Latest / What's Your (Least) Favorite Scary Movie? / #328: The Final Destination (2009)

Transcript

#328: The Final Destination (2009) · What's Your (Least) Favorite Scary Movie?

• 0:06
  Hello, what's your least favorite scary movie?
• 0:10
  It is about butt guts. Scary Movie, The podcast where
• 0:15
  we talk about the good, the bad, the ugly and the absurd, and all
• 0:19
  of our favorite. And we's favorite scary movies
• 0:21
  because we believe every horror movie rightfully has its fan
• 0:24
  base. Even if we don't always get it,
• 0:26
  but especially when we do. My name is Travis.
• 0:29
  My name is Jesse. And welcome back everybody.
• 0:32
  Hey, we're back in the world of Final Destination.
• 0:35
  We are back with Nick Zano and we can finally say this is the
• 0:39
  Nick Zano movie that is about butt guts.
• 0:43
  That is right If you if you are very confused, which I'm sure
• 0:46
  many of you are, this is a call back to our Joyride 2 episode to
• 0:49
  go listen to that if you want some context.
• 0:51
  And if you have the context, then hopefully you are just as
• 0:55
  excited as us about this joke a year in the making.
• 0:59
  It was so stupid, but you know what?
• 1:01
  It was worth it. I think.
• 1:02
  So I think it works. And on that episode, almost a
• 1:05
  year ago, I made a note in our room.
• 1:09
  It is about butt guts. It's.
• 1:10
  Still here somewhere and it's. Still here?
• 1:11
  It's right there. Yeah, you're right.
• 1:13
  Yeah. So I wouldn't forget.
• 1:15
  Man, I'm glad you remembered. OK, so we're off to a fucking
• 1:19
  big star right here this week. Yeah, well, that's great because
• 1:22
  I don't have anything other than I've got announcements unless.
• 1:27
  It's a meet up weekend and our schedule's a little messed up
• 1:31
  and I'm having surgery in a couple days.
• 1:33
  So yeah, we just, we didn't do. All over the place we're.
• 1:36
  A little bit all over the place, but it's OK.
• 1:38
  It's OK, cuz we're here and we're talking about Final
• 1:40
  Destination and I guess that just leads us into you giving us
• 1:45
  background information. One thing though, we do have our
• 1:49
  poll for next month's Patreon vote coming up around the time
• 1:53
  this episode is released. It should be up by now.
• 1:55
  Good remembering there. Yeah.
• 1:57
  So just be on the lookout for that.
• 1:59
  We haven't made that. We haven't.
• 2:01
  Yeah, we haven't posted it yet, but keep a lookout if you are a
• 2:05
  budget tier patron. All right.
• 2:07
  So I guess we're just going to get into this thing.
• 2:09
  Yeah, Yeah. Great.
• 2:10
  So let's talk about the final destination, the very last one.
• 2:13
  They never made one ever again in the end.
• 2:15
  It's it this started almost it feels like the trend with like
• 2:20
  the requels. Kind of, yeah.
• 2:23
  Because it's like we're going to give it the same name.
• 2:26
  I I just mean give it the same name.
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  It's kind of hard to qualify anything as a requel or a sequel
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  or a prequel or a reboot, anything with Final Destination
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  because. It's all consistent.
• 2:40
  It it just it's installments in the franchise.
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  Yeah, You know what I mean? Like where other than one and
• 2:47
  two, because we get clear rivers in the second one, they're just
• 2:51
  it's almost kind of anthology. Yeah, well, we we may have some
• 2:56
  connections here. I'm going to go into some stuff
• 2:58
  here in a little bit, but yeah, OK, so let's just dive on into
• 3:01
  it. OK.
• 3:02
  OK. So the Final Destination release
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  August 28th, 2009. We watched it on our DVD and if
• 3:07
  you would like to watch it, you cannot stream it as of right
• 3:10
  now. Maybe next month it may appear
• 3:12
  back on streaming services, but right now, perhaps right now,
• 3:15
  you'd have to rinse it. You can rent it on Plex Prime,
• 3:18
  Apple TV, YouTube, or Fandango at home.
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  Written by Eric Brass, who returns from Final Destination
• 3:25
  Two. OK, OK Directed by David R
• 3:27
  Ellis, who also returns from Final Destination 2 and also
• 3:31
  directed another movie that we talked about not that long ago,
• 3:33
  Snakes on the Plane. Oh, that was him.
• 3:36
  Yeah, it was I I was surprised too.
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  Music by Brian Tyler and special effects make up by K&B Effects
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  all. That for them.
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  Starring Bobby Campo as Nick, Chantelle Van Santen as a Warri,
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  Nick Zano as Hunt, Hayley Webb as Janet, and Mckelty Williamson
• 3:56
  as George Jesse. Time for our favorite game on
• 3:59
  the show, Budget or bug Ted? I think this is budget, I think
• 4:05
  it's on the lower end of the budget side of things.
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  But considering it's 3D, we've got KNB, it's it was the 4th one
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  in what's been a fairly successful franchise.
• 4:16
  I think they had a little bit of money to play with well, but I
• 4:19
  do think they ran out near the end.
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  You did OK, because I think that's why we don't see.
• 4:25
  I think that's why we get a lot of radiography at the end.
• 4:28
  That's my prediction. I don't know.
• 4:30
  Well, you've done all the background for this and there
• 4:32
  wasn't anything for me to overhear folks.
• 4:34
  So this is my conjecture. The budget was $40 million, so
• 4:38
  it was pretty. Sizable, yeah.
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  So it was just budget. Budget, It was so much money
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  that they were originally planning on shooting in US, in
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  Canada. And David Ariellas was like,
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  hey, let's shoot in New Orleans because let's help their local
• 4:50
  economy there, you know, and they're like, his excuse was we
• 4:53
  had the money. So yeah, why not, you know, go
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  for it. Absolutely. 27.4 million at the
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  opening box office. 186 OK worldwide gross.
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  Good, good. So close to 180.
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  So, so close. It's $6 million.
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  Stop, sell. Like it's like why can't anybody
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  ever purchase this movie? Because we we made $180,000.
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  Yeah, 5.1 IMDb score. Rude.
• 5:18
  OK, so I have a theme for three movies that also released in
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  2009. OK, the theme is the least liked
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  in this series. Oh.
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  No. Yeah, because the final
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  destination here is usually the one that comes up as the least
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  favorite amongst fans. So I think I've got 3 movies
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  here that are the least liked in their little franchises.
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  OK, well you know, it's always subjective and up for debate,
• 5:44
  but I think there's an argument for all of these here.
• 5:46
  The first one is Wrong Turn 3. Now, I know a lot of people hate
• 5:50
  Wrong Turn 3. It's not our least favorite, but
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  I think it is a lot of people's least favorite.
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  Listen, Wrong Turn 3 exists in a franchise that also has Wrong
• 6:00
  Turn 6, so yeah. There's a lot of contenders in
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  that one right there. It's my least favorite out of
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  the first 3. Don't we wait?
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  I can't remember what was the IMDb score for wrong Turn 6.
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  It was way too high for us, I remember.
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  I don't remember. We gotta look this up.
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  I gotta I gotta compare it's. Okay, I've got my, I've got my
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  phone and my IMDb app. Okay, I'm always ready for this.
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  I'm so happy. I honestly I think if we pulled
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  up my phone like app usage, IMDb would probably be more used than
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  you should be able to Anything else.
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  I guarantee you wrong. Turn 6 last resort has a 4.1 out
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  of 10 that is that. No, that's still too high.
• 6:39
  Yeah, that's still too high. That is lower than this one.
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  The IMDb for a Wrong turn 3 is 4.6, but that released October
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  20th, 2009. Three million budgets don't have
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  the growth since it was straight to DVD and like I said, 4.6 on
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  IMDb. OK, second movie.
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  Was it a 4.6 on IMDb? 4.6 on IMDb. 4.6 on IMDb OK 4.
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  .6 on IMDb it. Is higher than 4.1 on IMDb
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  because it's four point. 60 God. OK, we can't IMDb.
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  We're gonna get to that. Point Talia.
• 7:09
  We're gonna get to that point where like saying IMDb is gonna
• 7:12
  be like gibberish to. Me.
• 7:13
  Yeah, I feel like these aren't the right letters.
• 7:16
  OK, so the second one, Halloween 2 Rob zombies that is.
• 7:20
  Oh, I will always defend that one as well.
• 7:22
  Well, a lot of people will, but a lot of people, that one was
• 7:24
  the least liked one until Halloween Nens arrived.
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  And I think Halloween Nens has dethroned it here.
• 7:32
  I think a lot of people still hate Halloween too, but.
• 7:34
  Rumbling Maternal. God, don't get me started.
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  All right, so that came out August 28th, 2915 million
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  budget, 39 million gross 4.8 IMDb.
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  See. It's not that light.
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  It you know what, it's higher than 4.6 on IMDb.
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  That is true. That is true.
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  I was hoping wrong Turner was going to be the highest, but no.
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  But don't worry, nothing can beat this one.
• 8:00
  Oh no. And this one I picked for us
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  because it's a sequel to a Toby movie that we covered that we
• 8:09
  really, really hated, that we were really hoping was going to
• 8:12
  be fun. The Toby movie that we covered
• 8:15
  was Are You Scared? This is Are You scared too?
• 8:20
  I don't remember, are you scared?
• 8:21
  It's the, it's basically the saw knock off where they are in the
• 8:26
  warehouse and they have to like play the game.
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  They think it's a game show and they submit the tapes for that.
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  Oh. My God, they made a sequel to
• 8:31
  that. We watched it.
• 8:32
  Don't you remember? They're like out in the
• 8:34
  abandoned building in the field and like, like they're like
• 8:38
  having the, it's basically like they're going to checkpoints
• 8:43
  across like an area and they're having to like, it's basically
• 8:50
  like geocaching where they're like having to go to a location
• 8:52
  where they get coordinates. Yeah, You remember what I'm
• 8:54
  talking about. OK, yeah.
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  And we were. So disappointed with the sequel.
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  I think I let my brain just erase that memory.
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  I'm sorry to remind. You to protect it.
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  But that is why I included it because it is our we select in
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  the franchise and I would imagine just everybody's because
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  it's got an IMDb of 2.2. Wow.
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  Really, really, really bad. I think it deserves that.
• 9:15
  Really. It's a it's a horrendous movie.
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  I. Didn't even remember it.
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  So that came out February 10th, 2009 750,000 budget did not work
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  it at all. Don't have the gross and yeah,
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  that's that. OK, all right, so on 2 tag
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  lines, tag lines, tag lines. The one on the poster is rests
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  in pieces, however I am having to pull up my phone because I
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  had to screenshot the rest Aw. Man, we are eating good today.
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  This is a This is a first for the final destinations.
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  They've usually been lacking in tag lines.
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  I'm happy for them. All right, so here we go.
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  Take the trip in real D3D. OK.
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  That's not really. That's just advertising the
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  technology. Who's real DI know what that's
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  supposed to mean? I'm sorry.
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  Just because you know it's happening doesn't mean you'll
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  see it coming. That's actually, you know what,
• 10:09
  Honestly, that's pretty good. That's not too bad for for this
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  franchise. It's pretty good.
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  On August 28th, prepare for the 3D thrill ride everyone's dying
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  to see. Dying to.
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  See, on August 28th, no matter what you do or how loud you
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  scream, death will find you. OK.
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  Death. Save the best for three.
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  DI OK, I mean. How will you die?
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  I. No mercy, no escape, no limits.
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  No mercy, no escape, no limits, no limits.
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  No limits. What are limits?
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  OK, whatever. I don't like that one.
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  And keep going. Death saved the best for last.
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  Lie. That is a light room.
• 10:53
  Yeah, all. Right.
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  And there were a couple of others on there, but it was just
• 10:58
  like this movie is in 3D. Can you believe?
• 11:00
  It we didn't get any foreign language ones.
• 11:02
  Those are my favorite when we have the foreign language ones
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  listed on there because I don't always know what they're
• 11:07
  translated to, but I like. It's usually that they exist
• 11:10
  very loose translation. That is, there's something wrong
• 11:13
  about it because it's trying to translate like words into like,
• 11:18
  like idioms into like the English and stuff like that, and
• 11:22
  it just does not translate. You have to basically reword the
• 11:24
  meaning of the sentence instead. People don't understand how
• 11:28
  those like idioms are like, I guess like ethnocentric or
• 11:34
  whatever, because it's like where you're living at, it's
• 11:37
  your culture or whatever that makes the idiom make sense.
• 11:39
  So you can't just translate it into another language exactly
• 11:42
  just because you know the words. OK, so that's neither here nor
• 11:45
  there. What is here is fun facts.
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  Yay, I love fun facts. It's so.
• 11:49
  Fun. Well, you know, this is weird
• 11:50
  because there wasn't a whole lot on this movie.
• 11:53
  Yeah, so I do have some interesting things right off the
• 11:57
  bat agreeing with this after the success of three.
• 12:00
  OK. And it did really well.
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  So, like, fuck it, let's go. I don't know why they decided to
• 12:04
  make this the final one. It didn't really say.
