Latest / Pink Shade: Reality TV with Mary Payne / 1068 - 60 Days In (s4e8) "See Nothing, Say Nothing" with Keisha

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1068 - 60 Days In (s4e8) "See Nothing, Say Nothing" with Keisha · Pink Shade: Reality TV with Mary Payne

• 0:13
  Speaker 1: Hey, everybody, welcome to Pink Shade. It's Monday mugshot.
• 0:17
  Speaker 2: Monday. You're with Keishaws to talk about sixty days in.
• 0:21
  Speaker 2: Hey you doing girls, I'm tired. I'm tired from the holidays. Yeah,
• 0:28
  Speaker 2: we went out of town. Just got back.
• 0:30
  Speaker 1: So lots of people had comments on me asking you
• 0:35
  Speaker 1: about the green bean castrole and you say that that
• 0:39
  Speaker 1: black people don't eat green bean castrole.
• 0:42
  Speaker 2: Lots of people backing up on that. Thank you. You
• 0:46
  Speaker 2: know why, because it's true. No, no, no, no no.
• 0:51
  Speaker 3: At Thanksgiving it is not the holiday you want to
• 0:53
  Speaker 3: test out to see if we like it, because.
• 0:56
  Speaker 1: No, it is kind of it is kind of gross.
• 0:59
  Speaker 1: The only reason I like it, I think, is because
• 1:01
  Speaker 1: of the crunchy onions on top.
• 1:03
  Speaker 2: Just eat the crunchy onions, then I know.
• 1:05
  Speaker 1: I do buy them sometimes and just eat them, which
• 1:07
  Speaker 1: is can't be well. I'm ruin it with the green beans,
• 1:12
  Speaker 1: and I think it's got like creama mushroom soup in it.
• 1:15
  Speaker 1: But I never eat the mushrooms, you know, because I
• 1:17
  Speaker 1: hate mushrooms.
• 1:17
  Speaker 2: Loves mushrooms. This is one of my top five favorite
• 1:20
  Speaker 2: foods are mushrooms.
• 1:22
  Speaker 3: I can eat mushrooms every day. I don't want them cooked.
• 1:25
  Speaker 3: I want them raw.
• 1:27
  Speaker 2: So good that makes me sick.
• 1:29
  Speaker 1: Do you like raw peppers like red and green peppers,
• 1:31
  Speaker 1: yellow peppers?
• 1:33
  Speaker 3: I think they're okay. I could do without the mushroom.
• 1:36
  Speaker 3: That is like the Earth's meat right there.
• 1:39
  Speaker 1: That is the grossest thing you've ever said, and you've
• 1:42
  Speaker 1: said some gross things.
• 1:44
  Speaker 3: I love them oysters and blue cheese, man, blue cheese.
• 1:50
  Speaker 2: Yes, oysters, Nope.
• 1:52
  Speaker 3: So I'll eat I'll even eat them smoked out of
• 1:56
  Speaker 3: a can.
• 1:58
  Speaker 2: This is listen.
• 1:59
  Speaker 1: We can't start this off with me feeling like I'm
• 2:01
  Speaker 1: gonna barf, So let's okay, Okay, I will say, if
• 2:05
  Speaker 1: you're watching it on video, I do have a visitor,
• 2:07
  Speaker 1: and it's violent. Look at her, come by your baby.
• 2:11
  Speaker 2: Look and she's over there minding her own red business.
• 2:14
  Speaker 2: Look at her. And Mary Payne just won't let her
• 2:16
  Speaker 2: be all. She just won't let her be No, she's
• 2:19
  Speaker 2: so cute. She's like minded my own red business over here.
• 2:23
  Speaker 2: And you know, well, I don't know you and I
• 2:28
  Speaker 2: were just talking about your dog having separation anxiety. So yeah,
• 2:31
  Speaker 2: Dinna was at the beach and now she's gone. And
• 2:33
  Speaker 2: when Anna leaves, then Violet is very sweet and loving too.
• 2:36
  Speaker 2: David and I, No, Sack's not stocky.
• 2:40
  Speaker 3: So he just turned one on Thanksgiving. He absolutely hates
• 2:46
  Speaker 3: my mom. Like what, Wow, he's a good judge of character.
• 2:54
  Speaker 2: That's not true. So like she called.
• 2:57
  Speaker 3: Me, She goes, I'm glad you're home. She goes, your
• 2:59
  Speaker 3: dog will let me take him out. I even put
• 3:01
  Speaker 3: meat on top of his crate. He wouldn't come out.
• 3:04
  Speaker 3: She goes, I left out the room and came back
• 3:06
  Speaker 3: the meat was gone. I'm like, well, he ain't crazy,
• 3:08
  Speaker 3: but he does not like her. He goes, it's a
• 3:11
  Speaker 3: full protective mode of me. He growls at her, barks
• 3:15
  Speaker 3: at her. He wants nothing to do with her. Period
• 3:19
  Speaker 3: and godhamad if I'm in the room as she comes
• 3:21
  Speaker 3: in the room now, So I can't stay gone longer
• 3:26
  Speaker 3: than three days, which I was used to that because
• 3:28
  Speaker 3: Sushi would start to get really depressed.
• 3:30
  Speaker 2: If I was gone longer than three days.
• 3:31
  Speaker 3: Yeah, he would mope, he'd stop eating, or they would have.
• 3:35
  Speaker 2: To hand eat feed him his food. So it's like
• 3:39
  Speaker 2: three four days max.
• 3:40
  Speaker 3: And now he tears up my sock, tears up my
• 3:42
  Speaker 3: pillows when I'm gone now, and it just dawned on me.
• 3:46
  Speaker 2: I'm like acceparation anxiety. He doesn't do that when I'm home.
• 3:49
  Speaker 1: Yeah, you have to put all your pillows up on
• 3:51
  Speaker 1: the high shelf in the closet.
• 3:53
  Speaker 3: The last time we were in Vegas, he destroyed two
• 3:57
  Speaker 3: of my decorative pillows, say destroyed.
• 4:02
  Speaker 2: Oh my god. It was so socky. Yeah, it's not
• 4:06
  Speaker 2: how we act. You don't.
• 4:09
  Speaker 3: Guys don't know. I me and my decorative pillows. I'm
• 4:12
  Speaker 3: funny about.
• 4:13
  Speaker 2: Them, Like, h I love that.
• 4:17
  Speaker 1: I sent you one that one time that and I
• 4:20
  Speaker 1: took a picture of in somebody's house she was dog
• 4:22
  Speaker 1: sitting and it was like and I was like, I
• 4:27
  Speaker 1: think it's fake. Yeah, I think I think it's fake.
• 4:30
  Speaker 1: And I think I found it like a sheen or
• 4:32
  Speaker 1: something for you.
• 4:34
  Speaker 3: Yeah, I think you has showed me that. You showed
• 4:36
  Speaker 3: me like the real one and how much it.
• 4:39
  Speaker 2: Costs and then like the she and version. Yeah look
• 4:42
  Speaker 2: the same.
• 4:44
  Speaker 1: This is what Violet has decided to do now because
• 4:47
  Speaker 1: she's mad because nobody's paying attention to her. So if
• 4:49
  Speaker 1: you're watching a video, she's now having a fit. She's
• 4:52
  Speaker 1: going to kick all those fellows off the bed.
• 4:55
  Speaker 2: I mean, hey, go downstairs. If you want attention. Okay,
• 4:58
  Speaker 2: Dad's downstairs. Go find dad, Go find dad. Okay, it's
• 5:03
  Speaker 2: not about you, This is about prisoners. She's like no, okay,
• 5:07
  Speaker 2: So now she's gonna go.
• 5:08
  Speaker 1: She's gonna go elseairs Now, okay, she realized I wasn't
• 5:11
  Speaker 1: gonna be petting her or rubbing her or trying to
• 5:13
  Speaker 1: figure out why she's been looking her foot for three days.
• 5:16
  Speaker 2: Go on, Violet, you got it, Go girl, go go go.
• 5:19
  Speaker 2: You got it, you got it? Oh you did it? Okay, y'all.
• 5:27
  Speaker 2: This time a year can be fun, but.
• 5:28
  Speaker 1: It can also be tough because the holidays are getting
• 5:31
  Speaker 1: near and they're supposed to feel joyful, but for many,
• 5:34
  Speaker 1: they bring stress around food and weight and body image.
• 5:37
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• 5:37
  Speaker 1: I've been looking for a dress toward or a Christmas party,
• 5:40
  Speaker 1: and it can be rough out there, like will this
• 5:42
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• 5:43
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• 5:45
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• 5:48
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• 7:09
  Speaker 1: on product and plan purchased. All right, guys, So that
• 7:13
  Speaker 1: was dog corner with repinnication. So we're sixty days in
• 7:18
  Speaker 1: season four, episode eight, See Nothing, Say Nothing. Okay, we're
• 7:25
  Speaker 1: gonna start with Nate, Allen and Andrew in the five
• 7:27
  Speaker 1: hundred and so this was confusing to me. So we
• 7:31
  Speaker 1: see two guys studying by the doors, and I guess
• 7:33
  Speaker 1: they're going between the five hundred and the six hundred.
• 7:37
  Speaker 2: But a black screen of death says a.
• 7:39
  Speaker 1: Trustee transforms marijuana into zose six hundred foreign inmate, So
• 7:44
  Speaker 1: I guess it's a five hundred guy putting something under
• 7:47
  Speaker 1: the door.
• 7:48
  Speaker 2: It was confusing.
• 7:49
  Speaker 1: And then later you see him like doing something in
• 7:51
  Speaker 1: his sock and he said it was in total.
• 7:53
  Speaker 2: I was confused.
• 7:54
  Speaker 3: Well, it was really confusing because we never saw any
• 7:57
  Speaker 3: drug usage in the six hundred paw. We only saw
• 8:01
  Speaker 3: it in a five hundred pod. Because god forbid, if
• 8:03
  Speaker 3: they were.
• 8:03
  Speaker 2: Smoking a weed over there with fucking Matt Oh my
• 8:07
  Speaker 2: gosh and TBO and this would have been so bad.
• 8:13
  Speaker 2: That's what they need too.
• 8:16
  Speaker 3: This might have been a good thing right there, and
• 8:18
  Speaker 3: they're messing it up. They both need it.
• 8:21
  Speaker 1: So we see Nate on the phone in the five hundred,
• 8:25
  Speaker 1: and so then the dude in the six hundred calls
• 8:27
  Speaker 1: Desmond over now there for some reason, calling Desmond also,
• 8:30
  Speaker 1: they're calling him BG.
• 8:32
  Speaker 3: You know, I have come to realize that when you're
• 8:34
  Speaker 3: in prison, you have to have at least forty five nicknames.
• 8:38
  Speaker 2: I mean, you just have to. You cannot. I don't
• 8:41
  Speaker 2: know if it's the safe for the white guys, because
• 8:42
  Speaker 2: I haven't heard any of the nicknames for the white guys.
• 8:44
  Speaker 2: With the blind guys, they've had like five. It's like,
• 8:47
  Speaker 2: who who wait? I thought it was Desmond. Yeah.
• 8:51
  Speaker 1: So a dude in the six hundred calls Desmond on
• 8:55
  Speaker 1: the five hundred over to the wall and he says,
• 8:58
  Speaker 1: he just sent me the weed. Do you want some?
