Latest / Scarier Things Club / How Hot is the Sun? (Session 9 2001)

Transcript

How Hot is the Sun? (Session 9 2001) · Scarier Things Club

• 0:08
  There are rules to surviving a horror movie.
• 0:11
  Don't split up, don't investigate the noise, and never say, "I'll be right
• 0:17
  back." Here, three friends break down the scares, the kills, the monsters,
• 0:24
  and the terrible decisions that got everyone there in the first place.
• 0:28
  We rate the scares, we roast the victims, and we ask the important
• 0:33
  question, would we survive?
• 0:37
  So dim the lights, pour the drinks, and prepare for spoilers.
• 0:43
  This is The Scarier Things Club.
• 0:48
  Hi.
• 0:48
  Welcome back.
• 0:49
  This is The Scarier Things Club.
• 0:51
  We're really excited that you're here with us.
• 0:52
  Um, happy spooky season.
• 0:54
  I think this is, like, gonna come out, like, mid-September, which is crazy- Yeah
• 0:56
  … that it's, like, already September.
• 0:58
  Today we are talking about Session 9, which I really enjoyed.
• 1:04
  So, before we go too off the rails, so you're like, "What is this movie
• 1:08
  about?" This movie is about an asbestos removal company that takes
• 1:15
  on this massive job at this insanely spooky… It's, like, the Danvers
• 1:20
  Mental Health Hospital in Massachusetts.
• 1:24
  It's a job that at first they, quote, "Should take, like, three weeks,"
• 1:27
  and then they whittle it down to getting it done in one week, and
• 1:31
  they just slowly kinda go crazy.
• 1:36
  And it kinda goes into some mental illness and dissociative personality disorder.
• 1:42
  And so what I, watching this, was like, "What can I bring to the club today?"
• 1:47
  And then I thought, "Ah," it hit me.
• 1:50
  What is, or who is, if you have one, your alternate personality?
• 1:55
  What's their name?
• 1:56
  What's their shtick?
• 1:57
  When do they come out?
• 1:59
  Um, I'll start.
• 2:00
  Okay.
• 2:02
  Mine is Sharon.
• 2:06
  Sharon comes out when I'm driving, and she takes over, and she has bad road rage as
• 2:15
  to where, like, she will flip people off.
• 2:18
  Like, she uses very obvious hand gestures.
• 2:21
  She screams.
• 2:22
  She points.
• 2:24
  She tailgates.
• 2:25
  And she's gonna get Shannon in trouble someday.
• 2:30
  I would not have pictured there to be a Sharon inside- Oh, yeah … of your head.
• 2:36
  I've been followed before.
• 2:38
  What?
• 2:39
  After my road rage, yeah.
• 2:41
  And so after that, you'd think I would learn.
• 2:43
  But, uh, she just… I don't even have to think about it.
• 2:45
  She just takes over.
• 2:46
  And then I'm not responsible for what she does.
• 2:48
  So does Sharon do the dancing?
• 2:51
  What?
• 2:52
  The one time.
• 2:54
  The one time I saw was, I was driving through- Do you remember this?
• 2:57
  I was driving through Rogers.
• 3:00
  I look in my rear view mirror, and there is Shannon just dancing away-
• 3:05
  in her car behind me.
• 3:07
  That's hilarious.
• 3:08
  I feel like I… That must have been, I think that's when Fine Line, the album
• 3:13
  by Harry Styles, had, like, recently come out, and I… Well, actually, maybe
• 3:17
  it hadn't been out, or it had been out for a while, but I had discovered it
• 3:21
  because you had said something and, like, someone else, like within that same
• 3:25
  week, had said something about seeing me-
• 3:28
  dancing in the car.
• 3:29
  No, that's definitely me.
• 3:32
  Sharon is only, she's not a happy person.
• 3:35
  Okay.
• 3:35
  She's not pleasant.
• 3:38
  So do you know what I'm about to say?
• 3:40
  I have an idea.
• 3:42
  This is not the same thing at all.
• 3:45
  So, like, I see what you're saying, like an alternate
• 3:48
  personality or something like that.
• 3:49
  Mm-hmm.
• 3:50
  Like, 'cause I had a choir director all growing up that she, her name
• 3:53
  was Retha, and when it was, like, time for a program or if it was all
• 3:58
  region time and she'd be stressed out, and she would get snippy- Okay
• 4:01
  and that was her evil twin, Reesa.
• 4:03
  Reesa.
• 4:06
  And that was, and I so you have Shannon and Sharon-
• 4:11
  Mine is not The same.
• 4:15
  So- Okay … I we've talked kinda today just on our side notes about
• 4:20
  that I am somewhat of an introvert.
• 4:23
  Yeah.
• 4:23
  But, like, deep in my soul, there's still that, like, mascot waiting to get out.
• 4:31
  That, because that was such a freeing thing for me in high
• 4:33
  school, to be completely disguised.
• 4:37
  Everybody knew who I was, but I was, like, free.
• 4:40
  I could do whatever I wanted.
• 4:41
  I didn't care.
• 4:42
  I had no inhibitions.
• 4:45
  So then in adulthood, I no longer have, like, a big leopard suit to hide behind.
• 4:50
  And so I created this this personality for when I was helping with students or
• 4:58
  maybe a couple things at school sometimes.
• 5:00
  Uh-huh.
• 5:01
  And her name is Beverly Susan Sassafras.
• 5:04
  And she has a lisp and she talks real pretentiously.
• 5:09
  Her name is Beverly Susan Sassafras.
• 5:12
  And, and she has an album that came out called Shake That Sassafras, Volume One.
• 5:18
  I would just sing stuff real stupidly.
• 5:21
  And I would put on this big, like, over the top, I had, like, a big
• 5:26
  afro wig, and I would put, like…
• 5:29
  This one time I put Christmas tree ornaments in it.
• 5:32
  So wait, it's like- And then, like, Nicki Minaj pink lipstick.
• 5:35
  Gaudy jewelry.
• 5:37
  Everything, over the top.
• 5:38
  Where are these pictures?
• 5:39
  I'll find some.
• 5:40
  Oh, good.
• 5:40
  No, there's video.
• 5:41
  For you.
• 5:41
  Oh.
• 5:41
  There's video.
• 5:42
  Some- Oh my gosh.
• 5:42
  Yeah, there is a video.
• 5:43
  And so, like, sometimes, and that was just for the purpose of, like,
• 5:48
  being silly for the students- Yes
• 5:51
  usually.
• 5:52
  Or there was a performative aspect of it.
• 5:55
  But sometimes the voice just comes out.
• 6:01
  And, like, I've had to stop myself.
• 6:04
  It's almost like a, with intrusive thoughts.
• 6:06
  Yeah.
• 6:07
  Like, we'll be doing worship singers practice at church, and I've been on
• 6:11
  the mic at, on like a Sunday morning at practice- Oh, okay … and had to just
• 6:16
  be like, "Oh, you can't do that here."
• 6:18
  Yeah.
• 6:18
  No.
• 6:18
  We can't.
• 6:19
  Because it's real- Switch back down.
• 6:21
  I… Should I?
• 6:23
  Yes.
• 6:24
  Okay.
• 6:25
  Yes.
• 6:25
  So the, probably the, the thing that gets me most, I'll do, like, God
• 6:31
  Bless America, a little bit of it.
• 6:33
  Okay.
• 6:34
  So she goes something like, um, okay.
• 6:36
  God bless America, land that I love.
• 6:42
  Standing beside her and the guide, through the night with the light from above.
• 6:52
  Something, a little something like that.
• 6:57
  I had no idea that was gonna come out of you.
• 6:59
  Yeah.
• 6:59
  It's so- My goodness gracious … I will just, like, wanna do, like,
• 7:04
  weird noises like that, like ahh.
• 7:06
  It, like- Almost like Shakira a little bit.
• 7:08
  Yes.
• 7:08
  And- It'll just, like I wanna do it, but nobody gets it.
• 7:13
  Right.
• 7:13
  And I did it one time at choir.
• 7:15
  Oh, boy.
• 7:15
  In the whole choir, and I don't think… Like, Cassie was next to me.
• 7:18
  I don't think she heard it.
• 7:19
  Oh, sad.
• 7:20
  But the lady in front of me- Uh-huh … did hear it.
• 7:22
  Yep.
• 7:23
  And she turned around, looked at me all funny like, "How dare you be goofing
• 7:27
  around in choir?" This is serious.
• 7:29
  And I'm like, "Listen, Jessica, turn around."
• 7:32
  Yeah.
• 7:32
  "This is not your business." Yeah.
• 7:33
  I don't know what that lady's name is, but she need to, she need to chill out.
• 7:36
  But- Jessica's kidding … so that's what, and there's no purpose to it.
• 7:40
  It's not like she accomplishes anything for me.
• 7:43
  Like, like Sharon- Wow … is, you know, is like almost a
• 7:47
  protective thing for you, right?
• 7:49
  Oh, she gets me in trouble.
• 7:50
  So it's just like a she gets the, the darkest part of you gets to
• 7:52
  come out I guess for a minute.
• 7:55
  There's really no purpose to this thing, but sometimes it just, I think
• 7:58
  'cause I did it for some years, it just- So you just- … sometimes
• 8:03
  happens … created her?
• 8:05
  Yeah.
• 8:05
  You just, you said, "We're gonna do a little bit of this, a little bit of that"?
• 8:08
  Just like what's the most over the top thing I can think of?
• 8:11
  Oh, what was her name again?
• 8:13
  Beverly Susan Sassfrass.
• 8:14
  Beverly Susan- And 'cause she had a lisp, nas- naturally I had to
• 8:17
  put a bunch of S's in her name.
• 8:18
  Absolutely.
• 8:19
  You're so creative.
• 8:21
  What do your siblings think about this?
• 8:23
  Do they know?
• 8:23
  I'm sure they know.
• 8:24
  Uh, I don't know that I've ever, my, I don't know that I've ever
• 8:27
  done this in front of my brother.
• 8:28
  Oh.
• 8:29
  But my sister knows about it.
• 8:30
  Yeah.
• 8:31
  And- Does Ben listen to this?
• 8:33
  I doubt it.
• 8:34
  But- Lame … yeah.
• 8:35
  Loser.
• 8:35
  Loser.
• 8:36
  I can say whatever I want and he'll never hear it.
• 8:38
  Mm-mm.
• 8:38
  Yeah.
• 8:39
  So I mean, he probably would like laugh at it, but- I really am
• 8:44
  so thankful for the performance.
• 8:46
  That was wonderful.
• 8:47
  Well, I, I was like I have to demonstrate.
• 8:49
  There's gotta be a demo.
• 8:50
  I can't just say she sings badly 'cause you have to show, uh, I don't know.
• 8:55
  Okay, but like you sing so well.
• 8:59
  Like, you could be a singer, like professional, you know, if you wanted
• 9:03
  to, and still that wasn't terrible.
• 9:07
  Shannon.
• 9:07
  It wasn't bad.
• 9:09
  Okay.
• 9:09
  Don't play little games, Liz.
• 9:12
  That was really bad.
• 9:13
  Listen, I hear Alek sing all the time.
• 9:16
  Oh, it can't be that bad.
• 9:20
  He sings really loudly and he's really tone deaf.
• 9:24
  You'll, well, you'll have to skip choir someday- And- … and sit next
• 9:28
  to me- And sit in worship … worship.
• 9:29
  Okay.
• 9:29
  Yeah.
• 9:29
  Yeah, that was- That was incredible
• 9:30
  incredible.
• 9:31
  No, I just, really quick, so like I said, I, I have been followed once or
• 9:36
  a couple times because of my road rage.
• 9:38
  Yeah.
• 9:40
  And so I was here.
• 9:42
  I was just trying to go to Harps to get milk- … heaven forbid.
• 9:46
  And the exit to get off of 71, it looks like there's no
• 9:51
  paint to make it two lanes.
• 9:53
  The road itself probably is wide enough, but like as it goes up
• 9:58
  the hill, that's when it becomes like defined it's two lanes.
• 10:01
  Well, so I'm driving.
• 10:03
  This car behinds me, behind me like revs up and I'm thinking they're
• 10:08
  like gonna hit me, but they go to my side, which that made me mad
• 10:12
  because I'm thinking it's a one lane.
• 10:13
  Like- Mm-hmm … the heck are you doing?
• 10:14
  So I… This is all I did.
• 10:17
  Yeah.
• 10:18
  And I could see him in my rear view mirror starting to throw his hands
• 10:21
  up, and I'm yelling and I'm pointing-
• 10:25
  At him.
• 10:26
  Yeah.
• 10:26
  And he pulls up beside me and I could hear him yelling at me as he's pulling
• 10:30
  up, and he's got his window down.