• 12:07
  I think that they just wanted to like, I don't.
• 12:10
  I guess they wanted to make it an event because they
• 12:13
  immediately went against this and released 5 two years later.
• 12:17
  Yeah, so that one, I'm excited to talk about that one because I
• 12:21
  remember going to see it in the theatre with our friends Taylor
• 12:24
  and being shocked. But we'll talk about that next
• 12:26
  month. Yeah, yeah, it was originally
• 12:28
  going to have Wong, who directed Three Return.
• 12:31
  However, he had a conflict with a movie titled Dragon Ball
• 12:37
  Evolution. Oh no, Wong, you chose wrong.
• 12:42
  I know you. Chose wrong, although he did get
• 12:45
  to work with James Marsters who fought for any good parts that
• 12:50
  were in that movie. Jesse and I had a conversation
• 12:52
  with James Marsters. That's the same, right?
• 12:54
  Yes. And yeah.
• 12:56
  We got to talk about Dragon Ball and Buffy with him, and he
• 12:58
  signed our thing of Piccolo. Just saying this movie sucks.
• 13:02
  Yeah, he keeps it there and he waits for people to ask for the
• 13:06
  signature because we like started talking about Dragon
• 13:09
  Ball with him. And he's like, oh, I just keep
• 13:11
  this here. So that way when people see it
• 13:13
  and they want it signed, I write this movie sucks on it.
• 13:15
  And Travis was like, I was going to have you sign my Sensi bands,
• 13:18
  but I would much rather have you sign that, please.
• 13:21
  He's so good. I love nerding out about that
• 13:23
  with him. He's a big fan of the series.
• 13:24
  So yeah, he's the he's the reason Piccolo was green in
• 13:27
  Dragon Ball Evolution, because they weren't gonna do that.
• 13:29
  Yeah, they were gonna make him like Grayish or something like
• 13:32
  that. Yeah.
• 13:33
  So, you know, and I can at least thank Wong for stepping away
• 13:38
  from this and directing that because if it weren't for that
• 13:40
  movie, we wouldn't still have Dragon Ball to the stay
• 13:43
  releasing because it it's what caused the curatory on me to
• 13:46
  come out of retirement and bring the series back the.
• 13:48
  Flap of the butterfly wings, man.
• 13:50
  Yeah, it was, you know, it was meant to be.
• 13:53
  OK, So I don't think the opening was necessarily inspired by
• 13:57
  this, but if there's anybody that has ever seen the opening
• 14:00
  of this movie and thought there's no way this fucking shit
• 14:05
  would happen, I've got a little story for.
• 14:07
  You Oh, no, it absolutely does. There's a like, they didn't used
• 14:10
  to have those giant safety fences around speedways like
• 14:15
  that until there was like a huge accident that killed people in
• 14:18
  the stands. Yeah, well, it might have been
• 14:19
  this one right here. So it was something it happened
• 14:22
  at an event back in. I'll see What year was this?
• 14:26
  I have it screenshotted right here. 1955 it was called 24
• 14:30
  hours of the men's in South France.
• 14:34
  So it's a 24 hour event where they were just going non-stop
• 14:38
  for 24 hours and and. How long was it?
• 14:41
  24 hours The disaster occurred when a mid race collision sent
• 14:45
  Mercedes driver Pierre Lavey in his car into a spectator arena,
• 14:50
  causing his car to disintegrate and throwing him onto the
• 14:53
  racetrack, killing him instantly.
• 14:54
  Pieces of debris from the from both the car and the arena flew
• 14:58
  into the crowd, killing at least 82 people.
• 15:02
  I don't know if this is the specific one I've heard, but
• 15:05
  back like it was back when Discover, TLC, whatever those
• 15:09
  types of channels were like had more medical drama type stuff on
• 15:13
  like real life accidents and trauma, You know, like trauma,
• 15:16
  life in the ER, those types of things.
• 15:19
  And I, I remember them talking about this 'cause it wasn't just
• 15:23
  that one event that had accidents.
• 15:25
  It was like a common occurrence was like accidents, having tires
• 15:30
  and pieces of cars and what not flying into the stand.
• 15:32
  So that's why they put up those giant fences.
• 15:34
  Now, I think the the reason this one stands out to me is like
• 15:38
  because there's a lot of people that die in the opening of this
• 15:40
  movie. I think it's like 50.
• 15:41
  Some people like that right there.
• 15:43
  I thought was a crazy amount but in this right here 80 some
• 15:48
  people died. More people than than the movie.
• 15:51
  Yeah, this is tragedy. Yeah.
• 15:53
  And in the movie, it was people like, it was like the the
• 15:56
  racetrack collapsing. Also, this right here is just
• 15:59
  from debris coming out and just, like, killing people, which is
• 16:01
  fucking crazy. Yeah.
• 16:03
  So. Yeah.
• 16:04
  And that this has always been one of the openings.
• 16:06
  I was like, you know, like, interesting but not quite as
• 16:09
  relatable or realistic as I would.
• 16:12
  You know, most of the others are in the series, but here we are.
• 16:15
  It's something that actually has happened.
• 16:16
  So if you've ever asked why was Tony Todd 9 in this movie, it's
• 16:20
  because he was busy filming Transformers, Revenge of the
• 16:22
  Fallen. So another scheduling conflict.
• 16:25
  Was that? I don't feel like that was one
• 16:27
  of the good Transformers. I don't know.
• 16:30
  I really don't know. I I've not really.
• 16:33
  That was never really a series I was that into.
• 16:35
  My dad loved them though. I you know what that tracks.
• 16:37
  Yeah, my dad, I I went to the theaters to go watch one of them
• 16:41
  with them in 3D. It might have been this one.
• 16:45
  Other than that, there's not a whole lot of other things.
• 16:47
  However, I do have a list of all of the callbacks from previous
• 16:52
  movies in here. Yeah, there were a lot of nods
• 16:56
  to those first 3 movies. And there were a lot that we
• 16:58
  never picked up, Bonnie. And I've got some right here to
• 17:01
  go over. So of course, this one Jesse
• 17:03
  spotted last night. The Speedway is called McKinley
• 17:06
  Speedway. Never noticed that before.
• 17:08
  They sit in section 180. You got that one.
• 17:11
  Yep, at the place there in the background of the coffee shop
• 17:14
  that they're at, they are discussing faulty roller coaster
• 17:17
  equipment. Oh, I did miss that.
• 17:20
  The homeless man that Janet gives the quarter to.
• 17:24
  His dog's name is Browning, which is the last name of Alex
• 17:27
  from the first. Movie Browning OK.
• 17:30
  The beer that Carter drinks, the racist guy is the is Heispell L,
• 17:37
  which is the same beer that the the guy in two that is drinking
• 17:40
  and driving on the Interstate is drinking and the same beer truck
• 17:44
  that pins then and three in the drive through.
• 17:48
  OK. And that's all I've got right
• 17:51
  there. I think the other one obviously
• 17:53
  that is very in your face is the Queer Rivers.
• 17:55
  Yeah. Moments.
• 17:56
  Yeah, that like what was it like a pool or whatever, some ad?
• 18:01
  Yeah. And there's there's one other I
• 18:04
  think like towards the end of the movie, I think around the
• 18:07
  final premonition event, the the top of the bus is 180 also.
• 18:14
  So, you know, it's just some interesting things that like I
• 18:17
  have never caught. I like that that's a thing in
• 18:19
  the series. If you ever want to just be
• 18:21
  Eagle Eye and just check every detail, there's always something
• 18:26
  there. Yeah.
• 18:26
  And, you know, props to them for actually being that deep with it
• 18:30
  there. Like to have like, the beer from
• 18:32
  the game that the guy's drinking into while he's driving, you
• 18:35
  know, and stuff like that. You know, it's pretty cool.
• 18:38
  So that's it for my fun facts. OK all.
• 18:40
  Right, those are fun. So let's get into our good, bad,
• 18:43
  ugly, and absurd. Jesse, what did you like about
• 18:45
  this one? Well, like I said, I I defend
• 18:49
  this movie. I think a lot of people don't
• 18:53
  like it because of the the forced 3D moments and Nick is
• 18:58
  kind of a Gary Stew, which I'm sure we'll talk about here in a
• 19:01
  little bit. But I think it takes like
• 19:05
  elements from the previous movies and it expands upon them.
• 19:08
  You know, like we, we've kind of gone through this developing the
• 19:13
  premonition senses and like Nick, this song is just like,
• 19:15
  hey man, you're getting dreams with images.
• 19:17
  This is what you're doing 'cause, you know, we had Mary
• 19:22
  Elizabeth Winstead character having the photos and then we
• 19:26
  had like flashes of things in the second one where they see
• 19:31
  the pigeons and they go to Warren the kid and his mom about
• 19:34
  pigeons. And then the first one is just
• 19:36
  like a little bit more of like weird feelings.
• 19:38
  It's like it kind of builds upon it.
• 19:39
  I love the second premonition in this.
• 19:43
  I do too. We get a whole new premonition
• 19:45
  at the end and it was just so unexpected.
• 19:47
  It's better than the first one, yeah.
• 19:50
  The Mall 1 is better I think. And I don't know if that's
• 19:53
  mostly just because we could probably relate more to the Mall
• 19:56
  1. Maybe.
• 19:57
  Yeah, I just. I don't know, I, I feel like the
• 20:01
  chaos from the racetrack is just all over the place.
• 20:04
  While the one at the mall, like there's more suspense in that
• 20:08
  moment because like things are just like happening at the
• 20:11
  racetrack and here, like we have her like going down the
• 20:14
  escalator and fighting for her life for a moment.
• 20:16
  We don't really like everybody just dies instantly at the
• 20:19
  racetrack. I think another part of it too,
• 20:21
  is that we're seeing those same signs that happened at the
• 20:25
  racetrack are happening there. We know that they thought they
• 20:28
  had broken the chain, and then Nick and George have found out
• 20:32
  that they haven't actually broken the chain.
• 20:34
  So we have more of those elements built up for us as an
• 20:37
  audience for what that is. I also, Carter, are you fucking
• 20:42
  racist? Haven't consistently had like
• 20:45
  super bad people be targets and death, Yeah.
• 20:49
  Usually they're like assholes at best, but not like terrible
• 20:52
  people. And so it's interesting that
• 20:56
  they put this character in here just like kind of as a death
• 21:00
  comes for everyone type of thing.
• 21:03
  But I also really appreciate it that he is the first death
• 21:06
  because it's like, hey, he is really bad and he's going to
• 21:09
  make you uncomfortable on screen and we're going to get him out
• 21:11
  of the way and we're going to make it as ironic as goddamn
• 21:14
  possible for him. So I really like, I am
• 21:16
  uncomfortable when he's on screen and then I appreciate
• 21:18
  that they get him out of the way as quickly as possible.
• 21:21
  Yeah, I just, I. And it's got a lot of
• 21:23
  interesting nods to the like that the opening credits is like
• 21:27
  all of those radiographs of what happened in the first 3 movies.
• 21:31
  And then same at the and and I, I think we get some interesting
• 21:35
  things that have kind of been asked in previous movies, but
• 21:38
  not addressed because we have Hunt and Janet die at the same
• 21:44
  time in the vision basically, and they're split up.
• 21:47
  And so it's like, how are we handling?
• 21:48
  These two, that was that was one I liked because the premonition
• 21:51
  that you got had both of their deaths.
• 21:53
  And yeah, which was. Really crazy and they happened
• 21:56
  at like very different locations.
• 21:58
  So how do you even? What do you do with that?
• 22:01
  And I, I think that kind of builds up on this, like, sense
• 22:03
  of teamwork. It's not necessarily like
• 22:05
  sticking together so that way like death can't take us all out
• 22:08
  at once, but it's more like, hey, if we're all in a big
• 22:10
  group, we can look out for each other.
• 22:12
  Yeah. So, so I just, I, I like this
• 22:16
  movie a lot. I like the world that it takes
• 22:19
  us into. I like that it expands upon
• 22:23
  things we're familiar with, with the franchise.
• 22:26
  I, I don't think it's a perfect movie by any means, but I, I
• 22:30
  think that it does what the other movies do successfully,
• 22:35
  and I don't understand why it gets as much hate as it does.
• 22:38
  Yeah. Truly, OK, I I'm with you.
• 22:41
  Like, like Jesse and I have been saying from the beginning, we
• 22:44
  both enjoy this one. I like this one a lot too.
• 22:47
  But a big part of it is because like we do have those two major
• 22:50
  events in this movie, which, you know, like that really does bump
• 22:54
  it up a grade for sure. It does a lot of heavy lifting
• 22:57
  for it because there are a lot of shortcomings for this movie
• 22:59
  too. Like I'll be realistic, but I
• 23:02
  think this is probably the closest to a can't be final
• 23:06
  destination you'll get because there's something about it that
• 23:08
  feels a little bit off, like not everybody's giving, like it's a
• 23:13
  little bit more hammy. I see, but that's my thing is
• 23:16
  that I feel the same way about 3.
• 23:18
  I see I don't feel that way about 3.