• 9:00
  Speaker 1: It does It's like hell yeah, hell yeah. So the
• 9:03
  Speaker 1: talking head and Nate goes. I was shocked, you know,
• 9:05
  Speaker 1: to see how the weed gets into jail, it's so easy.
• 9:09
  Speaker 1: And to see Desmond do it is disheartening because it
• 9:11
  Speaker 1: worries me he'll slip back into the life that got
• 9:13
  Speaker 1: him in here. But I got to try to get
• 9:15
  Speaker 1: a better understanding of what other contraband is coming in
• 9:19
  Speaker 1: and how it's getting.
• 9:19
  Speaker 2: In, because that is why they are there right to
• 9:23
  Speaker 2: do these things.
• 9:24
  Speaker 1: Yeah, so the talking head Alan says, I've Alan the
• 9:29
  Speaker 1: cop says, I've also been keeping my eyes open for contraband.
• 9:32
  Speaker 1: And it's evident if there's a drug problem in here, Like,
• 9:34
  Speaker 1: we can't have warm food, but you can get all
• 9:36
  Speaker 1: the weeds you want.
• 9:37
  Speaker 3: You know, that was the best line of the whole
• 9:40
  Speaker 3: episode for me. We can't get warm food, but there's
• 9:43
  Speaker 3: fucking weed in there. Well, you know what I may
• 9:47
  Speaker 3: prefer if I smoke the weed. I'm really not going
• 9:50
  Speaker 3: to care about the temperature of my food.
• 9:52
  Speaker 2: After that. You're gonna give me whatever she does, are fine?
• 9:55
  Speaker 2: Yeah she does. Yeah, I'm all sandwiches.
• 9:58
  Speaker 1: So Nate and Desmond are in their cell and Desmond
• 10:02
  Speaker 1: is saying he's going to roll it up, and he's
• 10:04
  Speaker 1: like asking Nate like do you want to join me?
• 10:06
  Speaker 1: And all that, and he's like, nah, I don't think
• 10:08
  Speaker 1: I could do that, man, And then talking head Nate goes,
• 10:11
  Speaker 1: I've never done drugs, Like I'm just on the outside,
• 10:13
  Speaker 1: like that's just never been my thing. But I do
• 10:15
  Speaker 1: see this as an opportunity to figure this out. So
• 10:19
  Speaker 1: he's talking to Desmond and he goes, I don't understand, Like,
• 10:21
  Speaker 1: how could you smoke weed? This been in somebody's butthole?
• 10:26
  Speaker 1: And he goes, why do you think it's in the butthole?
• 10:27
  Speaker 1: He goes, how else do you get it in?
• 10:29
  Speaker 2: Yeah, he was almost shocked when he said that, like
• 10:32
  Speaker 2: what are you talking about buttholes and what?
• 10:35
  Speaker 1: And he goes, you tape it up in here and
• 10:37
  Speaker 1: he points to something up in here and Nate goes,
• 10:41
  Speaker 1: I don't get that cause when I came in the prison,
• 10:44
  Speaker 1: I had to shower, So how would you hide it?
• 10:48
  Speaker 3: So as the episodes go on and you can really
• 10:52
  Speaker 3: tell it from the women's gil, Yes, there seems to
• 10:56
  Speaker 3: be a little bit of difference in between the treatment
• 10:58
  Speaker 3: of the races.
• 10:59
  Speaker 2: I don't know if you've noticed that or not.
• 11:02
  Speaker 1: So you're saying Nate had to shower in front of everybody,
• 11:05
  Speaker 1: but Desmond didn't.
• 11:07
  Speaker 3: Yeah, And so if you think about some of the
• 11:10
  Speaker 3: privileges that some of the girls get versus you know,
• 11:13
  Speaker 3: the ones that are getting called cracker, like, yeah, that
• 11:18
  Speaker 3: took a little bit of difference between the treatment of
• 11:20
  Speaker 3: the races that I've noticed.
• 11:22
  Speaker 2: I think, if you're white, it ain't white, it ain't right.
• 11:27
  Speaker 2: And this kind of situation, I think they can treat
• 11:30
  Speaker 2: it poorly. Okay, I think, well, you know that's my observation.
• 11:36
  Speaker 1: So then we see one guy who's a trustee slip
• 11:39
  Speaker 1: a lighter out of his shoe, put it in a paper,
• 11:42
  Speaker 1: and slip that under the door. And how I rewound
• 11:46
  Speaker 1: that because I was like, yeah, so he's got a
• 11:48
  Speaker 1: piece of paper and he puts it in front of
• 11:49
  Speaker 1: his shoe so you couldn't see whatever he pulled out
• 11:52
  Speaker 1: of his shoe, because I guess he knows the cameras
• 11:54
  Speaker 1: can see him.
• 11:56
  Speaker 2: I don't think anyone. I don't think anyone's watching the cameras. No, no, no, no,
• 12:00
  Speaker 2: nobody's I think they could have done this ship right
• 12:02
  Speaker 2: out in the open. They could have been lit it
• 12:04
  Speaker 2: up right in the middle. Yeah.
• 12:06
  Speaker 1: Yeah, And Nate tells us, I mean, this is crazy
• 12:10
  Speaker 1: because it costs a lot to rent a lighter. To
• 12:13
  Speaker 1: rent a lighter for a couple of hours, it's going
• 12:16
  Speaker 1: to cost four items. And I love how they just
• 12:18
  Speaker 1: say four items because what we have all known. It's
• 12:21
  Speaker 1: like it's like Ramen is more than kool aid or
• 12:26
  Speaker 1: whatever because of all the things you can make. But
• 12:28
  Speaker 1: he's just saying four items so wonderful.
• 12:31
  Speaker 3: So I guess it could be like four bags ramen
• 12:34
  Speaker 3: or bag of chips or soap for kool aids.
• 12:37
  Speaker 2: Four items, you know. I guess it just depends on
• 12:41
  Speaker 2: what you want. I guess, Nate goes.
• 12:43
  Speaker 1: I mean, it's gonna cost you at least four items
• 12:45
  Speaker 1: to rent a lighter for a couple of hours, so
• 12:47
  Speaker 1: it takes a lot to go into this, like yeah,
• 12:51
  Speaker 1: So then we see Desmond lighting up in the cell
• 12:54
  Speaker 1: with Nate. He's going, oh, Nate, I feel good, and
• 12:59
  Speaker 1: the talking head Nick, yeah, I mean I wish she
• 13:00
  Speaker 1: could have just like waited. So let me get out
• 13:03
  Speaker 1: of there, because if we get caught and it's in
• 13:05
  Speaker 1: my cell, we're gonna be in a forty eight hour lockdown,
• 13:08
  Speaker 1: like and I don't want that, Like, I don't have
• 13:09
  Speaker 1: anything to do with this. And he says a guard
• 13:12
  Speaker 1: walks through about once an hour. So the guy's plan
• 13:16
  Speaker 1: to smoke the minute the guards leave, So right at
• 13:18
  Speaker 1: ten is smoking time? So is this ten am or
• 13:21
  Speaker 1: ten pm?
• 13:24
  Speaker 3: Thinking I would want it to be pm personally, but
• 13:27
  Speaker 3: I'm thinking it's am, because surely at ten pm they
• 13:32
  Speaker 3: don't walk through and then come back here at eleven
• 13:34
  Speaker 3: and say it's lockdown.
• 13:35
  Speaker 2: Surely at ten pm is lockdown. I would think ten
• 13:38
  Speaker 2: am is pretty early to be getting high. But I mean,
• 13:40
  Speaker 2: what is time when you're in jail. I don't think
• 13:43
  Speaker 2: that's the difference. Right at ten is smoking time. A
• 13:46
  Speaker 2: bunch of them go into one cell and they're all
• 13:48
  Speaker 2: taking off their shirts, but they're not like throwing them
• 13:51
  Speaker 2: out or anything. So I was like, if you're smoking
• 13:53
  Speaker 2: and you've got your shirts, your shirts are still in
• 13:55
  Speaker 2: the room. If you're trying to it's still gonna smell
• 13:57
  Speaker 2: like it. We're gonna smell. Yeah.
• 13:59
  Speaker 1: So they also take off the shirts of the smoke
• 14:02
  Speaker 1: and they're talking head to Alan Goes. They're up there
• 14:05
  Speaker 1: having a big Snoop Dogg toak party and you can
• 14:08
  Speaker 1: see all the smoke coming out, and not once did
• 14:10
  Speaker 1: an officer come into the door.
• 14:13
  Speaker 2: That is crazy behavior to me, because I tell you what.
• 14:16
  Speaker 3: We were traveling and I had my window down for
• 14:19
  Speaker 3: a second and a big eighteen wheeler passed by me
• 14:22
  Speaker 3: and I.
• 14:22
  Speaker 2: Can smell his weed yep.
• 14:24
  Speaker 3: So you cannot tell me that the CEOs are not
• 14:28
  Speaker 3: smelling this weed.
• 14:29
  Speaker 2: That's just no way.
• 14:30
  Speaker 1: There are certain spots that you drive and your windows,
• 14:34
  Speaker 1: my windows will be up and we drive it and
• 14:37
  Speaker 1: in that neighborhood or on that certain stretch of you
• 14:40
  Speaker 1: know whatever, you're like, you can smell it. It's always
• 14:42
  Speaker 1: in the same spot, so you know, it's always coming
• 14:43
  Speaker 1: from the same house.
• 14:44
  Speaker 2: Going to that same section of roads. So they definitely
• 14:46
  Speaker 2: can smell it. And then god forbid if you get hydro,
• 14:51
  Speaker 2: like I don't know what that means. It is like a.
• 14:54
  Speaker 3: Higher strain of marijuana, and it literally smells like two spunks.
• 14:58
  Speaker 3: Fuck fucking that's how bad. I kid you, not like, no,
• 15:03
  Speaker 3: thank you, Like it's strong. Yeah.
• 15:08
  Speaker 1: So Alan says, you know, no officers came in and.
• 15:11
  Speaker 2: He goes, you know, you see stuff like that as.
• 15:13
  Speaker 1: An officer, like it's heartbreaking, Like they're not doing their jobs.
• 15:17
  Speaker 2: Yep.
• 15:17
  Speaker 1: So Pancho is Alan's roommate, and he's saying, like, I
• 15:22
  Speaker 1: didn't keep the door closed, man, I didn't want to.
• 15:24
  Speaker 1: They're trying to get me to go in. I don't
• 15:26
  Speaker 1: want to, which is interesting, right, because.
• 15:28
  Speaker 2: Is very interesting.
• 15:29
  Speaker 1: He's like, I'm actually just trying to do the right
• 15:31
  Speaker 1: thing in here, right, Okay, good job, good job, Pancho.
• 15:35
  Speaker 2: And Alan goes, how did they even get that lighter?
• 15:38
  Speaker 1: And Pancho goes, they get it from the trustees, you know,
• 15:40
  Speaker 1: and he's like the dude with the dreads, the dude
• 15:42
  Speaker 1: with the dreads, so like they all know who it is,
• 15:45
  Speaker 1: it is what trustee can get it for them, and it's.
• 15:50
  Speaker 2: Like, God, you can't even trust the trustees, man, No no, no, no
• 15:54
  Speaker 2: no no no no, no, no no crazy no no no. Yeah.
