Latest / What's Your (Least) Favorite Scary Movie? / #324: The Babysitter (2017)

Transcript

#324: The Babysitter (2017) · What's Your (Least) Favorite Scary Movie?

• 0:06
  Hello. What's your least favorite scary
• 0:08
  movie? Things get messy when you make a
• 0:12
  deal with the devil. Welcome to What's Your least
• 0:14
  favorite Scary Movie? The podcast where we talk about
• 0:16
  the good, the bad, the ugly and the absurd and all of our
• 0:19
  favorite. And least favorite scary movies?
• 0:21
  Because we believe every horror movie rightfully has its fan
• 0:23
  base. Even if we don't always get it.
• 0:25
  My name is Travis. My name is Jesse and welcome to
• 0:27
  February. Yeah, new month.
• 0:29
  New month We don't have a poll, do we?
• 0:32
  No, look, I'm, I'm just going to level with everybody.
• 0:35
  We were woefully unprepared for this one right here.
• 0:38
  In fact, I didn't even get a chance to do call for reviews
• 0:40
  because we picked this movie for February.
• 0:44
  We we decided our schedule very last.
• 0:47
  Year. Yeah, it was, it was a we've
• 0:49
  been dealing with being stuck in our house, so it's been a lot.
• 0:52
  Yeah. Not that we're neglecting the
• 0:54
  show or anything like that. It's just we've we've had other
• 0:57
  things that we've had to kind of handle in the meantime.
• 1:00
  And I really. Being stuck in pits of ice.
• 1:03
  Yes, that's a huge part of it. And it really did just kind of
• 1:07
  take some mental resources away and, you know, like, I'm sorry
• 1:11
  it happened that way. But yeah, we're here.
• 1:15
  We're talking about the babysitter this week.
• 1:17
  Yeah, so we're just gonna hop right into it.
• 1:19
  Yeah, let's do a good time. Let's go.
• 1:21
  Let's go. All right, so The Babysitter
• 1:24
  released on Netflix October 13th, 2017.
• 1:28
  That's where you watch it is Netflix.
• 1:30
  Do you want to run it anywhere? No, you watch it on Netflix.
• 1:34
  Can I stream it somewhere else? No, you can watch it on Netflix.
• 1:36
  Maybe someday on Netflix. I've seen it's on Netflix all
• 1:44
  on. All I am trying to say is I'm
• 1:47
  seeing Netflix movies pop up in other places.
• 1:50
  I've seen Hush on Peacock, Netflix OK Netflix forever.
• 1:57
  So it was written by Brian Duffield, directed by Mick G
• 2:01
  music by Douglas Pipes. Fantastic name for a composer.
• 2:05
  Yeah, right. Like he was born for that.
• 2:08
  He's absolutely meant to be destined.
• 2:10
  Only if he does everything acapella.
• 2:13
  We're on an Oregon. We're on an Oregon.
• 2:16
  I prefer acapella. Let's see special effects.
• 2:19
  I got there wasn't a designated special effects makeup artist,
• 2:22
  but the makeup department head was Francisco X Perez, starring
• 2:27
  Judah Lewis as Cole, Samara Weaving as B, Robbie Amel as
• 2:32
  Max, Hana Mae Lee as Sonya. Bella Thorne is Allison, Emily
• 2:39
  Allen Lind is Melanie and Andrew Batchelor as John.
• 2:43
  Yeah. Travis.
• 2:45
  Yeah. Time for our favorite game on
• 2:46
  this show. Budget or button?
• 2:53
  Shoot, this is a tough one. It's got it looks good, but it
• 2:58
  also looks like it could have been made cheap.
• 3:00
  So I'm going to go buck tab. Yeah, I actually don't have, no,
• 3:03
  I don't have a number for it. Netflix.
• 3:06
  Yeah, yeah. They're pretty selective with
• 3:08
  releasing that information. I did find one site that stated
• 3:13
  it made $404,000, I don't know from where.
• 3:19
  OK. But it does have a 6.4 out of 10
• 3:22
  on IMDb. Cool.
• 3:23
  You know, I think even some of these Netflix ones, some of them
• 3:27
  get theatrical releases so they can be considered.
• 3:29
  I don't think that this movie was ever going to win awards,
• 3:32
  but you know, maybe like horror theme awards maybe.
• 3:36
  I don't know if that's what they were thinking.
• 3:38
  I that's interesting. I've got something in the fun
• 3:40
  facts. It's not awards related, but it
• 3:42
  like did make lists. Oh, OK, cool.
• 3:44
  Interesting. We'll talk about that in a
• 3:45
  minute, all right? I did.
• 3:47
  I did notice the theme in 2017 and I'm choosing to label that
• 3:52
  theme. I'm just a kid in my life as a
• 3:54
  nightmare. It's not fair.
• 3:59
  You know it. So the first one, is it chapter
• 4:01
  1? Yeah, definitely.
• 4:03
  Yep. A bunch of kids.
• 4:05
  Bullshit clown shit. Yeah, like me isn't drug.
• 4:09
  What is that guy? The guy that Eddie encounters?
• 4:15
  It's not important. Yeah, it's.
• 4:17
  Whatever I'm I'm just thinking of all the monsters Pennywise
• 4:19
  became. Yeah, it so it Chapter 1
• 4:23
  released September 9th, 2017 on a budget of 35 million and a
• 4:27
  gross of 719,000,000. So did OK.
• 4:31
  It did OK. It did OK.
• 4:35
  IMDb. Score of 7.3 out of seven.
• 4:38
  It it did all right with the with the people.
• 4:41
  Yeah. Yeah.
• 4:43
  OK, second movie wish upon. Oh my God yes that movie shoof.
• 4:49
  I don't remember much about it but I remember there was an
• 4:52
  elevator scene that made me feel real tense because I fun fact
• 4:57
  about me, I'm afraid of elevators.
• 5:00
  I will take them when I have to. I don't like it.
• 5:03
  Yeah, they're they're pretty scary for me.
• 5:06
  This is kind of a repeat of our Patreon episode.
• 5:09
  I for some reason remember musical instrument scenes,
• 5:12
  especially when they're wind instruments, because I just
• 5:15
  remember the dad. OK, a tramphone is not a wind
• 5:17
  instrument, it is brass. This.
• 5:18
  Is a saxophone, is that that's brass?
• 5:20
  OK, whatever. Look, I'm not a band person, OK?
• 5:24
  I don't know this shit, all right?
• 5:25
  I was in choir, a cappella. We had a piano that was a.
• 5:29
  Were you acapella or not? God damn it sometimes.
• 5:32
  Regardless, I just remember the dad after a wish going well,
• 5:36
  he's just like down there playing saxophone for people.
• 5:38
  And I was like what the fuck is this?
• 5:39
  What is happening? I don't remember that as much.
• 5:43
  It's there, I promise. OK Wish upon released July 14th,
• 5:48
  2017 Budget of 12 million Worldwide Gross 23 million.
• 5:52
  IMDb 5.1 out of 10. We were part of that 23 mil.
• 5:56
  We were. We were.
• 5:57
  And then the third movie, we have seen it one time.
• 6:01
  OK, Game of Death. Game of Death.
• 6:04
  I'm pretty sure that was a me pick during it in October.
• 6:07
  Was that the? They have the game and it like
• 6:10
  they have to choose somebody to like, they have to murder people
• 6:14
  or their heads explode. Yeah, I remember that.
• 6:16
  That's the one that's on the shutter.
• 6:17
  Yes, Yeah, that's right. Yeah, and it was a surprisingly
• 6:19
  graphic. Yeah, I need to watch it again
• 6:23
  to remember how I feel. I remember feeling kind of it.
• 6:25
  Was OK, I think. Yeah, yeah.
• 6:27
  I can't really remember too much myself.
• 6:29
  Yeah, I think the weirdest thing was that they were all teens.
• 6:31
  It ended up being important to the plot, but it was just kind
• 6:34
  of like this feels like it was meant to be for young adults but
• 6:37
  they also needed them to not be able to drive and purchase
• 6:41
  things. Stuff.
• 6:43
  Anyway, Game of Death released March 20th, 2017.
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  I don't have a budget, but I have again a worldwide gross
• 6:50
  number of $8120. IMDb 5.0 out of 10.
• 6:55
  So the Internet agrees. It's kind.
• 6:57
  Of. Yeah, OK, OK.
• 6:59
  I only have one tagline, but I do have a tagline which we don't
• 7:03
  always get. That's true.
• 7:04
  Straight to streaming. Especially Netflix Moon.
• 7:06
  Yes. OK, what is it?
• 7:07
  Dreamgirls can be a nightmare. That's pretty good.
• 7:10
  Yeah, that's really bad. Yeah.
• 7:12
  OK, I have a few fun facts. OK, As I stated, this was really
• 7:17
  hard for me to look up because if you try and look up
• 7:21
  Babysitter 2017 movie behind the scenes, like you get a bunch of
• 7:25
  indie films like homemade productions for the Babysitter,
• 7:30
  you get the K Pop group, BTS. It was just it was difficult.
• 7:36
  So I've got a few things. OK, the first thing that I was
• 7:41
  alluding to before in December 2014, The Babysitter actually
• 7:45
  appeared on the 2014 Blacklist, which is a list of the best
• 7:48
  unproduced movie scripts. Whoa, really?
• 7:51
  Yes. So this has been sitting out
• 7:53
  there for a little bit Before it was eventually bought up, MC GS
• 7:57
  production company Wonderland Sound and Vision did buy the
• 8:01
  rights to produce this. They ended up Co producing it,
• 8:04
  Co financing it with New Line Cinema.
• 8:06
  OK. But before he was pulled in to
• 8:09
  direct, a couple of the other names that were out there were
• 8:12
  Joe Lynch and Jason Eisner. Jason Eisner, That sounds
• 8:16
  familiar. Oh, what was a shotgun?
• 8:18
  Oh yeah, duty great short list of.
• 8:21
  Directors, yes. Yeah, Mick G has a a music video
• 8:27
  background which I think is definitely visible in this and I
• 8:31
  think it kind of works for the tone of the script, me
• 8:34
  personally. Those would have been 3
• 8:37
  completely different. Movies.
• 8:38
  Absolutely it would. I want to see a version done by
• 8:42
  each of them. You know, if we and I have
• 8:46
  watched Hobo with a Shotgun now, I watched it one day when I was
• 8:49
  here by myself. That movie's fucking crazy.
• 8:53
  If we had that, we could have had some Trailer Park Boys.
• 8:55
  Oh my God, yeah. Can you imagine Ricky being one
• 8:59
  of the babysitters? Oh my God, he's Max.
• 9:03
  I was gonna say. He's the one with that shirt.
• 9:05
  That would be Randy. Yeah.
• 9:08
  We just have to have Randy there.
• 9:10
  The only other thing I had was that it was shot in LA OK, so
• 9:14
  that was that was kind of a let down to end on.
• 9:17
  But you know, we have, you know, the information.
