Transcript

70s Country · Wake-Up Call

0:00
SPEAKER_16: Oh bang, boom, shake!
0:04
SPEAKER_02: Hello everybody!
0:08
SPEAKER_16: Summer is winding down, but WC is still cranking it up.
0:12
SPEAKER_16: Brand and David are here to bring you another epic tune, side splitting giggle, or both, perhaps, on the KSJE Sunday morning wake-up call.
0:22
SPEAKER_09: Time to turn it off on a warm summer's evening, on a train bound from nowhere, met up with a gambler.
0:37
SPEAKER_09: We were both too tired to sleep, so we took turns of staring.
0:43
SPEAKER_09: Out the window at the darkness, the boredom overtook us, and he began to speak.
0:50
SPEAKER_09: He said, Son, I've made a life out of reading people's faces, knowing what the cards were by the way, they held their eyes.
1:02
SPEAKER_09: So if you don't mind my saying, I can see you out of bases for a taste of your whiskey.
1:10
SPEAKER_09: I'll give you some advice.
1:13
SPEAKER_09: So I handed him my bottle.
1:16
SPEAKER_09: And he drank down my last wall.
1:20
SPEAKER_09: Then he bummed a cigarette and asked me for a light.
1:24
SPEAKER_09: And the knife got deathly quiet.
1:27
SPEAKER_09: And his face lost all expression.
1:30
SPEAKER_09: Said if you're gonna play the game, boy.
1:33
SPEAKER_09: You gotta learn to play the right.
1:35
SPEAKER_09: You gotta know when to hold up.
1:39
SPEAKER_09: Know when to hold up.
1:42
SPEAKER_09: Know when to walk away.
1:44
SPEAKER_09: Know when to run.
1:46
SPEAKER_09: You never count your money.
1:49
SPEAKER_09: When you sit at the table, there'll be time enough to count.
1:55
SPEAKER_09: When the feeling is done.
2:02
SPEAKER_09: Every camera knows the secret to surviving.
2:07
SPEAKER_09: Knowing what to throw with, knowing what to keep, cause every hand away.
2:16
SPEAKER_09: And every hand loss.
2:18
SPEAKER_09: The best that you can hope for is to die and sleep.
2:24
SPEAKER_09: And when he finished speaking, turn back for the window.
2:30
SPEAKER_09: Crushed out a cigarette.
2:35
SPEAKER_09: And somewhere in the darkness.
2:38
SPEAKER_09: The gambler he broke even.
2:41
SPEAKER_09: But in his final words, I found the days that I keep.
2:46
SPEAKER_09: You got no.
2:50
SPEAKER_09: Know when to fold up.
2:52
SPEAKER_09: Know when to walk away.
2:55
SPEAKER_09: Know when to run.
2:57
SPEAKER_09: You need to count your money.
3:00
SPEAKER_09: When you sit in the table, it'll be time enough to count.
3:06
SPEAKER_09: When the deal is done, you gotta know when to hold.
3:12
SPEAKER_09: Know when to fold up.
3:15
SPEAKER_09: Know when to walk away.
3:17
SPEAKER_09: Know when to run.
3:19
SPEAKER_09: You never count your money.
3:23
SPEAKER_09: Sitting at the table, there'll be time enough to count.
3:28
SPEAKER_09: When the deal is done, you gotta know when to hold up.
3:34
SPEAKER_09: Know when to hold up.
3:37
SPEAKER_09: Know when to walk away.
3:39
SPEAKER_09: Know when to run.
3:41
SPEAKER_09: You never count your money.
3:44
SPEAKER_09: When you're sitting at the table, there'll be time enough to count.
3:50
SPEAKER_09: When the deal is done.
3:53
SPEAKER_15: When the kneeling's done.
3:56
SPEAKER_13: Yeah.
3:58
SPEAKER_13: Some Kenny or I almost said logins.
4:01
SPEAKER_15: Uh no, the other country singer.
4:03
SPEAKER_13: And you know, uh, my dad was probably really he was good at uh playing poker and knowing when to hold him and knowing when to fold him.
4:09
SPEAKER_15: Unfold him.
4:10
SPEAKER_15: He made his living off of telling what people had in their hands by their eyes.
4:14
SPEAKER_13: He probably lost more money than he actually won.
4:17
SPEAKER_13: But I'll never forget of a story.
4:18
SPEAKER_13: He uh you know, he was president of the Chamber of Commerce, he was president of the Builders Association.
4:24
SPEAKER_13: I mean, you know, he did a lot here for the Four Corners area.
4:27
SPEAKER_13: But they had a group.
4:28
SPEAKER_13: The chamber had a group go to Vegas, and my dad had won so much money, uh, I think it was playing blackjack that the uh the pit boss comes over and doesn't they don't want him to leave.
4:42
SPEAKER_13: Yeah.
4:43
SPEAKER_13: My dad's like they're like, you know, let us buy you dinner at uh our restaurant right here in the casino.
4:48
SPEAKER_13: And my dad's got my dad goes, Well, there's six of us.
4:51
SPEAKER_13: I mean, I'm here with a group.
4:53
SPEAKER_13: And the guy goes, Well, we'll buy for all of you.
4:55
SPEAKER_13: Really?
4:56
SPEAKER_13: Yeah.
4:56
SPEAKER_13: So he got everybody.
4:58
SPEAKER_13: And I think, you know, and they still talked about it for years later about how well how old Mills got him dinner paid for in the casino.
5:05
SPEAKER_15: That's a I mean, that's a pretty good story.
5:08
SPEAKER_13: And it was, you know, like a great dinner.
5:11
SPEAKER_13: Lobster and steak.
5:12
SPEAKER_13: Yeah.
5:13
SPEAKER_15: They really wanted to treat him so they kept spending their money.
5:16
SPEAKER_13: So my dad wouldn't leave.
5:17
SPEAKER_13: I don't know.
5:18
SPEAKER_13: He he was up, I don't know, six or seven grand.
5:20
SPEAKER_13: And that was years ago.
5:22
SPEAKER_13: I mean, that was a long time ago.
5:23
SPEAKER_13: That was a lot of money.
5:24
SPEAKER_15: Yeah, I mean, it's a lot of money now.
5:26
SPEAKER_15: Uh I can't even imagine like what 50 years ago.
5:30
SPEAKER_13: About the same thing as 25 grand now.
5:33
unknown: Yeah.
5:33
SPEAKER_13: Ooh.
5:34
SPEAKER_13: That's good.
5:35
SPEAKER_13: No, they they did not want to do that.
5:37
SPEAKER_13: All right, well, it's the uh KSJE uh Sunday morning wake up call with my kicking friend Rand.
5:43
SPEAKER_15: It's my honky tonk buddy Dave.
