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Child's Play 3 - Thirsty For Gore · Thirsty For More - Movie Review

• 0:02
  Speaker 1: I guess the rain in the background will be some ASMR.
• 0:12
  Speaker 1: Universal Pictures presents. Hello, everyone, and welcome to Thirsty for Gore. I,
• 0:17
  Speaker 1: of course, am your host, Milenko. And I am Alex.
• 0:22
  Speaker 1: Nice to meet you. And... We're happy to be back
• 0:26
  Speaker 1: now with Child's Play 3, 1990... What? Twos? It's 1991, actually.
• 0:35
  Speaker 2: It's literally a year after, so it's three years after,
• 0:39
  Speaker 2: with age-appropriate Andy Barkley, dude.
• 0:42
  Speaker 1: Is the official title of this movie, Child's Play 3,
• 0:45
  Speaker 1: Look Who's Stalking? No. I'm sure that was... Like, added
• 0:51
  Speaker 1: or something?
• 0:51
  Speaker 2: Some stupid thing that.
• 0:52
  Speaker 1: Man, I... Like, something that has been set up with
• 0:56
  Speaker 1: Chucky movies is just how much they fucking move. Like,
• 1:04
  Speaker 1: the story, when looked at through the prism of, like,
• 1:09
  Speaker 1: how it progresses, it kind of, like, doesn't really stop.
• 1:13
  Speaker 1: And it, like, progresses in a similar way to... to
• 1:18
  Speaker 1: each other you know what i mean like it's like
• 1:20
  Speaker 1: such consistent storytelling so far.
• 1:23
  Speaker 2: Yeah it is and also i will say the way
• 1:27
  Speaker 2: they handled this beginning is way better than the way
• 1:32
  Speaker 2: they handled the second beginning because it does have the
• 1:36
  Speaker 2: corporate corporate espionage stuff with sullivan back the evil.
• 1:41
  Speaker 1: Dude i was so amazed that he was back but
• 1:45
  Speaker 1: like But it's just like the thing that I was
• 1:48
  Speaker 1: saying in the second one at.
• 1:50
  Speaker 2: The beginning where it's like they're kind of like figuring
• 1:53
  Speaker 2: out a way to like tell why this is happening.
• 1:58
  Speaker 2: Whereas this is, it makes no sense why they shut
• 2:01
  Speaker 2: down this factory, left goop and toys to rot here.
• 2:06
  Speaker 2: And then eight years later, I guess there's still blood
• 2:10
  Speaker 2: in the toys.
• 2:10
  Speaker 3: Yeah.
• 2:12
  Speaker 2: Like it makes no sense but because of the fact
• 2:16
  Speaker 2: but hold.
• 2:17
  Speaker 1: On oh yeah can we say so picks up with
• 2:19
  Speaker 1: the big crane there's a big crane that picks up
• 2:23
  Speaker 1: the like chucky chunk that's been left behind like that
• 2:27
  Speaker 1: was like embedded into the plastic and the floor and
• 2:31
  Speaker 1: it like picks it up and because it like forks
• 2:34
  Speaker 1: into the chucky.
• 2:35
  Speaker 2: The blood starts the blood mushing into the the plastic
• 2:40
  Speaker 2: that they're gonna use the blood.
• 2:42
  Speaker 1: Rains down on us dude.
• 2:44
  Speaker 2: Rain down on us old plastic they're gonna use In
• 2:48
  Speaker 2: order to.
• 2:49
  Speaker 1: I mean, dude, they're a company that thinks about the
• 2:52
  Speaker 1: bottom line. He says so himself.
• 2:54
  Speaker 2: They have to use every single bit of old Chucky material.
• 2:59
  Speaker 1: By the way... Manufacturing in America, dude. By the way, yeah,
• 3:02
  Speaker 1: manufacturing and selling.
• 3:04
  Speaker 2: Good manufacturing jobs, man.
• 3:07
  Speaker 1: He brought them back. Listen, Chucky brought back good jobs
• 3:10
  Speaker 1: in America, dude. But I actually... really love.
• 3:14
  Speaker 2: This reverse motion melting of the doll.
• 3:18
  Speaker 1: Yeah, oh, dude.
• 3:20
  Speaker 2: And it also feels like Possessor did this. He fully
• 3:26
  Speaker 2: just took it from this. Totally, totally.
• 3:28
  Speaker 1: It feels like it.
• 3:30
  Speaker 2: And then as it reverse melts into place.
• 3:34
  Speaker 1: The blood and the cum.
• 3:35
  Speaker 2: The blood and the cum reverse melt into place, and
• 3:39
  Speaker 2: the Chucky doll with no eyes goes.
• 3:44
  Speaker 1: okay so how did you guess dude quickly did you
• 3:48
  Speaker 1: know that the original ending of part two was that
• 3:52
  Speaker 1: a piece of chucky's face blew off and fell into
• 3:56
  Speaker 1: the plastic like like happened here yeah and then got
• 4:00
  Speaker 1: melted in so slightly retconned right but they but they
• 4:04
  Speaker 1: they didn't go with that ending just don mancini dude
• 4:08
  Speaker 1: Based on the characters.
• 4:11
  Speaker 2: I mean, he's the Chucky guy. I love the fact
• 4:14
  Speaker 2: that in more corporate espionage, being like, this is Andy Barkley.
• 4:19
  Speaker 2: Explaining to the guy who knows Andy Barkley, he knows
• 4:23
  Speaker 2: all about it, he owns the company or whatever.
• 4:25
  Speaker 1: I mean, he was like, get rid of this mess.
• 4:28
  Speaker 2: Possessed by Charles Lee Ray.
• 4:30
  Speaker 1: Dude, Chucky's split hand in that beginning. Sorry, I'm bringing
• 4:35
  Speaker 1: it back, but all the blood graphics... The blood, like,
• 4:40
  Speaker 1: mixing in with the cum shows how embedded Chucky's soul
• 4:43
  Speaker 1: is in the body. In the cum.
• 4:45
  Speaker 2: Yeah.
• 4:45
  Speaker 1: It's as satisfying to me as the cumming is. Having
• 4:48
  Speaker 1: sex with a.
• 4:49
  Speaker 2: Um.
• 4:51
  Speaker 1: in the comedy well and that's gonna be very important
• 4:55
  Speaker 1: because this is a new body for chucky.
• 4:57
  Speaker 2: Dude there's a new body for chucky i really like
• 5:00
  Speaker 2: this lady who's like well the chucky dolls were awesome
• 5:05
  Speaker 2: they got us the most money so mr sullivan you
• 5:08
  Speaker 2: should be giving a chance to this doll that almost
• 5:12
  Speaker 2: ruined your company no.
• 5:16
  Speaker 1: Um and the guy is like listen guys If it's
• 5:21
  Speaker 1: nuclear bombs or whatever, we're selling it to it. And
• 5:26
  Speaker 1: kids are just fucking stupid consumers. And we gotta get
• 5:29
  Speaker 1: them young. So, fuck Andy. Nobody remembers that piece of shit.
• 5:34
  Speaker 1: It was eight years ago. Yeah, nobody remembers him. Nobody cares.
• 5:37
  Speaker 1: What do you make of the decision to make this, like,
• 5:40
  Speaker 1: slightly nearby future?
• 5:44
  Speaker 2: I love the nearby future. It's very Terminator. Continuing its
• 5:47
  Speaker 2: Terminator lore, the music even felt.
• 5:52
  Speaker 1: Totally, dude. I totally heard that.
• 5:54
  Speaker 2: And I was like, what?
• 5:56
  Speaker 1: What is this? Man, them showing a PowerPoint presentation about
• 6:12
  Speaker 1: Charles Lee Ray.
• 6:13
  Speaker 2: And I love how Miles, the guy who's like, glasses
• 6:17
  Speaker 2: nerd or whatever and he's like listen listen i just
• 6:20
  Speaker 2: want i just want it on the record nobody gives
• 6:23
  Speaker 2: a shit miles thank you for making your position.
• 6:26
  Speaker 1: He's got morals and this guy's like stop pretending you
• 6:30
  Speaker 1: know what this is it's about the fucking bottom line
• 6:32
  Speaker 1: and chucky sells it's been eight years he's uncanceled okay
• 6:36
  Speaker 1: yeah he's uncanceled that's this exactly what it's the metaphor
• 6:40
  Speaker 1: for he's being uncanceled he's earned his way back into
• 6:43
  Speaker 1: the limelight It's true. Eight years had to pass this
• 6:47
  Speaker 1: time because Chucky almost twice ruined this guy's company. Totally.
• 6:52
  Speaker 2: And then he's given a good guy doll by another
• 6:55
  Speaker 2: sniveling loser who is exactly as similar as the other guy.
• 7:01
  Speaker 1: Can I just say that... This guy's so good. The
• 7:05
  Speaker 1: fact that he came back is amazing. And his character
• 7:09
  Speaker 1: gets so much more fleshed out.
• 7:10
  Speaker 2: I love the fact that they flesh out the... They
• 7:12
  Speaker 2: brought him back to be like... It feels like such a... Oh, man,
• 7:17
  Speaker 2: I have such a good idea for this guy.
• 7:18
  Speaker 1: You know what I mean? Yeah, and he really showed up. Yeah,
• 7:23
  Speaker 1: he did such a good job. Because he played... Andy
• 7:26
  Speaker 1: Barclay's ancient history. He played it almost... I don't know,
• 7:30
  Speaker 1: this one feels.
• 7:31
  Speaker 2: Way more of a return to form, it feels like.
• 7:34
  Speaker 2: I agree. The second one isn't... It's just not as good.
• 7:37
  Speaker 1: No, it's what you said. I think the second one
• 7:40
  Speaker 1: is like a... You need the second one. It's the
• 7:42
  Speaker 1: transitory between the two. It's the Back to the Future part, too.
• 7:45
  Speaker 1: For sure, for sure.
• 7:46
  Speaker 2: Where it kind of doesn't make any sense, and you're like, well.
• 7:49
  Speaker 1: It's fun. But that's what I love about the Child's
• 7:52
  Speaker 1: Play series so far, and I guess this is the
• 7:55
  Speaker 1: end of the Child's Play series, but I love that, like...
• 7:59
  Speaker 1: how consistent it is in its, like, wacky storytelling and, like,
• 8:04
  Speaker 1: how it's, like, how committed it is to the lore. Yeah,
• 8:07
  Speaker 1: for sure. Because it's still got, like, Catherine Hicks as
• 8:11
  Speaker 1: the mom, you know? Yeah, totally. And even, dude, like,
• 8:14
  Speaker 1: we'll get to it, but this Andy... Holy shit.
• 8:18
  Speaker 2: Let's go in with Sullivan putting the good guy doll in.
• 8:21
  Speaker 2: Having toys all over the office is very fun. And then, like,
• 8:26
  Speaker 2: the camera slowly creeping in as the loser, like, leaves.
• 8:31
  Speaker 1: Fucking ass licker, dude.
• 8:33
  Speaker 2: And then we get the good guy doll slightly opened
• 8:36
  Speaker 2: and it, like, goes in. The camera goes in and
• 8:39
  Speaker 2: reveals that the box is empty.
• 8:41
  Speaker 1: Yeah.
• 8:42
  Speaker 2: As Sullivan is making a drink for himself, and then
• 8:45
  Speaker 2: listening to the news about the Dow.
• 8:48
  Speaker 1: This scene very much felt like fucking Tales from the Crypt.
• 8:53
  Speaker 2: It felt so much like.
• 8:54
  Speaker 1: A guy at his desk, a business guy at his desk.
• 8:58
  Speaker 1: Wide-angle lenses. Late night. There's some mysterious things happening, little sounds.
• 9:05
  Speaker 1: It really... built tension in a great way, and it
• 9:08
  Speaker 1: used this, like, kind of, like, funny setup to, like,
• 9:11
  Speaker 1: be really horror. It's kind of funny because, like, Chucky is, like,
• 9:16
  Speaker 1: always consistently funny, but also consistently ups the stakes of, like,
• 9:22
  Speaker 1: what he's willing to do in terms of, like, real-life
• 9:25
  Speaker 1: consequence and, like, loss of life in these movies. Yeah,
• 9:29
  Speaker 1: I agree.
• 9:30
  Speaker 2: I think that this one has the most of that.
• 9:33
  Speaker 2: And then we start getting, like, classic... know oh sullivan
• 9:38
  Speaker 2: is playing gonna play mini putt golf or whatever.
• 9:41
  Speaker 1: He's drinking whiskey chucky's like creeping on him yeah it's
• 9:47
  Speaker 1: i love it dude.
• 9:48
  Speaker 2: And he's like hiding the remote turning yeah it's very
• 9:51
  Speaker 2: cohagan uh he's like turning the tv off and then
• 9:54
  Speaker 2: getting giving the remote to him under the couch i.
• 9:57
  Speaker 1: Didn't say my tariffs joke i was just like, if they're, like,
• 10:01
  Speaker 1: talking about stocks and stuff. And I was just, like,
• 10:03
  Speaker 1: right now, and Trump's tariff war. Yeah.
• 10:06
  Speaker 2: Chucky gets his marbles and, like, trips him over.
• 10:09
  Speaker 1: Oh, man.
• 10:10
  Speaker 2: But I like it, too, because he's, like, you know,
• 10:11
  Speaker 2: he's got the cop toys and the military toys, which is, like,
• 10:15
  Speaker 2: a weird, like, foreshadowing.
• 10:18
  Speaker 1: Crossover. And then, hi, I'm Pauly. Hi, I'm Larry. Want
• 10:24
  Speaker 1: to play? Hi, I'm Pauly. Want to play? I like
• 10:30
  Speaker 1: to be hugged. I like to be hugged.
• 10:34
  Speaker 2: And then Chucky hits him with a golf club, and
• 10:37
  Speaker 2: he's like.
• 10:38
  Speaker 1: How did you know?
• 10:41
  Speaker 2: Don't!
• 10:42
  Speaker 1: How did you know? fuck with the chuck.
• 10:48
  Speaker 2: He's got a lot more quips in this and and
• 10:51
  Speaker 2: sullivan's oh my god.
• 10:54
  Speaker 1: The the like realize the.
• 10:57
  Speaker 2: The dawning of realization that he was wrong for eight
• 11:01
  Speaker 2: years and blamed this little boy he's also kind of
• 11:04
  Speaker 2: like what was interesting about his reaction is he's not
• 11:07
  Speaker 2: surprised in a way like In a way, he kind of.
• 11:10
  Speaker 1: Saw this coming.
