Latest / Midnight Movie Theatre / Great Non-Franchise Horror: Part 1

Transcript

Great Non-Franchise Horror: Part 1 · Midnight Movie Theatre

• 0:18
  Speaker 1: Tonight, we're going over some of my favorite non franchise
• 0:23
  Speaker 1: slasher movies out there, no sequels, no remakes. The first
• 0:27
  Speaker 1: one we're talking about is a movie called Just Before Dawn.
• 0:31
  Speaker 1: This movie was directed by Jeff Lieberman and was inspired
• 0:34
  Speaker 1: by the movie Deliverance. Although they do leave out the
• 0:37
  Speaker 1: squeal like a pig scene in this movie, so you
• 0:39
  Speaker 1: don't have that to worry about. I'm pretty sure. It's
• 0:42
  Speaker 1: about a group of friends that go to the mountains
• 0:44
  Speaker 1: in Oregon to do some camping on some property that
• 0:47
  Speaker 1: one of them recently inherited. One of the things that
• 0:50
  Speaker 1: I really like about this movie is that it has
• 0:52
  Speaker 1: one of the most reasonable sounding harbinger of doom characters
• 0:56
  Speaker 1: that I've seen in a movie. Typically, it's someone that's
• 0:59
  Speaker 1: covered in dirt, they've been wearing the same clothes for
• 1:02
  Speaker 1: months and probably stink like shit. But this guy is
• 1:04
  Speaker 1: just a nice looking park ranger that spends time with
• 1:07
  Speaker 1: his horse and he grows plants inside his house. He's
• 1:11
  Speaker 1: not smoking meth or snorting fin or anything. The guy
• 1:14
  Speaker 1: that inherited the land is just like, Hey, get the
• 1:18
  Speaker 1: fuck out of my face. This is my property. Now
• 1:21
  Speaker 1: I live on these mountains and they completely ignore his warning.
• 1:24
  Speaker 1: Of course, the cold open for this movie starts off
• 1:27
  Speaker 1: with the bang. We just see these hillbilly killers attack
• 1:30
  Speaker 1: these hunters and they even chop off one of the
• 1:33
  Speaker 1: hunter's dogs right off the bat. So that's always a
• 1:36
  Speaker 1: great way to start out your movie. If you're gonna
• 1:39
  Speaker 1: do a dick removal, you might as well do it
• 1:41
  Speaker 1: at the beginning and get it out of the way.
• 1:44
  Speaker 1: This movie was pretty hard to find when I first
• 1:46
  Speaker 1: saw it, but it is worth tracking down. I think
• 1:49
  Speaker 1: I eventually landed on a really shitty quality version of
• 1:53
  Speaker 1: it that was on YouTube, probably still is on YouTube.
• 1:56
  Speaker 1: I clicked off of it and was trying to find
• 1:58
  Speaker 1: some other versions out there wherever I could on the internet,
• 2:02
  Speaker 1: but I think the second best one I found was
• 2:05
  Speaker 1: in Spanish, and I'm not that deep into dual Lingo yet.
• 2:09
  Speaker 1: I haven't figured out that much Spanish yet, so I'm
• 2:12
  Speaker 1: still working on it. Eventually i'll be able to watch
• 2:14
  Speaker 1: the illegal streams that are just straight up in Spanish,
• 2:17
  Speaker 1: but for now we'll take the YouTube shit quality. It
• 2:21
  Speaker 1: looks like someone's pissing in your eyes the whole time.
• 2:23
  Speaker 1: And the thing that got me with the YouTube version
• 2:25
  Speaker 1: that I watched was that some of the audio is
• 2:28
  Speaker 1: missing pretty early on, and it's like when the friends
• 2:31
  Speaker 1: are driving to the mountains and the camper, so it's
• 2:33
  Speaker 1: when you're kind of getting to know the characters, and
• 2:35
  Speaker 1: I just I didn't want to miss out on that,
• 2:37
  Speaker 1: so I think I went from YouTube to a random
• 2:40
  Speaker 1: stream that I found on Google, and then back to
• 2:44
  Speaker 1: YouTube because the random stream eventually turned to Spanish. I
• 2:48
  Speaker 1: think it's really a really strange way to watch this movie.
• 2:51
  Speaker 1: I need to just probably buy a bootleg copy of
• 2:53
  Speaker 1: it somewhere or something, because I kinn't track it down.
