have bronchitis, asthma.
• 18:25
  Speaker 7: I have everything from rhinitis, sinusitis. I have everything that
• 18:30
  Speaker 7: involves breathing. So I was a guy who, bro, my
• 18:34
  Speaker 7: show was to do half, let the people sing half,
• 18:37
  Speaker 7: because I couldn't stand it, you know?
• 18:39
  Speaker 5: There were always some.
• 18:39
  Speaker 2: Things that you felt bad about, right?
• 18:41
  Speaker 7: I was, I was, I was hospitalized about two or
• 18:43
  Speaker 7: three times, once I couldn't, I even ask for forgiveness here,
• 18:46
  Speaker 7: people from Manaus, once, I owe it to today, bro, I.
• 18:48
  Speaker 6: Never came back to Manaus.
• 18:50
  Speaker 2: You're going to come back.
• 18:51
  Speaker 7: I was going to do a great show there, the
• 18:52
  Speaker 7: people were all waiting, and then... I had a bad time,
• 18:55
  Speaker 7: I went to the hospital and from there I stayed
• 18:57
  Speaker 7: several months, I.
• 18:58
  Speaker 2: Think I stayed a hundred months without singing.
• 19:00
  Speaker 3: I saw, bro, a truck like that.
• 19:01
  Speaker 7: And then, too, what made me want to focus more,
• 19:02
  Speaker 7: you know, bro? I focused more and more to be
• 19:04
  Speaker 7: able to deliver a quality business to the people, bro,
• 19:07
  Speaker 7: so I wouldn't be just having to, every week, mark
• 19:09
  Speaker 7: a business, be an uncertain business for the person who
• 19:11
  Speaker 7: is wanting to see me paying. Sometimes it takes away
• 19:13
  Speaker 7: from your salary, it takes away from a business that
• 19:16
  Speaker 7: you don't even have, to be able to see us,
• 19:17
  Speaker 7: we give this uncertainty of being there at that show
• 19:21
  Speaker 7: to be able to present. So I took care of
• 19:22
  Speaker 7: it a lot, for my children too, right, bro? I'm
• 19:25
  Speaker 7: a young guy, but I've got three old guys.
• 19:27
  Speaker 4: What's the age of those three?
• 19:31
  Speaker 2: They're coming... Four, two and one, you know?
• 19:32
  Speaker 6: No, but he's very handsome, bro. Very handsome.
• 19:35
  Speaker 2: He's got a green eye, charismatic. He likes it.
• 19:38
  Speaker 3: He says, hey, dad, I want to do boxing. He
• 19:40
  Speaker 3: likes to sing. and fight.
• 19:45
  Speaker 6: Brother, he.
• 19:52
  Speaker 6: It's all thanks to you.
• 19:53
  Speaker 3: And your kids?
• 19:53
  Speaker 2: You have the oldest, right? Yeah, I have my kid
• 19:55
  Speaker 2: and my girl.
• 19:56
  Speaker 5: What's their age?
• 19:57
  Speaker 3: My kid is 5 years old and my girl is
• 19:58
  Speaker 3: 2 years old, Maia and Yuri. Yuri, when he's 5
• 20:00
  Speaker 3: years old, do you see him wanting to be an artist?
• 20:03
  Speaker 2: I don't think Yuri will, because he's a guy that...
• 20:06
  Speaker 2: People at school know he's my son.
• 20:08
  Speaker 3: And he doesn't talk to me like, wow, dad, in general...
• 20:10
  Speaker 3: He talks like, oh, dad.
• 20:20
  Speaker 3: They stopped me again, saying that I was their son.
• 20:22
  Speaker 3: Then the guys came to take a picture with me
• 20:24
  Speaker 3: and he was in front of the people and said, man,
• 20:26
  Speaker 3: why again? He already took it. He doesn't know how
• 20:29
  Speaker 3: to deal with it very well. Now my mother-in-law was
• 20:31
  Speaker 3: born to be a star. You see her dancing, singing.
• 20:33
  Speaker 3: It's already ahead. Yeah, it's already ahead. But Yuri is
• 20:36
  Speaker 3: very shy. He has his way, he's mega smart. But
• 20:38
  Speaker 3: if he sang, you don't think it will be? He
• 20:39
  Speaker 3: likes to sing a lot. But I think he'll be
• 20:45
  Speaker 3: a good astronaut.
• 20:47
  Speaker 5: A doctor, I think.
• 20:48
  Speaker 2: Or if he's that singer, he'll be that half-light singer.
• 20:51
  Speaker 2: But if he wants, we'll try.
• 20:53
  Speaker 3: He'll be the monster of Jiu-Jitsu.
• 20:54
  Speaker 6: He came there to do Jiu-Jitsu and Urinho.
• 20:56
  Speaker 2: He.
• 20:56
  Speaker 3: Likes to fight. What do you think your guys will be? Man,
• 21:01
  Speaker 3: Isaac already does capoeira.
• 21:03
  Speaker 5: He does capoeira.
• 21:03
  Speaker 7: He did a little bit of Jiu-Jitsu too, but he
• 21:06
  Speaker 7: didn't adapt much.
• 21:12
  Speaker 6: Then he said, I like to punch.
• 21:13
  Speaker 3: He took my gloves away.
• 21:14
  Speaker 7: Dad, every time he goes home, he takes the gloves away.
• 21:16
  Speaker 7: He puts the gloves in his pocket and takes it away.
• 21:19
  Speaker 3: I said, man, I don't have any more gloves.
• 21:21
  Speaker 6: Then he arrives at his house and he's there punching
• 21:23
  Speaker 6: the wall.
• 21:24
  Speaker 2: Who takes the stuff from you more, Caveirinha or your son?
• 21:27
  Speaker 3: That's a good fight, bro.
• 21:29
  Speaker 5: You even changed the guy.
• 21:31
  Speaker 3: Caveirinha, bro, Caveirinha is.
• 21:32
  Speaker 2: Does he still do it?
• 21:33
  Speaker 3: Caveirinha is every day, bro. Every week. He's been there.
• 21:36
  Speaker 3: I'm sure he's been there. Or he must be there
• 21:38
  Speaker 3: now that you're here.
• 21:39
  Speaker 2: Hey, Caveirinha.
• 21:41
  Speaker 7: I'm sure he's going to post something in my house.
• 21:43
  Speaker 7: Caio left, here, I'm here, picking up clothes.
• 21:45
  Speaker 2: The bastard took me out, bro. The bastard, bro. F,
• 21:47
  Speaker 2: you released an album. How long has it been since
• 21:51
  Speaker 2: the Fuck Songs?
• 21:51
  Speaker 3: It's been a year and a little.
• 21:53
  Speaker 5: Damn, bro.
• 21:54
  Speaker 2: This album is very good. Very, very good.
• 21:57
  Speaker 3: I really loved it.
• 21:59
  Speaker 2: You were nominated for the Multishow award, the best urban musician, right?
• 22:04
  Speaker 2: You'll compete there. And then I'll ask this question to
• 22:07
  Speaker 2: you and Kai Black, because Kai Black also released Contradições
• 22:10
  Speaker 2: and after two years he released Cara do Enquadro. Which
• 22:14
  Speaker 2: period do you think is good to work on an album?
• 22:17
  Speaker 2: Because I wanted to exchange this idea with you, because
• 22:19
  Speaker 2: I see that you do it in a good time.
• 22:21
  Speaker 3: You know? Caio usually leaves it to time. He leaves
• 22:25
  Speaker 3: the fans immersed. The fans start to hate him.
• 22:28
  Speaker 5: He's like that.
• 22:29
  Speaker 2: He's the kind of guy who leaves a longing.
• 22:31
  Speaker 3: I even say to him, I'm afraid of a person
• 22:34
  Speaker 3: like that. A person who says, damn, I miss Caio.
• 22:37
  Speaker 3: He's like that in his life, but it's his way.
• 22:39
  Speaker 3: Everyone respects it. I'm a guy who likes to... Every
• 22:41
  Speaker 3: year I give myself a year to release a project.
• 22:44
  Speaker 6: Great.
• 22:45
  Speaker 3: A year. I say, a year is enough to miss
• 22:46
  Speaker 3: it too, right? But it's also not a rule, you know?
• 22:54
  Speaker 3: This year I didn't focus on an album because I
• 22:56
  Speaker 3: felt it was the time for us to show up,
• 22:58
  Speaker 3: so I was more calm, you know? More strategic. You
• 23:00
  Speaker 3: keep trying to read the scene, how it is, how
• 23:02
  Speaker 3: do you judge how it is? Because I saw that
• 23:05
  Speaker 3: you said that you tried to be a little more strategic.
• 23:18
  Speaker 3: I like to listen to everything. I like to see everything,
• 23:21
  Speaker 3: to follow and see news. But you like to say.
• 23:24
  Speaker 2: Okay, I'm going to come against what's happening, I'm going
• 23:29
  Speaker 2: to try to contribute to what's happening.
• 23:31
  Speaker 3: Man, I do a lot of my stuff, you know?
• 23:33
  Speaker 3: I do a lot of what I know my fans
• 23:35
  Speaker 3: like to hear. Don't let me take it to Twitter, Instagram,
• 23:40
  Speaker 3: you know? I do what I like to hear, you know?
• 23:42
  Speaker 3: References that I listen to. You got it? I don't
• 23:47
  Speaker 3: really get into trends and stuff.
• 23:49
  Speaker 2: Are you going to the studio a lot, man?
• 23:52
  Speaker 3: Now that we're in the mix and master part, we're calmer.
• 23:55
  Speaker 2: We're calmer.
• 23:56
  Speaker 3: But this year, at the end of this year.
• 23:57
  Speaker 2: Wait a minute, what's the mix and master part?
• 23:59
  Speaker 6: Damn it.
• 24:00
  Speaker 3: I'm seeing you guys release FK.
• 24:02
  Speaker 2: There, FK there. And I'm seeing you guys talk about it,
• 24:06
  Speaker 2: it's been a few years and stuff.
• 24:08
  Speaker 5: What is FK?
• 24:08
  Speaker 2: You want to talk, Nigão?
• 24:10
  Speaker 6: FK....
• 24:13
  Speaker 7: It's a project of ours that we have in mind
• 24:17
  Speaker 7: for many years, you know, brothers? But this year here
• 24:21
  Speaker 7: was a year that God blessed us with these lyrics there,
• 24:24
  Speaker 7: with these wonderful productions, and with this junction that we
• 24:29
  Speaker 7: made on the beach, which was a short time, but
• 24:31
  Speaker 7: we managed to do something that we've been trying to
• 24:35
  Speaker 7: do for years and we didn't have that time, you know?
• 24:38
  Speaker 2: An EP, an album, what is it?
• 24:39
  Speaker 7: But the breeze is more than we did... No, no,
• 24:42
  Speaker 7: we came up with the idea of doing... One song
• 24:44
  Speaker 7: or another for us to release, you know?
• 24:47
  Speaker 2: When we got there, we did.
• 24:49
  Speaker 6: How many?
• 24:50
  Speaker 3: I don't even remember how many songs we did. More
• 24:52
  Speaker 3: than ten. More than ten. It was more. And what?
• 24:55
  Speaker 3: Five days?
• 24:56
  Speaker 2: Four days? Four days.
• 24:57
  Speaker 3: You were crazy, huh?
• 24:57
  Speaker 6: You came back before the weekend.
• 24:59
  Speaker 3: It was four days.
• 25:00
  Speaker 7: Four days that we stayed at the beach, we did
• 25:02
  Speaker 7: about 13, 14.
• 25:03
  Speaker 6: F still did more.
• 25:03
  Speaker 7: F must have done about 20, because he left some
• 25:05
  Speaker 7: of the new.
• 25:07
  Speaker 3: Project soon too. The new project.
• 25:11
  Speaker 7: That we added to try to put this on the track, but.
• 25:16
  Speaker 2: But the trip you made, was it for that? Tell
• 25:18
  Speaker 2: me how it was. Man, it was.
• 25:19
  Speaker 3: I'm a guy who.
• 25:20
  Speaker 6: It's a little secret, fuck.
• 25:21
  Speaker 3: It's like this, bro.
• 25:21
  Speaker 7: Like, after I started to focus a lot on my life,
• 25:26
  Speaker 7: I was focusing a lot on shows, on things, I
• 25:29
  Speaker 7: was very weak to go to the studio, bro. I
• 25:31
  Speaker 7: was going very little to the studio, one time or another,
• 25:33
  Speaker 7: leaving one song or another. And then F said to me,
• 25:35
  Speaker 7: he said, bro, hey, nigga, you have to go more, bro, let's...
• 25:40
  Speaker 7: Let's work harder, let's work harder, we're getting together. Everyone
• 25:43
  Speaker 7: is working in the studio, doing a lot of things.
• 25:45
  Speaker 7: I'm meeting a lot of cool producers to stay here
• 25:47
  Speaker 7: with us on the beach. I got a house here
• 25:49
  Speaker 7: in Penareia that will inspire you a lot.
• 25:50
  Speaker 4: I put an academy here for you too, calm down.
• 25:53
  Speaker 2: There are some gloves here, bro.
• 25:55
  Speaker 3: I told him, I really told him.
• 25:56
  Speaker 7: I told him straight away, I go through some things
• 25:59
  Speaker 7: that my creative process affects a lot, you know? So
• 26:02
  Speaker 7: I stay 5, 6, 7 months without writing anything, not
• 26:05
  Speaker 7: a single song. I can't write anything. Because I charge
• 26:09
  Speaker 7: myself a lot too, you know? I don't like to
• 26:11
  Speaker 7: write anything, to drop anything.
• 26:12
  Speaker 2: So if anything hits you emotionally, in your personal life,
• 26:15
  Speaker 2: Does it affect your professional life?
• 26:16
  Speaker 7: Man, I don't know if it's more of that, if
• 26:19
  Speaker 7: it's something emotional like that. I think that because I
• 26:22
  Speaker 7: charge so much, I don't want to do something so
• 26:25
  Speaker 7: similar to the others.
• 26:26
  Speaker 3: So I stay.
• 26:26
  Speaker 2: Man, I'm not going to.
• 26:28
  Speaker 6: Release this, I'm not going to.
• 26:30
  Speaker 7: Sometimes I make music, but I don't... I throw away
• 26:33
  Speaker 7: the project because.
• 26:34
  Speaker 4: I don't... But doesn't this charge also make you crazy, man?
• 26:36
  Speaker 7: And the guys tell me that, wow, which is what's
• 26:38
  Speaker 7: always with me, you know? He tells me, he says, bro,
• 26:39
  Speaker 7: you have to let the level flow more, let the
• 26:41
  Speaker 7: thing flow more. I said, bro, I don't know, I
• 26:47
  Speaker 7: just understand this breeze. But I started to understand the guys,
• 26:52
  Speaker 7: then I said to F, I said, no, bro, I'm
• 26:54
  Speaker 7: going to start wanting more, to go out more, because
• 26:57
  Speaker 7: I saw a video, I don't remember who it was,
• 26:59
  Speaker 7: but saying that music is.
• 27:00
  Speaker 6: A spiritual thing, right, bro?
• 27:04
  Speaker 12: Yes.
• 27:04
  Speaker 7: The more you do, it's like training, right, bro? The
• 27:06
  Speaker 7: more you train, the better you'll get. The more you're
• 27:09
  Speaker 7: doing boxing, the better you're getting, you know? The more
• 27:11
  Speaker 7: you're going to the studio, I.
• 27:13
  Speaker 2: Heard Brau saying that the song was selfish, she wants
• 27:17
  Speaker 2: her own success.
• 27:18
  Speaker 7: And even so, it's not enough, you know? And then
• 27:21
  Speaker 7: I told the guys, no, bro, you're more than right, bro.
• 27:23
  Speaker 7: This is my main job. And many times I was
• 27:26
  Speaker 7: focusing on other things that were also flowing. And then
• 27:30
  Speaker 7: I was like, oh, man, the song... Go on, go on.
• 27:34
  Speaker 2: Make an agreement with Alco, with FK. Like, I'm going
• 27:38
  Speaker 2: to make this sound here. If I don't like it,
• 27:40
  Speaker 2: in four months, we'll see again. You have to listen
• 27:43
  Speaker 2: in four months.
• 27:44
  Speaker 3: If you don't like it, it's mine.
• 27:45
  Speaker 1: Put it in your folder, put it without and don't
• 27:47
  Speaker 1: let him access it, man.
• 27:48
  Speaker 2: Don't let him access it. There was one there that
• 27:50
  Speaker 2: did this.
• 27:51
  Speaker 3: What?
• 27:51
  Speaker 11: What?
• 27:51
  Speaker 3: He didn't want to release it, I said, no, it's mine.
• 27:54
  Speaker 2: It's mine.
• 27:54
  Speaker 10: No, no, no, no.
• 27:55
  Speaker 3: You're going to release it, I'm going to release it.
• 27:57
  Speaker 3: So I'm going to sing it.
• 27:58
  Speaker 7: So I'm going to sing, I sang. He sang, he
• 27:59
  Speaker 7: sent me, it was very good. I told him, bro,
• 28:01
  Speaker 7: take me to this studio.
• 28:02
  Speaker 3: He came, he came.
• 28:03
  Speaker 2: He took me, we went there.
• 28:05
  Speaker 6: We started the week there on the beach. Big review, cool,
• 28:07
  Speaker 6: just guys, everyone.
• 28:12
  Speaker 6: Playing Fortnite, recording, playing COD.
• 28:16
  Speaker 1: I don't know if it's an EP or something, but
• 28:19
  Speaker 1: there was a theme, an initial start, like, let's talk
• 28:24
  Speaker 1: about love, about parties, about life.
• 28:26
  Speaker 2: What is this thing?
• 28:28
  Speaker 4: You don't have to talk about it if you don't
• 28:30
  Speaker 4: want to.
• 28:30
  Speaker 2: To not deliver gold to the guys.
• 28:32
  Speaker 3: Kai came very serious, right? The face of the frame
• 28:35
  Speaker 3: he just released. And it came with a much more
• 28:39
  Speaker 3: serious footprint, where we have a little bit of what
• 28:43
  Speaker 3: we like to talk about, which is to talk about love,
• 28:45
  Speaker 3: talk about women, about night, experiences, you know? The experiences
• 28:48
  Speaker 3: that our face, which made most people who know us,
• 28:50
  Speaker 3: know us through this style of music, you know? And
• 28:53
  Speaker 3: my next album that I'm making, which is the Perdas
• 28:55
  Speaker 3: Guns Vol. 3, it's very serious, you know? It's going
• 28:58
  Speaker 3: to be very serious. So I wanted a space to
• 29:00
  Speaker 3: talk a little more about it, about these things that
• 29:02
  Speaker 3: we don't Kai didn't have time to talk about it,
• 29:09
  Speaker 3: and neither did I. So we wanted to make a
• 29:11
  Speaker 3: single like this, you know? Let's talk about some songs
• 29:13
  Speaker 3: that are really our style. Respectful songs from 2020. Let's
• 29:16
  Speaker 3: come to this line, you know? And then it was
• 29:20
  Speaker 3: really good, we made a lot of songs. There's no
• 29:24
  Speaker 3: plan to release this thing, just to agitate the fans, right? No,
• 29:28
  Speaker 3: we made a request to leave the day for us
• 29:30
  Speaker 3: to release this project here. Because you guys are special
• 29:34
  Speaker 3: in our career, right, Kai? I speak Zimbabwe. Zimbabwe. next
• 29:30
  Speaker 3: tuesday next tuesday.
• 29:56
  Speaker 6: Next Tuesday is FK.
• 29:56
  Speaker 7: And I found out now, on time, here, when I
• 30:00
  Speaker 7: was sitting here in this chair, that there will be
• 30:02
  Speaker 7: a launch party. So you are inviting me. The partner
• 30:06
  Speaker 7: who is watching will.
• 30:08
  Speaker 3: Also get the invitation. If he doesn't get it, he
• 30:11
  Speaker 3: can give me a kiss.
• 30:14
  Speaker 2: I'm not asking you to invite us, right?
• 30:25
  Speaker 3: .
• 30:29
  Speaker 4: .
• 30:33
  Speaker 3: .
• 30:35
  Speaker 1: .
• 30:42
  Speaker 7: Two guys are fucking awesome. One was here last week,
• 30:51
  Speaker 7: you know?
• 30:52
  Speaker 6: Was it last week?
• 30:53
  Speaker 7: I know it's happening to me so much. Every time
• 30:55
  Speaker 7: I open the internet, I see your videos. I was
• 30:58
  Speaker 7: with GP, with Melocá too, you know? Man, this guy
• 31:02
  Speaker 7: is indisputable. The other one is also a monster, our
• 31:05
  Speaker 7: friend from Floripa, Florianópolis, that we.
• 31:09
  Speaker 6: I love this state.
• 31:10
  Speaker 2: So much, you know?
• 31:12
  Speaker 3: My love, kiss.
• 31:15
  Speaker 7: And then, man, we brought together these two partners that
• 31:19
  Speaker 7: we have close to us and have.
