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Fletcher Williams III and Charleston's Art Crisis | Charleston News
Charleston artist Fletcher Williams the third ignites controversy and conversation with his provocative new exhibition “250 Years From Mr. Freedman,” using salvaged materials like burned tin to confront America’s revolutionary past through a local lens. Beyond the art, his incisive essay “What Charleston Chooses to Preserve” challenges the city’s cultural priorities—accusing it of valuing prestige over genuine artistic support, stifling dissent, and avoiding hard truths. With roots in regional symbols transformed into bold installations, Williams’ work at Navy Yard Charleston—now a thriving…
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