Latest / The Baller Alert Show / Episode 371 "Trick Daddy"

Transcript

Episode 371 "Trick Daddy" · The Baller Alert Show

• 0:00
  Speaker 1: They get a little they called him. That's right man.
• 0:07
  Speaker 1: A point in Live from the at of the ball
• 0:10
  Speaker 1: Alert Show.
• 0:10
  Speaker 2: You know BT got a special guests in the building,
• 0:13
  Speaker 2: no introduction.
• 0:14
  Speaker 1: You know his face, you know it's the tricked out
• 0:16
  Speaker 1: it about it what they do? Boy? Now you get
• 0:18
  Speaker 1: now you brought somebody with you. Yeah, j that's JR.
• 0:20
  Speaker 1: Right there? Now? Who is that? That's my son. That's
• 0:23
  Speaker 1: my son Jayden.
• 0:23
  Speaker 3: But his.
• 0:25
  Speaker 1: Artistry name ed PFKJ. Okay, pfkj.
• 0:30
  Speaker 3: It's crazy because we had to change his name a
• 0:32
  Speaker 3: thousand times, even when he even when he was born,
• 0:35
  Speaker 3: Like I changed his name when he was born.
• 0:36
  Speaker 1: Then his mama's like you confused with him. I was like,
• 0:38
  Speaker 1: all right, change it back because ye had changed his name.
• 0:41
  Speaker 3: We changed his name like three times. The people that
• 0:44
  Speaker 3: he was an illegal alien.
• 0:46
  Speaker 1: Wait how wait? So you said he was bored and
• 0:49
  Speaker 1: he had mama is mama name of a name? I
• 0:52
  Speaker 1: was like, I don't like that, so let's changed it
• 0:54
  Speaker 1: to my name. Then I changed it to my name.
• 0:56
  Speaker 3: Then when she was trying to tell him he was confused,
• 0:58
  Speaker 3: I was like, fuck you, that's changing back.
• 1:02
  Speaker 1: You can go about all four names? Now, how long?
• 1:05
  Speaker 2: How long you been doing music because your pop said
• 1:07
  Speaker 2: you're doing music.
• 1:09
  Speaker 4: I mean, I was messing with it for a long time.
• 1:11
  Speaker 4: But like when I took it serious, like three years ago,
• 1:15
  Speaker 4: three years ago.
• 1:15
  Speaker 3: Three years ago, I think you took it serious last
• 1:18
  Speaker 3: year because he keep on rapping on these YouTube beats.
• 1:20
  Speaker 3: Know what I'm saying, You trying to reach out to
• 1:22
  Speaker 3: the niggas on YouTube. They just don't know.
• 1:23
  Speaker 1: They don't get it.
• 1:24
  Speaker 3: Yeah, Like if you get to hear record off of
• 1:27
  Speaker 3: your beat, you eat for the rest of your life.
• 1:30
  Speaker 3: They don't understand that part. Their producers on fifty percent
• 1:34
  Speaker 3: of the fucking song. Like you, they can't do nothing,
• 1:38
  Speaker 3: they can't license, they can't do nothing. But they need you.
• 1:41
  Speaker 1: That's true.
• 1:41
  Speaker 4: And tell them though, like the young like chill in
• 1:44
  Speaker 4: the garage, just record something yeah quick even if.
• 1:47
  Speaker 1: But you know, that's what happened to DDG.
• 1:49
  Speaker 2: So DDG had a song that was going viral and
• 1:53
  Speaker 2: the producer, I guess he got the producer, you know,
• 1:55
  Speaker 2: the beat, however he got it like the way how
• 1:58
  Speaker 2: the young dudes get the beat right and then the.
• 2:01
  Speaker 1: Song start blowing up. Producers like a man, we gotta
• 2:04
  Speaker 1: you know.
• 2:05
  Speaker 2: Yeah, it was like DDG was just like, yeah, nah,
• 2:08
  Speaker 2: I'm not gonna even move.
• 2:09
  Speaker 3: For because they don't understand. Oh listen it shit work
• 2:13
  Speaker 3: hand in hand. I used it in the frame of
• 2:15
  Speaker 3: the dope game. I look at it like this, like
• 2:18
  Speaker 3: I made a lot of money and a lot of
• 2:21
  Speaker 3: hit records with Atlantic Records.
• 2:23
  Speaker 1: But Atlantic Records is like Chropo.
• 2:27
  Speaker 3: But see you needed a you needed a Griselda Blanco
• 2:30
  Speaker 3: that was slipping slide record. Uh huh so slipping slide
• 2:33
  Speaker 3: record need motherfuckers like BML.
• 2:36
  Speaker 1: You need to put it in the stores. You know
• 2:38
  Speaker 1: what I'm saying.
• 2:38
  Speaker 3: People think that while we went in the store and you, oh,
• 2:42
  Speaker 3: I know you, I know you got some money because
• 2:43
  Speaker 3: your Apple was sold out. No, that's bad. That means
• 2:47
  Speaker 3: the people did not ship out enough copies. That means
• 2:51
  Speaker 3: I gotta keep going back to the store to try
• 2:53
  Speaker 3: to buy you.
• 2:53
  Speaker 1: Young niggas. They got it different. Now, they got it easy.
• 2:56
  Speaker 1: They get them. They give him awards for ship they
• 2:57
  Speaker 1: don't deserve. You know what I'm saying.
• 2:59
  Speaker 3: They you had to actually go sell a fucking record
• 3:02
  Speaker 3: in my area. You have people have to go to
• 3:04
  Speaker 3: the store and purchase your music.
• 3:06
  Speaker 2: Well, I think they give them the record they giving
• 3:08
  Speaker 2: them no wars because they want them to show up.
• 3:11
  Speaker 3: I don't know, but there's a lot of shit that
• 3:12
  Speaker 3: that I did. They even have to do. Like I
• 3:15
  Speaker 3: had best Buy Specks, and I had Best Buy Specks
• 3:21
  Speaker 3: and Fye or one of those one of those toes
• 3:25
  Speaker 3: right where every store Cirky City, I believe it was
• 3:31
  Speaker 3: every store had two extra songs on the CD.
• 3:34
  Speaker 1: So that was my gift to you. So a lot
• 3:38
  Speaker 1: of people say, I've never heard that song.
• 3:39
  Speaker 3: That's because they bought it out of targety or they
• 3:42
  Speaker 3: brought it out of Best Buy.
• 3:43
  Speaker 1: So it's like different songs.
• 3:45
  Speaker 3: I put two bonus tracks on every album depending on
• 3:49
  Speaker 3: where you bought it from. Okay, and you know they
• 3:53
  Speaker 3: get like, for instance, Rod Wade do something a minute
• 3:56
  Speaker 3: and a half two minutes.
• 3:57
  Speaker 1: No, we couldn't do that new wave, but.
• 4:00
  Speaker 2: Yeah, that's a that's a new way because because again
• 4:03
  Speaker 2: it's about see it's about the replay. So that's why
• 4:06
  Speaker 2: I learned like certain songs are like two minutes because.
• 4:10
  Speaker 3: They me one of those news name me a song
• 4:14
  Speaker 3: for the new wave that's gonna be here twenty years
• 4:16
  Speaker 3: ago because they listening to their nigga. I be your
• 4:18
  Speaker 3: players going viral right now, and I may I be
• 4:19
  Speaker 3: your player twenty four years ago. So name me a
• 4:23
  Speaker 3: two minute record that's gonna be. That's what I'm trying
• 4:26
  Speaker 3: to That's what I'm trying to explain to him. You
• 4:28
  Speaker 3: can do your new ship, but let me do the
• 4:30
  Speaker 3: old shit. That old shit I asked you to do.
• 4:32
  Speaker 1: I need you to. So that's what I'll be arguing about.
• 4:34
  Speaker 1: The studio.
• 4:38
  Speaker 4: Got them too many songs, right, too many songs.
• 4:41
  Speaker 1: Okay, Now there's another thing.
• 4:44
  Speaker 3: Back then, I could have tell fifteen thousand gotta watch
• 4:47
  Speaker 3: a chain and a bridgeley fifteen thousand ain't gonna get
• 4:53
  Speaker 3: rid away ship with all the big damage in his ship.
• 4:55
  Speaker 1: And these divers are definitely different now, right, So you
• 4:58
  Speaker 1: know what I'm saying. What I'm saying.
• 4:59
  Speaker 3: So they had fifteen change, I ain't have. I have
• 5:02
  Speaker 3: fifteen cars and all my cars was paid for the
• 5:08
  Speaker 3: ship that they fucking up. Now I know you're they
• 5:11
  Speaker 3: fucking up because I fucked up.
• 5:12
  Speaker 1: I did it one of my free styles.
• 5:14
  Speaker 3: I say, the first five years that Blue twenty five
• 5:16
  Speaker 3: mel I fucked up when we were out here as
• 5:19
  Speaker 3: black folks as.
• 5:20
  Speaker 1: Wait, how much how much you I made a lot
• 5:23
  Speaker 1: of money.
• 5:23
  Speaker 2: You said you spent it in five years. How much
• 5:27
  Speaker 2: money you think you spent in that five years? Twenty
• 5:29
  Speaker 2: five twenty five million?
• 5:30
  Speaker 3: Yeah in five years, Yeah, no problem, my first meal
• 5:34
  Speaker 3: in the roads. Oh I need to be trying to
• 5:36
  Speaker 3: be around. But listen, they can make that. That's some
• 5:38
  Speaker 3: of these niggas make that. Some of these niggas not
• 5:41
  Speaker 3: making in the first year. But here's the problem where
• 5:43
  Speaker 3: they fucking up at all these neighborhoods that people are
• 5:49
  Speaker 3: saying they ggified them.
• 5:51
  Speaker 1: This regentification is going on. That's the properties.
• 5:54
  Speaker 3: We should have bought the properties in Miami, in Jacksonville
• 5:58
  Speaker 3: and Detroit, Chica Goal, those neighborhoods that was torn down.