• 31:21
  Speaker 3: A very, very.
• 31:22
  Speaker 7: That combines with the band. And they are also very
• 31:25
  Speaker 7: good with pens, you know? They are the guys that...
• 31:28
  Speaker 7: Is there going to be a GFK tour? We intend to,
• 31:31
  Speaker 7: you know? We intend to. Our focus with FKA.
• 31:34
  Speaker 3: Is this, bro.
• 31:35
  Speaker 6: We can do this tour that we haven't.
• 31:36
  Speaker 7: Had this moment yet to be able to travel together.
• 31:40
  Speaker 7: I told him, bro, we had to have a giant
• 31:42
  Speaker 7: FKA bus. Like the guys from the old days.
• 31:43
  Speaker 3: Like the guys from the old days, bro.
• 31:45
  Speaker 2: Who was it that had these things to release... There
• 31:51
  Speaker 2: was an old album, you'll get it.
• 31:53
  Speaker 3: Which one?
• 31:54
  Speaker 2: It was to release... Did you release the guy with
• 31:58
  Speaker 2: the collab? I forgot now. I don't know if it was... No,
• 32:00
  Speaker 2: there was Uncle N and Uncle N. That was Uncle
• 32:02
  Speaker 2: N and stuff.
• 32:04
  Speaker 1: And at the time they didn't release it, they leaked it,
• 32:06
  Speaker 1: they got fucked and stuff.
• 32:08
  Speaker 2: But that was it, a nice mix. And I think
• 32:10
  Speaker 2: that's it, bro. I think you met each other before
• 32:13
  Speaker 2: all of this. And I think you guys haven't had
• 32:19
  Speaker 2: a professional moment to celebrate all of this. Imagine you
• 32:22
  Speaker 2: two singing.
• 32:23
  Speaker 3: Traveling. Our thing.
• 32:24
  Speaker 2: Traveling together, you know? In another country, somewhere like that.
• 32:28
  Speaker 3: Portugal.
• 32:28
  Speaker 4: It's going to happen. But then, how did you guys meet? Fuck,
• 32:31
  Speaker 4: me and FK, bro.
• 32:33
  Speaker 7: We've known each other for years. We met FK on
• 32:36
  Speaker 7: the internet first, on Facebook.
• 32:38
  Speaker 3: No, but how old? Just so we know. 19.
• 32:39
  Speaker 2: Brother, 18, 19, 17, I don't know.
• 32:41
  Speaker 6: Some of those years, you know?
• 32:43
  Speaker 3: We talked. And we talked, we talked, you know?
• 32:49
  Speaker 6: How was everyone's life at that time? I was on Uber, camping.
• 32:52
  Speaker 2: You did Uber, bro?
• 32:52
  Speaker 3: I worked on Uber.
• 32:55
  Speaker 2: Fuck. You didn't know?
• 32:56
  Speaker 3: No. No, you didn't know.
• 32:59
  Speaker 2: Ah, you didn't know.
• 33:01
  Speaker 3: I didn't know how to work either.
• 33:04
  Speaker 2: It was terrible.
• 33:05
  Speaker 3: It was terrible. You were on Uber and you, Caio.
• 33:11
  Speaker 7: Man, I don't remember if I had already become the
• 33:14
  Speaker 7: back vocal of Caveira or if I was trying.
• 33:16
  Speaker 6: It was something like that.
• 33:19
  Speaker 7: And then we started talking, we already made a cool
• 33:22
  Speaker 7: internet friendship, we talked like, man, you're cool, we can
• 33:25
  Speaker 7: hang out any day, man.
• 33:27
  Speaker 10: No, cool.
• 33:28
  Speaker 7: But even if we hang out, get to know each other,
• 33:30
  Speaker 7: it was at Kevin's house, you know?
• 33:31
  Speaker 6: At Kevin's house, the first time we hung out was
• 33:34
  Speaker 6: at Kevin's house.
• 33:34
  Speaker 2: Man, what I remember is that.
• 33:40
  Speaker 7: Kevin came to me and said that he had to
• 33:42
  Speaker 7: introduce FK, who was a very cool guy, who was
• 33:45
  Speaker 7: his artist, you know? I said, man, this guy here, man,
• 33:48
  Speaker 7: I'm going to tell you, right? Here, it doesn't matter, man,
• 33:51
  Speaker 7: it doesn't matter, you know? He used to talk about
• 33:53
  Speaker 7: FK to me, every time he talked about FK, he
• 33:54
  Speaker 7: used to say, like, man.
• 33:56
  Speaker 6: I remember his stories, he.
• 33:57
  Speaker 2: Was listening to an FK song that hadn't been released yet,
• 34:01
  Speaker 2: and he said, you'll be like me here, just enjoying it,
• 34:04
  Speaker 2: this guy is good.
• 34:05
  Speaker 7: And he arrived, introduced us, I said, man, look how cool,
• 34:07
  Speaker 7: we already talked on Face and such, we started to
• 34:10
  Speaker 7: create this connection there, we started to make this friendship,
• 34:14
  Speaker 7: and I remember something that I like to point out,
• 34:19
  Speaker 7: I don't even know if I said this to FK,
• 34:21
  Speaker 7: but Kevin once came to me and said, man, Dude,
• 34:24
  Speaker 7: I'm in a more rush than you, you know? I've
• 34:26
  Speaker 7: been for a long time. So, consecutively, I have more
• 34:28
  Speaker 7: shows to do, more things to do. You're going there,
• 34:31
  Speaker 7: one moment or another, going out to the street, doing business.
• 34:34
  Speaker 6: Man, take him with you, man. Stick him with you, man.
• 34:37
  Speaker 6: You have to be brothers, you know?
• 34:39
  Speaker 7: You have to be brothers, because it's something that is
• 34:43
  Speaker 7: recent too. There was the loss of his brother and
• 34:46
  Speaker 7: now it's a moment that the FK is also.
• 34:53
  Speaker 7: Kind of alone, I'm this guy who's there with him
• 34:56
  Speaker 7: and such. But I can't be there all the time.
• 34:58
  Speaker 7: But I can't be there all the time. And I
• 34:59
  Speaker 7: already liked him a lot, you know? But like this thing,
• 35:02
  Speaker 7: for Kevin to be like our.
• 35:04
  Speaker 6: Mentor, right? Our mentor, our little brother.
• 35:05
  Speaker 7: He said that to me and I said, damn bro,
• 35:07
  Speaker 7: it's true bro, we have to stay there.
• 35:09
  Speaker 2: I remember that time, you were walking a lot together,
• 35:11
  Speaker 2: I remember a medley of you kind of in a place.
• 35:14
  Speaker 6: Brother.
• 35:14
  Speaker 3: We traveled to do this.
• 35:15
  Speaker 7: From that day, every day, every day, I sent a
• 35:18
  Speaker 7: message every day to FKA Ace, where are you?
• 35:20
  Speaker 6: I lived next to him.
• 35:21
  Speaker 3: He had a Fox.
• 35:22
  Speaker 2: He had a Fox.
• 35:23
  Speaker 1: I'm coming.
• 35:23
  Speaker 3: I'm coming. Every day at home. Brother, it was every day.
• 35:26
  Speaker 7: Even if it wasn't to make music, it wasn't to
• 35:29
  Speaker 7: do anything, we were in the studio.
• 35:30
  Speaker 6: It was every day. And how were the talks between
• 35:32
  Speaker 6: you two?
• 35:33
  Speaker 4: One day we're going to dominate the scene, one day we're.
• 35:36
  Speaker 2: Going to be awesome. It was exactly like that. One
• 35:38
  Speaker 2: day we're going to.
• 35:39
  Speaker 3: Do a show for thousands of people. Let's sing at
• 35:41
  Speaker 3: Rock in Rio.
• 35:42
  Speaker 6: F didn't believe him much. He said, man, you're crazy,
• 35:44
  Speaker 6: you're monsters.
• 35:44
  Speaker 3: I'm still learning. I was already a monster, you know?
• 35:51
  Speaker 3: I was very mature, I was starting a lot, like,
• 35:53
  Speaker 3: Caio has almost 12 years of career, you know? I
• 35:55
  Speaker 3: have 6. Caio, for real, bro. I told him, I said, bro, imagine, like,
• 35:58
  Speaker 3: these 12 years I'm hitting.
• 35:59
  Speaker 2: My head, bro. Like, you....
• 36:08
  Speaker 6: You are a gift, man. Your voice is like that.
• 36:11
  Speaker 7: You are improving your life, you are doing shows, you
• 36:15
  Speaker 7: are doing things.
• 36:15
  Speaker 6: It always made me very confident.
• 36:17
  Speaker 2: When was the first time you tested your voice, F?
• 36:19
  Speaker 2: You said, if it's... Three years old.
• 36:22
  Speaker 3: I know how to sing. No, since I was little,
• 36:24
  Speaker 3: people say that I sing well. My mother, my cousins,
• 36:26
  Speaker 3: they always tell you.
• 36:28
  Speaker 2: What is your first memory singing like that?
• 36:29
  Speaker 3: My first memory is my mother singing the pagode. She said, damn,
• 36:33
  Speaker 3: you sing... I've always been very good at imitating people,
• 36:36
  Speaker 3: you know? Always, very good. So there was a day
• 36:38
  Speaker 3: when my mother called my aunt and said, imitate Alcione there.
• 36:40
  Speaker 3: And I was there imitating, and imitate Tim Maia. And
• 36:43
  Speaker 3: I was imitating. And then my mother said, do you
• 36:45
  Speaker 3: feel like doing something? I used to talk a lot
• 36:47
  Speaker 3: about Raul Gil, bro. I wanted to go to Raul Gil.
• 36:49
  Speaker 3: He took the little kids, right? Yeah, bro. And that
• 36:51
  Speaker 3: was my dream. So since I was a kid, people
• 36:53
  Speaker 3: in my family say, this boy sings, this one sings.
• 36:55
  Speaker 3: But also my father said, it's cool, you sing, but
• 36:57
  Speaker 3: you're going to cheat. But you're going to do a college.
• 37:00
  Speaker 5: Always....
• 37:05
  Speaker 3: Because my dad and my mom, the most he had
• 37:08
  Speaker 3: contact with music, he was security, you know, from the
• 37:10
  Speaker 3: show house. So I had no contact, my dad doesn't
• 37:13
  Speaker 3: play an instrument, nothing, he plays the tambourine, these things,
• 37:15
  Speaker 3: but it was never always a hobby, so it was
• 37:17
  Speaker 3: very difficult to get there.
• 37:18
  Speaker 2: And they know how hard it is to get there too, right?
• 37:21
  Speaker 3: Yeah, it was. I think I'm the only one who
• 37:23
  Speaker 3: makes a sound in my family.
• 37:24
  Speaker 2: And now that you're older, at the time you were
• 37:27
  Speaker 2: playing Kai Black and such, were you already safe? Had
• 37:30
  Speaker 2: you already gone to the studio? Had you already tested
• 37:33
  Speaker 2: the voice?
• 37:34
  Speaker 3: I was already starting to go to the studio, but
• 37:36
  Speaker 3: everything was very amateurish. There was a studio that I
• 37:38
  Speaker 3: went to with my partner Chaves, which was a more
• 37:41
  Speaker 3: structured studio, and that's where I learned a lot. And
• 37:45
  Speaker 3: when I met Kai, he taught me a lot about composition,
• 37:47
  Speaker 3: you know? And he taught me a lot about singing, bro.
• 37:50
  Speaker 3: I helped him a lot to sing, you know? And
• 37:52
  Speaker 3: he taught me how to write. Because I was shy,
• 37:54
  Speaker 3: you know? And I was already very.
• 37:56
  Speaker 6: The voice was more inside.
• 37:57
  Speaker 3: I sang a lot of love songs, and he said, bro,
• 37:59
  Speaker 3: you have to come with the stuff from the favela.
• 38:02
  Speaker 3: He came up with it.
• 38:03
  Speaker 2: You have to come up.
• 38:04
  Speaker 3: With some stuff in the favela, on top of your
• 38:05
  Speaker 3: little voice. I told him to sing a lot. I
• 38:09
  Speaker 3: told him to sing a lot to the gringos. I
• 38:10
  Speaker 3: used to listen a lot to the guys from outside,
• 38:12
  Speaker 3: to see the translations. I used to say, man, Augusto
• 38:15
  Speaker 3: Alcina is singing cute like that, and this guy is
• 38:17
  Speaker 3: talking about crime? No, you have to do some stuff
• 38:21
  Speaker 3: like that, man. And he came up with it in
• 38:24
  Speaker 3: my mind. Do some stuff for São Paulo, like reality stuff.
• 38:27
  Speaker 2: I remember when Kai Black appeared, He and Kyan, I'll
• 38:31
  Speaker 2: always talk about it, because I was like, man, the
• 38:34
  Speaker 2: first guys I saw doing it, obviously there must have
• 38:36
  Speaker 2: been some others, but I didn't know. When I saw
• 38:39
  Speaker 2: Kai Black and Kyan doing Trap, I said, ah, now
• 38:41
  Speaker 2: I like it. Because before it was a lot of
• 38:43
  Speaker 2: stuff like, damn, it's kind of gringo, but I understand,
• 38:45
  Speaker 2: it was the beginning of the thing, and thank God
• 38:47
  Speaker 2: it existed, because otherwise, damn, we wouldn't be talking about
• 38:50
  Speaker 2: it all. But when Kai Black came up, Kyan came up,
• 38:53
  Speaker 2: I said, wow, the Brazilian guys, man. Do you remember...
• 38:57
  Speaker 2: At that moment, Kaique, did you say, man, I need
• 38:58
  Speaker 2: to be Brazilian, or someone who gave you that touch?
• 39:01
  Speaker 7: Man, I remember that the first time I crashed into
• 39:04
  Speaker 7: it was... I was with Nagalha, I think, you know?
• 39:07
  Speaker 7: I met Nagalha, he went to record Caveirinha's song, which
• 39:09
  Speaker 7: was Favelado Também Pode. And then he got there, he
• 39:12
  Speaker 7: showed World Reach to me, bro.
• 39:13
  Speaker 3: He said, bro, look at this guy. And then he
• 39:15
  Speaker 3: sang the melody.
• 39:16
  Speaker 7: It was until the day I crashed, which is trap
• 39:18
  Speaker 7: with melody, because before I thought that the trap was,
• 39:21
  Speaker 7: you know, my bro.
• 39:22
  Speaker 3: You know what I mean? Yes, but a little bit. Uh-huh.
• 39:25
  Speaker 6: And then I saw him singing, bro. What was it?
• 39:30
  Speaker 3: Wanted to get his mother out of trouble.
• 39:31
  Speaker 6: It's Dalby Lowe, right?
• 39:32
  Speaker 3: No, it's Ever Season.
• 39:33
  Speaker 6: Before Dalby Lowe, I knew this song. And I was like, man.
• 39:48
  Speaker 6: What a good song.
• 39:49
  Speaker 7: He was saying a lot of things, that his uncle
• 39:51
  Speaker 7: had been arrested. I said, bro, it's not very different
• 39:55
  Speaker 7: from what happens to us here, you know?
• 39:58
  Speaker 6: But the guys are.
• 39:59
  Speaker 7: What the guys didn't understand, or understood and wants to do,
• 40:02
  Speaker 7: you know? They want to do the same thing, but
• 40:05
  Speaker 7: if we do it our way, the thing will.
• 40:06
  Speaker 3: Stay the same. Then I saw this in my mind.
• 40:10
  Speaker 2: Did you tell this to other people?
• 40:11
  Speaker 4: No, dude, this is the aesthetic, don't do it.
• 40:14
  Speaker 7: Man, I commented that I was going to do trap,
• 40:17
  Speaker 7: the guys from Quebrada told me, no, dude, this stuff
• 40:19
  Speaker 7: is funk, you started doing funk, man, go to the end,
• 40:23
  Speaker 7: you're crazy, funk de maloca, this stuff doesn't work.
• 40:26
  Speaker 3: Man, I don't know, man. A lot of Dimongo and Pavel,
• 40:29
  Speaker 3: you know?
• 40:30
  Speaker 2: The guys used to talk, man.
• 40:32
  Speaker 5: Pavel and the guys used to talk, man.
• 40:33
  Speaker 6: Man, the guys don't know.
• 40:34
  Speaker 3: Bro, straight talk.
• 40:35
  Speaker 2: Those gringo stuff there, man.
• 40:37
  Speaker 3: For me, bro, my songs sung in Quebrada were awesome.
• 40:40
  Speaker 2: Those gringo stuff there.
• 40:41
  Speaker 7: Now there's nowhere to run, you know? Now there's no
• 40:43
  Speaker 7: way to run. Even in Quebrada, you go to Quebrada,
• 40:45
  Speaker 7: the guy is listening to Oruan, you know?
• 40:47
  Speaker 3: He's listening to.
• 40:48
  Speaker 6: You know?
• 40:48
  Speaker 7: So it invaded 100%. But before the guys knew that
• 40:51
  Speaker 7: Trap was.
• 40:54
  Speaker 7: That was it, they talked about reality, about the thing,
• 40:57
  Speaker 7: the guys had this prejudice of.
• 41:01
  Speaker 6: Consuming within the break.
• 41:02
  Speaker 7: And even when we came bringing this aesthetic, Kian too,
• 41:06
  Speaker 7: a lot, it was the time that I started to
• 41:08
  Speaker 7: hear a lot, even my.
• 41:09
  Speaker 3: Friends who were from funk said.
• 41:12
  Speaker 7: To me, bro, there, nigga, damn, I record this style there, bro,
• 41:15
  Speaker 7: what the hell is that, different, I said.
• 41:17
  Speaker 1: What was the first thing you saw in this aesthetic? Because, man,
• 41:20
  Speaker 1: when I saw that, that was the reaction I had.
• 41:22
  Speaker 1: I said, man, what is this? What is this guy
• 41:25
  Speaker 1: doing here? I think my first song I did in
• 41:27
  Speaker 1: this aesthetic, man, was... Jacareca e Dorme?
• 41:30
  Speaker 7: Actually, it was a song that I didn't release. It
• 41:32
  Speaker 7: was a song with Uau, you know? It was me
• 41:34
  Speaker 7: and Uau. Uau was the first person to do this style.
• 41:37
  Speaker 7: Starting to say, I don't know what, I'm in my brokenness.
• 41:39
  Speaker 7: A song, singing, out of nowhere. I said, let me
• 41:41
  Speaker 7: get into this song. Then I said, pass there, in Tiradentes,
• 41:45
  Speaker 7: I don't know what there. And you know, the backpack, wow, damn,
• 41:49
  Speaker 7: that's cool, bro, the stuff was cool. Then I said, bro,
• 41:52
  Speaker 7: this song is like a cool thing, it's a different
• 41:56
  Speaker 7: thing for us to bring. And then, right after that,
• 41:58
  Speaker 7: I went to the studio and wrote A King For
• 42:00
  Speaker 7: A Seven. I said, bro, I'm going to throw some
• 42:03
  Speaker 7: tramps here, my brothers, and then we'll do it.
• 42:06
  Speaker 6: And then it was the same thing I did with my.
• 42:08
  Speaker 3: Brother, you know, it was the same thing. He said, man,
• 42:10
  Speaker 3: let's do it, let's throw it.
• 42:11
  Speaker 7: And I said, bro, I think I need to release
• 42:15
  Speaker 7: some things, I need to try to get... Before releasing
• 42:19
  Speaker 7: a feat with Caveirinha. To get this audience of mine,
• 42:21
  Speaker 7: this stuff, to.
• 42:22
  Speaker 6: Be able to do this.
• 42:23
  Speaker 3: Best thing you've ever done.
• 42:23
  Speaker 2: Best thing you've ever done. F, what was the song
• 42:26
  Speaker 2: you said like this? Okay, now I'm comfortable. That's what
• 42:29
  Speaker 2: I'm going to do. Because to get rid of your insecurity,
• 42:33
  Speaker 2: you know? What was the sound you got?
• 42:34
  Speaker 3: My song is called Desce Aí, you know? Desce aí
• 42:36
  Speaker 3: que eu vou passar na sua casa Trouxe um gringo
• 42:38
  Speaker 3: que eu tô com a quebrada Essa música eu já falei, caraca,
• 42:44
  Speaker 3: essa música é muito... Na hora que eu gravei eu
• 42:45
  Speaker 3: já falei, uau, a gente gravou lá na casa do Caio.
• 42:48
  Speaker 3: Caio always let me record in his studio, you know?
• 42:50
  Speaker 2: I think I've heard this song 1,500 times. Man, this song.
• 42:52
  Speaker 3: You posted a lot. I posted a lot, man.
• 42:55
  Speaker 6: You guys, really.
• 42:55
  Speaker 2: I love this sound, man. Thank you, man.
• 42:57
  Speaker 3: I love this sound, man. And then, from there, it
• 43:00
  Speaker 3: gave me more confidence, you know? To tell me my stuff.
• 43:02
  Speaker 3: Then I released Dior, people liked it a lot too.
• 43:07
  Speaker 3: And then it was.