• 9:20
  We got some what ifs there. I actually that's kind of cool
• 9:22
  that you have the, the short list of directors there, cuz
• 9:25
  that, that's interesting. Yeah man, wow, way different.
• 9:29
  Like all three of these people have very distinct styles.
• 9:32
  Very distinct styles, so I like. Honestly, I want to travel to
• 9:37
  the other alternate universes where each of them got there.
• 9:41
  Yeah, OK, so that's it for fun facts and background, and we're
• 9:46
  just going to go ahead and get right to our good, bad, ugly and
• 9:49
  absurd tracks. Please kick it off.
• 9:52
  I. Feed the floor to the gentleman.
• 9:55
  This is a good segue because the very first thing I wrote down
• 9:58
  was the style of this. Yeah, McGee has a really, like,
• 10:02
  he's got a signature style. I think it really works well
• 10:06
  with horror movies. We've seen some of his other
• 10:09
  movies that he's done that are like comedies and that style
• 10:12
  works for this too. But I, I just think like the
• 10:16
  punchiness of everything It, it works with the, the gruesomeness
• 10:20
  of like the things that he's doing here.
• 10:23
  And I, I think it works better with horror timing than it does
• 10:26
  with comedic timing. And yeah, it's just, it's
• 10:30
  really, really stylized and it has this really awesome look to
• 10:33
  it. And it it just, yeah, it looks
• 10:35
  phenomenal. Speaking of the movie itself
• 10:38
  though, like the story, I like how they build up the
• 10:41
  relationship with B and Cole because it makes it that much
• 10:46
  more heartbreaking for him whenever he has that moment
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  where he's like really sad that she betrayed him and it makes
• 10:54
  his. Responsible for taking his
• 10:55
  innocence away. Yeah, and it makes his whole
• 10:58
  growing up that much more interesting seeing him have to
• 11:02
  make that decision of like, OK, like I have to drive my car into
• 11:05
  you now. Like you leave me with no other.
• 11:07
  Yeah. And that was I love that line.
• 11:09
  Like, I like you did this. I drove a car into you.
• 11:13
  Yeah. That was just like final line to
• 11:14
  her. Yeah, cuz she was like, don't
• 11:16
  you get it? I'm the big bad and he's like,
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  I'm an adult cuz I loved you. And then I found out you were
• 11:22
  using me and you were going to go somewhere else and you're
• 11:24
  going to use other kids. So I drove a car into you.
• 11:27
  Yeah. Great line.
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  And he doesn't say anything else after that.
• 11:32
  Yeah, it's great. I like the action moments that
• 11:34
  we have here, like the the horror moments.
• 11:37
  I just like the idea of having like the group of high schoolers
• 11:41
  there. And they all are their own
• 11:43
  distinct like stereotypes of a high school character.
• 11:46
  But they play it all so well, and it's written so well.
• 11:49
  And I love it too 'cause you can't see them being a group of
• 11:52
  friends all together, but you can see how B would be the
• 11:55
  common friend between them. You can see that for sure.
• 11:58
  And also just the idea of murder and Satan is the thing that
• 12:03
  brings these different types of people all together.
• 12:06
  And it was a really nice blend of people.
• 12:08
  Satan. Yeah, and the movie has some
• 12:10
  really good humor to it too. Like it, it knows how to have
• 12:13
  like, some good, like, like it eases off a little bit and it'll
• 12:18
  like throw in some funny moments and but it knows how to like,
• 12:21
  ease right back into the horror, like right after that.
• 12:24
  And it's all pretty seamless. And I don't know, I think this
• 12:26
  is a really well made movie altogether.
• 12:29
  OK. Yeah, I I agree.
• 12:31
  The very number one thing for me is that relationship between B
• 12:35
  and Cole, because you can see it like she's definitely that older
• 12:38
  person that he's got kind of a crush on, but also just admires
• 12:42
  because she's funny, she's cool, she's badass.
• 12:45
  She's into the nerdy shit. Yeah.
• 12:47
  She treats him like a human being in a way that most other
• 12:50
  people are not treating him. And you can see the importance
• 12:53
  of that. Also, Smara weaving is just.
• 12:56
  Yeah, she's awesome. She's amazing, yeah, that's
• 12:58
  great cast, fantastic and everything she does.
• 13:00
  But she does this role especially spectacularly and we
• 13:03
  get her trademark whale at the end, which is great.
• 13:09
  Yeah, when he's driving a car into.
• 13:11
  Yes. No, it's actually when he burns
• 13:13
  the book. That's right.
• 13:14
  Yeah, Yeah, yeah. So I think that that's great.
• 13:17
  I like, like you said, it's a really good balance of horror
• 13:20
  and humor. I think if it went too much in
• 13:23
  one way or the other, it would feel off.
• 13:24
  But it's a great balance. And I love those moments of
• 13:27
  like, they did, they take a moment to pause from like all of
• 13:32
  the murder stuff, and they address other things that are
• 13:34
  going on, like Max's whole thing of teaching Cold to stand up for
• 13:39
  himself. I love that moment man.
• 13:41
  That was so good. Like he's about to kill him.
• 13:42
  He's like hold on, this dude is dissing you in your own house,
• 13:46
  go fuck him up. Other side of the coin of
• 13:48
  treating him like an adult, treating him like a whole person
• 13:52
  and. It's crazy how the killers are
• 13:54
  the most like nice people when it comes to that right there.
• 13:56
  Like they're like, hey, you're a person.
• 13:58
  I'm still going to kill you, but I'm going to treat you like a
• 14:00
  person. And I also kind of like it in a
• 14:03
  way, it kind of gives me Scott Pilgrim vibes with the way he
• 14:07
  kind of faces off one person after the other.
• 14:09
  Like we have those different battle scenes and settings and
• 14:12
  different ways of defeating them.
• 14:14
  And I think that it just, it all flows really nicely.
• 14:17
  And this is this is just one of those movies.
• 14:19
  It's a nice easy movie to watch. It's one that I watch a lot, a
• 14:23
  lot when I'm, like, working on sewing projects.
• 14:26
  And I just want something in the background that I can, like,
• 14:29
  digest without having to, like, stop and stare at the screen all
• 14:32
  the time. Yeah, but it is also really
• 14:34
  enjoyable to stop and stare and watch the screen the whole time.
• 14:37
  Yeah. OK, so let's go into some bad, I
• 14:41
  guess. Yeah, I this is a movie that I
• 14:46
  struggle to think of much bad with it.
• 14:49
  Not that it's like a perfect movie or anything, but like,
• 14:52
  it's hard for me to single anything out in particular.
• 14:56
  I guess. Like even though like the
• 14:59
  editing and like the way that this movie is shot is really
• 15:02
  tight, there are some parts of the style that kind of aren't
• 15:06
  necessary. Like you have like moments of
• 15:07
  like the text where like all of a sudden it's like, fuck yeah on
• 15:10
  the middle of the screen. It's like, I don't need you to
• 15:12
  tell me. Fuck yeah.
• 15:13
  Like I, I will say fuck yeah whenever I feel fuck yeah, you
• 15:16
  know? And it doesn't really Take Me
• 15:19
  Out of it too much because again, you have something like
• 15:21
  that. And Scott Pilgrim too, but I
• 15:25
  feel like they did it in Scott Pilgrim in a way that was it
• 15:29
  made more sense. I think we had the same
• 15:31
  conversation like two or three years ago with My Valentine
• 15:35
  because it is a similar kind of stylistic choice, but it wasn't
• 15:38
  consistent enough to feel intentional.
• 15:41
  Yeah, and that really is, that might be the only thing I could
• 15:45
  really critique about this movie itself, you know?
• 15:49
  Yeah, I, I honestly and like, I like those moments, but I agree
• 15:53
  with you that it does tend to feel kind of inconsistent with
• 15:55
  how it's done. Yeah, I mean, like the movie,
• 15:58
  like The thing is like it's not a big story.
• 16:02
  Like it's so simple. Like it's hard to really like.
• 16:05
  I'm not going to ask you to go bigger with it.
• 16:07
  Like I'm fine with it. Like a small story, like we
• 16:10
  don't really have to have much and I.
• 16:12
  Think babysitter movies should be simple?
• 16:15
  Yeah, yeah, I think so too. Yeah, it's just, yeah.
• 16:18
  I mean, like, I don't know, it's hard.
• 16:21
  It's just one of those movies that it is what it is.
• 16:24
  OK, yeah, I I think I pretty much agree with you on on all
• 16:28
  those points. OK, what is your ugly?
• 16:31
  Oh boy, ugly. God it's so tough.
• 16:37
  I hate that this kid has to feel like he has to demolish like
• 16:41
  huge parts of his childhood. That way he feels like he can be
• 16:44
  a normal person or a grown up and be taken seriously.
• 16:48
  Because that's one of those things where when he's like
• 16:51
  talking about his tree house is being taken down, you're going
• 16:53
  to regret that when you get older.
• 16:55
  Because that's like one of those things that you'll go see and
• 16:57
  that will bring back memories and stuff.
• 16:59
  And, you know, you might even want to climb back up in there
• 17:01
  and just like, take a look. Yeah.
• 17:03
  Also. Like let's I don't know, like
• 17:06
  I've done that with my aunt before.
• 17:08
  Like she would take us out to her tree house that she was in a
• 17:11
  lot when she was younger. Those are I've got several
• 17:14
  pictures of us there even, but it would be cool.
• 17:17
  To be able to like revisit it. And that's just like one of
• 17:20
  those ugly things, like it's, I understand why he did it.
• 17:24
  And he's like a, he's like a preteen at this point or
• 17:27
  something. He's 12.
• 17:28
  OK, yeah, so preteen. And he, you know, he's really
• 17:31
  trying to make that jump, but he's not making rational
• 17:34
  decisions. And it, you know, it's just like
• 17:35
  a hard time. It's an awkward time to be in
• 17:38
  right there. And it's just really unfortunate
• 17:41
  that he has to go through such shit to try and feel normal.
• 17:44
  Yeah, I'm gonna say my ugly is Melanie's dad.
• 17:49
  I thought about that too. He's kind of funny as like a
• 17:53
  comedic relief type character. He shows up more in the sequel.
• 17:56
  Yeah, he's funny as a comedic relief character, but when you
• 17:59
  stop and actually think about like, the reality of him as
• 18:02
  Melanie's primary caregiver, it's sad.
• 18:07
  The worst part is he's out in the front one with Melanie
• 18:10
  standing right behind him and he's using the garden hose as
• 18:15
  his like Dick, like spraying it on the car.
• 18:17
  Like that's intentional, dude. Nobody like.
• 18:19
  Who are you getting that for? That is not your natural
• 18:22
  shooting area right there. Ergonomical.
• 18:25
  No, like chess hive dude. You don't bring it down to your
• 18:27
  Dick unless you're trying to make it your Dick.
• 18:30
  He was trying to make it his. Dick.
• 18:31
  And he was trying to make it his Dick.
• 18:32
  Yeah, OK, absurd. Absurd.
