Latest / Dj Marcus Williams / iHeartSoca Vol. 11 (Up De Islands Music) - Various Artists Mixed By Marcus Williams

Transcript

iHeartSoca Vol. 11 (Up De Islands Music) - Various Artists Mixed By Marcus Williams · Dj Marcus Williams

• 2:05
  SPEAKER_02: Flashlight in a hunter.
• 2:06
  SPEAKER_02: Spot the check one.
• 2:07
  SPEAKER_02: I say moreybody junk already.
• 2:09
  SPEAKER_02: One pick up me, rubber headed.
• 2:11
  SPEAKER_02: Get a head in jail.
• 2:14
  SPEAKER_02: Determine to mash up it.
• 2:16
  SPEAKER_02: I don't care about anybody.
• 2:17
  SPEAKER_02: I windy no catty catty.
• 2:18
  SPEAKER_02: When you see me better leave me, I jack it up and I leave it.
• 2:21
  SPEAKER_02: I leave it up and I jack it.
• 2:23
  unknown: I put it in the fan brackets.
• 2:27
  unknown: Like Bojo Bantan.
• 2:28
  unknown: Real, real mad man.
• 2:30
  SPEAKER_26: Like Bojo Bantan.
• 2:31
  SPEAKER_26: Walk inside a body.
• 2:32
  SPEAKER_26: Do it through like Bojo Bantan.
• 2:34
  SPEAKER_26: I'll win car on man with the lantern.
• 2:37
  SPEAKER_26: I feel like Bojo Bantan.
• 2:39
  SPEAKER_26: Rolling up a fat one.
• 2:40
  SPEAKER_17: Chillin with my friends and light it up in front of the cup van.
• 2:43
  SPEAKER_17: Someone's coming for you, putting all who have a fat one.
• 2:46
  SPEAKER_17: Even if I fan, and I go file inside a mask, but I wanna dump up on it, on it, on it.
• 2:54
  SPEAKER_17: I wanna drop up on it, on it, on it.
• 2:57
  SPEAKER_00: I wanna tap up on it, on it, on the I feel a vibe, I feel the energy, there's so alive.
• 3:06
  SPEAKER_00: When you were so close to me, and every time you take me to ecstasy, you give me the dump on you, jump on a wave on you, jump on up, take off all make both and exposed on you.
• 3:19
  SPEAKER_17: I wanna wind on you, jump in a wall on you, all of that just can't give you one.
• 3:25
  SPEAKER_17: I fall in love with the roll, you won't, you won't jump in up on the road, you won't, you won't walk in up on the road, you won't, you won't go in love with the roll, you won't, you roll, just I'm jump up on it, I don't, on it, just I don't dump up on it, on it, on it, I want them jumping on it, on it, on it, I want to walk up on it, on it, on it, I'm gonna, I don't, on it, this I don't, on it, on it, I want them jump on it, on it, on it, I want to walk up on it, on it for your son Yo all side, simple gram.
• 4:09
  SPEAKER_21: Somebody call my mother, hey, somebody call my mother for me, call my mother for me, call my mother for me, my head bad, hey, somebody call my mother for me, call my mother for me, call my mother for me, my head bad, hey Miss Rebecca, Miss Rebecca, your son give it to the road, Missuletta, Miss Suletta, you're not my head by the road, Miss Susetta, Miss Susetta, your son give it to Blaywood, Miss Coletta, Miss Coletta, Marshall, just kidding, because when we roll, we don't roll alone.
• 4:45
  SPEAKER_16: So, anyway, that we go, you'll feel I'm moving up with me, Fama Lele, lele, lay with me, Fama Lele, lele, lay.
• 4:54
  SPEAKER_17: When we come to play, lele, lele, la, la, la, la, la, la, la, le, we march up front, call up, we like colour.
• 5:01
  SPEAKER_17: Drop it up together, drop it up together, get up, march it up together, march it up together, get up, waving up together, waving up together, get up, drop it up together.
• 5:13
  SPEAKER_17: We don't see skin, we don't see color, we see strength, we see strength, we see power, we see, we don't see race, one or the other.
