Latest / Michelle Explains Anime, Poorly / Serial Experiments Lain Ep. 3- Psyche

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Serial Experiments Lain Ep. 3- Psyche · Michelle Explains Anime, Poorly

• 0:00
  Speaker 1: Hey, it's your person, Michelle. I guess here to do
• 0:04
  Speaker 1: more things that we do together, or I do at you,
• 0:08
  Speaker 1: I talk at you. I'm not really sure what I'm saying,
• 0:11
  Speaker 1: but uh, yeah, I'm a little bit out of sorts
• 0:13
  Speaker 1: because I don't usually record podcasts in the morning because
• 0:17
  Speaker 1: I usually do like work, like like job work where
• 0:21
  Speaker 1: you get paid and stuff in the morning. But today
• 0:24
  Speaker 1: I have an inspection in the afternoon, and I don't
• 0:28
  Speaker 1: have any other time to do this, So we're doing
• 0:30
  Speaker 1: it right now at nine forty six in the morning.
• 0:33
  Speaker 2: Yay.
• 0:34
  Speaker 1: I'm stressed out for some reason. So yeah, I'm gonna
• 0:38
  Speaker 1: do my best, I hope, and if it's not good enough,
• 0:41
  Speaker 1: I am sorry, but hopefully it might be. So before
• 0:45
  Speaker 1: we start going, I wanted to correct myself a little bit.
• 0:48
  Speaker 1: So last week I said that the only show that
• 0:52
  Speaker 1: I was actually caught up with was witch Hat. Oddly,
• 0:57
  Speaker 1: I don't even remember how to pronounce it now because
• 0:59
  Speaker 1: I had to look it up before I said it
• 1:01
  Speaker 1: last time. But whatever, and I am still caught up
• 1:05
  Speaker 1: with that. But I forgot to tell you that I'm
• 1:07
  Speaker 1: caught up with ree zero. I've been watching re zero
• 1:09
  Speaker 1: every week and it's been good. Yeah, we're in the
• 1:12
  Speaker 1: fourth season now, and the last episode was like pretty good.
• 1:15
  Speaker 1: But the episode before that, and I'm talking like two
• 1:18
  Speaker 1: weeks ago for you guys, was like so fucking awesome
• 1:21
  Speaker 1: and so much like the first season, and I got
• 1:23
  Speaker 1: like really really excited. So yeah, I'm having a really
• 1:27
  Speaker 1: good time with that. And I've heard nothing but good
• 1:29
  Speaker 1: things about the content of this season from late novel readers,
• 1:35
  Speaker 1: so yeah, I'm excited. Also with which hat.
• 1:39
  Speaker 2: A lie, it's just so fucking.
• 1:44
  Speaker 1: Pretty, Like it's pretty all the time, Like all the
• 1:46
  Speaker 1: animation is like stellar.
• 1:48
  Speaker 2: So if you like.
• 1:50
  Speaker 1: School which things that, yeah, I don't know, maybe you'll
• 1:55
  Speaker 1: like this. Yeah, it's still like not my favorite thing,
• 1:59
  Speaker 1: but I do think it's really good, so maybe check
• 2:03
  Speaker 1: it out for other things that I'm watching. Since I
• 2:05
  Speaker 1: did start actually watching things again, I'm still not caught
• 2:08
  Speaker 1: up with what I want to be caught up with.
• 2:10
  Speaker 1: But I did watch the first two episodes of the
• 2:12
  Speaker 1: second season of Door Hidora last night and they were good.
• 2:15
  Speaker 1: I forgot how much I like the content of this
• 2:19
  Speaker 1: area of the manga and how much I like the
• 2:22
  Speaker 1: poor fucked up cross Eye. Dang, they're so fucked up
• 2:27
  Speaker 1: I do think that whoever's doing sound design and music
• 2:31
  Speaker 1: is fucking up a little still with like the placement
• 2:35
  Speaker 1: of stuff, because there was there was like a really,
• 2:38
  Speaker 1: in my opinion, like funny joke in the manga at
• 2:42
  Speaker 1: the beginning of the first what would be the first
• 2:44
  Speaker 1: episode of the second season, and it just didn't read
• 2:48
  Speaker 1: right because of the kind of like happy music in
• 2:51
  Speaker 1: the background, Like there was a setup that didn't happen
• 2:54
  Speaker 1: basically because of the music, in my opinion. So that sucks,
• 2:59
  Speaker 1: but I like it. And also now I'm like remembering
• 3:02
  Speaker 1: why I like Shin so much, so I'm having a
• 3:05
  Speaker 1: really good time with that. But uh, yeah, that's what's
• 3:08
  Speaker 1: going on with anime for me, I guess. So yeah,
• 3:12
  Speaker 1: if you liked the first season of Dora Heydoro, you'd
• 3:15
  Speaker 1: probably really enjoy the second season because this is a
• 3:19
  Speaker 1: really good part of the manga. So yeah, so let's
• 3:23
  Speaker 1: do lane, because now I have to write back to
• 3:25
  Speaker 1: somebody also about an inspection on Wednesday, so the day
• 3:28
  Speaker 1: before you might be hearing this, Oh my god, I
• 3:31
  Speaker 1: don't have time to do anything this week. That's probably fine.
• 3:34
  Speaker 1: Everything's fine, So let's do it before I panic about
• 3:39
  Speaker 1: other things.
• 3:41
  Speaker 2: So episode three of Lane.
• 3:42
  Speaker 1: Is called Psyche. It starts the way they've all started,
• 3:46
  Speaker 1: with a blue screen, and then the person that says
• 3:48
  Speaker 1: present day, present time and it laughs a bunch, and
• 3:52
  Speaker 1: then like Lane fading into like the snow on the
• 3:55
  Speaker 1: blue screen, and then the opening theme.
• 3:58
  Speaker 2: Yay.
• 4:00
  Speaker 1: I love the present day, present time thing, but I
• 4:03
  Speaker 1: am not doing it justice, so I'm sorry. Next, we
• 4:08
  Speaker 1: see like a green tinted city with like a crosswalk,
• 4:12
  Speaker 1: which we usually see here, but then we hear a
• 4:15
  Speaker 1: police siren and we see like the lights on top
• 4:17
  Speaker 1: of the police cars, and there are four cop cars
• 4:21
  Speaker 1: like in the front of Siberia, and there's some police
• 4:23
  Speaker 1: officers standing near them. So I guess we are picking
• 4:26
  Speaker 1: up right where we left off at the end of
• 4:28
  Speaker 1: the last episode, which if you don't remember, and I
• 4:30
  Speaker 1: didn't say it at the beginning of the episode, but
• 4:33
  Speaker 1: that's okay, I'll just say it here. Fucking Lane just
• 4:36
  Speaker 1: watched some dude fucking shoot himself in the mouth after
• 4:41
  Speaker 1: she said that everyone is connected, and he freaked out,
• 4:45
  Speaker 1: So we're just starting right there. Yay. Anyway, people are
• 4:49
  Speaker 1: leaving Siberia and there's cops gathered around the front obviously
• 4:55
  Speaker 1: just right after all the shit happened, and we hear
• 4:59
  Speaker 1: someone say there's a girl named Lane. You may have
• 5:02
  Speaker 1: heard of her. We see people like walking down a
• 5:05
  Speaker 1: street now, and then Lane and Alice leaving Siberia, and
• 5:10
  Speaker 1: the voice continues, she's on the wired Lane. Alice is
• 5:15
  Speaker 1: kind of holding Lane close, and Lane just kind of
• 5:18
  Speaker 1: looks blank, which is the way you might look if
• 5:20
  Speaker 1: you just saw someone kill themselves. And then we get
• 5:23
  Speaker 1: the title card Psyche Layer three, except it is in English,
• 5:28
  Speaker 1: and the way that this person who said it pronounced
• 5:31
  Speaker 1: psyche was so weird. It was like pushac And I
• 5:35
  Speaker 1: kind of understand because psyche is spelled super super strange
• 5:39
  Speaker 1: in English, but it was just so weird to listen to.
