Latest / Autoras de palabra con Rosa / Beatriz Roger y Luiso Soldevila: "El secreto de confesión y la Iglesia van a generar en el lector frustración e impotencia"

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Beatriz Roger y Luiso Soldevila: "El secreto de confesión y la Iglesia van a generar en el lector frustración e impotencia" · Autoras de palabra con Rosa

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  A naked man sitting in an old chair, dead instead of his head,
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  has sewn around his neck with nylon thread and painted and effective that of a
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  goat who pulls out his tongue an arrow, pierces his chest very close to
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  his heart on the ground to the left, the beheaded goat rests forever father
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  our Beatrix, Roger Luis or Soldevilla, welcome to Rosa' s microphone for
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  your page, Hello, Rosa a pleasure. I haven' t counted,
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  I haven' t seen anything from the side, because it' s very
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  early in the novel and I think it' s a very good way to
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  start, because if we imagine this scene, you' re not putting it
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  in a message anymore. I understand to see what you can tell me.
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  You can part of what you say already. Not without making spoilers and without
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  saying anything that can' t be said. They' re telling you there
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  ' s something. Yeah, that' s not a free thing, and
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  look what happened today, that' s been taken care of. There'
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  s nothing, there' s a head placed in a body, there'
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  s a goat that' s left of it and they' re telling you
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  there' s a hidden message. I would say this you have the victim.
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  You can watch a little, but the victim is a farmer from a
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  foreign farm. And I can say little more, because I think the reader
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  will find out little by little. Of course, a killer so we can
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  say he' s going to start terrorizing the people of the region, that
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  is, with what we were ripping off at first. It is the beginning
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  of something that comes after well, yes, the scenario that we were talking
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  about, is the beginning of a story of a murderer and it is the
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  first piece. We could say a whole message. All these scenarios we have
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  encountered also raise many questions, both in our protagonists and in our readers.
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  Right, yeah, yeah, right, and a moment that now comes to
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  mind. What, Hector comments. I don' t remember which page,
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  obviously, but it says these people who are buried in making scenarios of their
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  crimes as they say. This ends us here and then there is an icon
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  that has already commented at some point that has this vision. In other words,
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  as well as the detail is almost very good. Nico is very good.
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  Nico' s in position. It' s like an investigation is rising
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  above you and you see it and you' re saying something much more complicated
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  is going on than you' re seeing and, of course, it'
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  s nothing fortuitous. And I think that' s what you' re getting
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  at, since you' ve been talking about Nico. You have spoken of
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  Nico, how he comes from Marismas, how his physical and mental state is,
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  to see Nico comes somewhat exhausted from Marismas. In addition, he suffered
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  a wound and is recovering the Marismas investigation in the end, when the case
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  is solved lands or continues with that of our father. In other words,
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  it is a very frequent investigation that, in the background, in Marisma,
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  there were small brushstrokes, very small where everything started, but Nicoso needs a
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  call from Commissioner Hector to join the investigation and help in them. We'
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  re not talking about the victim. We' re not gonna say who he
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  is, but we can tell who finds the victim, who' s gonna
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  start that investigation. Yes, yes, the victim, who will assume the
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  investigation. And the case is Inspector Tono Pamies, who is a close friend
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  of Commissioner Narváez Ves, who has a very special and profound relationship, but
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  who are very different, because for me that is the typical inspector, we
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  could say rebellious in discolo and that he has his own method. I was
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  going too far to yours. I personally am a character that I love that
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  the reader will know more. But besides, it all starts when during this
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  investigation it disappears. And besides, there' s one thing you' re
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  thinking about now, Hector. They' re selling sentences to my head,
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  but suddenly during our father. There' s a reflection. What Hector does,
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  they say I don' t know why he was meant to be someone
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  big full of breads and then he wonders, because, for example, he
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  ' s not that he was any more mediocre Hector at all. Besides,
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  you have mediocre, no, but it has to be said that he recognizes
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  the brilliance of the other, that he is a guy who wrote a book
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  about criminal profiles, that he was an advanced researcher, with a keen eye
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  and suddenly for things that happen in life, because there are people who collapse
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  or stay half- way, that is, you never know the luck is
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  the luckiest of people And in this case, I think that all this parallelism
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  between these two great friends is like very nice and at the same time a
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  little sad And finally, besides what I have commented to my mother. What
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  I like about myself is that there is a moment that, besides being unbelieving,
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  he always sells the message that he is no longer interested in living.
