Latest / The Breakfast Club / FULL SHOW: Billy Dee Williams Says ActorsShould Be Able To Wear Blackface, Kyla Pratt Gets Candid On Pregnancy, Azealia Banks Goes At Tyler The Creator & Lil Nas X, Reignites Beef With Doechii + More

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FULL SHOW: Billy Dee Williams Says ActorsShould Be Able To Wear Blackface, Kyla Pratt Gets Candid On Pregnancy, Azealia Banks Goes At Tyler The Creator & Lil Nas X, Reignites Beef With Doechii + More · The Breakfast Club

• 0:00
  Speaker 1: This is history. What you've done. What you guys should do?
• 0:04
  Speaker 2: A platform that injuries breast, world's most morning Joe Burke's
• 0:10
  Speaker 2: good DJ Vy every playing by record I made just hilarious.
• 0:15
  Speaker 1: She's done about it. Charlamagne the god made you think
• 0:18
  Speaker 1: they'd like the controversial questions. We're taking his fuss.
• 0:20
  Speaker 3: I like that.
• 0:21
  Speaker 1: Thanks Breakfast Club. Good morning Usa.
• 0:27
  Speaker 4: Oh yo yo yo yo yo yo yo yo yo
• 0:29
  Speaker 4: yo yo yo yo yo yo yo yo yo yo
• 0:31
  Speaker 4: yo yo yo yo yo yo yo yo yo yo
• 0:32
  Speaker 4: yo yo yo yo yo yo yo Yo.
• 0:34
  Speaker 5: I almost got my voice back because almost there, I
• 0:36
  Speaker 5: met about eighty eight percent. Good morning. Charlemagne is not
• 0:39
  Speaker 5: here yet, Essilarius is not here as well. Jess is here?
• 0:42
  Speaker 1: What up, Jess? How you feeling, Jess? I'm feeling good? Yo.
• 0:48
  Speaker 1: He wasn't here.
• 0:49
  Speaker 4: He didn't know.
• 0:50
  Speaker 6: How was he boosted to know?
• 0:51
  Speaker 1: He wasn't getting right? Was right here?
• 0:54
  Speaker 7: No?
• 0:54
  Speaker 1: He wasn't.
• 0:55
  Speaker 5: Good morning, guys, how you having morning? You were like stage?
• 0:59
  Speaker 5: I just lit the candles. Okay, oh your voice is
• 1:01
  Speaker 5: coming back coming back. I'm like eighty eight percent, I'm
• 1:04
  Speaker 5: almost there.
• 1:04
  Speaker 1: Okay, good surgery, so you must have got it.
• 1:07
  Speaker 3: Like the day we no surgery, then went off no
• 1:10
  Speaker 3: literally and then healed up.
• 1:13
  Speaker 1: No surgery.
• 1:14
  Speaker 5: No, I don't think and this is Envy's thing, Emmy
• 1:17
  Speaker 5: be getting sick. But he'd be scared to admit that
• 1:18
  Speaker 5: he's sick because he sit right next to a pregnant woman.
• 1:21
  Speaker 1: So I think he'd just be like, no, I'm not sick.
• 1:23
  Speaker 5: He just started coughing, sneeze and everything, and yesterday he
• 1:26
  Speaker 5: was like, I'm almost there. I'm just I'm almost done.
• 1:29
  Speaker 5: You add to the sickness is out your system now?
• 1:31
  Speaker 1: Yeah, the sickness and the surgery, there's no damn surgery.
• 1:34
  Speaker 1: It's all good man. We respect you and love you regardless.
• 1:37
  Speaker 7: Bro.
• 1:37
  Speaker 1: And shout to Olivia Rodriguez. That's a name.
• 1:41
  Speaker 3: Yes, I can't believe you sitting there, Riguez, Olivia Rodriguez, I.
• 1:51
  Speaker 1: Should be doing.
• 1:52
  Speaker 5: She had a show last night. I guess she had
• 1:54
  Speaker 5: four sold out shows. So I took my daughter last
• 1:56
  Speaker 5: night to see her. Uh and boy did she have
• 1:59
  Speaker 5: a great time. My daughter is ten years old. I
• 2:01
  Speaker 5: actually didn't take her. The oldest daughter took her, but
• 2:03
  Speaker 5: I drove him because I don't trust New York City,
• 2:05
  Speaker 5: So I actually drove him and me and the wife
• 2:07
  Speaker 5: had a date night. But my daughter had such an
• 2:09
  Speaker 5: amazing time and she said that, you know, she was
• 2:12
  Speaker 5: an amazing performer.
• 2:13
  Speaker 1: She was out to like ten o'clock.
• 2:14
  Speaker 5: I bought her one of her little cowboy hats that
• 2:16
  Speaker 5: light up, so she was super duper excited, super duper
• 2:18
  Speaker 5: stoke last night.
• 2:19
  Speaker 1: I was the best dad ever. That he was the best.
• 2:21
  Speaker 1: Thank you for the tickets to seat you so well.
• 2:22
  Speaker 5: So we had a good time, and me and the
• 2:24
  Speaker 5: wife we did a date night at this restaurant in
• 2:27
  Speaker 5: New York City called Tatianas Have you ever been there?
• 2:29
  Speaker 5: No charm, It's a fusion African and Caribbean. So this guy,
• 2:36
  Speaker 5: I guess this chef, he was on top Chef. He's
• 2:38
  Speaker 5: like a Michelin star, Top five chef. And the food
• 2:42
  Speaker 5: was amazing. He was actual supposed to come on the shot.
• 2:44
  Speaker 5: I don't know what happened, but food was amazing. But
• 2:46
  Speaker 5: you don't like Caribbean food like that, though I did.
• 2:49
  Speaker 5: It depends, it depends, but I like how you just
• 2:52
  Speaker 5: flexed on this. So we went to Tatiana have you
• 2:54
  Speaker 5: ever been there?
• 2:55
  Speaker 8: Year?
• 2:55
  Speaker 1: It was like top five chefs.
• 2:56
  Speaker 3: Five star chef, like so funny. He was just waking
• 2:59
  Speaker 3: up trying to get Buscus. I didn't talking about him,
• 3:01
  Speaker 3: damn stop Top five Stars. I didn't really know much
• 3:03
  Speaker 3: about the restaurant. Somebody put me onto it, so I
• 3:05
  Speaker 3: went to check it out.
• 3:06
  Speaker 1: But it was dope. Like they have they have like
• 3:09
  Speaker 1: oxtail dumplings they have, Oh yeah, I like stuff like that.
• 3:12
  Speaker 1: They got dope.
• 3:13
  Speaker 3: Seventy dollars a plate too rich for my blood that
• 3:16
  Speaker 3: it wasn't right.
• 3:17
  Speaker 1: Everything.
• 3:18
  Speaker 3: All the young kids been on Olivia Rodrigo for at
• 3:21
  Speaker 3: least the last three four years.
• 3:23
  Speaker 1: She's a singer.
• 3:24
  Speaker 3: She's a singer. Absolutely. My daughter and her friend been
• 3:27
  Speaker 3: on Olivia Rodrigo. Yeah, it was, and then they kind
• 3:30
  Speaker 3: of moved on what she kind.
• 3:31
  Speaker 1: Of moved on. This is in Phoebe Bridges fifteen.
• 3:35
  Speaker 5: Oh yeah, minus ten, so she's still on the Olivia Rodrigo.
• 3:38
  Speaker 5: But it was a good show last night. So salute
• 3:40
  Speaker 5: to everybody out there. I see I've seen a lot
• 3:42
  Speaker 5: of people out there bringing their kids there last night.
• 3:44
  Speaker 5: So let's get the show crack and Alice Randa will
• 3:46
  Speaker 5: be joining us this morning.
• 3:47
  Speaker 7: Man.
• 3:47
  Speaker 3: Alice Randall had a new book out called My Black Country,
• 3:50
  Speaker 3: A Journey through country Music's Black Black Past President in Future.
• 3:54
  Speaker 3: Alice is a professor at Vanderbilt and she is the
• 3:58
  Speaker 3: first black woman to ever write a number one country song.
• 4:02
  Speaker 3: She wrote a number one country song for Tricia Yeale
• 4:03
  Speaker 3: would call it xxxoos. And her new book is the
• 4:07
  Speaker 3: latest release off my book in print, Black Privilege Publishing.
• 4:10
  Speaker 3: So she'll be here to talk about my black country
• 4:13
  Speaker 3: all of y'all walking around in cowboy hats, okay, in
• 4:15
  Speaker 3: cowboy boots because of Beyonce. All Right, y'all need to
• 4:18
  Speaker 3: know something about the history of black people in country music,
• 4:21
  Speaker 3: and she's here to tell you all about it this morning.
• 4:23
  Speaker 1: All right, And we got front page news next, and
• 4:25
  Speaker 1: don't move. It's to breakfast club. Good morning, Good morning.
• 4:27
  Speaker 5: Everybody's DJ Envy, Jess Hilarius, Charlamage the guy.
• 4:30
  Speaker 1: We are the breakfast Club.
• 4:31
  Speaker 5: Let's get in some front page news now. John Morant
• 4:35
  Speaker 5: was in court yesterday and the judge rule that he
• 4:38
  Speaker 5: was he was raised. He was fairly raised self defense,
• 4:43
  Speaker 5: meaning you know, he was on a trial for allegedly
• 4:46
  Speaker 5: punching somebody in the face. And what happened was the
• 4:48
  Speaker 5: judge said it wasn't an assault, it was self defense.
• 4:51
  Speaker 8: According to court records, Miran invited then seventeen year old
• 4:55
  Speaker 8: Joshua Holloway and several other players to his family's home
• 4:59
  Speaker 8: in July twenty two two to play a series of
• 5:01
  Speaker 8: pickup games. After Morant repeatedly scored on Holloway, he allegedly
• 5:06
  Speaker 8: refused to check the ball, then threw it at Morant's space.
• 5:10
  Speaker 8: According to court documents, Morant questioned the team, pulled up
• 5:13
  Speaker 8: his shorts and squared up with Moran, then Moran hit him.
• 5:17
  Speaker 9: This week, a judge ruled Moran is protected by the
• 5:20
  Speaker 9: state's self defense laws. That doesn't mean the lawsuit goes away, though,
• 5:24
  Speaker 9: just that it's an uphill battle for Holloway's legal team.
• 5:27
  Speaker 1: Nothing wrong with that. See, I didn't know those details.
• 5:29
  Speaker 3: You know, somebody you know pull up these shorts and
• 5:33
  Speaker 3: square out. That means that they might be about to
• 5:35
  Speaker 3: do something to you. So you needed to defend yourself.
• 5:37
  Speaker 3: And I don't care how old they are you think
• 5:38
  Speaker 3: of seventeen year old can't hurt you?
• 5:40
  Speaker 1: Oh? Absolutely?
• 5:41
  Speaker 5: Could you imagine telling that to the judge, you know,
• 5:43
  Speaker 5: because you got to explain to the judge. But pulling
• 5:45
  Speaker 5: up the shorts means if he's not culturally, culturally, No, no, no,
• 5:49
  Speaker 5: go on, that's culture all over. What are you talking about?
• 5:51
  Speaker 5: Pulling up your shorts, pulling up your pants?
• 5:53
  Speaker 1: Get ready to fight? Yes, that ain't just a black
• 5:55
  Speaker 1: thing you talking about. That's what people doing. You're about
• 5:58
  Speaker 1: to fight, don't you mean? He said, coach, I just
• 6:00
  Speaker 1: say black thing? But you know what other cults are
• 6:03
  Speaker 1: you talking about it? What other cot are you? Dominican?
• 6:04
  Speaker 1: Never mind, you're right now.
• 6:06
  Speaker 5: Also SOUTHWX, Southwest Jet makes an emergency landing after an
• 6:11
  Speaker 5: engine cover falls off. Now, the plane, which was a
• 6:13
  Speaker 5: Boeing seven thirty seven eight hundred, returned safely, But there's
• 6:17
  Speaker 5: mad videos out there where you can actually see the
• 6:19
  Speaker 5: engine cover flying off the plane, which pushes more to
• 6:23
  Speaker 5: people that are saying that Boeing might not be putting
• 6:25
  Speaker 5: these planes together right.
• 6:26
  Speaker 10: Already under unprecedented scrutiny. Boeing is tonight facing new allegations.
• 6:31
  Speaker 10: The FAA tells NBC News it's investigating new whistleblower claims
• 6:36
  Speaker 10: first disclosed by The New York Times, made by a
• 6:39
  Speaker 10: Boweing quality engineer who warns the seven eighty seven Dreamliners
• 6:43
  Speaker 10: fuselage was improperly fastened together and a letter to the FAA.
• 6:47
  Speaker 10: His attorney writes it is likely to cause premature fatigue
• 6:51
  Speaker 10: failure over time in two major airplane joints that could
• 6:56
  Speaker 10: cause the plane to break apart after many thousands of flights.
• 7:00
  Speaker 11: Is alleging that Boeing knowingly took a series of manufacturing
• 7:06
  Speaker 11: shortcuts in the construction of the seven eighty seven.
• 7:11
  Speaker 3: People with common sense are gonna say, clearly, somebody at
• 7:13
  Speaker 3: boring and then doing something right. Seems to me like
• 7:15
  Speaker 3: they're trying to get things done, you know, fast, fast
• 7:18
  Speaker 3: and cheap.
• 7:20
  Speaker 1: About the bowing, they've been doing this for years and years.
• 7:23
  Speaker 3: Yeah, people with commisants go and see that they're clearly
• 7:25
  Speaker 3: trying to do things you know, fast and cheap. People
• 7:27
  Speaker 3: without commis sin's gonna blame it on DEI.
• 7:31
  Speaker 5: And lastly, this is something that's going down in New York,
• 7:34
  Speaker 5: but they're saying that this could be affected across the country.
• 7:37
  Speaker 5: Mayor ros Baraka and Public Safety Director announced at beginning
• 7:41
  Speaker 5: Friday that they're gonna have curfews for kids if you're
• 7:44
  Speaker 5: under eighteen years old and you have to be one
• 7:47
  Speaker 5: hundred yards from your house and this is between eleven
• 7:50
  Speaker 5: pm and five thirty am. This is because they are
• 7:53
  Speaker 5: scared of the rise of violence. So they're making kids
• 7:55
  Speaker 5: stay home unless you're with a parent, or you have
• 7:57
  Speaker 5: to go to or from work or anything that happen
• 8:00
  Speaker 5: to do with the church, or you have to go
• 8:02
  Speaker 5: to the mosque, anything like that. But the same with
• 8:04
  Speaker 5: that that this can be affected, you know, throughout the country.
• 8:06
  Speaker 5: More mayus might be you know, taking this in making
• 8:09
  Speaker 5: your kids are off the street at night?
• 8:10
  Speaker 1: What about them crazy as adultes? You know what I mean?
• 8:13
  Speaker 3: I know them kids be wilding, but some of these
• 8:14
  Speaker 3: goddamn adults be wilding too.
• 8:16
  Speaker 1: What if it's people over eighteen that's out here you
• 8:18
  Speaker 1: can't make the adults or what if they the one
• 8:20
  Speaker 1: cause into trouble.
• 8:21
  Speaker 3: I need to know, and I think that what you know,
• 8:23
  Speaker 3: I think Red Rock is a great mass lu Medverrock.
• 8:25
  Speaker 1: I don't want to lose bump from ever Rocks.
• 8:28
  Speaker 3: But I just wonder, how do they know it's just
• 8:31
  Speaker 3: specifically the kids, is what I'm saying.
• 8:35
  Speaker 1: That's what I would love.
• 8:35
  Speaker 5: But I'm sure they know what the crime is and
• 8:37
  Speaker 5: they've been probably been arresting kids or they've been getting
• 8:39
  Speaker 5: kids off the streets, and they.
• 8:40
  Speaker 1: Want to make kids are off the street. I love
• 8:41
  Speaker 1: to know. I'd love that.
• 8:42
  Speaker 3: I'd love to know because some of these crazy asadults
• 8:44
  Speaker 3: need to be home at a certain time too. Okay, well,
• 8:46
  Speaker 3: you can't just put curfew on the you need to Jesus.
• 8:49
  Speaker 3: Some of them can't control theyself, all right. Sometimes you
• 8:51
  Speaker 3: got to stop.
• 8:51
  Speaker 1: People, uh from from from from hurting theyself. All right.
• 8:55
  Speaker 5: Well that is front page news. Now get it off
• 8:58
  Speaker 5: your chest. Eight hundred five eight five one five one.
• 9:00
  Speaker 5: If you need to vent, phone lines to wide open again.
• 9:03
  Speaker 5: Eight hundred five eight five one oh five one. If
• 9:05
  Speaker 5: something's bothering you, you got something on your mind, maybe
• 9:08
  Speaker 5: your baby mama, whatever it may be, maybe your boss,
• 9:10
  Speaker 5: your baby daddy, doesn't matter, call us up right now.
• 9:13
  Speaker 5: Eight hundred five eight five one five one. Get it
• 9:15
  Speaker 5: off your chest. It's the breakfast Club in the morning.
• 9:17
  Speaker 1: The breakfast Club. Is it your time to get it
• 9:24
  Speaker 1: off your chest? Wait up. Whether you're man or bless,
• 9:27
  Speaker 1: it's time to get up and get something. Call up now.
• 9:30
  Speaker 12: Eight hundred five eight five one o five one. We
• 9:32
  Speaker 12: want to hear from you on the breakfast Club.
• 9:35
  Speaker 1: Hello, who's this?
• 9:36
  Speaker 4: You're energy?
• 9:37
  Speaker 1: What's up? Try hey baby Sola? Well that's are pieces.
• 9:43
  Speaker 1: What's happening you recover yet.
• 9:45
  Speaker 4: I called this add two more things about day Cold.
• 9:47
  Speaker 4: It's two more things real quick.
• 9:49
  Speaker 1: M h.
• 9:49
  Speaker 4: All right, Kendrick fan, I just watch you out to know,
• 9:53
  Speaker 4: y'all better stop biting the hand that edge all because
• 9:57
  Speaker 4: without Cold Cold help Kendrick his career and adduced to
• 10:01
  Speaker 4: him to doctor Dre. And also he's still kenching Lamar
• 10:05
  Speaker 4: from getting a drain part of him from giddy. They
• 10:08
  Speaker 4: y'all gonna stop disrespected Cold.
• 10:12
  Speaker 1: Well, I don't know about that. I've heard that story before.
