Latest / Beyond The Blood: A Horror Movie Commentary Podcast / After Hours - Physical Media Spotlight!

Transcript

After Hours - Physical Media Spotlight! · Beyond The Blood: A Horror Movie Commentary Podcast

• 0:01
  Speaker 1: You are now listening to the Someone's Favorite Productions podcast network.
• 0:10
  Speaker 2: The audio commentary. It's a dying art form, but here
• 0:14
  Speaker 2: at one track mind, I your wonky at Affable host
• 0:18
  Speaker 2: Brian Luis Rodriguez analyze film through the prism of these
• 0:22
  Speaker 2: embryonic forms of podcasting, one audio commentary at a time. Masterpieces,
• 0:29
  Speaker 2: crapster pieces, live action animation, cult classics, films literally no
• 0:35
  Speaker 2: one has ever heard of. No track is too small
• 0:38
  Speaker 2: and no track is too big. Join me and my
• 0:41
  Speaker 2: guests from the entertainment world as we keep these features
• 0:44
  Speaker 2: alive every other Tuesday. Hey, who else is going to
• 0:48
  Speaker 2: discuss Bill and Ted's bogus journey one week and Citizen
• 0:52
  Speaker 2: Kane the next us that's who Sure, you have to
• 0:56
  Speaker 2: put up with my voice, but there's a certain give
• 0:58
  Speaker 2: and take in this industry. That's one track mine, part
• 1:01
  Speaker 2: of the Someone's Favorite Productions family and available wherever you
• 1:05
  Speaker 2: get your podcasts.
• 1:12
  Speaker 5: What's going on? Everyone?
• 1:13
  Speaker 3: Welcome back to Beyond the Blood, where we are going
• 1:16
  Speaker 3: to be diving in for our after hours episode covering
• 1:20
  Speaker 3: our June and July pickups. This is Stephen here, and
• 1:24
  Speaker 3: I am joined by my co host Chris.
• 1:27
  Speaker 5: What's up?
• 1:28
  Speaker 4: Chris Hey doing.
• 1:30
  Speaker 5: Man.
• 1:30
  Speaker 3: I can't believe how fast the summer is flying.
• 1:34
  Speaker 4: Dude, It's like already over.
• 1:36
  Speaker 5: I swear we kept.
• 1:38
  Speaker 3: Talking about trying to knock this out, and I feel
• 1:41
  Speaker 3: like the last couple of months have escaped us. So
• 1:46
  Speaker 3: you know, we've got some movies definitely to cover.
• 1:48
  Speaker 4: I would say I only have of the four titles
• 1:51
  Speaker 4: I'm talking about, only one is a pickup. I be
• 1:55
  Speaker 4: honest with you, bro, I haven't been buying a whole lot,
• 1:57
  Speaker 4: and a lot of stuff is like pre orders that
• 2:00
  Speaker 4: haven't come in yet, so I'm kind of waiting for
• 2:03
  Speaker 4: so much stuff. But I've been watching a lot of
• 2:06
  Speaker 4: cool stuff, which is perfectly fine with me.
• 2:09
  Speaker 5: I love your posts.
• 2:10
  Speaker 3: It keeps me up to date with what you're actively watching,
• 2:13
  Speaker 3: even if it's like new pickups or you're going back
• 2:16
  Speaker 3: and you're revisiting, you know, old favorites. I know, one
• 2:20
  Speaker 3: of which we're we're gonna be talking about a little
• 2:22
  Speaker 3: bit later, which I know we have mutual love for.
• 2:24
  Speaker 4: So I try. Man, I it's really hard because I
• 2:28
  Speaker 4: watch movies really late at night. Yeah, that's kind of
• 2:31
  Speaker 4: been my thing, especially like I'm on vacation right now. Vacation,
• 2:36
  Speaker 4: staycation from work. Yeah, yeah, but you know, I have
• 2:40
  Speaker 4: I think two movies lined up for tonight, like where
• 2:43
  Speaker 4: I can be up till one o'clock in the morning
• 2:45
  Speaker 4: and just watching movies. When's your Like, I know that
• 2:49
  Speaker 4: you're usually watching movies late because I see your posts,
• 2:51
  Speaker 4: but like, when when do you cut off?
• 2:54
  Speaker 3: It's usually nine ten o'clock at night. I mean that's
• 2:58
  Speaker 3: when finally things start to die down. I'm able to
• 3:03
  Speaker 3: dial in, you know, sit back and relax, you know,
• 3:06
  Speaker 3: try to do you know, at least I try to
• 3:09
  Speaker 3: shoot for maybe like a movie a night, especially with
• 3:12
  Speaker 3: I feel like the amount of movies that I have
• 3:14
  Speaker 3: in my backlog that I'm trying to get caught up on.
• 3:17
  Speaker 3: And then obviously, you know, the movies that we cover
• 3:20
  Speaker 3: take first priorities, so I try.
• 3:21
  Speaker 5: To knock those out as soon as possible. It's just
• 3:23
  Speaker 5: in that way, you know, I'm good to go for
• 3:25
  Speaker 5: the next episode we're recording.
• 3:27
  Speaker 4: Yeah, yeah, well, let's let's plug a previous episode real quick.
• 3:31
  Speaker 4: We just posted a couple of days ago our interview
• 3:34
  Speaker 4: with Philip Escott from Second Sight Films. In my opinion,
• 3:40
  Speaker 4: I know you and I kind of talked offline about this,
• 3:42
  Speaker 4: but a pretty perfect episode in my opinion, at least
• 3:48
  Speaker 4: for like the behind the blood area of our show
• 3:51
  Speaker 4: where we do interviews and stuff. Yeah, a pretty perfect
• 3:54
  Speaker 4: episode and one that I think if you're listening to
• 3:57
  Speaker 4: this and you're a physical media guy like we are,
• 4:00
  Speaker 4: that's kind of like a really sweet treat for you,
• 4:02
  Speaker 4: because that's kind of what we talk about for the
• 4:04
  Speaker 4: most part right there on an interview for sure.
• 4:07
  Speaker 3: And what I loved about it was he definitely drops
• 4:11
  Speaker 3: some behind the scenes knowledge as far as maybe the
• 4:14
  Speaker 3: reason why we haven't gotten certain said releases through Second Site.
• 4:20
  Speaker 3: So I thought that that was really insightful and to
• 4:22
  Speaker 3: you know, kind of get a peek behind the curtain
• 4:25
  Speaker 3: of all the magic that Second Site is doing. I
• 4:29
  Speaker 3: swear it couldn't gone any better. And he was just
• 4:31
  Speaker 3: such a great guest to have on the show.
• 4:34
  Speaker 4: Yeah, Yeah, he was incredible.
• 4:36
  Speaker 5: Man.
• 4:36
  Speaker 4: That's I'm always super nervous when we do interviews because
• 4:39
  Speaker 4: it's like, you hope you're gonna jive with somebody. You
• 4:42
  Speaker 4: never know. People are different. Sorry, if you hear my dog,
• 4:46
  Speaker 4: he's just next to me. People doesn't mean they're not
• 4:50
  Speaker 4: nice or whatever. But there's just different. You know, some
• 4:52
  Speaker 4: people are more talkative, some people more interactive. But I
• 4:54
  Speaker 4: think so far between you know, working with Jordan from
• 4:58
  Speaker 4: the movie Den on the Autumn Marcus interview and the
• 5:01
  Speaker 4: Phil Scott interview, I think we've done a good job
• 5:05
  Speaker 4: at kind of creating the kind of sharing the love
• 5:11
  Speaker 4: for what we're discussing with the guests solely.
• 5:15
  Speaker 3: And I think at its core, just being able to
• 5:18
  Speaker 3: talk with some of these guests that you know that
• 5:21
  Speaker 3: through and through that their physical media lovers and that
• 5:24
  Speaker 3: they truly have a deeper appreciation for movies. I think
• 5:28
  Speaker 3: to me just means so much, and it's it's fun
• 5:31
  Speaker 3: to be able to have that type of like candid
• 5:34
  Speaker 3: conversation with somebody else that's you know, into a lot
• 5:36
  Speaker 3: of the same movies as we are.
• 5:39
  Speaker 4: Yeah. Yeah, And for people wondering, yes, we are still
• 5:43
  Speaker 4: doing commentary stuff. So this episode's going live well technically
• 5:47
  Speaker 4: tomorrow the day out the day we're recording this the
• 5:51
  Speaker 4: night before you hear this if you listen to this
• 5:52
  Speaker 4: episode tomorrow when it goes live, but we are doing
• 5:57
  Speaker 4: commentary for August. We're doing the Texas Chains on my
• 6:00
  Speaker 4: that's being recorded at the end of this week, So
• 6:03
  Speaker 4: don't worry. I know there was some delays. Both of
• 6:05
  Speaker 4: us have kind of suffered some personal loss in our family,
• 6:10
  Speaker 4: so it's just been delay after delay after delay. But
• 6:13
  Speaker 4: it's coming. I promise. We're hard at work. Please don't
• 6:17
  Speaker 4: be mad at us.
• 6:17
  Speaker 5: Behind the scenes.
• 6:18
  Speaker 3: I feel like we're trying to make up for lost time.
• 6:21
  Speaker 3: Like the amount of exchanges that we have going back
• 6:23
  Speaker 3: and forth trying to iron out like the next couple
• 6:25
  Speaker 3: of months is I just get a little bit of
• 6:28
  Speaker 3: a laugh to myself when we're going back and forth
• 6:31
  Speaker 3: on that.
• 6:32
  Speaker 4: And it's it's like blown up so fast, Like I
• 6:34
  Speaker 4: cannot stress kind of what we have coming, you know,
• 6:37
  Speaker 4: as far as for the most part, for the behind
• 6:39
  Speaker 4: the Blood segments, we're doing an interview because or the
• 6:41
  Speaker 4: interviews because we really want to lean into that because
• 6:43
  Speaker 4: we feel like we have a good thing going. Yeah,
• 6:45
  Speaker 4: and we really love that, and you know, it's good
• 6:48
  Speaker 4: variety to give the audience, to give these insights. I
• 6:53
  Speaker 4: mean we're currently talking to six plus people industry people
• 6:57
  Speaker 4: while coming on the show, you know, between your contacts,
• 7:00
  Speaker 4: between my contexts, trying to schedule and place all this around,
• 7:06
  Speaker 4: you know, family and full time work and all this,
• 7:08
  Speaker 4: it gets a little hectic, especially when.
• 7:10
  Speaker 3: We're trying zones, like I'm learning to adjust different time zones.
• 7:15
  Speaker 4: Phil the film interview was ten am our time, three
• 7:17
  Speaker 4: o'clock his time in the UK. So yeah, it gets
• 7:21
  Speaker 4: a little complicated, but we're getting there, you know.
• 7:23
  Speaker 5: Yeah, you know, lots of exciting stuff. You know.
• 7:26
  Speaker 3: I'm definitely looking forward to the Texas Chainsaw Massacre episode
• 7:30
  Speaker 3: just because I feel like we've been building it up
• 7:33
  Speaker 3: for so long and to just cover such a seminal release,
• 7:38
  Speaker 3: not only with the movie but also the second site release.
• 7:43
  Speaker 3: You know, I couldn't think of a better time to
• 7:45
  Speaker 3: release it. You know, we're you know, knee deep in summer,
• 7:48
  Speaker 3: and you know, I absolutely always associate that movie with
• 7:52
  Speaker 3: peak summer.
• 7:54
  Speaker 5: Yeah.
• 7:55
  Speaker 4: Yeah, so tons of of going. I mean. Good news
• 7:58
  Speaker 4: on the physical media front, uh Ravito Giallo has finally
• 8:01
  Speaker 4: shipped from Cauldron. I got my notification today that that
• 8:05
  Speaker 4: is on the way. It's been only since November or
• 8:08
  Speaker 4: January was the announcement.
• 8:09
  Speaker 5: When it's been a journey.
• 8:12
  Speaker 3: Listen, I think listen, I got nothing but love for Cauldron,
• 8:17
  Speaker 3: but I know better with the Houses of Doom box set,
• 8:20
  Speaker 3: and I was talking with Jordan earlier about this that
• 8:24
  Speaker 3: that was arguably a top three release from me last year,
• 8:28
  Speaker 3: and I knew as soon as we got this announcement
• 8:32
  Speaker 3: for the Bava box set, I was like, buckle up.
• 8:34
  Speaker 3: I just had this feeling that it might take a
• 8:36
  Speaker 3: little bit longer than we're all hoping, but it's gonna
• 8:39
  Speaker 3: be worth it, right.
• 8:40
  Speaker 4: They improved it. The delay was good improvements, yep. So,
• 8:44
  Speaker 4: and I think those improvements took way longer than they
• 8:47
  Speaker 4: were even expecting. But at the end of the day,
• 8:50
  Speaker 4: the release that we are getting is better than what
• 8:52
  Speaker 4: we were originally getting, So it's okay, yeah, you know,
• 8:57
  Speaker 4: so very excited about that. Really, that's the only thing
• 8:59
  Speaker 4: that I have coming. I mean, I have Texas chains.
• 9:02
  Speaker 4: I asker four K from Arrow, I have the beat
• 9:04
  Speaker 4: texta chains at the beginning from Arrow. When when Evil
• 9:07
  Speaker 4: Lurks from Second Sight was that was all part of
• 9:09
  Speaker 4: one order.
• 9:10
  Speaker 5: So I have to oh, that's why.
• 9:11
  Speaker 4: Okay, Yeah, so a little bit of delay on when
• 9:13
  Speaker 4: Evil Lurks.
• 9:15
  Speaker 5: Did you pick up Thief Michael Mann's four K?
• 9:19
  Speaker 4: I did not. I did not. I have the criterion
• 9:22
  Speaker 4: Oh okay, yep. The only thing Mike, Uh kind of
• 9:27
  Speaker 4: did Jordan. Jordan and I have favor. He got us
• 9:30
  Speaker 4: the Nothing Is Secret set from Radiance. Oh so I'm
• 9:33
  Speaker 4: just waiting for that to ship out. Kind of Jordan
• 9:35
  Speaker 4: kind of talked me into that.
• 9:37
  Speaker 5: Very cool.
• 9:38
  Speaker 4: But yeah, that's really all that that I'm waiting for
• 9:41
  Speaker 4: physical media wise, I mean, anything else that I didn't
• 9:43
  Speaker 4: mention that you're kind of waiting checking the shipping.
• 9:45
  Speaker 5: For sleep Away Camp two and three. Come on, man, you're.
• 9:49
  Speaker 4: Gonna get the Sleepway Camp novel from in Psychopocalypse pub.
• 9:53
  Speaker 3: That could happen. That could happen, depends how I'm feeling
• 9:57
  Speaker 3: after I pick up these two. You know, I'm definitely
• 10:02
  Speaker 3: excited to revisit both these movies. That's been some time,
• 10:05
  Speaker 3: and you know, hopefully this will be uh, you know,
• 10:09
  Speaker 3: it'll live up to expectations. I feel like Screen Factory,
• 10:12
  Speaker 3: you know, above all ELTs, they're able to knock it
• 10:15
  Speaker 3: out of the park with their four K transfers.
• 10:18
  Speaker 5: Yeah.
• 10:18
  Speaker 4: Yeah, And I do want to say shout out to
• 10:20
  Speaker 4: in Psycho Bacalypts Publications for keeping horror novelizations alive between
• 10:25
  Speaker 4: this and like their work with Severn. You know, there's
• 10:28
  Speaker 4: a six hundred plus page book out there adaptation of Rats.
• 10:32
  Speaker 4: So you know, keeping keeping the good work coming, you
• 10:35
  Speaker 4: know what I mean.
• 10:36
  Speaker 5: Doing that's a certain level of commitment.
• 10:38
  Speaker 4: Man, Oh my god, Well, do you want to kick
• 10:43
  Speaker 4: us off kind of talk about your your first title
• 10:45
  Speaker 4: that you got for us?
• 10:46
  Speaker 5: Yeah? Yeah, yeah, absolutely.
• 10:49
  Speaker 3: Well the first one that I wanted to have a
• 10:52
  Speaker 3: chance to dive into is from one oh one Films.
• 10:57
  Speaker 3: So I picked up the nineteen ninety five of released
• 11:00
  Speaker 3: Castle Freak.
• 11:02
  Speaker 4: Oh yeah, I love that movie.
