Latest / Xenomania / Liberty, Justice, & Carnage for All: Uncle Same 1996 - Xenomania 27

Transcript

Liberty, Justice, & Carnage for All: Uncle Same 1996 - Xenomania 27 · Xenomania

• 0:15
  Kearns: so John's got a game for us to start out the, the episode with.
• 0:18
  What's the game, John?
• 0:19
  Jon: sir. So I think it's appropriate, since it's our movie of the week is
• 0:25
  from 1996, I won't spoil it yet, we do the 1996 Xenomania Horror Awards.
• 0:37
  Kearns: this is salacious.
• 0:38
  Jon: I whipped up four categories for us.
• 0:42
  I'll start with the one I think is the most basic
• 0:46
  Kearns: Okay.
• 0:48
  Jon: best hero.
• 0:52
  Ryan: From 1996,
• 0:54
  Kearns: what
• 0:55
  Jon: From
• 0:55
  Kearns: I'm taking?
• 0:56
  Matthew Lillard.
• 0:58
  Matthew Lillard didn't scream 'cause he is the hero of that movie.
• 1:01
  Those kids deserve to die.
• 1:02
  Jon: All right, well,
• 1:04
  Kearns: awful nineties kids.
• 1:06
  Jon: Um,
• 1:07
  Kearns: No,
• 1:08
  Jon: the nominees
• 1:09
  Kearns: wait, wait.
• 1:10
  Hold on.
• 1:11
  Jon: Nev Campbell as Sidney
• 1:13
  Kearns: boo
• 1:14
  Jon: in
• 1:15
  Kearns: boo.
• 1:15
  I didn't know we were getting a list given to us.
• 1:17
  Ryan: we were guessing.
• 1:18
  I was already
• 1:20
  Jon: Oh yeah, we are, because can't trust you guys.
• 1:24
  Not say that Matthew Lillard is a hero
• 1:28
  Kearns: He is a hero.
• 1:29
  Ryan: he's always,
• 1:30
  Kearns: Watch, summer catch, bro.
• 1:33
  Jon: in Summer Catch.
• 1:34
  He isn't even a hero in Summer Catch.
• 1:37
  Kearns: He bangs the mom.
• 1:38
  They're like the lady who's like putting them up in the house.
• 1:42
  I think he eats salad off of her or something.
• 1:44
  He's a hero to me.
• 1:45
  Ryan: There goes my hero.
• 1:48
  Jon: go.
• 1:49
  Um, our second nominee is George Clooney as Seth Gecko in from Dusk till Dawn.
• 1:56
  Ryan: Okay.
• 1:58
  Jon: also have Michael J. Fox as Frank Banister in the
• 2:03
  Ryan: Yeah.
• 2:04
  Kearns: Brighteners?
• 2:05
  Ryan: sir.
• 2:06
  Jon: fourth nominee is Fred Ward as Earl Bassett in Tremors too,
• 2:12
  Ryan: Okay.
• 2:13
  Kearns: Oh, you made it hard.
• 2:15
  Jon: and our fifth nominee.
• 2:18
  It a co nominee.
• 2:19
  It's Jed and Jody from Uncle Sam.
• 2:23
  Ryan: Hmm.
• 2:26
  Kearns: Well, it's not then.
• 2:28
  Ryan: Jody.
• 2:29
  Kearns: So let's see.
• 2:31
  I mean, you made it, it wasn't really a thing until you brought up tremors too.
• 2:37
  'cause it was Michael J. Fox bar none.
• 2:40
  Ryan: Yeah.
• 2:40
  Kearns: I,
• 2:42
  Ryan: slowly
• 2:42
  Kearns: Earl man.
• 2:43
  Ryan: Right now.
• 2:44
  I'm caught between two.
• 2:47
  Jon: I am Michael J. Fox.
• 2:50
  Kearns: I am a little shaky on him
• 2:52
  Ryan: Because you want Fred Ward.
• 2:54
  that's why on that,
• 2:55
  Kearns: All right.
• 2:56
  Yeah, God.
• 2:59
  Um, I'm gonna stick with Michael J. Fox because that movie was pretty damn cool.
• 3:03
  I saw that in the theaters.
• 3:05
  Ryan: Yeah,
• 3:06
  Kearns: times.
• 3:07
  Ryan: Michael J. Fox too.
• 3:08
  Reggie Banister Frighteners is a class act, if it wasn't Nev Campbell, it was
• 3:13
  Matthew Lillard, I would've taken that.
• 3:15
  What Frank Banister,
• 3:17
  Jon: Yeah, Frank Banister.
• 3:18
  You're confusing your banister Reggie.
• 3:20
  Ryan: did I say Reggie Banister.
• 3:22
  Jon: You sure did.
• 3:25
  Back, back from the days when we were a Fantasm Fan podcast.
• 3:29
  Ryan: Hey, I'll,
• 3:30
  Kearns: Yeah, exactly.
• 3:31
  Ryan: Accept we need Reggie in our life.
• 3:34
  Kearns: I love that we started with that franchise.
• 3:36
  Jon: J. Fox.
• 3:38
  Ryan: I like
• 3:38
  Kearns: Hell yes, dude.
• 3:39
  Jon: So if we have heroes, we have to have villains.
• 3:43
  Ryan: Jake.
• 3:44
  Kearns: Matthew Lillard.
• 3:45
  Ryan: Jake Busey
• 3:46
  Kearns: He's gonna be one or
• 3:47
  Jon: our first nominee for best villain is Ghostface from Scream,
• 3:53
  Kearns: No, just Matthew Lillard.
• 3:55
  Not the other guy.
• 3:56
  Ryan: Not
• 3:57
  Kearns: the, the Luke Perry knockoff.
• 4:00
  Yeah.
• 4:00
  No.
• 4:00
  Ryan: Perry Aloff.
• 4:02
  That's the poor man's Johnny Depp.
• 4:03
  Come on now.
• 4:04
  Kearns: Yep.
• 4:05
  Jon: even
• 4:05
  Kearns: the poorer man's.
• 4:06
  Johnny Depp.
• 4:08
  No.
• 4:08
  Well, let's hear where the other ones are.
• 4:10
  Jon: our nominees are thick here.
• 4:11
  number two is Myron from Head of the Family.
• 4:14
  I.
• 4:16
  Kearns: Okay.
• 4:16
  I. Okay.
• 4:18
  That's a bit more obscure.
• 4:21
  Jon: our
• 4:21
  Ryan: I can't.
• 4:23
  Jon: Satan pandemonium from dusk till
• 4:26
  Kearns: Mm.
• 4:28
  Ryan: Okay.
• 4:28
  Kearns: reasons.
• 4:29
  Jon: our fourth nominee is Sam Harbor from Uncle Sam
• 4:36
  Kearns: Also, probably not going to win.
• 4:39
  Jon: our fifth Bartlett from the Frighteners,
• 4:44
  Ryan: that's what you're gonna do.
• 4:47
  Kearns: Wasn't there Busey in that movie?
• 4:49
  Ryan: Jake
• 4:50
  Kearns: Jake Busey in the Frighteners
• 4:52
  Ryan: He
• 4:52
  Kearns: didn't make the list.
• 4:53
  Ryan: No.
• 4:54
  Kearns: Best supporting villain
• 4:55
  Jon: the middle Busey.
• 4:57
  Ryan: supporting
• 4:59
  Ah,
• 5:01
  Kearns: The one from Arrival the religious fanatic.
• 5:05
  right.
• 5:07
  Lemme get my head in the game here.
• 5:09
  trying not to be too horny for this.
• 5:10
  And just going with Satan Boob Oso, um,
• 5:17
  Jon: It's hard not to, huh?
• 5:20
  Kearns: it's hard not to be
• 5:22
  Ryan: easy.
• 5:22
  I'm going with the sweep.
• 5:23
  Johnny Bartlett.
• 5:24
  Jake Busey, 1996 Frighteners, It's phenomenal.
• 5:28
  Johnny Bartlett, Jake Busey, he encompasses his father's in insanity
• 5:33
  in that film and he does a great
• 5:35
  Kearns: and life it's genetic
• 5:38
  Ryan: watching him take care of his father, he's his home, house, I guess his
• 5:42
  house giver now, or keeper, whatever they
• 5:45
  Kearns: Home caregiver.
• 5:45
  Ryan: well, his caregiver and you see like how mind is deteriorated ever
• 5:50
  since the motorcycle accident and stuff.
• 5:52
  And Jake, Jake does a lot and you can see he's, he is unhinged, but
• 5:56
  he's a little more seen than good old
• 5:59
  Kearns: Is there documentary or Do you have webcam footage?
• 6:01
  What's going on How do you know this?
• 6:03
  Ryan: like, he'll do YouTube
• 6:04
  Kearns: that's cool.
• 6:05
  Ryan: just to keep him in the spotlight.
• 6:06
  'cause Gary thinks he's a star
• 6:08
  Kearns: I like butter sausage and he's not there.
• 6:12
  been not there for a minute now.
• 6:14
  He's basically grown into his character from Lethal Weapon.
• 6:17
  Um, okay.
• 6:19
  Ryan: come on Mr. Joshua.
• 6:20
  Kearns: I think I am gonna stick with from D till dawn
• 6:23
  Jon: I,
• 6:24
  I'm
• 6:24
  Kearns: 'cause to lure them in.
• 6:26
  Jon: I'm going
• 6:26
  Ryan: Okay.
• 6:26
  Jon: embrace
• 6:27
  Kearns: them in.
• 6:29
  Yeah.