• 6:03
  Speaker 3: We should have brought that property and we should have
• 6:04
  Speaker 3: hold on to it. But no, we bought shipped that Vasashi, Mesquino, Gucci,
• 6:10
  Speaker 3: Louis shit that don't from people that's already rich, that
• 6:13
  Speaker 3: don't care about us, designers that don't even make our
• 6:16
  Speaker 3: size because it wasn't made for us. And we bought
• 6:19
  Speaker 3: and we made it a household that we made it
• 6:21
  Speaker 3: a thing where it's fucking a young generation up. So
• 6:23
  Speaker 3: we trying to explain to them. Okay, you could have.
• 6:25
  Speaker 3: You could put that shit on when you go certain places,
• 6:28
  Speaker 3: but that's not no shit you put on every day.
• 6:31
  Speaker 3: You're right, because my first mellion I made, I called
• 6:34
  Speaker 3: everybody from Slipper Slode Records in the meeting, and I
• 6:36
  Speaker 3: broke everybody off. And by the time I did that,
• 6:39
  Speaker 3: by the time I put down on me a house
• 6:41
  Speaker 3: and brought me a car and a watch, I was broke.
• 6:44
  Speaker 3: And then eight years later already said you ain't pay
• 6:46
  Speaker 3: us for this menion. And I paid nineteen times of
• 6:51
  Speaker 3: what I could have paid for the taxes on that money.
• 6:54
  Speaker 1: So even with the jeans, it's like, you know, probably
• 6:57
  Speaker 1: back in YO day, what is a red monkey jeans?
• 7:00
  Speaker 1: Red monkey jean? How much was the red monkey jeans?
• 7:02
  Speaker 1: Two three hundred dollars? Now how much is the jeans? That?
• 7:06
  Speaker 1: How how much the crown hard doing? No ship like that?
• 7:11
  Speaker 1: That's dumb for some jeans. That's dumb. That's not that's
• 7:15
  Speaker 1: that's Can you fly with them? They do? Ship? They
• 7:18
  Speaker 1: do ship with them. Can't even and they don't even.
• 7:23
  Speaker 1: I can't wear that, daddy, because I took a picture
• 7:26
  Speaker 1: that I'm like, holy God, Yeah, what I.
• 7:28
  Speaker 2: Tell you tell you this the same way you're talking
• 7:30
  Speaker 2: about the music replay and clothes get replayed too.
• 7:33
  Speaker 1: Because I'm you don't even know what a hand me
• 7:35
  Speaker 1: down is. Yeah, you're talking about two three years old,
• 7:41
  Speaker 1: not two three years ago.
• 7:42
  Speaker 4: I'm talking about I'm talking about basketball school because basketball
• 7:46
  Speaker 4: shoot my basketball shoot now.
• 7:49
  Speaker 1: And now he getting the main cast member money. Now
• 7:52
  Speaker 1: he plays basketball. This nigga is playing basketball.
• 7:55
  Speaker 3: That niggas playing basketball, and George, George wouldn't for us
• 7:58
  Speaker 3: playing basketball.
• 8:02
  Speaker 1: You know, you know what you know?
• 8:03
  Speaker 2: Well, my mom used to make me do if I
• 8:05
  Speaker 2: if I were the nice shoes at school when I
• 8:07
  Speaker 2: when I get off the bus, take them shoes off.
• 8:09
  Speaker 1: You about to go back outside, take them shoes off.
• 8:12
  Speaker 1: Play play closing shoes and school closing shoes right see
• 8:18
  Speaker 1: you gotta you gotta good. But he making it sound bad.
• 8:21
  Speaker 4: The shoes I'm playing in the Jay's I'm playing there
• 8:23
  Speaker 4: in them four five years old.
• 8:24
  Speaker 1: They hurting my feet? Ain't the ones that?
• 8:28
  Speaker 2: Because heiny, we're talking about replay value. That's that's resale
• 8:31
  Speaker 2: value right there. Now you're you're joining the official cast
• 8:36
  Speaker 2: Love and Hip Hop Miami, Like, how how do you feel?
• 8:40
  Speaker 2: Because it's you know, there's gonna be a lot of
• 8:42
  Speaker 2: these now, like the interviews and and everything you go.
• 8:47
  Speaker 1: You know what I'm saying, you about to have all
• 8:48
  Speaker 1: the females and your d ms now.
• 8:51
  Speaker 4: I feel like I see it as an opportunity for me.
• 8:55
  Speaker 4: I feel blessed for the opportunity. I just got to
• 8:57
  Speaker 4: make the most of my music. I feel like it's
• 9:00
  Speaker 4: good exposure for my music and everything and take advantage
• 9:04
  Speaker 4: of it.
• 9:05
  Speaker 3: He understand that part about the love and hip hop thing,
• 9:07
  Speaker 3: because I think when when when when when I really
• 9:09
  Speaker 3: started dealing with the looper situation. It was a time
• 9:12
  Speaker 3: when I didn't want to do no shows, I didn't
• 9:13
  Speaker 3: want to take no pictures.
• 9:15
  Speaker 1: No interview with none of that. And he knows about
• 9:17
  Speaker 1: that part when I said I'm going on love and
• 9:19
  Speaker 1: hire but he was like, what what you doing?
• 9:21
  Speaker 5: What?
• 9:21
  Speaker 1: And if he's seeing me posting pictures like you took
• 9:23
  Speaker 1: a picture like But it was never that I thought
• 9:26
  Speaker 1: I was. I just that it was without.
• 9:29
  Speaker 3: Suffering loopers and some shit that some shit like some
• 9:32
  Speaker 3: United States type shit. You know where it comes from,
• 9:35
  Speaker 3: you know how you get it, which is unexplainable, but
• 9:40
  Speaker 3: you don't know how to get rid of it. They
• 9:41
  Speaker 3: just want to treat you and shoot you with steroids.
• 9:43
  Speaker 3: And they got me gaining all his weight and losing
• 9:45
  Speaker 3: all his weight. So I just say fuck it. I
• 9:48
  Speaker 3: just say fuck it, And I get bigger now. But
• 9:50
  Speaker 3: you know, I basically my stomach get big, but it'll
• 9:53
  Speaker 3: go down there a few months. I'm gonna be okay.
• 9:55
  Speaker 3: I'm a grown ass man. I don't give a fuck
• 9:56
  Speaker 3: about nobody sitting up by my stomach.
• 9:58
  Speaker 1: But I know one thing.
• 9:59
  Speaker 3: I'm not taking a Loopers medicine that that requires me
• 10:01
  Speaker 3: to take five other medicines that to help me from
• 10:06
  Speaker 3: dying from my August breaking down because of the sign
• 10:10
  Speaker 3: effects from the Loopers medicine. Just give me the Loopers
• 10:13
  Speaker 3: the funk, I want five other problems.
• 10:15
  Speaker 1: You know.
• 10:16
  Speaker 2: Yeah, Now, when you when you you know, is that
• 10:19
  Speaker 2: something that you that you really do take you know serious,
• 10:21
  Speaker 2: because you know, when you when you're dealing with stuff
• 10:24
  Speaker 2: like that, Like you know, even when they was talking
• 10:26
  Speaker 2: about uh Gotti, when they was talking about how people
• 10:30
  Speaker 2: was telling him like, yo, you need to take your
• 10:31
  Speaker 2: health serious, and you know, he was just like, you
• 10:33
  Speaker 2: know whatever, I'm gonna eat what I want to do.
• 10:35
  Speaker 3: The only thing I gotta take. I had had divertic
• 10:37
  Speaker 3: the lights, I had surgery like Omer. I guess Matt
• 10:41
  Speaker 3: tists was twisted. They had to go in there and untwisted,
• 10:44
  Speaker 3: cleaning out and all that. That's the only thing that
• 10:46
  Speaker 3: takes shit. I used to I used to be scared
• 10:47
  Speaker 3: of the police, God and my mama. Now I'm just
• 10:51
  Speaker 3: scared of God. I ain't know I've cut I cut
• 10:55
  Speaker 3: all the haters off, including the devil.
• 10:57
  Speaker 1: Like fuck you like the devil, you ain't nothing to me. Police,
• 11:00
  Speaker 1: y'all did shit. You ain't fucking with me.
• 11:02
  Speaker 3: You're gonna have to let me out of jail because
• 11:04
  Speaker 3: I'm not doing certain things that they're gonna keep me forever.
• 11:07
  Speaker 1: And if I have to then it.
• 11:08
  Speaker 3: I can't do that about it, because you know, an
• 11:10
  Speaker 3: old lady told me, if you're gonna pray about it,
• 11:11
  Speaker 3: don't worry about it, and vice versa.
• 11:13
  Speaker 1: So I do not that.
• 11:14
  Speaker 3: Crackhead auntie, the alcoholic uncle, that that that disrespectful cousin,
• 11:20
  Speaker 3: that that that ungrateful child, that mother or father, that
• 11:24
  Speaker 3: parent that don't give a damn, the thief and cousin,
• 11:27
  Speaker 3: the permissioner is neighbor.
• 11:30
  Speaker 1: They not invited in my life no more. I'm gonna
• 11:32
  Speaker 1: fuck about them. I missed the leave your ass like
• 11:35
  Speaker 1: I would leave you because.
• 11:35
  Speaker 3: Everybody can't go, and everybody can't get in the places
• 11:39
  Speaker 3: that I want to end up at.
• 11:41
  Speaker 1: Everybody's everybodyin't gonna be able to end up. They ain't
• 11:45
  Speaker 1: gonna be able to go.
