Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / Yours Truly Johnny Dollar: The Laughing Matter, Parts Three and Four (EP1139)

Transcript

Yours Truly Johnny Dollar: The Laughing Matter, Parts Three and Four (EP1139) · Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas

0:28
Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This
0:34
is your host, Adam Graham. If you have a common email at to
0:38
me Box thirteen at Great Detectors dot net, follow us on Twitter at Radio
0:44
Detectors, and become one of our friends on Facebook, Facebook dot com slash
0:50
Radio Detectives. Well, I want to wish all of our listeners who are
0:55
hearing this on December twenty fifth, of very Merry Christmas. And with that
0:59
said, let's go ahead and take a listen to part three and four of
1:03
The Laughing Matter from Hollywood. It's time now for Johnny Dollar, Capitanda Vidro
1:14
Parral, Senor, Yes, another police Oh hi, Parral. I tried
1:17
to call you a few minutes ago. We've had a shooting out here at
1:19
the hotel and somebody she's no, no, nobody's dead. The bullet missed.
1:23
Somebody fired a shot from the terrace into one of the rooms. I
1:26
am flushed with the red lights. Senor. I make this, sir,
1:29
and I'm gone like the weed God. But would you do me one thing
1:32
before you blow up a storm. There's a man missing from his room here.
1:36
A friend of the man who was shot at He must be around town
1:38
somewhere. He's an Americano about forty five names. Frank Maltz, Frank mars
1:44
Buena. We're finding. I'm going to make one APC d B. I
1:49
mean ap B. You see APB like on radio and los of dollars?
1:53
All right? Hop to it, Parol senor what it is? This APB
2:07
toodnight and every weekday night, Bob Bailey. In the transcribed Adventures of the
2:10
Man with the Action Packed Expense Account, America's fabulous freelance insurance investigator coust Truly
2:15
Johnny Dollar. From Special Investigator Johnny Dollar, location at Sonata, Mexico to
2:35
the home office Union States Casualty Company Hartford Connecticant's assignment a laughing matter expense account
2:40
continues, I am six one dollar a pot of coffee from the hotel kitchen
2:47
special. It was one am. I've been half asleep when the shot was
2:51
fired, and I hope the coffee would help get me at least half awake.
2:54
I hadn't expected it to happen that way, and neither had Good Old
2:58
Lovable Charlie Burton, America's favorite TV comic. According to his press agents,
3:04
Charlie had called it a joke, but he wasn't laughing now, and neither
3:07
was I. Charlie's life was in short for a half million bucks payable to
3:12
his sponsor. Where he is, senor, These man who was get shot?
3:17
He didn't get shot, Parral, he got shot at we see.
3:22
It's what I wished to say. But the tongue is no, make English,
3:24
do good. You're doing fine. The manager gave Britton another room inside,
3:28
away from the terrace. Here he's probably got the door locked and the
3:30
furniture piled in front of it. Monday. I mean he's scared, very
3:35
scared, come Brendy. Oh see see yeah, I guess so. Now.
3:39
According to his story, he was asleep here on this side of the
3:43
bed. Someone fired the shot from outside on the terrace. It broke the
3:47
window there, and the bullet lodged here in the bed, about six inches
3:52
above Burton's head where he was lying on the pillow. And see and then
3:55
he has wake up quick, he is he is no see nobody, senor,
4:00
it's no, here's nobody. No. He was too scared to know.
4:03
He jumped out of bed, ran down the inside corridor and banged on
4:06
my door. I searched the terrace right away and didn't find a thing.
4:10
And these other people, which I worked for him to make the television,
4:14
they are also having room which are close to these parral. Your tongue may
4:20
not make the English too good, but there's nothing wrong with your head Mondesday.
4:25
I mean you're okay, you're a good cop. Grassies. Yes,
4:29
yes, any one of them could have fired that shot and they are big.
4:31
Which ones these people, Well, there's Frank Moltz. He's the producer
4:35
of the Charlie Burton show. He's the one who was missing from his room
4:39
though one I asked you to lokay, see you say. Then there's Gloria
4:43
Dale. She's the feminine star of the show. She's in the third room
4:46
down. She is in the room of her when the shoot was fired.
4:49
Yeah, yeah, she'd gone to bed. I had to beat on the
4:53
door the waker. She hadn't even heard the shot. She'd been pretty upset.
