Latest / WASD and Beyond / IT CAME FROM SCREAMBOX: STREET TRASH!

Transcript

IT CAME FROM SCREAMBOX: STREET TRASH! · WASD and Beyond

0:26
None. The.
1:04
We got to talk about a very awesome gross movie.
1:12
Very awesome gross fucking movie.
1:15
Welcome to the show everybody. This is episode 2 of it Came
1:18
from Screambox, presented by WASD and Beyond, and Screambox
1:22
themselves. Check them out.
1:24
For 38 bucks a year you can have Screambox for a fucking full
1:27
year for $38. It's a bit redundant that I said
1:30
it like that. I do not care.
1:31
That's a crazy deal. Scream box.
1:34
Scream at our movies, not our prices.
1:36
Insane deal. You get a That's a lot of movie
1:39
for $38. Well, what else did we discover?
1:42
And we live TV. Yep, we discovered pretty sick
1:47
A. Lot.
1:47
Crime shows we got. Anime.
1:51
We got classic animes, we got we got prototype Ghibli movies on
1:57
there. That's.
1:57
Crazy. That's insane, I had no idea
2:00
that was even a thing. We had a blast after our last
2:03
recording. We were just sitting there
2:04
watching. We were like, no, that was after
2:06
we watched St. Trash, which is what we're
2:08
talking about today. We're talking about St.
2:09
Trash. This is episode 2.
2:11
We're really going balls to the wall.
2:14
But yeah, right after that, we were like, oh, what else could
2:17
we do on this? And then we just looked around
2:18
and we found that we can just watch TV and it was sweet.
2:24
Yeah, it's like it's, it's a loop of the movies.
2:28
Yeah, which is fine. Which?
2:29
Is so sick. Yeah, I liked it.
2:31
And the anime, as you and Alex said, that was fucking sweet.
2:35
They got an Astro Boy on there too, huh it?
2:38
Was Retro Crush the name of the the.
2:40
Champion yeah, Retro Crush. I like that a lot.
2:43
So again, 38 bucks, 38 bucks a year, you get like your own
2:49
horror movie, like nerdy Kingdom, basically like it's
2:55
endless entertainment. The deal is insane.
2:58
So check out our sponsors scream box.
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And while you're at it, check out the other sponsors of the
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show. Final boss clothing.
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Let's go just final boss. I like to say clothing 'cause
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look cool and old. Right now I just like
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Curmudgeony and old. It depends what you say old,
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because old is like, you know. Is this subjective?
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Fully Gray I, I don't think. Getting there.
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You can be old until you're like above 50.
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OK. Well be and you could be older,
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but you can't be old until you're like past 50.
4:04
You know what, Mr. Krabs, I am feeling it.
4:07
Yeah. I'm out of manual labor now, but
4:10
I am tired. I'm so tired.
4:13
All the time. It's a different kind of tired.
4:17
It is something the headache. I'd be very tired of everything
4:24
if people were turning into Shamrock Shake in front of me.
4:28
Got to love the Shamrock Shake people and we're going to get
4:31
right into that. Also please check out Doc Longy
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and the Spawn camp discord. All your awesome hip hop needs
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dope ass merch. Just cool shit.
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Doc Longy packs the packages full of awesome little goodies.
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You get a bunch of cool stuff of top on top of the awesome merch.
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Check them out and join the discord, it is free.
4:59
Come have a good time with us. Now let's dive in to this week's
5:04
It Came From Screen Box. This week's movie was St.
5:07
Trash from 2024. Directed by Ryan Krueger, this
5:11
movie had a budget of $1,000,000.
5:14
Supposedly it starred Sean Cameron, Michael as Ronald,
5:19
Donna Cormack as Donna Cormack, Thompson as Alex, and then we
5:25
got Joe Vaz as Chef. Who Chef was an instant favorite
5:30
of ours. We learned a lot of things about
5:32
Disney movies that we did not know.
5:35
That maybe are not. True, maybe they're not true,
5:39
but this movie was a non-stop gore fest comedy.
5:46
Like you don't even know where you're going in this film half
5:49
the time. Like the way it opens you're
5:52
sitting there going oh OK cool. This could be a whole.
5:54
This could be a dope ass like dystopian future ask type film
5:59
where there should be somebody horror.
6:01
But no, the movie is just like, Oh yeah, check this out.