• 11:46
  Speaker 3: It's like it's like the Script Club in the eighties
• 11:47
  Speaker 3: and the nineties. Women couldn't get in there. And and
• 11:52
  Speaker 3: I I tried digging women in my age. That's the
• 11:54
  Speaker 3: hardest shit in the world. Oh man, they stuck in
• 11:57
  Speaker 3: their fucking ways, and they wonder why they can't keep it. Now,
• 12:00
  Speaker 3: you know they't gonna get you for this. Now, I
• 12:01
  Speaker 3: wouldn't give a damn. Them old holes need the Lord
• 12:04
  Speaker 3: their standards and realize that this unless you wanna old,
• 12:07
  Speaker 3: unless you wanna old trick.
• 12:09
  Speaker 1: No, unless they.
• 12:10
  Speaker 3: Mold want a nigga that want they do, unless they
• 12:12
  Speaker 3: want to swap out a nigga that's a swap our artists.
• 12:15
  Speaker 3: Unless them bitches want a yes man or a paymaster bitch.
• 12:19
  Speaker 3: I'm the sugar daddy with no sugar. Yeah, sweet and load,
• 12:24
  Speaker 3: I'm not doing that. Whatever you don't do, you don't
• 12:26
  Speaker 3: get paid for like bench stopped. Always complain that like
• 12:30
  Speaker 3: for real, the more stuck in their way. I asked
• 12:32
  Speaker 3: her where you at? You ain't my dad, I'm not
• 12:34
  Speaker 3: your bitch. I I hope I'm not your daddy.
• 12:37
  Speaker 1: Bitch.
• 12:37
  Speaker 3: I want to know where you at, bitch, in case
• 12:39
  Speaker 3: you get in an accident, in case you get a
• 12:40
  Speaker 3: flat tired.
• 12:41
  Speaker 1: I'm not she. Women want to get treated like niggas.
• 12:47
  Speaker 1: I can't.
• 12:47
  Speaker 3: I don't like niggas. I'm gonna treat you like a nigga.
• 12:50
  Speaker 3: I treat niggas any kind of way you wanna get
• 12:54
  Speaker 3: treated equals. So you telling me you want to get
• 12:55
  Speaker 3: treated like a nigga because you can never be a nigga.
• 12:57
  Speaker 3: You could never be me if a man gonna be
• 12:59
  Speaker 3: a man?
• 12:59
  Speaker 1: Or you really a woman? Why you don't cook?
• 13:02
  Speaker 3: Why you don't pay more attention than me, like you
• 13:03
  Speaker 3: pay attention to your eyelashes? A fifty year old ain't
• 13:07
  Speaker 3: got no baby here? Why any way, you were forty
• 13:09
  Speaker 3: five to get braceist and shit like that, like you
• 13:12
  Speaker 3: bit you where you forty five years old to get bracist?
• 13:14
  Speaker 3: And now you got your little daughter twenty one getting
• 13:16
  Speaker 3: her body done twenty three and she twenty three, twenty
• 13:20
  Speaker 3: three years old, and she got her titties done. You
• 13:23
  Speaker 3: ain't even have a baby. Yeah, that shit gonna drop.
• 13:25
  Speaker 3: You gonna have to get them done again. You understand
• 13:27
  Speaker 3: what I'm saying, Like, hey, ain't no forty years old?
• 13:31
  Speaker 3: Git you you're forty five. You ain't got baby hears.
• 13:33
  Speaker 1: Those are no baby. So what's your demo?
• 13:36
  Speaker 3: I want a bitch I could leave something, a bitch
• 13:40
  Speaker 3: I can raise because you can't re raise nobody. Somebody
• 13:42
  Speaker 3: could raise somebody that appreciate me, Somebody that could learn
• 13:46
  Speaker 3: them something. You know what I'm saying, Show them how
• 13:48
  Speaker 3: to work hard, show them how their compass her.
• 13:50
  Speaker 1: You can't this.
• 13:52
  Speaker 3: This is what women in my age do. They go
• 13:55
  Speaker 3: to other neighborhoods. They moved from Miami to Atlanta. From
• 13:59
  Speaker 3: a out of the Miami, you're still a hoe. You
• 14:04
  Speaker 3: can't run the miles back on that pussy. You cannot
• 14:09
  Speaker 3: turn your mind back on that pussy.
• 14:12
  Speaker 1: So they wanted they try to.
• 14:13
  Speaker 3: They want to be able to say, I bet you
• 14:15
  Speaker 3: none of your friends ain't fucking but yeah, his friend
• 14:18
  Speaker 3: fucked you, his friend fuck you, her friend fuck you,
• 14:21
  Speaker 3: her brother fuck.
• 14:21
  Speaker 1: You, her daddy, everybody else. The fucking you.
• 14:23
  Speaker 3: So you're worried about you're avoiding my friends? Dick, fuck
• 14:27
  Speaker 3: my friends? What's wrong with my friends? Like, I'm tired
• 14:31
  Speaker 3: of bitch you like that? If I if I, I
• 14:33
  Speaker 3: don't when I meet a girl, she like I got
• 14:35
  Speaker 3: a man. Hold up, baby, I don't know what you
• 14:38
  Speaker 3: I know, it's times different. I'm not interested in men.
• 14:42
  Speaker 3: I don't care about your men. When me and you
• 14:45
  Speaker 3: have something start dealing with each other, then if it's
• 14:48
  Speaker 3: your husband, your baby, daddy, your boyfriend.
• 14:50
  Speaker 1: Then me and him now I need to respect him.
• 14:54
  Speaker 1: You need to respect me. We fucking the same woman.
• 14:58
  Speaker 1: That's my husband in law, my baby, me, daddy in law,
• 15:01
  Speaker 1: my boyfriend of law. I need to make sure you
• 15:03
  Speaker 1: need to respect him. If I catch you cheating, I'm
• 15:05
  Speaker 1: gonna tell him.
• 15:06
  Speaker 3: Listen, hold on, it's not forna be three of us,
• 15:09
  Speaker 3: because when some ship come out, I need to know
• 15:10
  Speaker 3: if it's out of us three, it can't be three outside.
• 15:15
  Speaker 1: It's three in the middle. That's it.
• 15:17
  Speaker 3: No no extra niggas like I'll give a few the Oh,
• 15:21
  Speaker 3: it's my husband's birthday, so you're so.
• 15:25
  Speaker 1: You really you really? I will give her some money
• 15:27
  Speaker 1: to get her husband some for his birthday. He fucking
• 15:31
  Speaker 1: my own. He's saying plates home and all. I said,
• 15:34
  Speaker 1: plates home and all. Yeah, what yeah?
• 15:39
  Speaker 3: Your husband like chitless. I cook chittleins today. Come get
• 15:42
  Speaker 3: your nigga up, please. I need him to take care
• 15:47
  Speaker 3: of the controlling man. I swear to God, man, that's
• 15:50
  Speaker 3: what for Jesus, I'm not I'm not eating out the
• 15:53
  Speaker 3: garbage I need to.
• 15:54
  Speaker 1: I need her to take care of herself.
• 15:56
  Speaker 3: I need him to take care of her. I'm a leader, man,
• 16:00
  Speaker 3: I'm pleasing man. I like the young girls because they listen. Now,
• 16:05
  Speaker 3: let me tell you, I don't like the young minded once.
• 16:10
  Speaker 1: I don't.
• 16:10
  Speaker 3: I don't want to bitch. I can tell anything to
• 16:13
  Speaker 3: I don't want to bach. I can talk to it
• 16:15
  Speaker 3: any kind of way on the buck back. I want
• 16:17
  Speaker 3: her to I want her to be stern. I need
• 16:20
  Speaker 3: her to be like Okay, I understand that, but you
• 16:23
  Speaker 3: ain't got to say it like that. Okay, baby, I'm sorry.
• 16:25
  Speaker 3: Maybe I said it a little rough because we men
• 16:28
  Speaker 3: and women need each other. I don't need a bitch
• 16:30
  Speaker 3: calling me. What's the locks?
• 16:33
  Speaker 1: The locks?
• 16:33
  Speaker 3: You better put a bet in? No, I need you
• 16:36
  Speaker 3: to put the fucking bety. I need to put some
• 16:37
  Speaker 3: chicken in the fucking oven. I don't need they want
• 16:40
  Speaker 3: they want the locks. They want this wet like.
• 16:44
  Speaker 1: No, no, it ain't no, they want to go So
• 16:47
  Speaker 1: what so what age? Do you know? What meally like?
• 16:49
  Speaker 1: Is it like twenty five? Nah? From twenty two to
• 16:57
  Speaker 1: thirty five? So you cut it out, you can. They
• 17:00
  Speaker 1: can't be past thirty five.
• 17:01
  Speaker 3: No, that's what right around on the tire. They got
• 17:04
  Speaker 3: life fucked up right there, thirty five years at thirty five.
• 17:11
  Speaker 3: This is man thirty five bitch with a with a
• 17:13
  Speaker 3: wig on. Let's think about that.
• 17:15
  Speaker 1: Bitch. In my area, the only one wore wigs was.
• 17:17
  Speaker 3: Was bank robbers, drag queens, and motherfucker clowns who are prostitutes.
• 17:25
  Speaker 1: Think about who wore wig when you were young. We're
• 17:28
  Speaker 1: saying a clown that that's a prostitute. That's what clown holds.
• 17:31
  Speaker 1: We call them prostitutes.
• 17:33
  Speaker 3: Oh okay, I was like alright, yeah, like prostitutes, bank
• 17:37
  Speaker 3: robbers and drag queens, that's who wore wigs. So when
• 17:40
  Speaker 3: you you're a forty old bitch, you putting on a
• 17:42
  Speaker 3: lace wig, just think about that. Cut your eyebrows off
• 17:47
  Speaker 3: just to draw them back, and now they cricket. Then
• 17:50
  Speaker 3: some of them get them tattooed in. Now I don't
• 17:53
  Speaker 3: want the bitch little. I don't care not about them
• 17:55
  Speaker 3: shaving no pussy, nonheing. You ain't gotta save none of
• 17:57
  Speaker 3: that unless that pussy nappy leave it on. You can trim,
• 18:00
  Speaker 3: you could cut it down. Want to getst the grain,
• 18:03
  Speaker 3: mohawk and landing script, But you ain't got to shave
• 18:05
  Speaker 3: that pussy. You don't be talking about Oh no, hell a,
• 18:07
  Speaker 3: your pussy. That's nasty knowing. That's when we knew in
• 18:10
  Speaker 3: the seventies and the eighties, we knew she was grown up,
• 18:13
  Speaker 3: growing up because now she got grass on the playing field.