• 10:15
  Speaker 3: I don't understand how you know a guy in Compton
• 10:17
  Speaker 3: would need somebody from North Carolina to introduce him to
• 10:20
  Speaker 3: doctor Dre. But here's here's the thing, Drave, I want
• 10:23
  Speaker 3: you to remember this. When the fall off drop, everybody
• 10:26
  Speaker 3: gonna jump right back on J Cole. D okay, when
• 10:29
  Speaker 3: the fall off drop is gonna be a free call
• 10:30
  Speaker 3: party on social media, and all these people that's acting
• 10:33
  Speaker 3: like they don't like J Cole gonna be the first
• 10:34
  Speaker 3: one at.
• 10:35
  Speaker 1: The freak off party. You know how this game? Yeah?
• 10:37
  Speaker 4: Absolutely well, I hope you make the flyers for the
• 10:41
  Speaker 4: freak off party and I'll see you there sean fall
• 10:44
  Speaker 4: off drop.
• 10:45
  Speaker 3: It's happening. You know how this society works. We are
• 10:48
  Speaker 3: at the d riding society right now. It's cool to
• 10:51
  Speaker 3: act like you're so mad at J Cole and J
• 10:53
  Speaker 3: Cole killed hip hop. When J Cole drops his new
• 10:56
  Speaker 3: album to fall Off, everybody gonna jump right back on
• 10:58
  Speaker 3: J Cole d.
• 11:00
  Speaker 1: I mean, you could not like what somebody does or
• 11:02
  Speaker 1: artist does, but but the man people like, I hate him.
• 11:05
  Speaker 1: I'll never like him again.
• 11:06
  Speaker 5: Like, yeah, it just sounds like you're stupid. You could
• 11:10
  Speaker 5: have like a move that somebody makes. You cannot like
• 11:11
  Speaker 5: a song somebody makes. But all of a sudden, he's
• 11:13
  Speaker 5: the worst person ever started.
• 11:14
  Speaker 3: It will be wiping your mouth when the fall Off drop.
• 11:17
  Speaker 3: Watch the same people acting like they can't stand cold.
• 11:20
  Speaker 3: Now gonna be using his penis for transportation when the
• 11:24
  Speaker 3: fall off drops.
• 11:25
  Speaker 1: Jesus, Hello, crazy, Hello, who's this?
• 11:29
  Speaker 4: Hey from Philly?
• 11:32
  Speaker 13: Hey, how y'all doing?
• 11:34
  Speaker 9: Ring?
• 11:36
  Speaker 14: Gragulaated girl. I've been moving for you from day one.
• 11:39
  Speaker 1: Thank you so much.
• 11:41
  Speaker 14: I just want to just say a little bit of
• 11:42
  Speaker 14: opportuivility to everybody. I know everybody's want something, so I
• 11:47
  Speaker 14: just wanted to say, but a little bit of pop.
• 11:51
  Speaker 14: And I know you're going to control the music, but
• 11:53
  Speaker 14: I would see if you can get Thursday Lives.
• 11:57
  Speaker 3: Okay, of course we can make that happen for you.
• 11:58
  Speaker 3: One of the greatest records of all time. Okay, that
• 12:00
  Speaker 3: record right there is like therapy to me.
• 12:04
  Speaker 14: Journaling.
• 12:06
  Speaker 1: All right, mama, we'll get it on for you this morning.
• 12:08
  Speaker 14: Can I get start my podcast out real quick? Of course,
• 12:11
  Speaker 14: it's the Intellect A podcast is on iHeartRadio.
• 12:16
  Speaker 4: And okay, Hey mama, Hey.
• 12:19
  Speaker 14: Thank y'all. Have a good day everybody.
• 12:21
  Speaker 1: I love y'all back.
• 12:23
  Speaker 5: Get it off your chest eight hundred five eight five
• 12:25
  Speaker 5: one oh five one.
• 12:26
  Speaker 1: If you need to event, hit us up now. It's
• 12:28
  Speaker 1: the Breakfast Club.
• 12:28
  Speaker 12: Good morning, the Breakfast Club. This is your time to
• 12:36
  Speaker 12: get it off your chest. Eight hundred five eight five
• 12:38
  Speaker 12: one five one. We want to hear from you on
• 12:40
  Speaker 12: the Breakfast Club.
• 12:42
  Speaker 4: Hello.
• 12:43
  Speaker 1: Who's this?
• 12:44
  Speaker 15: Oh my god, you got to be damn kiddedy.
• 12:46
  Speaker 4: You gotta be kidding me.
• 12:47
  Speaker 1: On three? Hello, what's your name is the author?
• 12:52
  Speaker 16: Hey y'all, Hey the a. This is the author m
• 12:58
  Speaker 16: J l that's saying for more juc lips and I
• 13:01
  Speaker 16: am calling to list Charla may know what happened last
• 13:03
  Speaker 16: year the black a pet Podcare to me?
• 13:05
  Speaker 5: All right, well tell us about it Morey's juicy lips.
• 13:08
  Speaker 16: I wanted to say, hey, y'all, I can't believe it
• 13:10
  Speaker 16: was talking with Charlote Maine.
• 13:11
  Speaker 1: NB at dance.
• 13:12
  Speaker 6: I love y'all.
• 13:13
  Speaker 1: Oh my goodness, they love me more.
• 13:15
  Speaker 3: You're coming to the festival on April twenty seven.
• 13:18
  Speaker 16: Well, yeah, yeh, look, Charlamage, I got my tickets the
• 13:21
  Speaker 16: same day when you announced it at twelve o'clock. I
• 13:24
  Speaker 16: told my daughter, let's get those tickets and we are
• 13:26
  Speaker 16: coming this year again.
• 13:29
  Speaker 3: Last year, yeah, we had a time last year. Were
• 13:31
  Speaker 3: gonna have a time this year too.
• 13:32
  Speaker 16: Let me tell you what happened on Charlemagne. I was
• 13:35
  Speaker 16: almost in the fight up there at the place where
• 13:37
  Speaker 16: Carlos Miller and Nave Green.
• 13:40
  Speaker 1: Hell you about to fight Carlos and the half for.
• 13:42
  Speaker 16: Let me tell you. They were on the stage. We
• 13:44
  Speaker 16: waited all day for them to come, and so they
• 13:47
  Speaker 16: started talking to the audience and they was like, does
• 13:49
  Speaker 16: anybody have a small business? So I started telling them
• 13:51
  Speaker 16: about my books. I write a rotical and so I
• 13:54
  Speaker 16: was telling them the story about the Black lady. It's
• 13:57
  Speaker 16: the lady in my book. The main character, uh huh
• 14:00
  Speaker 16: was let me see give us something to a white man,
• 14:03
  Speaker 16: and Collins got mad when I said that I.
• 14:06
  Speaker 1: Can understand that man. Man.
• 14:10
  Speaker 16: The book is about a black sl serial killer, so
• 14:13
  Speaker 16: there was a point for that.
• 14:14
  Speaker 1: Oh so she ended up killing Mas after she had
• 14:16
  Speaker 1: Master's meat.
• 14:18
  Speaker 16: But it's a good killed.
• 14:20
  Speaker 1: Okay, okay, okay, okay, okay.
• 14:24
  Speaker 16: I got backstage and I met you and I shook
• 14:26
  Speaker 16: your hand. You were sending there the dollar, yep. And
• 14:29
  Speaker 16: after the event was over, we were waiting for you
• 14:32
  Speaker 16: to come out, and I gave her a bag of books.
• 14:35
  Speaker 16: She was very sweet and everything too. I gave her
• 14:37
  Speaker 16: three books for you, and I gave her a copy
• 14:40
  Speaker 16: of Are You Their Guy to Be? Martin, because you
• 14:41
  Speaker 16: and I both loved that book. We read that when
• 14:43
  Speaker 16: we were kids.
• 14:44
  Speaker 1: Yeah. I was with Judy a couple of days ago.
• 14:46
  Speaker 1: I was me and Judy. I spent some quality time
• 14:48
  Speaker 1: with Judy two days ago. Judy Bloom, I know you
• 14:50
  Speaker 1: didn't get my bag.
• 14:51
  Speaker 16: I'm coming back this year.
• 14:52
  Speaker 4: I need to meet too.
• 14:53
  Speaker 16: I didn't even know y'all had the IP tickets. I'm mad,
• 14:55
  Speaker 16: tick I didn't know.
• 14:55
  Speaker 3: Yeah, all of you, I p sold out. But you
• 14:57
  Speaker 3: know what, I'm sure you'll get back stage. We'll get
• 14:59
  Speaker 3: a check to see you. Don't say that, no, I'm sure.
• 15:02
  Speaker 16: Then. Look we're gonna be there acting, cluding me and
• 15:04
  Speaker 16: my daughter. Now we're gonna be looking out for you.
• 15:08
  Speaker 1: Jess will be on that stage.
• 15:09
  Speaker 3: Jess will be on that stage doing her carefully reckless podcast.
• 15:12
  Speaker 3: And we got Wallowing Gilly on the stage, Horrible Decisions,
• 15:15
  Speaker 3: the Poor Minds podcast, just to name a few.
• 15:17
  Speaker 1: So we'll see y'all April twenty seventh, fin Atlanta.
• 15:19
  Speaker 3: Man, make sure you go get your tickets at a
• 15:21
  Speaker 3: Ventbright dot com or Black Effect dot com Slash Podcast Festival,
• 15:24
  Speaker 3: all right.
• 15:25
  Speaker 5: And get it off your chest. Eight hundred five eight
• 15:27
  Speaker 5: five one O five one. If you need a Vent,
• 15:28
  Speaker 5: you can hit us up. Now we got just with
• 15:30
  Speaker 5: the Mess coming up. Yes, the Kyla Pratt drops a
• 15:32
  Speaker 5: very important message about birth.
• 15:35
  Speaker 1: Okay, and we'll get to that next. Don't move. It's
• 15:37
  Speaker 1: to the breakfast Club. Good morning, the breakfast Club, Good morning.
• 15:43
  Speaker 1: We are to breakfast Club. Let's get to Jess with
• 15:44
  Speaker 1: the Mess.
• 15:45
  Speaker 17: You use this reals, Jessica robber Moore just don't do
• 15:49
  Speaker 17: no lines, don't do that.
• 15:50
  Speaker 3: Talk Talk World, Why Jess World, which.
• 15:59
  Speaker 1: On the Breakfast She's a coach of shot.
• 16:01
  Speaker 18: She was able to get y'all to see something and
• 16:04
  Speaker 18: understand something that nobody could.
• 16:06
  Speaker 6: Get you to see the time to set it off.
• 16:09
  Speaker 5: That's the way I've been in another world sometimes, like pregnancy,
• 16:11
  Speaker 5: brain whatever. Because I'm thinking, we want a whole another segment.
• 16:16
  Speaker 5: I got to deliver the news right now, Yes, just right.
• 16:19
  Speaker 5: First of all, yeah, I know, but I'm like Overheit
• 16:22
  Speaker 5: showing gum and Lila Land think about something I want
• 16:24
  Speaker 5: to eat, and I got to talk about this anyway,
• 16:27
  Speaker 5: I know. Kyler Pratt talks about feeling dismissed by her
• 16:30
  Speaker 5: nurse during her second pregnancy. So the latest episode of
• 16:34
  Speaker 5: Recipe for Change, which is a show by Tasian Ali,
• 16:38
  Speaker 5: Kyler pretty talked about the nurse who ignored her during
• 16:41
  Speaker 5: her her birth.
• 16:43
  Speaker 1: I second pregnancy.
• 16:44
  Speaker 19: I went into labor early and being in the hospital
• 16:48
  Speaker 19: and I told the nurse there that I was having contractions,
• 16:51
  Speaker 19: and she looked at the machine and she said, no,
• 16:53
  Speaker 19: you weren't, mum m. And I said, yes, i am.
• 16:57
  Speaker 19: I've done this before. Go get my doctor and luckily
• 17:01
  Speaker 19: standing up for myself in that moment. My daughter is
• 17:05
  Speaker 19: here now because she went to get my doctor. My
• 17:07
  Speaker 19: doctor said, oh, you're six centimeters dilated. Now we have
• 17:10
  Speaker 19: to do an emergency C section. But because I was
• 17:13
  Speaker 19: so small, it wasn't showing up on the machine. And
• 17:17
  Speaker 19: in that moment, I didn't really recognize when people weren't
• 17:20
  Speaker 19: listening to me because I was young, because I'm Black,
• 17:24
  Speaker 19: and because I'm a woman.
• 17:25
  Speaker 3: That's why the Black Maternal Death Ord is what it is,
• 17:27
  Speaker 3: because these doctors don't take Black women serious when they
• 17:29
  Speaker 3: tell them something is wrong exactly.
• 17:31
  Speaker 5: And I love to hear us black black women speaking
• 17:34
  Speaker 5: on healthcare experiences like that. That's another reason why remember
• 17:38
  Speaker 5: I was selling both y'all, I don't want to have
• 17:39
  Speaker 5: my baby in the hospital. I want to do this
• 17:42
  Speaker 5: in like a birthing center, or I want to do
• 17:44
  Speaker 5: home births. Like That's why it's important for midwives and
• 17:47
  Speaker 5: duelas and more more black women to be in that industry.
• 17:53
  Speaker 1: You know, we need more health black healthcare workers.
• 17:55
  Speaker 3: And those dulas can catch things that you know, like
• 17:58
  Speaker 3: Kyla said, she missed and she was like, you know,
• 18:01
  Speaker 3: she didn't know to stand up for herself like those douelers.
• 18:04
  Speaker 1: That's what those douelers are for, to fill in those gaps.
• 18:07
  Speaker 5: And to talk for you because you and you in pain,
• 18:11
  Speaker 5: your mind is everywhere or you haven't experienced it before
• 18:14
  Speaker 5: like most of their first experience, so they don't know
• 18:15
  Speaker 5: what their experience, what their body's going through.
• 18:17
  Speaker 1: So yeah, yep, yep.
• 18:19
  Speaker 5: And like I said, I tell people now more openly
• 18:22
  Speaker 5: open about it now. When I was having ash and
• 18:25
  Speaker 5: I had an epidoro and you know, and the doctor
• 18:28
  Speaker 5: was like, so this student is gonna do your apido
• 18:30
  Speaker 5: and yeah, and I'm young, you know, I'm twenty. I'm like, yo,
• 18:33
  Speaker 5: I'm hurting whatever. Whoever got to do it do it.
• 18:36
  Speaker 5: And I had to be stuck twice like that that
• 18:38
  Speaker 5: need it when you're backing and you gotta be careful
• 18:40
  Speaker 5: and you got to stay as.
• 18:41
  Speaker 1: Still as you can because you can be paralyzed.
• 18:43
  Speaker 4: Right.
• 18:43
  Speaker 5: So I just wish that I would have she got
• 18:47
  Speaker 5: that money and I wouldn't have to be with y'all.
• 18:49
  Speaker 3: She lou to all the duelers out there, because doulas
• 18:51
  Speaker 3: are important even with guys, right, because when you a
• 18:54
  Speaker 3: guy and you see your woman in pain.
• 18:56
  Speaker 1: Like that you bugging out.
• 18:58
  Speaker 3: You be talking to the nurses and everybody crazy, so smooth,
• 19:01
  Speaker 3: all the duelas that keep things calm, dropping the clues
• 19:03
  Speaker 3: bombs to lay from Thomas Ms Cloe Mavin.
• 19:06
  Speaker 1: She was all dula for her last last two.
• 19:09
  Speaker 5: Yes, Nice Billy Dy Williams says actors should be allowed
• 19:13
  Speaker 5: to wear blackface. He has sat down with Bill Maher
• 19:16
  Speaker 5: on this podcast and they were talking about the white
• 19:19
  Speaker 5: actor who played a black character in the movie Othello Today.
• 19:23
  Speaker 1: I mean, they would never let you do that. Why
• 19:26
  Speaker 1: black face? Why not? Because you should do it. That's
• 19:30
  Speaker 1: your point of view. If you're an actor, you should
• 19:34
  Speaker 1: do anything you want to do. That's a great point
• 19:37
  Speaker 1: of view, but the theater would be bombed. As an actor,
• 19:39
  Speaker 1: you should be able to do what everything you think
• 19:42
  Speaker 1: you can do, you should be able to do it.
• 19:44
  Speaker 1: The point is, and that's a great attitude, but it
• 19:46
  Speaker 1: still did happen. But I mean it comes from it,
• 19:49
  Speaker 1: and you don't go through life feeling like I'm a victim. Correct.
• 19:53
  Speaker 1: I couldn't agree with that more.
• 19:56
  Speaker 5: While I understand the end part, I do understand like
• 19:59
  Speaker 5: you can't go through life on like a victim? Does
• 20:01
  Speaker 5: he not know where black face came from and how
• 20:04
  Speaker 5: like I mean, I just I was. I was rather
• 20:06
  Speaker 5: shocked to hear his take on that, and Bill Marer
• 20:10
  Speaker 5: kept trying to bring it back like, no, yo, this
• 20:12
  Speaker 5: is you know. But but like I said, he not
• 20:15
  Speaker 5: thinking about it from that point of view.
• 20:17
  Speaker 1: He was more so like an actor can do anything.
• 20:20
  Speaker 1: If you're an actor, that's.
• 20:21
  Speaker 5: What you do, you know what I'm saying, Like you
• 20:24
  Speaker 5: push limits and you do things that you wouldn't do
• 20:26
  Speaker 5: in your real regular life.
• 20:27
  Speaker 1: You're acting.
• 20:28
  Speaker 3: Yeah, black face is just a specific thing though, because
• 20:31
  Speaker 3: it's the practice of non black performers and they used
• 20:33
  Speaker 3: to put the you know, the black paint on their
• 20:35
  Speaker 3: face to portray characters of black people, right, so it
• 20:39
  Speaker 3: would also it would always it would always be like
• 20:41
  Speaker 3: these offensive stereotypes of black people making us look the worst. So, no,
• 20:46
  Speaker 3: you shouldn't be allowed to wear black face. But you know,
• 20:49
  Speaker 3: I can see pushing a limit. Yeah, but I can
• 20:52
  Speaker 3: see his argument for people being able to act as
• 20:56
  Speaker 3: black people.
• 20:57
  Speaker 5: And then the movie and Othello the white guy, he said,
• 21:00
  Speaker 5: Billy Dee said, he fell out laughing because they put
• 21:02
  Speaker 5: a big ass.
• 21:03
  Speaker 1: On the character. That's that's that's a character. Yeah, yeah, yeah, yeah.