• 11:11
  Speaker 2: You know what it kind of reminded me of?
• 11:13
  Speaker 1: It kind of reminded me of in.
• 11:15
  Speaker 2: God, what's the Timothee Chalamet ping pong movie?
• 11:18
  Speaker 1: Oh, Marty Supreme. Marty Supreme.
• 11:19
  Speaker 2: It kind of reminded me of when the villain of
• 11:22
  Speaker 2: that movie was like, I'm a vampire.
• 11:24
  Speaker 1: Let me explain to you. I was born in 1601.
• 11:28
  Speaker 1: I'm a vampire. I've been around forever.
• 11:32
  Speaker 2: Or whatever oh yeah i've lived for 100 years it
• 11:35
  Speaker 2: kind of felt like this guy was like i know
• 11:38
  Speaker 2: this because i'm evil too.
• 11:40
  Speaker 1: I i did get that feeling i like oh man
• 11:44
  Speaker 1: it's it's so funny okay so like when he like
• 11:46
  Speaker 1: fucking throws the dart at his back Does he... Into
• 11:50
  Speaker 1: his kidneys? Does he paralyze him? No, no. No, because
• 11:53
  Speaker 1: he doesn't move his legs after and he's like pulling himself. No,
• 11:56
  Speaker 1: I don't think so. I think he's just... I always
• 12:00
  Speaker 1: thought he paralyzed him. My brother is paralyzed. Your brother
• 12:06
  Speaker 1: is paralyzed? What do you mean paralyzed?
• 12:10
  Speaker 2: And then Chucky chokes him to death or strangles him with.
• 12:14
  Speaker 1: What's it called? A yo-yo. And he's like... Man, the
• 12:19
  Speaker 1: amount of mic power space in this one is amazing, dude. Oh, totally.
• 12:23
  Speaker 2: And then Chuggy walks over his dead body and uses
• 12:27
  Speaker 2: the internet to find... uses proto-internet to find Andy.
• 12:32
  Speaker 1: Yeah. Which is like... you know what?
• 12:36
  Speaker 2: I appreciate, again, I appreciate this more because they tried.
• 12:39
  Speaker 1: Well, they set up the reality that that kind of
• 12:41
  Speaker 1: stuff happens at these movies.
• 12:42
  Speaker 2: But they also tried in the second one to explain
• 12:44
  Speaker 2: a little more why things happened. Whereas in this one,
• 12:47
  Speaker 2: it's just like, no, whatever. The blood got into the thing, whatever.
• 12:52
  Speaker 2: We'll roll the credits over it. No, you don't notice.
• 12:54
  Speaker 1: Yeah.
• 12:55
  Speaker 2: Yeah. And then all of a sudden it's like, oh,
• 12:57
  Speaker 2: we're in the military school.
• 12:58
  Speaker 1: And it's like, great. This is awesome. Like, man, but the,
• 13:02
  Speaker 1: The tragic trajectory of Andy at military school.
• 13:06
  Speaker 2: Well, it's really sad, and we'll get to why it's
• 13:09
  Speaker 2: even more tragic, but what's nice about it is that,
• 13:12
  Speaker 2: and what's kind of.
• 13:15
  Speaker 1: What was a big.
• 13:16
  Speaker 2: Problem in the second one was that you're not really
• 13:20
  Speaker 2: exploring that much of a difference between where Andy is at. Because, yeah,
• 13:25
  Speaker 2: he was kind of... It was just almost a direct continuation. Yeah,
• 13:30
  Speaker 2: but not just a direct continuation of.
• 13:35
  Speaker 2: The age wasn't too different, so that he maybe has
• 13:40
  Speaker 2: more consciousness, but it felt a little bit like we're
• 13:44
  Speaker 2: just exploring the same things with this age. Whereas this
• 13:49
  Speaker 2: is like, he's a teenager, there's girls.
• 13:52
  Speaker 1: He's got a weird wig on.
• 13:54
  Speaker 2: He's got a weird wig on. Even in this scene,
• 13:59
  Speaker 2: when we're introduced to Major Cochran... Isn't it Colonel?
• 14:03
  Speaker 1: Colonel. Colonel Cochran. Colonel! And he's like.
• 14:07
  Speaker 2: You know, he's like... what's, what problem do you have?
• 14:13
  Speaker 2: And he's like, I have problems adjusting. I could read Barkley,
• 14:17
  Speaker 2: you know, like stuff like that, where it's like, like there,
• 14:20
  Speaker 2: there is like a good faith engagement on his part
• 14:25
  Speaker 2: to be like, well, I'm like the head of a school, whatever.
• 14:28
  Speaker 2: I have to be professional, but we get like a
• 14:30
  Speaker 2: little bit of like, I've never been comfortable. And like
• 14:33
  Speaker 2: from him, like we get like a little backstory, but.
• 14:36
  Speaker 1: This guy's kind of like, he's meant to sort of
• 14:38
  Speaker 1: like be like, We're not going to put up with
• 14:40
  Speaker 1: that kind of shit here. You've got to become a man. Yeah.
• 14:43
  Speaker 1: This is about becoming a man.
• 14:44
  Speaker 2: I'm going to get, get, cut you some slack, but
• 14:47
  Speaker 2: also I don't like troublemakers. They don't fit into the system.
• 14:49
  Speaker 3: Yeah.
• 14:51
  Speaker 1: And like, man, this actor is so good. He's so
• 14:54
  Speaker 1: good in this role.
• 14:55
  Speaker 2: Yeah, totally.
• 14:57
  Speaker 1: I was just like kind of mesmerized by his performance.
• 15:00
  Speaker 1: So much iconic stuff happens in this one that I
• 15:02
  Speaker 1: forgot about and watching it. I was like, Whoa, dude, like, There's, like,
• 15:06
  Speaker 1: some really pantheon stuff in this one. Yeah, totally. That
• 15:09
  Speaker 1: I was like, not the least of which is this
• 15:12
  Speaker 1: guy's death, which we'll get to.
• 15:13
  Speaker 2: But I loved when I was a child, I thought
• 15:16
  Speaker 2: as a child, but when I became a man, I
• 15:19
  Speaker 2: put childish things away, and he's quoting Corinthians. Which is, like,
• 15:22
  Speaker 2: interesting to, like, throw in there.
• 15:28
  Speaker 1: When he sees him, it's on sight, dude.
• 15:29
  Speaker 2: On sight!
• 15:32
  Speaker 1: And then we're introduced to... To fucking Andrew Robinson, dude.
• 15:36
  Speaker 1: Which is such a weird performance. Such an insane... Okay, so, like,
• 15:41
  Speaker 1: the choice of, like, having him have that thin pencil
• 15:44
  Speaker 1: mustache with the drawn-on-over-top mustache, and he's just kind of, like, balded. Presto!
• 15:51
  Speaker 1: You're bald! It's such a good line, and only he
• 15:56
  Speaker 1: could deliver.
• 15:57
  Speaker 2: It feels like only.
• 15:59
  Speaker 1: Presto! your ball and robinson could do and we also
• 16:04
  Speaker 1: get introduced to the fact that he doesn't know how
• 16:07
  Speaker 1: to cut a black kid's hair because he really fucks
• 16:09
  Speaker 1: this kid's head up and like they like leave it
• 16:12
  Speaker 1: as if he did really cut his hair um.
• 16:15
  Speaker 2: Like ronald tyler is that character's name oh.
• 16:19
  Speaker 1: My god such a good character dude such a good
• 16:21
  Speaker 1: like andy replacement i remember when i was a kid
• 16:24
  Speaker 1: when we watched this movie we were younger than this
• 16:26
  Speaker 1: kid i thought this kid was old but this kid's
• 16:28
  Speaker 1: fucking 16 man he's really 16 The kid in the movie? Yeah.
• 16:34
  Speaker 1: He looks like he is. Oh, no, no. Sorry, sorry.
• 16:38
  Speaker 1: I meant Andy. Yeah, yeah, yeah. Andy. The new Andy
• 16:41
  Speaker 1: is amazing. Justin Whelan.
• 16:42
  Speaker 2: Yeah, he's really, really good. He's really, really good.
• 16:45
  Speaker 1: He's such a good... He's so good. And, like, the
• 16:47
  Speaker 1: way he cuts this wig is so weird. It's so aggressive. He's, like,
• 16:51
  Speaker 1: aggressively pulling at his head. Yeah. He's, like... there implied
• 16:58
  Speaker 1: something sexual with him. It's definitely something sexual. A hundred percent.
• 17:02
  Speaker 1: And there's a lot of like latent, like sexuality in
• 17:06
  Speaker 1: this movie. Definitely.
• 17:08
  Speaker 2: And, and what's cool though, is as he's cutting the wig, uh,
• 17:12
  Speaker 2: Tyler notices the TV, the good guy doll, and.
• 17:17
  Speaker 1: The majestic face Tyler in slow motion gets up and
• 17:21
  Speaker 1: walks towards the TV in a happy way.
• 17:23
  Speaker 2: But also the, like, cutting, intercutting that with traumatized Andy having, like,
• 17:30
  Speaker 2: a catatonic, being in a catatonic state, watching the good
• 17:34
  Speaker 2: guy doll reboot happen.
• 17:37
  Speaker 1: And that's also the way that they reintroduce that there's
• 17:41
  Speaker 1: a good guy doll. Okay, so they went back to
• 17:44
  Speaker 1: the classic design. Yeah. The face is not as similar
• 17:50
  Speaker 1: to Chucky again, remember?
• 17:52
  Speaker 2: Yeah, yeah, totally, totally.
• 17:53
  Speaker 1: But they, yeah, they did, like, when he's initially, like,
• 17:58
  Speaker 1: just the good guy doll, it's very, like, just a
• 18:01
  Speaker 1: plastic face. Plastic face. But then it turns more into, like,
• 18:04
  Speaker 1: anatomical Chucky.
• 18:05
  Speaker 2: Yeah, totally. And he gets to his room, and we're
• 18:08
  Speaker 2: introduced to.
• 18:11
  Speaker 1: Fucking periodontist Chucky in this one. It's like a fucking
• 18:15
  Speaker 1: gum disease Chucky in this one. Oh, it's so gross.
• 18:18
  Speaker 1: He's so.
• 18:19
  Speaker 2: He gets nicely grosser as the movie gets along.
• 18:24
  Speaker 1: Andy's introduced to... This fucking loser. Whitehurst. And he's like,
• 18:31
  Speaker 1: fucking bastards!
• 18:33
  Speaker 2: Shelton and his goddamn lackeys!
• 18:37
  Speaker 1: And he's like, I'm Andy. You must be new. You
• 18:42
  Speaker 1: know what? The way this movie kind of like elevated
• 18:49
  Speaker 1: some Saved by the Bell acting in a way that, like,
• 18:53
  Speaker 1: gave it real stakes. Because, like, real, like, death happens
• 18:58
  Speaker 1: in this one. And we do get attached to these characters. Like,
• 19:01
  Speaker 1: this guy, he's a fucking loser. But, like, he's supposed
• 19:04
  Speaker 1: to be in the movie a fucking loser who, like,
• 19:06
  Speaker 1: has an arc where he gets brave or whatever, right?
• 19:09
  Speaker 2: Yeah, they do a really good job setting everything up. And, like,
• 19:13
  Speaker 2: in terms of introductions, it's, like, perfect for how Like,
• 19:19
  Speaker 2: this guy is a loser who gets tied up. And
• 19:21
  Speaker 2: he's like, who's Shelton?
• 19:22
  Speaker 1: What are you doing? Again, there's Shibari in this movie.
• 19:24
  Speaker 1: It's a continuation of Kinky Chunky.
• 19:27
  Speaker 2: And then Whitehurst explains who Shelton is. He's like a fucking, like, tyrant.
• 19:34
  Speaker 1: Oh, my God. Creep. He's like, what is your major malfunction?
• 19:39
  Speaker 1: But he's like, this guy's unhinged performance. He's perfect. He's
• 19:44
  Speaker 1: so good. So good. So good. He's got this like weird.
• 19:50
  Speaker 1: southern accent and oh my god okay so i gotta
• 19:53
  Speaker 1: just comment that andy looks like wesley crusher he.
• 19:57
  Speaker 2: Looks yes 100 yeah he looks like will wheaton so
• 19:59
  Speaker 2: much um You had best unfuck yourself or I will
• 20:04
  Speaker 2: rip off your head and shit down your neck!
• 20:06
  Speaker 1: That is very much the energy. But this kid sells
• 20:09
  Speaker 1: it so well. You could tell that he watched all
• 20:12
  Speaker 1: those movies.
• 20:13
  Speaker 2: Travis Fiennes is the actor's name. He's so good at
• 20:17
  Speaker 2: playing this piece of shit. And this piece of shit
• 20:21
  Speaker 2: requires a whole bunch of nuance that's like... Because he's
• 20:26
  Speaker 2: not dead-eyed.
• 20:27
  Speaker 1: No. He's so in it. Like, intentional. He's so intentional.
• 20:31
  Speaker 1: He is, yeah. And it's so perfect. And it's an
• 20:34
  Speaker 1: ego thing for him.
• 20:35
  Speaker 2: Totally.
• 20:35
  Speaker 1: And it's a control and a power thing for him.
• 20:37
  Speaker 1: And he's like, sir. Yeah. It's a lot of that, like, say, sir.
• 20:42
  Speaker 1: In a way that, like, he's just, like, slightly older
• 20:45
  Speaker 1: and bigger than this kid. Exactly. Totally, totally. So he's, like,
• 20:47
  Speaker 1: more powerful and domineering. And the way... What sold me....
• 20:53
  Speaker 2: On this guy, Justin Whelan, being Andy, was as the
• 20:59
  Speaker 2: camera is panning.
• 21:01
  Speaker 1: This face that he makes. It's such an Andy face.
• 21:04
  Speaker 1: It's an Andy face.
• 21:05
  Speaker 2: I saw this one. Like, it's panning across, and it
• 21:09
  Speaker 2: doesn't stop on him. It just passes by.
• 21:12
  Speaker 1: I feel like this kid, like, really showed up in
• 21:15
  Speaker 1: this role. It did not... It's so... He so embodied
• 21:19
  Speaker 1: the character of Andy that, like... Usually, when there's a recasting,
• 21:23
  Speaker 1: I'm usually like, I don't know. Yeah, I'm usually like,
• 21:26
  Speaker 1: why did they put not Edward Norton in the new
• 21:30
  Speaker 1: Avengers movies? I know, he's annoying. But he's a way
• 21:33
  Speaker 1: better actor. No, I'm kidding.