• 43:08
  Speaker 2: You also came here like Caio, man. Came with your
• 43:10
  Speaker 2: own aesthetic, you know?
• 43:11
  Speaker 1: Caio came with his brother-in-law's stuff, these things were his,
• 43:15
  Speaker 1: and you came with.
• 43:16
  Speaker 2: Your own way, man.
• 43:17
  Speaker 3: It was good.
• 43:18
  Speaker 2: You could hear any song if you were in it,
• 43:20
  Speaker 2: you know? But the importance is for them to trust
• 43:23
  Speaker 2: their style at the beginning. Because if they saw it like, okay,
• 43:28
  Speaker 2: so Caio won't sing this, F won't sing this.
• 43:30
  Speaker 10: And we didn't hear.
• 43:31
  Speaker 3: I focused on the good comments, because there was a
• 43:34
  Speaker 3: lot at that time, people... We would release a song
• 43:36
  Speaker 3: and people would say that it wasn't trap. So we
• 43:38
  Speaker 3: would say that we wouldn't change what we were doing.
• 43:40
  Speaker 3: We still follow this line. We were making our own
• 43:43
  Speaker 3: style of music. We always kept our references on the
• 43:45
  Speaker 3: ground and that's what we like to do. That's what
• 43:58
  Speaker 3: we do and what we continue to do until today.
• 43:59
  Speaker 2: I press for you two, my brothers, because I see
• 44:02
  Speaker 2: that you exchange a lot, including F. How is it
• 44:04
  Speaker 2: today to work with Ice Blue, bro? To be able
• 44:08
  Speaker 2: to exchange?
• 44:09
  Speaker 3: What did he add to your professional life?
• 44:12
  Speaker 2: Ice Blue is one of the coolest people I've ever met.
• 44:13
  Speaker 2: He has a very strong gene.
• 44:20
  Speaker 3: I had the opportunity to spend a month with him
• 44:21
  Speaker 3: in New York.
• 44:22
  Speaker 2: Wow, how was that month in New York?
• 44:25
  Speaker 3: A month?
• 44:25
  Speaker 2: In New York?
• 44:27
  Speaker 3: It was a pearl, man. Every day was a new one.
• 44:29
  Speaker 3: The man is very funny. I had never met this
• 44:32
  Speaker 3: side of Blue, you know?
• 44:33
  Speaker 2: A more funny side.
• 44:34
  Speaker 3: He's very funny, he snores a lot. But we came
• 44:36
  Speaker 3: to the conclusion, he's a snorer. He likes it, he
• 44:38
  Speaker 3: likes it. He snores, but he.
• 44:39
  Speaker 2: Only snores when it's wrong.
• 44:40
  Speaker 3: You'll never see him snoring in a thing like this. Ah, damn. Ah,
• 44:43
  Speaker 3: the guys are having fun. Man, take this cup, take
• 44:45
  Speaker 3: this cup.
• 44:45
  Speaker 2: You'll see, the cup is like this, look.
• 44:49
  Speaker 3: He's gonna mess it up, like, leave this bitch alone, bro,
• 44:52
  Speaker 3: she's molesting, and pa.
• 44:54
  Speaker 5: Oh, bro, nigga, and that's it.
• 45:04
  Speaker 3: Man, he became my father.
• 45:07
  Speaker 3: He took a big hit in New York. What did
• 45:09
  Speaker 3: you do in New York? We started with this Perdias
• 45:13
  Speaker 3: e Gães Vol. 3, you know? Oh, you did it there? Yeah,
• 45:15
  Speaker 3: we started there. He was with a very top producer
• 45:19
  Speaker 3: called Jerry Wanda, who I had the pleasure of meeting.
• 45:22
  Speaker 3: He was responsible for the success of the Fugees, you know?
• 45:25
  Speaker 3: Only the musician did it, so it was a very
• 45:28
  Speaker 3: good experience. And then from there I left with Fit Gringo.
• 45:32
  Speaker 3: I can't tell you yet, but you'll see it later.
• 45:35
  Speaker 3: You can tell us in the office.
• 45:36
  Speaker 2: I'll tell you in the office.
• 45:37
  Speaker 3: And a month, bro? Was it a camp?
• 45:39
  Speaker 5: It was a month.
• 45:39
  Speaker 3: I stayed a week in the studio of Rwanda and
• 45:42
  Speaker 3: then I rented a house there with a lot of
• 45:44
  Speaker 3: nice people. I forgot the name now. What? Violent Noise.
• 45:46
  Speaker 2: A lot of nice people.
• 45:58
  Speaker 3: New Jersey, and we stayed at the house that has
• 45:59
  Speaker 3: a lot of cool studios, the guys all go there
• 46:01
  Speaker 3: to record.
• 46:01
  Speaker 2: New York is cool, right, bro?
• 46:02
  Speaker 3: Yeah, we started there, man, recording some songs, we made
• 46:04
  Speaker 3: several songs there too.
• 46:05
  Speaker 2: Man, so this.
• 46:06
  Speaker 3: Project was really strong. Exactly, and then when I came
• 46:09
  Speaker 3: back to Brazil, we took the house of Maresias, and
• 46:13
  Speaker 3: we started making the new songs, me and Caio, I said, bro,
• 46:17
  Speaker 3: I really like Losses and Gains, but I don't want
• 46:19
  Speaker 3: to be so serious, and our EP together is very good,
• 46:21
  Speaker 3: you know? I'm not saying that Perdas & Ganhos is bad, but...
• 46:27
  Speaker 3: But it's another proposal. It's another proposal for another moment,
• 46:29
  Speaker 3: you know? I don't want to be serious now, you know?
• 46:31
  Speaker 3: It's the end of the year. It's the end of
• 46:32
  Speaker 3: the year. I stopped drinking, I'll drink again.
• 46:35
  Speaker 2: Only when I release it.
• 46:36
  Speaker 3: Great, great. Got it?
• 46:36
  Speaker 6: So.
• 46:37
  Speaker 3: But about Perdas & Ganhos 3, that you started.
• 46:38
  Speaker 2: There in New York.
• 46:39
  Speaker 3: Really, when you go to New York.
• 46:41
  Speaker 2: And you're coming back from there, you come back with
• 46:44
  Speaker 2: the feeling of like... Okay, we have a different quality.
• 46:55
  Speaker 2: Going to Nova Arq added to it, because sometimes I'm
• 46:58
  Speaker 2: here with Mythic and I'm like, man, look, a song
• 47:02
  Speaker 2: like another, an album like another. I say, man, the
• 47:04
  Speaker 2: guys should... This in general, it's not for Kai Black
• 47:07
  Speaker 2: or for FK. I say, if the guys traveled, went
• 47:10
  Speaker 2: to Nova Arq, saw some other productions, some other beats, man,
• 47:14
  Speaker 2: you know? And then I wanted to know that you
• 47:15
  Speaker 2: went there, did this, and how it was, you know?
• 47:17
  Speaker 3: Well, it helped a lot, you know? In bringing references,
• 47:20
  Speaker 3: not only from you being in the studio, but you
• 47:22
  Speaker 3: see new people, right, man? You see new places, you
• 47:26
  Speaker 3: see how people react to your music, to a gringo
• 47:28
  Speaker 3: and such. It's very good to receive this feedback to change.
• 47:31
  Speaker 3: Listen to what people are listening to on the radio.
• 47:33
  Speaker 3: The radio there is one of the best playlists you
• 47:35
  Speaker 3: can have on Spotify. It's the radios that play there. So, bro,
• 47:38
  Speaker 3: I got very attached to that. To really enjoy the
• 47:40
  Speaker 3: day to day, the studio routine. And to be in
• 47:42
  Speaker 3: a taxi, to be following, to be listening to the radio,
• 47:45
  Speaker 3: even if people are listening on the street. And I
• 47:52
  Speaker 3: think so, man. It added a lot to these new
• 47:54
  Speaker 3: compositions I've heard.
• 47:56
  Speaker 2: Do the guys have a different way of working? What's
• 47:58
  Speaker 2: different about Brazil?
• 48:00
  Speaker 3: Ah, they have a way... What I think is the
• 48:03
  Speaker 3: coolest way to work is their composition. We think we're fast,
• 48:06
  Speaker 3: but they're also very fast. They asked me... I'm like
• 48:09
  Speaker 3: that myself, I have a quota to fill. And fast,
• 48:12
  Speaker 3: they showed me a way. No, make a melody from
• 48:16
  Speaker 3: the beginning to the end of the song. I made
• 48:21
  Speaker 3: a melody like this... Then he made me write... No,
• 48:25
  Speaker 3: it's this melody that we liked so much. I made
• 48:27
  Speaker 3: four more melodies. He said, no, we liked this one.
• 48:30
  Speaker 3: You'll have to write on top of this melody. It's
• 48:32
  Speaker 3: going to be great.
• 48:33
  Speaker 6: You know?
• 48:33
  Speaker 3: Like, some stuff like that. I said, no, okay.
• 48:35
  Speaker 2: And how was it to write on top of that melody?
• 48:37
  Speaker 2: Was it harder for you?
• 48:38
  Speaker 3: No, it was a nice experience.
• 48:39
  Speaker 2: It's not what I would always do, you know?
• 48:41
  Speaker 3: Yes. But it was a good experience. It was good
• 48:44
  Speaker 3: to learn. It's cool.
• 48:45
  Speaker 2: And you can do this with the guys here. Yeah, yeah, yeah.
• 48:48
  Speaker 2: What about Trampacoice Blue, Caio?
• 48:50
  Speaker 6: Man, Ice Blue is already my partner in Fortnite. He
• 48:53
  Speaker 6: plays Fortnite.
• 48:53
  Speaker 2: Man, he hates.
• 48:54
  Speaker 3: Playing with me. I hate playing with you.
• 48:57
  Speaker 5: In Fortnite, I'm not good.
• 48:59
  Speaker 3: But wait, do you play building or without building?
• 49:01
  Speaker 2: Ah, I want... And.
• 49:02
  Speaker 7: Ice Blue is good?
• 49:04
  Speaker 2: Ice Blue is good, man. Ice Blue is very good.
• 49:07
  Speaker 2: What's his skin in Fortnite?
• 49:08
  Speaker 3: You see him with Sabrina Carpenter, you go there and
• 49:11
  Speaker 3: see Ice Blue. Yes, man.
• 49:12
  Speaker 10: Yes, yes.
• 49:13
  Speaker 2: Yes, man.
• 49:14
  Speaker 3: Mariah Carey. That's why I asked him what skin he has, man.
• 49:18
  Speaker 5: And he's like this, look.
• 49:20
  Speaker 3: Everyone's back there.
• 49:21
  Speaker 10: I'm alone.
• 49:25
  Speaker 2: Well, we went to play, but.
• 49:26
  Speaker 7: The guys made a squad and said, bro, I'm going
• 49:27
  Speaker 7: to call Ice Blue to play with us. I said, no,
• 49:29
  Speaker 7: it took a while, I'm playing, me, FK, Ice Blue,
• 49:30
  Speaker 7: a bunch of people. Then, bro, I like to play
• 49:33
  Speaker 7: with the kids, but, bro, I listen to the shot,
• 49:34
  Speaker 7: I get agonized, I go on top of.
• 49:37
  Speaker 6: The guys, let's go, bro, kill everyone.
• 49:39
  Speaker 7: Then Ice Blue, you have to play together, in the
• 49:42
  Speaker 7: negative of the safe, everyone.
• 49:44
  Speaker 6: Brother, then I went, I went this.
• 49:45
  Speaker 3: Time, I died there in front, there, he... Alone. No, alone,
• 49:47
  Speaker 3: then he went and restarted once.
• 49:55
  Speaker 6: I was like, damn, we have to play together, I'm
• 49:57
  Speaker 6: telling you. Then I died again, bro.
• 49:59
  Speaker 3: Then I'm like this, I died three times, I only
• 50:01
  Speaker 3: saw his kid leaving the lobby.
• 50:02
  Speaker 5: He didn't say anything.
• 50:03
  Speaker 3: He didn't say anything anymore. Like, go fuck yourself.
• 50:06
  Speaker 7: After a month and a little, this is the day
• 50:08
  Speaker 7: we're going to play together again.
• 50:09
  Speaker 2: But he kills, he plays really well.
• 50:12
  Speaker 6: He's good, he's really good.
• 50:13
  Speaker 2: Who does he play with? I was curious.
• 50:16
  Speaker 3: He plays FIFA and he plays Akiar, bro. Yeah, anything.
• 50:20
  Speaker 3: He plays FIFA a lot and he plays a lot
• 50:22
  Speaker 3: of Fortnite. He likes to play with the 12 and
• 50:25
  Speaker 3: the SMG.
• 50:26
  Speaker 2: What a key, bro. When I found out that Mano
• 50:29
  Speaker 2: Brown only plays PlayStation 2, worth R $ 2 each match,
• 50:32
  Speaker 2: and only Valiant 1 in Brazilian, I said, my God,
• 50:34
  Speaker 2: I chose the right guy to go there.
• 50:36
  Speaker 1: But how cool, how cool, these experiences with him.
• 50:40
  Speaker 2: Mano, playing Fortnite, traveling to New.
• 50:42
  Speaker 3: York, must be a professional dream.
• 50:44
  Speaker 2: In music.
• 50:45
  Speaker 7: No, Ice Blue also, he gives us several touches, he...
• 50:49
  Speaker 7: This album itself, it followed us all the way up there,
• 50:52
  Speaker 7: as well as the face of Enquadro. The face of
• 50:55
  Speaker 7: Enquadro gave me all the touches. And also KLJ having
• 50:59
  Speaker 7: participated in.
• 51:00
  Speaker 4: So, man, talk about this album too, right?
• 51:02
  Speaker 7: KLJ having participated in this album, you know?
• 51:05
  Speaker 6: The face of Enquadro. It was a lot of.
• 51:07
  Speaker 7: Blue too, having given this save, because KLJ is more closed,
• 51:11
  Speaker 7: you know? So he gave this save, got it for us,
• 51:14
  Speaker 7: was up there, I showed the tracks to him, I
• 51:17
  Speaker 7: showed some... I asked him if we could use the
• 51:19
  Speaker 7: music we like, from Miliano. Did you release it? Yes,
• 51:23
  Speaker 7: I released it.
• 51:23
  Speaker 3: It was really cool.
• 51:24
  Speaker 6: It was a great job, but it stays here.
• 51:38
  Speaker 3: What a response!
• 51:39
  Speaker 2: It's a response, you're recording and Ice Blue is watching, right? Yeah,
• 51:41
  Speaker 2: you're right!
• 51:41
  Speaker 3: You're wrong here, bro!
• 51:42
  Speaker 2: But he... Wow!
• 51:43
  Speaker 6: How is he with the.
• 51:43
  Speaker 2: I know he loves the news, but how do you
• 51:45
  Speaker 2: feel when, like, there's Ice Blue, Mano, Racionais, and he's there,
• 51:47
  Speaker 2: he also passes a tranquility, like, oh, bro, I'm here,
• 51:51
  Speaker 2: but I'm not here to put a flaw in the thing,
• 51:53
  Speaker 2: how is he there? He reacts great, bro, like this, like.
• 52:05
  Speaker 7: If Trampo is really cool, he's sincere, you know? He's
• 52:07
  Speaker 7: a sincere guy, he'll talk. If you see what Trampo
• 52:09
  Speaker 7: is doing, if you look at him, he'll be right here. Yeah,
• 52:11
  Speaker 7: and if he keeps going... If he keeps going, he'll
• 52:14
  Speaker 7: be right here.
• 52:15
  Speaker 3: If he keeps.
• 52:16
  Speaker 6: Looking at you like this.
• 52:18
  Speaker 3: If he keeps looking at you like this, bro.
• 52:19
  Speaker 2: He'll come back to write, he'll come back to.
• 52:21
  Speaker 5: This thing... I'll change this thing.
• 52:22
  Speaker 3: Send it right away.
• 52:34
  Speaker 2: He's gonna say something, besides the rap, he's gonna say something.
• 52:36
  Speaker 3: He's gonna say something, he's gonna say something.
• 52:39
  Speaker 2: He's gonna say something, besides the rap, he's.
• 52:41
  Speaker 5: Gonna say something.
• 52:41
  Speaker 3: He's gonna say something, besides the rap, he's gonna say something.
• 52:44
  Speaker 2: He's gonna say something, besides the rap, he's gonna say something.
• 52:47
  Speaker 2: He's gonna say something, besides the rap, he's gonna say something.
• 52:51
  Speaker 2: He's gonna say something, besides the rap, he's gonna say something.
• 52:54
  Speaker 3: He's gonna say something, besides the rap, he's gonna say something.
• 52:58
  Speaker 3: There was a lot of reference, we were very close
• 52:59
  Speaker 3: in the studio with Zlatan, you know? And then the
• 53:02
  Speaker 3: guys said, bro, we wanted you to do something more
• 53:04
  Speaker 3: that you're not used to do, like a drill, a
• 53:05
  Speaker 3: more sexy drill, something like that. And then, bro, I'll
• 53:07
  Speaker 3: say it publicly, it was a lot of reference from Zlatan, LPT,
• 53:10
  Speaker 3: how is it? LPT. LPT Zlatan. It was a lot
• 53:13
  Speaker 3: of reference from him, I listened to a lot of
• 53:14
  Speaker 3: his songs and I said, bro, fuck, I really wanted
• 53:17
  Speaker 3: to sweat. Like Zlatan, bro. Make a song like that.
• 53:19
  Speaker 3: And I told him, look, I'm going to make a
• 53:27
  Speaker 3: song like this and such. I think it was the
• 53:30
  Speaker 3: first person I sent after I finished. I said, bro,
• 53:32
  Speaker 3: what do you think?
• 53:33
  Speaker 2: This is very key, man. It's changing with the new generation.
• 53:36
  Speaker 2: Because the guys are coming with.
• 53:37
  Speaker 3: Another chip, man. Too much, man. I don't know.
• 54:01
  Speaker 2: I said, bro, I see these kids now, I say, bro, damn,
• 54:03
  Speaker 2: we were looking at the uncle, man, my God, man.
• 54:18
  Speaker 6: It's going to be crazy. It's going to.
• 54:21
  Speaker 2: Change, right?
• 54:22
  Speaker 1: You and the guys that came different and there are
• 54:25
  Speaker 1: more different people coming.
• 54:27
  Speaker 2: There will be more and more.
• 54:28
  Speaker 3: It's bizarre.
• 54:29
  Speaker 2: You talked a lot about Zlatan. You showed him a lot.
• 54:31
  Speaker 3: Zlatan, right?
• 54:32
  Speaker 6: How did you meet him?
• 54:33
  Speaker 2: Do you work together? Are you his business man? How
• 54:36
  Speaker 2: is it, bro? Because he's very good, bro.
• 54:38
  Speaker 10: Man, so I have.
• 54:39
  Speaker 7: Together with my two partners, which is Uau and Yokami,
• 54:43
  Speaker 7: we have a record company, which is GDM Records.
• 54:45
  Speaker 6: And we also created.
• 54:47
  Speaker 7: It was a dream of Yokami, who was our partner
• 54:50
  Speaker 7: who already had this name. And then we were exchanging ideas,
• 54:55
  Speaker 7: wanting to take this project out of the room and
• 54:57
  Speaker 7: make a recording. And Zlatan is a boy that we
• 55:00
  Speaker 7: already knew, at the same time that I think he
• 55:03
  Speaker 7: dreams of this GDM project, we met Zlatan there in 2017,
• 55:06
  Speaker 7: you know? At the time I met Zlatan, more or less,
• 55:09
  Speaker 7: in 2018. And since then, I've always been a big
• 55:14
  Speaker 7: fan of him. I always tell them, I'm a big
• 55:16
  Speaker 7: fan of yours since then. And then, I really liked
• 55:20
  Speaker 7: to listen and stuff, and I was there with.
• 55:23
  Speaker 2: Al, with the guys.
• 55:24
  Speaker 3: Hey, bro, you're here? I didn't see you. I didn't
• 55:28
  Speaker 3: even see him there, man. It looks like that statement here,
• 55:30
  Speaker 3: the guy appears, right?
• 55:30
  Speaker 5: Yeah, right?
• 55:32
  Speaker 2: He opens the door right away, you know? Look, you're
• 55:35
  Speaker 2: in the corner, what's the name of the guy there?
• 55:37
  Speaker 2: The young Valdemort, right? That little shirt there, you know?
• 55:40
  Speaker 2: I told him... Have you watched Harry Potter, bro?
• 55:43
  Speaker 3: No.
• 55:43
  Speaker 2: Young Valdemar. Young Valdemar. I'll get his name, I don't know.
• 55:47
  Speaker 3: He... You'll see.
• 55:50
  Speaker 7: I told him, like this, I said, bro, Papoete, your
• 55:53
  Speaker 7: song is different, bro, you and Malil, who is also
• 55:55
  Speaker 7: another partner of ours, who you will soon hear a lot,
• 55:59
  Speaker 7: the two of them made a lot of music, a
• 56:01
  Speaker 7: lot of music, and I always found it very different,
• 56:04
  Speaker 7: since the time that Trap blew up a lot with
• 56:06
  Speaker 7: that Snow Melody, you know? And then I said, bro,
• 56:10
  Speaker 7: Keep doing it, man. Keep doing it and one day it.