• 21:08
  Speaker 1: I just don't see what the need for that would be.
• 21:10
  Speaker 3: Yeah, you need like it's plenty of black actors and
• 21:12
  Speaker 3: actresses out here. We don't need no white people. We
• 21:14
  Speaker 3: don't tending to be black people at this point. I
• 21:17
  Speaker 3: don't see the need for that. In twenty twenty four
• 21:19
  Speaker 3: and I think eighty.
• 21:20
  Speaker 1: Eight years old, right or ninety years he's up.
• 21:23
  Speaker 5: There, he is all heah, I been around for a
• 21:25
  Speaker 5: lunchich and he looks good to he still looks good.
• 21:27
  Speaker 1: Yeah.
• 21:28
  Speaker 5: So Zindea wishes she would have went to school instead
• 21:30
  Speaker 5: of being a child actor. So she recently spoke to
• 21:32
  Speaker 5: Vogue about working at just fourteen years old and her
• 21:36
  Speaker 5: becoming the breadwinner of the family very early. She got
• 21:39
  Speaker 5: her start in twenty ten on Disney show Shake It Up,
• 21:43
  Speaker 5: and she said she feels like she's going through her
• 21:45
  Speaker 5: teenager phase right now, you know, as a grown woman,
• 21:48
  Speaker 5: because she didn't really get to have a childhood. She
• 21:50
  Speaker 5: didn't get to live out her teenage years as a
• 21:52
  Speaker 5: teenager because she was always working. She quoted, I'm very tense,
• 21:56
  Speaker 5: and I think that I carried that from being a
• 21:58
  Speaker 5: kid and never really having an opportunity to just try it.
• 22:01
  Speaker 1: And I wish I went to school. So they're basically
• 22:05
  Speaker 1: saying she tied.
• 22:06
  Speaker 6: Y'ah.
• 22:06
  Speaker 1: Yeah, she's so tired. She been working for a long, long, long, long, long.
• 22:10
  Speaker 5: Time, and stuff like that makes me sad because I'm like, like,
• 22:13
  Speaker 5: she really wished that she could have a childhood and
• 22:16
  Speaker 5: that was that was like, that's a lot of these kids,
• 22:18
  Speaker 5: a lot of these actors that we watch on TV,
• 22:20
  Speaker 5: and then I grew up watching like, you know, like
• 22:22
  Speaker 5: China the Lady, the McClain sisters, China McClain and all
• 22:26
  Speaker 5: of them younger kids, and they wanted childhoods. Like but
• 22:29
  Speaker 5: there's some people that she started them. She was like, uh,
• 22:32
  Speaker 5: she was fourteen, Like Mary Kate, Nashley Alston, they start him.
• 22:35
  Speaker 1: They was two years old.
• 22:36
  Speaker 17: You know.
• 22:36
  Speaker 1: Their first role was on Full House. So I just
• 22:38
  Speaker 1: be like, dang, do they all feel like? I hate that?
• 22:40
  Speaker 1: Then days growing up?
• 22:41
  Speaker 3: To be honest with you, because I saw the trailer
• 22:43
  Speaker 3: for the new movie she In and she kissing two
• 22:45
  Speaker 3: boys at the same time. Then before that, you had euphoria.
• 22:48
  Speaker 3: So when you got children that grew up off Casey
• 22:50
  Speaker 3: Undercover and they just liked in there, they want to
• 22:52
  Speaker 3: see all of this too.
• 22:53
  Speaker 5: Yeah, it's like damn, I always wanted with childhood actors
• 22:58
  Speaker 5: and childhood performers, like because the parents have to give
• 23:00
  Speaker 5: up their lives to make sure that they can support
• 23:02
  Speaker 5: the child that they're there, so they don't have a
• 23:04
  Speaker 5: Nickelodeon type of thing, right, So you got to make
• 23:06
  Speaker 5: sure you're there, so you sacrifice your life for your kids,
• 23:08
  Speaker 5: which is.
• 23:08
  Speaker 1: Fine, But then when your kids get to an age,
• 23:11
  Speaker 1: when do you let them go?
• 23:12
  Speaker 5: Because your whole life has been your kids, Your whole
• 23:15
  Speaker 5: finances have been your kids. So I wonder how that
• 23:18
  Speaker 5: works because we've seen them with Britney's spare, his father
• 23:20
  Speaker 5: and all these other dads. But I understand it now
• 23:22
  Speaker 5: is the parents had to give up their lives, right,
• 23:25
  Speaker 5: but now all of their relationships are strange. Look at
• 23:28
  Speaker 5: Brittany and her father, ye right, true.
• 23:29
  Speaker 3: Because they probably feel like they were getting pushed when
• 23:31
  Speaker 3: they didn't want to get pushed and they probably didn't
• 23:33
  Speaker 3: want to quit, and the parents are like, no, we
• 23:34
  Speaker 3: gotta get this money. Now they old enough to understand
• 23:37
  Speaker 3: that they was nothing but indentured charvits. They're like, f y'all, Okay,
• 23:40
  Speaker 3: I'm sick of it is all right. Well that was
• 23:42
  Speaker 3: just with the mess.
• 23:44
  Speaker 5: When we come back, we'll tell you about this man
• 23:46
  Speaker 5: who's suing fifty women who put on I guess some
• 23:50
  Speaker 5: type of app that he was a bad day.
• 23:52
  Speaker 1: Oh my god, that's right. Well it's not them, sir.
• 23:56
  Speaker 5: Well we'll talk about it when we come back as
• 23:57
  Speaker 5: the Breakfast Like in the morning, you're checking out the
• 23:59
  Speaker 5: Breakfast Club. Morning everybody. It's DJ n V, Jess Hilariy
• 24:04
  Speaker 5: and Charlamagne the guy. We are the Breakfast Club. Let's
• 24:06
  Speaker 5: get in some front page news.
• 24:10
  Speaker 1: All right. Now, I'll just tell you some clips stories.
• 24:11
  Speaker 5: Of course, we had the eclipse on Monday, but some
• 24:14
  Speaker 5: people weren't too happy.
• 24:16
  Speaker 1: In Mexico.
• 24:17
  Speaker 5: They showed the clips on TV and they got in
• 24:21
  Speaker 5: trouble because they accidentally showed a man's testicles instead of
• 24:25
  Speaker 5: the solar eclipse. Oh my god, that's first of all
• 24:29
  Speaker 5: on the TV screen, so it was supposed to be
• 24:31
  Speaker 5: and they accidentally showed a man's testify.
• 24:34
  Speaker 1: I need to see why only showed me this before
• 24:35
  Speaker 1: we got on there. Show me the type. I want
• 24:38
  Speaker 1: to see how this happened.
• 24:39
  Speaker 3: You want to see, yes, I want to see how
• 24:41
  Speaker 3: these type of things happen we have that don't even
• 24:43
  Speaker 3: make any sense.
• 24:44
  Speaker 5: But somebody left the comment was like, I didn't expect
• 24:46
  Speaker 5: to see the eclipse. I didn't expect to see testicles.
• 24:49
  Speaker 5: I would expect to see uranus instead of the What
• 24:52
  Speaker 5: was the man doing?
• 24:53
  Speaker 1: Though? Like why was he even on the screen? Mad fast?
• 24:56
  Speaker 5: So it was I guess they went to the footage
• 24:58
  Speaker 5: of supposed to be showing the eclipse and it showed
• 25:00
  Speaker 5: the man's testicles.
• 25:01
  Speaker 1: I don't know how the testicles got did this man?
• 25:03
  Speaker 1: But why did this man just have his testicles? What's
• 25:06
  Speaker 1: going on in Mexico? Mine his business? That was supposed
• 25:09
  Speaker 1: to be streaming somewhere else that was but clearly it
• 25:12
  Speaker 1: was in the public, Like why are you just out
• 25:14
  Speaker 1: with your nuts haanging in the public. I don't know
• 25:17
  Speaker 1: how they messed that up.
• 25:18
  Speaker 5: Also, somebody came up with this bright idea to have
• 25:21
  Speaker 5: an eclipse flight where a flight was one thousand dollars
• 25:24
  Speaker 5: and it was a delta flight actually, and it would
• 25:26
  Speaker 5: be flying where you could actually.
• 25:28
  Speaker 1: See the eclipse in the air.
• 25:30
  Speaker 5: Well, because of the clouds, the people that paid a
• 25:32
  Speaker 5: thousand dollars could not see it.
• 25:34
  Speaker 1: So they got some goodie backs they got hat.
• 25:36
  Speaker 5: Socks and a moon pie and son chips, and they
• 25:40
  Speaker 5: didn't get that thousand airline that was Delta actually real.
• 25:45
  Speaker 1: Yeah, and I'm adults, remember that's clowned out.
• 25:49
  Speaker 3: I saw that in Jersey when I was looking at
• 25:51
  Speaker 3: the eclipse Monday, there was a plane and I said that.
• 25:54
  Speaker 3: I was like, I said, I wonder if that's a
• 25:55
  Speaker 3: plane just for the eclipse because it was like a
• 25:56
  Speaker 3: smaller plane.
• 25:57
  Speaker 5: Right, I'm sure it was Jesus. Now this man is
• 26:00
  Speaker 5: suing fifty women for calling him a bad date. Now,
• 26:04
  Speaker 5: this guy's in California. He's lasting out of fifty women
• 26:06
  Speaker 5: on Facebook for allegedly saying that his date was horrible
• 26:10
  Speaker 5: and that he was whack and that he was trash.
• 26:12
  Speaker 1: And here's the women that he is suing, two of them. Actually,
• 26:15
  Speaker 1: it's very bizarre. The accusations are baseless.
• 26:18
  Speaker 16: I feel not just for myself, but for my co
• 26:21
  Speaker 16: defendants and for the other women that he's gone after.
• 26:24
  Speaker 20: Olivia Berger and Vanessa Valdez are just two of multiple
• 26:28
  Speaker 20: women being sued for defamation, libel, sex based discrimination, and
• 26:34
  Speaker 20: other allegations by Stuart Lucas Murray.
• 26:38
  Speaker 1: He's basically seeing us for two point six million dollars
• 26:40
  Speaker 1: in damages.
• 26:41
  Speaker 20: It all started with this post on the Facebook group
• 26:44
  Speaker 20: are We Dating the same Guy? When Olivia and Vanessa
• 26:48
  Speaker 20: saw the post and all the comments, they added their
• 26:52
  Speaker 20: own experiences.
• 26:53
  Speaker 1: He seemed, in my opinion, pretty smug and very arrogant.
• 26:58
  Speaker 1: The entire date. He was putting me down for various
• 27:01
  Speaker 1: things on my job included.
• 27:04
  Speaker 20: Vanessa never went on a date with Murray because she
• 27:07
  Speaker 20: says she didn't like the messages he sent her, at
• 27:10
  Speaker 20: one point, even calling her a moron.
• 27:14
  Speaker 1: I didn't know you could sue anybody.
• 27:15
  Speaker 5: Well, I didn't to sue anybody, if anything, but the
• 27:18
  Speaker 5: fact that you could just sue somebody from calling them
• 27:19
  Speaker 5: a bad date.
• 27:20
  Speaker 21: But the date was bad, and they're all fifty of them.
• 27:25
  Speaker 1: Well, he talks about why he's doing it.
• 27:27
  Speaker 20: They contacted Murray for comment, but he declined an on
• 27:30
  Speaker 20: camera interview. Instead, he directed us to this website with
• 27:35
  Speaker 20: a long statement that says, in part, this action is
• 27:38
  Speaker 20: not a game, and the accusations against the defendants are serious.
• 27:43
  Speaker 20: I rejected each of.
• 27:44
  Speaker 1: Them and cut them off quite swiftly.
• 27:47
  Speaker 20: Instead of going their separate ways, they went on for
• 27:50
  Speaker 20: months and years to spread this information about me and
• 27:54
  Speaker 20: countless others. Their actions were deliberate and they are now
• 27:58
  Speaker 20: playing the victims.
• 28:01
  Speaker 1: Yeah, so he's sewing these women for two point six
• 28:03
  Speaker 1: million dollars and not gonna win. I don't think it's going.
• 28:07
  Speaker 1: It's like, what are you doing?
• 28:08
  Speaker 5: You spend them on more money, going to court for
• 28:12
  Speaker 5: fifty women, then you're gonna ever get this is weird
• 28:16
  Speaker 5: very well. So basically it's like a defamation thing. Defamations
• 28:18
  Speaker 5: here yep, but you're not famous saying that, messing up
• 28:22
  Speaker 5: his name. And lastly, we got to talk migrants. Now,
• 28:26
  Speaker 5: a crew of Venezuelan migrants with rap sheets allegedly targeted Target. Yes,
• 28:31
  Speaker 5: they went and target, They ransacked the target, take things
• 28:33
  Speaker 5: out of target, and then when the when.
• 28:35
  Speaker 1: The cops came, they allegedly beat up the cops.
• 28:37
  Speaker 5: Now, the accused criminals were part of a crew of
• 28:39
  Speaker 5: six that allegedly yanked items off displays in the store
• 28:43
  Speaker 5: and did a whole bunch of other things. And because
• 28:46
  Speaker 5: of the bail reform, these guys were pretty much released
• 28:49
  Speaker 5: right after Where's this It's New York.
• 28:52
  Speaker 1: You saw you saw the stuff they were stealing, like
• 28:54
  Speaker 1: you know cereal, and you know they were.
• 28:56
  Speaker 5: Basically stealing Doriteau Strawberry's bottled waters and things like that.
• 29:00
  Speaker 3: I told y'all weeks ago that America doesn't have the
• 29:02
  Speaker 3: resources for this influx of migrants, and like most people
• 29:05
  Speaker 3: who can't get buy in this country, the migrants whore
• 29:07
  Speaker 3: want to resort to what to survive crime, Okay, and
• 29:10
  Speaker 3: when you look at what they throw, you see it's
• 29:12
  Speaker 3: just some essentials to survive. Yeah, but this is a
• 29:15
  Speaker 3: problem of America's own creation. Could never forget. Mayor Adams said,
• 29:18
  Speaker 3: New York with a sanctuary city, Well, so those governess
• 29:21
  Speaker 3: protectors in Florida send them right on over.
• 29:23
  Speaker 1: This is what may Adam said, because it was everything
• 29:25
  Speaker 1: that's going on.
• 29:26
  Speaker 13: What I said, even with those who are undocumented and
• 29:31
  Speaker 13: those who are micros and asylum seekers, if you are
• 29:34
  Speaker 13: repeated offender of a violent act in this city, after
• 29:39
  Speaker 13: you serve your time, you need to leave this city.
• 29:42
  Speaker 1: That is my position.
• 29:44
  Speaker 22: People should not come here and be violent to everyday
• 29:48
  Speaker 22: citizens of the city and to other migrants and asylum
• 29:51
  Speaker 22: seekers because some of the incidents we're seeing they're attacking
• 29:54
  Speaker 22: other micros and asylum seekers who just want to come
• 29:56
  Speaker 22: in and pursue the American dream.
• 29:58
  Speaker 3: Is that considered the violent though? I mean, they shoplifted
• 30:01
  Speaker 3: and then I guess they resisted.
• 30:02
  Speaker 5: The rest beating up the police. Police, don't they beat
• 30:06
  Speaker 5: him up, But they were rocks at the officer. One
• 30:08
  Speaker 5: officer was taken to the hospital.
• 30:09
  Speaker 1: So yeah, you don't think they beat them up, but
• 30:11
  Speaker 1: they just do rocks at them. That shouldn't be a biggie.
• 30:14
  Speaker 3: Yeah, but think about what they were doing. I'm not
• 30:16
  Speaker 3: making excuses for them. I'm just saying they were trying
• 30:18
  Speaker 3: to survive. They were stealing out of a store because
• 30:21
  Speaker 3: they were needed food. Is throwing rocks considered violent?
• 30:27
  Speaker 1: Yes? What the hell is wrong with Yes, throwing rocks
• 30:31
  Speaker 1: is violent. But like you said, they were trying. They
• 30:33
  Speaker 1: got done. They got You know, what I'm saying they
• 30:35
  Speaker 1: were not.
• 30:36
  Speaker 3: A violent act of me is like, you know, running
• 30:38
  Speaker 3: up in the stow and actually causing somebody bodily harmed
• 30:40
  Speaker 3: just for the sake of causing them bodily harmed. They
• 30:42
  Speaker 3: weren't doing that, but they said they wrestled, shoves, slapped,
• 30:44
  Speaker 3: and pushed them in an attempt to resist. The wild
• 30:47
  Speaker 3: struggle left one officer with swelling redness and pain on
• 30:49
  Speaker 3: his left arm he was taking to the local hospital
• 30:51
  Speaker 3: where he was treated and released. Well, another suspect who
• 30:54
  Speaker 3: has not been caught with throwing rocks.
• 30:56
  Speaker 1: At the offices, but the officers were not strip We'll
• 30:59
  Speaker 1: never forget.
• 31:00
  Speaker 3: Mayor Adams said New York was a sanctuary city, right,
• 31:02
  Speaker 3: So those governors from Texas and Florida sentthing right on
• 31:04
  Speaker 3: over here.
• 31:05
  Speaker 1: So now you got to deal with those deal with
• 31:07
  Speaker 1: those issues, all right.
• 31:09
  Speaker 5: Well that is front page news, all right. Now, when
• 31:12
  Speaker 5: we come back eight hundred five eight five one oh
• 31:14
  Speaker 5: five one, let's talk DDG and Chloe Bailey. Now DDG
• 31:18
  Speaker 5: recently did an interview, and during the interview he talked
• 31:20
  Speaker 5: about trying to get Chloe Bailly jealous while she was there,
• 31:23
  Speaker 5: and he texted his x DM dees x crazy something
• 31:27
  Speaker 5: like I miss you or something like that. So we're
• 31:29
  Speaker 5: asking eight hundred five eight five one oh five to one,
• 31:33
  Speaker 5: what's the dumbest thing you did to make your ex jealous?
• 31:35
  Speaker 1: To make a girl jealous? That was so clowned out,
• 31:37
  Speaker 1: But that's the thing he said.
• 31:39
  Speaker 5: He had did it in front of her, and he
• 31:40
  Speaker 5: had no intention on linking out with Ruby, but he
• 31:43
  Speaker 5: just texted and said, like what you doing. He ain't
• 31:45
  Speaker 5: said I missed you or nothing. Later I think he
• 31:46
  Speaker 5: said because that's what he said. He said, I just
• 31:48
  Speaker 5: say what you're doing, And he did it in front
• 31:49
  Speaker 5: of her just to get her attention. But why would
• 31:52
  Speaker 5: you be so clowned out to trigger Ruby and to
• 31:55
  Speaker 5: trigger the pregnant woman that you're with.