5:44
SPEAKER_13: And you know, we are one of our most successful downloaded shows has been 70s disco.
5:50
SPEAKER_15: Yes, yes.
5:51
SPEAKER_13: Uh we did it years ago, and man, it's just, I don't know, over 50 by itself.
5:56
SPEAKER_13: It has never gone away.
5:57
SPEAKER_13: Yeah, 50,000 downloads.
5:59
SPEAKER_13: We kind of did a remake on it.
6:01
SPEAKER_15: We did a revisited it, and we did uh We've done a couple of like remixes where we did like 70s alternatives, and that didn't go over well, but not as good as the other two.
6:13
SPEAKER_15: Yeah, just regular disco.
6:15
SPEAKER_13: So I said, Ren?
6:17
SPEAKER_13: I have a little bit of an idea, and she said, Oh, I thought I smelled smoke.
6:21
SPEAKER_13: Uh but I said, What do we do?
6:24
SPEAKER_13: Because I did, I was a DJ at the time for this too, and a lot of these songs I recognized right off the bat.
6:30
SPEAKER_13: Uh so I said, Why don't we do a 70s country?
6:32
SPEAKER_13: So this is more towards the traditional country, not your new wave country.
6:38
SPEAKER_13: We got artists like Dolly Park and Loretta Lynn, that kind of stuff.
6:41
SPEAKER_15: Johnny Payczyk, Merle Haggard.
6:44
SPEAKER_15: We got them all.
6:45
SPEAKER_15: And uh, this is the type of country that I like.
6:47
SPEAKER_15: Because when I want to listen to a country, I don't want to listen to music that's embarrassed to be what it is.
6:54
SPEAKER_15: You know what I mean?
6:55
SPEAKER_15: And I think have you there's there's um definitely something that became a bit of a stereotype on the internet.
7:02
SPEAKER_15: You'd have people in in their profiles like about me section say, I like all music except for rap and country.
7:10
SPEAKER_15: So I think those are some of the two most misunderstood marginalized musical genres.
7:17
SPEAKER_13: Absolutely.
7:17
SPEAKER_15: Because rap is its own thing and country's definitely its own thing, but not enough people celebrate it for what it is.
7:24
SPEAKER_15: So today we're celebrating country in all of its honky tonk, twangy blues grass glory.
7:29
SPEAKER_13: Well, in our show too, people rap for people who don't like rap.
7:32
SPEAKER_13: We kind of uh we showed there was some of that early, early 5060s music was rap music.
7:38
SPEAKER_15: Yeah, uh just was too spoken word.
7:42
SPEAKER_15: And um I feel country, if you just like really embrace it for what it is, it's really good.
7:47
SPEAKER_15: And I I'm not a huge fan of modern modern day country because it's just too pop music-y.
7:54
SPEAKER_15: It's not bad, but it's not country enough.
7:56
SPEAKER_13: It's pop country.
7:57
SPEAKER_15: It's pop country.
7:59
SPEAKER_15: And this is this is country too.
8:04
SPEAKER_13: And that's exactly what we got.
8:06
SPEAKER_15: Yes, sir.
8:07
SPEAKER_15: Um this next one we got coming up, is one of my favorite artists.
8:11
SPEAKER_15: I know her because she's you know, a classic country uh singer, but she also is a little uh modern day um in that she's written songs about feminist topics.
8:23
SPEAKER_15: She's written uh songs about being proud that she's working working class, has a working class background.
8:29
SPEAKER_15: So this is Loretta Lynn with, you know, if we're looking at country, we're looking at Loretta Lynn.
8:33
SPEAKER_15: This is You're looking at country.
8:36
SPEAKER_13: Love me some Loretta and Bo.
8:38
SPEAKER_13: That's her other half.
8:40
SPEAKER_13: Bo.
8:41
SPEAKER_13: Bo, okay.
8:42
SPEAKER_06: Bould I like my love and done country style.
8:46
SPEAKER_06: And this little girl would walk a country ma.
8:49
SPEAKER_06: To find her a good old slow-talking country boy.
8:52
SPEAKER_06: I said a country boy.
8:55
SPEAKER_06: I'm about as old-fashioned as I can be, and I hope you're liking what you see.
9:01
SPEAKER_06: Cause if you're looking at me, you look at country.
9:08
SPEAKER_06: You don't see no city when you look at me.
9:12
SPEAKER_06: Cause the country's all I am.
9:15
SPEAKER_03: I love a run about put it through the open fields, and I love that country has What you say, I'm a man just to fit your plans Because the fornyard should fit your hands If your eyes are on me You lookin' at country Your sure country is a little green And there's a lot of country that you ain't seen I'll show you around if you show me a wedding band I said a button band When it comes to love, well I know about that country folks I'll know where it's at If you're looking at me looking at country You don't see no city when you look at me Cause country is a whole I am I love a run I'm about to put it through the whole porn field and I love that country What do you say I'm a man just to pick your plan But California should be your hands If your eyes are on me You can act country If your eyes are on me You can act country WUC on K SJE Who knows for how much longer Oh my god Okay it's happening Everybody stay calm What's the procedure everyone What's the procedure W U C on K-S-J-E I hear people talking bad about the way we have to live here in this country Harping on wars be fighting, drifing about the way things up to be And I don't mind them switching sides and standing up for things they believe in When it running down my countrymen They walking on the fight beside me Yeah walking on the fighting side of me Running down we like by fighting Oh that be If you don't love it leave it let this song I'm singin' we warning You running down my country man You walking on fighting beside me I read about some squirty guy who claims He just don't believe me And I wonder just how long the rest of us count being free They love our milk and honey But they preach about it Some other way of living And they're running down my country horse They're walking on the fighting side of me Yeah walking on the fighting side of me Running down with life I'm fighting in heart that be no love and leave it song I'm singing you warn you running down my country man you walkin' on the fight beside me Yeah walking on the fight beside me Running down with life by fighting for that key If you don't love it leave it let the song I'm singin' be warn And you run it down my country man you walk down fighting side me The fight inside of me Merle Haggard Don't don't don't don't walk down a country boy No no way Don't worry I won't because listen I legitimately love country music I grew up in Nebraska in the 90s and the 2000s so I got a good healthy dose of country music at that age.
14:17
SPEAKER_15: But there's something about country musicians, they're a little insecure.
14:20
SPEAKER_15: They're always like don't you come over here bothering me about who I am, and it's like no one is.
14:28
SPEAKER_15: Well, you never know too.
14:30
SPEAKER_15: And that is to say, I myself like to think I'm a little open-minded, a little accepting, so I don't know.
14:37
SPEAKER_15: I I forget how the average American can be very dismissive towards the country's subculture.