• 6:29
  I think I, I keep thinking the list and I'm just keep coming back to it.
• 6:34
  That was such a cool transformation.
• 6:35
  Well, it wasn't the best transformation 'cause it was fast, but it was
• 6:38
  cool when it went from that to that and then that whole movie changes.
• 6:42
  'cause you didn't know you were watching that movie until that happens.
• 6:46
  Jon: Yeah.
• 6:46
  Kearns: So,
• 6:48
  Jon: Yep.
• 6:49
  Kearns: good deal.
• 6:49
  Jon: All right.
• 6:51
  Our third category,
• 6:52
  Ryan: One for one
• 6:53
  Jon: best horror movie,
• 6:56
  Ryan: head of the family?
• 6:58
  Jon: head of the family is nominee number one.
• 7:01
  Ryan: Yes.
• 7:04
  Kearns: Tremors too.
• 7:06
  Ryan: Yeah.
• 7:06
  Jon: tells from the Crypt, bordello of blood.
• 7:10
  Ryan: Okay.
• 7:10
  Kearns: You know what's funny?
• 7:11
  I remember that movie came out around the time from Dust Till Dawn came out and I
• 7:14
  I couldn't figure out what was going on.
• 7:16
  Jon: they are
• 7:17
  Kearns: Yeah.
• 7:17
  Jon: similar.
• 7:19
  Kearns: Prostitute vampires.
• 7:20
  Jon: Yep.
• 7:21
  Ryan: Well, yeah,
• 7:22
  I
• 7:22
  Kearns: yeah.
• 7:23
  Ryan: bordellos like the Louisiana swamps, if I'm not mistaken.
• 7:27
  And from Dust to Dawn, we have
• 7:28
  Kearns: When you Creole, we call it Bayou Boy.
• 7:31
  Ryan: sir. With Creed.
• 7:33
  Kearns: see.
• 7:34
  Jon: tremors Aftershocks,
• 7:37
  Ryan: Yeah.
• 7:39
  Kearns: That's where they're little, ah,
• 7:43
  Jon: and Uncle Sam.
• 7:47
  Ryan: I feel like it's a theme that Uncle Sam is on each one of
• 7:50
  these lists and we're just avoiding choosing it, which is phenomenal.
• 7:54
  Kearns: going for like what I enjoyed the most or anything like that.
• 7:58
  I'm just thinking of what makes a good B horror movie and Uncle Sam kind of
• 8:02
  skimps on the extra servings of that.
• 8:05
  Ryan: Yeah.
• 8:05
  Kearns: There's not as much Reliance on weird stuff.
• 8:08
  they've got a good story I might be thinking of Dr. Giggles too much here.
• 8:11
  Ryan: going with it.
• 8:12
  Jon: They are easy to
• 8:16
  Kearns: I'm trying to think if my memory is serving me correctly or if I'm just
• 8:19
  gonna say this and it really means Dr. Gags tremors two was, ah, this is tough.
• 8:27
  Tremors two is not a good choice for this either.
• 8:29
  I don't think.
• 8:30
  Ryan: you're,
• 8:31
  Kearns: I don't,
• 8:31
  Ryan: in between head of the family and bordello of blood.
• 8:35
  Kearns: I refuse to consider bordello blood to B horror and movie.
• 8:37
  So I'm, I'm really thinking about the dentist.
• 8:40
  I think I'm gonna go with the dentist
• 8:41
  Jon: like it.
• 8:41
  Kearns: 'cause it's so stupid,
• 8:44
  Ryan: but.
• 8:45
  you got Myron head of the family controlling all his siblings,
• 8:49
  the intelligent, the lustful the strong the good looking one.
• 8:53
  Kearns: It's like the Encanto.
• 8:55
  Ryan: it's just for adults.
• 8:56
  gotta go ahead of the family I've never seen
• 8:59
  Kearns: I,
• 8:59
  Ryan: I gotta go family.
• 9:01
  Kearns: I might not have either, but I'm going for it anyway.
• 9:03
  Ryan: the scene, and John can me if I'm wrong 'cause it might be a
• 9:07
  different movie, is there's definitely a drilling scene he pops the drill in the
• 9:12
  Kearns: Yeah,
• 9:12
  Ryan: mouth and just tears 'em up.
• 9:14
  I do remember that, yeah.
• 9:16
  Close.
• 9:17
  Kearns: that's John's,
• 9:19
  Jon: as the dentist.
• 9:20
  Ryan: Okay.
• 9:21
  Jon: Yeah.
• 9:22
  Ryan: that drill
• 9:23
  Kearns: you auditioned for that part?
• 9:25
  Ryan: a lot of dentists
• 9:26
  Kearns: I.
• 9:26
  Jon: Yeah.
• 9:27
  I mean,
• 9:27
  Ryan: of that.
• 9:27
  Jon: it was 96, a few years after his LA Law and Major League fame.
• 9:31
  that may have been all he was getting.
• 9:34
  Ryan: Which is fair.
• 9:35
  That's how it usually happens.
• 9:37
  look at Nick Cage.
• 9:38
  that man was in debt but he built himself back by doing D movies.
• 9:43
  Look at him now,
• 9:44
  Jon: they offer him,
• 9:46
  Ryan: amazing.
• 9:47
  Jon: gonna go, I'm gonna go with Uncle Sam as my best.
• 9:51
  Ryan: Okay.
• 9:52
  Kearns: What a guy.
• 9:53
  Ryan: with your country, sir.
• 9:54
  Kearns: Well, and for reasons we will probably discuss shortly.
• 9:58
  All right.
• 9:58
  Let's see what else we got.
• 9:59
  Jon: And our best picture
• 10:03
  Ryan: Okay.
• 10:03
  Jon: we have
• 10:06
  Ryan: Yeah.
• 10:07
  Jon: the frighteners from dusk till dawn, the craft,
• 10:15
  Ryan: Oh,
• 10:15
  Kearns: Ah,
• 10:16
  Jon: thinner.
• 10:18
  Ryan: Okay.
• 10:19
  Kearns: thinner.
• 10:20
  The book.
• 10:20
  Way better than thinner.
• 10:21
  The movie.
• 10:22
  It's out immediately,
• 10:23
  Ryan: the craft.
• 10:24
  Kearns: craft is what makes this screwy.
• 10:26
  That cat sabotaged the podcast.
• 10:28
  We're suing that cat.
• 10:30
  She went after the mic
• 10:31
  Ryan: that?
• 10:31
  Reci?
• 10:32
  Yeah.
• 10:33
  Jon: Reggie Rumble.
• 10:35
  Kearns: she, she changed the whole lighting set up of your room.
• 10:39
  Ryan: It got bright.
• 10:41
  Kearns: I'm gonna go with the craft.
• 10:43
  The craft does get a little spooky.
• 10:45
  It's not a horror movie though, man.
• 10:47
  But I'm just gonna go with it because neither is from Dust Till Dawn
• 10:50
  Ryan: What?
• 10:51
  Whoa,
• 10:51
  Kearns: the Nurse.
• 10:52
  Ryan: From dust Hold.
• 10:53
  Dawn is a horror film when those vampires pop out in the bar.
• 10:57
  Kearns: it's like an action fight movie.
• 11:00
  Ryan: it's,
• 11:01
  Kearns: It's power.
• 11:02
  Ryan: some thrills.
• 11:03
  Kearns: It's got some.
• 11:04
  Yeah, but that's not what horror is.
• 11:07
  Thrills an edge of your seat.
• 11:08
  Ryan: that's not who,
• 11:10
  Kearns: Not to me.
• 11:11
  Ryan: goosebumps, like when Sam Hayek is literally, her,
• 11:14
  Kearns: not scary
• 11:15
  Ryan: she
• 11:15
  Kearns: what?
• 11:16
  Her like,
• 11:16
  Ryan: after
• 11:17
  Kearns: that's not scary either.
• 11:19
  Ryan: makes
• 11:19
  Kearns: scary either.
• 11:20
  It's just, it, makes it difficult to mid rub out to.
• 11:27
  But other than that, that's the scariest part.
• 11:29
  Ryan: so the,
• 11:30
  Kearns: No,
• 11:31
  Ryan: never made you jump
• 11:31
  Kearns: there's jump scares I with the bad CGI ghosts.
• 11:35
  But it's not scary.
• 11:37
  Ryan: It's,
• 11:37
  Kearns: not frightening.
• 11:38
  it's more like Casper the friendly ghost than it horror movie.
• 11:41
  craft is also not scary, but it has more of a dark foreboding like vibe to it.
• 11:45
  I guess that goes more so throughout.
• 11:48
  Ryan: Okay.
• 11:48
  Kearns: understand you disagree with me and that's
• 11:50
  Ryan: no, I
• 11:51
  Kearns: good disagree
• 11:51
  Ryan: do.
• 11:52
  Jon: treading into my territory with gatekeeping what is and isn't horror.
• 11:57
  Kearns: why mid nineties movies did this a lot where they were built as like
• 12:01
  this is why we have the current genre bending that we do where everything
• 12:04
  has like 15 sub genres because of this exact mindset I have right now.
• 12:09
  So if we're gonna consider them all horror, still the craft,
• 12:14
  Jon: Okay.
• 12:15
  Ryan: craft is a good choice.
• 12:16
  Kearns: good movie to
• 12:17
  Ryan: And the, I don't, I don't think the sequel held up, but it
• 12:21
  does have a nice connection to the first film, the more recent one.
• 12:25
  But I have to throw a curve ball and go with Scream.
• 12:28
  I can't, I can't let my guy go down.
