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The Many Deaths of Nora Dalmasso Review · Murder Files Unsealed

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  Speaker 1: Okay, so let's dive into the material you shared on
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  the many deaths of Nora Delmaso's. It's one of those
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  cases that just grabs you immediately, doesn't it.
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  Speaker 2: Oh? Absolutely, there's something about true crime when it mixes
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  with well scandal, this intense media focus, and that feeling
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  that justice wasn't really served exactly.
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  Speaker 1: And this new Netflix Docusaries premiered just last month, June nineteenth,
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  twenty twenty five, it really seems to tackle all of
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  that head off. It does.
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  Speaker 2: It's a three parter and it digs into what's genuinely
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  one of Argentina's most well infamous and frankly baffling murder cases.
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  Speaker 1: And for this deep dive, we're aiming to go a
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  bit beyond just the the whodunit aspect drugh precisely.
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  Speaker 2: We really want to explore the ripple effects, how media sensationalism,
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  judicial failures, just waves of public speculation, how all that
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  impacts a family, and maybe.
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  Speaker 1: What it says about how you listening engage with true
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  crime itself.
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  Speaker 2: Yeah, that's a big part of it.
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  Speaker 1: So let's set the scene a bit. The victim, Nora Delmaso,
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  tell us about.
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  Speaker 2: Her right Nora Delmaso was fifty one, a mother of two,
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  found strangled in her home quite an affluent area in
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  Rio Quarto back in November two thousand and six.
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  Speaker 1: And the truly staggering part, which the series clearly emphasizes,
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  is that, even now, eighteen years later, still no real resolution.
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  Speaker 2: No definitive answers, which is central to the whole tragedy.
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  Speaker 1: So let's talk about the crime scene itself. What did
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  the police find? Initially?
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  Speaker 2: Okay, so Nora was found naked, she was on her
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  daughter's bed. The cause of death was strangulation with her
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  own bathrobe belt.
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  Speaker 1: Ok.
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  Speaker 2: And that belt was tied in a very specific double knot.
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  That detail became quite important.
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  Speaker 1: And what about the surroundings, any signs of a break in?
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  Speaker 2: No, that's the thing, No fourth century, nothing valuable seemed
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  to be missing. The place wasn't a ransacked or.
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  Speaker 1: Anything, which immediately suggests what well.
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  Speaker 2: It led police, at least early on, to think Nora
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  probably knew her killer. It fueled theories about a crime
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  of passion, maybe even and this was a difficult angle
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  consensual sex that somehow turned violent.
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  Speaker 1: So a really complex and unsettling picture right from the start.
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  How did the public react. Did this just blow up
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  in Argentina?
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  Speaker 2: Oh instantly, This happened in Villa Golf, a very exclusive
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  neighborhood in Rio Quarto. It just it captivated the nation
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  almost immediately.
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  Speaker 1: Like front page news everywhere.
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  Speaker 2: Absolutely, people started comparing it to the Oj Simpson case,
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  you know, just for the sheer level of media saturation
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  and intense public fascination. It was unavoidable.
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  Speaker 1: And that public fascination, that media frenzy, it ties directly
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  into the docu series title, right, Yeah, the many Deaths
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  of Nora del Masso. That's a really striking phrase, it
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  really is.
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  Speaker 2: It's a powerful metaphor, isn't it. It speaks to how
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  Nora's reputation was attacked, destroyed really over and over again
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  in the press.
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  Speaker 1: How her character was kind of assassinated after her actual.
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  Speaker 2: Death exactly through these incredibly salacious headlines, totally unfounded rumors.
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  It was like she was being killed metaphorically again and again.
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  Speaker 1: What kind of rumors are we talking about? You mentioned unfound?
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  Were they specific?
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  Speaker 2: Oh, deeply specific and quite grotesque actually, things like orgies, swingers, parties,
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  even accusations involving incest.
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  Speaker 1: Wow.
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  Speaker 2: Yeah, And none of it, absolutely, none of it was
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  ever substantiated by any credible evidence, but it just took
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  hold in the public imagination.