• 21:38
  Speaker 2: I really like this scene, too, because.
• 21:41
  Speaker 1: We get the introduction. Well, Shelton....
• 21:47
  Speaker 2: He, like, leans in and is, like, pretend nice to Andy.
• 21:51
  Speaker 1: And he's like, hey. And he's like, hey. Um, how
• 21:57
  Speaker 1: you doing, dude?
• 21:57
  Speaker 2: You're the new boy.
• 21:58
  Speaker 1: And he's like, yeah. And then he, like... He's, like,
• 22:00
  Speaker 1: trying to be like, I'm just like you. But he's like,
• 22:03
  Speaker 1: but I'm actually not. But I'm actually not. And also,
• 22:05
  Speaker 1: you should be saying, sir. And you should be saying, like,
• 22:08
  Speaker 1: Lieutenant Colonel Shelton, sir. Yeah, you're cucked. Didn't you know?
• 22:14
  Speaker 1: Excuse me. Um... It's very, you're cocked, didn't you know? Yeah, totally.
• 22:19
  Speaker 1: And we get like little, sorry kid, your mom's a psycho,
• 22:23
  Speaker 1: didn't you know? That's what they say to Andy, dude.
• 22:26
  Speaker 1: It's true. Sorry kid, your mom's a psycho, didn't you know?
• 22:30
  Speaker 1: And then, dude, what happens? Tell us, bring us through it.
• 22:37
  Speaker 2: He goes to confront Whitehurst after, and he's like, you
• 22:41
  Speaker 2: are the.
• 22:41
  Speaker 1: Most pathetic piece of shit I've ever seen. Wouldn't you agree?
• 22:45
  Speaker 1: And then he's like, I asked you a question, Nimrod. Nimrod, dude.
• 22:54
  Speaker 1: Greed Day's best album, dude.
• 22:58
  Speaker 2: And I love how Whitehurst tries to be brave, and
• 23:03
  Speaker 2: he's like, I don't agree with you, sir. And then
• 23:08
  Speaker 2: we get introduced to Da Silva, and she's like.
• 23:10
  Speaker 1: I love Da Silva. It's like, obviously older character. I
• 23:15
  Speaker 1: think she's canonically older in the movie, too. I think so, too. Yeah.
• 23:19
  Speaker 2: And she's like, you asshole. And he's like, what did
• 23:21
  Speaker 2: you say? I said, you asshole, sir.
• 23:24
  Speaker 1: Drop and give me 25. 25 what, sir? 25 blowjobs.
• 23:31
  Speaker 1: It seems like you would say that. But then she does... Well,
• 23:35
  Speaker 1: I don't like this, like, wide stance. First of all,
• 23:37
  Speaker 1: she had her elbows out so far. I mean, dude, like,
• 23:40
  Speaker 1: it's probably hard for the actor to do. She did
• 23:44
  Speaker 1: good push-ups. I mean, like, to me, it's like, like,
• 23:47
  Speaker 1: you know. I don't know why I have my qualms
• 23:51
  Speaker 1: with the fucking push-ups. She's got this wide stance. Oh, dude. Okay.
• 23:56
  Speaker 1: I love, I love Tyler. He's... He's so cool and cute.
• 24:03
  Speaker 1: And he does a really good job of being a
• 24:07
  Speaker 1: little kid because this movie needed him to be.
• 24:09
  Speaker 2: Really a little kid.
• 24:11
  Speaker 1: 100%.
• 24:11
  Speaker 2: What's amazing about this performance is that it's kind of
• 24:15
  Speaker 2: the opposite of Andy in a way that he's like
• 24:20
  Speaker 2: a little bit less.
• 24:23
  Speaker 2: Afraid he's much more go like go-getter and he's like
• 24:27
  Speaker 2: yeah like i'm having a good time plus the the
• 24:31
  Speaker 2: way it's written is that it's implied that his dad
• 24:35
  Speaker 2: is is in the service and he gets special treatment
• 24:38
  Speaker 2: which is why he has like a sega genesis with
• 24:41
  Speaker 2: him and also he's like he's like walking through the
• 24:45
  Speaker 2: hallways like swinging dick like.
• 24:47
  Speaker 1: He's that's true that's true his dad's like a his
• 24:49
  Speaker 1: dad's like a That's true, and the way that this
• 24:51
  Speaker 1: guy addresses him is kind of, like, interesting and, like,
• 24:54
  Speaker 1: pretty familiar. He's like, hey, sport, your dad's on deployment.
• 24:59
  Speaker 2: Yeah, he didn't send you a letter, but probably soon.
• 25:02
  Speaker 1: Later, afternoon.
• 25:04
  Speaker 2: Yeah. And then he's, like, he's busy flying jets around.
• 25:09
  Speaker 2: He'll write when he gets to it.
• 25:11
  Speaker 1: Dad in the Navy. This is the first scene where
• 25:14
  Speaker 1: he's running up the stairs with the, like, fucking... Chucky
• 25:17
  Speaker 1: doll that we don't know is a Chucky doll yet,
• 25:19
  Speaker 1: because Andy got sent a Chucky, but we don't know
• 25:23
  Speaker 1: that that happened yet.
• 25:25
  Speaker 2: Well, this is the implication, is that Chucky... Sent himself.
• 25:28
  Speaker 1: Hold on, hold on.
• 25:29
  Speaker 2: Chucky crawled back, he wrote a letter to the office,
• 25:33
  Speaker 2: crawled back into the box, somehow wrapped brown paper around
• 25:39
  Speaker 2: the box. Also, after he had just murdered... The CEO, yeah.
• 25:45
  Speaker 2: And then Tyler just dropping him constantly. The dramatic irony
• 25:52
  Speaker 2: of constantly being thrown around and dropped just must piss
• 25:58
  Speaker 2: him off.
• 25:59
  Speaker 1: Because it would piss me off, too. I'd be like...
• 26:03
  Speaker 1: I think that's what's great about Chucky's rage and Chucky's
• 26:06
  Speaker 1: personality and how much that comes out. But also, he
• 26:09
  Speaker 1: does get more human as things go. So, in the beginning,
• 26:13
  Speaker 1: he can kind of be still and more of a
• 26:16
  Speaker 1: doll for longer periods of time, it seems.
• 26:18
  Speaker 2: For longer periods, yeah, totally.
• 26:18
  Speaker 1: Which I like.
• 26:19
  Speaker 2: It feels like they imply that so much. But also,
• 26:23
  Speaker 2: the further and further it goes, the more his face
• 26:26
  Speaker 2: stays the Chucky face.
• 26:27
  Speaker 1: His face is already the Chucky face in this scene.
• 26:30
  Speaker 1: when right before he jumps out of the plastic but
• 26:33
  Speaker 1: it's such a cool image like him jumping out and
• 26:36
  Speaker 1: like diving at the kid.
• 26:38
  Speaker 2: Tyler takes him to the armory and opens the box
• 26:40
  Speaker 2: excited for the good guy doll and it's just chucky's
• 26:43
  Speaker 2: face yeah and he's like a good guy but like
• 26:47
  Speaker 2: chucky comes out and he's like where's and who the
• 26:51
  Speaker 2: fuck are you I.
• 26:52
  Speaker 1: Thought you guys only said three sentences.
• 26:55
  Speaker 2: It was really good.
• 26:56
  Speaker 1: I'm new and improved.
• 26:59
  Speaker 2: I like the, like, making jokes to who this fucking kid.
• 27:02
  Speaker 1: I'm new and improved. Well... I feel like talking like
• 27:06
  Speaker 1: this to a kid could really enchant a kid. Totally.
• 27:09
  Speaker 1: And what's awesome about it is that he gives... He
• 27:11
  Speaker 1: is charming this kid.
• 27:12
  Speaker 2: He gives perspective to how he was when Chucky talked
• 27:16
  Speaker 2: to Andy as a kid. Because he probably did something
• 27:20
  Speaker 2: like this.
• 27:20
  Speaker 1: Well, he was like... We never saw that in the
• 27:21
  Speaker 1: first Chucky movie. That's what I'm saying. Yeah. He was
• 27:23
  Speaker 1: like grooming him. Totally grooming. That's true. Don't you read, kid?
• 27:31
  Speaker 1: This is supposed to go to Andy. Andy.
• 27:35
  Speaker 2: The voice is a little out of control in this one. Yeah,
• 27:39
  Speaker 2: tampering with the mail is a federal offense. It's much more,
• 27:42
  Speaker 2: it's much, it's deeper, it's way deeper.
• 27:45
  Speaker 1: And it's a lot more like this.
• 27:50
  Speaker 2: And then it gets even more like this because he's
• 27:54
  Speaker 2: old now.
• 27:54
  Speaker 1: I love how Chucky kind of loudly pontificates that he's
• 27:59
  Speaker 1: in a new body.
• 28:00
  Speaker 2: I love that he loudly pontificates.
• 28:03
  Speaker 1: And he hasn't told his secret to anyone yet.
• 28:05
  Speaker 2: But this is awesome, too, because Tyler goes, so he's
• 28:10
  Speaker 2: your best friend?
• 28:11
  Speaker 1: He's immediately hurt. by it you know what I mean
• 28:17
  Speaker 1: well yeah and we get a sense also that this
• 28:18
  Speaker 1: kid is like like Andy the parallel with Andy is
• 28:22
  Speaker 1: that he's a lonely yeah kid that's been left alone
• 28:26
  Speaker 1: you know.
• 28:28
  Speaker 3: I got a new body and I ain't told anyone
• 28:31
  Speaker 3: about my secret I love that I thought that was
• 28:34
  Speaker 3: a great explanation honestly like I was like me too
• 28:37
  Speaker 3: well that because I was like wait a minute why
• 28:41
  Speaker 3: didn't that happen and then it was just like cleared
• 28:43
  Speaker 3: away with one line and.
• 28:44
  Speaker 1: It's great yeah It's perfect. In the spirit of Star
• 28:51
  Speaker 1: Trek writing, because Garrick is in this movie. They did
• 28:55
  Speaker 1: the one-line explanation.
• 28:57
  Speaker 2: Chucky, but my real name is Charles Lee Ray. I
• 29:00
  Speaker 2: love the fact that he... Tyler calls him Charles consistently
• 29:04
  Speaker 2: throughout the movie.
• 29:06
  Speaker 1: I love that too. It's like a weird respect thing. Yeah.
• 29:11
  Speaker 1: I thought that was such an interesting choice, and I
• 29:13
  Speaker 1: loved it. I loved it. It also, like.
• 29:17
  Speaker 1: Like you said, it kind of gives this differentiation with
• 29:20
  Speaker 1: Andy that we get with Tyler. Yeah, totally.
• 29:23
  Speaker 2: And it cuts to Andy and a bunch of the
• 29:27
  Speaker 2: cadets shooting at targets. Andy's shooting very poorly and then
• 29:31
  Speaker 2: trying to get Whitehurst to help him. But clearly he's
• 29:34
  Speaker 2: a loser. So he goes to the hot lady. uh
• 29:37
  Speaker 2: to silva dude to the silva and she's she's gotten
• 29:41
  Speaker 2: like great shot yeah uh and then he's like so
• 29:44
  Speaker 2: do you want to show me and she does she
• 29:47
  Speaker 2: ghosts him by by wrapping his hand her arms.
• 29:51
  Speaker 1: Around him dude it's classic uh teenage flirty move but
• 29:54
  Speaker 1: she's uh she's um In the age gap discourse, dude,
• 29:58
  Speaker 1: you know, she's doing something very problematic because she's 21.
• 30:02
  Speaker 1: And he's four years younger? Yeah. So? It's problematic, dude.
• 30:07
  Speaker 1: At that age, it's an age gap relationship. It's a
• 30:09
  Speaker 1: problematic age gap relationship, dude. I think he's supposed to
• 30:13
  Speaker 1: be 16.
• 30:15
  Speaker 2: Yes, he is supposed to be 16, yeah. And I
• 30:17
  Speaker 2: think she's supposed to be like 18 or something like that.
• 30:19
  Speaker 1: Well, yeah. Hold still. We're going to play hide the soul.
• 30:25
  Speaker 1: man it's kind of scary you're gonna love it hide
• 30:28
  Speaker 1: the soul jesus to a child okay okay so i
• 30:34
  Speaker 1: do think it was hockey i think that's where hockey
• 30:40
  Speaker 1: comes from okay.
• 30:41
  Speaker 2: Okay this one i think this one has the classic
• 30:43
  Speaker 2: i think he slightly.
• 30:45
  Speaker 1: Says hockey instead of a day.
• 30:49
  Speaker 2: But then gets interrupted by Cochran, and it's like, shit!
• 30:52
  Speaker 2: The only thing that I will say, one of the
• 30:54
  Speaker 2: major criticisms I do have about this movie is that, like, there's, like,
• 30:57
  Speaker 2: a little bit too much convenience. There's a little bit
• 31:00
  Speaker 2: too much, I'm interrupted, you know?
• 31:02
  Speaker 1: I know, I, it was kind of like, it did
• 31:05
  Speaker 1: feel like a comedy of errors at times. It was
• 31:07
  Speaker 1: like a little, like, you know, like, what's it called?
• 31:10
  Speaker 1: Like a, like a, um, oh my god, what do
• 31:13
  Speaker 1: they call it? A good farce.
• 31:15
  Speaker 2: Farce, yeah.
• 31:15
  Speaker 1: Yeah.
• 31:17
  Speaker 2: Tyler!
• 31:18
  Speaker 1: What are you doing here? We don't play with dolls.
• 31:20
  Speaker 1: That's for girls. It's kind of amazing. Chucky's like a
• 31:24
  Speaker 1: glazed over stone look when he's in doll face.
• 31:28
  Speaker 2: Yeah.
• 31:29
  Speaker 1: He goes back to doll face, but the doll is
• 31:31
  Speaker 1: kind of slightly balded. Yeah, totally. And we get the
• 31:36
  Speaker 1: continuation of Chucky being handled. Slammed indoors. Manhandled Chucky. Yeah, Cochran.
• 31:47
  Speaker 1: Pulls him by his leg and just, like, drags him
• 31:50
  Speaker 1: by his arm and slams his face into the side
• 31:53
  Speaker 1: of the door. Meanwhile.
• 31:56
  Speaker 2: Andy is going out and going.
• 31:58
  Speaker 1: And then they're like... And Andy's really bad at being
• 32:03
  Speaker 1: a soldier.