• 23:20
  I feel like people give legitimately good performances
• 23:22
  in three. I think here this is you got me
• 23:26
  talking about some bad stuff. Now let me let's talk about some
• 23:28
  good stuff, because I'm going to go into this in my bad, but I I
• 23:31
  just like it's I agree with you. It does feel like a culmination
• 23:36
  of everything that has happened in the series.
• 23:38
  I like how I do agree with you. Like I like how the premonitions
• 23:41
  are kind of building over time. I I really don't have a whole
• 23:45
  lot to add other than what you have said.
• 23:46
  Like I it's just a fun one, you know, like it's it's got fun
• 23:51
  enough characters, it's entertaining enough.
• 23:53
  Like it you know, it may not be the most suspenseful one, but I
• 23:56
  have a good time with it and I really don't know what else to
• 24:00
  say other than that. OK, so OK, let's get into the
• 24:03
  bed then. OK.
• 24:04
  Now when you talk about the handiness and the hampiness of
• 24:08
  this, I think it kind of flip flops from the third one because
• 24:13
  I think the third one has really bad dialogue that we managed to
• 24:16
  have actors deliver well, OK, But the dialogue on its face,
• 24:19
  terrible, really bad. I think we kind of flip that
• 24:23
  around on this because we do have some awkwardness between
• 24:25
  those characters and they have a hard time.
• 24:30
  Like is the actors are having a hard time delivering it and
• 24:32
  giving us that chemistry that we need 'cause it feels very much
• 24:37
  like if I found out that they shot that last scene in the cafe
• 24:42
  first, I would buy it because it doesn't seem like these three
• 24:45
  really know each other that well.
• 24:47
  It's awkward. It's a little bit awkward.
• 24:49
  And I, I was kind of paying attention to that because I
• 24:51
  like, that's been your theory for a long time.
• 24:54
  But like, I feel like there's just not a lot of chemistry
• 24:56
  throughout the entire movie between Wari and Nick
• 24:59
  especially. They're just that's not a strong
• 25:01
  pairing if you ask me. And I feel like they flesh out
• 25:05
  so many of the side characters that are seer in this.
• 25:11
  He doesn't have much characterization, which we've
• 25:16
  talked about before on other shows, like we've discussed
• 25:19
  this, Yeah. And it does make it a little bit
• 25:23
  harder to follow him along. But I, for me, like the other
• 25:27
  set pieces and everything, make up for it.
• 25:29
  But I do see how that's a major flaw and a major issue with this
• 25:34
  movie. And then of course, there's also
• 25:36
  the whole like, it's 3D and it's a very in your face 3D.
• 25:40
  You know, I think there are some 3D movies that you can watch it
• 25:43
  in 2D and it's not as jarring. But this one, it's like, yeah,
• 25:46
  well, this was clearly meant for 3D.
• 25:48
  But yeah, I'd say that's probably the biggest thing for
• 25:53
  me with this. OK, I just don't think the
• 25:56
  actors are the best here. I think the biggest problem with
• 26:00
  the cast in the chemistry or getting to know the characters
• 26:02
  is most of the movies before have a little bit of like a
• 26:06
  little bit more getting to know the people before something
• 26:09
  happens. I was reading this is the first
• 26:11
  one that has the main event happened before the opening
• 26:14
  credits. Oh shit.
• 26:16
  Yeah. And that, I think really
• 26:18
  explains it because we don't get a sense of these people before
• 26:22
  this event. We just see them after.
• 26:24
  And I think we actually said something like this about two.
• 26:27
  Yeah, cuz we didn't see Kimberly really having fun with her
• 26:32
  friends. Yeah, but I feel like it's even
• 26:33
  more because we get everybody throughout the movie.
• 26:36
  This time her friends die in two, and we.
• 26:38
  Don't really. See her as herself in that
• 26:41
  moment. But here we just we don't get
• 26:43
  anything like that with these characters.
• 26:44
  We just see them in like stress mode the entire time, which I
• 26:48
  feel like that it it causes like like less of a connection to the
• 26:53
  character for me at least. But yeah, the the bad 3D, it
• 26:58
  just really, really stands out. There are so many movies of this
• 27:02
  era that did 3D so well and it's not that noticeable.
• 27:06
  Like we watch Saw Seven all the time and that's a 3D movie, but
• 27:12
  it works so well in 2D because you.
• 27:14
  Know aside from the pink blood. Aside from the pink blood, but
• 27:17
  we did watch it in 3D not that long ago and it was really.
• 27:19
  Cool, the blood doesn't look pink in three.
• 27:21
  D it works in both yeah, this one right here they lean way too
• 27:24
  hard into the 3D and I get it. It probably was kind of neat at
• 27:29
  the moment watching that in theaters, but on re watches on
• 27:33
  T2D devices, it's it just doesn't have the same effect and
• 27:38
  it just makes it makes the effects that much weaker than
• 27:42
  they have been in the past. Like it's weird for the movie to
• 27:45
  look worse than the previous films to yeah, when you have
• 27:49
  more money and more. In a in a studio like can be
• 27:53
  doing the effect. Yeah, it really is just a little
• 27:56
  bit unfortunate because of that. OK, Yeah.
• 27:59
  OK. I think we're we're good here.
• 28:00
  Then with the bad. Let's talk about ugly Carter.
• 28:04
  That's my that's all I wrote too, is Carter.
• 28:06
  He's the worst thing in this movie.
• 28:08
  Yeah, I mean, he's a racist piece of shit, yeah.
• 28:12
  All right, Well then, absurd. There's a lot that's absurd.
• 28:18
  I got mine. Go ahead, go ahead.
• 28:20
  So OK George, how fast he buys into this?
• 28:26
  Immediately he is. He is with them right away.
• 28:29
  He catches them snooping around at this like the the race track
• 28:34
  and he's like, OK, you're right. Here's the footage.
• 28:37
  Like that is so insane that he would like go show these random
• 28:40
  teenagers footage of people dying just because they think
• 28:43
  that. They're young adults, they're
• 28:44
  not teenagers. OK, how old are they supposed to
• 28:47
  be? Like 20s.
• 28:50
  Lori makes a mention about studying for finals, so I think
• 28:53
  she's college, yeah, I'm assuming college age.
• 28:55
  OK. And they're, they're planning a
• 28:57
  trip to Amsterdam, so they're, and they're living independently
• 29:00
  in an apartment, so. OK, so 20s.
• 29:02
  Yeah, OK, early 20s then. Either way it's still insane and
• 29:06
  my only theory is like he just needed friends.
• 29:10
  He was looking for an excuse to hang out with people and he's
• 29:13
  like this is a great way for me to network and connect with
• 29:16
  people in the community. He was looking for that.
• 29:19
  The best I can explain is if you watch American Dad and the
• 29:24
  episode where Stan has amnesia and Francine takes him to the
• 29:29
  futon store and she tries to get the guy there.
• 29:32
  Yeah, I'm on board. I'm on board.
• 29:33
  She's. Like, wait, you haven't let me,
• 29:34
  like, explain. No, no, no.
• 29:35
  I got it. Let's go.
• 29:36
  Let's do this. Yeah.
• 29:37
  This is George. George is fully bought in.
• 29:40
  Navajo bitch. Like they're just like, all
• 29:43
  right, George, like we have it there.
• 29:44
  It's like, OK, OK. Yeah, yeah, I believe you.
• 29:46
  Like he's just like, so bought in immediately.
• 29:49
  And the final episode I have is the conversation that George and
• 29:52
  Nick have in the elevator, where there's like just doctors and
• 29:56
  nurses surrounding. Him.
• 29:57
  This is dark, but because George He has a past history of
• 30:02
  alcoholism. He was driving drunk the night
• 30:05
  his wife and daughter died. And he's in a A now and all of
• 30:09
  this. But you know, death starts
• 30:11
  coming for them. He feels like he's accepted it's
• 30:13
  his time to go. And we see him struggle with
• 30:17
  taking the decision to end his own life, but he's unable to
• 30:20
  because of death design and whatnot.
• 30:22
  And Nick and George, when they learn about the cowboy in the
• 30:28
  hospital, they go to make sure he's OK and they're talking
• 30:31
  about it on the elevator. And Nick goes, that's probably
• 30:34
  the reason you couldn't kill yourself was because the cowboy
• 30:37
  was still alive. And you see 3 characters in
• 30:39
  scrubs and lab coats try very hard to act like they are not
• 30:43
  mandatory reporters hearing this conversation.
• 30:46
  To add more to the campiness, I think this is meant to like I
• 30:50
  think the movie is implying that this is a private conversation
• 30:54
  that only they can hear, but they are speaking so loudly they
• 30:57
  are projecting. It no, the look of discomfort on
• 31:01
  the doctor's faces is just. Like they're pretending like
• 31:04
  they're not hearing AC word. Yeah, it it was just so funny.
• 31:09
  Come on, guys, you have to realize I can't understand what
• 31:12
  you're going through, but you have to realize how this sounds
• 31:14
  to the general public. Also here's my absurd OK and I
• 31:18
  can't believe I didn't remember this sooner.
• 31:20
  So she was gonna the mom, I forget what her actual name is.
• 31:27
  They don't. She's credit is a.
• 31:28
  MILF. Yeah, she's MILF.
• 31:30
  And. Then her husband's credit is
• 31:32
  Milf's husband. She is.
• 31:35
  She has a 5:00 appointment. The salon closes at six.
• 31:38
  She was going to get highlights, a haircut, style and pedicure in
• 31:46
  an hour. No, no, that wasn't ever going
• 31:49
  to happen anyway. Nope, that shit takes forever.
• 31:53
  Yeah, so that's that's how you know a man wrote this.
• 31:57
  Yeah, yeah, or somebody that didn't grow up with their mom
• 32:00
  doing here because I know that shit lasts a long time because I
• 32:02
  know. You, but you also know a
• 32:05
  surprisingly little amount of things too.
• 32:07
  I know how long an appointment lasts because sometimes if I
• 32:09
  need my mom, she's like, I got a color and I'm like, OK, that's
• 32:12
  going to be a couple of hours. Yeah, but like if I asked you to
• 32:15
  go get my wave wand you. No, I don't know.
• 32:20
  I'm not going to be able to inform the duties, but I am at
• 32:22
  least familiar with them. OK.
• 32:25
  Let's rate this then. OK.
• 32:27
  I like this one a lot. It's probably one of the ones I
• 32:31
  come back to more often. In terms of rewatch.
• 32:33
  I'm going to give it an 8.75. Wow, so this is your let's see I
• 32:38
  am the way you are with 3D on this one.
• 32:42
  I like this one, but it is it's the weakest one to me.
• 32:46
  Still I I agree with it that it's the weakest one, but I
• 32:49
  still think it's a good one overall.
• 32:51
  I'm gonna give it 675. 775 is our starting, yeah.
• 32:59
  Rich, All right, all right, We can do that.
• 33:01
  I can live with it. OK.
• 33:02
  I think that's around what we had.
• 33:03
  Final destination three had two maybe.
• 33:06
  All right, let's do this. Digging, digging, digging.
• 33:09
  Digging, Digging off. OK, so we start off, we're
• 33:12
  racing. Hunt is hoping to see a crash.
• 33:16
  Nick has brought snacks for everybody.
• 33:18
  And then he sits down. The bench breaks.
• 33:20
  This is just a bad start to everything.
• 33:23
  So that's never good. Hunt has some binoculars that
• 33:26
  are actually a flask, and he passes them down to Nick.
• 33:31
  And he says, Laurie says, oh, is that straight up Jack?
• 33:35
  And he goes, no, it's his buddy Jim.
• 33:38
  You can tell the difference between Jack Daniels and Jim
• 33:40
  Beam. Yeah, not if you're like not
• 33:42
  familiar with bourbon. No, we're just, you have to
• 33:44
  remember we're from Kentucky. We know this shit a little bit.
• 33:48
  So yeah. Nick is also making note of the
• 33:51
  race track. It's a little bit worn down
• 33:53
  structurally and they're. Nervous racks in the arena we
• 33:58
  Fun story. I got free tickets to see Auk
• 34:01
  football game a few years ago and we went and they were free
• 34:04
  because the seats were at the very tippy, tippy top.
• 34:07
  Like we were 2nd row from the back and there's a lot of
• 34:11
  structural sway when you were up that high.
• 34:13
  Scary. It was so scary.
• 34:15
  We came home and watched this movie because it just felt very
• 34:16
  appropriate. I.
• 34:18
  Remember that. Yeah.
• 34:19
  So we have on the racetrack, we have wind blows and some oil
• 34:25
  spills on the racetrack to my trap's off.
• 34:27
  I can't remember if that really plays a part in what's going on
• 34:30
  here at all. So I've got a few things written
• 34:32
  down too. It's interesting that we wrote
• 34:33
  certain things cuz I wrote that cowboy.
• 34:36
  And Stetson blocks Laurie's view.
• 34:39
  He ends up moving when she says, man, what did I miss?
• 34:41
  Yeah, we see the mom give her kids tampons for their ears
• 34:45
  because they didn't bring headphones for their chairs.
• 34:49
  Yeah, they didn't bring ear protection.
