Latest / The Bridge by Sammy Chand / June 22, 2026 — "Sammy Chand Interviews Uniyal"

Transcript

June 22, 2026 — "Sammy Chand Interviews Uniyal" · The Bridge by Sammy Chand

• 0:00
  Speaker 1: South Asian music and cultures can be found around or
• 0:05
  Speaker 1: we tracked down the best and present it here for
• 0:08
  Speaker 1: you on Ruckus Avenue Radio.
• 0:15
  Speaker 2: Hi, this is Alizata and you'll listening to the Bridge
• 0:17
  Speaker 2: with Sammy John.
• 0:18
  Speaker 3: Hey, this is cal Ben.
• 0:19
  Speaker 4: You're listening to the Bridge with Sammy John.
• 0:22
  Speaker 5: Joe, what's going on?
• 0:22
  Speaker 6: This is Sab Summer and you're listening to Ruckus Avenue Radio.
• 0:26
  Speaker 4: I hope y'all had a great weekend. Thank you very
• 0:29
  Speaker 4: much for picking up the signal here on a Monday morning.
• 0:33
  Speaker 4: My name is Sammy John and welcome everybody to a
• 0:37
  Speaker 4: June twenty second edition of The Bridge. Had a great
• 0:42
  Speaker 4: time this weekend and saw two of the finest, I
• 0:47
  Speaker 4: would say in our Punjabi space here over the last
• 0:50
  Speaker 4: several days here and in Los Angeles. I saw Sittinder
• 0:53
  Speaker 4: Sardage on Saturday, de Aljito Snge on Thursday and to
• 0:59
  Speaker 4: me the best an incredible night. So I hope you
• 1:09
  Speaker 4: all all well and today's show, my goodness, it's a
• 1:15
  Speaker 4: very special one, indeed, and I've talked about him quite
• 1:20
  Speaker 4: a bit on this show as being somebody that I
• 1:22
  Speaker 4: really love his work and somebody that I might add
• 1:26
  Speaker 4: that I've been trying to get on this show here
• 1:28
  Speaker 4: for quite some time. The artist's name is Unial and
• 1:34
  Speaker 4: you may have saw the breaking news there on Sammy
• 1:37
  Speaker 4: Johns dot Com. But yeah, we're gonna be joined by
• 1:42
  Speaker 4: Unial today. Can't wait looking forward to the conversation of
• 1:47
  Speaker 4: really getting to know more about his perspective coming from
• 1:52
  Speaker 4: Udra Khan up in the mountains, let's just call it,
• 1:56
  Speaker 4: and a different perspective and a different voice being thrown
• 2:00
  Speaker 4: here into the let's just call it the bookends of
• 2:03
  Speaker 4: Indian hip hop. Really excited about the conversation today, folks.
• 2:10
  Speaker 4: It's a Monday and we'll be joined by mister Lennon
• 2:14
  Speaker 4: from the United Nations News Department. We'll be joined by
• 2:18
  Speaker 4: Mira Sharma as we do every Monday morning here on
• 2:21
  Speaker 4: the Big Show, and we'll be joined by the Ruckus
• 2:24
  Speaker 4: Avenue Radio all Stars, Doctor Roy and what we do
• 2:32
  Speaker 4: on the Monday Morning Show, as we started off with
• 2:35
  Speaker 4: what was the number one song from over the weekend,
• 2:38
  Speaker 4: Welcome to the.
• 2:39
  Speaker 5: Bridge, Plasma.
• 2:57
  Speaker 7: Pichina, Theplivi Chi Gunny Jr. Finish any have Arbart track,
• 3:07
  Speaker 7: The Jamney Pigeon Napper is Sham Naplivi.
• 3:12
  Speaker 8: Chi Guanny Jr.
• 3:13
  Speaker 7: Finish any have l Bartra.
• 3:17
  Speaker 8: The Jamney Pasion number is sham Ran.
• 3:21
  Speaker 7: There is the man who lag.
• 3:37
  Speaker 8: Like don.
• 3:39
  Speaker 9: No like.
• 3:41
  Speaker 7: The car, crack the cards, the Johnny per the whilst
• 3:52
  Speaker 7: lady lakajn There a count The Jamney pigeonnais edited Alivichi
• 4:03
  Speaker 7: Gani have arbor. They are gone to the Jamney Pigeon.
• 4:09
  Speaker 1: For two women.
• 4:18
  Speaker 7: John They're too many Gardee very shot, no matching curricade.
• 4:24
  Speaker 5: Go to Makada Pagia John gard A cock Damma.
• 4:34
  Speaker 7: The corsy to a jest today prone.