• 31:57
  Speaker 3: Because you're trying to prove that he got holes? And
• 31:59
  Speaker 3: you know what I'm saying, dumb yo, Holly, No, you
• 32:03
  Speaker 3: ain't got no ho s your numbat.
• 32:04
  Speaker 5: And Ruby knows this too, like well, if you know
• 32:07
  Speaker 5: the type of girl that Ruby is, why would you
• 32:09
  Speaker 5: trigger that person?
• 32:10
  Speaker 1: Again? They still want me in these streets like here,
• 32:14
  Speaker 1: watch this, watch five five one oh five one. What's
• 32:19
  Speaker 1: the dumbest thing you did to try to get your
• 32:21
  Speaker 1: girl or your man jealous? Let's discuss. It's the breakfast
• 32:24
  Speaker 1: slogo Morning the Breakfast Club.
• 32:33
  Speaker 12: It's topic time called eight hundred and five five one
• 32:37
  Speaker 12: five one to join into the discussion with the Breakfast Club.
• 32:41
  Speaker 5: Good morning everybody. It's d J, n V, Jess, Hilaria
• 32:44
  Speaker 5: and Charlamagne the God. We are the Breakfast Club. Now
• 32:46
  Speaker 5: if you're just joining us, we're talking about D D
• 32:49
  Speaker 5: G and Halle Belly All right now, d d G
• 32:52
  Speaker 5: said that to get I guess, to get Halle Belly jealous.
• 32:55
  Speaker 1: He d MS his ex Ruby Rose. It's so funny, man,
• 33:02
  Speaker 1: that's just really some young boys stuff.
• 33:04
  Speaker 20: Man.
• 33:04
  Speaker 3: You're sitting around with the woman in your dreams, the
• 33:06
  Speaker 3: woman you love, the woman you having a family.
• 33:08
  Speaker 1: With, y'all, having a little spat.
• 33:10
  Speaker 3: You want her to think that you still got it
• 33:12
  Speaker 3: and you can walk out this house and just go
• 33:14
  Speaker 3: into the arms of another woman knowing don't nobody want your.
• 33:16
  Speaker 1: Ass no more?
• 33:17
  Speaker 3: Okay, So you just had to send that out real
• 33:20
  Speaker 3: quick to try to make her jealous, and she like, nigga,
• 33:22
  Speaker 3: what and you ain't going nowhere?
• 33:24
  Speaker 17: Right?
• 33:24
  Speaker 1: Not going nowhere. I'm the little mermaid, Jess. Have you
• 33:30
  Speaker 1: done this before?
• 33:32
  Speaker 5: No, I ain't gonna you know, I haven't done it,
• 33:34
  Speaker 5: and now I haven't done it to make somebody. Man.
• 33:36
  Speaker 5: I did it because I was mad, but I didn't
• 33:38
  Speaker 5: want that person to find out all I did, like
• 33:40
  Speaker 5: double back on somebody and I was talking to you
• 33:42
  Speaker 5: when like a current boyfriend have made me mad or
• 33:45
  Speaker 5: something like that. But I didn't do that to get
• 33:46
  Speaker 5: his attention. I did that just because he had made
• 33:48
  Speaker 5: me mad, and I just didn't want to deal with
• 33:50
  Speaker 5: him at the time, Like, all right, what I hit this.
• 33:53
  Speaker 1: Absolutely okay, like I'm to play you just nothing, you
• 34:01
  Speaker 1: know what I mean? Yeah, but I didn't do that
• 34:03
  Speaker 1: to stress the guy out. Right, all right, well let's
• 34:06
  Speaker 1: go to the foe. Yeah, Jean's not gonna stretch him out,
• 34:10
  Speaker 1: stress him out. Hello, bre Hey, good morning.
• 34:15
  Speaker 15: So I was basically saying that the craziest thing I
• 34:19
  Speaker 15: did to get back with the Ax was get full
• 34:22
  Speaker 15: blown dressed up, hair done, like, made sure I looked
• 34:26
  Speaker 15: the baddest that I couldn't look, and told.
• 34:29
  Speaker 7: Him that I was gonna go out there and do
• 34:31
  Speaker 7: the same thing he was doing.
• 34:33
  Speaker 15: But really I just was sitting in the parking lot.
• 34:37
  Speaker 4: Or like driving around like my older.
• 34:40
  Speaker 15: Partners, killed some time and come back like two o'clock
• 34:45
  Speaker 15: in the morning and make it seem like I had
• 34:47
  Speaker 15: the time of my life.
• 34:48
  Speaker 5: Or really I was just my car being miserable, wasting.
• 34:57
  Speaker 23: Gas, like going walking around wall.
• 35:01
  Speaker 1: Looking like I just came from church. Did it work?
• 35:05
  Speaker 7: That turned?
• 35:06
  Speaker 23: Because you know the that I was wearing, you couldn't
• 35:08
  Speaker 23: wear the shirt, but I made sure I looked that way.
• 35:11
  Speaker 23: So he was under the impression that I was about
• 35:13
  Speaker 23: to be out.
• 35:13
  Speaker 10: There in the street.
• 35:15
  Speaker 1: Did he call you, calling you and texting you while
• 35:17
  Speaker 1: you was out?
• 35:18
  Speaker 24: No?
• 35:18
  Speaker 23: But when I got back, you would if we wouldn't
• 35:21
  Speaker 23: be we wouldn't need to be talking like he would
• 35:23
  Speaker 23: be so unfazed by it, and it would just pissing
• 35:26
  Speaker 23: yards even more so it was just so you.
• 35:29
  Speaker 1: Went back out, he went back outside.
• 35:32
  Speaker 23: Yeah, I would. I would just go back outside and
• 35:35
  Speaker 23: sit in my car and act like I was mad
• 35:36
  Speaker 23: and leave again and just be driving around.
• 35:40
  Speaker 1: Oh man, humans are some stupid people. Yes, I mean
• 35:43
  Speaker 1: we are ridiculous. I mean we are. We are really ridiculous.
• 35:46
  Speaker 1: Did you call Did he call you?
• 35:48
  Speaker 11: No?
• 35:50
  Speaker 1: It didn't even work. Dang, hello, who's this he?
• 35:55
  Speaker 11: What you did?
• 35:55
  Speaker 1: Tell your x him? What do you do to your
• 35:57
  Speaker 1: man to make it him jealous?
• 35:58
  Speaker 23: I did the same thing. I caught him taking somebody,
• 36:03
  Speaker 23: so I had to tell him you was the only
• 36:04
  Speaker 23: one that used to have somebody.
• 36:06
  Speaker 25: So I called him body in front of.
• 36:07
  Speaker 8: Him, let him know that he was on the phone.
• 36:09
  Speaker 8: I fell, I was on to his house.
• 36:11
  Speaker 1: And what he did behind me, he did what he
• 36:15
  Speaker 1: chased behind me. Oh, you're saying that lived part of
• 36:20
  Speaker 1: Little Lord Choke slam you. What'd you say?
• 36:22
  Speaker 23: So, I said, he takes behind my car?
• 36:26
  Speaker 3: Oh yeah, okay, okay, okay, okay. And you wasn't going
• 36:29
  Speaker 3: no damn place the Walmart. He wasn't going nowhere with
• 36:32
  Speaker 3: the Walmart.
• 36:33
  Speaker 1: I was doing, raizy.
• 36:37
  Speaker 5: I better stop playing with these people, absolutely, I better
• 36:39
  Speaker 5: stop playing with the.
• 36:40
  Speaker 3: Why don't we understand proper communication skills though? Why can't
• 36:43
  Speaker 3: we just be honest with each other? Just tall like yeah,
• 36:47
  Speaker 3: all this goofiness.
• 36:47
  Speaker 1: For no reason?
• 36:48
  Speaker 5: And then oh my god, then I was I'm so
• 36:50
  Speaker 5: mad with dd G because Halle was pregnant, like all
• 36:53
  Speaker 5: that is to be like, all right, look, what's up?
• 36:54
  Speaker 5: What's wrong with you? Like you know what I'm saying
• 36:56
  Speaker 5: or whatever. The argument was about she hormonal, she pregnant,
• 36:59
  Speaker 5: and you gonna hit rial?
• 37:01
  Speaker 1: What is wrong with you? C? C C what you
• 37:05
  Speaker 1: did to make your man jealous?
• 37:07
  Speaker 25: So at the time, we worked with education, so we
• 37:10
  Speaker 25: don't for a lot of students who had crisis.
• 37:12
  Speaker 16: And I worked with my boysriend at the time, and
• 37:15
  Speaker 16: so we didn't call me for like.
• 37:17
  Speaker 17: The whole day.
• 37:18
  Speaker 25: He was an aim and our phone call. So I
• 37:20
  Speaker 25: had my friend call him, continuing was from my phone
• 37:24
  Speaker 25: and tell him that I was in crisis.
• 37:26
  Speaker 4: So he had to come to me.
• 37:27
  Speaker 25: Like it was real drastic and extra so I had
• 37:30
  Speaker 25: to think like I was having a panic in tack
• 37:33
  Speaker 25: and oh my god, room, I didn't go to the
• 37:40
  Speaker 25: emergency room.
• 37:40
  Speaker 16: No, I mean I made it seem like it was drastic,
• 37:44
  Speaker 16: like I believed him to do this.
• 37:47
  Speaker 1: And how do you react? How do you react?
• 37:49
  Speaker 25: He was he was offensive in everything or whatever, but
• 37:53
  Speaker 25: I can kind of tell he was kind of like,
• 37:55
  Speaker 25: I don't know if I'm gonna want to be in this.
• 37:57
  Speaker 25: I guess I made it worse for the relationship. Yeah,
• 38:00
  Speaker 25: you think like I kind of made it seem like
• 38:03
  Speaker 25: I was dramatic and mentally unstable.
• 38:07
  Speaker 1: Yeah, no, for sure, Yeah, for sure, thank you.
• 38:10
  Speaker 5: That's just like Carlie Russell when she said she saw
• 38:12
  Speaker 5: the baby walking down the highway just to all that,
• 38:15
  Speaker 5: to get that guy's attention, you're right, just to.
• 38:17
  Speaker 1: Get his attention.
• 38:18
  Speaker 3: What happened to communication? Yeah, sitting down having a conversation.
• 38:21
  Speaker 5: That man didn't want to talk to her, so that's
• 38:23
  Speaker 5: why she has She said that she saw a baby
• 38:24
  Speaker 5: walking down the highway and she had to save them and.
• 38:26
  Speaker 3: Also think about it like this, what's more embarrassing doing
• 38:29
  Speaker 3: all of this goofy stuff y'all calling up here doing,
• 38:31
  Speaker 3: or just talking to a person and telling them how
• 38:33
  Speaker 3: you feel talking to you know what I'm saying, Like
• 38:35
  Speaker 3: being for real about your emotions. That might be a
• 38:37
  Speaker 3: little embarrassing, that might hurt a little bit, but not
• 38:40
  Speaker 3: like not as much of this stupid stuff y'all doing.
• 38:41
  Speaker 5: But the problem is these guys don't want to talk
• 38:43
  Speaker 5: to them, That is the problem. So they're trying to
• 38:46
  Speaker 5: get their attention. That's why she said the emergency room.
• 38:48
  Speaker 5: That's why she said, I'm gonna go out and I'm
• 38:50
  Speaker 5: gonna way to fly his clothes and put on my
• 38:52
  Speaker 5: nice outfit. I want to get you jealous, so you
• 38:54
  Speaker 5: want to talk to me and you're just driving around
• 38:56
  Speaker 5: wal I don't care, right, And that's gonna make me.
• 38:58
  Speaker 3: That's gonna push me away, Frost and I'm gonna be
• 38:59
  Speaker 3: like I thought she was crazy, Now I know she crazed.
• 39:02
  Speaker 5: And what if what if the guy had her location
• 39:04
  Speaker 5: the whole time? Right, it was like, you ain't even
• 39:05
  Speaker 5: going nowhere.
• 39:06
  Speaker 1: He was in the garage the whole time.
• 39:07
  Speaker 5: Hey, yo, stupid height undred five eight five one oh
• 39:12
  Speaker 5: five one. What did you do to get your your
• 39:14
  Speaker 5: boyfriend or girlfriend jealous? Let's discuss. This's the breakfast club
• 39:17
  Speaker 5: in the morning.
• 39:23
  Speaker 1: Let's say if y'all talking about it, you know we
• 39:26
  Speaker 1: talking about it.
• 39:27
  Speaker 12: It's topic times called eight hundred five eight five one
• 39:31
  Speaker 12: o five one to join into the discussion with the breakfast.
• 39:33
  Speaker 5: Club more than everybody. It's DJ en v Jess, Cilary
• 39:38
  Speaker 5: Charlamagne the guy. We are the Breakfast Club. If you're
• 39:40
  Speaker 5: just joining us, we're talking about Halle Bailey and DDG.
• 39:44
  Speaker 5: Now DG recently said that he texted or I should say,
• 39:48
  Speaker 5: DM robi rules in front of Halle to make her jealous.
• 39:50
  Speaker 5: So we're asking, what's the dumbest thing you did to
• 39:53
  Speaker 5: make your axe or make your girl jealous or man jealous?
• 39:56
  Speaker 5: Shave it up, shay hey, heyling, what you did to
• 39:59
  Speaker 5: make your man jealou shad Well, he was a.
• 40:01
  Speaker 25: Lot younger, but I used to put on clothes and
• 40:04
  Speaker 25: dressed up to take pictures on Instagram, like I'm going
• 40:07
  Speaker 25: to the club so you can see.
• 40:10
  Speaker 1: Your ass. Never left the house, No, never, He should
• 40:13
  Speaker 1: have blocked you.
• 40:16
  Speaker 16: But we still get we're still together to day, so
• 40:19
  Speaker 16: I know that's right to work out.
• 40:22
  Speaker 1: What about to get back?
• 40:23
  Speaker 7: Though?
• 40:23
  Speaker 1: What if a guy were what if he had just
• 40:25
  Speaker 1: posted a woman's feet on his Instagram?
• 40:29
  Speaker 14: That's definitely going too far, and that definitely I bet.
• 40:33
  Speaker 1: You asked when you were going to the club you
• 40:34
  Speaker 1: got dressing with right this house?
• 40:36
  Speaker 17: I did.
• 40:37
  Speaker 15: I would have really posted somebody else my feet.
• 40:41
  Speaker 1: That's just how I go. Hello, who's this hey, Kelsey?
• 40:47
  Speaker 5: Now we're talking about things, stupid things you did to
• 40:50
  Speaker 5: try to make a man a woman jealous.
• 40:52
  Speaker 26: Okay, so that's date. Well, I date my best fans
• 40:57
  Speaker 26: cousin and we got into a bad argument.
• 41:01
  Speaker 14: We started talking for about two weeks.
• 41:03
  Speaker 26: And during that time I had got drunk, a little drunk,
• 41:06
  Speaker 26: and I ended up sleeping with my kids dad. So
• 41:10
  Speaker 26: my best friend knew my location and she told him
• 41:15
  Speaker 26: that she told the guy was dating that I was
• 41:19
  Speaker 26: at my kids bath those so he wanted to do
• 41:22
  Speaker 26: the same thing, but he ended up getting his baby
• 41:24
  Speaker 26: mom's pregnant.
• 41:25
  Speaker 1: Ooh, that's if the sad thing that that ain't always
• 41:29
  Speaker 1: save home. No it's not, but look tell it you.
• 41:33
  Speaker 1: So you really was never over your baby daddy or
• 41:36
  Speaker 1: were you to do something like that.
• 41:38
  Speaker 26: No, I saying, I really don't even like my baby dad.
• 41:42
  Speaker 26: He just happened to have my kids that night, and
• 41:46
  Speaker 26: when I came to get them, I was a little toochy,
• 41:48
  Speaker 26: so you know, he let me stay in his place,
• 41:51
  Speaker 26: and it just happened.
• 41:52
  Speaker 1: She wanted to get that familiar pad. I wonder what
• 41:55
  Speaker 1: makes you what makes you think a man gonna take
• 41:57
  Speaker 1: you back after something like that. Yes, he wanted to
• 41:59
  Speaker 1: go to sleep with his big mother, but he got
• 42:01
  Speaker 1: his mother pregnant. Damn, but he did it.
• 42:06
  Speaker 5: Ever, retaligation to what you did and your best friend
• 42:09
  Speaker 5: of clawm whause your your best friend definitely diamed you out.
• 42:12
  Speaker 3: But I'm just saying yeah, and she probably slept with
• 42:16
  Speaker 3: both of them. Oh my god, she slept with both
• 42:23
  Speaker 3: of your men.
• 42:24
  Speaker 1: Bet you hello, who's this.
• 42:34
  Speaker 16: You didn I was day Me and my foster was together,
• 42:39
  Speaker 16: and he wanted to be single for a little while,
• 42:41
  Speaker 16: So I.
• 42:42
  Speaker 7: Decided to date a toe worker.
• 42:43
  Speaker 1: You said you and your what? I said?
• 42:45
  Speaker 7: Me and my fast decided to take a break forward
• 42:47
  Speaker 7: a little while. But the first person that dated was
• 42:49
  Speaker 7: his coworker. He had to see him every day at work.
• 42:51
  Speaker 1: This is your husband. Yes, okay, so you and your
• 42:53
  Speaker 1: spouse slate too much? Then what now? Because I was
• 42:56
  Speaker 1: caught up in something he wanted.
• 42:59
  Speaker 7: He said he wanted to be single, so how allowed
• 43:01
  Speaker 7: to break? And the first person that dated was his
• 43:03
  Speaker 7: coworker and he knew he knew who the guy was,
• 43:07
  Speaker 7: so he went up dating the guy up being weird
• 43:10
  Speaker 7: to the guy and he was like, why is he
• 43:11
  Speaker 7: talking to me?
• 43:11
  Speaker 4: If you know me he's talking, I'm like, I have
• 43:13
  Speaker 4: no idea he's single.
• 43:15
  Speaker 1: Why would you do that?
• 43:16
  Speaker 7: Though?
• 43:16
  Speaker 3: See, stuff like that is so foul because in my mind,
• 43:19
  Speaker 3: you always wanted that co worker.
• 43:21
  Speaker 1: He was always you always had eyes for that man.