• 5:22
  SPEAKER_17: Once he is breeding on this up, she is my brother.
• 5:25
  SPEAKER_17: Well, even if we fall out, Rajin, we go all out.
• 5:28
  SPEAKER_17: We will never was the family, then fall us crawl out.
• 5:31
  SPEAKER_17: Everywhere we crawl out, we ready to brawl out.
• 5:34
  SPEAKER_17: Fire burner friend is family, we both jumping with peace.
• 5:38
  SPEAKER_17: Family, lele, lal-le-le-le-le-family, lele, lele, lal, lele, lele, lele, lele, lele, lele, l'ale.
• 5:47
  unknown: We rush up front, and no goals, we like that.
• 5:51
  SPEAKER_17: Chopping up together, chopping up together, get up, rushing up together, washing up together, gather, waving up together, waving up together, get up, chopping up together.
• 6:04
  SPEAKER_20: Tell them we say us forever.
• 6:07
  SPEAKER_20: And we will never retire.
• 6:09
  SPEAKER_20: Oh no.
• 6:11
  SPEAKER_20: Tell them that's any where we pass.
• 6:13
  SPEAKER_20: It's right, though.
• 6:14
  SPEAKER_20: Everybody's not to join.
• 6:16
  SPEAKER_13: Trap pooh, I'm sure fast.
• 6:27
  SPEAKER_13: We're gonna mash it up, we're gonna mash it down, I'm ripping up, we gon' tear it, don't get, yeah, yeah, yeah.
• 6:33
  SPEAKER_13: We gon' shell it up, we gon' shell it don't want it, we're gonna bump it, don't get, yeah, yeah.
• 6:38
  SPEAKER_01: We both don't tell it we that team, that team, that team, that team, that team, that team, that team, that team, that team, that team, that team, that's the we are too, I think, some violent grass, it's a grass, everybody.
• 7:25
  SPEAKER_17: If you're coming down from the mountain, when you beat it and go, you've been jumping on, it's a violent grass, it's a violent grass, you would see all the When the people say they can't play.
• 7:45
  SPEAKER_17: We come in wrong, we some violent grass, we some violent glass We all let it go, yeah.
• 7:53
  SPEAKER_17: We all did it come, we all find it so it's a bad two money, do they want it?
• 8:01
  SPEAKER_17: Everybody coming in We ready to ready to make them jump, don't make them turn up, don't make them wet, go make them free up, this made a bacana, it's this we put on the car, this can have all I want you to find your way, everybody on stay on.
• 8:22
  SPEAKER_17: If you're coming down from me, wrong devocado.
• 8:26
  SPEAKER_17: When you read this in to be dumping on, be some fat at grass, be some fat.
• 8:33
  SPEAKER_17: You could see it for when you cut a lot.
• 8:36
  SPEAKER_17: When the people tell you they got the bread on that, we don't feel we come in wrong, be some father, be survival, eating Yeah, yeah, more cause will you feel it's somebody's day to eat your E do it to go E do it to go I can never lie Into each of Cosa Into each of Cosa Will you come and leave me Will you come and move me?