• 32:08
  Speaker 2: He's like, fall out, soldier! And he doesn't know.
• 32:11
  Speaker 1: He has the same... Fall out! Fall out now!
• 32:14
  Speaker 2: He has the same reaction that Marty has when Biff goes,
• 32:20
  Speaker 2: you kidding that, Heimdallr?
• 32:21
  Speaker 1: Doesn't understand. Totally doesn't understand. I loved it. It's true.
• 32:25
  Speaker 2: And then as Cochran is walking with the Chucky doll...
• 32:27
  Speaker 2: Got more niggas off than Cochran, huh? He's holding it
• 32:30
  Speaker 2: by the hair and Andy sees it and he gets a, no!
• 32:35
  Speaker 1: No! No! No! No! No! Because it goes super slow, huh?
• 32:50
  Speaker 1: I'm glad you got the right pitch. You got it
• 32:52
  Speaker 1: pitch perfect.
• 33:00
  Speaker 2: But man, they do such a good job at setting
• 33:05
  Speaker 2: everything up because, you.
• 33:07
  Speaker 1: Know, he's... Oh my god.
• 33:12
  Speaker 2: Sorry.
• 33:15
  Speaker 1: Yeah, well, he does get, like, catatonic. But at this point, like,
• 33:21
  Speaker 1: you would, dude.
• 33:22
  Speaker 2: Yeah, dude, you saw the, like, cartoon, and then you
• 33:25
  Speaker 2: saw the.
• 33:25
  Speaker 1: And the side of Chucky is like, Jesus Christ. Yeah,
• 33:28
  Speaker 1: because he's killed so many people in front of you. Yeah.
• 33:32
  Speaker 1: And then we get....
• 33:35
  Speaker 2: We get Shelton being even more of a piece of
• 33:38
  Speaker 2: shit to him, like, elevating it to such a degree
• 33:41
  Speaker 2: where it's like, man, you hate this dude so much.
• 33:43
  Speaker 2: But also, this dude has, like, a little bit of
• 33:45
  Speaker 2: trauma in his background, too.
• 33:47
  Speaker 1: Oh my god, of course, dude. Do you know, it's like,
• 33:49
  Speaker 1: it's a rifle! Soldier, tell him what it is! This
• 33:53
  Speaker 1: is my rifle! This is my gun! This is for shooting!
• 33:56
  Speaker 1: This is for fun. And this is for fun. So
• 34:00
  Speaker 1: were they recreating a scene from like... Yeah, they were
• 34:03
  Speaker 1: definitely recreating a scene. From one of the Vietnam movies, right?
• 34:05
  Speaker 1: Isn't that from like.
• 34:06
  Speaker 2: I mean, that's like a classic saying in the military.
• 34:10
  Speaker 1: But which one was it? That was in Full Metal Jacket.
• 34:12
  Speaker 1: That's right, that's right, yeah.
• 34:13
  Speaker 2: Cochran gets to the garbage dump. And he throws the
• 34:17
  Speaker 2: Chucky doll into the garbage and it immediately gets picked
• 34:21
  Speaker 2: up by the trash.
• 34:22
  Speaker 1: This part is so Are You Afraid of the Dark?
• 34:25
  Speaker 1: The way Chucky gets thrown into the garbage.
• 34:27
  Speaker 2: And he's like, shit!
• 34:28
  Speaker 1: By this Serbian guy who's like, What? What? What happened?
• 34:34
  Speaker 1: What was that? Wait, Chucky, don't be so rude. Don't
• 34:39
  Speaker 1: be so rude. He's like, I don't know where Chucky is. Help, mister.
• 34:45
  Speaker 1: Somebody said... I love... Help! Help, mister! Please, somebody said...
• 34:50
  Speaker 1: But if you just did that voice, but if you see...
• 34:53
  Speaker 1: It's uncanny when Serbian-looking, old, middle-aged Serbian-looking dudes aren't, like,
• 34:59
  Speaker 1: speaking an American accent. Yeah, 100%. It's very strange. It's really, like,
• 35:02
  Speaker 1: weirdly destabilizing, dude. Yeah. Because their face moves in a
• 35:06
  Speaker 1: different way. It does. It looks kind of uncanny. They
• 35:08
  Speaker 1: look American. Fucking Chucky covered in, like, ramen noodles, Chucky.
• 35:12
  Speaker 2: Dude, Chucky going into the front of the truck, and
• 35:16
  Speaker 2: then this weird dump truck that's, like, a masher as well.
• 35:23
  Speaker 1: Chucky's got, like, kind of bedhead in this one. But, like,
• 35:28
  Speaker 1: I feel bad for this Miloslav who's, like, going through
• 35:31
  Speaker 1: the garbage trying to find.
• 35:32
  Speaker 2: Yeah, trying to save Chucky. It's good because of the
• 35:34
  Speaker 2: fact that it adds... Because, like, a lot of people
• 35:38
  Speaker 2: in the second one were kind of dicks in a
• 35:42
  Speaker 2: different way than people are dicks in this one. These
• 35:45
  Speaker 2: guys are dicks in ways that.
• 35:47
  Speaker 1: Aren't, like... We're a little malevolent. Trauma-informed dicks. Well, like,
• 35:52
  Speaker 1: I mean, like... Dude. this fucking gnarly scene this is
• 35:57
  Speaker 1: like one of the pantheon scenes of him his arm
• 36:00
  Speaker 1: getting fucking like cut off yeah him getting.
• 36:04
  Speaker 2: Richtered dude yeah he does get richtered he.
• 36:07
  Speaker 1: Gets see you at the party and it's very consequential
• 36:11
  Speaker 1: but sorry i interrupted you what were you saying.
• 36:13
  Speaker 2: No it's good we can continue oh uh andy's playing
• 36:17
  Speaker 2: with his own knife while um whitehurst is is cleaning
• 36:21
  Speaker 2: uh shelton's boots.
• 36:24
  Speaker 1: Wait, wait, wait. Do we, we didn't say the scene
• 36:26
  Speaker 1: where like they discover the dead body. Oh, pardon me.
• 36:29
  Speaker 2: Uh, all the cadets hear the scream from Chucky's most
• 36:33
  Speaker 2: recent murder. And they try and save it.
• 36:35
  Speaker 1: Like you're Miloslav gets crushed. Yeah. Miloslav was the best
• 36:39
  Speaker 1: garbage man, dude. And well, he was like a public worker, dude.
• 36:43
  Speaker 1: And like, he died in the line of dude. Like that,
• 36:46
  Speaker 1: that is like one of the, like Chucky's like attack
• 36:50
  Speaker 1: on the working class is like not cool of Chucky
• 36:53
  Speaker 1: in this movie. And, you know, serves to set up
• 36:58
  Speaker 1: further what he's going to do. The levels he's willing
• 37:01
  Speaker 1: to stoop, dude. By killing children. Israel comes to me
• 37:05
  Speaker 1: in my dreams! But we'll get to that.
• 37:08
  Speaker 2: Polishing Shelton's shoes.
• 37:10
  Speaker 1: Yeah. He's, like, bootlicker cucked. And he's, like, you know,
• 37:15
  Speaker 1: he pretends to spit in one of the shoes. But, like,
• 37:18
  Speaker 1: I'm like... They should have, if he's going to be
• 37:21
  Speaker 1: like malevolently spitting into like his like ops shoe, they
• 37:26
  Speaker 1: should have at least made him like Hockaloogie. You know
• 37:28
  Speaker 1: what I mean? Yeah. Dude, do you think that Chucky
• 37:32
  Speaker 1: still has the pussy installed in this one?
• 37:34
  Speaker 2: Yes, he definitely does. Uh, Andy asks about Whitehurst, uh,
• 37:38
  Speaker 2: not seeing Cochran carrying the doll.
• 37:41
  Speaker 1: And he's like, you know, it's like a good guy doll.
• 37:43
  Speaker 1: Oh yeah. I remember those. Did they reboot that yet?
• 37:50
  Speaker 1: Is it AI now? We're going to.
• 37:53
  Speaker 2: Do that one, too.
• 37:56
  Speaker 1: The AI one? Yeah, dude. I mean, we have to.
• 37:58
  Speaker 1: We have to. It's so bad. Did you see Cochran,
• 38:01
  Speaker 1: the doll? What doll? Yeah. The good guy doll. Yeah,
• 38:04
  Speaker 1: I remember those things. Me, too. Just before the garbage
• 38:07
  Speaker 1: truck accident. So, like, but the more important thing to
• 38:10
  Speaker 1: note here is that Andy is having, like, repeat patterns of, like,
• 38:15
  Speaker 1: a Chucky appearance, mysterious deaths surrounding Chuckies, you know, and, like, being, like, trauma, like,
• 38:23
  Speaker 1: you know, Natasha Freeman, you know, like, yeah, like, catatonic. Catatonic.
• 38:29
  Speaker 2: He goes to put his clothes in the chest that
• 38:33
  Speaker 2: Chucky was in, and Chucky sneaks.
• 38:34
  Speaker 1: Out of it. Oh, yeah.
• 38:36
  Speaker 2: And then he grabs Barkley's knife.
• 38:38
  Speaker 1: By my hope chest? Yeah. Yeah.
• 38:41
  Speaker 2: Uh, and Andy pulls out a picture of him as
• 38:43
  Speaker 2: a little boy with his mom.
• 38:45
  Speaker 1: Yeah. Really nice. I wish that they had still, I
• 38:48
  Speaker 1: wish that, well, it was a nice production still, and
• 38:50
  Speaker 1: I'm glad that they use it. It seemed like it
• 38:51
  Speaker 1: was a part one era one, but I also wish
• 38:56
  Speaker 1: that they had used that same plate that he took
• 39:00
  Speaker 1: out that looked like an iPad in the, in the,
• 39:02
  Speaker 1: in the second movie. Oh yeah, totally. Cause that weird, like,
• 39:05
  Speaker 1: like 1800s, like print. Totally. Totally. Totally.
• 39:09
  Speaker 2: And then we see Chucky under the bed and he
• 39:12
  Speaker 2: cuts Andy's Achilles tendon.
• 39:14
  Speaker 1: Wait, did you say the part where he talks to Wycliffe?
• 39:21
  Speaker 2: Whitehurst about the doll.
• 39:22
  Speaker 1: About the package? Sorry. Yeah. Okay. About the... Oh. Does
• 39:29
  Speaker 1: he say... he says something about how... No, he just,
• 39:31
  Speaker 1: he's like, you should unpack, because Shelton does the.
• 39:33
  Speaker 2: Yeah, yeah, that's it. Yeah, he doesn't tell, yeah, yeah.
• 39:36
  Speaker 1: Sorry, sorry. Andy's Achilles tendon gets cut.
• 39:39
  Speaker 2: You can't get a good guy down.
• 39:42
  Speaker 1: What does he say? He says, you know what they say,
• 39:44
  Speaker 1: you just can't keep a good guy down. And then
• 39:48
  Speaker 1: he sees the porno and he goes, Andy, all grown up.
• 39:52
  Speaker 1: He loves that Andy likes pornos. And then Andy grabs
• 39:56
  Speaker 1: him and, like, the most realistically just starts laughing. Okay,
• 40:01
  Speaker 1: that's one thing that's amazing is that, like, I like
• 40:04
  Speaker 1: that Chucky never... Like, the magic is that he's just
• 40:10
  Speaker 1: still alive, but he's never got, like, he's never stronger.
• 40:14
  Speaker 1: He always can still be handled like a doll. Like
• 40:17
  Speaker 1: a doll. Yeah, absolutely.
• 40:19
  Speaker 2: And also they have this, this is a bit of
• 40:20
  Speaker 2: an awkward line, but it's like, you can't kill me.
• 40:23
  Speaker 2: You need me for my body. And he's like, wrong again, wimp.
• 40:27
  Speaker 1: No, but I think it weirdly works because, like, Traumatized
• 40:31
  Speaker 1: Andy would have, like, thought of all of these things.
• 40:34
  Speaker 1: He would be, like, a weird, like... Um, he would
• 40:37
  Speaker 1: be like a, to tie it back to a terrible
• 40:39
  Speaker 1: season that we did, Final Destination. He would be like
• 40:42
  Speaker 1: a Final Destination truther, Andy. Yeah, true. Of like noticing patterns, Andy. Yeah. Yeah.
• 40:48
  Speaker 1: Just think, Chucky's going to be a bro.
• 40:51
  Speaker 2: Jesus Christ.
• 40:52
  Speaker 1: Block Chucky.
• 40:54
  Speaker 2: What he always wanted to be, dude.
• 40:55
  Speaker 1: He's completely, he loves, he wants Dembola to help him. Um, okay.
• 41:00
  Speaker 1: So a little bit of a, how did you guess
• 41:02
  Speaker 1: on the Dembola front? Um, Dembela is a real god
• 41:08
  Speaker 1: in the Haitian voodoo magic. Cool. But is not a
• 41:12
  Speaker 1: malevolent presence.
• 41:14
  Speaker 2: Interesting.
• 41:15
  Speaker 1: Is like more just kind of like a life-giving source.
• 41:18
  Speaker 2: Oh, very cool.
• 41:18
  Speaker 1: That makes sense. But so Dembela does exist. But all
• 41:23
  Speaker 1: of the like chanting and stuff is like completely made up.
• 41:26
  Speaker 2: Yeah, that's fair.
• 41:28
  Speaker 1: So you were right in a way that it was
• 41:30
  Speaker 1: made up, but they have kept it consistent. He says
• 41:34
  Speaker 1: the same words. It feels like gobbledygook a little bit, right? Yeah,
• 41:39
  Speaker 1: I think they chose it for like sound. And that's
• 41:41
  Speaker 1: why they kind of like made it kind of sound
• 41:43
  Speaker 1: Haitian or whatever. Or like gave that patois feel.
• 41:48
  Speaker 2: Shelton walks in on Andy, ruining the doll, and he's like,
• 41:52
  Speaker 2: what's the matter, Barkley?
• 41:53
  Speaker 1: Miss your mommy? And he grabs Chucky, who, like, I
• 41:59
  Speaker 1: don't know. The face feels like it changes. Of course.
• 42:03
  Speaker 1: It's like, this is like a slightly more aware, but
• 42:06
  Speaker 1: still pretty doll face. You know what I mean? Like,
• 42:08
  Speaker 1: he's got the glazed over Chucky look.
• 42:11
  Speaker 2: And as Andy, the way he got... chucky to go
• 42:15
  Speaker 2: down was he threw the shoe that he.