• 15:59
  Speaker 1: All right, now we're going to go over to Andrew
• 16:03
  Speaker 1: Matt's son Black Screen of Death. Timothy, his roommate with
• 16:07
  Speaker 1: the ears, is getting released. And Andrew's like it's crazy
• 16:10
  Speaker 1: because like he did drive me nuts, but I'm gonna
• 16:13
  Speaker 1: pray for him, like I'm gonna miss I'm gonna miss
• 16:15
  Speaker 1: that little fellof.
• 16:15
  Speaker 2: But he's getting released, like he's getting right out in present. Yeah,
• 16:19
  Speaker 2: and that needs all the prayers that he can get.
• 16:21
  Speaker 1: I know, because remember he had his mom was in
• 16:23
  Speaker 1: the hospital, and his wife might have been sick and
• 16:25
  Speaker 1: you know, just a lot of stiff.
• 16:26
  Speaker 3: Maybe whenever Andrew gets out, he'll like send him a
• 16:29
  Speaker 3: speaking spell because he still needs a little.
• 16:32
  Speaker 1: Bit of.
• 16:35
  Speaker 2: A speaking spell Keisha. Oh my god, Oh my god. Okay,
• 16:43
  Speaker 2: bless him.
• 16:44
  Speaker 1: So in the talking Head, Andrew goes, you know, Timothy,
• 16:49
  Speaker 1: he looks ragged. Okay, he's covered in tattoos. But that guy,
• 16:53
  Speaker 1: he's got a good heart. And I've really learned in
• 16:56
  Speaker 1: here not to judge someone's external appearance.
• 17:00
  Speaker 3: Andrew says, like they were all trying to do to you,
• 17:03
  Speaker 3: right right, yeah, and.
• 17:05
  Speaker 1: Then talking to timmany, Timothy goes, you know, I could
• 17:07
  Speaker 1: tell Andrew he's actually a really good guy. He looked
• 17:10
  Speaker 1: at me like a little brother, and I really appreciated
• 17:13
  Speaker 1: that he's he's a good guy, even though I did
• 17:15
  Speaker 1: like spread the removes gay.
• 17:16
  Speaker 2: You know it was gay. Yeah, forget that hard Yeah,
• 17:20
  Speaker 2: you know that's not important. He's nice.
• 17:22
  Speaker 1: So Andrew goes, Now, I'm anxious about getting a new
• 17:25
  Speaker 1: cell mate, and it's nice to be alone in.
• 17:27
  Speaker 2: Here for a little bit. But he gets a new guy.
• 17:31
  Speaker 1: It's Kendrick. Now, Kendrick was a black guy with dreads.
• 17:34
  Speaker 1: But I don't think he's the trustee with the weed. No,
• 17:38
  Speaker 1: I don't think so either, because he's new.
• 17:40
  Speaker 2: He's new. No, I think he's new. Yeah, Kendrick seems lovely.
• 17:45
  Speaker 1: He's like, hey man, how are you. How's it going?
• 17:48
  Speaker 1: What are you in here? How long you've been in here?
• 17:50
  Speaker 2: Is this place a shithole or what?
• 17:52
  Speaker 1: They seem like they're getting along, and he says, how
• 17:56
  Speaker 1: is it in here? And Andrew goes, ah, people fight
• 17:59
  Speaker 1: in here, but mostly it's gang related. And Kendrick goes, oh,
• 18:02
  Speaker 1: really like blood's fighting bloods. Andrew goes, yeah, we've had that,
• 18:06
  Speaker 1: and Kendrick goes, yeah, I'm affiliated. And they're like, oh great, great,
• 18:12
  Speaker 1: don't tell Matt, don't tell me.
• 18:14
  Speaker 2: It's a full blow cardiacs there, my son, my son.
• 18:22
  Speaker 1: And Kendrick goes, well, I'm affiliated, and he goes, but
• 18:26
  Speaker 1: I don't.
• 18:26
  Speaker 2: I don't. I don't let anything like that, you know,
• 18:29
  Speaker 2: come into the prison.
• 18:30
  Speaker 3: Okay, let's hope at least don't let it come into
• 18:33
  Speaker 3: the cell. I mean, whatever you do out there, just
• 18:35
  Speaker 3: don't bring it inside the cell with me.
• 18:37
  Speaker 1: And Andrew goes, I do worry about anything going on
• 18:39
  Speaker 1: over in the six hundred with the bloods flowing under
• 18:42
  Speaker 1: the door, because now I've got one of the cell
• 18:43
  Speaker 1: with me. And then there you see him laying there
• 18:46
  Speaker 1: like doing like good night, John Boy, good night Mary Ellen.
• 18:48
  Speaker 1: You're like they're like the door's closed. You hear him
• 18:50
  Speaker 1: just chatting, and he goes, you have any kids? And
• 18:52
  Speaker 1: Andrew goes, no, I don't have any kids. He says,
• 18:55
  Speaker 1: do you have any kids? Andrew goes, and Kendrick goes, yeah,
• 18:58
  Speaker 1: I got two or three and just two or three.
• 19:02
  Speaker 3: So with this last roommate, he had to help him
• 19:04
  Speaker 3: learn how to read. With his new cellmate, he's gonna
• 19:08
  Speaker 3: have to get to avacates and teach him how to
• 19:09
  Speaker 3: fucking count two or three?
• 19:12
  Speaker 2: Like is there one on the way? What do you
• 19:16
  Speaker 2: mean that third one? You're not sure? Like are you
• 19:18
  Speaker 2: waiting on the paternity tests to come in? Like what what?
• 19:21
  Speaker 2: What is the or three? That was funny, Yeah, that
• 19:25
  Speaker 2: was funny.
• 19:26
  Speaker 1: All right, Now we're gonna go over to Jacqueline, Stephanie
• 19:29
  Speaker 1: and Angela and the iPod the South Annex, and so
• 19:33
  Speaker 1: we open with swollen her giant underwear.
• 19:37
  Speaker 3: It's just that it is literally an afterbirth diaper that
• 19:41
  Speaker 3: she has off so bad and big.
• 19:44
  Speaker 2: It's like a onesie. It's like a onesie. Yeah, It's
• 19:47
  Speaker 2: just like a one piece connected to the big ass shirt.
• 19:52
  Speaker 2: So she's just walking around, you.
• 19:54
  Speaker 3: Guys have if you're just listening, you have to go
• 19:57
  Speaker 3: and google someone actually d I mean it's like, can
• 20:01
  Speaker 3: you take a screenshot of sowls? Like, no, but I'll
• 20:03
  Speaker 3: do a Google search real quick, and there she is.
• 20:07
  Speaker 2: Okay, yeah, yeah, you won't find her in her underwear,
• 20:09
  Speaker 2: but you will find a picture of Swollo And.
• 20:12
  Speaker 1: I hope you didn't find any spoilers. Did you find
• 20:15
  Speaker 1: any spoilers?
• 20:16
  Speaker 2: Okay? Good, okay, because we got that one and I
• 20:19
  Speaker 2: don't want anymore. And that was a huge one. It
• 20:24
  Speaker 2: was horrible, like whoever did that? We didn't want it?
• 20:28
  Speaker 2: Isn't it? Kimberly, No, we told Kimberly. Kimberly is like, what,
• 20:35
  Speaker 2: that's right, You're right, she don't remember who that was.
• 20:39
  Speaker 2: And I still have hope it's not true, but I
• 20:41
  Speaker 2: saw it. It's true. I hope it's not true, but
• 20:44
  Speaker 2: like maybe they got it confused confused.
• 20:48
  Speaker 1: Okay, So I'm gonna tell you what swol was saying. Okay,
• 20:52
  Speaker 1: she says, are.
• 20:54
  Speaker 2: You gonna talk like her?
• 20:55
  Speaker 1: I'm gonna try not to because I don't think that
• 20:58
  Speaker 1: would be good for me. But she says, I'm gonna
• 21:01
  Speaker 1: get her she says that hole should have stayed in
• 21:03
  Speaker 1: her place. Uh, like like Pooh's gonna stay in her place.
• 21:07
  Speaker 1: And she says Pooh, but I think she means Pool,
• 21:10
  Speaker 1: but maybe the pool's nickname is Pooh, because then Pool
• 21:14
  Speaker 1: get beat.
• 21:15
  Speaker 2: Up by that other girl a couple episodes back. Yeah,
• 21:18
  Speaker 2: I remember that, but she said, Okay, Pooh. I think
• 21:22
  Speaker 2: she's got no front taste so she can't. Maybe the
• 21:24
  Speaker 2: l just doesn't come out.
• 21:26
  Speaker 1: Yeah, yeah, she says, so, like like Poo's gonna stay
• 21:31
  Speaker 1: in her place. She got her ass motherfucking whooped for
• 21:34
  Speaker 1: being to somebody else's business. Now that cracker should have
• 21:37
  Speaker 1: stayed in her own motherfucking place. Bitch, you better have
• 21:40
  Speaker 1: your shoes laced up tomorrow. You better hope I go
• 21:43
  Speaker 1: to prison tonight.
• 21:44
  Speaker 2: Straight up.
• 21:46
  Speaker 3: The only whole Jacqueline has is to run, because we
• 21:49
  Speaker 3: know Swoll can't run. But then she's got all her
• 21:51
  Speaker 3: minions that'll do the running for her. Poor a little
• 21:55
  Speaker 3: small Jacqueline tour.
• 21:58
  Speaker 2: Yeah, scary talking head.
• 22:00
  Speaker 1: Jacqueline goes, I feel very threatened right now, and then
• 22:04
  Speaker 1: we see Swell they have to come out for like
• 22:06
  Speaker 1: count check or whatever, and Swells.
• 22:08
  Speaker 2: Like yeah, because she's giving her the crazy eyes. She's
• 22:13
  Speaker 2: got kind of like Uncle Rookas' eyes. I don't know
• 22:16
  Speaker 2: if you ever watched uh, who was the nighbor cartoon
• 22:20
  Speaker 2: the Boondogs?
• 22:22
  Speaker 3: Uh, Uncle Rucas has crazy He's got this one even
• 22:28
  Speaker 3: just kind of pops out a little bit.
• 22:29
  Speaker 2: It's totally how Swoll looks. It's okay, it was. It
• 22:33
  Speaker 2: was scary. Yeah, she gives you.
• 22:35
  Speaker 1: I stood up for Stephanie, and I put a target
• 22:37
  Speaker 1: on my own back by trying to be a friend
• 22:40
  Speaker 1: Talkinghe had Stephanie, who has become the biggest asshole on
• 22:42
  Speaker 1: the planet.
• 22:43
  Speaker 2: Like, has there ever anybody worse than our television? And
• 22:46
  Speaker 2: we watched a lot of assholes on TV. She's in
• 22:49
  Speaker 2: the top five of assholes. She is awful.
• 22:53
  Speaker 1: And Stephanie goes, you know, Jacqueline stood up to Swoll
• 22:58
  Speaker 1: and now somebody's gonna get hurt. It's either going to
• 23:00
  Speaker 1: be me or Jacqueline. But somebody's gonna get hurt. And
• 23:03
  Speaker 1: if in prison you get involved with something that's got
• 23:06
  Speaker 1: nothing to do with you, you made a target of yourself.