• 18:16
  Speaker 1: That's when we knew.
• 18:17
  Speaker 3: So now all of a sudden, everybody's doing what everybody
• 18:20
  Speaker 3: else is doing. That's why they hold accuse me and
• 18:24
  Speaker 3: the cheating. No more, how am I cheating? I'm fucking
• 18:27
  Speaker 3: the same bit you you want to.
• 18:28
  Speaker 2: Be like, so do you be having to worry about
• 18:30
  Speaker 2: your women when they when they get around your pops?
• 18:32
  Speaker 4: Oh no, we kind of like in the same speed,
• 18:34
  Speaker 4: Like we like the same thing. We don't put up
• 18:36
  Speaker 4: with the same thing, like you said, what the hell?
• 18:38
  Speaker 4: I used to love that little hell around the buddy button.
• 18:40
  Speaker 1: I see that. I used to like shit like that.
• 18:43
  Speaker 4: Mm hmm, Like you don't like that, that's like some
• 18:46
  Speaker 4: little boys shit.
• 18:47
  Speaker 1: Yeah, I like that.
• 18:48
  Speaker 2: So you ain't got you ain't gotta worry about pops
• 18:50
  Speaker 2: taking taking your girl toes sometime.
• 18:53
  Speaker 1: No no, no no no no no no no no no.
• 18:55
  Speaker 1: I trying to tell her that.
• 18:56
  Speaker 3: I don't know if you watched this on the twenty
• 18:58
  Speaker 3: V right, he want this raglass bitch with tattoos everywhere.
• 19:02
  Speaker 3: So he deliberately kicked my whole off the show because
• 19:05
  Speaker 3: he knew what I liked. I'm trying to tell him
• 19:07
  Speaker 3: that ship just looked like that.
• 19:08
  Speaker 1: I know that ship. That ship that is sorry garbage.
• 19:11
  Speaker 1: I know that type. I look at him. He's gonna
• 19:14
  Speaker 1: tell you he was talking to her before. That's how
• 19:17
  Speaker 1: I know what type of bitch it was. I was
• 19:19
  Speaker 1: over the interviewing that bitch. So so are y'all dating
• 19:22
  Speaker 1: anybody on the show right now? Nah?
• 19:25
  Speaker 3: I try to bring one bitch on the show. Bitch
• 19:28
  Speaker 3: shot with my homegirl. We trying to cool, you know,
• 19:31
  Speaker 3: I you know I was playing with him. You know
• 19:33
  Speaker 3: what I'm saying, now this whole just get on the
• 19:36
  Speaker 3: internet every day posting old trick. Man want to kick
• 19:40
  Speaker 3: me off the show because I don't want to fuck him.
• 19:43
  Speaker 1: I don't know. The bitch got earlier, all the timers
• 19:44
  Speaker 1: or what. I don't know.
• 19:46
  Speaker 3: Sometimes you fucked so many niggas like that you will remember.
• 19:50
  Speaker 3: I don't know what's wrong her. So you try to
• 19:52
  Speaker 3: put you, try to put your homegirl in. I'm gonna
• 19:55
  Speaker 3: put you on the show and gonna piss me off.
• 19:57
  Speaker 3: I checked it on the stow. She tried to check
• 19:58
  Speaker 3: me back. Then you want to go get getting the
• 20:00
  Speaker 3: ring now the whole one to go.
• 20:01
  Speaker 1: Hang with my wife. Bitch.
• 20:02
  Speaker 3: You can't hang with my wife. Oh what's wrong with you,
• 20:07
  Speaker 3: dumb ass bitch? Like, come on, man, now, this bitch
• 20:09
  Speaker 3: just get on the internet every two three days.
• 20:11
  Speaker 1: Let me show your text. Man.
• 20:12
  Speaker 3: She just post some shit, this shit too, so she
• 20:15
  Speaker 3: ain't up saying aloud back on the show, that bitch.
• 20:17
  Speaker 1: They better not. I'm not feeling with that bitch. Stud
• 20:22
  Speaker 1: the bitch.
• 20:24
  Speaker 3: One of my homeboy this screenshots, she just put that
• 20:26
  Speaker 3: this shit two years old. She studied posting this shit.
• 20:29
  Speaker 2: Trick Daddy tried to get me kicked off the show
• 20:32
  Speaker 2: on Love and Hip Hop, all because I wouldn't have
• 20:35
  Speaker 2: sex with him. Then, instead of getting me kicked off
• 20:38
  Speaker 2: the show, he decided to let me stay and his
• 20:40
  Speaker 2: goal was to make himself look good on the show
• 20:42
  Speaker 2: and make me look bad.
• 20:43
  Speaker 1: Shaking my head, I do not run Love It hip Hop,
• 20:47
  Speaker 1: dumb ass, hope. I don't run that shit.
• 20:50
  Speaker 3: If I ran Love It hip Hop, I'll make a
• 20:52
  Speaker 3: million dollar per episode I be on. I be on
• 20:55
  Speaker 3: every episode and it is run way different than his ring.
• 21:00
  Speaker 3: If I if I had a choice of what woman,
• 21:02
  Speaker 3: I'd be a model. I've been fucking a model up here.
• 21:04
  Speaker 1: Bob, So is it? Do you have to tell them? Like, man,
• 21:08
  Speaker 1: let me get somebody on the show that I like
• 21:11
  Speaker 1: or that you know what I'm saying.
• 21:12
  Speaker 3: I feel with two other girls, I see the guy
• 21:15
  Speaker 3: when they too nice and they feel like I like him.
• 21:17
  Speaker 1: I don't know over there, when they go in that
• 21:18
  Speaker 1: room and edit that ship, that would people be like,
• 21:20
  Speaker 1: it's scripted. No, it's not. Lord, If it were a scripted,
• 21:23
  Speaker 1: trust me, I'll be over that bit looking like a
• 21:25
  Speaker 1: hero on that bit is not scripted. You get it?
• 21:29
  Speaker 3: You get putting here they investigate you, they follow you,
• 21:31
  Speaker 3: they get access to all your social media. They know
• 21:33
  Speaker 3: who you're going through with, they know who don't like you,
• 21:35
  Speaker 3: they know who you don't like, and they'll put them
• 21:36
  Speaker 3: bitches right in.
• 21:37
  Speaker 1: Their room with you. So sometimes you be on set
• 21:40
  Speaker 1: like all the time, you don't know what.
• 21:41
  Speaker 3: When whenever he feeling. I don't know, like I ain't
• 21:44
  Speaker 3: know the situation with him. In one of the dollar Wood.
• 21:47
  Speaker 1: Two is, I came I was coming to film.
• 21:49
  Speaker 4: They the screenshot of a picture that was posted. They
• 21:52
  Speaker 4: bring to me like, like, man, y'all got that.
• 21:55
  Speaker 1: They all on a page. See they detectives. Yes, they
• 22:00
  Speaker 1: they just put you in the situation than when you
• 22:01
  Speaker 1: see this. My motherfucker walk up to you like old
• 22:03
  Speaker 1: lady walk up to me. You're disrespectful. I'm teen, Joey.
• 22:08
  Speaker 1: I'm like, yes, ma'am, I don't know what the fuck
• 22:11
  Speaker 1: you talk about. Cum to find out.
• 22:12
  Speaker 3: I'll cussed Joy out on the episode that night, and
• 22:14
  Speaker 3: I didn't watch it. Oh and she didn't already the same,
• 22:18
  Speaker 3: Like I'm cussing. We miked up and forgot, but they
• 22:21
  Speaker 3: in the corner with the cameras and they catched me
• 22:23
  Speaker 3: cussing around.
• 22:23
  Speaker 1: They put the ship right on the show.
• 22:26
  Speaker 3: They hear everything you got that might go there here,
• 22:28
  Speaker 3: every fucking thing you being there, whispering all you walk through.
• 22:30
  Speaker 1: So so on this season? Are you trying to be
• 22:34
  Speaker 1: more of like a good guy? Bag on him? Okay,
• 22:40
  Speaker 1: that's what that's why he being so quiet? Yeah, I
• 22:42
  Speaker 1: ain't the bad guy. Look what you so?
• 22:44
  Speaker 3: What you got going on on the Sebota be here
• 22:47
  Speaker 3: one of the twins, the other twins polet water.
• 22:48
  Speaker 1: In his face. I'm like, what the fuck that was about?
• 22:51
  Speaker 1: Then she was like you goofy. She's like, you goofy.
• 22:53
  Speaker 1: Try You're gonna try to fuck me and my sister.
• 22:55
  Speaker 1: I'm like, what, So you got the You got two
• 22:58
  Speaker 1: twins on the show?
• 23:00
  Speaker 2: He told you so you so you look, but you
• 23:02
  Speaker 2: know you can identify which one is with they voiced
• 23:07
  Speaker 2: all that.
• 23:09
  Speaker 1: He ain't crazy, I know, I know, I know they
• 23:19
  Speaker 1: were two years old. I don't know who is who?
• 23:20
  Speaker 1: But he do this? Do the man?
• 23:22
  Speaker 4: You can tell about what type of face they made, right,
• 23:26
  Speaker 4: But that's what any female.
• 23:27
  Speaker 1: So one of the girls is your girlfriend? No, but
• 23:31
  Speaker 1: something going on, that's that's that's my.
• 23:37
  Speaker 2: No, no, no, no, I can't wait, I can't wait
• 23:44
  Speaker 2: to see this season. I feel like, I feel like
• 23:47
  Speaker 2: he wants you to be the bad can't you want
• 23:49
  Speaker 2: to get some of the pressure off him.