• 2:56
  Speaker 1: And this movie came out in nineteen eighty one. It
• 2:58
  Speaker 1: feels like a great addition to some of the well
• 3:01
  Speaker 1: known exploitation movies out there, like The Texas Chainsaw Massacre
• 3:05
  Speaker 1: and The Hills Have Eyes. There's also a great final
• 3:08
  Speaker 1: girl sequence in this movie and a really unexpected finishing
• 3:12
  Speaker 1: move at the end. So Just Before Dawn definitely worth
• 3:16
  Speaker 1: a watch. It's worth tracking down. The second movie on
• 3:19
  Speaker 1: my list is going to be High Tension. This is
• 3:21
  Speaker 1: a movie I've talked about before. I have a video
• 3:24
  Speaker 1: up about High Tension comparing it to the Dean Koon's
• 3:27
  Speaker 1: novel Intensity, because this is essentially an unofficial adaptation of Intensity.
• 3:33
  Speaker 1: I'm also going to be putting out another video right
• 3:36
  Speaker 1: after this, diving in to the twist at the end
• 3:40
  Speaker 1: of High Tension. So if you're curious about that at all,
• 3:43
  Speaker 1: check that video out.
• 3:44
  Speaker 2: That's what I'm gonna say.
• 3:45
  Speaker 1: And this is the only this is the only movie
• 3:47
  Speaker 1: on this list that almost breaks the rule of being
• 3:50
  Speaker 1: a non franchise, non sequel, non remake criteria that I'm
• 3:55
  Speaker 1: going for here, not because it really has any of
• 3:58
  Speaker 1: those things. But there is a made for TV movie
• 4:02
  Speaker 1: version of Intensity out there that I haven't seen yet,
• 4:05
  Speaker 1: So eventually I'm going to watch that, probably do another
• 4:07
  Speaker 1: video about that, comparing Intensity the movie to High Tension
• 4:12
  Speaker 1: the movie, and see how they stack up, see how
• 4:14
  Speaker 1: they match together. But I don't think that really counts
• 4:17
  Speaker 1: for what we're doing here tonight. So this movie came
• 4:19
  Speaker 1: out in two thousand and three. It's also known as
• 4:22
  Speaker 1: How Tension, and this is a brutal French slasher directed
• 4:26
  Speaker 1: by alexandre Aha. Two college friends, Marie and Alex. They
• 4:30
  Speaker 1: travel to Alex's rural family home for a quiet study
• 4:33
  Speaker 1: weekend before finals. That peace in quiet is quickly disrupted
• 4:37
  Speaker 1: when a sadistic killer breaks into the house in the
• 4:40
  Speaker 1: middle of the night, murders Alex's whole family and one
• 4:44
  Speaker 1: of the most brutal killings in a movie that you
• 4:48
  Speaker 1: can imagine.
• 4:48
  Speaker 2: It's a.
• 4:51
  Speaker 1: It's pretty intense. It's worth mentioning that this movie has
• 4:54
  Speaker 1: one of the most wild introductions to a villain in
• 4:58
  Speaker 1: any movie that I've seen. So basically, the killer that
• 5:01
  Speaker 1: we're following around is this like short, stocky guy that
• 5:05
  Speaker 1: drives around in this big ass cheepers creepers truck. And
• 5:08
  Speaker 1: right away after I think we see a little bit
• 5:11
  Speaker 1: of the two ladies driving together, and then we cut
• 5:14
  Speaker 1: to this guy in his truck fucking a severed head
• 5:18
  Speaker 1: and he throws the head out the window. And that's
• 5:21
  Speaker 1: how you get to know this guy right off the bat.
• 5:23
  Speaker 1: And when you see him, he's just like this short, stocky,
• 5:26
  Speaker 1: like potato built guy, mister potato head ass looking guy.
• 5:30
  Speaker 1: He's just on like a NonStop killing spree throughout the movie.