• 56:12
  Speaker 2: Will turn into.
• 56:14
  Speaker 6: It will be good.
• 56:15
  Speaker 3: I believe, man.
• 56:15
  Speaker 6: Rap, trap, right?
• 56:16
  Speaker 3: It always comes back, right? The trap keeps spinning, bro.
• 56:19
  Speaker 7: One day people are listening to a love song, one
• 56:21
  Speaker 7: day they are listening to... Everyone is a gangster, one
• 56:25
  Speaker 7: day everyone wants to kill themselves, one day everyone is good.
• 56:28
  Speaker 7: One day it turned into a whorehouse.
• 56:30
  Speaker 3: One day everything... You know? It's true, it's true. And
• 56:35
  Speaker 3: it keeps coming back. You don't have to do it.
• 56:37
  Speaker 2: And in my mind, those who trust your style when
• 56:39
  Speaker 2: this wave comes back are the ones who are authentic.
• 56:41
  Speaker 2: You know? Because you're building all this time, bro.
• 56:44
  Speaker 3: Everyone is changing all styles. You're getting used to it.
• 56:46
  Speaker 7: When it comes back to your style, it's something you're
• 56:48
  Speaker 7: playing at home, you know? I told him, bro, you're different,
• 56:52
  Speaker 7: you have to be... You have to do this forever,
• 56:55
  Speaker 7: you know?
• 56:56
  Speaker 6: And then.
• 56:56
  Speaker 3: That's when we, like.
• 57:04
  Speaker 7: I brought him closer, I brought him closer, he recorded
• 57:07
  Speaker 7: there with the kids, in our old recording studio, which
• 57:11
  Speaker 7: was the first recording studio I was in, which was
• 57:13
  Speaker 7: the first of all. Then he recorded there with us,
• 57:16
  Speaker 7: in the studio, it was passing this time, we managed,
• 57:17
  Speaker 7: thanks to God, and doing things right, and that's where
• 57:21
  Speaker 7: we had this idea of for the record company to
• 57:31
  Speaker 7: move forward, you know? When we did that, the first
• 57:33
  Speaker 7: name we had in mind, which is a guy who
• 57:36
  Speaker 7: had no way to dispense, no way to refuse, was Zlatan.
• 57:39
  Speaker 3: You know? He was a guy that we always.
• 57:42
  Speaker 7: Put some faith in it and enjoy it from the
• 57:44
  Speaker 7: bottom of your heart. It's not something that we look
• 57:47
  Speaker 7: at and say.
• 57:47
  Speaker 2: Man, this thing here.
• 57:48
  Speaker 5: I want to make money from it.
• 57:50
  Speaker 6: We're going to be rich, partner, everyone, you know?
• 57:52
  Speaker 3: It's the dream. It's the dream.
• 57:52
  Speaker 2: It's the dream of everyone.
• 57:54
  Speaker 6: Mine, his, in general, you know?
• 57:56
  Speaker 13: But.
• 58:00
  Speaker 7: It's a legitimate thing, right? It's not something that I
• 58:02
  Speaker 7: looked at and said, bro, I listen to you. If
• 58:04
  Speaker 7: it's to turn, if it's not, whatever, bro, I like it,
• 58:08
  Speaker 7: I want to be close to you, you know?
• 58:10
  Speaker 3: You're going to become an entrepreneur anyway. Man, we're in
• 58:13
  Speaker 3: a new project there, MFL, that we can't talk much about,
• 58:18
  Speaker 3: but Kai, Kadi, Uau, are people who are in the
• 58:20
  Speaker 3: project too. And it's something that we're, to be something
• 58:25
  Speaker 3: that helps new artists, you know?
• 58:27
  Speaker 2: Foda!
• 58:28
  Speaker 3: Which is something that we, thank God, I had the
• 58:30
  Speaker 3: help of Kevin, Kai, consequently Caveira, whether or not, taught
• 58:35
  Speaker 3: a lot, right? He didn't record before, but he taught
• 58:38
  Speaker 3: a lot. We want to be able to help new
• 58:40
  Speaker 3: young people, new artists.
• 58:41
  Speaker 2: Man, you talked about Kevin, I think it's cool, whenever
• 58:44
  Speaker 2: his name appears, it's cool to talk, but it's very
• 58:46
  Speaker 2: crazy to see that What he did in 2019 and 2020... Recycled, right?
• 58:50
  Speaker 2: You know?
• 58:50
  Speaker 3: Like, people are doing it today.
• 58:52
  Speaker 2: What GP does, what Rihanna does.
• 58:54
  Speaker 3: It became a trend.
• 58:56
  Speaker 2: To have a producer, to get some guys to trust
• 58:58
  Speaker 2: and put them under the arm, to go up, to
• 59:00
  Speaker 2: do what they believe.
• 59:01
  Speaker 3: In and fuck it.
• 59:02
  Speaker 2: You know?
• 59:03
  Speaker 10: In 2019, bro.
• 59:03
  Speaker 2: And today, things that we are.
• 59:10
  Speaker 2: Like this. How is that?
• 59:10
  Speaker 5: You know?
• 59:11
  Speaker 2: I'm shocked because he was 23, right? He was a
• 59:12
  Speaker 2: guy very ahead of time, you know? So much that.
• 59:15
  Speaker 3: You listen to his songs and it seems that he
• 59:17
  Speaker 3: released another one. Current? Yeah, this guy, he's very, he's
• 59:20
  Speaker 3: very current, you know? Kevin is a guy ahead of time, really.
• 59:23
  Speaker 3: It's like the legend that we had... We managed to
• 59:31
  Speaker 3: live together, right? At each time there is one, I
• 59:34
  Speaker 3: usually say that in ours it was Kevin, you know?
• 59:37
  Speaker 3: Like there was Chorão, like there was Intimar, and there
• 59:40
  Speaker 3: are people who are privileged to have lived on the
• 59:42
  Speaker 3: side and absorbed a little of this energy. Me, Kai,
• 59:46
  Speaker 3: we went to the GP, and everyone who lived next
• 59:48
  Speaker 3: to him.
• 59:48
  Speaker 2: Especially this last phase, right?
• 59:50
  Speaker 3: And everyone who lived with us is blessed, you know?
• 59:53
  Speaker 3: You may not have earned money, but.
• 59:57
  Speaker 3: Is blessed to have made the right decisions not to
• 1:00:00
  Speaker 3: have a vision of a vision understood he is a
• 1:00:02
  Speaker 3: man who transmits a lot of light and.
• 1:00:04
  Speaker 2: It's not very crazy to see everyone he spoke to
• 1:00:07
  Speaker 2: that he trusted that he wanted to go close everyone
• 1:00:09
  Speaker 2: burst everyone everyone bro everyone you know what is.
• 1:00:11
  Speaker 3: The importance of him in your.
• 1:00:13
  Speaker 2: Lives professionally like this and also in personal life for
• 1:00:16
  Speaker 2: me I think all right bro I think I wouldn't.
• 1:00:18
  Speaker 3: Be here if he hadn't helped me right bro because
• 1:00:20
  Speaker 3: I had a I remember having a good businessman you
• 1:00:23
  Speaker 3: know I remember having another entrepreneur before him, and he
• 1:00:31
  Speaker 3: was a good entrepreneur. I think you can say, right?
• 1:00:35
  Speaker 3: My entrepreneur, for you to understand, he was Diego. He
• 1:00:37
  Speaker 3: was Tuto's entrepreneur today. Diego do Edson is a wonderful person,
• 1:00:39
  Speaker 3: a person that I had the pleasure of meeting. He
• 1:00:41
  Speaker 3: helped me a lot to form myself as an artist.
• 1:00:43
  Speaker 3: But it didn't work out, and then came Kevin. But
• 1:00:45
  Speaker 3: the brightness, his energy, how much he worked hard, even
• 1:00:48
  Speaker 3: being an artist, having his career, but for him to
• 1:00:51
  Speaker 3: make it work, like, man, he is extremely necessary. If
• 1:00:55
  Speaker 3: it wasn't for him, I wouldn't be here.
• 1:00:57
  Speaker 2: Man, there's a really cool picture of you guys in
• 1:00:59
  Speaker 2: the outlet, I think. Did you see it?
• 1:01:02
  Speaker 3: Kai told you, right? It's the first time you got
• 1:01:04
  Speaker 3: some money. It was the first time I got money
• 1:01:06
  Speaker 3: from Kai, that I didn't have to pay.
• 1:01:08
  Speaker 7: The bill, there was a little bit left. I said, wow,
• 1:01:10
  Speaker 7: that's cool, Kev. Man, let's go to Lacoste.
• 1:01:12
  Speaker 2: I said, let's go.
• 1:01:14
  Speaker 3: But it's very crazy this because you gave the same role,
• 1:01:16
  Speaker 3: you without money, he always made me strong bro, he
• 1:01:19
  Speaker 3: always made me strong, no bro, I want to go out, get.
• 1:01:22
  Speaker 2: My stuff there, go wear one of our sneakers, it's
• 1:01:24
  Speaker 2: messed up, get mine there, there's a.
• 1:01:26
  Speaker 3: Zero there, he didn't have that, You know? He used
• 1:01:37
  Speaker 3: to go to Air Force for half Louis Vuitton. That's
• 1:01:39
  Speaker 3: why he's my brother, you know? Today he's giving me
• 1:01:42
  Speaker 3: a lot of value, you know? It's hard to leave, bro.
• 1:01:45
  Speaker 2: It's very hard, you know? Man, from the bottom of
• 1:01:47
  Speaker 2: my heart, I think you're the only mythical. I think
• 1:01:49
  Speaker 2: you can go to my house and get my stuff.
• 1:01:51
  Speaker 2: And you know that I don't... But if I need it,
• 1:01:54
  Speaker 2: I will. No, you can.
• 1:01:57
  Speaker 3: Until today, I go to Negão' s place. I need a t-shirt.
• 1:02:01
  Speaker 3: I've seen you with her. I know who he is.
• 1:02:03
  Speaker 2: You sent a message to him.
• 1:02:04
  Speaker 3: I send it to him. Negão, bro, this one I'm
• 1:02:06
  Speaker 3: going to wear. He's detached, Negão. He's detached.
• 1:02:07
  Speaker 4: Negão sometimes throws things that I say, bro, I want
• 1:02:09
  Speaker 4: this one.
• 1:02:10
  Speaker 2: I would buy it. He buys a watch. I say, damn,
• 1:02:12
  Speaker 2: this watch. He says, do you want it, bro?
• 1:02:14
  Speaker 3: I'm going to send it to you. I'm going to
• 1:02:15
  Speaker 3: take a ride with him.
• 1:02:16
  Speaker 5: No, no, no. A good person, right, bro?
• 1:02:18
  Speaker 2: I don't want it, bro.
• 1:02:19
  Speaker 3: If it's bad, I'll buy it. If it's bad, I
• 1:02:21
  Speaker 3: don't want it, bro. Do you like the watch, Caio?
• 1:02:23
  Speaker 2: Wow, I like it a lot, bro.
• 1:02:24
  Speaker 3: I like it, huh? Man, watch is my beach.
• 1:02:27
  Speaker 6: Perfume and watch are things I'm addicted to.
• 1:02:29
  Speaker 2: Man, I also like perfume a lot. But watch is
• 1:02:30
  Speaker 2: foda to get addicted to because it's expensive. It's foda, brother.
• 1:02:34
  Speaker 6: It's a path without a way back. Everyone says that.
• 1:02:36
  Speaker 2: I get in love, right?
• 1:02:37
  Speaker 1: I say, will I not enter this world that I
• 1:02:39
  Speaker 1: lose myself in that? But you have, you collect, you like.
• 1:02:41
  Speaker 2: You enjoy? Man, I have, I have.
• 1:02:46
  Speaker 3: I think I have, now I have nine, you know?
• 1:02:47
  Speaker 6: What a key.
• 1:02:48
  Speaker 2: He likes it.
• 1:02:49
  Speaker 3: He likes it. He likes it, it's cool. I have nine, man.
• 1:02:51
  Speaker 7: Nine watches that I've been buying, like, on the pedals.
• 1:02:54
  Speaker 7: A little bit, right?
• 1:02:55
  Speaker 3: On the pedals, right? You have to send the old parcels,
• 1:02:58
  Speaker 3: there's no way.
• 1:02:59
  Speaker 10: Five a week.
• 1:03:00
  Speaker 3: There's no way. Five a week. Five a week.
• 1:03:02
  Speaker 2: The only time to spend money is on watches.
• 1:03:06
  Speaker 6: Man, yes, watch and I think traveling too, man. Traveling
• 1:03:09
  Speaker 6: is the best.
• 1:03:09
  Speaker 3: I think it's the best thing.
• 1:03:10
  Speaker 6: I think it's the best thing. I think it's the
• 1:03:12
  Speaker 6: best thing. I think it's the best thing.
• 1:03:13
  Speaker 3: It's the best thing.
• 1:03:14
  Speaker 5: It's the best thing.
• 1:03:15
  Speaker 4: It's the best thing.
• 1:03:16
  Speaker 3: It's the best thing. It's the best thing.
• 1:03:17
  Speaker 6: It's the best thing.
• 1:03:17
  Speaker 3: It's the best thing.
• 1:03:18
  Speaker 6: It's the best thing.
• 1:03:18
  Speaker 2: It's the best thing.
• 1:03:19
  Speaker 5: It's the best thing.
• 1:03:20
  Speaker 3: It's the best thing. It's the best thing.
• 1:03:22
  Speaker 6: It's the best thing.
• 1:03:23
  Speaker 3: It's the best thing.
• 1:03:24
  Speaker 6: It's the best thing. It's the best thing.
• 1:03:25
  Speaker 3: It's the best thing.
• 1:03:26
  Speaker 2: It's the best thing. It's the best thing. It's the
• 1:03:28
  Speaker 2: best thing. It's the best thing.
• 1:03:30
  Speaker 3: It's the best thing. It's the best thing.
• 1:03:31
  Speaker 10: It's the best thing.
• 1:03:31
  Speaker 3: It's the best thing.
• 1:03:32
  Speaker 2: It's the best thing.
• 1:03:33
  Speaker 3: It's the best thing.
• 1:03:34
  Speaker 6: It's the best thing.
• 1:03:34
  Speaker 3: It's the best thing I can be the one who flies.
• 1:03:38
  Speaker 10: On the street.
• 1:03:39
  Speaker 3: The guy says, man, okay, cool, these tattoos, what do
• 1:03:41
  Speaker 3: you do? Man, I'm the producer of a guy there
• 1:03:42
  Speaker 3: in Brazil, our F.
• 1:03:44
  Speaker 6: He's a monster.
• 1:03:45
  Speaker 3: Yes, I'm going to tell him to give you a video.
• 1:03:47
  Speaker 7: Sometimes I tell Caveirinha, man, send me a video here,
• 1:03:49
  Speaker 7: the guy doesn't believe me.
• 1:03:51
  Speaker 6: I'm his brother, just his brother.
• 1:03:53
  Speaker 2: Just the brother of the monster. And you, F, if
• 1:03:57
  Speaker 2: you're going to get something that you spend money on,
• 1:03:59
  Speaker 2: what is it?
• 1:04:01
  Speaker 3: I like jewelry a lot.
• 1:04:03
  Speaker 2: That's what bling bling is about, right?
• 1:04:06
  Speaker 3: I like jewelry a lot, you know? Fingers, these are
• 1:04:08
  Speaker 3: the things I spend the most. The watch too. I
• 1:04:10
  Speaker 3: have this one here.
• 1:04:11
  Speaker 2: I don't have to buy the same one.
• 1:04:12
  Speaker 7: I already have this one. I'm already detaching mine too,
• 1:04:14
  Speaker 7: you know? But he already has a lot, bro.
• 1:04:16
  Speaker 3: I'm going to detach it now.
• 1:04:18
  Speaker 2: But I think the cool thing is this, like, as
• 1:04:20
  Speaker 2: it's a value, it's a jewel, it doesn't fall in value,
• 1:04:24
  Speaker 2: so I think you're, okay, it's broken, you change it.
• 1:04:26
  Speaker 3: So, my break was what? I was paying all....
• 1:04:30
  Speaker 5: Investments.
• 1:04:31
  Speaker 7: And then, like, there was some money left, I'm sending,
• 1:04:33
  Speaker 7: I'm sending, I'm sending, I'm sending, I'm getting it, now
• 1:04:35
  Speaker 7: I'm with everyone, now I come.
• 1:04:37
  Speaker 3: With the money, everyone, because.
• 1:04:38
  Speaker 2: I'm going to invest in something else, you know?
• 1:04:40
  Speaker 3: It was my breeze. My breeze was this, you know?
• 1:04:41
  Speaker 7: But, and I, because I like it too, I wanted
• 1:04:43
  Speaker 7: to have it, I wanted to spend a little money.
• 1:04:46
  Speaker 7: But I think that also, after it goes from, it's
• 1:04:48
  Speaker 7: like the car, you know? You buy a car, you
• 1:04:50
  Speaker 7: walk with the car for two months there, then you
• 1:04:52
  Speaker 7: look like this, it stays there in your garage, you know?
• 1:04:56
  Speaker 6: Especially for us who live in the streets.
• 1:04:57
  Speaker 3: You know? I did it, I regretted it. Or is
• 1:05:00
  Speaker 3: it for a Porsche? Yeah, but I couldn't walk a lot.
• 1:05:04
  Speaker 3: In Mogi, there were a lot.
• 1:05:05
  Speaker 2: Of holes, I was in pain. And also when you're
• 1:05:06
  Speaker 2: going to cheat in the van.
• 1:05:08
  Speaker 6: Yeah, bro.
• 1:05:08
  Speaker 3: So I decided, you know? I was without a car.
• 1:05:11
  Speaker 3: But I'm already crazy to get another one, bro. I
• 1:05:13
  Speaker 3: was without a car for almost.
• 1:05:15
  Speaker 6: Two years, bro.
• 1:05:16
  Speaker 3: I got a car now, you know? Without a car?
• 1:05:18
  Speaker 3: Without a car, really?
• 1:05:19
  Speaker 2: Without a car, bro.
• 1:05:20
  Speaker 3: Uber, van.
• 1:05:20
  Speaker 7: Yeah, sometimes I used to say to Veigão, get me here, bro,
• 1:05:23
  Speaker 7: so we can go to the gym, bro. He used
• 1:05:25
  Speaker 7: to pass by the house, he used to pick me up.
• 1:05:27
  Speaker 7: Or F used to pick me up, or... Sometimes I
• 1:05:30
  Speaker 7: took an Uber, but I had to go to the
• 1:05:31
  Speaker 7: gym and the rest I did in a van, you know? Ah, man,
• 1:05:33
  Speaker 7: because they are artists.
• 1:05:34
  Speaker 2: Who sing at night, so it's hard to use the car, right?
• 1:05:36
  Speaker 2: To use more in the fire, right?
• 1:05:38
  Speaker 7: I didn't use it much, so I stayed almost two years,
• 1:05:39
  Speaker 7: I stayed a year and a little like that.
• 1:05:41
  Speaker 6: I remember when you were.
• 1:05:42
  Speaker 2: In your Mecona.
• 1:05:43
  Speaker 3: Fuck! Yes.
• 1:05:44
  Speaker 11: Fuck!
• 1:05:45
  Speaker 7: Then, now I got another one, quiet, normal, to stay,
• 1:05:48
  Speaker 7: to stay.
• 1:05:49
  Speaker 6: The F cars.
• 1:05:49
  Speaker 2: Always caused it too, always colorful. I always like cars
• 1:05:51
  Speaker 2: like that.
• 1:05:53
  Speaker 3: I like it.
• 1:05:53
  Speaker 2: Did you have an orange?
• 1:05:55
  Speaker 2: .
• 1:06:00
  Speaker 3: .
• 1:06:06
  Speaker 2: .
• 1:06:10
  Speaker 3: She was beautiful. She was beautiful.
• 1:06:13
  Speaker 3: I made a video clip and that's it.
• 1:06:16
  Speaker 2: I lived, I lived.
• 1:06:17
  Speaker 3: Who saw it, saw it. Who didn't see it, go
• 1:06:19
  Speaker 3: to my Instagram, I won't delete the photo.
• 1:06:22
  Speaker 2: And what do you guys do? You talked about Veig,
• 1:06:26
  Speaker 2: I remembered. You guys are also living a very blessed moment.
• 1:06:29
  Speaker 2: What do you guys do when you're living a moment
• 1:06:30
  Speaker 2: of many great things, You can imagine, right, bro? Just
• 1:06:39
  Speaker 2: listening to Sim, doing a show at Casa do Caramba.
