Latest / Michelle Explains Anime, Poorly / Serial Experiments Lain, Ep. 11- Infornagraphy

Transcript

Serial Experiments Lain, Ep. 11- Infornagraphy · Michelle Explains Anime, Poorly

• 0:00
  Speaker 1: Hey, it's your person, Michelle. I guess here again because
• 0:04
  Speaker 1: that's what I'm supposed to do. Right, You come here
• 0:08
  Speaker 1: and then we like talk about this lane stuff, and
• 0:11
  Speaker 1: then you go away or I go away, or we
• 0:13
  Speaker 1: both go away, and we're doing this because it's fun
• 0:16
  Speaker 1: and you're having a good time. Right, You're not just
• 0:19
  Speaker 1: here because you feel obligated to be here. Right. You
• 0:23
  Speaker 1: know you could leave, right. I mean, I'm not saying
• 0:26
  Speaker 1: you should leave. That would kind of make me sad,
• 0:29
  Speaker 1: but it's just a nice time to remind you that. Hey,
• 0:34
  Speaker 1: I don't know why I'm saying any of this. So
• 0:38
  Speaker 1: I don't have very much to talk about this week,
• 0:41
  Speaker 1: you know, anime wise, because I don't know. I finally
• 0:44
  Speaker 1: finished which ha hadly. I really forgot how to pronounce that,
• 0:50
  Speaker 1: and that was fun, really big cliffhanger. But hey, other
• 0:54
  Speaker 1: than that, I really don't have much to say about
• 0:56
  Speaker 1: anything because I don't really know. It's been it's been
• 1:00
  Speaker 1: a thing. I mean, I guess this wasn't the rough week.
• 1:03
  Speaker 1: It was the week before that was rough whatever. Anyway,
• 1:06
  Speaker 1: my cat lost a tooth, as in it was forcibly
• 1:09
  Speaker 1: removed from her skull because it was slowly breaking itself
• 1:15
  Speaker 1: down and probably causing her pain. So hopefully she's happy
• 1:19
  Speaker 1: now because she wasn't happy for a little while because
• 1:24
  Speaker 1: it probably hurt to take it out. But hey, I
• 1:28
  Speaker 1: don't really know what's going on or honestly why i'm
• 1:31
  Speaker 1: telling you this. Maybe I'm not having a good day.
• 1:35
  Speaker 1: I'm not sure. So let's talk about Lane before I
• 1:39
  Speaker 1: regret existing some more. So before we start, I'm just
• 1:43
  Speaker 1: gonna tell you now, this episode's gonna be very short,
• 1:46
  Speaker 1: probably because I didn't realize going in that this is
• 1:50
  Speaker 1: partially a recap episode. I didn't remember us having one.
• 1:53
  Speaker 1: But again, it seems like I don't remember most of
• 1:56
  Speaker 1: the things that happened in Lane. So I actually almost
• 2:00
  Speaker 1: stopped because I started taking notes on it, and then
• 2:03
  Speaker 1: I was like, oh shit, it's a recap episode. And
• 2:05
  Speaker 1: then I was like, what do I do now? Should
• 2:07
  Speaker 1: I just go to episode twelve? And that's what I
• 2:10
  Speaker 1: was going to do, and we would just be like
• 2:12
  Speaker 1: ahead a week and that would be fine, except you
• 2:14
  Speaker 1: wouldn't know that and you'd get all surprised and confused
• 2:16
  Speaker 1: when you came to listen to this. But I was like, well,
• 2:19
  Speaker 1: it's got really good music. So I'm gonna just keep
• 2:22
  Speaker 1: watching it, and then all of a sudden it wasn't
• 2:24
  Speaker 1: a recap episode anymore. So I'm really glad I continued.
• 2:28
  Speaker 1: And if you started watching this, I mean, the very
• 2:31
  Speaker 1: beginning isn't recap. But then if you were watching it
• 2:33
  Speaker 1: and you were like, oh shit, it's a recap episode
• 2:35
  Speaker 1: and you just stopped and went on with your life instead,
• 2:39
  Speaker 1: or went to episode twelve, you probably should go back
• 2:42
  Speaker 1: and watch this episode because there was a bunch of
• 2:45
  Speaker 1: really important stuff. Well I don't know if it's important. Honestly,
• 2:50
  Speaker 1: I'm not really sure what is important in Lane, because
• 2:53
  Speaker 1: this ends up contradicting like a lot of things from
• 2:55
  Speaker 1: the previous episodes. But obviously we'll talk about that when
• 2:58
  Speaker 1: we get there. Oh yeah, again, this is probably gonna
• 3:02
  Speaker 1: be short, I guess, because I only had to take
• 3:05
  Speaker 1: like what like eight or nine pages of notes, I guess,
• 3:08
  Speaker 1: and it only took me like an hour and forty
• 3:10
  Speaker 1: five minutes or something crazy to actually take the notes.
• 3:13
  Speaker 1: Usually it takes upwards or four hours at least to
• 3:16
  Speaker 1: write notes on a twenty three minute episode, because I
• 3:21
  Speaker 1: am insane, and also I'm just really slow, and I
• 3:24
  Speaker 1: don't like to type, so just doing it with my
• 3:27
  Speaker 1: hands and some paper and that is slow too. Whatever,
• 3:32
  Speaker 1: let's do this before it changed my mind. I'm not
• 3:35
  Speaker 1: gonna change my mind. I just that was the only
• 3:38
  Speaker 1: thing I thought that I could say there. So anyway,
• 3:41
  Speaker 1: episode eleven of Serial Experiments Lane is called infornography, which
• 3:47
  Speaker 1: I was like, is that a word, because I don't
• 3:50
  Speaker 1: think that's a word. So I looked it up and
• 3:53
  Speaker 1: it isn't a word. I mean, it's kind of a word,
• 3:56
  Speaker 1: but it's not like a word that you can look
• 3:58
  Speaker 1: up in the dictionary. I mean sort of it because
• 4:00
  Speaker 1: it's in the Urban Dictionary. And I guess it means
• 4:04
  Speaker 1: like an addiction to data more or less or the
• 4:10
  Speaker 1: like abuse of excessive use of information. I think, so yeah,
• 4:16
  Speaker 1: it's one of the two. But the addiction to data
• 4:18
  Speaker 1: thing and the addiction to I guess information, I think
• 4:21
  Speaker 1: is the kind of the main one. And it's kind
• 4:23
  Speaker 1: of like you get like a pseudo sexual thrill from
• 4:27
  Speaker 1: the pursuit and finding of information. Okay, so yeah, And
• 4:33
  Speaker 1: I think I saw somebody like on Reddit or on
• 4:36
  Speaker 1: a different site that was an Urban dictionary say that
• 4:38
  Speaker 1: it was a you know, uh, combination of the words
• 4:42
  Speaker 1: information and pornography, so I guess I don't know when
• 4:46
  Speaker 1: this word started existing. But besides finding it an urban
• 4:51
  Speaker 1: dictionary in a couple other places, most of the search
• 4:54
  Speaker 1: results that I found when I look this up for
• 4:56
  Speaker 1: for Lane, And that could just be because it's me
• 5:01
  Speaker 1: and it's my Google search, which means most of the
• 5:04
  Speaker 1: things will be anime related if they can be. But
• 5:07
  Speaker 1: I thought it was really interesting that I basically just
• 5:09
  Speaker 1: found Lane episode eleven stuff. So yeah, so now you know,
• 5:16
  Speaker 1: I guess, And I actually think now that I know
• 5:19
  Speaker 1: what the title means, because I didn't look it up
• 5:20
  Speaker 1: until just like a minute ago. I think it is
• 5:23
  Speaker 1: an okay title for this episode. Not great, but pretty okay.