• 43:24
  Speaker 1: That ain't just start And at least he told you, well, no,
• 43:27
  Speaker 1: he was just collateral damage.
• 43:29
  Speaker 7: I just want him to show him that if you
• 43:30
  Speaker 7: want to be single, I can be a single too,
• 43:32
  Speaker 7: with someone.
• 43:32
  Speaker 1: You know, No, with someone you know. That's the crazy part.
• 43:36
  Speaker 5: And then he was honest. He told you I want
• 43:39
  Speaker 5: to be single. He ain't go cheato. He told you
• 43:41
  Speaker 5: I want to be single, and you went to go
• 43:42
  Speaker 5: sleep with his coworker.
• 43:43
  Speaker 1: Jesus, I didn't sleep with a coworker.
• 43:45
  Speaker 7: I just went on a date with him.
• 43:47
  Speaker 1: Nope, you slept with him, in my mind, slept with
• 43:50
  Speaker 1: him after gave him all of that.
• 43:53
  Speaker 3: No, we're stood together.
• 43:56
  Speaker 7: We stood together.
• 43:57
  Speaker 23: He got pissed and told me, tell him it's over.
• 44:01
  Speaker 1: He still worked there. Yeah, they still see each other's
• 44:04
  Speaker 1: we'll be fighting because I got if.
• 44:09
  Speaker 17: I love you.
• 44:10
  Speaker 1: We together. You told me nothing happened.
• 44:12
  Speaker 6: Nothing happened, you my coworker.
• 44:15
  Speaker 1: You know that's my.
• 44:17
  Speaker 7: Cross the line. He slept with other people even though
• 44:20
  Speaker 7: we were single. I feel like he crossed the line,
• 44:22
  Speaker 7: and I did, and I think I did.
• 44:23
  Speaker 2: Good s.
• 44:24
  Speaker 1: There you go.
• 44:25
  Speaker 21: You didn't You left those details though? Now what he
• 44:27
  Speaker 21: But did he sleep with them before? He told you
• 44:29
  Speaker 21: that he wanted to be single?
• 44:30
  Speaker 7: You don't know he did it after?
• 44:33
  Speaker 1: He did it after?
• 44:34
  Speaker 7: But the thing you could just come back with no repercussions.
• 44:37
  Speaker 1: Come on, I told you and you said, all right.
• 44:42
  Speaker 16: But I didn't want to be single.
• 44:45
  Speaker 7: I didn't want to be single. I just went with
• 44:47
  Speaker 7: the program because I loved you.
• 44:49
  Speaker 1: Say no, that's what you say? You say? No, WHOA Look,
• 44:52
  Speaker 1: why did you get married? Why did you marry me?
• 44:54
  Speaker 5: If you wanted to be single, we need to go
• 44:56
  Speaker 5: through with a divorce, and you see how that go, girl.
• 44:59
  Speaker 1: I But to be fair, both of y'all was single.
• 45:02
  Speaker 1: So whatever y'all did when y'all was singing is what
• 45:04
  Speaker 1: y'all did. But it's a different single, like really dating
• 45:07
  Speaker 1: a homie, not really. Yes, she went on a date
• 45:10
  Speaker 1: with the guy that he worked with. He slept with
• 45:12
  Speaker 1: mad what you did?
• 45:17
  Speaker 7: I went to your favorite spot and he saw it,
• 45:21
  Speaker 7: so he was like whoa.
• 45:22
  Speaker 1: Whoa, but he was too, That's what I'm saying. It's
• 45:27
  Speaker 1: not men.
• 45:27
  Speaker 20: Men.
• 45:28
  Speaker 3: Men can't handle the get back. And she ain't even
• 45:30
  Speaker 3: sleep with the guy they place. That's what she's telling us.
• 45:33
  Speaker 3: Damn no, all right, what's the story after that last story?
• 45:37
  Speaker 1: I don't know. Like the moral of the story is
• 45:41
  Speaker 1: just communicate.
• 45:42
  Speaker 5: Just communicate, yo, like trying to make somebody jealous and
• 45:45
  Speaker 5: look and listen, you said D d G is a
• 45:48
  Speaker 5: young guy. Obviously that don't matter the age because they
• 45:51
  Speaker 5: ain't young. You know what I'm saying you age don't matter.
• 45:55
  Speaker 5: Just communicate, yo, and be honest. You're going out your
• 45:59
  Speaker 5: way to hurt you so trying to hurt something thinking
• 46:01
  Speaker 5: you hurting somebody else and it don't affect nobody.
• 46:03
  Speaker 1: But you crazy, all right, well we got just with
• 46:06
  Speaker 1: the mess coming up? What were talking about? Yes we do, dammit.
• 46:09
  Speaker 1: Azalea Banks is reading people fulfilled again here we are
• 46:12
  Speaker 1: all right, We'll get to that next. It's the Breakfast Club.
• 46:13
  Speaker 1: Come morning, Good morning, everybody. We are the Breakfast Club.
• 46:16
  Speaker 1: Let's get right to Jess with the message Lents just
• 46:20
  Speaker 1: carrobbing Moore, just don't do no lines, don't.
• 46:23
  Speaker 17: Don't nobody talk the world why jest worldwide mess talk
• 46:32
  Speaker 17: on the Breakfast Club.
• 46:33
  Speaker 1: She's the coaches ship.
• 46:34
  Speaker 18: She was able to get y'all to see something and
• 46:37
  Speaker 18: understand something that.
• 46:38
  Speaker 6: Nobody could get you to see that time to set
• 46:40
  Speaker 6: it off.
• 46:42
  Speaker 5: So Tyler the Creator responds to Azalia Banks saying he
• 46:46
  Speaker 5: and Little Na's ex should get over white bussy and
• 46:50
  Speaker 5: be a power couple.
• 46:52
  Speaker 1: We know every now and then Azelia come out, she
• 46:54
  Speaker 1: say up pusy. She goes back wherever she be at.
• 46:57
  Speaker 5: But she recently made a post saying, hang that taler
• 47:00
  Speaker 5: to creating Little Na's just stop dating white men and
• 47:02
  Speaker 5: date each other.
• 47:03
  Speaker 1: That's what that meant.
• 47:04
  Speaker 5: This post came after Tyler was on the Gerard Carmichael
• 47:08
  Speaker 5: Show and Gerard had expressed having deep feelings for him,
• 47:11
  Speaker 5: I did not.
• 47:11
  Speaker 1: See that, but you see that. No, I think they're
• 47:15
  Speaker 1: best friends. And he said that, you know, he's going
• 47:17
  Speaker 1: to be in a relationship. And what did Tyler say?
• 47:20
  Speaker 1: He laughed? Damn, it was something disrespectful because Jesus great,
• 47:24
  Speaker 1: he didn't take serious.
• 47:26
  Speaker 3: What if they both bottom little Tyler creating, then may
• 47:29
  Speaker 3: be a power bottom couple.
• 47:30
  Speaker 1: Mm hmm.
• 47:31
  Speaker 5: I don't know. I mean, I don't know how that
• 47:33
  Speaker 5: works because I'm not in that community. I don't know,
• 47:36
  Speaker 5: and I'm not a man, so I don't know.
• 47:38
  Speaker 1: You would know more about taps and bottoms of me.
• 47:40
  Speaker 5: I'm thinking about clothes when people say tap some bodies
• 47:43
  Speaker 5: shirt and some gens. Okay, but no, So Tyler had
• 47:47
  Speaker 5: saw this and he said, what the hell like he
• 47:50
  Speaker 5: laughed and it was like, you know, he just took
• 47:52
  Speaker 5: it as a joke.
• 47:53
  Speaker 1: Yeah it is. And Little Nas responded and said that
• 47:57
  Speaker 1: she is right.
• 47:57
  Speaker 5: Me and Tyler should f Oh we know how Lornosa
• 48:02
  Speaker 5: is street straight shoot down technically, you know, literally.
• 48:05
  Speaker 1: He is his white bussy sound hilarious, little pink bussy busy.
• 48:12
  Speaker 1: Get massive meat out of your hey and get to
• 48:15
  Speaker 1: your own is what she's saying. That exactly. That's exactly
• 48:19
  Speaker 1: what she's saying. We know it's elliot.
• 48:21
  Speaker 5: And she also said had some things to say about
• 48:24
  Speaker 5: Dochie Vadochi clap back at her for saying that Doci
• 48:27
  Speaker 5: is an ugly version of her. She was recently on
• 48:30
  Speaker 5: Instagram and she posted some audio and she called Dochi,
• 48:33
  Speaker 5: I want to be an ugly version of her with
• 48:35
  Speaker 5: this anger for.
• 48:36
  Speaker 27: So long, and they find this kind of like ugly
• 48:39
  Speaker 27: version of Well, she's not even a version, She's just ugly.
• 48:43
  Speaker 27: And I hate to call dark skinned girl ugly because
• 48:46
  Speaker 27: she just is ugly if she'd be ugly if she
• 48:48
  Speaker 27: were light skin. I find this ugly girl and they
• 48:50
  Speaker 27: try to stick her on his zealing brigs. I'm listening
• 48:53
  Speaker 27: to men basically tell me that they are too afraid
• 49:00
  Speaker 27: to with the zili bangs, so they need me to
• 49:04
  Speaker 27: go fight for them.
• 49:07
  Speaker 1: Huh.
• 49:10
  Speaker 5: But she's basically saying like like do she was sent
• 49:14
  Speaker 5: to like take her place, like.
• 49:17
  Speaker 1: Don't you fire? Don't you about the pen, her choreography,
• 49:22
  Speaker 1: her meets her work. I love her. I've been on
• 49:24
  Speaker 1: for a few years now, and.
• 49:25
  Speaker 3: I love how TD rolls out artists because they just
• 49:28
  Speaker 3: take their time like I was literally talking to somebody
• 49:31
  Speaker 3: yesterday about artist development and the lack thereof. Did he
• 49:33
  Speaker 3: is a label that still does artist development, and that's
• 49:36
  Speaker 3: why when you finally start to notice somebody like, don't
• 49:39
  Speaker 3: you think she just had a number one record? Right
• 49:41
  Speaker 3: when you finally start to notice her, she's almost ready.
• 49:44
  Speaker 3: She's ready, But she've been out for some years.
• 49:46
  Speaker 1: For some years now.
• 49:47
  Speaker 5: But I love I love her music from old to new,
• 49:50
  Speaker 5: don't she clap back, saying, for the first time you,
• 49:52
  Speaker 5: the first time you came to me, I let a
• 49:54
  Speaker 5: slide out of respect for my elders. It's my fault you.
• 49:57
  Speaker 5: It's not my fault. You're selling bussy so and I'm
• 50:01
  Speaker 5: selling platinum markets. Leave me alone, please so. Dave beef
• 50:04
  Speaker 5: supposedly started in twenty twenty two when Azalea Banks agreed
• 50:07
  Speaker 5: to do a collaboration with DOCI, and then Azalia randomly
• 50:10
  Speaker 5: went on Twitter and began trash talking DOCI and the
• 50:14
  Speaker 5: release of her song and the label TD. Speaking of them,
• 50:18
  Speaker 5: Azalia Bank said, TDE is going out f and said,
• 50:21
  Speaker 5: what the f is even happening with CDE? And she
• 50:23
  Speaker 5: also said you have this f and DOCI chick, who
• 50:26
  Speaker 5: is no who I have no f and clue who
• 50:29
  Speaker 5: she is. And at that time, Doci went on Twitter
• 50:32
  Speaker 5: expressed her confusion at what the issue was about, and
• 50:35
  Speaker 5: she basically was just like, this is so much grace.
• 50:38
  Speaker 5: She said, I'm not sure. Sometimes people have been hurt
• 50:42
  Speaker 5: so many times they developed When people have been hurt
• 50:45
  Speaker 5: so many times, they develop a defense and they end
• 50:47
  Speaker 5: up creating the illusion of problems because they won't allow
• 50:50
  Speaker 5: themselves themselves to accept something good trauma responses.
• 50:56
  Speaker 1: I was respectful, excited, and grateful to make art with her.
• 50:59
  Speaker 3: You know what I got all of that is Jellia
• 51:01
  Speaker 3: Banks and selling bussy Boy soap, And I just googled
• 51:04
  Speaker 3: it and I'm about to order two bars just because
• 51:06
  Speaker 3: this is hilarious.
• 51:07
  Speaker 1: Bussy Boy.
• 51:09
  Speaker 3: It says make that bussy being boy helps with irritation
• 51:12
  Speaker 3: due to friction from rough anal sex, stubborn hemorrhoids, jock itch,
• 51:15
  Speaker 3: and bacteria overload. And you're gonna about hilarious. I'm absolutely
• 51:20
  Speaker 3: I'm supporting.
• 51:22
  Speaker 1: That's so cute. I had no idea. I just when
• 51:25
  Speaker 1: you read that about uh, don't you saying she's selling
• 51:27
  Speaker 1: bussy boys? So I googled it. Yes, I'm buying something
• 51:31
  Speaker 1: right now, it's gonna be up in this studio. How
• 51:33
  Speaker 1: much is the bussy boy?
• 51:34
  Speaker 6: Seven dollars?
• 51:37
  Speaker 1: Seven dollars? Get on your laptop, you get on your
• 51:42
  Speaker 1: left your audio for the next story or no? Okay,
• 51:49
  Speaker 1: all right? Cool.
• 51:49
  Speaker 5: So woman goes through intense chemo after terminal diagnosis only
• 51:54
  Speaker 5: to find out she never had cancer at all.
• 51:56
  Speaker 1: What yep, so I share it.
• 51:58
  Speaker 24: I was diagnosed with cancer. I was given about fifteen
• 52:03
  Speaker 24: months to live. If we were being optimistic, I had
• 52:09
  Speaker 24: to prepare my two children and my husband and my family.
• 52:14
  Speaker 24: Then I probably wouldn't be her this year. I had
• 52:18
  Speaker 24: to undergo very intensive chemotherapy. Overall, had a pretty traumatic year.
• 52:23
  Speaker 24: What kind of cancer do you think I had? And
• 52:25
  Speaker 24: he guessays none. I never had cancer. Oops, So that
• 52:30
  Speaker 24: was fun. They misdiagnosed me and put me through chemotherapy.
• 52:35
  Speaker 5: Yep, she's thirty nine. She initially went to the hospital
• 52:38
  Speaker 5: when twenty twenty two for stomach pains that she suspected
• 52:40
  Speaker 5: were related to kidney stones, and they told her that
• 52:42
  Speaker 5: she had cancer. And then how about when she tell
• 52:45
  Speaker 5: her doctor like yo, whole time, might had cancer, he
• 52:48
  Speaker 5: congratulated her instead of staying sorry.
• 52:50
  Speaker 1: He was like, Oh, that's amazing. Then eh, like what
• 52:53
  Speaker 1: you told me, I did.
• 52:54
  Speaker 5: And this goes back to what she was at like well,
• 52:57
  Speaker 5: like the Holly Burry thing when she went to the
• 52:59
  Speaker 5: doctor and he told her that she herpies. She had
• 53:01
  Speaker 5: herpes when she described her symptoms to him and he said,
• 53:05
  Speaker 5: this is the worst case he's ever seen.
• 53:07
  Speaker 1: And remember he was like, you can't sue for that,
• 53:10
  Speaker 1: Like I really really want you to be Yeah, but
• 53:12
  Speaker 1: none of these cases say that they're suing. It's weird.
• 53:15
  Speaker 1: I hope she does.
• 53:16
  Speaker 5: I hope she does because to go through you're how
• 53:18
  Speaker 5: expensive that it is, these chemo treatments and all that,
• 53:21
  Speaker 5: even though insurance may have covered I never had it.
• 53:24
  Speaker 1: What about fifteen months that she only had fifteen months
• 53:27
  Speaker 1: to live?
• 53:28
  Speaker 5: Yeah, that's crazy. So I guess we can keep up
• 53:31
  Speaker 5: with that story. But that was that was that was wrong,
• 53:35
  Speaker 5: and that I said, Oh, that's good, and that's what's up.
• 53:39
  Speaker 1: That's crazy. Wow. So that's just the mess for that hour.
• 53:42
  Speaker 3: I need somebody to help me navigate through this. Because
• 53:45
  Speaker 3: they got boy they got boy Berry Blue Georgia peat.
• 53:48
  Speaker 3: Since this is so funny except for that glaze doing
• 53:51
  Speaker 3: that whole effect. You said, this is hilarious. Ohlia Banks
• 53:55
  Speaker 3: is really funny.
• 53:56
  Speaker 11: You know she is.
• 53:57
  Speaker 1: And she's talented too. It got something called who she do?
• 54:02
  Speaker 1: E w, oh my god, who she did? It won't
• 54:07
  Speaker 1: let me order, though, I said, don't want to. You
• 54:09
  Speaker 1: don't have a bussy. You don't know what he has
• 54:13
  Speaker 1: and what he identifies as. I definitely got a busy.
• 54:16
  Speaker 1: This ain't ever been turned into one. O. Your busy
• 54:20
  Speaker 1: ain't activated. Hey, yeah, I don't got time. We get
• 54:27
  Speaker 1: we're giving that bussy to before after the hour.
• 54:30
  Speaker 3: We need a Southfield Michigan man named Aaron Brown to
• 54:32
  Speaker 3: come to the front of the congregation. I keep telling
• 54:34
  Speaker 3: you all these fat food restaurants ain't dying for you.
• 54:36
  Speaker 1: We'll discuss dunkeny days up next to the breakfast local morning.
• 54:39
  Speaker 1: You're checking out the breakfast club. Che some donkey days.
• 54:45
  Speaker 1: Just sudden, Charlotte Man, I was ready for day. I
• 54:51
  Speaker 1: heard the donkey again, Charlam, I'm a donkey, you are,
• 55:02
  Speaker 1: Charlotte mane.
• 55:03
  Speaker 3: True, yes, donkey today for Wednesday, April tenth goes to
• 55:07
  Speaker 3: a thirty two year old Southfield, Michigan man named Aaron Brown.
• 55:11
  Speaker 1: Salute to Detroit.
• 55:12
  Speaker 3: What up though, dropping the clues bombs for everybody who
• 55:15
  Speaker 3: listens to us on ninety seven point nine WJLB, what's
• 55:19
  Speaker 3: happening now. One of the things we don't discuss enough
• 55:22
  Speaker 3: in our society is portions. Okay, we speak about portions
• 55:25
  Speaker 3: when it comes to people. Saluted the Big Back Brigade,
• 55:27
  Speaker 3: dropping the clues bombs for the Big Back Brigade.