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  But how does it change your mind when maybe your life is at risk?
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  Yes, sir, the end justifies the means to see this is ugly to
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  say. I think I wish, not always, but I think sometimes yes,
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  very rarely wait no. But if we' re talking, for example,
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  about the defense of someone or some, here we talk about video to
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  my death. Not in this novel, yes no, we' re talking
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  about a politician who goes and says hey I' m going to make you
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  such and I' m going to destroy your life. No, and then
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  I think it' s one of the times when something can happen, because
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  you already take the means ahead. I mean, yes, we have to
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  think that here, in addition to disappearing an inspector, a friend disappears and
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  maybe some squadron mosus. Or the Commissioner that we have him as someone straight
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  serious that never step beyond the law. In this case, he may turn
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  a blind eye. You prologue the novel. With a meeting in the Church
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  of Santa Coloma meet six men who are not even friends. That I leave
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  to you to tell what you think is right, for you are not really
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  friends, which has to intuit that, however, if you are gathered,
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  something is worth, but it takes the first chapters to reveal what you are
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  or why you are there. I love that start. I find it good.
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  I really like it when we write it with my mother. Besides,
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  the hermitage of phytor Bueno, you have to visit it, but that meeting
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  in a dark secret church with many people and already tells you that there is
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  a link there. But when they say there are no friends, you ask
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  yourself the question that has happened. So they' ll get together what happened
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  they did. Time returns us as we belong, because I think I imagine
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  where you go and I think that somehow to see, I am a firm
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  convinced that we evolve and that, of course, we can change and improve
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  and that life has been many surprises, beautiful, precious, but I also
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  think that somehow, in essence we all belong in quotation marks, because we
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  don' t belong to anyone, but some places, some people, some
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  experiences that accompany us always is that I think you never leave it, that
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  they always accompany you. It' s not like you' re coming back,
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  it' s just that you' re sticking it a little bit to
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  the body, because you have these issues in the book. Evidently, these
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  phrases do not make you stop to think after having made the tour through the
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  chapters, because you have to walk very tiptoe now, for example, in
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  order not to reveal anything. Then another of the things that you question and
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  if you can practice good as if with them, if you could erase the
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  ill sensed good, is exactly one of the things that the book talks about
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  the novel. I believe that people are excited to change many times without the
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  will to change. But I also believe that what is done is done and
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  I think that we can use it to always improve, always, because we
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  do not learn only from what we have done. Well, we learn a
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  lot from what we haven' t always done. But I don' t
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  think it' s really about me erasing it. It' s about that
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  if I' ve done evil, you add up well, if it'
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  s better the journalistic investigation. We have Miss Marlaska tell me something about her.
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  It' s very bad for me to say it, but it'
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  s another character I love because Look at me, too. I' m
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  glad because Mira is a powerful woman, with her illusions, her ambition,
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  her desire and there' s no one to stop her. Besides, I
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  like it because at first you know a character that also evolves during the novel,
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  because you can have a lot of ambition, but deep down you also
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  have that little heart of yours where you get excited, things remove you and
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  I think you end up being an important character in this big family that wraps
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  up niches. Besides, he won' t give up for anything in the
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  world. And it helps the reader to follow up on the research that was
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  very important for us to go telling the reader. Listen, I' m
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  going to remind you of everything you' ve read through the screenplay and it
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  also gives you access to visit in Barcelona at some point to meet your editor
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  - in- chief and I like the subject of journalism films so that they
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  have a lot of importance and relevance I' ve always liked very much.
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  It' s a little day, not exactly. It' s a bit.
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  It' s a little bit and then it' s also interesting that
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  you realize what Luiso says, that what for the others is treason, that
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  is, it' s for and it' s already doing its job.
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  Then everyone finds their work sacred. His family seems sacred to him. I
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  don' t know what he thinks is sacred. But of course there are
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  different perspectives on all this. There are sins in which you are not even
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  absorbed by a cure. I believe that sins are also stuck together and one
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  has to forgive oneself and not one other person is a priest or whoever it
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  is. I believe that Luis is me in that we look like I am
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  unbeliever. For example, confession will offend no one I am not. I
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  have my dialogues, you know, and my stories when I go to sleep
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  and I like it, because just ask and this doesn' t mean that
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  I commune with anything like that very ecclesiastical and I think about how the luiso.