• 10:32
  So what did I do?
• 10:33
  Yeah, girl.
• 10:34
  I rolled my window down.
• 10:36
  And I was like, "It's one lane, bro." And he was like, "F" bomb this, "F" bomb that.
• 10:43
  Yeah.
• 10:43
  And, um, he's like, "Do you want a problem?
• 10:45
  I'll give you a problem." And I said, "Have a nice day." And I sped.
• 10:50
  I, you know- What?
• 10:52
  … turned right and he was trying to turn left, and I'm thinking, "All right, I'm
• 10:57
  o-" Then Shannon took back over and I was like- Okay … "Whoa, that was a little
• 11:01
  crazy." And I, behind me I can see him.
• 11:04
  He was at the light turning left, but then he turns right and follows me.
• 11:09
  And I'm trying to turn into Harps, and he- You did not stop, did you?
• 11:14
  The car in front of me- But I mean like at the store.
• 11:17
  You wouldn't have stopped at the parking lot and- He drove off.
• 11:20
  Okay.
• 11:21
  He did drive off.
• 11:22
  Okay.
• 11:22
  But he stopped his car like in the lane next to me- Mm-hmm … that w- should be
• 11:26
  going to continue yelling at me, and- Oof
• 11:29
  I thought he was gonna follow me into the Harps, and I was like, "I
• 11:32
  don't know what I… I'm just gonna go." He wouldn't have gotten out.
• 11:34
  I don't think so.
• 11:36
  Hmm.
• 11:36
  No, I would've drove away.
• 11:37
  Yeah.
• 11:38
  But that moment made me realize- Yeah.
• 11:42
  We might have a problem here.
• 11:43
  Have you ever seen that movie, It's got Russell Crowe in it and he, like, it,
• 11:48
  the whole thing starts off this lady, he's at a red light and he doesn't go
• 11:53
  when it turns green or whatever, and she starts, like, honking hardcore.
• 11:56
  And she then, like, just zooms around him, and then they get
• 12:00
  stuck at the next red light.
• 12:02
  Oh.
• 12:03
  And he pulls up next to her and he's like, "Hey, hey," and
• 12:05
  he's trying to talk to her.
• 12:06
  And then she's, like, not being super nice to him or whatever.
• 12:10
  Mm-hmm.
• 12:10
  And he's like, "Well, if you'll just apologize, we can go about our day."
• 12:14
  And she's like, "No, I'm not gonna apologize," and her kid's in the
• 12:17
  backseat like, "Mom, just apologize.
• 12:19
  Just get it over with." And she's like, "No, I don't have anything to
• 12:21
  apologize," and he's like, "You don't know what a bad day is, but you're
• 12:25
  gonna find out." And then, like, he goes off the rails crazy man.
• 12:29
  Unhinged.
• 12:30
  So, like… Is that what it's called?
• 12:31
  Unhinged, yeah.
• 12:32
  Okay.
• 12:32
  That movie was pretty good.
• 12:33
  Does he kill her?
• 12:35
  You'll have to watch to find out.
• 12:37
  Oh.
• 12:39
  Maybe I should watch it as, like, a lesson.
• 12:41
  Maybe.
• 12:42
  No, and then do you remember, like, when that, there was, like, that
• 12:44
  shooting in front of Kennedy Coffee?
• 12:46
  Yes.
• 12:47
  Oh, yeah, yeah.
• 12:47
  Because remember the rage incident?
• 12:48
  I'm like, but the thing is is that it, I mean, it takes a split second.
• 12:53
  And then afterward I'm like, was that really that big of a deal?
• 12:57
  But in the moment, I just, I don't even know what comes over me.
• 13:03
  And one day it's gonna get me in trouble.
• 13:04
  I'm just really surprised that, like, you have the follow through
• 13:08
  to holler at somebody from the car.
• 13:11
  Like, I would not.
• 13:12
  Like, in, when the, when the windows are up, I could talk a big game, and
• 13:17
  we, I can act big and bad, but if it comes down to I gotta face to face with
• 13:21
  you, I don't think I could do that.
• 13:24
  Like, I got flipped off the other day on the way to work.
• 13:27
  Who would flip you off?
• 13:28
  Hardcore.
• 13:28
  This lady was big mad.
• 13:28
  Well, I did cut her off.
• 13:30
  Uh-oh.
• 13:30
  But I didn't see her.
• 13:31
  Okay.
• 13:32
  Like, I blame the technology because the light on my
• 13:34
  mirror- For sure … wasn't on.
• 13:35
  Exactly.
• 13:37
  And so for me, Mich- And she probably just sped up.
• 13:40
  No.
• 13:40
  She was there.
• 13:41
  She was probably going too fast.
• 13:42
  And I didn't see her- Yeah … until I got in behind the car that
• 13:45
  I could see in front of me.
• 13:46
  Mm-hmm.
• 13:46
  I just booped right over 'cause I needed to take the exit.
• 13:49
  You don't look over your shoulder, do you?
• 13:51
  I did not.
• 13:51
  Yeah.
• 13:52
  And so, and then I saw her in my rear view mirror real close, and I was
• 13:56
  like, "Whoopsie." And then I see her, like, bo, bo, bo, bo, like, shaking.
• 14:00
  And I was like, "Oh, okay, okay, okay." Oh, yeah.
• 14:02
  And then so I just kinda, like, went over into the next lane and, like, hit the gas.
• 14:07
  Oh, yeah.
• 14:07
  And then she went over to the other lane, so there was a lane between
• 14:11
  me and the lane that she was in.
• 14:12
  Yeah.
• 14:12
  But I could tell her car was speeding up a lot to try and get even with me.
• 14:16
  Oh.
• 14:16
  And then I pulled the whole, like, I'm not even looking- You don't even know that-
• 14:20
  … I don't even know that you're there.
• 14:21
  I'm just- Right … I'm so content.
• 14:22
  You can, I can't be bothered by you.
• 14:24
  Yes.
• 14:24
  But she was big mad.
• 14:26
  And I can see.
• 14:27
  I would've been mad at that too.
• 14:28
  We're going a high rate of speed- Yeah … and I just clock in right in front of you.
• 14:32
  That was- Yeah.
• 14:33
  That was my bad.
• 14:34
  That was my bad, but- I know.
• 14:36
  I do, I was thinking, well, I do sometimes make questionable driving choices.
• 14:41
  Oh, I, a lot of the time.
• 14:42
  I'm distracted driving a lot.
• 14:44
  Just the music.
• 14:45
  It's a concert featuring me.
• 14:47
  Ah, I bet it's fantastic.
• 14:48
  All the time.
• 14:49
  Yeah.
• 14:50
  I flipped somebody off today- … actually, driving home.
• 14:50
  But it's like
• 14:55
  I always… Okay, whenever I was like, "I'm gonna be better," I I used
• 14:59
  to, I would wave at them and I would say, "Have a nice day." Or, … you
• 15:04
  know, I would thumbs up them.
• 15:06
  Uh-huh.
• 15:06
  But then I was like, "No, screw that." So then like sometimes I'll-
• 15:11
  Oh … do this as they drive by.
• 15:13
  You know, a thumbs down.
• 15:14
  Does that make you feel good?
• 15:15
  Yeah, it does.
• 15:16
  I, I need them to know that I don't approve of their- Yeah … actions.
• 15:21
  You're displeased and you want them to know.
• 15:22
  I'm very… Yeah.
• 15:23
  Yeah.
• 15:24
  I mean, how would you feel, like if you saw somebody go to you as you drove by?
• 15:29
  Would you… I feel like you would laugh.
• 15:31
  You- No, you'd get, you'd either laugh- Well, no
• 15:33
  or you would get so mad … I would either… It would
• 15:34
  depend on the situation.
• 15:35
  Yeah, I'd either laugh or get mad, one of the two, yeah.
• 15:37
  You I could see that just like you, that would eat at
• 15:41
  you- Mm-hmm … for like ever.
• 15:44
  Oh, yeah, yeah.
• 15:45
  A, a month at least.
• 15:45
  For ever?
• 15:46
  Yeah.
• 15:47
  Really.
• 15:47
  Oh, yeah.
• 15:47
  And he would probably then look back on it, and as soon as you re- like
• 15:50
  a year later probably, you could remind him, "Hey, remember that
• 15:52
  time somebody thumbs downed you?"
• 15:54
  "Yeah. Ugh," and he would just like- Kind of spiral all over again … re-
• 15:58
  replay the whole event in my head, yeah.
• 16:00
  Yeah.
• 16:00
  Yeah.
• 16:00
  Yeah.
• 16:00
  Well, today it was the issue of, so the left lane, I mean, I'll go 80.
• 16:06
  Yeah.
• 16:06
  I feel like that is fast enough, and I've had this conversation at work before.
• 16:09
  Mm-hmm.
• 16:10
  And I will admit, sometimes I do get carried away and like I'll be
• 16:14
  in that left lane for far too long.
• 16:16
  I'm obviously not passing.
• 16:17
  I'm obviously just using that lane to cruise fast, that I could be doing, that
• 16:21
  I should be doing that in the middle lane.
• 16:23
  But if I'm going 80 and the car and if, so this truck, 'cause it's always
• 16:28
  a stupid truck- was like on my tail.
• 16:31
  But obviously in your jacked up truck, you can see over my Subaru that it's not me.
• 16:38
  I'm not the problem.
• 16:39
  Right.
• 16:39
  I'm not causing this congestion here.
• 16:43
  But so there's no reason for you to be on my, on my butt like that.
• 16:46
  And so, like, I got over, let him speed on, and he probably was, like, a car away.
• 16:51
  And then I gave him my thoughts.
• 16:54
  So he probably didn't know.
• 16:57
  I, like, mean- Yeah … but I've
• 16:59
  Yeah.
• 17:00
  I don't necessarily, I don't drive aggressively, but I do
• 17:02
  drive passive aggressively.
• 17:04
  Like- I could see that … um, if people … I can see, like, when a
• 17:10
  group is merging on- Yep … in the evenings when I'm trying to get home,
• 17:13
  and I'm already on the interstate.
• 17:15
  I've been here.
• 17:16
  Okay?
• 17:17
  And we're trying to zipper in.
• 17:18
  That's how it works.
• 17:19
  The one in front goes, then you let the person who's here, then
• 17:22
  you go, and that's how we do this.
• 17:24
  We all work together to get home efficiently.
• 17:26
  No, people don't do that.
• 17:27
  But you wanna just boom.
• 17:29
  And, you know, sometimes that on-ramp lane will go pretty far,
• 17:33
  like- Yeah … and so they'll just zoom way up and then try to cut in.
• 17:38
  Yeah.
• 17:39
  And let me tell you, you go sit there.
• 17:40
  You, you will sit there on the side 'cause I will be pa- you could put a receipt
• 17:45
  paper between me and the person in front.
• 17:47
  You are not getting in here.
• 17:49
  I will do that.
• 17:50
  Or if somebody has pissed me off before, I will make sure … And I can
• 17:53
  see them, like, trying to get through, and they're coming through the back.
• 17:56
  I'll be like, okay." So I'll, like, get where they wanna go, and then
• 18:00
  I'll close the gap just enough where they can't do it- Yeah … and
• 18:03
  just really … And I can see that they're trying to, like, move over.
• 18:06
  And I'm like, "Oh, but I'm here." Yeah.
• 18:08
  That's, how sad for you.
• 18:10
  What really makes me irrationally angry is, like, especially here at Bella
• 18:15
  Vista, 'cause, like, in the morning, I mean, it's a two-lane to get onto the
• 18:19
  interstate and onto two lane- Mm-hmm
• 18:22
  of, like, already busy interstate.
• 18:24
  And especially at 7:00 in the morning, there's, like, 50 or 60 cars, I'm
• 18:29
  sure, trying to get on, and it's, it needs to be three lanes right there.
• 18:33
  I get it.
• 18:34
  The mountains are there.
• 18:34
  Whatever.
• 18:35
  We can't do anything about it.
• 18:37
  However, it pisses me off when I am, like, trying to get on, I also
• 18:43
  have to merge, and an idiot is behind me, and they just do that.
• 18:48
  Yes.
• 18:49
  That's so rude.
• 18:49
  I'm like, you, I, I also have to get over.
• 18:52
  I also have to get over.
• 18:53
  I also have to get over.
• 18:54
  Yep.
• 18:54
  Oh my God.
• 18:55
  Like, you have to let me merge, and if you hit me, that's your fault, Jack.
• 18:59
  Okay?
• 19:01
  Ugh!
• 19:02
  It makes me so mad.
• 19:04
  So that's where I invented Sharon, and she takes over.
• 19:09
  I would never have clocked that about you, ever.
• 19:12
  Oh, it's bad.