• 42:18
  Speaker 1: Fucking george bush like you know the famous shoe of
• 42:22
  Speaker 1: course throwing yeah oh my god dude yeah where did
• 42:26
  Speaker 1: they go the muslim guy threw the shoe that was so.
• 42:28
  Speaker 2: Cool and then um shelton basically is like i've got
• 42:36
  Speaker 2: a new slave now you clean my shoes.
• 42:41
  Speaker 1: Bootlicker um he's yeah it's it's kind of weird like
• 42:48
  Speaker 1: there's a lot of like weird adolescent sexual tension in
• 42:53
  Speaker 1: this like him going into like the room with the
• 42:56
  Speaker 1: knife going into like after um what's the guy's name
• 43:00
  Speaker 1: again the bully shelton shelton has taken the chucky doll
• 43:03
  Speaker 1: and gone away to his room and he's like falling
• 43:05
  Speaker 1: asleep and andy goes inside the room like With a
• 43:08
  Speaker 1: fucking knife drawn and he's like hovering over the bed
• 43:13
  Speaker 1: trying to find Chucky.
• 43:14
  Speaker 2: Yeah, he goes to get the Chucky doll back from
• 43:18
  Speaker 2: Shelton's room and doesn't, basically doesn't want to wake anybody up.
• 43:24
  Speaker 1: Fuck.
• 43:25
  Speaker 2: Doesn't want to wake anybody up.
• 43:27
  Speaker 1: And... Andy's hair in this. Like this kind of like
• 43:33
  Speaker 1: flat top thing he's rocking. I love it. I think
• 43:36
  Speaker 1: it's great. It looks great. It's just like, it feels
• 43:39
  Speaker 1: like Andrew Robinson would want it to be shorter. Garrick
• 43:43
  Speaker 1: would want to cut it shorter. He's but a simple tailor, dude.
• 43:46
  Speaker 2: Andy sees a giant knife missing, and he knows that
• 43:50
  Speaker 2: Chucky's got it.
• 43:52
  Speaker 1: This is my knife. It's just a little bit larger
• 43:55
  Speaker 1: than yours.
• 43:57
  Speaker 2: And he goes under the covers to see, and Chucky
• 44:01
  Speaker 2: spooks him, and he runs away, and Shelton... sees that
• 44:06
  Speaker 2: the doll is gone and he's.
• 44:07
  Speaker 1: Like where's the doll barkley you took it didn't you
• 44:13
  Speaker 1: so is andy just like walking around with a cut
• 44:15
  Speaker 1: achilles tendon is he like.
• 44:16
  Speaker 2: I didn't yeah that was that was like a little
• 44:18
  Speaker 2: bit weird i guess you have to go pretty deep
• 44:20
  Speaker 2: to like cut it actually.
• 44:22
  Speaker 1: Maybe just like sliced at it he's like we've established
• 44:24
  Speaker 1: that he's pretty weak yeah totally but oh my god
• 44:27
  Speaker 1: can you imagine like andy jumping in your bed after
• 44:30
  Speaker 1: you've just like bullied him and like totally totally man
• 44:34
  Speaker 1: the like amount of like psychological torture this kid has
• 44:38
  Speaker 1: been through like just like being like now having to
• 44:41
  Speaker 1: be bullied by this guy at 16 after like being
• 44:44
  Speaker 1: in and out like never having adjusted.
• 44:46
  Speaker 2: And going to military school must be brutal um.
• 44:51
  Speaker 1: Like he's still younger than kyle was in the last
• 44:53
  Speaker 1: episode in the last that's right yeah that's true he's
• 44:56
  Speaker 1: 16 and she was 17 and she told him that
• 44:58
  Speaker 1: he would be in and out of homes.
• 45:00
  Speaker 2: Yeah 100 she she's she's queen.
• 45:03
  Speaker 1: But they fucking, like, these two bullies bully adult, more
• 45:08
  Speaker 1: adult kids.
• 45:09
  Speaker 2: Yeah, they force them to do, like, exercises to admit
• 45:12
  Speaker 2: that one of them stole the doll.
• 45:14
  Speaker 1: In the middle of the night.
• 45:15
  Speaker 2: And also to turn them all against Andy.
• 45:18
  Speaker 1: And it works. But, like, this fucking, the colonel is like, Sheldon,
• 45:26
  Speaker 1: all right, do your little experiment. Prove your point, but
• 45:30
  Speaker 1: then get them to bed. And then.
• 45:35
  Speaker 2: Chucky goes into Tyler's room and he. Tyler wrote a
• 45:40
  Speaker 2: note that says, Dear Charles, you're it. Come and find me,
• 45:43
  Speaker 2: your best friend, Tyler. It is a bit of an unhinged.
• 45:48
  Speaker 1: Like, he's fucking crazy. It's amazing. I love it, dude.
• 45:52
  Speaker 1: It's a great performance. It's like the BPD energy, dude. Yeah, totally!
• 45:56
  Speaker 1: I love it, because finally we're getting a little bit of, like,
• 45:59
  Speaker 1: someone matching Chucky's freak.
• 46:01
  Speaker 2: Yeah, totally, because Chucky's a little bit like, Jesus.
• 46:05
  Speaker 1: What's wrong with this? God damn it. And he's like,
• 46:10
  Speaker 1: come find me, Charles. Yeah. Come find me. It is very,
• 46:14
  Speaker 1: you're right. It is very BBD.
• 46:16
  Speaker 2: It is very like, I'm not seeing a scary thing.
• 46:20
  Speaker 1: I'm seeing an opportunity to be wanted and loved. Yeah, yeah, yeah.
• 46:28
  Speaker 1: To fill this hole that I feel deep inside that
• 46:31
  Speaker 1: will never, never, ever be healed until I get DTB.
• 46:35
  Speaker 2: Even that doesn't work.
• 46:38
  Speaker 1: Not really. No, not CBT. No, it is DBT. You're right,
• 46:42
  Speaker 1: you're right.
• 46:43
  Speaker 2: Andy fully just bails on all his compatriots because he's like,
• 46:48
  Speaker 2: oh no.
• 46:49
  Speaker 1: Chucky's going to go after Tyler. I kind of love
• 46:52
  Speaker 1: his ballsiness.
• 46:54
  Speaker 2: He aged into a character that fully would do this
• 46:57
  Speaker 2: and has fully been sneaking out, being a troublemaker for
• 47:01
  Speaker 2: so long.
• 47:02
  Speaker 1: This is the part three consistency that I wish... John
• 47:06
  Speaker 1: Connor was written with.
• 47:08
  Speaker 2: Oh, yeah, totally.
• 47:09
  Speaker 1: Like, to see... Think about John Connor's trajectory. To see, like... Well, okay,
• 47:16
  Speaker 1: he's not in the first one, but, like, second one
• 47:18
  Speaker 1: to third one. I feel like second one to third
• 47:21
  Speaker 1: one for this, like, doesn't do... Or does really do
• 47:25
  Speaker 1: the character of Andy Justice in a way that, like,
• 47:27
  Speaker 1: part three of John Connor didn't do. Yeah, 100%. John
• 47:30
  Speaker 1: Connor Justice. But, like, Andy's, like, he's kind of got
• 47:35
  Speaker 1: it figured out in a way. Like, he's got himself. Like,
• 47:38
  Speaker 1: he knows that he's taken... kyle's words to heart.
• 47:43
  Speaker 2: Yeah he's like fighting back uh he's he knows the
• 47:47
  Speaker 2: patterns that are happening.
• 47:49
  Speaker 1: When he punches shelton it's.
• 47:51
  Speaker 2: Yeah shelton punches him and he's like you son of
• 47:53
  Speaker 2: a bitch and he punches him back and it looks
• 47:56
  Speaker 2: like he hurts him that's a hell of a punch
• 47:59
  Speaker 2: respect yeah And then he pushes him back to, like,
• 48:04
  Speaker 2: to get him back in line, basically.
• 48:06
  Speaker 1: But then we see fucking Tyler being insane. Tyler running
• 48:11
  Speaker 1: into the colonel's room. Running into the colonel's room where
• 48:13
  Speaker 1: you've got this, like, Hitler diorama. He's got, like, some
• 48:18
  Speaker 1: kind of, like, I think it's a general, but it
• 48:20
  Speaker 1: looked like Hitler from, like, when it was, I don't know.
• 48:23
  Speaker 1: Get out here, you.
• 48:23
  Speaker 2: Little son of a bitch! But, like, try to be
• 48:27
  Speaker 2: nice being, like, olly olly oxen free!
• 48:30
  Speaker 1: Yeah! carrying a fucking giant knife dude yeah dude Tyler
• 48:36
  Speaker 1: come out come out wherever you are.
• 48:39
  Speaker 2: And then it cuts back to Andy and Whitehurst and
• 48:44
  Speaker 2: he's like what the hell is going on Barkley and
• 48:48
  Speaker 2: he's like the doll's alive he's trying to get Tyler
• 48:50
  Speaker 2: alright I don't need to hear.
• 48:52
  Speaker 1: It yeah he doesn't he doesn't believe him it's kind
• 48:57
  Speaker 1: of interesting Whitecliffe's character is really interesting he has like
• 49:04
  Speaker 1: such he's got like the most dramatic story arc in
• 49:09
  Speaker 1: this because like he's really like he doesn't want to
• 49:15
  Speaker 1: be involved in this you can tell that he also
• 49:17
  Speaker 1: comes from like a traumatized background definitely and like just
• 49:21
  Speaker 1: like he's like i don't want to know about odd
• 49:25
  Speaker 1: fucking killer doll like he's just like don't talk to
• 49:28
  Speaker 1: me about that.
• 49:29
  Speaker 2: Yeah a hundred percent hundred percent.
• 49:32
  Speaker 1: Because because well we'll see but Oh, my God, when
• 49:36
  Speaker 1: the girls are, like, walking through and they also go
• 49:39
  Speaker 1: into the colonel's office because they want to, like, creep
• 49:43
  Speaker 1: on Andy's Facebook. They want to, like, look up his stats.
• 49:46
  Speaker 1: Which is kind of weird, but, like, I guess this
• 49:49
  Speaker 1: is normal. I talk to so many people that are like, oh, yeah,
• 49:52
  Speaker 1: if I'm interested in someone, I learn everything about them online.
• 49:56
  Speaker 1: And I'm like, that's crazy. It's a little weird. I
• 49:59
  Speaker 1: don't do that. A little weird, yeah. I never do that.
• 50:02
  Speaker 1: But people, like... People talk about it as if it's normal.
• 50:05
  Speaker 1: I have friends who are like, yeah.
• 50:06
  Speaker 2: I know so many people who do it. And part
• 50:08
  Speaker 2: of it, I learned it from.
• 50:10
  Speaker 1: It's definitely a safety thing.
• 50:12
  Speaker 2: Yeah, lady friends of mine have always been like, yeah,
• 50:14
  Speaker 2: looking at somebody, seeing if they have anything on them.
• 50:17
  Speaker 1: For sure, for sure. And that is prudent, for sure.
• 50:20
  Speaker 2: Da Silva and her friend take the Chucky doll and
• 50:25
  Speaker 2: start putting lipstick on it where Tyler's like, No, don't
• 50:28
  Speaker 2: do that.
• 50:28
  Speaker 1: I mean, we get some like gentle, gentle, like fucking
• 50:33
  Speaker 1: like queer phobia or like femme phobia in this. But,
• 50:38
  Speaker 1: you know, in a way that not really like just
• 50:41
  Speaker 1: in a way that I guess like the kid kind
• 50:43
  Speaker 1: of was like, his name is Charles.
• 50:46
  Speaker 2: But yeah, it's a little bit. Don't make him look stupid.
• 50:48
  Speaker 2: He looks like a wuss.
• 50:49
  Speaker 1: Well, there you go, dude. He says, looks like a wuss. Yeah.
• 50:52
  Speaker 2: And then they hear something and they leave the Chucky
• 50:55
  Speaker 2: doll there. And that something is Colonel Cochran, who has
• 50:58
  Speaker 2: one of the best deaths in Chucky history, I think.
• 51:02
  Speaker 1: It was so funny, dude. Because you can feel Chucky... be.
• 51:07
  Speaker 2: Robbed of killing somebody that he takes so much pleasure
• 51:10
  Speaker 2: in it and like you gotta be fucking kidding me.
• 51:14
  Speaker 1: It's amazing dude like his reaction it's like he's disappointed
• 51:18
  Speaker 1: because he was like really gearing up for that to
• 51:21
  Speaker 1: be like a sweet kill and the guy just like
• 51:23
  Speaker 1: dies from seeing him yeah It's amazing. It's very iconic.
• 51:29
  Speaker 2: It's good too because it gives them a reason not to.
• 51:39
  Speaker 2: Like call cops and shit all the time.
• 51:41
  Speaker 1: Do you know what I mean?
• 51:42
  Speaker 2: Like in the first one, there is a bit of a,
• 51:44
  Speaker 2: this death happens and we just not going to talk
• 51:47
  Speaker 2: about it. And it's like, there's a lot of consequences
• 51:49
  Speaker 2: to like people dying.
• 51:51
  Speaker 1: Like, yeah, yeah. This one ups the stakes for people
• 51:54
  Speaker 1: dying in a way that like, I think the third
• 51:56
  Speaker 1: one or the second one didn't care as much about
• 51:59
  Speaker 1: the stakes.
• 52:00
  Speaker 2: And it didn't care as much about the characters individually either.
• 52:03
  Speaker 2: Like there's a lot of, Cochran is a full character
• 52:06
  Speaker 2: in this. Like, He has, man, his death is so good.
• 52:11
  Speaker 2: He's so good at the death part. The way he's just, like.
• 52:14
  Speaker 1: Fucking glistening with sweat at the end. And you can
• 52:18
  Speaker 1: tell that the, like, the boys, or, well, the crew,
• 52:21
  Speaker 1: it's not all boys, really, really, like, fucking respect the Colonel.
• 52:28
  Speaker 1: It doesn't make any sense.
• 52:29
  Speaker 2: He's a two tours of Nam. He's a fucking old man.
• 52:32
  Speaker 2: What do you mean it doesn't make any sense? People
• 52:34
  Speaker 2: die all the time of this kind of shit.
• 52:36
  Speaker 1: I mean, was he vaxxed, dude? Vaxed, question mark? Yeah,
• 52:42
  Speaker 1: and he was a fine man, and he'll be sorely missed.
• 52:48
  Speaker 1: But it feels like the kids are more in charge now.