• 5:34
  Speaker 1: It's crazy, crazy, crazy ass movie. Where are we? So,
• 5:39
  Speaker 1: after Alex's family is killed, she gets abducted. Marie escapes
• 5:44
  Speaker 1: and pursues the killer, determined to save her friend. What
• 5:47
  Speaker 1: follows is a tense, bloody game of cat and mouse
• 5:50
  Speaker 1: through isolated countryside gas stations in back roads. What really
• 5:54
  Speaker 1: stands out to me in this movie is the pacing
• 5:57
  Speaker 1: and the gore. So once it starts, ever stops, this
• 6:00
  Speaker 1: movie just goes and goes, and it feels like you're
• 6:04
  Speaker 1: just sprinting through this movie the whole time. And as
• 6:07
  Speaker 1: far as the gore goes, it's part of the new
• 6:09
  Speaker 1: French extremity wave. I believe the R rated version is
• 6:13
  Speaker 1: on TB. If you want to get the full effect,
• 6:15
  Speaker 1: check out the unrated version. It is a nasty one.
• 6:19
  Speaker 1: One of the things that really adds to the tension
• 6:21
  Speaker 1: of this movie is the lack of dialogue. It really
• 6:25
  Speaker 1: does its job by just using visuals and background noises,
• 6:30
  Speaker 1: and even though it does kind of keep this frantic pace,
• 6:33
  Speaker 1: I feel like the movie knows when to slow down
• 6:37
  Speaker 1: enough to let that tension build, and I think that's
• 6:39
  Speaker 1: what makes this.
• 6:40
  Speaker 2: Movie a really great watch.
• 6:42
  Speaker 1: So, as I mentioned earlier, there is a twist ending
• 6:45
  Speaker 1: that I'm not going to talk about right now. I'm
• 6:47
  Speaker 1: going to dive into that in another video that I'm
• 6:50
  Speaker 1: about to record right after this. Basically, I just kind
• 6:53
  Speaker 1: of wanted to go over why I think the twist
• 6:57
  Speaker 1: ending is misunderstood. That's something that I see a lot
• 7:01
  Speaker 1: of people complain about. It's one of the things that
• 7:03
  Speaker 1: Roger Ebert really hated about this movie. So I want
• 7:06
  Speaker 1: to dive into that a little bit more and maybe
• 7:08
  Speaker 1: clear some things up, or at least give my point
• 7:10
  Speaker 1: of view on it, because I feel like the twist
• 7:13
  Speaker 1: ending in this movie almost has gained a reputation for
• 7:17
  Speaker 1: ruining the movie, and I just don't think that's the case.
• 7:19
  Speaker 1: I don't agree with that. The third movie on the
• 7:21
  Speaker 1: list is going to be The Prowler. This is a
• 7:24
  Speaker 1: nineteen eighties classic. It came out in nineteen eighty one.
• 7:27
  Speaker 1: Directed by Joseph Zito with legendary gore effects by Tom Savini.
• 7:32
  Speaker 1: It's this movie. It takes place in a small town
• 7:34
  Speaker 1: during a graduation dance. The film follows a group of
• 7:37
  Speaker 1: students celebrating their big night, but decades after a tragic
• 7:41
  Speaker 1: wartime love triangle ended in a murder, a mysterious figure
• 7:45
  Speaker 1: in military gear returns to seek revenge and kill everybody's asses.
• 7:50
  Speaker 1: So while this party's going on, the killer he's just
• 7:52
  Speaker 1: stalking around the whole town. He's fucking everybody up, picking
• 7:56
  Speaker 1: off victims using a bayonet, pitchfork, and other brutal weapons.
• 8:01
  Speaker 1: A local sheriff and a resourceful student begin piecing together
• 8:05
  Speaker 1: the connection between the past and the present before the
• 8:08
  Speaker 1: night turns into a full blown massacre. So if that
• 8:11
  Speaker 1: sounds like something you're into, definitely check out The Prowler.
• 8:14
  Speaker 1: This movie has incredible special effects, some of the most
• 8:20
  Speaker 1: brutal Tom Savini effects out there. I'd have to go
• 8:23
  Speaker 1: through and watch like a real highlight reel of Tom
• 8:27
  Speaker 1: Savinia effects to know for sure, But after watching this one,
• 8:30
  Speaker 1: I was like, God, damn, this has to be the
• 8:33
  Speaker 1: best Tom Savinia effects out there.
• 8:35
  Speaker 2: And I don't know.
• 8:36
  Speaker 1: I'd have to think about like his zombie movies, his
• 8:39
  Speaker 1: Friday the Thirteenth movies, everything else that he's done and
• 8:42
  Speaker 1: worked on Creep Show. Too many great special effects moments
• 8:47
  Speaker 1: to just think of on the top of my head.