• 5:27
  Speaker 1: So I'm gonna give it to them anyway. If you
• 5:30
  Speaker 1: remember from last week, Lane was hanging out with God
• 5:33
  Speaker 1: in the middle of the street and God was being
• 5:35
  Speaker 1: like real creepy and saying that Lane should like love
• 5:38
  Speaker 1: him and that he loved her and that she basically
• 5:41
  Speaker 1: wasn't real and she was saying that's a lie and
• 5:44
  Speaker 1: all the stuff, and then she made all the wires
• 5:46
  Speaker 1: come down and they like went around her on the ground,
• 5:48
  Speaker 1: all like writhing and electricy stuffing, which is really dangerous
• 5:54
  Speaker 1: because they're high voltage lines and they can kill you,
• 5:57
  Speaker 1: so we don't start there. Thanks so much, Lunch. I
• 6:01
  Speaker 1: kind of wanted to know how that ended up, Like
• 6:04
  Speaker 1: I guess, I mean, the thing to do is if
• 6:06
  Speaker 1: there's like power lines all over the ground, you probably
• 6:08
  Speaker 1: want to call the cops. You want to call emergency
• 6:10
  Speaker 1: services at least, and like you're electrical company, because they
• 6:14
  Speaker 1: need to turn off the wires so that they can
• 6:16
  Speaker 1: fix them, just in case this ever happens to you
• 6:19
  Speaker 1: where you're standing in the middle street talking to God
• 6:21
  Speaker 1: and then you get real stressed out and you just
• 6:24
  Speaker 1: knock down all the wires around you. Now, this only
• 6:27
  Speaker 1: counts if you aren't somehow like immune to electricity, which
• 6:31
  Speaker 1: she could be. But also it would be nice to
• 6:34
  Speaker 1: let everybody know about it, because you don't want, you know,
• 6:36
  Speaker 1: someone coming out of their house and walking into like
• 6:39
  Speaker 1: a charged electrical area. That would be bad too. But
• 6:42
  Speaker 1: it is on the ground, so maybe all the electricity
• 6:45
  Speaker 1: is going in the ground. Okay, that's enough. That's enough, Michelle.
• 6:48
  Speaker 1: I don't even know what I'm saying. Anyway, I wanted
• 6:51
  Speaker 1: to know what was gonna happen with that, and now
• 6:52
  Speaker 1: I don't know, and I probably won't ever know. We
• 6:55
  Speaker 1: start the episode with the normal stuff we start with
• 6:58
  Speaker 1: every time, including present day, present time, and then like
• 7:02
  Speaker 1: seven laughs. I can't laugh today. It would be too disingenuous,
• 7:08
  Speaker 1: so I'm not going to. And then we know the
• 7:11
  Speaker 1: opening theme. Back from the opening theme, things get a
• 7:15
  Speaker 1: little different. Normally we have all that normal shit. It's
• 7:18
  Speaker 1: not quite like that this time. I mean it is,
• 7:21
  Speaker 1: but we have things interspliced with it. So we have
• 7:24
  Speaker 1: the people like crossing the street with like a green filter.
• 7:27
  Speaker 1: That's totally normal. But then we go to Lane's arm
• 7:30
  Speaker 1: with like a wire wrapping around it, Like it looks
• 7:32
  Speaker 1: like the wire itself is wrapping itself around her arm.
• 7:35
  Speaker 1: I don't see any thing, like, I don't see your
• 7:38
  Speaker 1: other hand, you know, physically doing it or anything. It
• 7:42
  Speaker 1: just looks like the wire is doing it itself, which
• 7:44
  Speaker 1: is a little weird. Then we see that red crosswalk
• 7:48
  Speaker 1: light that we always see, and then we see a
• 7:51
  Speaker 1: wire like kind of by Lane's hair. Maybe it's kind
• 7:54
  Speaker 1: of a weird shot. I wasn't really sure what's happening here.
• 7:57
  Speaker 1: And then we cut to a very close up shot
• 7:59
  Speaker 1: of like a lot of code on I guess Nabb's screen.
• 8:02
  Speaker 1: It's like scrolling very quickly. I think it's code, I'm
• 8:04
  Speaker 1: not really sure. Then we see kind of a normal
• 8:07
  Speaker 1: city shot that we always see, and then we cut
• 8:10
  Speaker 1: to Lane's hands as she's like holding wires and like
• 8:13
  Speaker 1: connecting them, you know, putting a male and female connector
• 8:16
  Speaker 1: together or whatever they'll We then see her putting an
• 8:20
  Speaker 1: electrode on her face, and then we go to that
• 8:23
  Speaker 1: building where we're looking up at it with the fast
• 8:26
  Speaker 1: moving dark clouds that we always see here, and we
• 8:29
  Speaker 1: go to the title card, which is really different this time.
• 8:32
  Speaker 1: So it says Infornography Layer eleven, but it's on a
• 8:37
  Speaker 1: black screen instead of kind of a blue one, and
• 8:41
  Speaker 1: it does somewhere say make me feel make me sad
• 8:43
  Speaker 1: in it, but I can't remember where that was, but
• 8:44
  Speaker 1: it was somewhere weird and different. But so there's a
• 8:48
  Speaker 1: black screen and then a bunch of little blue screens
• 8:50
  Speaker 1: kind of pop up kind of in the middle, kind
• 8:52
  Speaker 1: of like in a cross shape because we're just trying
• 8:54
  Speaker 1: to fit them all in here. But each screen is
• 8:56
  Speaker 1: a title card from one of the previous episodes, and
• 8:59
  Speaker 1: for some reason, Episode seven which is Society is repeated twice,
• 9:03
  Speaker 1: I think because for whatever reason, like it, it just
• 9:06
  Speaker 1: wouldn't make the shape without doubling one of them, so
• 9:10
  Speaker 1: not that. And then in each corner it's still black
• 9:14
  Speaker 1: and it has the first episode title card, which is
• 9:17
  Speaker 1: layer zero one weird with red fonts on the black screen.
