Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / Cavalcade of America: The School for Men (EP1100s)
Transcript
- 0:28Welcome to the Great Detectives of Old Time Radio, eleven hundred episode special from
- 0:34Boise, Idaho. This is your host, Adam Graham. If you have
- 0:38a comment, email it to me Box thirteen at Great Detectives dot net,
- 0:43follow us on Twitter at Radio Detectives, and become one of our friends on
- 0:48Facebook, Facebook dot com slash Radio Detectives. Well, before we get started,
- 0:57I want to say that today's program is brought to you by the financial
- 1:00support of our listeners. Thanks so much for your support. You can support
- 1:03the show at support dot Great Detectives dot net. Well, today we have
- 1:11somewhat of an unusual show for our program. It's an episode of Cavalcade of
- 1:17America. Cavalcade of America began in nineteen thirty six, and really it was
- 1:23sponsored by the chemical maker DuPont, and it focused on telling great stories from
- 1:29American history. In the early years, most of these stories were completely true
- 1:36and faithful adaptations of history. As time went on, they focused on other
- 1:42educational programs. Certainly there were some great true stories, but sometimes they would
- 1:48focus on a principle or an agency, or some sort of initiative using a
- 1:53fictitious situation, such as the case with today's episode. And I'm also very
- 2:00place to say we have a great star for you for today, Gregory Peck.
- 2:05This episode was first aired May the fifth, nineteen forty seven, when
- 2:10Pack was really in the midst of a long run of highly acclaimed roles between
- 2:20nineteen forty six and nineteen fifty. During those five years, he was nominated
- 2:24for the Best Actor Award four times, eventually winning it in nineteen sixty three,
- 2:31and he also went on to win couple of Golden Globe Awards, one
- 2:40for Kill a Mockingbird and the other in nineteen ninety nine for his supporting role
- 2:47in the TV mini series Moby Dick. He also won his place on the
- 2:57Hollywood Walk of Fame for motion pictures and so definitely Gregory Peck not known for
- 3:05his radio work, but he's got actually a very good body of work.
- 3:10It's kind of small, and there are a lot of adaptations of motion pictures,
- 3:15but some pretty interesting from the plots anyway, episodes of suspense and this
- 3:22episode of Cavalcade is a good vehicle for him. And there's and his secondary
- 3:27star is someone that I think we've all heard of. But I've gone on
- 3:30long enough. Let's go ahead and take a listen to today's episode our eleven
- 3:35hundred episode special The School for Men, The Cavalcade of America starring Gregory Peck.
- 3:50Good Night that Your Bond Company brings You Scooper Men starring Gregory Peck on
- 3:54The Cavalcade of America. First here is gain Whitman Good Evening, prepared especially
- 4:09for use in and around the home. DuPont's two DDT products spell sure death
- 4:15to many troublesome pests brushed on screens or sprayed on walls and other flat surfaces.
- 4:19The five percent DDT Insects spray leaves an invisible residue with long lasting killing
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- 4:30where crawling insects hide out. If you can't get them at your local dealers,
- 4:34write DuPont for information. DuPont DDT Insects Spray and DDT insect Dust are
- 4:43two more the DuPont companies Better Things for Better Living through Chemistry and now School
- 4:57for Men starring Gregory Peck as Jim Davenport on the Cavalcade of America. Don't
- 5:15let the title of tonight's play foolier. This is a mystery. Yes,
- 5:24that's right. I'd like to tell you the story. My name is Jim
- 5:27Davenport. This is my story too. It was just after my training,
- 5:30twelve weeks of it, and the finest school of its kind in the world,
- 5:34the FBI School in Washington. Our don't get that wrong. I'm not
- 5:39an FBI agent, just a member of the brook City Police Force, a
- 5:42detective sent by my chief to take the training. The FBI offers any police
- 5:46officer who can go, and the facilities are well. We'll let my story
- 5:53tell more about that. I wasn't assigned to this case because it was in
- 5:57Midvale, where my brother Jerry lives and works as a detective. Midvale an
- 6:02average sized, average looking Midwestern town, and on this particular spring night,
- 6:09it was quiet, dark, cool. Who's that? Come on? Open
- 6:17up, go away, get away from here. Hey, Agnes, what's
- 6:20the matter with you? Means Jim, Jim, Oh, Jim, oh,
- 6:28Jem, Hey what goes on here? Can a brother in law drop
- 6:30in? All right, Jim, Wait a minute, I'll close the door.