• 9:14
  SPEAKER_17: Make me feel alive So sweet, make her body tremble Cut up in the rabble hands up to the sky to shit Mway I went down music I eat that some way to say she moved up by I like it to shit Shake it in the for me I cut some way fill it from my eat to eat to cousin I do it to coy Only fans up so you let me see I'll put your right no one push them up on the pano Open up in the sea we're gonna pull up on everybody hands gonna pull up on up in the sea we're gonna pull up on up on up the best go fight and fellas Cat in this what I wina for this in this what I wina you want police Marshall this what we know sit up let me see on a while bounce it up so let me wind up me I know sit up sea when I get bounce it up let me see Oh no I knew to them sit up so let me win up me I knew to them the way you woman winding like a vegan boss in me lovely way you wind it yeah take me pressure give me pizza that be for a day wait I want another way I went so bad I went so bad that went so bad I went so bad I want another way I wind so bad so bad I wind so bad they let go it fleshy they look for it fat they let go it fleshy fat me bucket when I push it again don't tell you don't know kill me bucket when I push it you don't know I want it I love your habit don't tell you don't know I need it I love for your doing it mark it up finding I bring it bring that so I'm it move that right comes with you like that let me see you do like that by you like that let me see you do like that do like that let me see you do like that you like that let me see you do like that take the jump pull on your wist it whip me hot is two hours inside our man is why I know yeah make up on parole drop it on to the floor make up on par roll hold on yes what colour you got the don't ridicger squat colour why you see don't with this one cut away at the don't with thirst what girl just one with the first one with the thirst one with thirst one girl just been it I've been it I've been it I've been it I've been it's been it rough I think I've been it I've been it I've been it I've been it I bid it I've been it rough how I get sill nobody broke get over with it squat body bro get on with it flick a body broke get over with it see nobody broke get on with it rough watch your chick that just a little bit chop the low then give me sick archabout and then for it love to be how you been in it love to be how your white nigga been in it love to be how your white nigga squad in it love to be how your white naked way to be scared is the masquerades and terror live the masqueraders and tail Marcos Williams as soon as we have the reach is fire fire fire please do one we touch them we reach is fire fire fire please we don't want you say we come behavior that behavior behavior that behavior What we come with stinks behavior behavior that behavior behavior pass behavior that behavior Chow John Cho choese up job Chow chop we're saying up job play up there we are me up with our job Choja make raise my job then my snake on my cover drink we are drink we are drink drink a drink shop just be up on them when job come room is more should on my side of T for a run never know chop black job no wrong drink and drunk don't fool and drunk walk till morning come like I don't come chop safety by gone no I will fight my mom's alone D just make us give me rum more rum rum more rum rum more getting up give me rum more um can have it fun rum more um bring the touchdown is fixed every sush on his one before it is bring the liquor can get eat up the touchdown is rings on every turn on his rings it's a jump down sush on this bring the money one bucket of PM dead one bucket all I'm dead salvation we motor but they want to know any we go they want no we bad so we bad so and from the time we reach they are staying all we six so we six so we'll jump jump hold on girl and I walk a truca cheap a lot for murder worker all on top is speed coming here done but right now what's job job overload when we reach move out I didn't road gall when you know we don't close this here we might take a police one from the time we reach they asked how we six so we six so God less gracious can you go with the game I like when you walk a ball spring on your leg like when you walk a ball head of work and you got a work I can I can you but on a spring we're all looking for tea you but on a river spring girl you have yeah yeah yeah yeah yeah yeah yeah yeah do your work girl do your work again yeah yeah yeah yeah yeah yeah yeah yeah performance but a performer sit up sit up sit up sit up sit down sit up sit down sit up sit down sit down sit up on the finger sit up sit down sit up sit down sit up sit down sit up sit down sit down sit down the work sit down but it finger wracked up you the top like a top you buy that shirt you buy that passing off a dog was your top you the top what's a dog to skin clean you know what I mean nobody is pure high chin so I don't skin girls I love this sea two high way sit down sit down sit down sit down sit down sit down girl sit down sit down sit down sit down sit down sit down sit down