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  Speaker 1: It sounds like the series pulls no punches when it
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  comes to criticizing the journalists involved.
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  Speaker 2: No, it doesn't. It offers a pretty stark critique. You
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  mentioned some viewers calling them high school mean girls reporting
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  speculation as facts.
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  Speaker 1: Yeah, that's a harsh take, it is.
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  Speaker 2: And specific journalists like Hernan Vaka Nervaja faced really strong
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  condemnation online, people on x calling his reporting cannibalistic. It
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  shows the level.
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  Speaker 1: Of anger and the impact of all this on the
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  investigation on the family.
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  Speaker 2: Well, this media narrative it just completely overshadowed the actual
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  forensic evidence or lack thereof initially, and for the family,
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  the Macarons, it was devastating. It damaged their reputation irreparably
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  and caused years of torment beyond the media.
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  Speaker 1: The series also points fingers at the g udicial system
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  I understand. Yeah, significant failures there too.
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  Speaker 2: Big time. The incompetence started early. Police apparently missed key
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  evidence right at the scene, like a strand of hair
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  that might have belonged to the killer.
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  Speaker 1: Just basic procedural stuff being.
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  Speaker 2: Missed, seems like it and those early mistakes just compounded
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  everything later on.
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  Speaker 1: And then there're the delays. I mean, the timeline seems
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  almost unbelievable.
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  Speaker 2: It's genuinely shocking the fact that it took eighteen years
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  for them to test the DNA found on the murder weapon,
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  the bathroom belt.
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  Speaker 1: Eighteen years. Seriously, eighteen years.
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  Speaker 2: As one reviewer put it. And it's harsh, but captures
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  the feeling worse than bumbling circus monkeys. That's the level
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  of frustration people felt.
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  Speaker 1: You could understand why, and those delays that incompetence. It
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  must have had a terrible human cost, especially for Nora's family.
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  Speaker 2: Absolutely, and the series really brings that home. It shows
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  the wrongful accusations they faced. Nora's husband, Marcella Macaron, was
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  under suspicion for.
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  Speaker 1: A long time, and her son too, right Facundo.
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  Speaker 2: Yes, particularly her son Facundo. His His story is heartbreaking.
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  He recounts his arrest in two thousand and seven, charged
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  with homicide and aggravated sexual abuse based on what based
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  on a partial DNA match found at the scene, which
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  was later shown to be completely insufficient, not definitive at all.
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  Imagine going through that just horrific.
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  Speaker 1: So after all that time, all those accusations, the delays,
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  did they ever get any closer to the truth. Was
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  there a final outcome?
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  Speaker 2: Well, this is where it gets incredibly frustrating and why
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  viewers felt, as some sources said, just impotence and rage.
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  There was a DNA breakthrough. Finally, in twenty twenty four,
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  the DNA from the belt identified a new suspect, a
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  flooring specialist named Roberto Barzilla.
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  Speaker 1: So they found someone.
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  Speaker 2: After all that time, they identified someone. But here's the
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  devastating twist. He couldn't be prosecuted.
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  Speaker 1: Why not?
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  Speaker 2: The statute of limitations had run out after eighteen years.
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  It was simply too late to bring charges.
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  Speaker 1: Oh my god, So an answer potentially, but no justice precisely.
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  Speaker 2: An answer that came too late, left everyone, especially the family,
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  in this terrible limbo.
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  Speaker 1: This series also seems to explore the kind of societal
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  context around Nora, her place in this affluent community. How
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  did that play into thing?
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  Speaker 2: That's a really interesting layer. Nora was seen as this
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  flawless wife and mother within Novilla Golf. It's described as
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  a very closed off, hermetic enclave for Argentina's upper middle class.
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  Speaker 1: And that image fuel the fascination.
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  Speaker 2: It seems so her life became a sort of blank
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  canvas for people to project onto, especially ideas about hidden
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  decadence or secrets behind the perfect facade.
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  Speaker 1: So the rumors about ordies and swingers they tapped into
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  maybe some class prejudice too, assumptions about the wealthy.