• 9:22
  Speaker 1: So this was kind of cool. It was like kind
• 9:24
  Speaker 1: of interesting to see, like the kind of changes in
• 9:27
  Speaker 1: the beginning. I liked it. Anyway, we see Lane's house.
• 9:32
  Speaker 1: We are kind of looking up at it from like
• 9:34
  Speaker 1: close by on the ground. It kind of looks like
• 9:37
  Speaker 1: and there are two very brightly lit windows. One of
• 9:40
  Speaker 1: them is the bay window in Lane's room. I don't
• 9:42
  Speaker 1: know what the other one is. I don't know if
• 9:43
  Speaker 1: that's another window in her room. It's like right next
• 9:45
  Speaker 1: to it, so whatever. But they're like really really bright,
• 9:48
  Speaker 1: and it's dark outside, and the sky is kind of
• 9:52
  Speaker 1: like this night dark blue, and there are these red
• 9:55
  Speaker 1: clouds overhead, and of course wires humming as well. We
• 9:58
  Speaker 1: get to the main area, you know, her open living plan, kitchen,
• 10:03
  Speaker 1: dining room, living room, and we're looking at it from
• 10:06
  Speaker 1: the kitchen, kind of pulling back kind of into the
• 10:09
  Speaker 1: kitchen and there's this humming in the background that's not
• 10:12
  Speaker 1: the wires, but it's like not a humming we're used to.
• 10:15
  Speaker 1: And on the right side of the screen there's like
• 10:17
  Speaker 1: a light like we can see light kind of pushing
• 10:19
  Speaker 1: into the frame, but we can't see the light source,
• 10:21
  Speaker 1: and I was like, what the fuck is that. We
• 10:23
  Speaker 1: finally pull back enough to see that we're looking out
• 10:25
  Speaker 1: from inside the refrigerator, which I thought was really really cool.
• 10:29
  Speaker 1: So the refrigerator's just standing there open, trying to keep
• 10:32
  Speaker 1: itself cool, obviously, and we can see some food that's
• 10:36
  Speaker 1: kind of, you know, like rotting in the refrigerator, Like
• 10:38
  Speaker 1: there's this tomato that looks like it's all like, you know,
• 10:41
  Speaker 1: it's turning brown, partially eaten. And there's kind of the
• 10:44
  Speaker 1: remnants of a brown banana, which didn't need to be
• 10:47
  Speaker 1: in the refrigerator anyway, but I guess it was. Actually
• 10:52
  Speaker 1: bananas can turn like black and brown when they get cold, too,
• 10:56
  Speaker 1: so maybe it's just cold. And then there's also this
• 11:00
  Speaker 1: little can it says haku on it, which I was like,
• 11:03
  Speaker 1: what kind of food is that? I don't know, that's
• 11:05
  Speaker 1: not what a food is called. I think it's a
• 11:08
  Speaker 1: way to say white. I don't know, but there's a
• 11:10
  Speaker 1: little symbol on it that's like pink, and it kind
• 11:13
  Speaker 1: of looks like a you know, upside down hardish and
• 11:16
  Speaker 1: I think maybe it's a peach, because like it's like
• 11:19
  Speaker 1: a little can that's open and it has like a
• 11:21
  Speaker 1: little thing in liquid. So I'm wondering if it's like
• 11:23
  Speaker 1: a can of like white peaches and like a liquid.
• 11:27
  Speaker 1: I don't know if that's true. That's what my brain said,
• 11:30
  Speaker 1: but anyway, this food does not look like it's in
• 11:32
  Speaker 1: good shape anymore, because obviously the refrigerators having trouble cooling
• 11:36
  Speaker 1: itself since it's just standing there open and it is
• 11:39
  Speaker 1: the only light source in the room, which is pretty cool.
• 11:42
  Speaker 1: We go to a white screen now and words are
• 11:46
  Speaker 1: kind of like they're like in place, but they're kind
• 11:48
  Speaker 1: of like morphing slightly, and it says, is it not
• 11:52
  Speaker 1: so suspicious to be called a memory? We cut to
• 11:54
  Speaker 1: the faucet dripping slowly into the sink. We pan down
• 11:59
  Speaker 1: and see that there is an assortment of dirty dishes
• 12:01
  Speaker 1: in it, which is gross. Honestly, I really really don't
• 12:05
  Speaker 1: like dirty dishes. Like I don't know what the hell's
• 12:07
  Speaker 1: wrong with me like I'd eat trash out of a dumpster,
• 12:10
  Speaker 1: but dirty dishes like gross the shit out of me.
• 12:13
  Speaker 1: So now you know. Now we see an open school
• 12:16
  Speaker 1: bag and a black shirt just kind of laying on
• 12:19
  Speaker 1: the floor. Maybe it's like a school shirt, but I
• 12:22
  Speaker 1: wasn't totally shirt. We fade out and we get some
• 12:25
  Speaker 1: like really cool, like guitar driven music here, and this
• 12:29
  Speaker 1: is when I was like, oh shit, it's a recap episode.
• 12:32
  Speaker 1: So we have like, I don't know, eight minutes or
• 12:35
  Speaker 1: so that is basically just like this really remixy recap.
• 12:41
  Speaker 1: There's almost no dialogue or anything. It's just images from
• 12:45
  Speaker 1: the show with again this kind of this like really
• 12:48
  Speaker 1: rock guitar driven music over it, and like weird filters
• 12:53
  Speaker 1: and things fading in and out like they weren't in
• 12:55
  Speaker 1: the episode. It kind of reminded me of like an
• 12:57
  Speaker 1: anime music video, like somebody was like, let's just make
• 13:01
  Speaker 1: listen to a music video real quick. I actually really
• 13:04
  Speaker 1: really liked it, but it is just recap and the
• 13:09
  Speaker 1: way that it's done, it's not like done in any
• 13:11
  Speaker 1: sort of order. It seemed like it was just like
• 13:14
  Speaker 1: we're just gonna shove these over here. So I feel like,
• 13:16
  Speaker 1: if you were to watch this without watching the show,
• 13:19
  Speaker 1: you wouldn't have any idea what's going on at all,
• 13:22
  Speaker 1: because I didn't. I still don't really have any idea
• 13:25
  Speaker 1: what's going on in the show. But this didn't help.