• 12:31
  know, Frighteners is great, craft is great from dust holds on, but scream at 96.
• 12:37
  It's the life of the party.
• 12:39
  Kearns: How come Vicki Valour didn't get best villain
• 12:42
  Ryan: actually that
• 12:43
  Kearns: for the crafts?
• 12:45
  Yeah.
• 12:45
  And if you're listeners, you better know what I'm talking about with Vicki Valour.
• 12:49
  Ryan: well,
• 12:49
  Kearns: a double reference
• 12:51
  Ryan: if she was on the list, I would've pushed off Johnny Bartlett and he's
• 12:55
  fixing it We're gonna do a recap.
• 12:57
  recap
• 12:59
  Kearns: It's all good.
• 13:00
  But yeah, the craft for me, scream for Ryan and John.
• 13:05
  Jon: I am going the frighteners.
• 13:07
  Ryan: Frighteners.
• 13:08
  That's good though.
• 13:09
  Kearns: Damn.
• 13:09
  Ryan: get
• 13:10
  Kearns: I love that movie though.
• 13:11
  It was good.
• 13:12
  I like Michael.
• 13:13
  J. Fox holds up things much better than I would love to have seen him
• 13:17
  in more movies around that era.
• 13:19
  Jon: Mm-hmm.
• 13:19
  Kearns: know, he's good in what he's in.
• 13:22
  watch Doc Hollywood and tell me you're not enthralled.
• 13:25
  Ryan: Hollywood's excellent.
• 13:27
  Kearns: Yeah.
• 13:27
  Like his career is just good.
• 13:28
  Spin City has no Right.
• 13:30
  Being good
• 13:31
  Ryan: No,
• 13:31
  Kearns: has no right.
• 13:32
  Being good.
• 13:33
  It's very good.
• 13:34
  Thank you.
• 13:35
  Michael J. Fox
• 13:36
  Ryan: Family ties is excellent,
• 13:37
  Kearns: Family Ties stands on its own.
• 13:40
  that's why I didn't bring it up.
• 13:42
  That's just a quality show.
• 13:44
  Ryan: that's his first acting role his main spotlight and he shines, led to him,
• 13:49
  Kearns: Didn't they bring in Leonardo DiCaprio
• 13:52
  Ryan: pains
• 13:53
  Kearns: family growing pains.
• 13:54
  right.
• 13:54
  Ryan: more popular
• 13:55
  Kearns: All right.
• 13:56
  So that's our opening game, the Zino Mania Horror Awards
• 14:01
  Ryan: comment.
• 14:02
  Kearns: came up with.
• 14:03
  Ryan: Please comment, subscribe, like, and comment on what your favorites are.
• 14:08
  We know you're listening.
• 14:09
  it a shot.
• 14:10
  Have fun.
• 14:10
  Jon: us.
• 14:12
  us with subs.
• 14:12
  I definitely left stuff off that could have been on here.
• 14:17
  Ryan: like
• 14:17
  Kearns: That's true.
• 14:21
  My toast game was 96.
• 14:22
  Ryan: it was 96 or 97.
• 14:24
  Kearns: way,
• 14:24
  Ryan: but,
• 14:25
  Kearns: we're here to.
• 14:25
  Ryan: sorry.
• 14:26
  to cut in.
• 14:26
  I wanted to apologize though, because I was watching our
• 14:29
  last video for 28 years later.
• 14:31
  talk about this, but it didn't, it wasn't, it didn't make it in
• 14:34
  the final cut for some reason.
• 14:35
  Ralph finds and, Alfie from the 28 years later, and and Jillian Murphy, they're all
• 14:43
  gonna be in the next one, the Bone Temple.
• 14:45
  So the last film I said Ralph Fines wasn't in it, and we did talk about it.
• 14:49
  It got cut out and John supplied the info.
• 14:51
  I wanted to.
• 14:51
  fix that for our listeners out there.
• 14:54
  And
• 14:55
  Kearns: Did we cut it from the episode?
• 14:56
  Ryan: um, well give
• 14:57
  Kearns: hold on.
• 14:58
  I don't, on just, just real quick, did it get cut from the episode?
• 15:01
  Ryan: even in
• 15:01
  Kearns: So why are you apologizing for it to the listeners?
• 15:04
  Ryan: it was in the episode I thought it got recorded.
• 15:07
  it just sounded good.
• 15:08
  All right.
• 15:09
  I was trying
• 15:10
  Kearns: It sure did, buddy.
• 15:11
  right.
• 15:12
  Ryan: just trying to keep views
• 15:13
  Kearns: Just try to live my life, bro.
• 15:16
  Jon: Man with
• 15:17
  Kearns: Oh man.
• 15:18
  I was just sitting there loing it, and I was like, wait a second.
• 15:21
  Does this three and a half minute aside belong here?
• 15:24
  No.
• 15:24
  Guess what's getting cut from this episode, everybody?
• 15:27
  Ryan: that, god damn it.
• 15:29
  Kearns: No,
• 15:30
  Jon: apology
• 15:31
  Kearns: we gotta keep it in for this.
• 15:32
  Yeah.
• 15:33
  but with this episode, guys is on 1996 horror movie, uncle Sam, which,
• 15:39
  we talked about seeing at all the movie rental places, that iconic VHS
• 15:46
  cover with the Uncle Sam pointing at you and his face is looking all funky
• 15:50
  Ryan: wants
• 15:50
  Kearns: says, I want you.
• 15:51
  Yeah.
• 15:52
  It says, I want you, and I'm dead.
• 15:54
  That's a good one.
• 15:55
  Ryan: You
• 15:55
  Kearns: good one.
• 15:56
  Ryan: one of those things where you, walk in and it's like getting
• 15:58
  introduced to that whole world of horror films, at my time, let's say
• 16:03
  96, And that was as modern as can be.
• 16:06
  It was the hottest rental at captain video, video source,
• 16:10
  and it was just selling out.
• 16:11
  So it gets your attention and the cover.
• 16:14
  Kearns: Yeah.
• 16:14
  Ryan: to school, first grade, kindergarten, you see Uncle Sam,
• 16:17
  you see I want you to join the army.
• 16:19
  And then you see him saying, I want you dead.
• 16:21
  It intrigues you as
• 16:22
  Kearns: Mm-hmm.
• 16:24
  Ryan: It's like, what?
• 16:25
  What is this?
• 16:25
  Plus the back cover does have like the scene where the Uncle Sam
• 16:30
  Willie, which we'll talk about is peeping in the window of the girl.
• 16:34
  as a 6-year-old kid, you see that and you're like, all
• 16:38
  right, what's going on here?
• 16:39
  You know, but digressing from that scene, it's looks like a fun film.
• 16:44
  It's got like the, the cover.
• 16:45
  The cover was white, red, blue.
• 16:47
  It pops.
• 16:49
  It's a fun 1996 B movie, horror film.
• 16:54
  sum it up.
• 16:57
  Kearns: It is.
• 16:58
  And it was, uh, interesting 'cause we actually got to watch this one altogether.
• 17:01
  Uh, well, I mean we've all seen it, but we got to watch it again altogether.
• 17:04
  It was fun.
• 17:06
  It was goofy.
• 17:07
  Oh, really Good.
• 17:08
  Cool.
• 17:09
  Ryan: why I was,
• 17:09
  Kearns: It was goofy.
• 17:10
  Jon: yeah.
• 17:10
  I
• 17:10
  Ryan: Yeah.
• 17:11
  That's why I was like so focused reading the closed captions.
• 17:15
  Kearns: Oh, and I'm just sitting there doing comments, being a jackass.
• 17:18
  Ryan: it.
• 17:19
  Kearns: I'd forgotten a lot of the stuff that happens watched it in the nineties.
• 17:22
  I.
• 17:22
  Ryan: gory as I was expecting.
• 17:24
  I thought a little more gore, besides the opening scene where he gets caught in
• 17:29
  friendly fire and he's burnt to a crisp.
• 17:34
  that was the only gory scene, in the whole film.
• 17:38
  Plus the makeup was
• 17:41
  in, in this film a budget of okay, $2 million, very, very well done.
• 17:48
  Jon: Mm-hmm.
• 17:49
  it's another collaboration too with between Larry Cohen writing
• 17:53
  and William Lustig directing, and I mean, the two of them separately
• 17:59
  have created some magic together.
• 18:03
  you've got this in Maniac Cop that they've made together.
• 18:07
  just awesome, awesome horror.
• 18:11
  Ryan: You got the vibe of Larry Cohen's writing.
• 18:13
  I've seen Maniac Cop, like he's, he's got a good vibe.
• 18:17
  He's got the good like pace for it and it shows in Uncle Sam
• 18:21
  it's a quick pace horror film.
• 18:23
  It does well.
• 18:24
  when we talk about the ending, I feel like it does fall off a little bit
• 18:27
  where he does compress everything.
• 18:35
  Kearns: Oh,
• 18:36
  Ryan: Hi
• 18:36
  Kearns: well.
• 18:37
  Well, well, well, well,
• 18:41
  we had a sighting.
• 18:42
  I'm not sure if you noticed John, but there's someone in your house
• 18:44
  Ryan: behind you
• 18:46
  Jon: Yeah.
• 18:46
  Ryan: it
• 18:47
  Jon: come and
• 18:47
  Kearns: I,
• 18:47
  Jon: small kitten who is
• 18:50
  Ryan: Oh,
• 18:51
  Jon: with wires.
• 18:53
  Kearns: gotcha.