• 8:49
  Speaker 1: I'd have to put a list together just for that.
• 8:51
  Speaker 1: Maybe that'll be an upcoming video. Let me know in
• 8:54
  Speaker 1: the comments if you want to see a Tom Savini
• 8:56
  Speaker 1: effects ranking in the near future, and there are there
• 9:00
  Speaker 1: are a couple of kills in this movie that I
• 9:02
  Speaker 1: think are unforgettable, maybe even three well, I don't know.
• 9:06
  Speaker 2: I don't know.
• 9:06
  Speaker 1: All the kills in this movie are extremely effective. The
• 9:09
  Speaker 1: two that always stand out to me are the there's
• 9:12
  Speaker 1: a guy that gets a bayonet through the top of
• 9:15
  Speaker 1: his head and there's a lady that gets pitchfork stabbed
• 9:18
  Speaker 1: in the shower, and both of those effects are just
• 9:21
  Speaker 1: like mind blowing, like how did you pull this off?
• 9:25
  Speaker 2: With the way that it looks some of.
• 9:27
  Speaker 1: The best work out there as far as like practical
• 9:29
  Speaker 1: eighties effects, and this movie does feel like very grounded
• 9:33
  Speaker 1: in reality, which I think makes the kills that much grittier,
• 9:38
  Speaker 1: like that much more impactful. There's not like a supernatural
• 9:42
  Speaker 1: killer in this movie. You know, it's a World War
• 9:44
  Speaker 1: Two VET that's covered from head to toe in like
• 9:47
  Speaker 1: this green military outfit. He's even got his face covered
• 9:50
  Speaker 1: up with some damn green green mesh, if you know
• 9:53
  Speaker 1: what I'm saying. And it was also pretty uncommon to
• 9:57
  Speaker 1: have a World War Two VET as the villain, even
• 9:59
  Speaker 1: in for nineteen eighty one, the more obvious choice would
• 10:02
  Speaker 1: have been a Vietnam VET because that war was more
• 10:05
  Speaker 1: heavily criticized than World War two. One of the things
• 10:09
  Speaker 1: that this movie does really well is the slow burn.
• 10:13
  Speaker 1: It has more of like a stocking pace and atmosphere
• 10:16
  Speaker 1: to the whole movie, and also some pretty decent red herrings.
• 10:20
  Speaker 1: I mean, the movie's basically who Done It? You're kind
• 10:23
  Speaker 1: of guessing the whole time, like who's in that World
• 10:26
  Speaker 1: War two outfit? Really?
• 10:27
  Speaker 2: Who could that be in? There?
• 10:29
  Speaker 1: Is it old man Jenkins? That you motherfucker? And as
• 10:32
  Speaker 1: far as the who done it vibe goes, it feels
• 10:35
  Speaker 1: similar to like a scream revealed to me almost when
• 10:38
  Speaker 1: we get to the end. It's all connected to this
• 10:41
  Speaker 1: small community. You'll understand when you watch the movie. I
• 10:43
  Speaker 1: think this one's also on to Be to Be the
• 10:46
  Speaker 1: Go obviously, that's where you can see all these movies.
• 10:49
  Speaker 1: Apparently I saw that it was maybe on Netflix, but
• 10:52
  Speaker 1: I don't know if that's.
• 10:53
  Speaker 2: Accurate or not. I didn't really check.
• 10:55
  Speaker 1: I was just kind of doing a little Google search
• 10:57
  Speaker 1: to see where to recommend watching these movies at. Of
• 11:00
  Speaker 1: course tob I think that's where I watched most of these.
• 11:03
  Speaker 1: Honestly was toub so Go to Be Also Apple TV
• 11:06
  Speaker 1: popped up for any motherfuckers out there that use Apple TV.
• 11:09
  Speaker 1: It's any of these sorry, any of these sorry bastards
• 11:12
  Speaker 1: out there, you watching TV on fucking Apple TV. Geez, sorry,
• 11:17
  Speaker 1: sack of shits, get a fucking Tube account, motherfucker's it's free.
