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The Forsytes Episode 6 (PBS) · Girls Gone Hallmark | Hallmark Movie Reviews

• 0:11
  Speaker 1: Welcome to Girls Gone Hallmark, a Hallmark review podcast, taking
• 0:14
  Speaker 1: our final dip into The Foresights for season one. I Megan,
• 0:19
  Speaker 1: and I'm a longtime Hallmark fan. I'm Wendy. I'm a
• 0:22
  Speaker 1: former Hamewark hater. Hey I have a question for you. Yeah,
• 0:25
  Speaker 1: I know you just posted on our website, Girls Go
• 0:27
  Speaker 1: one Hallmark dot Com a sneak preview of season two
• 0:31
  Speaker 1: of The Foresight. Yeah. I'm so excited. It's actually in
• 0:35
  Speaker 1: my notes to discuss it. Oh, okay, okay, because one
• 0:38
  Speaker 1: I haven't read it. Two, I'm just curious, like, do
• 0:41
  Speaker 1: we know when that season's going to drop? No, it's
• 0:45
  Speaker 1: estimated to be sometime in twenty twenty seven. Oh thing.
• 0:48
  Speaker 1: Oh I would have loved it, like later this year.
• 0:51
  Speaker 1: It would have been great. Yeah. I don't think we're
• 0:53
  Speaker 1: going to get that. Okay. We are discussing The Foresight
• 0:56
  Speaker 1: Season one, episode six, the season finale, which originally aired
• 1:01
  Speaker 1: on PBS on Sunday, April twenty six, and is currently
• 1:05
  Speaker 1: available to stream on PBS dot Org and the PBS
• 1:07
  Speaker 1: Passport app. If you want to keep up with us
• 1:10
  Speaker 1: even though The Foresights is over, follow us over on Instagram,
• 1:13
  Speaker 1: where we are Girls Gone Hallmark, and you can see
• 1:15
  Speaker 1: our schedule of all the shows and movies that we
• 1:20
  Speaker 1: are currently reviewing. We're gonna lean more Hallmark heavy in
• 1:24
  Speaker 1: the next coming weeks, yes, scaling back to PBS. Unfortunately
• 1:29
  Speaker 1: even then they make great entertainment. Yeah, we're going to
• 1:33
  Speaker 1: be a real Hallmark focused operation around here. Although if
• 1:38
  Speaker 1: you like a little bit of soapiness, check out our
• 1:41
  Speaker 1: podcast Last to the Party, because we are recapping this
• 1:46
  Speaker 1: Summer's in the City post summer House scandal. Yeah, hey,
• 1:51
  Speaker 1: let's hear a synopsis for this episode of the Foresights.
• 1:54
  Speaker 1: Selm's commissions a country house despite Irene's distress. As Louisa
• 1:59
  Speaker 1: faces a fresh start, Joe decides his future. Anne reveals
• 2:03
  Speaker 1: a dark secret, dark question mark, what's the dark secret?
• 2:10
  Speaker 1: She has a grandson? Oh oh? Anne reveals that, Okay,
• 2:13
  Speaker 1: what's your first impression of this episode? Look? I like
• 2:16
  Speaker 1: a little bad boy energy, but this not so much.
• 2:20
  Speaker 1: So I would like to officially retract to everything I
• 2:22
  Speaker 1: said about I stand down so scary. My first impression
• 2:33
  Speaker 1: is call it Mariy Povich because I need to know
• 2:35
  Speaker 1: who the father is. Okay, can we talk about it? Yeah,
• 2:40
  Speaker 1: let's do it. And big reveal at the end that
• 2:44
  Speaker 1: Henry Falconer is her grandson from who well, how oh,
• 2:50
  Speaker 1: the only two options. It's one of the two dudes.
• 2:52
  Speaker 1: Alexandra is the mother, but who who was asking? Forget
• 2:56
  Speaker 1: I forget who Anne was talking to, because if she's
• 2:59
  Speaker 1: talking to Joe Senior, and she says, Faulkner is my grandson,
• 3:04
  Speaker 1: then James is the father. Well, got pull it up.