sit down sit down sit down sit up sit down sit up sit down sit down yes when you get them there when you get them there's all the woman I wrote one like you let's only I'm gonna hack in the mind to the start and I come in with the poor I come in the must up the broad the floor should have a no black with our show I make shading I went no P then out to the next yes me out we I need friend oh yeah I'm being medicati I can when I'm farming deck I can yes me yes me and I'm being medicati when the gravity when I farming what it drivers nice and I'm about this with this readin' me boy this thing she got the truth she got the truth she dripping she dripping she dripping she got the truth she got the truth I let the gallin I let the gallin bend up walk up hey this one gonna make gallery walk up curious and then don't go and stick out the bow this gon' make man come in the jam and who all our girl and show a gun this one gon' make you wish that you could've ever never missed a spot so every man who got my gall and girl got my man and a walk up curious and gonna hear this I think to give my check one two my girl bend down tie shoe move exclusive hat shoot how you supper like gang food I think it dig my check three four gal re up face to the floor she got juice no make she got island she got a choice she tripping she tripping she trippin' she got a juice she tripping she got a juice she got a choice I love they got it long long long time I love the party bad bad eight give it all right gas step on the base yeah but I put it on the face I hear the gall then while in the waist I make friends I'm drinking by the case oh oh oh long time I am my shot dance my shop set my shot dance my shot set Barty still that's working wet my pillar dance till I run out of bed upset my shop dance my shop set party still that's working wet long time I am batty and I'm a kid I could definitely leave a good set right now that's for the leaves I could set right now that's right now she's set right now that's for the beans I would set right now I could surely do it I would set right now surely do it I would set right now that's right now she's set right now surely do it I would set right now and I'm a buff everything I've everything up everything I'll fuck everything up dance for I don't everything I'll everything up everything of fuck everything up we shall ready party blow oh the gal them whining so so low then over touching the go and we ride there behind them tellin' them go go pull up to the club head strength to the bar to the bar to the bar me up for friends head shred to the bar one friend by a bottle I buy another bottle and expand by a bottle from lem by a bottle marijuana by another bottle that I feel like a short in front of me point when I'm she's sexy by honey so I move like a gloss on me for I could say I want you push my butt meet everything feel I read the advice bucketful money feel me pressed like a girl boy boy boy boy boy boy boy boy boy boy boy boy come on come on boy boy boy boy boy boy boy boy boy boy boy boys we are we not even feeling party feeling money we want more drinks come on voice one more every day we want
• 22:19
  SPEAKER_06: Tell me you have me.
• 22:21
  SPEAKER_06: Yeah, did I eat it?
• 22:22
  SPEAKER_06: Oh, you push up on me, my nice when everybody gets a look on to me.
• 22:26
  SPEAKER_06: No questions, can't push it on your knees.
• 22:28
  SPEAKER_06: Mark us will you?
• 22:29
  SPEAKER_06: Why you baby?
• 22:31
  SPEAKER_06: Oh please.
• 22:32
  SPEAKER_06: Woman, you don't know what you took into me.
• 22:34
  SPEAKER_06: No questions can push it back slowly.
• 22:37
  SPEAKER_06: Girl, I'm ready.
• 22:39
  SPEAKER_06: Oh please.
• 22:40
  SPEAKER_06: Yeah.
• 22:41
  SPEAKER_05: Give me white.
• 22:43
  SPEAKER_05: Give me that.
• 22:45
  SPEAKER_05: Give me white air.
• 22:47
  SPEAKER_05: Oh, yeah.
• 22:48
  SPEAKER_05: Oh yeah.
• 22:49
  SPEAKER_05: Give me wine.
• 22:51
  SPEAKER_05: Give me that.
• 22:54
  SPEAKER_05: Give me white.
• 22:56
  SPEAKER_05: Oh, yeah.
• 22:57
  SPEAKER_05: Would it be your knee?
• 23:02
  SPEAKER_22: So much potential.
• 23:05
  SPEAKER_22: Would it be your knee?
• 23:10
  SPEAKER_17: You are suspended.
• 23:13
  SPEAKER_17: If you from the V-I.
• 23:16
  SPEAKER_17: Will you day?
• 23:16
  SPEAKER_17: Will you there?
• 23:17
  SPEAKER_17: Will you done put your hands in my eyes?
• 23:19
  SPEAKER_17: Where we sent your representatives.
• 23:22
  SPEAKER_17: If you from the V-I.
• 23:25
  SPEAKER_17: Will you there?
• 23:25
  SPEAKER_17: Will you done put your flags at my back?
• 23:28
  SPEAKER_17: B-I-2DO.
• 23:30
  SPEAKER_17: The party don't start until we reach.
• 23:33
  SPEAKER_17: No, come will you?
• 23:34
  SPEAKER_17: No, we don't bring no sand to the beach.
• 23:39
  SPEAKER_17: All we need to earn is our beat.
• 23:43
  SPEAKER_17: So we got that time, but in this week.
• 23:46
  SPEAKER_17: You never wanna say, say yay.
• 23:51
  SPEAKER_23: Yeah, it's really done from the way you want to die.
• 23:58
  SPEAKER_23: Say yay, give your mind and energy.