4:57
She well, she'd been drinking. See it's always the same this American
5:02
as ladies which have contains are not always there. Drink too much may be
5:06
right anyway. The third member of the group is Al Schreiber, second room
5:10
down, he's an actor too, and where he is when these things happen?
5:14
In bed? So he says, the shot woke him up and he
5:15
came out into the corridor while Britain was banging on my door. And these
5:19
are all Senor. Yeah, that's the bunch, which one you think is
5:25
not like this Charlie. Every single one of them hates him. Then there's
5:30
another possibility too, that girl I asked you to check on earlier, the
5:34
maid who works here at the hotel you see Lasageur Villina Morales. Boys were
5:39
looking, but we are no finer yet. Hey, I know it is
5:43
then Casi she are not at her house, Senor see Neil Marita Tompoco.
5:49
Is also the how you say her husband is gone. You're still looking for
5:58
he, aren't you? Boys? Is you are no thing with that?
6:00
Or it's no big town and Sanaa, we are a finder too soon now
6:04
I think you. As for me your creio, I can't tell the manager
6:09
I was here la por see Capitan de Vidro parral donde d we'll be in.
6:20
Yeah, this manure have disappeared, you know. And Frank Montz he
6:27
will now be found. Where is he? He is in cantina. A
6:30
nightclub is called the Eventono. You know, where is it in town?
6:35
Somewhere? You see? It is a how you say, Senora, It's
6:39
one big hot spot. I am seven to one dollars taxi into town.
6:48
Parral stayed at the hotel to talk to Charlie Burton and the others. I
6:51
thought I might do some good, at least by keeping them off balanced.
6:56
Regardless of his knowledge of English, Parral was a smart lad, and his
7:00
eyes never missed a thing. Leventona may have been a hot spot earlier,
7:04
but at this time of night it was almost deserted. There were a few
7:08
weary big girls drowsing at the bar, a scant handful of lace stitch patrons,
7:13
and Frank Moltz alone at the table, glowing with mellow geniality and bottled
7:17
health. Well now another night owl insomni and that taste for dives. Pull
7:24
up a chair, Johnny. Thanks been here long forever, oh, at
7:30
least for years and years. I am part of the place, my boy,
7:33
These worm eating rafters, the crumbling walls, this musty aroma of ancient
7:40
kiel that was spilt on these tiles long before you were even born. I
7:44
see you see, the place was built by the conquistadores, and I dropped
7:47
in the very next day. I've been here ever since months. Look Sean,
7:51
now, speak softly, softly, friend. This is hallowed ground.
7:57
This is the meeting place. This is the crossroads you see for two separate
8:01
worlds. The tourists I'm trapsing down from Beach Boulevard up there, they call
8:05
it slumming. And the townsfolk come up from Gasta, Lum and Balbo,
8:09
and they all meet the ear and they drink tequila and they dance the sandango.
8:15
Hey migo about playing a fandango. No, you can't hear, you
8:20
know, because he is dead. We are all dead here, Johnny.
8:26
You know something, Molton, You're not nearly as plastid as you're pretending to
8:31
be. I know that, Johnny. Have you been here all evening here
8:37
in the Ventor? You know? Now? You like that name d It
8:41
means it's twenty one? Yeah, I know, I know. Have you
8:43
been here in the twenty one all evening? Oh no, I've been in
8:46
all of them. I just ended up here. Never see a better place
8:50
to end up, Johnny, Where were you around twelve forty tonight? What
8:56
are you driving at somebody took a shot at Charlie Burton tonight? Ooh,
9:01
got my fingers crossed? Didn't No, No, they didn't hit him.
9:03
Well, maybe they'll have another check not if I can prevent it now,
9:07
that's why you were checking times on me. Huh. You think I maybe
9:11
made a clay pigeon out of that rat, did you? Johnny? I
9:15
left the hotel at ten o'clock. Have been a lot of places since,
9:18
but not back there. I don't know where I was at twelve forty.
9:22
Maybe some bartender around Donald Lowe. I have seen them all tonight, one
9:28
time or another. This lush stuff seems to be a habit with all of
9:31
you, including Gloria. We'll stick around Burton a month, you'll know why.