• 23:51
  Speaker 1: I have to go in and like I have to
• 23:53
  Speaker 1: go in and like, hold up, man, I had to
• 23:56
  Speaker 1: clean it up for him. It looked like he couldn't
• 23:59
  Speaker 1: like he knows know.
• 24:01
  Speaker 3: So they fucking around it. They say I'm laughing about something,
• 24:04
  Speaker 3: and then he get fucked up in this. I'm he's
• 24:07
  Speaker 3: thinking I'm crossing him. I'm telling you, I'm laughing about
• 24:09
  Speaker 3: something totally different that happened five minutes ago. But now
• 24:12
  Speaker 3: he's in there, he's feeling and I'm I'm outside. I
• 24:15
  Speaker 3: don't know what he's feeling. I don't know what he's feeling.
• 24:17
  Speaker 3: Now they got me laughing. Now they gonna edit that bitch.
• 24:21
  Speaker 3: You gonna look like I set him up, And I'm
• 24:23
  Speaker 3: telling him, I ain't set you up, my nigga.
• 24:24
  Speaker 1: You my nigga. So any anybody you want kicked off
• 24:28
  Speaker 1: the show? No, he can't. I can't get in there
• 24:30
  Speaker 1: there go like that.
• 24:31
  Speaker 3: But I'm saying, like, anybody you like now, I don't
• 24:32
  Speaker 3: want to feel with this person. Yeah that was I
• 24:36
  Speaker 3: don't want to feel with that bitch. That was dumb
• 24:39
  Speaker 3: as a box of rocks. But the one brought off
• 24:43
  Speaker 3: I'm so dumb.
• 24:46
  Speaker 1: That was dumbing than me.
• 24:48
  Speaker 3: If a bitch dumbing than me, that bit don't deserve
• 24:50
  Speaker 3: no airplane, no nothing. He feed that bitch of ship
• 24:55
  Speaker 3: sell with she enjoyed the ship and throw.
• 24:58
  Speaker 1: The bread up and say the bread was still.
• 25:01
  Speaker 3: Yeah, Tree, you need to start doing some comedy. I
• 25:04
  Speaker 3: tried to, because that bitch is still a stak out
• 25:07
  Speaker 3: of ship. That bitch right there, I guarantee you that
• 25:09
  Speaker 3: bitch is. In the last four months, she donet revealed
• 25:14
  Speaker 3: four five niggas she didn't fuck you know, saying she
• 25:16
  Speaker 3: was pregnant for Stevie Jays say she was fucking shocked.
• 25:19
  Speaker 1: I'm like, why are you doing this to these people?
• 25:21
  Speaker 1: What did they need to you?
• 25:22
  Speaker 3: You said I kicked you off love hip hop, but
• 25:24
  Speaker 3: you're still on there, like make up your mind then
• 25:27
  Speaker 3: I kick you off or nothing. So if you saying
• 25:29
  Speaker 3: I kick you off love and hip hop because I
• 25:31
  Speaker 3: won't you won't give me no pusson, then you turn
• 25:33
  Speaker 3: around and say, but then I brought you back. Now,
• 25:34
  Speaker 3: which one did I bring you back? I kicked you,
• 25:36
  Speaker 3: I brought you off, kicked you off, and I brought
• 25:38
  Speaker 3: you back.
• 25:39
  Speaker 2: I'm I'm terrified. I'm ina feel in my life that
• 25:42
  Speaker 2: that sounds. That sounds like some love and hip hop
• 25:44
  Speaker 2: that uh it sounds.
• 25:45
  Speaker 1: I'm in fear of my fucking life.
• 25:46
  Speaker 3: Bright now that bitch believe that my life is in danger,
• 25:49
  Speaker 3: I only get it restrained, all against this bitch.
• 25:58
  Speaker 1: Seven o'clock somewhere I love damn. That's oh my god.
• 26:12
  Speaker 1: I could not get no sleep last night.
• 26:13
  Speaker 6: Shane was up at all wee hours of the night
• 26:16
  Speaker 6: banging singing.
• 26:18
  Speaker 1: Her lungs at Fable. I heard Shae and Fable fighting
• 26:22
  Speaker 1: during the rainstorm and Fable walked away.
• 26:24
  Speaker 6: But then I guess Shaye had things need off for chests,
• 26:27
  Speaker 6: so they just kept on fighting last night.
• 26:29
  Speaker 1: It was going on for hours. Then we had flowing
• 26:31
  Speaker 1: a Mada going at it.
• 26:33
  Speaker 2: What what?
• 26:33
  Speaker 6: What?
• 26:33
  Speaker 1: What was going on? What? I'm gonna be honest. They
• 26:36
  Speaker 1: need to stay out of Mala's business. How do y'all
• 26:39
  Speaker 1: feel about the whole Allan and MJ situation? You think
• 26:41
  Speaker 1: that was?
• 26:42
  Speaker 7: I wasn't him an m friend?
• 26:45
  Speaker 6: Allen's claiming they were never friends very convenient for you
• 26:49
  Speaker 6: to say that. You know, I think somebody told me
• 26:51
  Speaker 6: your mama made her pray there and put two babies
• 26:53
  Speaker 6: in here.
• 26:53
  Speaker 1: I probably need to tall the hall on myself, especially
• 26:56
  Speaker 1: after that ship. He was sexy.
• 27:02
  Speaker 3: Me, don't maybe not even got this because it's like
• 27:07
  Speaker 3: everybody's ganging up on Allen.
• 27:09
  Speaker 1: My first time I ever seeing nobody. I wanted to
• 27:11
  Speaker 1: knock her down.
• 27:11
  Speaker 3: But now I realized you got a bad taste of men,
• 27:14
  Speaker 3: So I understand why I never had my shad, and
• 27:16
  Speaker 3: I feel like I needed to protect this. So I
• 27:18
  Speaker 3: got to holler at budey, I gotta see what he's about. Yo,
• 27:21
  Speaker 3: Why is a model so devoted to this dude?
• 27:25
  Speaker 6: Then also our topics, we and her, we got our
• 27:27
  Speaker 6: own little situation like but it's still pressured the trip.
• 27:31
  Speaker 7: Listen, it's whoever you invite, and there is no plus
• 27:34
  Speaker 7: one unless you are where the plus one is gonna come. Listen,
• 27:37
  Speaker 7: don't we're not putting no, no, don't ask me putting
• 27:44
  Speaker 7: the pressure on you because you're the one that stop
• 27:45
  Speaker 7: the trip.
• 27:46
  Speaker 1: You're the one that played the I invited everybody, they
• 27:48
  Speaker 1: invited every everybody else.
• 27:49
  Speaker 6: So no, it was not my teachers to have the
• 27:52
  Speaker 6: vacation you go like this. Yes, it has been a disaster,
• 27:55
  Speaker 6: but it's not my fault.
• 27:56
  Speaker 7: This is getting worse and worse by the day.
• 27:58
  Speaker 1: We're all leaving tomorrow. So y'all leaving tomorrow.
• 28:01
  Speaker 7: I can't take no more. Me and my husband are
• 28:03
  Speaker 7: leaving this trip.
• 28:05
  Speaker 1: Okay, this is not the vibe.
• 28:07
  Speaker 7: It's not peaceful. It's just way too much going on.
• 28:09
  Speaker 7: I'd rather be working honestly and making money instead of
• 28:12
  Speaker 7: spending time with a whole bunch of people that do
• 28:15
  Speaker 7: not like to check.
• 28:16
  Speaker 6: We have plans, she paused me for you five, I'm out. No,
• 28:21
  Speaker 6: I'm gonna bring myself in some stand and leave. Y'all
• 28:23
  Speaker 6: come along, because obviously nothing I do. It's satisfying y'all.
• 28:28
  Speaker 3: Having a bit.
• 28:29
  Speaker 7: He'll be all right.
• 28:31
  Speaker 1: Anything in the you know this season that you're just
• 28:35
  Speaker 1: like man that just kind of like threw you off.
• 28:38
  Speaker 1: You had the twins.
• 28:39
  Speaker 3: Mama tried to check me because agent told me and
• 28:43
  Speaker 3: the mama that him and Daisy was sliding, so she
• 28:46
  Speaker 3: tried to check me.
• 28:49
  Speaker 1: Were fifty years old.
• 28:50
  Speaker 4: The fuck you're gonna check me, I said, It kind
• 28:52
  Speaker 4: of make it look like he was and this shit
• 28:55
  Speaker 4: want no, you heard him.
• 28:57
  Speaker 1: Did yeah that you heard that? I heard Okay, I
• 29:03
  Speaker 1: heard them? Okay, okay, all right, okay.
• 29:09
  Speaker 2: So now now we now we're midway in the season, right,
• 29:14
  Speaker 2: what are some things that like just just fans that
• 29:16
  Speaker 2: just like come up to y'all and say, you like.
• 29:19
  Speaker 1: Man that ain't me?
• 29:21
  Speaker 3: They show the girls like him from twenty V Okay,
• 29:24
  Speaker 3: I don't know why they that whole you pick was raggedy.
• 29:28
  Speaker 4: Many like they like that's what was going around.
• 29:31
  Speaker 1: Man, that man that girl wasn't that girl ain't little
• 29:33
  Speaker 1: better than the girl you kicked off? Yeah, but you
• 29:37
  Speaker 1: know why. I'm trying to tell you why you kicked
• 29:40
  Speaker 1: the way the ones? I like, you kicked them off
• 29:42
  Speaker 1: the second round? So why you kicked the why you
• 29:43
  Speaker 1: kick the one you knew? I like, why you kicked
• 29:45
  Speaker 1: the dogs? She wasn't good for you? So who who
• 29:50
  Speaker 1: got the best taste? Who got who got the best?
• 29:53
  Speaker 5: Me?
• 29:54
  Speaker 1: Actual?