• 5:42
  Speaker 1: So now, you know, for some reason. Now we see
• 5:45
  Speaker 1: a grainy image of I think like city buildings or
• 5:49
  Speaker 1: building in the distance. I can't tell what this is, honestly,
• 5:52
  Speaker 1: and then we cut to that laser sight from the
• 5:54
  Speaker 1: gun like cutting through the dark. Then that weird grainy
• 5:57
  Speaker 1: image again, then blood, you know, seeping across the floor.
• 6:02
  Speaker 1: Back to that city image, and we hear a man say,
• 6:05
  Speaker 1: what are your parents on vacation or something? We flashed
• 6:08
  Speaker 1: to that gun shaking before you know, before the guy
• 6:11
  Speaker 1: shot himself and then to the city again, and we
• 6:14
  Speaker 1: hear the man say I called the number you gave me,
• 6:16
  Speaker 1: but no one answered. We see a close up of
• 6:19
  Speaker 1: the bottom half of Lane's face and she says, they're
• 6:22
  Speaker 1: just out. I'm not lying. Why would he think you're lying?
• 6:26
  Speaker 1: The guy who now we see the bottom part of
• 6:28
  Speaker 1: his face too, and he's got a cigarette in his mouth.
• 6:31
  Speaker 1: He's probably a cop, I think, says no, I didn't
• 6:35
  Speaker 1: say you were lying.
• 6:35
  Speaker 2: It's just my job to ask.
• 6:37
  Speaker 1: They're sitting near a desk in some sort of cubicle
• 6:41
  Speaker 1: area of cubicles. In the background passed a bunch of
• 6:45
  Speaker 1: the cubicles. There's a window and it looks like Alice
• 6:48
  Speaker 1: is looking through kind of into this area, and the
• 6:51
  Speaker 1: cop says, you're laying Iwakura your address and phone number
• 6:55
  Speaker 1: check out? Fine. Oh side note again, the subtitles are
• 7:00
  Speaker 1: like terrible in this episode. I'm I may need to
• 7:03
  Speaker 1: figure out a different source to watch this on because
• 7:05
  Speaker 1: it's really bad and I'm not sure I'm giving you
• 7:07
  Speaker 1: the right information all the time.
• 7:09
  Speaker 2: So sorry.
• 7:10
  Speaker 1: Anyway, we now see that Alice is, yes, definitely standing
• 7:14
  Speaker 1: at that window. Looking in. She's got her hands pressed
• 7:17
  Speaker 1: on it and she looks worried. I guess this has.
• 7:20
  Speaker 2: Been a more deal.
• 7:22
  Speaker 1: Anyway, the cop continues, it's late, so I'm going to
• 7:25
  Speaker 1: get someone else to take you home, But next time,
• 7:27
  Speaker 1: I want you to tell me exactly what you saw.
• 7:29
  Speaker 1: Staying quiet is a bad idea, even if you weren't involved. No,
• 7:33
  Speaker 1: that's not true. Stay quiet. You need a lawyer, Lane,
• 7:36
  Speaker 1: a lawyer. Actually, I should probably look into that. But
• 7:40
  Speaker 1: if you're in the US and a cop is talking
• 7:43
  Speaker 1: to you and possibly questioning you about your involvement in
• 7:47
  Speaker 1: a thing, instead of having this interrogation with a cop,
• 7:50
  Speaker 1: you say, I need to see a lawyer because anything
• 7:54
  Speaker 1: that you say can and will be used against you
• 7:57
  Speaker 1: if you get prosecuted. Oh yes, lawyer of Lane. Anyway,
• 8:03
  Speaker 1: Lane is silent. She just looks down in the ground
• 8:06
  Speaker 1: because she knows her fucking rights. The cop size, okay,
• 8:10
  Speaker 1: you're free to go. Alice like runs over. I guess
• 8:13
  Speaker 1: they open the door at that point, and she like
• 8:15
  Speaker 1: kneels down to Lane because Lane's sitting, you know, and
• 8:18
  Speaker 1: puts her hands over Lane's hands and is like, Lane,
• 8:21
  Speaker 1: I'm so sorry you should be Lane is just kind
• 8:24
  Speaker 1: of looking down in her hands. Alice continues, can you
• 8:27
  Speaker 1: ever forgive me?
• 8:28
  Speaker 2: Are you okay?
• 8:30
  Speaker 1: Lane doesn't say anything, and she's still not looking at Alice.
• 8:34
  Speaker 1: Alice says, are you okay?
• 8:36
  Speaker 2: Lane?
• 8:37
  Speaker 1: Lane's like uh. Alice says what Lane's like? H this?
• 8:46
  Speaker 1: And then we hear a voice from somewhere say, Alice,
• 8:49
  Speaker 1: come on, we're leaving. Alice looks in the direction of
• 8:52
  Speaker 1: the voice and then back at Lane and she's like, Lane.
• 8:55
  Speaker 2: We hear the voice again.
• 8:56
  Speaker 1: Say Alice. Alice starts to tear up, and she says
• 9:00
  Speaker 1: I'm sorry. She kind of bends over and she's like,
• 9:03
  Speaker 1: I'm sorry, Lane, tomorrow, we'll talk tomorrow. Sorry. She gets
• 9:07
  Speaker 1: up and leaves, and Lane's like ugh. The cop says, well,
• 9:12
  Speaker 1: it's time for you to go home now too. Lane
• 9:14
  Speaker 1: looks really sad, and she just kind of stares down
• 9:16
  Speaker 1: at her hands again and says, oh. Now we see
• 9:20
  Speaker 1: telephone wires buzzing on a dark blue sky. I believe
• 9:24
  Speaker 1: it's supposed to be the night sky, but you know,
• 9:27
  Speaker 1: maybe there's light pollution, so it's looking brighter than it
• 9:30
  Speaker 1: would if it was, you know, not near Tokyo. And
• 9:33
  Speaker 1: we pan down to a street with a police car
• 9:36
  Speaker 1: coming over a hill and Lane is in the police car.
• 9:40
  Speaker 1: Obviously she's looking out of the window as they pass
• 9:42
  Speaker 1: all these silhouetted houses with lights on in the windows.
• 9:45
  Speaker 1: The car stops, the cop says, you have a key, right,
• 9:50
  Speaker 1: Lane's like yeah, they should probably like walk her to
• 9:53
  Speaker 1: the door or something. We are kind of far away
• 9:57
  Speaker 1: from the car, like it's a pretty wide shot, so
• 10:00
  Speaker 1: we just hear the door car shut, and then the
• 10:02
  Speaker 1: car drives off and it's like too dark to see Lane,
• 10:06
  Speaker 1: but I assume she got out. Next week, cut to
• 10:10
  Speaker 1: inside of the dark hallway as she opens the door,
• 10:15
  Speaker 1: and then her walking in bear slippers. She looks into
• 10:20
  Speaker 1: the living, dining, open plan kitchen area and it's dark
• 10:24
  Speaker 1: except for like the moonlight streaming and through the windows. Honestly,
• 10:28
  Speaker 1: it feels pretty peaceful, but I don't know if it's
• 10:30
  Speaker 1: supposed to do. We cut to her feet walking up
• 10:34
  Speaker 1: the stairs and she knocks on a door and then
• 10:37
  Speaker 1: waits and opens its. Inside the room is empty and dark.
• 10:44
  Speaker 1: It also has two twin beds. I'm assuming this is
• 10:46
  Speaker 1: her parents' room. So I don't know what we're saying here.
• 10:50
  Speaker 1: I don't know if this was just kind of a
• 10:51
  Speaker 1: common thing at the time where we pretended that married
• 10:54
  Speaker 1: couples don't have sex like we used to do in
• 10:56
  Speaker 1: the US with the two twin beds in a married
• 10:58
  Speaker 1: couple's room on TV, or if we're trying to say
• 11:02
  Speaker 1: that her parents are having problems, it's got to be
• 11:05
  Speaker 1: one of the other. I'm just not sure which one.