• 3:08
  Speaker 1: That's James. No, that's Joe, My damn boy. You can
• 3:13
  Speaker 1: speak of these things some other time, But Mama, who
• 3:16
  Speaker 1: is he? These my grantson? So you said, if she's
• 3:20
  Speaker 1: talking to one, we know it's the other. Yeah, but
• 3:23
  Speaker 1: there's a case to be made that he didn't that
• 3:27
  Speaker 1: we don't know James's past, like maybe he went away somewhere.
• 3:30
  Speaker 1: And she says, wait, who's talking to Anne? Joe? Sorry,
• 3:35
  Speaker 1: we own Joe Senior. So there is a case to
• 3:38
  Speaker 1: be made. She says, like we brought his mother into
• 3:40
  Speaker 1: our home. Is there a case to be made that
• 3:42
  Speaker 1: like the boys were gone away somewhere and she cared
• 3:47
  Speaker 1: for Alexandra and this baby and she's felt this responsibility
• 3:51
  Speaker 1: and neither James nor Joe ever knew of the existence
• 3:55
  Speaker 1: of this child, because James looks shocked. Maybe not a
• 3:58
  Speaker 1: by a lodge O. I think it's a biological grandson,
• 4:01
  Speaker 1: because okay, let's think about it for a second. We
• 4:03
  Speaker 1: have like the whole side story line of the wayward women,
• 4:08
  Speaker 1: and yes, but they have these children, you know what
• 4:13
  Speaker 1: I mean. So maybe Ann takes it in Alexandra, who
• 4:17
  Speaker 1: is pregnant with some child, and then you know, Anne,
• 4:21
  Speaker 1: like I'm quoting, adopts that baby. Okay, I think you
• 4:26
  Speaker 1: could make that case. But I also think that with
• 4:28
  Speaker 1: all the hinting around we've been getting from about James
• 4:31
  Speaker 1: and Joe and this affair they had and how it
• 4:34
  Speaker 1: was like a love triangle between them, I think we're
• 4:38
  Speaker 1: supposed to assume it belongs to one of them. We
• 4:40
  Speaker 1: could be surprised. Do you dare me to google who
• 4:43
  Speaker 1: is the father of Henry Falconer? Oh? Yeah, yeah, yeah,
• 4:45
  Speaker 1: yah yeah. Do you want to know? Yeah? I forgot
• 4:47
  Speaker 1: that this is actual like a book. Oh, Henry Falconer
• 4:51
  Speaker 1: is not a character from the original books, but a
• 4:53
  Speaker 1: new figure in the series. H we've taken liberties here,
• 4:58
  Speaker 1: storytelling the liberties. Okay, they're going to try to make
• 5:02
  Speaker 1: it real. Soapy then okay, that's okay. To me, it
• 5:05
  Speaker 1: makes a little more sense for it to be Joe
• 5:08
  Speaker 1: than James because Joe is widowed and James is married,
• 5:11
  Speaker 1: and so that opens up an opportunity. I don't know
• 5:14
  Speaker 1: if Alexandra is still alive. Have they touched on that?
• 5:17
  Speaker 1: Did she say his mother had died? I don't know.
• 5:20
  Speaker 1: I don't know, But that was juicy. I liked it.
• 5:24
  Speaker 1: I thought it was juicy too, and it set up
• 5:27
  Speaker 1: a good season two. Sure, I think it was a
• 5:30
  Speaker 1: little disappointed honestly with the finale of Oh but that
• 5:34
  Speaker 1: was gonna be my my, so interesting. My question to you. Okay,
• 5:38
  Speaker 1: so overall as a finale, you were not impressed. I
• 5:43
  Speaker 1: wanted explosive. I mean, I think Anne's reveal is is good,
• 5:50
  Speaker 1: but I wanted explosive. Okay, wait, let me let me
• 5:53
  Speaker 1: put something to you. Joe leaves his wife and goes
• 5:56
  Speaker 1: to live with the mother of his children. Uh huh,
• 5:58
  Speaker 1: so Elms is really dangerous. Yeah, Irene is stuck. Yeah,
• 6:04
  Speaker 1: Irene and Philip are going to bounce a go wow wow.