• 11:03
  Speaker 3: Oh yeah, yep. So this one I was really really
• 11:08
  Speaker 3: excited for. I'm excited to see that some of like
• 11:11
  Speaker 3: the Full Moon features, Uh, those movies are starting to
• 11:15
  Speaker 3: get a little bit more love. It feels like within
• 11:17
  Speaker 3: the last year between Umbrella one on one films, like
• 11:23
  Speaker 3: they're definitely kicking it into overdrive as far as doing
• 11:28
  Speaker 3: like boutique treatments for those films.
• 11:31
  Speaker 5: So very very exciting. Obviously.
• 11:34
  Speaker 3: This is directed by the late Stuart Gordon and definitely
• 11:39
  Speaker 3: inspired by a lot of the HP Lovecraft Dan influence.
• 11:45
  Speaker 4: Right yeah, yeah, I think it's not as cosmic as
• 11:50
  Speaker 4: other Craft stuff, but it's still in the in the vein,
• 11:53
  Speaker 4: I think.
• 11:54
  Speaker 3: Yeah, And so this one stars. We've got Jeffrey Combs,
• 11:59
  Speaker 3: Barbara Hampton and a lot of familiar faces for Stuart
• 12:04
  Speaker 3: Gordon films. And this actually revolves around a couple their
• 12:09
  Speaker 3: daughter that come face to face with terror when they
• 12:11
  Speaker 3: travel to Italy to move into a castle they have inherited,
• 12:15
  Speaker 3: so unbenown.
• 12:15
  Speaker 4: To the band's castle by the way, actual castle that
• 12:19
  Speaker 4: he owned.
• 12:20
  Speaker 3: That's incredible. Unbeknownst to them, their new home harbors at
• 12:26
  Speaker 3: grotesquely disfigured and tortured man who has been imprisoned for decades.
• 12:32
  Speaker 3: So this I was very, very impressed with this release.
• 12:39
  Speaker 3: Some of the key features that I feel like really
• 12:43
  Speaker 3: stood out and they are new for this release. So
• 12:47
  Speaker 3: we have a brand new interview with composer Richard Band.
• 12:51
  Speaker 3: There's Don't Look in the Basement, which is an interview
• 12:54
  Speaker 3: with actress Barbara Crampton, and then Freakin a Leash which
• 12:58
  Speaker 3: is an interview with filmmaker Chris Alexander. You also get
• 13:02
  Speaker 3: some archival extras in with it, so Castle Speak with
• 13:06
  Speaker 3: Stuart Gordon and William Shatner, interview with Stuart Gordon, Barbara
• 13:11
  Speaker 3: Crampton and Jeffrey Colmes. They definitely went all out for
• 13:16
  Speaker 3: this release. I feel like One on one Films is
• 13:19
  Speaker 3: like the unsung hero when it comes to their boutique
• 13:23
  Speaker 3: treatment for whether it's Blue Rays or four K's and overall,
• 13:27
  Speaker 3: I was just really impressed with this. You know, it's
• 13:30
  Speaker 3: one of the nineties horror films I just don't think
• 13:34
  Speaker 3: gets talked about enough, often overlooked, and I'm glad that
• 13:40
  Speaker 3: One on one Films is giving this release the love
• 13:43
  Speaker 3: that it deserves.
• 13:45
  Speaker 4: Yeah, I know, this's got a lot of attention when
• 13:47
  Speaker 4: it was on the late night drive in with Joe
• 13:50
  Speaker 4: Bob mm hm. This was I think first season. I
• 13:53
  Speaker 4: think this was like the second or third episode when
• 13:55
  Speaker 4: the show repremiered on Shutter. That's that's when I solid
• 14:00
  Speaker 4: because I had never seen it before it. I think
• 14:03
  Speaker 4: what I love most about it is that it's still
• 14:05
  Speaker 4: is down to its core a Stuart Gordon film, Like
• 14:09
  Speaker 4: it's it's exploitive, it's violent, it's really grimy, Like Jeffrey
• 14:15
  Speaker 4: Combe's character is kind of a piece of shit, you
• 14:18
  Speaker 4: know what I mean. In this movie. Barbara Crampton's fantastic
• 14:23
  Speaker 4: the daughter, she's wonderful. The creature design is super gross.
• 14:29
  Speaker 4: You know, it's very, very haunting. But it still has
• 14:33
  Speaker 4: like it's God's finger still on the pulse of Fu
• 14:38
  Speaker 4: Moon of Fu Moon at full Moon typicality, you know
• 14:42
  Speaker 4: what I mean, Like it's it's to its core a
• 14:44
  Speaker 4: Full Moon film, and I I think that's why I
• 14:46
  Speaker 4: love it. I did get that release. I haven't watched
• 14:50
  Speaker 4: it yet, but very happy to have a little bit
• 14:54
  Speaker 4: more of a boutique treatment for it. I think it's
• 14:56
  Speaker 4: the same transfer as the Full Moon excuse me, Blu ray,
• 15:01
  Speaker 4: So I don't think they've really enhanced it. But I don't.
• 15:05
  Speaker 4: I don't. It's not when I'm like I need on
• 15:07
  Speaker 4: four K. I think the Blu ray looks.
• 15:09
  Speaker 5: Good for sure.
• 15:10
  Speaker 3: It's it's definitely like I mean everything from the you know,
• 15:16
  Speaker 3: the artwork on the slip cover down the.
• 15:19
  Speaker 5: Cover, I know that one.
• 15:23
  Speaker 3: I mean that just caught my eye when they first
• 15:25
  Speaker 3: announced it. I was like, that's like I must have
• 15:27
  Speaker 3: for me. Yeah, but yeah, there, I you know, I
• 15:31
  Speaker 3: think what's so impressive about this is, you know, it
• 15:35
  Speaker 3: was it was filmed on such a tight budget and
• 15:38
  Speaker 3: to be able to get such like a notable uh
• 15:41
  Speaker 3: Lovecraftian esque film. I mean it's it's notably darker, uh
• 15:47
  Speaker 3: you know, I would say as as far as horror
• 15:50
  Speaker 3: movies go, but there's a lot of focus I feel
• 15:52
  Speaker 3: like on like the family, trauma, grief, emotional abuse, and
• 15:55
  Speaker 3: tragedy all throughout. And yeah, it's definitely a movie that
• 16:01
  Speaker 3: I feel like I always find myself coming back to
• 16:03
  Speaker 3: on occasion. I have it, you know, in a nice
• 16:06
  Speaker 3: boutique release, and then I have that all the way
• 16:09
  Speaker 3: down to the VHS tape.
• 16:11
  Speaker 5: So it's pretty cool, man. I'm not gonna lie.
• 16:14
  Speaker 4: That's a fun one, dude. I feel like I could
• 16:15
  Speaker 4: throw that one on any time and oh, yeah, you know,
• 16:18
  Speaker 4: have some fun with that one.
• 16:19
  Speaker 5: You know, what was.
• 16:21
  Speaker 3: What was your initial experience, Like how did you first
• 16:24
  Speaker 3: hear about this movie? You know, was it early on,
• 16:27
  Speaker 3: like when you were getting into horror movies like that,
• 16:30
  Speaker 3: or did it take some time to eventually discover it.
• 16:34
  Speaker 4: I wasn't really like a full Moon I mean really
• 16:37
  Speaker 4: still am not to an extent, Like I'm not the
• 16:41
  Speaker 4: biggest full Moon guy. I was never a puppet Master fan,
• 16:46
  Speaker 4: like you know, there was there's only few full Moon properties.
• 16:49
  Speaker 4: I really got into Castle Freak. To me, I feel
• 16:52
  Speaker 4: like when I was younger, I remember kind of seeing
• 16:54
  Speaker 4: the poster artwork and stuff, and it screamed like low
• 16:58
  Speaker 4: budget nothing, you know, until I grew up and I, uh,
• 17:02
  Speaker 4: you know, got a little smarter with my uh my thinking. Yeah,
• 17:08
  Speaker 4: and yeah, it was actually on Joe Bob that I
• 17:10
  Speaker 4: saw the movie, and Joe Bob just talks so incredibly well,
• 17:13
  Speaker 4: and I think on that episode he actually had Barbara
• 17:15
  Speaker 4: Crampton okay on And you know, at that point, I
• 17:18
  Speaker 4: was a massive reanimator fan. I was a massive Stewart
• 17:21
  Speaker 4: Gordon fan, and that was kind of one of the
• 17:23
  Speaker 4: two titles at the time that I'd never seen before
• 17:26
  Speaker 4: from him. And when it was over, I was like,
• 17:29
  Speaker 4: how the fuck have I never seen that?
• 17:31
  Speaker 5: Like?
• 17:31
  Speaker 4: How did I just plain ignorance?
• 17:34
  Speaker 2: You know.
• 17:34
  Speaker 3: I feel like when I when I think of like
• 17:38
  Speaker 3: Full Moon's movies, I would definitely put it in the
• 17:41
  Speaker 3: top tier.
• 17:42
  Speaker 5: You know. I know you said you're not the biggest
• 17:44
  Speaker 5: pop 'master fan, but.
• 17:47
  Speaker 3: As far as notable works, I definitely think it's up
• 17:50
  Speaker 3: there for them.
• 17:52
  Speaker 4: Yeah, that tourist trap is always I think my favorite. Okay,
• 17:57
  Speaker 4: uh yeah, which one on one films also really tourist
• 18:02
  Speaker 4: trap that I even love way back in the day.
• 18:05
  Speaker 4: Man one of the earlier Full Moon titles was actually
• 18:08
  Speaker 4: like a like a soft core comedy called fairy Tale. Okay,
• 18:13
  Speaker 4: it's like way back in like I don't even I
• 18:16
  Speaker 4: think it was like one of the ones that that
• 18:18
  Speaker 4: Charlie had picked up kind of after Empire fell apart
• 18:22
  Speaker 4: and he was starting Full Moon. It was like one
• 18:23
  Speaker 4: of those titles that he distributed through that. Yeah, but
• 18:27
  Speaker 4: I have a lot of fun with that movie. It's
• 18:28
  Speaker 4: pretty much like a it's kind of like a really light,
• 18:31
  Speaker 4: softcore movie about fairy tale. It's like this guy who
• 18:34
  Speaker 4: he's in love with this princess and he needs to
• 18:36
  Speaker 4: kind of track her down, and along the way he
• 18:38
  Speaker 4: just kind of comes across like these adult versions of
• 18:40
  Speaker 4: fairy tales and the humor is like out of control.
• 18:43
  Speaker 4: And then it's actually the premiere or the debut of LINEA. Quigley.
• 18:48
  Speaker 5: Oh process that he.
• 18:50
  Speaker 4: Yeah, she's the princess that he's trying to find, So
• 18:52
  Speaker 4: she's in like the last five minutes of the movie.
• 18:55
  Speaker 5: That's all.
• 18:56
  Speaker 4: That's one that like when I talk to people without
• 18:57
  Speaker 4: Full Moon, I'm like, oh, have you ever seen fairy Tale?
• 18:59
  Speaker 4: They're like no, I'm like, yeah, I found it.
• 19:01
  Speaker 5: On the form. I need to change that.
• 19:04
  Speaker 4: It's weird.
• 19:04
  Speaker 5: Man.
• 19:05
  Speaker 4: I found it on the full Moon like streaming service
• 19:08
  Speaker 4: that's kind of connected the Prime that you can get
• 19:11
  Speaker 4: for a couple of bucks a month.
• 19:12
  Speaker 5: Okay, so I found out on there.
• 19:15
  Speaker 4: Yeah, full Moon. I mean, look, dude, my my wife
• 19:18
  Speaker 4: loves Demonic Master versus Demonic Toys. So I'm rooting for
• 19:23
  Speaker 4: a release of that sometime soon.
• 19:24
  Speaker 5: I'm sure we'll get it.
• 19:25
  Speaker 3: I mean, with with the way that a lot of
• 19:28
  Speaker 3: these labels are knocking out, you know, whether it's the
• 19:32
  Speaker 3: the full Moon box that's the Umbrella has. I know
• 19:35
  Speaker 3: that they have a volume two out and then One
• 19:37
  Speaker 3: on one Films is just doing a phenomenal job with
• 19:40
  Speaker 3: with doing these releases. I mean, I'm sure it's just
• 19:43
  Speaker 3: it's just gonna be a matter of time.
• 19:46
  Speaker 4: Where since that's a new release, where did you pick
• 19:48
  Speaker 4: that up from?
• 19:50
  Speaker 3: I would say for a good portion of these Actually,
• 19:54
  Speaker 3: you know, half the stack was through the movie Reroom.
• 19:58
  Speaker 4: Perfect dude, what a what a We did not plan that.
• 20:02
  Speaker 4: By the way, that was not a segue that I
• 20:06
  Speaker 4: wanted to say.
• 20:06
  Speaker 3: It was the hole stack, But then I started looking
• 20:08
  Speaker 3: through the other titles were discussing and I gotta be honest,
• 20:12
  Speaker 3: only half of them are from there.
• 20:14
  Speaker 4: But it's okay, man. I was I was hoping. I
• 20:16
  Speaker 4: thought I had remembered you saying you got it from
• 20:18
  Speaker 4: the Movie Room, and I was like, oh, maybe I
• 20:20
  Speaker 4: can use this as a segue to kind of talk
• 20:22
  Speaker 4: about the Movie Room. And it worked. I don't know
• 20:25
  Speaker 4: how that happened, but uh yeah, the Movie Room guys
• 20:28
  Speaker 4: were very, very honored to have a great work of
• 20:31
  Speaker 4: relationship with the Movie Room dot com. If you've never
• 20:34
  Speaker 4: heard of it. They are a I don't know if
• 20:37
  Speaker 4: it's a distributor or a mom and pop store, online
• 20:40
  Speaker 4: store that distributes physical media. I mean everything from like
• 20:45
  Speaker 4: the one click Nova Media premium boxes down to boutique
• 20:50
  Speaker 4: labels like Aero Screen Factory, Radiance, One on one Films,
• 20:54
  Speaker 4: Second Site, Second Site, Vinegar Syndrome. Yeah, all those guys,
• 20:57
  Speaker 4: so they're all on themovieroom dot Com. I can't stress
• 21:03
  Speaker 4: enough the importance of supporting this company. It's a husband
• 21:08
  Speaker 4: and a wife. They are incredible. They started this just
• 21:12
  Speaker 4: out of like filling the void of or like filling
• 21:16
  Speaker 4: the dream of you know, we want to do what
• 21:19
  Speaker 4: these other guys are doing, and it's absolutely exploded for them.
• 21:24
  Speaker 4: You know, they have incredible partners that we're also partnered
• 21:27
  Speaker 4: up with on them, you know, talking about them, we're
• 21:30
  Speaker 4: kind of seeing the Movie Room everywhere now. I think
• 21:32
  Speaker 4: thanks to they're shipping, they protect your packages like nobody
• 21:37
  Speaker 4: else does. With they have like the then not only
• 21:41
  Speaker 4: do they put some of your releases in like a
• 21:42
  Speaker 4: slipcover case cover thing, but like it'll take you at
• 21:48
  Speaker 4: least five minutes to get from your package to your product,
• 21:50
  Speaker 4: that's how much.
• 21:51
  Speaker 3: Yeah, they go above and beyond with making sure that
• 21:55
  Speaker 3: your your package is protected, you know, especially for like
• 21:58
  Speaker 3: your box sets or staying alone releases. But yeah, there's
• 22:02
  Speaker 3: a lot of love and care that's put into each
• 22:04
  Speaker 3: one of the packages. And you can definitely tell, you know,
• 22:06
  Speaker 3: when you open it up.
• 22:08
  Speaker 4: It's it's collectors buying from collectors. That's the best part
• 22:13
  Speaker 4: of it, you know what I mean, Like I feel
• 22:15
  Speaker 4: like I'm buying from somebody like myself, who That's how
• 22:17
  Speaker 4: I would package, That's how I would want my product
• 22:19
  Speaker 4: to be delivered to a customer, you know what I mean. Yeah,
• 22:24
  Speaker 4: So just go over and make sure you check out
• 22:25
  Speaker 4: the movie Room dot com. We will have a little
• 22:28
  Speaker 4: bit of a code soon by the next episode. But
• 22:32
  Speaker 4: all of our after hours episodes are sponsored by the
• 22:36
  Speaker 4: Movingroom dot Com, so you're gonna be hearing a lot
• 22:37
  Speaker 4: about them from us. They're kind of helping us out
• 22:41
  Speaker 4: getting some titles for us to chat about on here.