• 19:13
  I- But now that I know it, I feel like I have just a glimpse
• 19:16
  into your soul a little bit more.
• 19:18
  It makes me feel good- That's beautiful … that, like, I, I guess I have a good
• 19:21
  facade of, like, being a calm person.
• 19:26
  It's not true.
• 19:28
  I really like to flip people off.
• 19:31
  It's gonna get me one day.
• 19:32
  Anyway, so today we're covering session nine-
• 19:36
  and dissociative personality disorder.
• 19:40
  All right.
• 19:41
  You had mentioned - I guess we can just hop on in.
• 19:44
  You had mentioned that they originally quoted the the job to be, like, three
• 19:51
  weeks when they first did the walkthrough with the guy who owned the property.
• 19:55
  And then, but step back, when they were in the car at the very beginning, the, um,
• 20:03
  CSI Miami guy was talking to the main, the owner, Gordon, and he was like, "Oh, but
• 20:10
  you know this guy likes jobs done fast."
• 20:12
  And the guy driving, the owner, was like, "Yeah, but I like them done
• 20:16
  safe," indicating, like, he was the one that would be like, "Okay, we're
• 20:20
  gonna temper the expectations here." He quoted the job at three weeks, and
• 20:25
  the, uh, redheaded guy was like, Phil, he was like, "That's quick, but okay."
• 20:32
  And then he cut it down to two weeks.
• 20:34
  And I was like, "But you said you like… This is out of character
• 20:36
  for you." And then he goes outside with the guy and he's like, "Sike,
• 20:40
  we can do it in one week." Yeah.
• 20:41
  Jack.
• 20:41
  And then it's like, why did you do that?
• 20:43
  You probably, you could've gotten the job anyway.
• 20:46
  And then you're like, "We can do this in one week," this whole huge building.
• 20:50
  Yeah.
• 20:50
  We can clear out the asbestos.
• 20:53
  No, you cannot.
• 20:54
  That's so silly.
• 20:55
  But I guess, like, knowing what you know at the end, maybe
• 20:59
  that wasn't him in control?
• 21:01
  Yeah, 'cause it, like, already starts, like- Yeah … when
• 21:03
  they're just doing the tour.
• 21:04
  So maybe that was the th- the thing.
• 21:10
  Taking over him.
• 21:10
  Making sure they got the job.
• 21:12
  I don't know.
• 21:12
  It was just weird.
• 21:13
  Yeah.
• 21:13
  That or making sure that he is putting himself into a situation that
• 21:17
  would make him easier to control.
• 21:20
  Because if its whole- Yeah … thing is, "Okay, I, I impact the weak-"
• 21:25
  Yeah … then, putting in, putting him into a situation where he
• 21:28
  gets even more stressed, maybe he loses more control- Yeah
• 21:31
  of himself.
• 21:32
  But then again, I mean, we find out at the end what, how much or how much
• 21:38
  lack c- lack of control that he had when he went home- Mm-hmm … to his
• 21:41
  wife, so that may not be a thing.
• 21:43
  But- Yeah … just a thought maybe Yeah.
• 21:48
  This crew,
• 21:52
  if you know the people you got working for you- … you would never have said
• 21:56
  they w- they wouldn't have gotten this done, this job done in three weeks.
• 21:59
  No, I said for someone who's, like, trying to get this job and done
• 22:03
  in a week, they took more breaks.
• 22:05
  They did.
• 22:05
  They do a lot of sitting.
• 22:05
  They would pass a movie, they were breaking.
• 22:08
  They did not want that bonus badly enough.
• 22:10
  And it was like $10,000.
• 22:12
  Yeah.
• 22:12
  Red flag.
• 22:13
  For real, especially the, uh, gambler guy.
• 22:16
  I'm like- you have, you don't have the motivation To really get the job done.
• 22:19
  A crackhead would hustle more than he did.
• 22:21
  Well, yeah, the little stoner boy the nephew.
• 22:25
  Oh, yeah.
• 22:25
  I'm like, hold up.
• 22:26
  You have a fear of the dark, and you took this job in an abandoned
• 22:31
  building- Yep … with no electricity.
• 22:33
  I mean, not just an abandoned building, like, you know, a, a
• 22:37
  mental or a psychiatric hospital.
• 22:38
  Yeah.
• 22:39
  Which is creepy enough when it's not run down.
• 22:42
  Which, fun fact, is now luxury apartments.
• 22:47
  People live- That's a real place?
• 22:49
  Uh-huh.
• 22:49
  Mm-hmm.
• 22:50
  Oh, Danvers is real.
• 22:51
  Oh, Danvers is real.
• 22:52
  Yeah.
• 22:52
  And, um, like, 'cause we had watched a… Like, it was a man and a woman, I think.
• 22:58
  They were investigating it or whatever and talking about- Yeah
• 23:00
  a bunch of old story.
• 23:01
  We'd, we'd seen a documentary or something on it a long time ago,
• 23:04
  and then we watched a video after we'd finished the movie of this guy.
• 23:08
  He had broken into it or snuck in, um, in like 2004 maybe.
• 23:15
  Yeah, a few years after- Or something like that … after the movie was filmed-
• 23:17
  Um … or after this movie was filmed.
• 23:19
  Mm-hmm.
• 23:19
  Yeah.
• 23:19
  Oh, my gosh.
• 23:19
  Because they filmed it actually there.
• 23:21
  So- Oh … 'cause he walked through, and all his footage at night, like, you
• 23:25
  could see the, like the same graffiti on the walls and stuff like that.
• 23:28
  Oh.
• 23:28
  Some of the pictures that are on the walls in the, um, like the memory
• 23:32
  type rooms- Yeah … are still there.
• 23:35
  Oh, spooky.
• 23:36
  The old, like, pictures of dolls and stuff like that are- I would
• 23:38
  like that … still… they were still on the walls at that time.
• 23:41
  Yeah.
• 23:41
  And so then 20-plus years later after that, the, it's like the
• 23:47
  middle of it now is still standing, and it's luxury apartments.
• 23:52
  So people are living in like remodeled psychiatric rooms.
• 23:57
  Do you think they know?
• 23:58
  Like, do you think that place, like, do you think the tenants are- Oh, I think
• 24:00
  they're, yeah … like really haunted?
• 24:01
  That's, that's, that's like- It's a well-known place.
• 24:02
  Yeah, very well-known.
• 24:03
  I mean, it, it's- Mm-hmm … it's… And just to kinda add to that that was one
• 24:08
  of the things that I thought was really cool was all, like all of the scenery
• 24:13
  from, all the shots and everything almost virtually untouched by the crew.
• 24:20
  Oh.
• 24:21
  It was, it was that creepy just on its own.
• 24:24
  Yeah.
• 24:25
  And they, they had got permission to film in a few locations in that building.
• 24:29
  There were some places they couldn't go- Yeah … uh, just because it
• 24:32
  was dangerous, and there, there was asbestos in, in that building as well.
• 24:36
  And some of the cast and crew had talked about it.
• 24:38
  They said like, yeah, you never felt comfortable in there at all.
• 24:41
  But yeah, all of those rooms, everything you saw, that, that is
• 24:44
  exactly how it was in that building.
• 24:47
  Oh.
• 24:47
  They, they did very little to actually- You know, like you said, they,
• 24:53
  they had a little bit of graffiti here and there for whatever reason.
• 24:56
  I don't know, because it re- in my opinion, it really didn't need it.
• 24:59
  Yeah.
• 24:59
  Mm-hmm.
• 25:00
  But yeah, a lot of that stuff was there.
• 25:02
  Like, one of my favorite scenes in this is the long hall- hallway with the suits.
• 25:06
  Oh, yeah.
• 25:07
  Oh, yeah.
• 25:07
  Like, that was so creepy.
• 25:08
  Yeah.
• 25:08
  That was still there.
• 25:10
  When that guy broke in and was wandering around, he found that, that location,
• 25:15
  and all those suits are still in- Oh
• 25:17
  that hallway is exactly as you see it in the movie.
• 25:20
  Mm-hmm.
• 25:20
  So that was, that was a really cool thing, I thought, that this, you
• 25:24
  know… A- again, this w- this was a well-known, I mean, was, h- was this
• 25:30
  where they, they developed the lobotomy?
• 25:33
  I don't know if that's where they developed it.
• 25:35
  But so the guy who went there, in that video, he was talking about kinda
• 25:40
  the history of the person who ran it, and his philosophy was that you
• 25:46
  should treat the people humanely- Yeah
• 25:49
  and that it would be a positive place for the… So, you know, it's like
• 25:52
  normally with an asylum or a mental hospital, you think of, like, the terrible
• 25:56
  things that happened and, like, the experiments that were done on the people.
• 25:59
  He made it sound like this wasn't really that kind of place- Mm … in
• 26:04
  reality, but I don't really know.
• 26:07
  I'd have to do more research into the, the history of the actual, the place.
• 26:11
  But yeah, the location itself, they kinda just went in and- Wow … filmed.
• 26:17
  Yeah, that's crazy.
• 26:18
  So no, they did not develop the lobotomy there, but they did say
• 26:21
  that the overcrowded facility became heavily associated with
• 26:25
  the, with the use of the lobotomy.
• 26:28
  That's spooky.
• 26:30
  So, yeah Did, have you broken into a, have you gone into a, a
• 26:34
  mental, like a asylum like this?
• 26:38
  I feel like there's someone that I know that, like, has actually, like, broken in.
• 26:42
  No?
• 26:42
  I don't do abandoned places, mostly because there can be people there.
• 26:48
  Yeah Like squatters and critters.
• 26:50
  Oh.
• 26:51
  I don't, I don't play games with that, yeah.
• 26:52
  Anyway, okay.
• 26:53
  I did think, I was like, I thought the guy who was giving the tour, I was like, he's
• 26:59
  giving, he's, like, selling the place.
• 27:00
  He's giving, like, a grand tour of this place- … and, like,
• 27:03
  going way into the history, and I thought, they don't need that.
• 27:07
  They really don't.
• 27:07
  Like, they're just here- They just need to see the location.
• 27:09
  Yeah.
• 27:10
  I wonder, like, what it looks like to remove asbestos.
• 27:13
  I didn't even know that was… I mean, I guess, it has to be a job.
• 27:19
  I thought you had to, like, completely shut stuff off, like-
• 27:24
  Yeah … because you can't have the stuff flying around Like they had to…
• 27:31
  When they tore down our old junior high back home, the ceiling
• 27:36
  tiles had asbestos in them.
• 27:37
  And so, like they told our teacher, "You gotta stop sticking, um, bugs from
• 27:42
  the bug collections up there with the things, because you're putting that
• 27:46
  in - Oh my gosh … and potentially releasing like little micro specks of it."
• 27:50
  Little, yeah.
• 27:51
  "So please don't do that anymore." But when they tore that building down, they
• 27:54
  had to do a lot of like safety work, because you can't just be like, "Okay,
• 27:58
  bulldoze the building," and then have it like fly out everywhere into the world.
• 28:02
  Oh, I'm sorry.
• 28:03
  But then these jokers were just like walking around, 'cause they
• 28:08
  talked a lot about- Yeah, literally
• 28:09
  "Hey, you're not wearing your mask," or whatever.
• 28:10
  Right.
• 28:10
  Like, nobody wore a mask hardly at all in that- In that movie … or
• 28:14
  a respirator or anything, yeah.
• 28:15
  I know, yeah.
• 28:16
  Very little PPE.
• 28:17
  I, I felt bad for the nephew at at the very end there, like when he
• 28:20
  was in that… and you could tell he was just breathing all that in.
• 28:24
  Oh, yeah.
• 28:25
  Like, after he's, like, run down this dark hallway and stuff-
• 28:27
  Mm-hmm … I felt so bad for him.
• 28:29
  I would've lost my mind.
• 28:30
  Turns out he didn't have to suffer long.
• 28:33
  He did not have to suffer long.
• 28:34
  I thought, dang.
• 28:36
  Um, yeah, whenever you first hear that creepy voice and the static
• 28:41
  when like he says like, "Hello, Gordon," I was like, ooh, this is
• 28:44
  like giving The Shining a little bit.
• 28:45
  Which I'm excited to watch that movie with you guys.
• 28:49
  Yeah, that, that is kind of, I mean, a similar concept I guess.
• 28:54
  Somebody goes nuts and loses control.
• 28:58
  Yeah.
• 29:00
  Oh, Mark, I was gonna ask you so like at the very beginning, the
• 29:04
  g- I guess his name was Hank.
• 29:06
  I'm always bad, like, with the names, but the, the gambler.
• 29:08
  Oh, yeah, Hank.
• 29:09
  He was like telling the nephew about not playing music- … because the
• 29:14
  sound vibrations would like knock off little particles- … into the air.