• 55:29
  Speaker 1: You are appreciated if you're listening to me right now.
• 55:32
  Speaker 3: I pray your back gets on big before the summer,
• 55:34
  Speaker 3: and I pray your belly disappears real soon, now mistake.
• 55:38
  Speaker 3: We also don't talk enough about fast food restaurants being
• 55:41
  Speaker 3: stingy with the condiments.
• 55:42
  Speaker 1: Okay.
• 55:42
  Speaker 3: See, we talk about portions when it comes to people openly,
• 55:45
  Speaker 3: but don't discuss portions when it comes to food openly.
• 55:48
  Speaker 3: And we don't discuss fast food restaurants being stingy with
• 55:50
  Speaker 3: the condiments openly as much as we should. We tend
• 55:54
  Speaker 3: to complain in the moment to ourselves or whoever we
• 55:57
  Speaker 3: are with, but we don't trip too hard because unless
• 55:59
  Speaker 3: you done left the restaurant, you can pretty much get
• 56:00
  Speaker 3: more of what you want to regard the condiments. Okay,
• 56:02
  Speaker 3: when it comes to food, it kind of is what
• 56:04
  Speaker 3: it is. You have to take what they give you
• 56:05
  Speaker 3: pretty much. But if you want more Ketchup, you can
• 56:07
  Speaker 3: get more ketchup. If you had Chick fil A and
• 56:09
  Speaker 3: want more polygamy sauce, you can get more polygamy sauce.
• 56:12
  Speaker 3: When you at Chipotle and you want more guac, you
• 56:14
  Speaker 3: can get more guac if you ask for it and
• 56:16
  Speaker 3: you pay for it. Well, Aaron Brown apparently didn't get
• 56:19
  Speaker 3: that memo, because Aaron Brown got into an argument with
• 56:21
  Speaker 3: a store employee over a portion of guacaboli.
• 56:24
  Speaker 1: That was not his liking. And this happened. Let's go
• 56:27
  Speaker 1: to Fox Through Detroit for the report.
• 56:28
  Speaker 28: Police chaos at Chipotle. A customer shoots an employee. Witnesses
• 56:35
  Speaker 28: say it all started out as an argument over food.
• 56:38
  Speaker 28: A source close to the investigation says it was specifically
• 56:42
  Speaker 28: over guacamole.
• 56:43
  Speaker 5: I was just eating a bowl and I heard shouting
• 56:46
  Speaker 5: and then I look over they're arguing and they started fighting,
• 56:49
  Speaker 5: and then we heard a gunshoine and just ran out
• 56:51
  Speaker 5: as quick as you could.
• 56:52
  Speaker 28: The employee, a twenty one year old man, shot in
• 56:55
  Speaker 28: the leg but expected to survive.
• 56:58
  Speaker 1: Meanwhile, the suspect, it's.
• 57:00
  Speaker 17: Time getting out, so him just walk out to his car,
• 57:02
  Speaker 17: close the door and just drive off like he didn't.
• 57:04
  Speaker 1: He didn't speed off or anything. It was weird to see.
• 57:07
  Speaker 28: Police arrested the thirty two year old man in a
• 57:09
  Speaker 28: parking lot not far away now.
• 57:12
  Speaker 29: Of course they closed the doors as soon as police
• 57:14
  Speaker 29: got there. Once nine when one was called, the scene
• 57:17
  Speaker 29: was secured. Meanwhile, no word on whether or not the
• 57:19
  Speaker 29: guy took his food on his way out.
• 57:24
  Speaker 1: No word and not on whether not the guy took
• 57:26
  Speaker 1: his food on the way out.
• 57:27
  Speaker 3: That was your word about Aaron Brown shot a twenty
• 57:31
  Speaker 3: one year old Chipotle employer because his portion of guaqu
• 57:34
  Speaker 3: was not his liking. Listen to all fast food workers,
• 57:37
  Speaker 3: retail workers, this is your uncle Shallott talking.
• 57:39
  Speaker 1: I've told you this before.
• 57:40
  Speaker 3: If you're working at a fast food restaurant and a
• 57:43
  Speaker 3: man comes behind the county and starts fixing his own food,
• 57:45
  Speaker 3: just calmly walk to the back and called.
• 57:47
  Speaker 1: The proper authorities.
• 57:48
  Speaker 3: Okay, there is absolutely zero reason for you to be
• 57:50
  Speaker 3: getting beat down over a Dan burrito bowl.
• 57:53
  Speaker 1: Let that man have that.
• 57:54
  Speaker 3: Chipotle ain't dying for you, Chipotle ain't paying for your funeral,
• 57:57
  Speaker 3: ain't not taking care of your hospital bills. By the way,
• 57:59
  Speaker 3: I don't care if you own the franchise. Clearly, if
• 58:02
  Speaker 3: this man, okay, it's complaining about guacamole and then comes
• 58:05
  Speaker 3: from behind the counter to fix his old food, then
• 58:07
  Speaker 3: he knows something you don't. And in this case, he
• 58:09
  Speaker 3: knows he got a pistol and a lot of pain.
• 58:12
  Speaker 3: He's ready to project on anyone who gets in his way.
• 58:14
  Speaker 3: And that's what happened here. Every day of our life,
• 58:17
  Speaker 3: when we leave the house, all we hope to do
• 58:19
  Speaker 3: is avoid the crazy.
• 58:20
  Speaker 1: So when you see the crazy, you should just avoid
• 58:22
  Speaker 1: the crazy, all right.
• 58:23
  Speaker 3: This man hasn't gotten what he wanted out of life, ever,
• 58:28
  Speaker 3: This man has not received enough from society, not enough love,
• 58:31
  Speaker 3: not enough mental health care, and not enough success. And
• 58:34
  Speaker 3: now you don't want to give him enough guacamole, and
• 58:37
  Speaker 3: got the nerve to try to stop him when he
• 58:39
  Speaker 3: comes from comes behind the counter when he's making his
• 58:41
  Speaker 3: own just to make his own tacos. Now you got
• 58:44
  Speaker 3: choke slammed, because he choke slammed the guy before he
• 58:46
  Speaker 3: shot him. Now you got choke slam The way to
• 58:48
  Speaker 3: undertake a choke slam. The rocket wrestle Mania, the other
• 58:51
  Speaker 3: night and you got shot sh You know, here at
• 58:54
  Speaker 3: the Breakfast Club, we have one of our former interns
• 58:56
  Speaker 3: who has risen up the ranks in this business. You
• 58:59
  Speaker 3: see him on TV on wild'n Out. You probably have
• 59:01
  Speaker 3: seen it, stand up and he works here at the
• 59:03
  Speaker 3: Breakfast Club. He's the president of the Fat Lives Matter Committee,
• 59:06
  Speaker 3: command of the Big Back Brigade.
• 59:08
  Speaker 1: Big Mac is here here.
• 59:09
  Speaker 3: Big Mac was talking to me, and he has a
• 59:12
  Speaker 3: perspective of this situation. I've heard him complain about portion
• 59:16
  Speaker 3: sizes and folks being stingy with the condiments.
• 59:18
  Speaker 1: Big Mac, the floor is yours. Yeah, this is just
• 59:20
  Speaker 1: to let everybody know.
• 59:21
  Speaker 30: This is a warning, and this is a PSA to
• 59:24
  Speaker 30: let y'all know that the big backs are biting back. Okay,
• 59:28
  Speaker 30: y'all keep holding off on all these condiments and napkins
• 59:32
  Speaker 30: and and listen, we tired of it.
• 59:35
  Speaker 1: One catch up, one barbecue sauce for a ten piece.
• 59:37
  Speaker 1: It's not enough. We're tired of that. Y'all.
• 59:40
  Speaker 30: Go ahead, try not filling up the fries to the top.
• 59:43
  Speaker 30: You gotta fill up the fries so enough where there's
• 59:45
  Speaker 30: some in the bag. Bag fries is the best if
• 59:47
  Speaker 30: if I don't get bag fries. Oh yeah, now it
• 59:49
  Speaker 30: might be a problem. Dare you, I dare you to
• 59:52
  Speaker 30: tell me the ice machine is broken?
• 59:54
  Speaker 1: Still? Okay, cool, We big bags are biting back. That's
• 59:58
  Speaker 1: what we do.
• 59:59
  Speaker 30: And look, Jamaica restaurants ox tails, we want them drowned
• 1:00:02
  Speaker 30: in the gravy. We don't have to ask for extra bravery,
• 1:00:05
  Speaker 30: you know we want We don't want no ashy oxtails.
• 1:00:08
  Speaker 1: We want to drown in it.
• 1:00:11
  Speaker 3: Everything that Max you said, please give Aaron Please let
• 1:00:15
  Speaker 3: me give Aaron Brown the biggest.
• 1:00:16
  Speaker 1: He hopeless hee haw, stupid mother? Are you dumb? Right?
• 1:00:22
  Speaker 3: Big back attack? Damn right, big backs fight back right,
• 1:00:28
  Speaker 3: don't use your shirt.
• 1:00:30
  Speaker 1: Because the shirt got all together. That's just extra you
• 1:00:33
  Speaker 1: know what I mean, the napkins for your face. Max
• 1:00:35
  Speaker 1: saying he wants portions as big as his back. What
• 1:00:42
  Speaker 1: he said, damn it in trouble all right, Well, when
• 1:00:49
  Speaker 1: we come back, we got a special guest joining us, Yes,
• 1:00:51
  Speaker 1: Alice Randall Man.
• 1:00:53
  Speaker 3: She has a new book out called My Black Country,
• 1:00:55
  Speaker 3: a Journey through Country Music's Black Past President Future. Alice
• 1:00:58
  Speaker 3: Randall is the first black woman to write a number
• 1:01:01
  Speaker 3: one country song. She wrote x x x ols olds
• 1:01:04
  Speaker 3: Patricia Yearwood.
• 1:01:06
  Speaker 1: How does that song go?
• 1:01:06
  Speaker 31: You know, no, I don't want her book and what
• 1:01:09
  Speaker 31: I said, Noxy, y'all just.
• 1:01:20
  Speaker 1: Stop me now, y'all, well, you know what. That's the
• 1:01:22
  Speaker 1: first time.
• 1:01:23
  Speaker 3: But Alice Randall be here to discuss her new book,
• 1:01:25
  Speaker 3: My Black Country for all of y'all out there that
• 1:01:27
  Speaker 3: is uh that are that are that are learning about
• 1:01:30
  Speaker 3: black people in country music because of Beyonce. Alix Randall
• 1:01:33
  Speaker 3: has been telling these stories for a long time. So
• 1:01:34
  Speaker 3: her book is out right now, will we'll be back
• 1:01:36
  Speaker 3: to discuss with her that right. It is the breakfast
• 1:01:38
  Speaker 3: logan go Morning, the Breakfast Club.
• 1:01:42
  Speaker 20: Morning.
• 1:01:43
  Speaker 5: Everybody is DJ n V, Jess Hilarius, Charlamagne the guy.
• 1:01:46
  Speaker 1: We are the Breakfast Club. We got a special guest
• 1:01:48
  Speaker 1: in the building.
• 1:01:49
  Speaker 5: Yes, indeed, the author of My Black Country, A Journey
• 1:01:52
  Speaker 5: through Country Music's Black Past, President in Future, Ladies and gentlemen,
• 1:01:56
  Speaker 5: Alice Randall, welcome you, good morning.
• 1:01:59
  Speaker 32: I am so glad I had to be on the
• 1:02:00
  Speaker 32: Breakfast Club. It's like being on America's front porch.
• 1:02:04
  Speaker 3: Oh, we want to start using that one A use
• 1:02:06
  Speaker 3: that as the imaging tale American's front Porch. Alice, man,
• 1:02:09
  Speaker 3: you have such a storied history. You are the first
• 1:02:13
  Speaker 3: black woman to ever write a number one country song.
• 1:02:17
  Speaker 1: Ero Tricia Yearwoods xxx, all of those X. Isn't it
• 1:02:22
  Speaker 1: way back in nineteen ninety four? But you know it
• 1:02:25
  Speaker 1: ain't that far way back. Yeah, I thought I was born.
• 1:02:28
  Speaker 1: I was two, but I was born. But you know,
• 1:02:32
  Speaker 1: just I have been forty one years in country and
• 1:02:35
  Speaker 1: western music.
• 1:02:36
  Speaker 32: I came as a black woman to Nashville in nineteen
• 1:02:39
  Speaker 32: eighty three, so this is my forty first year, and
• 1:02:41
  Speaker 32: it's wild.
• 1:02:42
  Speaker 1: I had songs recorded. I'm glad you shout out to
• 1:02:44
  Speaker 1: that one that.
• 1:02:46
  Speaker 32: Was two weeks at number one, and it put Miss
• 1:02:48
  Speaker 32: Aretha Franklin's name in it. A country song got to
• 1:02:51
  Speaker 32: two weeks Aretha Franklin and Patsy Kahn, and we put
• 1:02:54
  Speaker 32: Aretha first back then, and it was all about the money.
• 1:03:00
  Speaker 32: It's hard to keep the balance up between love and money.
• 1:03:02
  Speaker 32: I'm going to tell you about that in a second.
• 1:03:03
  Speaker 1: But I wrote My first song was.
• 1:03:05
  Speaker 32: Recorded two years after I arrived in Nashville, So that
• 1:03:08
  Speaker 32: was nineteen eighty five, and that was a B side
• 1:03:12
  Speaker 32: of the number one. So I had songs recording the eighties, nineties,
• 1:03:15
  Speaker 32: odds tens and twenties and shar are you one of
• 1:03:17
  Speaker 32: the first people to ever recognize that?
• 1:03:19
  Speaker 20: Wow?
• 1:03:19
  Speaker 1: I love that.
• 1:03:19
  Speaker 32: And if I can just say one thing here that
• 1:03:22
  Speaker 32: black man DFT. Bailey is the father of Black country
• 1:03:26
  Speaker 32: and in my opinion, the father of country radio.
• 1:03:30
  Speaker 1: Lil Harden is the mother, and Lil Harden is the mama,
• 1:03:33
  Speaker 1: and Ray Charles is their genius child. And I think
• 1:03:38
  Speaker 1: that Charlie Pride is Dfort's side child.
• 1:03:42
  Speaker 32: And HERB Jeffries the bronze Buckaroo in all those thirties
• 1:03:46
  Speaker 32: and forties black Western with singing cowboys.
• 1:03:49
  Speaker 1: He's little step child is right, his first family of
• 1:03:52
  Speaker 1: black country.
• 1:03:53
  Speaker 3: I love you, see that you got HERB Jeffries, Charlie Pride,
• 1:03:56
  Speaker 3: litl Hardened, the Ford Bailly, Ray.
• 1:03:58
  Speaker 1: Charles beautiful, It's amazing.
• 1:04:00
  Speaker 32: And Beyonce in this moment metaphorically is Ray Charles's genius child,
• 1:04:06
  Speaker 32: the daughter who may eclipse the father.
• 1:04:08
  Speaker 1: Explain that why is Beyonce the daughter of Rachel in
• 1:04:11
  Speaker 1: this case?
• 1:04:12
  Speaker 32: Because when nineteen sixty three, when modern sounds and country
• 1:04:16
  Speaker 32: and western drops, that's Ray Charles's country album. So, first
• 1:04:19
  Speaker 32: of all, Ray Charles put out an amazing country album
• 1:04:22
  Speaker 32: in nineteen sixty three. I used to chatcha around the
• 1:04:24
  Speaker 32: living room with my black auntie, Mary Francis, who I
• 1:04:27
  Speaker 32: love more than life.
• 1:04:28
  Speaker 1: Mary Francis. I would dance to Ray Charles. Ray Charles Country.
• 1:04:32
  Speaker 32: He deconstructed and reconstructed country music according to his own aesthetics.
• 1:04:38
  Speaker 32: Now you need to understand that Ray Charles grew up
• 1:04:40
  Speaker 32: listening to the Opry. His Mamo let him stay up
• 1:04:43
  Speaker 32: late to hear it on Saturday nights. Because back in
• 1:04:45
  Speaker 32: the forties, thirties, twenties when my family coming up, there
• 1:04:49
  Speaker 32: was no black radio in Louisiana, Alabama, Mississippi.
• 1:04:52
  Speaker 20: There was not.
• 1:04:53
  Speaker 1: We were culturally redlined out of owning radio stations.
• 1:04:56
  Speaker 32: So if you were black and you were living in
• 1:04:58
  Speaker 32: the rural South, you could hear great live music in
• 1:05:01
  Speaker 32: the juke joints, in the church in your home. But
• 1:05:03
  Speaker 32: the only thing you were really hearing in the rural
• 1:05:05
  Speaker 32: South of the radio is a lot of country in
• 1:05:08
  Speaker 32: some classical music. So black people knew country. And just remember,
• 1:05:12
  Speaker 32: as my daddy said, we were actually playing on it.
• 1:05:15
  Speaker 32: We can now document that that there was two black
• 1:05:17
  Speaker 32: geniuses on Blue Yoda number nine, and that doesn't even
• 1:05:20
  Speaker 32: count the people passing that we're playing in these bands,
• 1:05:23
  Speaker 32: so we knew country, and we knew that we'd have
• 1:05:26
  Speaker 32: been at the banjo of that a lot of the
• 1:05:28
  Speaker 32: things are best in country. That it was a black
• 1:05:30
  Speaker 32: person who taught Hank Williams how to play a lot
• 1:05:32
  Speaker 32: of his early songs Lefty Frizelle. That the Carter family
• 1:05:37
  Speaker 32: that there were taught by Eslee Riddle. Slie Riddle was
• 1:05:40
  Speaker 32: a black man who taught the Carter family their first songs,
• 1:05:43
  Speaker 32: a lot of the chords some people family, You know,
• 1:05:46
  Speaker 32: you were thinking, Well, as it has been traditionally told
• 1:05:52
  Speaker 32: in the white world, when they say about the first
• 1:05:54
  Speaker 32: family of Country, they say, Jimmy Rodgers is the papa.
• 1:05:58
  Speaker 32: Now I just told you he was really working with
• 1:06:00
  Speaker 32: Lill and Lewis. And they say that the mama is
• 1:06:03
  Speaker 32: a may Bell. Carter mother may Bell. But I'm going
• 1:06:06
  Speaker 32: to tell you that my mother may Bell. She had
• 1:06:08
  Speaker 32: a way of playing that's called Carter family scratched the
• 1:06:11
  Speaker 32: way she used two fingers, three fingers. Well, this man,
• 1:06:14
  Speaker 32: Slee Riddle, he was in a terrible accident when he
• 1:06:17
  Speaker 32: was young, lost a leg. Then he almost committed suicide
• 1:06:19
  Speaker 32: or maybe tried to commit suicide, and he lost a
• 1:06:21
  Speaker 32: couple fingers.