- 6:34What's the idea of the barrage of locks and bolts? Dracula making his
- 6:38nightly round. It's just I'm on pen needles. What for Agnes. What's
- 6:43the trouble? Nothing wrong with Jerry. Oh no, he's fine. Where
- 6:46is he? Sorry? What's the trouble. Jerry's out on these cases?
- 6:53These cases. Oh, this is a fine way to treat a brother in
- 6:55law. Soon as he steps in the house he gets trouble through. Now,
- 6:57luck, Agnes settled down. Suppose you started beginning. You're sure there's
- 7:00nothing wrong with Jerry. Jimmy hasn't slept decently or eken a square meal in
- 7:05weeks? Oh well, my brother doesn't eat. There's something wrong jim have
- 7:09been two murders a third night. Oh, now I get it. I
- 7:13got off the train, walk down the main street. It was like a
- 7:15moor. Yes, everyone's terrified. People are afraid to go on. I
- 7:19worries so about Jerry. Yeah, why you know how he is Jim when
- 7:24he's working on a case, he never thinks about himself. He rushes in
- 7:28almost without thinking. Someday I'm afraid he's courage Yeah, I know what you
- 7:32mean, the old methods. That's it. But oh, jem, I
- 7:36feel awful. We haven't seen you in Monson. When you do drop in,
- 7:40Paul, Right, let's forget it now. Can you still do magic
- 7:43with a waffle baker? I listen much better on a full stomach. Yeah,
- 7:54Jim, this guy's got the devil's luck, Anne Brewery. Yeah,
- 7:57but that must be some lead, Jerry, something you can pick up.
- 8:00Well, that's what we thought. After the first murder, we hit a
- 8:01wall. What about the second? The same thing? Now? This once
- 8:05tonight? Who was it? Same as the other two? A girl?
- 8:09This time it was Yeah. I'll wait a minute, Jerry, Are you
- 8:16sure the same person's doing all the killing? Looks like it break in kill,
- 8:20break in kill. It sounds like pattern murders. H pattern murders.
- 8:24This kind of a killer never varies. Every murder was committed the same way
- 8:28exactly strangulation and the time between them. I mean, how long from one
- 8:31murder to the next, Almost exactly two weeks to the day. But this
- 8:37killer is following a set pattern. You've got about two weeks before he hits
- 8:39again. If he does, you can do a lot in two weeks with
- 8:43what we've got nothing to work on. Well, you can never tell,
- 8:45I could. Well, what are we going to say? Oh? I
- 8:48don't know, Jerry, I've got no business butting in. Well, who
- 8:52says you are if my own brother can't count the same? Oh, I
- 8:54don't mean my visit, I mean my oh my help, help? What
- 8:58are you getting at? Well? Look, I spent twelve weeks in Washington.
- 9:03Yeah, I know the FB High school. Look, John, Look,
- 9:05look, wait a minute. I've heard about fellas going down to that
- 9:07place. They all come back talking like professors of crime. Why they're a
- 9:11pained every comp on the force. I'd rather keep my popularity and learn the
- 9:16tricks from Bill Howell. Yeah, who's Bill Hall. He's been on the
- 9:18force ten years. He's in the tradition. When there's a job, he
- 9:22goes into it head on. He doesn't handle the crooks with tweezers and microscopes.
- 9:26He lets him have it. This is his case we're going on now.
- 9:30And he called me in because he likes me and he thinks I can
- 9:31help. Hellok, Jerry, I know I'm with the Brook City Police Force
- 9:35and this is midfield. But if what I've learned in Washington will help you,
- 9:37I'll be glad to stick around. Okay, first thing tomorrow morning,
- 9:41we'll go to the nevill home. You see, Jim. Just like I
- 9:50said, the killers smart. Yeah, but he'll slip sometimes. That's what
- 9:54we said six weeks ago. Oh, hire Bill, Jim. This is
- 9:56Bill Howell, best detective on the force. Bill, My brother Chi.
- 10:00How are you Bill? Okay? I was on the carpet again this morning.
- 10:03Jerry, Oh bad, my ears are seen. We got to get
- 10:07something anything, Yeah, you tell me where to find it, Jerry.
- 10:09You seeing this room after the murder last night? Did Jim? Yeah?
- 10:13No, one's been in here od since we left last night. Why oh,
- 10:15I'm just asking. Yeah, let's get it straight. The murderer broke
- 10:20in this window. Well, first he cut that screen so he could pry
- 10:22open the window. Let you it's copper, the screen, it's it's copper.