9:35
So why do you stick around him? Me? Personally, there's a
9:39
couple of reasons. I guess I'm trying to help somebody else for one,
9:43
well myself at the same time, of course, meaning Al Schreiber. The
9:48
kid is great, Johnny really is, and it'll be his show next year
9:52
if we can hang on and for the same sponsor with you, producer.
9:56
That's right. They're fed up with Charlie Burton and they've got reason to be.
10:01
He's a phony named Johnny, nothing else. It's a fake, it's
10:03
a build up. They've got to spend more on press relations now than it
10:07
costs to produce the show. And with Charlie out of it, you and
10:09
l would be in. Is that the way it stacks up. That's right.
10:16
You said you had a couple of reasons for staying on. Don't forget
10:18
it. The second one is not important. It's it's a sob story.
10:24
It won't be the first one I've heard. Tonight. I'm married, you
10:28
see Johnny, twenty three years now, and for the last day my wife
10:33
has been completely paralyzed, utterly helpless. She's in a sanitarium up state.
10:39
She has to have special care, special treatments, and it costs three hundred
10:45
and fifty dollars a week, fifty two weeks a year. So I stay
10:48
on with Burton, and I go on hating him, and whenever the hate
10:54
gets too bad, I go up and see her. Or she doesn't know
10:56
me, she doesn't know anyone. She just lies there and brief But I
11:01
looked at her, and I remember how she was and how I loved her.
11:09
I still love her. Johnny. So that's the way it is.
11:16
I left him there in the cantena, with his love and his hate,
11:18
and walked out into the street, empty and silent, under the wheeling stars.
11:22
In the soft dark night. A long dog sidled past, gray and
11:26
gaunt, intent on some mission of his own, and faded into the shadows.
11:30
And the town slept its own loves and hates put aside until morning.
11:35
Quiet tom. Then the emptiness was filled with sound, and a flashing red
11:41
light slashed the darkness. Parral of the Asinata police. He said, the
11:46
maid from the hotel Velena Morales had come home. One of his sergeants was
11:50
waiting there with her, brought us let. The tiny room was lit by
12:01
a flickering oil lamp and a candle burned beneath the crucifix on the wall above
12:03
the bed. Cement floor and adobe walls bear and clean, like the cell
12:09
of a nun and a content. She was young, pretty at the moment
12:16
that very frighten your hotel, Balo, this is an Americano, Senor Carlos
12:31
Burden. She talks, you know, crying Charlie Bird, Lovable Charlie had
12:41
been bothering her, annoying her, at the hotel. She tried to avoid
12:45
him, but it made the mistake of telling her husband. He'd been furious
12:48
and had come to the hotel earlier in the evening. That's when I'd see
12:50
the two of them arguing on the terrace. She hadn't seen him since.
12:54
So send you a dollar. What is it you think? I think you
12:58
better find her husband and find him quick, Johnny Dollar, This is Charlie
13:20
Burton speaking. Oh morning Burton, So you're still alive. Huh. That
13:24
was an adaptive humor. It was entirely out of place. Well it's early
13:28
yet, I'm the comedian and I'll make the jokes. Your job is to
13:31
protect my life. Don't tell me you've been shot at again this time of
13:35
morning. Boy, whoever it is, really must hate you, Burton Dollar,
13:39
So help me, so help you nothing. You may be good,
13:41
old lovable Charlie to forty million television viewers, but to me, you're just
13:43
a pain in the neck. So my clients are worth a half million bucks
13:48
because he was fool enough to write an insurance policy on your life, but
13:50
not to me. My priss on you is a fast three cents give it,
13:54
take a couple. My life has been threatened, sure, and that's
13:56
why I'm here. But yesterday, when I tried to get you to cooperate,
14:00
you called it a practical joke. I'm that now, No, because
14:03
somebody tossed a bullet at you last night and scared the living pants off of
14:07
you. Well call Captain Perolla, the Ensinata Police. Mister, look,
14:11
I need another hour's sleep, so don't phone my room again before nine o'clock.
14:15
Goodbye from Special Investigator Johnny Dollar location in Sonata, Mexico to the home
14:31
office Union State's Casualty Company, Hartford, Connecticut. Assignment the Laughing Matter expense
14:37
account continued, Item ten fifty cents room service and a glass of orange juice.