• 34:51
  Carter's a fucking racist. We see the cracks in the stands.
• 34:54
  We see one of the cars pulls into the pit.
• 34:56
  The pit crew is working on them, knocks over a bottle of oil.
• 35:00
  It creates a little bit of a spill.
• 35:03
  We see it like bolts are loosening on the safety fence.
• 35:08
  This is where we also back out enough to see that they're
• 35:10
  sitting in section 180. We see another pit crew has a
• 35:14
  screwdriver still stuck inside the car when the car drives off.
• 35:18
  Yeah, why did he put the screwdriver there in the 1st
• 35:20
  place? So it served no purpose.
• 35:22
  He was doing something I don't know, I'm not.
• 35:25
  Amateur hours am I? Dominic Toretto No.
• 35:27
  No amateur hour, right? There so when the car drives
• 35:31
  off, the screwdriver falls on the track, another car hits it,
• 35:34
  it shreds its tire, causes it to like blow out that car to crash,
• 35:38
  other car start crashing, it goes into the fence.
• 35:42
  Stand. Start falling.
• 35:44
  OK, here. Now you take tag team, pass it
• 35:47
  over to me. Boom.
• 35:47
  All right. So we have This is the order of
• 35:50
  events. Tire wax, the mechanic's
• 35:53
  girlfriend. Car flies into the stands.
• 35:56
  Mechanic falls back onto the wood where it stabs him through
• 36:00
  the back of the head through his mouth.
• 36:02
  Racist gets cut in half, as is his girlfriend.
• 36:07
  Mom or MILF gets trampled and then a motor flies and hits her
• 36:13
  on the stands. Cowboy gets torpedoed by a car.
• 36:17
  Stadium then collapses, which crushes Hunt and Janet and then
• 36:22
  something explodes which engulfs Lori and George.
• 36:25
  And then Nick does not. Actually we don't see him.
• 36:28
  Oh no, he gets blown into this. He gets.
• 36:29
  Blown back and he gets stabbed. Stabbed.
• 36:31
  Yeah. So that's the order of events
• 36:33
  that happened there. He comes too, at Hunt, saying,
• 36:36
  no, it's his buddy Jim. And he starts trying to get his
• 36:39
  friends out. And in classic Final Destination
• 36:41
  fashion, other people around him hear the commotion.
• 36:43
  They started saying, hey, it's not funny.
• 36:45
  And he's like, no, seriously, a crash is about to happen.
• 36:47
  And Hunt goes, of course there's a crash that's going to happen.
• 36:48
  There's always a crash that happens at these things they're
• 36:51
  fighting. George comes over and escorts
• 36:53
  people out. And so the fight is continuing
• 36:56
  on out in the parking lot. Then we start hearing crashes
• 37:00
  and screams and whatnot. The racist wants to go back in
• 37:02
  for his wife. George won't let him.
• 37:04
  There's an explosion, the mechanic's girlfriend says, Have
• 37:07
  you all lost your fucking mind? And then boom.
• 37:10
  She gets. Killed, and then we go.
• 37:18
  So that's the opening right there, so.
• 37:22
  Man, I never connected that this is the first one that the
• 37:25
  opening, that the first catastrophe is the cold open.
• 37:30
  I know, right? Isn't it weird?
• 37:31
  Yeah, I guess it explains why we get 2 of them in this movie,
• 37:33
  too. OK, so now we're at Death by
• 37:35
  Caffeine, which is the coffee shop that they keep coming back
• 37:38
  to in this movie. On the table, Nick notices it's
• 37:41
  coming. It's scratched on the table
• 37:43
  there. Another thing that I wrote or I
• 37:46
  read was that I think in most of the premonitions that shows up
• 37:49
  also. It's coming is somewhere on all
• 37:52
  the premonitions. Yeah. 52 people died at the
• 37:56
  racetrack. And they're, they're all
• 37:58
  handling this different. Nick is not sure what just
• 38:03
  happened to him. Laurie's concerned about Nick.
• 38:07
  Janet is just completely freaked out and she's saying, oh wow,
• 38:10
  that she's freaked out and Hunt. On face, he, he just.
• 38:15
  I think he's more freaked out than he's letting on, but he's
• 38:17
  acting unfazed. Do you think so?
• 38:19
  Yeah. We never once see any like
• 38:20
  moment like cracks in him the entire time.
• 38:23
  The entire time he is pretty much I.
• 38:25
  Think it's an in denial kind of thing.
• 38:27
  He he thinks his lucky coin saved his life and he's just
• 38:30
  flipping it around the entire time.
• 38:32
  That's what I mean. Like, he's a little bit
• 38:33
  aggressive about it and I think that's why he's like in denial
• 38:37
  more than just actually unfazed. You may be giving this movie
• 38:40
  some more credit than it truly deserves.
• 38:44
  Well, Nick and Lori decide that they're gonna go to the
• 38:46
  memorial. And while they're at the
• 38:47
  memorial, the MILF thanks Nick for saving their family.
• 38:52
  She gives them a rose. Be my bachelor.
• 38:55
  Yeah, George also stops and talks to him and says, hey, you
• 39:00
  saved a lot of people. And then Carter comes over and
• 39:02
  he's just mad at everybody and it's the actual.
• 39:05
  Worst he he's being incredibly racist to George, blames George
• 39:09
  for his wife dying, which is stupid because he, like his
• 39:12
  wife, tried to follow him out there and he's like no, stay
• 39:14
  here. So I mean, really, Carter, it's
• 39:17
  your fault that she died in there.
• 39:19
  That night, Nick has a dream of a door, a horseshoe and a hook.
• 39:24
  It's very weird. Car door, hook, hand, that's
• 39:29
  that's what this premonition is. So we see Carter is drunk
• 39:34
  watching George. How did he know where George
• 39:36
  lives? How does he think he's being
• 39:38
  sneaky sitting outside of George's house with his tow
• 39:40
  truck going? He's blasting music too, like
• 39:44
  he's I can't, I don't remember what band it is, but it's oh,
• 39:48
  it's what the body set before, that's what it.
• 39:50
  Is. No, it's not.
• 39:51
  It absolutely is not it. First of all, it doesn't sound
• 39:56
  like that song at all. Second of all, our my closed
• 39:58
  captions listed the song and band and it was not let the
• 40:01
  bodies hold on. It was not drowning fool Travis.
• 40:03
  Travis detective work activate right now.
• 40:06
  Let's do this shit. Go to soundtrack.
• 40:09
  Never mind, that was wrong. Wait, what's the song called
• 40:11
  again? Burning bridges.
• 40:12
  Burning bridges. OK, whatever.
• 40:14
  I don't know my fucking metal music people.
• 40:15
  OK, that's not my genre. It I don't even know that
• 40:18
  particular song. I just also know I do know what
• 40:22
  the bodies hit the floor and that's not even the name of the
• 40:24
  song. The song is just called Bodies.
• 40:26
  Well, excuse me, I don't know this shit, Jesse.
• 40:29
  Yeah, but you didn't take my word for it.
• 40:31
  No. Whatever.
• 40:35
  Anyway, he's got a big fucking cross.
• 40:37
  He's going. To do some racist shit, a hate
• 40:39
  crime. Yeah, he's going to blank light
• 40:40
  it on fire on his lawn and and. Meanwhile, George is inside
• 40:44
  reading his a a Bible. Yeah, and he's talking to his
• 40:47
  mom on the phone. George is a nice fucking guy.
• 40:50
  You up so like George cares about his mom?
• 40:53
  George is like Ma, I did it, I met some people, I got some
• 40:56
  friends. I might have a new friend, I'll
• 40:58
  let you know. It's like, yeah, me and my best
• 41:01
  friend Nick, we're gonna go hang out later today.
• 41:03
  I'm gonna go wait at the race track.
• 41:05
  He's gonna be there. I promise.
• 41:07
  I laid the plan. Yeah, yeah.
• 41:11
  So what happens is the Carter? 'S Carter's drunk so as he's
• 41:16
  pulling stuff out of his trunk he hits the like the tow gear
• 41:21
  shift thingy way. The chain falls.
• 41:22
  Yeah. And then inside the truck,
• 41:25
  because he was also like his horseshoe.
• 41:28
  Yeah, his horseshoe that's hanging from the rearview mirror
• 41:30
  that falls and hits the gear shift in the front part of the
• 41:33
  truck. Yeah, so the truck is rolling
• 41:35
  now. He panics.
• 41:36
  He goes to try and stop but instead he gets tangled up and
• 41:40
  the chain. The The hook, Yeah.
• 41:42
  Car door hook hand car door hook man.
• 41:46
  Something spilled in the back too.
• 41:48
  It was probably the gasoline that he was going to use to
• 41:50
  light the crossfire as part of his hate crime.
• 41:52
  That's what it is. And he catches on fire himself.
• 41:55
  And Death, being a sneaky little Rascal, plays wars.
• 41:59
  Why can't we be friends? Isn't it nice that death is also
• 42:02
  like anti racism? This was like, hey man.
• 42:05
  Like I kill people but. That shit still, that's too far.
• 42:08
  That's slow. Yeah, that's nice.
• 42:10
  I've tortured. You're teenagers, but Jesus
• 42:13
  Christ. And yeah, like George just sees
• 42:16
  like this man being dragged down his Rd. went on fire with the
• 42:20
  truck. But he's got to have a weird
• 42:22
  combination of feelings because he knows that man.
• 42:25
  That man had threatened him. That man accused him of being
• 42:28
  the reason his wife is dead. There is a cross on his lawn and
• 42:32
  with a racist man there, I'm sure George knows what was going
• 42:36
  to happen. I can't imagine what is what his
• 42:39
  emotional state has to be in this movie.
• 42:41
  Yeah, well, he's, he's happy. He's got friends.
• 42:43
  OK, that's really it. He's but.
• 42:44
  He doesn't. They haven't solidified the
• 42:46
  friendship yet. In his mind, he's already sold
• 42:48
  it. The deal is done.
• 42:50
  So the next morning, yes, Lori is watching cartoons, adult
• 42:55
  cartoons, cuz they say ass. And Janet calls and says, hey,
• 43:00
  turn on the news. And this is where they're
• 43:01
  talking about Carter being dragged down the street on fire
• 43:07
  the night before. And it goes, Oh my God, that
• 43:11
  door, George's door was in my dream.
• 43:14
  And then he has another vision of scissors, cigarette and hair
• 43:20
  straightener. And ceiling.
• 43:22
  I'm a ceiling fan and he's like, I think that these, I think I'm
• 43:26
  seeing what's going to happen. I don't think they're dreams.
• 43:28
  They kind of have their moment. They look at each other.
• 43:30
  But we don't have time for that because we got to talk to the
• 43:32
  MILF. Who is MILF?
• 43:35
  Definitely service industries worst nightmare.
• 43:39
  Yeah, well, she's dealing with Francesca here from Better Call
• 43:43
  Saul. I wish that she had just told
• 43:46
  her now. Yeah, it's one of the situations
• 43:49
  where you're like, you want to, this person comes in 2 minutes
• 43:52
  till closing and I'm like, hey, I need this really big
• 43:55
  appointment and everybody fucking hates it.
• 43:58
  But you can't say no sometimes because technically we're still
• 44:00
  open. This is when we were scheduling
• 44:02
  the movie we were going to see this weekend with Monster Lodge.
• 44:06
  I get a text from Kendra and she says do you have a hair
• 44:09
  appointment? I feel like you normally have a
• 44:11
  hair appointment during these weekends and I need to know
• 44:13
  which showing to book tickets for.
• 44:14
  And I was like, surprisingly no. To her right?
• 44:18
  That you usually do. I'd usually do and I usually
• 44:21
  plan for more than an hour of being there.
• 44:24
  So when they arrive out there, the kids are like, hey, let's
• 44:28
  throw rocks at the sign. So they're just over there
• 44:30
  picking up rocks and throwing them over there.
• 44:32
  There's a guy on the wall next to where the sign is and he's
• 44:35
  getting ready to mow the grass. Her name is Samantha.
• 44:38
  Yeah, they give they give her a name.
• 44:40
  They also had like Carter, who accredited as racist.
• 44:44
  So they just didn't bother with the names for some of these
• 44:46
  people, even though they had names.
• 44:49
  So she is late for her. She gives the boys money to go
• 44:53
  to arcade for an hour and then she goes in and she says she's
• 44:56
  late for 5:00 PM with Richard because soccer ran late.
• 44:59
  And she says oh hey, Richard didn't come in today, somebody
• 45:02
  should have called you. Somebody got dragged down his
• 45:04
  St. and burned last night. So he lives near George.
• 45:08
  She is looking for an excuse to get off work.
• 45:10
  That's not like nobody's like that Her about a race is getting
• 45:13
  dragged down the street like. Well, if the if the street is
• 45:16
  still closed down for like a police investigation maybe.
• 45:19
  Fair enough. But yeah, she they're like, it's
• 45:24
  5:50 and we close at six and she's like, please let's girls
• 45:28
  night out. I haven't done this in months.
• 45:30
  I really need it. And she goes, you're killing me.