• 18:36
  So where the fuck were all the neighbors during all this shit?
• 18:39
  Like they're in like an actual neighborhood.
• 18:41
  We see all kinds of houses. There's gunshots.
• 18:44
  Affluent, yeah. Affluent.
• 18:46
  Thank you. Yeah.
• 18:47
  And you know, like cops will be there and there's like, no,
• 18:51
  there's no presence. What?
• 18:53
  I mean, there are two cops that show up.
• 18:55
  And after the cops show up, like you would think that people look
• 19:00
  living in the neighborhood, anytime you see lights outside
• 19:03
  of your house, you go, oh, absolutely everybody peeks.
• 19:06
  And after seeing cops show up and then like 20-30 minutes
• 19:11
  later you start hearing shotgun blasts all of a sudden at that
• 19:13
  house and the cops are gone like.
• 19:15
  You need more nosy neighbors. Yeah, exactly like that.
• 19:18
  It was just like, come on, where are the people you know?
• 19:22
  Yeah, Also the amount of like, apparently they they have like a
• 19:26
  tarantula infestation. Yeah, because.
• 19:28
  Like that crawl space, Like, is that normal?
• 19:31
  Like, where was this? This is LA like, yeah, or
• 19:34
  torrential. Is like in your house normal
• 19:36
  over there? I don't fucking know.
• 19:37
  That's terrifying. Yeah, I don't want any part of
• 19:39
  that. Yeah, and Mom's way too casual
• 19:42
  about it. Yeah, right.
• 19:43
  Like tarantulas? Isn't that spider is big enough
• 19:45
  to set off a rat trap? Yeah, it is.
• 19:48
  Yeah. Like, God, that's my nightmare,
• 19:51
  OK. My absurd is at the very end
• 19:54
  when Cole, in his moment of like, final ascension into
• 19:59
  adulthood, tells his parents he doesn't need a babysitter
• 20:02
  anymore because Sir, you ran a car into your fucking house.
• 20:06
  I think you're never going to be left home alone again.
• 20:08
  Yeah, You know, that was such a weird plan.
• 20:11
  He's like, OK, I burned the book, I got the keys.
• 20:15
  I got to drive it into the house on top of her.
• 20:18
  How do you even know that's going to work?
• 20:20
  I. How does he know that he's gonna
• 20:22
  barrel roll off that ramp perfectly right where she's at?
• 20:25
  Well cuz they commented him about him like adjusting some of
• 20:28
  those RC cars before. Yeah, but still and.
• 20:31
  Doing a barrel roll so. RC cars.
• 20:34
  I know real cars. I agree.
• 20:36
  I'm just saying that's the callback that they're doing.
• 20:39
  OK, whatever. But yeah, no, there's no way
• 20:42
  he's getting left home alone again.
• 20:43
  Ever. No, no.
• 20:47
  OK. Overall, what do you rate this?
• 20:49
  This is a good 7 for me. Right here.
• 20:51
  Yes. I feel very strongly that it's a
• 20:53
  7 as well. Yeah.
• 20:54
  OK. All right, cool.
• 20:56
  We're good to talk. Let's do this.
• 20:58
  We start off just seeing Cole being scared of getting a flu
• 21:01
  shot I got. This person's like, come on,
• 21:04
  man, don't fuck with me right now, like.
• 21:05
  I've I've done 62 other shots today.
• 21:08
  I got 94 more to go. We got to get this done.
• 21:11
  Yeah, yeah. I like that's real.
• 21:14
  Yeah, it is. That's a very real feeling.
• 21:17
  Why does he need his whole shirt off to get the shot?
• 21:19
  That's a great question. I also like this moment with him
• 21:23
  in the gym and he just gets a dodge ball to the head and a guy
• 21:26
  in the background out of focus is just like pussy.
• 21:28
  I my head cannon is that that's the coach, and it's specifically
• 21:33
  the coach from 21 Jump St. Oh my God.
• 21:36
  Rob Riggle. Yes.
• 21:37
  Yeah, because it even kind of sounds like Rob Riggle's voice
• 21:39
  it. Kind of does.
• 21:40
  You're right. Yeah.
• 21:41
  Wow. Great head cannon.
• 21:42
  You love it. We see Cole and Melanie standing
• 21:46
  outside of the school and she says that her dad got this dream
• 21:50
  car after the divorce. I called it the Midlife Mobile.
• 21:54
  Midlife crisis mobile? Yes, absolutely.
• 21:57
  Another cool thing about this shot, this is one of the things
• 21:59
  that I really like. Like the style with this movie
• 22:01
  is like they're in like they're having a conversation.
• 22:03
  Everything around them is in slow motion, but they're like
• 22:06
  like moving at normal speed, which is really cool.
• 22:08
  I thought it was like he looked really cool.
• 22:10
  And then she asked if they can give Cole a ride home.
• 22:14
  He goes. Your parents are probably
• 22:15
  expecting you to take the bus. Are they expecting you to take
• 22:17
  the bus, Cole? And he goes, you know, probably.
• 22:19
  Yeah, he's like, yeah. He's like.
• 22:21
  Brian, take the bus. All right, see you at home,
• 22:23
  neighbor. It's not even that far out of
• 22:25
  the way. They're neighbors and.
• 22:27
  Then Cole doesn't even ride the bus, he walks.
• 22:32
  So as he's on his way home, Jeremy and his crew stop by and
• 22:36
  just decide that they're gonna harass him a little bit.
• 22:38
  Listen, Jeremy, he's a shit. But he comes up with some really
• 22:43
  funny, mean nicknames for Cold. Colonoscopy.
• 22:45
  Full advantage, yeah. Yeah, colon cancer.
• 22:50
  So bad. Yeah, yeah, but you know, that's
• 22:52
  true to the teenage bullies. Yes, because he's really mean.
• 22:56
  He's really mean. Cole's got some good answers to
• 22:58
  him here. He's like he.
• 22:59
  Is kind of like responding, but he doesn't have confidence.
• 23:02
  That's one of those things like he's smart and witty enough.
• 23:05
  Like he just needs to approach it with confidence and he'd be
• 23:08
  fine. Yeah, because like he's trying
• 23:10
  to brag to Cole that he got with one of the high school kids and
• 23:14
  he was like, I don't care about this man.
• 23:17
  And he's like, why don't Like, you know what?
• 23:18
  Like I'm going to make you care and then whenever he starts to
• 23:21
  care, he's like, I don't want you to care.
• 23:23
  It's fucking head games man. But at this point, B rocks up,
• 23:28
  totally calls out Jeremy. He says hey, what are you doing?
• 23:30
  And she whispers something in his ear what she's going to do
• 23:33
  if he messes with Cole again. And then she pops his front.
• 23:37
  Yeah, great. Love it.
• 23:39
  It's a it's a great moment and she gives Cole a ride the rest
• 23:42
  of the home, rest of the way home, and she asks if they
• 23:45
  bother him a lot, if he's the one who eggs his house and he's
• 23:48
  just kind of like, no. And then she goes.
• 23:51
  You look away when you lie. I.
• 23:53
  Gotta tell. And he's like, listen, we are,
• 23:57
  here's what you need to do. Next time they're chasing you,
• 24:00
  they've almost got you, drop like a sack of rocks, then kick
• 24:02
  him in the Dick. Yep.
• 24:04
  Which is solid advice. Yeah, great self-defense right
• 24:06
  there. Well, OK, I'm gonna take it a
• 24:09
  little bit back because don't ever drop to the ground if you
• 24:13
  can avoid it. That's almost a game ender for
• 24:16
  you if you don't know how to grapple your way back up.
• 24:19
  If you're being chased, yes, and they're right on your heels,
• 24:22
  just drop and trip them over you and then take that opportunity
• 24:25
  to kick them in the Dick. That's assuming that you can get
• 24:28
  like surprise them with your dropping.
• 24:29
  Yeah. Anyway, she he says something
• 24:33
  like, oh, I'm your little Protestant and she's confused
• 24:36
  and this feels so realistic for your 12 year old.
• 24:38
  Like kind of knows the word but doesn't know the actual word.
• 24:41
  And she goes, no, I would be the prostitute and your parents
• 24:43
  would be whatever. Like we're not having this
• 24:45
  conversation. I would hang out with you
• 24:46
  anyway, 'cause you're cool. And she's just, yeah, like I
• 24:49
  said, she's just like this great.
• 24:51
  Like babysitter but also friend for Cole.
• 24:54
  Yeah, Yeah. So he's back home.
• 24:58
  He's trying to be a grown up. He's, I think he's working on
• 25:00
  his RC card here in the kitchen or is that later?
• 25:02
  That's later. This is his mom has left to know
• 25:06
  that she's in the crawl space. So he goes to help and talk to
• 25:09
  her. And, you know, she's saying
• 25:11
  like, oh, we're just going to leave the spiders alone because
• 25:12
  they eat bugs. And then the dad tries to take
• 25:16
  him to drive in the parking lot, which I mean, I guess it's cool
• 25:20
  that he's doing it when he's still young.
• 25:23
  Maybe it's too young. Maybe it's like a coal is so
• 25:26
  afraid of everything. We need 4 years to ease him.
• 25:28
  Into this. You know, they know him better
• 25:30
  than we do. Yeah.
• 25:32
  Yeah. He's afraid to drive the car in
• 25:34
  an empty parking lot, even. And then his dad is like, do
• 25:37
  you, the other kids make fun of you for still having a
• 25:39
  babysitter at your age? And he goes, yeah, but then they
• 25:41
  see her and. Then they get jealous.
• 25:43
  Yep. His parents are in their bedroom
• 25:46
  that night and he's like going in to talk to them.
• 25:49
  Dad is binging Mad Men and Cole is like, oh, is that a show I'm
• 25:55
  not allowed to watch? And they're like, it's just
• 25:56
  dense. Like it's just, it's not that
• 25:58
  it's like on HBO and yes, sexy scandalous.
• 26:01
  It's just dense for adults. And then he goes and he binges
• 26:05
  presumably at least the first season and says, who cares?
• 26:08
  Which is my exact feelings after watching the first season of Mad
• 26:12
  Men. I'm sorry if you love Mad Men.
• 26:15
  I had to force myself through that season.
• 26:17
  I never want to watch anymore. When did you watch it and why
• 26:20
  did you watch it? It was several years ago and I
• 26:22
  watched it just because I was like, oh, I want to start a new
• 26:27
  show. Sorry, no.
• 26:27
  I mean, like, why did you see it all the way through to the end
• 26:30
  of that season if you didn't care?
• 26:31
  Because I thought it was going to get better and it didn't.
• 26:33
  And I watched like half of the first episode of the second
• 26:36
  season and I was like Nope, not for me.
• 26:37
  Look, I just think you don't like AMC shows because you also
• 26:41
  don't like Breaking Bad. I liked the last season of
• 26:43
  Breaking Bad. You probably a little Better
• 26:46
  Call Saul Also. I think I would like Better Call
• 26:49
  Saul. Yeah, I've never watched Mad Men
• 26:51
  either. It's not really caught my
• 26:53
  interest. Yeah, no, I just agree with
• 26:55
  Cole. Who cares?