14:44
SPEAKER_13: Yeah, we could yeah, redneck and all that something to make to make you go, hmm.
14:54
SPEAKER_19: Things that make you go.
14:57
SPEAKER_01: Think to make ity tidy.
15:01
SPEAKER_01: I don't know why I like to say that, but uh, these are some things that uh make you go whom besides me going alrighty tidy.
15:09
SPEAKER_01: That's right.
15:10
SPEAKER_01: David's got it.
15:11
SPEAKER_01: Here it is.
15:12
SPEAKER_15: Take it away, Dave.
15:15
SPEAKER_13: You know, the oldest your mom joke was discovered on a 3,500-year-old Babylonian tablet.
15:23
SPEAKER_15: Incredible!
15:25
SPEAKER_13: Yeah, 1976 archaeologists discovered a tablet in Iraq, uh, which has since been lost.
15:32
SPEAKER_13: However, researchers were able to uh analyze and translate the text from a photograph of the tablet.
15:40
SPEAKER_13: The results?
15:42
SPEAKER_13: Well, we know that the tablet does indeed contain jokes, but the full meaning has lost it has been lost in translation.
15:50
SPEAKER_15: Yes.
15:50
SPEAKER_13: The translated form of the world's oldest your mom joke is of your mother, is by the one who has intercourse with her.
16:00
SPEAKER_13: Who or what slash who is it?
16:06
SPEAKER_11: The results.
16:10
SPEAKER_13: Oh, you know, do we understand it?
16:12
SPEAKER_13: Probably not, there's not a chance.
16:14
SPEAKER_13: But we do recognize it as your mom joke when we say one, for sure.
16:19
SPEAKER_15: Oh, absolutely.
16:20
SPEAKER_15: That is something that I'm actually low-key fascinated in.
16:23
SPEAKER_15: I have not heard of that one, which is very good, so you got me there.
16:26
SPEAKER_15: Um, but I also love the history of founding jokes because jokes, even to this day, are so incredibly based on context and language.
16:36
SPEAKER_15: Like orange you glad I didn't say banana.
16:39
SPEAKER_15: Like fast forward 500 years and try to translate for that that for somebody who speaks you know a completely different language.
16:47
SPEAKER_15: No one's gonna understand it.
16:49
SPEAKER_15: So I I love those old jokes.
16:51
SPEAKER_15: Can I tell you one of the oldest recorded um bar jokes that exists?
16:56
SPEAKER_15: Linkety Blink walks into a bar.
16:59
SPEAKER_15: This is from ancient Sumer.
17:01
SPEAKER_15: So 4500 to 1900 BC.
17:04
SPEAKER_15: No, it's it's somewhere in that zone.
17:06
SPEAKER_15: But this is the oldest bar joke.
17:09
SPEAKER_15: A dog walked into a bar and said, I can't see a thing.
17:13
SPEAKER_15: I'll open this one.
17:15
SPEAKER_15: But um shh.
17:16
SPEAKER_13: You know, you've told this on a on a show before.
17:19
SPEAKER_15: I know I have.
17:20
SPEAKER_15: Because I love it.
17:22
SPEAKER_13: And I don't get it.
17:23
SPEAKER_15: Neither do I.
17:24
SPEAKER_15: No one does.
17:24
SPEAKER_15: To this day, no one understands what's funny about it.
17:27
SPEAKER_13: The dog knows.
17:28
SPEAKER_13: Only that canine knows for sure, just like my hairdresser.
17:32
SPEAKER_15: There you go.
17:32
SPEAKER_13: Thank you, Twilight, for my hair cat.
17:34
SPEAKER_15: We love you, Twila.
17:35
SPEAKER_15: Thank you.
17:38
SPEAKER_13: It is the K SJE Sunday morning wake-up call with my bootbird friend Bryn.
17:43
SPEAKER_13: And my Bryn.
17:46
SPEAKER_13: That's my granddaughter.
17:48
SPEAKER_15: And my uh chicken chasing buddy Dave.
17:50
SPEAKER_15: Oh, yes, we're feeling country.
17:53
SPEAKER_15: Oh yeah.
17:55
SPEAKER_13: The only thing I haven't done is put a because I used to chew tobacco in those days.
17:58
SPEAKER_13: And I haven't put a chalk.
18:00
SPEAKER_13: Not the skull, but the the big plugged tobacco.
18:04
SPEAKER_13: Yeah, the big nasty stuff.
18:07
SPEAKER_13: Yeah.
18:09
SPEAKER_13: Exactly.
18:09
SPEAKER_15: I have personally never talked to anybody who's chewed tobacco before, so it only exists to me in like fantasy fiction realms.
18:18
SPEAKER_13: It can be extremely nasty.
18:20
SPEAKER_15: Yeah.
18:20
SPEAKER_15: I mean, I don't I shouldn't say that I don't stay away from people who chew tobacco.
18:25
SPEAKER_15: It's just a new I've just never met anyone who's actually done it.
18:29
SPEAKER_15: I don't anymore, but that's pretty country, yeah.
18:32
SPEAKER_15: You can hear people spitting it right into the spittoon.
18:36
SPEAKER_13: Exactly.
18:36
SPEAKER_13: Exactly.
18:37
SPEAKER_13: Well listen, I'm so far I'm really enjoying the music.
18:39
SPEAKER_13: If you ever if you have any uh show ideas for us, we're open.
18:43
SPEAKER_13: Always open.
18:43
SPEAKER_13: In the best concepts.com.
18:45
SPEAKER_13: All one word, all lowercase I-N-T-E-R-W-E-S-T C-O-N-C-E-P-T-S-Partner.
18:55
unknown: Partner.
18:55
SPEAKER_15: Yeah, I'm trying to make it a little bit on.
18:57
SPEAKER_15: Partner.
18:58
SPEAKER_15: Pardonner.
18:59
SPEAKER_13: Pardonner.
19:00
SPEAKER_15: This next song I have reminds me of one of my favorite jokes.
19:04
SPEAKER_15: Okay, so there's a movie.
19:05
SPEAKER_15: It's not a very good movie, but it stars a bunch of drag queens, so of course I've seen it.
19:09
SPEAKER_15: It's called Hurricane Bianca.
19:11
SPEAKER_15: And it's where the main character is at is she uh he is a gay man and he's at his lowest point, and he goes to a hotel and he's broken up with his boyfriend and he's lost his job and he's in a really bad place.
19:24
SPEAKER_15: And the person behind the counter asks him, uh, do you want a king bed or a single queen?
19:30
SPEAKER_15: And and and and Bianca answers, a single queen and starts sobbing.
19:38
SPEAKER_15: So this next song is by Barba Barbramandro.