• 45:34
  I love the stylist is just I think this is she might have
• 45:39
  some of the best acting in this movie because she is so clearly
• 45:42
  fucking over Samantha the whole time.
• 45:44
  And the chair keeps praying and she goes.
• 45:46
  I've only told them to fix it like 1000 times.
• 45:49
  I think she did it intentionally the first time because I think
• 45:52
  it shows her like press the little lever down and she just
• 45:56
  sinks down really fast. And then later when it happens
• 46:00
  again, she's visibly shaking up. She's Oh my God I'm so sorry she
• 46:03
  broke it. I actually get scared.
• 46:04
  She broke it when she did that because whenever she raises her
• 46:06
  back up, the thing just lowers down again and starts.
• 46:09
  To I do think the chair is actually broken.
• 46:11
  I don't think she broke it. I think it's actually broken.
• 46:14
  OK, maybe. I think she's being passed
• 46:15
  progressive here. I mean she she can be passive
• 46:18
  aggressive and the chair also be broken.
• 46:20
  They're not mutually exclusive. Whatever.
• 46:23
  Anyway, she wants some water, so she's drinking some water and
• 46:26
  she sets it down. There's no coaster so it starts
• 46:28
  sliding along on condensation and it knocks a bottle of
• 46:34
  Hairspray also into a straightener that is turned on
• 46:37
  and sitting there. Dude.
• 46:38
  This thing is just, it's just going on its own.
• 46:41
  There's not even a slope. It's just like, hey, I'm going
• 46:43
  to move laterally. Have you ever seen that?
• 46:47
  It's never been anything I've witnessed.
• 46:49
  Oh, no, I've seen that plenty of times.
• 46:50
  If you've got something creating enough condensation on a flat
• 46:53
  space, like it will slide along on its own, it doesn't need to
• 46:55
  be on it. Yeah, we use coasters in our
• 46:58
  house, beer mats, if you will. Yeah, OK.
• 47:01
  And yeah, the the condensation, it's real.
• 47:05
  Well, it scoots its way over into the hair straightener and
• 47:08
  it gets caught in there, so it's being burned on the sides.
• 47:12
  And we, we know something's about to happen.
• 47:14
  This is when the chair falls down again.
• 47:16
  And the stylist is like, oh, shit, OK, whoo.
• 47:19
  We're just, she just leaves her close to the ground and she just
• 47:21
  crouches for the rest of the visit.
• 47:23
  The boys run in. They spill their slushies all
• 47:26
  over the floor and create a mess, and then in that moment
• 47:30
  the Hairspray shoots up, hits the ceiling fan which has been
• 47:35
  coming loose this entire time. Ceiling fan crashes.
• 47:37
  There's a disaster in there. She still gets her fucking hair
• 47:40
  blow dried. Why was the ceiling fan even
• 47:44
  part of the premonition if it really had nothing to do with
• 47:46
  the events that happened? That was a sneaky little Rascal.
• 47:50
  I guess someone to give? Him like this happened like.
• 47:52
  False things. OK, fair enough.
• 47:53
  And so she leaves, and she was like, I've got my eye on you
• 47:59
  too. And when she turns to walk
• 48:01
  outside, the lawnmower shoots a rock that goes.
• 48:04
  And brains are. Yep, the rock that the kids
• 48:06
  threw over there. So they killed their mom.
• 48:10
  And dark, but sure. So Laurie and Nick have Janet
• 48:16
  and Hunt come over to discuss the visions, and they also talk
• 48:20
  about other documented instances of premonitions and saving
• 48:24
  people's lives and how their theories about like, breaking
• 48:27
  the chain of event, breaking the chain of deaths that were going
• 48:30
  to happen in those accidents. One thing that I wish would have
• 48:33
  happened throughout these movies, I wish people would
• 48:35
  actually learn from past movies. Really, they just like, this is
• 48:39
  a thing that has happened before, but there's never but
• 48:40
  then like, but then they did this and that didn't work, so
• 48:44
  now we know that doesn't work, so we got to try something new.
• 48:46
  It's always like we're trying the same shit over and over
• 48:48
  again. Yeah, I wish that they went for
• 48:50
  like a different Ave. this time. Yeah, that's.
• 48:54
  That's just one weakness. Janet panics and leaves, and
• 49:01
  Hunt also says if he's he's dying, he's trying.
• 49:04
  Yeah, I'm going to live my life, basically.
• 49:06
  That's a good philosophy. Like whatever, like it's coming.
• 49:08
  I'm just going to go have fun. And then Nick sees a torch.
• 49:12
  So I'm like, oh, a wire cable type of thing.
• 49:15
  And then some projectile being shot.
• 49:17
  And he goes, I need to go to the track so I can have an idea of
• 49:20
  what the order of deaths was. And I need to like kind of see
• 49:23
  it to trigger the memory. So Nick and Lori break into the
• 49:27
  Speedway and George is there. George knew this was going to
• 49:32
  happen. I feel like he is still going
• 49:36
  and doing security at the Speedway even though the
• 49:38
  Speedway is closed. And I feel like they've been
• 49:40
  like, George, you don't need to be here.
• 49:42
  And he's like, I, I need my work.
• 49:43
  I need my work in this moment more than anything right now.
• 49:46
  And I need. Friends, Yeah.
• 49:47
  He was just hoping that they would come back, and they did.
• 49:50
  Yeah, and he's like, I should arrest you for trespassing.
• 49:54
  You're a security officer, George.
• 49:55
  I can't arrest my friends. Get over here.
• 49:57
  I'll show you guys the footage. You want to.
• 50:00
  You want to see something real sick?
• 50:03
  So they finally see the events app and they're able to piece
• 50:06
  together the the timeline. Yeah, and he's like, so next is
• 50:12
  the mechanic, then Hunt and Janet, George, Laurie, Nick.
• 50:18
  So they need to go try and stop the mechanic's death.
• 50:20
  And then if they stop the mechanic's death, that'll break
• 50:22
  the chain and they get there. And I actually really love this
• 50:26
  approach to him because I think this is probably my favorite
• 50:28
  approach to a stranger in the entire franchise because he's
• 50:31
  like, Sir, I hate to be frank, but I think your life's in
• 50:34
  danger. Yeah, I mean, and he, he buys
• 50:38
  into it kind of fast too. He's like, like.
• 50:41
  His name's Andy. Yeah, his name's Andy.
• 50:42
  And his boss tells him he needs to get outside because he can't
• 50:46
  have visitors in the garage. You expect him to be aggro but
• 50:48
  he's actually like reasonable here.
• 50:49
  He's like, look guys, like I am going through shit and I am
• 50:52
  changing as a person because of my girlfriend.
• 50:55
  Yeah, he's like, I'm just trying to put my life back together.
• 50:57
  And George is like, hey, man, listen, I got it.
• 50:59
  Your girlfriend died horribly in an accident in front of you.
• 51:02
  I accidentally killed my family, He.
• 51:05
  Woke up online he's like, what's a good way to form fast
• 51:07
  connections? Trauma.
• 51:08
  Bonds. Trauma bonds.
• 51:09
  Like, all right, this guy went through some trauma and let me
• 51:11
  relate. I killed my wife and my kids.
• 51:13
  So you OK dude? I I like it's that's got to be
• 51:18
  such a heavy thing to live. With it does.
• 51:20
  It does. He's doing the work to be
• 51:22
  better. I don't want to.
• 51:23
  I don't want to be too harsh on him.
• 51:25
  I think he's been harsh on himself.
• 51:27
  That's fair, that's fair. It's just he's coming on hard
• 51:30
  and fast to a lot of these people.
• 51:32
  He's sharing some very intimate tells with some people very,
• 51:35
  very early. That is what friends?
• 51:37
  Do friends. Share OK, that's true.
• 51:39
  So the guys like, look like I'm around dangerous shit every
• 51:43
  single day. Nothing's going to happen here,
• 51:46
  and as that happens, it death works really fast in this moment
• 51:49
  here. So that's like, shit they're
• 51:51
  getting too. And so this van starts to roll
• 51:53
  back and he always gets hit, but it's on that wire, that cable
• 51:57
  that Nicks on his vision. He's like, see, I'm fine.
• 51:59
  And he turns around and there he's like, Nos, Nos, Yeah.
• 52:04
  Gets knocked loose, flies at him.
• 52:07
  That's the projectile from the vision hits him and he goes into
• 52:10
  the chain link fence. Yeah.
• 52:13
  You know why does the fence? Break.
• 52:17
  This is a stronger fence than the one at the Speedway.
• 52:19
  It really is. It's a million times stronger.
• 52:24
  It's kind of like if you went to the different sections of our
• 52:26
  fence because Talia is afraid of fences, so we didn't have to put
• 52:31
  a lot of money. Talia's afraid of any barrier.
• 52:33
  Yeah. You don't have to try hard with
• 52:35
  her. We just literally part of our
• 52:38
  fence is zip tied. To Talia is like the producer's
• 52:41
  cut of Halloween 6. You can just put like rocks
• 52:43
  around her and she's like. She's like, this stops me, Yeah.
• 52:47
  I cannot move. She's like Michael Myers.
• 52:49
  She's like, I, you've defeated me.
• 52:53
  They split up to find Hunt and Janet because they're next.
• 52:56
  They don't know who technically dies first because it was a
• 53:00
  section of the stadium that fell on both of them at the same
• 53:03
  time. So Hunt is a Country Club.
• 53:06
  Janet is coming out of getting her dry cleaning.
• 53:10
  She gives some change to a homeless man on the sidewalk and
• 53:14
  she gets into a car. The man has thrown the penny
• 53:17
  because he didn't want the penny.
• 53:18
  I. Like to imagine that dog is the
• 53:19
  reincarnation of Alex. He he was reincarnated as a dog.
• 53:23
  He would be that type of dog. Absolutely Chihuahua.
• 53:27
  So the the birds get spooked by the penny.
• 53:30
  They fly away. One of them shits on Janet's car
• 53:34
  like it thinks it's your car. Yeah.
• 53:37
  Shit on her house. Shit on my house.
• 53:40
  So she's like, I got to go to the car wash.
• 53:42
  And this is a bold move because she's fighting with her sunroof.
• 53:46
  She has paid for the car wash and started to drive in before
• 53:51
  she has gotten her sunroof closed.
• 53:52
  It's really Jana might not be smart.
• 53:57
  Not very. So she is going to go into that
• 54:01
  and let's just let's talk about Jana and then let's talk about
• 54:03
  Hunt instead of jumping back and forth the way the movie does.
• 54:06
  OK, So Janet gets into the car wash.
• 54:08
  She manages to get the sunroof closed.
• 54:10
  She has not put her antenna down.
• 54:12
  I don't. Are there vehicles where you can
• 54:14
  put the antenna down? Yeah, I think so.
• 54:16
  OK, well she didn't do it. That was one of the warnings
• 54:19
  that she was supposed to follow when she went into the car wash.
• 54:22
  So the antenna breaks off and it goes into the control plan
• 54:25
  panel, causes it to short circuit, and then she's just
• 54:30
  stuck. It's not.
• 54:32
  Pulling her along anymore. Yeah, and then the sunroof opens
• 54:36
  up and it starts filling up and she is trying to get unstuck.
• 54:41
  And in the midst of all this, the pipe over top of her bursts.
• 54:45
  And so now it's not just like a little bit of spray is getting
• 54:48
  in there. Her car is filling up very
• 54:49
  quickly. Yeah, and she's got the wipers
• 54:52
  on the side, so she can't get out of the side of her, like
• 54:56
  through the doors. Yeah, she's surrounded by those,
• 54:58
  like the big rolling brushes. So she's trying to climb out of
• 55:01
  the sunroof. And when she knows, she starts
• 55:03
  to get out of the sunroof and it closes, so her head's just stuck
• 55:07
  and oh, wouldn't you know it, the car is starting to move
• 55:09
  again. The machine has started moving
• 55:12
  again, so she's about to get hit by a big roller brush.
• 55:14
  I'm wondering if that would actually kill her though.
• 55:16
  Would it be strong enough to do that?
• 55:18
  I don't know. Maybe it would break her neck.
• 55:21
  It might be tough. Probably wouldn't be a good
• 55:23
  time. No, I wouldn't.
• 55:24
  Know but it's OK because George and Lori know that she cuz she
• 55:29
  had Lori had called her and she said hey I'm going into car wash
• 55:31
  I'll call you back in 5 minutes. And so they go to the New Year's
• 55:34
  car wash. Fortunately it is the same one
• 55:37
  Janet is at and George goes in there and just smashes into the
• 55:41
  car, pushes her out the other way.
• 55:42
  How the? Fuck did that not whiplash her
• 55:45
  right there because he rims that shit hard.
• 55:49
  You know, I, I don't have a good answer for you on that.
• 55:52
  Maybe the sunroof had her neck braced well enough so they push
• 55:57
  her back a little bit. Janet gets or Lori gets out,
• 56:00
  helps her get out of the car just in time for another big
• 56:02
  pipe to burst and fall and smash in the window.
• 56:06
  So Janet is safe. Meanwhile, over at the pool,
• 56:10
  where Nick or not Nick, well, Nick is going over there by now.