• 29:20
  Does, is that like sound, like rationale?
• 29:23
  Maybe.
• 29:24
  Yeah?
• 29:24
  I mean, 'cause, I mean, I could see that being a possible thing.
• 29:28
  I mean, I, I don't know about I don't know a thing about asbestos removal, but- Yeah
• 29:32
  … I mean, I could see a possible maybe sound waves or vibrations or something
• 29:37
  maybe causing some of it to shake loose.
• 29:38
  But- Mm … I mean, kind of on the point you, you guys just made about they
• 29:42
  really weren't wearing- consistently wearing the PPE, so it's kinda like
• 29:47
  how worried are you about it really or you're just annoyed by the music?
• 29:51
  Yeah.
• 29:51
  You know, that kinda thing.
• 29:52
  But yeah.
• 29:54
  I mean, I don't know, I didn't, I didn't really question it, but
• 29:56
  just because I don't, I don't know.
• 29:57
  Oh, okay.
• 29:58
  I- And then he came back around later and he turned it up.
• 30:01
  Yeah.
• 30:01
  Oh, did he?
• 30:02
  I didn't even catch that.
• 30:02
  He had.
• 30:02
  Yeah.
• 30:02
  And then started dancing around the room.
• 30:04
  I just thought, like, Mark would have, like, a thought about that.
• 30:07
  I mean, it turns out, wouldn't have mattered anyway, so.
• 30:11
  Right.
• 30:11
  No.
• 30:12
  I thought it was creepy, like very foreshadowing, 'cause I think it's
• 30:16
  Hank that says, "Keep up this pace and we'll all be dead by Monday."
• 30:19
  And like, so it starts off like- Oh, yeah … and like each day it's
• 30:23
  like- … longer through the week, so I thought, dang, like it's gonna go down.
• 30:28
  It started, well, I say I feel like at the beginning was kinda slow.
• 30:32
  Like it was interesting- … because there was a lot of set up and you're like, okay.
• 30:36
  And then Mike finds the tapes- Yeah
• 30:38
  down in the basement or whatever, and so you start trying to piece together that
• 30:43
  story and all of her what's her name?
• 30:45
  Mary Hobbes?
• 30:46
  Yeah.
• 30:46
  Mary Hobbes, yeah.
• 30:47
  Her alternate personalities and what happened at her house.
• 30:52
  Yeah.
• 30:53
  And you get that piece by piece.
• 30:54
  But that contrasting with w- what's happening above and all of their
• 31:01
  work problems and disagreements, like aside from when Hank gets
• 31:08
  attacked and you don't really know what happens to him for a while.
• 31:11
  That was spooky.
• 31:11
  Yeah.
• 31:12
  It was r- kinda slow.
• 31:14
  Yeah.
• 31:14
  And nothing really hit me until, like, when I figured it out.
• 31:18
  Yeah.
• 31:19
  And then there was, like, a probably- I don't know, 20, 30 minutes
• 31:25
  left of, like, me just going back and forth of like, "Wait, is it
• 31:30
  Phil? Wait, is it Gordon?" Yeah.
• 31:33
  And then, like, going back and forth of who's the bad one.
• 31:36
  And then at some point I was blaming Mike.
• 31:38
  'Cause I was like, "Well, Mike's the one who knew how
• 31:40
  to do the lobotomy," you know?
• 31:41
  And so I was like, "Well, maybe it was him the whole time and he's
• 31:43
  been listening to the tapes." Yeah.
• 31:45
  So I had plenty of time to let my mind spin.
• 31:49
  Although I was kinda disappointed that I clocked it that- Yeah
• 31:53
  at the point that I did, like, with the peanut butter.
• 31:56
  Oh, yeah, yeah.
• 31:56
  Yeah.
• 31:57
  That early?
• 31:58
  You clocked it that early?
• 31:59
  Yeah, so like, he… 'Cause, you know, it went back and forth between Gordon in
• 32:04
  the car- Yeah … and then, like, Hank.
• 32:07
  I was like, that's weird.
• 32:08
  'Cause when he was walking at the bottom, he picked up that peanut butter
• 32:10
  jar like, "Oh, it's weird, there's a thing of peanut butter down here."
• 32:12
  Yeah.
• 32:13
  And then the next time they showed Gordon in his car, he picked up his groceries and
• 32:18
  there was a big, a thing of peanut butter.
• 32:20
  Oh.
• 32:20
  And I was like, oh, he's been down there.
• 32:22
  Oh, okay.
• 32:23
  And so I was like, so that was probably him.
• 32:26
  Yeah.
• 32:26
  But then I was trying to put the pieces together of like w- why?
• 32:30
  Why is he down there?
• 32:30
  Yeah.
• 32:31
  Yeah.
• 32:32
  So that was him, like, that was him, that figure that you see-
• 32:35
  Mm-hmm … like, step into the- Mm-hmm.
• 32:37
  'Cause he wasn't going home.
• 32:38
  Yeah.
• 32:38
  'Cause that day, we n- you know later he hasn't been home since that day,
• 32:43
  because- Like, the first day on the job … that's when he attacked.
• 32:45
  Yeah.
• 32:45
  Yeah.
• 32:45
  Yeah, he killed his wife and kid and then- Mm-hmm
• 32:47
  he's just been staying on the job.
• 32:48
  Yeah.
• 32:48
  Yeah.
• 32:49
  But so interesting- Which is also no wonder he kept saying multiple
• 32:52
  times, "I don't want people wandering around here at night." Yeah.
• 32:55
  He's the one that kept saying that.
• 32:56
  Oh.
• 32:56
  And saying stuff like, "I wanna go home." Yeah.
• 32:59
  But, now interesting fact about that scene or the sequence where Hank is being
• 33:03
  chased in that lower corridor, where he's going to the patient area or whatever
• 33:08
  and he finds that jar of peanut butter.
• 33:09
  Yeah.
• 33:10
  So during, when they were filming that, the camera operator, and I'm
• 33:14
  not even gonna try to pronounce her name, um, because I can't.
• 33:19
  But, uh, she was injured after running into a medical cart that
• 33:24
  had been abandoned in the tunnel.
• 33:25
  Oh.
• 33:26
  As she was, you know, I think it was, yeah, it was a hand, operating a handheld
• 33:30
  camera, and she ran into it, and it had, like, this metal prong on it.
• 33:35
  And it pierced the eye cup- Oh … of the camera.
• 33:37
  Oh.
• 33:37
  And then it punctured the corner of her eye socket.
• 33:40
  Oh.
• 33:41
  Nearly piercing her eye Oh, gross So like where they were, like where you would,
• 33:47
  where they said you'd do a lobotomy?
• 33:48
  Yeah, I mean, they the thing where I read this said, uh, the injury
• 33:51
  paralleled the Hank character's eventual demise by a transorbital
• 33:55
  lobotomy, uh, in which a lobotomy pick is forced into his eye socket.
• 33:58
  Whoa.
• 33:59
  That's creepy.
• 34:01
  That is so creepy.
• 34:03
  Yeah.
• 34:03
  So, I mean- I think I would not- I'd be done … be going back to that job.
• 34:06
  Yeah.
• 34:06
  No.
• 34:06
  'Cause I imagine, like you're, you're filming in this creepy- Mm-hmm
• 34:11
  … psychiatric hospital that's all run down.
• 34:12
  It's, yeah.
• 34:13
  It's not just a movie set.
• 34:14
  Yeah.
• 34:15
  And then that happens.
• 34:16
  Yeah.
• 34:17
  'Cause you n- it, you, horrible things can't not have happened there, right?
• 34:21
  Yeah.
• 34:21
  I mean, at any place where people have been held, whether they were
• 34:29
  intended to be treated poorly or not, like- Yeah … stuff happened.
• 34:34
  You know they did.
• 34:35
  So you believe in ghosts?
• 34:36
  I believe in demons, and I believe that what people see as what they think is
• 34:42
  a ghost, like, that's not Granny Susan.
• 34:44
  That's not so-and-so.
• 34:45
  Like, that's a demon, I think, taking the form of that thing.
• 34:48
  Ah, okay.
• 34:49
  I don't believe that the soul is actually left here.
• 34:52
  Yeah.
• 34:53
  Yeah.
• 34:54
  But I, I do believe in the supernatural.
• 34:57
  Okay.
• 34:58
  Definitely.
• 34:58
  Yeah.
• 35:00
  Ooh, yeah, I would not be going back.
• 35:03
  And so also Hank, which maybe this is like he's just that type of guy who
• 35:11
  talks big, but so, you know, he was giving that little lecture to Jeff.
• 35:17
  Was it Jeff, the kid?
• 35:18
  Yeah.
• 35:18
  I think so.
• 35:19
  And I think Mike was in the room.
• 35:21
  No, it was just Jeff, and they were talking about the you gotta wear your
• 35:27
  equipment, this kind of… You gotta have a backup plan, all that kind of stuff.
• 35:30
  Yeah.
• 35:31
  And he was saying, like, "Gordon is, like, the calmest guy that I know."
• 35:34
  And he said, "Well, what about you?
• 35:35
  You're not wearing, you're not wearing your mask." And he said, "I've learned to
• 35:40
  sublimate my fear." And then, like, that night he comes back to get that stuff and,
• 35:44
  like, drops his bowels at the first sign- … of something, like, bump in the night.
• 35:49
  Yeah.
• 35:49
  And I'm like, "Okay, brother." Like- You're talking a big game.
• 35:51
  Yeah.
• 35:53
  I thought it was, he's, like, going through all of that, like the coins a- and
• 35:58
  stuff, and then he's going through teeth.
• 36:00
  Yeah.
• 36:00
  That really made me… Was that… He was going through, like, the
• 36:04
  crematour, like l- it was the morgue.
• 36:07
  Yeah, on the other side.
• 36:08
  But is that also where they would cremate people?
• 36:10
  That's where- Yeah, 'cause it said, like- … that's what that
• 36:10
  was from … caution hot- Yeah.
• 36:12
  Hot … on the other side.
• 36:13
  So that's what they were trying to- Oh, my gosh … insinuate.
• 36:15
  But, like, okay, if you put a body in there, like, 'cause what they, the way
• 36:23
  they had it set up, he was reaching through and straight on the other side
• 36:27
  was the, like the crematory place, right?
• 36:33
  Yeah.
• 36:34
  Mm-hmm.
• 36:34
  'Cause it said caution hot.
• 36:35
  Correct.
• 36:36
  The toe tags would not have survived.
• 36:40
  You're right.
• 36:40
  Right.
• 36:40
  Yeah.
• 36:40
  The, you know, and a lot of that metal stuff would've been melted, not s-
• 36:44
  you know, like your glasses and stuff.
• 36:47
  Mm-hmm.
• 36:47
  That wouldn't survive that temperature.
• 36:49
  So that was weird to me that they set it up.
• 36:51
  I mean, that's not how it is in the actual place.
• 36:53
  So when he went back, they ha- the little chute that they had made- Yeah … they
• 36:58
  made a little, um, almost a little slide where they could push the coins through
• 37:02
  and it would come out and, like, look like it was just, like, billowing out.
• 37:05
  Yeah.
• 37:05
  On the other side of that is not really a morgue.
• 37:09
  Oh, okay.
• 37:09
  So they built that sh- scene for just the movie to show you that that
• 37:15
  was there, so that wasn't, that's not the reality of the setting.
• 37:19
  But I, that didn't make sense to me.
• 37:22
  Yeah.
• 37:22
  'Cause it it's literal paper, the toe tags.
• 37:26
  Yeah.
• 37:26
  That would've burnt up to a crisp.
• 37:28
  Yeah.
• 37:28
  Yeah.
• 37:28
  And I don't know why you'd have, you would find a lobotomy pick- No
• 37:34
  there either.
• 37:34
  And they would've- That's, yeah … taken all that stuff off the people.
• 37:37
  Yeah.
• 37:37
  Mm-hmm.
• 37:38
  Unless the… But I don't know how because-
• 37:44
  the kiln or whatever you, whatever you call it where you put the body in was
• 37:48
  on the other side, so it's not really like it could've been a staff member
• 37:51
  stashing that stuff away and stealing it, 'cause it would've not been right there.
• 37:56
  No, I think, I think they were insinuating that this was
• 37:59
  basically- Like the leftovers?
• 38:01
  The leftovers, and that, which to me, again, that doesn't really make sense.
• 38:06
  Mm-mm.
• 38:06
  I don't think that coins would survive.
• 38:10
  I mean- Not in mint condition … not, yeah, not like they came.
• 38:12
  They were, they were like perfect condition.
• 38:14
  Yeah.
• 38:14
  Not, not burned at all.
• 38:16
  I mean, there'd- Yeah … at least be some soot on there or something.
• 38:18
  I mean, I don't know.