• 18:54
  Ryan: like playing with them, like,
• 18:55
  Jon: Yeah.
• 18:56
  Ryan: or biting them.
• 18:58
  Okay.
• 18:58
  Jon: Both
• 19:00
  Ryan: That was the
• 19:01
  Kearns: Amazing.
• 19:01
  Ryan: having
• 19:02
  Kearns: Amazing.
• 19:02
  Ryan: catching her biting on my Super Nintendo controller after
• 19:06
  school Have to go to Sears.
• 19:08
  Buy another controller.
• 19:09
  Your little harlett.
• 19:12
  I was gonna say something really nasty.
• 19:14
  Kearns: would you name your cat Harlett?
• 19:16
  Ryan: her, her name was Daisy and I called her Chichi.
• 19:19
  But she was a Harlet though,
• 19:20
  Kearns: Let her live.
• 19:21
  She was a progressive cat.
• 19:23
  Ryan: he gets shot down Our Uncle Sam gets shot down in Ley fire.
• 19:27
  he's burnt to his crisp and they
• 19:29
  Kearns: Yep.
• 19:29
  What country was he in when he was shot down?
• 19:33
  Ryan: Kuwait.
• 19:33
  Kearns: Don't look at the screen.
• 19:34
  Yeah.
• 19:35
  Good job.
• 19:35
  Yeah, it was Kuwait.
• 19:36
  It was Kuwait.
• 19:37
  It was 96.
• 19:38
  So it's, that was the, it was the sexy war of the time at the moment.
• 19:42
  Ryan: but,
• 19:42
  Kearns: It was in Kuwait post Desert Storm era.
• 19:45
  Ryan: of illustrates what the vibe is.
• 19:46
  'cause he starts off with, um, the line, don't be afraid.
• 19:51
  It's only friendly fire.
• 19:53
  And he blows basically the soldiers away a pistol.
• 19:57
  endless amount of shots, by the
• 20:00
  Kearns: I
• 20:00
  Ryan: that pistol.
• 20:02
  It's just clip.
• 20:05
  Jon: yeah,
• 20:06
  Kearns: think clips are pretty big.
• 20:09
  Yeah.
• 20:10
  Somewhat like 15 to 18 bullets in a sidearm and a military issue.
• 20:15
  Side arm.
• 20:16
  But the, the cool thing is, is that he shoots the guy through center mass and
• 20:21
  then kills the, uh, commanding officer.
• 20:24
  behind him, and that guy was a dick.
• 20:25
  So it was fun to watch him die pretty early.
• 20:27
  Jon: Mm-hmm.
• 20:28
  Kearns: he's just like, I assumed he was gonna wreak havoc where he was.
• 20:32
  And he doesn't, I guess they ship his body back overseas to his family who's waiting
• 20:38
  for him in some location in America.
• 20:42
  do we know where where the town is
• 20:43
  Jon: Rivers, USA.
• 20:45
  Ryan: Yep.
• 20:46
  Kearns: That's amazing it's, Twin Rivers.
• 20:48
  We skipped the state.
• 20:49
  just Twin Rivers.
• 20:51
  Jon: Yeah.
• 20:51
  Ryan: it
• 20:51
  Kearns: town.
• 20:53
  Jon: state is irrelevant.
• 20:55
  Kearns: Yep.
• 20:56
  Ryan: America.
• 20:57
  Kearns: Welcome back Sam.
• 20:59
  Sam gets shipped back to his widow, and her identical twin sister, which
• 21:05
  is what it looks like anyway, but it's not a. Girls aren't sisters together.
• 21:10
  There's no blood relation there.
• 21:12
  It's Sam's sister who looks just like his wife, which, no,
• 21:16
  it's, it's not Sam's sister.
• 21:18
  Ryan: Yes.
• 21:18
  Kearns: It's Sam's sister who looks just like his wife.
• 21:23
  Yeah.
• 21:24
  So we get that going.
• 21:27
  Jon: And his nephew,
• 21:31
  Kearns: Who looks like he's wearing a helmet.
• 21:32
  Jon: Jody.
• 21:34
  Ryan: is definitely a
• 21:35
  Kearns: Yeah.
• 21:35
  He is one of the more annoying kids.
• 21:38
  One of the more annoying kids in movies.
• 21:40
  it just sucks all around.
• 21:41
  And his haircut makes you progressively angrier as you watch it.
• 21:44
  Ryan: you hope you want to like the kid they try to make you like the kid and
• 21:48
  force it down your throat he's unbearable.
• 21:51
  Kearns: Yeah.
• 21:52
  Ryan: you think about the worst kids, in a horror film where it
• 21:56
  just paints in the asses and he just takes the cake because he's just
• 22:00
  Kearns: Yeah.
• 22:00
  Ryan: he's a whiny.
• 22:02
  My uncle Sam is a man.
• 22:04
  He fought in the war.
• 22:05
  we have chef,
• 22:07
  Jon: Mm-hmm.
• 22:08
  Ryan: in here real quick, and I'm jumping into that You can see the disrespect and
• 22:11
  like, he's just like, he, you're trying to like, they want you to sympathize with
• 22:16
  him and you can't, that was like the one thing I feel like, the writer Larry did
• 22:21
  like, like missed on that Larry Cohen was, there's no sympathy for this kid.
• 22:25
  You kind of feel bad for the mom, maybe the aunt, but the kid
• 22:30
  you want Uncle Sam to rack him.
• 22:32
  Jon: I, well, yeah, I don't, I don't think you're supposed to
• 22:36
  feel particularly sympathetic for chode through most of the movie.
• 22:41
  I think you're, you know,
• 22:44
  he's gung ho, rambunctious little turd.
• 22:51
  Kearns: Yeah, I'm almost thinking that's his purpose too.
• 22:54
  I don't think he's meant to be likable, especially with how the
• 22:56
  movie ends but he's kind of a shit throughout the entire thing.
• 22:59
  Ryan: Well,
• 22:59
  Kearns: and it does things that, the viewer's gonna get annoyed at,
• 23:01
  like fondling the casket, not fully opening it, and things like that,
• 23:06
  Ryan: Not
• 23:07
  Kearns: just can't stand him.
• 23:08
  Ryan: how to open the casket.
• 23:10
  I don't know how to open this casket.
• 23:11
  Just turn the latch, buddy.
• 23:13
  You just turn the damn latch.
• 23:15
  You know how to put a purple heart on you.
• 23:17
  You know how to let me stop.
• 23:20
  A probably needs a lot of help and I'm like really shitting on it.
• 23:25
  Sorry.
• 23:28
  Jon: well, I mean,
• 23:29
  Kearns: Are you okay?
• 23:30
  Jon: He seems to need a lot of help because he's in school
• 23:34
  during the 4th of July week.
• 23:37
  Ryan: Yeah, he is.
• 23:38
  Kearns: Oh, that's a good point.
• 23:39
  Jon: e
• 23:40
  Kearns: messed up
• 23:40
  Jon: a real academic achiever or they have a really weird school calendar.
• 23:45
  Ryan: was weird.
• 23:46
  to put school in July 1st.
• 23:48
  even if it's summer school setting or a camp setting, you're not sitting
• 23:53
  in a classroom ready for class with a bell ringing in the background.
• 23:56
  Jon: No, it,
• 23:57
  Kearns: No.
• 23:58
  Jon: ridiculous for a school to be in session on July 1st.
• 24:02
  Ryan: Yeah.
• 24:03
  Kearns: Mm-hmm.
• 24:04
  Ryan: Which
• 24:04
  Kearns: Agreed.
• 24:05
  Ryan: the days are quick one minute you're July 1st, then next you're July 4th.
• 24:10
  Kearns: Yeah.
• 24:11
  Ryan: very,
• 24:11
  Kearns: the movie's very thin, very thin.
• 24:15
  Ryan: yeah.
• 24:15
  Kearns: They, get into it and establish, weird relationships between
• 24:20
  Jodi's mother and his, aunts and their relationships with these men.
• 24:25
  And John pointed out, I have to bring this up, that they all, everybody looks alike.
• 24:28
  Ryan: do.
• 24:29
  Kearns: the two main females look alike.
• 24:31
  And there's three men in the movie look identical as well.
• 24:34
  They're just like all the same archetype.
• 24:37
  Yeah.
• 24:37
  The teacher, the sheriff, and
• 24:39
  Ryan: the
• 24:39
  Kearns: the,
• 24:40
  Jon: the police
• 24:40
  Kearns: the tradesman as lawyer.
• 24:42
  Jon: They're the same
• 24:43
  Kearns: Yeah.
• 24:45
  It's weird.
• 24:46
  Ryan: They didn't
• 24:47
  Kearns: So you're watching it and you're like, it's all
• 24:49
  kind of bleeding together bit
• 24:50
  And it's also just like it is Uncle Sam and not getting this amazing script.
• 24:55
  So the movie tracks on a bit and you get yourself to a point where they
• 25:00
  introduce, I believe Isaac Hayes comes in.
• 25:03
  we're skipping over the commander who's trying to dittle the widow,
• 25:06
  there's a commander who brought the casket and everything.
• 25:09
  He's trying to dittle the widow and his whole shtick
• 25:11
  Jon: the officer, who notifies the next of kin that their family member
• 25:19
  has died in war, is also just trying to get in women's pants the whole
• 25:26
  Ryan: Yeah.
• 25:27
  Kearns: is getting after those sad, grieving widows and he's just lame.
• 25:32
  And then we get but the big surprise of the movies that Isaac Hayes is in it,
• 25:36
  Ryan: children.