6:03
Everyone's fucking falling apart with this one drug called like
6:06
it's called Viper and it's to eradicate homeless people and
6:09
the street trash. And that's a major premise of
6:12
the film. There's obviously a little bit
6:15
more padding of to what this film is kind of talking about if
6:19
you want to go that route and talk about like, well, actually
6:21
it's talking about the disparities between this and
6:24
that, which I think it does tackle that a bit.
6:27
But I don't want to really dive into that just in case people
6:29
are like, well, that's a bit shallow and pedantic of you to
6:32
talk about that. Peter Griffin.
6:34
I find this shallow and pedantic.
6:37
But this was a knockout hit for me.
6:42
Street trash from start to finish, like I said was a gore
6:45
fest. The comedy was top notch, the
6:47
effects were top notch. The story was so fun to just be
6:51
along for the ride with. I mean to the point where there
6:55
is a what was the off camera character's name?
6:59
His name is awfully. Awfully, I mean we are awfully
7:04
right? So like that was cool.
7:05
The 4th wall breaks. The movie just has it all like
7:09
and again, for the budget of $1,000,000, this blew me away.
7:13
So I'll go deeper into it, but I want to let one of you start and
7:17
just really dive in. Who?
7:19
Which one do you want to go first?
7:22
You go ahead, Alex. Go OK.
7:25
I. Mean.
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Yeah, just it's a great flick all around fun.
7:32
They used every bit of that $1,000,000, mostly on Shamrock
7:38
Shake and Ivan who's purple. Has come.
7:45
I I didn't want to say it. You could say it this is an R
7:48
rated show. Screen box center we can talk
7:52
about whatever we want and when you better build things we're.
7:56
Done the the two brothers that made What was the drug they
8:02
made? Oh, it was like it was made out
8:05
of cat shit or cat piss. It was basically that shit from
8:09
South Park. I really.
8:11
Want it was they were cheesing. They were cheesing.
8:14
Yeah, cheesing. They dude, they were great.
8:18
I I did love those two brothers. A lot.
8:20
They were hilarious, the twins. Yep, The twins.
8:22
Yep. Even though they do not look
8:24
anything alike, they're just. 2 They're just two guys.
8:27
Two guys. Just what the the the gore?
8:34
Every. Bit of that gore perfect some
8:39
perfect head cut offs like like beheadings, that's head
8:43
explosions. Like that's like that's a thing
8:46
in award shows is who has the best head explosion and this
8:50
would be in that list. For.
8:52
Sure. Yeah, I, I really enjoyed it.
8:59
The thing like that I keep on thinking about today because I
9:01
knew we were recording today. The thing I was thinking about,
9:04
like I used to go to movies all the time and I really haven't
9:08
been and I want to fix that. But like the biggest thing that
9:12
you see in this movie, you can tell everybody is having such a
9:15
good time. Yes.
9:16
And I feel like that's just something you don't, you don't
9:18
see that in big budget movies with like, like real famous
9:23
actors. It's just like they're just
9:25
doing the role. But when you see like people or
9:27
it's like, yeah, I see this guy's making a movie, but next
9:30
week he's probably going back to his job at the deli or whatever.
9:33
Yeah, this is this is they're not doing it to grab a check or
9:36
whatever. They're doing it.
9:37
This is like a passion project. And this movie is it is so
9:41
clearly like one guy's vision that's been like a collaboration
9:45
between people. Like the awfully stuff is I
9:49
think some of my favorite parts of the movie where it'll be like
9:51
cinematic normal stuff, like normal camera angles and then a
9:55
character will just do a turn, look at the camera.
9:58
They'll be like, what are you doing here?
9:59
And it'll just like stick out the hand And it's like, it's
10:02
just, it's so good. It's so funny and so like well
10:05
thought out. The one part where like shit
10:09
went to shit starts hitting the fan hard, Yeah, awfully
10:14
disappears and they're like, where are you?
10:16
And he's just over in a corner fist.
10:19
Fighting, yeah, he's just hiding and.
10:21
He's just fist fighting 2 police officers and then they're like
10:24
come on. And he's like, oh, thumbs up.
10:27
And then takes off. It's good.
10:30
The character of Awfully is such an interesting thing in this
10:33
movie. Same with two bit that all gets
10:37
explored. But the yeah the Awfully thing
10:43
is probably my favorite part of the movie.