• 52:51
  Speaker 1: It does, 100%. In a way, there are adults there,
• 52:54
  Speaker 1: but kind of like peripheral adults, they're not really a
• 52:59
  Speaker 1: part of the story. Yeah, 100%. But this is a
• 53:00
  Speaker 1: testament to.
• 53:06
  Speaker 2: This is a testament to Travis Fine's acting. He does
• 53:11
  Speaker 2: look really sad throughout the entire movie and does kind
• 53:14
  Speaker 2: of look for a reason to like, get back at Andy.
• 53:18
  Speaker 2: He kind of, like, wants to make this Andy's fault
• 53:20
  Speaker 2: in some reason, for some reason. And then Andrew Robinson,
• 53:24
  Speaker 2: in the lunchroom, grabbing people's fucking hair, being like, I'll
• 53:29
  Speaker 2: see you Tuesday.
• 53:30
  Speaker 1: You, Wednesday. It's, like, taking, like, weird sadistic pleasure. And
• 53:37
  Speaker 1: I love that De Silva, when he walks by her,
• 53:39
  Speaker 1: she kind of lays like, you can't fucking touch me.
• 53:41
  Speaker 2: Yeah, for sure.
• 53:42
  Speaker 1: She, like, shakes her head back. It's great.
• 53:44
  Speaker 2: And then he grabs Whitehurst and he's like, I'll see
• 53:46
  Speaker 2: you later, nerd.
• 53:48
  Speaker 1: He hates him. He's like, you're a fucking wuss. You
• 53:53
  Speaker 1: don't even belong here. It's funny how like the movie
• 53:57
  Speaker 1: really wants to make you feel that about him. But
• 54:00
  Speaker 1: I'm like, Andy's hair is longer than fucking... It's very long.
• 54:05
  Speaker 1: He just likes Andy's haircut, dude. He's like, this is
• 54:07
  Speaker 1: a masterpiece of mine. Yeah, totally.
• 54:09
  Speaker 2: And then Andy goes up to Tyler while he's playing
• 54:11
  Speaker 2: Sega Genesis and he's like, Where the fuck is Andy, dude?
• 54:15
  Speaker 1: You mean Charles? Oh, shit. Did I say Andy? Yeah, yeah.
• 54:18
  Speaker 1: Where's Chucky? Where the fuck is Chucky, Tyler?
• 54:21
  Speaker 2: I haven't seen him since last night. But this is
• 54:28
  Speaker 2: also a good comparison with Andy because he wants to
• 54:31
  Speaker 2: be his friend.
• 54:32
  Speaker 1: Tyler?
• 54:34
  Speaker 2: Yeah, Tyler wants to be Chucky's friend. And he's like
• 54:38
  Speaker 2: trying to save him.
• 54:39
  Speaker 1: He's like protecting Chucky. Yeah, he's protecting Chucky.
• 54:41
  Speaker 2: And he's like, you're just jealous because he's my friend now.
• 54:45
  Speaker 1: Oh man, it's so sad. And it's sad in the
• 54:48
  Speaker 1: same way that Andy was innocent in the first one. Yeah, totally.
• 54:51
  Speaker 2: And then Andy gives Tyler a knife, which is at
• 54:55
  Speaker 2: least trying to save him.
• 54:57
  Speaker 1: To protect himself.
• 54:59
  Speaker 2: Yeah.
• 54:59
  Speaker 1: I like that he's in the role of Kyle in
• 55:02
  Speaker 1: this one. The older kid protecting the younger kid. It's
• 55:06
  Speaker 1: got that duality.
• 55:07
  Speaker 2: It's got him and his mom. This is what I
• 55:11
  Speaker 2: was saying where the second one feels... kind of, like,
• 55:15
  Speaker 2: two separate stories mushed into one.
• 55:19
  Speaker 1: Was there no one on set who knew how to
• 55:21
  Speaker 1: cut a black child's hair? Um... No. Clearly not. They, like,
• 55:28
  Speaker 1: made it a very realistic Andrew Robinson haircut. Like, maybe
• 55:31
  Speaker 1: he actually did give the kid the haircut.
• 55:34
  Speaker 2: Andrew Robinson is cutting Whitehurst's hair, and he's, like.
• 55:41
  Speaker 1: Presto, you're bald. And then cuts his ear sadistically.
• 55:45
  Speaker 2: And then starts cutting his own nose.
• 55:50
  Speaker 1: And we really get like a really good look. Presto,
• 55:53
  Speaker 1: you're bald. Yeah. It's such a great catchphrase, dude. It's
• 55:57
  Speaker 1: so good. Because he only says it twice. It's so memorable. Well,
• 56:01
  Speaker 1: the reason it feels like it's paid off in a
• 56:04
  Speaker 1: third time is because Chucky then says it to him. Exactly.
• 56:07
  Speaker 1: We'll talk about that. And then.
• 56:11
  Speaker 2: He goes to cut Chucky's hair and Chucky becomes sentient
• 56:16
  Speaker 2: and immediately is like, oh no, you're not going to
• 56:19
  Speaker 2: cut my already balding hair. And he grabs a straight
• 56:23
  Speaker 2: razor and slices his neck. And it kind of poorly
• 56:26
  Speaker 2: comes out.
• 56:27
  Speaker 1: I agree. Oh man. But at Andrew Robinson's death, he
• 56:32
  Speaker 1: does an amazing dying face. He does a great dying face.
• 56:35
  Speaker 1: Chucky's glazed over look. Man.
• 56:38
  Speaker 3: Man.
• 56:39
  Speaker 1: The amount of Michael Powers face that happens, like, in
• 56:44
  Speaker 1: this next part. Chucky, when he's like... It's amazing, dude.
• 56:50
  Speaker 2: And then Whitehurst comes back and sees Chucky and, like,
• 56:53
  Speaker 2: runs away.
• 56:54
  Speaker 1: Yeah, and, like... So, this is, like, the part where
• 57:01
  Speaker 1: Whitehurst is really getting challenged, right? Because he's, like... You know,
• 57:06
  Speaker 1: he's now seen... He's now in a reality where the
• 57:13
  Speaker 1: main adult he's known and his guardian is dead. And
• 57:19
  Speaker 1: everyone around him is a scary bully. He's got two friends.
• 57:24
  Speaker 1: And now there's a killer doll on the loose.
• 57:28
  Speaker 2: He comes back where they're going to start playing Capture
• 57:31
  Speaker 2: the Flag.
• 57:32
  Speaker 1: And Chucky... Wait, we didn't say that. Presto, you're dead. Yeah.
• 57:37
  Speaker 2: Did I not say that? Anyway, presto, you're dead. While
• 57:42
  Speaker 2: the setup for the capture.
• 57:43
  Speaker 1: Periodontist fucking Chucky didn't brush his teeth for a while.
• 57:52
  Speaker 2: As Whitehurst gets back, the main dude, the.
• 57:59
  Speaker 2: One of the majors or generals or lieutenants or whatever
• 58:03
  Speaker 2: is explaining capture the flag and they're going to be
• 58:05
  Speaker 2: playing with paintballs. But Chucky is replacing all the red
• 58:09
  Speaker 2: team's paintballs with real bullets.
• 58:12
  Speaker 1: Fucking live rounds, dude. Which is amazing. It's such a
• 58:15
  Speaker 1: good choice. It's such a good choice and it raises
• 58:18
  Speaker 1: the stakes. Like, where this movie, for like most of it,
• 58:21
  Speaker 1: feels kind of like Saved by the Bell, the college years,
• 58:26
  Speaker 1: it suddenly like feels... so high stakes. Like, you're just
• 58:30
  Speaker 1: watching and you're like, Jesus Christ. The guy put fucking
• 58:34
  Speaker 1: live ammunition.
• 58:36
  Speaker 2: Yeah, he's gonna get kids to kill other children.
• 58:38
  Speaker 1: Kids to kill each other. So that, like, he's not even, like, involved. Yeah,
• 58:43
  Speaker 1: it's awesome. It's a great idea.
• 58:45
  Speaker 2: And Andy, as they're, like, marching down to their bases,
• 58:51
  Speaker 2: Andy confronts Whitehurst about, like, knowing what happened.
• 58:56
  Speaker 1: And....
• 59:00
  Speaker 2: Like, he's in full denial mode. And, you know, they're telling, like,
• 59:06
  Speaker 2: ghost stories or whatever now.
• 59:07
  Speaker 1: It's nighttime.
• 59:09
  Speaker 2: Andy goes to walk away after hearing a scary story.
• 59:13
  Speaker 2: And Da Silva follows him. And she's like, well, you're hot.
• 59:18
  Speaker 2: For four years younger than me, dude. And she tells
• 59:22
  Speaker 2: him her real name, which is Kristen.
• 59:24
  Speaker 1: And he's Andy. Kristen?
• 59:27
  Speaker 2: And she's like, come on, let me show you something.
• 59:29
  Speaker 2: And she shows him an amusement park.
• 59:31
  Speaker 1: Which is super fun.
• 59:32
  Speaker 2: It's super cute because it's like a nice setup for
• 59:36
  Speaker 2: the ending. But Andy also delivers such a heartbreaking line.
• 59:41
  Speaker 2: He's like, I almost forgot places like that existed. People
• 59:45
  Speaker 2: just go to have fun.
• 59:46
  Speaker 1: Man, like... Just gives you like a window into what
• 59:51
  Speaker 1: this kid's life has been like for the like in
• 59:53
  Speaker 1: the years since. Totally. He was had the Chucky incident.
• 59:57
  Speaker 1: And now he's got another Chucky incident. Yeah.
• 1:00:00
  Speaker 2: And he like hears something and he's like, what's that?
• 1:00:03
  Speaker 2: And she's like, it's probably just the chipmunk or something.
• 1:00:05
  Speaker 2: And it's fully Chucky.
• 1:00:06
  Speaker 1: He knows. He does know, and it feels almost like
• 1:00:09
  Speaker 1: a Ripley trajectory in the sense that, like, he now is, like,
• 1:00:13
  Speaker 1: the only one who's kind of equipped to fight a Chucky. Totally. Like,
• 1:00:17
  Speaker 1: he knows how to, like, he's killed him twice.
• 1:00:20
  Speaker 2: But what's cool, too, is that he looks at her
• 1:00:24
  Speaker 2: and he's like, you're not scared of anything. And she's like, yeah,
• 1:00:28
  Speaker 2: I'm not. And then she kisses him. And Chucky's like,
• 1:00:30
  Speaker 2: I gotta get out of this body.
• 1:00:33
  Speaker 1: Poor, horny Chucky. Chucky's pussy's aching, dude. He needs a pounding. gross, dude.
• 1:00:42
  Speaker 2: Andy goes back to his tent after stealing the map
• 1:00:46
  Speaker 2: from uh, you know, for the game and the red
• 1:00:51
  Speaker 2: team is, he knows where the red team is. Uh,
• 1:00:54
  Speaker 2: and he's like, he's a sitting duck. I can't let
• 1:00:57
  Speaker 2: him die. Uh, and Whitehurst is like, I'm sorry, I
• 1:01:01
  Speaker 2: can't go.
• 1:01:02
  Speaker 1: And it's like, it's sad.
• 1:01:03
  Speaker 2: It's really, it really is sad. Cause he really wants to,
• 1:01:07
  Speaker 2: he really does earn his, his bravery though.
• 1:01:09
  Speaker 1: Um, He does. But we'll get to that. We'll get
• 1:01:14
  Speaker 1: to that. Because it's such a shocking thing to happen.
• 1:01:20
  Speaker 1: I love all of the small moments of character building
• 1:01:23
  Speaker 1: through the Capture the Flag game and stuff. That was
• 1:01:25
  Speaker 1: all really interesting stuff. And... Whitehurst is... He's so good.
• 1:01:34
  Speaker 1: He's like... these kids were like doing like a good job.
• 1:01:39
  Speaker 2: Really good this ellis guy goes to confront uh um
• 1:01:45
  Speaker 2: goes to confront whitehurst about the missing map and they
• 1:01:49
  Speaker 2: see they he calls over shelton and he knows that
• 1:01:53
  Speaker 2: barkley is gone and.
• 1:01:54
  Speaker 1: He's like he stole the map he's working with the
• 1:01:57
  Speaker 1: reds dude when when andy goes into the red team
• 1:02:02
  Speaker 1: and find that little kid sleeping that was with the
• 1:02:05
  Speaker 1: other little kid that was with Tyler. I love this line.
• 1:02:08
  Speaker 1: He's like, where's Tyler? He went off with some guy
• 1:02:13
  Speaker 1: named Charles. It's so funny. Yeah, it's great. I feel
• 1:02:18
  Speaker 1: like there's a lot of, I mean, something that the
• 1:02:20
  Speaker 1: Chucky series does really get well is like little kid reactions.
• 1:02:25
  Speaker 2: Little kid reactions, little kid logic.
• 1:02:30
  Speaker 1: I mean, to me as a little kid, all of
• 1:02:33
  Speaker 1: this like, tracks such a good story and like yeah
• 1:02:38
  Speaker 1: like i don't know i just i felt represented by these.
• 1:02:40
  Speaker 2: Movies totally a hundred percent.
• 1:02:42
  Speaker 1: Even this like even this part three is so pantheon.
• 1:02:45
  Speaker 2: Dude totally a hundred percent uh tyler is carrying chucky
• 1:02:51
  Speaker 2: around All right, Tyler, now we're going to play hide
• 1:02:54
  Speaker 2: the soul. I don't want to play that game.
• 1:02:58
  Speaker 1: I love that. I love that. He was sick of
• 1:03:00
  Speaker 1: it as a game. He didn't like it. You're a
• 1:03:03
  Speaker 1: fucking drag. You know that? Watch your mouth, Charles. Stop
• 1:03:08
  Speaker 1: calling me that. He's kind of irritated by the mental
• 1:03:17
  Speaker 1: illness of this child. Yeah, 100%.
• 1:03:19
  Speaker 2: He pulls the knife out and he's like, a good
• 1:03:23
  Speaker 2: soldier is always prepared.
• 1:03:27
  Speaker 1: Barclay was right. You're not a good guy. Sorry, kid.
• 1:03:32
  Speaker 1: You got me. I'm bad. I'm no bad guy. I'm
• 1:03:38
  Speaker 1: the bad guy. Now assume the position.
• 1:03:43
  Speaker 2: And then he takes out Barkley's knife and stabs Chucky.
• 1:03:46
  Speaker 1: And he's like, no! Get back here! Oh, man.
• 1:03:55
  Speaker 2: And then he's like, Barkley!