• 25:36
  Kearns: is awesome.
• 25:39
  He's a war veteran who is a Purple Heart recipient as well.
• 25:43
  Shout out to all of our heroes out there.
• 25:45
  And, uh, he's got a wooden leg, which they do some really like
• 25:49
  silly camera tricks to make work.
• 25:52
  And yeah,
• 25:53
  Ryan: about the
• 25:54
  Kearns: Isaac Jesus walking
• 25:55
  Ryan: he knocks on the lake?
• 25:57
  Kearns: when he's sitting and you can see that he's like right side of
• 26:00
  his body's higher 'cause he is got sitting in his legs under his ass
• 26:04
  and, and they have the wooden leg in the front, but stuff like that.
• 26:07
  So Isaac Hayes is in it as well.
• 26:09
  And he ends up, uh, well he was, he used to serve with sand
• 26:14
  Ryan: Yes.
• 26:14
  Kearns: and train.
• 26:15
  Ryan: mentored him.
• 26:16
  Jon: Sam's mentor.
• 26:18
  Kearns: And just like the movie guys, it's 32 minutes into the podcast, just
• 26:21
  like the movie or just like us right now, having not gotten into anything
• 26:25
  really fun or horror related with regard to this movie movie doesn't either.
• 26:31
  Except for that opening scene until we get well into it and
• 26:35
  somebody finally does something to conjure a Sam outta that coffin.
• 26:40
  What happens?
• 26:40
  John,
• 26:41
  Jon: Oh, we get some, young teenage punks, desecrating graves and burning flags,
• 26:49
  Ryan: Yep.
• 26:49
  Jon: some embers wind up in Sam's grave and that awakens an angry Sam.
• 26:58
  Ryan: did like that shot.
• 26:59
  not I didn't like them burning the flag, but for story purposes, how the flag
• 27:04
  is burning and it looks like fireworks shooting off as it's falling in the
• 27:07
  Kearns: you've
• 27:07
  Ryan: really
• 27:08
  Kearns: you've gone too far You're a traitor.
• 27:12
  Ryan: accept
• 27:12
  Kearns: You've said it already.
• 27:13
  I have to roll that one back.
• 27:16
  Ryan: We'll accept it.
• 27:17
  Kearns: But it's not like they did in creep show when you
• 27:21
  had the wooden Indian who,
• 27:22
  who, gets revenge for his owner kills the people.
• 27:26
  Who specifically wronged the owner.
• 27:31
  Do you guys remember that at think that's creep show.
• 27:33
  Ryan: too.
• 27:34
  Kearns: Sam comes out and starts killing people and it's indiscriminate almost.
• 27:38
  He does go after the guys who did derate the grave, but he's not a good vengeful.
• 27:44
  Ryan: Yeah.
• 27:44
  Kearns: he's a dick and apparently he was also a dick in life.
• 27:47
  Ryan: loved to kill.
• 27:48
  Jon: he.
• 27:48
  Yes, that's, that comes up out later in the movie, as does how awful a human
• 27:54
  being Sam was in life and afterlife is a continuation of his hideous humanity.
• 28:02
  Ryan: And.
• 28:03
  There is signs of him messing, like, I wouldn't say messing, but he, he
• 28:07
  caused some I guess, for his sister to have some PTSD, definitely his wife.
• 28:13
  just like that controlling, hatred that comes out.
• 28:18
  And Isaac Hay's character does try to help him, and he notices
• 28:23
  something wrong when they go hunting.
• 28:25
  he went hunting with him and carved out that animal.
• 28:28
  It was like he was a killer.
• 28:30
  what if he sent him to war, not to get him off that killing spree, but to have him
• 28:34
  killed himself, like to rid of that evil.
• 28:37
  if he dies out there, he dies out there.
• 28:39
  Kearns: Who sent him
• 28:39
  Ryan: with Isaac Hay's character mentoring him, eventually mentors
• 28:43
  Sam's character to going to the Army.
• 28:46
  So maybe that was his way of self-sacrifice.
• 28:49
  He's like, I'm not gonna kill the guy here.
• 28:51
  He's like my student, he goes out, he dies.
• 28:54
  But being a killing machine, of course he's surviving everything.
• 28:57
  that sacrifice of this evil entity, like I can't get rid of it, but war can.
• 29:03
  Jon: Jed didn't necessarily encourage Sam to join the military.
• 29:08
  He was telling him stories and in Jed's mind they were more
• 29:12
  cautionary incitement to go to war.
• 29:17
  Ryan: Yeah.
• 29:18
  Well, he's going around, walking at the festival.
• 29:21
  checking things out, and he meets a blind kid,
• 29:24
  Kearns: Meets a blind kid.
• 29:25
  Ryan: I'm skipping his name this poor blind kid.
• 29:27
  it's really weird how they set it up with his accident, it's very
• 29:32
  questionable how his accident happens.
• 29:35
  There's like two stories
• 29:37
  Kearns: Well,
• 29:38
  Ryan: on that
• 29:38
  Kearns: He meets the blind kid at the actual
• 29:41
  Ryan: Yep.
• 29:41
  Kearns: July celebration.
• 29:42
  Ryan: Yes.
• 29:43
  Kearns: we're jumping past a bit of Sam debauchery, aren't we?
• 29:47
  No, I guess not really.
• 29:48
  He just does the same thing, his murder spree stuff,
• 29:50
  Ryan: I mean, if you wanna
• 29:51
  Kearns: how he gets the costume.
• 29:53
  Ryan: the grave site let's, take it back to the grave site
• 29:55
  Kearns: So he he goes on his killing spree and I mentioned earlier that he, he isn't,
• 30:00
  you know, righteous and who is killing.
• 30:02
  We thought they make it seem as though he is just gonna kill the people
• 30:04
  who are desecrating the grave site.
• 30:06
  Ryan: Yeah.
• 30:07
  Kearns: he does not.
• 30:07
  He kills many other people, including,
• 30:11
  Willie?
• 30:12
  Willie the guy who wearing the Uncle Sam outfit on the stilts
• 30:16
  Ryan: Poor Willie
• 30:16
  Jon: stilts.
• 30:18
  Kearns: Willie on stilts catches a bed, falls down, and gets got by Sam.
• 30:24
  I think that's one of the first times Sam speaks too, doesn't he?
• 30:29
  Ryan: Oh no,
• 30:29
  Kearns: After the beginning,
• 30:30
  Ryan: okay.
• 30:30
  Yes.
• 30:31
  Kearns: right?
• 30:32
  He kills him and then he steals his Uncle Sam outfit.
• 30:37
  Ryan: Mask was creepy.
• 30:40
  Kearns: The mask was creepy.
• 30:41
  Ryan: And how he cuts the costume.
• 30:43
  He can, you know, repo eats it.
• 30:46
  the blood soaked on it stands out for $2 million.
• 30:51
  Budget film.
• 30:51
  It stands out.
• 30:52
  so good old Willie, he's
• 30:56
  got stilts on.
• 30:57
  He's walking around town pops into a window and he gets a little sight, man.
• 31:04
  Fireworks display a day early.
• 31:06
  Jon: Yeah.
• 31:07
  Oh, Willie runs into Sam, and Sam takes him out with hedge trimmers
• 31:12
  and then goes after the cemetery.
• 31:15
  Punks,
• 31:15
  Kearns: And he pops out.
• 31:17
  And let's see, what does he do after that?
• 31:21
  As soon as he gets the costume, we do kind of roll right into
• 31:23
  the festivities, don't we?
• 31:26
  Ryan: 'cause he's like
• 31:26
  Kearns: there's some stuff in between.
• 31:27
  Jon: just,
• 31:28
  Ryan: merge into it.
• 31:29
  Jon: into it.
• 31:30
  Ryan: He's giving high fives to everyone.
• 31:33
  No licking, hatchets.
• 31:36
  It's all right.
• 31:38
  Jon: licking hatchets,
• 31:41
  Ryan: Licking hatchets with his grotesque, like
• 31:44
  Jon: like
• 31:45
  Ryan: purplish tongue
• 31:47
  Jon: He's also managed to steal his metals back from chode,
• 31:52
  Ryan: Yep.
• 31:52
  Kearns: Yes, that's right.
• 31:53
  And he puts them on.
• 31:55
  Jon: pin to his clothing.
• 31:56
  He pins them directly to his charred chest.
• 32:01
  Kearns: Yeah, it's pretty cool.
• 32:02
  That was a fun scene.
• 32:03
  But yeah, the, the gore and the killings isn't excessive at all.
• 32:08
  It's, it's all kind of very.
• 32:10
  Left to your imagination almost.
• 32:12
  Um, which makes it an interesting movie for the era because there were
• 32:15
  very gory, horror movies at the time.
• 32:18
  Ryan: Yep.
• 32:19
  Kearns: not this one
• 32:19
  Jon: No.
• 32:20
  Kearns: And I then kind of makes me wonder what they were like
• 32:22
  hinging the success of this film on.
• 32:26
  'cause there's nothing too overt.
• 32:28
  It was it like the great storyline
• 32:29
  Jon: No,
• 32:32
  it was that visual of Uncle Sam.
• 32:37
  Ryan: Yep.
• 32:38
  Jon: Uncle Sam as a killer
• 32:40
  Kearns: story?
• 32:41
  I mean, that does kind of work, but we get
• 32:44
  Jon: the
• 32:45
  Kearns: the festivities is it even known that Sam's out killing yet?
• 32:49
  Jon: No,
• 32:49
  Ryan: No.
• 32:50
  Kearns: not yet.