- 10:26Yeah, he had to cut all around to get in. That's nothing
- 10:30new. We saw that last night and I went him in a Bill.
- 10:31What are you driving at, Jim? Well, this windows, it's out
- 10:35of the way over here at this side of the house. Where are you
- 10:37going? Look there are three other windows towards the front of the house,
- 10:41much easier to get at. But this killer picks the one that's the hardest
- 10:46to get it a go ahead? Why why the window he broke into is
- 10:50almost covered with shrubbery from the outside. Yeah, what's on your mind,
- 10:54Jim? Well, this murder was committed while it was dark. This window
- 10:58would be tough to find to see in the dark, but he picked it,
- 11:01passed up those other three. Sure less chance of them being seen for
- 11:03the street. Yeah that's all, Jim, is it? I'll give you
- 11:07ten to one that if there was no light in this window at night,
- 11:09you couldn't see it, but your murderer knew where and how to find it.
- 11:15You thinking about an inside job, Jim, I'm not thinking about anything
- 11:18until we asked a family some questions. But we have only one servant,
- 11:31a maid. Surely you don't think that's no, No, we don't.
- 11:35What was anyone in the house who might have looked it over, who might
- 11:39have seen that that window was the most protected from the street. I don't
- 11:43know. I don't know. I can't be expected to remember something like that
- 11:48at a time like you. Of course not. Thank you, missus Neville.
- 11:52Is that all you wanted? Well? Now, yes, what are
- 11:56you doing to find the man who kill my What are you doing? Nothing?
- 12:03That's not nothing. He killed three people already, knew, do it
- 12:07again while you k better get some rest. Missus Neville, it's so came,
- 12:18missus Nevill. We know I'm in my room. What are we doing?
- 12:26Well, what are we doing? Banging our heads against the wall,
- 12:28That's what we're doing. Joe think it was an inside job, Jim,
- 12:31Oh, I didn't say that. I just thought that it might have been
- 12:35someone who knew that that window was there. A dozen strangers come into a
- 12:39house in a month. Him milk man, guess man, waterman, grocery
- 12:41delivery, dry clean as laundry man. Yeah, we can't check all of
- 12:46them. And what are you doing? Say? Did you see this?
- 12:48What have you got? So? Threader was on the floor, let me
- 12:52see it? Well? What about it? Well? Was it here when
- 12:56you looked last night? I didn't see it. It would be easy to
- 12:58overlook against the sure, sure, but maybe it's just something you've been waiting
- 13:01for. A thread not even an inch long. It could have come from
- 13:05anything. I know that you want it if you're thinking it might have come
- 13:09from the killer's coat no days more. We examined the cut edges of the
- 13:13screen with a magnifying glass, thinking maybe he might have caught his coat,
- 13:16but he didn't. He came through clean as a whistle. Well, uh,
- 13:20let me have this thread. What are you gonna do with it?
- 13:22I'd like to send it down to Washington, Wising. Yeah, to the
- 13:24FBI lab there, and they'll tell us what all about it. The FBI
- 13:28Lab in Washington gives every police force in the country the best laboratory of it's
- 13:31kind in the world. Take advantage of a Jerry Bill. You're in a
- 13:35blind alley. Now this thread might tell you something. What can you lose?
- 13:50But Jim, there are eleven thousand people in this town who might own
- 13:52a brown tweed coat well worn by That report from the FBI lab doesn't help.
- 13:58No, you didn't read all of it. They found traces of sodium
- 14:01biosulfate on the thread. What's that? I send along a list of uses
- 14:05for the chemical look of these last three? I checked. What's the matter
- 14:09with the rest of the list. There's a flocky use too unlikely, but
- 14:13it's used for paper bleaching. Anybody in mid Veil manufactured paper? No on,
- 14:18the next ink manufacturer, no dice there, And the third is photography
- 14:22pography. Yeah. Sodium fire sulfate is commonly called hyper used in photography to
- 14:28fix prints and negatives after development m photography photographer, Hey, Jim, maybe
- 14:35a gimmick is right a photographer to be able to get into a house,
- 14:39he'd be there a long time, plenty of time to case. The fly
- 14:41suggests we go back to the nevill home and ask a few questions. No,
- 14:52no, there's no one here who knows anything about photography. What's that
- 14:58got to do with my man? It's just a check, Miss Neville?