• 22:44
  Speaker 3: Yeah, I'm excited for for what's to come, and they're
• 22:47
  Speaker 3: they're just good people in general. Like, I just feel
• 22:50
  Speaker 3: very fortunate that we have this partnership with them, and
• 22:53
  Speaker 3: I feel like they always take great care of us.
• 22:56
  Speaker 4: Yeah. I mean I told them straight up. I remember
• 22:59
  Speaker 4: the like the meeting we had with them, and I
• 23:00
  Speaker 4: was like, we were talking about building up getting a
• 23:02
  Speaker 4: podcast code together to work with them, and I was like,
• 23:06
  Speaker 4: we don't even need one. I'll just tell people about it.
• 23:08
  Speaker 4: And they're like, no, no, no, no, all right. I was
• 23:11
  Speaker 4: just trying to just trying to send people to you.
• 23:13
  Speaker 4: But okay, well they're awesome.
• 23:16
  Speaker 3: It feels like friends supporting friends. I know they're a
• 23:18
  Speaker 3: small business and you know, definitely you know, trying to
• 23:22
  Speaker 3: leave their mark, but yeah, I just feel like, you know,
• 23:26
  Speaker 3: when you you wholeheartedly believe in something, you know, I
• 23:29
  Speaker 3: want to be able to, you know, pound the table
• 23:32
  Speaker 3: and tell everyone I know how much I really appreciate,
• 23:34
  Speaker 3: you know, them as a business and everything that they
• 23:36
  Speaker 3: stand for.
• 23:38
  Speaker 4: Absolutely well. My first title is actually from them. I
• 23:41
  Speaker 4: got got from the movie Room, Look at You, Chris Juste.
• 23:48
  Speaker 4: I picked up because I had to. I had no choice.
• 23:51
  Speaker 4: It was almost like fate grabbed my fingers and made
• 23:54
  Speaker 4: me purchase this. I got Mac in Me from Vinegar
• 23:58
  Speaker 4: Syndrome on four K.
• 23:59
  Speaker 5: Oh Hell yeah, bro.
• 24:01
  Speaker 4: Nowhere near my BINGO card for twenty twenty five was
• 24:05
  Speaker 4: Mac and Me getting not just the four K release,
• 24:08
  Speaker 4: but like a deluxe VSU treatment release. Because this guy
• 24:12
  Speaker 4: has like the magnet box, the booklet, inside our outside our,
• 24:16
  Speaker 4: a slipcover. It's brand new, commissioned all over this thing.
• 24:20
  Speaker 4: This is pretty incredible. And I haven't seen this movie
• 24:23
  Speaker 4: in decades. That's how long it had been since i'd.
• 24:28
  Speaker 3: Seen You inspired me to get it after I saw once.
• 24:31
  Speaker 3: Once you got it in, I was like, damn, man,
• 24:34
  Speaker 3: I don't know if I could pass this up.
• 24:36
  Speaker 5: Dude, I grew up on this movie.
• 24:40
  Speaker 4: I loved it. I was so excited. I showed my wife.
• 24:42
  Speaker 5: She enjoyed it.
• 24:44
  Speaker 4: You know, say what you will about the McDonald's dancing scene.
• 24:49
  Speaker 4: Say what you will about all the coke products littered
• 24:52
  Speaker 4: all over the movie. Whatever. Genuinely a very very very
• 24:57
  Speaker 4: sweet movie, one that has great effects with the with
• 25:02
  Speaker 4: not only the design of Mac but his family in general,
• 25:05
  Speaker 4: really cool practical suits, puppetry, a combination of effects going
• 25:09
  Speaker 4: on there. It's just one of those odd like this
• 25:13
  Speaker 4: came out in nineteen eighty eight. This, this type of
• 25:17
  Speaker 4: movie is never going to be made today. Man, It'll
• 25:19
  Speaker 4: just never happen. There's something told. It's like, yes, we
• 25:23
  Speaker 4: can still do puppets. You know. The visual effects are
• 25:26
  Speaker 4: better than ever before. We have so much more that
• 25:31
  Speaker 4: we can do to film nowadays, and they will still
• 25:34
  Speaker 4: never be able to replicate what a movie like this
• 25:37
  Speaker 4: did at this time, you know what I mean? Absolutely
• 25:41
  Speaker 4: so to get it in a four K release scanned
• 25:44
  Speaker 4: from the original camera negative, a bunch of new extras.
• 25:48
  Speaker 4: There's a commentary track on here. I don't know if
• 25:50
  Speaker 4: we need to beyond the blood episode on Mac and Me,
• 25:53
  Speaker 4: but there is a commentary tracks.
• 25:54
  Speaker 5: Listen if the demand sayer, you never know.
• 25:59
  Speaker 4: There's a brand new interview with the writer, director, brand
• 26:03
  Speaker 4: new featurette with cinematographer and camera operator. There's a brand
• 26:06
  Speaker 4: new interview with the Alien designer slash Puppeteer, Brand new
• 26:10
  Speaker 4: interview actors Charlie or Christine Eversol An archival interview with
• 26:15
  Speaker 4: songwriter Ali Willis alternate climactic shooting sequence. The alternate one
• 26:20
  Speaker 4: is the one where he actually gets shot. I didn't
• 26:23
  Speaker 4: know that that was alternate, but yeah.
• 26:26
  Speaker 1: This is.
• 26:28
  Speaker 4: I'll be honest with you, wrote this doesn't even feel real.
• 26:32
  Speaker 4: Like when I got this in I was like this
• 26:34
  Speaker 4: twenty twenty five? Did I got mac in me on
• 26:36
  Speaker 4: four K from Vinegar Syndrome? Like, what the hell is this?
• 26:40
  Speaker 3: So as far as there VSU releases, do you consider
• 26:44
  Speaker 3: the packaging and care that's put into each one of those?
• 26:47
  Speaker 3: Probably like top tier out of any label. Uh, it's
• 26:54
  Speaker 3: up there.
• 26:55
  Speaker 4: I don't know, Like, yeah, I don't own a lot
• 26:57
  Speaker 4: of these. I only owned two. I only own this
• 26:59
  Speaker 4: one own.
• 27:00
  Speaker 5: Roadhouse same, Yeah, I have that release, but amongst a
• 27:06
  Speaker 5: few others.
• 27:07
  Speaker 4: Yeah, they're very very cool. I do wish I kind
• 27:12
  Speaker 4: of had some insight as to what qualifies a title
• 27:16
  Speaker 4: as being a VSU, because there are titles that Vinegar
• 27:19
  Speaker 4: Syndrome puts out that I think deserve a VSU style
• 27:22
  Speaker 4: release more than sometimes the ones that do get VSU treatment.
• 27:28
  Speaker 4: But I guess it's you know, up to discretion or
• 27:31
  Speaker 4: rights or whatever the whatever goes into that. I mean,
• 27:36
  Speaker 4: it's definitely expensive. I did not pay full price for this,
• 27:41
  Speaker 4: so I can't say, like, oh, you know, my opinion
• 27:45
  Speaker 4: on the money spent. But is this the best release
• 27:48
  Speaker 4: of Macami? We're ever going to get? One million? Is
• 27:52
  Speaker 4: it weird that it came from Vinegar.
• 27:53
  Speaker 5: Syndrome the definitive and me the defense?
• 27:59
  Speaker 4: This is the mac bro, this is the return of
• 28:01
  Speaker 4: the mac right here. It's pretty incredible, man. I mean
• 28:05
  Speaker 4: it's a movie that I think we've all been. It's funny,
• 28:08
  Speaker 4: all the jokes, like all of the comments I've seen
• 28:11
  Speaker 4: over the over the the past year of Vinegar Syndrome,
• 28:14
  Speaker 4: like people saying every announcement post people are like Mac
• 28:17
  Speaker 4: and me, and I'm like, wait a second, is this
• 28:19
  Speaker 4: no way it's a real thing. So when it came
• 28:21
  Speaker 4: to life, it was pretty incredible. But movies like this
• 28:25
  Speaker 4: that like have such a relevance to my childhood, for sure.
• 28:36
  Speaker 4: It's it's funny how full circle it's come that I
• 28:38
  Speaker 4: went from a child who played this VHS to death
• 28:42
  Speaker 4: to now being a collector in in the the the
• 28:48
  Speaker 4: age of four K, in the age of premium releases,
• 28:52
  Speaker 4: and to get this in the mail, it kind of
• 28:54
  Speaker 4: feels full circle and it's something that hasn't really sunk
• 28:56
  Speaker 4: in yet.
• 28:57
  Speaker 5: You know, there's a lot of nostalgia. That's tight, dude.
• 29:01
  Speaker 4: I'm watching this with my wife. I had a smile
• 29:03
  Speaker 4: on my face the whole entire time, and I was
• 29:05
  Speaker 4: just hoping, hoping that she was enjoying it, which which
• 29:07
  Speaker 4: she did so.
• 29:09
  Speaker 5: So, Chris, I have to ask, do you think this
• 29:12
  Speaker 5: is better than ET? Fuck?
• 29:14
  Speaker 4: No, dude, et Et is goat, the ET is goaded.
• 29:20
  Speaker 5: Dude, I don't know.
• 29:21
  Speaker 3: I mean, I just I heard word on the street
• 29:23
  Speaker 3: that you preferred Mac and Me over ET. I just
• 29:25
  Speaker 3: had to clear it up.
• 29:26
  Speaker 4: Honestly, dude, I'll let that word go. I mean, think
• 29:29
  Speaker 4: of it, think of me what you will. No, I
• 29:31
  Speaker 4: love ET. It's it's really hard for me to even say, like,
• 29:35
  Speaker 4: I think Mac and Me is a well made movie.
• 29:39
  Speaker 4: It's very silly. It's it's very like it knows what
• 29:43
  Speaker 4: it is. Yeah, it does. But it's very sweet, dude.
• 29:47
  Speaker 4: It has a score by Alan Silvestri that sounds exactly
• 29:50
  Speaker 4: like the Back of the Future score. Anybody listening to
• 29:53
  Speaker 4: this is gonna be like, wait a second, does sound
• 29:54
  Speaker 4: like back to the future When you get yours? There's
• 29:58
  Speaker 4: at least four instances where it sounds exactly like back
• 30:02
  Speaker 4: to the future, maybe just like a key down. It's
• 30:06
  Speaker 4: very odd.
• 30:06
  Speaker 5: Trust me, you'll be the first one I'm hitting up once.
• 30:09
  Speaker 4: I want like a FaceTime mid midwatch, you know what
• 30:12
  Speaker 4: I mean. Like, So, yeah, Mac and Me, beautiful release,
• 30:16
  Speaker 4: great job, vinegar syndrome. Still wrapping my head around the
• 30:19
  Speaker 4: fact that this exists, but I definitely am gonna be
• 30:22
  Speaker 4: diving into it some more. I do want to check
• 30:24
  Speaker 4: out the commentary track, just for laughs and giggles. Yeah,
• 30:27
  Speaker 4: and you know, it's not the longest batch of interviews.
• 30:30
  Speaker 4: They're all pretty much like under twenty minutes, so I'll
• 30:33
  Speaker 4: go through those as well over the over the coming weeks.
• 30:35
  Speaker 4: But yeah, that's that's my first pick for tonight.
• 30:38
  Speaker 3: Very nice, very nice. Well to segue from.
• 30:43
  Speaker 4: That, how do you segue from Mac and Me?
• 30:46
  Speaker 5: Bro Dude, it's tough.
• 30:47
  Speaker 3: I don't know how I can top that, to be honest,
• 30:49
  Speaker 3: but I've got some Brian to palm a heat coming
• 30:54
  Speaker 3: at you. I got Dressed to Kill Hell, Yeah, yeah,
• 30:58
  Speaker 3: So this is one that was a Keino Lorber had
• 31:05
  Speaker 3: already released, but I couldn't pass this one up. Honestly
• 31:10
  Speaker 3: from Aero, So the nineteen eighty classic from Brian to
• 31:14
  Speaker 3: Palma acclaim for its stylish set pieces and lush Pino
• 31:20
  Speaker 3: Donaggio's score. It's definitely a film that feels very much
• 31:27
  Speaker 3: influenced by Italian Giallo, and I think that that's why
• 31:32
  Speaker 3: I just adore this movie so much, so just to
• 31:35
  Speaker 3: give a little bit of like a rundown on it. So,
• 31:40
  Speaker 3: after a sexually frustrated housewife Kate Miller played by Angie Dickinson,
• 31:44
  Speaker 3: has a session with her psychiatrist, doctor Elliott played by
• 31:48
  Speaker 3: Michael Caine, she silently seduces a man in an art
• 31:52
  Speaker 3: gallery and it ends in murder and the only witness,
• 31:58
  Speaker 3: high class prostitute Liz Blake played by Nancy Allen, is
• 32:02
  Speaker 3: being stoked by the killer in turn, So, for you, Chris,
• 32:09
  Speaker 3: where does this fall as far as Brian to Palma films?
• 32:13
  Speaker 5: For you?
• 32:16
  Speaker 4: Probably my favorite? Okay, being honest with you, I love
• 32:24
  Speaker 4: Dressed to Kill Like in my opinion, this movie fires
• 32:29
  Speaker 4: on every single cylinder Michael Kaine's performance is great. I
• 32:34
  Speaker 4: love Nancy Allen. Yes, in this film, the art gallery
• 32:39
  Speaker 4: slash museum scene is one of the most like nauseating
• 32:44
  Speaker 4: sequences I think ever put on films simply for just
• 32:49
  Speaker 4: it's incredibly clever use of space. You know, the cinematography
• 32:55
  Speaker 4: is beautiful. There's like you know, you you mentioned shallow influence.
• 33:03
  Speaker 4: It's all over this. I mean you can just go
• 33:04
  Speaker 4: on YouTube and look up the elevator sequence and look,
• 33:07
  Speaker 4: you could. You could pretty much take it from any
• 33:10
  Speaker 4: any Argento film. You know, it's it's right there.
• 33:12
  Speaker 3: But it's I thought of the case, the bloody iris. Yeah,
• 33:16
  Speaker 3: the elevator scene.
• 33:17
  Speaker 4: Yeah, one hundred percent agreement. I also, are we doing
• 33:22
  Speaker 4: are we doing spoilers or no?
• 33:26
  Speaker 3: I mean it's been out long enough. Okay, So this
• 33:29
  Speaker 3: is basically a spoiler warning. If you haven't had chance
• 33:31
  Speaker 3: to see Dressed to Kill by this point, just a
• 33:35
  Speaker 3: heads up.
• 33:35
  Speaker 5: We're going to dive into spoilers here.
• 33:37
  Speaker 4: Yeah. Well, you know, less than halfway through the movie,
• 33:40
  Speaker 4: we we we switch up our main character, the main
• 33:43
  Speaker 4: character gets killed, and then we completely switch main characters.
• 33:47
  Speaker 4: We start following Nancy Allen and uh Keith Gordon ye
• 33:52
  Speaker 4: is his name, right, Yeah, Yeah, when we start following them,
• 33:56
  Speaker 4: and it's such a clever. Not many filmmakers, I think
• 34:01
  Speaker 4: I have the confidence to do that, and not many
• 34:04
  Speaker 4: films I think have the writing or the character development
• 34:07
  Speaker 4: to be able to do that effectively or as effectively
• 34:09
  Speaker 4: as Dressed to Kill does, you know, Brian de Palma,
• 34:14
  Speaker 4: to me, is a very a lot of a lot
• 34:18
  Speaker 4: of style.
• 34:19
  Speaker 5: You know.
• 34:19
  Speaker 4: I like Body Double, it just doesn't have the replay
• 34:22
  Speaker 4: value for me.
• 34:24
  Speaker 5: And it's so it's so interesting.
• 34:26
  Speaker 3: You say that because I think that might be my
• 34:28
  Speaker 3: favorite film from DiPalma.
• 34:30
  Speaker 4: Which I mean, I understand why. I think Dress to
• 34:33
  Speaker 4: Kill just always like it's dude, that movie is so sleezy.
• 34:38
  Speaker 4: It is.
• 34:39
  Speaker 3: That's the best part about it.
• 34:41
  Speaker 4: It's so sleezy. It's almost like I kind of put
• 34:44
  Speaker 4: that in the same categories like basic instinct. Yeah, it's
• 34:47
  Speaker 4: like it's like, uh, you know, it's like dirt you
• 34:49
  Speaker 4: don't mind rubbing in every now and again, you know
• 34:50
  Speaker 4: what I mean. It just feels it's so it's so
• 34:53
  Speaker 4: grimy and sleazy, and you know, I just can't really
• 34:58
  Speaker 4: get enough of it. I keep going back to it.