10:45
Just like little running gag they keep.
10:47
Like it feels like a Family Guy joke almost.
10:49
Like it does. That's so my humor and just
10:53
being like, yeah, there's a character in this movie who
10:56
sometimes is the cameraman. You don't know when, you don't
10:59
know when we're awfully or when we're just watching the movie
11:03
happen. I just, I just love.
11:05
I can't say enough good about. That there were plenty of those
11:09
like camera like shot like crazy, awesome shots, right?
11:14
And like a lot of it was like comedically done in such a
11:17
perfect way. Like the biggest example of that
11:19
is, and this may be spoilery. So this movie's been out for
11:23
about a year. So if you haven't seen it,
11:25
sorry, but you should go say this film.
11:27
But there's a whole like. Green box and watch it.
11:29
It's 38 bucks a year. You can watch this film.
11:33
That code, SB38 by the way, do that.
11:37
That's a point. That's a point.
11:39
I don't think we, I don't think you've said that in any of the
11:41
Andreen until now. Really doing it.
11:45
But there is like this whole like like plotting scene right
11:50
where they're trying to like get a plan together and like it's
11:52
just like a classic trophy scene, but it's so perfectly
11:57
done with like the camera shots and like, no, but we're not
12:02
going to do like this. We're do like this.
12:04
And then it shoots to how they're actually doing it in
12:06
real time. But he's like, no, no, no,
12:08
that's not going to fucking work.
12:10
And then it goes back and he's like, well, why can't you do?
12:12
He goes, I, I don't, I can't stand for too long, but you're
12:15
standing now. The camera cuts right back and
12:17
these chef is sitting down. We all we all like had to like
12:20
watch that scene like twice 'cause we were just cracking up.
12:23
But like, it's things like that were no like with what Noah said
12:27
was like they were having a blast on set, Like everything
12:32
was over the top in such a magnificent fashion, like, and
12:37
it didn't take itself too seriously.
12:39
Like the mess. There is a message like, like
12:41
horror films, people don't realize, like a lot of them do
12:43
have messages. There's a lot of like underneath
12:47
it all. It's like, this is a result of
12:49
this. Therefore this is this.
12:51
And if you do this, this will happen, right?
12:54
But like, this was like, this is real shit.
12:58
But also, we're gonna like poke fun at everything, like every
13:02
nothing was safe in this film. And I loved that.
13:04
And there was a couple of parts, like with the mare, especially
13:07
where it felt too close to them, like what we are living through
13:11
in America right now with, you know, the orange guy.
13:15
So I was sitting there going, man, this kind of feels icky,
13:19
but like good. Like that's what this film did
13:23
such a good job that where it's like it's like I hate this, but
13:27
I love it because just how it's done, how it's perfectly
13:31
balanced, like the comedy mixed with all the over top, the top
13:35
gore. Like Sockle is one of my there
13:39
it is like. Yeah, we love them.
13:42
Listen, screen box, Ryan Krueger.
13:45
I don't know who I have to fucking like talk to, but I need
13:49
a sockle in my. Room, How do we get how do we
13:51
get a sockle? We got to, you know, where you
13:52
got to talk to. You got to have to talk to a
13:55
puppet pal. Oh my sockle.
13:59
He would do it. Sockle is a puppet.
14:01
He is a puppet. I mean, that's that's another
14:03
thing. It's like that kind of segues
14:06
into like all the effects and talking about all the effects in
14:08
this movie. So good, so clearly very
14:12
talented people. You got Sockle who is a puppet.
14:15
You know I you know I love a puppet.
14:18
Yes, you do. Look at that Kermy.
14:20
Yeah, I love, love myself a puppet.
14:23
It was all practical. I think even the drone effect is
14:28
done practically. It was, yeah.
14:30
It it was done practically in like an indie sort of way, which
14:34
I love. Yeah.
14:35
Like it was cheesy, quote UN quote for those not watching,
14:40
but it wasn't, it was fun. Like even that I was like, wow,
14:44
this is this is hilarious. This is all done in such a like
14:48
a awesome practical way where I'm like, this fucking rules.
14:52
Yeah, it's awesome. Alex has a thought.
14:57
I. Don't want to spoil anything.
15:00
It has something I'll ask later, yeah.