14:46
Another hour's sleep was out of the question. Just hearing his voice on
14:48
the phone left me too mad to relax. One of America's most popular comedians,
14:52
a living legend, and yet his whole cast, the people down here
14:56
with him on location, hated the ground he walked on. Personally, I
15:00
was on their side, but my job was to protect his life from some
15:03
unknown enemy who had sent him a threatening note. And last night the threat
15:07
had become action and the form of a shot fired from the darkness. It
15:11
was my job to see that the killer didn't get a second chance, and
15:15
that's what I was being paid for. And the fact that Charlie Burton was
15:18
a class A stinker was irrelevant. Frank Moltz, executive producer of The Charlie
15:22
Burton Show and practically the only early patron of the hotel breakfast room, was
15:26
sitting at a table alone morning Johnny. I left him sitting in almost the
15:31
same position at two o'clock in the morning, only the table then was in
15:33
a back street CANTEENA and Tom he was apparently remembering it, and he avoided
15:39
my eyes until the waiter had brought my coffee and gone away. I guess
15:41
I made quite a fool of myself last night. Oh it was a nice
15:48
of your eyes, Jenny. This is good coffee. Oh you'd been making
15:54
the rounds last night for whatever reasons, and you felt like talking. But
15:58
I I wouldn't call that making a fool of you, so all right,
16:03
thanks. You were sober enough when I left you. Oh sure, you
16:07
just sat there and let me talk it out. Where'd you go anyway?
16:10
I came out of the canteen a few minutes later. You disappeared. Captain
16:12
Parral and Sonata Police pick me up in a prowl car. He'd located that
16:15
maid from the hotel here. We went to her home and talked to her.
16:18
So well for the moment, at least, you and Al and Gloria
16:22
Dale are apparently off the hook. Oh. The maid says Burton was always
16:26
annoying her whenever she was on duty here he was, I told him to
16:30
lay all well. Her husband found out and came out here to the hotel
16:33
yesterday evening. I saw him and his wife arguing out there on the terrace
16:36
just after dusk, but I didn't know what it was all about at that
16:38
time. Anyway, That's the last she saw. He didn't come home last
16:44
night, and he's still missing. I just talked to Parral on the phone.
16:47
They've got half the police force looking for him, and you figure he's
16:49
the one who took a shot at Charlie last night. Kind of adds up,
16:52
doesn't he, I guess. So I hope they find him Johnny before
16:56
he finds Charlie again. I'd hate to see a poor devil take a rap
16:59
for a louser. Isn't worth it? Yeah, I know what you mean,
17:03
well, the chances are they wing didn't neither one of you fellas ever
17:04
get the bed last night. I'm for long morning. I'll Oh my goodness,
17:08
Frank, you look awful man. You must have slept on your face.
17:11
I look the same as I look every morning. I want some breakfast
17:15
down, No thanks, I'm skipping it. I'm gonna try to get in
17:18
a dip in that pool before old Blubber tell me he uses out of his
17:21
feather bed. Oh, I don't think he'll be using the pool this morning.
17:23
Now, if he remembers what we're shooting today, it said castaway sequence,
17:26
isn't it. Yeah, we'll get that first, but later this afternoon,
17:30
if the light on the water is okay, I want to get those
17:32
shots of him swimming ashore. Good, keep him on retakes until he gets
17:36
water lives. It's kind of a slapstick desert island thing, Johnny, Oh
17:41
yeah, yeah. You see, Charlie and I are supposed to have been
17:42
on this yacht and it sank and I just disappear. But to some stock
17:45
shots at Charlie swimming like crazy in a stock shot of a deserted south Sea
17:49
island. And finally Charlie comes crawling up under the beach. That's the sequence
17:53
we're going to shoot this morning. I see he's pooped. He's dying,
17:56
you know. Then I step out from behind a bush and I'm were in
18:00
a full dress suit, white tie and tails. He thinks he's crazy or
18:03
something. It starts building from there then, Johnny, Hey, yeah,
18:06
I get the end of he's thirsty. See. So I reach under my
18:07
coat and bring out a soft drink, an ice cold bottle, and I
18:11
open it and give it to him. It says caught quality beverages on the
18:15
bottles. Cott. Yeah. Yeah. So Charlie asks is it any good?
18:18
And I say it's cot Man, and he says, so what,
18:21
And I say, so it's got to be good. You see, Johnny.