• 1:06:23
  Speaker 1: He played with three fingers before the Carter family was playing.
• 1:06:26
  Speaker 32: He's the one that taught them the first song. So
• 1:06:28
  Speaker 32: I'm just saying, who really invented Carter family scratch? We
• 1:06:31
  Speaker 32: can't prove that, but is it the man who actually
• 1:06:34
  Speaker 32: had that? We know that they acknowledge and they played
• 1:06:37
  Speaker 32: with him. I'll do their history later, and they have
• 1:06:41
  Speaker 32: there's a story that they tell that he's called Sleie.
• 1:06:44
  Speaker 1: Riddle because their children could not pronounce Leslie. Well.
• 1:06:47
  Speaker 32: I found him in the US Census as slee E
• 1:06:50
  Speaker 32: s l i E, long before he ever met the Carters.
• 1:06:53
  Speaker 32: So there's questions about this because our history is not
• 1:06:55
  Speaker 32: well documented. So the Cowboy Carter obviously speaks right now
• 1:07:00
  Speaker 32: for Beyonce Knowles and I missus Carter.
• 1:07:04
  Speaker 1: I don't know that she is at all signing to
• 1:07:07
  Speaker 1: the original Carter family.
• 1:07:09
  Speaker 32: But what I signed to is I'm not interested in
• 1:07:11
  Speaker 32: that Carter family right now, because they've had a lot
• 1:07:13
  Speaker 32: of attention. I'm really interested in Leslie Riddle, who's a
• 1:07:16
  Speaker 32: black man who came from that same place and his
• 1:07:19
  Speaker 32: story has not been told. And that's what you get
• 1:07:22
  Speaker 32: in My Black Country. De Ford's story hasn't been told.
• 1:07:25
  Speaker 32: Lil Harden's story hasn't been told.
• 1:07:28
  Speaker 3: You know, it's interesting, my god, Bobby Bones, he does.
• 1:07:32
  Speaker 3: He's a big nationally syndicated country borning gods. Luthther Bobby
• 1:07:35
  Speaker 3: Bones out in Nashville. He talked about the band Joe
• 1:07:39
  Speaker 3: and how you can't even talk about country music without
• 1:07:41
  Speaker 3: talking about black people's contributions to country music from the
• 1:07:44
  Speaker 3: very beginning.
• 1:07:44
  Speaker 1: So my question is when did it shift? When did
• 1:07:47
  Speaker 1: people just make it country a white thing so to speak. Well,
• 1:07:50
  Speaker 1: there's two pieces that.
• 1:07:51
  Speaker 32: One I agree with your friend Bobby Bones that my
• 1:07:55
  Speaker 32: definition of country music is Celtic English, Irish Scottish ballid form,
• 1:08:01
  Speaker 32: storytelling plus black influences plus evangelical Christianity. Country can't be
• 1:08:08
  Speaker 32: country without black influences. Without black influences, country is just
• 1:08:13
  Speaker 32: folk music.
• 1:08:14
  Speaker 11: Now.
• 1:08:14
  Speaker 32: Some of those black influences are black gospel from LA
• 1:08:17
  Speaker 32: and the South. Some of the black influences are the banjo.
• 1:08:20
  Speaker 32: Some of the is the way notes are bent when
• 1:08:23
  Speaker 32: they're sung. They're coming out of the blues. And if
• 1:08:25
  Speaker 32: you don't have the evangelical christianity, you might be in
• 1:08:28
  Speaker 32: a country blues because the big difference is and I said,
• 1:08:31
  Speaker 32: my childhood, I had a very bad mother, and I
• 1:08:33
  Speaker 32: had a great daddy and a really bad mother. So
• 1:08:36
  Speaker 32: I don't love the blues. The blues is too My
• 1:08:38
  Speaker 32: daughter loves the blues. The blues is too hard for me.
• 1:08:41
  Speaker 32: I need some hope I need with my tragedy. I
• 1:08:44
  Speaker 32: need the reality, and then I need some hope. And
• 1:08:47
  Speaker 32: Black Country has both of those things. The hope because
• 1:08:50
  Speaker 32: it could be I'm just gonna be up in heaven
• 1:08:52
  Speaker 32: and tell Jesus how you've done me. It could be
• 1:08:54
  Speaker 32: You're going to be in hell and some burning fires,
• 1:08:56
  Speaker 32: and I'm going to be that. There's some hope, there's
• 1:08:59
  Speaker 32: some revenge and country, and I like the hope.
• 1:09:01
  Speaker 1: I like the revenge.
• 1:09:02
  Speaker 32: That Blues has a little bit of an experience of
• 1:09:05
  Speaker 32: we are walking on Helen Earth, but we're finding some joy.
• 1:09:08
  Speaker 32: We're making some joy in the hell on Earth. But
• 1:09:11
  Speaker 32: Black Country says we're gonna get somewhere else. But country
• 1:09:14
  Speaker 32: isn't country.
• 1:09:15
  Speaker 4: And on is it?
• 1:09:16
  Speaker 32: The little teacher of me? I hate to say, I
• 1:09:18
  Speaker 32: have to do this one because I'm a professor at Vanderbilt.
• 1:09:20
  Speaker 32: We have a course on Black Country, and I've been
• 1:09:22
  Speaker 32: teaching that course since twenty fifteen, my first course Country
• 1:09:26
  Speaker 32: Lyrical American Culture. I've been teaching since two thousand and six.
• 1:09:30
  Speaker 32: I used to say it was musical midgsitenation, and that
• 1:09:33
  Speaker 32: wasn't my phrase. I adopted that one. But here we
• 1:09:36
  Speaker 32: know that country requires blackness to be country. And one
• 1:09:41
  Speaker 32: of the examples you see on Cowboy Carter is that
• 1:09:45
  Speaker 32: song Blackbird, which is a remake of a Beatle song
• 1:09:49
  Speaker 32: without the black voices on it is a folks song.
• 1:09:52
  Speaker 32: You add those black women's voices and they're black aesthetics
• 1:09:56
  Speaker 32: is country. What makes it country the black gospel you
• 1:09:59
  Speaker 32: hear say that they bring to it.
• 1:10:01
  Speaker 1: I love my Random Roberts.
• 1:10:02
  Speaker 7: I'm there.
• 1:10:03
  Speaker 32: My students found her for me when she was only
• 1:10:06
  Speaker 32: like three weeks when she was on TikTok. I had
• 1:10:08
  Speaker 32: students rush in and show her to me, and so
• 1:10:12
  Speaker 32: I've been loving her sometime.
• 1:10:14
  Speaker 5: Now the world is discovering her now. Yeah, Rana is
• 1:10:17
  Speaker 5: a talent SA Yeah, absolutely all right. We got more
• 1:10:20
  Speaker 5: with Alice Randall when we come back owning Everybody's DJ Envy,
• 1:10:24
  Speaker 5: Jesse Larius, Charlamagne the Guy.
• 1:10:26
  Speaker 1: We are the breakfast Club. We're still kicking in with
• 1:10:28
  Speaker 1: Alice Randall.
• 1:10:29
  Speaker 5: She has a new book, My Black Country and Journey
• 1:10:31
  Speaker 5: through Country Music's Black Past, Present and Future. I got
• 1:10:35
  Speaker 5: a question, what did you think of Beyanti's album? Did
• 1:10:37
  Speaker 5: you listen to it in for What were your thoughts? Oh,
• 1:10:39
  Speaker 5: I have listened to it many times.
• 1:10:41
  Speaker 32: I actually love it in this particularly as I said,
• 1:10:44
  Speaker 32: I'm sixty four, this is my birthday party.
• 1:10:46
  Speaker 1: I'm the Breakfast Club. I'll be sixty five. May fourth,
• 1:10:49
  Speaker 1: A happy birthday.
• 1:10:51
  Speaker 32: And you know when I arrived here forty one years
• 1:10:53
  Speaker 32: ago in Nashville, I wanted to get as number one,
• 1:10:55
  Speaker 32: and I got a number one.
• 1:10:57
  Speaker 17: Yeah.
• 1:10:57
  Speaker 32: I wanted to spotlight black women men who have really contributed.
• 1:11:01
  Speaker 32: I'm proud to say I wrote the first major article
• 1:11:04
  Speaker 32: on Linda Martell. Everybody talking about her. Now I've published
• 1:11:07
  Speaker 32: that in twenty ten. I'm in the documentary her granddaughter
• 1:11:11
  Speaker 32: is making about her. I love Linda Martel. I had
• 1:11:14
  Speaker 32: to fight to get that space for her back in
• 1:11:16
  Speaker 32: twenty ten when people weren't taught, and I'm thrilled that
• 1:11:19
  Speaker 32: Beyonce has brought her to a huge world. My article
• 1:11:23
  Speaker 32: got a lot of attention, but in a narrow way.
• 1:11:25
  Speaker 32: Now the whole world knows who Linda martel Is that
• 1:11:28
  Speaker 32: that documentary her brand. Daughter's been struggling to get made,
• 1:11:32
  Speaker 32: picking up a little bit of money here, a little
• 1:11:33
  Speaker 32: bit of money there. Now that thing is going to
• 1:11:35
  Speaker 32: be made and made right. So I am absolutely thrilled
• 1:11:38
  Speaker 32: that Beyonce has taken country to a global audience. But
• 1:11:40
  Speaker 32: there's a third thing. So I wanted to spotlight these
• 1:11:43
  Speaker 32: black people. I could do that in this book, one
• 1:11:45
  Speaker 32: of my own number one, but I wanted to see
• 1:11:48
  Speaker 32: and Jess's gonna be you of me here. I wanted
• 1:11:50
  Speaker 32: to see a black woman at the top of the
• 1:11:52
  Speaker 32: country charts because the day I arrived in Nashville in
• 1:11:55
  Speaker 32: nineteen eighty three, Charlie probably had already been up there
• 1:11:58
  Speaker 32: twenty nine times.
• 1:12:00
  Speaker 1: Ray Charles was acknowledged.
• 1:12:03
  Speaker 32: I saw I was in the room when he played
• 1:12:05
  Speaker 32: Seven Spanish Angels in Nashville in the back small room
• 1:12:08
  Speaker 32: for DJs. He got to go to the top of
• 1:12:10
  Speaker 32: the charts. There are so many black men who have
• 1:12:13
  Speaker 32: been to the number one spot. Now just called the
• 1:12:15
  Speaker 32: name of the two most important Charlie Pride, Ray Charles,
• 1:12:19
  Speaker 32: but serious Rucker, I'm not even to name anymore because
• 1:12:22
  Speaker 32: there's so many, and there has not been one black woman.
• 1:12:26
  Speaker 32: Black women have absolutely I have a song called small
• 1:12:29
  Speaker 32: Towns are Smaller for Girls in country.
• 1:12:32
  Speaker 1: That's true.
• 1:12:32
  Speaker 32: It's hard on the country radio even for all women.
• 1:12:35
  Speaker 32: Small towns are cursed back yet a lot smaller for
• 1:12:39
  Speaker 32: black women. If small towns are smaller for girls, they're
• 1:12:42
  Speaker 32: really smaller for black girls. And Music City is a
• 1:12:45
  Speaker 32: small town. So I wanted to see a Black woman
• 1:12:49
  Speaker 32: at the top of it because it's acknowledging that we
• 1:12:52
  Speaker 32: are worth, our beauty are significance. And I thought I
• 1:12:56
  Speaker 32: was going to retire without seeing it. So Cowboy Carter
• 1:12:59
  Speaker 32: from me personally is so important because it is a
• 1:13:02
  Speaker 32: Hallelujah moment, It is a Juneteenth moment. It is good
• 1:13:06
  Speaker 32: news at long last. But my daughter, says Caroline Randall Williams,
• 1:13:11
  Speaker 32: good news at long Last is still goodness.
• 1:13:13
  Speaker 3: Can we talk about divine alignment? Because you started My
• 1:13:17
  Speaker 3: Black Country a while ago. So when you're writing the
• 1:13:20
  Speaker 3: book and you know you know your book is about
• 1:13:23
  Speaker 3: to be published, you get the date it's you know, April,
• 1:13:26
  Speaker 3: but then all of a sudden you start to hear
• 1:13:28
  Speaker 3: these Beyonce Texas hold them and Beyonce maybe doing a
• 1:13:32
  Speaker 3: country album like what did that feel like?
• 1:13:35
  Speaker 32: It felt that what you just said divine alignment, Because
• 1:13:39
  Speaker 32: this project I started forty one years ago, and really
• 1:13:42
  Speaker 32: this part of it started in Deep five years ago,
• 1:13:45
  Speaker 32: is a pure project for me. This is my life work,
• 1:13:48
  Speaker 32: the history of black people in country, putting it back
• 1:13:51
  Speaker 32: into the seventeenth century. And it's just a wild alignment
• 1:13:55
  Speaker 32: because it has created a global conversation, a global conversation
• 1:14:00
  Speaker 32: I spent forty one years preparing for, but actually started
• 1:14:03
  Speaker 32: even earlier than that at Harvard in nineteen seventy seven,
• 1:14:07
  Speaker 32: when I'm starting to look studying the Harlem Renaissance with
• 1:14:11
  Speaker 32: Nathan Huggins and starting to.
• 1:14:13
  Speaker 1: Try to prove my father's black to trait gossip was true.
• 1:14:17
  Speaker 32: Chasing that down because back then there was no scholarship
• 1:14:20
  Speaker 32: that told us that the banjo was a black instrument.
• 1:14:23
  Speaker 32: Back then, there was no scholarship that said Lil Harden
• 1:14:27
  Speaker 32: was really on that record.
• 1:14:28
  Speaker 1: But I have traced down these oral histories.
• 1:14:31
  Speaker 32: That other scholars have, and now we know that Lil
• 1:14:34
  Speaker 32: Harden was absolutely on that record, that the Black Gossip
• 1:14:38
  Speaker 32: of Motown was correct.
• 1:14:40
  Speaker 1: So the alignment, though instead of this.
• 1:14:42
  Speaker 32: Being some small book, if you're on the Backlist Club.
• 1:14:45
  Speaker 32: I'm going to say, I want you out there getting
• 1:14:47
  Speaker 32: my black country. I want to be lifted up by
• 1:14:50
  Speaker 32: black readers. That is I have always with all of
• 1:14:54
  Speaker 32: my books, starting with The Wind Done Gone, I have loved.
• 1:14:58
  Speaker 32: One of my readers told me, is the literary equivalent
• 1:15:01
  Speaker 32: of prissy slapping scarlet back.
• 1:15:05
  Speaker 1: I'm going to stop and tell this story.
• 1:15:07
  Speaker 32: I was in North Carolina, black woman Librariyan had bought
• 1:15:10
  Speaker 32: all these books for the State Library of North Carolina mine.
• 1:15:13
  Speaker 1: But we were coming home after the big reading, and
• 1:15:16
  Speaker 1: I'm thinking back to my hotel.
• 1:15:18
  Speaker 32: This is not the way we went, like, I don't
• 1:15:20
  Speaker 32: know where we are going, and it's late at night,
• 1:15:22
  Speaker 32: We've got dinner reading.
• 1:15:24
  Speaker 1: And she drove me and we.
• 1:15:25
  Speaker 32: Sat outside a house. She pulled up in front of
• 1:15:27
  Speaker 32: a house in a fancy neighbor and she said, my
• 1:15:30
  Speaker 32: mother worked as a maid in this house almost all
• 1:15:34
  Speaker 32: my life. They made her come in the back door,
• 1:15:37
  Speaker 32: they made me come in the back door. They loved
• 1:15:40
  Speaker 32: Gone with the Wind. And I cannot tell you what
• 1:15:43
  Speaker 32: it means to me that you wrote this book attacking
• 1:15:46
  Speaker 32: everything that that valued that and the way they treated her.
• 1:15:49
  Speaker 32: I waited this long, she said, I felt, she said
• 1:15:53
  Speaker 32: joy but the number. But more than that, I had
• 1:15:56
  Speaker 32: women who were ongoingly working as domestic servants telling me
• 1:16:00
  Speaker 32: this book meant so much to them. And what I
• 1:16:03
  Speaker 32: read the book that one out loud, And I read
• 1:16:05
  Speaker 32: this one because I'm not an actress. I'm not a performer.
• 1:16:07
  Speaker 32: I don't have great voices like all three of you.
• 1:16:09
  Speaker 32: I read this one because my grandparents couldn't read or write.
• 1:16:13
  Speaker 32: My grandmother could read a tiny bit. My grandfather couldn't
• 1:16:15
  Speaker 32: read or write even his own name. I adore my grandparents.
• 1:16:18
  Speaker 32: They were brilliant people and storytellers, just never had a
• 1:16:21
  Speaker 32: day of school in Alabama.
• 1:16:23
  Speaker 1: I read my books and.
• 1:16:24
  Speaker 32: Make sure there's audio books because I know a lot
• 1:16:26
  Speaker 32: of brilliant people can't read or write, and I want them.
• 1:16:30
  Speaker 1: I'm working as much for them as the people who
• 1:16:33
  Speaker 1: have all these degrees and whatever. That's amazing.
• 1:16:36
  Speaker 5: Look chapter six and your book Big Dreams, Big Mistakes
• 1:16:41
  Speaker 5: without spoiling it, you know, because I know it's a
• 1:16:43
  Speaker 5: lot of information in this book.
• 1:16:44
  Speaker 1: You keep saying, look, read his book. No, we're gon't
• 1:16:46
  Speaker 1: read it, but I just can you sease.
• 1:16:48
  Speaker 32: A little bit what like mistakes and the Big Dreams
• 1:16:51
  Speaker 32: that part of it was the first. One of the
• 1:16:53
  Speaker 32: first big things I did was a song called Big
• 1:16:55
  Speaker 32: Dream that I co wrote with my daughter when she
• 1:16:57
  Speaker 32: was just little, and it got into this movie called
• 1:16:59
  Speaker 32: The Thing called Love. It was River Phoenix's last big movie.
• 1:17:03
  Speaker 32: And the big mistake was I literally signed that thing
• 1:17:06
  Speaker 32: that I should never have signed.
• 1:17:07
  Speaker 5: Gotchat's gold your Big Dreams and you signed a contract
• 1:17:10
  Speaker 5: what I read.