• 32:51
  Jon: yet.
• 32:52
  Kearns: Okay.
• 32:52
  Jon: until pretty well into Carnival.
• 32:55
  it's billed as a parade.
• 32:56
  That's really brief.
• 32:59
  then it's just like a town Independence Day celebration.
• 33:02
  Ryan: Yep.
• 33:03
  Kearns: yeah, that's what you get.
• 33:03
  And that's where the blind kid that Brian brought up earlier is rolled out
• 33:08
  and he's, he's the victim of a firework.
• 33:11
  Accident's gone wrong.
• 33:12
  Sam approaches that kid at some point.
• 33:15
  it's Jody's friend.
• 33:16
  He approaches that kid and
• 33:18
  Jon: guess
• 33:18
  Kearns: I guess he was getting bullied and he is like, I'll kill them all for you.
• 33:21
  And then
• 33:22
  the blind kids' are like, yes, please do.
• 33:23
  Ryan: how he grabs his face
• 33:24
  Jon: though.
• 33:26
  Kearns: It's
• 33:26
  weird.
• 33:26
  Ryan: splat.
• 33:27
  he's like,
• 33:28
  Jon: like,
• 33:29
  Ryan: I understand your pain.
• 33:30
  no man, what are you doing?
• 33:31
  no one else notices
• 33:33
  Kearns: It's weird.
• 33:34
  Yeah, it's also funny.
• 33:36
  Ryan: like
• 33:36
  Kearns: and he goes around to celebration, killing people.
• 33:38
  Jon: Yeah.
• 33:39
  it starts as killing people who in Sam's view, disrespected the country.
• 33:46
  Kearns: Yeah,
• 33:47
  Jon: Mr. Crandall, the teacher for being a coward and not enlisting during Vietnam,
• 33:55
  Kearns: Alex's right.
• 33:56
  I forgot that
• 33:57
  Ryan: goes to Canada.
• 33:59
  Jon: He takes out, one of the kids from the cemetery Jesse who the national anthem
• 34:06
  Ryan: Yep.
• 34:08
  During the SAC race,
• 34:09
  Jon: Mm-hmm.
• 34:11
  Ryan: him.
• 34:11
  Jon: longest sac race in history was
• 34:14
  Kearns: glad you brought that up.
• 34:15
  Jon: country sack race.
• 34:17
  Kearns: They're in the woods.
• 34:18
  off the beaten path and It's bizarre.
• 34:20
  They're jumping over tree branches and anybody who's done a sack race knows
• 34:24
  Ryan: of
• 34:24
  Kearns: that going 50 feet is impossible.
• 34:28
  the kid who ends up dying
• 34:29
  Jon: if your sac race is more than 50 feet, your sac race is too long.
• 34:35
  Kearns: mm-hmm.
• 34:36
  Agreed.
• 34:37
  I don't even think they do it anymore.
• 34:38
  Now they do that weird two person wheelbarrow thing
• 34:41
  Ryan: I
• 34:41
  Kearns: where you gotta like run on your hands.
• 34:44
  Jon: I prefer the leg tied together.
• 34:46
  So it's the three-legged run
• 34:47
  Ryan: Ooh,
• 34:48
  Kearns: Oh, that's a good one too.
• 34:49
  We used to do that with Fox Lane.
• 34:51
  Ryan: The
• 34:51
  Kearns: I doxed this,
• 34:52
  Jon: that always
• 34:53
  Kearns: cutting that up.
• 34:54
  Jon: plants.
• 34:56
  Kearns: People get hurt.
• 34:57
  Ryan: race.
• 34:57
  Jon: three-legged race.
• 34:59
  Ryan: Oh,
• 34:59
  Jon: a good fall
• 35:00
  Kearns: Bye.
• 35:02
  as the shenanigans ensue, a congressman shows up.
• 35:05
  For Congressman things.
• 35:08
  Jon: Played,
• 35:09
  Kearns: And
• 35:09
  Jon: Forster.
• 35:11
  Kearns: it was another name,
• 35:12
  Ryan: Yep.
• 35:13
  Kearns: not as exciting as Isaac Hay, but another bigger name.
• 35:15
  And recognize him?
• 35:16
  Ryan: about this Isaac case is forever with us as chef,
• 35:21
  Jon: chef.
• 35:22
  Ryan: more love for Isaac case.
• 35:23
  Jon: case.
• 35:25
  Kearns: Yeah,
• 35:26
  Ryan: But,
• 35:26
  Kearns: true.
• 35:27
  Ryan: is an actor.
• 35:28
  Jon: actor.
• 35:29
  Ryan: it pops up Jackie Brown.
• 35:31
  Jon: Brown.
• 35:32
  Mm-hmm.
• 35:32
  Ryan: just, he's, I mean, that's really, that pops up to me.
• 35:35
  That stands out,
• 35:36
  Jon: out,
• 35:37
  Ryan: during that time.
• 35:38
  Jon: that time
• 35:39
  Kearns: Mm-hmm.
• 35:40
  Ryan: he did Jackie Brown in 95,
• 35:41
  Jon: Yeah.
• 35:42
  Ryan: then did Uncle Sam later?
• 35:43
  Jon: follow up.
• 35:45
  Ryan: Yes.
• 35:45
  Kearns: bizarre.
• 35:46
  Ryan: Phenomenal.
• 35:47
  Jon: Jackie Brown fame.
• 35:50
  Kearns: he's like, I gotta load up as much money as I can before Bitcoin comes out.
• 35:53
  Jon: was a thing like, and granted Larry Cohen didn't direct this,
• 35:58
  but there was a thing a lot of actors wanted to work with him.
• 36:04
  Kearns: Yeah.
• 36:05
  Jon: as a director, there are a lot of names who shouldn't have been in some
• 36:09
  of the bad movies he made, he always got great performances out of them.
• 36:15
  Kearns: Mm-hmm.
• 36:16
  Ryan: Was it because he's just a friendly guy or because of
• 36:20
  Jon: because
• 36:20
  Ryan: writing?
• 36:21
  Jon: I think he's a friendly, likable guy people wanted to excel for them and
• 36:25
  like, he's a, he's an actor's director.
• 36:29
  Ryan: Okay.
• 36:30
  Jon: demanding on you.
• 36:32
  Ryan: Because I mean, he does try the, his, I guess you can
• 36:35
  say his formula for, maniac Cop,
• 36:37
  Jon: Cop,
• 36:38
  Ryan: which works out greatly.
• 36:40
  good pacing with Uncle Sam.
• 36:42
  He tries to do that and it shows a lot with the dialogue, just how
• 36:46
  Jon: how
• 36:47
  Ryan: the kills are performed.
• 36:50
  Jon: But
• 36:50
  Ryan: can't
• 36:51
  Jon: can't
• 36:51
  Ryan: stretch it out It's very compressed.
• 36:55
  Jon: Mm-hmm.
• 36:55
  Ryan: that does show, especially talking about the deaths now that these are shown.
• 36:59
  Jon: shown,
• 37:01
  Ryan: Um, maybe with the, when he lifts the kid up,
• 37:05
  Jon: up,
• 37:05
  Ryan: the flag.
• 37:07
  Jon: Mm-hmm.
• 37:07
  Ryan: the hedge clipper machine is, shown off camera.
• 37:10
  Kearns: The commander, officer off camera.
• 37:13
  Jon: most of the violence is implied.
• 37:16
  Kearns: Yeah.
• 37:16
  Which is an interesting way to go.
• 37:17
  with a movie like this What's keeping us glued to it?
• 37:21
  maybe they thought the two blonde females were gonna be enough
• 37:23
  Ryan: It
• 37:24
  Kearns: carry people through.
• 37:25
  Jon: it wasn't.
• 37:26
  Kearns: It wasn't.
• 37:27
  Jon: So
• 37:28
  Kearns: this festive, 4th of July party's going on.
• 37:31
  He's killing multiple people until he gets, outed.
• 37:33
  sheriff, finds one of the bodies.
• 37:36
  the way he tells people when he found the body is kind of silly too, isn't it?
• 37:40
  But doesn't he like walk up to her and he is like, there's been a murder.
• 37:43
  We found a head.
• 37:44
  Jon: a
• 37:44
  Kearns: then they cut,
• 37:45
  Jon: a body.
• 37:45
  Kearns: they cut to the scene.
• 37:47
  found a body.
• 37:48
  Ryan: a head.
• 37:48
  Kearns: cut to a scene of the barbecue and show a severed head stoner girl making
• 37:53
  food, is immediately murdered afterward.
• 37:56
  makes me wonder, is it that head or another head they were talking about?
• 38:00
  Ryan: did not deserve that.
• 38:03
  She didn't even like that joint.
• 38:04
  Jon: She's
• 38:05
  Ryan: didn't break rule.
• 38:06
  Jon: she's where Sam goes from remotely justified to murderer.
• 38:12
  He attaches Cong, the congressman played by Robert Forster to the
• 38:18
  fireworks rig and sets him off.
• 38:22
  Kearns: if they were going for political commentary with it,
• 38:25
  which would be kind of funny.
• 38:26
  Um, I mean it's, I can't imagine what he would've done today
• 38:31
  Jon: Yeah.
• 38:31
  Kearns: because it's gotten a little different.
• 38:34
  Jon: Yeah.
• 38:35
  Kearns: yeah, they're going and it comes down to, them needing
• 38:38
  to find a way to kill Sam.
• 38:39
  Isaac Hayes.