• 35:00
  Speaker 3: Well, I know, you and I have talked about it before.
• 35:02
  Speaker 3: But you know, the erotic thrillers that you get of
• 35:05
  Speaker 3: the eighties and nineties, I mean, it's just they're so
• 35:08
  Speaker 3: hard to come by nowadays. And I just feel like,
• 35:11
  Speaker 3: you know, you get a combination of like the sleeves,
• 35:14
  Speaker 3: that erotic thriller element to the movie. You get like
• 35:19
  Speaker 3: Giallo influence, you get like in a lot of ways,
• 35:22
  Speaker 3: it feels like a love letter to Alfred Hitchcock with
• 35:25
  Speaker 3: a lot of the set pieces and sequences that play
• 35:29
  Speaker 3: out in the movie.
• 35:31
  Speaker 4: Well, I think people would I think people would would
• 35:34
  Speaker 4: interpret what I'm saying is like you know, uh, oh,
• 35:37
  Speaker 4: you just want to see Nancy Allen and Lingerie and
• 35:39
  Speaker 4: you just want to see you know what I mean
• 35:40
  Speaker 4: like and it's not even that man, But like movies
• 35:43
  Speaker 4: like this and Basic Instinct have like this magnetic energy
• 35:48
  Speaker 4: to it.
• 35:48
  Speaker 5: Yes, that's just.
• 35:49
  Speaker 4: So like as many times I've seen Dressic Killing, as
• 35:52
  Speaker 4: many times as I know who the killer is, every
• 35:54
  Speaker 4: time I watch it, I find something new. I mean,
• 35:56
  Speaker 4: I just watched this not too long ago with my wife,
• 35:59
  Speaker 4: and I've never even noticed the panning camera shot outside
• 36:03
  Speaker 4: of the art museum when she's waving down the taxi
• 36:05
  Speaker 4: we passed the killer when she drops her glove.
• 36:09
  Speaker 5: It's very subtle.
• 36:10
  Speaker 4: It's so and I never noticed that before. So every
• 36:13
  Speaker 4: time I come back to this movie, I discover one
• 36:16
  Speaker 4: more thing that I didn't before, because I feel like
• 36:19
  Speaker 4: it's showing you so much, you know, so Yeah, I'm
• 36:23
  Speaker 4: I'm right there with you, man.
• 36:25
  Speaker 5: I love this movie.
• 36:27
  Speaker 3: I feel like Brian de Palma, if you I mean,
• 36:29
  Speaker 3: if you go back and look at his filmography during
• 36:32
  Speaker 3: you know, his run from I would say, to a
• 36:35
  Speaker 3: certain extent, you know, Sisters in seventy two, but from
• 36:39
  Speaker 3: seventy six you have Carrie. You know, nineteen eighty you
• 36:43
  Speaker 3: have Dressed to Kill, and then the following year you
• 36:46
  Speaker 3: have Blowout. You know, three years removed from Dress to Kill,
• 36:49
  Speaker 3: you have Scarface. The following year in eighty four you
• 36:51
  Speaker 3: have body Double. It's pretty impressive. Like he really did
• 36:57
  Speaker 3: have a stranglehold on.
• 36:59
  Speaker 5: The eighties with with you know his I mean, he
• 37:03
  Speaker 5: definitely left his mark, is what I would say.
• 37:05
  Speaker 4: In the film industry, yeah, people like to kind of
• 37:09
  Speaker 4: say that Brian Obama is more style over substance. But
• 37:12
  Speaker 4: I don't when people say that, I don't find anything
• 37:14
  Speaker 4: wrong in that. You know, movies don't always have to
• 37:17
  Speaker 4: be super in depth or like have these exclamatory marks
• 37:24
  Speaker 4: to say about a certain topic or subject. Movies can
• 37:26
  Speaker 4: just be entertaining. And Dress to Kill, to me, is
• 37:30
  Speaker 4: just incredibly entertaining. And of course, like you can look
• 37:32
  Speaker 4: at the movie and kind of say that it's it's
• 37:35
  Speaker 4: addressing very early conversations about you know, transgender and stuff
• 37:40
  Speaker 4: like that. Like, you know, you can definitely find those observations.
• 37:43
  Speaker 4: I do think the movie sometimes is overread in that regard.
• 37:49
  Speaker 4: I think people think way too much into it because
• 37:53
  Speaker 4: when you watch or listen to Brian Obama talk back
• 37:56
  Speaker 4: on the movie, that's not brought up a whole lot.
• 37:58
  Speaker 4: It's not like he was like, oh, this is what
• 38:00
  Speaker 4: I want to really address, you know, it's just kind
• 38:02
  Speaker 4: of like, here's a cool way to have a character.
• 38:05
  Speaker 4: He dresses up as a woman and then he goes
• 38:07
  Speaker 4: and he kills you know what I mean.
• 38:08
  Speaker 3: Yeah, I mean I definitely feel like on rewatch, you know,
• 38:12
  Speaker 3: after getting this. I mean there's a lot of themes
• 38:16
  Speaker 3: of voyeurism, press sexuality, mental instability, and obviously, you know,
• 38:21
  Speaker 3: you take Brian to Palma and you put his lens
• 38:25
  Speaker 3: on it, you know, or seen through his eyes essentially,
• 38:30
  Speaker 3: you know, I mean, this is what you get it.
• 38:32
  Speaker 3: He is so masterful at amplifying like eroticism and violence.
• 38:37
  Speaker 3: And I don't know if a movie like this could
• 38:40
  Speaker 3: be made today. It's definitely very much of the time
• 38:44
  Speaker 3: that it came out. But I mean, you know, you
• 38:48
  Speaker 3: get like you get split screens, slow tracking shots, mirror imagery,
• 38:53
  Speaker 3: and minimal dialogue and key scenes, and there's just something
• 38:57
  Speaker 3: about the way that he master fully puts this entire
• 39:01
  Speaker 3: movie together that just heads you on the edge of
• 39:03
  Speaker 3: the edge of your seat the entire time.
• 39:05
  Speaker 5: I swear.
• 39:06
  Speaker 4: Yeah, I mean one of the best scenes of this
• 39:08
  Speaker 4: movie is after and forgive me, I forget her name,
• 39:11
  Speaker 4: the character that we're following in the beginning, who is
• 39:14
  Speaker 4: his client.
• 39:16
  Speaker 5: Oh, Kate Miller. Yeah, yeah, by Andreie Dickinson.
• 39:21
  Speaker 4: Yes, Yes, one of the best scenes is after she
• 39:23
  Speaker 4: sleeps with the guy from the art museum and she
• 39:26
  Speaker 4: you know, climbs out of bed, kind of gets half
• 39:28
  Speaker 4: dressed and then goes to the table to write the note. Yeah,
• 39:31
  Speaker 4: and it's just kind of quiet and it's just kind
• 39:33
  Speaker 4: of you know, meandering along and yeah, and then she
• 39:37
  Speaker 4: goes out into the hallway and then it leads to
• 39:40
  Speaker 4: this fantastic, very suspenseful chase sequence kind of or chase
• 39:45
  Speaker 4: sort of sequence. You know. It's moments like that that
• 39:49
  Speaker 4: I remember the most. I mean, even the museum scene.
• 39:50
  Speaker 4: The museum scene is one of the tensest of the
• 39:53
  Speaker 4: whole entire movie. And there's no climax. I mean there is,
• 39:57
  Speaker 4: you know, when she hooks up with guy a taxi,
• 40:00
  Speaker 4: but you know, it's so nauseating to think of, like
• 40:03
  Speaker 4: how well the utilization of spaces, you know, and really
• 40:08
  Speaker 4: tricking the viewer from perspective into kind of making this
• 40:12
  Speaker 4: very dizzying scene of just her simply following somebody, you know.
• 40:18
  Speaker 3: Well subverts expectations where you think the movie is going
• 40:21
  Speaker 3: to go, because I remember the first time I watched it,
• 40:23
  Speaker 3: I had no idea it was going to go in
• 40:24
  Speaker 3: this direction. And even on rewatch there's little key details
• 40:30
  Speaker 3: I pick up when watching it. I mean, the thing
• 40:33
  Speaker 3: that I find fascinating after having a chance to dive
• 40:36
  Speaker 3: into it is there's like the film itself place heavily
• 40:39
  Speaker 3: with like motifs of doubles. So you have your you know,
• 40:43
  Speaker 3: two shower scenes two gloves, dual identities, you know, culminating
• 40:47
  Speaker 3: in the revelation for doctor Elliott.
• 40:50
  Speaker 5: And I think that.
• 40:53
  Speaker 3: You know, you even see that in his earlier works,
• 40:55
  Speaker 3: you know, with Sisters to a More take, an earlier
• 41:01
  Speaker 3: attempt at it and uh.
• 41:02
  Speaker 4: Yeah, Body Double. I mean, like there's so much of that,
• 41:05
  Speaker 4: and film is always like film is always voyeuristic. But
• 41:12
  Speaker 4: Brian DePalma just had something something different that really I
• 41:17
  Speaker 4: think made that stand out as it's a recurring theme.
• 41:21
  Speaker 5: Absolutely for him, you know.
• 41:23
  Speaker 4: And it's the use of like it's the use of camera.
• 41:25
  Speaker 4: There's there's always a character that's that's that's like recording something,
• 41:30
  Speaker 4: you know what I mean, Or there's always blowout is
• 41:33
  Speaker 4: voeidism through sound, you know what I mean. In this
• 41:37
  Speaker 4: film you obviously have Keith Gordon, you know, I mean
• 41:40
  Speaker 4: his character. So it's an interesting, interesting theme that I think. Uh,
• 41:45
  Speaker 4: I wonder if that's explored in the book. I know
• 41:48
  Speaker 4: there's a there's a book out about Brian de Palma
• 41:50
  Speaker 4: that I haven't checked out yet, but one day soon
• 41:53
  Speaker 4: once I finished his filmography, I would like to I
• 41:55
  Speaker 4: wonder if that's you know, I'd like to kind of
• 41:57
  Speaker 4: read in a little.
• 41:58
  Speaker 3: Bit more for sure, And for this release, I mean
• 42:01
  Speaker 3: it's stacked with extras. There's actually a brand new audio
• 42:04
  Speaker 3: commentary by critics Driusella Adeline and Joshua Concole, audio commentary
• 42:10
  Speaker 3: by critic Mattland McDonald Madona, brand new visual essay by
• 42:18
  Speaker 3: critics BJ and Harmony Colangelo called Beyond Good and Evil.
• 42:24
  Speaker 4: Yeah, Bjangelo is incredible, yep.
• 42:27
  Speaker 3: And then you get another brand new visual essay by
• 42:32
  Speaker 3: critic Jessica Kretz called the Empathy of Dressed to Kill.
• 42:37
  Speaker 3: And on top of that, they added in a handful
• 42:40
  Speaker 3: of interviews, so you have it looks like a lot
• 42:44
  Speaker 3: of these were from twenty twenty two, so you have
• 42:47
  Speaker 3: one with Nancy Allen, one with associate producer and production
• 42:53
  Speaker 3: manager Fred Caruso, and then one with Keith Gordon, and
• 42:59
  Speaker 3: then new we have some archival interviews as well with
• 43:01
  Speaker 3: Angie Dickinson, Nancy Ellen, Keith Gordon, and producer George Litto.
• 43:09
  Speaker 3: And there's a number of other bonus features on here.
• 43:13
  Speaker 3: But all in all, I mean, for what you're getting
• 43:16
  Speaker 3: with this release, it's pretty sacked and obviously you get
• 43:21
  Speaker 3: you know, I would argue probably one of the better
• 43:25
  Speaker 3: eighties thrillers to add into your collection.
• 43:28
  Speaker 4: Yeah, I mean I have the Criterion release, but if
• 43:31
  Speaker 4: I get an opportunity, I definitely want to upgrade that
• 43:33
  Speaker 4: one to four K and I would probably go Arrow
• 43:35
  Speaker 4: over Kino. But that's just it's just me fair respect.
• 43:41
  Speaker 4: So I don't want to talk about my next pick
• 43:43
  Speaker 4: for too long. But I did sit down and revisit
• 43:47
  Speaker 4: twenty nineteen's Child's Play. This is the Lars Klevberg remake,
• 43:53
  Speaker 4: which is incredibly interesting because Oriyan, when I had of
• 43:57
  Speaker 4: made this movie just kind of completely against Don Mancini's wishes,
• 44:01
  Speaker 4: and we're like, hey, we're just gonna make this, you know.
• 44:04
  Speaker 4: I mean this was four years before Cult of Chucky
• 44:07
  Speaker 4: came around. I think Don Mancini was pretty much in
• 44:09
  Speaker 4: like active pre production development of whatever he was going
• 44:12
  Speaker 4: to do next with the character. And Oriyan was like, Hey,
• 44:15
  Speaker 4: we own the rights and we're just gonna go ahead
• 44:17
  Speaker 4: and do our own thing, and we're going to make
• 44:18
  Speaker 4: a remake. And that was this, And we saw this
• 44:22
  Speaker 4: in theaters and I don't hate this movie. You know,
• 44:26
  Speaker 4: what's your thoughts on twenty nineteen Child's Play?
• 44:29
  Speaker 3: That one I actually haven't seen, so I know we
• 44:32
  Speaker 3: were going through and we were talking about some of
• 44:34
  Speaker 3: the movies that we're going to talk about tonight. That
• 44:38
  Speaker 3: one I have not seen. I've seen all the other
• 44:40
  Speaker 3: Child's play or well Chucky films outside of that one,
• 44:44
  Speaker 3: but worth checking out. What do you think I.
• 44:49
  Speaker 4: Mean, don't go out of your way. Here's the thing, man,
• 44:53
  Speaker 4: it's like a really good three star, you know, like
• 44:58
  Speaker 4: it's so hard because how do you everything? Everything that
• 45:02
  Speaker 4: you try to do is you know, they're they're trying
• 45:04
  Speaker 4: to one up the original, which you're never gonna do,
• 45:07
  Speaker 4: you know, in the biggest fault this movie hasn't. By
• 45:10
  Speaker 4: the way, I do want to say that I watched
• 45:12
  Speaker 4: this with the commentary. There's a commentary track on here
• 45:15
  Speaker 4: by Lars Klubergh. I'll get to that in a second.
• 45:18
  Speaker 4: But I think where this movie misses the strongest is
• 45:22
  Speaker 4: in its side characters. You know, Andy is older in
• 45:26
  Speaker 4: this one than he was in the original. The the
• 45:30
  Speaker 4: Chucky character is much more technologic, technologically advanced. It's capable
• 45:34
  Speaker 4: of much more. It's almost like an AI thing to
• 45:36
  Speaker 4: it where it learns and it kind of adapts. There's
• 45:39
  Speaker 4: a there's a moment in a movie where he actually uh,
• 45:42
  Speaker 4: watches like a slasher movie. He's watching these clips and
• 45:45
  Speaker 4: that's kind of where he learns that he could do that.
• 45:49
  Speaker 4: I think where the movie miss is the original you
• 45:52
  Speaker 4: have such an attachment to Karen, you know, Catherine Hick's
• 45:55
  Speaker 4: portrayal of Andy's brother is so good. Aubrey Plaza has
• 46:00
  Speaker 4: that role here in the remake, and she just doesn't
• 46:04
  Speaker 4: as much as I love all Replaza, she just doesn't
• 46:06
  Speaker 4: have that that that emotional attachment. She cannot create that,
• 46:10
  Speaker 4: you know what I mean.
• 46:12
  Speaker 3: It's I feel like it's hard to hit the same
• 46:15
  Speaker 3: heights that the nineteen eighty eight film hit, you know.
• 46:22
  Speaker 3: And yeah, I mean, does this film this take on
• 46:27
  Speaker 3: the film, does it at least kind of try to
• 46:31
  Speaker 3: leave its own.
• 46:32
  Speaker 5: Mark or No?
• 46:34
  Speaker 3: Obviously, I know it sounds like it was more technology based,
• 46:37
  Speaker 3: but hopefully it's not beat for beat like the original.