• 6:07
  Speaker 1: So disappointed, Please tell me your notes say, I'm going
• 6:10
  Speaker 1: to give you your flowers once again, because two episodes
• 6:12
  Speaker 1: in a row. I have the words. I knew it. Oh,
• 6:14
  Speaker 1: I don't remember you talking about that last time. Okay,
• 6:16
  Speaker 1: we're trying to get all to it. Yes, I guess
• 6:18
  Speaker 1: there was a lot of stuff that happened in this episode,
• 6:21
  Speaker 1: but I thought I saw a spoiler from the original
• 6:25
  Speaker 1: story and you were waiting for Francis and Joe Senior
• 6:30
  Speaker 1: to bounce. Well, yeah, exactly. We need another euphemism for
• 6:36
  Speaker 1: for that getting it on something perhaps from this century. Oh,
• 6:41
  Speaker 1: please write in, Please write in, give us suggestions. We
• 6:45
  Speaker 1: are at hello at Girls Gone HomeLink dot com. Let's
• 6:48
  Speaker 1: dig into all the things you mentioned. So I rewind
• 6:52
  Speaker 1: so scary. He just gets worse and worse. It's I
• 6:56
  Speaker 1: felt uncomfortable watching it. You can see him unraveling. I
• 7:01
  Speaker 1: mean like it opens with him like watching Irene and
• 7:03
  Speaker 1: he gives her a necklace and I'm like, oh, this
• 7:05
  Speaker 1: is giving like abusers, you know, the cycle of abuse
• 7:09
  Speaker 1: that you go through, that honeymoon phase where you you're
• 7:11
  Speaker 1: loving nice and you give gifts to bring them back
• 7:14
  Speaker 1: to your side, and then at work he's bad too. Yeah,
• 7:19
  Speaker 1: I agree, but I'm okay. So about Irene, I don't
• 7:23
  Speaker 1: think see I don't think Irene is taken by the
• 7:29
  Speaker 1: no Me either, you know, the the gifts of it all.
• 7:32
  Speaker 1: I agree, I agree, she sees right through him. The
• 7:36
  Speaker 1: bloom is off that rose. She is so over him. Agree,
• 7:41
  Speaker 1: So what I need Watching Irene's realization is kind of
• 7:46
  Speaker 1: heartbreaking to me. But also you know, I'm gonna need
• 7:51
  Speaker 1: her in season two to be like a little bit
• 7:55
  Speaker 1: more strategic and like getting back at him or getting
• 7:58
  Speaker 1: away from him. I'm hoping that. I hope she just
• 8:02
  Speaker 1: doesn't like fall into the role of docile wife of Solme's. Well,
• 8:09
  Speaker 1: she's not docile. I need her to be Taylor Swift
• 8:13
  Speaker 1: kind of like reputation here you made me do sort of.
• 8:19
  Speaker 1: She's certainly not behaving the way he wants her to behave.
• 8:22
  Speaker 1: I think maybe I've been watching The Count of Monte
• 8:25
  Speaker 1: Cristo too closely. You need her to pull on Edmund dunt.
• 8:28
  Speaker 1: I need her to get a little We also need
• 8:32
  Speaker 1: to remember the time and remember that I know she's bankrupt,
• 8:35
  Speaker 1: and she's bankrupt because of Selms. He deliberately tanks for
• 8:40
  Speaker 1: satstock that caused her family to lose their entire fortune,
• 8:44
  Speaker 1: and then married her. And when Joe calls him on it.