• 4:39
  Speaker 5: Jamney pitch enough for the shot.
• 4:43
  Speaker 7: Edit the st buying, Olivi Chi Gangny your Guardiani have arbar,
• 4:48
  Speaker 7: the prone till the Jamney pitch enough for the shots
• 4:52
  Speaker 7: your edit, the st baying, Olivicia, Gangny, your guard.
• 4:55
  Speaker 4: So we begin our Monday morning show with Signed for
• 4:58
  Speaker 4: Red It's called Nah push it there and folks, this
• 5:03
  Speaker 4: next song we've got for you is Rishmith Car who
• 5:06
  Speaker 4: is touring right now across North America. Go check out
• 5:11
  Speaker 4: the tickets there. Here's their song fa Gdra live uh.
• 5:15
  Speaker 10: Huh Na they can knessa jack in Mariuda skip.
• 5:40
  Speaker 11: Mamaira Unamangamvagira ang Anggapira, Unavaira, Loved Mary Jania Nasavira, Mama Gira,
• 5:50
  Speaker 11: Ham Mama Baira Hamacavaira, Una Maga Magakira Hamakamvakira, i'm a
• 5:58
  Speaker 11: Lake Banana Servira, Naria Haniraara Hanira, mammiramakra Agaapiraga by Bakra Loved,
• 6:10
  Speaker 11: You're marry Hernia Servia O Mama Cookira, ham Bakira, Mama Gira,
• 6:17
  Speaker 11: Hamam Bakira, mark My Pakira, mark My bakiram La Banaria, Saverra, Naria, Haniraara, Hania.
• 6:31
  Speaker 4: H Si.
• 6:46
  Speaker 12: Okays A, Jack oh my, all the present, you look.
• 7:05
  Speaker 13: No Compai Nira Namamama.
• 7:20
  Speaker 12: Rock Man.
• 7:22
  Speaker 13: Lady Rania naaaaaaaaaa Nanira Natama.
• 7:39
  Speaker 4: I'll tell you something about rush meat card, something about
• 7:42
  Speaker 4: her DNA that I think really makes for an amazing
• 7:45
  Speaker 4: connection with the North American audience. I think she's got
• 7:48
  Speaker 4: the right type of authenticity. Like my next artist. This
• 7:53
  Speaker 4: is doctor Satinda Satan.
• 7:55
  Speaker 8: Hello, Antotia, Carl, this is Satas And you are listening.
• 7:59
  Speaker 5: To Robe over see Tlata sooner.
• 8:02
  Speaker 14: Yeah, they're so halky. I've seen Ta Sona yeah, they're
• 8:12
  Speaker 14: so hallopy to keep her a funding as a month
• 8:16
  Speaker 14: the poky it should get it bend Joe money Warri
• 8:23
  Speaker 14: sonipi a Nana rahanda causa nana rahanda causa tho what
• 8:44
  Speaker 14: your moha dog? What dog.
• 8:57
  Speaker 15: Worry?
• 8:58
  Speaker 14: But they're not ta to got to beat the goody
• 9:02
  Speaker 14: pet games. You need them, rag, you need them.
• 9:15
  Speaker 12: I will not be rang.
• 9:29
  Speaker 5: The mony day Shari canoe.
• 9:37
  Speaker 14: As they yoda shari canoon t me montegladomi canoon j
• 9:46
  Speaker 14: i algy.
• 9:48
  Speaker 15: Call leo sharabad on the la la hollo, what.
• 10:12
  Speaker 16: You set the name karate pa? What is set the
• 10:22
  Speaker 16: name karate?
• 10:25
  Speaker 1: Do not lam you back? Come the.
• 10:36
  Speaker 5: Reading for your game, to the reading.
• 10:42
  Speaker 14: The devil's there all the legori. It's certainly under nundi rocordia.
• 11:08
  Speaker 14: But the shakin i am barataria bos.
• 11:16
  Speaker 5: Patira boo, it's.
• 11:21
  Speaker 14: Round round laisnayate so haluky to give her a.
• 11:38
  Speaker 4: Fun and as a manti pauky is shad looking forward
• 11:42
  Speaker 4: to be joined by Uni All In today's episode, man
• 11:46
  Speaker 4: I Love the song from his new album Nasmati Palki
• 11:52
  Speaker 4: Satinder Shertage. One of my favorite things about stinder shortages.