• 11:07
  Speaker 1: But regardless, nobody is in this room and she just
• 11:11
  Speaker 1: kind of stares in for a moment and then sighs
• 11:14
  Speaker 1: and closes the door. Now we have this weird shot
• 11:17
  Speaker 1: of her like standing in the hallway, and the camera
• 11:19
  Speaker 1: starts to kind of pull away, so we're seeing more
• 11:22
  Speaker 1: and more of the hallway as she stands there. But like,
• 11:25
  Speaker 1: there's this weird thing that's going on where I don't
• 11:27
  Speaker 1: know if it's on purpose or not, but the hallway
• 11:30
  Speaker 1: is kind of you know, morphing and getting longer and
• 11:32
  Speaker 1: smaller because we're seeing more of it, So where she
• 11:35
  Speaker 1: is is getting you know, further back and smaller, but
• 11:38
  Speaker 1: she stays the same size. It's just really weird, so
• 11:42
  Speaker 1: it looks like the hallway is literally getting smaller or
• 11:45
  Speaker 1: she's growing again. I don't know if this was on purpose,
• 11:48
  Speaker 1: or not, but it was weird. We cut to her
• 11:50
  Speaker 1: turning the handle of the door, and we see from
• 11:54
  Speaker 1: the inside of the room as she opens the door,
• 11:57
  Speaker 1: and the light hits her face, first the sliver and
• 12:00
  Speaker 1: then widening as she opens the door, and the light
• 12:03
  Speaker 1: is I mean coming from the window, but also coming
• 12:05
  Speaker 1: from Nabby's screen which is on, and there's like a
• 12:09
  Speaker 1: screensaver on. It's just blue, but it said screensaver, so
• 12:13
  Speaker 1: that's how I know. She stares at it from across
• 12:16
  Speaker 1: the dark room and then gasps for some reason. She
• 12:20
  Speaker 1: slowly walks over and sits down at the desk, and
• 12:23
  Speaker 1: we see like a bunch of open windows kind of
• 12:25
  Speaker 1: like fading out. I don't know what's going on, and
• 12:27
  Speaker 1: then like a blue circle looks almost kind of like
• 12:31
  Speaker 1: an eye. But then I was like, I think that's
• 12:33
  Speaker 1: just the logo for the computer.
• 12:34
  Speaker 2: I don't know.
• 12:35
  Speaker 1: As she stares at it, it kind of looks like
• 12:37
  Speaker 1: it just goes back to the screensaver. Then we cut
• 12:40
  Speaker 1: to her stuffed animals on the window sill, lit by
• 12:43
  Speaker 1: the street lights, and then she wakes up like she
• 12:46
  Speaker 1: had just fallen asleep on her desk.
• 12:48
  Speaker 2: It's a weird cut.
• 12:50
  Speaker 1: She looks towards the door, sits up, and then stands
• 12:54
  Speaker 1: and walks back across the room. She goes back to
• 12:57
  Speaker 1: the living room, dining room, kitchen combination area to check
• 13:02
  Speaker 1: to see if anybody's home yet, and obviously they are not.
• 13:05
  Speaker 1: It is still just dark and silent. So she goes
• 13:10
  Speaker 1: back down the hallway and back up the stairs I suppose,
• 13:13
  Speaker 1: even though they didn't show that, and knocks again on
• 13:16
  Speaker 1: her parents' door, opens it, and then after a second
• 13:20
  Speaker 1: closes it. We cut to her hands typing on an
• 13:24
  Speaker 1: English keyboard, like there's no Japanese characters at all. I
• 13:28
  Speaker 1: don't know if that's a thing that was going on
• 13:30
  Speaker 1: in the late nineties, but that's weird. She is typing
• 13:35
  Speaker 1: messages in English, and she's like saying it as.
• 13:38
  Speaker 2: She types it.
• 13:39
  Speaker 1: The screen says like search mail, and Navi says there
• 13:44
  Speaker 1: are no messages for Lane. Laane gets up from the
• 13:47
  Speaker 1: desk and says good night Navi, and obvious like good
• 13:51
  Speaker 1: night Lane. Lane kind of turns back and looks at
• 13:54
  Speaker 1: the computer for like way way too long. Then she
• 13:59
  Speaker 1: takes off her jazz and sits on the bed in size.
• 14:03
  Speaker 1: We pull in on Navi's glowing screen and then fade
• 14:07
  Speaker 1: to laying asleep in her bed with her bare one seon.
• 14:11
  Speaker 1: We cut to her stuffed animals on the windowsill, just
• 14:14
  Speaker 1: overwhelmed by sunlight. Just everything is so fucking bright. And
• 14:19
  Speaker 1: she wakes up and looks at her super bright ceiling
• 14:23
  Speaker 1: like everything is super overexposed again, I mean not to
• 14:27
  Speaker 1: the point where you can't tell what it is, but
• 14:29
  Speaker 1: it's fucking white everywhere. She gets out of bed, opens
• 14:33
  Speaker 1: the door and walks down like the super bright stairs.
• 14:38
  Speaker 1: Then we cut to a faucet running. Next we see
• 14:41
  Speaker 1: breakfast on a table. It's two croissants, salad, milk, I
• 14:46
  Speaker 1: think in a mug, one sidey side up egg, one
• 14:49
  Speaker 1: piece of broccoli, and two sausages. There's at least one
• 14:52
  Speaker 1: other anime where we've done one piece of broccoli, and
• 14:56
  Speaker 1: I think it was probably banana fish because I kind
• 14:59
  Speaker 1: of remember talking about and just being like, that's weird.
• 15:01
  Speaker 1: Why would you just have one piece of broccoli? But
• 15:03
  Speaker 1: that's what it is, one piece of broccoli. Anyway. Her
• 15:06
  Speaker 1: mom is at the kitchen sink. We're seeing the back
• 15:09
  Speaker 1: of her, and she is probably washing dishes.
• 15:12
  Speaker 2: Because the water is still running.
• 15:15
  Speaker 1: Lane kind of looks in from the hall. I guess
• 15:17
  Speaker 1: she's probably surprised to see that anyone's there, considering last
• 15:20
  Speaker 1: night they warn't, and her mom, without turning around, says,
• 15:24
  Speaker 1: don't you think it's embarrassing to oversleep and be late
• 15:27
  Speaker 1: for school? She's dude, Lane's like mom last night. Her
• 15:34
  Speaker 1: mom turns and it's like, huh what. Lane kind of
• 15:38
  Speaker 1: gives up and says, never mind. We cut to her
• 15:42
  Speaker 1: opening the front door and walking down those super exposed
• 15:45
  Speaker 1: steps and then walking down the street. She stops and gasps,
• 15:51
  Speaker 1: and for a second, I thought we were gonna see
• 15:53
  Speaker 1: that dude again, but no, there's just this black sedan parked,
• 15:57
  Speaker 1: you know, like at the curbs slightly.
• 15:59
  Speaker 2: Down the block.
• 16:01
  Speaker 1: The windows are tinted so like we can't see inside
• 16:03
  Speaker 1: it all. Lane stares at it as she walks by,
• 16:07
  Speaker 1: actually probably more worried than you should be to just
• 16:09
  Speaker 1: see a car park somewhere, but she is. And this
• 16:14
  Speaker 1: red dot kind of like the laser side from the
• 16:16
  Speaker 1: gun appears in the front window, and she gasps, and
• 16:21
  Speaker 1: it seems to follow her as she's walking, like someone
• 16:25
  Speaker 1: is you know, focused in on her specifically with it
• 16:28
  Speaker 1: maybe a gun, And she gasps again. And just runs
• 16:32
  Speaker 1: for it. Now we see her on the train, standing
• 16:36
  Speaker 1: at the door again, and we get to wires on
• 16:39
  Speaker 1: an over exposed background, like as they pass by, and
• 16:43
  Speaker 1: a voice like a man's voice says, Lane, Lane. Lane
• 16:48
  Speaker 1: turns and she doesn't see anyone around, and the voice continues,
• 16:53
  Speaker 1: good morning, Lane, you can hear me right what? Lane
• 16:57
  Speaker 1: looks around some more, pretty worried because what the fuck
• 17:01
  Speaker 1: and says who's there? The voice is like, you're not alone.