• 46:41
  Speaker 4: No, no, no, it definitely And well, it's kind of
• 46:44
  Speaker 4: funny because when you want to see a remake, you know,
• 46:47
  Speaker 4: you want it to be different, but you want it
• 46:49
  Speaker 4: to you want you want filmmakers to find a way to,
• 46:54
  Speaker 4: you know, maybe try to do it a little bit
• 46:56
  Speaker 4: better or improve upon what it did in the original,
• 46:58
  Speaker 4: in some way, all of the in this movie is
• 47:00
  Speaker 4: gone because we see right from the beginning what's wrong
• 47:04
  Speaker 4: with Chucky, like what happened to him? You know what
• 47:06
  Speaker 4: I mean? It was a pissed off guy who worked
• 47:08
  Speaker 4: at the factory that just kind of shut off all
• 47:10
  Speaker 4: the safety things. So already you already know everything, you know,
• 47:15
  Speaker 4: as opposed to Child's Play, which had the opening sequence
• 47:18
  Speaker 4: with Charles Lee Ray and the voodoo, so you know
• 47:20
  Speaker 4: something's up, but you know you have forty minutes until
• 47:25
  Speaker 4: you have the you know, the the big reveal, you
• 47:29
  Speaker 4: know what I mean that like, Okay, this is actually
• 47:31
  Speaker 4: what's happening here. Yeah, this movie has none of that.
• 47:34
  Speaker 4: It's much more violent than the original, like it's more complex,
• 47:38
  Speaker 4: that deaths are much more extravagant. But I will say,
• 47:42
  Speaker 4: and this is this is the biggest thing I took
• 47:44
  Speaker 4: away from the commentary. I don't like modern day audio
• 47:47
  Speaker 4: commentaries coming from studio releases because it almost feels like
• 47:51
  Speaker 4: the studio executive is standing behind the director, you know
• 47:54
  Speaker 4: what I mean the whole time, kind of like a puppet,
• 47:56
  Speaker 4: like controlling what he can say. So it's all very
• 48:00
  Speaker 4: like corporate speak, you know what I mean, but the
• 48:04
  Speaker 4: one thing that he brought up that I really enjoyed
• 48:07
  Speaker 4: is how much he kind of took from the ambling
• 48:11
  Speaker 4: style of filmmaking or seven Spielberg, and he replicates a
• 48:13
  Speaker 4: lot of lighting in here from Close Encounters or from
• 48:16
  Speaker 4: various other Spielberg slash Ambulin productions. And this movie looks fantastic. Clearly,
• 48:23
  Speaker 4: it's shot on digital, so it already has like a
• 48:27
  Speaker 4: good look to it already, which is not better than film.
• 48:30
  Speaker 4: I'm not saying it looks better than film, but it
• 48:32
  Speaker 4: looks looks clean. But there's a lot of fun lighting
• 48:36
  Speaker 4: in here that I never picked up on the previous
• 48:38
  Speaker 4: couple times I had seen it, So I did kind
• 48:41
  Speaker 4: of enjoy the visual experience of seeing the movie again.
• 48:45
  Speaker 4: But yeah, it's still like a solid three stars for me,
• 48:50
  Speaker 4: you know. And then the commentary worth the watch where
• 48:55
  Speaker 4: they listen, Eh, if you're like me and you're really
• 49:00
  Speaker 4: erotic about this stuff, then yeah, then yeah. But for
• 49:03
  Speaker 4: the most part, you know, you're not going to get
• 49:04
  Speaker 4: at a whole lot of dirt on anything, you know
• 49:07
  Speaker 4: what I mean.
• 49:07
  Speaker 5: Was it Scream Factory that did that release or was
• 49:10
  Speaker 5: that studio?
• 49:11
  Speaker 4: I have the studio release, but I do know Scream Factory.
• 49:13
  Speaker 3: Okay, Okay, that's interesting. I'll definitely have to check that
• 49:17
  Speaker 3: out because that one, it just kind of went under
• 49:20
  Speaker 3: the radar for me. Didn't really hear a whole lot
• 49:23
  Speaker 3: on it. But I mean, listen, I'm always down to
• 49:26
  Speaker 3: check out, you know, any movie at least once.
• 49:28
  Speaker 4: Yeah, I mean, I have it, like, I'm perfectly fine
• 49:31
  Speaker 4: owning it as part of the you know, Child's Play franchise,
• 49:34
  Speaker 4: even though there is a little bit of like like
• 49:39
  Speaker 4: dirt against it because of what O'Rion did demand scene
• 49:42
  Speaker 4: by kind of separating him from the franchise he created
• 49:44
  Speaker 4: and you know, doing this on their own, so that
• 49:47
  Speaker 4: leaves a little bit of a bad taste. But at
• 49:50
  Speaker 4: the end of the day, I mean, I'll be honest
• 49:51
  Speaker 4: with you, broad this movie blows Megan out of the water.
• 49:54
  Speaker 4: So I'll watch this over Megan all day.
• 49:59
  Speaker 5: You know. It's that's definitely a statement.
• 50:05
  Speaker 4: Now it's public.
• 50:06
  Speaker 3: Yeah, Chris's planting his flag over Child's Play?
• 50:10
  Speaker 4: What what do you got next for us?
• 50:12
  Speaker 1: Man?
• 50:13
  Speaker 5: All right?
• 50:13
  Speaker 3: So I have and I'm really excited to talk about
• 50:17
  Speaker 3: this one. So I have building suspense here. Two thousand
• 50:24
  Speaker 3: and one's Frailty.
• 50:27
  Speaker 5: Nice.
• 50:27
  Speaker 3: So this is from Lionsgate Limited. I was pleasantly surprised
• 50:35
  Speaker 3: with this release because for the most part, a lot
• 50:39
  Speaker 3: of the Lionsgate Limited four k's so far have just
• 50:43
  Speaker 3: been steel book, much to Chris's dismay. But yeah, this
• 50:51
  Speaker 3: one actually came in a nice box set. Lionskate, if
• 50:58
  Speaker 3: you're listening, please do more these. I was very, very
• 51:02
  Speaker 3: impressed with everything that this release had to offer, and
• 51:06
  Speaker 3: it was just it's gorgeous, Like you've got a gorgeous
• 51:12
  Speaker 3: hard box, the arts incredible, and I hadn't watched this
• 51:19
  Speaker 3: movie in years, so to go back and revisit this movie,
• 51:23
  Speaker 3: I'll be honest, I don't think i've seen this since
• 51:25
  Speaker 3: it came out, and I just remember at the time
• 51:29
  Speaker 3: this was when I was maybe like first getting into
• 51:31
  Speaker 3: horror like that, like you know, trying to explore like
• 51:34
  Speaker 3: other movies that were coming out at the time. But
• 51:36
  Speaker 3: this is one that I remember liking it, and after
• 51:40
  Speaker 3: not seeing it all these years now to revisit it,
• 51:43
  Speaker 3: I was like, really really impressed with this movie, Like
• 51:46
  Speaker 3: it's definitely not a movie that gets talked about enough.
• 51:48
  Speaker 3: From the two thousands, I.
• 51:52
  Speaker 4: Like reality, I don't love it. It's it's weird. It's
• 51:58
  Speaker 4: part of that, like nine, how do I want to
• 52:03
  Speaker 4: say before I say this, I want to say that
• 52:04
  Speaker 4: Bill Paxson's direction is fantastic, But it's part of that
• 52:10
  Speaker 4: like nineties weird movement of like let's call horror movies
• 52:14
  Speaker 4: thrillers and try to make them a little bit more prestigious,
• 52:19
  Speaker 4: you know, kind of trying to get like the Sounds
• 52:22
  Speaker 4: of the Lambs effect.
• 52:24
  Speaker 5: Yep, you know.
• 52:25
  Speaker 4: So FRAILTI is really slow.
• 52:27
  Speaker 5: It definitely a slow burn.
• 52:29
  Speaker 4: Yeah, it's very slow. I don't think the payoff is
• 52:33
  Speaker 4: all that, you know. So it's a movie that I
• 52:37
  Speaker 4: that I that I respect more than I enjoy.
• 52:42
  Speaker 2: That's fair.
• 52:43
  Speaker 5: That's fair.
• 52:44
  Speaker 4: That's a nice release though. I mean, lions Gate, that
• 52:47
  Speaker 4: is the best thing they've done under lions Gate Limited.
• 52:50
  Speaker 3: Yot if listen if they have anything else in the works.
• 52:56
  Speaker 3: Like I'm telling you, getting it in this hard box
• 52:59
  Speaker 3: set that justifies how much it is to get this,
• 53:03
  Speaker 3: because I know I got this and goalies go to
• 53:05
  Speaker 3: college because they were released around the same time, and
• 53:09
  Speaker 3: I do not regret it one bit. So keep doing
• 53:11
  Speaker 3: what you're doing, Lionsgate. I was really impressed with it.
• 53:16
  Speaker 3: So obviously, you know we were talking about this. So
• 53:18
  Speaker 3: this is Bill Paxton's directorial debut, so we have it
• 53:22
  Speaker 3: in four K obviously, and this film centers on the
• 53:26
  Speaker 3: God's Hand killer who's terrorizing a small Texas community with
• 53:31
  Speaker 3: his axe willing butchery. So it stars in this film.
• 53:36
  Speaker 3: So we obviously have Bill Paxton that's in it. We
• 53:39
  Speaker 3: have Matthew McConaughey. And it's really interesting because I think
• 53:46
  Speaker 3: this movie toys with some interesting themes, a movie that
• 53:54
  Speaker 3: taps into religious obsession, moral ambiguity, you have family traumas,
• 54:01
  Speaker 3: like the psychological impact of that. And then I would
• 54:04
  Speaker 3: say in a lot of ways, this film I feel
• 54:08
  Speaker 3: like focuses more on the atmosphere than you know, gore
• 54:14
  Speaker 3: or just like graphic set pieces like that, and I
• 54:16
  Speaker 3: think it only services this movie for the best as
• 54:20
  Speaker 3: a result of that. But overall, it's it's a very
• 54:26
  Speaker 3: very uh it's a very very thought provoking horror film
• 54:33
  Speaker 3: or thriller, I guess you could say. And I feel
• 54:35
  Speaker 3: like over the years it's developed I would say more
• 54:38
  Speaker 3: of like a cult following to this one.
• 54:41
  Speaker 4: Yeah, it's it's such an interesting plot line to to
• 54:44
  Speaker 4: you know, follow these kids whose father shows up and says, hey,
• 54:49
  Speaker 4: you know, I've got this message from God. He's given
• 54:52
  Speaker 4: us a list of people that we need to kill
• 54:54
  Speaker 4: because of their demons. And it really dives into that
• 54:59
  Speaker 4: much more theoretically than it does physically. You know, like
• 55:03
  Speaker 4: it would be very easy to make this like a
• 55:05
  Speaker 4: slasher for sure does not do that. In my opinion,
• 55:10
  Speaker 4: that's the most interesting, uh, you know, approach to it.
• 55:16
  Speaker 4: Under different leadership, this movie could have been so much
• 55:21
  Speaker 4: different than how it actually did turn out.
• 55:24
  Speaker 5: For sure.
• 55:24
  Speaker 3: And I think what I can appreciate is that, you know,
• 55:27
  Speaker 3: it's it's a psychological thriller slash you could consider a
• 55:30
  Speaker 3: horror film, but it's deeply rooted in themes of faith, family,
• 55:35
  Speaker 3: and what would you consider like fanatics fanaticism.
• 55:41
  Speaker 4: Yeah, fanaticism. Well well, not that I want to get
• 55:47
  Speaker 4: into this too heavy, but do you think this is
• 55:49
  Speaker 4: a Is this a movie that you think is written
• 55:53
  Speaker 4: from a place of spirituality or is it written from
• 55:55
  Speaker 4: a place of skepticism on spirituality?
• 56:00
  Speaker 5: That's a really really good because.
• 56:01
  Speaker 4: It's almost like it's almost like a blind faith, you
• 56:04
  Speaker 4: know what I mean, Like this is I think something
• 56:06
  Speaker 4: that could be on the headlines tomorrow, you know what
• 56:09
  Speaker 4: I mean?
• 56:09
  Speaker 5: For sure, I do think it's it comes from a
• 56:12
  Speaker 5: place of skepticism.
• 56:14
  Speaker 4: Okay, you know I got the same vibe from it.
• 56:16
  Speaker 3: Yeah, I mean, and obviously, like you know, for anyone
• 56:19
  Speaker 3: who hasn't seen this film, it is like we were saying,
• 56:23
  Speaker 3: it's slow burned. So you're just you're really trying to
• 56:25
  Speaker 3: figure out like exactly you know, Bill Paxson being one
• 56:28
  Speaker 3: of like the main characters in it, you know this
• 56:34
  Speaker 3: these visions that he's getting, you know, is this legitimate,
• 56:39
  Speaker 3: like these are actually visions from God? Or is he
• 56:43
  Speaker 3: just like completely unhinged? And I think it toys with
• 56:47
  Speaker 3: that very very effectively, you know, in having the audience question.
• 56:55
  Speaker 4: Yeah, absolutely, man. Yeah, so it's a good one. I'm
• 56:58
  Speaker 4: really I'm really happy that lines Gate did a release
• 57:00
  Speaker 4: that way. I did not buy it. I don't. I
• 57:02
  Speaker 4: don't have fifty dollars of love for that movie, but
• 57:08
  Speaker 4: definitely like support, you know, support lines get limited on
• 57:12
  Speaker 4: this release. I mean, we need, we need them to
• 57:13
  Speaker 4: know that. We don't need steal books of everything.
• 57:18
  Speaker 5: Fair. I respect that.
• 57:20
  Speaker 4: Don't mind the dog anyway, here's a dog. It's just
• 57:23
  Speaker 4: just Steve's children playing in the background. I'll uh, I'll
• 57:27
  Speaker 4: go ahead. I'm just actually gonna cover just for times sake,
• 57:31
  Speaker 4: I'll cover both the final two titles I have because
• 57:33
  Speaker 4: I really want to talk about your final pick. If
• 57:35
  Speaker 4: that's okay with you, Yeah, go for it, man, Okay,
• 57:39
  Speaker 4: all right?
• 57:39
  Speaker 5: Cool.
• 57:40
  Speaker 4: So recently got the Screen Factory Mario Baba collection, which
• 57:49
  Speaker 4: is incredible, good work screen Factory, and I decided to
• 57:54
  Speaker 4: not start in order, so I picked up and watch
• 57:58
  Speaker 4: this nineteen sixty six is Kill Baby Kill. This was
• 58:02
  Speaker 4: kind of Mario Baba's return to gothic horror. Are you
• 58:06
  Speaker 4: a fan of Kill Baby Kill? Okay?
• 58:10
  Speaker 3: Yeah, yeah, yeah, no, no, that's that is definitely one
• 58:13
  Speaker 3: of the highlights from that box set. I haven't had
• 58:17
  Speaker 3: a chance to watch. Even before this box set was released,
• 58:21
  Speaker 3: I didn't have a chance to watch all of them, but.
• 58:24
  Speaker 5: I just remember that being a standout for me.
• 58:27
  Speaker 4: Yeah yeah, So let me uh, let's talk about this
• 58:30
  Speaker 4: movie real quick. So, Kill Baby Kill follows a doctor
• 58:36
  Speaker 4: who shows up to this small Carpathian village to perform
• 58:41
  Speaker 4: an autopsy as part of an investigation to a recent
• 58:46
  Speaker 4: kind of series of deaths that have occurred in the
• 58:48
  Speaker 4: town and when he shows up, he meets up with
• 58:51
  Speaker 4: Inspector Krueger, who's investigating the case, and kind of gets
• 58:56
  Speaker 4: caught up in this kind of whirlwind of suspicion around
• 59:01
  Speaker 4: a ghostly apparition who is in the form of a
• 59:06
  Speaker 4: child that anytime she kind of wants to, she can
• 59:12
  Speaker 4: kind of make somebody kill themselves. It's very very interesting,
• 59:16
  Speaker 4: it's very strange, very creepy, very creepy.
• 59:20
  Speaker 5: This movie is.
• 59:22
  Speaker 4: If you want to watch a movie that has incredible
• 59:25
  Speaker 4: influence over the genre we know today, this is it.