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  First, what sins would be worth it is first and second, we
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  talked about it a little earlier, because, because we improve, we learn
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  and I think that when something hurts us enough, that' s when we
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  say good enough. I want to do more of this, I don'
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  t want to be done anymore. This is not getting to a point and
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  there are many things that give them maturity and not always. There are many
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  people who have no interest in improving the area and each one, but I
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  trust the human being very much. I would also like to say that the
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  title already gives rise to it a little. But the secret of confession the
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  church and this is going to generate the reader, I think, a little
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  frustration and impotence, just like according to which characters and there will be that
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  duality, that doubt, that rage, because and that gives a lot of
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  play crimes, macabres, sarisms, esotericism and religious beliefs, a story written
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  at four hands. I' d like to know what those four hands feed
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  on. Well, I, in my experience with these two novels, have
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  fed a lot of my mother, everything I' ve read, of all
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  the movies and series I' ve seen, of my personal essence, also
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  personal experiences, that it' s inevitable to dump them a little bit in
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  the novel and sometimes my wife makes me joke when she reads something and tells
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  me it' s a little twisted. You and I tell him well,
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  this is just imagination. Yeah, I, like in Luis or not,
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  don' t have much awareness of where we nourish ourselves. You know what
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  I mean. I believe that the two of us among the overflowing imaginations we
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  have, among the series we have seen in the films, have read a
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  lot of black novel. Then I think it' s like you' re
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  already creating your own story here. I have mine in yours, but we
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  agree quite a bit, i e no, and this is going to be
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  very ugly I have never had any time in the feeling that it was very
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  difficult to bring things up. I haven' t had the feeling of being
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  fighting and yon with my head to get ideas, or Luis or fighting something
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  very different. Dialogues are ordered the plot that all makes sense as such,
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  but this throwing up everything we think or imagine, and I think it is
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  what he and I are not getting better at. Yes, I agree with
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  my mother that we have imagination and it is appreciated that there are occasions that
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  you so much imagination. It' s also dangerous and you have to slow
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  it down and manage it, because in this novel we have had to fit
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  many pieces and I really always say I like to believe that we' ve
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  made it. The reader will have to say it, but it has been
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  a challenge at some point, because there are many characters, there are good,
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  many scenarios, macabre we could say, but to me it has been
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  a challenge to fit all the pieces. What has been the hardest part,
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  because it is true that there are many characters as you just did and many
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  macabre situations. I don' t know if you' ve enjoyed yourself there
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  in any way, but it looks perfect. In the end. I was
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  saying it the other day, when it looks like it' s all figured
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  out, when you' re watching a movie and you still see there'
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  s fifteen minutes left and maybe the way I held it down. It can
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  ' t be here. There' s got to be more to you.
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  You always add up, a little more, a little more, a little
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  more and you have a brutal ending. I am not going to say any
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  more, obviously, but I do not know which part you have found more
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  complicated or more than you have enjoyed most to me more complicated and the one
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  I have enjoyed most. End, end. I, in the end,
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  find it and good This looks bad, too, for me to say,
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  but incredible. I like it very much that even what I saw reread the
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  novel and I got chicken skin a little like Wow. But I have enjoyed
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  very much the connection of all events and also in the creation of these macabre
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  scenarios, because they have as an explanation why they are so and it is
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  true that it is a c B. But my mother, I think I
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  speak for the two of us who don' t like to gloat like in
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  the gore. There is also no need to go into detail. I think
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  that with what we explained is enough and the reader moves into these horrific scenarios.
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  But that' s what I' ve enjoyed most. You just said
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  it. You have to see why that evil occurs. You have no other
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  one of your reflections that says that the wrong of the first impressions, you
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  do not say in the easy, quick and proud judgments that people usually cast
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  and what really means the wonder, which means to really discover when we give
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  ourselves that time and really know the person. Well, this in life happens
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  to us constantly and I think as we grow we realize that it' s
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  a big flaw in judging the first. But there' s a lot going
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  on there. The pame trial, the judgment about what you could do about
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  a mateo, things don' t happen. There' s even a police
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  officer out there that I' m not gonna talk about anymore, but you
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  ' ll know who he is. You could be like an edge or you
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  could see how a person and his own reflections, his own experiences, his
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  own whole. So what I do, which I think is camped out there
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  in the world, is why of each of us that leads us to be
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  like this. So, yeah, I really like what my mom says.