• 17:06
  Speaker 1: I think she is, so I'm kind of worried. Lane
• 17:09
  Speaker 1: gasps me too. Then it's just kind of quiet, and
• 17:12
  Speaker 1: she looks back out the window. We cut two girls
• 17:15
  Speaker 1: walking through the gates of the school. Then we see
• 17:18
  Speaker 1: feet walking in the hallway of the school, and then
• 17:22
  Speaker 1: we cut to Lane as she's approaching the classroom door
• 17:25
  Speaker 1: and all the kids inside here like standing in a group,
• 17:29
  Speaker 1: and Lane kind of stopped at the door and just
• 17:31
  Speaker 1: listens in. And one girl says, how did it happen?
• 17:35
  Speaker 1: Did he kill himself? Someone else is like, did you
• 17:38
  Speaker 1: see him?
• 17:38
  Speaker 2: Was he cute?
• 17:39
  Speaker 1: What? Another girl's like, I don't know. They wouldn't show
• 17:42
  Speaker 1: his face on TV. Someone else says was he cute?
• 17:48
  Speaker 1: Another girl says well, I think he was cute. Someone
• 17:51
  Speaker 1: else is like, you were screaming the whole time, you
• 17:54
  Speaker 1: didn't even see his face. At this point, Lane walks in.
• 17:58
  Speaker 1: I'm pretty sure some of these girls were, you know,
• 18:00
  Speaker 1: the girls who were with Lane at the club, but
• 18:03
  Speaker 1: I couldn't tell just from their voices. Unfortunately, anyway, now
• 18:06
  Speaker 1: we can see that Judy is talking and she's like,
• 18:09
  Speaker 1: I saw his feet. All the girls laugh. Alice looks
• 18:13
  Speaker 1: over and sees Lane walking to her desk, not to
• 18:16
  Speaker 1: the rest of the group, and Raka, you know, the
• 18:19
  Speaker 1: third girl is like, admitted you were too scared to
• 18:22
  Speaker 1: look at the blood. Everyone is still kind of laughing
• 18:25
  Speaker 1: at this, which what and Alice says Lane. Laane looks
• 18:30
  Speaker 1: over and Judy waves and is like, did you get
• 18:32
  Speaker 1: in trouble Lane? Raka says, It's not like it was
• 18:35
  Speaker 1: our Faultchery. Alice is like, excuse me, and it looks
• 18:39
  Speaker 1: like she's trying to leave the group, or at least
• 18:41
  Speaker 1: get closer to the outside so she can talk to
• 18:43
  Speaker 1: Lane or something. And Rika continues, I think Alice was
• 18:47
  Speaker 1: the closest to him, and everyone's like what. Someone else says,
• 18:51
  Speaker 1: really did blood spatter all over? And Alice is like, yeah.
• 18:57
  Speaker 2: What's going on.
• 18:58
  Speaker 1: We hear Judy I think, say, yeah, I was so
• 19:01
  Speaker 1: grossed out, and Rica's.
• 19:02
  Speaker 2: Like me too.
• 19:04
  Speaker 1: Lane is looking at Alice smiling for some reason, and
• 19:07
  Speaker 1: Alice smiles at Lane. I don't know what this was here.
• 19:10
  Speaker 1: I thought it was weird that they just smiled at
• 19:12
  Speaker 1: each other, Like, well, maybe they are like trauma bonded. Now,
• 19:16
  Speaker 1: you know, they both had a terrible experience together, so
• 19:19
  Speaker 1: now they're like friends or something.
• 19:21
  Speaker 2: I don't know.
• 19:22
  Speaker 1: Anyway, Now we see Lane sitting at I guess her desk,
• 19:26
  Speaker 1: just drawing a big scribbly circle or spiral in her notebook,
• 19:32
  Speaker 1: and we hear a man's voice say, but that's not all.
• 19:36
  Speaker 1: If you see the PUSHUK simply as an upgraded processor,
• 19:39
  Speaker 1: you lose sight of the whole picture. Oh okay, Lane
• 19:43
  Speaker 1: looks kind of stressed or sad, I can't really tell.
• 19:47
  Speaker 1: The voice continues. As a multipurpose information terminal novies have
• 19:51
  Speaker 1: come into use all over the world. The teacher is
• 19:54
  Speaker 1: not this dude, by the way, She's just writing on
• 19:57
  Speaker 1: the board. This is not good. The voice continues even
• 20:01
  Speaker 1: with grade school children. However, activity within the wired is
• 20:05
  Speaker 1: currently limited by machine the spiral in her notebook gets
• 20:09
  Speaker 1: like a translucent spinning spiral over it, like not one
• 20:13
  Speaker 1: that she drew.
• 20:14
  Speaker 2: It's just there.
• 20:16
  Speaker 1: The voice continues. The Pushueke can dramatically enhance the nobby
• 20:21
  Speaker 1: in ways not fully understood. Okay, I don't know what
• 20:24
  Speaker 1: up Bushoe k is. Actually looked it up just to
• 20:26
  Speaker 1: make sure I wasn't really stupid, and I only get
• 20:28
  Speaker 1: cereal experiments lane things in Google, so it's not something
• 20:33
  Speaker 1: that I was supposed to know. Now we hear a
• 20:35
  Speaker 1: girl's voice say, there was no reason for me to
• 20:37
  Speaker 1: stay in the real world any longer. Laine looks up
• 20:42
  Speaker 1: and over at the classroom door, which has a window
• 20:44
  Speaker 1: in it, and there's this girl standing on.
• 20:48
  Speaker 2: The other side.
• 20:49
  Speaker 1: I think she's kind of obscured by the glass, so
• 20:51
  Speaker 1: we don't have really any defined features, but I have
• 20:55
  Speaker 1: a feeling she's not alive, and we don't see her
• 20:57
  Speaker 1: talking by the way, we just see her face from
• 21:00
  Speaker 1: out this movie or anything. She says, it was only
• 21:03
  Speaker 1: holding me back in the real world. It no longer
• 21:06
  Speaker 1: mattered whether.
• 21:07
  Speaker 2: I was there or not.
• 21:08
  Speaker 1: When I realized that I was no longer afraid of
• 21:11
  Speaker 1: losing my body. Okay, so Lane finally starts reacting to
• 21:15
  Speaker 1: all of this, and she just kind of like looks
• 21:17
  Speaker 1: away and covers her ears and just begins to shake,
• 21:20
  Speaker 1: and the girl says.
• 21:21
  Speaker 2: Now I can be wherever I choose.
• 21:23
  Speaker 1: Lane closes her eyes tightly.
• 21:25
  Speaker 2: And then the man's voice says, who is Lane.
• 21:28
  Speaker 1: Lane's like what, I guess quietly because no one else
• 21:32
  Speaker 1: hears this, and she opens her eyes. We're zooming in
• 21:35
  Speaker 1: now on the spiral in her drawing, and the man says, again.
• 21:38
  Speaker 2: Who is Lane? Who is Lane? Who is Lane? Yeah?
• 21:43
  Speaker 1: Oh okay, this isn't going so well. Now we see
• 21:46
  Speaker 1: Alice standing by some lockers and the room is kind
• 21:50
  Speaker 1: of like orange yellow, so I think the sun is
• 21:53
  Speaker 1: going down, and she says, Raka, I think there's something
• 21:56
  Speaker 1: wrong with us. Ah, you think Judy and Rika are
• 22:00
  Speaker 1: also there with her by the lockers obviously, and she continues,
• 22:05
  Speaker 1: I mean last night, we saw someone die right in
• 22:07
  Speaker 1: front of us, and we're acting like it's something we
• 22:09
  Speaker 1: saw in a horror movie. Lane is also there, like
• 22:12
  Speaker 1: at her locker, kind of a little bit behind Alice,
• 22:15
  Speaker 1: so she's not in the conversation. And Raka says, I
• 22:18
  Speaker 1: know we were there last night and I know what
• 22:20
  Speaker 1: I saw, but it didn't seem real. It was kind
• 22:23
  Speaker 1: of like an out of body experience. Lane opens her locker.