• 11:21
  Speaker 1: And the last movie we're gonna be talking about in
• 11:23
  Speaker 1: this video today is the movie Curtains, which has one
• 11:26
  Speaker 1: of the sickest cover arts that I've ever seen in
• 11:29
  Speaker 1: my life. It's got like a fucking melty ass face
• 11:32
  Speaker 1: with a little doll sticking out in the middle like
• 11:35
  Speaker 1: where the mouth is, and the melty ass face kind
• 11:37
  Speaker 1: of looks like curtains opening up. It's fantastic, and you think, like,
• 11:42
  Speaker 1: oh damn, is this gonna be a killer doll movie.
• 11:45
  Speaker 2: It's not. It's not.
• 11:46
  Speaker 1: There is a doll in it, though, so there's that.
• 11:49
  Speaker 1: Curtains is a Canadian slasher film that came out in
• 11:52
  Speaker 1: nineteen eighty three, directed by Richard Kwi Paka. I cannot
• 11:57
  Speaker 1: say it's cute, kyopka kah. How the fuck do you
• 12:02
  Speaker 1: say that guy's name? Richard Dick Cupcake is what this
• 12:05
  Speaker 1: guy's fucking name looks like to me right now. A
• 12:07
  Speaker 1: group of actresses are invited to a secluded mansion to
• 12:11
  Speaker 1: audition for a mysterious and demanding director. Each woman is
• 12:15
  Speaker 1: competing for the same role, and tensions quickly rise as
• 12:18
  Speaker 1: their personalities clash. But the real danger isn't just the competition.
• 12:22
  Speaker 1: Someone wearing a creepy, expressionless hag mask begins stalking and
• 12:26
  Speaker 1: killing the actresses one by one. As paranoia builds, it
• 12:29
  Speaker 1: becomes clear that anyone could be the killer or the
• 12:32
  Speaker 1: next victim. God damn, it's a great little uh, great
• 12:37
  Speaker 1: little synopsis right there for this fucking movie. It also
• 12:41
  Speaker 1: has a great cold open, which I think is I
• 12:43
  Speaker 1: think it really like sets up the movie. I remember
• 12:46
  Speaker 1: starting this one off and just thinking, what the fuck's
• 12:48
  Speaker 1: going on right now? You think somebody's getting killed. Maybe
• 12:51
  Speaker 1: they're not, maybe they're acting, who knows. But the way
• 12:55
  Speaker 1: it kicks off is great because this lady who is
• 12:58
  Speaker 1: an actress that's trying to get this role, this guy
• 13:02
  Speaker 1: basically tricks her into committing herself into a mental institution
• 13:07
  Speaker 1: and then he ditches her ass so that he can
• 13:10
  Speaker 1: invite all these other women to try out for this
• 13:13
  Speaker 1: role that she was going to get. But then she
• 13:15
  Speaker 1: gets out of the mental institution, she shows up to
• 13:18
  Speaker 1: the big audition it's like they're all It's almost like
• 13:21
  Speaker 1: a real world road rules type of situation because they're
• 13:25
  Speaker 1: all living in the same house, they're all competing for
• 13:28
  Speaker 1: this role. It's a really fantastic setup, honestly, And the
• 13:32
  Speaker 1: thing that I really like about this movie is that
• 13:34
  Speaker 1: it is a straight up traditional who done it. It
• 13:37
  Speaker 1: feels like the horror version of the movie Clue, which
• 13:41
  Speaker 1: is just an adaptation of and then there were none
• 13:44
  Speaker 1: by Agatha Christie, so there's something that feels really classic
• 13:48
  Speaker 1: about all of that. I mentioned the hag mask earlier.
• 13:51
  Speaker 1: That is one of the things that really makes this
• 13:53
  Speaker 1: movie stand out. It's one of the eeriest, most underrated
• 13:57
  Speaker 1: slasher looks. This mask not only appears on the killer,
• 14:01
  Speaker 1: but during the auditions as well, so it really puts
• 14:04
  Speaker 1: each character in the position as a potential red herring.
• 14:07
  Speaker 1: This movie does have a dreamlike quality to it at moments,
• 14:11
  Speaker 1: because a lot of characters' dreams will be shown and
• 14:14
  Speaker 1: they'll kind of bleed into reality like you're not sure,
• 14:17
  Speaker 1: like Okay, is this just something that's happening right now,
• 14:20
  Speaker 1: and then it'll.
• 14:20
  Speaker 2: End up being a dream. But they do it really well.