• 1:06:42
  Speaker 2: What do you guys do to reconnect, to get back
• 1:06:45
  Speaker 2: on the ground? Not that I'm saying that you guys
• 1:06:47
  Speaker 2: got arrogant, but like... Okay, I need to get back
• 1:06:49
  Speaker 2: to your Kaique here, Felipe, bro.
• 1:06:52
  Speaker 6: Ah, I'll go to Quebrada, right?
• 1:06:53
  Speaker 14: Yeah, go to Quebrada.
• 1:06:54
  Speaker 7: He calls me directly, he calls me directly. Like, we
• 1:06:56
  Speaker 7: already have this side... I live with his family, I
• 1:07:00
  Speaker 7: also don't live with my parents anymore, but we have
• 1:07:04
  Speaker 7: this connection. My children are always there. So that's our
• 1:07:07
  Speaker 7: moment of peace. But when it comes to stepping on
• 1:07:10
  Speaker 7: the ground, I believe we'll always do it. Besides the
• 1:07:14
  Speaker 7: music video, you know?
• 1:07:15
  Speaker 6: I think.
• 1:07:16
  Speaker 7: Most of the guys are used to going to Quebrada
• 1:07:19
  Speaker 7: to make a music video, to do something.
• 1:07:22
  Speaker 6: We're like.
• 1:07:23
  Speaker 7: We're going there. We're not doing anything. Let's have some
• 1:07:26
  Speaker 7: açaí there, bro. Let's go to Tira Dentes. I'm going
• 1:07:28
  Speaker 7: to Mojinho, Ferraz and all the other places.
• 1:07:35
  Speaker 2: Isso é bom, mano. Isso é bom. E eu vejo que, pô,
• 1:07:37
  Speaker 2: falando da casa da sua família, né, mano? Caralho, velho.
• 1:08:07
  Speaker 10: He's focused.
• 1:08:08
  Speaker 3: He's focused, he's committed too.
• 1:08:10
  Speaker 2: What a key, bro. And Caveirinha, bro. And Caveirinha.
• 1:08:13
  Speaker 6: Man, Caveirinha... Liar.
• 1:08:15
  Speaker 7: Bro, I'll tell you, I think Caveirinha is the guy
• 1:08:17
  Speaker 7: I know who makes the most music in his life, bro.
• 1:08:21
  Speaker 2: He's in a.
• 1:08:22
  Speaker 7: He's crazy about making music. When I focused on Academy...
• 1:08:27
  Speaker 7: When I focused on Academy, he focused on making music. Bro,
• 1:08:30
  Speaker 7: he's going to release... He's going to release a lot
• 1:08:33
  Speaker 7: of music. Everything is good, bro. Every day he sends
• 1:08:35
  Speaker 7: is good music. I say, send a new song for
• 1:08:37
  Speaker 7: me to listen to in the car. Then he sends six, bravo.
• 1:08:40
  Speaker 7: Send a new song there, send eight. I say, okay, boy, you're...
• 1:08:42
  Speaker 7: You're living from the studio. I even said, send some
• 1:08:44
  Speaker 7: there for my brother to sing. Send some to jump.
• 1:08:48
  Speaker 7: Send some for my brother to sing there, man. Write
• 1:08:50
  Speaker 7: some for me there, caveira.
• 1:08:51
  Speaker 2: And the little ones, how are they?
• 1:08:53
  Speaker 7: Man, the little ones, they make music, they are doing,
• 1:08:57
  Speaker 7: they are breaking, but like I said, I wanted to
• 1:08:59
  Speaker 7: let them more free to be able to discover what
• 1:09:00
  Speaker 7: they wanted to do. They are enjoying soccer, you know?
• 1:09:03
  Speaker 7: They are playing in a little school of Santos, and
• 1:09:05
  Speaker 7: then they stay, go there and here.
• 1:09:08
  Speaker 2: It's like football.
• 1:09:09
  Speaker 7: No, they're like... Like, the guys are crazy about everything.
• 1:09:12
  Speaker 7: One of them wants to fight, the other wants to
• 1:09:14
  Speaker 7: play soccer.
• 1:09:14
  Speaker 2: No, they go out at night and they go out
• 1:09:15
  Speaker 2: at night.
• 1:09:16
  Speaker 3: No, they go out at night at home.
• 1:09:17
  Speaker 7: I said, I'm going to give each one a glove
• 1:09:19
  Speaker 7: when you start and you go down there and you
• 1:09:20
  Speaker 7: kill yourself, man.
• 1:09:21
  Speaker 2: It's very cool, your brothers and sisters. Oh, you talked
• 1:09:24
  Speaker 2: about Santos? Calm down, Caio.
• 1:09:27
  Speaker 6: But it won't fall.
• 1:09:29
  Speaker 3: It won't? It won't.
• 1:09:33
  Speaker 2: I was going to talk about something good, I wasn't
• 1:09:36
  Speaker 2: talking about that. You were invited to sing at the
• 1:09:39
  Speaker 2: Neymar's return. How was that? Did you know before that
• 1:09:43
  Speaker 2: the man was coming back?
• 1:09:45
  Speaker 5: No, man.
• 1:09:45
  Speaker 7: First I said, man, it's a lie, the guy is
• 1:09:48
  Speaker 7: messing around. They said Messi was coming to Santos. They said, right?
• 1:09:51
  Speaker 3: They said, Messi is coming, Neymar is coming, Cristiano Ronaldo
• 1:09:55
  Speaker 3: is coming. I said, man, Santos is going to stay. Bigode.
• 1:09:58
  Speaker 7: Man, Real Madrid can come, anyone can come. Man, the
• 1:10:01
  Speaker 7: guys were lying and stuff, and the guys were like, man,
• 1:10:03
  Speaker 7: you're going to sing there, and.
• 1:10:04
  Speaker 3: Stuff, at Ney's turn.
• 1:10:05
  Speaker 6: Are you crazy, man? You're crazy, man. Until I got there,
• 1:10:08
  Speaker 6: until Ney.
• 1:10:09
  Speaker 3: Passed by, like, giving a little hug, I said.
• 1:10:12
  Speaker 7: Man, you're crazy, it's a lie, man, you didn't come back,
• 1:10:14
  Speaker 7: you didn't come back.
• 1:10:16
  Speaker 2: How many bass players were there that day? Was it you, Kian,
• 1:10:19
  Speaker 2: Mano Brau, Ed Rock?
• 1:10:23
  Speaker 3: GP, Supla.
• 1:10:25
  Speaker 2: What a day! Neymar, Ney, you know?
• 1:10:29
  Speaker 7: It was a Fortnite ghost. We were there, I remember,
• 1:10:32
  Speaker 7: I said, bro, are you crazy? I was in the corner,
• 1:10:34
  Speaker 7: Brau was with me. He said, bro, are we going
• 1:10:36
  Speaker 7: to the other side? A lot of people are coming,
• 1:10:37
  Speaker 7: it's crowded. Then the people came to him and said, Brau,
• 1:10:41
  Speaker 7: stay here, the people will pass and.
• 1:10:51
  Speaker 7: He will come to you, bro, he wanted to see you,
• 1:10:54
  Speaker 7: he knows you're here, he wants to see you, Ney,
• 1:10:55
  Speaker 7: then he stood still, I said, bro, I'm going to
• 1:10:58
  Speaker 7: stay here by your side, bro, I'm going to stay here, bro, then, bro,
• 1:11:01
  Speaker 7: a lot of rush, everyone started to pull, they pulled
• 1:11:03
  Speaker 7: Brau over there, bro, Neymar already stuck to his side,
• 1:11:06
  Speaker 7: he already put everyone on top, then I said, bro,
• 1:11:08
  Speaker 7: I'm not even going to get up there, bro, I'm
• 1:11:10
  Speaker 7: going to stay here in the corner.
• 1:11:11
  Speaker 3: I stayed back there, then Brau, where's Kai?
• 1:11:13
  Speaker 6: I said, come here. He started to pull me.
• 1:11:15
  Speaker 3: I said, you're crazy. What a moral, guys.
• 1:11:17
  Speaker 5: What a moral.
• 1:11:18
  Speaker 3: And I brawned like this. Look at the picture. I said, wow.
• 1:11:21
  Speaker 3: You're crazy. Everyone, you know?
• 1:11:23
  Speaker 2: No, not anymore, not anymore.
• 1:11:25
  Speaker 3: But the brawn. No, brawn, brawn, brawn, bro.
• 1:11:26
  Speaker 6: Wait a minute.
• 1:11:27
  Speaker 3: Wait a minute.
• 1:11:28
  Speaker 6: Pass it, Caio.
• 1:11:28
  Speaker 3: The thing is back there.
• 1:11:29
  Speaker 6: The others are pushing me like this.
• 1:11:31
  Speaker 3: I'm just going, bro.
• 1:11:31
  Speaker 7: The thing is back there, behind the crowd. When I
• 1:11:34
  Speaker 7: got there, I remembered him. Here, here, everyone, bro. The
• 1:11:37
  Speaker 7: thing is like this.
• 1:11:38
  Speaker 3: It looked like... You know?
• 1:11:39
  Speaker 6: Everyone came out like this.
• 1:11:40
  Speaker 2: I passed him.
• 1:11:41
  Speaker 3: I said, what the fuck is this, bro? The brawn is.
• 1:11:43
  Speaker 6: And how is it going, Santos?
• 1:11:45
  Speaker 2: Talking about music is easy, right, man? Let's talk about
• 1:11:49
  Speaker 2: football here.
• 1:11:50
  Speaker 3: So... So.
• 1:11:50
  Speaker 2: Leave it there. I love you guys. Brazão is a monster.
• 1:11:54
  Speaker 3: It's necessary to talk about the Cup.
• 1:11:56
  Speaker 2: I also think so.
• 1:11:57
  Speaker 5: I don't know, right?
• 1:12:04
  Speaker 3: I sent a message to Ney because he didn't see
• 1:12:07
  Speaker 3: it on Instagram.
• 1:12:08
  Speaker 2: What was the message? Tell him. Ney answered me, bro.
• 1:12:10
  Speaker 7: Once he posted it, the song appeared on his stories.
• 1:12:12
  Speaker 7: And then I went there and saw him with Mano Brown.
• 1:12:14
  Speaker 7: I sent a message the day before and said, if
• 1:12:17
  Speaker 7: you don't play in Brazil, I won't root for you, man.
• 1:12:20
  Speaker 6: Where's my cell phone? If you don't play, I'll root
• 1:12:23
  Speaker 6: for you.
• 1:12:24
  Speaker 3: If you don't play, I won't root for you, man.
• 1:12:25
  Speaker 2: But I'm seeing that I won't root for anyone in.
• 1:12:28
  Speaker 3: The Cup, you know? You have a team, man. I'm
• 1:12:36
  Speaker 3: from São Paulo.
• 1:12:37
  Speaker 2: That's true.
• 1:12:39
  Speaker 3: I'm from São Paulo. I went to the stadium. But
• 1:12:42
  Speaker 3: São Paulo is also... Man, the stadium gave us a lot.
• 1:12:45
  Speaker 6: I'll tell you, bro.
• 1:12:46
  Speaker 7: I went there to watch Santos vs.
• 1:12:49
  Speaker 3: Vasco.
• 1:12:49
  Speaker 6: 6-0 to Vasco.
• 1:12:51
  Speaker 2: No, that game didn't exist, bro. What happened there?
• 1:12:53
  Speaker 6: I took my dad there.
• 1:12:55
  Speaker 3: I told my dad. Look, my dad is coming. Are
• 1:12:57
  Speaker 3: you crazy? First game of Santos with my son, hands
• 1:13:01
  Speaker 3: like this.
• 1:13:02
  Speaker 5: Special day.
• 1:13:02
  Speaker 2: Special day. We were there, we were arriving.
• 1:13:03
  Speaker 3: How is your dad from Jóia? Santos' shirt.
• 1:13:06
  Speaker 2: Hey, guys, how are you?
• 1:13:06
  Speaker 3: Let's go, man. Hands like this. The hands of the
• 1:13:08
  Speaker 3: GTA's CJ. We arrived, we arrived there. Then the guys said,
• 1:13:11
  Speaker 3: you're going to stay here in this dressing room. He said,
• 1:13:14
  Speaker 3: cool here, right?
• 1:13:15
  Speaker 6: Let's stay here sitting. He arrived, Cauê took his father.
• 1:13:22
  Speaker 3: My dad and Cauê' s dad. Everyone. We were like, that's cool.
• 1:13:25
  Speaker 3: First half, everything was cool.
• 1:13:26
  Speaker 2: Let's go Santos.
• 1:13:27
  Speaker 6: My dad was like, that's it.
• 1:13:28
  Speaker 3: Let's go.
• 1:13:29
  Speaker 6: There was no other way. We watched.
• 1:13:30
  Speaker 3: The guys started. Second half. One.
• 1:13:40
  Speaker 7: Two, three, when it was three, I said, dad, let's
• 1:13:43
  Speaker 7: start saying goodbye to the guys here.
• 1:13:45
  Speaker 6: .
• 1:13:49
  Speaker 7: My dad went to the
• 1:14:03
  Speaker 7: bathroom and the guys.
• 1:14:04
  Speaker 6: Scored 5 goals. 5-0. I was like, man, fuck it.
• 1:14:06
  Speaker 3: Only when I came to watch this team. Man, if
• 1:14:10
  Speaker 3: I didn't come to watch, Santos FC would have scored 10.
• 1:14:12
  Speaker 3: If I'm not here, it's Neymar's goal. Neymar scores a
• 1:14:14
  Speaker 3: bicycle goal, an Olympic goal, Pelé comes back. Everything happens.
• 1:14:18
  Speaker 7: Brother, we left and I, little team, shamelessly, taking 5-0.
• 1:14:21
  Speaker 7: A child hit, it looks like a movie, man. The
• 1:14:23
  Speaker 7: child hit like this, it's 6.
• 1:14:24
  Speaker 3: I said, ah, man. It's serious, man. It's 6.
• 1:14:30
  Speaker 2: Man, I told him, let's leave this place. I saw
• 1:14:31
  Speaker 2: Mano Brau talking about it that day. He said, there
• 1:14:34
  Speaker 2: was me and another Santista there. Without understanding, if he left,
• 1:14:37
  Speaker 2: if he stayed. It's crazy, man. Take a look at this.
• 1:14:40
  Speaker 2: But come on, Santos. It's going to fall or it's
• 1:14:42
  Speaker 2: not going to fall. No, it's not going to. Let's
• 1:14:43
  Speaker 2: get it.
• 1:14:43
  Speaker 7: Let's get it with leather. Santos has to reward you, Brazão.
• 1:14:48
  Speaker 7: I don't want Santos to go down.
• 1:14:51
  Speaker 3: Kevin was a big fan of Santos. There's Neymar there.
• 1:14:53
  Speaker 3: Don't go down.
• 1:14:54
  Speaker 2: If I had gone, he would be on the internet.
• 1:14:56
  Speaker 2: They didn't call me. And even more people on his Instagram.
• 1:15:05
  Speaker 7: We were on the day that Neymar sent a message
• 1:15:08
  Speaker 7: to Kevin, do you remember?
• 1:15:09
  Speaker 6: He went crazy.
• 1:15:09
  Speaker 3: He was doing a tattoo.
• 1:15:10
  Speaker 2: Look, confirm.
• 1:15:11
  Speaker 3: He was doing a tattoo.
• 1:15:12
  Speaker 6: It's written NJ11, you know? He did.
• 1:15:13
  Speaker 7: Then he told everyone who was on the site, he.
• 1:15:23
  Speaker 6: Put it on, bro. Put it on everyone, bro.
• 1:15:25
  Speaker 3: You'll see if the man won't see the thing. Man,
• 1:15:26
  Speaker 3: put it on everyone. Bro, bro, bro. I saw nothing.
• 1:15:28
  Speaker 2: Neymar answered him. He took this like this. He was
• 1:15:30
  Speaker 2: wearing PSG's clothes, I remember.
• 1:15:37
  Speaker 6: He took this one, the chair he was wearing, those
• 1:15:39
  Speaker 6: white chairs.
• 1:15:39
  Speaker 3: He threw it on the glass. On the glass of
• 1:15:41
  Speaker 3: the place.
• 1:15:42
  Speaker 6: Why?
• 1:15:42
  Speaker 2: He took the other chairs. He threw everything in the pool.
• 1:15:45
  Speaker 5: There were six chairs in the pool.
• 1:15:47
  Speaker 6: I said, what is this, bro? It's Neymar.
• 1:15:48
  Speaker 3: I'm Neymar, man. He took a box of sand.
• 1:15:49
  Speaker 2: I'm Neymar.
• 1:15:51
  Speaker 3: I'm Neymar from Funk, man. How cool, bro. How cool.
• 1:15:53
  Speaker 3: How cool.
• 1:15:54
  Speaker 6: Do you remember his story with his mother?
• 1:16:02
  Speaker 2: I root for Neymar. If Neymar doesn't play, I'll root
• 1:16:05
  Speaker 2: for Conte. He's so good.
• 1:16:07
  Speaker 7: The day we went to the outlet, Neymar was so
• 1:16:10
  Speaker 7: big with his new sponsorship. He said, Caio, we'll have
• 1:16:13
  Speaker 7: to change sponsorships.
• 1:16:14
  Speaker 2: We're Puma now.
• 1:16:15
  Speaker 6: We'll have to change sponsorships.
• 1:16:16
  Speaker 3: Neymar, if you use it, you know, we'll have to
• 1:16:18
  Speaker 3: change it. You'll screw up. It's so cool to know
• 1:16:20
  Speaker 3: about these experiences. It's so cool, bro.
• 1:16:22
  Speaker 2: It's so cool. What do you... Oh, bro, I wanted
• 1:16:24
  Speaker 2: to know if... they can show a little of what's
• 1:16:34
  Speaker 2: to come, right? Yes.
• 1:16:36
  Speaker 3: Wow, that would be my dream.
• 1:16:38
  Speaker 2: Really? Because I'm seeing two microphones here.
• 1:16:42
  Speaker 3: I'm seeing the producers there.
• 1:16:43
  Speaker 2: No, no, it's pretty.
• 1:16:44
  Speaker 10: It's structured now, right, brother?
• 1:16:45
  Speaker 1: Good, you're crazy here. You can go to every time.
• 1:16:49
  Speaker 7: We come, you can go to... Show the table, guys.
• 1:16:52
  Speaker 7: When the camera is ready, I'll show.
• 1:16:54
  Speaker 3: You how it's structured.
• 1:16:55
  Speaker 10: Calm down, calm down.
• 1:17:01
  Speaker 3: I want to see the old ones.
• 1:17:01
  Speaker 2: I want to see the new ones. Look at the table.
• 1:17:04
  Speaker 2: Look at the guys. Say hi, everyone is showing up.
• 1:17:06
  Speaker 3: That's it. Look at everyone that came.
• 1:17:08
  Speaker 2: I want to give a big hug to Felipe. I
• 1:17:09
  Speaker 2: brought my chest protector to my master. Give it to
• 1:17:12
  Speaker 2: Uki Nervoso.
• 1:17:13
  Speaker 6: Play.
• 1:17:13
  Speaker 3: Now yes.
• 1:17:13
  Speaker 2: You can come to the tip.
• 1:17:27
  Speaker 6: Now Mestrão is strong, because Igão... Just a slap, son.
• 1:17:30
  Speaker 2: Here, look.
• 1:17:31
  Speaker 3: That's crazy quality.
• 1:17:32
  Speaker 2: Go, Caio. Go, Caio.
• 1:17:33
  Speaker 5: Be careful.
• 1:17:34
  Speaker 6: Look at the watch.
• 1:17:35
  Speaker 2: Watch the watch.
• 1:17:36
  Speaker 3: Go, go, go. I want to see this. Go, clown.
• 1:17:38
  Speaker 3: Go take one live.
• 1:17:39
  Speaker 2: My God.
• 1:17:39
  Speaker 3: Caio, you can hurt him.
• 1:17:40
  Speaker 6: Go, Caio.
• 1:17:40
  Speaker 5: Lie on your arm, Caio.
• 1:17:42
  Speaker 2: Hurt this guy, bro. I'm here yesterday because I was...
• 1:17:44
  Speaker 2: I don't want to know, bro. Catch him, Caio. Catch him.
• 1:17:58
  Speaker 5: Catch him, Caio.
• 1:17:59
  Speaker 3: Catch him, Caio. Look at my face, man. What the
• 1:18:09
  Speaker 3: fuck did you do.
• 1:18:10
  Speaker 2: With that box?
• 1:18:11
  Speaker 5: It was a fucking bad box. We want to make
• 1:18:12
  Speaker 5: a second edition.
• 1:18:14
  Speaker 2: Dude, we want to make Box Malandro 2, okay? Wow,
• 1:18:16
  Speaker 2: I was going to say. We have to come and
• 1:18:17
  Speaker 2: watch this review. Let's do our event, bro, so we
• 1:18:19
  Speaker 2: can compete with FMS there? Let's go, bro. You want
• 1:18:22
  Speaker 2: to fight better, but.