• 26:57
  So he's on the bus with Melanie again.
• 26:59
  They're talking about like, you know, do parents have sex?
• 27:03
  And she's like, yeah, yeah, they probably have sex whenever
• 27:06
  you're in the house, too. And then she's like, and you
• 27:08
  know, that's what Bea is doing whenever you're she's
• 27:11
  babysitting. He's like, no way.
• 27:12
  And she's like, well, I dare you to stay up and see what happens.
• 27:16
  So that is the crux of this movie.
• 27:20
  But there. So that night be arrives, they
• 27:24
  have a dance party. Oh, before, though, we see like
• 27:28
  he's watching from the distance at school and he sees her with
• 27:30
  the dude at one of the it's like a store, like a grocery liquor
• 27:34
  store. And this is going to be one of
• 27:36
  the guys that comes to the party later.
• 27:38
  I it makes you think in the moment that it's her boyfriend
• 27:42
  because she's like all up on him and like kissing him on the
• 27:44
  cheek and stuff. But we'll see you later that
• 27:47
  it's not quite like that. Yes.
• 27:49
  OK, so then she arrives. Dance, party, swimming.
• 27:52
  They make pizza and they talk about their intergalactic dream
• 27:55
  teams. It can have five people, 6 if
• 27:57
  you absolutely have to have a duo.
• 27:59
  But the duo has to make sense. Like you can't have a Predator
• 28:02
  and an alien because that doesn't work.
• 28:05
  They cancel each other out. So I can't remember that her
• 28:08
  team, she's got Sigourney Weaver.
• 28:11
  Kirk, Picard, Ripley, and then Will Smith and Jeff Goldblum
• 28:16
  from Independence Day. And xenomorphic.
• 28:19
  Xenomorphic. Yeah, Yeah.
• 28:21
  So the whole plan is that they eventually get to the big bads
• 28:26
  spaceship and Ripley sneaks in and releases the xenomorphic.
• 28:30
  Yeah, this is cool. I like their whole chemistry
• 28:33
  here. Yeah, I like this scene,
• 28:34
  especially with them watching the movie in the backyard on the
• 28:37
  projector and throwing the shadow cast.
• 28:39
  Yeah, it's just really cool. I like it.
• 28:41
  Yeah, the the whole, it just feels like a really good time.
• 28:44
  And then she's like, all right, time for bed.
• 28:46
  And he's like, I'm not tired. She goes, I'm exhausted.
• 28:49
  And she's like, what if I give you a shot?
• 28:52
  Will you go to bed? Which seems like one of those
• 28:54
  like older person trying to be cool, the younger person moment
• 28:58
  And Cole, because he's afraid of everything, is also afraid of
• 29:02
  taking the shot. So he says aren't you going to
• 29:05
  do it with me? And she goes OK, and she goes
• 29:07
  back to get it and he dumps it in the plant.
• 29:09
  Yep. While she's doing that.
• 29:10
  And then she comes back and she's like, you didn't even wait
• 29:12
  for me. I've had these moments at bars.
• 29:15
  You've done that before. Not where I've done it, but
• 29:18
  we're like somebody else is like, let's do a shot together
• 29:20
  and then I go get them and they've already taken theirs and
• 29:22
  I'm like. Oh yeah, why it's not together
• 29:25
  then? Yeah, we just.
• 29:26
  Both had a shot. But you know it's fine.
• 29:28
  Yeah, so she tucks them in and he's pretending to be asleep,
• 29:33
  and he stays up and he starts to call Melanie to talk about
• 29:37
  everything. And she's like, I bet they're
• 29:39
  having orgies down there. Yeah, they're texting that.
• 29:42
  Oh, they are OK. Yeah, yeah.
• 29:43
  Yeah, about 11 forties. When people come in and we see
• 29:47
  around there around the circle, we've got Max, Allison, John,
• 29:51
  Sonja, Samuel and B They're playing truth or dare, but the
• 29:55
  version of truth or dare where you have to spin a bottle to
• 29:57
  make your choice. Interesting.
• 29:59
  So two games combined? Yeah.
• 30:01
  Yeah, and B is dared to kiss everybody in the group and she
• 30:05
  does something different for each of them, which I think is
• 30:07
  fun. Yeah, yeah, she does like the
• 30:10
  Godfather. Yeah.
• 30:11
  Yeah, to Robbie and now. Yeah, yeah, yeah.
• 30:16
  But she, she goes through all that and she goes to Sam last.
• 30:18
  And then he, like, stands up and he's like, listen, I don't even
• 30:21
  know you guys really that well. I just don't feel good about
• 30:24
  this. And she goes, just relax and she
• 30:27
  kisses him. And you have this moment where
• 30:29
  you're like, man, she's not just nice to this geeky little kid
• 30:33
  that she babysits, so she's nice to the other geeks.
• 30:35
  Yeah, he was also kind of like cold, too, when he was like, you
• 30:39
  know, he was afraid and he was trying to back out of it, and
• 30:41
  then he just dies. Yeah, and then she stabs 2
• 30:44
  knives into his head, which damn be way to be strong.
• 30:49
  Yeah, yeah. First of all.
• 30:50
  Penetrate the skull like that, holy shit.
• 30:52
  With both hands. Yeah, yeah, it's really tough.
• 30:55
  Yeah. And so they have to gather the
• 30:58
  blood in these gauntlets. And this starts John just
• 31:03
  consistently getting sprayed with blood.
• 31:05
  I like this running gag where it's just like every time, just
• 31:08
  like blood shoots on him all over the place.
• 31:10
  And you can tell make G like John Batchelor.
• 31:14
  He was batch on Vine or Bach. I don't know how it was
• 31:17
  pronounced but you can tell him MC G really likes him because he
• 31:20
  also used him Holiday. Yeah, and shit, there's another.
• 31:24
  That family switch. There's another.
• 31:27
  It's another. Netflix movie that he did.
• 31:29
  Yeah, I think he's in that. He probably is I.
• 31:30
  Think he is? He's in pretty much everything
• 31:32
  I've seen MC G do. Yeah, yeah.
• 31:35
  So they then they start referring to Samuel as Sacrifice
• 31:39
  Samuel. And they're like, man, I got
• 31:40
  Sacrifice Samuel in my mouth, which I think is just just a
• 31:44
  great little tiny bit of writing.
• 31:48
  And at this point, Cole has already snack out to watch all
• 31:51
  of this. Like, he's seen all the kids.
• 31:52
  And he's like, well, this is great.
• 31:53
  And then he sees the murderer. He's like, Nope.
• 31:56
  And then he hears B say, OK, now we've got to go collect the
• 31:59
  blood of the innocent. So he runs to his room.
• 32:02
  He calls the cops, grabs his pocket knife, and he's going to
• 32:05
  try and get out the window. But he hears them.
• 32:07
  They're too close. So he just climbs into bed and
• 32:10
  he, I was really proud of him in this moment because they go to
• 32:13
  take his blood. And we hear Max say, like,
• 32:16
  wouldn't it just be quicker and easier to just kill him?
• 32:18
  And she goes, no, for this to work, you gotta have that high
• 32:22
  shelf, pure shit. And he is like a fountain of
• 32:24
  that to us. Yeah, so sad.
• 32:28
  Yeah. So sad.
• 32:30
  Yeah, and he's afraid of needles.
• 32:31
  So they that's why she like gave him, you know, the sleep stuff
• 32:35
  and is trying to do this and. See.
• 32:36
  Yeah, yeah, we find out later, but it's relevant to this point
• 32:40
  that she. Oh, no, actually, she says it
• 32:42
  right here. She.
• 32:43
  She gave him enough like of a sedative in the shot to keep him
• 32:46
  asleep for 8 hours minimum. Yeah.
• 32:49
  So Sonya takes the needle and draws the blood and.
• 32:53
  Just to give him two times she missed the vein the first time
• 32:56
  sucks. Well, yeah, she missed the vein,
• 32:58
  but it also makes me think Italia because she was getting
• 33:01
  her blood checked for like once every couple of weeks for so
• 33:05
  long with her, her autoimmune thing that happened this summer.
• 33:09
  And we would go to the vet and they like they draw it like
• 33:14
  through a little tube and everything and it is a really
• 33:16
  impressive setup. But her veins started scarring
• 33:19
  up. Yeah, she got scar tissue built.
• 33:21
  So they just kind of started drawing the blood in straight
• 33:24
  into the vial like this. They had to with her because it
• 33:27
  wasn't wanting to go through the the to be loop thing.
• 33:31
  I don't know. I don't do blood.
• 33:33
  So the to be loop thing. Yeah, the to be loop thing
• 33:35
  that's, I mean definitely the scientific name for.
• 33:38
  It that's what I've always heard, they leave and he's like,
• 33:42
  OK, this is my chance. I'm going to escape from the
• 33:44
  window. Before they leave, Bee is the
• 33:46
  last one out and she kind of looks over and notes that the
• 33:49
  windows open and she. You can see it on her face.
• 33:51
  She's like, that wasn't open before.
• 33:53
  Yeah. So they leave and he he gets out
• 33:56
  of bed, ties his sheets together, and he's getting ready
• 33:59
  to go out the window. And then B is right behind him.
• 34:02
  He sees her, passes out, and when he wakes up, he's tied up
• 34:05
  to a chair. Max is shirtless.
• 34:07
  We never find out why Max is shirtless.
• 34:09
  They never answer it now like this.
• 34:10
  And that's the very first question is like, why is he
• 34:12
  shirtless and. Like why is that your first
• 34:14
  question? That's a great first.
• 34:15
  Question. Even funnier is that when he
• 34:17
  asks why John is covered in blood, he goes because nobody
• 34:19
  will give me their shirt. So where did Max's shirt go?
• 34:22
  Why? Why does he hate John enough to
• 34:24
  not give him the shirt that he's not wearing anyway?
• 34:27
  Would never work. So they're going back and forth
• 34:30
  like every time B asks him a question because they're just
• 34:33
  trying to figure out how much he knows.
• 34:34
  Yeah, how much he's seen. And he's got the pocket knife
• 34:37
  and he's cutting the rope. And they're like, they don't
• 34:39
  realize that he's, he doesn't realize that there's a mirror
• 34:41
  behind him. And he keeps cutting the rope
• 34:42
  and they just keep talking about how they can see it.
• 34:44
  But they're not stopping him. So I don't blame him.
• 34:46
  You got to keep going. That's your way out right there.
• 34:48
  Yeah, and eventually they feel comfortable because B says that
• 34:52
  the blood was for science. And he's like, you could've just
• 34:54
  told me, and I would have let you.
• 34:57
  And she was like, all right, And tie him, let him go.
• 34:59
  And then the cops pull up. And then she goes, why are the
• 35:03
  cops here, Cole? Why would the cops show up if
• 35:06
  you didn't see anything that you felt like was worth calling the
• 35:08
  cops over? And so they bust in.