19:42
SPEAKER_15: Oh, sleeping single in a double bed.
19:44
SPEAKER_15: Oh, you know it, baby.
19:46
SPEAKER_13: Oh, Queen Segue does it again.
19:48
SPEAKER_13: One of my all-time favorites of hers.
19:51
SPEAKER_04: I saw her in concert too.
19:52
SPEAKER_04: She's great.
19:53
SPEAKER_04: Sleeping single in a double bed.
19:56
SPEAKER_04: Taking over things I wish I'd say.
20:00
SPEAKER_04: I should have held you, but I let you go.
20:03
SPEAKER_04: Now I'm the one sleeping all alone.
20:07
SPEAKER_04: Sleeping single in a double bed.
20:10
SPEAKER_04: Toss and turn it dry into walking.
20:13
SPEAKER_04: I took a line with you instead.
20:16
SPEAKER_04: I've sleeping single in a double bed.
20:22
SPEAKER_04: I only drink, but I'd only be sorry.
20:28
SPEAKER_04: Cause drinking doubles alone.
20:31
SPEAKER_04: Don't make it a party.
20:35
SPEAKER_04: Another sleepless night, and it's a stable story.
20:42
SPEAKER_04: When you're the only one Sleepin' single in a double bail Taking over things I wish I'd say I should have held you, but I let you go.
21:00
SPEAKER_04: Now I'm a woman sleeping all alone.
21:04
SPEAKER_04: Sleepin' single in a double bail.
21:07
SPEAKER_04: Toss and turn a dry into four years.
21:11
SPEAKER_04: I could be live with you instead.
21:13
SPEAKER_04: Sleep and single in a double bail Sleep and single than a double bay Thinking of the things that we should say let you go down the boat, snippet Snip and single in a double bay T-to-dollar to okay.
21:53
SPEAKER_04: Slip and single in a double day Snip and single in a double bay.
22:13
SPEAKER_11: I enjoy listening to you guys every day.
22:16
SPEAKER_11: Oh, I love you.
22:17
SPEAKER_03: Music for adults who never grow up.
22:22
SPEAKER_05: I love amusement.
22:23
SPEAKER_05: I love amusement.
22:24
SPEAKER_03: This is the wake-up call.
22:27
SPEAKER_03: Take this job and shove it.
22:30
SPEAKER_03: I ain't working here no more.
22:34
SPEAKER_03: A former done left and took all the reasons I was working for.
22:41
SPEAKER_03: You better not try to stand in my ways.
22:45
SPEAKER_03: I'ma walk it out the door.
22:48
SPEAKER_03: Take this job and shove it.
22:51
SPEAKER_03: I ain't working here no more.
22:57
SPEAKER_03: I've been working in this factory for now fifteen years.
23:04
SPEAKER_03: All this time I watched my woman, drowning in a pool of tears.
23:11
SPEAKER_03: And I've seen a lot of good folk die had a lot of bills to pay.
23:18
SPEAKER_03: I'd give the shirt right off of my back.
23:28
SPEAKER_03: I ain't working here no more.
23:32
SPEAKER_03: My woman done left and took all the reasons I was working for.
23:39
SPEAKER_03: You better not try to stand in my way as I'ma walking out the door.
23:46
SPEAKER_03: Take this job and shove it.
23:49
SPEAKER_03: I ain't working here no more.
23:54
SPEAKER_03: Well, that phone under he's a regular dog.
23:59
SPEAKER_03: Line boss, he's fool.
24:02
SPEAKER_03: Got a brand new flat top haircut.
24:06
SPEAKER_03: Lord thinks he's cool.
24:09
SPEAKER_03: One of these days I'm gonna blow my top in that sucker.
24:13
SPEAKER_03: He's gonna pay.
24:16
SPEAKER_03: Lord, I can't wait to see their faces when I get the nerve to say, take this job and shove it.
24:26
SPEAKER_03: I ain't working here no more.
24:30
SPEAKER_03: A woman done left took all the reasons I was working for.
24:37
SPEAKER_03: You better not try to stand in my way and I'ma walking out the door.
24:44
SPEAKER_03: Take this job and shove it.
24:47
SPEAKER_03: I ain't working here no more.
24:51
SPEAKER_03: Take this job and shove it.
25:00
SPEAKER_13: Yeah.
25:02
SPEAKER_13: Johnny Paycheck.
25:04
SPEAKER_15: Oh yeah.
25:05
SPEAKER_13: You know, we used to have all kinds of equips that we would say Johnny's cash.
25:09
SPEAKER_13: Wish I had Johnny's Paycheck, we had Johnny's cash, Charlie's Pride, you know any of that kind of thing.
25:14
SPEAKER_15: Lots of jokes.
25:15
SPEAKER_13: Yeah, exactly.
25:16
SPEAKER_15: That's pretty good.
25:16
SPEAKER_15: I mean, with a name like Johnny Paycheck, and you're writing songs like Take This Job and Shove It, there's a lot of room for improv and jokes.
25:23
SPEAKER_13: Okay.
25:24
SPEAKER_13: Well, we've got a lot of stuff coming up next time, a lot of great country music in the 70s country to be exactly.
25:29
SPEAKER_13: Of course, a lot of the Zen room.
25:31
SPEAKER_15: Some uh wisdom to leave you off for the rest of the day.
25:35
SPEAKER_15: The rest of the week, even.
25:36
SPEAKER_13: Yeah, the rest of the week.
25:37
SPEAKER_15: Alright, so it is that time, Dave.
25:40
SPEAKER_15: It is that time for the time.
25:42
SPEAKER_15: This is Don Williams.
25:43
SPEAKER_15: Take it away, Don Williams.
25:45
SPEAKER_13: Step in tune for sure.
25:48
SPEAKER_13: Grab somebody and polish some belt buckles right now.
25:53
SPEAKER_15: Sounds kinda 70.
25:54
SPEAKER_15: I can hear the reference.
26:00
SPEAKER_18: Just about to lose my mind.
26:03
SPEAKER_18: I was going to Arizona, maybe on the California, where the people all live so fine.
26:13
SPEAKER_18: My baby said I was crazy.
26:15
SPEAKER_18: My mama called me lazy.
26:18
SPEAKER_18: I was gonna show 'em all this time.
26:22
SPEAKER_18: Cause you know I ain't no foolin'.
26:24
SPEAKER_18: I don't need no more schoolin'.
26:27
SPEAKER_18: I was born to just walk the line.
26:32
SPEAKER_18: Livin' on close to time, living on toaster time.
26:40
SPEAKER_18: Will you know I've been through it when I set my watch back to it?
26:45
SPEAKER_18: Livin' on close to time Well, there I was in Hollywood, wishing I was doing good, talking on the telephone line, but they don't need me in the movies, and nobody sings my songs.