• 38:19
  I mean, I, again, I don't know how hot those things get, but- They
• 38:23
  get real- … I know it takes, like according to science, it does take a lot.
• 38:28
  But even when it's all done in real life, when the, when they
• 38:34
  sweep it up to give it to you, like there are still big pieces- Yeah.
• 38:38
  Mm-hmm … of bone and, and things like that.
• 38:40
  Yeah.
• 38:40
  Yeah.
• 38:41
  So it doesn't like just turn everything to dust, but, uh, metal would melt.
• 38:47
  I would, I would think.
• 38:47
  All that has a, it has, there's a, there's a melting point.
• 38:50
  Yeah.
• 38:51
  I think it would probably reach it.
• 38:53
  I would think.
• 38:53
  I don't know how hot a crematorium gets, but I would imagine- At least they
• 38:58
  should be deformed … those… Yeah.
• 38:59
  A- at the very least, those coins would not look like you just got f-
• 39:02
  got out of the bank with them, so.
• 39:04
  Yeah.
• 39:06
  Whoa.
• 39:07
  Yeah.
• 39:08
  Cremation.
• 39:09
  Cremation?
• 39:09
  Cremation.
• 39:10
  Cremation.
• 39:12
  Yeah.
• 39:12
  Cremation chambers operate it says at a high heat level, obviously,
• 39:18
  typically ranging between 1,400 degrees Fahrenheit and 1,800 degrees Fahrenheit.
• 39:23
  Ooh.
• 39:24
  Okay.
• 39:24
  Wow.
• 39:25
  How hot is the sun?
• 39:30
  What is the melting point?
• 39:33
  Of, we'll just say gold 'cause there were gold teeth in there
• 39:40
  Okay, the surface of the sun is only about three and a half to five and a half
• 39:44
  times hotter than a cremation furnace.
• 39:47
  Huh.
• 39:48
  Okay, the melting point for pure gold is 1,947 degrees Fahrenheit.
• 39:52
  So it would not melt?
• 39:55
  What about- What about like silver?
• 39:57
  Silver.
• 39:58
  Pure silver.
• 40:00
  Well, but it wouldn't be pure if it's in a coring.
• 40:02
  A c- a coring.
• 40:02
  A coring?
• 40:03
  Yes.
• 40:03
  6, 16- Get that coring out of my face … 1600 to 1700, somewhere in there.
• 40:10
  Yeah.
• 40:10
  So that would melt.
• 40:10
  So that, that would melt.
• 40:11
  Yeah.
• 40:13
  Yeah, there's no way all that stuff I mean, again, at the very least, it
• 40:16
  would not look Like pristine like that?
• 40:19
  Yeah.
• 40:19
  And glass has no fixed melting point.
• 40:24
  What does that even mean?
• 40:26
  What?
• 40:26
  It has no melting point.
• 40:28
  No fixed melting point, meaning it's not like once it hits this temperature-
• 40:32
  Oh, okay … it's definitely gonna melt.
• 40:33
  It'll melt.
• 40:34
  Can become fully liquid and ready for shaping between four… oh,
• 40:39
  2500 and 2900 degrees Fahrenheit.
• 40:42
  So the glasses, the, like the lenses, I was like- Sure, yeah … surely those
• 40:46
  would have melted, but they wouldn't.
• 40:48
  Dang.
• 40:48
  But the metal around them, like the frames.
• 40:50
  Yeah, those were… And they were so thin and flimsy.
• 40:52
  Yeah.
• 40:53
  What I need to know is so after Hank finds this stuff and then
• 40:59
  gets, like, attacked- Mm-hmm
• 41:00
  in the tunnels, who is it that goes home to his girlfriend and
• 41:06
  packs all of his stuff and leaves?
• 41:09
  Oh.
• 41:09
  Oh.
• 41:09
  But that didn't happen.
• 41:10
  That didn't happen.
• 41:10
  So I don't think- Because remember- He lied … he was like y- we didn't-
• 41:15
  Oh, 'cause Gordon … 'cause the whole thing with like, "I wanna call…"
• 41:18
  Gordon was like, "I wanna talk to Amy.
• 41:21
  Let me talk to Amy," because we only heard your end of the conversation, Phil.
• 41:27
  'Cause Phil was on the phone with Amy, and then he was like, "Oh," told them
• 41:31
  what she said, and so then he basically said, "I don't believe you anymore.
• 41:37
  Let me call her and see if she really said," he packed a bag and went to Miami.
• 41:42
  Oh, because what did Phil say?
• 41:44
  He said that, what's his name, came home, said he, like, found his meal
• 41:48
  ticket or something- Yeah … and said he was going to Miami for-
• 41:54
  Gambling school … something.
• 41:54
  Yeah.
• 41:55
  Which didn't make any sense.
• 41:56
  So I was like, that's so weird.
• 41:57
  Casino school?
• 41:57
  That's what they said.
• 41:57
  Casino school.
• 41:58
  Casino school.
• 41:58
  Yeah, like, what the heck is even- Which, what is casino school?
• 42:00
  But Phil was the red-headed one.
• 42:02
  Yeah.
• 42:02
  Yeah.
• 42:02
  And Phil hated Hank anyway- Yeah … and was trying to get rid of him from day one.
• 42:06
  Right.
• 42:07
  Oh, but you know what?
• 42:08
  So even if that was, even if that really happened- Hmm … that Phil
• 42:12
  said that, and Phil was a good piece of crap anyway, so, like, he, he may
• 42:16
  have- So you think Phil was also lying?
• 42:17
  But was Phil already dead?
• 42:19
  That's all… Yeah, I don't know.
• 42:21
  Like when- Because- … did he really die?
• 42:23
  Because how long have any of these people been alive?
• 42:25
  Yeah.
• 42:26
  I was like, at one point I was like, is there a weird time loop here?
• 42:29
  'Cause we know that, okay, so Mike, the blood- Whoa … on the, the blood
• 42:34
  on the gym floor is Mike, and that happened after the end of, like,
• 42:40
  all the cl- the climactic stuff.
• 42:42
  So after he killed Jeff But I don't know when he got… No, he got Phil-
• 42:47
  No, they were still alive at that point … he got Phil when they were…
• 42:53
  Phil went upstairs and saw him in the room looking at all his own photos.
• 42:59
  Yeah.
• 43:00
  Yeah, because whenever he killed Jeff, I mean, he killed him in the parking
• 43:05
  lot- Yeah … next to the truck.
• 43:06
  Yeah.
• 43:07
  Sam, but whenever they were sitting there talking about that phone call,
• 43:09
  they w- they were all in that stairwell.
• 43:11
  Yes.
• 43:11
  So I think they were all still alive at that point.
• 43:13
  So that, so we could assume that Phil really did lie because he hated
• 43:20
  that guy and he wanted Craig on the job anyway- … from the first day.
• 43:23
  Yeah.
• 43:26
  Very, very possible, I think, that he didn't actually call that guy's wife.
• 43:29
  He just lied about it 'cause he wanted Craig there.
• 43:31
  Gotcha.
• 43:31
  And poor Craig.
• 43:33
  He just showed up just ready to work, and then- Poor Craig … boom,
• 43:36
  gets stabbed in the face.
• 43:37
  Yeah.
• 43:38
  Mm-hmm
• 43:40
  Mm. I am so impressed that you caught on to the twist, like, so early on.
• 43:47
  For me, it took me, I guess, a minute.
• 43:51
  It was, like, whenever, um… What was the guy's name that, like, found the files?
• 43:56
  Jack?
• 43:56
  Mike.
• 43:57
  Mike?
• 43:58
  Mike was, like, going through the files, and you see that Mary
• 44:00
  was, like, patient or case 444.
• 44:03
  Yeah.
• 44:04
  And then Gordon was, like, at the grave- Yeah … 444.
• 44:08
  Like, he was at her grave.
• 44:10
  And so then I was like… I was watching it with my niece, 'cause
• 44:14
  she came out to hang out with me, and I was like, I was like, "Simon
• 44:18
  is gonna get Gordon, and then, yeah, he's gonna call these people." Mm-hmm.
• 44:23
  Okay.
• 44:23
  So I feel like I was pretty- Yeah … far into it before I, I caught on.
• 44:26
  Yes.
• 44:26
  And then I was a little sad that, like, I caught on, you know?
• 44:28
  Yeah.
• 44:29
  I was expecting it to- To give a twi… I thought it would be a red herring
• 44:34
  kind of thing, where like you, oh, that's what you think it should be,
• 44:37
  and you think you have it figured out.
• 44:39
  Yeah.
• 44:39
  But it's really this.
• 44:40
  Tombstones were real, by the way.
• 44:42
  That's insane.
• 44:43
  I mean, those were not the real ones.
• 44:45
  Those were fabricated, but they look exactly like that.
• 44:48
  The r- Oh.
• 44:49
  There is a real cemetery.
• 44:50
  Yeah.
• 44:51
  It's just further away from the building.
• 44:53
  And they have now, I guess they did research and found out who the people
• 44:59
  were that correlated to the numbers.
• 45:01
  Yeah.
• 45:01
  And so they have, like, names on actual, like, grave, like
• 45:05
  headstone type things in the floor.
• 45:07
  But then there's a big pile.
• 45:09
  That guy, when he went to go, on YouTube, he went… There's a big
• 45:13
  pile of them, and they are huge stone with big poles up the middle.
• 45:17
  Well, it's like when you saw in the movie where the kind of hexagonal- Yeah.
• 45:20
  Yeah … shape.
• 45:21
  They look just like that.
• 45:22
  They look just like that.
• 45:22
  And- And they're just, like, stacked up.
• 45:24
  And like I know they fabricated- Oh, gosh … some for the movie,
• 45:26
  especially the broken one.
• 45:27
  They had to all of them 'cause it's not in the same place.
• 45:29
  Oh, okay.
• 45:30
  They moved it- Okay … close so you could see the the building in the
• 45:33
  background- Yeah, that's right … from when Gordon is sitting there.
• 45:34
  'Cause it's actually- The real ones
• 45:35
  further down.
• 45:36
  Yeah.
• 45:36
  But yeah, they actually, they did make them after… Like, they look just…
• 45:40
  Like, 'cause that guy showed- Oh, wow … you know, he had footage of
• 45:43
  the, the cemetery before they changed it, and those headstones look exactly
• 45:47
  the same as they were in the movie.
• 45:48
  Yeah.
• 45:48
  I've gotta watch this YouTube video.
• 45:50
  Yeah, we need to- We'll send, yeah … find it and send it to you.
• 45:51
  We'll send it to you.
• 45:52
  Yeah.
• 45:52
  It was interesting.
• 45:53
  The guy's kinda over the top, but he's a character a little bit.
• 45:57
  We can, like, link it in our special or two.
• 45:59
  Oh, yeah, we should.
• 46:01
  Um, let's see here.
• 46:05
  Um.
• 46:05
  I thought the different personalities were really creepy.
• 46:10
  I really did not like listening to Princess talk.
• 46:12
  No.
• 46:13
  Did not like that one bit.
• 46:15
  And it became really difficult, not with those, but to figure out in the movie,
• 46:23
  like, what was real and what wasn't.
• 46:25
  Like, especially when they were talking over the walkies, when they
• 46:28
  would get a message, I was like, "Was that really the other person?"
• 46:32
  Yeah.
• 46:32
  "Or was that this thing talking through that?" Um, and then to find out at the
• 46:38
  end, like, his phone was busted, and the whole time when he was, like, calling
• 46:41
  his wife, there was no… the phone was, like, just a piece of a phone anyway.
• 46:47
  Yeah.
• 46:47
  That was creepy.
• 46:49
  I, it made me sad- Mm … that, like, he killed his child.
• 46:53
  Yeah.
• 46:54
  That I didn't like that at all.
• 46:56
  I just, I don't know.
• 46:57
  I'm like, maybe, like I can get behind killing your wife, but- I mean, not
• 47:00
  that like… Okay, that came out wrong.
• 47:03
  Not that like I'm saying like, "Okay, yeah, it's justified,"
• 47:04
  but like- Another adult.
• 47:07
  Yeah.
• 47:07
  Yeah.
• 47:07
  Another adult, like not your child.
• 47:10
  Yeah.
• 47:11
  Well, and then he, I wonder how much of it he was aware of, because Mary didn't
• 47:18
  know what she did to, was it her brother?
• 47:21
  Like, she didn't know, and so then the doctor was trying to get
• 47:24
  Billy to explain what happened.
• 47:27
  "You need to tell Mary," and he, they were like protecting her- … from
• 47:30
  the truth of what really happened.
• 47:32
  Yeah.
• 47:33
  But then when he was sitting out on the stump and, um, Jeff came out to
• 47:38
  talk to him about, oh was that Aunt whatever her name, Amy or whatever.