• 23:09
  Speaker 1: So I have to separate myself from her immediately. Yeah,
• 23:11
  Speaker 1: I'm gonna throw her under the bus. I don't have
• 23:13
  Speaker 1: anybody's back in here.
• 23:16
  Speaker 2: She was helping you. She was helping you, and now
• 23:21
  Speaker 2: you're like, I don't care. I don't give a fuck.
• 23:22
  Speaker 2: I throw he under the bus. She's horrible. She's a
• 23:24
  Speaker 2: horrible She has said a word. She has said.
• 23:26
  Speaker 3: Hayswalled it was a misunderstanding. She's not even trying to
• 23:30
  Speaker 3: comfort Jacqueline. She is separating herself from Jaqueline, like Jaqueline
• 23:34
  Speaker 3: has the plague.
• 23:35
  Speaker 2: It's like, I can't be seen by her. I don't
• 23:37
  Speaker 2: want to be by her.
• 23:37
  Speaker 3: She is she has to have been this horrible in
• 23:41
  Speaker 3: the real world, but it just was down deep. Yeah,
• 23:45
  Speaker 3: And it's like Jill has been therapeutic for her. So
• 23:49
  Speaker 3: if the worst version of herself is coming.
• 23:51
  Speaker 1: Out right now, it's almost like we should go back
• 23:53
  Speaker 1: and watch that first episode to see what we could
• 23:56
  Speaker 1: find out about her that we've forgotten because it's only
• 23:59
  Speaker 1: made so sweet and innocent. She seems so like, Oh,
• 24:04
  Speaker 1: here's the bad neighborhood over here, but I live over here.
• 24:06
  Speaker 1: In this night, I'm gonna go to the chili's with
• 24:08
  Speaker 1: my mom. Yeah, and now she's just like awful. She was.
• 24:12
  Speaker 2: She was like a cartoon mouse with glasses on. Yeah,
• 24:15
  Speaker 2: that was Stephanie. And now I don't know. She's like
• 24:18
  Speaker 2: Jerry's cousin with the muscles from Tom and Jerry like
• 24:21
  Speaker 2: she's all big and bad now Jerry's cousin. Wow, so
• 24:26
  Speaker 2: many references today. Okay.
• 24:28
  Speaker 1: So then we hear Swall yelling in the room at
• 24:31
  Speaker 1: Stephanie and she's like, you let that cracker tell you
• 24:34
  Speaker 1: what to do, and I'm gonna beat her ass straight up.
• 24:37
  Speaker 1: I'm going out of here with the bang.
• 24:39
  Speaker 2: And she is just oh and.
• 24:41
  Speaker 1: Stephanie is just sitting on her bed like okay, well
• 24:44
  Speaker 1: that's fine. Who wants anybody want to braid my hair?
• 24:46
  Speaker 2: Look at her? Yeah, yeah, I'm surprised she's not selling tickets.
• 24:49
  Speaker 3: So play some bets on how bad Swell is gonna
• 24:52
  Speaker 3: is she gonna kill her?
• 24:53
  Speaker 2: She just gonna kick her ass.
• 24:54
  Speaker 3: I mean it's it's I feel so bad for Jackal.
• 24:57
  Speaker 3: She has feels so long, I know.
• 25:00
  Speaker 1: So then we hear so okay, now okay, now we
• 25:05
  Speaker 1: see Amani. So Amani is upstairs in Angela's pod and
• 25:09
  Speaker 1: she's like, you know, swollen them are planned to jump
• 25:13
  Speaker 1: Jackie today and they're talking head Angela goes, I'm not
• 25:17
  Speaker 1: gonna let them jump her, Like, what are you talking about? No,
• 25:20
  Speaker 1: that can't happen. The talking head Amani says, here's the
• 25:25
  Speaker 1: thing about Swoll, she's too old to antagonize people. Hey
• 25:28
  Speaker 1: are you this old and this fat and you want
• 25:30
  Speaker 1: to antagonize people?
• 25:32
  Speaker 2: Okay, I take it back.
• 25:33
  Speaker 3: That was the best line of the episode. What Alice
• 25:35
  Speaker 3: says number two.
• 25:39
  Speaker 2: Those as is so funny.
• 25:41
  Speaker 1: She said, I know the only time Swol would do
• 25:43
  Speaker 1: it would be in the shower because she doesn't want
• 25:45
  Speaker 1: to get put in a lockdown.
• 25:46
  Speaker 2: So we did actually see where the shower was on
• 25:48
  Speaker 2: this episode.
• 25:49
  Speaker 1: Yeah, it looks like they are able to go and
• 25:53
  Speaker 1: like stand behind that wall and they go behind the
• 25:55
  Speaker 1: curtain and I don't I guess they go one at
• 25:58
  Speaker 1: a time.
• 25:59
  Speaker 2: So id how dirty that curtain is? Oh yeah, oh
• 26:05
  Speaker 2: that's the first thing I thought was that has to
• 26:07
  Speaker 2: be disgusting.
• 26:08
  Speaker 1: You gotta be like dodging it while you're shower and
• 26:10
  Speaker 1: say yeah, I'll touch you.
• 26:12
  Speaker 2: So the producer says okay.
• 26:14
  Speaker 1: So the producer comes into the cell and says, Jackie,
• 26:18
  Speaker 1: so what's going on?
• 26:19
  Speaker 2: And what of her cellmates? Who has like red hair?
• 26:22
  Speaker 1: Who seems you older whose name they never gave us,
• 26:25
  Speaker 1: says you should not be scared of anybody in this sail.
• 26:28
  Speaker 1: I promise you, I'm not gonna let anybody touch you.
• 26:30
  Speaker 1: I'm not scared of anybody in here. No one's gonna
• 26:33
  Speaker 1: put their hands on you. They'll have to go through me,
• 26:35
  Speaker 1: which was really nice.
• 26:37
  Speaker 2: Yeah, but is it true? You know, you never know.
• 26:41
  Speaker 3: I don't want to find out personally if this person
• 26:43
  Speaker 3: is gonna be down for me or not.
• 26:45
  Speaker 1: And they're all and the other sells like, don't worry, Jackie,
• 26:48
  Speaker 1: I'll go take a shower with you, Like, don't worry,
• 26:50
  Speaker 1: it's okay.
• 26:51
  Speaker 2: You know there are roommates that wanted to see her
• 26:54
  Speaker 2: boobs too, Well, that's okay. They just wanted to be
• 26:58
  Speaker 2: working with you know, right, if you're gonna protect me,
• 27:01
  Speaker 2: here you go. I mean, get a peek, get a
• 27:04
  Speaker 2: pill too. I mean, I'm sure protection.
• 27:07
  Speaker 1: So in the talking Head, Angela goes, if this goes down,
• 27:10
  Speaker 1: like what I'm hearing, we're all gonna be fighting. And
• 27:14
  Speaker 1: in talking Head, Amani goes, you know, Stephanie started all this,
• 27:17
  Speaker 1: but then she threw her friend Jackie under the bus,
• 27:20
  Speaker 1: So now they're.
• 27:21
  Speaker 2: Being like trying to figure it out. Stephanie's an asshole.
• 27:24
  Speaker 3: Yep, finally they're seeing it like we've seen it since
• 27:28
  Speaker 3: episode two.
• 27:28
  Speaker 1: But yeah, so Stephanie goes, look, the focus is.
• 27:32
  Speaker 2: Off of me. So I don't give a shit.
• 27:33
  Speaker 1: I'm just gonna keep my distance from Jackie because the
• 27:36
  Speaker 1: focus is off of me.
• 27:36
  Speaker 2: So that's all I care about.
• 27:38
  Speaker 3: But to me, I think it once she beats some Jackie,
• 27:40
  Speaker 3: the focus is gonna be back on me.
• 27:43
  Speaker 2: So I don't think she's playing this game as well
• 27:46
  Speaker 2: as she thinks she.
• 27:47
  Speaker 1: No, I don't either, and she's gonna be like I
• 27:49
  Speaker 1: didn't want to do with Jackie said, but she told
• 27:51
  Speaker 1: me you guys were bullying me, and.
• 27:52
  Speaker 2: So I just whip. I mean, it's going to be
• 27:53
  Speaker 2: like that.
• 27:55
  Speaker 1: So the CEO's are opening the doors and we see
• 27:58
  Speaker 1: Swoll getting ready for the show, and she's telling the
• 28:01
  Speaker 1: CEO I'm gonna beat her ass over there, I'm gonna
• 28:03
  Speaker 1: beat her ass, and the CEO goes, don't do that,
• 28:06
  Speaker 1: and she goes, no, yeah, Becky with the good hair
• 28:08
  Speaker 1: over there, I'm gonna beat her ass.
• 28:10
  Speaker 2: The die goes, I'll Swoll, all right. I mean this
• 28:14
  Speaker 2: person is threatening physical harm to someone else. Now you
• 28:18
  Speaker 2: lie Jackie up for like saying ten words.
• 28:21
  Speaker 3: Yeah, here's someone threat Here we go again, the difference
• 28:24
  Speaker 3: in how people are treated.
• 28:26
  Speaker 1: All should have been on lockdown for saying that shit. Yeah,
• 28:29
  Speaker 1: and they but they think Swallow is just a hoot.
• 28:31
  Speaker 1: And then Jackie is like a menace. And but Jackie
• 28:34
  Speaker 1: literally was like, why can't we have paintings up on
• 28:36
  Speaker 1: our wall to make our space look better?
• 28:38
  Speaker 3: You know, the guy's swollen, her big as drawl, so
• 28:42
  Speaker 3: you know, threatening to beat this girl up, and I
• 28:44
  Speaker 3: think she.
• 28:44
  Speaker 2: Will, yeah, oh definitely. Yeah.
• 28:47
  Speaker 1: So in the talking head, Jackie's crying and she goes,
• 28:51
  Speaker 1: all of this is gonna escalate into a huge fight,
• 28:54
  Speaker 1: you know, between a lot of people, and I'm gonna
• 28:57
  Speaker 1: have to do what I have to do. So she
• 28:59
  Speaker 1: gets on the phone, she calls Justin and she goes,
• 29:02
  Speaker 1: it's time for me to come home. There's a whole
• 29:04
  Speaker 1: entire pot of people about to fight, and I gotta
• 29:07
  Speaker 1: get the fuck out of here. Like, and it's all
• 29:09
  Speaker 1: because you know, this is swollen versus people taking it
• 29:11
  Speaker 1: for me and I'm gonna and I get her point
• 29:13
  Speaker 1: was like I can do something to to take although
• 29:17
  Speaker 1: if they all had all got in their mind that
• 29:18
  Speaker 1: they're gonna fight, then they're gonna fight even if Jackean's gone.
• 29:23
  Speaker 1: So we see Swoll looking at her like crazy again,
• 29:26
  Speaker 1: and she walks around and pits her arms up on
• 29:28
  Speaker 1: her head to show the distress signal.
• 29:30
  Speaker 2: So they pull her out. But you got to go
• 29:33
  Speaker 2: back to the phone, call Mary Pain. Okay, what else?
• 29:36
  Speaker 2: Her husband does not want her to come home. He
• 29:40
  Speaker 2: was like, I thank you sixty more days and you
• 29:42
  Speaker 2: I think you can do another sixty fifty nine at
• 29:45
  Speaker 2: the least. Come on now, Well, his girlfriend's over in
• 29:48
  Speaker 2: the bed. She on her way home? Is she coming home?