18:25
It's out and out slapstick, but it works pretty well on camera.
18:27
Yeah. It keeps building, you see. I keep producing things out of
18:30
the bushes, a table and chair, tablecloth, dishes and silver cavea bottle
18:36
of wine, roast turkey, then a string quartet, and finally a line
18:38
of dancing girls and the payoffs, a shaggy dog. He says, look,
18:42
we were shipwrecked together. How you doing all of this? And I
18:45
say it's easy. I got a cousin in Congress. It's a lot better
18:51
on film, Johnny, a lot better than it sounds, you know,
18:52
stripped down this way. Yeah, well, I'm not exactly a fan of
18:57
Burdens. Oh, he's got some good stuff in this one Dollar. In
19:00
fact, he's got all the good stuff. The only thing I'm in there
19:03
for is to feed him the lines as usual. Of course, if I
19:07
ever get a decent role in his show, I'll drop dead. Oh really,
19:11
attention, that's not funny. At ees, I said it's not funny.
19:18
You thought it was when you did it on the show last month.
19:19
May I remind you that your service is going to be easily dispensed with good
19:25
fire me. Oh, I could get out of this lousy contract with you.
19:29
I could start on the PCT tomorrow and at five times what you're paint
19:33
me, they'll set me up in my own show, and they'll put it
19:37
in a time slot right opposite yours. In three months, Charlie, I
19:40
could bump you clear off the screen. You don't say I'll beat it,
19:44
will you? Okay? Frank, Sorry you had to get caught in the
19:48
crossfire, mister Dollar. I think personal forget it. See you later,
19:52
gentlemen, you'll be on that set in a half hour, not a minute
19:56
later. Yes, sir sh certainly our one big, happy family, aren't
20:02
you. Dollar? That kid was a nobody when I picked them up.
20:04
You're wrong, Charlie. That kid is a real talent and you know it.
20:07
You see, you see what I have to deal with. He's done
20:10
as much for this show in the past year as you have. You see,
20:12
Dollar, I'm forced to live in the very presence of my enemy.
20:15
Who made them your enemies, burdon. Look, my only concern has always
20:19
been the welfare of those less fortunate than myself, those who depend on me
20:23
for their professional careers and their lively. I understand there's some difference of opinion
20:27
about that, but it's envy, nothing but envy. Would you like some
20:30
more coffee, Johnny? No, thanks, I've had about all I can
20:33
stand. Yeah, so have I. May I ask what you're doing to
20:37
protect my life, mister Dollar, if anything at all. Oh, I've
20:41
taken the usual routine precautions. Routine. I demand more than routine. Not
20:45
for me, you don't demand anything. I'm working for the insurance company and
20:48
I'll complain to that God. God, why don't you cancel your policy at
20:52
the same time, then I can get off this assignment. Couldn't cancel it
20:53
if I wanted to. My sponsors wouldn't allow it. It's for their protection,
20:57
not mine. I know that. I think you'd like to see me
21:02
murdered. Oh no, No, you're wrong there. That would mean i'd
21:06
loust up an assignment and I take pride in my work, but you wouldn't
21:08
care personally. No comments while demand protection from the local police, You've already
21:15
got it. Captain Barral had two men on duty there last night and after
21:18
that shot was fired watching your room, I didn't see them. They didn't
21:21
intend for you to see them. Relax, Burton. If the worst does
21:25
happen, ballistics can probably identify the killer after we get the slug out of
21:30
your body. All herd. This is no laughing matter. Then why did
21:33
you treat it like one? Why did you tear up that threatening letter?
21:34
Why didn't you call the police in right then? Why didn't you cooperate with
21:38
me yesterday when I got here, And why the devil did you make a
21:41
pass at an eighteen year old girl in the first place and get her husband
21:44
out gunning for you. You mean you know who's trying to kill me,
21:48
if it's any satisfaction to your burton. Just in case he gets past us,
21:53
you probably have been killed by a man named Natcho Morales. His wife
21:57
is a maid here at the hotel. Well as you, no doubt.