- 15:00No, did Mary have any recent photographs made photographs? I am oh,
- 15:07chok it? I don't know. I was away. When I came back,
- 15:15Mary had it already made, gave it to me. Is that it
- 15:20on the piano? Yes? And you don't know the photographer's name, and
- 15:26the only one who could tell us would be married missus Neville. We're going
- 15:31to take that photograph. We'll return it later. Did end again? The
- 15:41guy didn't even sign it? No, No, what kind of a photographer
- 15:43doesn't signs? Made? You got me, Jerry on a long chance,
- 15:46let's question the families of those other girls. No, I don't remember who
- 15:56it was, but he did come to the house and take my picture,
- 16:00and shortly after your sister was cute. Yes, that's true. Now think
- 16:06hard, please what was his name? I can't remember? Please? How
- 16:11was I to to know what would be important? You couldn't know. But
- 16:15we'd like to take that photograph. Yes, there was a photographer who took
- 16:23Anne's picture just before. What was his name? Do you remember? I?
- 16:30Please think hid missus Cook? I think it was Benson. Yes,
- 16:33that was it, Joseph Benson. How do you know? Because I was
- 16:37going to make out a check, but he wanted cash. Jim, it
- 16:40looks like we're on the right track. Eleven photographers in the phone book and
- 16:52not one named Benson. Well, missus Cook was wrong, or maybe not
- 16:56Jerry. It doesn't have to be his right name. Maybe he's not even
- 16:57a real photographer to use that excuse to get into the houses and look them
- 17:02over. I don't think so, looking at it this way. To take
- 17:03those photos and they're good, he'd have to have equipment, camera, lights,
- 17:07dark room. Does that sound reasonable? Yeah? Sure, Okay,
- 17:11let's pay a visit to these eleven photographers, one by one. Oh no,
- 17:12don't do that, are you crazy? Jim? The one lead We've
- 17:15got the first in six weeks, and you want to stop dead on it.
- 17:18No, it's not that, and you sent these were pattern murders space
- 17:21two weeks apride. All right, it's been six days, almost a week
- 17:23since Mary Neville was killed. That gives us about eight days to nail the
- 17:26murder before he gets somebody else. Eight short days. Yeah, But if
- 17:30you ask questions now, the one we're after among those eleven photographers will get
- 17:33suspicious. He's clever, Jerry, so clever that he didn't leave a clue
- 17:37until we found his thread. Give him one chance to suspect that we've got
- 17:41a lead on him, and he'll cover up fast. And what's the answer.
- 17:44Well, I'm going to send these three photographs to the FBI lab in
- 17:47Washington, have them checked for fingerprints and a few other things. But then
- 17:49it'll take time. Jerry asked a couple of days, and we've got eight.
- 17:52Let's hope we learned something, something, and it'll put the finger on
- 17:56that killer before those eight days are up. You are listening to School for
- 18:10Men, starring Gregory Peck as Jim Davenport with Robert Bailey as Jerry on the
- 18:15Cavalcade of America sponsored by the DuPont Company, maker of Better things for better
- 18:19living through chemistry. With only a few days left to catch a vicious murderer
- 18:30before he strikes again, Jim Davenport and his brother Jerry have used the facilities
- 18:36of the FBI laboratory. Jim, trained in the FBI school in Washington,
- 18:40tells Jerry the results of sending three photographs to the lab. Each one of
- 18:44these three photographs was printed on the same kind of paper. So Goodn't a
- 18:48lot of photographers use the same kind? Sure, but we've got three coincidences,
- 18:51Jerry. First, a photographer entered the three houses where the three girls
- 18:56were killed. Second, he left his photographs unsigned. Third, the same
- 19:00kind of paper was used to print each one. That's too much to ask,
- 19:02even of the long arm of chance. Yeah, sure it is all
- 19:06right. Here's the list of the eleven photographers in Midvale. Now which one
- 19:11do we want? And we've got only three days to jump him before he
- 19:14goes on the LUSI again. Get a list of photographic supply houses. We'll
- 19:17ask some questions. Well, let's see, we supply all the shops with
- 19:26that paper. Well, do you have us applying directly to photographers. It's
- 19:30very seldom. We're wholesale photographer usually gets his discount at the shops he deals
- 19:33with. All right, let's have a list of the shops you supplied in
- 19:36the last three or four months. Right here, there are only four.