• 59:28
  Speaker 4: This is kind of the first time we got the
• 59:30
  Speaker 4: ghost child in this physical form, which is a little
• 59:34
  Speaker 4: girl blonde hair holding a white ball. It became almost
• 59:41
  Speaker 4: a subgenre in itself. I mean right away, I go
• 59:43
  Speaker 4: to fear dot com from the early two thousands, it
• 59:45
  Speaker 4: was as the Sami's Act apparition, you know what I mean. Yeah,
• 59:50
  Speaker 4: but this I've now watched this movie twice, so I
• 59:53
  Speaker 4: watched it just on its own, and then I watched
• 59:56
  Speaker 4: it with the brand new audio commentary from Megan Navarro,
• 59:58
  Speaker 4: which is incredible. My favorite thing about this movie is
• 1:00:02
  Speaker 4: it blows my mind that halfway through production they ran
• 1:00:06
  Speaker 4: out of money because you would never know. You will
• 1:00:09
  Speaker 4: never know, dude, Baba A this crew stuck around and
• 1:00:13
  Speaker 4: worked for free because they respected Baba's vision. And they
• 1:00:16
  Speaker 4: respected Baba so much that they finished this movie with
• 1:00:20
  Speaker 4: no pay, which is out of control.
• 1:00:23
  Speaker 3: It it's pretty remarkable that he was able to complete
• 1:00:26
  Speaker 3: the film, and you know, I would argue that that's
• 1:00:31
  Speaker 3: one of his better films. So you know, the end
• 1:00:33
  Speaker 3: result was you know, definitely worth it.
• 1:00:36
  Speaker 4: Yeah. Another thing too, is like this movie is pretty
• 1:00:40
  Speaker 4: much a perfect battle between modern science. Who are our
• 1:00:45
  Speaker 4: main character, the doctor, Doctor Paul Sway. He is the
• 1:00:50
  Speaker 4: representation of modern science. And then when we're introduced to
• 1:00:53
  Speaker 4: characters like Ruth, who is kind of like the local
• 1:00:57
  Speaker 4: I don't know if she would be like a not
• 1:01:00
  Speaker 4: like a witch doctor, but like the spiritualists. You know,
• 1:01:05
  Speaker 4: when we're introduced to her, we kind of have this
• 1:01:07
  Speaker 4: constant back and forth battle between the two. And one
• 1:01:12
  Speaker 4: of the faults of doctor Paul s Way is because
• 1:01:14
  Speaker 4: he comes from a place of quote air quote reality.
• 1:01:18
  Speaker 4: He feels like he can always find an explanation for things,
• 1:01:20
  Speaker 4: so he's constantly exploring these things that sounds so crazy,
• 1:01:25
  Speaker 4: and then he's slowly learning that, you know, that modern
• 1:01:28
  Speaker 4: science does not solve everything. In fact, modern science in
• 1:01:31
  Speaker 4: this movie actually results in the death of a child,
• 1:01:33
  Speaker 4: which is crazy. But yeah, it's just it's it's such
• 1:01:39
  Speaker 4: a such a great pizza, dude. The atmosphere is absolutely
• 1:01:41
  Speaker 4: out of control. Another really historic influence of this movie
• 1:01:46
  Speaker 4: when when people kind of fall under the trap of
• 1:01:52
  Speaker 4: the apparition, they they get stuck in kind of like
• 1:01:55
  Speaker 4: this time loop where we see this represented twice in
• 1:01:59
  Speaker 4: the movie, where there's a scene where doctor Paul Sway
• 1:02:02
  Speaker 4: kind of runs in and out of a room over
• 1:02:04
  Speaker 4: and over and over again. Even though he's exiting, he
• 1:02:06
  Speaker 4: enters right back into the room to the point where
• 1:02:08
  Speaker 4: he actually catches up to himself before we eventually see
• 1:02:13
  Speaker 4: what happens to him and then see him again. Kind
• 1:02:16
  Speaker 4: of towards the latter half of the movie, when Monica's
• 1:02:21
  Speaker 4: character is going down the stairs and being chased by
• 1:02:24
  Speaker 4: a little girl and she just kind of loops down
• 1:02:26
  Speaker 4: the spiral staircase over and over and over again, something
• 1:02:29
  Speaker 4: we've seen a million times, you know, in genre films.
• 1:02:33
  Speaker 4: But yeah, I love this one, man. I think this
• 1:02:35
  Speaker 4: has kind of become one of my favorite Baba films.
• 1:02:38
  Speaker 3: I was gonna say, we're outside of this film. So
• 1:02:41
  Speaker 3: you're saying that this is top tier Bava in your opinion,
• 1:02:44
  Speaker 3: Do you have other ones that you would put shoulder
• 1:02:47
  Speaker 3: to shoulder with Kill, Baby Kill?
• 1:02:50
  Speaker 4: I haven't seen a ton. Black Sunday I think is
• 1:02:54
  Speaker 4: kind of ultimately his masterpiece, Black Sabbath, I would put
• 1:03:00
  Speaker 4: probably one below. I do love Bay of Blood. I
• 1:03:02
  Speaker 4: think Bay of Blood is more influential than it is. Like,
• 1:03:10
  Speaker 4: I respect that movie for what it did for the
• 1:03:15
  Speaker 4: genre later on when it was being ripped off by
• 1:03:16
  Speaker 4: Sean Cunningham and Friday the Thirteenth, But I think Bay
• 1:03:20
  Speaker 4: I think Kilby mc kill overtakes Bay of Blood for me.
• 1:03:22
  Speaker 4: So as of right now, my current Baba, it would
• 1:03:24
  Speaker 4: be second for me.
• 1:03:26
  Speaker 5: Very nice.
• 1:03:27
  Speaker 3: It's a solid movie. I definitely feel like even for
• 1:03:31
  Speaker 3: back when this was released, they you know, Mario Baba
• 1:03:34
  Speaker 3: did a phenomenal job with building the atmosphere and that
• 1:03:38
  Speaker 3: like looming dread, you know, all throughout the movie, and
• 1:03:43
  Speaker 3: I mean there's some effects and sequences in there that
• 1:03:46
  Speaker 3: I feel like would still hold up even today.
• 1:03:49
  Speaker 4: You know, dude, there's this incredible moment where we see
• 1:03:53
  Speaker 4: kind of this pov of a child on a swing
• 1:03:56
  Speaker 4: and the camera does this weird swinging zoom motion. Then
• 1:04:00
  Speaker 4: there's a you know, the staircase that I mentioned earlier,
• 1:04:04
  Speaker 4: the spiral staircase that kind of plays into multiple scenes
• 1:04:08
  Speaker 4: of the movie. And it's beautiful, Like every frame of
• 1:04:12
  Speaker 4: this movie is gorgeous to look at. And one of
• 1:04:14
  Speaker 4: my favorite parts about it is, I don't want to
• 1:04:18
  Speaker 4: spoil this part for anybody especially, but who you think
• 1:04:21
  Speaker 4: are going to be your heroes when this movie starts
• 1:04:24
  Speaker 4: are not your heroes. The movie does such a good job.
• 1:04:27
  Speaker 4: It's subverting where all of the characters end up, and
• 1:04:29
  Speaker 4: it does it over and over and over again. The
• 1:04:34
  Speaker 4: movie is so well written and so well put together
• 1:04:38
  Speaker 4: that every character what we think we're going to get
• 1:04:41
  Speaker 4: from them in beginning completely changes by the end. It's fantastic.
• 1:04:46
  Speaker 3: It's it's definitely the storytelling that you get with this film,
• 1:04:50
  Speaker 3: the atmosphere, you know, the effect of scares that you
• 1:04:57
  Speaker 3: get in this film. I mean, it's it's definitely. It
• 1:05:00
  Speaker 3: definitely takes its time with building up you know, the
• 1:05:04
  Speaker 3: film as a whole, but I like the you definitely
• 1:05:07
  Speaker 3: are getting the small town horror atmosphere or like aesthetic
• 1:05:12
  Speaker 3: with this movie, and I can appreciate that it feels
• 1:05:15
  Speaker 3: more intimate.
• 1:05:17
  Speaker 4: Oh, the movie's beautiful, Like this village that they shot
• 1:05:19
  Speaker 4: in is incredible, and Baba does such a great job
• 1:05:22
  Speaker 4: at establishing the locale. But to kind of, you know,
• 1:05:27
  Speaker 4: back you up in what you were saying about it
• 1:05:29
  Speaker 4: takes a little bit of time to get going. This
• 1:05:30
  Speaker 4: movie's only eighty three minutes long, and it packs in
• 1:05:34
  Speaker 4: so much into at runtime. It's never overwhelming. The storytelling
• 1:05:38
  Speaker 4: is just so no, dude, it's so brisk, like there's
• 1:05:41
  Speaker 4: not a second wasted. There's not a second of this
• 1:05:44
  Speaker 4: movie that's not contributing to the character or the plot,
• 1:05:48
  Speaker 4: not to the point where it's overwhelming. If that makes sense.
• 1:05:51
  Speaker 3: Yeah, would I would say, I mean, I haven't seen
• 1:05:54
  Speaker 3: all of Mario Baba's films, but I definitely feel like
• 1:05:57
  Speaker 3: that this is like in the upper echelon of movies
• 1:06:02
  Speaker 3: I've seen by him. Yeah, and that's a great choice,
• 1:06:06
  Speaker 3: And that box set is everything that I was hoping
• 1:06:09
  Speaker 3: it would be.
• 1:06:11
  Speaker 5: Yeah.
• 1:06:11
  Speaker 4: I still have one more commentary I need to watch
• 1:06:13
  Speaker 4: on here. It's an audio commentary with journalist Scott Neumeyer. Okay,
• 1:06:19
  Speaker 4: you know I chatted with him a little bit on Instagram,
• 1:06:21
  Speaker 4: So I'm very excited to check that out within the
• 1:06:22
  Speaker 4: next couple of days before I move on to one
• 1:06:24
  Speaker 4: of the other titles in the box set. And I'm
• 1:06:27
  Speaker 4: just gonna go ahead and swing into the next one,
• 1:06:29
  Speaker 4: because yeah, you know, my final one to talk about.
• 1:06:33
  Speaker 4: Last night, I decided to watch Friday the Thirteenth Part
• 1:06:37
  Speaker 4: two from nineteen eighty one. I have to ask you,
• 1:06:42
  Speaker 4: say no more, listen, bro, I have to ask you.
• 1:06:47
  Speaker 4: Let me bring this up first, is it? How do
• 1:06:52
  Speaker 4: I I think Friday the Thirteenth Part two is the
• 1:06:56
  Speaker 4: superior over Friday the Thirteenth, Right, Like I enjoy Part
• 1:06:59
  Speaker 4: two over the first movie. But is it unfair for
• 1:07:04
  Speaker 4: me to say that because it simply takes what made
• 1:07:08
  Speaker 4: the first one good and does it better, Like if
• 1:07:11
  Speaker 4: this movie wouldn't be this good, if the kind of
• 1:07:14
  Speaker 4: rules weren't already set in motion by the first movie.
• 1:07:17
  Speaker 4: And is that making sense kind of what I'm asking?
• 1:07:20
  Speaker 3: No, it's it definitely refined all the elements of the
• 1:07:27
  Speaker 3: first one that worked and elevates it for that for
• 1:07:32
  Speaker 3: you know, part two. You know, I've never been shy
• 1:07:36
  Speaker 3: about saying that I would consider Part two my favorite
• 1:07:39
  Speaker 3: Friday the Thirteenth film, and it's listen, I get the
• 1:07:44
  Speaker 3: argument that you're obviously not getting Jason voor H's with
• 1:07:48
  Speaker 3: his traditional hockey mask. You know, there's definitely things that
• 1:07:52
  Speaker 3: come after Part three that really define what makes this
• 1:07:58
  Speaker 3: franchise so great. But Fy the Thirteenth Part two, there's
• 1:08:04
  Speaker 3: just it's so deep in that camp setting and building
• 1:08:10
  Speaker 3: the lore behind Jason Orhees that I don't know if
• 1:08:16
  Speaker 3: I mean, you could there was definitely an argument that
• 1:08:18
  Speaker 3: could be made about the Final Chapter, but I don't know,
• 1:08:25
  Speaker 3: I don't know. It's it's so it's so tough, like
• 1:08:28
  Speaker 3: I would have to say that that Part two has
• 1:08:30
  Speaker 3: the edge for sure.
• 1:08:32
  Speaker 4: Yeah, Final Chapter and Jason Lives are my favorites. But
• 1:08:37
  Speaker 4: Part two is just so barbaric compared to first. And
• 1:08:40
  Speaker 4: you know, like.
• 1:08:41
  Speaker 5: Absolutely the movie starts.
• 1:08:43
  Speaker 4: With the you know, the replaying of the ending of
• 1:08:46
  Speaker 4: the first movie, you know, which is whatever, and then
• 1:08:49
  Speaker 4: like people bring up questions of like, oh, how did
• 1:08:51
  Speaker 4: Jason grow up? And because you know, I get all
• 1:08:53
  Speaker 4: of that, right, I'm not arguing that any of that is.
• 1:08:55
  Speaker 3: They are valid, they're very valid points, but you can't
• 1:08:59
  Speaker 3: think about it, but.
• 1:09:02
  Speaker 4: I have to say, man, Amy Steeles, Ginny is still
• 1:09:05
  Speaker 4: one of my favorite characters in the history of this franchise. Right,
• 1:09:09
  Speaker 4: She's She's fantasy.
• 1:09:11
  Speaker 5: She's my favorite final girl. Dude.
• 1:09:13
  Speaker 4: She's great. And I even talk about this in my
• 1:09:15
  Speaker 4: review that I kind of put up on letterbox. I
• 1:09:17
  Speaker 4: put up a little just kind of a little thing
• 1:09:19
  Speaker 4: on there. Tom Tomic Bride as Mark, you know, our
• 1:09:24
  Speaker 4: our wheelchair bound who reaches a very unfortunate end. You know,
• 1:09:30
  Speaker 4: his character is great, dude. Vicky is probably I've seen
• 1:09:36
  Speaker 4: this movie one hundred times, right, and Vicky's death always
• 1:09:39
  Speaker 4: makes me so sad because like, she she goes and
• 1:09:43
  Speaker 4: she gets changed, and she's like all excited, you know,
• 1:09:46
  Speaker 4: she's gonna hook up with Mark, and she's like super flirty,
• 1:09:49
  Speaker 4: and you're you're kind of like into it because you're
• 1:09:50
  Speaker 4: rooting for Mark.
• 1:09:51
  Speaker 5: You're like, hell, yeah, man, get it.
• 1:09:54
  Speaker 4: Yeah, And then she shows she shows back up, and
• 1:09:57
  Speaker 4: then her death is so sad, you know, because she's
• 1:10:00
  Speaker 4: not like, she doesn't fit into any of the the tropes,
• 1:10:05
  Speaker 4: any of the tropes. Man, She's just kind of she's
• 1:10:08
  Speaker 4: just there. She just seems like a good person that
• 1:10:10
  Speaker 4: just kind of got stuck there, you know what I mean,
• 1:10:11
  Speaker 4: like in that unfortunate you know moment. But yeah, Friday
• 1:10:15
  Speaker 4: the Thirteenth Part two, Man, it rules. It's really good.
• 1:10:18
  Speaker 4: There's some really clever stuff in this movie too, such
• 1:10:21
  Speaker 4: as Vicky's scream into the guitar solo transition. It's like
• 1:10:25
  Speaker 4: one of my favorite little kind of choreographer not choreography,
• 1:10:28
  Speaker 4: cinematography bits like editing bits in this movie.
• 1:10:31
  Speaker 5: There's a lot of charm with this movie too, That's it.
• 1:10:39
  Speaker 4: But yeah, I mean look at the end of it. Man,
• 1:10:42
  Speaker 4: I admire what Friday the Thirteenth has done for the franchise,
• 1:10:45
  Speaker 4: or has done not for the franchise, for the genre,
• 1:10:48
  Speaker 4: even though it's not my favorite of the franchise. I
• 1:10:50
  Speaker 4: just think kind of same thing with Final Destination or
• 1:10:54
  Speaker 4: not funnal Destination too, Saw to where like Saw two
• 1:10:58
  Speaker 4: doesn't work without clearly Saw establishing the rules. Saw two
• 1:11:04
  Speaker 4: just ups it enough that it makes it better. Friday
• 1:11:07
  Speaker 4: Thirteenth Part two just amps it all up. I mean, dude,
• 1:11:10
  Speaker 4: Mark's death getting the shaddy to the face and then
• 1:11:14
  Speaker 4: rolling down the stairs in his wheelchair.
• 1:11:17
  Speaker 5: Would you say that he gets it the worst?