• 13:28
  Speaker 1: But I liked it. I think as far as recaps go,
• 13:31
  Speaker 1: it was short and it was cool actually, because I
• 13:35
  Speaker 1: do feel like somebody cared a little bit about this
• 13:38
  Speaker 1: and they were like, let's make this interesting. That being said,
• 13:42
  Speaker 1: it makes me go, uh, we didn't have enough content
• 13:45
  Speaker 1: for a full episode. That's weird, but whatever, so we're
• 13:49
  Speaker 1: doing the recap. I'm not gonna go through all of
• 13:51
  Speaker 1: the scenes in the recap and what's going on because
• 13:53
  Speaker 1: I don't even know what they were, so that would
• 13:57
  Speaker 1: make no sense. And I definitely didn't take notes on
• 13:59
  Speaker 1: them because at this point I thought I was going
• 14:01
  Speaker 1: to just transition to episode twelve and be talking to
• 14:05
  Speaker 1: you about that. But then all of a sudden, it
• 14:07
  Speaker 1: wasn't recap anymore, and we got a screen that says
• 14:11
  Speaker 1: in English, Alice love needs you. I don't I mean, okay,
• 14:18
  Speaker 1: I mean if you took out the word love, Alice
• 14:21
  Speaker 1: needs you make sense. So yeah, I don't know, whatever
• 14:25
  Speaker 1: but then we go black, and we fade into like
• 14:29
  Speaker 1: a red sky with black clouds or a black sky
• 14:32
  Speaker 1: with red clouds I wasn't really sure, being reflected in
• 14:35
  Speaker 1: her bay window, which is really kind of cool. And
• 14:37
  Speaker 1: that's when I realized that, like, this was no longer
• 14:40
  Speaker 1: recap because we really haven't seen a lot of red
• 14:42
  Speaker 1: clouds at all. So yeah, so it's being reflected in
• 14:47
  Speaker 1: the bay window, I think. And then we cut to
• 14:49
  Speaker 1: like a really bright light and then to that same
• 14:53
  Speaker 1: shot from earlier in the episode where we're kind of
• 14:56
  Speaker 1: looking up at her house with the you know, the
• 14:59
  Speaker 1: two very brightly lit windows, except now the sky is
• 15:03
  Speaker 1: more kind of red pink, and it looks just really upsetting,
• 15:08
  Speaker 1: like really really foreboding, like things are not going well
• 15:12
  Speaker 1: or they're not going to be going well. We cut
• 15:15
  Speaker 1: to a screen it's just full of blue static, and
• 15:17
  Speaker 1: then to Lane's mouth with that like clip or electrode
• 15:20
  Speaker 1: or whatever attached to her lip. Then back to static.
• 15:23
  Speaker 1: We now see one of her eyes as it opens,
• 15:26
  Speaker 1: and as she reacts to the light, her pupil gets smaller,
• 15:29
  Speaker 1: which I really like that detail. We cut very quickly
• 15:33
  Speaker 1: to the hologram screens moving around her, and then we
• 15:37
  Speaker 1: pan up from the ground on Lane, who is just
• 15:41
  Speaker 1: covered in wires. She's got electrodes on her like on
• 15:46
  Speaker 1: her ankle, her thighs, her arm, her cheeks. Cables are
• 15:50
  Speaker 1: running like into her shirt or nightgown I guess, which
• 15:55
  Speaker 1: I thought was real weird. And she is sitting on
• 15:59
  Speaker 1: the floor and she just looks kind of dazed, just
• 16:02
  Speaker 1: maybe like she's not in this plane of reality. She
• 16:05
  Speaker 1: lays down on the floor. God kind of fades in
• 16:08
  Speaker 1: and hovers near her and says, are you tired. Lane
• 16:12
  Speaker 1: is silent for a second. I am. God's like, You're
• 16:16
  Speaker 1: really incredible, but you may have gone too far. So
• 16:19
  Speaker 1: you loaded an emulator of the knobby into your own
• 16:22
  Speaker 1: brain to see what had happened. What It's dangerous to
• 16:26
  Speaker 1: subject yourself to too much information at your current capacity,
• 16:30
  Speaker 1: you'll certainly overflow. We see coolant in the system and pipes. Lane,
• 16:37
  Speaker 1: who is just kind of looking off into nothing, says,
• 16:40
  Speaker 1: am I a machine? WHOA God just kind of smirks.
• 16:45
  Speaker 1: Lane continues, don't talk to me like I'm a machine. Fuck,
• 16:50
  Speaker 1: I'm not. God's like, I'm sorry, I didn't mean too
• 16:54
  Speaker 1: This is basically a software problem. We're facing Lane. What
• 16:58
  Speaker 1: I've been telling you all this time that you are software,
• 17:01
  Speaker 1: You're not hardware. What Lane's like software? God says, yes,
• 17:09
  Speaker 1: an executable program with a body. Lane shakes her head no,
• 17:13
  Speaker 1: like really weakly, and then kind of partially sits up.
• 17:17
  Speaker 1: She's staring at something, but I don't know what it is,
• 17:21
  Speaker 1: because she's not staring directly at God. She's kind of
• 17:24
  Speaker 1: staring off into the dark, so maybe at the holographic
• 17:27
  Speaker 1: screens or maybe just at the darkness. She lays back down.
• 17:32
  Speaker 1: It fades black. We got to lots of wires humming
• 17:35
  Speaker 1: on a sky that looks like maybe it's sunrise. Lane
• 17:39
  Speaker 1: is walking down the street in her nightgown without shoes,
• 17:43
  Speaker 1: looking at the ground, and the wires are still humming overhead,
• 17:46
  Speaker 1: and she says, be quiet. Then she looks up. Be quiet.
• 17:52
  Speaker 1: She stops walking as she sees something weird, hunched behind
• 17:56
  Speaker 1: a telephone pole. I don't even know how to describe this.
• 17:59
  Speaker 1: It's just this non descript blobby thing. It's kind of
• 18:03
  Speaker 1: like grayish or pinkish or somethingish with friend's blotches. Something.