15:02
That's fine if you want to ask it towards the end of the
15:04
episode. I think we do our best to keep
15:06
it unspoiled. I mean, talking about like
15:09
certain characters. I don't think it's a spoiler,
15:11
but. We won't go into what Sokol
15:13
really is other than it's a puppet in the movie and this
15:17
movie has great nudity in it. I'm going to say that.
15:24
You're a big fan. I'm a big fan of.
15:27
I don't. Remember the one part?
15:30
Officer. Officer Boner.
15:32
Officer Boner bro. Officer Boner.
15:33
Oh, that? Yeah.
15:36
But I want. To call that.
15:38
Yeah, yeah. I mean, all the characters,
15:40
it's, it's so good. All the effects are so good.
15:45
It's a pretty decent story. Like it's pretty well thought
15:48
out. You can definitely tell.
15:53
Again, you can definitely tell that they cared a lot, but what
15:55
they were making? Every minute you could tell it's
15:59
so definitely, definitely trauma nerds growing up.
16:05
Oh. Yeah, absolutely.
16:06
Making this. They were definitely some trauma
16:08
nerds. And you know, it's really.
16:10
Good, it's. Really good to know that that's
16:13
still that there's still stuff being made that way.
16:18
Just super indie undergrounds like gorilla style filming and
16:24
movie making and advertising. That way it doesn't feel that
16:28
way while watching it. It feels like an yes, a budget
16:31
film. I would have loved you to see
16:33
this in film in in theaters. Oh 100% this will never make it
16:37
to theaters. Though I never.
16:40
Yeah, so. This one didn't get a theatrical
16:44
run I don't think, but I I think they showed it at like some
16:46
festival. Yeah, I'm sure they showed it at
16:49
festivals. I'm I think it hit, it probably
16:51
hit all the circuits, but like, I would love to see this like,
16:57
you know, 'cause Cineverse is doing amazing things obviously
17:00
with Toxic Avenger. Thank you Cineverse.
17:05
They've they they single handedly pulled that movie out
17:08
from hell. Thank you very much for that,
17:11
Cineverse. But this is just even if you're
17:15
like you're not into gore, which I want to get back to that in a
17:18
moment. Like if you're not into like
17:19
over the top gore, violence and just like extreme like
17:23
profanity, full frontal nudity, like over the top gore and like
17:28
all of that. This is a fun flick to watch
17:31
even if you're not into it because it's just it tackles so
17:34
many different things and has done so well where there is this
17:40
charm about the film where you almost like I'm not watching
17:44
like a horror movie, like I'm just.
17:47
Watching a bunch of friends actually yeah deal with shit.
17:51
It's. There's a problem in front of
17:53
them and they're like, how are we going to solve this?
17:55
And it's like, well, we can't solve it because everyone's
17:57
melting. Which again, I do want to touch
18:00
on that. The thought of like Viper, that
18:03
drug, it comes out as a mist or like you eat it, whatever you
18:06
guys will see when you watch the film.
18:07
But like the the thought of like being so like just what it does
18:14
to your insides and like, every time it goes, it cuts to like
18:17
this face peel or like an ankle snap or like these wild things,
18:23
like so many wild kills. Yeah, like, you know, you
18:26
fucking bubbling up under. It's the practical effects here
18:30
on full display in such beautiful fashion that it's hard
18:35
not to love this movie. Like it.
18:37
That's another charm of it, though.
18:39
It's it's like know it, like Noah brought up, like even like
18:42
that drone in the film is not CGI.
18:44
More than likely. It's it's right there like it,
18:48
it just has this it this love letter to filmmaking old school
18:53
video nasties as well that it's just hard to look away.
18:59
It's hard not to come away from this film going.
19:01
That was great, 'cause I, I mean, immediately I just came
19:04
away and I was like, I loved every fucking moment of that.
19:07
And I as a child, I remember seeing St. trash from 87.
19:13
Yeah, so I, that means a child. My Uncle Keith was a pretty dope
19:18
ass dude bro. I mean, that's sick that he that
19:21
he had it. Yes.
19:25
Why? I have a bit of information
19:28
about the story of St. Trash, like the story of this
19:31
one. We got how we got here.
19:33
We could save that for the end because it contains something
19:37
that I definitely think we should watch and that people
19:40
should watch if they like movies like this.
19:42
But we'll we'll touch on that after.