• 56:14
  Yeah, Hunt is over there. He's sex on somebody.
• 56:17
  He's playing Donkey Punch and you know that.
• 56:20
  That's over. With is that what they call it
• 56:21
  these days? Yeah.
• 56:23
  So he's walking around, he's having a good time, there's this
• 56:26
  little shit over there with a water gun and he sprays Nick.
• 56:29
  Or you know what? Hunt.
• 56:31
  I You know what's really funny? OK, so Nick Zana plays Hunt in
• 56:36
  this movie. Yeah.
• 56:38
  Who is friends with a character named Nick, played by Bobby
• 56:41
  Campo. But in the Nick Zana movie
• 56:43
  that's not about butt guts, he plays a character named Bobby.
• 56:47
  Oh my God. Wow, so it was about butt guts?
• 56:51
  In a way. Truly was.
• 56:52
  In a way. They made that connection.
• 56:54
  The real butt guts were the friends we made along the way.
• 56:59
  So I think that in a public pool, water gun shouldn't be
• 57:05
  allowed, water balloon shouldn't be loud, any kind of child
• 57:10
  projectile. Any kind of child should not be
• 57:12
  allowed. Children should not be allowed.
• 57:16
  Yeah, yeah. Because yeah, like don't squirt
• 57:20
  people you as a child. My mom would have raised hell
• 57:25
  towards me if I had sprayed an adult with a water gun.
• 57:28
  But I didn't know she would be like no, what the fuck is wrong
• 57:30
  with you? Probably not in so many words,
• 57:33
  but this like you have more sense than that.
• 57:36
  This kid fucked up his phone too, so he has a right to be.
• 57:39
  Upset about it, which means that he's not getting the calls from
• 57:42
  Nick. So he takes his toothpick, pops
• 57:45
  the kids raft and steals his. Water go away.
• 57:48
  Yeah, Super Soaker, that thing cost like 3499 you.
• 57:51
  Know what? This kid had it coming.
• 57:53
  OK, this kid had it coming. He then takes the Super Soaker.
• 57:56
  Tosses. It over the fence and by doing
• 57:59
  that he hits a lever to drain the pool.
• 58:02
  Do you think that in a pool that size, in a Country Club like
• 58:06
  this, that it would be as simple as a pool of a lever to drain a
• 58:10
  pool? I feel like there are probably a
• 58:12
  few steps. They have a fence jetting.
• 58:14
  They have a fence. OK, It is.
• 58:16
  It's as secure as you can get out of pool.
• 58:19
  All right, So anyways, that has started.
• 58:22
  The pool is starting to drain and the little cover the the
• 58:26
  vent, I don't know what you call it, it it breaks down there.
• 58:30
  So like, yeah, there's nothing like, it's just like a hole at
• 58:33
  the bottom of the pool sucking water out.
• 58:35
  Yeah, and Hunt has his lucky coin and he's tossing it around.
• 58:39
  It falls to the ground, rolls into the pool.
• 58:42
  He wants to go get it 'cause it's his lucky coin.
• 58:44
  So he dives in, he finds it, he's looking around the floor of
• 58:47
  the pool, and then he gets sucked towards the drain and
• 58:51
  creates a seal with his butt against the drain.
• 58:57
  And we see his like stomach having in and Nick gets there
• 59:04
  just in time for there to be a rain of water and blood and
• 59:09
  colon coming from the pump behind the fence.
• 59:13
  Just makes me so nervous. And I think of that episode of
• 59:17
  It's always Sony where Mac keeps trying to go to the bottom of
• 59:19
  the pool to put his butt up against the thing right here.
• 59:22
  And I'm like, dude, your guts going to get sucked out.
• 59:24
  Have you not seen Final Destination?
• 59:26
  I think of the short story Guts by Chuck Palahniuk.
• 59:29
  Which is where the butt guts came from to begin with.
• 59:31
  Yeah. So yeah, Yep, Hunt's dead.
• 59:35
  Hunt's dead and the Country Club pool is closed for the rest of
• 59:40
  the summer. Probably.
• 59:41
  Yeah, yeah, I don't think that shit's opening.
• 59:45
  Back up, George says that he's OK if he's next.
• 59:48
  Yeah, he's accepted that. He's like, I don't know if we
• 59:51
  managed to break the chain or not, but like, I'm fine if I'm
• 59:53
  going to go be with my wife and kid, I'm OK with it.
• 59:56
  And then this is maybe the saddest part of the movie,
• 59:59
  because he's sitting there at his table in his dark kitchen,
• 1:00:04
  all alone, just staring at a glass of.
• 1:00:07
  His wine or something? He's got some alcohol pours.
• 1:00:10
  Yeah. And he's just, you know,
• 1:00:11
  fighting the temptation. And he's looking, he's got his
• 1:00:13
  chip, his like a a chip. And we don't know how long he's
• 1:00:18
  been sober, but like, you see him looking between the alcohol
• 1:00:21
  and his chip and I just, man, I feel so bad.
• 1:00:23
  For you feel bad for him here. Meanwhile, Nick and the Warrior
• 1:00:27
  safety proofing their house. Yeah, I like they're just like
• 1:00:30
  taping the knives into cardboard sleeves.
• 1:00:32
  Yeah, I know. What a weird, what a weird
• 1:00:37
  choice to make. And as they're doing this, he
• 1:00:39
  spills some coffee onto a newspaper.
• 1:00:41
  And it kind of like makes the newspaper mostly wet.
• 1:00:44
  But there are a few words that are dry.
• 1:00:46
  And it says through action they were saved.
• 1:00:48
  And they're like, what do you go tell George?
• 1:00:51
  And they find George in his house and he is hanging in his
• 1:00:55
  bedroom. But then the the bean breaks and
• 1:01:00
  he's like I've been trying all day to do this.
• 1:01:04
  He took pills, he threw them up. He he tried to hang himself.
• 1:01:08
  Could not do that. There was one other thing I
• 1:01:10
  think he tried. To He went to the garage and put
• 1:01:13
  a hose up to his exhaust pipe and then his car wouldn't start.
• 1:01:15
  It was stalling. Yeah, and they're like, hey, you
• 1:01:19
  know what? The scenes that were saved.
• 1:01:20
  And so they're excited and they do a toast with cider.
• 1:01:23
  First though, it's so weird, like they're thinking and
• 1:01:27
  they're sitting on his bed thinking he is still wearing the
• 1:01:31
  noose. It is so weird.
• 1:01:33
  George, why are you still wearing the noose while you
• 1:01:36
  guys? He had a rough day.
• 1:01:38
  And this is all really, they're just sitting there thinking for
• 1:01:42
  a minute and then suddenly was like, hold on a second, we saved
• 1:01:45
  Janet, so that means we must have broken the thing.
• 1:01:49
  It doesn't make any sense. So if Death's plan was broken,
• 1:01:52
  George could have killed himself because that would have just
• 1:01:56
  been like, he was going on his own way at that point.
• 1:01:58
  He wasn't following any plan. Death wants the exact amount of
• 1:02:02
  people it was supposed to have, no more, no less.
• 1:02:05
  I know, yeah. But like, it's just so stupid
• 1:02:07
  that they think like, OK, so like, we won.
• 1:02:09
  So we're now invincible. We can't die.
• 1:02:12
  Ever. Yeah, this.
• 1:02:14
  It feels like that's kind of what they think here now.
• 1:02:16
  So Nick and Lori decide that they're going to travel and Nick
• 1:02:21
  is packing for Amsterdam and Lori goes to get the travelers
• 1:02:23
  checks and then her and Janet are going to go shopping and to
• 1:02:26
  see a movie. Nick has a vision of a hospital.
• 1:02:30
  He's got various things like, you know, the snake that's on
• 1:02:34
  the like the EMT sign. And so he's like what?
• 1:02:38
  And then the TV comes on and it shows a report.
• 1:02:41
  The cowboy that was sitting in front of them, he never moved
• 1:02:44
  because of how things change. At the lorry, yeah.
• 1:02:47
  And he was actually pulled out of the rubble.
• 1:02:49
  He survived. He survived.
• 1:02:51
  He's in a coma. And so Nick calls George and
• 1:02:54
  he's like, we've got to get to the hospital until they get
• 1:02:56
  there and there is a racist old man in a lift by a tub.
• 1:03:01
  Yeah, what? What's with all the racism in
• 1:03:03
  this movie? It's just so it's a little
• 1:03:05
  excessive. It's realistic, but I don't want
• 1:03:09
  that level of realism in my escapism.
• 1:03:11
  Yeah, come on, man. So this guy, the orderly, he is
• 1:03:15
  called away while he's filling up the pool for this old man.
• 1:03:19
  Listen, whenever OIG comes and does their investigation into
• 1:03:23
  this incident, they're going to be like, why was this man left
• 1:03:26
  in a lift alone? Why was the tub left on?
• 1:03:28
  Like there's going to be a bunch of questions that they're not
• 1:03:31
  going to have a good answer. He took it way too literally.
• 1:03:33
  Because the woman comes in, it's like, you're needed this second,
• 1:03:36
  like. Not even any time for him to go
• 1:03:38
  turn off the tub. And that tub was like this close
• 1:03:41
  most to full. Yeah, it's gonna be too big for
• 1:03:43
  him anyway. It was gonna overflow.
• 1:03:46
  It's on him there's. So many protocols were not
• 1:03:48
  followed. Yeah, so anyways, that's
• 1:03:51
  happening. This room, by the way, where all
• 1:03:52
  this is happening is right above where the cowboy is.
• 1:03:55
  Can you imagine coming out of a coma and you're in a hospital
• 1:03:57
  and you're like, wow, I survived, this is great.
• 1:04:01
  And then the ceiling starts stripping on you and you're
• 1:04:03
  like. Oh no.
• 1:04:05
  I maybe the cowboy had his own vision happen, but because Nick
• 1:04:10
  acted first, he didn't have time to react.
• 1:04:12
  And that's why he got pinned down in the rubble.
• 1:04:14
  And he's like, OK, cool, now I can save my own life.
• 1:04:17
  I'm having a new vision. I also saw the EMT signs.
• 1:04:20
  Let's get out of the bed. And then he starts crawling and
• 1:04:22
  you're like, cool, He's away from where the tub is.
• 1:04:24
  And at this same time, Nick and George Bernstein are like, cool,
• 1:04:27
  we're going to save the cowboy. Except he is.
• 1:04:29
  It's called to where the tub is. Yeah.
• 1:04:32
  And it falls on top of them. Yeehaw, it's crushed.
• 1:04:37
  That old man looks so sad. He's.
• 1:04:40
  Like Dana and Lori, this is also a piece of realism in this movie
• 1:04:44
  that I didn't need because why is every man that works at the
• 1:04:49
  RC booth in the mall a creep? Yeah, it is true.
• 1:04:53
  Like it is. It's such an accurate
• 1:04:55
  stereotype. It really is.
• 1:04:56
  There's always these people there and.
• 1:04:58
  They always think it's funny to like, run their gadgets into
• 1:05:01
  women who are just trying to live their fucking life.
• 1:05:04
  Another fun thing that I'd noticed a while back is the car
• 1:05:06
  that Rams into is the car that wrecked in the opening.
• 1:05:11
  Oh, that. Is a nice.
• 1:05:12
  That's a nice. Catch.
• 1:05:13
  Yeah, it is interesting. Good job.
• 1:05:15
  So yeah, they're going to the movies.
• 1:05:17
  They get 2 tickets. She pays dime.
• 1:05:21
  She pays $20 and gets $8 in change.
• 1:05:25
  Can you imagine getting 2 tickets for $12.00?
• 1:05:30
  No, I know that's crazy. That's almost 20 years ago, by
• 1:05:35
  the way, getting close. Why do you why?
• 1:05:38
  Why do you have to say things like?
• 1:05:39
  That haven't you just got to say this?
• 1:05:42
  Yeah. That's that's that was the
• 1:05:43
  times. OK, so they're there 17 years.
• 1:05:47
  It's a movie in 3D. Yeah.
• 1:05:49
  And Laurie starts seeing all of the same signs that were
• 1:05:52
  happening at the theater. Same dialogue in the.
• 1:05:55
  Down in front, asshole. Somebody has Dixie as their cell
• 1:06:01
  phone ringtone, which is a strong choice.
• 1:06:05
  And she start looking around. She's like Janet.
• 1:06:07
  What if like we didn't actually stop anything and Janet's like
• 1:06:10
  please stop talking over the fucking movie.
• 1:06:12
  This is so rude. Yeah, they they have like a
• 1:06:15
  straight up conversation. She's not even trying to
• 1:06:18
  whisper. And Nick and George are like,
• 1:06:22
  we've got to get out of here. So they're getting ready to go
• 1:06:24
  to the mall. George just hit by an ambulance.
• 1:06:29
  He's gone. He's like in the middle of the
• 1:06:30
  story. Yeah, that I like that because
• 1:06:33
  it's just so sudden. It reminds me of the bus from
• 1:06:35
  the first. One yeah.