• 11:59
  Speaker 4: I was at that car concert with my parents and
• 12:02
  Speaker 4: my daughter. I think he's one of the few artists
• 12:05
  Speaker 4: that you can do that well successfully. They both enjoyed
• 12:10
  Speaker 4: the concert equally. I think it was great. And so
• 12:13
  Speaker 4: then There'sthage. If you have not seen him here across
• 12:16
  Speaker 4: North America, head on over to ticket Master go buy
• 12:19
  Speaker 4: your tickets. He's worth the evening for sure. Now let's
• 12:24
  Speaker 4: bring in doctor Roy to this party. How are you,
• 12:26
  Speaker 4: doctor Roy?
• 12:27
  Speaker 17: Hey guys, this is doctor Roy with Today's Word on
• 12:29
  Speaker 17: the Avenue. In Film and TV News, a sweet moment
• 12:33
  Speaker 17: between global stars unfolded as Anne Hathaway announced she is
• 12:37
  Speaker 17: expecting her third child, drawing warm wishes from friends and
• 12:41
  Speaker 17: fans around the world, and among those celebrating the news
• 12:44
  Speaker 17: was Brianca Jobra Jonas, whose heartful congratulations added to the
• 12:48
  Speaker 17: excitement surrounding Hathaway's growing family. In media news, many Milhotra
• 12:54
  Speaker 17: has made NHL history after being named head coach of
• 12:57
  Speaker 17: the Vancouver Canucks, becoming the first p of South Asian
• 13:01
  Speaker 17: descent to lead an NHL team.
• 13:03
  Speaker 3: The former player and pioneering.
• 13:05
  Speaker 17: Coach continues to break barriers in professional hockey, creating new
• 13:09
  Speaker 17: opportunities and inspiration for South Asian athletes, coaches and fans
• 13:13
  Speaker 17: across North America.
• 13:15
  Speaker 3: In Event News Mumbai, fans can now step.
• 13:18
  Speaker 17: Into the world of Friends as the Friends Experience officially
• 13:21
  Speaker 17: opens at Geo World Garden in BKC. Featuring iconic sets
• 13:26
  Speaker 17: like Central Park, Monica and Rachel's Apartment, Joey and Chandler's
• 13:29
  Speaker 17: apartment and.
• 13:30
  Speaker 3: The famous Orange Couch.
• 13:32
  Speaker 17: The immersive attraction offers plenty of nostalgia and photo opportunities
• 13:36
  Speaker 17: for fans of the beloved sitcom.
• 13:38
  Speaker 3: That's it for today's word on the Avenue.
• 13:40
  Speaker 4: Until next time, Thank you so much, Doctor Roy. Looking
• 13:43
  Speaker 4: forward to be joined by Unial today, one of the
• 13:46
  Speaker 4: best up and coming hip hop artists in all of India,
• 13:50
  Speaker 4: I would say so looking forward to that conversation. And
• 13:53
  Speaker 4: he comes from Putra kand different vibe to the hip
• 13:57
  Speaker 4: hop space for sure. This is Jasmine sandlesst What las
• 14:02
  Speaker 4: up there, Hita Kumar.
• 14:04
  Speaker 1: The song is called Jinda Challenging.
• 14:06
  Speaker 18: Door telling me let you marry Bachavadam ordered the band
• 14:18
  Speaker 18: up and you're shore challenging telling me little merry bat
• 14:26
  Speaker 18: Badam border.
• 14:30
  Speaker 1: Up in your shore hoggy La La La Lah.
• 14:34
  Speaker 5: The hogy La La La da got ka.
• 14:38
  Speaker 18: Chopa ya the lute later Chokaya the lutea.
• 14:49
  Speaker 5: Go then.
• 14:55
  Speaker 19: Go go there, honey Mana report Neva suit to the
• 15:04
  Speaker 19: mother women, marybor.
• 15:10
  Speaker 8: Neva suit to the other.
• 15:14
  Speaker 20: Regardless Machell Labanaia oh Dari and Nicolaya, Mitchell.
• 15:22
  Speaker 8: Ja Shad Basari Victor.
• 15:32
  Speaker 5: She shot the.
• 15:32
  Speaker 19: Sua mantar the millgam of the Summam. Make a miscellania
• 15:43
  Speaker 19: where Jack Quachakaya, makea sura mascellaia where Jack.
• 15:49
  Speaker 21: Quachadaya competent, Guy Rancher and compear.
• 16:00
  Speaker 8: You've got it? Where do you love me?
• 16:19
  Speaker 12: Maya don't.
• 16:35
  Speaker 4: Quite a collaboration. Jasmine Sandless Good lays up there Mashita Kumar.
• 16:42
  Speaker 4: The song is called Jinda, one of the fines from
• 16:45
  Speaker 4: over the weekend. Here and now, folks, let's bring in
• 16:48
  Speaker 4: Mira Sharma to the show. She brings you a weekly
• 16:52
  Speaker 4: mindful SaaS we'll sup me ra Hey.