- 19:37The ACME Camera Shop, the Iras Miller's Photo and Hobby Shop, and the
- 19:41Rammed Central Camera store addresses right there. Well, yes, we saw quite
- 19:52a bit of it. It's popular. Well, it sold a large quantity
- 19:55of this paper to a photographer. Recent thing I can check? Please?
- 19:57Do oh some better of In fact, I think I remember selling a gross
- 20:03about two months ago to one photographer. Yes, I think so. He
- 20:07showed me his business card and I gave him the regular trade discount on the
- 20:10gross of paper. He got his name there, yes, and his studio
- 20:12address to see Hubert Carson five fifteen. Long wait, but that's just around
- 20:17the corner. That was a nice studio you've got here, mister Carson.
- 20:29Yes, I'm quite pleased with it. Can I help you? Mister Davenport?
- 20:34Davenport? Does the name sounds familiar? No, I don't think so.
- 20:40Oh you do very nice work, Thank you, I say, isn't
- 20:45that a photo of a Neville girl? Yes? It is. I took
- 20:49her picture just about a week before the horrible tragedy poor girl lovely too,
- 20:56about a week before. Yes, when I read about the terrible tragedy,
- 21:00I could hardly believe it, so I imagine it was a shock, dreadful.
- 21:04But you came to see me about some work I want done. I'm
- 21:07not quite sure what I want. Perhaps you'd like to see some samples of
- 21:11my work, I mean, other than these hanging in here. Yes,
- 21:14as I would very much. Well, if you'll step into the display room,
- 21:17I'll just bring a couple in here. I'd like to look at these
- 21:19color prints. Oh, certainly, I won't be a moment, I know.
- 21:22Hurry, mister Carson, No, hurry. Sure, he admitted he
- 21:33took Mary Neville's picture, even had a print of it in his studio.
- 21:34While that doesn't sound like a gilly man of means Jerry the man whore after
- 21:37as a psychopathic killer, he'd treat it insane ego. On news of his
- 21:41crimes, he'd want things around him to remind himself of his his imagined superiority.
- 21:47Having Mary Nebles's photo around might be there, and hey, hey,
- 21:49fingerprints on that glass? Yeslitch from Carson studio match those on the photos you
- 21:53sent to the FBI. Land Wait, got him not here? Huh?
- 21:56What more do you want? Now? He can prove you as an all
- 22:00three houses where the murders were committed, even gave a phony name on one
- 22:03job. Granted, but evidence like that wouldn't stand up five minutes in court.
- 22:07A smart defense lawyer could bust that wide open. Let's haul him down
- 22:10and ask him a few questions. I wouldn't Bill, simply because a man
- 22:11took photos of the three girls, there's no reason to believe he killed him.
- 22:15Look, suppose we put a tail on him. We got two and
- 22:17a half days before he's able to go on another rampage. Okay, put
- 22:21a tail on him, have him watched. What if he gets wie,
- 22:22then you've lost him. You can't prove anything. Now, let him get
- 22:26wise than in light dogo. Maybe even leave town and stat is killing someplace
- 22:30else. Oh we're up another tree. Oh look, Jerry, Bill,
- 22:33I sent something else to Washington. What a knife I found in his studio?
- 22:37Knife? But the murders weren't committed with a knife, I know.
- 22:40But the copper screen in the nevill home was cut with a knife. Or
- 22:42something like it. So if there's even a minute trace of copper on Carson's
- 22:47knife, the FBI lab will find it and that'll be it. And one
- 22:49more thing. The newspapers are yealing for something, Give it to him.
- 22:53What tell him? You've got to lead? You mean tip my hand.
- 22:57Let Carson know? Are you crazy? Tell the papers about the thread from
- 23:02a wool jacket a brown coat. I don't get it. If Corson's are
- 23:07man, he may try to get rid of that coat. Yeah, but
- 23:10put a tail on him. If he leaves the studio apartment with a package,
- 23:14nail him. Sure. Sure, he left his studio apartment a dozen
- 23:26times. I'm no package. No, And the manager of the building squeares
- 23:30nothing like a coat was burned in the incinerator. But if Carson's a man,
- 23:33he must have read the papers. You must know about that thread,
- 23:37and you try to get rid of that coat. Yeah, but he didn't.
- 23:40There was an eye on him every minute of the day and night.
- 23:41I'm telling you the guy didn't take it out. All he should have done
- 23:45is get in his place while he was out and pick up the coat.