19:45
Yes, absolutely, dude. I mean to surmise my thoughts on
19:50
this film and then I'll let you guys do it and then we'll we'll
19:53
give it our our popcorn bucket rating.
19:56
I guess This was a fun time. This was a good feeling movie,
20:02
even if it was. Over the top gross in the best
20:05
ways. Over the top violent, super
20:08
chaotic, incredibly vulgar. It's very offensive and I loved
20:15
every fucking moment of it. There is nothing not to love
20:17
here. Even if you aren't into this
20:19
type of film, you will find something here that will make
20:23
you laugh, will make you get one of those gross out moments where
20:27
you're kind of looking at the screen going.
20:29
You're not like, it's just those moments that really you can.
20:32
Handle it and last Oh yeah, you know how many people joined and.
20:38
We we had some people coming and going from from that movie.
20:41
That is true, but but. If you're on screen box.
20:46
Yeah, this is. If you like you, you like it.
20:49
If you love horror mills, horror mills, horror movies.
20:53
If you have screen box, which you should have code SP38.
20:58
Yeah, it wasn't that sneaky. It wasn't that.
21:00
Boy I well, it would have been sneaky, but then you called it
21:03
out. I always do that on the show.
21:04
I was like, yeah, 10 minutes before we fucked it up, we had
21:06
to redo it. Brody's like, why did you tell
21:09
the audience that? They didn't know.
21:11
A little bit honest. Yeah, Come on there.
21:15
You go. It's just great if you love
21:17
horror movies, if you love body horror, if you love video
21:20
nasties and if you love callbacks to that style of film
21:23
making and it's the film that feels awesome.
21:27
This is for you. Watch this movie, boys.
21:31
You. Want to go first?
21:34
On go on. All right, I, I, I really loved
21:38
it. Great effects, great comedy,
21:43
pretty decent story for a movie like this.
21:45
You can definitely. They made some an homage to the
21:49
original 1, which I appreciated, especially if you're doing a
21:53
little bit of research. Yeah, it's just overall really
21:58
good time. Love a South African accent?
22:01
Yeah. Think, think Andy Serkis, if you
22:03
don't know what that sounds like.
22:06
So you know, that was that was cool.
22:09
Also everybody the the director of South African and everybody
22:12
in the movie is South African as well.
22:15
So you know, you support local and all that, but it's good.
22:18
It's cool to see something like that.
22:19
It's very much feels like they made it where they are.
22:23
Yeah, I mean. But yeah, I had a really good
22:26
time. I think if you got some friends
22:28
together, you know, get together, like watch, watch all
22:31
the gross out of horror and scream at your computer about
22:34
it. Like it's awesome.
22:38
Alex. It's top tier, top tier fun all
22:44
around. I mean, we were all saying that
22:46
as soon as we got done watching it this that was just fun.
22:52
The story and narrative is actually really good.
22:56
And once you like start paying attention to get past the the
22:59
leaking necks practical effects you like.
23:05
If again, if you love practical effects more than anything,
23:09
watch this because it's practical effects from beginning
23:12
to end, except maybe couple parts.
23:16
I'll give it a fat a fat 5 out of five.
23:21
Like for real like it's a solid flick.
23:24
Let's go, Noah, you're rating. Oh, Alex, one minute.
23:29
Alex has one more. Thing to say?
23:30
Nothing I'm I'm just leaning in. You're a fucking weirdo.
23:33
Why'd you do that? You freaked me.
23:35
Out because he's excited he's excited about our ratings.
23:38
I I probably give it like a four out of five OK, I, you know,
23:42
just because we got to have somewhere to go yeah, I really
23:46
liked it. I I think I would have liked to
23:50
see a little bit more variety in the effects if I had any
23:52
criticism because a lot of the time it's a similar effect that
23:56
you're seeing but that is that I mean that's the plot.
23:59
So I would say I would give it a four out of five.
24:03
Street trash gets a 4.5 out of five for me.
24:09
There are a couple of effects, as Noah said.
24:12
I would have liked to see just a little bit more like what we see
24:17
is amazing. That's not a criticism that I
24:19
want more. Like I wanted more because it
24:22
was just that good. But there's just a few times
24:28
where I'm like, man, I feel like they could have gone maybe a
24:31
little grosser there or they could have like maybe did a
24:34
different effect here and there and then like sockle, like I
24:38
want more sockle. Yeah.