• 8:47
  Speaker 1: Solmes immediately Solmes and Francis do something very similar in
• 8:51
  Speaker 1: this episode. When they get angry, they immediately turn on
• 8:54
  Speaker 1: the other person, and he calls Luisa his mistress. He says,
• 8:57
  Speaker 1: go back to your brats and your mistress. Ah. And
• 9:02
  Speaker 1: what's interesting is Joe's just so even tempered through that
• 9:04
  Speaker 1: entire no change. It's just like this the guy you
• 9:08
  Speaker 1: want in charge. Yeah, no, it's great. I know, some
• 9:11
  Speaker 1: is just real scary. I mentioned Francis. Honestly, she's just
• 9:14
  Speaker 1: as mean. She's terrible. She's just as mean. And when
• 9:18
  Speaker 1: Joe comes home and she's like, we can make this work,
• 9:20
  Speaker 1: I just and he tells her like in the nicest
• 9:23
  Speaker 1: way possible. He says, I'll always take care of you.
• 9:26
  Speaker 1: I'll never I'm not going to ruin you. And she says,
• 9:29
  Speaker 1: I once found you interesting, now you bore me. Yeah,
• 9:32
  Speaker 1: this is really interesting. And what I liked about Joe,
• 9:36
  Speaker 1: I mean, Joe continues to be like a real stand
• 9:38
  Speaker 1: up dude in my opinion. But she's like, oh, you
• 9:40
  Speaker 1: want to leave so you can go run off with
• 9:41
  Speaker 1: your mistress. He's like, it's never been about the mistress.
• 9:44
  Speaker 1: It's about the children, Like, he's like, why can't you
• 9:47
  Speaker 1: get that she's so threatened by that? I mean, he
• 9:51
  Speaker 1: does go be with her. I think Louis is a
• 9:54
  Speaker 1: cheery on top in this situation. Yeah, but he's telling
• 9:59
  Speaker 1: me the viewer, like he wants to be there for
• 10:01
  Speaker 1: his kids, and I believe him. Do you not believe
• 10:05
  Speaker 1: that's the whole story? Well, I mean he might want
• 10:09
  Speaker 1: to be like he really wants to maybe get back
• 10:12
  Speaker 1: to the Venus Joe Venus Joe. That's a good question.
• 10:16
  Speaker 1: If Francis had said, fine, have a relationship with these children,
• 10:20
  Speaker 1: I'm cool with that. Would that have been enough for him?
• 10:24
  Speaker 1: If he could have had an open relationship, been there
• 10:26
  Speaker 1: for them, provided for them financially, been a father figure
• 10:29
  Speaker 1: without necessarily letting them know. I don't know if they'll
• 10:32
  Speaker 1: let them in on who he is ever. I feel
• 10:34
  Speaker 1: like the draw to Luisa was really strong. I do
• 10:37
  Speaker 1: feel like he was trying to do the right thing
• 10:38
  Speaker 1: all along, and he was trying to I'm married to you,
• 10:42
  Speaker 1: but let me have a relationship with my children. Would
• 10:44
  Speaker 1: they have continued maybe this push and pull back and
• 10:47
  Speaker 1: forth for a longer period of time. But Louisa sees
• 10:50
  Speaker 1: him for who he is, and Francis has only seen
• 10:54
  Speaker 1: him for what he could be, right, And I think
• 10:57
  Speaker 1: he realized that. So I think he was as good
• 11:01
  Speaker 1: as he could possibly be. But in the end, chose
• 11:03
  Speaker 1: his own happiness and I don't judge him for that,
• 11:06
  Speaker 1: because Francis is not the kind of person that I
• 11:09
  Speaker 1: would want to be attached to for the rest of
• 11:12
  Speaker 1: my life. God, I mean, Joe's not a dummy. He's
• 11:15
  Speaker 1: had to have seen like how Francis operates all these years, right,
• 11:20
  Speaker 1: ten years or whatever. It is, Like she is so
• 11:24
  Speaker 1: interested in the social respect of it all and being
• 11:29
  Speaker 1: seen in society and so on. That's that's just not
• 11:32
  Speaker 1: new news to him. Nope. So maybe if we had
• 11:36
  Speaker 1: just the tiniest bit more context of like Joe realizing
• 11:40
  Speaker 1: how different Louisa and Francis are and then being like,
• 11:45
  Speaker 1: I'm more into Louisa and this, but I don't know,
• 11:49
  Speaker 1: there's no way it ends us easily in season two though,
• 11:52
  Speaker 1: Like it's not just going to be the end of
• 11:55
  Speaker 1: Like Joe's not going to get to go live in
• 11:57
  Speaker 1: the country house with Louisa with the kids, get back
• 12:00
  Speaker 1: to his art. Yeah, Francis is not going to let
• 12:02
  Speaker 1: it go that easy, don't you well, Lena, his dad
• 12:04
  Speaker 1: probably is not going to let his role with Foreside
• 12:07
  Speaker 1: and Co go that easily. Francis is the main player.