• 18:08
  Speaker 1: It morphs and kind of stands up almost like a person,
• 18:11
  Speaker 1: but still like a blog and just kind of glides
• 18:15
  Speaker 1: across the streets. As it passes by, it reveals Chisa
• 18:20
  Speaker 1: standing in the middle of the street as well. Lane
• 18:23
  Speaker 1: stares at her. Chisa really isn't looking at Lane though,
• 18:26
  Speaker 1: or I don't really think she's looking at anything. Lane's
• 18:29
  Speaker 1: face softens Chisa she starts to walk towards her. We
• 18:34
  Speaker 1: see just for a little while Lane's first person perspective
• 18:39
  Speaker 1: as she's getting closer to Chisa, and the camera is
• 18:41
  Speaker 1: just kind of swaying awkwardly, and I guess the image
• 18:45
  Speaker 1: is a little stuttered and like it drags a bit,
• 18:50
  Speaker 1: which is a little unnerving. It makes me worried for
• 18:53
  Speaker 1: like Lane's health and stuff. Anyway, Lane stops walking and says, Chisa,
• 18:59
  Speaker 1: we walked home from together one afternoon. Do you remember
• 19:02
  Speaker 1: that Chisa actually looks at her now, Lane continues, I
• 19:06
  Speaker 1: think I understand it all now, I finally understand what
• 19:09
  Speaker 1: you told me. Chisa kind of looks at Lane sadly
• 19:12
  Speaker 1: and says Lane. She closes her eyes and shakes her head.
• 19:17
  Speaker 1: Lane's like, what we hear a guy say, just remember
• 19:20
  Speaker 1: it's easy to die. Lane, Wayne turns her head and
• 19:23
  Speaker 1: we see a guy in the street behind her, wearing
• 19:27
  Speaker 1: like all black and holding what I thought was a
• 19:30
  Speaker 1: red lightsaber. I don't know, man, this could have been
• 19:33
  Speaker 1: done better, he continues, isn't that right? I see now
• 19:37
  Speaker 1: that it is a gun, not a lightsaber. It's a
• 19:39
  Speaker 1: gun with a laser sight, which tells me that this
• 19:42
  Speaker 1: is the dude who killed himself in Siberia, probably especially
• 19:46
  Speaker 1: now because we have a shot of the Assella drug,
• 19:48
  Speaker 1: which we haven't even talked about since episode two, which
• 19:51
  Speaker 1: is kind of like a wasted like plotline, honestly. We then,
• 19:55
  Speaker 1: after seeing the Aessella drug, get a flashback to that guy.
• 20:00
  Speaker 1: He's like freaking out right before he kills himself. She
• 20:03
  Speaker 1: say says, that's not true. There's nothing easy about dying.
• 20:07
  Speaker 1: There never is. Lane turns back to Chisa. What the
• 20:14
  Speaker 1: guy's like? What are you talking about? He smirks and
• 20:18
  Speaker 1: steps more into the light. Lane, you already have something
• 20:21
  Speaker 1: that'll let you do it? What? Lane turns to face
• 20:25
  Speaker 1: him again. What. She looks down at her hand and
• 20:28
  Speaker 1: realizes she's holding the gun now. She you know, kind
• 20:33
  Speaker 1: of raises it a little, like just looking at it,
• 20:35
  Speaker 1: trying to figure it out. The guy continues, I've already
• 20:39
  Speaker 1: taken the safety off. The trigger is kind of heavy,
• 20:42
  Speaker 1: so you cradle it with both hands and pull it
• 20:45
  Speaker 1: with your thumb. A girl just isn't strong enough, Okay.
• 20:48
  Speaker 1: So when he said that, I was just like, what
• 20:50
  Speaker 1: the fuck? What do you mean pull it with your thumb?
• 20:53
  Speaker 1: And then I remember that if you are turning the
• 20:55
  Speaker 1: gun towards yourself, you would have to pull the trigger
• 20:57
  Speaker 1: with your thumb, So yay, I guess. Lane flips the
• 21:02
  Speaker 1: gun around like at her face to just kind of
• 21:06
  Speaker 1: look at it like blankly. We see the point of
• 21:09
  Speaker 1: the laser sight like hitting her forehead, and the guy says,
• 21:13
  Speaker 1: what you still want to stay in the real world.
• 21:16
  Speaker 1: You get like a really weird close shot, kind of
• 21:19
  Speaker 1: fish eye shot of him, and he just looks like
• 21:21
  Speaker 1: really not nice. He continues, Hey, now that's not fair.
• 21:26
  Speaker 1: You're the one who called me here. Remember we cut
• 21:29
  Speaker 1: to a close up of Lane. The laser light is
• 21:31
  Speaker 1: kind of moving across her face. I'm gonna just assume
• 21:34
  Speaker 1: that her hand is shaking and that's what's happening, because
• 21:37
  Speaker 1: otherwise it doesn't make sense that it's moving. And Lane says,
• 21:41
  Speaker 1: but I never called you guys, like bodies are totally meaningless.
• 21:47
  Speaker 1: Lane says, you're wrong. We hear a woman say Lane.
• 21:52
  Speaker 1: Lane's like, huh. She looks up and then gasps. The
• 21:57
  Speaker 1: entire scene has changed, and now she's just in this
• 22:00
  Speaker 1: low area between like really high mounds of dirt or
• 22:04
  Speaker 1: rock on either side of her. I don't know what
• 22:07
  Speaker 1: that is, if it's rocks or dirt or something, but
• 22:09
  Speaker 1: it's just kind of like a weird area. It looks
• 22:11
  Speaker 1: really desolate, and there are these large, I don't know,
• 22:16
  Speaker 1: towers or something looming in the distance. They kind of
• 22:19
  Speaker 1: look like chess pieces to me, but I don't think
• 22:21
  Speaker 1: that's what it's supposed to be. And then, of course
• 22:23
  Speaker 1: we have telephone poles and wires sparking with electricity and
• 22:27
  Speaker 1: just kind of like orbs of light drifting through the air.
• 22:31
  Speaker 1: It looks kind of like post apocalyptic. Honestly, Lane's like,
• 22:36
  Speaker 1: what is this? I don't know. We cut to an
• 22:39
  Speaker 1: apartment building that's in silhouette, with the exception of some
• 22:43
  Speaker 1: of the windows, which are lit up night. Of course,
• 22:47
  Speaker 1: we focus in on a glowing bay window and we
• 22:50
  Speaker 1: hear Judy say, think it over. I thought maybe we
• 22:53
  Speaker 1: could mean after school and I could introduce the two
• 22:55
  Speaker 1: of you. We see Judy with her hair down, hugging
• 22:59
  Speaker 1: a pillow. It looks like she's on a screen. She continues,
• 23:02
  Speaker 1: I promise you won't be sorry. This guy's pretty cute.
• 23:06
  Speaker 1: She kind of looks away and scratches her nose. There's
• 23:08
  Speaker 1: all these rumors going around about you and that teacher.