27:22
SPEAKER_18: Guess I'm just a wastin' time.
27:26
SPEAKER_18: Well, then I got to think, man, I'm really sink.
27:31
SPEAKER_18: And I really had a flash this time.
27:36
SPEAKER_18: I had no business leaving, and nobody would be grieving if I went on back toast of time.
27:45
SPEAKER_18: Living on toast of time, live it on toast of time, gonna send my watch back to it, cause you know I've been through it.
27:59
SPEAKER_18: Living on toast of time, live it on toast of time, live it on toast of time, gonna send my watch back to it, cause you know I've been through it.
28:17
SPEAKER_18: Living on toast of time.
30:00
SPEAKER_03: But you don't have to call me Darlin, Darling, you never even call me by my name, you don't have to call me Willin' Jenny, and you don't hurt call me Jory Prime, call me Merle Hager anymore.
30:47
SPEAKER_03: I even know you're on my fighting side as long as you will let me And I never mind it standing in the rain But you don't have to call me Darling Darlene You never even call me I might name You have heard my name a few times in your phone book and I've seen it on songs work for you But the time I know I'll hear David Allen Cold is when Jesus passed his final judgment day as long as you will let me And I never mind in the rain But you don't have to call me Darling Darling You never even called me my name Well a friend of mine named Steve Goodman wrote that song And he told me it was the perfect country in Western song I wrote him back a letter and I told him it was not the perfect country in Western song because he hadn't said anything at all about mama, a train, a truck, a prison, or getting drunk.
33:10
SPEAKER_03: Well, he sat down and wrote another verse to the song and he sent it to me.
33:14
SPEAKER_03: And after reading it, I realized that my friend had written the perfect country and western song, and I felt obliged to include it on this album.
33:25
SPEAKER_03: The last verse goes like this here But I was drawn to my mom got out of prison and I went to pick her up in the rain But before I could get to the station and the pickup rope She got run over by the damn boat train and under Call me darn You never even call me Well I wonder why you don't call me Why don't you ever call me I'm at the point where just call me.
34:54
SPEAKER_15: I don't care if you call me Please just call me Please talk to me just call me It was the most country Western song I've ever heard.
35:03
SPEAKER_15: He was drunk the day his mama was released from prison and then she got hit by a train.
35:09
SPEAKER_13: Dandled train.
35:10
SPEAKER_15: Yeah.
35:11
SPEAKER_15: I was uh looking at some other songs.
35:13
SPEAKER_15: That was David Allen Coe with You Never Even Call Me by My Name.
35:16
SPEAKER_15: But I was looking at some of his other songs, which I really like the name Longhaired Redneck.
35:21
SPEAKER_13: Yeah.
35:21
SPEAKER_15: You know that one?
35:22
SPEAKER_13: Yeah, I do.
35:23
SPEAKER_15: I'm also a big fan of D-R-U-N-K.
35:30
SPEAKER_13: David Allen Coe, he was always kind of on the lighter side.
35:34
SPEAKER_13: I did enjoy his music.
35:36
SPEAKER_13: Typically I played it on a Friday night because I had the sixth to midnight shift on the counterstation.
35:43
SPEAKER_13: Yeah, on Saturday night.
35:46
SPEAKER_15: That's a pretty good time.
35:47
SPEAKER_15: That's when everybody's turning on the radio to listen to dance and party.
35:51
SPEAKER_13: Yeah.
35:52
SPEAKER_13: We we had we had a really good following for sure.
35:55
SPEAKER_15: I imagine, yeah, that was probably a big thing.
35:58
SPEAKER_15: Well, I mean, now when you throw a a get together, everybody just throws on their their own personal homemade playlist.
36:04
SPEAKER_15: But you know, before then, if you didn't want to switch between records and cassettes and eight tracks, you would just turn on the radio.
36:13
SPEAKER_13: Well, and too, the uh FM in the early, early days was designed for no commercials, it was strictly music.
36:19
SPEAKER_13: So yeah.
36:20
SPEAKER_15: If only that were still the case.
36:21
SPEAKER_13: That was the uh early, early days of FM radio when it first came out.
36:26
SPEAKER_13: Uh and it wasn't country either.
36:28
SPEAKER_13: At least it wasn't here.
36:29
SPEAKER_13: We uh the the FM station in Farmington or the Four Corners.
36:33
SPEAKER_13: The first one started as uh well rock and what I would call classic rock now.
36:40
SPEAKER_13: You know, I've I've told the story before I was like 16 years old and playing you know, Led Zeppelin and really some really great rock musicians.
36:51
SPEAKER_13: Fast forward forty years and playing the same stuff, but now it's classic rock.
36:57
SPEAKER_15: Classic rock.
36:59
SPEAKER_13: It's the same way with the country.
37:00
SPEAKER_13: I played a lot of the early stuff too class.
37:03
SPEAKER_13: This is classic country.
37:04
SPEAKER_13: This in my opinion is true country music.
37:08
SPEAKER_13: Two-stepping buckle polishing kind of music.
37:13
SPEAKER_15: Oh absolutely.
37:13
SPEAKER_15: This is the kind of stuff I like.
37:20
SPEAKER_15: And isn't uh like I said at the very beginning of the show, this isn't afraid to be country.
37:32
SPEAKER_15: And guitars and and whatever other instruments are showing just flying over your head.
37:45
SPEAKER_13: Or turn around and face one another.
37:47
SPEAKER_15: Okay, I see.
37:48
SPEAKER_15: Now I see.
37:54
SPEAKER_15: I was on a completely different zone.
37:56
SPEAKER_13: You were you were you were really I and you know what?
37:59
SPEAKER_13: I can appreciate the fact that you're getting into this music.
38:02
SPEAKER_15: Yeah, it's funny.
38:03
SPEAKER_15: Well, when I heard what you said the first time, but I didn't fully grasp the joke.
38:08
SPEAKER_15: I thought you just meant like songs that you can you can dance cheek to cheek to and then turn and kiss to.
38:15
SPEAKER_15: But you were being a you were being a little bit more dirty with it.
38:18
SPEAKER_13: How about butt cheek to bud cheek?
38:23
SPEAKER_13: Oh dang it, like another one honestly.
38:25
SPEAKER_15: You got it.
38:25
SPEAKER_15: So this one is an absolute classic, it's a standard, we've all heard it, it's a good song.
38:30
SPEAKER_15: It's also been a bit of a like a joke on the internet now to post classic pictures of Dolly Parton, who is undoubtedly a gorgeous lady.
38:40
SPEAKER_13: Absolutely.