• 1:11:24
  Speaker 4: Probably we didn't even mention Wait, hold on, I just
• 1:11:27
  Speaker 4: thought we didn't even mention that that they ripped off
• 1:11:29
  Speaker 4: Bay of Blood. And with the with the death scene
• 1:11:34
  Speaker 4: in the bed, yeah, the double impalement. Yep. You know,
• 1:11:41
  Speaker 4: in every way this movie ramps up, you have more nudity.
• 1:11:44
  Speaker 4: I mean, the scene with Terry and the lake is
• 1:11:46
  Speaker 4: clearly just let's shoot as much coverage as we can
• 1:11:50
  Speaker 4: to get as much nudity as we can, you know
• 1:11:52
  Speaker 4: what I mean. So, but you know they kill off
• 1:11:58
  Speaker 4: crazy Ralph. You know, Jason's death when he's hanging from
• 1:12:04
  Speaker 4: not Jason Voorhes, the character Jason when he's hanging upside
• 1:12:08
  Speaker 4: down after he gets stuck in the trap is brutal.
• 1:12:10
  Speaker 4: You know, it's more violent than the first Mark's death
• 1:12:14
  Speaker 4: is definitely the worst. But I will say Steve Miner's
• 1:12:19
  Speaker 4: direction is great, right, he does great work with this
• 1:12:21
  Speaker 4: and Friday thirteenth, part three, this is my favorite climax
• 1:12:26
  Speaker 4: of the movie. Yeah, yeah, go ahead, Now, I'll say,
• 1:12:32
  Speaker 4: just when Ginny shows up to Jason's shack that he
• 1:12:38
  Speaker 4: has assembled in the woods, and she puts on the
• 1:12:41
  Speaker 4: mother's sweater and kind of stands in front of the
• 1:12:43
  Speaker 4: shrine and kind of gets Jason kind of fools Jason.
• 1:12:47
  Speaker 4: I think that that did a lot for the future
• 1:12:49
  Speaker 4: of the franchise as far as kind of introducing what
• 1:12:51
  Speaker 4: his kryptonite would be, which is his mother.
• 1:12:53
  Speaker 5: Clearly, the mythology that's built in this one can't be understated.
• 1:12:59
  Speaker 4: Yep. Yeah. This also does a great job at copying
• 1:13:02
  Speaker 4: the the jump scare, but doing it just differently enough,
• 1:13:06
  Speaker 4: because I remember, well, never suspecting the jump in the
• 1:13:11
  Speaker 4: first Friday the thirteenth, but not expecting him to come
• 1:13:13
  Speaker 4: through the window.
• 1:13:15
  Speaker 5: They got you twice, Chris, he did, But.
• 1:13:17
  Speaker 4: Also, dude, you know what I was thinking. One thing
• 1:13:20
  Speaker 4: that doesn't get talked about is Steve Dash's portrayal of
• 1:13:24
  Speaker 4: Jason Vorhees is so unique because Friday the Thirteenth, Part three,
• 1:13:29
  Speaker 4: he's like a lumbering idiot Jason Vorhees, Right, He's like bigger,
• 1:13:35
  Speaker 4: he's really resourceful in Friday through three part two, and
• 1:13:37
  Speaker 4: he's a little bit funny, Like you know, in the beginning,
• 1:13:40
  Speaker 4: he kind of leads Alice on this fun little trip
• 1:13:43
  Speaker 4: of like he calls the house even though he's in
• 1:13:46
  Speaker 4: the house. I don't know how he did that. He
• 1:13:47
  Speaker 4: calls makes her answer to the phone after she's done
• 1:13:50
  Speaker 4: talking to her mother, and then he hides in the kitchen,
• 1:13:53
  Speaker 4: puts the mother's head in the in the in the fridge.
• 1:13:56
  Speaker 4: And then in this one he's he's in the bed
• 1:14:00
  Speaker 4: where he just killed where he just did the double
• 1:14:03
  Speaker 4: impalement on on Jeff and Sandra.
• 1:14:07
  Speaker 3: So the one that you were talking about, like the
• 1:14:10
  Speaker 3: opening sequence, the part that always makes me laugh is
• 1:14:13
  Speaker 3: this the opening when he takes the the kettle is
• 1:14:19
  Speaker 3: on the stove and then he politely takes it off.
• 1:14:22
  Speaker 5: I'm like, look at it. Hell me.
• 1:14:24
  Speaker 3: I mean, at least you know, missus Voor. He's a
• 1:14:27
  Speaker 3: tot of manners, you know.
• 1:14:30
  Speaker 4: Yeah, he's he's super resourceful, and he's he's like you
• 1:14:35
  Speaker 4: you never get this sort of like and I say
• 1:14:38
  Speaker 4: witty loosefully, this sort of like witty behavior from him.
• 1:14:42
  Speaker 4: Later on, later on he just becomes this lumbering you know,
• 1:14:46
  Speaker 4: he shows up and does the kill and then he
• 1:14:48
  Speaker 4: gets out of there. This one, he's like hiding under
• 1:14:50
  Speaker 4: the bed sheets. You know, he's playing some games. So
• 1:14:54
  Speaker 4: it just feels like a different portrayal than what what
• 1:14:57
  Speaker 4: we got, you know, from this point on, and it
• 1:15:00
  Speaker 4: it makes it fun you know, it's kind of like, yeah,
• 1:15:02
  Speaker 4: if you watch any of the sequels after this and
• 1:15:05
  Speaker 4: then go back to two, you're kind of like, wait,
• 1:15:07
  Speaker 4: is this the same Jason Voorhees, because he's you know,
• 1:15:11
  Speaker 4: it's good man. I wish there was a commentary track
• 1:15:14
  Speaker 4: with Steve Minor for this because I would love to
• 1:15:16
  Speaker 4: kind of hear some of the insight beyond what we
• 1:15:18
  Speaker 4: learned in Crystal Lake Memories.
• 1:15:20
  Speaker 3: He's a really nice in person a meta meta convention
• 1:15:23
  Speaker 3: a couple of years back, and I just thought it
• 1:15:26
  Speaker 3: was very interesting.
• 1:15:27
  Speaker 5: I mean, he.
• 1:15:29
  Speaker 3: To follow up the first one, I can't imagine, you know,
• 1:15:33
  Speaker 3: the level of responsibility that you're putting on your shoulders,
• 1:15:38
  Speaker 3: you know, going into the second one, but then to
• 1:15:41
  Speaker 3: do something.
• 1:15:42
  Speaker 5: For part three that's just so.
• 1:15:45
  Speaker 3: It's not drastically different, but it definitely has like, you know,
• 1:15:50
  Speaker 3: a very very definitely took some swings, is how I
• 1:15:55
  Speaker 3: would put it. With the three d angle with it.
• 1:15:59
  Speaker 4: Well, I think I think there's an interesting conversation to
• 1:16:01
  Speaker 4: be had there that maybe we'll do as a bonus episode.
• 1:16:04
  Speaker 4: You know, we'll talk about it off air, but you know,
• 1:16:07
  Speaker 4: kind of deep diving into Steve Miners two films that
• 1:16:11
  Speaker 4: he did in this franchise are interesting because frid thirteenth,
• 1:16:15
  Speaker 4: Part two feels like, you know, there's like an enthusiasm
• 1:16:22
  Speaker 4: behind it. There's Part three to me, feels much more
• 1:16:24
  Speaker 4: like a job, which you know, we all know. Part three,
• 1:16:28
  Speaker 4: working with the three D effects was so stressful in
• 1:16:30
  Speaker 4: the crew and on Steve Minor and everybody that I'm
• 1:16:33
  Speaker 4: sure very little of the passion for doing a third
• 1:16:38
  Speaker 4: film kind of went out the window with the stress
• 1:16:40
  Speaker 4: of trying to make it, you know, three D. But
• 1:16:43
  Speaker 4: there's a unique feeling with two over three, which is
• 1:16:47
  Speaker 4: funny considering it's the same filmmaker, you know what I mean.
• 1:16:51
  Speaker 3: And the one thing that I think this film just
• 1:16:53
  Speaker 3: absolutely nailed is, like you know, and we've talked about
• 1:16:57
  Speaker 3: this before, we talked about on the Burning episode, something
• 1:17:01
  Speaker 3: that is so important to me when it comes to
• 1:17:04
  Speaker 3: camp Slashers is the counselors all gathering around the campfire
• 1:17:13
  Speaker 3: and the way that they build him up. And even
• 1:17:16
  Speaker 3: with Ginny, you know, played by Amy Steele, she masterfully
• 1:17:22
  Speaker 3: is kind of like looking at it almost from a
• 1:17:25
  Speaker 3: psychological angle. When they're out later and they're getting drinks
• 1:17:29
  Speaker 3: and it's just I don't really feel like we ever
• 1:17:34
  Speaker 3: got that that type of way of taking on Jason.
• 1:17:38
  Speaker 3: So for that, I think that this movie is really effective.
• 1:17:41
  Speaker 3: It has the campfire scene that I think is just
• 1:17:44
  Speaker 3: so crucial for these type of movies, and the same
• 1:17:48
  Speaker 3: thing with the burning. I don't know, man, it's it
• 1:17:53
  Speaker 3: could have gone in a much different direction. I feel
• 1:17:56
  Speaker 3: like unless you had someone like Steve Minor who obviously
• 1:17:59
  Speaker 3: knew what he was taking on and did I feel
• 1:18:02
  Speaker 3: like a phenomenal job, you know, elevating this franchise.
• 1:18:07
  Speaker 4: Yeah, I actually think, I mean hot take before we
• 1:18:10
  Speaker 4: move on to our next movie. But I think Friday
• 1:18:11
  Speaker 4: the Thirteenth, Part two is a better sequel than Halloween
• 1:18:14
  Speaker 4: two is.
• 1:18:17
  Speaker 5: Yeah, that's.
• 1:18:20
  Speaker 3: It's interesting because both of them follow up such an
• 1:18:25
  Speaker 3: iconic movie, obviously, but the events that take place are
• 1:18:30
  Speaker 3: not that far off from when the first film took place.
• 1:18:33
  Speaker 3: I would say, isn't Halloween two is a little bit
• 1:18:36
  Speaker 3: closer with the timeline.
• 1:18:38
  Speaker 4: There's obviously been some It's literally Halloween two is yeah, yeah,
• 1:18:41
  Speaker 4: the minute after, but Friday the Thirteenth is what five years? Yeah?
• 1:18:46
  Speaker 5: Yah?
• 1:18:46
  Speaker 3: So okay, I guess, yeah, But it feels like if
• 1:18:50
  Speaker 3: you're to watch these back to back, they feel like
• 1:18:54
  Speaker 3: a very very good double feature for both of them.
• 1:18:57
  Speaker 1: Yeah.
• 1:18:57
  Speaker 4: Yeah, Well it's funny because Halloween two was fired by
• 1:19:00
  Speaker 4: Friday the thirteenth, you know, and then Halloween two does
• 1:19:04
  Speaker 4: the thing that I hate, which is the kind of
• 1:19:08
  Speaker 4: they kind of weaken Jamie the Curtis in that film
• 1:19:12
  Speaker 4: by like get getting her all drugged up, you know,
• 1:19:14
  Speaker 4: which kind of feels like a little bit of an
• 1:19:15
  Speaker 4: excuse to kind of slow her down. They nerved her,
• 1:19:18
  Speaker 4: Yeah they did, Yeah, they nerved her. So I'm not
• 1:19:21
  Speaker 4: as hot on Halloween two as I am Friday Thirteenth
• 1:19:23
  Speaker 4: Part I think frid Thirteenth Part two is a better
• 1:19:25
  Speaker 4: sequel than Halloween two is. I just think it gets
• 1:19:27
  Speaker 4: overlooked like people, you know, I was talking about this
• 1:19:31
  Speaker 4: with my brother in law the other day. Any day
• 1:19:33
  Speaker 4: of the week, any Friday the thirteenth movie can become
• 1:19:36
  Speaker 4: my favorite. It's one of those franchises that every time
• 1:19:40
  Speaker 4: I rewatch one of them, that one kind of becomes
• 1:19:42
  Speaker 4: my favorite. And it's you know, that's kind of the
• 1:19:44
  Speaker 4: beauty in this franchise.
• 1:19:45
  Speaker 2: You know.
• 1:19:47
  Speaker 3: So I agree with you with the rewatchability. So would
• 1:19:52
  Speaker 3: you say that you said four and six. Are those
• 1:19:55
  Speaker 3: the ones that you come back to most often?
• 1:19:57
  Speaker 4: Oh yeah, Friday Thirteenth Part four I think has the
• 1:19:59
  Speaker 4: best characters, yes, of the whole entire franchise. And Friday
• 1:20:04
  Speaker 4: Thirteenth Part six. Tom McLaughlin just made a rock and
• 1:20:07
  Speaker 4: roll Friday the Thirteenth movie. So it's just fun. You know,
• 1:20:11
  Speaker 4: you have a Frankenstein as Frankenstein's Monster resurrection of Jason Voorhees.
• 1:20:16
  Speaker 4: It's pretty incredible.
• 1:20:17
  Speaker 5: You know, it's pretty badass.
• 1:20:20
  Speaker 4: It is it is. So let's uh, let's chat real
• 1:20:23
  Speaker 4: quick about about your final your final pick that you got. Man.
• 1:20:28
  Speaker 4: I only bring this up because I have a tattoo
• 1:20:30
  Speaker 4: of this movie.
• 1:20:31
  Speaker 3: I knew you'd appreciate it. That's why I wanted to
• 1:20:33
  Speaker 3: save it towards the end. And I don't think you
• 1:20:37
  Speaker 3: can ever buy this movie. Too many times I tried
• 1:20:41
  Speaker 3: to talk myself out a getting this, but listen, with
• 1:20:46
  Speaker 3: fourth of July right around the corner when this was
• 1:20:48
  Speaker 3: coming out, I couldn't pass up on this one. But
• 1:20:52
  Speaker 3: we got to talk about nineteen seventy five's Jaws the
• 1:20:56
  Speaker 3: fiftieth anniversary four case steal book. I mean, what more
• 1:21:05
  Speaker 3: can you say about this movie, the design on this
• 1:21:09
  Speaker 3: steal book, I mean, it just is like the cherry
• 1:21:13
  Speaker 3: on top to a perfect movie in my eyes. But
• 1:21:18
  Speaker 3: this is a movie amongst the sequels as well, I
• 1:21:22
  Speaker 3: always find myself revisiting, especially around the fourth of July.
• 1:21:26
  Speaker 3: It just feels like it's tradition, and especially with the
• 1:21:30
  Speaker 3: first one, I can't believe, you know, we're celebrating the
• 1:21:35
  Speaker 3: fiftieth anniversary, but here we are, and this movie is timeless.
• 1:21:45
  Speaker 3: I go back and forth on this being what I
• 1:21:48
  Speaker 3: would consider like one of my favorite movies just because
• 1:21:53
  Speaker 3: of how effective it is. It's Steven Spielberg firing on
• 1:21:57
  Speaker 3: all cylinders in a life. Lot of ways I always
• 1:22:01
  Speaker 3: attribute to this movie in Jurassic Park. I don't consider
• 1:22:07
  Speaker 3: them like one hundred percent horror movies, but I feel
• 1:22:11
  Speaker 3: like that that was my gateway into getting into horror
• 1:22:15
  Speaker 3: and wanting to, you know, find movies that made me
• 1:22:18
  Speaker 3: feel that way the way that I did when.
• 1:22:19
  Speaker 5: I was younger.
• 1:22:22
  Speaker 3: You know, when I first saw this movie years and
• 1:22:24
  Speaker 3: years ago, I mean, we had a pool and I
• 1:22:28
  Speaker 3: was scared to go in the fucking pool, so you know,
• 1:22:31
  Speaker 3: they yeah, it's like but it was effective, you know,
• 1:22:37
  Speaker 3: and and obviously, you know the sequels, the quality varies
• 1:22:41
  Speaker 3: a little bit, and I don't think they'll, you know,
• 1:22:44
  Speaker 3: any of these will ever live up to the original.
• 1:22:46
  Speaker 3: But I don't know, man, there's just something so special.
• 1:22:51
  Speaker 3: And I know you know this, but this movie this
• 1:22:54
  Speaker 3: time of year, like it's a perfect summer movie. It's
• 1:22:57
  Speaker 3: the perfect fourth of July movie to watch. I just
• 1:23:00
  Speaker 3: have so much love for this movie through and through.