• 23:11
  Speaker 1: We see Alice now, who does not look like she's
• 23:13
  Speaker 1: on a screen. So I'm guessing this is like a
• 23:15
  Speaker 1: video call or something, and Judy continues, I think if
• 23:18
  Speaker 1: you get a boyfriend, everyone will finally know that they're
• 23:20
  Speaker 1: not true. We see now that Alice is sitting on
• 23:23
  Speaker 1: the floor like at a small table with a computer
• 23:27
  Speaker 1: on it that's like white and teal It looks kind
• 23:28
  Speaker 1: of like a Mac. It's kind of the first computer
• 23:30
  Speaker 1: I've seen it in a while in this show that
• 23:32
  Speaker 1: just looked like maybe it's a computer. Judy continues, do
• 23:35
  Speaker 1: you get what I mean? See you tomorrow. We'll talk
• 23:37
  Speaker 1: about it then bye. Alice leans back against her bed.
• 23:43
  Speaker 1: She looks real worried, and she sighs and she thinks
• 23:46
  Speaker 1: it's not a lie. We hear the door open. Alice
• 23:50
  Speaker 1: looks up and gasps. Her eyes are super wide and
• 23:53
  Speaker 1: there is someone standing outside of her door. The door
• 23:56
  Speaker 1: is partially open. The person's kind of clinging to the
• 23:58
  Speaker 1: back of the door, the short, dark hair, and they're
• 24:01
  Speaker 1: wearing what I thought was a black shirt, but it's not.
• 24:03
  Speaker 1: It's a shirt with red and green sleeves, like that
• 24:06
  Speaker 1: Alien did a couple episodes ago, or maybe last episode,
• 24:10
  Speaker 1: I can't remember. Alice is like, who's there? We now
• 24:15
  Speaker 1: see the person's foot. It's just kind of this nondescript
• 24:19
  Speaker 1: gray thing. It doesn't have pants or toes or really
• 24:23
  Speaker 1: any definition. And an arm kind of leans in a
• 24:26
  Speaker 1: little and the hand looks very alien. It's gray, it's
• 24:30
  Speaker 1: abnormally large, and Alice is like, who's there. We can
• 24:35
  Speaker 1: now see half of the face leaning around the door,
• 24:38
  Speaker 1: and it's Lane. She leans in further so we get
• 24:42
  Speaker 1: a really good look at her. Alice gasps. They just
• 24:46
  Speaker 1: kind of stare at each other, and Alice is like, Lane, Lane,
• 24:50
  Speaker 1: who is basically Lane's head on a little alien body
• 24:55
  Speaker 1: sort of kind of just kind of stands there, and
• 25:00
  Speaker 1: Alice is like, what happened to you? Heira? Lane cuts
• 25:05
  Speaker 1: her off and says it wasn't me, believe me. Alice
• 25:10
  Speaker 1: is like, what Lane says, you've got up. Believe me, Alice,
• 25:14
  Speaker 1: I never peaked at your secrets. I'd never do something
• 25:17
  Speaker 1: like that, And it wasn't me who put those secrets
• 25:19
  Speaker 1: on the wire. Alice stands up or sits on her bed.
• 25:22
  Speaker 1: I'm not sure, Lane continues, I had nothing to do
• 25:25
  Speaker 1: with it, I swear. Alice kind of gulps and says,
• 25:30
  Speaker 1: I don't know how you can stand there and lie
• 25:32
  Speaker 1: to me like that it was you. I saw you.
• 25:36
  Speaker 1: Lane's like, the person you saw isn't me. It looks
• 25:40
  Speaker 1: like I'm not the only me out there. I guess
• 25:43
  Speaker 1: some other me must have done it. Alice looks kind
• 25:47
  Speaker 1: of freaked out. Yeah, rightfully so, and is like, what
• 25:50
  Speaker 1: are you trying to say? Lane says you might not
• 25:53
  Speaker 1: be the only Alice out there either. What Alice gasps.
• 25:58
  Speaker 1: Lane's like, anyway, no matter how often I say I
• 26:02
  Speaker 1: didn't do it, you're still going to believe I did.
• 26:04
  Speaker 1: So instead, I'll make it so it never really happened.
• 26:08
  Speaker 1: I've been working practically day and night to be able
• 26:11
  Speaker 1: to do just that. Seriously, that's what you've been doing.
• 26:15
  Speaker 1: What the fuck? Alice, who is now sitting on her bed, says,
• 26:18
  Speaker 1: what are you talking about Lane's like, I don't need
• 26:22
  Speaker 1: any devices anymore. It looks like I've already destroyed the
• 26:24
  Speaker 1: border between the real world and the wired. What I
• 26:27
  Speaker 1: mean is I can go absolutely anywhere I want to now.
• 26:30
  Speaker 1: So I came right over here, you see. I wanted
• 26:33
  Speaker 1: you to know I can do some things that never
• 26:35
  Speaker 1: should have happened, Alice says Laane. Laane kind of inches
• 26:41
  Speaker 1: back behind the door slightly, and we cut to Alice,
• 26:44
  Speaker 1: who looks like she's gonna cry, and then back to
• 26:46
  Speaker 1: the door and Lane's gone. Alice just kind of slumps
• 26:50
  Speaker 1: over and sobs. We watch his tears fall onto her
• 26:54
  Speaker 1: legs and hands. She says, I'm scared, Please help me
• 27:00
  Speaker 1: scared and continues to cry as we fade out fuck.
• 27:06
  Speaker 1: We cut to white really quickly, and then wires fade
• 27:09
  Speaker 1: in over the white. Alice is walking with her eyes closed.
• 27:13
  Speaker 1: She's just bathed in bright light around her, and then
• 27:16
  Speaker 1: we see the silhouettes of Judy and Raga like move
• 27:19
  Speaker 1: into frame and Raka says Alice and Judy's like, good morning, Alice.
• 27:24
  Speaker 1: We see a close up of Alice looking really upset,
• 27:27
  Speaker 1: and then we see that they're just like right outside
• 27:28
  Speaker 1: of the school, and Alice says, ugh, good morning. Rake
• 27:33
  Speaker 1: is like, what's up, Alice. They all start to walk,
• 27:37
  Speaker 1: but then they stop walking, and Judy says, you seem
• 27:40
  Speaker 1: so depressed. Is it that time of the month. Rake
• 27:43
  Speaker 1: is like, hey, ever hear tacked. Judy's like, just kidding.
• 27:48
  Speaker 1: I have no idea if that's really what they said.
• 27:50
  Speaker 1: That was weird anyway, Alice says Judy, I don't think
• 27:55
  Speaker 1: I can go through with it today. Is that okay?