38:41
SPEAKER_15: And like it'll be a picture of Dolly Parton looking very well endowed in a cute little outfit, smiling with her beautiful blonde hair, and the caption will read, If this is what Dolly Parton looked like, what the hell was Jolene looking like?
38:54
SPEAKER_15: Because Jolene must have been absolutely a knockout and a half.
38:59
SPEAKER_15: So we got a we got a classic Dolly Parton song coming for you.
39:02
SPEAKER_15: This is Jolene.
39:03
SPEAKER_13: This is a good one.
39:04
SPEAKER_13: Nice pick, too.
39:05
SPEAKER_13: I think you picked this one out.
39:07
SPEAKER_15: I did.
39:12
SPEAKER_00: Jolene, Jolene, Jolene, Jolene.
39:17
SPEAKER_00: I'm begging of you, please don't take my man.
39:23
SPEAKER_00: Jolene, Jolene, Jolene, Jolene.
39:29
SPEAKER_00: Please don't take him just because you care.
39:35
SPEAKER_00: Your beauty is beyond compare with flaming locks of auburn hair, with ivory skin, and eyes of emerald green.
39:46
SPEAKER_00: Your smile is like a breath of spring.
39:49
SPEAKER_00: Your voice is soft like summer rain, and I cannot compete with you, Jolie.
39:57
SPEAKER_00: He talks about you in his sleep, and there's nothing I can do to keep from crying when he calls your name Jolie.
40:08
SPEAKER_00: And I can easily understand how you could easily take my man, but you don't know what he means to me, Jolie.
40:19
SPEAKER_00: Jolene, Jolene, Jolene, Jolene.
40:24
SPEAKER_00: I'm begging of you, please don't take my man.
40:31
SPEAKER_00: Jolene, Jolene, Jolene, Jolie.
40:37
SPEAKER_00: Please don't take him just because you can You could have your choice of men, but I could never love again.
40:48
SPEAKER_00: He's the only one for me, Jolie.
40:54
SPEAKER_00: I had to have this talk with you.
40:56
SPEAKER_00: My happiness depends on you and whatever you decide to do, Jolene.
41:05
SPEAKER_00: Jolene, Jolene, Jolene, Jolene, I'm begging of you, please don't take my man.
41:17
SPEAKER_00: Jolene, Jolene, Jolene, Jolene, please don't take it even though you can Jolene Jolie.
41:42
SPEAKER_20: This one's for us tonight.
41:45
SPEAKER_18: Ozzy on three.
41:46
SPEAKER_18: One, two, three, Ozzy!
41:48
SPEAKER_12: W U C Recognizing Legends on KSJ.
41:54
SPEAKER_08: What's your mama's name, Child?
42:00
SPEAKER_08: What's your mama's name?
42:09
SPEAKER_07: Thirty summer years ago, a young man came to Memphis Asking about a rose that used to blossom in his world.
42:23
SPEAKER_07: People never took the time to mind the young man's questions Until one day they heard him ask a little green-eyed girl.
42:36
SPEAKER_07: What's your mama's name?
42:39
SPEAKER_07: What's your mama's name?
42:42
SPEAKER_07: Does she ever talk about placed on the whole name?
42:49
SPEAKER_07: Has she ever mentioned a man named Buford Wilson?
42:57
SPEAKER_07: What's your mama's name?
42:59
SPEAKER_07: Shall what's your mama's name?
43:08
SPEAKER_07: When he some ideas ago, a drunkard down in Memphis.
43:14
SPEAKER_07: Lost a month of life and labor to the county chair.
43:21
SPEAKER_07: Just because he asked a little green-eyed girl a question.
43:27
SPEAKER_07: And offered her a nickel's worth of candy if she tail.
43:37
SPEAKER_07: A year and summer days ago, an old man died in Memphis.
43:44
SPEAKER_07: Just another wayward, so the county had a plane.
43:51
SPEAKER_07: Inside the old man's ragged hose, they found a faded letter.
43:57
SPEAKER_07: Said you have a daughter, and her eyes are will sun green.
44:11
SPEAKER_07: What you want to mean?
44:42
SPEAKER_08: Watch your mama.
44:55
SPEAKER_15: That song makes me so sad.
44:57
SPEAKER_13: Crystal Sue.
44:59
SPEAKER_15: Crystal Sue.
45:00
SPEAKER_13: What's your mama's name?
45:01
SPEAKER_15: It's your mama's name.
45:03
SPEAKER_13: Crystal Sue, yeah.
45:04
SPEAKER_15: Man's Karen Beth.
45:05
SPEAKER_13: Karen Beth.
45:07
SPEAKER_13: You know, I I I have to say that um I I really I'm digging this music for sure.
45:14
SPEAKER_13: Oh, me too.
45:15
SPEAKER_13: It takes me way, way on back to the early days when I'm just a teenager.
45:19
SPEAKER_13: And driving back and forth between the country and the rock and back and station, I did the rock, AM Station, I did the country.
45:28
SPEAKER_15: I just You had two identities.
45:31
SPEAKER_13: I did, and uh I enjoyed it.
45:33
SPEAKER_13: I I really did enjoy it.
45:34
SPEAKER_13: It was just something about this kind of country.
45:37
SPEAKER_13: Uh it just brings back a lot of memories.
45:39
SPEAKER_15: Oh absolutely.
45:41
SPEAKER_15: I uh I think like I just said, that was Tanya Tucker with What's Your Mama's Name Child, and the story behind it is really sad.
45:48
SPEAKER_15: This guy's looking you don't realize it until later in the song, but this guy's looking for his long lost daughter But because he's being kind of weird about it, he gets sent to prison and then he dies, and she never knows her real father.
46:01
SPEAKER_15: And that's kind of the beauty of country music to me.
46:05
SPEAKER_15: It's not a f I mean it can be very upbeat sounding, but it's not afraid to tackle those sort of sad tragic tales.
46:13
SPEAKER_13: Yeah, in your face and stuff.
46:15
SPEAKER_13: And and and typically the lyrics are extremely easy to understand.
46:19
SPEAKER_15: Yes.
46:20
SPEAKER_15: Folk folks almost in that they're they're made to be passed along.
46:23
SPEAKER_12: Yeah, exactly.
46:25
SPEAKER_15: There is a I don't know if you've ever heard of the movie Trolls.
46:29
SPEAKER_15: It's based on the troll dolls from the seven.
46:33
SPEAKER_13: I think I have heard of it.
46:34
SPEAKER_15: But there was a there was a movie that came out in 2016, Trolls.
46:37
SPEAKER_15: There's a sequel, um which explores long story short, it explores different uh musical genres and the power of each one.
46:47
SPEAKER_15: Um and each kingdom is ruled by a certain musical genre.