• 29:55
  Speaker 3: Mama, actually, mama, actually ma ask your mama. As dog
• 30:02
  Speaker 3: Jackie ask said.
• 30:03
  Speaker 4: That one thing about him, he had him a specific lane.
• 30:06
  Speaker 1: Now he like one.
• 30:07
  Speaker 4: I ain't gonna tell you what he likes. He like
• 30:08
  Speaker 4: one thing now he sees me get the bring of
• 30:11
  Speaker 4: her around. I get to bring of her around here
• 30:12
  Speaker 4: looking at her. Now he want to travel out?
• 30:14
  Speaker 1: Like now I turn around because if he see me
• 30:18
  Speaker 1: with a girl and it looked like a girl that
• 30:20
  Speaker 1: he would see and would like her. He thinking, I'm
• 30:23
  Speaker 1: in his lane. That's not your lane.
• 30:24
  Speaker 3: Bro.
• 30:25
  Speaker 1: Three years ago, you in the bed herd.
• 30:27
  Speaker 3: This is a bowling alley. Then you get into whatever
• 30:29
  Speaker 3: lane they let you in. You know what why it's
• 30:35
  Speaker 3: that white ship.
• 30:37
  Speaker 1: That ship.
• 30:39
  Speaker 2: So so is it ever a time where like both
• 30:43
  Speaker 2: of y'all like the same girl and then y'all gotta
• 30:45
  Speaker 2: tell her, you gotta pick No.
• 30:47
  Speaker 3: Now we go with it together, me and one of
• 30:53
  Speaker 3: my god son, Charelho Right now, who.
• 30:59
  Speaker 1: Man, Papa do oh? Y'all got the same girl?
• 31:02
  Speaker 2: Yeah, both of us quit that bitch, y'all crazy man,
• 31:11
  Speaker 2: This is this is an interesting dynamic now now now
• 31:15
  Speaker 2: see now see why you a main cast.
• 31:17
  Speaker 1: Member on the show.
• 31:18
  Speaker 3: Now he's gonna do but but he gonna country more
• 31:20
  Speaker 3: or than music. Now he been I don't know if
• 31:23
  Speaker 3: you he been posting pictures. He ain't the nigga I've
• 31:25
  Speaker 3: been telling his nigga. So so I tried to trick
• 31:27
  Speaker 3: him into the music. I was like, all right, you
• 31:29
  Speaker 3: you ain't doing that, MUTI. You graduate high school? He
• 31:31
  Speaker 3: graduate high school fast.
• 31:32
  Speaker 1: I was like, damn, wait, nigga only seventeen. I said,
• 31:36
  Speaker 1: all right, now you gotta graduate college. And they graduate college.
• 31:38
  Speaker 3: I'm like, god, damn, so now I gotta put the
• 31:40
  Speaker 3: nigga out now. So but now I'm like, you gotta
• 31:44
  Speaker 3: be I'm like, listen, I don't have to spend as
• 31:46
  Speaker 3: much money if you build up your fan base right right,
• 31:49
  Speaker 3: like post pictures who trillers, TikTok all that that nigga.
• 31:54
  Speaker 1: Is doing that?
• 31:55
  Speaker 4: You know they ain't never the type though, take a piss.
• 31:57
  Speaker 1: Of me neither. But I'm trying to tell you was
• 32:02
  Speaker 1: without my legendary status in the rap game.
• 32:05
  Speaker 3: I'm shit because a lot of these young niggas, they
• 32:07
  Speaker 3: mamas is thirty five forty.
• 32:12
  Speaker 1: They grandma know me. They AUNTSI know me if they
• 32:14
  Speaker 1: mama wasn't raised right, she know me. But they wouldn't
• 32:17
  Speaker 1: know me. They know me because I constantly. I was constant,
• 32:21
  Speaker 1: and it was.
• 32:22
  Speaker 3: It costed a lot of money back then, even though
• 32:25
  Speaker 3: I wasn't paying the millions dollars for videos where they
• 32:27
  Speaker 3: were doing the mill and all the videos. I was
• 32:29
  Speaker 3: doing one hundred thousand dollars videos, even though they never
• 32:31
  Speaker 3: gave us credit cause we came from Miami. It was
• 32:33
  Speaker 3: only interested in our money and the drugs that we
• 32:34
  Speaker 3: had to sell them. They didn't care nothing about us
• 32:37
  Speaker 3: making music. But if you look at the hip hop
• 32:39
  Speaker 3: now for the last if hip hop been around fifty
• 32:41
  Speaker 3: one years, the last twenty six years, if it wasn't
• 32:44
  Speaker 3: for the South, it wouldn't be no fucking hip hop.
• 32:46
  Speaker 3: But I'm trying to explain to him, now, this is
• 32:49
  Speaker 3: our time, let's go, now, let's go. And I'm saying
• 32:52
  Speaker 3: we didn't have to. I never had a mindspace. The
• 32:54
  Speaker 3: only thing I remember being on is a chat line.
• 32:58
  Speaker 1: What's the chat line?
• 32:59
  Speaker 3: There's a chat line, so it's called okay, so is
• 33:01
  Speaker 3: it be saying it's thirty us on the phone together
• 33:04
  Speaker 3: and we're having a conversation.
• 33:06
  Speaker 1: That's the only thing. We couldn't see him. We we
• 33:08
  Speaker 1: don't know them.
• 33:09
  Speaker 3: The only way we know where they is if they say,
• 33:11
  Speaker 3: all right, I'm getting on that eight o'clock. You get
• 33:13
  Speaker 3: on the eight and get you a.
• 33:14
  Speaker 1: Know, a call. So that's that's kind of like clubhouse,
• 33:18
  Speaker 1: but on the.
• 33:19
  Speaker 3: Phone no pictures, nothing, nothing to click on or nothing.
• 33:22
  Speaker 3: You have to dial the number and then hit a
• 33:24
  Speaker 3: button to get why pretty, Ricky said on the hot line.
• 33:26
  Speaker 3: On the hot line, right, so that's the only thing
• 33:30
  Speaker 3: I know.
• 33:30
  Speaker 1: I ain't know nothing about it.
• 33:31
  Speaker 3: I went to prison on my fifteenth birthday. This nigga
• 33:34
  Speaker 3: was a high school scholar when he was fifteen. That
• 33:36
  Speaker 3: was that's a difference that has Has the show been
• 33:40
  Speaker 3: helping you a lot? Like with your music and everything?
• 33:43
  Speaker 4: Well, see, the only thing is we ain't ready only
• 33:45
  Speaker 4: got I dropped my first it ain't my single, but
• 33:48
  Speaker 4: I'm a feature on the scene like two weeks ago.
• 33:50
  Speaker 1: So yeah, that's doing a couple of numbers. But I
• 33:52
  Speaker 1: ain't even with that.
• 33:55
  Speaker 3: Remember, the show is TV, right, the only way they
• 33:59
  Speaker 3: can play the song on TV if it's done right.
• 34:01
  Speaker 3: Let's say, let's say I put this song on my album.
• 34:04
  Speaker 3: You know, I mean everybody on the song have to
• 34:06
  Speaker 3: sign a one song contract with me saying that it's
• 34:09
  Speaker 3: my song, and they allow me to do what I
• 34:11
  Speaker 3: want to so you can. Then I got to do
• 34:12
  Speaker 3: the split and then nigg there's a lot of technical ship.
• 34:16
  Speaker 1: When it comes to this.
• 34:16
  Speaker 4: Love twelve papers for one song.
• 34:19
  Speaker 3: Right, and people think it's just that's just like working
• 34:22
  Speaker 3: radio and you, I know, you know you're doing the podcast.
• 34:24
  Speaker 1: I know, you know, get me on your podcast for
• 34:26
  Speaker 1: what what I'm getting you in with what you do?
• 34:30
  Speaker 3: Like people just think it's that it's not that easy.
• 34:33
  Speaker 3: A lot of niggas, a lot of niggas who you
• 34:35
  Speaker 3: went to school with? And you like a college, nigga,
• 34:37
  Speaker 3: what college you went to?
• 34:38
  Speaker 1: I ain't go to college. You ain't go to college, nigga,
• 34:41
  Speaker 1: congratulations making me neither. I ain't going to I ain't
• 34:44
  Speaker 1: even finished. I went.
• 34:45
  Speaker 2: I went to college for for three months and then
• 34:48
  Speaker 2: once I realized the loan that they get, you know
• 34:50
  Speaker 2: you get the little check.
• 34:51
  Speaker 1: Oh yeah, you gotta pay it back, I said, nah,
• 34:53
  Speaker 1: I ain't going in the day. I ain't going out
• 34:55
  Speaker 1: like this. No no, no, no, no no no.
• 34:58
  Speaker 3: And I feel bad for the teachers that go to
• 35:00
  Speaker 3: because they making like the average of forty forty two
• 35:02
  Speaker 3: thousand in Florida, and they got all them dead in
• 35:05
  Speaker 3: the summertime. If they don't get on the page, if
• 35:07
  Speaker 3: they don't get on salary summertime, they're broke, Like what
• 35:10
  Speaker 3: the fuck? Like these are the people Without these people,
• 35:13
  Speaker 3: we could never be able to go to college. And
• 35:15
  Speaker 3: they don't make no money. So I understand it. But
• 35:18
  Speaker 3: but I said there to say that it's like with
• 35:21
  Speaker 3: the music thing and the TV thing. What I try
• 35:25
  Speaker 3: to explain to him, it's a plus times two, So
• 35:29
  Speaker 3: one plus one equals two all over the world, China, Europe,
• 35:34
  Speaker 3: even in the golf of United States that Donald Trump
• 35:36
  Speaker 3: thumb it's cause of the golf of the United States,
• 35:38
  Speaker 3: even in the golf of the United States, golf of America.
• 35:41
  Speaker 1: Whatever.
• 35:43
  Speaker 3: But if you times too because you got TV with it.