• 1:23:03
  Speaker 3: But we're getting the fiftieth anniversary four Case Steele book,
• 1:23:09
  Speaker 3: and the most important, key special feature on this release
• 1:23:15
  Speaker 3: is the Jaws at fifty the definitive inside story. So
• 1:23:24
  Speaker 3: this was a just such a fun watch, and we're
• 1:23:31
  Speaker 3: getting Steven Spielberg sharing an authorized look inside the story
• 1:23:35
  Speaker 3: of Jaws and this documentary. So this was obviously adapted
• 1:23:39
  Speaker 3: from the novel, but Jaws obviously continues to influence pop
• 1:23:43
  Speaker 3: culture and cinema and shot I can't talk shark conservation
• 1:23:48
  Speaker 3: all these years later, So you get interviews from Hollywood's
• 1:23:53
  Speaker 3: most influential directors and shark scientists. The legend of Jaws
• 1:23:58
  Speaker 3: is obviously endless. You also get a bunch of other
• 1:24:01
  Speaker 3: special features on this release, so you get deleted scenes
• 1:24:05
  Speaker 3: and outtakes, the making of Jaws, Jaws the Restoration, which
• 1:24:09
  Speaker 3: is an in depth look at the intricate process of
• 1:24:12
  Speaker 3: restoring the movie. And then you also get a fan
• 1:24:15
  Speaker 3: made documentary on this, so it's called The Shark is
• 1:24:19
  Speaker 3: Still Working and it focuses on the many ways Jaws
• 1:24:23
  Speaker 3: has helped shape elements of pop culture and influenced a
• 1:24:26
  Speaker 3: generation of filmmakers. And there's other bonus features on here
• 1:24:30
  Speaker 3: as well. But the four K transfer is I mean,
• 1:24:36
  Speaker 3: that's probably in my top ten four k's that I own,
• 1:24:40
  Speaker 3: even outside of owning the Steel Book, I had the
• 1:24:43
  Speaker 3: limited edition set before this, and it just I don't
• 1:24:48
  Speaker 3: think I'll ever look sound any better than this. I
• 1:24:51
  Speaker 3: think that this is like the definitive release for this movie.
• 1:24:54
  Speaker 4: I want to talk for a second about Lorent Basro,
• 1:24:58
  Speaker 4: who directed that Jaw's fiftieth anniversary documentary. For anybody thinking
• 1:25:04
  Speaker 4: that you're going to get in line, not physical, but
• 1:25:07
  Speaker 4: not physically, but like you're in for like typical studio documentary.
• 1:25:13
  Speaker 4: The director of that Lorent Buzzrow. I'm probably butchering that name.
• 1:25:18
  Speaker 4: I'm trying my best. He wrote a book that's on
• 1:25:21
  Speaker 4: my coffee table right now called Spielberg The first ten years,
• 1:25:26
  Speaker 4: which documents extensively the first ten years of Spielberg's career
• 1:25:30
  Speaker 4: as a director. Right, but dude, are you ready? This
• 1:25:35
  Speaker 4: guy has three hundred and forty four credits to his IMDb,
• 1:25:42
  Speaker 4: starting with multiple interviews for Jaws two, the making of
• 1:25:47
  Speaker 4: Jurassic Park three, behind the scenes material for Carrie Dressed
• 1:25:53
  Speaker 4: to Kill, Oh My God, AI, Artificial Intelligence eat, He
• 1:26:01
  Speaker 4: Alfred Hitchcock documentary, Minority Report. Everything that Spielberg has done
• 1:26:06
  Speaker 4: has something from this guy, almost right. Behind the scenes
• 1:26:08
  Speaker 4: for War the Worlds he did. He directed behind the
• 1:26:12
  Speaker 4: scenes for Indiana Jones. This guy has done so much
• 1:26:17
  Speaker 4: right but ready for this? Let me keep going up here.
• 1:26:20
  Speaker 4: He did a documentary, he did forty years of ET.
• 1:26:23
  Speaker 4: He did behind the scenes material for The Post. He
• 1:26:27
  Speaker 4: did what else do we have here? Holy shit stuff
• 1:26:31
  Speaker 4: for The West Side Story.
• 1:26:32
  Speaker 5: Bro.
• 1:26:33
  Speaker 4: This guy directed my favorite documentary of the year. Well,
• 1:26:36
  Speaker 4: first of all, he directed The Becoming hitch The Becoming
• 1:26:40
  Speaker 4: Hitchcock documentary that made a big crash last year. He
• 1:26:44
  Speaker 4: directed that. He also directed my favorite documentary of the year,
• 1:26:48
  Speaker 4: music by John Williams.
• 1:26:51
  Speaker 5: Oh incredible, dude.
• 1:26:53
  Speaker 4: This guy is masterclass in in in Steven Spielberg.
• 1:27:01
  Speaker 5: So it's a body of work.
• 1:27:03
  Speaker 2: Bro.
• 1:27:04
  Speaker 4: This document I touched one one hundredth of it there. Bro,
• 1:27:08
  Speaker 4: this documentary is made with all the love in the world.
• 1:27:10
  Speaker 4: And the most shocking part for me was hearing about
• 1:27:14
  Speaker 4: Spielberg's mental health after Jawls was finished. Oh yeah, how
• 1:27:19
  Speaker 4: he would actually go and hide out in the Orca
• 1:27:22
  Speaker 4: that was on the Jaws ride on Universal's a lot
• 1:27:25
  Speaker 4: and just kind of sit for hours because he had
• 1:27:28
  Speaker 4: such bad PTSD from the experience.
• 1:27:31
  Speaker 3: On Joel crippling anxiety post. What is like a would
• 1:27:36
  Speaker 3: you consider his magnum opus? I mean, I put it
• 1:27:39
  Speaker 3: up there, but it's like you're coming You should be
• 1:27:43
  Speaker 3: coming into this with like, I don't know, you should
• 1:27:48
  Speaker 3: feel accomplished. This is a huge achievement and yet it's
• 1:27:52
  Speaker 3: like the opposite for him.
• 1:27:54
  Speaker 4: Well, three million over budget, one hundred days over production schedule.
• 1:27:59
  Speaker 4: You know, it's I can't imagine the stress that he
• 1:28:02
  Speaker 4: went through. And you know he was very open and
• 1:28:05
  Speaker 4: honest in this documentary. And major props to learn Bosra
• 1:28:10
  Speaker 4: for capturing it the way he did. Man, this documentary
• 1:28:12
  Speaker 4: is worth I have the Jaws the is it? The
• 1:28:15
  Speaker 4: forty fifth anniversary four k the one with the lenticular
• 1:28:18
  Speaker 4: or is that just a is it a forty fifth
• 1:28:20
  Speaker 4: or was it just a random four K. I want
• 1:28:24
  Speaker 4: to say it's for the forty fifth, Okay, it might.
• 1:28:26
  Speaker 3: Be it would it would make sense time wise, because
• 1:28:31
  Speaker 3: I just remember that release was a little bit earlier
• 1:28:33
  Speaker 3: on into when I was collecting.
• 1:28:35
  Speaker 4: Because I got that and I got the et one
• 1:28:37
  Speaker 4: with the lenticular as well. Okay, but definitely worth the
• 1:28:42
  Speaker 4: double dip just to have that documentary alone.
• 1:28:47
  Speaker 3: I was questioning, not just for the steel book art work,
• 1:28:52
  Speaker 3: but I was initially questioning on whether or not this
• 1:28:55
  Speaker 3: was gonna be worth double dipping, And I'm so glad
• 1:28:57
  Speaker 3: I picked it up. So yeah, I implore anyone who's
• 1:29:02
  Speaker 3: whether you're, like, you know, a casual Jaws fan or
• 1:29:08
  Speaker 3: you have a deep appreciation of love for that film
• 1:29:11
  Speaker 3: like we do, definitely worth like going out of your
• 1:29:16
  Speaker 3: way for I feel like that's probably it's probably my
• 1:29:21
  Speaker 3: favorite release of the last couple of months, for.
• 1:29:24
  Speaker 4: Sure, dude, great great picks for this episode. Man.
• 1:29:29
  Speaker 5: We brought some heat to the conversation.
• 1:29:32
  Speaker 4: For sure, man. Definitely some great conversations, like just great
• 1:29:39
  Speaker 4: movies to talk about, you know what, I mean like
• 1:29:40
  Speaker 4: a lot of times, you know, and we don't really
• 1:29:43
  Speaker 4: like you told me what you picked beforehand, and I
• 1:29:46
  Speaker 4: didn't tell you because at the time I didn't know
• 1:29:48
  Speaker 4: what I was going to talk about. Yeah, it just
• 1:29:49
  Speaker 4: happened to pick stuff that both of us could you know,
• 1:29:53
  Speaker 4: talk about. So it's been a good it's been a
• 1:29:56
  Speaker 4: good month, you know what I mean as far as
• 1:29:57
  Speaker 4: watches and releases go. So yeah, I mean, listen, if
• 1:30:03
  Speaker 4: you if you got this far, if you got an
• 1:30:04
  Speaker 4: hour and a half, and we intended this for this
• 1:30:06
  Speaker 4: to be an hour, but we intend everything to be
• 1:30:08
  Speaker 4: shorter than it ends up, you know what I mean.
• 1:30:10
  Speaker 4: Uh so whatever, if you made it this far, I
• 1:30:15
  Speaker 4: I can't recommend enough to go back and check out
• 1:30:19
  Speaker 4: the Philip Scott interview if not to hear what I
• 1:30:22
  Speaker 4: think is a landmark episode for us in our show.
• 1:30:26
  Speaker 4: You know, just learn, get some insight on the behind
• 1:30:30
  Speaker 4: the scenes. Philip Escott has over three hundred behind the
• 1:30:35
  Speaker 4: scenes documentaries and features and interviews under his belt. He
• 1:30:38
  Speaker 4: is the bonus features producer for Second Sight Films. That's
• 1:30:42
  Speaker 4: his whole entire job. And it was such a pleasure
• 1:30:46
  Speaker 4: to hear from him and you know, thank him for
• 1:30:47
  Speaker 4: his time and his effort, and you know, I think
• 1:30:52
  Speaker 4: it's very awesome of him in his part to be
• 1:30:54
  Speaker 4: as open as he was about the processes.
• 1:30:58
  Speaker 3: Absolutely well, I think it's just so cool that we
• 1:31:02
  Speaker 3: have a lot more movies than I realized we would
• 1:31:07
  Speaker 3: have in common, especially the love for Italian horror, and
• 1:31:11
  Speaker 3: you know, he's obviously very familiar with like you know,
• 1:31:13
  Speaker 3: Faulchy and Jo Diamatto, and you know, we were able
• 1:31:18
  Speaker 3: to be very candid with him about you know, those
• 1:31:22
  Speaker 3: those genres of film that we absolutely love.
• 1:31:25
  Speaker 4: There's moments where you can tell we're kind of phishing
• 1:31:27
  Speaker 4: for information because you know, when you get a chance
• 1:31:29
  Speaker 4: to talk to somebody like that, you're hoping you're going
• 1:31:31
  Speaker 4: to get you know, you're you're talking to somebody who
• 1:31:35
  Speaker 4: you know, we admire so much, who works for a
• 1:31:37
  Speaker 4: company we admire so much, and you're hoping to kind
• 1:31:39
  Speaker 4: of get that inside scoop, not to share, like, not
• 1:31:42
  Speaker 4: for the sake of wanting to share, but just because
• 1:31:44
  Speaker 4: you're excited for what they're going to do. But it's
• 1:31:48
  Speaker 4: been great Man to have this, you know, to have
• 1:31:53
  Speaker 4: that be the second interview that we've done. You know,
• 1:31:56
  Speaker 4: the first that we did on our own, you know,
• 1:31:57
  Speaker 4: obviously the first thanks to your in a movie Den
• 1:32:00
  Speaker 4: for allowing us to post that episode with Adam Marcus.
• 1:32:05
  Speaker 4: You know, very it was. It was a very exciting time.
• 1:32:07
  Speaker 4: And I think anybody who collects physical media, even if
• 1:32:10
  Speaker 4: you you know, if you know of Second Sight and
• 1:32:14
  Speaker 4: you own some second site, you know, check it out,
• 1:32:17
  Speaker 4: get some of that the insider information, because there was
• 1:32:20
  Speaker 4: some there was some really cool stuff in that oh.
• 1:32:23
  Speaker 3: Yeah, even even with the Adam Marcus interview, like you're
• 1:32:27
  Speaker 3: getting a behind the scenes look at you know, everything
• 1:32:30
  Speaker 3: involved in that film, and you know the legacy that
• 1:32:34
  Speaker 3: that movie has had, not only for horror films that
• 1:32:37
  Speaker 3: were released around that time, but also for Friday the thirteenth.
• 1:32:40
  Speaker 3: And I definitely took away a lot from both these
• 1:32:44
  Speaker 3: last two interviews that we've done, you know, each of
• 1:32:47
  Speaker 3: which you know, they're tackling very different content. But it's
• 1:32:51
  Speaker 3: cool to see, you know, at the end of the day,
• 1:32:54
  Speaker 3: we you know, we share that love of movies together.
• 1:32:57
  Speaker 4: Yeah, yeah, yeah, I think that kind of wraps up
• 1:33:02
  Speaker 4: after hours. Make sure too, you know, if you hung
• 1:33:06
  Speaker 4: around this long, go follow the Beyond the Blood Pod
• 1:33:10
  Speaker 4: Instagram page. Is just at Beyond the Blood Pod. Make
• 1:33:12
  Speaker 4: sure you check out the other shows on our network
• 1:33:14
  Speaker 4: on Someone's Favorite Productions Network, our friends at the City Syndicate,
• 1:33:18
  Speaker 4: we're just added to the network. They're doing incredible work
• 1:33:20
  Speaker 4: in this exploitation genre. Been loving their show. Ryan from
• 1:33:24
  Speaker 4: The Disconnected, our Fearless Leader, just posted a interview with
• 1:33:29
  Speaker 4: Brian Usna, which is very exciting, very exciting, very cool
• 1:33:33
  Speaker 4: opportunity to make sure to go check that out. Steve,
• 1:33:37
  Speaker 4: let the people know where they can find you.
• 1:33:40
  Speaker 3: You guys can find me on social media at after Hours,
• 1:33:43
  Speaker 3: video am on YouTube, Instagram, TikTok, you name it, and
• 1:33:50
  Speaker 3: obviously co hosts I'm Beyond the Blood with Chris.
• 1:33:53
  Speaker 4: Here and me. You can find on Instagram or YouTube.
• 1:33:59
  Speaker 4: It is a bearded film guy on both of those.
• 1:34:03
  Speaker 4: You know, been very excited to continue to grow the
• 1:34:05
  Speaker 4: network as far as like like the following goes aver
• 1:34:10
  Speaker 4: on Instagram. We've both been making like huge leaps and
• 1:34:12
  Speaker 4: strides over there, so a great, great community that we've
• 1:34:17
  Speaker 4: we've built over there between the two of us, We're
• 1:34:19
  Speaker 4: very excited to keep going. So we hope you go
• 1:34:21
  Speaker 4: over there and decide to give us a follow and
• 1:34:23
  Speaker 4: Steve's growing like a weed. There's gonna be a point
• 1:34:25
  Speaker 4: where you're gonna surpass me, man, So.
• 1:34:27
  Speaker 5: Come by now on.
• 1:34:29
  Speaker 4: Yeah, it's true, it's true. But yeah, thank you guys
• 1:34:32
  Speaker 4: for all the support. We hope you enjoyed this episode
• 1:34:35
  Speaker 4: After hours, please be sure to tune in next week
• 1:34:37
  Speaker 4: for our coverage on the Texas Chainsawmasker commentary with director
• 1:34:43
  Speaker 4: Toby Hooper, Leatherface actor Gunner Hanson, and cinematographer Daniel Pearl.
• 1:34:50
  Speaker 4: We're gonna be covering that commentary track with our friend
• 1:34:54
  Speaker 4: Jordan from the movie Den and a brand new member
• 1:34:58
  Speaker 4: to the show, dal Anglin, a filmmaker who we're very
• 1:35:03
  Speaker 4: excited to have with us for that episode. So we
• 1:35:07
  Speaker 4: hope to see you there and we'll catch you guys
• 1:35:09
  Speaker 4: on the next one.
• 1:35:18
  Speaker 1: Thank you for listening to hear more shows from the
• 1:35:21
  Speaker 1: Someone's Favorite Productions podcast Network. Please select the link in
• 1:35:24
  Speaker 1: the description.