• 12:09
  Speaker 1: She's gonna stick around somehow, so I think she absolutely will.
• 12:13
  Speaker 1: Then maybe this is when she starts to get it
• 12:17
  Speaker 1: on with Joe Senior. Maybe maybe they realize like they're
• 12:24
  Speaker 1: meant to be perhaps gross. Could you even imagine now
• 12:29
  Speaker 1: married to your husband for how many years? And then
• 12:32
  Speaker 1: you guys split up and then you get together with
• 12:34
  Speaker 1: your husband's father. Although Joe Senior's real silver Fox. Oh
• 12:38
  Speaker 1: I'm Stephen Moyer. Is that his name? Yeah? Like wasn't
• 12:42
  Speaker 1: he a true blood? Yeah? Yeah. I would also like
• 12:44
  Speaker 1: to point out France's terribleness when she goes to the
• 12:48
  Speaker 1: charity and she's like, don't you think these women should
• 12:50
  Speaker 1: atone for their sins? Like, shouldn't we just publicly humiliate
• 12:54
  Speaker 1: these women who have not had perfect lives? I just thought, Wow,
• 12:59
  Speaker 1: you're you're just a real terrible person. You know, she
• 13:02
  Speaker 1: should be careful. What's that saying? You don't throw stones
• 13:05
  Speaker 1: and glasshouses or something? She was about to be divorced
• 13:09
  Speaker 1: before that. She's a widow. Yes, yeah, she could have
• 13:13
  Speaker 1: been alone on the streets with her daughter, Not on
• 13:15
  Speaker 1: the streets but in need of hell. Yes, but for
• 13:19
  Speaker 1: the grace of God and the Foresights. Yeah, I think
• 13:24
  Speaker 1: she purposely went after Joe. But the Four Sights felt
• 13:29
  Speaker 1: like she was a get for them too. In that
• 13:31
  Speaker 1: wedding scene in the beginning, they so gross. They wanted
• 13:36
  Speaker 1: her for what she could bring to the family. Yeah,
• 13:39
  Speaker 1: and you know her her big thing at the end
• 13:42
  Speaker 1: where she is going to donate all this money or
• 13:44
  Speaker 1: start her own Yeah, I can't remember it. It's exactly
• 13:49
  Speaker 1: what happens, obviously, that's calculated. Calculated. That's the word I
• 13:53
  Speaker 1: was looking for. Thank you, But did you understand the
• 13:58
  Speaker 1: purpose behind that? Not really? So is this her way
• 14:02
  Speaker 1: of she knows that Joe is leaving. Joe leaving, she
• 14:07
  Speaker 1: knows is going to reflect on her negatively because the
• 14:09
  Speaker 1: elder Carteret woman had been throwing shade at her because
• 14:13
  Speaker 1: there were rumors around town, right, Joe and Francis weren't
• 14:17
  Speaker 1: doing so well, right, And she knows that people are like, oh,
• 14:21
  Speaker 1: look at Frances getting divorced like that. It'll be a
• 14:24
  Speaker 1: stain on her worth. Right? Is she doing this to
• 14:29
  Speaker 1: ingratiate herself with this society, like I still have value,
• 14:34
  Speaker 1: You still need to let me be one of you.