- 23:47As so that wouldn't have meant a thing. Jared don't you see he'd admit
- 23:49it was his coat. We could prove the thread came from it. But
- 23:53so what he admits having been in the Neville house. Oh, but no
- 23:56thread could lay around for four weeks work. One of the things I le
- 24:00FBI school was that the case wants to be tight, so tight that there's
- 24:03no loophole. Sure, but Carson didn't try to get rid of the coat.
- 24:06We gave him two days. All that could mean he was wise spotted
- 24:08your man, and that could mean he'll lay off, maybe leave town.
- 24:14Jim, we got to stop that. If we have a losing lord knows
- 24:15how many more he'll kill. He'll be eight a minute. Jerry, Holy
- 24:19Matro. What the something you said at the Nevil home? Jerry? You
- 24:22said thousands of people come into a house in a month. Yeah, what
- 24:26about a gas man, laundryman, dry cleaner, dry cleaners pick up and
- 24:30delivery. Carson could have had the dry cleaner pick it up. Oh,
- 24:33what dumbbells? We are find out what cleaner service that neighborhood? Carson?
- 24:45Here it is, my driver picked it up. You're sure that's the coat?
- 24:49There's the time, Hubert Carson. Oh, another dead end this coat's
- 24:53not brown, it's blue. Oh it was brown brown book? Now was
- 24:59this coat when it came in? Yes, Jerry, our newspaper trick worked.
- 25:03He had his coat died. Come on, let's get caught. Take
- 25:15it easy, Jerry, easy? What for you said? You've got always
- 25:18need? Sure? But remember consience killed three times? One more won't matter
- 25:22to him. Don't worry. The FBI lab gave us the case. But
- 25:25I'll take over from here on. Make him step off the hall, don't
- 25:30go in. Look I've picked up one hundred guys. Yes, I said,
- 25:34you're under arrest, right, I don't know. I can get dressed
- 25:37and come on, but what's this all about? You know? Want me
- 25:41to come and ask you? Well? Do you mind if I get my
- 25:47coat? Tom sendwy our cost? What's the matter? It's just this.
- 25:52It's a gun in his coat? Plane? And why not with all these
- 25:53crimes? Very well? Now? May I have my hat? Or do
- 25:59you think I have a gun in that Oh? I hed? Look out,
- 26:02Jerry. Oh he did have a gun in that hat. You see,
- 26:06Jerry, it would have been much better if he'd been made to step
- 26:08out in the hall. You two are pretty smart, yeah, and we're
- 26:11getting sweaty. Get moving, Carson, get out of here. We'll I've
- 26:14got him covered, Jerry. What's the rest? Rather, I'm in a
- 26:15hurry with all these things I learned about the FBI on this case, and
- 26:18now that I find myself still alive, I'm going to pay a visit to
- 26:22dear All Washington. Come on, Carson, you're making a late for skull.
- 26:36So Hubert Carson was tried and convicted. My brother Jerry's an FBI school
- 26:40now, but when his twelve weeks are over, he'll go back to Midvale
- 26:44and teach the others on the force. He'll know, like every other police
- 26:47officer that the FBI Laboratory stands ready at all times to aid local law enforcement
- 26:53by brilliant scientific methods, and the result a more and more effective fight against
- 26:59crime. My men equipped with the best training America has to offer, the
- 27:03best in the world. Thank you, Gregory Peck. But don't go away.