• 1:06:37
  And so Nick has a vision of fire and like nails and he was like,
• 1:06:43
  oh God, I've got to go save him. So he gets.
• 1:06:44
  To the mall, he sees the explosion from the movie, which
• 1:06:47
  also causes a real explosion in the theater.
• 1:06:49
  Well, it doesn't cause the explosion, it's just timed
• 1:06:51
  really well. What?
• 1:06:52
  You know what I mean? I'm just being clear, OK,
• 1:06:56
  Rivers. Which I think is this is where
• 1:07:00
  he sees that it's around this time where he.
• 1:07:01
  Sees. No, it was before he went to go
• 1:07:03
  get hunt, but he saw the clear rivers.
• 1:07:04
  OK, that was a while back. Nevermind.
• 1:07:06
  So he gets to the mall. We are also seeing that the
• 1:07:10
  Multiplex has 6 new screens coming soon, so there's
• 1:07:12
  construction going on. We see one of the construction
• 1:07:15
  workers has left his glasses sitting on a beam.
• 1:07:17
  Sun is coming through, hitting the sunglasses, directing that
• 1:07:20
  beam towards a pile of sawdust, which starts a fire.
• 1:07:25
  And as the fire is going, there is a tarp in this construction
• 1:07:31
  area. A fan knocks it loose, and it
• 1:07:33
  causes some chemicals to get knocked over.
• 1:07:35
  And we see in the theater where Jana and Lori are, there's like
• 1:07:39
  a countdown of a timer for a bomb, and Janet and Lori are
• 1:07:45
  fighting. And then there's an explosion
• 1:07:47
  behind the screen at the same time as the explosion on the
• 1:07:49
  screen. And it's a huge fire.
• 1:07:51
  And Nick has just gotten there in time to get Lori out.
• 1:07:53
  Janet didn't want to go, She said.
• 1:07:55
  I meant to be right here. She's the one in this movie that
• 1:07:58
  has that speech from all of the other movies like Death Doesn't
• 1:08:00
  Come. She's like, yeah, she.
• 1:08:01
  Was meant to be here. Meant.
• 1:08:02
  To be right here watching this movie, right?
• 1:08:05
  No. She wasn't wrong though.
• 1:08:07
  She was the only one that's not wrong.
• 1:08:08
  She's like, I was meant to be here.
• 1:08:09
  I'm meant to be. That's where fate had her.
• 1:08:12
  So Nick and Lori are trying to leave the mall.
• 1:08:15
  The escalator breaks down her new shoes with the shoe laces.
• 1:08:20
  They're caught in the escalator. Nick is.
• 1:08:22
  Trying like your sneaks. Your snakes, he's trying to pull
• 1:08:26
  her up. Her leg gets caught in the
• 1:08:28
  machinery. And as we all know, when your
• 1:08:31
  leg gets crushed, you start coughing up blood.
• 1:08:34
  Yeah, that's how that works. Questionable that it Honestly it
• 1:08:37
  could have worked if the scene was edited a little bit better.
• 1:08:40
  If she got dragged in a little. Bit more, Yeah, yeah, yeah.
• 1:08:44
  And then? This is Death does George dirty
• 1:08:49
  here because like, like Nick snaps out of it right as he gets
• 1:08:53
  whacked. Yep.
• 1:08:54
  Like there's no chance to save them at all.
• 1:08:56
  Yep. So he runs to the theater and
• 1:08:57
  he's going to stop the explosion.
• 1:08:59
  He doesn't know which theater they're in, because apparently
• 1:09:02
  Lovely's Dying was a very important it's in like.
• 1:09:05
  A different yeah. Screens, yeah.
• 1:09:07
  So he's like, all right, I got to figure out what this
• 1:09:09
  construction is going on. So he goes in to the
• 1:09:11
  construction area and the smoke alarm is not connected to
• 1:09:16
  anything, which is probably a huge fucking violation.
• 1:09:19
  Yeah, the fire has already started, so he finds a fire
• 1:09:22
  extinguisher and is able to get most of the flames.
• 1:09:25
  The fire alarm does not work. Yeah, but the problem is that it
• 1:09:28
  runs out before he can get all of the flames.
• 1:09:30
  So they continue moving on and they catch on to other things.
• 1:09:33
  And he's trying to find something that he can put the
• 1:09:35
  fire out with. And then a nail gun is on a
• 1:09:38
  table that gets a leg knocked out from underneath it.
• 1:09:41
  And then and he's nailed to the wall.
• 1:09:44
  He's pinned. And he's like, he sees a big VAT
• 1:09:48
  of chemicals, and he's like, well, that's going to cause the
• 1:09:50
  explosion. What do I need to do?
• 1:09:52
  He grabs a board that's conveniently near him, gets the
• 1:09:55
  edge of it caught on fire. He holds it up to a sprinkler.
• 1:09:59
  He's like, come on, come on, come on.
• 1:10:00
  And the flames are just approaching the chemicals.
• 1:10:03
  Is he going to make it? Would Sprinkler put up the
• 1:10:08
  flames that quickly? No, I don't think so either.
• 1:10:11
  Like it was like, it was like not even an inch away from being
• 1:10:15
  igniting, like whatever it was that was over there.
• 1:10:17
  Yeah, no, it it wouldn't have worked quite so effectively, but
• 1:10:20
  it's fine for two weeks. Whatever, it's a movie.
• 1:10:22
  Yeah, yeah. Two weeks later, he is a
• 1:10:24
  nightmare to everybody he meets on the street because he sees
• 1:10:27
  somebody working on a scaffold and he's like, hey buddy, this
• 1:10:30
  supposed to be like this? It's like, oh, no, you got, I
• 1:10:34
  mean, like, he pays to be safe, bro.
• 1:10:35
  And he like points out his cast like, OK, cool.
• 1:10:37
  Yeah, you had it in, you had an incident.
• 1:10:39
  Now you're going to be like this, everybody.
• 1:10:41
  You're a fun guy. And what's funny because every
• 1:10:44
  time I see this at first, I'm like, imagine like being at your
• 1:10:48
  job and some idiot with a broken arm tells you it fails to be
• 1:10:51
  safe. And you're just like, I don't
• 1:10:52
  know your life, man. I don't know.
• 1:10:54
  Did you fall off a scaffolding? Is this your business?
• 1:10:56
  Like are you the? Person that should be telling me
• 1:10:58
  this, it doesn't seem like you've been safe.
• 1:11:00
  Except then he goes to the cafe and the same man with the
• 1:11:04
  reincarnation of Alex Browning says, hey, man, you say you
• 1:11:07
  saved that the a lot of people at the mall from that fire.
• 1:11:11
  Which means that people around town do know who Nick is and
• 1:11:15
  they do know what he's done. Which means the person on the
• 1:11:17
  scaffolding probably has had this conversation with him a few
• 1:11:23
  times by now, probably. Obviously he's like, man, you
• 1:11:26
  save one little Multiplex. I like major explosion and now
• 1:11:31
  you feel like you can tell me how to do my job as.
• 1:11:34
  Much as it doesn't make sense, I like to imagine that the
• 1:11:36
  homeless man is reincarnation of Todd TO single D.
• 1:11:40
  Also, Todd and Alex are together again I love.
• 1:11:43
  That yeah, he he reincarnated. As.
• 1:11:46
  An old man. This man entered the universe as
• 1:11:49
  an old man with a dog. Yeah.
• 1:11:52
  That's how it happened, people. It makes sense.
• 1:11:54
  I don't make the rules. So Nick is meeting Laurie and
• 1:11:57
  Janet at a cafe. He gets a an incredibly sugary
• 1:12:03
  drink and they make fun of him and he says it tastes
• 1:12:06
  disgusting. I'm sure it's overly sweet, but
• 1:12:09
  I don't know if disgusting is the right word.
• 1:12:11
  It reminds me, it made me think of that drink that I got from 7
• 1:12:14
  brew that I could not drink because it made me sick.
• 1:12:16
  Yeah, it feels a little shiny, like, EW, this much sugar grows.
• 1:12:21
  Yes, well, they sit down at the same table that they met at
• 1:12:24
  after the event the first time, except this time.
• 1:12:27
  It's coming as crushed out. Yeah, and there's something else
• 1:12:29
  there. I think it says it's here.
• 1:12:32
  And then it goes, What if we were meant to be here all along?
• 1:12:39
  And then the scaffolding falls. I hate to give Nick credit on
• 1:12:44
  this, but he was correct. It falls, which means that the
• 1:12:47
  truck that's coming down the street has to swerve to avoid
• 1:12:50
  hitting the scaffolding and causing an accident there, and
• 1:12:53
  instead it hits death by caffeine.
• 1:12:57
  Yep, and we see in 3D through their skeletons, all of the
• 1:13:01
  damage that's being done, and they're dead.
• 1:13:04
  And that's how the movie ends. I'm still gonna give it an 8.75.
• 1:13:09
  I still really enjoy this one. I enjoy it too.
• 1:13:11
  I'll bump it to 7. It's a fun movie.
• 1:13:15
  Like I like the movie, I enjoy it, It just is you know?
• 1:13:19
  It has enough shortcomings to be the weakest one for me
• 1:13:22
  personally. OK, well.
• 1:13:25
  So what would I change, Jesse? That's a great question.
• 1:13:27
  I was trying to get an average real quick. 7.875 yes.
• 1:13:32
  What would you change Travis? Well.
• 1:13:35
  I would like to see these people kind of learn from the past
• 1:13:39
  instances, you know? It would be nice to see some new
• 1:13:43
  strategies tried throughout, you know, like I, I just think
• 1:13:47
  there's enough out there and clearly people are able to
• 1:13:50
  research this and get enough because I mean, everybody's able
• 1:13:53
  to do in every single movie. So that'd be nice.
• 1:13:57
  And I also would have liked to have just have the characters be
• 1:14:00
  a little bit more together and get a more, get more of a sense
• 1:14:03
  of them as people before this shit happened.
• 1:14:06
  Because it just happened so fast in this movie and we just don't
• 1:14:10
  get good character development this time around, I don't think.
• 1:14:14
  OK, Talia. Talia, she started off kind of
• 1:14:18
  sleepy, but she was pretty playful.
• 1:14:19
  Near the end of the movie, she was actually having a really
• 1:14:21
  good time with it. I think the 3D is really
• 1:14:23
  effective for her. She's like, well.
• 1:14:25
  It came right at us, guys. Yeah, yeah.
• 1:14:28
  She loves the concept of racing because this car's going fast.
• 1:14:31
  That's super cool for. Her, my guy, I thought you were
• 1:14:33
  about to say a different word. No, she hates racists.
• 1:14:37
  So that guy gone, Yeah, that's also awesome.
• 1:14:40
  And she loves going to a coffee shop and getting a pub cup.
• 1:14:45
  That's true. There's a lot of things Italia
• 1:14:47
  loves. Yeah, this is you know what, I
• 1:14:49
  think this might be a nine out of 10 for Italia I.
• 1:14:51
  Agree. Who's those?
• 1:14:53
  Ultimate warrior? Even more important question.
• 1:15:00
  I think it was the cowboy because Zoe here lately has been
• 1:15:06
  this little cat that's been on a mission to sit in as many laps
• 1:15:09
  as possible. And we have to tell her, Zoe,
• 1:15:11
  you can't sit here right now. And that's what happened to the
• 1:15:13
  cowboy. It's like you can't sit here
• 1:15:15
  right now. That is, she's like, you know,
• 1:15:17
  what happened, guys? He was able to sit there and he
• 1:15:19
  lived. So you think that she she's the
• 1:15:24
  cowboy because she wants to prove like.
• 1:15:26
  Her choice, like, yeah, where is she?
• 1:15:28
  Like wherever she sits is like where she's meant to be, or else
• 1:15:31
  she'll die. OK, I'll accept that.
• 1:15:34
  Yeah, was it a hoot or a holler for Cordelia?
• 1:15:40
  Cordelia was also fighting to get a seat.
• 1:15:43
  She was, I think she was very immersed in the movie because of
• 1:15:46
  that. I think it's a hoot then, yeah.
• 1:15:48
  OK, OK. All right, who did you relate
• 1:15:52
  to? Who did I relate to?
• 1:15:53
  Jesus. I guess I probably relate to the
• 1:15:57
  MILF because Hunt shames her for having that many tampons in her
• 1:16:01
  verse. I don't think 4 tampons is crazy
• 1:16:02
  to have if you bleed a lot and you got to be prepared for
• 1:16:05
  anything. Again, it's a dude commenting on
• 1:16:08
  that, you know he doesn't know what's going.
• 1:16:09
  On Yeah, 4 is not an outrageous amount to have in your purse.
• 1:16:13
  It just isn't. OK, I'll relate to the Milfs
• 1:16:18
  kids because I remember as a kid, like my mom would like give
• 1:16:23
  me games. So like I would have to like,
• 1:16:25
  you know, it's a little bit different like I would I was
• 1:16:27
  used as a tool to like hey Travis, my customer has kids
• 1:16:32
  over here. I need you to come over here to
• 1:16:34
  distract them so they have somebody to play with.
• 1:16:37
  That way I can do this appointment.