• 14:36
  Speaker 1: I think so. I was trying to think if there's
• 14:38
  Speaker 1: something more sinister in it than that, but I suspect
• 14:42
  Speaker 1: there's not. It's definitely calculated at this least. Oh, sorry,
• 14:48
  Speaker 1: go ahead. A few things for leading to Irene Okay,
• 14:51
  Speaker 1: Solmes was chilling when she says, remember when you said
• 14:55
  Speaker 1: you'd release me, and he says, I can't recall I
• 14:59
  Speaker 1: would make such a promise. Gas lighting here. Yes, I
• 15:03
  Speaker 1: never would have said such a thing. And then the
• 15:07
  Speaker 1: heat between Irene and Philip. I hate it, but they
• 15:11
  Speaker 1: got the heat. I hate I we'll talk about it.
• 15:15
  Speaker 1: The last thing I liked Anne removing the chair that
• 15:18
  Speaker 1: was meant for Joe and Monty tries to sit in it.
• 15:20
  Speaker 1: She's so funny. I just hope. I hope Monty never
• 15:25
  Speaker 1: gets his rightful place in the family. I just hope
• 15:27
  Speaker 1: they continue to He's just the clown. Yeah, let's take
• 15:31
  Speaker 1: a good break and we'll come right back with our wishes.
• 15:42
  Speaker 1: I only have one real main wish about this episode, okay,
• 15:46
  Speaker 1: and it goes right back to what we were talking about.
• 15:48
  Speaker 1: I hate that poor June is headed for heartbreak. June,
• 15:52
  Speaker 1: she's gonna be collateral damage. And she's great. She's so
• 15:58
  Speaker 1: earnest and sweet, and she's been such a good friend
• 16:00
  Speaker 1: to Irene, and she's she's rooting for her man and
• 16:06
  Speaker 1: who he is and to get his first commission, and
• 16:08
  Speaker 1: she's just so excited. And when she grabs his hand
• 16:11
  Speaker 1: and they go running down the street together, it just
• 16:13
  Speaker 1: breaks my heart, I know, And I have to question.
• 16:17
  Speaker 1: I'm like, Okay, so is it possible Philip and Irene
• 16:20
  Speaker 1: have they known each other maybe? Or is this just
• 16:24
  Speaker 1: like some sort of instant Like I don't see Irene
• 16:26
  Speaker 1: like fawning over him, Like I don't. I see Philip
• 16:29
  Speaker 1: being like very interested in Irene, but I don't I
• 16:32
  Speaker 1: don't totally see like the interest from Irene in the
• 16:36
  Speaker 1: final scene when they're framed in that window, the final
• 16:39
  Speaker 1: scene of them together, Okay, it seems like there's an attraction,
• 16:42
  Speaker 1: But prior to that, I would agree, I would agree
• 16:44
  Speaker 1: with you, Oh what is Irene gonna do? Here? What
• 16:49
  Speaker 1: is Philip gonna do? Phillip's got his commission, He's gonna
• 16:52
  Speaker 1: end up getting married to June, or at least headed
• 16:55
  Speaker 1: that direction. Yeah, boy, oh boy. Question, Maybe I miss it.
• 17:00
  Speaker 1: Did it's Solmes pick up on anything between Philip and
• 17:03
  Speaker 1: Irene and that's why he gave Philip the commission so
• 17:06
  Speaker 1: he will marry June. Or did he give Philip the
• 17:08
  Speaker 1: commission one because he wants to put Irene in like
• 17:12
  Speaker 1: a house far away? Or third option, did he give
• 17:16
  Speaker 1: Philip the commission as stick it to to that side
• 17:19
  Speaker 1: of the family because they don't. Oh, that's an interesting perspective.
• 17:23
  Speaker 1: Maybe that I just thought he was like, I gotta
• 17:27
  Speaker 1: get Irene out of here. I gotta get her out
• 17:29
  Speaker 1: of the country and away from people. I need to
• 17:32
  Speaker 1: isolate her houses out in the country, already built a vacant.