• 29:50
  Speaker 2: Like Keen is not?
• 29:51
  Speaker 3: He's like, I mean everyone gets beat up in a lifetime.
• 29:55
  Speaker 2: You can take it. Like, yes, he does not want
• 29:58
  Speaker 2: her home. She did say she does. Do you want
• 30:00
  Speaker 2: me to get my ass beat?
• 30:01
  Speaker 1: And he's like, I guess, not, I guess, So they
• 30:08
  Speaker 1: pull her out. In the talking head, she says, I
• 30:11
  Speaker 1: have been bullied and ridiculed and put on lockdown and
• 30:14
  Speaker 1: thrown around like a rag doll while other people in
• 30:17
  Speaker 1: here do whatever the fuck they please. It's true, so
• 30:21
  Speaker 1: I want out, She says. You know I can't allow
• 30:24
  Speaker 1: all these women to stand up for me and fight.
• 30:26
  Speaker 1: They're already in trouble and some of them are innocent,
• 30:29
  Speaker 1: and depending on how bad the fight is, you could
• 30:31
  Speaker 1: get additional time. And I'm not going to allow these
• 30:33
  Speaker 1: ladies who have families to get additional time added when
• 30:37
  Speaker 1: it's something that I can control, because that would be unethical.
• 30:41
  Speaker 1: And she says, my time here has come to an end,
• 30:44
  Speaker 1: so black screen of death. For safety reasons, she's been
• 30:47
  Speaker 1: moved to a lockdown unit overnight. So I'm sure they
• 30:50
  Speaker 1: came in and said, like, we're putting her in lockdown
• 30:51
  Speaker 1: because we've heard there's going to be a.
• 30:53
  Speaker 2: Fight with her. Yeah, Now what we need to know is.
• 30:57
  Speaker 1: This, what did they tell the officers y when someone
• 31:01
  Speaker 1: needs to leave production, does production go out and say,
• 31:04
  Speaker 1: we're understanding through this inmate that there's a huge fight
• 31:07
  Speaker 1: about to happen, so us the officers need to protect
• 31:09
  Speaker 1: her or how do they get her put into lockdown
• 31:13
  Speaker 1: if the officers don't know you know what I mean?
• 31:16
  Speaker 1: The officers definitely don't know she's special because they've treated
• 31:18
  Speaker 1: her terribly.
• 31:20
  Speaker 2: You know. Yeah, I just assume Day would tell her, Hey,
• 31:23
  Speaker 2: she's being released. But we also heard that there's shit
• 31:26
  Speaker 2: that's about to go down. So since she's getting ready
• 31:28
  Speaker 2: to be released, let's just put her in this holding
• 31:30
  Speaker 2: seal or whatever till tomorrow.
• 31:33
  Speaker 1: But like it would have to be from the sheriff
• 31:36
  Speaker 1: down to test she's being released, because nobody else.
• 31:39
  Speaker 2: Knows but the sheriff. Right, Oh no, that's a good question.
• 31:43
  Speaker 1: So we see Jacqueline talking through the wall to production
• 31:46
  Speaker 1: and saying, you know, honestly, I just feel sad because
• 31:48
  Speaker 1: I didn't get to say goodbye to everybody.
• 31:50
  Speaker 2: Like that makes me sad.
• 31:52
  Speaker 1: So then we see a CEO coming in to her
• 31:54
  Speaker 1: pod with the female inmate, who I guess is on
• 31:57
  Speaker 1: cleanup duty, and they take all Jackie's and they go
• 32:01
  Speaker 1: to Jackie's leaving she's going to intake, So I don't
• 32:03
  Speaker 1: know if that means they think she's going to intake
• 32:05
  Speaker 1: to go to prison or prison. Yeah, And Jackie's crying
• 32:10
  Speaker 1: and she's saying, I felt awful that I'm leaving. I
• 32:13
  Speaker 1: felt awful that I'm leaving my friends here. And I
• 32:16
  Speaker 1: hope the girls know I wasn't there to snitch on them.
• 32:19
  Speaker 1: I was there to stand up for them because they
• 32:21
  Speaker 1: need a voice, you know, not swall but everybody.
• 32:24
  Speaker 2: Else, everyone else but swollen and her paper.
• 32:29
  Speaker 1: So all the women are wondering, God, I wonder where
• 32:31
  Speaker 1: she went, like what happened? And they're all like, this
• 32:33
  Speaker 1: sucks for her, like we feel bad for Jackie, and right,
• 32:37
  Speaker 1: and the talking head Angela goes, this really sucks. It
• 32:40
  Speaker 1: really sucks that she felt she had to leave because
• 32:42
  Speaker 1: a lot of people had her back.
• 32:44
  Speaker 2: Right, And I don't think she felt like it though.
• 32:47
  Speaker 1: I think she felt like it, but she felt like,
• 32:49
  Speaker 1: now I'm going to have twenty people on each side
• 32:51
  Speaker 1: fighting because wohle versus me and yeah, yeah, Silva talking
• 32:56
  Speaker 1: head Stephanie goes. You know, Jackie, she just dug her
• 32:59
  Speaker 1: hole deeper than she could get out of. She must
• 33:01
  Speaker 1: have been scared for her life, like she left because
• 33:04
  Speaker 1: she couldn't handle it.
• 33:06
  Speaker 2: I could.
• 33:06
  Speaker 1: I couldn't care less. One day you could be a
• 33:08
  Speaker 1: memory and the next day your history. To me, I
• 33:10
  Speaker 1: don't care. And at the end of the day, I'd
• 33:13
  Speaker 1: be so happy to know that I finished the whole
• 33:15
  Speaker 1: sixty days and she went home and I didn't.
• 33:18
  Speaker 2: That would really make me feel great.
• 33:20
  Speaker 3: God, I've never wanted to wanted to see a person
• 33:22
  Speaker 3: get beat up so bad in my life?
• 33:24
  Speaker 1: Why is she such an asshole, specifically to Jackie.
• 33:27
  Speaker 2: I don't know, she.
• 33:29
  Speaker 3: Really really jellousy thing or or or what. I don't know,
• 33:33
  Speaker 3: but she and she's had a heart on for her
• 33:36
  Speaker 3: since day one.
• 33:37
  Speaker 2: It's so weird.
• 33:40
  Speaker 1: So talking to Jephany's just a fucking weirdo maybe, but
• 33:44
  Speaker 1: talking to her, Jacqueline goes, I do think Stephanie intentionally
• 33:47
  Speaker 1: made me the target of Swol.
• 33:48
  Speaker 3: Thank god, you finally see that Stephanie is a horrible
• 33:53
  Speaker 3: human being. But it took you, like, I don't know,
• 33:55
  Speaker 3: almost losing your life, yeah, to figure it out.
• 33:58
  Speaker 1: She goes, she's going to be left to the wool,
• 34:00
  Speaker 1: but she'll have to figure it out without me. And
• 34:03
  Speaker 1: I think she used me to gain respect and that
• 34:06
  Speaker 1: was good. Yep. So then we see Stephanie getting into
• 34:10
  Speaker 1: the shower and her hair looks really short, so everything
• 34:12
  Speaker 1: she's good. They've they've taken her extensions from her and
• 34:15
  Speaker 1: they haven't rebraided her hair. Yeah, and the talking she goes,
• 34:19
  Speaker 1: you know, at the end of the day, I was
• 34:20
  Speaker 1: the one stuck in the pod with Swoll.
• 34:23
  Speaker 2: So if something was gonna happen, well, okay, you might
• 34:25
  Speaker 2: find out.
• 34:26
  Speaker 1: Yeah, okay, So now we go over to Angela, so angelaie.
• 34:31
  Speaker 1: The production goes into their room and they have all
• 34:35
  Speaker 1: these orange peels. It's like they get the orange peels,
• 34:39
  Speaker 1: they dry them out, and then they wrap it, get
• 34:43
  Speaker 1: toilet paper to smoke it, and they say, it's like
• 34:45
  Speaker 1: a cigarette.
• 34:46
  Speaker 2: I didn't get it either.
• 34:48
  Speaker 3: I didn't get that at all. It looks like fucking
• 34:50
  Speaker 3: popa read they're smoking, like I don't. I didn't get it.
• 34:53
  Speaker 2: Is it like, you know, in high.
• 34:55
  Speaker 1: School we spoke clove cigarettes? You know, does that come from.
• 34:59
  Speaker 3: You know?
• 35:01
  Speaker 2: Maybe?
• 35:03
  Speaker 1: And they just would just to smoke an orange out
• 35:08
  Speaker 1: of toilet paper.
• 35:11
  Speaker 2: I don't actually imagine your lungs.
• 35:13
  Speaker 3: Oh my god, my lungs are already delicate, like no,
• 35:16
  Speaker 3: thank you, nous pass here.
• 35:19
  Speaker 1: So it's like a cigarette, they say. And then of
• 35:21
  Speaker 1: course we see you know, in prison it's illegal to
• 35:23
  Speaker 1: smoke anything anything. Yeah, and Angela goes, oh my god,
• 35:28
  Speaker 1: the smoking that was like happiness, so happy.
• 35:32
  Speaker 3: The girls don't even need the weed. How would they
• 35:35
  Speaker 3: react if they had the weed in there?
• 35:37
  Speaker 2: She was like, it was just like so great.
• 35:41
  Speaker 1: And then we see Amani and another and may both
• 35:43
  Speaker 1: have their faces painted like cats.
• 35:46
  Speaker 2: Why it was so random. It's just like, is it
• 35:49
  Speaker 2: Halloween in there?
• 35:50
  Speaker 1: Like did they fall asleep and they lost Like I don't.
• 35:54
  Speaker 2: Know, I don't know, but they're kiddy cats.
• 35:56
  Speaker 1: It was funny and and they're going, oh my god,
• 35:59
  Speaker 1: like you can smell the smoke through the events, like
• 36:01
  Speaker 1: one person smokes and the other person waves it. I'm like,
• 36:03
  Speaker 1: you know, that's not getting rid of the smoke, it's
• 36:05
  Speaker 1: just dissipating it.
• 36:06
  Speaker 2: And it's it's so funny to see them flipping out.
• 36:09
  Speaker 3: I mean, it probably smells like centrist in their room
• 36:12
  Speaker 3: where you've got the eyes over there with a full
• 36:14
  Speaker 3: blown you can't even see there's so much fucking smoke
• 36:17
  Speaker 3: in the air.
• 36:17
  Speaker 2: Yeah, and the girls are just worried about.
• 36:19
  Speaker 1: An orange and they're like doing this and the other
• 36:21
  Speaker 1: ones are waving and then and they're waving, and the
• 36:24
  Speaker 1: guys are just like having like in the words of Alan,
• 36:26
  Speaker 1: a full Snoop.
• 36:27
  Speaker 2: Dogg Togue party. Yeah. Yeah.
• 36:29
  Speaker 1: So an officer comes up and so they've they've thrown
• 36:34
  Speaker 1: and hidden everything around and the officer comes up and
• 36:37
  Speaker 1: tells them, all right, everybody step out of the room.
• 36:39
  Speaker 2: We're gonna figure this out. Right and face the wall.