- 27:27We have something more for you, something that will be very exciting to
- 27:30you and our audience. But first let's listen to gain whipment and is interesting
- 27:36message from DuPont. One of the many pleasant things about summer is that we
- 27:41can wear lightweight, comfortable clothes, light dresses from women, light suits for
- 27:45men, slacks, open collar shirts, and summer shoes. Remember the crape
- 27:52soul shoes you bought before the war, How they gave you the feeling of
- 27:55being well dressed and yet had all the comfort and usefulness you looked for in
- 27:59a cash or a sports shoe. People who worked in factories and garages like
- 28:03them because the springy crape made a wonderful shock of sober But ordinary crape sole
- 28:08shoes did have several admitted disadvantages. They couldn't take much heat, for one
- 28:15thing. After a few weeks on hot summer pavements, the soles began to
- 28:19spread out from the bottom of the shoes more and more, so that after
- 28:22a while you looked as if you had gotten your feet stuck in a clay
- 28:26bank. Men who wore crape soled workshoes had trouble with them because oil or
- 28:30tar or grease attacked the rubber and it went to pieces. Now a number
- 28:37of shoe manufacturers have crape soled shoes on the market which resist the action of
- 28:41heat, sunlight, and oil. Instead of natural rubber, they are using
- 28:47DuPont neoprene crape soles of neoprene can be worn in the warmest weather without danger
- 28:53of spreading. The neoprene soles do not become soft and sticky, which means
- 28:59that they were not pick up and track dirt. And what is more,
- 29:03the neoprene crepe is tougher than natural rubber. In addition to the popular amber
- 29:08color, neoprene crape soules can be furnished in bright, attractive fast shades,
- 29:15which makes it possible to obtain a wider variety of styling for women's and men's
- 29:18shoes. If you buy a pair of shoes this summer with neoprene crape soles,
- 29:25you'll learn for yourself how much better they are. This is a typical
- 29:30example of applied chemical science. Souls of natural rubber were good, so good
- 29:36that people bought them even knowing they had faults. But now chemical research has
- 29:41developed souls which have the good points of natural rubber and in which through the
- 29:45use of DuPont neoprene, the faults have been corrected. Chemistry has made a
- 29:52good product better. Neoprene rubber is one of the DuPont companies better things for
- 29:57better living through chemistry. During the past seasons, the DuPont Cavalcade of America
- 30:12has brought you Hollywood's most famous picture stars. We are pleased to have Gregory
- 30:18Peck with us again tonight, especially so because of the honor he is about
- 30:22to receive. I'd like to introduce at this time Maxwell Hamilton, Editor of
- 30:26Motion Picture Magazine. Mister Peck, it gives me great pleasure to present you
- 30:32with this award on behalf of the readers of Motion Picture Magazine. Through a
- 30:36nationwide poll, they have selected you as the most popular actor of the year.
- 30:41Congratulations and good luck from your fans. Thank you, mister Hamilton.
- 30:57If one of America's greatest newspaper men had not happened to attend a public auction
- 31:03on the day his future career was hanging in the balance, he might have
- 31:07deserted journalism and become a lawyer. But auctions are difficult to resist, and
- 31:11Joseph Pulitzer suddenly found himself the owner of the defunct Saint Louis Dispatch, the
- 31:18newspaper which was to start him on the fabulous career that was to make American
- 31:22journalism a highly respected and honored profession. Be shuranless. Next Monday, to
- 31:26page one, the story of Joseph Pulitzer starring John Hodiac on the Cavalcade of
- 31:32America. The music for the debarked Cavalcade is composed and conducted by Robert Armbruster.
- 31:52Our cavalcade story was written by Philip Lewis. Gregory Peck may currently be
- 31:56seen in The Macumber Affair, a Benedict Bog's production. United artists featured in
- 32:01the Guest with mister Peck tonight, where Robert Bailey as Jerry and Betty lou
- 32:06Gerson as Agnes. Others included Ken Christy Virginia, Greg Elliot, Reid,
- 32:10Beggy Weber, and Francis Hepman. This is John Easton inviting you to listen
- 32:15next week to John Hodiac in page one, and in coming weeks you will
- 32:21hear Joseph Cotton, Robert Young, Lee Bowman, and other famous Hollywood stars
- 32:25on the Cavalcade of America, brought you by the Dupart Company of Wilmington,
- 32:30Delaware. Cavalcade of America came to you from Hollywood. This is NBC,
- 32:44the National Broadcaster Company. Welcome back. Well a pretty nice procedural story,
- 33:00though Gregory Peck's character the poor guy, really didn't get much of a vacation.
- 33:05It's somewhat interesting to hear Bob Bailey playing a secondary detective in a crime
- 33:12story. Was, of course, at the time this aired in the middle
- 33:15of his run on Let George Do It. The main point, of course,
- 33:20was to illustrate the utility of the FBI laboratory as well as the training
- 33:24that the FBI offered to law enforcement. Inevidently, it succeeded on that count.
- 33:30So I hope you enjoyed today's episode. Join us back here tomorrow as
- 33:36we'll start off with another Yours truly, Johnny Dollar Cereal. In the meantime,
- 33:42send your comments to Box thirteen at Great Detectives dot Now, follow us
- 33:45on Twitter, Radio Detectives and become one of our friends on Facebook, Facebook
- 33:50dot com. Slash Radio Detectives from Moise, Idaho. This is your host,
- 33:53Adam Grahamson and off