• 35:46
  Speaker 3: When the young people walk up to me and say, oh,
• 35:48
  Speaker 3: I know you. You tricked that it for love and
• 35:49
  Speaker 3: hip hop, I was like, damn, I used to be
• 35:55
  Speaker 3: assaulted by you tricked that that used to be with Trina.
• 35:59
  Speaker 3: That was my biggest insult. You tricked Daddy that used
• 36:02
  Speaker 3: to be with Trina. Now is you trick daddy for
• 36:04
  Speaker 3: love and hip hop? And I realized, now those are
• 36:07
  Speaker 3: not insults, those are compliments. Because there's there's a lot
• 36:11
  Speaker 3: of angles that money come from. You grasp all the angles,
• 36:16
  Speaker 3: then you get all the money.
• 36:18
  Speaker 2: And it's different and it's different type of fan base
• 36:21
  Speaker 2: that watches TV. They're literally like a pocket of people
• 36:25
  Speaker 2: that only watch reality TV. Yeah, and that's what I realized,
• 36:29
  Speaker 2: because it might be people that say, well, we know
• 36:33
  Speaker 2: you from music, but my kids know you from TV.
• 36:37
  Speaker 1: And speaking of TV, like if you if you're an actor.
• 36:42
  Speaker 3: I actually love Holly Berry the muster ball came out,
• 36:47
  Speaker 3: she let the man fuck her. I'm like, come on, man,
• 36:52
  Speaker 3: but I take it serious. Like for instance, Tyler Perry
• 36:55
  Speaker 3: very successful, rich, that's madea he Modia.
• 37:01
  Speaker 1: That's acting. Mike EPs is daity. But I get what
• 37:04
  Speaker 1: you're saying, like, like the characters you played, that's what
• 37:07
  Speaker 1: that's what I know. That's how I look at you. No,
• 37:12
  Speaker 1: I don't they're gonna start shipp but Martin Lawrence, damn man,
• 37:21
  Speaker 1: I want to say this. I'm gonna say this.
• 37:23
  Speaker 3: Say this.
• 37:23
  Speaker 1: Martin one of my favorite not funny. He's not funny.
• 37:28
  Speaker 1: You don't think Martin is funny.
• 37:30
  Speaker 3: I grew up watching samples of the Jeffersons all in
• 37:35
  Speaker 3: the family. That ship is not funny, compared Martin not funny, goofy, goofy.
• 37:41
  Speaker 1: I can't agree with your trick.
• 37:43
  Speaker 3: Kevin Hart not funny, Oh not funny. These are white
• 37:47
  Speaker 3: people comedians. Kevin Hart would never be an Eddie Murphy
• 37:52
  Speaker 3: would never be a Red Fox.
• 37:56
  Speaker 2: Now we are at different times where you can't comedians
• 37:59
  Speaker 2: can't really go there, how a doubt.
• 38:03
  Speaker 1: Fuck them. If I'm telling the joke, fuck you.
• 38:07
  Speaker 3: They told, will Tell will chair jokes, racist joke, religious jokes,
• 38:11
  Speaker 3: gay jokes.
• 38:12
  Speaker 1: That's comedy. If you can't stand it, fuck you that.
• 38:17
  Speaker 3: I mean speaking of that when I say, if you
• 38:19
  Speaker 3: watch certain things, I remember this, and she gonna hate
• 38:23
  Speaker 3: me for this. I remember when I found they found
• 38:24
  Speaker 3: they did something about Shaq and his wife was supposed.
• 38:27
  Speaker 1: To be cheating on him with the pool man. Remember that.
• 38:29
  Speaker 3: And my wife was on the phone with her friend
• 38:31
  Speaker 3: when they came on the news and she was like,
• 38:33
  Speaker 3: that's good for his ass. I was like, what the
• 38:34
  Speaker 3: fuck do you mean that's good for his ass? What
• 38:38
  Speaker 3: fuck are you talking about? You don't want to be
• 38:41
  Speaker 3: with me all as, don't take my money to take
• 38:42
  Speaker 3: care of another motherfucker. And I think from that day
• 38:45
  Speaker 3: I think it damaged our marriage because how I am
• 38:51
  Speaker 3: and I said that to say this.
• 38:54
  Speaker 1: Zeus Network and like the projects, damn what they do
• 39:02
  Speaker 1: loo the number fight.
• 39:05
  Speaker 3: A bunch of a bunch of botok, bitches, fake te,
• 39:08
  Speaker 3: fake jury, fake ass, teddies, a lot of surgery marks
• 39:13
  Speaker 3: on TV fighting?
• 39:14
  Speaker 1: What else they? What do they do?
• 39:18
  Speaker 3: That's the projects? I know my mom had eleven kids
• 39:21
  Speaker 3: in the project. I know what the projects is. I'm
• 39:24
  Speaker 3: from the pokea Bean projects. Them holes below in the
• 39:27
  Speaker 3: pokea Bean Projects, telling you right now, the old POKEM
• 39:31
  Speaker 3: Bean project. I'm telling you so you said, Zeus is
• 39:36
  Speaker 3: the projects that's ghetto when it comes to reality TV.
• 39:42
  Speaker 2: Some would say that love and hip hop because y'all
• 39:45
  Speaker 2: y'all throwing water at each other.
• 39:47
  Speaker 1: That's all you're gonna do on them.
• 39:51
  Speaker 4: Mm hmm.
• 39:53
  Speaker 1: That's all you're gonna do on there. Shot the hold
• 39:58
  Speaker 1: with that b B gun. That was that was his story.
• 40:01
  Speaker 1: I love that. I love them. When she shoting to
• 40:05
  Speaker 1: have that BB gun? Do y'all be having security or set,
• 40:10
  Speaker 1: that's all they be, standing right by you. They standing
• 40:13
  Speaker 1: right by you.
• 40:14
  Speaker 3: I don't.
• 40:14
  Speaker 1: I don't do that though. I don't do that on TV.
• 40:18
  Speaker 1: I'm One of my auto ego.
• 40:22
  Speaker 3: Names is dirt. It's dirt, dirt, dirt, d R D
• 40:27
  Speaker 3: I R T dirt, Okay, dirt dirt. If I want
• 40:30
  Speaker 3: to fuck you up, I swear to God, they're not
• 40:32
  Speaker 3: gonna know it. By the time I get on your ass,
• 40:36
  Speaker 3: I'm gonna be kicked off the show and they're gonna
• 40:37
  Speaker 3: be paying you a selling them.
• 40:38
  Speaker 1: I'm gonna beat the ship out of you. I am
• 40:40
  Speaker 1: not gonna let them know.
• 40:41
  Speaker 3: Like I'm not gonna tell the producer, Oh, I want
• 40:43
  Speaker 3: to feel with such and such and nothing, because all
• 40:45
  Speaker 3: they gonna be doing, they gonna keep us separated. And
• 40:48
  Speaker 3: it's gonna be a big ass nigga standing behind you
• 40:50
  Speaker 3: before you get up here, gonna grab you, and it's
• 40:52
  Speaker 3: gonna look like a goofy.
• 40:54
  Speaker 1: You're gonna be close enough, but not too not right.
• 40:58
  Speaker 3: Oh man, Soon's network let him old punch each other
• 41:01
  Speaker 3: in the eye, kick each other period They will be
• 41:03
  Speaker 3: kicking each other period on.
• 41:06
  Speaker 1: Whatever they want to see those other people want to see.
• 41:09
  Speaker 3: But so with that being said, I don't I'm not
• 41:11
  Speaker 3: interested in that type of woman. If you sit in
• 41:14
  Speaker 3: there watching baddies, you ain't my type of bitch. I
• 41:20
  Speaker 3: read you watched some other boy and ship.
• 41:23
  Speaker 2: All right, so what can so what can we expect
• 41:26
  Speaker 2: this season of love and Hip Hop Miami?
• 41:30
  Speaker 1: He's in this studio. I'm finally spending my money on
• 41:32
  Speaker 1: his music.
• 41:33
  Speaker 3: Now, okay, he got a lot of explicive clothes that
• 41:36
  Speaker 3: he just waiting to take pictures.
• 41:38
  Speaker 1: In here in the coming months.
• 41:40
  Speaker 4: Yeah, be expect them to see like a music video,
• 41:42
  Speaker 4: solo video or something like that coming from.
• 41:46
  Speaker 2: So you got you got a single, You got a
• 41:48
  Speaker 2: single that you pushing on, You got a couple of singles,
• 41:50
  Speaker 2: he got he got a hundred.
• 41:52
  Speaker 3: He see he got a hundred. See no damn will
• 41:54
  Speaker 3: him got no hundred singles? He thank everyone, and so
• 41:57
  Speaker 3: that his homeboys or his girl like he thinks that's
• 42:01
  Speaker 3: the hit.
• 42:01
  Speaker 1: That's it.
• 42:02
  Speaker 4: I'll be feeling like I'll be seeing people out here
• 42:04
  Speaker 4: that don't get fogged off. I feel like some of
• 42:06
  Speaker 4: my shit better than what I be hearing out here
• 42:07
  Speaker 4: and what I be seeing out here. I feel like,
• 42:09
  Speaker 4: if I get my chance, I'm gonna make me feel
• 42:11
  Speaker 4: me even in one of them YouTube beats, and I
• 42:13
  Speaker 4: get a little cloud off that and people like they
• 42:15
  Speaker 4: flowing me towards me. I take the fans, then I.
• 42:17
  Speaker 1: Can do it. I gotta do one thing. I can say.
• 42:21
  Speaker 3: The nigga get it smart at his MoMA and daddy
• 42:24
  Speaker 3: is smart, and then they got good sister as he's
• 42:28
  Speaker 3: watching a lot of I feel like hip hop is
• 42:30
  Speaker 3: under attack by the law.
• 42:33
  Speaker 1: I feel like the fizz the police da task for FBI.
• 42:39
  Speaker 3: I feel like they're targeting these dudes because they think
• 42:42
  Speaker 3: now that you can't blow up unless you're really on that.