• 17:35
  Speaker 1: I don't know. I don't know either. I don't know. Yeah,
• 17:38
  Speaker 1: that's probably my biggest wish too, Like I didn't see
• 17:41
  Speaker 1: it coming, and I don't like to see where it's
• 17:43
  Speaker 1: going either, Like just because I love June, me too,
• 17:47
  Speaker 1: what's not to love? Yeah, we already talked about. My
• 17:50
  Speaker 1: other wish was that I thought this was a good
• 17:52
  Speaker 1: setup for season two when you break it down to
• 17:56
  Speaker 1: all the things that happen, Yes, it's a lot. I
• 18:00
  Speaker 1: was hoping for something between Francis and Joe SR. I
• 18:05
  Speaker 1: don't know, Joe Junior walking in on them or something.
• 18:08
  Speaker 1: I don't know. She's got to maintain the moral high
• 18:11
  Speaker 1: ground for now. Yeah, for sure. Are you excited for
• 18:14
  Speaker 1: a season two? I am me too. I really like
• 18:19
  Speaker 1: this show. I like playing in this era a little there,
• 18:22
  Speaker 1: I'm shocked that I like it so much. Yeah, it's
• 18:26
  Speaker 1: This show is very entertaining. And speaking of season two,
• 18:29
  Speaker 1: if you had read the post on our website, there
• 18:31
  Speaker 1: are a few new cast members joining. The main one
• 18:34
  Speaker 1: that they made the big announcement about is Richard Rankin.
• 18:37
  Speaker 1: They have not his photos on our website. They have
• 18:39
  Speaker 1: not named his character, and he is listed on IMDb
• 18:43
  Speaker 1: under the foresights without a character name. I'm guessing he's
• 18:46
  Speaker 1: Henry Falconer. He's a real Wowie's Howie. Yeah, I don't
• 18:49
  Speaker 1: know who this dude is. He was an Outlander and Sarah, Alexander,
• 18:54
  Speaker 1: and nia Ashi are joining the cast as well, although
• 18:58
  Speaker 1: Alexander I don't know in what roles. I do think
• 19:02
  Speaker 1: they do need to expend the cast a little bit,
• 19:04
  Speaker 1: so sure. Yeah, I would like to see Isaac get
• 19:07
  Speaker 1: more to do. Yeah. Agree. And I also feel like
• 19:12
  Speaker 1: the fancy lady with the society Perker Bearington or whatever. Yeah,
• 19:16
  Speaker 1: I feel like we don't know enough about her, we don't.
• 19:19
  Speaker 1: I bet that nia Ashi is going to be her daughter. Perhaps, Yes,
• 19:24
  Speaker 1: I'm looking forward to a season two. Do you think
• 19:26
  Speaker 1: we will recap a season two here on Girls Gone Hallmark?
• 19:29
  Speaker 1: I'm open to it. Only time will tell. Only time
• 19:31
  Speaker 1: will tell. It depends on when it drops. Is it
• 19:34
  Speaker 1: going to drop this time next year? Maybe we won't
• 19:37
  Speaker 1: have a count of Monte Cristo's season two run in concurrently,
• 19:40
  Speaker 1: and we won't have a way home, because that's exactly so. Perhaps, you, guys,
• 19:44
  Speaker 1: if you want us to recap The Foresight season two,
• 19:47
  Speaker 1: please email us hello at Girls Gone Hallmark dot com.
• 19:51
  Speaker 1: Thank you for listening to this episode of Girls Gone Hallmark.
• 19:54
  Speaker 1: We'll be back next time with more reviews. Goodbye bye.
• 20:08
  Speaker 1: All right friends, before we go, just a quick heads up.
• 20:11
  Speaker 1: You're about to hear some ads. These little gems help
• 20:13
  Speaker 1: us keep the show running and the Hallmark love flowing.
• 20:16
  Speaker 1: So do with that info what you will, Grab a snack,
• 20:20
  Speaker 1: hit the skip button, or maybe just maybe listen in
• 20:23
  Speaker 1: and discover your new favorite product. Bye