• 24:02
  SPEAKER_23: When you ain't on over me, you feel that dance tonight.
• 24:07
  SPEAKER_23: You wanna look at me with your eye, kill me with a white.
• 24:11
  SPEAKER_23: Killin' me, and if you keep it me a stitch.
• 24:21
  SPEAKER_17: Y'all, I see you watching from across the room, gal.
• 24:25
  SPEAKER_17: Watching with her deadly eyes, like you wanna move, gal.
• 24:30
  SPEAKER_17: Just got creeping closer.
• 24:32
  SPEAKER_17: Heard that she wrote, and nobody like murder.
• 24:36
  SPEAKER_17: Man, I gotta let the TV dancing night.
• 24:45
  SPEAKER_23: Killin' the bring if you keep with me on sketch.
• 24:53
  SPEAKER_07: I'm dancing with the Lila.
• 24:57
  SPEAKER_07: When she start up Isla, I'm pulling on a bum, um, dancing with the Lila, do the way she on from.
• 25:06
  SPEAKER_07: When she start up the island, I'm pullin' on a bum, but um, but she won't be walied, but she got it done.
• 25:14
  SPEAKER_07: It's the feature, I'm gonna see what I'm gonna make in the lila.
• 25:19
  SPEAKER_07: All this time I dancing on your body Don't know where I've lost my time for your day, but I know it's gonna be me.
• 25:27
  SPEAKER_12: She light money, man, we fried.
• 25:30
  SPEAKER_12: Big ride, big ride, big ride this man.
• 25:33
  SPEAKER_12: Man, we fried.
• 25:34
  SPEAKER_12: Talk right, talk right, talk, she light man, man, man, we fried.
• 25:39
  SPEAKER_12: Big ride, big ride, big ride, this one, man, man, we fried, top ride, talk ride, right, right.
• 25:45
  SPEAKER_24: Ah, big ride, make her come inside when she see the gestick, her eyes open wide.
• 25:49
  SPEAKER_24: She like how I drive, the bell moto car, the bell bell, bell, bell, bell motoka.
• 25:53
  SPEAKER_12: Big ride, big ride, or the gallery, big ride, so ride, so ride, right?
• 26:03
  SPEAKER_09: I see the late bomb, we got ballasa, see the lady gall, see the man it, see the man it gal, you just gotta see them on it, um, as you don't like, I see the legal, we got it obvious, I see the late full, see the man it, see the man it girl, you just poison my eye tell me what you're thinking, I tell me what you do with you It's a poison of my head And tell me what you're thinking I tell me what you're doing Look at you, uh You know you know what to do.
• 26:48
  SPEAKER_09: Situation bad, but you holdin' on to this thing that's pulling you down.
• 26:52
  SPEAKER_05: Set it free, be free.
• 26:54
  SPEAKER_05: You deserve to be happier.
• 26:56
  SPEAKER_05: You are afraid to leave your comfort zone and think I want to be What you doing there?
• 27:03
  SPEAKER_09: You know you're not good there.
• 27:05
  SPEAKER_09: You better move from there.
• 27:07
  SPEAKER_09: Stop thinking about yourself when it can only get better.
• 27:11
  SPEAKER_09: Guess you won't make it better.
• 27:13
  SPEAKER_05: And you are out in that.
• 27:18
  SPEAKER_17: You talk about Ecky Day Day I'm gonna say one works on that going back, one race on that going back, one race on the tattoo in back, everybody single, happy job.
• 27:35
  SPEAKER_09: That's the big freebie, uh-huh.
• 27:39
  SPEAKER_05: That's the bit freebie.
• 27:42
  SPEAKER_05: You are alive.
• 27:49
  unknown: That's that the best baby, uh huh.
• 27:52
  unknown: Crunilla, granella, granella, ayyanella, granola, ay, the la granella, granella.
• 27:58
  SPEAKER_08: Oh it's just the air.
• 28:07
  SPEAKER_08: Marcos Williams Why you checking for what I do if you don't like me?
• 28:12
  SPEAKER_08: If you, you and you and you, if you don't like me.