46:51
SPEAKER_15: So the main characters are from the pop kingdom and they travel to the country western kingdom, and there everybody's so sad and everybody is so obsessed with with the downtrodden aspects of life.
47:04
SPEAKER_15: But because they're able to work through it with their music, they're a very like love-filled community.
47:10
SPEAKER_15: They are able to enjoy whatever little things come their way.
47:15
SPEAKER_13: I always say, give me a good tune and a shot at Jack Daniels, and I can do anything.
47:19
SPEAKER_15: There you go.
47:20
SPEAKER_15: That's all you need.
47:21
SPEAKER_15: You just need to recognize your pain and then move on and live your life and build a ranch.
47:26
SPEAKER_13: I do love to boot scoot for sure.
47:27
SPEAKER_13: Absolutely.
47:28
SPEAKER_13: It is the KSJE Sunday morning wake up call with my belt buckle polishing friend Ren.
47:34
SPEAKER_15: And my boot scooting buddy Dave.
47:37
SPEAKER_15: And we're celebrating 70s country.
47:39
SPEAKER_13: Did you do you know how to two-step?
47:41
SPEAKER_13: I think I tried to teach you two-step.
47:42
SPEAKER_15: I don't know how to dance at all.
47:43
SPEAKER_15: Yeah.
47:44
SPEAKER_15: No, you don't.
47:44
SPEAKER_15: I I mean I can freestyle.
47:45
SPEAKER_15: Yeah, let's say I do that.
47:46
SPEAKER_13: So you've got you've got good moves and you you'd be good at two-step and I got a little fancy in the two-step and uh uh eventually I could do the the twirl and all that kind of stuff.
47:56
SPEAKER_13: But uh you gotta have a partner that follows well.
47:59
SPEAKER_15: Definitely.
48:00
SPEAKER_13: Um yeah.
48:01
SPEAKER_15: I love Derek very much.
48:03
SPEAKER_15: Um I'm not sure he would pick it up immediately, but give him a give him a few months, he could probably pick it up.
48:09
SPEAKER_13: I remember we uh this was months ago uh when we were in the other studio in the kitchen.
48:15
SPEAKER_15: Yeah, yeah.
48:17
SPEAKER_13: Uh and I we got up and tried I tried to teach you the two step, I think.
48:20
SPEAKER_15: Oh, I don't remember that.
48:21
SPEAKER_13: Yeah, I think it was yeah.
48:24
SPEAKER_15: You'll have to teach me again because I would love to know.
48:27
SPEAKER_13: Yeah, it's uh it's a it's great.
48:29
SPEAKER_15: Very nice.
48:30
SPEAKER_13: Great dance.
48:30
SPEAKER_13: I yeah.
48:31
SPEAKER_13: I love to scoot a boot or two.
48:34
SPEAKER_15: And I believe you can.
48:35
SPEAKER_15: Not only with the two-step in, but also the disco dancing.
48:39
SPEAKER_13: Oh yeah, that's you know, I wouldn't even point a finger or two.
48:42
SPEAKER_15: Yeah, I wouldn't be surprised if you could handle the samba or the salsa too.
48:46
SPEAKER_13: I did I took salsa lessons.
48:48
SPEAKER_15: Nice! Okay, I can see it.
48:49
SPEAKER_15: I can see it.
48:50
SPEAKER_13: I love salsa dancing.
48:51
SPEAKER_13: It's all about the hips and salsa, which I don't I can't do much of.
48:55
SPEAKER_13: But hey.
48:55
SPEAKER_15: But hey, yeah, you make up with it with the hands.
48:59
SPEAKER_13: I took s I I won some swing dancing contests too with my second wife.
49:03
SPEAKER_15: Oh, hell yeah.
49:04
SPEAKER_13: But she was small enough I could throw her around.
49:06
SPEAKER_15: I was about to ask, did you throw her in the air?
49:08
SPEAKER_13: Absolutely, yeah.
49:09
SPEAKER_15: Very nice.
49:09
SPEAKER_15: Very nice.
49:10
SPEAKER_13: The first couple times I did it, she thought I was being mean.
49:12
SPEAKER_15: But then she didn't what are you doing?
49:15
SPEAKER_15: Oh, that's some of my favorite memories with my dad, too.
49:18
SPEAKER_15: I remember being at a wedding and they were playing some sort of swing song, and he picked me up and held me in the air, and I at first I was like, what are you doing?
49:26
SPEAKER_15: And then I realized it was part of the dance, and I got super into it.
49:29
SPEAKER_15: Yeah.
49:29
SPEAKER_13: And that's fun.
49:31
SPEAKER_13: Well, like some more country music on me.
49:33
SPEAKER_13: I'm feeling I'm feeling really I'm I'm feeling so nostalgic.
49:37
SPEAKER_13: I'm thinking about tucking my 501s into my boots.
49:40
SPEAKER_15: You got it.
49:42
SPEAKER_13: My boot top shows.
49:43
SPEAKER_15: Which 501s are very trendy right now, so you'd be on the right track.
49:48
SPEAKER_15: Oh yeah.
49:49
SPEAKER_15: Have you noticed the kids these days too?
49:51
SPEAKER_15: They'll like, you know how it used to be just saggy pants?
49:54
SPEAKER_15: Right.
49:54
SPEAKER_15: Now they don't even button their their flies.
49:57
SPEAKER_15: Like, that's part of the style.
49:58
SPEAKER_15: You unbutton your pants and you fold them down.
50:00
SPEAKER_15: Yeah.
50:01
SPEAKER_15: That's kind of funny.
50:02
SPEAKER_13: On the women, not necessarily on the guys.
50:04
SPEAKER_15: No, I have seen it on the girls, but not the guys, fair enough.
50:07
SPEAKER_13: And I don't mind.
50:10
SPEAKER_15: But uh, this next song is is definitely one of the earliest country songs that got me into country.
50:15
SPEAKER_15: You know it, I know it, we all know it.
50:17
SPEAKER_15: This is Charlie Daniels' band with The Devil Went Down to Georgia.
50:21
SPEAKER_15: Oh yeah, a little fiddling going on now.
50:24
SPEAKER_15: He was looking for a soul to steal, not mine.
50:35
SPEAKER_19: The devil went down to Georgia, he was looking for a soul to steal.
50:39
SPEAKER_19: He was in a vine, because he was way behind, and he was willing to make a deal.
50:42
SPEAKER_19: When he came across this young man sewing on a fiddle and playing it hot, and the devil jumped up on a hatred dump and said, Boy, let me tell you what, I get you a bit annoyed, but I'm a fiddle player too.
50:53
SPEAKER_19: And if you care to take a dare, I'll make a bet with you.
50:56
SPEAKER_19: Now you play pretty good fiddle, boy, but give the devil his due.