• 27:58
  Speaker 1: Judy's like, huh go through with what? Alice says, didn't
• 28:03
  Speaker 1: you send me a c email yesterday? Judy's like, huh no.
• 28:09
  Speaker 1: Raga says, you're really acting strange today. Alice looks to
• 28:13
  Speaker 1: the side and she sees that teacher talking to the
• 28:17
  Speaker 1: dude at like that little guard booth station. He's like
• 28:20
  Speaker 1: outside of his car, like standing next to it, you know,
• 28:22
  Speaker 1: talking to the guy like I just said. And Raca's like, hey, Alice.
• 28:26
  Speaker 1: Judy says, hmmm, oh that teacher, he sure is hot.
• 28:31
  Speaker 1: Rake is like right, but the rumor is he's dating
• 28:34
  Speaker 1: an eighth grader. What I still haven't figured out who
• 28:37
  Speaker 1: it is though. Excuse me what? Judy's like, really, that's
• 28:42
  Speaker 1: gross it is, Judy, he's an adult and eighth graders
• 28:46
  Speaker 1: are like thirteen or something. Alice gasps and is like, uh, listen.
• 28:52
  Speaker 1: Judy and Rake a turn and both say hmm, what
• 28:54
  Speaker 1: is it. At the same time, Alice continues about that
• 28:57
  Speaker 1: teacher and me there's something. They're both like huh, and
• 29:01
  Speaker 1: Raka says, what do you mean? Is there something going
• 29:04
  Speaker 1: on between the two of you. Judy's like, you're not
• 29:08
  Speaker 1: about to say you like him or something. Mega says, sorry, Alice,
• 29:12
  Speaker 1: I think you're too late. Jerry's like, yeah, like we said,
• 29:15
  Speaker 1: he's already got a girlfriend in eighth grade, guys. Alice
• 29:21
  Speaker 1: looks down. I'm sure she's confused, but I am more
• 29:25
  Speaker 1: confused about this eighth grade thing. Raga says, that's not
• 29:29
  Speaker 1: like you, Alice. Jerdy's like, for real, she's acting so
• 29:32
  Speaker 1: strange today. Alice's eyes widened, like she just finally got
• 29:37
  Speaker 1: what's happening, and she turns around, and Judy and Rayka
• 29:42
  Speaker 1: just kind of fade out, and we cut to Alice's
• 29:45
  Speaker 1: hands holding her bag and like shaking, and then to
• 29:48
  Speaker 1: her knees which are also shaking, and then to Alice
• 29:51
  Speaker 1: staring there's not a lot of animation in the scene,
• 29:54
  Speaker 1: just parts of bodies. We finally see what Alice is
• 29:57
  Speaker 1: staring at Laane is just kind of standing there a
• 30:00
  Speaker 1: little bit of way in the whites with her long
• 30:03
  Speaker 1: blotchy red shadow. Alice just kind of stares at her,
• 30:06
  Speaker 1: and then suddenly the background in Judy and Raka like
• 30:09
  Speaker 1: pop back in and Judy's like, oh, good morning, Lane,
• 30:12
  Speaker 1: and she waves, and Raka says, hurry up, will you.
• 30:16
  Speaker 1: Jerry's like, come on, come on join us, Lane, Vega
• 30:18
  Speaker 1: says Lane. Alice turns and looks at Lane again, and
• 30:23
  Speaker 1: Lane is kind of blurrier than usual, like she's got
• 30:25
  Speaker 1: one of those soft filters on her that I think
• 30:28
  Speaker 1: they used to do, like back in earlier live action TV.
• 30:32
  Speaker 1: You know, when you want to make a like a
• 30:34
  Speaker 1: woman look like she doesn't have like wrinkles or blemishes,
• 30:37
  Speaker 1: so you use that kind of like soft filter. I
• 30:39
  Speaker 1: don't know how to describe it. I hope you know
• 30:41
  Speaker 1: what I mean. Anyway, Alice, who looks very clearly freaked out,
• 30:45
  Speaker 1: thinks Lane you and then Lane smiles in a way
• 30:49
  Speaker 1: that I'm sure was supposed to look genuine, but really
• 30:54
  Speaker 1: freaked me out because her face just looks kind of contorted,
• 30:58
  Speaker 1: and Alice thinks, Lane, you smiled what to be continued
• 31:05
  Speaker 1: and then me go to the ending theme and that's
• 31:07
  Speaker 1: its yay, okay, closing thoughts. I don't even know what
• 31:13
  Speaker 1: any of that was. So we have a lot of
• 31:15
  Speaker 1: stuff that you know, wasn't that important, like just tons
• 31:17
  Speaker 1: and tons of recap. But the stuff that we did
• 31:21
  Speaker 1: get was super weird. So what the fuck? What is happening?
• 31:26
  Speaker 1: This invalidates like a lot of episodes, right because I
• 31:30
  Speaker 1: thought that Lane fixed this already. There was a whole
• 31:33
  Speaker 1: thing and I talked about it at the end of
• 31:34
  Speaker 1: the episode where she goes to school and nobody remembers
• 31:38
  Speaker 1: but then like they like want to be your friends still,
• 31:40
  Speaker 1: but she's like not really her and she feels like
• 31:43
  Speaker 1: she's just watching herself and this whole thing, and I
• 31:45
  Speaker 1: like over analyzed the shit out of it. Did none
• 31:49
  Speaker 1: of that happen? Was that just in her head? Was
• 31:51
  Speaker 1: that a scenario she was running through in the wired Like,
• 31:56
  Speaker 1: I think this is really interesting, but I feel like
• 32:00
  Speaker 1: for me, I mean, I'm not even sure what's happening,
• 32:02
  Speaker 1: but I feel like a definite flaw is that if
• 32:06
  Speaker 1: this is the real whatever's happening now. I would have
• 32:09
  Speaker 1: liked to see Lane trying more to, you know, fix
• 32:13
  Speaker 1: what happened with Alice. I would have liked to see
• 32:15
  Speaker 1: that as a bigger through plot line because I think
• 32:18
  Speaker 1: that that's interesting and it's just weird that we went
• 32:21
  Speaker 1: from like this thing happened, I thought we fixed it,
• 32:23
  Speaker 1: and then a few episodes later it's like I've been
• 32:25
  Speaker 1: trying to fix it all this time. It's like I
• 32:27
  Speaker 1: didn't know that Lane. How would I have known that?