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  Speaker 2: Yeah, exactly. It wasn't just random gossip. It reflected these
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  deeper societal biases, this idea of covert mischief lurking beneath
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  the surface of respectability.
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  Speaker 1: But beneath all the scandal and the systemic failures. It
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  sounds like the series really focuses on the human cost,
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  the grief, the resilience.
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  Speaker 2: That's definitely a core strength. Hearing directly from Nora's children,
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  Facundo and Valentina, and her husband Marcello, it's incredibly moving,
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  often quite raw.
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  Speaker 1: They share what it was like they do.
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  Speaker 2: They talk about the immense toll of being accused, being
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  constantly judged, harassed by the media, living under this cloud
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  for so many years, And.
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  Speaker 1: The series tries to counterbalance the media portrayal of Nora.
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  Speaker 2: Yes, it makes an effort to humanize her through memories
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  shared by friends. We hear about her kindness, her charisma.
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  It paints a picture of the actual person loss, which
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  makes the whole story, as one review said, just absolutely heartbreaking.
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  Speaker 1: Now thinking about the docusaries itself. Production wise, it's directed
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  by Jamie Crawford, who did the Disappearance of Madeline McCann.
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  Does it have that kind of high quality feel?
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  Speaker 2: It definitely looks polished, high production values for sure. The
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  cinematography is notable. It does a good job capturing that
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  visual contrast, you know, the perfect lawns of Villa Golf
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  versus the darkness of the crime.
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  Speaker 1: But I understand there was one technical aspect that viewers
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  really struggled with.
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  Speaker 2: Ah ye, yes, the English dubbing. That seems to be
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  a major sticking point for many.
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  Speaker 1: What was the issue?
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  Speaker 2: Apparently the original Spanish audio wasn't properly muted underneath the
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  English voiceover, so you'd hear both tracks at once.
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  Speaker 1: Oh, that would be distracting hugely.
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  Speaker 2: People described it as unintelligible at times, basically forcing viewers
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  who needed the dub to switch over to using subtitles instead,
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  a pretty significant flaw.
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  Speaker 1: Okay, so despite that dubbing issue, what are the main
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  takeaways the overall strengths of the series.
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  Speaker 2: I think its biggest strength is that compelling human story
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  focusing on the Macarone family their perspective gives it real
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  emotional weight.
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  Speaker 1: And the critique of the media and justice system.
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  Speaker 2: Yes, it's an incredibly sharp critique of media sensationalism, a
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  real cautionary tale. I think that has relevance way beyond Argentina.
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  Speaker 1: It manages to do that without being sensational itself.
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  Speaker 2: It seems to strike that balance quite well. Yes, it
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  avoids exploiting the tragedy while still providing that necessary cultural
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  context for understanding the case within Argentie. Ultimately, it forces
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  a reflection on how we consume true crime.
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  Speaker 1: Right you mentioned earlier, prompts you the listener to think
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  about your own engagement with these stories. Yeah, and the
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  need for judicial reform. How did viewers react to that aspect?
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  Speaker 2: The reactions you saw online on platforms like x really
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  mirrored those feelings of impotence, rage and shame about how
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  badly things were handled by both the justice system and
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  parts of the media.
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  Speaker 1: A sense of outrage on behalf of the family.
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  Speaker 2: Definitely, and critics pointed out how it serves as this
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  stark reminder that actually getting justice, having it properly served
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  is often, sadly a privilege, not a guarantee. That's a
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  powerful message.
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  Speaker 1: So it sounds like, even with maybe a technical flaw
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  like the dubbing the Many Deaths of Nora del Maso
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  is a pretty powerful watch. It evokes empathy, outrage, a
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  significant addition to the true crime genre, I think.
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  Speaker 2: So. It's poignant, deeply frustrating, but important.
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  Speaker 1: It really leads your thinking, doesn't it? This whole enduring mystery,
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  how it was handled, how it was portrayed. What does
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  it tell us about trying to find justice when the
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  system fails in public opinion runs wild?
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  Speaker 2: And maybe more personally, what does it challenge you to
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  think about the next time you click on a true
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  crime story, how do you engage with it ethically? It's
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  a question worth considering.