• 1:16:39
  So I was forced to hang out with a lot of people I really didn't
• 1:16:42
  want to hang out with because of the I I was the arcade.
• 1:16:47
  I really. You are at the arcade.
• 1:16:51
  That was me. OK, OK, what would Dom do?
• 1:16:55
  I'm glad you asked. I've got this.
• 1:16:58
  Oh, OK. I'm curious to hear.
• 1:16:59
  OK, so all of this would stop at the garage.
• 1:17:04
  OK. When they go to stop Andy.
• 1:17:06
  Yeah. And I know you're asking.
• 1:17:08
  Well, they're at a race at the very beginning.
• 1:17:10
  Why wouldn't it stop there? Well, see, you have to remember
• 1:17:13
  Dom watched his dad die on a Speedway.
• 1:17:16
  I think that was. And I think that was traumatic
• 1:17:19
  for him. I think he had a moment, he
• 1:17:21
  flashed back, he didn't act quick enough.
• 1:17:23
  So the major accident at the Speedway, not only was it
• 1:17:25
  retriggering A trauma for him, it also made him mad at himself
• 1:17:29
  for not reacting quick enough. And he vowed that that wouldn't
• 1:17:31
  happen again. And he happens to be at the
• 1:17:33
  garage working with Andy and the rest of the crew later on when
• 1:17:37
  these people come in and they're trying to explain this to Andy
• 1:17:39
  and he's like, you know what? No, I got it.
• 1:17:41
  He makes sure that this accident never happens in the 1st place,
• 1:17:44
  breaks the chain and he doesn't die.
• 1:17:47
  Rest of the movie just they just go on and they live happily.
• 1:17:51
  OK, there we go. You know what?
• 1:17:53
  That makes a lot of sense right there.
• 1:17:55
  Dom through intervention, Dom saves the day.
• 1:17:57
  Yes. As always through Dom all things
• 1:18:00
  are possible. OK, all right.
• 1:18:04
  And tagline. That's the way we.
• 1:18:07
  Do. Tagline.
• 1:18:08
  Yeah, yeah, we do. We don't do dream sequel.
• 1:18:10
  Yeah. OK, So what?
• 1:18:12
  What's tagline? Speed kills.
• 1:18:17
  Yep. All right, that's it, That's it.
• 1:18:19
  We're done. OK, cool.
• 1:18:21
  All right. So I guess it's time to do
• 1:18:24
  reviews. Yeah, yeah.
• 1:18:26
  All right. So as we said before, we have
• 1:18:28
  been a little bit sidetracked this weekend.
• 1:18:29
  So I didn't get a chance to do call for reviews, unfortunately.
• 1:18:33
  So in order to do something, I got 2 reviews.
• 1:18:36
  I got a positive and a negative, OK.
• 1:18:38
  And since we are both on the positive end of this, so let's
• 1:18:40
  start off with the negative, OK? All right, so where are we at?
• 1:18:47
  OK, 2 out of 10 painfully bad. Reviewed in 2025.
• 1:18:51
  OK. So this is recent, somebody
• 1:18:53
  probably prepping for the for bloodlines.
• 1:18:56
  Yeah, that was June 2nd so I can't remember when Bloodlines
• 1:18:59
  came out. That sounds about around that
• 1:19:00
  time. The Final Destination is by far
• 1:19:03
  the weakest in the entire franchise for me.
• 1:19:04
  It feels like the series hit a wall with this one.
• 1:19:07
  The deaths are goofy in a bad way, the CGI looks awful, and
• 1:19:10
  the characters are the most forgettable bunch we've had so
• 1:19:12
  far. It tries to use 3D as a gimmick,
• 1:19:15
  but instead of enhancing anything, it just makes
• 1:19:17
  everything feel even more cartoonish and cheap.
• 1:19:20
  The racetrack disaster opening could have been cool, but it
• 1:19:22
  ends up feeling flat and unconvincing.
• 1:19:26
  There's not much suspense either, and by the halfway point
• 1:19:28
  it feels like the movie is just going through the motions.
• 1:19:31
  It lacks the charm, creativity, and tension that made the
• 1:19:34
  earlier films work. This one feels like a parody of
• 1:19:37
  itself and almost tanked the whole franchise.
• 1:19:39
  I don't think so. Like it did really well.
• 1:19:42
  Thankfully it bounced back with the next film.
• 1:19:44
  But yeah, this one easily skippable.
• 1:19:49
  This is the sentiment that I find most people have with this
• 1:19:52
  movie. The 3D really does ruin it for a
• 1:19:55
  lot of people. I do agree that it's the weakest
• 1:20:01
  batch of characters. Yeah, the characters are the
• 1:20:03
  flattest for sure. I I would maybe agree it it
• 1:20:08
  lacks the tension that most of them have to I can understand
• 1:20:12
  the going through the motions that it's saying.
• 1:20:14
  However, The thing is, I love the motions of these movies.
• 1:20:17
  So even if these movies go through the motions, I'm having
• 1:20:20
  a great time. OK, that's fair.
• 1:20:23
  Yeah, I, I, I think it's not. I wouldn't say it's completely
• 1:20:27
  going through the motions. I think they were a little bit
• 1:20:29
  more caught up on the 3D than they were of the actual story
• 1:20:31
  they were trying to tell. Yeah, I think it took priority
• 1:20:34
  with like, how are we going to make this death in 3D instead of
• 1:20:37
  how are we going to make this a fun death?
• 1:20:38
  Yes, yeah, yeah. OK, that that makes a lot of
• 1:20:41
  sense. And that probably does explain a
• 1:20:43
  lot of it. All right, let's think.
• 1:20:45
  Let's go over to somebody that had some nice things to say.
• 1:20:48
  Yay. Also in 2025, May 21st, Brutal
• 1:20:53
  and unforgiving, Final Destination 4 brings back
• 1:20:56
  everything fans loved about the series.
• 1:20:58
  Suspense, unpredictability, and the eerie feeling that fate is
• 1:21:01
  always watching. This installment keeps the
• 1:21:03
  formula alive in the best way possible, with a new set of
• 1:21:06
  characters, a fresh opening disaster, and a series of
• 1:21:08
  chilling events that'll have you holding your breath.
• 1:21:10
  The tension builds up beautifully and while the deaths
• 1:21:13
  are creative and intense, what really makes the movie fun is
• 1:21:16
  how it plays with the idea of inevitability.
• 1:21:19
  You know something bad is going to happen, the suspense is just
• 1:21:22
  in the how and when. The pacing is solid, the visuals
• 1:21:25
  are sharp, and the movie doesn't waste time getting to the good
• 1:21:27
  stuff. It may, it may not reinvent the
• 1:21:30
  formula, but it fully embraces what the franchise is all about.
• 1:21:34
  Suspenseful thrills, clever setups, and a sense of doom you
• 1:21:37
  can't shake. If you're into a psychological
• 1:21:39
  suspense mixed with shocking moments and a clever concept,
• 1:21:41
  this movie absolutely delivers it's thrillings, smart in its
• 1:21:45
  execution, and a solid horror ride from beginning to end. 10
• 1:21:48
  out of 10 I must watch. For fans of the franchise or
• 1:21:50
  horror in general, this is kind of generally how I feel most of
• 1:21:54
  the time. Like it is like it does what the
• 1:21:57
  series does well enough. It's a final destination movie.
• 1:22:02
  It follows the formula to a T. Yeah, this isn't like a jigsaw
• 1:22:07
  of a situation where it's trying to reinvent the thing.
• 1:22:09
  Yeah, it's just like, hey. It's a saw 3D of a thing.
• 1:22:14
  Yeah, it does the thing, but it's very distracted by the 3D
• 1:22:18
  elements. Yeah, exactly.
• 1:22:20
  Like, I mean, that's it. Like it doesn't reinvent
• 1:22:22
  formula. It's just it embraces it and
• 1:22:24
  that it's just, it is a Final Destination movie.
• 1:22:27
  It has fun and that's really all I'm here for.
• 1:22:29
  Whenever I want to watch your Final Destination movie, I want
• 1:22:31
  to see death do it's shit. Yeah.
• 1:22:33
  You know, that's really it. So that's it.
• 1:22:37
  That's it. That's it for the reviews.
• 1:22:38
  I think that's it for this episode.
• 1:22:40
  I think that's it for February all.
• 1:22:42
  Right, I do have the 1st March movie.
• 1:22:45
  Oh, you do. Yes, OK, I'm prepared for this.
• 1:22:48
  I'm going to tell you guys what it is.
• 1:22:49
  I'm not going to tell you where to watch it because we're still
• 1:22:51
  in February and that stuff can change.
• 1:22:53
  The first movie we're going to talk about in March.
• 1:22:56
  Strangers pray at night. Oh, that's right.
• 1:22:59
  I did tell you that. Yeah.
• 1:23:01
  All right, I'm. I'm excited about that.
• 1:23:03
  We're talking about Strangers Pray at Night because we've been
• 1:23:05
  talking about the new trilogy excessively in our house and
• 1:23:09
  with our friend for a couple of weeks now and my mom.
• 1:23:15
  We just we need to we need to go back to we need to go back to
• 1:23:18
  the O GS yeah yeah. So that's what we're going to
• 1:23:22
  cover first in March. So be on the lookout for that.
• 1:23:25
  Be on the lookout for where to watch closer to that time.
• 1:23:29
  Be on the lookout for our full March schedule, which you can
• 1:23:32
  find on our social media. We're on Instagram and threads
• 1:23:35
  at least favorite screen movie podcast.
• 1:23:37
  We're on Twitter, at least Favepot, our website's what's
• 1:23:39
  your least favorite screen movie.com and you can at least
• 1:23:41
  favorite scarymovie@gmail.com. If you want to be able to vote
• 1:23:44
  on the March movie, you can go down to the very bottom of these
• 1:23:47
  show notes and become a member of the Patreon.
• 1:23:49
  You can become a bubby like our other bubbies.
• 1:23:51
  Joe Frigatron, as is his name. Amber Michael, Lord Zombie.
• 1:23:56
  Tyler. Tyler, Johnny and Jason, yes.
• 1:24:00
  Yeah, you don't have to be the highest tier to be a patron
• 1:24:02
  Patreon voter, by the way. You can do the mid tier for
• 1:24:04
  that. It's only $3 a month.
• 1:24:06
  OK, I couldn't remember which tiers did what.
• 1:24:08
  Yeah. So yeah, if you do the $3, you
• 1:24:11
  can have a influence on what we talk about in the month.
• 1:24:13
  So yeah. And you get early access to
• 1:24:16
  episodes depending on how soon we have them edited.
• 1:24:20
  And you get a shout out if you if you do the five dollars, $6 a
• 1:24:24
  month tier, you get all of the perks, you get stickers, you get
• 1:24:28
  shout outs, you get early access, you get voting
• 1:24:30
  privileges and bonus episodes and bonus episodes.
• 1:24:32
  So, yeah, so that's where that's at.
• 1:24:35
  And you can show us love in other ways.
• 1:24:37
  If you don't want to be on Patreon, we get it.
• 1:24:39
  That's cool. Follow us wherever you're
• 1:24:42
  listening to us. Share us, review us, subscribe
• 1:24:46
  all those things. Rate US.
• 1:24:47
  Love us, love us. We're George here.
• 1:24:50
  You guys are our friends, right? Right.
• 1:24:53
  You're our friends. Like we're totally hanging out,
• 1:24:56
  so you wanna? After this, you wanna come
• 1:24:57
  watch? Do you wanna come watch some
• 1:24:58
  security footage? Yeah.
• 1:24:59
  I I got like AI got a cake Yeah if y'all wanna come eat some.
• 1:25:02
  Cake, you know I. Just kinda keep it around.
• 1:25:05
  Mate, mate. Chocolate later.
• 1:25:07
  Y'all wanna go to the racetrack? Yeah.
• 1:25:08
  Let's go to racetrack. You know, just like throw rocks.
• 1:25:10
  Let's be friends at the racetrack.
• 1:25:12
  The rocks at Science at the Racetrack.
• 1:25:15
  You. Gonna go play in the rubble.
• 1:25:18
  It'll be fun. It'll be fun.
• 1:25:19
  Yeah, right. So what's?
• 1:25:21
  The footage. Go ask your mom if she can call
• 1:25:25
  our mom and if we can, like, all hang out.
• 1:25:28
  Yeah, we'll do that. Was this weird?
• 1:25:31
  Did this get away from us a little bit?
• 1:25:35
  Bye. Oh, we're just leaving.
• 1:25:38
  OK, bye. My mic just came after me and
• 1:25:53
  soon it again. I think you need to fix the base
• 1:25:57
  of your mic stand. It's not the mic itself that's
• 1:25:59
  falling. It is.
• 1:26:00
  No, it's the mic. No, I agree with you.
• 1:26:02
  That's what I'm saying. Yeah, OK.
• 1:26:05
  All right. Chantelle Vance.
• 1:26:08
  Chantelle, there we go. It took me a couple tries there.
• 1:26:12
  I think you just found a really good outtake for yourself.
• 1:26:15
  I did this episode.