• 36:41
  Speaker 1: So they come out and they're all facing the wall
• 36:43
  Speaker 1: and they're like laughing and talking to each other, and
• 36:45
  Speaker 1: the officers they're high. Yeah, it's almost like they were
• 36:48
  Speaker 1: highly Yeah. And the officer's like, I could smell it.
• 36:51
  Speaker 1: And they're like, we're gonna find that lighter. And they're like, oh,
• 36:53
  Speaker 1: because they can't find it. And they said, we know
• 36:56
  Speaker 1: that Q has the lighter. She went down to the
• 36:59
  Speaker 1: other room, which is pretty smart. Yeah, So Angela goes.
• 37:04
  Speaker 1: You know, it's like a real family. I see nothing,
• 37:06
  Speaker 1: I say nothing. I protect my family.
• 37:09
  Speaker 2: And she goes.
• 37:09
  Speaker 1: And the longer I stay in here, the more I
• 37:11
  Speaker 1: feel like an inmate. Because she's got a girlfriend, she's
• 37:14
  Speaker 1: got smoking.
• 37:17
  Speaker 3: Yeah, she's really thriving, and unlike Stephanie, she's likable.
• 37:21
  Speaker 2: Correct, and everybody likes her.
• 37:22
  Speaker 3: Yeah, everyone likes her, and they're a little bit scared
• 37:25
  Speaker 3: of her because she's got like muscles and shit like that.
• 37:27
  Speaker 1: No true Stephanie can only offer up her hair. And
• 37:31
  Speaker 1: that was three weeks ago.
• 37:32
  Speaker 2: That's and that is all she had, and it's it's gone.
• 37:36
  Speaker 2: Take it for a scout. Let's go to Matt, Johnny
• 37:40
  Speaker 2: and Emmanuel in the six hundred.
• 37:42
  Speaker 1: Okay, So we see some guys joking around with t
• 37:45
  Speaker 1: Bow playing cards, and Matt is talking to himself and
• 37:48
  Speaker 1: his cell that he's going this place is a cast
• 37:51
  Speaker 1: of characters, disgusting yet compelling. I hate everyone and I
• 37:56
  Speaker 1: love everyone.
• 37:58
  Speaker 2: And then he says, just word salad. It's just word salad.
• 38:03
  Speaker 1: He goes, Yes, this scenario is calculated to bring out
• 38:07
  Speaker 1: the worst in me, and as of late with Tbow,
• 38:10
  Speaker 1: it's just not good for me because if I continue,
• 38:13
  Speaker 1: I know what will happen, and I don't want to
• 38:16
  Speaker 1: be put in a position.
• 38:17
  Speaker 2: Well, I will.
• 38:18
  Speaker 1: Really do something on camera that I am capable of doing.
• 38:23
  Speaker 1: And if I get in a fight, then my son
• 38:25
  Speaker 1: becomes a target because they know he's my son, and
• 38:29
  Speaker 1: I promise that will happen. I'm an un untenable situation.
• 38:35
  Speaker 1: How could I do that to my son?
• 38:36
  Speaker 2: Oh? It takes my breath away. Then we see him
• 38:40
  Speaker 2: in his cell. Cha cha, cha, cha cha. Always watch out.
• 38:45
  Speaker 2: He's got to keep those skills up. Mary Payne, you
• 38:48
  Speaker 2: know what I mean. There could be a sign language
• 38:50
  Speaker 2: fight out there ready away. So stupid, it's so stupid.
• 38:56
  Speaker 2: And here's the thing. All of the scenarios he's talking about.
• 39:00
  Speaker 3: He's creating inside of his own head. Timo's not even
• 39:03
  Speaker 3: paying attention to this guy.
• 39:05
  Speaker 2: Timo is not plotting to beat him up. He's not
• 39:09
  Speaker 2: at all Like Temo doesn't even fucking look at this
• 39:12
  Speaker 2: guy in his greasy hair. Like no, everything he is
• 39:15
  Speaker 2: creating inside of his own head.
• 39:17
  Speaker 3: That I mean, Timo's loud, he's obnoxious, but ignore him.
• 39:20
  Speaker 2: Johnny doesn't have a problem to ignore him. Uh huh
• 39:23
  Speaker 2: h it is hilarious.
• 39:25
  Speaker 1: He was in there, whd jo Jah doing his moves
• 39:28
  Speaker 1: and he's talking to himself again again.
• 39:31
  Speaker 2: He goes, I'm the man in the saddle. I'm an alpha.
• 39:36
  Speaker 2: Watch out, watch out. You know, I have a feeling
• 39:40
  Speaker 2: Matt is like my mom. Like when he comes off
• 39:43
  Speaker 2: from rook he watches Bonanza. Uh fucking the West. I
• 39:50
  Speaker 2: feel like watching a lonesome dove. Let's watch that. Just
• 39:53
  Speaker 2: like all this, He's so unnecessary, he is so ridiculous.
• 39:58
  Speaker 2: So he really is.
• 40:00
  Speaker 1: Johnny says this is now a separate subject. Johnny goes,
• 40:04
  Speaker 1: I don't know something's going on with Boucie, but who knows.
• 40:07
  Speaker 1: He was slamming the hell out of the phone the
• 40:08
  Speaker 1: other day and the talking head Emanuel goes, you know,
• 40:13
  Speaker 1: I was hoping to outburst, but uh, make them maybe
• 40:17
  Speaker 1: seem like one of them. And it worked. Now everybody
• 40:20
  Speaker 1: was asking me, are you okay? Are you good?
• 40:23
  Speaker 2: And now everyone's leaving me alone.
• 40:25
  Speaker 1: I don't think there's a target on my back anymore,
• 40:27
  Speaker 1: but I'm going to keep vigilant.
• 40:29
  Speaker 2: Okay, they think you're crazy, because I think you're nuts.
• 40:32
  Speaker 1: Yeah, And in the talking head, Johnny goes for Boucie
• 40:36
  Speaker 1: to act that way. Maybe he was trying to show
• 40:38
  Speaker 1: some dominance, but I don't know, Man, I get so
• 40:42
  Speaker 1: agitated with Butchie talking about how he lived in the ghetto.
• 40:46
  Speaker 2: No he didn't, He has no idea.
• 40:49
  Speaker 1: Johnny's like, there's nothing hood about him at all.
• 40:52
  Speaker 2: Nothing. The most hood thing he did was slam that
• 40:55
  Speaker 2: damn phone. That's right. And then he remember he went
• 40:57
  Speaker 2: to like punch the wall, but he was like, it
• 40:59
  Speaker 2: was like you pew peu peo pew. Yeah, Johnny goes,
• 41:04
  Speaker 2: he's just fake, fake, fake, fake fake. Yeah, it's so obvious.
• 41:08
  Speaker 1: So now we see Matt and Johnny together sitting down
• 41:10
  Speaker 1: to eat, and Johnny sees a bag of clothes on
• 41:13
  Speaker 1: the table and he just puts it on the floor
• 41:15
  Speaker 1: because he's sitting there to eat, and a guy named
• 41:17
  Speaker 1: Tata comes up. I was like, oh, how dare you
• 41:20
  Speaker 1: that's my sister's grandmother named Tate.
• 41:22
  Speaker 2: Oh. Tat comes up and says, who knocked my shit
• 41:26
  Speaker 2: on the ground? Bro? And Matt goes, I don't know.
• 41:29
  Speaker 2: I didn't do it. He goes, well, you're the only
• 41:31
  Speaker 2: one here because Johnny's like gotten up. Yeah, Matt.
• 41:34
  Speaker 1: And Matt goes, don't you come at me like that.
• 41:37
  Speaker 1: Don't you ever come at me like that again. I
• 41:40
  Speaker 1: didn't touch that bag. You don't accuse me of anything.
• 41:45
  Speaker 2: Wow, you would think someone had just accused him of murder.
• 41:48
  Speaker 2: I mean. So Tata goes over and tells TiVo, like,
• 41:51
  Speaker 2: what the fuck with this guy? Right? Yeah?
• 41:54
  Speaker 1: Then we see some guys talking through the door, and
• 41:57
  Speaker 1: Matt goes, I've figured it out.
• 41:59
  Speaker 2: They're going to target my son. They're going to target Andrew.
• 42:04
  Speaker 2: They're not what they are dealing drugs over there. They're
• 42:10
  Speaker 2: not thinking about Andrew at all.
• 42:12
  Speaker 3: Like like I said before, he's creating everything that he
• 42:15
  Speaker 3: is half a crazy person.
• 42:17
  Speaker 2: I'm convinced of it.
• 42:18
  Speaker 1: He goes, you know, I feel I'm a target in here,
• 42:21
  Speaker 1: and and they're gonna have to get rid of this
• 42:23
  Speaker 1: gang in here. And if not, I'm going to tap.
• 42:25
  Speaker 1: I'm going to tap. Yeah, just tap, just just put
• 42:29
  Speaker 1: us all out of our misery.
• 42:30
  Speaker 2: Yeah, it's just tap. So he's in a cell telling Johnny,
• 42:33
  Speaker 2: I'm so worried about my son. The talking head Johnny
• 42:38
  Speaker 2: like the best experience from uh Andrew. Ever, he's I
• 42:42
  Speaker 2: might be gay thing over there. He literally is not
• 42:47
  Speaker 2: thinking about his dad at all.
• 42:49
  Speaker 1: No, he doesn't think about him. So he's telling Johnny,
• 42:53
  Speaker 1: I'm so worried about my son. And the talking head
• 42:55
  Speaker 1: Johnny goes, you know, this is every day this is
• 42:58
  Speaker 1: every day in the streets, but has never been exposed
• 43:01
  Speaker 1: to it. It's too much for Johnny's like, nobody is
• 43:03
  Speaker 1: thinking about your son. No, Johnny's like, this is everyday life.
• 43:07
  Speaker 1: You're making such a spectacle out of everything. You're drawing
• 43:10
  Speaker 1: so much attention to yourself. Yes, and you see Johnny
• 43:13
  Speaker 1: has We don't even have a storyline for Johnny because
• 43:15
  Speaker 1: he has just stayed under the radar and he's just
• 43:17
  Speaker 1: staying out.
• 43:18
  Speaker 3: He's actually doing what he's supposed to do. Whereas this
• 43:22
  Speaker 3: method actor over here is just every goddamn scene that
• 43:26
  Speaker 3: we see him in.
• 43:27
  Speaker 2: I know, I just thow.
• 43:32
  Speaker 1: So Matt goes, if t BO goes, I stay. It's
• 43:37
  Speaker 1: as simple of that. And if somebody does doesn't move
• 43:40
  Speaker 1: him out, I.
• 43:41
  Speaker 2: Tap eye tap. Okay, here's the thing. Here's the thing,
• 43:46
  Speaker 2: descertment like hell gets moved.
• 43:48
  Speaker 1: But all those other people that are in there are
• 43:50
  Speaker 1: getting good information with this t bow and the bloods
• 43:54
  Speaker 1: and everything, so they're not they don't.
• 43:55
  Speaker 2: Okay, great, get the fuck out of here.
• 43:57
  Speaker 3: You know, he has not gathered any information to report
• 44:00
  Speaker 3: back to No.
• 44:02
  Speaker 1: None, no to the producers, none at all.
• 44:07
  Speaker 2: Okay.