• 47:44
  Yeah.
• 47:44
  And, uh, he kinda started getting teary-eyed.
• 47:48
  So I wonder like how much of what he did he was aware of when he was in control.
• 47:54
  Yeah, that's a good point.
• 47:55
  Well, and like at the end he was like on the phone with her
• 47:57
  and he was like, "I'm so sorry," like, "Can you forgive me?" Yeah.
• 48:00
  Like, "I didn't mean to do it," kinda thing.
• 48:02
  So yeah, I don't know if that was him or like another personality almost.
• 48:10
  Yeah.
• 48:10
  Yeah.
• 48:10
  'Cause of how many took up in his head.
• 48:14
  We don't know.
• 48:14
  We just know that like for sure that Simon was there.
• 48:16
  And I don't understand why it took Phil's voice.
• 48:22
  Like when it was saying like, "Wake up, you need to wake up," but it
• 48:24
  was like Phil was talking to him.
• 48:26
  Oh, I don't know.
• 48:26
  Not like Simon.
• 48:27
  I don't understand why it took his form- Well, maybe- … in
• 48:31
  his head … maybe Phil, after being murdered, took up residence.
• 48:35
  Yeah, like- Maybe … maybe with another personality.
• 48:37
  Yeah, here's another personality that took up residence in there.
• 48:39
  Golly.
• 48:40
  'Cause I feel like, so with Mary, she had Princess, Billy, and Simon.
• 48:45
  Yes.
• 48:45
  But I feel like Billy was the one that might have like gotten Simon to wake up
• 48:51
  Oh, you think?
• 48:52
  Did it say what triggered Simon to finally come out on the tapes?
• 48:57
  I don't think so.
• 48:57
  I think he just- He can't let go I don't remember.
• 48:59
  The voice just changed.
• 49:00
  Yeah, it was like say he finally showed up.
• 49:02
  Yeah.
• 49:02
  That's all I remember is that when he was listening to the tapes,
• 49:04
  you know, well, under session, um- 'cause he never got to hear that.
• 49:08
  Yeah.
• 49:08
  All that work and he never got to hear it.
• 49:10
  Yeah, which I was like, when is this man finding time to work if
• 49:14
  he's also playing detective- Exactly
• 49:16
  listening to these tapes?
• 49:18
  They waited a long time to call Craig, right?
• 49:21
  'Cause, like, Hank went missing- Yeah … on Wednesday morning.
• 49:26
  He didn't show up for work.
• 49:27
  And then, like, at lunchtime, I guess they took until lunch to be like,
• 49:31
  "Oh, well, Hank's a piece of crap. Let's figure out what's going on."
• 49:35
  And then they figured out he dipped.
• 49:38
  And wouldn't you call Craig right then?
• 49:42
  But they didn't.
• 49:43
  It was, like, the end of the day, and, uh, was it, was it Gordon or
• 49:48
  Phil that was like I guess you better call Craig." Yeah, I guess you better.
• 49:50
  Y'all not gonna make it.
• 49:51
  Yeah, y'all have like two days left.
• 49:53
  And then Thursday was when it all hit the fan, right?
• 49:55
  Thursday morning- Seems like it … 'cause he showed up that morning.
• 49:58
  Yeah, I think that's when he showed up.
• 49:58
  Yeah.
• 49:59
  That or Friday.
• 49:59
  I can't remember.
• 50:00
  I think it was Thursday.
• 50:01
  It did not- I don't think they even noticed the
• 50:02
  weekend … honestly take that long.
• 50:04
  Yeah.
• 50:05
  Dang.
• 50:07
  Oh, excuse me.
• 50:08
  All right.
• 50:09
  So dumb decisions.
• 50:11
  Yeah
• 50:12
  I'm gonna say never steal coins from the dead.
• 50:14
  Yeah.
• 50:15
  And-
• 50:18
  Just, accepting the job in the first place- Yeah … I
• 50:21
  think was a dumb decision.
• 50:22
  Yeah.
• 50:22
  You know, you know- Rushing it down … trying to get a three-week,
• 50:26
  three-week job done in one week.
• 50:27
  That was just really dumb.
• 50:29
  Yeah.
• 50:30
  They split up about 50-11 times.
• 50:32
  Uh-huh.
• 50:33
  I had that.
• 50:34
  Investigating noises.
• 50:36
  Yep.
• 50:36
  We don't do that.
• 50:37
  Yep, yep.
• 50:38
  Exploring paces, places you have no business.
• 50:42
  Right.
• 50:42
  Just do your job.
• 50:43
  Yeah.
• 50:44
  Just stick to the plan.
• 50:45
  Just clear the asbestos.
• 50:48
  And that- Mind your business.
• 50:49
  Oh, and also, like, just accepting a job at, clearing out asbestos in a
• 50:55
  old rundown- psychiatric hospital when you have a healthy fear of the dark.
• 51:02
  Yeah.
• 51:03
  He actually had a name for it.
• 51:04
  They've got a name.
• 51:04
  He had a, he had a honest to goodness phobia he said.
• 51:07
  Yeah, he said, "I have a phobia." He gave a name.
• 51:09
  I can't remember the name of it.
• 51:11
  I think it was nyctophobia.
• 51:12
  So yeah, I think it was nyctophobia.
• 51:12
  Yeah.
• 51:12
  But he s- he said it, and then, like, why would you go into this place
• 51:17
  that, that you're having to power, pulling a generator to actually-
• 51:21
  Mm … put, keep the lights on.
• 51:22
  Yeah.
• 51:23
  And you have a legit fear of the dark.
• 51:26
  Money talks.
• 51:27
  That is a dumb decision.
• 51:28
  I guess so.
• 51:29
  Yeah.
• 51:30
  Gosh, going back in the middle of the night to get the coins.
• 51:34
  I don't know why he had to do that 'cause he probably could've sn- obviously, these
• 51:38
  people are not working all the time.
• 51:40
  Mike- like, he can sneak away.
• 51:41
  Yeah.
• 51:42
  Like, Mike's, like, disappearing for, like, oodles of time to
• 51:45
  look into- Yeah … his tapes.
• 51:46
  Mike's going through a whole police- Yeah
• 51:49
  investigation in there.
• 51:50
  Yeah.
• 51:51
  Um, that was kind of all I had on the dumb.
• 51:55
  Did you have any other dumb decisions?
• 51:56
  I don't think so.
• 51:57
  Just checking.
• 51:58
  Oh, actually, yes.
• 51:59
  Don't let the person who is in severe financial stress make all the decisions.
• 52:03
  Because it will not be a rational decision- Mm-hmm … at that time.
• 52:07
  Well, and then, I guess he was the weakest one because- Yeah … it latched onto him,
• 52:12
  but like you said, it did it at the very beginning, so that would've influenced
• 52:17
  his urge to keep cutting the price down.
• 52:22
  But I guess if he owns the company, could anybody really tell him no?
• 52:27
  I don't know.
• 52:27
  Yeah.
• 52:29
  So bad decisions, they kind of go hand-in-hand, mine
• 52:33
  do, with the club rules.
• 52:34
  Like how do you survive this situation?
• 52:38
  Yeah.
• 52:39
  Don't take Oreos out of, uh, Gordon's truck.
• 52:41
  Yeah.
• 52:41
  He's very particular about his Oreos.
• 52:43
  Very particular.
• 52:44
  That was- That was the last thing that Jeff, uh, he, like, found the Oreo.
• 52:46
  Oh, I forgot that.
• 52:46
  He was like, "Hey, man. I hope it's okay. I got, found these Oreos in the door."
• 52:50
  And it's like boom, boom.
• 52:50
  Yeah, and then whack.
• 52:51
  Got got.
• 52:51
  Oh, that's the last thing.
• 52:53
  Whacked him.
• 52:53
  He got poked.
• 52:54
  Poor guy.
• 52:55
  He was just trying to be, like, genuine and be like,
• 52:57
  "Hey." I mean, I like an Oreo.
• 52:59
  I don't know if it's the last thing I wanna have.
• 53:01
  Ooh, what would be your last thing?
• 53:03
  Ooh, my last treat.
• 53:07
  Mine would be Andy's.
• 53:08
  I was about to say, um, I'm partial to ice cream.
• 53:12
  Do you eat a lot of ice cream now?
• 53:14
  No.
• 53:14
  Like sugar-free?
• 53:15
  I mean, I can.
• 53:16
  Or sugar?
• 53:16
  It's not as good, but, like, I can make a pretty good Ninja
• 53:19
  creamy low sugar type thing.
• 53:23
  Oh, yeah.
• 53:23
  But honestly, like, when the mood hits, I just have the real deal.
• 53:27
  Yeah, and then just deal with the consequences.
• 53:30
  Yeah, I can handle it.
• 53:31
  If I'm smart, I can manage it pretty well.
• 53:36
  Yeah.
• 53:36
  Um, but yeah.
• 53:38
  It's worth it sometimes.
• 53:39
  Sometimes it is.
• 53:40
  Yeah.
• 53:41
  Also put a hard pass on, uh, Mary Hobbes book on tape.
• 53:48
  Yeah.
• 53:49
  I mean, that's not what got him, though.
• 53:51
  And the thing, like even before he found the box, the thing was active.
• 53:56
  So I don't know if that even would've made a difference or not.
• 53:58
  He didn't stand a chance.
• 54:00
  May not have.
• 54:00
  May not have.
• 54:01
  I'm just saying, pass on it 'cause it's creepy stuff.
• 54:05
  It's creepy.
• 54:06
  Oh, no.
• 54:06
  If I had found that, I would've been digging through it, though.
• 54:09
  Absolutely.
• 54:10
  Have you read the book Verity?
• 54:12
  Yes.
• 54:13
  Okay.
• 54:13
  I'm excited for that movie.
• 54:14
  Me too.
• 54:15
  That's the only book that I like by that author- Same
• 54:19
  because the rest is not, it's not my cup of tea.
• 54:21
  It's not my style of reading.
• 54:23
  But that, I feel like the story on that one was actually really good.
• 54:25
  Yeah.
• 54:26
  So you would be nosy enough to continue to- Oh, yeah … listen to the tapes?
• 54:31
  For sure.
• 54:31
  Well, okay, yeah, 'cause, like, I would say you're like, you're
• 54:34
  an, an investigator anyway with, like, the Court Connect and stuff.
• 54:37
  I love an investigation.
• 54:39
  Now that I know about Court Connect- … I look up a lot of stuff on it.
• 54:42
  Yep.
• 54:43
  And, like, when stuff happens even at work, people will be like can you figure
• 54:47
  out why, like, this student's being charged the wrong amount?" And I'm like,
• 54:51
  are they really being charged the wrong amount, or did they not give us all the
• 54:54
  stuff they were supposed to give us?
• 54:55
  So, like, I'll look at dates.
• 54:57
  I'll look at everything, all of the history on the account, and
• 55:00
  I'll be like, "Actually." Yes.
• 55:03
  Are you, like, the guy with, like, the pinboard and he's like- Yeah, with all
• 55:06
  the- Like, all the… Yeah … thread.
• 55:09
  Yeah.
• 55:09
  Connecting it all.
• 55:10
  Pretty much.
• 55:10
  That's amazing.
• 55:11
  Don't split up.
• 55:13
  It's wrong.
• 55:13
  Don't investigate the noises.
• 55:14
  Don't forget to fill, you know, put gas in generator.
• 55:17
  For real.
• 55:17
  Mm. Mike would've probably… I don't know.
• 55:19
  He probably would've found Mike eventually
• 55:23
  'Cause Mike, he got Mike when Mike was coming back from
• 55:26
  turning the generator back on.
• 55:28
  But he probably would've found him.
• 55:30
  Yeah.
• 55:31
  'Cause you're not suspecting him to be somebody that's just gonna … That
• 55:35
  little blade thing was weird.
• 55:36
  Yeah, I don't know what that was.
• 55:39
  It almost kind of looked like a, um, like a tongue blade.
• 55:42
  A what?
• 55:43
  It's like a tongue blade to like intubate.
• 55:45
  Oh.
• 55:46
  So it's like this little like- The thing that curves?
• 55:48
  Yeah.
• 55:49
  Those, woo.
• 55:50
  Sometimes those give me a little… If I'm watching The Pitt and they're doing
• 55:53
  an intubation- Oh, yeah … although I wasn't conscious when that happened to me.
• 55:57
  Just gives you some PTSD.
• 55:58
  Um, yeah.
• 55:59
  It gives me a little bit of a don't like that." Yeah.
• 56:01
  Um- Was your throat sore after that?
• 56:03
  Oh, I couldn't speak.
• 56:04
  Yeah.
• 56:05
  Yeah.