• 38:40
  Jody is teamed up with him,
• 38:43
  Ryan: Jody and
• 38:43
  Kearns: mother,
• 38:44
  Ryan: Barry,
• 38:44
  Jon: Barry,
• 38:46
  Kearns: Barry,
• 38:46
  Ryan: boy.
• 38:47
  Kearns: blind boy turned on 'em, I And then they try to
• 38:49
  figure out a way to kill him,
• 38:50
  Ryan: he has a mental link to him.
• 38:53
  Jon: just, just to back a second, uh, Barry's mom is played
• 38:57
  by PJ Souls, another legend.
• 39:04
  Kearns: she doesn't get a huge amount of limelight in this.
• 39:07
  Ryan: No.
• 39:07
  Kearns: She's just a jerk.
• 39:09
  She's an annoying mom.
• 39:11
  Jon: annoying mom.
• 39:13
  Kearns: what were you saying, Ryan,
• 39:15
  Ryan: I was saying Barry
• 39:16
  Jon: Barry
• 39:16
  Ryan: a, mental link
• 39:17
  Jon: link
• 39:18
  Ryan: with Sam,
• 39:19
  Jon: say
• 39:20
  Ryan: like,
• 39:21
  Jon: like,
• 39:22
  Ryan: always
• 39:22
  Kearns: after he molested his
• 39:23
  Ryan: after he, Melissa, his cheek, he's got something telepathic
• 39:27
  with him, something like, five.
• 39:30
  Kearns: That must have been the three times I went to the bathroom
• 39:32
  in 20 minutes at the end of the movie
• 39:34
  Ryan: Oh yeah,
• 39:35
  Kearns: when that was established.
• 39:36
  Ryan: after
• 39:37
  Kearns: they don't on it too heavily.
• 39:40
  That must have just been to fill a pothole to figure out where Sam is or something.
• 39:43
  Right.
• 39:44
  Ryan: He noses.
• 39:45
  Kearns: Basically.
• 39:47
  Jon: So,
• 39:48
  Kearns: with them for that.
• 39:49
  Jon: out the mayor, he takes out lawyer boyfriend, he takes
• 39:53
  out the deputy boyfriend.
• 39:56
  Ryan: the lawyer's death was hilarious because he's dressed like Lincoln.
• 40:01
  And gets shot in the head just like Lincoln,
• 40:05
  Kearns: Oh, that's raw.
• 40:06
  Yeah.
• 40:06
  That's right.
• 40:07
  That's good stuff.
• 40:09
  Ryan: nice nod
• 40:10
  Jon: he's the, I mean, at that point the lawyers, establish him as a
• 40:16
  little sleazy, he says some things critical of US foreign policy.
• 40:22
  Ryan: Yep.
• 40:22
  Jon: did nothing
• 40:25
  Ryan: No.
• 40:28
  Jon: have a thing for Sam's widow.
• 40:31
  Ryan: Mm-hmm.
• 40:31
  Kearns: Which might be enough for a psychopathic corpse,
• 40:34
  Ryan: Yes.
• 40:34
  Kearns: they get to the final, confrontation.
• 40:37
  There's a battle Isaac Hayes tries his best and gets pitched through
• 40:41
  a window, it doesn't matter what his character name is, by the way.
• 40:43
  He's Isaac Hay
• 40:44
  Jon: Yeah.
• 40:45
  Kearns: movie.
• 40:46
  Ryan: Hey,
• 40:46
  Kearns: They throw him through the window.
• 40:47
  I somebody else described the last fight.
• 40:49
  It's so unremarkable.
• 40:50
  Ryan: Oh,
• 40:51
  Kearns: how do they kill 'em?
• 40:51
  Jon: well,
• 40:52
  Ryan: got Jody who distracts him, right?
• 40:55
  Jon: He
• 40:55
  Ryan: He's like, I'm gonna be with you.
• 40:57
  I'm gonna become you.
• 40:58
  Jon: you
• 40:59
  Ryan: And
• 41:00
  Jon: and
• 41:00
  Ryan: Hays magically drives to town in like five seconds.
• 41:08
  Hitches that cannon and drives back to the house.
• 41:12
  Jon: Well,
• 41:12
  Ryan: first off, that's a 25 minute distance.
• 41:14
  Jon: I don't know, they sort of establish it as not that long a distance because
• 41:18
  they get to the house originally walking with a kid, guy with one
• 41:24
  leg and another kid in a wheelchair.
• 41:26
  They get there quick.
• 41:28
  So it's not a huge distance to cover
• 41:31
  Kearns: It's a differently abled Independence day, march to the house.
• 41:36
  Alright, so that makes sense.
• 41:37
  How do they kill 'em?
• 41:38
  Let's just cut to the chase.
• 41:40
  Ryan: Canon.
• 41:40
  Kearns: How do they kill someone?
• 41:42
  And that's my favorite part of And he misses.
• 41:45
  Jon: Mm-hmm.
• 41:45
  Kearns: And also Sam's on fire because the house is on fire.
• 41:49
  So he comes out and he's walking down Isaac Hayes actually.
• 41:53
  Is he walking down Isaac Hayes or is he walking down Jody and Isaac
• 41:58
  Hayes is like pumping the thing full of black powder, pushing it down.
• 42:01
  Like it's taking a hot second for him to reload it.
• 42:04
  And then he shoots Sam That's,
• 42:06
  Jon: Yeah.
• 42:06
  Kearns: all that good suspense building.
• 42:08
  Good stuff, right?
• 42:09
  Ryan: Yep.
• 42:09
  Kearns: But John, how cool is it when he flies backwards after
• 42:12
  getting shot with a cannonball?
• 42:14
  Jon: awesome.
• 42:15
  you just
• 42:15
  Kearns: makes the movie worth watching.
• 42:17
  Jon: the chest explode.
• 42:20
  Kearns: Good stuff.
• 42:21
  And you're in the middle of eating your popcorn, or your late night hohos,
• 42:24
  or whatever it is in 1996, and you're like, ah, because you're a stupid kid.
• 42:29
  You got this from Blockbuster.
• 42:32
  Woo.
• 42:32
  And that's Uncle Sam.
• 42:33
  There's not much more to talk about, but I'm sure somebody else has something.
• 42:36
  Jon: with Jodi burning all his war toys, which
• 42:39
  Ryan: Yep.
• 42:40
  Kearns: Mm-hmm.
• 42:41
  Jon: it's Jodi coming around being normal then ends with a shot of creepy Jodi.
• 42:51
  Kearns: Along creepy Joe.
• 42:51
  they left on Jody
• 42:53
  Ryan: very
• 42:54
  Kearns: last shot
• 42:56
  Ryan: like type with Jamie at the end of the fourth one
• 42:59
  Jon: Mm-hmm.
• 43:00
  Ryan: instead of having the scissors and,
• 43:02
  Jon: and
• 43:02
  Ryan: showing
• 43:03
  Jon: that
• 43:04
  Ryan: She became Michael, with the eyes.
• 43:07
  it was the best acting from him, the whole movie.
• 43:09
  Jon: movie because
• 43:11
  Ryan: I just,
• 43:12
  Jon: acting
• 43:13
  Kearns: still.
• 43:13
  Yeah, exactly.
• 43:14
  Ryan: he was
• 43:15
  Kearns: It's just a creep.
• 43:16
  All right guys.
• 43:17
  That's Uncle Sam, 1996.
• 43:19
  We're gonna get into our top five.
• 43:21
  Ryan, you ready?
• 43:23
  Ryan: Yes.
• 43:23
  I am
• 43:24
  Jon: am
• 43:24
  Ryan: be sweet and quick with it,
• 43:26
  Jon: with it,
• 43:28
  Ryan: or quick and sweet, whichever the way it goes.
• 43:30
  Jon: Short and
• 43:30
  Ryan: But
• 43:31
  Jon: but
• 43:31
  Ryan: short and sweet,
• 43:32
  Jon: sweet.
• 43:33
  Ryan: and sweet.
• 43:33
  Jon: sweet.
• 43:34
  Ryan: Any sweet.
• 43:35
  I went with top five B movie horror films from the nineties.
• 43:43
  Kearns: That's a tough, that's a tough
• 43:44
  Ryan: this is
• 43:45
  Kearns: one.
• 43:45
  Jon: my opinion.
• 43:47
  Ryan: I went through the memory bank on this, and I'm gonna start with a little
• 43:53
  treasure called Pinocchios Revenge.
• 43:57
  Jon: Revenge.
• 43:58
  That's
• 43:59
  Kearns: That's a good choice.
• 44:00
  Ryan: basically follows a lawyer who brings home a wooden
• 44:03
  puppet found buried with a boy
• 44:05
  Jon: boy
• 44:06
  Ryan: supposedly killed by his father, and he decides to bring
• 44:08
  it to his 8-year-old daughter Zoe.
• 44:10
  And, um, accidents start happening and
• 44:13
  Jon: and
• 44:15
  Ryan: all hell breaks loose.
• 44:16
  And they say this is closer to do Matini's original intent for a child's play,
• 44:23
  Jon: play.
• 44:24
  Kearns: Okay, cool.
• 44:25
  Jon: cool.
• 44:26
  it was almost a nominee.
• 44:28
  like number six out of five,
• 44:30
  Ryan: it's creepy.
• 44:31
  It's a creepy film.
• 44:32
  I don't know the wood splinters but
• 44:36
  Jon: but
• 44:37
  Ryan: my number four though.
• 44:38
  I gotta go with Jack Frost, not the Michael Kean one
• 44:41
  Jon: one.
• 44:42
  never.