• 1:18:34
  Speaker 2: Bambam called you. Stop it. Bambam called you. When I
• 1:18:38
  Speaker 2: was exchanging ideas with the guys, it was like this, man,
• 1:18:41
  Speaker 2: we do a little championship of ours, close the doors
• 1:18:44
  Speaker 2: of the gym, and then just call our guys and
• 1:18:47
  Speaker 2: stay there, do some fights, then do an event.
• 1:18:49
  Speaker 6: It's cool, it's cool.
• 1:18:51
  Speaker 3: I love it, man.
• 1:18:51
  Speaker 2: And see who's the most angry in the fight. A
• 1:18:54
  Speaker 2: whole fight.
• 1:18:55
  Speaker 3: No, this is really cool. A whole fight, call all
• 1:18:57
  Speaker 3: the guys and.
• 1:18:59
  Speaker 1: But with these guys it's not possible, you're training the ball,
• 1:19:03
  Speaker 1: it's already another footprint.
• 1:19:05
  Speaker 3: No, I'm... I try. No, big is good, man. Big is.
• 1:19:07
  Speaker 6: You're crazy.
• 1:19:07
  Speaker 3: Big is sensational in boxing.
• 1:19:08
  Speaker 7: I tell him, bro, you have an absurd gas, you know?
• 1:19:12
  Speaker 7: I tell him that if we go to compete, the
• 1:19:13
  Speaker 7: first one of us who has to go to the
• 1:19:15
  Speaker 7: street to get it is Ti, bro. He's clean, he's
• 1:19:16
  Speaker 7: an angel, right?
• 1:19:17
  Speaker 3: We're talking about an angel on the earth. I tell him, bro,
• 1:19:20
  Speaker 3: if it's the first one to go out there to
• 1:19:22
  Speaker 3: get someone of leather, if it's to be able to
• 1:19:24
  Speaker 3: represent our troop, it has to be Ti, bro.
• 1:19:25
  Speaker 6: But I talked to him, I said, what's up?
• 1:19:27
  Speaker 3: He said, bro....
• 1:19:36
  Speaker 2: If you want to go out with me, not me, right?
• 1:19:37
  Speaker 2: He said, if people want to go out with me,
• 1:19:39
  Speaker 2: let's go to the gym without a cell phone, close the.
• 1:19:44
  Speaker 3: Doors and go out. That happens there. It's crazy, right?
• 1:19:47
  Speaker 7: So, I also say this to the guys, we started
• 1:19:49
  Speaker 7: to take care of our health and such, and then
• 1:19:51
  Speaker 7: it started to become a thing that, bro, I myself, bro,
• 1:19:54
  Speaker 7: you know? I don't care much, bro, about what the
• 1:19:56
  Speaker 7: guys are doing through this Fight Music, you know?
• 1:19:59
  Speaker 3: In sincerity. Because....
• 1:20:02
  Speaker 7: A lot of guys who are 1000 degrees don't even
• 1:20:06
  Speaker 7: know what happened with Johnny and Shamuel's journey, you know?
• 1:20:10
  Speaker 7: Two guys who are 1000 degrees, who have a 1000
• 1:20:12
  Speaker 7: degree career ahead of them, and instead of continuing this
• 1:20:16
  Speaker 7: cool rickshaw, which is a cool battle of rhymes, where
• 1:20:19
  Speaker 7: the guys will keep rhyming with each other, and we'll
• 1:20:21
  Speaker 7: see this thing forever, you know? And then, man, he
• 1:20:25
  Speaker 7: smokes all his life. He challenged himself, he had to
• 1:20:31
  Speaker 7: go up there and fight with a young guy who
• 1:20:33
  Speaker 7: has infinite gas.
• 1:20:34
  Speaker 6: He trained well. You saw the fight, bro.
• 1:20:36
  Speaker 3: You know? He trained well as hell. He was going
• 1:20:38
  Speaker 3: to break anyone who brought him.
• 1:20:39
  Speaker 6: Samuel was.
• 1:20:39
  Speaker 3: Samuel was... It's a thing that... Samuel, damn it.
• 1:20:42
  Speaker 10: Samuel....
• 1:20:49
  Speaker 5: He's a big fan, right? He's a big fan, man.
• 1:20:53
  Speaker 2: And he was surprised, right, man?
• 1:20:54
  Speaker 3: Johnny too. Respect, man. Respect, man. Johnny smoked, already making
• 1:20:57
  Speaker 3: a reaction. Reaction of our love, the love of him
• 1:21:00
  Speaker 3: and of us. He's a warrior, he's a winner. He
• 1:21:02
  Speaker 3: was a monster, man.
• 1:21:03
  Speaker 6: It's just that he stopped smoking, right, man? Because it's
• 1:21:05
  Speaker 6: already a difficult addiction.
• 1:21:18
  Speaker 2: Now he's still training, running.
• 1:21:19
  Speaker 3: That's cool, man. That's important. That's the thing. Just don't
• 1:21:22
  Speaker 3: invent a rematch, man.
• 1:21:23
  Speaker 10: The kid is.
• 1:21:23
  Speaker 2: The kid is.
• 1:21:25
  Speaker 6: Damn, Samuel.
• 1:21:25
  Speaker 3: Don't invent a rematch, man. The thing is.
• 1:21:27
  Speaker 2: But there's a thing.
• 1:21:28
  Speaker 6: Nothing beats youth, man.
• 1:21:29
  Speaker 3: Youth is there to... It's not possible, man.
• 1:21:31
  Speaker 6: Like I said yesterday to you here, like.
• 1:21:32
  Speaker 3: The finger... Brother, I got home like this, like... The
• 1:21:35
  Speaker 3: finger moves, but it doesn't bend anymore, you know? It
• 1:21:39
  Speaker 3: was going to happen yesterday... I was there yesterday with
• 1:21:50
  Speaker 3: a little boy and a little girl, man. It's 13,
• 1:21:51
  Speaker 3: 14 years old.
• 1:21:52
  Speaker 2: They crushed you. They crushed you.
• 1:21:54
  Speaker 3: Yes, brother.
• 1:21:54
  Speaker 6: I was finalized.
• 1:21:55
  Speaker 2: Finalized? Finalized of everything that was.
• 1:21:56
  Speaker 3: Right, brother. Finalized.
• 1:21:57
  Speaker 2: Of everything that was right.
• 1:21:59
  Speaker 3: 13 years old.
• 1:21:59
  Speaker 7: I was using, I would pick him up on the
• 1:22:01
  Speaker 7: belt like this, I would lift them up here like this, look. Ah, boy,
• 1:22:03
  Speaker 7: they would stick to my arm like a backpack, pass
• 1:22:06
  Speaker 7: on my back, I would say, bro, what is this?
• 1:22:07
  Speaker 6: This is a snake.
• 1:22:09
  Speaker 3: Weird, weird.
• 1:22:10
  Speaker 2: Jiu-Jitsu is different.
• 1:22:11
  Speaker 3: Jiu-Jitsu is different.
• 1:22:11
  Speaker 2: Let's go to music? Let's go?
• 1:22:13
  Speaker 3: Ah, please.
• 1:22:14
  Speaker 2: What a structure. Hey, Fê, let's do our event, huh?
• 1:22:16
  Speaker 2: Let's do the event, for the love of God. Where
• 1:22:19
  Speaker 2: is it?
• 1:22:20
  Speaker 10: I bet.
• 1:22:20
  Speaker 3: You can call our friends here. This is yours.
• 1:22:22
  Speaker 5: Come, come, come.
• 1:22:23
  Speaker 3: Come, Slata.
• 1:22:23
  Speaker 5: Come, come.
• 1:22:24
  Speaker 3: Slata.
• 1:22:24
  Speaker 5: Please.
• 1:22:25
  Speaker 3: That's it.
• 1:22:26
  Speaker 2: I see you right in the fight. This is for you, Alisson.
• 1:22:31
  Speaker 2: Slata is also a gift.
• 1:22:32
  Speaker 5: Slata is a gift.
• 1:22:41
  Speaker 3: Here, look. Here it's bravo too, ok? Take it easy.
• 1:22:44
  Speaker 5: Thank you for the headphones.
• 1:22:45
  Speaker 2: Are you crazy?
• 1:22:46
  Speaker 3: The class is over, right?
• 1:22:47
  Speaker 2: We're going to the music, right?
• 1:22:48
  Speaker 3: Is there anything better than music? Oh, I don't know
• 1:22:51
  Speaker 3: if I'm crazy or not.
• 1:22:52
  Speaker 5: It's just that I don't know the songs they have there.
• 1:22:54
  Speaker 5: I wanted them to start singing the song that put
• 1:22:58
  Speaker 5: me on the stage.
• 1:23:11
  Speaker 2: Boom, sing a little bit. The first one that made
• 1:23:13
  Speaker 2: more success is singing, you know? And coming through the career,
• 1:23:18
  Speaker 2: Raul Gil style.
• 1:23:19
  Speaker 3: You can raise it here, I'm not hearing me right.
• 1:23:23
  Speaker 2: It's from down there to.
• 1:23:26
  Speaker 6: Down there, down there is great.
• 1:23:28
  Speaker 2: I'm raising it.
• 1:23:29
  Speaker 3: I'm going to start, did you see?
• 1:23:33
  Speaker 2: You can raise it a little bit, there, there, there.
• 1:23:36
  Speaker 5: Perfect, perfect. I'm going to.
• 1:23:37
  Speaker 3: Get up, right?
• 1:23:40
  Speaker 2: You can stay in peace, bro. Feel free to stay.
• 1:23:41
  Speaker 10: Here, look.
• 1:23:42
  Speaker 5: Do you have another phone? Come on.
• 1:23:47
  Speaker 3: Come on.
• 1:23:47
  Speaker 2: Come on.
• 1:23:47
  Speaker 5: Come on.
• 1:23:51
  Speaker 10: Come on.
• 1:23:54
  Speaker 2: Come on.
• 1:23:55
  Speaker 3: Come on. Eu quero te ver brisada Deixa sem tune,
• 1:24:07
  Speaker 3: deixa sem tune Desce aí que eu vou passar na
• 1:24:10
  Speaker 3: sua casa Trouxe um drink, um canque que eu comprei
• 1:24:13
  Speaker 3: lá na quebrada Eu quero te ver brisada Rebolando na
• 1:24:19
  Speaker 3: minha cara Desce aí que eu vou passar na sua
• 1:24:22
  Speaker 3: casa Trouxe um drink, um canque que eu comprei lá
• 1:24:24
  Speaker 3: na quebrada Eu quero te ver brisada Rebolando assim Hoje
• 1:24:31
  Speaker 3: eu coloquei na nave pra acelerar Vamo na Versace, Vendigo
• 1:24:35
  Speaker 3: de Prada Sem pensar no amanhã, vai se eu tô
• 1:24:38
  Speaker 3: vivendo Eu tô gastando dinheiro, que perreco eu tô correndo
• 1:24:42
  Speaker 3: Eu não tenho tempo pra me preocupar Toda negatividade eu
• 1:24:46
  Speaker 3: jogo pra lá Ela quer sentar pra mim, que eu
• 1:24:49
  Speaker 3: sou rico de novo Eu tô pronto pra estourar Eu
• 1:24:52
  Speaker 3: sei que ela quer se aposentar, mas não vai Disse
• 1:24:55
  Speaker 3: que é linda essa Louis V do pai E.
• 1:24:57
  Speaker 5: Eu fiz tudo aquilo que esses.
• 1:24:59
  Speaker 3: Boys não fazem E ela tá pedindo mais Doida pra
• 1:25:03
  Speaker 3: ganhar tapão do pai Mas não vai Disse que é
• 1:25:06
  Speaker 3: linda essa Louis V do pai E eu sinto daquilo
• 1:25:10
  Speaker 3: que esses boizinho não faz E ela tá pedindo mais
• 1:25:13
  Speaker 3: Doida pra ganhar tapão do pai Desce aí que eu
• 1:25:18
  Speaker 3: vou passar na sua casa Eu trouxe um drink, um
• 1:25:20
  Speaker 3: kaki que eu comprei lá na quebrada E.
• 1:25:23
  Speaker 5: Eu quero te ver.
• 1:25:24
  Speaker 3: Brisada Rebolando na minha cara Desce aí que eu vou
• 1:25:29
  Speaker 3: passar na sua casa Eu trouxe um drink, um kaki
• 1:25:31
  Speaker 3: que eu comprei E eu quero te ver brisada Rebolando na.
• 1:25:38
  Speaker 5: Minha cara This is a classic, this.
• 1:25:44
  Speaker 2: Is a classic of Brazilian music. There are many there, right? Oh, boy,
• 1:25:48
  Speaker 2: send one, boy, send one.
• 1:25:49
  Speaker 3: Let's break it, bro.
• 1:25:50
  Speaker 5: Let's drop the stuff, otherwise it won't come anymore, guys.
• 1:25:53
  Speaker 3: Calm down.
• 1:25:53
  Speaker 5: Send it, Caio.
• 1:25:54
  Speaker 11: Who?
• 1:25:55
  Speaker 3: Wow, please.
• 1:25:55
  Speaker 5: You can see, K4SV, which one? Yeah, Bandido Mau. Bandido Mau,
• 1:25:58
  Speaker 5: Bandido Mau is cool, huh?
• 1:26:01
  Speaker 6: Wow.
• 1:26:10
  Speaker 2: The guys are all happy, that's it!
• 1:26:12
  Speaker 3: To remember!
• 1:26:29
  Speaker 14: Desce e sobe de meia alta, zero Ela pede pra
• 1:26:32
  Speaker 14: eu chamar no grau Dá um corte na água colorida Mano,
• 1:26:35
  Speaker 14: cê é a minha palafal Sou de gang, mas tô
• 1:26:38
  Speaker 14: apaixonado Sem postura de bandido, mal Na fuga ela bota
• 1:26:42
  Speaker 14: a mão na placa E comemora fazendo sinal E eu?
• 1:26:47
  Speaker 5: Black, todo tatuado, acalado em quadro, né?
• 1:26:50
  Speaker 2: Oh, yeah.
• 1:26:51
  Speaker 10: Oh, yeah.
• 1:27:07
  Speaker 5: Hoje é dia de compras e quem teve.
• 1:27:09
  Speaker 14: Já vai morrer, vai morrer Sua mãe se ela chega
• 1:27:12
  Speaker 14: sem mandar recado, yeah Ah, ah, ah, ah, ah Vou
• 1:27:16
  Speaker 14: desacreditar pra.
• 1:27:17
  Speaker 3: Ver, e o quê? Que eu deixo mais bloco na.
• 1:27:20
  Speaker 14: Bolsa da Luz da Cunhada And that's my place, she
• 1:27:24
  Speaker 14: doesn't fix anything.
• 1:27:26
  Speaker 5: Why? Because she's a bandit woman, trained in Al-Qaeda. I
• 1:27:29
  Speaker 5: did my blessing, I.
• 1:27:32
  Speaker 14: Took it to the top, I remember it with faith.
• 1:27:36
  Speaker 14: She's from Arjá, and well, well in the face of
• 1:27:39
  Speaker 14: the vermin.
• 1:27:40
  Speaker 5: Just don't touch my siriané, much less in my faith.
• 1:27:44
  Speaker 14: From Lacoste, from the head to the feet, and viva, viva,
• 1:27:47
  Speaker 14: vida loca.
• 1:27:48
  Speaker 2: Yeah, yeah, yeah. Hey!
• 1:28:06
  Speaker 5: Hey!
• 1:28:07
  Speaker 11: Hey!
• 1:28:19
  Speaker 5: You have to respect it. You have to respect it.
• 1:28:22
  Speaker 3: You have to respect it.
• 1:28:24
  Speaker 5: You have to respect it. You have to respect it.
• 1:28:30
  Speaker 2: Hey!
• 1:28:30
  Speaker 6: Hey! Hey!
• 1:28:57
  Speaker 5: Share the live, guys!
• 1:28:58
  Speaker 10: Like it!
• 1:29:20
  Speaker 3: Cê joga na minha cara e tá tudo bem Cê
• 1:29:24
  Speaker 3: caça na Couto de Versace e tá tudo bem Me
• 1:29:28
  Speaker 3: chama de.
• 1:29:29
  Speaker 14: Amor Tá ligado que é nóis, ó que bem que
• 1:29:35
  Speaker 14: a voz Se brotar na reta, o bonde é de estró.
• 1:29:38
  Speaker 5: Ela gosta do preto, ó de mele É domingueiro, eu
• 1:29:41
  Speaker 5: tô com ela na.
• 1:29:41
  Speaker 14: Garupa Oi, muita fé pra todos meus quebrada Que não
• 1:29:46
  Speaker 14: pararam no ver Mas eu já tá na dona, tá.
• 1:29:49
  Speaker 5: Posada Safada que é pra dar.
• 1:29:51
  Speaker 14: Lo e ver Ela quer, é, bandida, bandida Se tu fecha,
• 1:29:58
  Speaker 14: quer foder com a minha vida E se é pena, maduga,
• 1:30:00
  Speaker 14: ela me liga Toda produzida, gozada por cima Só fogo
• 1:30:07
  Speaker 14: na bomba, eu gosto Se não, tô de bota, tô
• 1:30:09
  Speaker 14: de bota Depois desencontra.
• 1:30:14
  Speaker 3: Good, good, good.
• 1:30:35
  Speaker 5: Relax, girl, just be comfortable, but no I don't keep
• 1:30:39
  Speaker 5: a grudge, but.
• 1:30:40
  Speaker 14: I remember the assholes who run and the boots.
• 1:30:43
  Speaker 5: For those who get lost on the road alone, calculating
• 1:30:46
  Speaker 5: the route She asks for.
• 1:30:48
  Speaker 14: Pandora, cries and pleads, doesn't want to talk Prada, Milano,
• 1:30:54
  Speaker 14: Nice Camp, asks to bring it from.
• 1:30:55
  Speaker 5: France Bolsa da guerra já tá criando.
• 1:31:00
  Speaker 14: Esperança Filho herança, toda mal intencionada Se despindo na parada,
• 1:31:04
  Speaker 14: só de calcinha da vitória Cinquenta, diz pra mim, quem
• 1:31:08
  Speaker 14: é que te foda e te banca, amor, e que
• 1:31:10
  Speaker 14: tá afim? Dilma, vi que cê é um maluca com
• 1:31:12
  Speaker 14: preto Que pega de um jeito que tu nunca viu
• 1:31:14
  Speaker 14: Feito da meca, entregou de base e já tá por.
• 1:31:17
  Speaker 5: A meu beck E.
• 1:31:18
  Speaker 12: Ela tá despindo no meu particular, ela só quer mostrar
• 1:31:26
  Speaker 12: And it's all right, you throw it in my face
• 1:31:30
  Speaker 12: and it's all right, you hunt in the Guti Versace.
• 1:31:34
  Speaker 10: And it's all right.
• 1:31:47
  Speaker 3: Me chama de amor só quando te convém Te convém,
• 1:31:53
  Speaker 3: tá tudo bem Cê joga na minha cara e tá
• 1:31:57
  Speaker 3: tudo bem Cê gasta na cuti versace e tá tudo
• 1:32:02
  Speaker 3: bem Me chama de amor They have to ask him
• 1:32:11
  Speaker 3: to calm down.
• 1:32:14
  Speaker 2: Calm down, calm down. Calm down, calm down. Calm down,
• 1:32:20
  Speaker 2: calm down.
• 1:32:20
  Speaker 5: Calm down, calm down. Calm down, calm down.
• 1:32:23
  Speaker 2: Calm down, calm down. Wow, this one.
• 1:32:28
  Speaker 3: This one is a memory for Madruguinha, the final of
• 1:32:33
  Speaker 3: the cab.
• 1:32:34
  Speaker 5: It's in my heart forever, right? It's like this.
• 1:32:37
  Speaker 3: While the smoke rises, her butt goes down. She never
• 1:32:41
  Speaker 3: gives up, this mandrake never gets tired. E aí, ela
• 1:32:46
  Speaker 3: não cansa Já tinha um tempo que a gente não
• 1:32:51
  Speaker 3: se via E hoje ela dormiu com a minha camisa
• 1:32:55
  Speaker 3: da Dior E aí.
• 1:32:56
  Speaker 5: Da Dior.
• 1:33:01
  Speaker 3: Dizem que queriam me ver, já me visto na TV
• 1:33:03
  Speaker 3: Contando dinheiro, fazendo salseiro Valeu pra você aprender, hoje tem
• 1:33:08
  Speaker 3: pra escolher Cal preto e vermelho, hoje eu vou tacar
• 1:33:12
  Speaker 3: Ou cê tá pensando que é a única que joga
• 1:33:15
  Speaker 3: O que rebola, me manda foto.
• 1:33:19
  Speaker 5: Não é bem assim.
• 1:33:20
  Speaker 3: Ela faz com gentil Dá certeza em quem é, ela
• 1:33:23
  Speaker 3: faz bem direitinho.
• 1:33:26
  Speaker 5: And at night, she.