24:40
And I want more 2 bit because 2 bit is such an amazing.
24:44
There's also a character that goes that I didn't want to go.
24:49
They're really pissed off. Oh.
24:50
Let's not, let's not. Let's.
24:51
Not I'm not gonna, I'm not gonna I'm not gonna, but 22 bit is
24:55
amazing. One of my favorite characters in
24:58
this movie. I love the story, I love the I
25:01
love the effects. I just wanted more.
25:03
I think I just wanted a little bit more, but I mean still, this
25:06
movie is boring on a perfect rating for our it came from
25:09
screen box rating. We'll have to like figure out a
25:11
rating system and like all that shit eventually here.
25:14
But like we've just started. I so 4.54 and a 5.
25:20
Was that round out to be boys? It's probably that probably
25:24
averages out at a four. Out of four, OK, so this movie
25:28
gets 4 neck bursting pustules out of five, yeah.
25:35
There you go. That's good.
25:36
There you, there you go. We'll we'll do, we'll do a
25:38
little bit of like a Joe Bob thing because Joe Bob will do
25:41
that at the end. I love Joe Bob so much.
25:44
Anyways, Noah. Yes.
25:48
Let's cap this off. I I thought you were, I thought
25:51
you were doing something weird, Alex.
25:52
I'm like, you can't pull your Dick out while we record.
25:55
I was like, you can't do that, dawg.
25:58
I'm just chilling. Dude.
26:00
He's like stop calling me out bro.
26:02
Can we get some facts? We'll do this pretty much every
26:05
episode where no one will have facts.
26:07
So I got I did a little bit of a digging in here.
26:10
And so basically like Nick, you had mentioned, there was an
26:14
original in 1987 that was directed by J Michael Murrow.
26:19
And in that movie The the premise was that a liquor store
26:24
in Brooklyn was selling poisoned alcohol to homeless people.
26:29
It was originally as a 10 minute short film that Murrow made for
26:33
his graduate thesis from the New York School of Visual Arts.
26:37
And after he graduated, he got $30,000 from a donor and then he
26:45
went to his one of his teacher guy called Roy Frump Frumps.
26:51
I can't say his name. It's like FRUMKES, like
26:55
fromkeys, something like that. Yeah, something.
26:58
So he went to similar to Roy. There you go.
27:01
Came on as a producer and a writer, so he like judged up the
27:05
script a little bit and like padded it out, made it more into
27:08
a thing. That move, that original also
27:14
has like it's big effect was they had a fat guy who explode.
27:19
Yes. That was actually done by a cake
27:21
company called Drake's Cakes. And if you think if like they're
27:26
sort of like a Little Debbie or Enteman's kind of brand, it's
27:29
kind of a OK. Is Enteman's local?
27:31
Is that too local of a reference?
27:33
I think it might be a little bit too local.
27:34
Well, it's like like like a cheap, like a cheap like a ho ho
27:39
kind of make. Yeah, OK, like they make that
27:41
kind of stuff. So then that movie released and
27:45
it had like a bit of a cult following.
27:47
In 2005 they remastered it and put it out on DVD.
27:52
Wrote there was a documentary made called Meltdown Memoirs by
27:57
Roy Fruks and that documentary was about the movie and it has
28:03
like interviews from the cast and also the 16mm short film
28:09
version of St. trash like the original.
28:11
Original. We are watching that.
28:13
We got to hunt that down in terms of recession reception.
28:18
There is a critic from The New York Times who said this is a
28:22
quote. It claims no redeeming social
28:25
value. And you don't have to be a
28:27
Supreme Court nominee to question whether the Founders
28:30
could have foreseen anything like it when they wrote the 1st
28:33
Amendment. That is awesome.
28:36
That is this guy, some hoity toity film critic who's out here
28:41
watching like like movies that are beating you over the head
28:44
with like a messages looking at this and he literally is doing
28:47
the Peter Griffin thing. He's like.
28:48
It was a bobsled. Shallow and fanatic.
28:53
It's crazy but so here's we can get a hold of this I'm sure.
28:58
In 2010 they released A2 DVD box set in the UK that had the
29:06
original and the documentary in in one set and then that again
29:11
has been released on Blu-ray in multiple countries.
29:14
And Roy was an EP on the sequel movie.