• 44:07
  Speaker 1: So now it's like the next day or whatever. Timo
• 44:10
  Speaker 1: is walking around talking about like, no, you owe me
• 44:12
  Speaker 1: three things, oh you do whatever? You know, he's doing
• 44:15
  Speaker 1: his bullying thing, and then Matt goes to talking to him,
• 44:18
  Speaker 1: is like why is he still here? Why is he
• 44:21
  Speaker 1: still with us? Why is the jail letting Tiva run
• 44:25
  Speaker 1: a look like he has. If somebody doesn't move him out,
• 44:29
  Speaker 1: I may have to beat the living tar out of him.
• 44:33
  Speaker 2: Okay, so two things are not gonna happen. You're not
• 44:36
  Speaker 2: gonna think.
• 44:37
  Speaker 3: That he's gonna be moved, and you sure, tell her
• 44:40
  Speaker 3: not gonna beat the tar out of anything, but maybe
• 44:42
  Speaker 3: that mattress in your fucking room.
• 44:44
  Speaker 2: That's it. Oh my god, people wouldn't laugh at Matt
• 44:49
  Speaker 2: if Matt tried to run up on him.
• 44:51
  Speaker 1: It's I'm sorry, I'm just I'm sending a text to
• 44:53
  Speaker 1: Kimberly to let her know I'm running late for our okay,
• 44:56
  Speaker 1: for our next event. Okay, so you're almost done. So
• 45:02
  Speaker 1: it's hilarious. So he goes, I'm gonna beat the living
• 45:05
  Speaker 1: tar out of him, Like, well, you against twelve Blood
• 45:09
  Speaker 1: gang members.
• 45:09
  Speaker 2: Yeah, yeah, he's really gonna have great.
• 45:13
  Speaker 1: I came here to make a difference in people's lives.
• 45:15
  Speaker 1: There's just too much drama here. So he's telling Johnny,
• 45:19
  Speaker 1: I don't want to I don't want to have to
• 45:21
  Speaker 1: hurt him. I don't want to have to hurt him.
• 45:24
  Speaker 1: I came here to help people. But somehow it's gotten
• 45:26
  Speaker 1: turned around. He starts crying, crying, He starts crying. And
• 45:32
  Speaker 1: here's the unfortunate thing.
• 45:33
  Speaker 3: He can't even use his greasy ass hair to drive
• 45:36
  Speaker 3: it to you because it's so fucking greasy.
• 45:40
  Speaker 1: Johnny goes, it's okay, and I'm like, okay, yeah, and
• 45:43
  Speaker 1: the talking Eddie goes. You know, you could tell Matt
• 45:45
  Speaker 1: this strong guy, but this is too much for him,
• 45:47
  Speaker 1: Like he shouldn't.
• 45:48
  Speaker 2: He shouldn't. This is not making it too much for him. Yeah,
• 45:53
  Speaker 2: maybe start a reading program. I don't know. I'm sure
• 45:56
  Speaker 2: there's some guys over there who would fucking love that.
• 45:58
  Speaker 2: But no, you're like, you're fucking part of the cartel.
• 46:02
  Speaker 3: And he's got a EBow all the time to see
• 46:04
  Speaker 3: what his next move is got.
• 46:06
  Speaker 2: It's just it's ridiculous at this point. It's not for
• 46:09
  Speaker 2: him to go, but he won't go. He's not gonna go.
• 46:12
  Speaker 1: Well, we see another day now, it seems because Matt's
• 46:15
  Speaker 1: hair seems a little bit cleaner, and he's put it
• 46:17
  Speaker 1: in kind of like a low bun.
• 46:19
  Speaker 3: And when you say a little bit cleaner, like the
• 46:22
  Speaker 3: smallest speck.
• 46:23
  Speaker 1: Of clean he definitely he washed it, but I don't
• 46:27
  Speaker 1: know how much soap he used.
• 46:29
  Speaker 2: No soap was used. He just ran out underneath the water.
• 46:32
  Speaker 1: And he's saying, I pride myself and being able to
• 46:36
  Speaker 1: think and assess situations, but this is not one. My
• 46:40
  Speaker 1: son is in mortal threat because of me. Okay, my
• 46:46
  Speaker 1: son is in mortal threat. Because of me. That is
• 46:51
  Speaker 1: not proper English, sir.
• 46:53
  Speaker 2: Well, half the stuff he says isn't.
• 46:56
  Speaker 1: I mean, he thinks again, he thinks he's using these
• 46:59
  Speaker 1: big words. At least a manual uses big words and
• 47:03
  Speaker 1: they make sense, you know.
• 47:05
  Speaker 2: Because he's educated.
• 47:06
  Speaker 3: I think Matt thinks that he's still talking to the
• 47:09
  Speaker 3: members of the Mormon tavernac choir over here. It's like, no,
• 47:14
  Speaker 3: you're actually on television sounding this stupid really.
• 47:18
  Speaker 2: So talking to her Johnny goes.
• 47:20
  Speaker 1: Matt says he's worried about Andrew getting jumped, and I
• 47:23
  Speaker 1: feel bad for him because I would never let my
• 47:24
  Speaker 1: son do this.
• 47:25
  Speaker 2: But you know, or I pick the pick a different son.
• 47:31
  Speaker 1: Now, when they're showing this scene, I know you didn't
• 47:34
  Speaker 1: see this, and I don't know if I took a
• 47:35
  Speaker 1: screenshot of it. There was a guy, okay, whose face
• 47:39
  Speaker 1: was so beat up. There was a guy he was
• 47:45
  Speaker 1: just let me see if I can find it. He
• 47:46
  Speaker 1: was just sitting there and his face was so so
• 47:52
  Speaker 1: beat up.
• 47:52
  Speaker 2: I'm not going to be able to find it.
• 47:54
  Speaker 1: I know I took a screenshot, and I can't even
• 47:59
  Speaker 1: tell if this was a screen eacht.
• 48:00
  Speaker 2: That I what's the funniest part is that You know,
• 48:02
  Speaker 2: I didn't notice it.
• 48:05
  Speaker 1: No, this is sument and Jenny, that's a different one.
• 48:09
  Speaker 2: It was. It was wild.
• 48:11
  Speaker 1: The guy was sitting there and literally had cut and
• 48:13
  Speaker 1: blood all over his face. Yeah, he's just talking to
• 48:17
  Speaker 1: his friends like, hey, it seemed to be that guy,
• 48:21
  Speaker 1: the white the goof and guy and that guy.
• 48:26
  Speaker 2: Yeah, it seemed to be all the swelling and stuff.
• 48:28
  Speaker 2: You can see it now, Yeah, okay, that's what it
• 48:30
  Speaker 2: seemed to be.
• 48:32
  Speaker 1: Okay, So Matt says, I would take t bow out
• 48:38
  Speaker 1: then I would have hell to.
• 48:39
  Speaker 2: Pay, So I gotta go.
• 48:42
  Speaker 1: We see him put his hands doing the distress signal,
• 48:45
  Speaker 1: and it says Matt gives the distress signal for the
• 48:48
  Speaker 1: third time since entering the program, just such shade. He
• 48:59
  Speaker 1: tells what he goes, and he sits in the production thing.
• 49:01
  Speaker 1: He goes, being in the pod has become a mortal
• 49:04
  Speaker 1: threat to my son, and I worry that my reaction
• 49:09
  Speaker 1: to violence will be to act in kind. Nobody's trying
• 49:14
  Speaker 1: to put any violence on you.
• 49:18
  Speaker 2: Not even a little bit. I mean he's not even
• 49:20
  Speaker 2: been threatened, nor has his son.
• 49:25
  Speaker 1: He says, I want Andrew to be safe, so I'm
• 49:28
  Speaker 1: gonna follow my sword, and uh, you know, I'm conflicted
• 49:33
  Speaker 1: because I know how much Andrew wants me here, but
• 49:36
  Speaker 1: I'm doing this for him. You know, saying goodbye to
• 49:40
  Speaker 1: Andrew will be the most devastating moment of my life, really,
• 49:43
  Speaker 1: my whole life.
• 49:45
  Speaker 3: He's not dead, he's out in the casket, and you're
• 49:48
  Speaker 3: saying goodbye to him, like you're not even gonna be.
• 49:51
  Speaker 2: Able to say goodbye to you because Andrew's gonna stay.
• 49:55
  Speaker 2: What are you talking about? An idiot? Like it just
• 49:57
  Speaker 2: doesn't make sense at all, all right, So next time
• 50:00
  Speaker 2: on we see Bouccie Emmanuel yelling at the CEO say
• 50:04
  Speaker 2: what makes you think you're better than me?
• 50:06
  Speaker 1: And the CEO says, I'm better than you because I'm
• 50:08
  Speaker 1: out because I'm not in jail. I'm not in jail,
• 50:12
  Speaker 1: you dummy. And then Johnny says Bouccie, he's just always
• 50:16
  Speaker 1: making a whole big scene, right yep. Poor Johnny's like,
• 50:21
  Speaker 1: why am I in here with Matt?
• 50:25
  Speaker 2: Say?
• 50:25
  Speaker 3: Can I please get sent over to another pod? Because
• 50:28
  Speaker 3: this is utterly ridiculous in here?
• 50:30
  Speaker 2: It's too much. It is super Johnny, Poor Johnny.
• 50:35
  Speaker 1: And we see Emmanuel going, don't judge me, just because
• 50:38
  Speaker 1: I'm black, and even the.
• 50:41
  Speaker 2: Black people are judging you in there because you're at
• 50:43
  Speaker 2: that a goddamn fool.
• 50:44
  Speaker 1: The black officers like, do you see that we're also black? Okay,
• 50:52
  Speaker 1: back to Matt being dramatic, choosing to leave your son
• 50:55
  Speaker 1: in jail in Fulton County.
• 50:57
  Speaker 2: That's trauma, that's trauma.
• 51:01
  Speaker 3: He acts like they're in a cell together, like you
• 51:04
  Speaker 3: have no idea what's going on over there?
• 51:06
  Speaker 2: With none none. It's good. He's having a good time.
• 51:11
  Speaker 2: He accepting over there than he does at home with Matt.
• 51:14
  Speaker 1: He seems to people how to read. He's got his
• 51:16
  Speaker 1: blood as a cell maid.
• 51:17
  Speaker 2: He's thriving, going to be teaching them different languages. He's
• 51:21
  Speaker 2: gonna be teaching Matt to his new cell mat. I mean, yeah,
• 51:23
  Speaker 2: kind of going on over there. Yeah, well, education educational
• 51:27
  Speaker 2: center going over there.
• 51:30
  Speaker 1: Class starts at nine am, so exactly. Then we see
• 51:33
  Speaker 1: him talking to Andrew through the wall. I guess he's
• 51:36
  Speaker 1: telling him he's gonna go. And then we see another
• 51:39
  Speaker 1: party up and popping in the girl's dorm just pa
• 51:43
  Speaker 1: then and they're talking head Angelae says, I'm drunk and
• 51:46
  Speaker 1: I'm drugged, and I'm like, holy crap, and in a sense,
• 51:51
  Speaker 1: I'm betraying everyone inside of that facility by doing this.
• 51:55
  Speaker 1: But then we see Angela and Gabrielle making out at
• 51:57
  Speaker 1: the party.
• 51:57
  Speaker 2: Why everybody cheers?