• 1:33:27
  Speaker 3: Comes right up Full of grace, wanting to give me
• 1:33:30
  Speaker 3: And in this game, I'm not your enemy If you want,
• 1:33:32
  Speaker 3: you'll have to While the smoke rises Her butt goes
• 1:33:35
  Speaker 3: down She never gives up, this mandrake never gets tired
• 1:33:40
  Speaker 3: She never gets tired.
• 1:33:47
  Speaker 5: Oh, já tinha um tempo que a gente não se.
• 1:33:50
  Speaker 3: Via E hoje ela dormiu com a minha camisa da
• 1:33:53
  Speaker 3: Dior E aí, da Dior Ela não cansa, ela não cansa, ela.
• 1:34:02
  Speaker 5: Não cansa, ela não.
• 1:34:05
  Speaker 3: Cansa Já tinha um tempo que a gente não se via.
• 1:34:10
  Speaker 5: Wow!
• 1:34:11
  Speaker 10: Wow!
• 1:34:11
  Speaker 5: Wow!
• 1:34:12
  Speaker 3: Wow!
• 1:34:12
  Speaker 14: Wow!
• 1:34:12
  Speaker 6: Wow!
• 1:34:12
  Speaker 10: Wow!
• 1:34:14
  Speaker 11: Wow!
• 1:34:14
  Speaker 14: Wow!
• 1:34:14
  Speaker 5: Wow!
• 1:34:15
  Speaker 2: Wow!
• 1:34:39
  Speaker 6: Yeah.
• 1:34:40
  Speaker 5: Yeah, yeah, yeah, yeah, yeah.
• 1:34:44
  Speaker 1: Yeah, yeah, yeah, yeah, yeah.
• 1:34:47
  Speaker 5: Yeah, yeah, yeah, yeah, yeah. Yeah, yeah, yeah, yeah, yeah.
• 1:35:02
  Speaker 14: Jacareque dorme, vira polo Lagatu que brecha, vira pó Carras, bicho,
• 1:35:07
  Speaker 14: só passa.
• 1:35:08
  Speaker 5: E dá pro chefe Joga jota e troca de loló
• 1:35:11
  Speaker 5: Vale pega na rua de bote E o.
• 1:35:13
  Speaker 14: Bote faz iluminação E os bote tudo cortando de giro
• 1:35:16
  Speaker 14: E as patas jogam a bunda na frente do megatron
• 1:35:18
  Speaker 14: E eu só de cantinho Jambé logo logo que ficou
• 1:35:22
  Speaker 14: de ideia lá no Insta da Cunhada Lá no Insta.
• 1:35:25
  Speaker 3: Da Cunhada Água de bandido, da internet, mas na rua só.
• 1:35:27
  Speaker 14: Ficou de caguejada Só ficou de caguejada Me lembra.
• 1:35:31
  Speaker 15: As ideia, checkmate, vira exemplo na quebrada Vira exemplo na
• 1:35:34
  Speaker 15: quebrada Sai de pião com a minha bequique preta Ela
• 1:35:38
  Speaker 15: na garopa leva porcelana Água de bandido é royal, saludo
• 1:35:42
  Speaker 15: Vai encher o copo da primeira dama Você quer tá vida,
• 1:35:45
  Speaker 15: não me leva longe Mas vivo do jeito que eu
• 1:35:48
  Speaker 15: quero Põe no copo tudo que eu quero E tenho
• 1:35:50
  Speaker 15: toda a jaiva que eu quero Passei de pião, mas
• 1:35:57
  Speaker 15: na quebrada I filled.
• 1:36:01
  Speaker 5: The sink, I got the water to buy a bottle
• 1:36:04
  Speaker 5: of water. It's that comedy that comes home and plays.
• 1:36:08
  Speaker 5: And three o'clock in the afternoon, I was in a
• 1:36:11
  Speaker 5: coma and now I wasn't here.
• 1:36:14
  Speaker 14: It's that I don't know if today I'll go home.
• 1:36:19
  Speaker 5: A quarter of this candy has already left me. Outro
• 1:36:23
  Speaker 5: Music Yeah. This is awesome!
• 1:36:55
  Speaker 3: What is this?
• 1:36:57
  Speaker 11: Wonderful!
• 1:36:57
  Speaker 5: It's the Prada from SK!
• 1:36:58
  Speaker 2: She called me! She played for me! I don't know
• 1:37:01
  Speaker 2: if I remember this one.
• 1:37:02
  Speaker 5: I don't know if I remember this one.
• 1:37:05
  Speaker 2: I don't know if I remember this one. I don't
• 1:37:07
  Speaker 2: know if I remember this one.
• 1:37:08
  Speaker 5: I don't know if I remember this one. I don't
• 1:37:11
  Speaker 5: know if I remember this one.
• 1:37:12
  Speaker 2: I don't know if I remember this one. I don't
• 1:37:14
  Speaker 2: know if I remember this one.
• 1:37:18
  Speaker 3: Bring some water for the boys! What's up? Next time
• 1:37:24
  Speaker 3: we have to leave a comment so the people can
• 1:37:25
  Speaker 3: hear the beats. If I make a mistake, it's good
• 1:37:27
  Speaker 3: to follow, but.
• 1:37:27
  Speaker 5: I'm not an artist.
• 1:37:29
  Speaker 2: There has to be a sound there.
• 1:37:34
  Speaker 3: Que saudade eu tenho dessa mandraka E já faz uma
• 1:37:38
  Speaker 3: cota que a gente não se vê E no devaneio sim,
• 1:37:43
  Speaker 3: cê vai ligar pra mim Chorar pra mim Ela ligou
• 1:37:47
  Speaker 3: pra mim, ela jogou pra mim Pede pra dar luíbe
• 1:37:52
  Speaker 3: E quer viver de novo aquilo Que a gente viveu bem.
• 1:38:01
  Speaker 2: Ah, ah, ah, ah, ah, ah, ah, ah.
• 1:38:20
  Speaker 3: I don't know why she explained it to me She
• 1:38:22
  Speaker 3: said she loves to sit for the thugs And wants
• 1:38:24
  Speaker 3: to roll in the break Without cap, without plate Calling
• 1:38:30
  Speaker 3: for nothing But not living a fairy tale She spends
• 1:38:35
  Speaker 3: on Prada Eita, baby, cara And wants to play She
• 1:38:40
  Speaker 3: said she dropped her finger on MT And when she
• 1:38:42
  Speaker 3: looks at me, she only thinks about Merti She knows
• 1:38:44
  Speaker 3: I'm going to make you go away And I'm ready
• 1:38:47
  Speaker 3: to fuck.
• 1:38:49
  Speaker 5: Que saudade eu tenho.
• 1:38:50
  Speaker 3: Dessa mandraka Que já faz uma cota que a gente
• 1:38:54
  Speaker 3: não se vê E no tempo nem eu sei, cê
• 1:38:58
  Speaker 3: vai ligar pra mim Chorar pra mim Ela jogou pra
• 1:39:05
  Speaker 3: mim Pede pra dar Luíbe E quer viver de novo
• 1:39:09
  Speaker 3: aquilo Que.
• 1:39:12
  Speaker 5: A gente viveu.
• 1:39:13
  Speaker 3: Bem And she called me, she played for me, she
• 1:39:19
  Speaker 3: asked me to give her Louis Vuitton.
• 1:39:21
  Speaker 14: And she asked.
• 1:39:23
  Speaker 3: Me to give her Louis Vuitton.
• 1:39:27
  Speaker 5: And we lived well. We lived well.
• 1:39:34
  Speaker 3: What's up? What's up? What's up?
• 1:39:36
  Speaker 5: What's up? What's up?
• 1:39:36
  Speaker 2: What's up? What's up? What's up?
• 1:39:38
  Speaker 3: What's up?
• 1:39:38
  Speaker 5: What's up?
• 1:39:39
  Speaker 3: What's up?
• 1:39:40
  Speaker 2: What's up?
• 1:39:41
  Speaker 5: What's up? What's up? What's up? What's up? What's up?
• 1:39:43
  Speaker 3: What's up? What's up? What's up? What's up? What's up?
• 1:39:45
  Speaker 2: What's up?
• 1:39:45
  Speaker 5: What's up?
• 1:39:46
  Speaker 3: What's up?
• 1:39:47
  Speaker 2: What's up?
• 1:39:47
  Speaker 5: What's up?
• 1:39:48
  Speaker 3: What's up?
• 1:39:48
  Speaker 2: What's up? What's up? What's up? What's up? What's up?
• 1:39:50
  Speaker 2: What's up?
• 1:39:50
  Speaker 5: What's up?
• 1:39:51
  Speaker 3: What's up? What's up?
• 1:39:52
  Speaker 5: What's up? What's up?
• 1:39:53
  Speaker 3: What's up?
• 1:39:54
  Speaker 2: What's up?
• 1:39:56
  Speaker 5: What's up?
• 1:39:59
  Speaker 3: My mom don't cry, my mom don't cry.
• 1:40:02
  Speaker 14: Hoje eu que tô no plantão de AK-47 Quero te
• 1:40:05
  Speaker 14: dar o melhor que a vida te leva Sei que
• 1:40:11
  Speaker 14: não é o que a senhora sou pra mim Don't
• 1:40:16
  Speaker 14: cry so big Tiro pro rato pros irmão que não
• 1:40:21
  Speaker 14: tão aqui Mas se for isso que já já vai
• 1:40:25
  Speaker 14: cantar Lili E que logo tá na quebrada pra se
• 1:40:30
  Speaker 14: divertir Pra se divertir, pra se divertir Eu desentoco a.
• 1:40:34
  Speaker 5: Multistrada, né?
• 1:40:35
  Speaker 14: Tirei todas as carenas de front No pinhão eu vou
• 1:40:38
  Speaker 14: com ar de fé Bico, olho e fala, uh, uh
• 1:40:42
  Speaker 14: Quem te vê, vem, quem te vê, neguim Ficou até
• 1:40:45
  Speaker 14: um pouco magrinho Só indo com arzinho no dentinho Acho
• 1:40:49
  Speaker 14: que a vida é um doce, yeah, yeah.
• 1:40:55
  Speaker 5: .
• 1:41:03
  Speaker 14: .
• 1:41:03
  Speaker 5: .
• 1:41:04
  Speaker 10: .
• 1:41:09
  Speaker 12: .
• 1:41:11
  Speaker 5: .
• 1:41:18
  Speaker 7: Hoje eu te assusto bem mais com o
• 1:41:21
  Speaker 7: mic na mão.
• 1:41:23
  Speaker 5: Oi, plana B, os meus irmão no porte do EQ.
• 1:41:27
  Speaker 5: E os menor assim da quebrada querem seu cry. And
• 1:41:33
  Speaker 5: give an improvement to the coroes that all the bad
• 1:41:35
  Speaker 5: guys want. Not just to stroll through the.
• 1:41:38
  Speaker 14: Broken behind the jackal's yacht.
• 1:41:40
  Speaker 5: Where a rocket ticket, but I'm tired of walking.
• 1:41:42
  Speaker 14: I'm tired of walking on foot, I'm tired of walking
• 1:41:45
  Speaker 14: on foot. My mom don't cry.
• 1:41:47
  Speaker 5: My mom don't cry.
• 1:41:48
  Speaker 14: And today I'm on the side of Equipares 7.
• 1:41:52
  Speaker 5: Equipares 7. I want to give you the best, I
• 1:41:55
  Speaker 5: want to take you there. No, no, no. I know
• 1:41:59
  Speaker 5: it's not. Don't cry to me, don't cry to me.
• 1:42:03
  Speaker 14: I'll shoot for you, for those who don't have a gun.
• 1:42:06
  Speaker 5: And if you want, you won't get tired of me.
• 1:42:08
  Speaker 5: Because soon I'll be on the road to have fun.
• 1:42:12
  Speaker 5: Soon I'll be on the road to have fun. Who knows, man?
• 1:42:55
  Speaker 3: Yeah.
• 1:42:56
  Speaker 2: Boy.
• 1:42:57
  Speaker 5: Como cê tá?
• 1:42:59
  Speaker 3: Eu quero saber a cor da sua calcinha Eu trouxe
• 1:43:03
  Speaker 3: algo que cê vai gostar Eu tenho que te deixar
• 1:43:07
  Speaker 3: molhadinha Que cê pode fumar se quiser Beber se quiser
• 1:43:12
  Speaker 3: Só não vale se apaixonar Dropar um doce té do
• 1:43:15
  Speaker 3: MD Faz acontecer Sabe ou não, quem sabe vem Em 2022,
• 1:43:20
  Speaker 3: chora agora e depois Viajante do tempo, a minha Porsche
• 1:43:25
  Speaker 3: é do momento Let's go!
• 1:43:48
  Speaker 5: I want to know what's up with your.
• 1:43:50
  Speaker 3: Pants I brought something you'll like I have to let
• 1:43:54
  Speaker 3: you go You can smoke and drink if you want
• 1:43:57
  Speaker 3: Just don't stop falling in love Drop a sweet from
• 1:44:01
  Speaker 3: MD and make.
• 1:44:01
  Speaker 5: It happen You know or not?
• 1:44:03
  Speaker 3: Wow!
• 1:44:03
  Speaker 2: Fuck!
• 1:44:04
  Speaker 5: Applause, applause, applause! Ask for one from the man now!
• 1:44:07
  Speaker 10: Let me ask for one?
• 1:44:17
  Speaker 3: I think it has to be dressed like Fendi. Wow!
• 1:44:20
  Speaker 3: Is there one in the ball, DJ?
• 1:44:23
  Speaker 10: This one, man.
• 1:44:23
  Speaker 3: If you don't have.
• 1:44:28
  Speaker 6: It.
• 1:44:28
  Speaker 5: This one even has my DJ. It's the show's notebook.
• 1:44:32
  Speaker 3: It's the show's notebook, man.
• 1:44:33
  Speaker 5: If you don't have it, tomorrow I'll be at B.O.
• 1:44:38
  Speaker 3: It's that one.
• 1:44:39
  Speaker 5: Tomorrow, gift from Florianópolis. Come on!
• 1:44:45
  Speaker 14: I'll see you next time. It falls, crazy, it sells
• 1:45:07
  Speaker 14: far away to sit for the father in the bank
• 1:45:09
  Speaker 14: It brings you, because inside the mecca I give you
• 1:45:11
  Speaker 14: a treat And go down, put on your pants from
• 1:45:14
  Speaker 14: the side and come I'll throw on the floor your
• 1:45:17
  Speaker 14: dress from the front and show your crazy side The
• 1:45:18
  Speaker 14: most crazy and the hottest thing I brought for us Fala.
• 1:45:23
  Speaker 5: Que você pensa em mim quando está só Mas.
• 1:45:26
  Speaker 14: Fala na minha cara que cês tesão na minha coisa
• 1:45:30
  Speaker 14: E louca, maluca, tirou minha luz Vou falar o que
• 1:45:33
  Speaker 14: isso te dá mais tesão Vivo no baile pela madruga,
• 1:45:36
  Speaker 14: renda o assunto I said to myself that I.
• 1:45:41
  Speaker 3: Didn't want to be with anyone else.
• 1:45:44
  Speaker 14: But one night, a trance, tells me that it's snowing.
• 1:45:48
  Speaker 14: In my life as a clean artist, I forget that
• 1:45:50
  Speaker 14: she's always like that. And I don't want to be
• 1:45:52
  Speaker 14: that one sitting and thinking about her. I'm going to
• 1:45:57
  Speaker 14: look at the green carpet from far away to sit
• 1:45:59
  Speaker 14: with my dad in the back seat. But inside the
• 1:46:01
  Speaker 14: mecca I give.
• 1:46:02
  Speaker 5: You a treat and go. So put on your pants
• 1:46:04
  Speaker 5: from there and come.
• 1:46:05
  Speaker 14: I'm going to throw your friend's dress on the floor
• 1:46:07
  Speaker 14: and show your.
• 1:46:08
  Speaker 5: More crazy side.
• 1:46:09
  Speaker 14: But if you're looking for me, I already have the intention.
• 1:46:13
  Speaker 5: Inside the car, look at the situation.
• 1:46:16
  Speaker 14: I'm going to throw it on the ground.
• 1:46:18
  Speaker 5: DJ Troca and LJ Produção. DJ, there's half of the songs.
• 1:46:22
  Speaker 5: One by one. He doesn't want to lose the passage.
• 1:46:26
  Speaker 5: He's running, he's running.
• 1:46:28
  Speaker 8: He's running.
• 1:46:43
  Speaker 14: .
• 1:46:47
  Speaker 5: .
• 1:47:05
  Speaker 14: Today it's Balmelo and Viva Las Marcas I spend your money,
• 1:47:07
  Speaker 14: I give you the best I go to the bed
• 1:47:10
  Speaker 14: and she asks for a kiss I said, it looks
• 1:47:12
  Speaker 14: like the band I know I'm going to scream black,
• 1:47:16
  Speaker 14: don't stop Losing all your fortune for me.
• 1:47:18
  Speaker 5: And I don't get tired, I don't.
• 1:47:21
  Speaker 14: Get tired She's in a good mood, she's not asking
• 1:47:24
  Speaker 14: me anymore She's in a good mood, she's not asking.
• 1:47:26
  Speaker 5: Me anymore She's in a good mood, she's.
• 1:47:28
  Speaker 14: Not asking me anymore I don't sing, while she's babbling,
• 1:47:33
  Speaker 14: asking me for more. I don't take it, I take
• 1:47:35
  Speaker 14: it here, because I'd rather have a lot of idiots.
• 1:47:39
  Speaker 5: Examining differently, she knows what's needed to conquer me. I
• 1:47:41
  Speaker 5: already told you she's the core.
• 1:47:43
  Speaker 3: If she's a parasite, she doesn't get involved. Don't mess
• 1:47:49
  Speaker 3: with me if I have a revolver. This baby is
• 1:47:52
  Speaker 3: very respected. Brought on the break wanting to be my mandrake.
• 1:47:55
  Speaker 3: She knows that the black here wants you well. She
• 1:47:58
  Speaker 3: brings you from Gucci, Versace, Bolsa, Balmain. Look how beautiful
• 1:48:01
  Speaker 3: it looks. A foto nossa que eu tirei em cima
• 1:48:04
  Speaker 3: do meu foguetão Prometo se ficar comigo A minha vida
• 1:48:08
  Speaker 3: é corrida, mas dou atenção Em quarto, parede, cê senta
• 1:48:12
  Speaker 3: e se acaba Fica sem vontade de ir pra casa
• 1:48:15
  Speaker 3: E no celular, seu pai pegando de oreada.
• 1:48:17
  Speaker 5: Se descobre que cê tá na letra e vai te buscar.
• 1:48:10
  Speaker 3: And I sing to you, looking at you, seeing you
• 1:48:12
  Speaker 3: arguing until your father in the room didn't tire me.
• 1:48:16
  Speaker 5: And you fumbling, asking me more.
• 1:48:17
  Speaker 3: And I sing to you, looking at you, seeing you
• 1:48:19
  Speaker 3: arguing until.
• 1:48:20
  Speaker 5: Your father in the room didn't tire me. And you
• 1:48:39
  Speaker 5: keep asking me for more. You keep asking for more.
• 1:48:42
  Speaker 5: You keep asking for more.
• 1:48:49
  Speaker 3: Vem! Vem!
• 1:48:51
  Speaker 5: Vem!
• 1:48:52
  Speaker 7: Vem!
• 1:48:52
  Speaker 3: Vem!
• 1:48:53
  Speaker 5: Vem!
• 1:48:54
  Speaker 3: Vem! Vem!
• 1:48:55
  Speaker 2: Vem!
• 1:48:56
  Speaker 9: Vem!
• 1:48:56
  Speaker 2: Vem!
• 1:49:19
  Speaker 3: Yeah, enveja ficar de fora, eu nem deixo falar nada
• 1:49:22
  Speaker 3: Enquanto o vário se afoba, o menor se destaca Ele
• 1:49:26
  Speaker 3: se aproxima da vitória, ele se aproxima da medalha Se
• 1:49:29
  Speaker 3: não me falha a memória, minha conta tá fazer nada
• 1:49:31
  Speaker 3: O que acontece é que o menor se sempre cresce,
• 1:49:33
  Speaker 3: faz as notas O.
• 1:49:34
  Speaker 13: Que ganha ele investe, fica mó breque, ela pousa What.
• 1:49:37
  Speaker 2: What what what?
• 1:49:58
  Speaker 13: Salve pro meu parceiro Bradock, aí certo família Por quê,
• 1:50:01
  Speaker 13: por quê, por quê, por quê? O traje é de galo,
• 1:50:03
  Speaker 13: carga é da ilha, nova remessa, veio do Fitch Marco Presenza,
• 1:50:06
  Speaker 13: show do Slata, trazendo a sorte, cordão da banqueira Giro
• 1:50:09
  Speaker 13: umas notas, compro umas fitas, tipo Maybach, modelo retro Virei
• 1:50:12
  Speaker 13: assunto até na internet, porque gravaram eu pegando o metrô,
• 1:50:14
  Speaker 13: vai vendo Que tudo muda, tudo difere, mas o mano
• 1:50:17
  Speaker 13: segue o mesmo Lembro da chuva e das goteiras, época ruim, né,
• 1:50:20
  Speaker 13: passou uma verena Por isso mesmo eu não paro, sempre
• 1:50:22
  Speaker 13: foi marcha, até no meu pior momento Bico se morde,
• 1:50:25
  Speaker 13: porque não entende.