• 35:11
  Max throws a fire poker. Yeah.
• 35:14
  Into one of their eyes. The other one shoots Allison in
• 35:18
  the boob. And then BTCBS knocks out both
• 35:22
  cops. And then the radio is going off
• 35:26
  and she asks Cole what is the code for all clear.
• 35:30
  And he says something. I didn't write it down.
• 35:33
  It's. Like a 10 something.
• 35:35
  I don't know, yeah. And she was like you still don't
• 35:38
  get it. You look away when you lie.
• 35:41
  So she makes him give the all clear code and the stopping for
• 35:44
  food code and they said Roger that.
• 35:47
  Enjoy your double double. We still could have lied to her
• 35:50
  here and just looked her in the eye.
• 35:52
  Yeah, like, come on, Cole. Oh well, yeah, Allison wakes up
• 35:56
  and she starts like she's hysterical, which is fair.
• 35:59
  She was shot in the boob and is really close to her heart.
• 36:02
  I thought for sure it was like a death kill, like a death blow.
• 36:07
  But no, she's just mourning the loss of her boob.
• 36:09
  Nobody wants to know to rebuild them anymore.
• 36:10
  Nobody's going to want to suck on that nipple.
• 36:12
  Yeah. I mean, I don't know, maybe if
• 36:14
  you guys somebody that truly loves you, but also you're kind
• 36:17
  of a bad person. Yeah, she's pretty superficial.
• 36:20
  Yeah. Yeah.
• 36:21
  I don't think it's going to happen.
• 36:22
  Then while they're all like comforting him and trying or
• 36:25
  comforting her and trying to make sure she's OK, figure out
• 36:29
  what they need to do, why she's bleed, like because she's going
• 36:31
  to bleed out. Cole escapes.
• 36:34
  He runs out and they are all following him.
• 36:37
  He goes upstairs and John follows and falls down.
• 36:42
  Bannister knocked over. He falls into an award like one
• 36:45
  of those pointy little woods, and it goes right through his
• 36:48
  neck. So Cole climbs out his window
• 36:52
  for real this time. But Max gets up there, it's
• 36:54
  starting to pull the sheet rope back up, and Cole falls to the
• 36:58
  ground, runs into the shed, and he finds a large firework in his
• 37:02
  mom's power drill. Yep.
• 37:04
  And so he goes down into the crawl space.
• 37:05
  He's ready. I actually applaud this plan.
• 37:08
  It's a good plan. Yeah.
• 37:09
  He was like, he's in a good spot, You know, he can defend.
• 37:13
  Except for the fact that Sonya's the one that follows him into
• 37:15
  the crawl space, and she is not afraid of spiders.
• 37:18
  Yeah. And she almost leaves.
• 37:21
  She's about to leave. And he flicks the spider off the
• 37:24
  blanket that he's hiding under, and it lands in a rat trap, gets
• 37:29
  squished, which we see all of, and it's gross.
• 37:34
  And she realizes that he's there.
• 37:35
  And so she comes back for him. He shoots the firework at her,
• 37:38
  misses. It's bad.
• 37:41
  And we think Cole, surely he's done here.
• 37:44
  But no, he managed to get out, puts the puts the screws back
• 37:51
  into the crawl space door and then sprays her with a shit ton
• 37:55
  of bug spray and then the firework finally deploys.
• 37:59
  Yeah, and apparently that bug spray is flammable because it
• 38:01
  just explodes and it knocks him back.
• 38:03
  Yes. And I like Max, like walks up.
• 38:05
  It's like holy shit the Jew just explodes on you.
• 38:08
  And Cole pauses, looks over at the crawl space, and says no.
• 38:12
  Yeah, I like his answer to that. Yeah.
• 38:18
  So like he respects game, respect game.
• 38:20
  He starts to chase him. He's like, I will give you a
• 38:23
  head start. And he goes, come on, man,
• 38:24
  you're the quarterback. Yeah, he goes.
• 38:27
  It is what it is, Max. Life's not cold.
• 38:30
  Life's not fair. So he starts running.
• 38:32
  He hears B's voice in his head drop like a sack of rocks.
• 38:36
  Kick him in the Dick. So he does that.
• 38:38
  He misses Max's Dick. Yeah, he's like you missed.
• 38:41
  And he goes, well, I'm sorry your Dick is small.
• 38:43
  He goes, it's not small. It's really big.
• 38:45
  And it's again, it's like you missed.
• 38:46
  You didn't kick my Dick. He's like, no I didn't.
• 38:48
  And he's like yeah that's weird cuz I got a big Dick.
• 38:50
  He's like no you don't, Which you probably don't do it if you
• 38:54
  missed your Dick. Just saying Max is starting to
• 38:58
  choke him, and he's like, no whining.
• 39:00
  And I don't think Cole is actually whining in this moment.
• 39:02
  He's, like, struggling to breathe.
• 39:05
  Yeah. Which is, I mean, you're choking
• 39:07
  somebody. Yeah.
• 39:08
  Like, you can't. Don't tell them how to die.
• 39:11
  Yeah, like let me die on my own terms here.
• 39:13
  Dude, like, but then they hear the sounds of X and goes, does
• 39:17
  this guy do this to your house all the time?
• 39:19
  You got to you got to defend your house, Cole.
• 39:21
  You got to be a man. Tell him what's up.
• 39:24
  So he goes over to Jeremy and he starts quoting the movie that
• 39:28
  him and B were watching earlier. It's a bad ass song.
• 39:30
  Take this right foot, kick you on your cheek and he delivers it
• 39:35
  with confidence that he hasn't had before.
• 39:37
  He's like. There's not a damn thing you're
• 39:38
  gonna be able to do about it. And then the kick is so bad.
• 39:41
  Yeah, God, he whips, lifts entirely, falls on his butt.
• 39:45
  He's just, Yeah. And then Jeremy is about to,
• 39:48
  like, start hitting him, and he goes, listen, they did murders
• 39:52
  inside the house. There's dead cops.
• 39:53
  They're trying to murder me. Please help me.
• 39:56
  I'll wear a blue headband. I will do whatever you say.
• 39:59
  Please just help me. And he goes, oh shit, really?
• 40:03
  There's murders, Murders. OK, here's what we're going to
• 40:06
  do. I'm going to get on my bike and
• 40:07
  then you climb on the back of the bike and we'll get away from
• 40:11
  here. And then he and.
• 40:14
  To the head and then he does this little dance and he just
• 40:19
  gets out of there, man, That's that's another.
• 40:23
  It's just a fun moment right there.
• 40:25
  I like it. Yeah, because I mean, honestly,
• 40:28
  if I'm a bully and I have somebody that drops that line on
• 40:31
  me, I'm not going to have the benefit of the doubt because I'm
• 40:34
  a bully. I'm not a nice person.
• 40:35
  So I'm not going to like, OK, well, just in case I need to try
• 40:38
  and say this kid, no, I'm going to be like, wow, what a weird
• 40:41
  way to try and get out of my bullying.
• 40:42
  Yeah, like I, you know, like you're desperate.
• 40:45
  This is kind of sad. I'm going to egg your head now.
• 40:47
  Yeah. And I like Max, goes over to him
• 40:49
  as I talk too much. Yeah.
• 40:51
  Yeah. Just like next time.
• 40:52
  I'm like, you just need to punch him.
• 40:53
  Yeah, so Cole takes that advice and immediately.
• 40:57
  Punches him. Punches him in right.
• 40:59
  And he climbs up to what's left of his tree house, and he's,
• 41:01
  like, trying to knock some of the ladder steps down.
• 41:03
  But Max is an athlete, and he's able to just climb the tree
• 41:07
  anyway. Yeah.
• 41:09
  And so they're up there. And he's like, I can't let you
• 41:14
  die with egg on your face. I'm gonna give you that, that
• 41:17
  dignity. And he wipes it off.
• 41:18
  And his hands are covered in egg yolk.
• 41:20
  And it's really gross. And I don't know.
• 41:23
  We've all touched a smashed egg before, like we felt the yolk
• 41:27
  and everything is a gross feeling.
• 41:29
  And then when the tree house breaks from underneath him, he
• 41:32
  tries to grab a branch. He can't.
• 41:34
  Rope gets wrapped around his neck.
• 41:36
  And then that's how Max goes. It's.
• 41:38
  A Suspiria moment right there. Yeah, it really is.
• 41:41
  Yeah. Yep, so Max is now being shot at
• 41:47
  by B who has the cop shotgun now.
• 41:50
  And so Cole runs over to Melanie's.
• 41:52
  Now Max Cole. Yeah.
• 41:54
  And we know that B knows about Melanie because she had talked
• 42:00
  to Nicole about Melanie earlier and says, who's what's the deal
• 42:02
  with that cute chick across the street?
• 42:04
  You know, like trying to be encouraging and things that
• 42:07
  they're young and cute and have crushes on each other.
• 42:10
  So he runs into Melanie's house and he's like, wait, your door
• 42:14
  automatically locks, right? No, people's doors don't work
• 42:17
  like that. Cool.
• 42:18
  What? What?
• 42:20
  What do you mean by? That it's not a car, it's a
• 42:22
  house. Even with the car usually like
• 42:26
  the automatic lock is after like 60 seconds.
• 42:28
  Yeah, and that's how it. Is in my car, yeah.
• 42:30
  Yeah. So they're like hiding and B
• 42:34
  comes in and she's finding them and they're just like doing
• 42:36
  this, like really tense, like tiptoe around the house.
• 42:40
  Yeah, cat and mouse game. Here, Yeah.
• 42:41
  And this is probably, I'm going to say, like, the highest
• 42:43
  tension in the movie. Yeah, because, man, it could go
• 42:47
  so wrong so quickly. Yeah, and they managed to run
• 42:52
  off into one of the rooms there, I think.
• 42:54
  It's a bathroom. Yeah.
• 42:55
  I think it gives bathroom vibes. Yeah, and he's just telling her,
• 42:59
  hey, you gotta call the cops. Yeah, he's like, you gotta call
• 43:02
  the cops. I'm really sorry that I pulled
• 43:04
  you into this. He's like, you are my best
• 43:06
  friend and I don't want you to get hurt, No.
• 43:08
  And then she kisses him. No.
• 43:11
  And he doesn't look happy about it.
• 43:12
  And she goes what? Because the last person I saw
• 43:15
  get kissed died right after. That's a good point.
• 43:18
  I, you know, understand the trauma there, Yeah.
• 43:21
  Yeah, also what a weird like first kiss story to have.
• 43:24
  Yeah, yeah. So he's like, OK, he gives her
• 43:27
  the codes to tell the cops. When she calls 1053, OK, there
• 43:31
  it is. And she goes, how do you know
• 43:32
  that? And he goes, well, I used to
• 43:34
  want to be a cop. And she goes, you never told me
• 43:35
  that. He goes, yeah, the only person I
• 43:36
  ever told that was B. So not only did B do this huge
• 43:40
  betrayal, but she used some of these secrets that he told her
• 43:44
  against him. And it's just she really is Don
• 43:48
  Draper. She.