• 56:06
  And I had like congestion for a while.
• 56:08
  Mm, mm-hmm.
• 56:09
  But yeah, I couldn't talk hardly for almost that whole week we were there.
• 56:14
  I barely got my voice back by the time that they let me go.
• 56:17
  Yeah.
• 56:18
  Um, I'm realizing that people who don't know me- Don't know what
• 56:24
  we're talking about … listening to this are gonna be like…
• 56:24
  Yeah.
• 56:25
  I had a medical emergency and, um- Oh, gosh Had to go to the ER
• 56:33
  and ICU in Salem, Massachusetts.
• 56:36
  On her 10-year anniversary trip.
• 56:39
  Indeed, and life has not been the same since.
• 56:42
  And will never be, but that's okay.
• 56:44
  Yes.
• 56:44
  I survived.
• 56:45
  Speaking of
• 56:48
  would we survive this movie?
• 56:51
  So I put no.
• 56:54
  Because, I mean, if it's somebody you trust, you're not gonna see it coming.
• 56:58
  That's true.
• 56:59
  Mm-hmm.
• 56:59
  You know?
• 57:00
  So it's like how do you even prepare for that?
• 57:02
  Yeah.
• 57:02
  That, I put that down too.
• 57:03
  Like, I said, eh, when we talked about It Follows I don't think
• 57:07
  I would be in that situation.
• 57:08
  I'm not taking a job- No … in a, a situ- a, a job on a site like that.
• 57:12
  Yeah.
• 57:13
  Never.
• 57:14
  Oh, yeah.
• 57:14
  Just crew.
• 57:14
  Um, but if I did and ended up, in this scenario, I said I would
• 57:20
  probably die like Jeff, Jake.
• 57:23
  What was his name?
• 57:24
  Jeff?
• 57:24
  The kid.
• 57:25
  Oh, yeah.
• 57:25
  Just like caught off guard.
• 57:26
  'Cause, yeah.
• 57:27
  I was like- That would be- … hey, man.
• 57:27
  He was like opening his arms for a hug.
• 57:29
  It was- Yeah … so sad.
• 57:30
  I know.
• 57:31
  That is 100% how I would end up going in that situation, with my hand in the Oreo-
• 57:36
  bag, digging out the Oreos and someone coming at me with a knife
• 57:40
  and be like, "Ah, man." Yeah.
• 57:41
  Well, not that, I mean, I'm not much of a hugger, but like, I probably
• 57:44
  would just be like, "Hey, how you doing?" Like- Yeah … and not- And
• 57:48
  then they- Yep … they get you.
• 57:50
  They sh- Oh, yeah.
• 57:51
  No … shank you.
• 57:52
  I am too soft to remove asbestos.
• 57:55
  I am just a girl.
• 57:56
  Mm-hmm.
• 57:56
  I would probably have, like, already, like, developed lung cancer by the
• 57:59
  end of the week, and, like, that probably would've got me faster, but
• 58:03
  I would not be surviving this movie.
• 58:05
  No.
• 58:06
  I mean- I also am so afraid of the dark.
• 58:10
  Me too, big time.
• 58:12
  Going to the bathroom down here in the hallway.
• 58:14
  Oh, yeah.
• 58:15
  When it's, uh, it gets dark.
• 58:16
  I have to, I close my eyes 'cause I knew, th- because last time- Oh … I
• 58:21
  opened the door, and you know there's a little bit of light behind you,
• 58:23
  so I could see my figure in your window, your mirror is right there.
• 58:26
  Oh.
• 58:26
  And so I scared myself, so I knew- Oh, no … that was gonna happen.
• 58:29
  So I closed my eyes when I pulled it, and I felt in there for the
• 58:32
  light, and I waited 'til I could click the light on to actually go in.
• 58:34
  Oh, I'm so sorry you had that experience.
• 58:36
  No, that's okay.
• 58:37
  Yeah.
• 58:37
  I've prepared for it now.
• 58:38
  I can- You know what, though?
• 58:39
  Like, sitting here, I can't tell you how many times I've looked over.
• 58:42
  Mm-hmm.
• 58:42
  Just, like, looked over down that hall to make sure, like, no one's standing there.
• 58:46
  Yep.
• 58:46
  It is kind of creepy.
• 58:47
  Which would be normal 'cause there is another human who's here.
• 58:49
  Yeah.
• 58:50
  And I could see him standing in the shadow.
• 58:52
  You think he would do that?
• 58:54
  I think- To scare you?
• 58:55
  … maybe.
• 58:56
  Maybe.
• 58:57
  We have had to declare our house a safe zone from purposefully scaring each other.
• 59:02
  Yes.
• 59:02
  And that's not because of me.
• 59:05
  Oh, you would get him too good?
• 59:08
  Yeah.
• 59:10
  That's hilarious.
• 59:11
  Well, it, the way that she would do it.
• 59:14
  How would she do it?
• 59:15
  It's so mean.
• 59:16
  What would she do?
• 59:17
  She'd wait till I fall asleep.
• 59:21
  So like in the comfort of his own safe, warm bed.
• 59:23
  He would be… not usually.
• 59:25
  Like it would be, the time that I remember that he was like, "This is the last
• 59:28
  straw," was we were sitting on the couch.
• 59:30
  He had fallen asleep- … watching TV.
• 59:33
  It was, we had just gotten married.
• 59:34
  We're s- in our first house together and, um, he was like, we were
• 59:40
  at opposite ends of the couch.
• 59:42
  So his head was at one end, mine was at the other, and we
• 59:44
  were like feet in the middle.
• 59:45
  Yeah.
• 59:46
  And I saw him sleeping so peacefully and I had the idea, and I was
• 59:52
  like, "I'm about to do this."
• 59:53
  And I, you don't know, 'cause you were asleep, you don't know how long I sat
• 59:58
  there laughing and had to stop myself laughing before I could actually do it.
• 1:00:04
  But I just screamed bloody murder- … and waited for him to like flail around, and
• 1:00:10
  then he was like, "You're gonna give me a heart attack." And then we couldn't.
• 1:00:15
  And then our, our, our first house went in like a circle.
• 1:00:18
  Yeah.
• 1:00:18
  So I think I like maybe used that one time.
• 1:00:21
  Oh, yeah.
• 1:00:21
  And he was like, "We can't do this anymore." He's like, "No.
• 1:00:23
  Absolutely not." 'Cause I didn't want him doing that to me either.
• 1:00:25
  So then I was like, "Fine, I get it." That's so funny.
• 1:00:29
  Yeah.
• 1:00:30
  Sorry.
• 1:00:30
  But you'll scare him.
• 1:00:31
  So if your house is a safe place- Yeah … but you can scare him in other places?
• 1:00:35
  Well, I don't really have the, I don't wanna draw the attention to myself to
• 1:00:39
  do it in other places- yeah … really.
• 1:00:41
  So I wouldn't just, like, scream crazy, like, in a, a public place.
• 1:00:48
  But I did it one time before we got married.
• 1:00:51
  We went to see, was it The Conjuring?
• 1:00:54
  Yes, it was The Conjuring.
• 1:00:57
  And which i- still to this day is one of my all-time favorite-
• 1:01:01
  Yeah, it's great … scary movies.
• 1:01:02
  That movie, I thought was so creepy.
• 1:01:06
  And then of course- I- Go ahead.
• 1:01:09
  He fell asleep at we had come back, he took, took me back to my mom's house.
• 1:01:13
  There was, like, a recliner there, and we'd been talking
• 1:01:16
  about the movie or whatever.
• 1:01:16
  He fell asleep in the recliner, like, leaned back, and I was like, "Mm.
• 1:01:22
  Fresh meat." So he was like just like a little angel laying there face up.
• 1:01:29
  And I leaned right over him and was like, "Ugh." Like The Grudge.
• 1:01:35
  Did the whole Grudge sound, and he woke up.
• 1:01:37
  I'm surprised he didn't punch me in the face- Yeah … 'cause I was,
• 1:01:40
  like, inches away from his face.
• 1:01:41
  Oh, yeah.
• 1:01:42
  And he woke up super startled.
• 1:01:45
  That was a good time.
• 1:01:46
  Aw.
• 1:01:47
  You remember that?
• 1:01:48
  Yeah, I remember that.
• 1:01:49
  Man, yeah.
• 1:01:50
  You're lucky that you didn't get, like, your teeth punched in.
• 1:01:53
  Yeah, he could've knocked my block off easily.
• 1:01:54
  I have punched somebody in the face once and knocked their teeth out.
• 1:01:57
  You did?
• 1:01:58
  W- please tell me the situation.
• 1:02:00
  As a kid.
• 1:02:00
  We were little.
• 1:02:01
  This was, like, my, so my mom's best friend she has three kids, and her middle,
• 1:02:06
  her middle son, Aaron, um, I think is, yeah, he's two months older than I am,
• 1:02:10
  and so we grew up together basically.
• 1:02:12
  And we were at a, like, some of their friend's house.
• 1:02:15
  Like, my mom is, like, a card player, so, like, many late nights
• 1:02:19
  with other church ladies playing cards, like, us kids would play.
• 1:02:23
  So Aaron and I were playing hide-and-go-seek, and I was counting.
• 1:02:28
  And he was standing right behind me, and I'm easily scared, too.
• 1:02:31
  So, like, I finished, counting, turned around, he's right behind
• 1:02:36
  me, and so I- … punched him.
• 1:02:39
  And he does this.
• 1:02:42
  And, like, teeth come out of his mouth.
• 1:02:45
  Whole teeth?
• 1:02:45
  Whole teeth.
• 1:02:47
  I punched- Good for you … his teeth out.
• 1:02:48
  Yeah.
• 1:02:49
  You're a strong girl.
• 1:02:50
  I was so afraid I was gonna get in trouble, so I remember,
• 1:02:53
  like, crying under- Mm
• 1:02:54
  the table.
• 1:02:54
  And I think he was gonna have to go get those teeth, like, pulled out anyway.
• 1:02:59
  But yeah, my nickname growing up, have I told you this?
• 1:03:02
  I don't think so.
• 1:03:03
  Was Mad Dog Brown.
• 1:03:07
  Because I- That's so cool … I was a biter, and I… Listen, I think
• 1:03:13
  I've got anger issues, I guess is what I'm learning about myself.
• 1:03:16
  So why, why do you go with Sharon instead of Mad Dog Brown?
• 1:03:22
  That's a good question.
• 1:03:23
  Absolutely.
• 1:03:24
  Mad Dog is in there.
• 1:03:25
  Mad Dog is better than Sharon.
• 1:03:27
  Yeah.
• 1:03:28
  I'll have to, she'll have to file some paperwork- There you
• 1:03:31
  go … get her name changed.
• 1:03:32
  Yeah.
• 1:03:33
  I put you so on a pedestal right now.
• 1:03:35
  That's so fun.
• 1:03:38
  Yeah.
• 1:03:39
  I will, 'cause I would like I think poor Aaron.
• 1:03:41
  I bit him multiple times too, and punched some of his teeth out.
• 1:03:46
  Okay, but if he knew you were a biter, he knew you're a fighter,
• 1:03:49
  he shouldn't have done that.
• 1:03:50
  He should have known better.
• 1:03:51
  Hang on a second.
• 1:03:51
  Hold on a sec. So you said your, your nickname was Mad Dog Brown.
• 1:03:55
  Yes.
• 1:03:56
  Like on the playground?
• 1:03:58
  Like at home.
• 1:03:59
  Oh, okay.
• 1:03:59
  Like in the house.
• 1:04:00
  Mm-hmm.
• 1:04:00
  Okay.
• 1:04:01
  Okay.
• 1:04:02
  Where I could be myself.
• 1:04:03
  I was like, how, how far spread is this, this reputation that, Uh-
• 1:04:07
  Okay … I think at school I was too shy and too anxious to do anything.
• 1:04:11
  But really just with Aaron, my mom's like best, my mom's best friend's son, 'cause
• 1:04:17
  I also like remember like pushing him off the slide, but like the ladder side.
• 1:04:24
  Oh.
• 1:04:25
  Like not pushing him down the slide, just shoving him off.
• 1:04:28
  Have you seen that movie The Good Son?
• 1:04:32
  I don't think so.
• 1:04:32
  No.
• 1:04:34
  Do I sound like him?
• 1:04:35
  You will see Macaulay Culkin in a whole different light- Yeah,
• 1:04:38
  you will … in this movie.
• 1:04:38
  Oh, okay.
• 1:04:38
  Yeah, you would.
• 1:04:40
  That, that movie might be responsible for so much, uh,
• 1:04:43
  like anxiety and I don't know.
• 1:04:46
  That was so disturbing.