• 44:42
  The
• 44:42
  Ryan: about the horror
• 44:43
  Kearns: this is like the greatest hits of those blockbuster movie
• 44:46
  covers I was talking about.
• 44:47
  that's another iconic one.
• 44:48
  Ryan: Oh, Jack Frost is such a good Bud Me Bee movie.
• 44:52
  Jon: a vinegar syndrome release of Jack Frost with a lenticular cover.
• 44:57
  Ryan: Okay.
• 44:57
  Jon: you move it and it goes from regular snowman face to evil snowman face.
• 45:01
  Kearns: Yeah.
• 45:03
  Ryan: my Uncle Sal had the original TVD and it had that on there.
• 45:08
  so
• 45:09
  Jon: So
• 45:09
  Ryan: number three
• 45:10
  Jon: Phil
• 45:12
  Ryan: Is, uh,
• 45:12
  Jon: uh,
• 45:13
  Ryan: a puppet master human experiment?
• 45:17
  Kearns: that's not number one.
• 45:18
  Ryan: Oh, no.
• 45:19
  I got a better choice for number one,
• 45:20
  Jon: number one,
• 45:22
  Kearns: Okay.
• 45:22
  Ryan: it starts George Peck as Dr. May Group
• 45:27
  Jon: group
• 45:28
  Ryan: who experiments with transforming humans into puppets, and he kinda
• 45:35
  uses the puppets as to his own gain.
• 45:38
  Jon: game.
• 45:39
  Ryan: question on where it is in the continuity.
• 45:42
  Jon: I.
• 45:44
  Ryan: I think it's after the fifth one, but
• 45:46
  they say it's before the first one.
• 45:48
  There's a lot of questioning on that,
• 45:52
  Jon: on that,
• 45:53
  Ryan: but it does have a cool scene where one of the victims has like the mechanisms
• 46:00
  Jon: in
• 46:00
  Ryan: they become the puppet,
• 46:01
  Jon: the puppet,
• 46:03
  Ryan: pretty cool.
• 46:03
  Uh, number two,
• 46:04
  Jon: two, uh, of family.
• 46:08
  Kearns: Ah, there you go.
• 46:09
  Jon: Nice.
• 46:09
  Ryan: That's why I popped for that earlier.
• 46:12
  Jon: it's
• 46:13
  Ryan: just a fun horror film
• 46:14
  Jon: and
• 46:16
  Ryan: I know Kern has to use the bathroom, so I'm going with it.
• 46:18
  The number one,
• 46:18
  Jon: one.
• 46:20
  Ryan: wish master
• 46:21
  Jon: master.
• 46:22
  Ryan: we have talked about Wish Master.
• 46:25
  So
• 46:26
  Jon: So
• 46:27
  Ryan: that's it,
• 46:27
  Jon: it,
• 46:28
  Ryan: All right,
• 46:28
  Kearns: Nice.
• 46:29
  Wish.
• 46:29
  Master is a good one, is a good number one.
• 46:32
  Ryan: Yeah.
• 46:32
  Wish I love wish Master.
• 46:34
  Jon: Wish Master's a good one.
• 46:35
  All right.
• 46:37
  I went top five Larry Cohen movies.
• 46:41
  Ryan: I
• 46:42
  Kearns: cool.
• 46:42
  Ryan: I haven't seen that much.
• 46:43
  Jon: his first writing credit is from a TV show in 1958.
• 46:49
  He wrote Westerns, police dramas, an
• 46:54
  Ryan: Okay.
• 46:54
  Kearns: Yeah, that's what, that's what sold back then.
• 46:58
  Jon: He wrote an episode of The Fugitive, then moved into movies.
• 47:01
  Two of his first three movies are Blaxploitation.
• 47:04
  hell Up in Harlem and Black Caesar or him.
• 47:09
  Okay.
• 47:10
  So like really versatile in what he could do.
• 47:14
  I stuck to mostly his, horror in my list, but.
• 47:19
  So my number five is the little called It's alive.
• 47:26
  Kearns: cool.
• 47:27
  Jon: So
• 47:28
  Kearns: Yeah.
• 47:28
  Jon: are expecting a child, but when it's born, it's apparent
• 47:31
  this is no ordinary baby.
• 47:35
  Their child kills when it's scared and it scares easily.
• 47:39
  This is not only written but directed by Larry Cohen.
• 47:42
  So I'll move to number
• 47:45
  which is Q the Winged Serpent.
• 47:50
  Kearns: I
• 47:50
  Jon: Never
• 47:51
  Kearns: heard of this
• 47:51
  Ryan: heard of that either.
• 47:52
  Jon: didn't hear that either.
• 47:53
  cue the Wing Serpent is essentially Larry Cohen's Kaiju movie.
• 47:59
  New York
• 48:00
  Kearns: like
• 48:00
  Jon: flooded with calls of a giant flying lizard that they obviously
• 48:04
  treat as a hoax until the the lizard starts snatching people off the street.
• 48:11
  the hunt is on to find where the creature is nesting.
• 48:16
  it turns out there's only one person in the whole city who knows where he is,
• 48:20
  and it's an excon named Jimmy Quinn.
• 48:23
  And he's in no rush to give up the information he wants, benefits from it.
• 48:30
  Okay,
• 48:32
  my number three is God told me to.
• 48:39
  Interesting.
• 48:41
  So, you'll notice Larry cone's a New Yorker.
• 48:45
  A lot of his stuff is set in New York City.
• 48:48
  Um, so God told me to, New York City is besieged by a string of murders committed
• 48:53
  by seemingly random people with no motive, except that they say, God told me to.
• 49:00
  Ryan: It's brilliant
• 49:01
  Jon: mm-hmm.
• 49:02
  as Detective Peter Nicholas investigates deeper and deeper, he starts to find a
• 49:07
  link to Christ-like man named Bernard Phillips, appeared to each of the killers.
• 49:17
  Interesting.
• 49:19
  I like
• 49:19
  Kearns: I've never heard of that one either
• 49:21
  Ryan: looking
• 49:21
  Kearns: tonight.
• 49:23
  Jon: I'm gonna put that on the list.
• 49:24
  Kearns: That should go on the letter box.
• 49:25
  Jon: Mm-hmm.
• 49:27
  my number two is only number two because I think I've given it
• 49:31
  out already, but it's the stuff.
• 49:36
  Kearns: Ah, stuff.
• 49:37
  Jon: get enough of this stuff.
• 49:38
  this new cool whip style dessert has become all the rage.
• 49:42
  It's a tasty, highly addictive treat with one unexpected side effect.
• 49:48
  It hollows its consumers out leaving them as mindless,
• 49:52
  zombie-like addicts, craving more.
• 49:57
  Ryan: Let's see.
• 49:58
  Jon: Let's see.
• 49:59
  Ryan: good films
• 49:59
  Jon: These are good
• 50:00
  Kearns: they are.
• 50:00
  Jon: my number one is a Larry Cohen William Lustig collaboration,
• 50:05
  which we mentioned earlier.
• 50:06
  Maniac Cup,
• 50:09
  Ryan: with Bruce
• 50:10
  Kearns: That seems to be one of Ryan's.
• 50:12
  Jon: Campbell, Tom Atkins, Reen
• 50:13
  Ryan: Yep.
• 50:15
  Jon: a large man dressed as an NYPD officer goes on a killing spree.
• 50:19
  Suspicions fall on Officer Jack Forest.
• 50:24
  But Detective Frank McCrae played by Tom Atkins Jack's girlfriend, Theresa
• 50:29
  Mallory, also a police officer, are determined to prove that is innocent
• 50:35
  and to identify the true maniac cop.
• 50:40
  Ryan: Such a good film.
• 50:41
  Jon: good film
• 50:41
  Ryan: It's
• 50:42
  Jon: not.
• 50:43
  my top five guys.
• 50:44
  We're gonna
• 50:45
  Kearns: Gonna end doing maniac hop one of these days, but that is Uncle Sam.
• 50:48
  Jon: We're
• 50:48
  Ryan: we are
• 50:48
  Jon: three Maniac cops I realized I didn't know there is a remake of Maniac
• 50:53
  Ryan: Really?
• 50:53
  Kearns: really?
• 50:54
  Jon: a 2000,
• 50:55
  Kearns: we're gonna be doing a.
• 50:56
  Jon: for a 2008.
• 50:57
  One that Larry Cohen has a, characters created by credit.
• 51:03
  Ryan: Huh.
• 51:04
  I wonder if it was like.
• 51:05
  Jon: if it was
• 51:06
  Ryan: CD movie, like
• 51:08
  Jon: oh,
• 51:09
  Ryan: fan film
• 51:10
  Jon: I
• 51:10
  Ryan: deal.
• 51:11
  Jon: It's higher than Fright Night.
• 51:14
  Two.
• 51:16
  Ryan: Nothing's ever.
• 51:17
  It might be.
• 51:18
  Kearns: Two,
• 51:18
  Jon: be
• 51:19
  Ryan: That movie was garbage,
• 51:21
  Jon: but
• 51:22
  Kearns: OG episodes.
• 51:22
  You know what, we're putting fright night up on the cards for the
• 51:25
  end of the episode for this one.
• 51:26
  So you're probably seeing it now so, our fright night.
• 51:29
  two episode.
• 51:30
  that was Uncle Sam.
• 51:31
  Hope you enjoyed it.
• 51:32
  Happy 4th of July.
• 51:34
  Ryan: 4th of July.
• 51:35
  Kearns: Take care.
• 51:36
  All
• 51:36
  Ryan: have a good one.
• 51:36
  Jon: See ya.