• 28:17
  SPEAKER_08: If you think I care what they say, but so what?
• 28:20
  SPEAKER_08: So what?
• 28:21
  SPEAKER_08: Who cares if you like me or not?
• 28:23
  SPEAKER_08: You don't put food in me, but you never buy nothing that we got.
• 28:28
  SPEAKER_08: So what?
• 28:29
  SPEAKER_08: So what?
• 28:30
  SPEAKER_08: Who cares if you like me or not?
• 28:31
  SPEAKER_08: Me blessing it come from the top, we stay solid dancer, fesar I was out music, fesar.
• 28:51
  SPEAKER_15: We some tricks it fesar, take that offesa.
• 28:56
  SPEAKER_15: Mm-hmm, she's on the axe to wake, take your bum, make your bum bumbo that run for the punchy, take that offesa.
• 29:05
  SPEAKER_15: Mm-hmm.
• 29:06
  SPEAKER_15: She's on the axe to wake, hey, but make your bum bumble that run for a punch it, balance it, y'all, just balance it.
• 29:13
  SPEAKER_15: Big bomb, y'all, no one can manage it.
• 29:15
  SPEAKER_15: Shake it in, y'all, I'll be the damages.
• 29:17
  SPEAKER_15: Do I say y'all?
• 29:18
  SPEAKER_15: No what the habit is.
• 29:19
  SPEAKER_15: You got the password, for the white white.
• 29:22
  SPEAKER_17: What do we get by?
• 29:26
  SPEAKER_17: No back with the right size.
• 29:29
  unknown: Hey, that's the offense.
• 29:31
  SPEAKER_15: Mm-hmm.
• 29:31
  SPEAKER_15: She for the ex to quit.
• 29:33
  SPEAKER_15: Have your bum, make your bum bustuda.
• 29:35
  SPEAKER_15: Mm-hmm.
• 29:36
  SPEAKER_15: Run follow up shake it.
• 29:37
  unknown: Hey, that's the offense.
• 29:39
  unknown: Mm-hmm.
• 29:40
  SPEAKER_15: She's on the axe to quit.
• 29:41
  SPEAKER_15: Have your bum, make your bum bustuda.
• 29:48
  SPEAKER_27: Marcus Williams must be confusion in your mind.
• 29:51
  SPEAKER_27: If you see that you shall find a mechanism.
• 29:54
  SPEAKER_27: Sometimes, sometimes.
• 29:57
  SPEAKER_27: Natalie time.
• 29:58
  SPEAKER_27: Sometimes, sometimes.
• 30:03
  SPEAKER_27: You can't take time yesterday.
• 30:06
  SPEAKER_27: Then we're again today.
• 30:07
  SPEAKER_27: Think you can program.
• 30:09
  SPEAKER_27: I but I live my own damn life.
• 30:12
  SPEAKER_27: Seems like your one more than complex.
• 30:14
  SPEAKER_27: Can't tell in presence family.
• 30:16
  SPEAKER_27: Both a young handsome night.
• 30:18
  SPEAKER_27: Don't get things twisted, baby.
• 30:20
  SPEAKER_27: Don't touch back, no more than what we are ready at.
• 30:26
  SPEAKER_27: Keeping it simple.
• 30:29
  SPEAKER_27: Don't touch back, no more than what we already at.
• 30:35
  SPEAKER_27: Keeping it simple, yeah.
• 30:38
  SPEAKER_27: Tell you already have a man, but I can be yours sometimes.
• 30:44
  SPEAKER_27: Baby call me sometime, not tally time so Tell you already have a man, but I can be yours.
• 30:52
  SPEAKER_10: Baby call me, but not tally time, so I'm a jibbin on a jibbin.
• 31:00
  SPEAKER_10: They gotta jibbing on a jibbin.
• 31:02
  SPEAKER_10: Oh la Tang tang thang thang thang Tang tang tang tang tang.
• 31:09
  SPEAKER_10: Oh my lay Every party, love to party.
• 31:19
  SPEAKER_10: Woman whining down the way.
• 31:21
  SPEAKER_10: So ladies.
• 31:23
  SPEAKER_10: I love woman.