• 43:49
  Is, yeah. Piece of shit.
• 43:52
  So he's got a plan. He's going to get it out and
• 43:54
  Laura B away and he's going to take her down.
• 43:57
  So he runs out the house, he's screaming down the neighborhood
• 43:59
  again. We're the neighbors.
• 44:01
  This kids making the scene. I wish that we had had like kind
• 44:04
  of an homage shit Halloween there where they turn porch
• 44:07
  light. On yeah, they just turn it off.
• 44:09
  Yeah, that would have been. Yeah, like that would have made.
• 44:11
  Sense. Acknowledge it, acknowledge it.
• 44:13
  Just say like, hey, this is a neighborhood where people don't
• 44:15
  help each other. Exactly.
• 44:16
  Yeah, but he makes it back into the house and he follows.
• 44:20
  The house is clean, it has gotten cleaned up so quickly
• 44:25
  which this fascinated me in a way where I really wanted to
• 44:28
  know their scene shot schedule cuz I was like surely they did
• 44:31
  all of the murders and stuff after shooting this last scene.
• 44:34
  Yeah, you would think so. Yeah, cuz they really fucked
• 44:36
  that place up. Yeah.
• 44:37
  And so I don't, I don't believe, I think she could have cleaned
• 44:40
  this up this much. No cuz this like.
• 44:42
  So much blood. From, like, the beginning of the
• 44:45
  night, it feels like this movie happens in real time.
• 44:48
  Yeah. Like it doesn't feel like we're
• 44:50
  having time jumps for anything. No, Yeah, there's not for sure.
• 44:53
  Yeah. So he sees Allison in a chair
• 44:57
  and he, like, keeps testing her breathing and like, pokes her a
• 45:01
  few times and he's like, OK, cool.
• 45:03
  So he starts to go into the kitchen and Allison's alive.
• 45:08
  She starts attacking him and he punches her in the boob.
• 45:10
  And she's like, why would you do that?
• 45:12
  Because you're trying to kill me?
• 45:13
  And she goes, she said that her wish, because this whole thing,
• 45:16
  the whole thing is that they mix the blood with the sacrifice
• 45:19
  with the blood of an innocent, drip it on the pages of this
• 45:22
  book while reading the recitation.
• 45:25
  And they get their wish. And Allison's wish is to get her
• 45:30
  dream job. And he goes, what is your dream
• 45:33
  job? And she goes, I want to be a
• 45:34
  journalist, and Cole and I have the same.
• 45:38
  Are you fucking kidding me? Like, yeah, right this time.
• 45:41
  Because he goes, well, like, not to be weird, but you're super
• 45:44
  hot and you seem smart, so it just seems like you could have
• 45:48
  just become a journalist. Yeah, it's like you seem like
• 45:51
  you're kind of are primed to have a pretty cool life.
• 45:54
  Yeah, and then she has this more.
• 45:56
  She's like, you think that you really think that?
• 45:59
  Like we could just call this whole thing off and of course
• 46:02
  she doesn't actually mean it. Yeah, she goes back and she
• 46:05
  starts attacking him. And he goes because this is what
• 46:09
  you had referenced before when he was working on a toy car his
• 46:12
  dad saw him using like the knife, which that was stressing
• 46:16
  out too. Like first of all that knife is
• 46:18
  very large and very sharp, but also you're ruining it.
• 46:20
  Yeah, it's not meant for that coal.
• 46:22
  And his dad had put it in the dishwasher and he goes, why are
• 46:25
  you putting in the dishwasher? He goes because it's covered in
• 46:27
  my fear. And then we cut to the parents
• 46:30
  at the Hyatt where they're having their sex away weekend.
• 46:34
  Yeah, she's. Just giving them a distracted
• 46:36
  hand. Job.
• 46:36
  Yeah. And she goes, was that you who
• 46:39
  put the knife in the dishwasher? It goes in the knife block.
• 46:43
  Leslie Bibb, we need to talk because if it's a dirty knife,
• 46:47
  we should not be putting it back into the knife block.
• 46:49
  Dirty. Yeah.
• 46:50
  Yeah. Like.
• 46:52
  Where has the RC carbon? Do you want that same knife
• 46:55
  cutting up your chicken or whatever you're gonna have for
• 46:57
  dinner later? No.
• 46:58
  No. You do not want.
• 47:00
  That yeah, that's bad. That's just bad.
• 47:02
  Bad parenting all. Right like what?
• 47:05
  What was your plan with Did you even wash it before you put it
• 47:07
  up? Leslie Bibb, her character
• 47:10
  doesn't have a name beyond Mom, so I'm.
• 47:11
  I'm. Addressing her?
• 47:12
  Yeah, I'm just addressing her as a human.
• 47:14
  In this moment, yeah. That that's maybe like one thing
• 47:19
  that could change is like that having been a running thing with
• 47:24
  them before, everything goes down as I'm getting annoyed with
• 47:26
  the knife not being in the right spot.
• 47:28
  That would have been nice. Yeah, that actually, yeah,
• 47:30
  because. This right here.
• 47:31
  I'm like, no, he said. It was dirty when you put it in
• 47:32
  the dishwasher. That's what you put dirty dishes
• 47:34
  in the dishwasher. Exactly.
• 47:35
  Yeah, it makes so much sense. Or if you don't want the knife
• 47:39
  to sit in the dishwasher because that's legit.
• 47:42
  Yeah, just hand wash it. Yeah, hand wash it real quick.
• 47:44
  Boom, back into the knife. There we go.
• 47:46
  Like, literally. Like when you're done with the
• 47:49
  knife, clean it and put it in the knife lock doesn't go in the
• 47:51
  dishwasher. That's all you need to say.
• 47:53
  Like, we could even just turn that.
• 47:54
  But I like the idea of it being a running gag.
• 47:56
  The beginning of the movie. Yeah.
• 47:57
  OK. Anyway.
• 48:00
  Knife tangent over. Yes, knife tangent over for now.
• 48:04
  So anyway, B comes in and shoots Allison.
• 48:08
  Yeah, that. Explodes.
• 48:09
  Blood and brain all over coal and she's I'm like, well now I
• 48:13
  gotta skip town again. And she's like, the question is
• 48:16
  what to do with you? And he goes, you're never really
• 48:19
  my friend. That was just something that you
• 48:21
  could use and he's so sad and she's like, well, it doesn't
• 48:25
  have to be like this. We could tell the cops that they
• 48:29
  attacked us together and that we ran away, and then I could make
• 48:34
  you feel confident and strong and get you everything you want.
• 48:37
  I used to be small and scared all the time like you.
• 48:40
  Yeah, she like, she's already made several wishes.
• 48:42
  Why does she need to keep making wishes?
• 48:44
  Why not just make it right the first time?
• 48:47
  I feel like part of it, like it's almost like an addiction to
• 48:50
  be able to get whatever you want, but I also think part of
• 48:53
  it is maybe like a side effect of dealing with this kind of
• 48:57
  thing, like wanting more and more power, but also needing to
• 49:01
  bring more and more people in to keep feeding the book or
• 49:03
  whatever. Again, that's a head cannon I
• 49:05
  have. I've only watched this equal one
• 49:07
  time because. I can't remember if they address
• 49:09
  it. Yeah, I.
• 49:10
  Feel like they do, but also like Samara Weaving clearly shot all
• 49:13
  of her scenes in a day. Yeah, in the sequel they tried
• 49:17
  to turn. I'm not gonna get too much into
• 49:19
  it. OK.
• 49:20
  If if you all haven't seen the sequel yet, I won't get too much
• 49:22
  into it. Yeah.
• 49:23
  I mean, it's worth it to see it once.
• 49:25
  It was OK, it was fine. As one of Jen Ortega's earlier
• 49:28
  roles, yeah. But yeah, anyway, so he he burns
• 49:34
  the buck. Yeah, He's like, I'm not gonna
• 49:36
  let you do this. So the goods, Yeah.
• 49:38
  Yeah, and that's that's when she's saying that like, you
• 49:40
  know, you're nice and charming and good looking and then you
• 49:44
  find out that Don Draper had a wife at home this whole time.
• 49:47
  You're a piece of shit. And she goes, did you just ruin
• 49:50
  Mad Men for me? And he goes, it's been on
• 49:52
  forever. You'll live.
• 49:53
  No. It's been off TV forever.
• 49:55
  It's already ended. Like, yeah, you should know if
• 49:57
  you if you were that interested. Yeah, so he burns the book and
• 50:04
  she tosses it, and she's trying to put it out.
• 50:06
  And he runs over to Melanie's house and takes Melanie's dad's
• 50:10
  car. And she's, like, cheering my
• 50:11
  mom, like, yeah. And then he goes and crashes it
• 50:15
  into his house. Yep, just ramps it.
• 50:18
  Barrel roll is right on to her and.
• 50:19
  We never address how this house is going to collapse any minute
• 50:23
  because not only is the front of the house like broken in, he
• 50:27
  also blew up their crawl space. That's their.
• 50:30
  Foundation. Foundation support beams all
• 50:34
  just demolished. Oh God, And once again, I know
• 50:37
  we keep bringing this up on this podcast and at this point we're
• 50:41
  beating a dead horse, but why the fuck did we not get a car
• 50:45
  breaking a house and Christine? Yeah, right.
• 50:48
  I'm still so mad because that was one of the scenes I was
• 50:51
  looking forward to most. John Carpenter, he can't let
• 50:54
  McGee show you up like that. Come on, man.
• 50:57
  You got to remake it. Remake the movie.
• 50:59
  Remake it, you can do it. We believe in you, John.
• 51:03
  And maybe, maybe Travis won't have a secret alliance with Rob
• 51:07
  Zombie when you guys fist fight. If you release the car cut the
• 51:11
  car house cut of Christine, then we'll beef squash.
• 51:14
  And if you guys want to know what I'm referencing when I talk
• 51:17
  about Rob Zombie being Travis's secret ally, you can go check
• 51:20
  out the January bonus episode where we did another tournament.
• 51:23
  Oh, yeah, Yep, Yep, that's. Right, that's there.
• 51:25
  I forgot to plug it at the beginning of the episode, but
• 51:27
  now you know what we're talking about.
• 51:28
  That's also what I was referencing when I seated the
• 51:31
  floor to the gentleman. And same when I was talking
• 51:33
  about the trombone knife to the butt.
• 51:36
  That is the thing that happens in the movie that we discussed.
• 51:38
  So, yeah, so. That's you.
• 51:41
  You can go listen to that episode for a single purchase,
• 51:45
  or you can pay a $1.00 more and be a budget to your Bubby and
• 51:49
  get all of the bonus episodes and stickers and all kinds of
• 51:52
  fun stuff. All right, plug over.
• 51:54
  Plug over. All right, so he's driven a car
• 51:57
  into the house. Yeah, and into B and she's
• 51:59
  trapped under there. It's like the beginning of
• 52:01
  signs. Yep.