• 22:26
  Speaker 1: Jerdy says it was like that for me too. Lane's
• 22:30
  Speaker 1: eyes widen. There's a Manila envelope laying on top of
• 22:34
  Speaker 1: her shoes. I think these lockers are like just shoe lockers,
• 22:37
  Speaker 1: because you know, you don't wear shoes inside buildings in Japan,
• 22:40
  Speaker 1: so I think they just have lockers for shoes. I
• 22:43
  Speaker 1: think I don't know anyway. We hear Reka say, you know,
• 22:46
  Speaker 1: maybe you should forget about it, Alice and not take
• 22:48
  Speaker 1: it so seriously. Alice is like, that's not what I mean.
• 22:53
  Speaker 1: It's just it's strange that we can't take it seriously
• 22:57
  Speaker 1: right Lane, She looks over it. Lane. Lane is taking
• 23:00
  Speaker 1: the envelope out of the locker, and she says, uh what.
• 23:06
  Speaker 1: Alice is like, what's that? Did you get a love letter?
• 23:09
  Speaker 1: Judy and Raka both like together at the same time,
• 23:12
  Speaker 1: say what no way. Lane puts it behind her back
• 23:15
  Speaker 1: and it's like it's not probably. Judy and Raka run
• 23:19
  Speaker 1: over to her, and Jerdy's like, let's see Riga reaches
• 23:22
  Speaker 1: for it, you know, behind her back and it's like,
• 23:24
  Speaker 1: come on, don't be a baby and grabs it. Yeah,
• 23:26
  Speaker 1: she's just great.
• 23:27
  Speaker 2: Alice is like, give back to her.
• 23:29
  Speaker 1: Raca is holding up the envelope and says, ah, a
• 23:32
  Speaker 1: Manila folder.
• 23:32
  Speaker 2: Huh.
• 23:33
  Speaker 1: Jerdy's like, is anything inside it? Leka empties it into
• 23:36
  Speaker 1: her hand and there is a small black box with
• 23:39
  Speaker 1: some sort of symbol on it, which, yeah, I'll just
• 23:42
  Speaker 1: say that that's what it is and I'll clarify later.
• 23:44
  Speaker 1: So Raca's like, what is it? Lane shakes her head
• 23:48
  Speaker 1: like she doesn't know, and then Rica just kind of
• 23:50
  Speaker 1: hands it back to Lane and is like, talk about boring.
• 23:53
  Speaker 1: Jerny says, I knew it wasn't anything good. You guys
• 23:56
  Speaker 1: are just fucking great, great people. We cut to a
• 24:00
  Speaker 1: whitish gray sky with power lines buzzing on it. Leane
• 24:04
  Speaker 1: is walking I guess probably home. She stops and reaches
• 24:07
  Speaker 1: in her pocket and takes out the box. She stares
• 24:10
  Speaker 1: at it for a minute and then starts walking again,
• 24:13
  Speaker 1: and then stops again. We cut to a close up
• 24:15
  Speaker 1: of her mouth. She says, push, Uke, is that what
• 24:18
  Speaker 1: it is? We pull out so we see her full
• 24:21
  Speaker 1: face and shoulders and she just stares blankly and then
• 24:26
  Speaker 1: we fade to black. Now we fade into a dark
• 24:29
  Speaker 1: blue sky with bright green things on it behind the
• 24:35
  Speaker 1: power lines. Maybe the bright green is like clouds. I
• 24:38
  Speaker 1: don't know why it's dark blue with greenish clouds on it.
• 24:42
  Speaker 1: I don't understand. So we're like panning kind of to
• 24:45
  Speaker 1: the right, you know, with power lines and stuff, and
• 24:49
  Speaker 1: bright red kind of pulses on the sky a bunch
• 24:52
  Speaker 1: of times and just kind of like blips out a bunch.
• 24:56
  Speaker 1: I don't know anyway, we hear a woman's voice say,
• 24:59
  Speaker 1: it's it's not a secure program. Some hacker got into
• 25:02
  Speaker 1: my voicemail this morning. Then a man says, seeing as
• 25:05
  Speaker 1: how there was no pertinent information in the research we
• 25:07
  Speaker 1: received from your office, we're currently discussing how to handle it.
• 25:11
  Speaker 1: We now cut to a bright street lights and we
• 25:14
  Speaker 1: hear another woman say, I love kissing. Just kissing is
• 25:18
  Speaker 1: enough to make me happy. Oh that's so nice for you.
• 25:21
  Speaker 2: You're weirdo.
• 25:22
  Speaker 1: We now see lane stuffed animals bathed in like the
• 25:25
  Speaker 1: blue light from the street light outside, and another man's like,
• 25:30
  Speaker 1: that kid pulled some stupid stune while he was on
• 25:32
  Speaker 1: Excel at right, looks like the black market suppliers freaking out,
• 25:36
  Speaker 1: just can't find it anywhere. Now, now we are looking
• 25:39
  Speaker 1: at a white spiral on black with like green and
• 25:43
  Speaker 1: pink squiggly lions coming out of it. It's kind of
• 25:45
  Speaker 1: moving and stuff, and we're kind of on that for
• 25:47
  Speaker 1: a long time, and we hear a man say, rumor
• 25:50
  Speaker 1: has it that the pushu ke chip is mass produced
• 25:53
  Speaker 1: in factories in Taiwan. They'll tell you was designed by
• 25:55
  Speaker 1: a group of renegades called the Knights. There are a
• 25:58
  Speaker 1: lot of urban legends surrounding the why, but I'm not
• 26:00
  Speaker 1: even sure if the Knights really exist. A woman says,
• 26:04
  Speaker 1: it feels so good when you die.
• 26:06
  Speaker 2: What is happening?
• 26:07
  Speaker 1: Okay? Lne is just staring at her computer screen. And
• 26:10
  Speaker 1: then we go back to this spiral again, and we
• 26:14
  Speaker 1: hear a man say, I feel like I'm being accelerated.
• 26:17
  Speaker 2: Sure, sure you do.
• 26:19
  Speaker 1: Now. A woman says, oh no, there's someone in my room.
• 26:23
  Speaker 1: Can't you see there's a little person like a kid,
• 26:25
  Speaker 1: wearing red and green striped clothes. I can't move in
• 26:28
  Speaker 1: my bed. He's standing at my door. I can feel
• 26:31
  Speaker 1: it watching me.
• 26:32
  Speaker 2: Someone help me.
• 26:34
  Speaker 1: We see the main computer screen now for some reason,
• 26:37
  Speaker 1: and another woman says, I have a picture of you
• 26:40
  Speaker 1: and your lover. I just want to do business. What
• 26:42
  Speaker 1: do you say If you don't buy it, I'll send
• 26:45
  Speaker 1: this jpeg to your company server. You'll be famous all
• 26:48
  Speaker 1: over the wired h And now another woman says, Lane,
• 26:53
  Speaker 1: why don't you come here? What is going on? We
• 26:56
  Speaker 1: now see Lane looking at that box in her hand.
• 27:00
  Speaker 1: I think it's a box and she kind of closes
• 27:04
  Speaker 1: her fingers around it, and the computer beeps and she
• 27:07
  Speaker 1: looks over. It was really weird because through this whole
• 27:09
  Speaker 1: scene with everybody talking, there's like music playing, and I
• 27:12
  Speaker 1: like the music. It's kind of guitary and weird. But
• 27:15
  Speaker 1: as soon as NAVI beeps, it stops, and I almost
• 27:19
  Speaker 1: feel like she had music playing, but I don't know.
• 27:21
  Speaker 2: It was really weird.
• 27:23
  Speaker 1: So anyway, Navi says, hello Lane, Lane has new mail.
• 27:26
  Speaker 1: Oh yeah, maybe it's your dead friend. Lane's like Navi.