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  It' s true what' s going on. We all do, maybe
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  we have some prejudice or judgments, but in the end it happens to all
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  of us you stay with one person alone is that maybe you had your doubts
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  and you say we shut up great and we try to translate it into the
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  novel. To me, about Pam, that' s what you were talking
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  about. I very much like a moment that only has its doubts, reluctances,
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  not just like it, but there is a moment that asks a question
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  or tells it fabric and tells it hears if Hector is the Commissioner. He
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  ' s a man you respect so much, you love so much, you
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  trust him so much. You feel this case and attachment for me is for
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  something you will be accurate in terms of helping, in terms of the characters
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  and also the possibility that a criminal can help the justice part. Nothing more
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  and in fact, we' ve known that we' ve dealt with the
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  subject, we' ve already done it in marismarse. He' s a
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  character who goes back to what Luison says He shouldn' t, but we
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  like him. In the end he is a drug dealer, but he has
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  his point and then it is very clear that he can immerse himself in a
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  subworld and the others cannot and does not know good things, such as,
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  for example, what is shown that he knows no. And I think this
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  kind of with Luis or we did it pretty darkly enough that even the drug
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  dealer, even this one, has their part, because it' s better.
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  I also like to think of this that in the end, everyone chooses
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  the path that they want to follow if they have that option, and they
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  can, but, for example, the drug dealer, within his/ her
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  being a drug dealer frame, has his/ her values, has his/
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  her ideals and is firm with them that sometimes neither icon will understand why he
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  / she thinks it different, but they are their values. And yes,
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  I' ve wired a given moment in the investigation, because some very important
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  events are linked by a bond that well, they will be revealed already.
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  But it' s Nicoyamalia' s other side. I like it a lot.
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  We keep secrets that don' t belong to us. Yeah, yeah,
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  and that phrase I really like the book. I love it because yes,
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  I am crazy because besides, when we were with my mother, we
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  said it is powerful, because it is true, and that conversation that the
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  protagonists of the novel have and have understood and I tell you your story.
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  If you tell me, mine' s yours, yes, and that'
• 18:45
  s what says yes, but sometimes it doesn' t. The secrets that
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  we keep are not just ours, and I believe that absolutely yes, yes,
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  yes, not because of being a majority, there must be important reason.
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  It' s another very important thing in history, very important totally to
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  me. One of the most dangerous things in this world is just the masses
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  that would be majority as an individual we could say escapal is in order.
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  He can transform that majority. Yes, yes, as Luis says, or,
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  in fact, I think it is also proven not that not by being
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  a majority you are right and I think that is what he says. It
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  ' s a very important thing to know what you could have eaten the good
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  coconut is the same. We just have to look a little bit into the
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  world and see things and see the masses. I think it' s,
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  as he says, the most dangerous thing that there are the masses, the
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  followers and these people who need a good book, you know any quick slogan
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  and someone who tells them to follow me and this we can apply to everything.
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  And this is all very dangerous. We' re watching the networks exactly
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  set the novel in yanfran A Azuel Well in Cyrillic sites where you look bad
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  murders also occur. As long as tourism doesn' t go down, they
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  ' ll let us back in. I' m beginning to doubt it.
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  Uh, yeah, I wish. Novels give a positive push. Well,
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  now, in conclusion, I ask you what would become of the chiller if
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  there were no jealousy, hatred, envy. Well, I don' t
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  know. I could follow a list, because it would be romantic novella,
• 20:29
  it would be not the rome. Yeah, good answer. Period. We
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  can' t kill who we really are to see. I don' t
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  know if to kill, but I don' t think I like that message
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  that people sometimes give them that someone can' t change. But I firmly
• 20:48
  believe that decisions can be made and changed and evolved. While it' s
• 20:53
  true, I' ve always thought that that child of your childhood girl,
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  we' ve all been inside as long as we grow up and grow older
• 21:06
  and it' s hard to get away from that. Now that you'
• 21:07
  ve said a child, a child a mother will never forget. We do
• 21:14
  that, the wrongs exactly what can be done with a child that there is
• 21:18
  one word that cannot be done and there is another that can be done.
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  It' s over, we have to leave the past in the past for
• 21:26
  some time. Some are already far away and we must move on, Father,
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  our memory of past hapas imagined a brutal story. Really good- bye
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  to this if you puzzle, it must have been complicated. So, but
• 21:45
  every union of that piece has been like a phon, that is. I
• 21:49
  see it this way and it is true that the last part is brutal.
• 21:52
  It' s not po.