29:20
He's still acting. He's still making St. trash.
29:22
Yeah, dude. Absolutely legend of the game
29:27
dude that's crazy. That's awesome dude, can't let
29:31
it go. Hey, why would you, dude?
29:33
He's got like and they set up, you know, there's a little bit
29:36
of, there's a little bit of setup for a potential sequel in
29:39
this one. I will try.
29:40
I would love that. I would love.
29:42
That oh, the the amount of stuff.
29:45
Well, yeah, coming back home. Yeah, it's yeah.
29:50
Oh, dude, Yeah, they could. You know, you know, we got, you
29:54
know, there's information about the new Toxie.
29:57
It's looking like it's going in a different direction.
29:59
Hey. Who's to say, Although this does
30:02
take place way in the future. Dude is it ever described when
30:06
this takes place? 2050.
30:09
Oh, OK. Yeah, yeah, OK.
30:10
Yeah, so who knows but. Yeah.
30:13
I mean, you get it. Yeah, yeah, you get it and it's
30:16
good. Hell yeah.
30:18
So do you have any more facts, Noah?
30:20
Is that? No, that's it.
30:21
That's it. That's all I got.
30:22
We got to track down that documentary, though.
30:24
I have to see it. That is a must, that documentary
30:27
and I I'm going to start looking up the as soon as I hit.
30:31
The box set, yeah. Yeah, absolutely.
30:34
Physical media all the fucking way.
30:36
I love as we do in a stream. Well, we have to, but like if
30:41
you look around all of our rooms.
30:43
I I mean. Physical media everywhere.
30:48
Man, this movie was a trip. You know what we got to do now?
30:51
What? Do we got to do?
30:53
We got to watch Fried Berry. There it is, right?
30:57
But that's not that's not that's not on screen box.
31:00
Well then no, we can't. We can't watch.
31:01
That but I do believe the original St. trash is on screen
31:05
box. Yeah, we got to.
31:07
We got to watch that. We got to watch, figure out what
31:10
we're going to watch next. We do.
31:12
And with that being said, that'll cut it for this week's
31:16
Yes Out. Sorry, Alex has an idea.
31:19
For no for figuring out something to watch, you know all
31:21
those like online roulette wheels that you can.
31:23
Do. Oh yeah, we can.
31:25
We can do. That we just fill it up and spin
31:27
that bitch and we can go with it.
31:30
A screen box. See, we're nothing but an ideas
31:33
factory, dude, we're doing it. We got this.
31:37
We're putting out the hot fresh ideas.
31:39
We are going to get better every week, so please don't drop us.
31:44
Don't. Or do.
31:46
We got some good emails, we got some good correspondence.
31:49
Don't drop us, please. Rick it out of a shell.
31:53
Oh man, that is a good idea, Alex.
31:56
I think we're going to have to put that to fruition.
31:58
Maybe this weekend we'll get together and figure that out.
32:03
All right, now, with that being said, that'll wrap this week's.
32:08
It came from Screambox. Thank you, Screambox for
32:11
sponsoring this. Thank you Syniverse for allowing
32:15
us to let the audience know that they can go see the toxic
32:20
avenger in theaters on August 29th, 2025 toxie mops his way
32:28
into theaters go see the toxic avenger go fucking see the toxic
32:33
avenger starring Peter Dinklage, Kevin Bacon and Elijah wood.
32:39
That's. Crazy you're out of.
32:40
Out of your fucking mind. These are the movies.
32:44
These are the movies that those guys want to make.
32:46
They don't. They are not grabbing a check.
32:48
This is a passion project for them.
32:50
Yeah. Everybody needs to go back to
32:51
just having fucking fun. Thank you Syniverse, thank you
32:55
Syniverse so much for and I thank you for letting me promote
32:59
this and letting these boys promote that.
33:01
We are all Toxic Avenger fans. We love the monster, we love
33:05
Toxie and we are with Toxie. So again, thank you all for
33:08
listening. Thank you screen box, thank you
33:11
Syniverse, thank you the toxic adventure.
33:13
Thank you final boss Doc Longy into the spawn camp.
33:18
We will see you guys next week with another gross out film.
33:21
Take it easy. Thank you screen box.
33:23
Thank you code SB38 for. That's right.
33:33
This. Is the WASD and.
33:36
Beyond Podcast. The.