• 27:30
  Speaker 1: Then we hear her dad say, how's it going Lane?
• 27:33
  Speaker 1: Lane gasps and turns and sees her dad standing in
• 27:35
  Speaker 1: the doorway, and her dad says, so have you gotten
• 27:38
  Speaker 1: used to your new navy yet? He flips on the
• 27:40
  Speaker 1: lights because they were off because she's just sitting in
• 27:42
  Speaker 1: the dark with her computer as you do. Lane stands,
• 27:45
  Speaker 1: and her dad is like, is something wrong. She walks
• 27:48
  Speaker 1: like halfway across the room and holds out her hand
• 27:51
  Speaker 1: with the something in it box. I think it might
• 27:54
  Speaker 1: be a chip in it and says do you know
• 27:57
  Speaker 1: what this is? Her dad is weirdly quiet for a
• 28:00
  Speaker 1: second and then says, I have no idea and turns
• 28:03
  Speaker 1: to leave. Lane's like, I thought you'd know. Her dad
• 28:08
  Speaker 1: stops in the doorway but doesn't turn around, and Lane says,
• 28:12
  Speaker 1: I thought you might know, dad. Her Dad's like I said,
• 28:15
  Speaker 1: I don't know, just closes the door behind him.
• 28:22
  Speaker 2: Okay.
• 28:23
  Speaker 1: Lane looks kind of sad and turns around and looks
• 28:26
  Speaker 1: back at the computer. We now see the bottom of
• 28:28
  Speaker 1: a gate closing. Lane walks out of the gate, I
• 28:32
  Speaker 1: guess it's like the house feet and onto the sidewalk
• 28:35
  Speaker 1: and gasps that black car is still there or there again?
• 28:39
  Speaker 1: And now we see two like laser points in the
• 28:42
  Speaker 1: front windshield. That's all we can see, I mean.
• 28:45
  Speaker 2: Car that is.
• 28:46
  Speaker 1: She just runs past it like wincing, and the lasers
• 28:50
  Speaker 1: like follow her as she does. Yay. We cut to
• 28:54
  Speaker 1: a crosswalk light turning green cars or stops at the light.
• 28:58
  Speaker 1: Lane is crossing the streets and in front of her
• 29:00
  Speaker 1: is the Siberia Building. No, don't go back there. Now
• 29:04
  Speaker 1: we see the stairwell and Lane passes a couple that's
• 29:08
  Speaker 1: just making out on the stairs, like you do. You
• 29:10
  Speaker 1: really should not just make out in the middle of
• 29:12
  Speaker 1: the stairs. It's rude. And then she stands in front
• 29:16
  Speaker 1: of that red door to I guess Siberia, and we
• 29:19
  Speaker 1: hear some background chatter. I think it might be from
• 29:21
  Speaker 1: the couple that's on the stairs kissing, but I wasn't sure.
• 29:24
  Speaker 1: A man says, come on, why not, and someone else
• 29:27
  Speaker 1: says no, and someone else says why not, and then
• 29:31
  Speaker 1: the person says, I can't. I think it's that couple.
• 29:33
  Speaker 1: I didn't understand. I'm sorry, guys. Lane turns away from
• 29:36
  Speaker 1: the door, and she looks back up at the stairs.
• 29:39
  Speaker 1: Maybe she's looking at that couple, And then she turns
• 29:41
  Speaker 1: back to the door again determined, she opens it. We
• 29:45
  Speaker 1: now see her walking through the club looking around, and
• 29:49
  Speaker 1: some guy just like puts her hand on her shoulder
• 29:51
  Speaker 1: from behind her and says, Lane, he's smoking. He has
• 29:55
  Speaker 1: sunglasses and he's wearing a beanie and a gold chain
• 29:58
  Speaker 1: and he continues, where you been late? Haven't seen you around?
• 30:01
  Speaker 1: Everyone's been looking for you. Laane turns towards him and
• 30:05
  Speaker 1: says I. The guy kind of cuts her off, and
• 30:07
  Speaker 1: it's like, oh, you're really going for that little schoolgirl.
• 30:10
  Speaker 1: Look huh. Wayne doesn't say anything because she's a little schoolgirl.
• 30:14
  Speaker 1: And the guy leans over and is like, how about
• 30:17
  Speaker 1: another rave.
• 30:19
  Speaker 2: I'll leave the planning to you, and.
• 30:21
  Speaker 1: He just walks away. He didn't even get a yes
• 30:23
  Speaker 1: or a no. That's not how you have a conversation
• 30:25
  Speaker 1: with someone. Layne watches as he walks off, and then
• 30:29
  Speaker 1: she looks over and sees those three kids who pushed
• 30:32
  Speaker 1: past her in the stairwell the other day, sitting at
• 30:35
  Speaker 1: a table. She starts to walk towards them, and we're
• 30:38
  Speaker 1: hearing the conversation between them, and the one boy wearing
• 30:41
  Speaker 1: a green hoodie says, why.
• 30:42
  Speaker 2: Are you trying to act so tough?
• 30:44
  Speaker 1: The other boy, who's wearing a black shirt, is like,
• 30:46
  Speaker 1: look who's talking.
• 30:47
  Speaker 2: They all laugh. Laane says, do you know what this is?
• 30:51
  Speaker 1: They all look up at her, and the boy with
• 30:54
  Speaker 1: the green hoodie leans over the table and is like,
• 30:56
  Speaker 1: what okay, Now I'm getting a better look at it.
• 31:00
  Speaker 1: It's not a box. The top is what I thought
• 31:03
  Speaker 1: was like a design is actually raised. I think it's
• 31:06
  Speaker 1: supposed to be some sort of chip, like a computer chip,
• 31:08
  Speaker 1: but it's just been drawn inconsistently, so I was very confused. Thanks,
• 31:14
  Speaker 1: The boy continues, that's a real pashu ke, isn't it.
• 31:17
  Speaker 2: Yes.
• 31:18
  Speaker 1: The other two kids are like, huh. The second boy
• 31:21
  Speaker 1: says for real. The girl's like, no way, I've never
• 31:24
  Speaker 1: seen one before. The second boy's like, where'd you get it?
• 31:28
  Speaker 1: Lane says, what does it do? The first boy says,
• 31:32
  Speaker 1: you don't know. He pulls out something that looks like
• 31:35
  Speaker 1: a gun, but not really a gun. Like it has
• 31:38
  Speaker 1: like a handle like a gun, and then it's got
• 31:39
  Speaker 1: a thing on it almost looks like a tag gun
• 31:42
  Speaker 1: that you put like those ink tags on at retail,
• 31:46
  Speaker 1: or like a stable gun. I don't know what it is.
• 31:47
  Speaker 1: Kind of looks like a gun but not a gun.
• 31:49
  Speaker 1: And he says, if I install that thing in here,
• 31:52
  Speaker 1: I kind have full access to the wired and do
• 31:54
  Speaker 1: whatever I want. Lane's like, I still don't understand how.
• 31:58
  Speaker 2: To use it.
• 31:59
  Speaker 1: The girls says, you don't talk about Lane. She kind
• 32:03
  Speaker 1: of giggles. Hey, can I buy it from you? Can
• 32:05
  Speaker 1: I The first boy's like, idiot, you can't buy something
• 32:09
  Speaker 1: like that. I think you can probably, And then to Lane,
• 32:13
  Speaker 1: he's like, what kind of knobby do you have? Lane's like,
• 32:16
  Speaker 1: I'm not sure. I think it's a tachibana. I think
• 32:20
  Speaker 1: it's the newest model.
• 32:21
  Speaker 2: Both of the boys say what awesome.
• 32:24
  Speaker 1: The first boy's like, so it's new. I mean you
• 32:27
  Speaker 1: haven't gotten inside of it yet. Lane shakes her head.
• 32:30
  Speaker 2: No.
• 32:31
  Speaker 1: Second boy's like, wow, are you in eighth grade?
• 32:33
  Speaker 2: Ninth?