22:02
No, that little native girl, Yeah, that little Native girl, both
22:10
of you. I was wrong, I admit it. I just just lost
22:14
my head. I guess when a man's under pressure all this time as I
22:17
am, he doesn't always think straight. Now. I didn't mean any harm
22:19
toward her. Maybe you'll be able to convince not you of that if he
22:22
waits long enough to listen. No, don't, don't please. I know
22:26
you hate me, all of you do. But I'm not as bad as
22:30
you think. You just don't know the load of star has to carry.
22:33
Now. Why don't you tell us about it? You frank. You don't
22:36
think I'm being fair with Al. You think I'm holding him back, not
22:38
giving him a chance. Well you're wrong. I'm actually carrying him, teaching
22:44
him things I've learned over the years. He knows quite a bit now,
22:48
Charlie. So you don't believe me, You don't think I know what I'm
22:51
talking about. All Right, all right, I'll show you. Al said
22:56
he was written down in today's sequence. He said that I I had the
23:00
great role. You heard him say, Oh, let him have it.
23:03
I'll trade with him. You mean that, Yes, I mean it.
23:07
Let him change any line he wants. If it is style, you can
23:11
play it anyway he likes. I'll take that role. He says, it's
23:14
so bad, and I will still come out to star. All right,
23:15
all right, all right, Charlie will have a go at it. Fine,
23:18
I'll see you on the set unless somebody manages to kill me. First.
23:22
Good morning, gentleman. Oh, I never thought i'd live to see
23:29
the day. Yeah, that shot last night must have really shaken him up.
23:32
Oh, that kid will make him look sick, Johnny. He doesn't
23:36
know what he's in for. Well, there's one way to find out,
23:38
Johnny. I've been thinking about something you said that made Morales's wife. Does
23:42
she speak English? No, just Spanish? But what about her husband?
23:47
Same to you? Only Spanish. Well, but the note, Johnny,
23:49
the murder threat Charlie got that was written in English? Yeah, I know.
23:56
The sal Sea Island set was built on the beach the fire of the
24:00
Bay. The technicians and the rest of the cast were already there when Maltz
24:03
and I arrived, and they started shooting fifteen minutes later. Floriadale wasn't in
24:07
the sequence, so she slept in at the hotel. Some of Captain Parral's
24:11
men were on hand on the lookout for Nacho Morales, but he didn't show.
24:15
By three in the afternoon, they were nearly finished. They'd shot the
24:18
last scene once, but Maltz decided on a retape, so Hal sat down
24:22
again at the fully laid table on the beach and they started to roll.
24:26
He poured himself another glass of colored water from the prop wine bottle and began
24:30
to carve the roast turkey while he exchanged lines with Burton. Then suddenly Al
24:33
missed cue, faulted on a line, and Maltz cut the cameras. Al
24:37
pushed back from the table, stood up slowly, then staggered and fell.
24:42
I rushed toward him, pushed through the crowd that was gathering, and kneel
24:45
down beside him, but he was already dead. And now here's our star
25:04
to tell you about the final intriguing episode of this week's story tomorrow, a
25:07
frantic game of musical chairs, with every player desperate because the loser in this
25:12
game gets the electric chair. Join us, won't you Yours Truly Johnny Dollar?
25:32
Yours Truly Johnny Dollars, starring Bob Bailey, is transcribed in Hollywood,
25:37
written by Les Crutchfield. It is produced and directed by Jack Johnstone. Be
25:41
sure to join us tomorrow night, same time and station for the next exciting
25:45
episode of Yours Truly Johnny Dollar. Roy Rowan speaking to welcome back. Well,
27:26
clearly there are some questions to be answered here. I think we got
27:30
another nice dramatic bit when we heard from the producer while he sticks with gold
27:37
Old Charlie, and then we had Harry Bartel as the police inspector. And
27:42
I just wonder whether it takes as much work to do a broken English Mexican
27:49
accent as it does one that's speaking fluent and correct English. But there's indication
27:56
that that's a bit of a cover to row people off. As Johnny's observed
28:02
several times, he's definitely a very smart cop. The question, of course,
28:06
is who is behind this? And we'll wrap it all up on Friday,
28:11
so I hope you'll join us for that. In the meantime, if
28:15
you have a comment, send it to me Box thirteen at Great Detectives dot
28:18
net, Follow us on Twitter, Radio Detectives, and become one of our
28:22
friends on Facebook, Facebook dot com. Slash Radio Detectives from Boise, Idaho.
28:26
This is your host, Adam Grahamson and Off.