• 1:17:10
  Speaker 1: But the other thing was that I got to write novels.
• 1:17:13
  Speaker 32: I might have just been a country songwriter, and now
• 1:17:15
  Speaker 32: I get to be a country songwriter and a novelist
• 1:17:18
  Speaker 32: and a memoirst. And I love my six books, that's right,
• 1:17:22
  Speaker 32: And that one about a black spy family.
• 1:17:24
  Speaker 1: All hold up now for real?
• 1:17:25
  Speaker 32: Yes, okay, and it's from it if you ever get
• 1:17:28
  Speaker 32: involved in in that kind of movie production. I got
• 1:17:30
  Speaker 32: a great one, rebel yell about a black spy family.
• 1:17:33
  Speaker 32: I've got some really cool books.
• 1:17:34
  Speaker 1: Oh you can't read all of them, girls, absolutely listen.
• 1:17:36
  Speaker 1: They got to go get the book.
• 1:17:37
  Speaker 3: Man Alisha Randall, My Black Country, A Journey through Country Music,
• 1:17:41
  Speaker 3: Black Past, President Future, the latest release off my book
• 1:17:43
  Speaker 3: in print, Black Family is publishing.
• 1:17:44
  Speaker 1: But also from seven to eight thirty, you can catch.
• 1:17:47
  Speaker 3: Me and Alice Randall and Roseanne Cash will be at
• 1:17:51
  Speaker 3: the Brooklyn Public Library from seven to eight thirty having
• 1:17:55
  Speaker 3: more conversations about my Black Country.
• 1:17:58
  Speaker 1: Yes, and I'm so excited. I hope to see so
• 1:18:01
  Speaker 1: much of the Breakfast Club out there. I came all
• 1:18:03
  Speaker 1: the way up.
• 1:18:04
  Speaker 32: From Nashville to need some new people. I'm Country cousin, Auntie,
• 1:18:11
  Speaker 32: Country Auntie.
• 1:18:12
  Speaker 17: We need you.
• 1:18:13
  Speaker 1: That's right, it's the Breakfast Club. Good morning, the Breakfast Club.
• 1:18:19
  Speaker 3: What's the over under on this new metro Booming future
• 1:18:23
  Speaker 3: project that's supposed to come out this Friday. I still
• 1:18:26
  Speaker 3: don't trust you. What's the over undering? There being more
• 1:18:29
  Speaker 3: shots from somebody?
• 1:18:30
  Speaker 1: M I don't know. I don't think so, because we
• 1:18:36
  Speaker 1: still don't trust you. Part two? What if they got
• 1:18:39
  Speaker 1: a record push.
• 1:18:41
  Speaker 3: That's what it's called, though, we still don't trust Oh
• 1:18:43
  Speaker 3: my god, what have they got a regular push your
• 1:18:46
  Speaker 3: teeth throw on shots?
• 1:18:46
  Speaker 1: Oh my god. I'm just saying that's crazy. I don't know,
• 1:18:49
  Speaker 1: just saying. And all these people that unfollowed them, I'm
• 1:18:51
  Speaker 1: just saying, Drake, oh my good.
• 1:18:58
  Speaker 5: Saying, I wonder what that means. I'm gonna following him.
• 1:19:00
  Speaker 5: Let me go on my phone and on following and.
• 1:19:03
  Speaker 1: Then it's it's silly. Yeah, well, let's get to jest
• 1:19:06
  Speaker 1: with the mess.
• 1:19:07
  Speaker 5: News is real, whether it's Larien's Jeff Robin Moore, just
• 1:19:10
  Speaker 5: don't do no lines, don't do.
• 1:19:13
  Speaker 1: Talk, don't spend nobody talk world why jes worldwide on
• 1:19:20
  Speaker 1: the Breakfast Club. She's the coaching ship.
• 1:19:23
  Speaker 18: She was able to get y'all to see something and
• 1:19:25
  Speaker 18: understand something that.
• 1:19:27
  Speaker 6: Nobody could get you to see the time to set it.
• 1:19:29
  Speaker 1: Off, y'all are cut into my time major? Okay.
• 1:19:33
  Speaker 5: Anyway, Danny Lay's brother is seeking permission to inform Rapper
• 1:19:38
  Speaker 5: the Baby.
• 1:19:39
  Speaker 1: Of his lawsuit through a newspaper.
• 1:19:43
  Speaker 5: Look, so remember the fight that they got into a
• 1:19:45
  Speaker 5: couple of years back where allegedly the baby and his
• 1:19:49
  Speaker 5: friends jumped Danny Laye's brother.
• 1:19:51
  Speaker 1: His name is Brandon, right, I think we've seen the video.
• 1:19:53
  Speaker 1: Wasn't the video? Yeah it was the video or whatever?
• 1:19:55
  Speaker 5: Right, But the baby has said that he initiate He
• 1:19:57
  Speaker 5: initiated the fight Brandon and the brother and get it
• 1:20:00
  Speaker 5: to fight.
• 1:20:00
  Speaker 1: Right.
• 1:20:01
  Speaker 5: So Bill said that he Brandon Bills, that's his name.
• 1:20:04
  Speaker 5: He said that he hired he been trying to serve
• 1:20:06
  Speaker 5: his guy for years. He even hired a private investigator,
• 1:20:08
  Speaker 5: but he could not track the baby down right, so
• 1:20:11
  Speaker 5: he officially asked the court permission to serve the baby
• 1:20:14
  Speaker 5: by placing a notice in the local newspaper. Imagine the
• 1:20:18
  Speaker 5: baby reading the newspaper with some coffee, finding out, really.
• 1:20:23
  Speaker 3: I can see the baby in the morning, waking up
• 1:20:24
  Speaker 3: reading the observer. Yes, you can see the baby the newspaper.
• 1:20:28
  Speaker 1: Yes, that smart Carolina brother. Absolutely. Okay, I'm not saying
• 1:20:32
  Speaker 1: he's not smart. I'm just saying I'm trying to figure
• 1:20:35
  Speaker 1: out why he can't find the baby. We see the baby.
• 1:20:38
  Speaker 1: You have to drive Auntie jumping in the car with
• 1:20:42
  Speaker 1: a s have Auntie server, you can the baby.
• 1:20:47
  Speaker 5: But he said that through all his work he had
• 1:20:49
  Speaker 5: not been able to successfully trick him down the baby.
• 1:20:53
  Speaker 1: Yeah, and you probably shouldn't after what we wouldness.
• 1:20:55
  Speaker 17: I know.
• 1:20:56
  Speaker 1: Ugs yet to rule on Bill's recent motion though, so
• 1:21:01
  Speaker 1: getting beat up. Yeah he yep, that's what he in
• 1:21:04
  Speaker 1: the video, wasn't he they said, wasn't I remember? Correct?
• 1:21:07
  Speaker 5: So long ago initiated the fight with forgetting that the
• 1:21:11
  Speaker 5: baby has a baby with his sister.
• 1:21:14
  Speaker 1: Sister so they could just leave it at the house.
• 1:21:15
  Speaker 1: He could wait for the baby, come to pick up
• 1:21:17
  Speaker 1: the kid. That's all you gotta do. They gotta go nowhere.
• 1:21:20
  Speaker 1: You gotta pick up the baby. That's crazy. Hold on
• 1:21:23
  Speaker 1: now the baby. The baby gotta pick up his baby. Okay,
• 1:21:27
  Speaker 1: got the baby, sister. Do we know the baby's name? Yeah?
• 1:21:34
  Speaker 1: Kirk something? Oh are yeah, little Kirk because it's okay.
• 1:21:38
  Speaker 1: I got you Jonathan Jonathan Lindelle Kirk, Jonathan Lindale Kirk all,
• 1:21:41
  Speaker 1: I got you.
• 1:21:42
  Speaker 5: Even Mare still disables comments after people spoke about her
• 1:21:46
  Speaker 5: weight loss, So she sat down with Tammer Hall and
• 1:21:49
  Speaker 5: she was talking.
• 1:21:49
  Speaker 1: They were talking about how people on social media immediately.
• 1:21:53
  Speaker 5: Began expressing their concern once they saw her photos at
• 1:21:57
  Speaker 5: the BET Awards dropped. Some people was saying that she okay,
• 1:22:00
  Speaker 5: while she looks sick, she looks not well, losing too
• 1:22:03
  Speaker 5: much weight. Her face looks gone hollow, and then he
• 1:22:05
  Speaker 5: was like ozempic or whatever.
• 1:22:08
  Speaker 11: Then she talked about it, I lost weight just naturally
• 1:22:12
  Speaker 11: going through life, and I found myself depressed before my divorce,
• 1:22:18
  Speaker 11: through my divorce, trying to just navigate and rediscover who
• 1:22:22
  Speaker 11: am I.
• 1:22:24
  Speaker 5: Yeah, so basically for the people who are wondering what
• 1:22:27
  Speaker 5: she's sick. Now, she wasn't sick. Listen, Divorce breakups, all
• 1:22:31
  Speaker 5: of that heartbreaks that can play a big, big, big toll.
• 1:22:35
  Speaker 1: On you mentally, oppressure, physically, and all of that, you know.
• 1:22:38
  Speaker 5: And she was saying even before her divorce, leading up
• 1:22:41
  Speaker 5: to her divorce, she was just losing weight and she
• 1:22:43
  Speaker 5: didn't even really realize it until she because she thought
• 1:22:46
  Speaker 5: she looked cute in the pictures. You know, when you're
• 1:22:48
  Speaker 5: looking at yourself every day, you're not noticing it, and
• 1:22:50
  Speaker 5: so the comments is what really made her pay attention.
• 1:22:51
  Speaker 1: And she was like, oh wow, but no, she's not sick.
• 1:22:54
  Speaker 1: She was just dealing with life. God, she was depressed.
• 1:22:56
  Speaker 3: That's why you got to mind your business. Yeah, because
• 1:22:59
  Speaker 3: when it comes to weight, it both ways. Big bellied
• 1:23:01
  Speaker 3: women aren't pregnant, yeah, and you know women that have
• 1:23:03
  Speaker 3: lost weight are not sick.
• 1:23:06
  Speaker 5: Yeah, sometimes distressed exactly, you know stress. What I said,
• 1:23:11
  Speaker 5: scrass honey, Oh I don't know what's going on.
• 1:23:13
  Speaker 1: T So a couple. This just and this is exclusive news.
• 1:23:19
  Speaker 5: My dear brother Tyresee is feeling some way and he
• 1:23:22
  Speaker 5: wanted to get some things off his chest this morning.
• 1:23:24
  Speaker 33: We're not talking about no free loading baby mamas either,
• 1:23:27
  Speaker 33: So don't even jump in my comments about that.
• 1:23:29
  Speaker 1: I'm always and have always took care of mine.
• 1:23:32
  Speaker 33: You're gonna leave me and you wanna take my life
• 1:23:35
  Speaker 33: with you, That's not happening. I'm gonna fight you to
• 1:23:37
  Speaker 33: the end of the earth. But as far as with
• 1:23:39
  Speaker 33: mine need, they're gonna have more than enough. It's not
• 1:23:41
  Speaker 33: my job to take care of you and your life
• 1:23:44
  Speaker 33: and go lavish your lifestyle.
• 1:23:46
  Speaker 1: And you decided to leave me, you're.
• 1:23:47
  Speaker 33: Gonna sit across from your new boyfriend, your new fiance,
• 1:23:50
  Speaker 33: your new husband, and be pimping off my money while
• 1:23:53
  Speaker 33: you're laying up in something that I'm paying for and
• 1:23:55
  Speaker 33: driving around in and dinners and vacations that I'm paying for.
• 1:23:59
  Speaker 1: I'm not doing it.
• 1:24:00
  Speaker 33: But pertaining to my child or my children, they gonna
• 1:24:03
  Speaker 33: always have more than.
• 1:24:04
  Speaker 1: What they need. Tyree is still on Live right now
• 1:24:08
  Speaker 1: going about it.
• 1:24:09
  Speaker 5: So if y'all I just cut that from the beginning,
• 1:24:12
  Speaker 5: where's it coming from when he started?
• 1:24:13
  Speaker 1: Man, knock it off. You don't need no context for Tyres.
• 1:24:16
  Speaker 1: You know exactly what he's talking. Yeah, he's talking about
• 1:24:17
  Speaker 1: his ex wife like this.
• 1:24:20
  Speaker 5: Something happened to in court We don't know it's it's
• 1:24:23
  Speaker 5: still on, so we gotta go tune in and for
• 1:24:26
  Speaker 5: y'all who who want to hear the rest of it,
• 1:24:28
  Speaker 5: just go to this page. He's on live right now currently.
• 1:24:30
  Speaker 5: We don't know when it's gonna end. But I just
• 1:24:32
  Speaker 5: wanted to shed some light on that and sell that
• 1:24:34
  Speaker 5: and send that brother healing energy.
• 1:24:36
  Speaker 1: Did tyres ever put out the Beautiful Pain album or
• 1:24:38
  Speaker 1: it never came up? I believe it is.
• 1:24:41
  Speaker 3: The theme of that album is supposed to be about
• 1:24:43
  Speaker 3: his recent divorce from from Samantha. So you know, I
• 1:24:47
  Speaker 3: would rather Tyrese give us the music Beautiful Pain. Everything
• 1:24:51
  Speaker 3: else handled it in the court. Ransom stuff handle that
• 1:24:54
  Speaker 3: in the court.
• 1:24:55
  Speaker 1: I don't think dang, it's not. No, it's sure not.
• 1:25:01
  Speaker 1: I thought he came up here, like what six months
• 1:25:03
  Speaker 1: ago and said.
• 1:25:04
  Speaker 5: Okay, well, maybe he's just in such you know, a
• 1:25:10
  Speaker 5: funk he can't even get it out.
• 1:25:12
  Speaker 1: Maybe m I'm so sad for him, all right, but
• 1:25:17
  Speaker 1: let's go watch the rest of his live That was
• 1:25:19
  Speaker 1: just with the Mess, all right. The People's Choice mixes
• 1:25:23
  Speaker 1: up next. Let's go. It's to Breakfast Sloper morning. You're
• 1:25:25
  Speaker 1: checking out the Breakfast.
• 1:25:26
  Speaker 5: Club Morning, Everybody's DJ n V, Jesse Hilarius, Charlamagne, the Guy,
• 1:25:31
  Speaker 5: we are the Breakfast Club.
• 1:25:33
  Speaker 1: I was out last night. I'm tired. Daughter went to
• 1:25:35
  Speaker 1: go see Olivia Rodriguez. Or yes, I'm tired. I am tired.
• 1:25:41
  Speaker 1: She had a great time. She had an amazing time.
• 1:25:43
  Speaker 1: So Sluto, Olivia Rodrigo. She put on an amazing show.
• 1:25:46
  Speaker 1: My kids loved it. Had a ball last night. Salot
• 1:25:48
  Speaker 1: to them. That's right, Saluto, Olivia Rodrigo.
• 1:25:52
  Speaker 3: And make sure you go get your tickets for the
• 1:25:53
  Speaker 3: second annual Black Effect Podcast Festival, happening Saturday, April twenty
• 1:25:57
  Speaker 3: seventh in Atlanta, Georgia. Man following Gilly on that stage,
• 1:26:01
  Speaker 3: Jess Hilarious doing carefully Reckless on that stage. Mandy and
• 1:26:04
  Speaker 3: Weezy with Horrible Decisions is on that stage. The Paul
• 1:26:07
  Speaker 3: Minds Podcast with Dre and Lex. Paul Mind's gonna have
• 1:26:10
  Speaker 3: a special guest too. We can't announce it yet, but
• 1:26:13
  Speaker 3: I can't wait to announce it. They're gonna have special
• 1:26:15
  Speaker 3: guest on this show though, So that's just a few
• 1:26:18
  Speaker 3: people that's gonna be there, So make sure you go
• 1:26:20
  Speaker 3: get your tickets. Black Effect dot Com Slash Podcast Festival.
• 1:26:23
  Speaker 3: The Ball Alert Show gonna be there as well, Debbie
• 1:26:25
  Speaker 3: Brown with Deeply Well.
• 1:26:26
  Speaker 1: Or you can go to event bright dot com.
• 1:26:28
  Speaker 3: To get your tickets, man, So go get your tickets
• 1:26:30
  Speaker 3: for the second annual Black Effect Podcast Festival, happening April
• 1:26:33
  Speaker 3: twenty seventh, atl shorwdy. All right, when we come back,
• 1:26:36
  Speaker 3: positive notice to Breakfast Club Good morning morning, Everybody's DJ
• 1:26:40
  Speaker 3: NV Jesse Hilary Charlamage the guy we are the Breakfast Clubs.
• 1:26:43
  Speaker 1: Time to get up out of here.
• 1:26:45
  Speaker 3: Yes, and I got a salute to the good sister
• 1:26:46
  Speaker 3: Alice Randall Man. She came up here today to discuss
• 1:26:48
  Speaker 3: her new book, My Black Country, a Journey through Country
• 1:26:51
  Speaker 3: Music's Black Past, President Future, which is the latest release
• 1:26:54
  Speaker 3: of my book in print Black Privilege Publishing. Go get
• 1:26:57
  Speaker 3: that now available everywhere you buy books. And tonight, myself
• 1:27:01
  Speaker 3: and Alice Randall along with Roseanne Cash, we will be
• 1:27:04
  Speaker 3: at the Brooklyn Public Library from seven to eight thirty
• 1:27:07
  Speaker 3: pm talking about My Black Country.
• 1:27:10
  Speaker 1: So we'll see you there tonight. All right, Well, leave
• 1:27:12
  Speaker 1: us on a positive note. Yes, I have a.
• 1:27:14
  Speaker 3: Positive note, and that's why My Black Country by Alice
• 1:27:17
  Speaker 3: Randall is so important.
• 1:27:18
  Speaker 1: Man.
• 1:27:18
  Speaker 3: This positive note comes from George Orwell. The most effective
• 1:27:22
  Speaker 3: way to destroy people is to deny and obliterate their
• 1:27:26
  Speaker 3: own understanding of their history. But guess what, You can't
• 1:27:30
  Speaker 3: even understand your history if you don't know your history.
• 1:27:33
  Speaker 3: So go get My Black Country by Alice Randall so
• 1:27:35
  Speaker 3: you can know black people's history and country music.
• 1:27:38
  Speaker 1: Have a blessed day. Breakfast club bitches, you don't finish
• 1:27:41
  Speaker 1: for y'all dumb