• 32:31
  Speaker 1: But I have so many questions, like what is the timeline,
• 32:37
  Speaker 1: because like so assuming that that whole thing with her
• 32:42
  Speaker 1: fixing things in the past a couple of episodes ago
• 32:45
  Speaker 1: never happened, and I was all, just I don't know,
• 32:48
  Speaker 1: like how much of anything that's happening is happening outside
• 32:51
  Speaker 1: of the wired Like I think that the stuff with
• 32:53
  Speaker 1: Alice is real, because in these moments where we were
• 32:57
  Speaker 1: focusing on Alice, I felt like Lane was a side character.
• 33:01
  Speaker 1: I felt like I was seeing things that were specific
• 33:04
  Speaker 1: to Alice's point of view, So I don't think that
• 33:07
  Speaker 1: they're like in Lane's head. But I wonder how much
• 33:10
  Speaker 1: of the rest of it is. I wonder if, like
• 33:14
  Speaker 1: any of this is real? I mean, I think the
• 33:18
  Speaker 1: her going into the Internet and putting wires all over
• 33:20
  Speaker 1: herself is probably real. She's probably like alone in her
• 33:24
  Speaker 1: house on her floor, like hopefully not dying. I don't
• 33:27
  Speaker 1: know if she's eating or drinking, but like any of
• 33:30
  Speaker 1: the times we see her outside or interacting with people, like,
• 33:33
  Speaker 1: I'm not sure any of this is real? Is Siberia real? Like?
• 33:40
  Speaker 1: Is like what is real? I'm sure the thing that
• 33:44
  Speaker 1: happened with the dude who killed himself and she's wasn't real.
• 33:48
  Speaker 1: And it just keeps like jumping all over the place.
• 33:50
  Speaker 1: So I just don't know. And I'm also it's like,
• 33:53
  Speaker 1: maybe this isn't a linear timeline, Like maybe some of
• 33:56
  Speaker 1: the stuff we're seeing happened earlier than we think it'd
• 34:00
  Speaker 1: Maybe this thing that went on just now with Alice
• 34:03
  Speaker 1: happened several episodes ago. I don't know. I really don't know.
• 34:08
  Speaker 1: All I know is Lane is inserting herself into the
• 34:11
  Speaker 1: wired and potentially changing things. But I'm not even really
• 34:14
  Speaker 1: sure now if she is or if this is all
• 34:17
  Speaker 1: in her mind sort of, but I don't know. I
• 34:25
  Speaker 1: felt like I was getting somewhere like with understanding the
• 34:29
  Speaker 1: message or the goal of things, And this episode just
• 34:32
  Speaker 1: made me go, like, what what do you mean the
• 34:36
  Speaker 1: alien thing? I'm not sure about that. I mean, it's
• 34:39
  Speaker 1: obviously just the way Lane could present herself, her wired
• 34:43
  Speaker 1: self to Alice in the real world. But then it's like,
• 34:48
  Speaker 1: why didn't she just go to Alice's house in the
• 34:51
  Speaker 1: real world and tell her because it's not like they
• 34:56
  Speaker 1: have forgotten that Lane exists or something. I mean, Alice
• 34:59
  Speaker 1: knew immediately who Lane was and what she may or
• 35:03
  Speaker 1: may not have done, So why is she relying on
• 35:06
  Speaker 1: the wired for things like that? I mean, it's also possible,
• 35:09
  Speaker 1: like I was just saying, she's so weak that like
• 35:11
  Speaker 1: she's just using the wired because she can't fucking walk anymore.
• 35:15
  Speaker 1: But yeah, this is a mess. Besides just the normal
• 35:18
  Speaker 1: like Plotliny things that are happening that I don't understand.
• 35:22
  Speaker 1: I think that Lane's desire to hold on to who
• 35:24
  Speaker 1: she is is really cool. I really like that she's
• 35:29
  Speaker 1: refusing to be an object. I like that a lot. Again,
• 35:34
  Speaker 1: I'm not sure that that means that she isn't one,
• 35:36
  Speaker 1: but I like that she refuses to be treated as
• 35:38
  Speaker 1: a thing. That's honestly makes me just like love her
• 35:43
  Speaker 1: as a character, even though I'm not really sure what's
• 35:46
  Speaker 1: going on with her or ever. But yeah, I don't
• 35:49
  Speaker 1: know where we're even heading right now. Was the alien
• 35:54
  Speaker 1: in the doorway that one time? Last episode of the
• 35:57
  Speaker 1: episode before was that Lane was Lane? What is what's happening?
• 36:02
  Speaker 1: I don't know? But yeah, as I just said, I now,
• 36:05
  Speaker 1: I'm just kind of like, I don't know, guys, I
• 36:08
  Speaker 1: don't know where this is going. I don't know why
• 36:11
  Speaker 1: the timeline changed, because it seems like it just changed.
• 36:14
  Speaker 1: It seems like it keeps changing unless a lot of
• 36:17
  Speaker 1: this is laying trying to fix things and failing and
• 36:20
  Speaker 1: then resetting. But I don't know. We haven't established that
• 36:24
  Speaker 1: this is time travel or anything, so I don't know. Yeah,
• 36:30
  Speaker 1: I don't know, Like, did you guys get anything out
• 36:33
  Speaker 1: of that? Did you get anything out of what I
• 36:35
  Speaker 1: just said, because I don't know if I did, so
• 36:40
  Speaker 1: I hope that you did, because that's really all I
• 36:42
  Speaker 1: have today. There wasn't that much content, so we have
• 36:46
  Speaker 1: like two more episodes to figure out what the fuck
• 36:48
  Speaker 1: is going on. And I feel like by the end
• 36:52
  Speaker 1: I understood last time, But what if I don't this time?
• 36:56
  Speaker 1: What if you also don't or what if you understand?
• 36:59
  Speaker 1: But I understand, and then I feel stupid. I guess
• 37:03
  Speaker 1: we're gonna see but yeah, I mean that's honestly, that's
• 37:09
  Speaker 1: really all I got. So I still don't know what
• 37:12
  Speaker 1: I'm doing after this. I still don't know if I'm
• 37:13
  Speaker 1: taking a break after this. I still don't know anything,
• 37:17
  Speaker 1: but I'm gonna go and try to figure out everything,
• 37:20
  Speaker 1: including what happened in this episode, which I was trying
• 37:23
  Speaker 1: to do yesterday too, and I didn't really get anywhere.
• 37:27
  Speaker 1: So I hope you have a really good whatever, and
• 37:32
  Speaker 1: you know I will gonna see you next week if
• 37:34
  Speaker 1: you come back, because I get if you don't, because
• 37:38
  Speaker 1: you were just like, wow, she doesn't understand Lane, I
• 37:41
  Speaker 1: get it. I have failed you. But anyway, yeah later
• 37:46
  Speaker 1: weeps