• 31:26
  SPEAKER_10: Where I'm from Them gag is second place.
• 31:31
  SPEAKER_10: There I'm a trippin', I'ma trippin', I'ma chipin'.
• 31:33
  SPEAKER_10: I'ma sippin', I'ma sippin', I'ma sippin'.
• 31:35
  SPEAKER_10: Alma fall out, the hours slippin'.
• 31:38
  SPEAKER_10: Hey, tang god I ain't fall.
• 31:40
  SPEAKER_10: I jump down ding everybody.
• 31:43
  SPEAKER_10: Promota in the what we call me.
• 31:45
  SPEAKER_17: Let's return I get the light on the gotta go, you got it good, good, good.
• 31:51
  SPEAKER_17: You got it good, you got it good, you got it good, good, good.
• 31:54
  SPEAKER_17: You got it good, you got it good, good good.
• 31:55
  SPEAKER_17: You got it good, good, goody, goody, good, good, good.
• 31:58
  SPEAKER_17: Some be trying that we went, get something to go from me.
• 32:03
  SPEAKER_17: Let's do this all night, I love it totally.
• 32:06
  SPEAKER_17: Close my eyes, and that's why it's being so right, baby.
• 32:12
  SPEAKER_17: Let's do this all night, I love it totally.
• 32:18
  SPEAKER_09: Patty gardon, gardon, gardon, Patti Gardon, gardon, gada.
• 32:23
  SPEAKER_09: Whoa, uh tone, Patti Gardon, gardon, gardon, Patti Gadon, gardon, gada, gone Take it back to the early days of calypso Something to sing to Something to Swing toy feeling like a vibe of shilling, only vibes I bring it.
• 32:57
  SPEAKER_11: Come on a rock and swear, I can bullet, so I come in with my hands I'm swinging Only vibes I bring in Jin and Dinah, come off the corner boy.
• 33:10
  SPEAKER_28: This is the fair to remember Once you put mine your codender, and if you can't want to step with her partner The spirit of freedom take over So when I hear the music surrender Just I don't walk in the center I why you're gonna walk in the center I don't know I legal to the dance for I don't know I don't know so too well, then I tell them I know.
• 33:40
  SPEAKER_07: I hear wearing good up good up.
• 33:42
  SPEAKER_07: I need you to come to the fan.
• 33:44
  SPEAKER_07: You're gonna take it on in a position.
• 33:46
  SPEAKER_07: Tell your friend and them to pull your thing.
• 33:49
  SPEAKER_07: I need your full compliance.
• 33:51
  SPEAKER_07: Don't follow what I say.
• 33:57
  SPEAKER_07: I like that.
• 34:02
  SPEAKER_07: No, this is the bad way you take a bad whatever you want.
• 34:07
  SPEAKER_07: Grandma brand them, grandma ya girl them, show me your success like that.
• 34:13
  SPEAKER_07: Show me your succeedance, rap badam, show me your successance like that.
• 34:22
  SPEAKER_07: Show me your succeedance, rap bad, show me your successance.
• 34:29
  SPEAKER_07: Your body is on the ends and you're not your ticking and talking.
• 34:34
  SPEAKER_07: Now we imagine I use the remote.
• 34:36
  SPEAKER_07: Then I am the one in control of it.
• 34:38
  SPEAKER_07: Let me see you move to the left.
• 34:41
  SPEAKER_07: Let me see ya bring it to the right.
• 34:43
  SPEAKER_07: Bring it back to the left.
• 34:45
  SPEAKER_07: I wanna see you make it friend on.
• 34:48
  unknown: Push back.
• 34:52
  unknown: Push back.
• 34:55
  SPEAKER_07: No, this is the part where you take over to whatever you want.
• 35:07
  SPEAKER_07: Show me a success.
• 35:09
  SPEAKER_07: Rampadam, pam, pam, pam.
• 35:11
  SPEAKER_07: Show me a succeda, show me a success, Ramadan, pam, pam, pam.
• 35:20
  SPEAKER_07: Show me a success.
• 35:23
  SPEAKER_07: Marcus Williams Williams