• 1:50:25
  Speaker 5: Jogando tudo que não tá vivendo He judges when I live.
• 1:50:28
  Speaker 5: Come here, come here, come here.
• 1:50:29
  Speaker 3: General, come here.
• 1:50:29
  Speaker 5: Get out of the house to tell Pataco, but now
• 1:50:32
  Speaker 5: I'm back.
• 1:50:32
  Speaker 13: She's going through this break in the gang.
• 1:50:35
  Speaker 5: Come here. No news, I already know what she likes.
• 1:50:37
  Speaker 5: Of these boys who know what they do. This is
• 1:50:40
  Speaker 5: with us.
• 1:50:46
  Speaker 3: We are on the track, raising the vibe and bringing
• 1:50:48
  Speaker 3: something new.
• 1:50:49
  Speaker 5: For those who didn't want, I'm leaving a save. Look
• 1:50:51
  Speaker 5: at us now.
• 1:50:51
  Speaker 13: What happens is that the youngest one always grows up
• 1:50:53
  Speaker 13: and scores.
• 1:50:54
  Speaker 5: What he earns he invests and stays in the pre
• 1:50:56
  Speaker 5: that she poses.
• 1:50:56
  Speaker 2: What's up, general?
• 1:50:57
  Speaker 3: What's up? What's up?
• 1:50:57
  Speaker 5: What's up?
• 1:50:58
  Speaker 10: What's up?
• 1:50:58
  Speaker 3: What's up? Look.
• 1:51:18
  Speaker 5: What's up? Thank you, brother. You're crazy.
• 1:51:20
  Speaker 3: This is Slata. LBT Slata for sure. From L.
• 1:51:22
  Speaker 5: Alisson.
• 1:51:23
  Speaker 2: VUGFK.
• 1:51:25
  Speaker 10: You can go.
• 1:51:26
  Speaker 1: VUGFK.
• 1:51:26
  Speaker 3: VUGFK.
• 1:51:27
  Speaker 2: VUGFK.
• 1:51:27
  Speaker 3: VUGFK.
• 1:51:34
  Speaker 14: Sobreviventes do inferno Deus tá de pé e os diabos
• 1:51:37
  Speaker 14: de terno Eu sem camisa, de pé, me chinelo Os lealdade.
• 1:51:41
  Speaker 5: Um forte, sério Mas eu só peço que.
• 1:51:44
  Speaker 14: Me guarde, me proteja E perdoe os meus pecados pra
• 1:51:48
  Speaker 14: sair da lama How many times have I made mistakes?
• 1:51:53
  Speaker 3: I know, I admit it.
• 1:51:54
  Speaker 5: And I paid for my sins without seeking fame.
• 1:51:56
  Speaker 14: But today they see me as a new mecca.
• 1:51:59
  Speaker 5: I took all my money and gave it to my dad.
• 1:52:01
  Speaker 5: I didn't come here because of the money from the Açaí.
• 1:52:04
  Speaker 5: They said I stole a lot of money.
• 1:52:07
  Speaker 3: Let's get it!
• 1:52:32
  Speaker 14: But how many times have I made mistakes?
• 1:52:36
  Speaker 2: And how many times have I lost?
• 1:52:37
  Speaker 5: And how many times have I lost?
• 1:52:39
  Speaker 14: And black, poor and dangerous Past, dangerous Present, premeditated Posted,
• 1:52:45
  Speaker 14: loses his neck Making smoke, I went Fez, athlete, fast
• 1:52:49
  Speaker 14: food Pica, plex, forga, pi Foca, easy to make, flows
• 1:52:58
  Speaker 14: Dose de Dom Perignon Tanta doida, granadinha Andando de cidade,
• 1:53:03
  Speaker 14: eu bom Bebe, bebe, bala brisa Bom, andou, melhor batom Bom, andou.
• 1:53:09
  Speaker 5: Banchê, bombom Ô, pupuzinha, bumbum dão This song is so good, man.
• 1:53:16
  Speaker 5: This one can't be. Our teacher's class. Do you have
• 1:53:18
  Speaker 5: the album?
• 1:53:19
  Speaker 3: Wow! After this, I want to show the clothes.
• 1:53:46
  Speaker 5: After this, we have to show a little bit of
• 1:53:49
  Speaker 5: what we have here, right bro?
• 1:53:50
  Speaker 14: This one here, everyone is.
• 1:53:52
  Speaker 5: I'm going to jump from the 19, dude!
• 1:53:53
  Speaker 1: Where's Naguile?
• 1:54:07
  Speaker 3: Tava na França, bebendo numa praia Quero saber o que
• 1:54:13
  Speaker 3: cê esconde debaixo dessa mar Quero te ver, yeah, yeah,
• 1:54:19
  Speaker 3: yeah Despertar o seu lado safada, deixar você molhada Só não, baby,
• 1:54:27
  Speaker 3: se tu quer fuder Tem que me acompanhar Que minha
• 1:54:31
  Speaker 3: vida tá corrida Eu não posso te esperar Marca a
• 1:54:35
  Speaker 3: presença na goma Antes de eu ir viajar Que eu
• 1:54:39
  Speaker 3: nem sei quando eu volto Nem se eu vou querer
• 1:54:42
  Speaker 3: te tomar Larga esse seu sono lá e brinca Na
• 1:54:45
  Speaker 3: minha cama ela faz coisas lindas Vem com mais duas
• 1:54:48
  Speaker 3: amigas Ainda é palhaçada Todas que você quiser são bem-vindas
• 1:54:53
  Speaker 3: Ela sempre traz Sem maconha e sem bebida, eu sei
• 1:54:57
  Speaker 3: I know Two doses of pink drink From Salto Alto
• 1:55:04
  Speaker 3: To Milano, all sensual Maybe she's from Jó Tava na França,
• 1:55:13
  Speaker 3: bebendo numa praia. Quero saber o que cê esconde debaixo
• 1:55:19
  Speaker 3: dessa mar.
• 1:55:21
  Speaker 5: Quero te ver, yeah, yeah, yeah.
• 1:55:24
  Speaker 3: Despertar o seu lado safada, deixar você molhada.
• 1:55:28
  Speaker 5: Só não fica sem graça.
• 1:55:30
  Speaker 2: Joga, joga.
• 1:55:58
  Speaker 11: Yeah, yeah, todas elas são atrizes Algumas ganham por isso
• 1:56:07
  Speaker 11: e outras não atuam E o fim.
• 1:56:12
  Speaker 3: Das doze, baby, da roça de salto alto Pra dar
• 1:56:18
  Speaker 3: Milano toda sensual será I.
• 1:56:22
  Speaker 14: Don't know either.
• 1:56:25
  Speaker 3: I want to know what you're hiding under this sea.
• 1:56:30
  Speaker 5: I want to see you. I want to see you.
• 1:56:33
  Speaker 3: I want to see you. I want to see you.
• 1:56:49
  Speaker 2: I want to know which one is the one from
• 1:56:51
  Speaker 2: the album, the one from the EP, the one you trust,
• 1:56:54
  Speaker 2: the one.
• 1:56:55
  Speaker 5: That will make all the noise. Man, we have no doubt,
• 1:56:58
  Speaker 5: but there are some there that we can show.
• 1:57:00
  Speaker 2: But Didi is sure. Didi likes this one.
• 1:57:03
  Speaker 3: Hey, never sing this live, so.
• 1:57:04
  Speaker 2: Wow, not even me, I don't know.
• 1:57:07
  Speaker 3: But we'll show it to you.
• 1:57:08
  Speaker 5: Yeah, we'll show it.
• 1:57:10
  Speaker 3: Maybe I bring flowers If you don't deserve it Mesmo
• 1:57:18
  Speaker 3: você dizendo pra mim Que não importa a distância, a
• 1:57:23
  Speaker 3: promessa Talvez eu trago flores Vamos focar em nós dois
• 1:57:33
  Speaker 3: Deixa falar enquanto a gente só quer fazer fluir Amor
• 1:57:40
  Speaker 3: Talvez eu trago flores.
• 1:57:44
  Speaker 14: I'm not going to confuse you, I'm going to leave you.
• 1:57:48
  Speaker 5: Our thing can't be A mina que me faz se
• 1:58:02
  Speaker 5: sente bem.
• 1:58:03
  Speaker 14: Não vou te confundir, nem te deixar. O nosso lance
• 1:58:08
  Speaker 14: não pode esfriar.
• 1:58:11
  Speaker 5: Talvez eu trago flores. Deixa gelado toda essa briga.
• 1:58:16
  Speaker 14: A gata me liga, diz que precisa de mim.
• 1:58:19
  Speaker 3: Talvez eu trago flores.
• 1:58:22
  Speaker 14: This time think positive, I'm in danger and I have
• 1:58:25
  Speaker 14: to let you go The will I feel is to
• 1:58:26
  Speaker 14: have you without hurting you My life is crazy, I
• 1:58:29
  Speaker 14: have a lot, I try to stay I'm here thinking
• 1:58:32
  Speaker 14: of you, remembering your smell and our vanity Girl, see
• 1:58:35
  Speaker 14: if you think well Maybe I'll bring flowers Hold it,
• 1:58:38
  Speaker 14: hold it, hold it, hold it, hold it, hold it,
• 1:58:42
  Speaker 14: hold it Fuck!
• 1:58:43
  Speaker 2: Fuck!
• 1:58:51
  Speaker 5: We showed too much.
• 1:58:52
  Speaker 2: Maybe it will bring flowers.
• 1:58:53
  Speaker 5: Maybe, maybe.
• 1:58:54
  Speaker 2: But you don't deserve it.
• 1:58:55
  Speaker 3: What is this, man? I think now we're going to
• 1:58:57
  Speaker 3: show with Duel.
• 1:58:58
  Speaker 2: Duel is a guy who's seeing too much.
• 1:58:59
  Speaker 5: Duel is in big hits. And he did this with us.
• 1:59:01
  Speaker 3: It's the new future of the crack. I sent you
• 1:59:16
  Speaker 3: a message, but I'm going to delete it. No forecast
• 1:59:18
  Speaker 3: of a vote. I know we're going to vote. I
• 1:59:21
  Speaker 3: saw you looking at me like that, from.
• 1:59:24
  Speaker 5: Far away, and you can't. Onde cê tá agora? Preciso
• 1:59:30
  Speaker 5: te dizer que eu errei. Eu errei de novo. Fingi
• 1:59:34
  Speaker 5: forças pra te manter, mas eu errei de novo.
• 1:59:37
  Speaker 3: Só quero que seja você, não consigo com o outro.
• 1:59:41
  Speaker 3: Algo precisa acontecer, chegar de briga, bobo.
• 1:59:44
  Speaker 5: Nós foge até o amanhecer, não posso errar de novo.
• 1:59:48
  Speaker 3: Preciso do seu corpo, seu beijo, seu calor.
• 1:59:51
  Speaker 5: O tempo te esfriou, seu sorriso no rosto.
• 1:59:55
  Speaker 12: Vai vir de espontânea vontade Sem ter muito esforço.
• 1:59:59
  Speaker 5: Só quero te beber Mandei mensagem mas.
• 2:00:01
  Speaker 3: Vou apagar Sem previsão de volta Eu sei que a
• 2:00:05
  Speaker 3: gente volta Te ver me olhando assim de longe não
• 2:00:09
  Speaker 3: dá Onde cê tá agora?
• 2:00:12
  Speaker 5: Preciso te dizer Para de acreditar.
• 2:00:16
  Speaker 14: Meu doutor Seu apartamento nem é tão longe Fique não,
• 2:00:22
  Speaker 14: dá lá, me diz aonde Saiu casa amiga pela cidade
• 2:00:29
  Speaker 14: Decidi não procurar, deixei caminhar só Sente saudade, ligou Teve
• 2:00:34
  Speaker 14: minha melhor versão Good, good!
• 2:00:54
  Speaker 1: So this is how you guys are.
• 2:00:57
  Speaker 3: Coming, right? Holy shit, man!
• 2:00:59
  Speaker 10: What is this?
• 2:01:00
  Speaker 2: What is this?
• 2:01:02
  Speaker 5: You know!
• 2:01:02
  Speaker 3: You know! You know!
• 2:01:04
  Speaker 5: Is it Black Music?
• 2:01:05
  Speaker 2: Man, it's Black Music!
• 2:01:07
  Speaker 3: Young Black Music!
• 2:01:09
  Speaker 5: Young Black Music!
• 2:01:09
  Speaker 3: Here it's cool! Here it's cool! Let's do the sequence?
• 2:01:12
  Speaker 5: Come on!
• 2:01:13
  Speaker 10: Come on, Alice!
• 2:01:14
  Speaker 5: Let's show our koalas!
• 2:01:15
  Speaker 6: Come on!
• 2:01:16
  Speaker 3: Come on!
• 2:01:17
  Speaker 5: Come on!
• 2:01:17
  Speaker 3: Come on! Come on! Come on!
• 2:01:20
  Speaker 2: Come on! Come on!
• 2:01:21
  Speaker 5: Come on!
• 2:01:23
  Speaker 2: Que pode pá, rapaziada.
• 2:01:24
  Speaker 3: Vamos lá.
• 2:01:24
  Speaker 6: Vem!
• 2:01:42
  Speaker 14: Ela passa linda quando vem Fala de amor e me trai,
• 2:01:46
  Speaker 14: ai de bem com o coração Se existiam os planos
• 2:01:50
  Speaker 14: de futuro inteiri Jura de amor me faz, ai de
• 2:01:54
  Speaker 14: bem com o coração Me encontra, se sente saudade We
• 2:02:02
  Speaker 14: are together beyond will, every time the breeze blows I
• 2:02:06
  Speaker 14: hear you say you don't want to see me stop
• 2:02:10
  Speaker 14: I love you naked, money for the whole house, one
• 2:02:13
  Speaker 14: night and nothing else I get used to being just
• 2:02:17
  Speaker 14: cold and carefree, without her calling, you see her beautiful when.
• 2:02:22
  Speaker 3: She's gone.
• 2:02:28
  Speaker 16: Transmit a little peace, without fighting, I miss you Past
• 2:02:33
  Speaker 16: loves left me with little courage Come just to kill
• 2:02:36
  Speaker 16: the longing, feeling of freedom And now that I'm with time,
• 2:02:38
  Speaker 16: I'm afraid to cling And in the room she throws
• 2:02:42
  Speaker 16: her hair, with the intention of wanting to dominate.
• 2:02:57
  Speaker 10: Segura, segura, segura, segura. You have to listen to it.
• 2:03:21
  Speaker 3: You have to listen to it.
• 2:03:24
  Speaker 2: You have to listen to it. The FK is coming
• 2:03:28
  Speaker 2: out and you can check it out. Next Tuesday, in
• 2:03:30
  Speaker 2: a week, November 25th. November 25th. For God's sake.
• 2:03:34
  Speaker 3: Let's go to Saideira?
• 2:03:35
  Speaker 2: Please, one to end it all? And we end it
• 2:03:38
  Speaker 2: that way?
• 2:03:39
  Speaker 3: Which one do you want? If it's for her, I'll...
• 2:03:42
  Speaker 3: Even the chorus of Ciúmes.
• 2:03:44
  Speaker 5: Ciúmes.
• 2:03:45
  Speaker 2: Please, negotiating, negotiating.
• 2:03:51
  Speaker 5: Foto bomba.
• 2:03:54
  Speaker 2: É nova? Ai caralho. Rapaziada, espero que você tenha gostado.
• 2:03:59
  Speaker 2: Se gostou, deixa o like. Siga os nossos artistas em
• 2:04:02
  Speaker 2: todas as redes sociais. Vão tá aí. E forte abraço. Certo?
• 2:04:06
  Speaker 2: É isso. Fiquem com o FK.
• 2:04:15
  Speaker 14: Cada bolso da casa tem grana Na minha bag da
• 2:04:18
  Speaker 14: baby tem grama Essa putude vai pra minha cama Essas
• 2:04:21
  Speaker 14: notas falam sem ter boca.
• 2:04:23
  Speaker 3: De presente pra ela uma viagem Distante do que tá
• 2:04:26
  Speaker 3: acostumada Hoje eu tenho vaidade Todas elas morrem de ciúmes
• 2:04:32
  Speaker 3: ao me ver passar Sem dona eu não sou de
• 2:04:36
  Speaker 3: ninguém Manda foto bomba pra impressionar Sempre que me encontra, deixa.
• 2:04:45
  Speaker 5: Todos os problemas pra trás. Outro carro, novo modelo, me liga,
• 2:04:49
  Speaker 5: não tem tempo pra problema.
• 2:04:50
  Speaker 10: Cigarra, cigarra, cigarra, cigarra, cigarra.
• 2:04:51
  Speaker 5: Cigarra, cigarra, cigarra, cigarra, cigarra.
• 2:04:53
  Speaker 2: Cigarra, cigarra, cigarra, cigarra, cigarra.
• 2:04:55
  Speaker 1: Cigarra, cigarra, cigarra, cigarra.
• 2:04:56
  Speaker 5: Cigarra, cigarra, cigarra, cigarra.
• 2:04:57
  Speaker 3: Cigarra, cigarra, cigarra, cigarra.
• 2:04:59
  Speaker 2: Cigarra, cigarra, cigarra, cigarra.
• 2:05:00
  Speaker 5: Cigarra, cigarra, cigarra, cigarra. Cigarra, cigarra, cigarra, cigarra.
• 2:05:02
  Speaker 2: Cigarra, cigarra, cigarra, cigarra.
• 2:05:03
  Speaker 3: Cigarra, cigarra, cigarra, cigarra, cigarra. Cigarra, cigarra, cigarra, cigarra, cigarra. Cigarra, cigarra, cigarra,
• 2:05:08
  Speaker 3: cigar Everyone is looking forward to it now.
• 2:05:10
  Speaker 2: Thank you, Virgín. Did you like it, my brothers? You're crazy, man.
• 2:05:14
  Speaker 2: It's for this. Wonderful. All the special success, guys. Thank you.
• 2:05:17
  Speaker 4: You gave us the opportunity.
• 2:05:18
  Speaker 5: To show our stuff.
• 2:05:19
  Speaker 2: Whenever we release it, it has to come, man.
• 2:05:20
  Speaker 4: You were in episode 27 of PariPá.
• 2:05:22
  Speaker 2: 27. And if you put us too!
• 2:05:42
  Speaker 3: Us too!
• 2:05:47
  Speaker 2: They were other guys. Other guys who presented here. If
• 2:05:50
  Speaker 2: you liked it, leave a like, follow them on all
• 2:05:53
  Speaker 2: social networks, they will be in the description, okay? Listen
• 2:05:57
  Speaker 2: to FK next week, November 25, next Tuesday. Mítico Jovem,
• 2:06:01
  Speaker 2: do the honors.
• 2:06:02
  Speaker 1: It was wonderful this one, it was exclusive, guys. Only
• 2:06:05
  Speaker 1: Podpah happens this.
• 2:06:06
  Speaker 2: Leave your like.
• 2:06:07
  Speaker 4: And another, follow the agenda of Podpah. Tomorrow there's more,
• 2:06:10
  Speaker 4: after tomorrow there's more. We have to break the UFC.
• 2:06:12
  Speaker 2: Today we had a bad ranking.
• 2:06:14
  Speaker 4: Pay attention to Podpah's channel, to our agenda.
• 2:06:17
  Speaker 2: It's working a lot, guys. Podpah is working like hell.
• 2:06:20
  Speaker 2: Thank you to the entire Podpah team. We're together. A
• 2:06:22
  Speaker 2: kiss for you guys who are working with us. Bye, guys.
• 2:06:25
  Speaker 3: Dignity now.
• 2:06:34
  Speaker 1: Fã, você não espera pelo futuro, você vive ele na prática.
• 2:06:38
  Speaker 2: Aqui você conta com cursos nota máxima no MEC. E
• 2:06:41
  Speaker 2: a empregabilidade dos alunos é prioridade.
• 2:06:43
  Speaker 1: Você conta com parcerias com grandes empresas, estágios obrigatórios e
• 2:06:47
  Speaker 1: visitas técnicas que te aproximam do mercado de trabalho.
• 2:06:51
  Speaker 2: Aqui você conta com oportunidades exclusivas.
• 2:06:54
  Speaker 1: E falando em oportunidades, quem é aluno fã pode estagiar
• 2:06:57
  Speaker 1: até no maior podcast do Brasil.
• 2:06:59
  Speaker 2: E aí, pronto pra viver no novo? Inscreva-se já. Fã,
• 2:07:02
  Speaker 2: seu futuro na prática.
• 2:07:07
  Speaker 14: We'll be right back.
• 2:07:37
  Speaker 5: What you want?