• 1:03:57
  Speaker 1: Barkley!
• 1:03:57
  Speaker 2: And he's, like, looking around, and he's like, Tyler!
• 1:04:00
  Speaker 1: Tyler!
• 1:04:01
  Speaker 2: And then Shelton comes in and finds him, and he's like,
• 1:04:03
  Speaker 2: you're a traitor! And he tries to... Andy tries to
• 1:04:08
  Speaker 2: explain that Tyler's in trouble, but it's like, no one
• 1:04:10
  Speaker 2: ever believes Andy.
• 1:04:12
  Speaker 1: No one ever believes Andy. Like, he's cursed. Totally. Oh, man.
• 1:04:17
  Speaker 1: And they grab the kid, or Shelton grabs the kid.
• 1:04:22
  Speaker 2: Uh, De Silva goes to try and find Andy as well.
• 1:04:25
  Speaker 2: And she's got a walkie and she, she gets pushed
• 1:04:28
  Speaker 2: over by Chucky and Chucky takes over the, the walkie talkie.
• 1:04:33
  Speaker 1: This is like such an insane part. And every, I
• 1:04:36
  Speaker 1: feel like it is appropriately treated like insane in the movie. But, like,
• 1:04:41
  Speaker 1: Chucky just going on the intercom and revealing himself to
• 1:04:44
  Speaker 1: everyone doesn't give a fuck anymore, Chucky.
• 1:04:47
  Speaker 2: Nope. He's got a fucking grenade with him, and he's, like,
• 1:04:50
  Speaker 2: threatening to pull people. And they're like, blue team is sighted!
• 1:04:55
  Speaker 2: Come to the old.
• 1:04:57
  Speaker 1: whatever. He's like, hey, Jarhead. Yeah, put Andy on the walkie.
• 1:05:03
  Speaker 1: And I love... Sheldon's reaction, because it's kind of also
• 1:05:08
  Speaker 1: a kid or a really young person reaction of like, hey, dude,
• 1:05:13
  Speaker 1: what's going on here? And kind of mad at Andy
• 1:05:16
  Speaker 1: for being involved in it.
• 1:05:18
  Speaker 2: Yeah, and not understanding why he's involved in it.
• 1:05:21
  Speaker 1: Totally, totally. And they do a trade, basically. They get
• 1:05:25
  Speaker 1: to the Jeep. Andy.
• 1:05:28
  Speaker 2: I mean, he just threatens her... and tells the kid
• 1:05:33
  Speaker 2: to come over, and Da Silva leaves.
• 1:05:36
  Speaker 1: Wait, wait, who, who, explain that better.
• 1:05:40
  Speaker 2: Um, Chucky tells the troop, troops to come to the jeep,
• 1:05:46
  Speaker 2: and then they come there, and basically do a swap
• 1:05:52
  Speaker 2: for Da Silva, who's kidnapped by Chucky at this point.
• 1:05:55
  Speaker 1: But who do they swap?
• 1:05:57
  Speaker 2: With Tyler.
• 1:05:57
  Speaker 1: With Tyler, oh. Yeah. What, why would they leave Tyler?
• 1:06:02
  Speaker 2: Well, because he's got a grenade. He's going to blow
• 1:06:04
  Speaker 2: her up.
• 1:06:05
  Speaker 1: Okay, okay, okay.
• 1:06:05
  Speaker 2: And then they start, the troops start shooting blue paintballs.
• 1:06:10
  Speaker 1: The one thing that I was thinking, okay, so sorry,
• 1:06:13
  Speaker 1: when Chucky pulls the like pin out of the grenade,
• 1:06:15
  Speaker 1: I'm like, how could this small, he's really trusting this very,
• 1:06:18
  Speaker 1: very small hand to have a grip on this. Yeah, totally. Grenade.
• 1:06:23
  Speaker 1: And it's not like, he's very small too, like, and
• 1:06:25
  Speaker 1: he doesn't obviously have a lot of.
• 1:06:27
  Speaker 2: Upper body strength or upper body strength or yeah.
• 1:06:30
  Speaker 1: So like he wouldn't really be able to like throw
• 1:06:32
  Speaker 1: it that far away from.
• 1:06:33
  Speaker 2: Not really it's completely inconsistent but it doesn't matter but the.
• 1:06:37
  Speaker 1: Red team comes and as the red team comes uh
• 1:06:41
  Speaker 1: the red team's the one that's had their bullets bullets
• 1:06:43
  Speaker 1: with a lot of rounds shelton sees chucky and he's
• 1:06:47
  Speaker 1: like fuck me and then just fully gets shot by
• 1:06:50
  Speaker 1: the red team it's such a good reaction it's such
• 1:06:53
  Speaker 1: a good death it's so surprising it's so surprising and
• 1:06:58
  Speaker 1: like suddenly the stakes are so raised because a kid
• 1:07:01
  Speaker 1: has gotten killed.
• 1:07:02
  Speaker 2: Yeah and chuggie is just laughing so much that he
• 1:07:06
  Speaker 2: doesn't notice that tyler's run away.
• 1:07:08
  Speaker 1: Even though he was the bully kid there's still like
• 1:07:11
  Speaker 1: a level of like the way this movie kind of
• 1:07:13
  Speaker 1: like examines the trauma of some of these kids it
• 1:07:18
  Speaker 1: kind of tracks that this kid would be like you
• 1:07:22
  Speaker 1: know He's traumatized. Yeah, 100%.
• 1:07:24
  Speaker 2: And then his friend Ellis is, like, gets mad at
• 1:07:28
  Speaker 2: Andy and starts trying to beat him up while Chucky
• 1:07:30
  Speaker 2: pulls the pin and throws the bomb. And Whitehurst fucking
• 1:07:35
  Speaker 2: earns his moment and he jumps on the grenade, which
• 1:07:38
  Speaker 2: is just like, whoa, dude.
• 1:07:40
  Speaker 1: And, like, it's one shocking moment after another of, like,
• 1:07:44
  Speaker 1: we've just had, like, a major, like, villain antagonist get
• 1:07:48
  Speaker 1: killed and suddenly, like, our protagonist's best friend... In the movie. Totally. Like,
• 1:07:56
  Speaker 1: gets killed by, like, sacrifices himself.
• 1:08:00
  Speaker 2: Totally.
• 1:08:01
  Speaker 1: For everyone else. And in a moment of, like, extreme bravery.
• 1:08:06
  Speaker 1: And I remember being, like, so, so struck by this
• 1:08:10
  Speaker 1: as a kid. And I was just as struck by
• 1:08:13
  Speaker 1: it today, dude. Yeah, absolutely. It was like, obviously I've
• 1:08:16
  Speaker 1: seen this movie before and I knew that that happened. But, like,
• 1:08:19
  Speaker 1: when I saw it, it was, like, so shocking. Yeah, totally.
• 1:08:23
  Speaker 2: Andy sees Tyler run, and Da Silva sees Andy run,
• 1:08:28
  Speaker 2: so they both follow each other, and they get to
• 1:08:30
  Speaker 2: the amusement park. Amusement park scary scenes are often quite good.
• 1:08:39
  Speaker 2: Not in Final Destination, but in this one.
• 1:08:41
  Speaker 1: But definitely in Terrifier.
• 1:08:44
  Speaker 2: I like Terrifier. I know, but people hate that movie, but.
• 1:08:46
  Speaker 1: I mean.
• 1:08:49
  Speaker 1: I don't hate the movie. I... hate what I know
• 1:08:54
  Speaker 1: about the people involved. That's fair.
• 1:09:00
  Speaker 2: Andy uh tyler goes to the security lost and found
• 1:09:03
  Speaker 2: to get some help uh and this useless security guard
• 1:09:06
  Speaker 2: who's like who's charles he wants to play hide the
• 1:09:10
  Speaker 2: soul now come on oh man charles is probably very
• 1:09:14
  Speaker 2: sorry about what he did Like, this guy thinks, like.
• 1:09:18
  Speaker 1: This kid has just had a tiff with his friend,
• 1:09:20
  Speaker 1: which is, like... It's cute. He's suffering the same fate
• 1:09:23
  Speaker 1: as Andy, dude. Yeah. Just being a kid.
• 1:09:25
  Speaker 2: No one taking him seriously.
• 1:09:26
  Speaker 1: And no one taking him seriously. Yeah. And him having
• 1:09:28
  Speaker 1: this red armband with, like... He looks a little sus, dude.
• 1:09:32
  Speaker 1: Speaking of sus, Andy.
• 1:09:35
  Speaker 2: Or, Tyler is given some gum by the guy from
• 1:09:39
  Speaker 2: the drawer that also has a gun in it. And
• 1:09:42
  Speaker 2: he's like, I know what'll make you feel better. And
• 1:09:45
  Speaker 2: he pulls out the Chucky doll.
• 1:09:46
  Speaker 1: Oh, man. That also felt very Tales of the Crypt. Totally. Just, like,
• 1:09:52
  Speaker 1: shock things in Tales of the Crypt, where there's, like,
• 1:09:55
  Speaker 1: with the wide lens. Oh, my God, dude. The way
• 1:09:58
  Speaker 1: it looks, like, when he puts the Chucky.
• 1:10:01
  Speaker 2: Yeah.
• 1:10:03
  Speaker 1: And they go.
• 1:10:04
  Speaker 2: Andy and De Silva make it to the security, and
• 1:10:08
  Speaker 2: obviously the security guy is dead.
• 1:10:09
  Speaker 1: And they grab his gun....
• 1:10:13
  Speaker 2: And obviously Da Silva takes it because she's the better shot.
• 1:10:20
  Speaker 2: And then as he's getting, as Tyler is carrying Chucky,
• 1:10:24
  Speaker 2: he pulls out the knife to stab Chucky again. He's like,
• 1:10:27
  Speaker 2: don't even think about it. And he pulls the little
• 1:10:29
  Speaker 2: tiny gun out.
• 1:10:31
  Speaker 1: Man, the way that all of these movies are so breezy,
• 1:10:36
  Speaker 1: it's like, not even that much time between the three
• 1:10:40
  Speaker 1: of the movies, you know, they're all exactly like an
• 1:10:42
  Speaker 1: hour and 27 minutes. Yeah.
• 1:10:44
  Speaker 2: They're basically all the same runtime. Uh, they get into
• 1:10:47
  Speaker 2: the like haunted house part. Cause obviously, cause it's a
• 1:10:50
  Speaker 2: horror movie and it's Chucky. Uh, and Chucky ends up
• 1:10:54
  Speaker 2: shooting De Silva in the leg.
• 1:10:56
  Speaker 1: Well, sorry, did I just wanted to say the line
• 1:10:58
  Speaker 1: that we remember when like, uh, right before I'm going
• 1:11:02
  Speaker 1: backtracking a little bit right before, um, uh, like, uh,
• 1:11:07
  Speaker 1: Tyler brings Chucky into the funhouse, into the scary haunted house.
• 1:11:13
  Speaker 1: He pulls out the knife and Chucky pulls out the gun.
• 1:11:15
  Speaker 1: And I just wanted to say the line that he
• 1:11:18
  Speaker 1: brought a knife to a gunfight.
• 1:11:20
  Speaker 2: Yes, he did. Andy ties off her leg in a
• 1:11:31
  Speaker 2: similar way that when Sarah Connor gets shot in the leg.
• 1:11:35
  Speaker 2: yeah i love that reference uh and andy gets given
• 1:11:42
  Speaker 2: the gun and obviously andy was a bad shot before
• 1:11:45
  Speaker 2: but he's gonna earn his his keep now uh and
• 1:11:49
  Speaker 2: they get to like the final boss stage of of
• 1:11:53
  Speaker 2: the haunted house where the the uh grim reaper is
• 1:11:58
  Speaker 2: slicing slicing big sickle yeah and And, you know, Tyler's
• 1:12:04
  Speaker 2: running around, Chucky's running after him, almost getting hit by
• 1:12:09
  Speaker 2: the rollercoaster ride, but then gets his face sliced off
• 1:12:16
  Speaker 2: with the sickle.
• 1:12:17
  Speaker 1: Dude, I fucking loved it. I thought it was so cool.
• 1:12:22
  Speaker 1: The mechanics of Chucky's face moving, and like... Also, callback
• 1:12:29
  Speaker 1: to Terminator, dude.
• 1:12:30
  Speaker 2: Terminator gets half his face sliced too.
• 1:12:33
  Speaker 1: And one of the things that's cool about Chucky Vega,
• 1:12:37
  Speaker 1: an animatronic doll, is you can actually battle damage his
• 1:12:41
  Speaker 1: face in a way that looks like... A piece of
• 1:12:44
  Speaker 1: his face is sliced off and not that, like, that's
• 1:12:46
  Speaker 1: pasted over a machine. Totally, yeah. They do a really
• 1:12:50
  Speaker 1: good job in Terminator, but... They do.
• 1:12:52
  Speaker 2: I need a vacation. Because, like, Schwartzy is, like, very gaunt,
• 1:12:56
  Speaker 2: so they can, like, kind of build up on that.
• 1:12:57
  Speaker 1: Um....
• 1:13:00
  Speaker 2: Tyler gets onto one of the robot dragon things and
• 1:13:04
  Speaker 2: gets pulled up the mountain.
• 1:13:06
  Speaker 1: There's a lot of Chucky and Wyatt in this, which
• 1:13:08
  Speaker 1: I really loved. I love Chucky and Wyatt. It's so good, dude.
• 1:13:13
  Speaker 1: It's so crappy, but there's something so weirdly balanced about
• 1:13:18
  Speaker 1: the menace. Yeah, absolutely. Because everything really has consequences. And
• 1:13:22
  Speaker 1: it's also really, not just the tangibility, but the....
• 1:13:28
  Speaker 2: It is scary seeing something so uncanny. Whereas like if
• 1:13:34
  Speaker 2: it's like a Batman, it's very difficult because it's like
• 1:13:37
  Speaker 2: uncanny in like a funny way.
• 1:13:38
  Speaker 1: It's like, why is that man in a bat suit?
• 1:13:44
  Speaker 2: And he gets confronted with the giant fan that will
• 1:13:46
  Speaker 2: eventually consume Chucky. Uh, and.
• 1:13:49
  Speaker 1: Yeah, they tried the tooth hard with that fan. The fan, yeah.
• 1:13:53
  Speaker 1: They were like, hey guys, it's a fan that's, it's
• 1:13:56
  Speaker 1: a slicey fan.
• 1:13:57
  Speaker 2: Chucky climbs up the mountain to do, Hade, Dewey, Dembella.