• 51:59
  Speaker 3: I feel like they could go do that in a shower.
• 52:03
  Speaker 3: Why does it have to be like in front of everybody.
• 52:07
  Speaker 2: I don't know that with that shower curtain of what
• 52:10
  Speaker 2: you're doing in there, girls, I don't think the Seals
• 52:12
  Speaker 2: will give a fuck what else they might. No, they
• 52:17
  Speaker 2: probably don't. I don't think they probably like Angela. She
• 52:20
  Speaker 2: seems cool. Yeah, let her slide, literally, let her slide.
• 52:28
  Speaker 1: It's interesting though, because several people have written me to
• 52:31
  Speaker 1: say that if any of these people in the sixty
• 52:34
  Speaker 1: days in program do something that is illegal, then they
• 52:37
  Speaker 1: will catch a charge and be in jail for real.
• 52:39
  Speaker 1: So if Angela is gonna get caught drinking and doing drugs,
• 52:42
  Speaker 1: then she is gonna catch a charge and be there
• 52:44
  Speaker 1: for real.
• 52:45
  Speaker 2: I think she's okay with being there for real. Well,
• 52:48
  Speaker 2: as long as Gabrielle's there, she's good to go. Well,
• 52:51
  Speaker 2: here's the thing.
• 52:52
  Speaker 3: They're gonna be separated at some point because they're just
• 52:54
  Speaker 3: in jail. Yeah, Gabrielle's gonna go to prison. Yeah, yeah,
• 52:59
  Speaker 3: then what.
• 53:00
  Speaker 2: I don't know? Then what God bless well.
• 53:04
  Speaker 1: I am getting more and more excited for this to end,
• 53:07
  Speaker 1: so we can see, like how they do like a
• 53:09
  Speaker 1: tell all reunion and we can.
• 53:10
  Speaker 2: You're sure they do that though, yes, several people talk.
• 53:14
  Speaker 2: You're positive they do it?
• 53:15
  Speaker 1: Okay, Yeah, people say that they send them all down
• 53:17
  Speaker 1: at the end and they're able to say if they've
• 53:20
  Speaker 1: spoken to those people on the inside and if they
• 53:23
  Speaker 1: have the updates.
• 53:23
  Speaker 2: I'm like, where is swol You know? Well, I think
• 53:27
  Speaker 2: we all know where Swul is. I don't know where
• 53:30
  Speaker 2: swoll is.
• 53:31
  Speaker 1: Fole is freaking have it in a lady's prison somewhere
• 53:35
  Speaker 1: or run in the joint.
• 53:37
  Speaker 3: Swol is either in prison or she's signing up for
• 53:39
  Speaker 3: my six hundred pound life, one or the other.
• 53:42
  Speaker 2: That's where Swollen is. No where. You're so wrong for
• 53:45
  Speaker 2: that Gisha, that is well. I want her to get help,
• 53:49
  Speaker 2: do you? Yes?
• 53:53
  Speaker 3: When my fat ass was real fat, I needed help
• 53:56
  Speaker 3: and they rolled me right.
• 53:57
  Speaker 2: On and next to that surgery room? Is it? That's
• 54:01
  Speaker 2: all this swallowed? So angry? Say her ankle's hurt. I
• 54:08
  Speaker 2: think she's angry.
• 54:08
  Speaker 1: You shouldn't have any teeth, and probably her whole family
• 54:11
  Speaker 1: has abandoned her because she acts like that.
• 54:15
  Speaker 2: I don't know.
• 54:15
  Speaker 3: I mean, it's gonna get by and get a new family,
• 54:18
  Speaker 3: you know what I mean. There's a world of wonder
• 54:20
  Speaker 3: out there. Then if you get your own show, you
• 54:21
  Speaker 3: might get new teeth too.
• 54:23
  Speaker 2: This is Slatin Sisters. There's hope, oh Keisha.
• 54:29
  Speaker 1: One of them got one of them got been by
• 54:31
  Speaker 1: Campbell and the Campbell another one got arrested for nef.
• 54:35
  Speaker 2: Now they're both out.
• 54:36
  Speaker 3: They just had a wedding, one of us got new teeth,
• 54:38
  Speaker 3: one of us got a new husband. It just all
• 54:40
  Speaker 3: works out.
• 54:42
  Speaker 2: Did the one that needed the new teeth with the
• 54:43
  Speaker 2: one tooth? Did she get a new teeth? Yes? Thank god.
• 54:47
  Speaker 1: Oh okay, I'm gonna need to go look up a
• 54:49
  Speaker 1: picture because I was upset looking at her. I was
• 54:51
  Speaker 1: upset with her turkey gobbler and upset with her one
• 54:53
  Speaker 1: ch epics.
• 54:56
  Speaker 2: Yes she got that.
• 54:57
  Speaker 3: I keep telling you you were her but not watching
• 55:01
  Speaker 3: the weight loss stories.
• 55:03
  Speaker 2: Yes they're trashy, disgusting at times, but it makes me sad.
• 55:08
  Speaker 2: That makes me sad.
• 55:09
  Speaker 3: I love going through the struggle because I well, you've
• 55:12
  Speaker 3: never been really fat, So you don't understand the struggle.
• 55:15
  Speaker 2: To me, it's personal, it's close to the heart. I know,
• 55:18
  Speaker 2: I get it.
• 55:18
  Speaker 1: I mean I've been I've been kind of fat.
• 55:22
  Speaker 2: You know, problem was kind of fat. No, don't say
• 55:24
  Speaker 2: it because if people will be dming us.
• 55:26
  Speaker 1: No, no, no, no, I mean for or four I've been.
• 55:29
  Speaker 1: I've been thirty five pounds overweight. Hell, thank you COVID.
• 55:33
  Speaker 2: You know yeah, I was almost four hundred pounds.
• 55:36
  Speaker 1: Well, we've discussed that. It's so hard for me to believe.
• 55:39
  Speaker 1: You've even showed me pictures and I'm like, that's not
• 55:41
  Speaker 1: how I she weigh look out great, you looked.
• 55:43
  Speaker 3: The funniest thing is my brother's fiance when we call
• 55:47
  Speaker 3: them fat Kisha pictures and I'll send her one. She's like, no,
• 55:50
  Speaker 3: Like one time she was in shock and I saw
• 55:53
  Speaker 3: the look of shock on her face. She's like, there's
• 55:55
  Speaker 3: no way, im it was ways that was me. Yeah,
• 56:00
  Speaker 3: it is shocking. It is shocking.
• 56:02
  Speaker 1: Speaking of everybody needs to be following Keisha over on
• 56:04
  Speaker 1: social media. She does a lot of like fun posts
• 56:06
  Speaker 1: about how to dress over forty and so she's like
• 56:09
  Speaker 1: this is some she this is from Amazon, and I
• 56:11
  Speaker 1: was very upset the other day with your posts saying
• 56:13
  Speaker 1: that you don't ever wear socks and did you see
• 56:15
  Speaker 1: what I wrote?
• 56:16
  Speaker 2: I saw a lot of people. Someone goes this is
• 56:19
  Speaker 2: just another part of Keisha's lure. So many questions came
• 56:22
  Speaker 2: in to me, I do not own a pair of socks.
• 56:26
  Speaker 1: Do you ever wear like tights, like if you had
• 56:30
  Speaker 1: to wear with the dress?
• 56:32
  Speaker 2: Yeah, I've done that, okay, but not socks.
• 56:36
  Speaker 1: But you will be like tights all the way up
• 56:37
  Speaker 1: to the waist, but not socks just on the feet.
• 56:43
  Speaker 2: Okay.
• 56:43
  Speaker 1: I listen, and I can't breathe. I mean I sleep
• 56:47
  Speaker 1: in socks. I've been on socks.
• 56:48
  Speaker 2: I would not be Yeah, I can't sleep with pants on.
• 56:54
  Speaker 3: I'm like, I'll have on a full blown pajama set
• 56:56
  Speaker 3: as soon as it's time for me to like lay
• 56:58
  Speaker 3: it down for the.
• 56:59
  Speaker 2: Night, those pants and I don't care how cold it is,
• 57:02
  Speaker 2: you do it.
• 57:02
  Speaker 1: I do that sometimes too, though. If I'm going to sleep,
• 57:05
  Speaker 1: I'll put but I'll put on like little shorts to
• 57:06
  Speaker 1: sleep in instead of pants.
• 57:08
  Speaker 2: Because either listen, everybody's got their thing and I have
• 57:13
  Speaker 2: a lot. Everybody. Make sure you're following both of us.
• 57:21
  Speaker 1: Please On social Media, the Liberda Wakisha and Pink Shade
• 57:24
  Speaker 1: Pod and a free and nice thing you can do
• 57:26
  Speaker 1: for any podcast you love. This one Kisha's any podcast
• 57:29
  Speaker 1: you love, especially at the holiday season. Just you know
• 57:31
  Speaker 1: you want to give a little gift for free, just
• 57:33
  Speaker 1: give a five star review over on Apple, Robbie's Spotify,
• 57:36
  Speaker 1: wherever you listen. It's always appreciated and that helps other
• 57:40
  Speaker 1: people find us.
• 57:42
  Speaker 2: And we'll be back.
• 57:43
  Speaker 1: Next week and don't forget guys, Keisha and I over
• 57:46
  Speaker 1: on the ten dollars level of Pink Shade Prime. We
• 57:48
  Speaker 1: are covering a rewatch of Welcome to Plathfill and people
• 57:52
  Speaker 1: are very happy that you figured out how awful those
• 57:54
  Speaker 1: people are with episode one.
• 57:58
  Speaker 2: They didn't do a good job of trying to hide it. Yeah. Yeah,
• 58:01
  Speaker 2: they just get so much worse. It just gets so
• 58:04
  Speaker 2: much worse. So we're covering that. We're covering that, and.
• 58:07
  Speaker 1: Also this week will be the Seeking Sister Wife finale,
• 58:11
  Speaker 1: covering that with Kimberly and as a lot of marriage.
• 58:13
  Speaker 2: Apparently I need to watch that because people were like,
• 58:16
  Speaker 2: I can't believe you don't watch this show? Can you show?
• 58:18
  Speaker 2: I'm like, I've never watched an episode they're like, you
• 58:20
  Speaker 2: need to watch it.
• 58:21
  Speaker 1: I'm like, okay, yeah, you gotta start from the beginning.
• 58:26
  Speaker 1: A lot of Maryfield news coming out. Kimberly and I
• 58:28
  Speaker 1: will be discussing, and of course tomorrow Kimberly and I
• 58:33
  Speaker 1: will be doing the part four of the TLC Happily
• 58:36
  Speaker 1: Ever After Reunion, Thanks the Lord, Part four and it's done,
• 58:41
  Speaker 1: and this week I'm popping Bravo. I have Brian Boylan.
• 58:43
  Speaker 1: So that's it, everybody, And I hope everybody had a
• 58:46
  Speaker 1: wonderful Thanksgiving. Yes, and everybody start decorating for Christmas.
• 58:51
  Speaker 2: I haven't started getting now. I haven't started. I haven't
• 58:54
  Speaker 2: been home yet. I'm panicked. I'm panicked. I gotta get home.
• 58:57
  Speaker 2: I gotta get me done.
• 59:00
  Speaker 1: Okay, that's it, everybody, Bye bye,