51:00
SPEAKER_19: I bet a fiddle of gold against your soul, cause I think I'm better due.
51:03
SPEAKER_19: The boy said, My name's Johnny, and it might be a sin, but I'll take your bet you're gonna regret cause I'm the best has ever been.
51:10
SPEAKER_20: Johnny Ron play a fiddle heart.
51:14
SPEAKER_20: I'll tell you, George and the devil fields are hard.
51:34
SPEAKER_19: He said I'll start this show and fire.
51:36
SPEAKER_19: Flew from his fingertips and he rolled up his bow.
51:39
SPEAKER_19: And he pulled the bow across the strings and it made an evil hit.
51:43
SPEAKER_19: And a band of demons going in and it sounded stuff like this.
52:27
SPEAKER_19: Let me show you.
53:07
SPEAKER_19: And he laid that golden fiddle on the ground with John's feet.
53:10
SPEAKER_19: Johnny said, devil, just come on back if you ever wanna try again.
53:14
SPEAKER_19: I don't know you want you, son of a bitch.
53:16
SPEAKER_19: I'm the best at ever been.
53:17
SPEAKER_19: He played fast.
53:58
SPEAKER_13: Charlie Daniels.
53:59
SPEAKER_13: I loved all his stuff too.
54:00
SPEAKER_13: I used to have every bit of his music too.
54:03
SPEAKER_13: Long-haired country boy, one of my all-time favorite is.
54:06
SPEAKER_15: Nice.
54:06
SPEAKER_15: Yeah.
54:07
SPEAKER_15: I I still have to, after this, long-haired country boy I like, which kind of reminds me of David Allan Coe's song, which I already mentioned, Longhaired Red Nick.
54:17
SPEAKER_15: So I gotta look that up.
54:18
SPEAKER_15: But um, I do have a little bit of a country themed quote for us.
54:22
SPEAKER_13: Oh, I'm so ready.
54:24
SPEAKER_13: Hit me with some zen.
54:26
SPEAKER_16: Prepare yourself to be enlightened with the zen of red.
54:34
SPEAKER_15: I love that so much.
54:35
SPEAKER_15: I'm not gonna get over it anytime soon.
54:38
SPEAKER_15: Uh good job, Dave.
54:40
SPEAKER_15: So this is a very short quote.
54:41
SPEAKER_15: I picked it because it kind of has a morbid heart to it, but overall it's very optimistic.
54:49
SPEAKER_13: Okay.
54:49
SPEAKER_15: This one comes from one of my favorite all-time filmmakers, Don Herzfeld.
54:53
SPEAKER_15: He says, Now is the envy of all the dead.
55:00
SPEAKER_15: Now is the envy of all the dead.
55:03
SPEAKER_13: That's pretty deep.
55:04
SPEAKER_15: Yeah.
55:05
SPEAKER_15: Which it's it's few words.
55:08
SPEAKER_15: It's a few words to really spark some inspiration in you.
55:12
SPEAKER_13: Wholeheartedly.
55:14
SPEAKER_13: Yeah, I'm so glad I wore my boots today.
55:16
SPEAKER_13: That was deep.
55:16
SPEAKER_15: Yeah, did they get knocked off?
55:18
SPEAKER_13: Yeah, just a little bit.
55:20
SPEAKER_13: Alright, so I promise coming up, we're definitely gonna have Jake on.
55:23
SPEAKER_15: We are, we are, he just lives far away.
55:27
SPEAKER_13: We may go travel to him for next week's show.
55:29
SPEAKER_13: But we also have a lot of great shows coming up for the rest of the year, remainder of the year.
55:33
SPEAKER_13: We do appreciate your input.
55:34
SPEAKER_13: NOWSConcepts.com, all one word, all the word case.
55:37
SPEAKER_13: Drop us a line.
55:39
SPEAKER_13: Uh let us know what you'd like to hear.
55:41
SPEAKER_13: Let us uh give us any criticism you have to, positive or negative.
55:45
SPEAKER_15: Absolutely.
55:45
SPEAKER_15: The good, the bad, the ugly.
55:46
SPEAKER_15: That's right.
55:47
SPEAKER_15: As it were.
55:47
SPEAKER_15: Okay, this next and final song is one that once again you recommended.
55:51
SPEAKER_15: You recommended most of the songs for the show.
55:53
SPEAKER_15: This is uh Luke and Bach, Texas.
55:56
SPEAKER_13: It's Luke and Bach.
55:57
SPEAKER_15: Lucanbach, Texas.
56:00
SPEAKER_13: And I've been through there.
56:01
SPEAKER_13: I don't know how much time we have, but I've been through there.
56:03
SPEAKER_13: It's a little bit.
56:04
SPEAKER_13: It wasn't a place before, but they created a place where you could stop and have a drink.
56:08
SPEAKER_15: Oh, be based on the song.
56:10
SPEAKER_15: Exactly.
56:11
SPEAKER_13: Luke and Bach, Texas, down between Austin somewhere, yeah.
56:14
SPEAKER_15: Waylon Jennings and Willie Nelson.
56:15
SPEAKER_15: Take it away, boys.
56:17
SPEAKER_13: Ren, we'll see you next week.
56:18
SPEAKER_15: So long, bye bye worth living.
56:23
SPEAKER_22: Firm feeling women.
56:26
SPEAKER_22: I don't need my name in the Marquis.
56:30
SPEAKER_22: I got my song, got you with me tonight.
56:35
SPEAKER_22: Maybe it's time we got back to the basics of love.
56:42
SPEAKER_22: Let's go to looking back, Texas, waiting with the end of the boys This successful life for living out a spew like the headfield in the course Between eight wheels pain souls, blueberries train salt, blue eyes crying in the rain A blooping box chicks Ain't nobody feel fabulous diamond rain five jeans and go inside choking me your society We've been so busy keeping up with the chores for carries and for still building to the basics of love Let's go to look at checks Waiting will be points a successful life for living as feel like the heck feel save of course we take wheels pain salt Two bears train salt text Ain't nobody feeling no pain Let's go looking back Texas Williams will This successful life we're living just feeling like that feels Weck Williams pain songs you're just trained songs Blue eyes trying to rain Absolutely Bob Text Train nobody feels no pain I listen to the wake-up call every week.
59:34
SPEAKER_14: They make me want a hot dog real bad.
59:36
SPEAKER_17: Does me too gonna grab one just as soon as I get the technicalities out of the way?
59:48
SPEAKER_17: For permission to plagiarize, contact us at InterWest Concepts and don't forget to add dot com, darling.
59:55
SPEAKER_17: For WUC, I'm Zeb McCluskey, and until next time.
59:59
SPEAKER_17: The excellent to each other.