• 1:14:02
  Speaker 1: Give me the power, I bang up you! And then
• 1:14:06
  Speaker 1: it's always on, Suck who's in there with Bartimone? Hadele, Pache, Pata, Dembella! Dude,
• 1:14:14
  Speaker 1: the amount of Mike Farris' face....
• 1:14:17
  Speaker 2: And he's, like, climbing up and trying to aim the
• 1:14:20
  Speaker 2: gun at Chucky. And he's, like, remembering what she told him.
• 1:14:24
  Speaker 2: And he shoots his arm off, which is great. But
• 1:14:29
  Speaker 2: then he keeps going, determined. And then he obviously has
• 1:14:32
  Speaker 2: a fake out where he shoots him off Tyler.
• 1:14:36
  Speaker 1: And he's like... Give me the fucking kid! He plays....
• 1:14:48
  Speaker 2: Funny to desperate so well so well like the the
• 1:14:53
  Speaker 2: the closer he gets to like having a body that's
• 1:14:58
  Speaker 2: that's this body again he gets more panicked more angry.
• 1:15:03
  Speaker 1: It's true it's true he he's like it continues the
• 1:15:06
  Speaker 1: mission right yeah and it's believable enough that Chucky searching
• 1:15:12
  Speaker 1: for a body is believable enough a story and motivation
• 1:15:17
  Speaker 1: that It doesn't really get old because they kind of
• 1:15:21
  Speaker 1: build the way it happens around it. Totally. In just
• 1:15:24
  Speaker 1: the way that kind of logistically follows the story.
• 1:15:27
  Speaker 2: Totally.
• 1:15:27
  Speaker 1: Absolutely.
• 1:15:28
  Speaker 2: And yes, it is a bit comedy of errors. It's like, oh,
• 1:15:30
  Speaker 2: the blood leaked into the goo at the beginning. But
• 1:15:33
  Speaker 2: it's like, it really doesn't matter because it goes by
• 1:15:35
  Speaker 2: so quickly. And then Tyler gives Andy his own knife back,
• 1:15:40
  Speaker 2: which is great because it's like, oh, you used it.
• 1:15:43
  Speaker 1: Now I'm going to use it.
• 1:15:45
  Speaker 2: And then he cuts Chucky's other hand off and, like,
• 1:15:48
  Speaker 2: kicks him off. And when Chucky falls down and the
• 1:15:52
  Speaker 2: little legs are kicking, it really does give a lot
• 1:15:56
  Speaker 2: of emotion to it.
• 1:15:59
  Speaker 1: Totally. And then they.
• 1:16:00
  Speaker 2: Just, like, threw this doll with goo in it to
• 1:16:04
  Speaker 2: get sliced up, which I loved.
• 1:16:07
  Speaker 1: Yeah, yeah, it looked great. And it felt really of consequence.
• 1:16:10
  Speaker 1: The way Chucky's face is moving when he's doing the
• 1:16:13
  Speaker 1: ade-do-i down below. Yeah. it it's so good it's like
• 1:16:17
  Speaker 1: a lot of like the like props and stuff in
• 1:16:20
  Speaker 1: this were really good too like these skulls that andy
• 1:16:22
  Speaker 1: is climbing when like you know he's like kind of
• 1:16:25
  Speaker 1: in these like in this like ride it just was
• 1:16:28
  Speaker 1: like so cool it it's it has the feel of
• 1:16:33
  Speaker 1: the larger in life larger than life um final boss
• 1:16:37
  Speaker 1: place like it's not instead of being a factory or
• 1:16:40
  Speaker 1: boiler room it's like It's like a fucking fun house. Yeah, totally.
• 1:16:44
  Speaker 1: It's such a great, great ending. Totally. And I love like... Well,
• 1:16:48
  Speaker 1: we haven't even gotten to the ending. The return of
• 1:16:50
  Speaker 1: the Demvala lightning, dude.
• 1:16:52
  Speaker 2: The real ending is Andy tragically telling Da Silva, I've
• 1:16:57
  Speaker 2: been here before. And then just getting arrested and taken away.
• 1:17:01
  Speaker 1: But I think presumably he's been blamed for like the
• 1:17:05
  Speaker 1: live round munition replacement.
• 1:17:08
  Speaker 2: Fiasco.
• 1:17:09
  Speaker 1: I think he's like gonna like... serve time for that
• 1:17:13
  Speaker 1: dude we'll see dude we'll see wow do we really
• 1:17:17
  Speaker 1: get to see a continuation of andy's story i don't
• 1:17:20
  Speaker 1: know dude.
• 1:17:21
  Speaker 2: I don't know and then it just ends there like
• 1:17:24
  Speaker 2: it just fully ends there it's a bold move it
• 1:17:27
  Speaker 2: is i will say i will say um yeah i
• 1:17:35
  Speaker 2: gotta give it 10 out of 10 to envelopes It's
• 1:17:38
  Speaker 2: got the most Chucky faces. It's got the most Michael
• 1:17:41
  Speaker 2: Powers faces. It's got a lot of the... It builds
• 1:17:47
  Speaker 2: on the lore in a better way than the second one.
• 1:17:49
  Speaker 2: It's a better movie.
• 1:17:50
  Speaker 1: Than the second one. It is a better movie than
• 1:17:52
  Speaker 1: the second one. I'm just glad that in the second
• 1:17:54
  Speaker 1: one we established that Chucky had the... Like, handheld pussy installed.
• 1:18:00
  Speaker 1: Of course.
• 1:18:01
  Speaker 2: Just so we can get it.
• 1:18:01
  Speaker 1: Well, because he was almost fucked in this one. That's why...
• 1:18:05
  Speaker 1: You know the kid? That's why the kid took him. Like,
• 1:18:08
  Speaker 1: that's why... Because he wants to fuck him. He took
• 1:18:09
  Speaker 1: him from Andy. Well, because they're like... That's what it is, right?
• 1:18:13
  Speaker 1: It's a replacement for that. They're teenage boys. Like, they
• 1:18:16
  Speaker 1: want to be fucking something. I mean, he's not a
• 1:18:17
  Speaker 1: teenage boy. Tyler? He's also a teen... Oh, no, not Tyler. No, no, no. Sorry.
• 1:18:21
  Speaker 2: Oh, I thought you meant Shelton took it. Shelton took
• 1:18:24
  Speaker 2: it from Andy to fuck Chucky. Okay.
• 1:18:27
  Speaker 1: Alright. Fair enough. And he did. He fucked Chucky. In
• 1:18:33
  Speaker 1: terms of points, I would give it an 8.5. I
• 1:18:35
  Speaker 1: was so down. Yeah.
• 1:18:36
  Speaker 2: I was like... I think, like, as a movie, it
• 1:18:41
  Speaker 2: functions really well on its own. You don't really need
• 1:18:43
  Speaker 2: the first two. They explain everything. Everybody got a character.
• 1:18:51
  Speaker 2: It's breezy.
• 1:18:52
  Speaker 1: It's awesome. I thought it was... I might even give
• 1:18:54
  Speaker 1: it a nine, actually. I have to give this... I
• 1:19:00
  Speaker 1: dock it one point on Dumbledore's. Okay. Only one point.
• 1:19:05
  Speaker 1: And it's purely... a personal thing, but I didn't like periodontitis, Chucky.
• 1:19:11
  Speaker 1: I didn't like his disgusting teeth. I didn't like gum disease, Chucky.
• 1:19:16
  Speaker 1: I need, like, a less scurvy Chucky. I need Chucky
• 1:19:20
  Speaker 1: just taking some vitamin C.
• 1:19:23
  Speaker 2: Um but what would you give it out of 10 oh.
• 1:19:25
  Speaker 1: Yeah no i agree with you i might even give
• 1:19:27
  Speaker 1: it a 9 out of 10 it was like such
• 1:19:29
  Speaker 1: a good movie.
• 1:19:30
  Speaker 2: Such a good movie it.
• 1:19:31
  Speaker 1: Like it functions so well the only thing it loses
• 1:19:34
  Speaker 1: is that it's not a part one you know like
• 1:19:37
  Speaker 1: it's a continuation.
• 1:19:37
  Speaker 2: Ultimately like it's hard because it's like you're never gonna
• 1:19:40
  Speaker 2: get part one right but but like honestly it's a
• 1:19:44
  Speaker 2: good movie like it is a really good movie i
• 1:19:47
  Speaker 2: watching it again in slight fast motion right here i
• 1:19:51
  Speaker 2: was like this is a pretty fucking.
• 1:19:52
  Speaker 1: Good movie I think so, too, and I think it
• 1:19:55
  Speaker 1: did such a good job of, like, kind of honoring
• 1:19:59
  Speaker 1: the way, the storytelling of the Child's Play movies. Yeah. Like,
• 1:20:06
  Speaker 1: it's breezy, it happens fast, it's beats, and it uses
• 1:20:11
  Speaker 1: what we know so far.
• 1:20:13
  Speaker 2: And more and more, Chucky has become the main character.
• 1:20:18
  Speaker 1: Yes, yes.
• 1:20:19
  Speaker 2: Because in this one, he's got so much dialogue, so
• 1:20:22
  Speaker 2: much talking to other people, which is great.
• 1:20:26
  Speaker 1: It's a good job.
• 1:20:29
  Speaker 2: They do kind of dump some dialogue stuff where it's like, well...
• 1:20:36
  Speaker 2: If I didn't tell anybody my secret, you know, and
• 1:20:39
  Speaker 2: he does a good job because it's a good performance,
• 1:20:41
  Speaker 2: but like, you know, it's like stupid and fun and dumb,
• 1:20:44
  Speaker 2: but it's just like, okay, well, yeah, just explain what
• 1:20:47
  Speaker 2: it is.
• 1:20:47
  Speaker 1: I mean, it's for the audience. And again, it kind
• 1:20:51
  Speaker 1: of like is deceptively little kid. Cause you're like, whoa,
• 1:20:55
  Speaker 1: it's for little kids. He's explaining something out loud. And
• 1:20:58
  Speaker 1: then you're like, Jesus Christ, live rounds. Yeah, totally. Like
• 1:21:01
  Speaker 1: a kid throwing himself on a grid. Harrowing fucking, like,
• 1:21:06
  Speaker 1: story of heroism and redemption in this, like, kid's story.
• 1:21:10
  Speaker 1: In this Saved by the Bell movie. Totally. 100%. Yeah.
• 1:21:15
  Speaker 1: I thought it, like, balanced a lot of things really
• 1:21:18
  Speaker 1: well in an interesting way. Again, continues the lore of
• 1:21:22
  Speaker 1: Chucky balancing steaks.
• 1:21:24
  Speaker 2: And next is going to be 1998's Bride of Chucky.
• 1:21:28
  Speaker 1: Which I have like... It's less Pantheon for me. I
• 1:21:31
  Speaker 1: think I have seen it, but I'm less familiar with.
• 1:21:34
  Speaker 2: We've definitely seen it together.
• 1:21:35
  Speaker 1: I'm less familiar with this lore, so... It'll come back
• 1:21:38
  Speaker 1: to you. Okay. I'm excited. It's very late 90s. I'm excited.
• 1:21:43
  Speaker 1: I'm excited.
• 1:21:43
  Speaker 2: It's like Leather and The Matrix.
• 1:21:48
  Speaker 1: It's Matrix.
• 1:21:49
  Speaker 2: And it's very Matrix.
• 1:21:50
  Speaker 1: I mean, she was in....
• 1:21:52
  Speaker 2: Jennifer Tilly was in Bound. I was directed by the Wachowskis.
• 1:21:56
  Speaker 1: I know. And I think that's why Don Mancini cast her. Really?
• 1:22:01
  Speaker 1: I mean, you'll see. Because she's a queer icon.
• 1:22:05
  Speaker 2: Well, Chucky's a queer icon. You'll see the stuff in it.
• 1:22:09
  Speaker 2: And in the show, it gets weird, too. I haven't
• 1:22:13
  Speaker 2: seen any of the show, but we can get one
• 1:22:16
  Speaker 2: of the directors on. I can get one of the
• 1:22:17
  Speaker 2: directors of the show if you want.
• 1:22:19
  Speaker 1: I mean, what are we going to talk to someone about? Hey,
• 1:22:22
  Speaker 1: we're watching a Chucky movie. Well, she directed one of
• 1:22:25
  Speaker 1: the episodes. I don't know.
• 1:22:26
  Speaker 2: What's your process?
• 1:22:27
  Speaker 1: I don't know. I have to interview someone who can't
• 1:22:30
  Speaker 1: make jokes. Anyway. Yeah, I hope you guys are enjoying
• 1:22:35
  Speaker 1: this series. I'm having fun doing it with you. I
• 1:22:38
  Speaker 1: like Chucky. I feel like Chucky's energized this. There's a
• 1:22:41
  Speaker 1: lot of lore, and it's fun to discuss the evolving Chucky,
• 1:22:47
  Speaker 1: like how he evolves through the movies, how he stays
• 1:22:49
  Speaker 1: the same. How he's evolving. Exactly, dude. I love it, dude.
• 1:22:58
  Speaker 1: I think Brad Dourif is doing a great job.
• 1:23:01
  Speaker 2: Yeah, carrying the franchise.
• 1:23:02
  Speaker 1: Consistent.
• 1:23:03
  Speaker 2: Yeah. But it's going to suck, because Bride of Chucky
• 1:23:07
  Speaker 2: is the Alien Resurrection of the series.
• 1:23:10
  Speaker 1: Why does that suck? I love Alien Resurrection.
• 1:23:12
  Speaker 2: I know, and you'll probably love Bride of Chucky, but
• 1:23:15
  Speaker 2: it gets into.
• 1:23:16
  Speaker 1: It changes in that way.
• 1:23:17
  Speaker 2: It changes in that way, and then it never becomes
• 1:23:19
  Speaker 2: the same again. It doesn't even get an Alien Romulus anymore.
• 1:23:23
  Speaker 1: Really?
• 1:23:23
  Speaker 2: It only gets Alien Covenant from here.
• 1:23:27
  Speaker 1: Really? After Bride of Chucky.
• 1:23:31
  Speaker 2: It only becomes Alien Covenant.
• 1:23:35
  Speaker 1: Well, I like Alien Covenant.
• 1:23:37
  Speaker 2: No, but you only like the scene of David fingering Walter.
• 1:23:43
  Speaker 1: No, I actually only like the scene of Franco burning
• 1:23:46
  Speaker 1: in that film. Yeah. Alright, see you next week. See ya.