• 52:04
  And this is where they talk about his intergalactic dream
• 52:10
  team cuz he was like, well you never ask.
• 52:12
  And she goes, I'm normally so good about that.
• 52:14
  And he says Admiral Adama Data, who's the third one?
• 52:24
  Predator. Predator and then.
• 52:27
  Him. Her.
• 52:28
  And she goes, you didn't say that we could put ourselves in
• 52:30
  there. And he goes.
• 52:31
  It's science fiction, you can do anything you want.
• 52:34
  Great answer. And she's sad and she goes, I am
• 52:38
  the big bad. And he goes and I'm an adult.
• 52:40
  I rent a car into you. Great.
• 52:44
  Answer still has a lot of going to do though.
• 52:46
  Yeah, yeah. But this like, and that's one of
• 52:49
  the the things with this movie is that like, yeah, he's got
• 52:51
  these like grown up moments, but he's still written so much like
• 52:54
  a. Kid.
• 52:54
  Yeah, exactly. Yeah.
• 52:55
  And I think, like, that's some of the best part of this movie,
• 52:59
  is that he's just such a realistic kid.
• 53:03
  Yeah, they did it really well. Yeah, so.
• 53:05
  The cops arrived. Yep.
• 53:07
  And now the neighbor neighborhoods gathering around.
• 53:09
  Yeah, everybody's now seeing the destruction when somebody drives
• 53:12
  a car into the house. That's all it takes, apparently.
• 53:14
  Yeah, it doesn't matter. All of the shotgun blast, the
• 53:17
  cops that arrived the first time, the breaking of the tree
• 53:22
  house, the explosion, none of that.
• 53:25
  Yep. None of it.
• 53:26
  Yep. And we got the bullies over
• 53:29
  there. The the two hench men of Jeremy
• 53:31
  are kind of admiring Cole's work.
• 53:33
  It's like, yeah, Cole killed like 50 people.
• 53:35
  Yeah. Yeah, that's, I mean, that's how
• 53:39
  that's going to spread around. And Jeremy, like, doesn't have
• 53:42
  power over the hench men right now.
• 53:44
  And Melanie's dad is freaking out and telling the cop he's
• 53:47
  like, protect and serve, protect the car.
• 53:51
  He's so mad about it. And then his parent, Cole's
• 53:54
  parents come home and they're like just so concerned about
• 53:56
  him. And he goes, I don't need a
• 53:57
  babysitter anymore. And like I said at the beginning
• 54:00
  of this show, the fuck you do, Cole?
• 54:04
  Yeah. And then we cut to mid credits
• 54:10
  and the cops are inside and B's body is no longer under the car
• 54:14
  but we do get a rack. Yep, just jumps.
• 54:16
  Jump scare. Yep, that's how it ends.
• 54:18
  That's how it ends. All right, I'm keeping -7 I
• 54:21
  still feel strongly and this is like a perfectly 7 movie.
• 54:25
  I will bump it up to a 7.5 just cause talking about it gave me a
• 54:28
  little bit of appreciation for some of those things like that,
• 54:32
  that realistic kid riding and everything.
• 54:35
  Yeah, that's fair. OK.
• 54:36
  So new average 7.25 good. And I think like I said, my
• 54:43
  suggestion just to tie up a couple of little loose things,
• 54:48
  you know, have have the knife be more of a running gag at the
• 54:51
  beginning. That way it pays off more.
• 54:53
  Yeah, point your seats a little bit better.
• 54:55
  And if you're going to do the like text insert on screen, it
• 54:58
  needs to be more consistent throughout.
• 55:00
  It needs to feel fully stylized. Yeah, man, I, I don't really
• 55:04
  know for me what I would change like there.
• 55:07
  And I like a lot of this stuff here.
• 55:11
  I don't know, let's see the movie.
• 55:12
  It doesn't really try to be realistic, so if I'm asking for
• 55:17
  realism here, it's hard, but. I think honestly them talking
• 55:20
  about science fiction a lot is kind of a wink in the nod from
• 55:23
  the writer to be like. We're having.
• 55:26
  Fun. Yeah, we're having fun.
• 55:28
  Don't think too hard. Yeah, yeah, yeah.
• 55:31
  OK. OK, Talia.
• 55:34
  Talia's seen this plenty of times.
• 55:36
  She was pretty sleepy. This was kind of a role reversal
• 55:40
  nightmare for Talia because she feels the responsibility to look
• 55:44
  after the cats all day. She's the babysitter home.
• 55:46
  She is the babysitter, but she would never make a deal with the
• 55:49
  devil. No.
• 55:50
  She's upset because B is giving a bad name to babysitters.
• 55:54
  Yeah, Yeah. And also, Talia has the blood of
• 55:57
  an innocent. She does.
• 55:58
  And she's a little bit afraid that that's why we've been
• 56:00
  letting pet vet take her blood. How much?
• 56:04
  Because she's just like a faucet of all of that stuff.
• 56:08
  Wow. So I think this really scared
• 56:10
  her and really upset her and this is a nightmare scenario for
• 56:14
  her. I think Talia would give this an
• 56:16
  8. Yes, it that's exactly.
• 56:18
  Because she would want the same full 8 hours of sleep that Cole
• 56:21
  was supposed to have. Yeah.
• 56:24
  Who is Zoe's ultimate warrior? Zoe and Cordelia were being
• 56:31
  obnoxious about wanting to get on our laps the entire time, so
• 56:34
  they were both very into this movie.
• 56:36
  I'm going to say the mom because the mom was the only one that
• 56:41
  was down to tackle the bugs, the nasty bugs, and that's Zoe's
• 56:44
  job. That is.
• 56:46
  She takes it very seriously, She.
• 56:47
  Takes it very seriously and sometimes she won't even kill
• 56:49
  him, she'll just like capture him and be like.
• 56:52
  What are you going to do? Guys.
• 56:54
  Bug here like me. Like I did my part.
• 56:57
  You do your thing, yeah. Yeah, she's really good.
• 57:00
  I'm really curious to see how the dynamic of that shift Snow
• 57:02
  that we have Cordelia here because she seems like she's
• 57:05
  like. Cordelia attacks the thin air.
• 57:08
  I don't think I think Zoe is going to let her keep looking
• 57:11
  stupid like that because then she could keep being on bug
• 57:14
  control. I I foresee Cordelia being a
• 57:18
  very ferocious cat with the bugs when they start to show up.
• 57:21
  I foresee Zoe not allowing them to be a team.
• 57:25
  Probably not, no. OK, so that brings us to
• 57:29
  Cordelia. Is this a hoot or is this a
• 57:32
  holler? I think it's a hoot for her.
• 57:34
  I thought we said Hoot was bad and Holler was good.
• 57:36
  No hollers so bad. It's in the hollers.
• 57:38
  But who? It's a who.
• 57:39
  OK, so it's a who? OK, yeah, I feel like we're
• 57:42
  gonna go back and listen to one of our To the Wrong Turn episode
• 57:45
  and be like oh shit, we got. It backwards.
• 57:48
  I, I did, I think I fucked it up one time when we did it.
• 57:51
  Yeah. It's a new thing guys.
• 57:52
  We're we're working it out. So yeah.
• 57:55
  We're in the workshop. These stooges OK, I have wait.
• 58:01
  We got to do tagline. Tagline and we have to do who we
• 58:04
  related to and dream sequel. And what would Don do?
• 58:07
  And. What would Don?
• 58:08
  Do so many things. My God, I'm so sorry.
• 58:11
  OK, well, first of all, who did you relate to?
• 58:13
  Who did I relate to? That's a really good question.
• 58:18
  I think I probably related to Sonia just in terms of the hair
• 58:23
  or the makeup and the nails, because that's kind of what got
• 58:26
  her was when she was down in the in the crawl space, her nails
• 58:30
  got caught on the rat trap and then she got sprayed with bug
• 58:32
  spray and exploded. And I have firework trauma as
• 58:36
  well. You do Don't.
• 58:37
  You. I feel like Sonia's probably a
• 58:38
  really good one for me to relate to.
• 58:40
  Great. Yeah, I'm going to pick Cole
• 58:42
  because being with you, I have had to grow up and face my fears
• 58:49
  of attacking some bugs that I used to be terrified of.
• 58:52
  Yep. Going back to Zoe, she'll
• 58:54
  present some of them, but she does not do the killing blow.
• 58:57
  But sometimes she doesn't. She just alerts us and I have to
• 58:59
  go in there and like, finish off the bugs.
• 59:02
  So I've had to step up and tackle some spiders and some
• 59:06
  really nasty bugs with like a lot of legs.
• 59:09
  And it's scary. But you know, you have to grow
• 59:12
  up and you have to learn how to handle those fears.
• 59:15
  OK, so I related to that. OK.
• 59:18
  And I appreciate you taking care of the bugs because I can't.
• 59:23
  Yeah, somebody's got to do it. Yeah, it's not going to be me.
• 59:25
  Yeah, so I, I did it. I I'm doing it all right now we
• 59:29
  can do tagline. Now we can do tagline.
• 59:31
  OK, so the the original tagline was Dream Girl Nightmare.
• 59:36
  Dream Dream girls can be a real nightmare.
• 59:38
  Yeah, it requires many sacrifices.
• 59:43
  Babysitting. My this is for the overlap in
• 59:50
  our audience who like horror movies but also like the
• 59:54
  Babysitters Club because I almost wanted to say Christie's
• 59:58
  Big Idea, but cross out Christie and write B because that's the
• 1:00:01
  very first book in the Babysitters Club series.
• 1:00:03
  It's called Christie's Big Idea. You know, we can do that.
• 1:00:06
  Oh, OK, yeah. OK, I'll show you the cover of
• 1:00:09
  it so that way you can make the the tagline look like the title,
• 1:00:13
  OK? Yeah.
• 1:00:14
  All right. We'll, we'll do that.
• 1:00:15
  All right, all right. B is big idea.
• 1:00:18
  OK, It might be bright idea. It's some, it's Christie
• 1:00:21
  something idea. We'll get the cover right now,
• 1:00:24
  and that's what. It was, yeah.
• 1:00:25
  Look at the cover art right now. And that's the text I did.
• 1:00:28
  Yeah. OK, what would Don do?
• 1:00:30
  Don would have driven. I think Don.
• 1:00:32
  Would have heard exactly this, yeah.
• 1:00:34
  Like this is exactly what Don would have done.
• 1:00:37
  He would No notes. Yeah.
• 1:00:38
  And Don was like, you know what? Yeah, I think the only thing he
• 1:00:41
  would probably do is like he would have helped Kohl's stand
• 1:00:45
  up to Jeremy. He wouldn't have just told him
• 1:00:47
  what to do and he would have gone over there with him.
• 1:00:48
  Yeah, I think so too. Yeah.
• 1:00:50
  OK, OK. That was the easiest one.
• 1:00:53
  Yeah, it's exactly, exactly what happened, Yeah.
• 1:00:57
  I've seen that in several Fast and Furious movies.