• 32:34
  Speaker 1: Lane's like eighth okay, so she is thirteen or fourteen?
• 32:38
  Speaker 1: Good to know, and these kids look younger, like maybe
• 32:40
  Speaker 1: they were in sixth grade. I don't know why they
• 32:42
  Speaker 1: were at a club, but whatever. The second boy continues,
• 32:45
  Speaker 1: So that means you've taken basic information in school right
• 32:48
  Speaker 1: for some reason. While Lane and the second boy we're talking,
• 32:52
  Speaker 1: we're kind of like focused in on the first boy,
• 32:55
  Speaker 1: like staring at Lane and anyway, the second boy continues,
• 32:59
  Speaker 1: so you should know when Nabby's basic motherboard layout, that
• 33:02
  Speaker 1: first boy looks real worried. Second boy continues, it's right
• 33:06
  Speaker 1: there in the textbook. Yeah, the first boy is clearly
• 33:09
  Speaker 1: suspicious of her. Second boy continues, it intercepts original online
• 33:13
  Speaker 1: information and automatically manipulates it on its own. Using it
• 33:17
  Speaker 1: is almost as easy as building a model kit. He
• 33:20
  Speaker 1: leans in just avoids static electricity. Lane smiles slightly and
• 33:26
  Speaker 1: says oh thanks and turns to leave. We hear the
• 33:29
  Speaker 1: first boy say, hold on, information isn't free, you know,
• 33:33
  Speaker 1: it doesn't matter if it's in the real world or
• 33:35
  Speaker 1: the wired. The second boy's like, how much should we charge?
• 33:38
  Speaker 1: Tato Lane sort of sighs and looks worried, and Taro,
• 33:42
  Speaker 1: the kid in the green hoodies like you're Lane, aren't you?
• 33:46
  Speaker 2: Huh? Lane's like what? Yeah? Tato continues, I.
• 33:51
  Speaker 1: Remember seeing you once you were in the wired. Lane blinks,
• 33:55
  Speaker 1: you saw me logged on the wired. Tato's like, you
• 34:00
  Speaker 1: were different, nothing like the way you seem now. The
• 34:03
  Speaker 1: lights shift positions because they're kind of like spotlights, and
• 34:06
  Speaker 1: now they are just bathed in blue lights, and Toato continues,
• 34:11
  Speaker 1: there's nothing unusual about taking on a different personality in
• 34:14
  Speaker 1: the wired.
• 34:15
  Speaker 2: It's pretty much.
• 34:15
  Speaker 1: Expected, but yours are like total opposites. The girl's like,
• 34:19
  Speaker 1: no way. The light normalizes again, and Toto continues, weren't
• 34:24
  Speaker 1: you also in the club at the same time those
• 34:26
  Speaker 1: stupid shootings happened. What are you planning to do now?
• 34:30
  Speaker 2: Lane's like, what do you want me to do for you?
• 34:33
  Speaker 1: Toto smiles go on a date with me?
• 34:36
  Speaker 2: Fuck dude.
• 34:37
  Speaker 1: The girl's like idiot, Toto says, but not like you
• 34:41
  Speaker 1: are now I want the wild Lane. Lane looks pissed. Yeah,
• 34:46
  Speaker 1: Toto's like, I'm only kidding, but hey, if you ever
• 34:49
  Speaker 1: feel like going out sometime, Girl's like, what's your problem?
• 34:53
  Speaker 1: The second boy says, chill out. Toto's like, forget about it,
• 34:56
  Speaker 1: you're just jealous. He starts to walk away, and the
• 35:00
  Speaker 1: girls like jealous jealous hunh h, and then she also leaves.
• 35:04
  Speaker 1: I think Lane walks away too, because why would you
• 35:09
  Speaker 1: stay when they all walked away. Then we cut to
• 35:11
  Speaker 1: the disco ball and fade out. We pan down from
• 35:15
  Speaker 1: a bright yellowy orange sky with power lines in it
• 35:19
  Speaker 1: to that black car still parked there, and Lane's sister, Mika,
• 35:25
  Speaker 1: I believe, is walking up the hill and she passes
• 35:29
  Speaker 1: the car and turns at the front of her steps
• 35:33
  Speaker 1: and she's like, can I help you? Standing in front
• 35:37
  Speaker 1: of her door are these two black silhouettes kind of
• 35:41
  Speaker 1: like hidden by the red blotchy shadows, but they look
• 35:45
  Speaker 1: really fucking imposing, And Mika says, are you here to
• 35:50
  Speaker 1: see someone? They're just silence. Who are you looking for?
• 35:55
  Speaker 1: One of them turns and Mega gasps the sky has
• 36:00
  Speaker 1: he's like super weird goggles on, like one is bigger
• 36:03
  Speaker 1: than the other. And I don't know what's going on,
• 36:06
  Speaker 1: Like I assume one of them is like doing like
• 36:08
  Speaker 1: infrared and the other one's doing some other thing. I
• 36:11
  Speaker 1: don't know what's happening, but it's really weird. It does
• 36:14
  Speaker 1: not look normal. And in the middle of the goggles
• 36:17
  Speaker 1: is like one of those laser sights. This is weird,
• 36:20
  Speaker 1: and it's the middle of the day, by the way,
• 36:21
  Speaker 1: Like I said, anyway, he says, just keep walking and
• 36:24
  Speaker 1: don't look back.
• 36:26
  Speaker 2: You never saw us, understand.
• 36:27
  Speaker 1: Because, like, uh what.
• 36:31
  Speaker 2: I'll call the police.
• 36:31
  Speaker 1: Who the hell are you? The other guy turns and
• 36:34
  Speaker 1: he has the same weird goggles on, but he's like
• 36:37
  Speaker 1: way taller, and he says, go for it.
• 36:39
  Speaker 2: But what could you possibly tell them when we're not
• 36:42
  Speaker 2: even here?
• 36:43
  Speaker 1: Uh? I think you are there, but I'm not even
• 36:46
  Speaker 1: sure anymore. The shorter guy starts to walk down towards Mika,
• 36:51
  Speaker 1: and MICA's like stop. Actually, they're both walking towards her,
• 36:55
  Speaker 1: and then they just passer by, and Mike us like
• 37:00
  Speaker 1: what We cut to a very bright light fixture. It's
• 37:04
  Speaker 1: like so bright it's like blowing out the whole picture,
• 37:06
  Speaker 1: and we hear water running in the background, and we
• 37:09
  Speaker 1: hear Mika saying, Mom, if they show up again, call
• 37:13
  Speaker 1: the cops. We're now seeing the hallway in Lane's house,
• 37:17
  Speaker 1: and I guess that light that we were seeing is
• 37:20
  Speaker 1: like hanging on the wall, you know, one of those
• 37:21
  Speaker 1: walsconce lights or whatever the hell they're called. Mika continues,
• 37:25
  Speaker 1: are you listening, Mom? What the fuck is going on?
• 37:29
  Speaker 1: We see Mika now walk out of what I think
• 37:32
  Speaker 1: was probably the kitchen into the hall and she's like, man,
• 37:35
  Speaker 1: she walks upstairs. Upstairs. Now she walks down the hall
• 37:39
  Speaker 1: and then stops at a partially cracked door. The hallway
• 37:44
  Speaker 1: is dark, it's always dark for some reason. You guys
• 37:46
  Speaker 1: probably have a light, you could use it. But there's
• 37:48
  Speaker 1: light streaming out of the crack door. And she looks
• 37:52
  Speaker 1: inside and pushes it open and says, what are you doing?
• 37:55
  Speaker 2: Lane?
• 37:56
  Speaker 1: Lane is sitting on the floor with her computer like
• 37:59
  Speaker 1: open and partially disassembled in front of her maybe, and
• 38:02
  Speaker 1: she's like doing stuff in there. And also she is
• 38:05
  Speaker 1: wearing like maybe a undershirt, like it's got little spaghetti
• 38:10
  Speaker 1: straps and it's white. And I don't even think she
• 38:15
  Speaker 1: has pants on. Maybe it's hard to tell. She's sitting
• 38:17
  Speaker 1: down in these computer parts and she just doesn't answer Mika.