• 1:04:47
  I watched that movie as a kid after watching Home Alone- Mm-hmm … and we,
• 1:04:50
  we rented it thinking, "Oh, it's Macaulay Culkin. It's another- … another Macaulay
• 1:04:54
  Culkin movie," and- What's it about?
• 1:04:56
  It's- He's basically like this, this- Was he adopted?
• 1:05:02
  I think s- I think he was adopted, and he's, like, evil.
• 1:05:04
  Oh.
• 1:05:05
  And when I say evil, I mean- evil.
• 1:05:07
  Yeah … it's, it's pretty demented, so.
• 1:05:09
  Oh.
• 1:05:10
  Like, did you ever watch that movie, I was like- … it's, like, The Orphan?
• 1:05:12
  Yeah, I was gonna say, something like The Orphan.
• 1:05:13
  Where she ended up being, like, an adult- 30 years old.
• 1:05:15
  Yeah, so kinda like that, where they bring this kid into their home.
• 1:05:19
  I mean, it, it was a, he's a real k- Bless you.
• 1:05:21
  That's not what you do when someone's coughing.
• 1:05:25
  Sorry, just choking.
• 1:05:26
  Thoughts and prayers.
• 1:05:27
  Choking on my water.
• 1:05:27
  I don't know what you say when somebody's choking.
• 1:05:30
  You're supposed to say, "Did it go down the wrong way?" Yeah.
• 1:05:33
  It went down the wrong pipe.
• 1:05:34
  Yeah, it did.
• 1:05:34
  It sure did.
• 1:05:36
  So, like, you bring this person into your home, supposed to be taking
• 1:05:40
  care of them, and then they're trying to tear your family apart or
• 1:05:42
  do dangerous things to your family.
• 1:05:43
  Right.
• 1:05:44
  And, uh, they're, like, the, the scene at the end is kinda
• 1:05:46
  what I'm thinking of, I guess.
• 1:05:48
  Yeah.
• 1:05:48
  I mean, it's, like I said, if you go into it expecting Home Alone-
• 1:05:52
  Yeah … you're gonna be- The Good Son?
• 1:05:55
  You're gonna be upset.
• 1:05:55
  Yeah.
• 1:05:57
  Especially if you're a- You're gonna be upset.
• 1:05:58
  Yeah, especially if you're a kid, you know?
• 1:06:00
  It was definitely not- It was not- Did y'all all, like, sit
• 1:06:03
  down for a family movie night?
• 1:06:04
  Oh, yeah.
• 1:06:05
  Oh, no.
• 1:06:06
  Well, yeah, because you see, like, this face, right?
• 1:06:10
  You're like, how can he do evil?
• 1:06:12
  What, is this even gonna show?
• 1:06:14
  Aw.
• 1:06:16
  Eh.
• 1:06:16
  Yeah, 'cause you know, back then- Okay, that's not working.
• 1:06:20
  Why is it … Oh, there it goes.
• 1:06:21
  There it is.
• 1:06:22
  It just froze up.
• 1:06:22
  Yeah.
• 1:06:22
  So look at that.
• 1:06:23
  Yeah, it looks creepy.
• 1:06:24
  He looks like it's just gonna be like Home Alone 2 1/2 or something.
• 1:06:27
  Yeah.
• 1:06:27
  I don't know, but- Is it gory?
• 1:06:30
  Even when I was just- Not really gory … disturbing … just disturbing.
• 1:06:32
  And it's- What happens?
• 1:06:34
  Should we add it to the list?
• 1:06:36
  I don't know if it's a horror movie.
• 1:06:38
  Is it?
• 1:06:38
  I don't … Maybe.
• 1:06:39
  I don't know.
• 1:06:39
  It, it's … Like I said, it's definitely disturbing and it
• 1:06:42
  was, it was, it just- Not maybe like a psychological … this was
• 1:06:45
  not … Yeah, psychological kinda thing.
• 1:06:47
  But it was, it was def- definitely not what we was expecting.
• 1:06:52
  'Cause back then you could not, or we didn't have the internet.
• 1:06:55
  We didn't have YouTube.
• 1:06:56
  You couldn't just pull up a trailer.
• 1:06:59
  But you could read- Yeah … the back of the VHS box.
• 1:07:03
  You can, but sometimes that doesn't really fully- But they woulda
• 1:07:07
  told you something goes wrong.
• 1:07:09
  No, I think what the problem was with this one is that we … That may have been
• 1:07:14
  where we started taking a closer look at-
• 1:07:16
  the R rating.
• 1:07:17
  Oh.
• 1:07:18
  Um, yeah.
• 1:07:19
  'Cause I'm pretty sure this was rated R. On IMDb?
• 1:07:22
  Right.
• 1:07:22
  And so yeah, this was not … Like I said, I don't know if … 'Cause
• 1:07:27
  I mean, I didn't rent it, right?
• 1:07:29
  Right.
• 1:07:29
  'Cause I was too young to rent movies.
• 1:07:31
  No, it's just, I mean, I was just a kid.
• 1:07:33
  So somebody rented it.
• 1:07:34
  I don't know if somebody read the back of the box and thought, "Eh,
• 1:07:37
  you know, it's Macaulay Culkin.
• 1:07:40
  Surely it's, there's something entertaining here." Maybe
• 1:07:42
  they thought it was a comedy.
• 1:07:43
  'Cause like, okay, the, the little blip on IMDb, "A young boy stays with
• 1:07:48
  his aunt and uncle and becomes friends with his cousin, a boy of the same
• 1:07:51
  age, who shows increasing signs of violent and psychopathic behavior."
• 1:07:58
  Which can be said about Home Alone.
• 1:08:01
  True.
• 1:08:01
  So, you know.
• 1:08:03
  Oh, it's Elijah Wood is the other kid.
• 1:08:07
  Oh.
• 1:08:08
  Are they like the same age?
• 1:08:10
  I wouldn't have… I mean, I guess that makes sense.
• 1:08:13
  Yeah.
• 1:08:14
  But yeah, at one point he like… Did he push him off like a cliff or something?
• 1:08:17
  Or he- Oh, snap … pushed him down a well or- Yeah … I don't know.
• 1:08:20
  Yeah, he s- Pushed him off something high, so that's what made me think of okay.
• 1:08:23
  Okay.
• 1:08:23
  Yeah, there, there's- Oh, oh … there are some disturbing things that happen
• 1:08:26
  that's- Mm I mean, I would never kill somebody, but- Yeah … oh, Luna
• 1:08:29
  decided she wanted to come and see you.
• 1:08:32
  I love Luna.
• 1:08:34
  Okay.
• 1:08:36
  Would… Smash or pass.
• 1:08:38
  This one's a little bit difficult, 'cause there's not
• 1:08:40
  really, um- Like a set villain?
• 1:08:43
  There's not a thing.
• 1:08:44
  Right, so- I mean, I guess it's Gordon, right?
• 1:08:45
  I mean, I would- That's true … rather not have Simon in my head.
• 1:08:48
  Yeah.
• 1:08:48
  If we're talking about Gordon, like maybe.
• 1:08:51
  He seemed like a solid dude, until Simon got to him.
• 1:08:54
  Nah, he looks like George W. Bush to me.
• 1:08:57
  That is what he looked like.
• 1:08:58
  Thank you.
• 1:08:59
  I was like, "This guy looks familiar to me," and then I hadn't seen-
• 1:09:02
  George W. Bush … I had not seen anything else he had been in.
• 1:09:06
  Yeah.
• 1:09:06
  So I was like, "Where, why does this guy look familiar to me?"
• 1:09:08
  But that, that makes sense.
• 1:09:09
  Our former president.
• 1:09:11
  I was thinking about Simon.
• 1:09:14
  Yeah?
• 1:09:15
  And I thought to myself, he does kinda have like a sexy voice.
• 1:09:19
  Yeah.
• 1:09:20
  And I saw someone else say the same thing, and so I felt not as bad about that.
• 1:09:25
  I can see that.
• 1:09:27
  Ultimately- Luna is loving you … ultimately, I would pass.
• 1:09:34
  Yeah.
• 1:09:35
  I would pass on being possessed or having- Yeah … an alternate personality.
• 1:09:40
  And killing my family.
• 1:09:41
  Yeah.
• 1:09:41
  I would pass on killing you.
• 1:09:43
  Good.
• 1:09:44
  Thank you.
• 1:09:44
  I appreciate that.
• 1:09:45
  Good.
• 1:09:46
  Yeah.
• 1:09:46
  Thank you for saying that.
• 1:09:48
  Just for anybody who was worried about it.
• 1:09:50
  Just want to make it really clear.
• 1:09:50
  I, I w- Aw … I was actually, yeah, I really needed the clarification.
• 1:09:53
  Yeah.
• 1:09:54
  So.
• 1:09:55
  Well, you know, after you told me I couldn't scare you
• 1:09:57
  anymore, she's been bubbling.
• 1:09:58
  Yeah.
• 1:09:59
  Yeah.
• 1:09:59
  Got to let, it's gotta release somehow.
• 1:10:02
  I have, um, is that the end of our…?
• 1:10:05
  I have some bad news.
• 1:10:07
  Uh, my laptop died.
• 1:10:08
  Mine did too.
• 1:10:09
  Did it really?
• 1:10:09
  Or it is, it is on its last leg.
• 1:10:11
  But I have access to the wheel anyway.
• 1:10:13
  Well, we're, we're actually- So I don't have access to the spinny wheel.
• 1:10:15
  Oh.
• 1:10:17
  So- Okay … here's what I'm thinking.
• 1:10:19
  Okay.
• 1:10:20
  This is a unique situation.
• 1:10:21
  Okay.
• 1:10:22
  And I don't know off the top of my head when this episode drops.
• 1:10:25
  I can tell you.
• 1:10:26
  Okay.
• 1:10:27
  Please hold.
• 1:10:30
  The next episode would be October 8th.
• 1:10:34
  Should we do- Like a classic?
• 1:10:38
  A classic?
• 1:10:38
  Maybe as in, like, your favorite classic?
• 1:10:42
  Is it too early?
• 1:10:44
  We have one on the 22nd.
• 1:10:46
  Ah, okay.
• 1:10:47
  So maybe we could do that one on the 22nd.
• 1:10:49
  Okay.
• 1:10:50
  So we could just plan out our next two here.
• 1:10:52
  All right, what should we do?
• 1:10:53
  What are we in the mood for?
• 1:10:54
  Let's- We could do Trick r Treat and- Can we do a slasher?
• 1:10:57
  Is Trick r Treat a slasher?
• 1:10:59
  Yeah, I would say that and Halloween are both.
• 1:11:00
  Can we do two slashers?
• 1:11:01
  So, so, yeah, let's do it.
• 1:11:02
  So let's do Trick r Treat and Halloween, the original.
• 1:11:05
  Perfect.
• 1:11:06
  Oh, I love it.
• 1:11:07
  All right.
• 1:11:07
  All right.
• 1:11:07
  Yeah, 'cause I haven't really seen Trick r Treat, and, uh, it's been a long time
• 1:11:11
  since I've seen Halloween, and I know you have some thoughts with Smash or Pass.
• 1:11:15
  You've said that before.
• 1:11:17
  Absolutely.
• 1:11:18
  Oh, I cannot wait.
• 1:11:20
  Cannot wait.
• 1:11:21
  All right.
• 1:11:22
  Oh.
• 1:11:22
  Well, you guys… does it join the club?
• 1:11:24
  Oh.
• 1:11:24
  Oh, that's right.
• 1:11:26
  We were left off track 'cause my laptop died… I would say yes.
• 1:11:30
  I really liked this movie.
• 1:11:31
  I agree.
• 1:11:32
  I liked it.
• 1:11:33
  Yeah, I'm gonna say yes.
• 1:11:34
  I, I really love how, like I said, how it was shot on site- Yeah
• 1:11:39
  and how it's the actual- … Danvers- I'm glad I moved my wine glass … Danvers
• 1:11:44
  hospital, so yeah, I think this is definitely one that joins the club.
• 1:11:48
  Yeah, I agree.
• 1:11:49
  Awesome.
• 1:11:50
  Well, great.
• 1:11:51
  This was a fun episode.
• 1:11:52
  Okay, so, um, next episode will be Trick r Treat, and then
• 1:11:57
  after that we will do Halloween.
• 1:11:58
  So we've got some strong ones.
• 1:11:59
  So you guys stick around.
• 1:12:01
  Make sure you watch the movies, and we will talk to you later.
• 1:12:04
  Bye.
• 1:12:05
  Bye.
• 1:12:06
  Inviting strangers to join the club is probably a terrible idea, which
• 1:12:12
  means we're definitely doing it.
• 1:12:16
  Follow us on Instagram, Facebook, and TikTok, @scarierthingsclub.
• 1:12:23
  Until next time, don't read anything in Latin.