• 42:47
  Speaker 3: Remember ten years ago is everybody had all the guns
• 42:49
  Speaker 3: in the video with the masks on and.
• 42:51
  Speaker 1: They're throwing up gang signs.
• 42:53
  Speaker 3: Now these niggas is selling drugs, killing people and they're
• 42:58
  Speaker 3: rapping about it.
• 43:01
  Speaker 1: Then they come back and rap about it.
• 43:02
  Speaker 3: They rap it about what they gonna do, They go
• 43:04
  Speaker 3: through it, and they come back and do a remix
• 43:05
  Speaker 3: about what they did.
• 43:08
  Speaker 1: But one thing about my nigga, what he told me.
• 43:12
  Speaker 3: He said, you ain't gotta worry about that shit for me, Bob.
• 43:16
  Speaker 3: He said, I feel like them nigga's going to jail
• 43:18
  Speaker 3: because they making room for me. And I was like,
• 43:20
  Speaker 3: that's how I want you to think.
• 43:23
  Speaker 4: They get picked up a little backwards.
• 43:25
  Speaker 1: It ain't work like that.
• 43:26
  Speaker 3: We do all this shit to get out of a
• 43:27
  Speaker 3: bad situation. We do all this to become successful. They
• 43:30
  Speaker 3: become rich, they go to prison. Make no sense.
• 43:37
  Speaker 1: They got a new shit I called snitching now everybody snitching.
• 43:39
  Speaker 1: Fick them snitches.
• 43:41
  Speaker 3: Everybody snitches, niggas who ain't even supposed to be killers
• 43:43
  Speaker 3: and snitching like with the Takoti six'. Nine when they
• 43:46
  Speaker 3: said about, it they asked, Me kodak took a me
• 43:48
  Speaker 3: in what you? Talking you motherfucker? RIGHT i would have took.
• 43:50
  Speaker 3: YOU i took five hundred dollars Because kodak, said that's
• 43:54
  Speaker 3: not our, rat that's they. Rat if a bunch of
• 43:57
  Speaker 3: niggas that supposed to be some gangster ass niggas take
• 44:00
  Speaker 3: a bitch like To kosti six,' nine hang, with him,
• 44:03
  Speaker 3: commit crime do all tump, of shit, extore him fuck his.
• 44:06
  Speaker 1: Old lady then threatened to. Kill him he's supposed to
• 44:08
  Speaker 1: Tell on. They ass he's not built. Like that that's
• 44:13
  Speaker 1: why y'all was doing what.
• 44:14
  Speaker 3: Y'all need y'all, victimize him y'all, picking faces y'all picking
• 44:18
  Speaker 3: Y'all victim you can't.
• 44:20
  Speaker 1: Do that.
• 44:20
  Speaker 3: You can't this ain't a. Boxing match you can't pick.
• 44:23
  Speaker 3: Your opponent leave, the women, the children and the inns
• 44:26
  Speaker 3: and people out. Of it bring that, thug shit the,
• 44:28
  Speaker 3: thug LIFE and i see how you're gonna. Handle it
• 44:31
  Speaker 3: then then if you want to call somebody, a rat
• 44:33
  Speaker 3: just know that that's, your rat that's not, our RAT
• 44:37
  Speaker 3: because i wouldn't have did nothing like that. With him,
• 44:40
  Speaker 3: hold on let me let me check this shit. Right, quick,
• 44:42
  Speaker 3: Hey yo i'm doing the whole interview. Right now you
• 44:45
  Speaker 3: ain't if you called me, one time you ain't gotta
• 44:47
  Speaker 3: call me, two three?
• 44:48
  Speaker 1: Four five? All right? All right you standing? On business?
• 44:53
  Speaker 1: All right so on, the show y'all taking. A trip
• 44:59
  Speaker 1: can y'all talk about the trip that y'all taking on.
• 45:01
  Speaker 1: The show.
• 45:03
  Speaker 3: We're going you, hit it hit. It, go okay we're going. To,
• 45:06
  Speaker 3: carrousel okay we let Fruity ass bobby playing. The trip first,
• 45:12
  Speaker 3: of all know that Everybody know bobby a. Fruit loop
• 45:17
  Speaker 3: that's not. Gay BASHING and i can't be canceling any.
• 45:20
  Speaker 3: Fucking Away so bobby fruit loop ass playing. The trip
• 45:24
  Speaker 3: then they got the hate You girl gyyea. Assisted him
• 45:29
  Speaker 3: she the. Messy one she trying to fuck everybody man on.
• 45:31
  Speaker 3: The show so it's a lot of sucking and fucking
• 45:33
  Speaker 3: and fighting.
• 45:34
  Speaker 1: And fussing, why then when THE Movie, i die where you?
• 45:37
  Speaker 1: Want gone why you want? To die where?
• 45:41
  Speaker 3: You play?
• 45:41
  Speaker 1: Hard back? WHAT'S up.
• 45:45
  Speaker 5: I?
• 45:45
  Speaker 1: Really shit you. Even coming, you know han't let. ME
• 45:47
  Speaker 1: man i know you from THE d i know y'all.
• 45:50
  Speaker 1: Play dough you play dumbing those right when there's. Some
• 45:53
  Speaker 1: drama i'm gonna check that, all this, He say, She
• 45:57
  Speaker 1: say i'm. Sick hood somebody gonna sit down with allan
• 46:00
  Speaker 1: we get to the bottom of. THIS day i appreciate
• 46:03
  Speaker 1: that you're.
• 46:03
  Speaker 3: INVITING head i don't know how long you're playing on
• 46:05
  Speaker 3: standing around with all this that's. Going on BUT if
• 46:08
  Speaker 3: i didn't come on this trip for all, THAT extra
• 46:10
  Speaker 3: i came to. Relax it so last night you walk
• 46:13
  Speaker 3: up with a manor hand. In hand, everybody go. Mother
• 46:17
  Speaker 3: preserved They hate let me tell YOU why i wanted.
• 46:20
  Speaker 3: The dollars that's three stiles to every story. They signed
• 46:24
  Speaker 3: your sign in.
• 46:24
  Speaker 1: The truth the situation you in.
• 46:28
  Speaker 3: Right now i've been in that situation my. Whole life
• 46:30
  Speaker 3: i've been labeling a bad guy because they make you
• 46:32
  Speaker 3: have a. Bad guy they make you have a relationship
• 46:35
  Speaker 3: with guy here and flirting with.
• 46:37
  Speaker 1: Her sister they make you have a dead.
• 46:38
  Speaker 5: Be dead everybody that asks, against me they're trying to buy.
• 46:42
  Speaker 1: A family who girls and. A mother i heard y'all
• 46:45
  Speaker 1: all get.
• 46:46
  Speaker 5: THE idea.
• 46:54
  Speaker 1: I Don't think i'm Dead because i'm not in the bedroom.
• 46:58
  Speaker 1: With y'all i'm not in the living room. WITH y'all
• 47:01
  Speaker 1: i don't understand what's. Going on are you in a
• 47:04
  Speaker 1: moody eyeem? Or y'all? Just parents, we work compied, and
• 47:07
  Speaker 1: take and now we're doing into.
• 47:08
  Speaker 5: Something else i'm gonna put two babies on, her, belly
• 47:11
  Speaker 5: now that's what we're.
• 47:12
  Speaker 1: Gonna do That's why.
• 47:13
  Speaker 3: I'm hit so you want to be a family? With, her,
• 47:15
  Speaker 3: yeah okay so you and, your wife that's.
• 47:18
  Speaker 1: The word that's the SITUATION that i take in. Troll
• 47:21
  Speaker 1: right but if mother's cool, WITH it i don't see
• 47:23
  Speaker 1: what the problem with? Everybody else and sign FROM what i,
• 47:26
  Speaker 1: see though your, baby mama she gotta stop entertaining.
• 47:30
  Speaker 3: The, bush well she entertained, other people and it gets
• 47:34
  Speaker 3: People like dayelle and her sister to come at.
• 47:37
  Speaker 1: You sideway you gotta be careful to. THEM too i
• 47:40
  Speaker 1: don't trust them up. WITH flow i tell you these.
• 47:42
  Speaker 5: She was and a reading by situation with an ex
• 47:45
  Speaker 5: or whatever.
• 47:45
  Speaker 1: It is but you ain't knocked none of. Them down
• 47:49
  Speaker 1: what you mean? FOR her i don't want to talk.
• 47:54
  Speaker 1: About that oh. My god. The mainly poor thing is the.
• 47:58
  Speaker 1: KIDS track i take out of. My daughters i'm a.
• 48:01
  Speaker 1: Responsible father i'm a. Real man they got the narrative
• 48:04
  Speaker 1: going AROUND if j was. YOUR friend.
• 48:07
  Speaker 5: I don't really like to talk about people About, and
• 48:10
  Speaker 5: jay and everybody. KNOWS it i haven't let that. Guy
• 48:13
  Speaker 5: money he. Was broke his brother called Me. From Atlanta
• 48:17
  Speaker 5: bro he, Was, like yo, my brother he's In The,
• 48:19
  Speaker 5: dominican republic and you take care. Of him he got into.
• 48:21
  Speaker 5: SOME situation i took care. OF him i used to
• 48:24
  Speaker 5: be like really cool with his brothers back at. The
• 48:26
  Speaker 5: university YOU'RE not. MJ homeboy i didn't know that the
• 48:29
  Speaker 5: ins and out OF her.
• 48:30
  Speaker 1: Mj relationship he spent five years SINCE and j. Five
• 48:34
  Speaker 1: years why you didn't.
• 48:35
  Speaker 5: Realize that my tweens talking about to be three Years and.
• 48:38
  Speaker 1: Jay's crazy he needed, up. Dreaming man so that's what's
• 48:44
  Speaker 1: going on on. The trip it's all that's. Going, on okay, anything?
• 48:48
  Speaker 1: Else y'all? All? Right Man Trick Daddy Ball alert show