• 38:21
  Speaker 1: She just keeps doing her thing. Mika is quiet for
• 38:25
  Speaker 1: a second, and she's obviously not having a great day,
• 38:27
  Speaker 1: and again says, what are you doing? Are you dressed
• 38:30
  Speaker 1: like that? Lane's like, oh, for static electricity? She has
• 38:35
  Speaker 1: a screwdriver in her mouth, by the way, she continues,
• 38:38
  Speaker 1: They say, the only way to prevent it is to
• 38:40
  Speaker 1: take off your clothes, because like you gotta be kidding.
• 38:45
  Speaker 1: We get this weird, and I don't know what this
• 38:47
  Speaker 1: is supposed to be. It's like staggered zoom in on Lane,
• 38:50
  Speaker 1: and she suddenly like sits up straight and smiles like
• 38:53
  Speaker 1: really brightly and says welcome home on e Chhan to
• 38:57
  Speaker 1: be continued, and then we go the ending and that's it. Yay, okay,
• 39:03
  Speaker 1: closing bots yay. What the hell is going on? So
• 39:08
  Speaker 1: there are guys in a black car with laser sights
• 39:12
  Speaker 1: on their head and goggles, walking to the door, pretending
• 39:15
  Speaker 1: they're not there. What are they doing? What's going on?
• 39:18
  Speaker 1: What's going on with Lane's family? Okay, so now from
• 39:22
  Speaker 1: what we've seen in this episode, Mika seems pretty normal.
• 39:24
  Speaker 1: Last episode, I was thinking something was fucking weird with her,
• 39:28
  Speaker 1: but she is responding to stimuli pretty normally, like these
• 39:30
  Speaker 1: guys are scary. She threatens to call the police. She's
• 39:33
  Speaker 1: talking to her mom and she's like, we should call
• 39:35
  Speaker 1: the police next time, but Lane's mom is like not
• 39:37
  Speaker 1: even responding to her while she says this. Also, at
• 39:40
  Speaker 1: least half of the times we've seen Lane's mom, she's
• 39:43
  Speaker 1: at the kitchen sink washing things. I get that you
• 39:46
  Speaker 1: have a lot of plates to wash if you have
• 39:47
  Speaker 1: a family, and it sounds like they probably don't have
• 39:49
  Speaker 1: a dishwasher, but like literally, it seems like that's all
• 39:52
  Speaker 1: she does. And what the fuck? Why aren't you responding
• 39:55
  Speaker 1: to your kids?
• 39:56
  Speaker 2: I don't know.
• 39:57
  Speaker 1: She almost reads like she's like not a real person,
• 39:59
  Speaker 1: like she's not really there half the time. But she
• 40:03
  Speaker 1: did respond to Lane when Lane was about to tell
• 40:05
  Speaker 1: her about what happened to the club and backed off,
• 40:09
  Speaker 1: so I don't know. I don't know what's going on,
• 40:12
  Speaker 1: but I don't know, Like what else can I say
• 40:15
  Speaker 1: about this episode? I don't know what's happening. Lane is
• 40:17
  Speaker 1: like hearing voices now, like lots of voices or is
• 40:20
  Speaker 1: she I was confused So in the part where like
• 40:23
  Speaker 1: there were all those voices like talking, was that in
• 40:25
  Speaker 1: her head? Or was she like on a message board
• 40:28
  Speaker 1: because I didn't seem em look like a message board,
• 40:30
  Speaker 1: but I'm kind of thinking that she was like online,
• 40:32
  Speaker 1: like reading through like comments and shit, because it was
• 40:35
  Speaker 1: so disorganized where the woman is like I like kissing,
• 40:38
  Speaker 1: and this woman's like I'm seeing a thing and I
• 40:40
  Speaker 1: can't move because I probably have sleep paralysis. Like there's
• 40:42
  Speaker 1: so much going on. It just sounds like maybe it's
• 40:44
  Speaker 1: Reddit or something, but like I don't know some of
• 40:49
  Speaker 1: it's in her head obviously, cause it's happening when she's
• 40:51
  Speaker 1: in school. There's just some guy telling her about paschukey chips,
• 40:55
  Speaker 1: which I don't know what they are, and there's that
• 40:57
  Speaker 1: girl in the hallway telling her about how good it
• 41:00
  Speaker 1: is to be dead, Like what the fuck is going on?
• 41:04
  Speaker 1: Is she okay? Cause I don't think she's okay. Because
• 41:06
  Speaker 1: all of a sudden, she's like just knows how to
• 41:09
  Speaker 1: like disassemble a computer and shit, I mean, you can
• 41:12
  Speaker 1: look things up, and she does want to see what
• 41:14
  Speaker 1: she can do with this pashuk or whatever it is.
• 41:16
  Speaker 1: But yeah, yeah, and why are we letting like probably
• 41:20
  Speaker 1: sixth graders go into a club, Like what is happening here? Oh?
• 41:25
  Speaker 2: Right?
• 41:25
  Speaker 1: And then there's the whole thing with her dad like
• 41:27
  Speaker 1: being super weird when she showed him that pashu ke,
• 41:30
  Speaker 1: which means he absolutely knows what it is and it
• 41:33
  Speaker 1: freaked him out, so like, what what's happening?
• 41:39
  Speaker 2: Oh yeah?
• 41:39
  Speaker 1: And then of course there's the whole thing with her
• 41:41
  Speaker 1: friends just acting like this really traumatic shooting that they
• 41:45
  Speaker 1: all saw was like.
• 41:46
  Speaker 2: Not a big deal.
• 41:47
  Speaker 1: And I get it they may have kind of dissociated
• 41:50
  Speaker 1: or this is probably some part of trauma response the
• 41:53
  Speaker 1: way that they're acting, but it's odd. And finally, and
• 41:58
  Speaker 1: to me, maybe the most concerning, where the fuck was
• 42:00
  Speaker 1: her family when she got home? Like nobody was home
• 42:04
  Speaker 1: and they didn't leave a note or anything. I mean,
• 42:07
  Speaker 1: because she is a cell phone, I don't know if
• 42:09
  Speaker 1: her family all had cell phones, like if she could
• 42:10
  Speaker 1: have called them and checked but it's just weird. There's
• 42:15
  Speaker 1: just no one there, and then the next morning her
• 42:17
  Speaker 1: mom's just there like nothing happened. You don't think to
• 42:19
  Speaker 1: tell your daughter that you're going out, because if they
• 42:22
  Speaker 1: had tried to, they would have seen that she wasn't there,
• 42:25
  Speaker 1: and that probably would have been a big deal.
• 42:27
  Speaker 2: So I don't know.
• 42:29
  Speaker 1: I feel like a lot of shit is happening and
• 42:31
  Speaker 1: it's all very terrible. So yeah, that's that's what I got.
• 42:36
  Speaker 2: I think. I think that's it.
• 42:38
  Speaker 1: Yeah, that's that's a bunch of stuff. So we'll see
• 42:41
  Speaker 1: where this all goes. I don't think it's gonna go
• 42:43
  Speaker 1: somewhere good, but it could, you know. I mean I
• 42:47
  Speaker 1: might know since I've watched it, but it has been
• 42:50
  Speaker 1: a while and I don't remember it very well. So yeah,
• 42:54
  Speaker 1: that's anyway. I think that's it for me. I'm gonna
• 42:57
  Speaker 1: go do things because I gotta go to the inspection soon,
• 43:02
  Speaker 1: I guess, and it's like forty minutes away, so I
• 43:04
  Speaker 1: gotta get ready for it. So I hope you have
• 43:06
  Speaker 1: a really good whatever. Please please have a good whatever
• 43:10
  Speaker 1: for me if possible. If not, it's okay. You don't
• 43:13
  Speaker 1: have to do your best. Yeah, i'll see you next time.
• 43:19
  Speaker 1: I assuming that's you know. The world continues on later
• 43:23
  Speaker 1: webs