• 1:01:01
  All right, OK, so now we can do reviews.
• 1:01:03
  OK, great. This is the one out of 10 on
• 1:01:05
  IMDb, and once again, I had to scroll through several.
• 1:01:07
  Look, if you don't like a movie, that's fine.
• 1:01:10
  I can appreciate people not liking movies.
• 1:01:12
  Just tell me why instead of just saying it's bad.
• 1:01:14
  Yeah, just explain why you think it's bad.
• 1:01:16
  Yeah, that's fine. This one did OK.
• 1:01:21
  I don't even know where to begin.
• 1:01:22
  I suppose a list would suffice since this drek isn't worthy of
• 1:01:26
  an actual review. Total lack of chemistry between
• 1:01:29
  the leads, 2 dimensional cartoon characters with all the depth of
• 1:01:32
  porn performers. Sophomoric writing, and no, not
• 1:01:35
  in a good way. With horrendously banal
• 1:01:37
  dialogue, awkward cinematography complete with excessive out of
• 1:01:41
  place lens flares, and every first time film maker trick in
• 1:01:44
  the book as Camp goes pretty awful with an obvious music
• 1:01:48
  video type sound treatment more suitable for a Mountain Dew
• 1:01:51
  commercial. I truly do not understand what
• 1:01:54
  the goal was with this movie. I've seen intelligently made
• 1:01:56
  Camp before that was actually entertaining and compelling.
• 1:01:59
  This plays out like it was written by a 12 year old on an
• 1:02:01
  ether binge. Wow, that is a little bit harsh.
• 1:02:06
  I disagree about the lack of chemistry.
• 1:02:08
  I do too. They had such great chemistry.
• 1:02:10
  Like that was a believable relationship.
• 1:02:12
  I also disagree about the banal dialogue, I do too.
• 1:02:15
  I I think that there's a lot of fun and witty dialogue, but also
• 1:02:19
  just enough that like grounds it and he feels like an actual 12
• 1:02:22
  year old instead of a movie 12 year old.
• 1:02:24
  Yeah, I agree. I don't think the writing is to
• 1:02:26
  fall here and I can understand if the way that this is shy and
• 1:02:30
  presented is not your style. It has taken you a few watches
• 1:02:34
  to. You're pretty harsh on it.
• 1:02:37
  The first time we watched it was.
• 1:02:38
  I real, yeah. I don't remember not liking it.
• 1:02:40
  I remember always being like, it's pretty good.
• 1:02:42
  I remember you being like, it felt too much like a music
• 1:02:44
  video. And then we looked it up and we
• 1:02:45
  saw Mick G used to do music videos, but we've watched it
• 1:02:48
  several times since then. I think it's just going on.
• 1:02:50
  You OK? Interesting.
• 1:02:51
  So maybe that's what this person needs to do.
• 1:02:52
  Maybe, you know, yeah, like I I can understand where they're
• 1:02:56
  coming from for sure. Like it's a very distinct to it
• 1:02:58
  and it may not be your thing. Yeah.
• 1:03:02
  That's OK, cuz movies aren't for everyone, but I think this is a
• 1:03:05
  fun movie and it's a movie for me.
• 1:03:07
  Yeah, as we discussed, we don't have audio, we don't have
• 1:03:10
  listeners. Yeah, Sorry about that.
• 1:03:12
  Sorry. Yeah, We'll have it for next
• 1:03:13
  week's maybe, which we do know. And we can go ahead and tell you
• 1:03:15
  now. Go ahead.
• 1:03:17
  It'll be my pick. And we're not doing a
• 1:03:20
  traditional Valentine's Day movie this month, which is a
• 1:03:23
  first for us. We could, but, you know, we're
• 1:03:27
  not. And instead I'm choosing a
• 1:03:30
  different movie. I'm choosing Wolf Creek.
• 1:03:33
  Yeah. So yeah, that's the.
• 1:03:37
  It is streaming anywhere as of February.
• 1:03:39
  OK, let's see. Wow, a lot of free places.
• 1:03:43
  You can watch it for free on Tubi, Pluto TV, Fandango at
• 1:03:47
  home, or Plex. Or if you want to rent it, you
• 1:03:49
  can rent it from YouTube, Google TV, Apple TV, or Prime.
• 1:03:52
  Awesome. So everybody can watch it easily
• 1:03:54
  for free. Great.
• 1:03:55
  I like that it's a good movie. If you've not seen it, it's.
• 1:03:58
  It's worth watching at least once.
• 1:04:00
  It's got some pretty iconic moments it is based on, like
• 1:04:04
  backpackers disappearing in the Australian Outback.
• 1:04:07
  Yeah, like it's got some like history to it and it's got great
• 1:04:10
  performance from John Jarrett. Not Jeff Jarrett.
• 1:04:14
  No. John Jarrett, Yes.
• 1:04:16
  I should wear my muscle tank that I got from Jeff Jarrett.
• 1:04:19
  Yeah. Recorded though, you should,
• 1:04:22
  yeah. It will be loose on me because I
• 1:04:25
  have no muscles. Yeah, you know, it's OK.
• 1:04:28
  You wear it proudly. Yes, you earned.
• 1:04:31
  It I earned it, I got hit with it in the.
• 1:04:34
  Office. You did?
• 1:04:34
  Yeah, but it's AI. Love the movie.
• 1:04:38
  It's a good one. It's a it's a early 2000s banger
• 1:04:42
  for sure. So check it out, be ready for
• 1:04:46
  it. I'm excited to talk about it.
• 1:04:47
  We would also like to shout out our bubbies.
• 1:04:50
  We have Joe Freaka, Trump, as is his name, Amber, Michael, Lord,
• 1:04:55
  Zombie, Tyler, Chad, Johnny and Jason.
• 1:04:58
  Yeah, Carmel. Did you get word zombie?
• 1:05:01
  Yes. OK, good.
• 1:05:03
  Yes, I yeah. I'm sorry, I just, I gotta try,
• 1:05:08
  yeah. It's a good problem to have.
• 1:05:09
  It is. It's a good problem.
• 1:05:10
  Thank you guys. We appreciate you guys.
• 1:05:12
  The support means a whole lot to us.
• 1:05:14
  It has helped us with equipment that has been dying on us.
• 1:05:16
  Yes. To be able to replace it, it's
• 1:05:18
  made a big difference. It helps us with the stickers
• 1:05:22
  and the confetti and all of that.
• 1:05:25
  Stuff. I just want to say I am trying
• 1:05:27
  to get you your stickers, but with our current icy snowy
• 1:05:32
  situation, we saw the melt for the very first time yesterday.
• 1:05:36
  And I think that that was like a I'm going to do this today
• 1:05:38
  because we got so much shit backed up.
• 1:05:40
  I'm not coming back until this shit melts.
• 1:05:42
  That's what I got from the guy. The guy seemed over it.
• 1:05:44
  Yeah. And I felt really bad because I
• 1:05:46
  was just like, it was one of those.
• 1:05:48
  I didn't realize that he was there, like, and within hearing
• 1:05:52
  distance. But I said, Oh my God, I hope to
• 1:05:54
  God my tags are there because I ordered them two weeks ago.
• 1:05:57
  And yesterday was the last day of day.
• 1:05:59
  Mary, it's still too cold for me to put the sticker on.
• 1:06:02
  Yeah, but at least I have it now.
• 1:06:04
  And I just, I hope he didn't think that I was, like, mad at
• 1:06:07
  him for not being down here because we couldn't get out of
• 1:06:09
  our cul-de-sac. No, for a whole week.
• 1:06:11
  Yeah, but we're barely getting up there now.
• 1:06:13
  I was. I was literally sideways in my
• 1:06:15
  car driving up to our house. And we have defensive driving
• 1:06:19
  lessons. Yeah, it was.
• 1:06:20
  It's sketchy right now. Yeah, it was scary.
• 1:06:24
  And I wasn't mad at him for not delivering the mail.
• 1:06:26
  I get it. I had the same conversation with
• 1:06:28
  my pharmacy and they're like, we'll try and get you your
• 1:06:29
  medicine as soon as we can. And I was like, I know.
• 1:06:31
  So I'm refilling it early because I don't know how long
• 1:06:34
  it'll take for it to get here. So depending on how the weather
• 1:06:37
  goes, it should start melting in the next few days.
• 1:06:39
  But ICE is kind of keeping the the stickers here with us for
• 1:06:45
  right now, yes, but we'll get them to you, I promise.
• 1:06:47
  They'll get to you. Yeah.
• 1:06:48
  If you're not a member of the Patreon, you can still support
• 1:06:51
  us. You're supporting us just by
• 1:06:52
  listening? Yeah, thank you.
• 1:06:53
  But you can also support us by following us wherever you do
• 1:06:56
  listen. That way you get alerts when
• 1:06:57
  there's new episodes. Also it you know, helps that
• 1:07:01
  algorithm know what other kind of podcasts are associated.
• 1:07:04
  With those bumps, yeah. You can write, review and do
• 1:07:08
  those fun things. You can follow us on social
• 1:07:11
  media, share us with people you know, all of that good stuff
• 1:07:15
  that all that all helps. That helps a whole lot.
• 1:07:18
  Thank you guys. For the people out there that do
• 1:07:20
  share our episodes whenever we release them on social media.
• 1:07:24
  I feel like our our social media game is kind of ease off a bit
• 1:07:29
  here. It's been.
• 1:07:31
  I'm going to be really honest, a big part of it has been like the
• 1:07:35
  past seven months have been terrible health wise for me and
• 1:07:38
  Talia. Yeah, it's been just mentally
• 1:07:40
  draining. It takes all of my energy to
• 1:07:43
  basically exist, right? Now, yeah, so it's just we, we
• 1:07:47
  thank you guys for being there and helping us in this moment.
• 1:07:50
  So thanks so much. And we're hoping I'm having
• 1:07:52
  surgery later this month. We're hoping that will help a
• 1:07:54
  lot of the issues and all start being on the mend and we can be
• 1:07:57
  more active with things again. But it literally has just been
• 1:08:01
  all of my energy has been make it through one day and then
• 1:08:04
  we'll worry about tomorrow, tomorrow.
• 1:08:06
  Exactly. Yeah.
• 1:08:07
  So thank you, guys. You guys are the best.
• 1:08:08
  We love you guys. And if you do want to follow us
• 1:08:10
  on social media as it starts to get more active again, hopefully
• 1:08:14
  soon, you can find us on Instagram and Threads at least
• 1:08:16
  favorite scary movie podcast. We're on Blue Sky at least fav
• 1:08:19
  pod. Our websites which are least
• 1:08:20
  favorite scary movie.com and you can e-mail us us at least
• 1:08:23
  favorite scarymovie@gmail.com. Yeah.
• 1:08:25
  So thanks for being here everybody.
• 1:08:27
  We'll catch you guys next week with Wolf Creek.
• 1:08:29
  So see y'all then. Bye.
• 1:08:44
  Cops will be there. Oh, it's poopy doopy Doo town.