• 14:23
  Speaker 1: It doesn't feel like super corny or anything, because what's
• 14:25
  Speaker 1: happening in the dreams doesn't seem that realistic, Like it
• 14:29
  Speaker 1: almost seems like, what the fuck's going on here? Well,
• 14:32
  Speaker 1: is this like some supernatural evil dollshit? Now, No, it's
• 14:35
  Speaker 1: just a dream because this movie's living in reality. Okay,
• 14:39
  Speaker 1: there's no evil dolls in this movie. I'm just gonna
• 14:42
  Speaker 1: go ahead and spoil that for everybody that's trying to
• 14:44
  Speaker 1: watch evil doll movies all the time. But if you
• 14:47
  Speaker 1: are trying to watch a creepy doll movie, there is
• 14:50
  Speaker 1: a little creepy doll in this movie that enters the
• 14:52
  Speaker 1: movie pretty early on. This thing just kind of looks
• 14:55
  Speaker 1: like a big ass American girl doll, but instead of
• 14:58
  Speaker 1: like having a nice looking face, it's got this like
• 15:01
  Speaker 1: creepy ass looking frown for some reason. And I don't
• 15:04
  Speaker 1: know if there's really any significance to it. I don't
• 15:06
  Speaker 1: think there was, but it does like start popping up
• 15:09
  Speaker 1: in some interesting ways that just makes you ask more
• 15:12
  Speaker 1: questions and makes you think, like, is this going to
• 15:15
  Speaker 1: be connected to anything or any of the characters.
• 15:17
  Speaker 2: Who knows? It's a mystery.
• 15:19
  Speaker 1: The thing about this movie that's going to stand out
• 15:22
  Speaker 1: the most is the ice skating scene. I would say
• 15:24
  Speaker 1: it's this haunting chase where this lady, one of the
• 15:28
  Speaker 1: ladies that gets invited to the house, her profession is
• 15:31
  Speaker 1: that she's an ice skater. I didn't mention this, but
• 15:33
  Speaker 1: every woman that's invited to this house has like a
• 15:37
  Speaker 1: different profession. They're not all even actors. They're just like,
• 15:41
  Speaker 1: you know, some of them are a music or one
• 15:43
  Speaker 1: of them is like a musician, one of them's a gymnast,
• 15:46
  Speaker 1: one of them is an ice skater, one of them's
• 15:48
  Speaker 1: a professional skateboarder, one of them a professional dick beater,
• 15:52
  Speaker 1: professional ass eater, professional blown, professional dog sitter. And there
• 15:57
  Speaker 1: is something about this movie that feels satirical, like it's
• 16:00
  Speaker 1: almost poking at the acting industry because you're kind of seeing,
• 16:04
  Speaker 1: like how far will these women go for this role?
• 16:07
  Speaker 1: Are they willing to kill each other for it? Some
• 16:10
  Speaker 1: of them might be. Overall, it has more of an
• 16:13
  Speaker 1: eerie feel to it than explosive. It leans into quiet dreads,
• 16:17
  Speaker 1: strange imagery, and psychological on ease rather than NonStop gore.
• 16:21
  Speaker 1: This movie is almost bloodless, which is impressive when a
• 16:24
  Speaker 1: slasher can resist making the movie in effects. Real feels
• 16:28
  Speaker 1: cold both literally and emotionally, and it also takes place
• 16:32
  Speaker 1: during the winter, if you know what I'm saying, so
• 16:34
  Speaker 1: extra cold and hey, guess what else, This movie's also
• 16:38
  Speaker 1: on fucking tub. Get your ass to tub the real
• 16:42
  Speaker 1: fucking deal. I also think you can see this one
• 16:44
  Speaker 1: and several of these other movies on the night Fly app.
• 16:48
  Speaker 1: They always have a bunch of wild ass movies on there.
• 16:50
  Speaker 1: It's where I've found some of the greatest occult classics
• 16:54
  Speaker 1: out there. So shout out to night Flight. Let me
• 16:57
  Speaker 1: know if you check any of these movies out. If
• 16:59
  Speaker 1: you have any non franchise slashers to recommend, leave them
• 17:02
  Speaker 1: in the comments below because we're definitely going to do
• 17:05
  Speaker 1: a part two. Sign up for my Patreon to help
• 17:08
  Speaker 1: out the show. Thanks for listening, Good Night,