• 16:54
  Speaker 3: Sammy, Hey everyone.
• 16:56
  Speaker 9: Mirah Shama here with your weekly dose of mindful say,
• 17:00
  Speaker 9: helping you stay self assured, spirited and strong. This week's reminder,
• 17:06
  Speaker 9: everyone you meet has something to teach you. Some people
• 17:10
  Speaker 9: teach us what we want. Some people teach us what
• 17:13
  Speaker 9: we don't. Some inspire us, challenge us, support us, or
• 17:17
  Speaker 9: simply show us a different way of seeing the world.
• 17:20
  Speaker 9: Every interaction, every friendship, every chapter serves a purpose, even
• 17:26
  Speaker 9: if we don't understand it at the time. So instead
• 17:29
  Speaker 9: of asking why did this happen? Try asking what can
• 17:33
  Speaker 9: I learn from this? Life becomes a lot more beautiful
• 17:37
  Speaker 9: when you see every person as a lesson, a blessing,
• 17:40
  Speaker 9: or a stepping stone on your journey.
• 17:43
  Speaker 4: You got this, Thank you so much, Mira. Great advice
• 17:47
  Speaker 4: here to begin your Monday folks. If you've been paying
• 17:51
  Speaker 4: attention to social media, this is an interesting song. This
• 17:54
  Speaker 4: is all done.
• 18:00
  Speaker 2: And love with your half topa cha Young, not a
• 18:03
  Speaker 2: card on the tart Parker R Young, the name Kani answer,
• 18:07
  Speaker 2: sorry studio, the tartarker I Young, the name Ja with
• 18:10
  Speaker 2: your half to pay not a card and the tart
• 18:13
  Speaker 2: Tucker Young, the layer two cargo they share to canwep
• 18:17
  Speaker 2: bands you know up there so then also with the
• 18:24
  Speaker 2: lyric coms no you don't tucket but her arm potage
• 18:29
  Speaker 2: charge arms Begod daddy bag of Moody.
• 18:32
  Speaker 6: I asked.
• 18:35
  Speaker 2: Randan pech more than Murdans. Sorry studio the tart Parker right, Young,
• 18:48
  Speaker 2: love with your half topa cha Young n not a
• 18:51
  Speaker 2: card on the tart Parker Young, the name Kani answer sorry, studio,
• 18:56
  Speaker 2: the Tartarker, I youm the name jam with your half
• 18:59
  Speaker 2: tar Pachai Young, the not a car Namben, tard Knocker Young,
• 19:03
  Speaker 2: Canedy College Garb Garb solid darky. He said, don't get there.
• 19:18
  Speaker 2: The Colonnade.
• 19:25
  Speaker 5: You're a guy, Tirana shooting.
• 19:27
  Speaker 6: Not a guy.
• 19:32
  Speaker 5: Answer sorry, studio.
• 19:34
  Speaker 2: The tard knocker, right, you with your half tapaja y
• 19:38
  Speaker 2: not a car now, the tark knocker ym the name
• 19:42
  Speaker 2: answer sorry, studio, the tar knocker, Dna with your halfpa
• 19:47
  Speaker 2: Yanna not a Carna, the tard knocker Young.
• 19:52
  Speaker 4: It's so done. It's his latest song. Studio Gangsters. Okay,
• 19:58
  Speaker 4: So the story goes something like this. If you're paying
• 20:01
  Speaker 4: attention to social media here, Sultan made some pretty interesting
• 20:05
  Speaker 4: comments about Gotdanodola, his involvement in, or a potential involvement
• 20:11
  Speaker 4: rather in to do mustavalas passing, you know, and then
• 20:15
  Speaker 4: you've got other artists that are stepping in the sea
• 20:18
  Speaker 4: bringing up the I mean, I mean, it's getting it's
• 20:20
  Speaker 4: getting pretty messy. Nevertheless, here's Connor Lennon with today's UN News.
• 20:27
  Speaker 22: This is UN News Today with me Connor lenon the headlines.
• 20:31
  Speaker 22: Despite the Gaza ceasefire, an average of one child a
• 20:34
  Speaker 22: day is still being killed. Meanwhile, the risk of a
• 20:37
  Speaker 22: deadly species of Ibola spreading through East and Central Africa
• 20:41
  Speaker 22: remains high, and the head of you HCR pledges to
• 20:44
  Speaker 22: cut refugee numbers by half over the next ten years.
• 20:51
  Speaker 22: The ceasefire in Gaza has become a cruel and deadly illusion,
• 20:55
  Speaker 22: UNICEF spokesperson James Elder said on Friday. Since the ceasefire
• 21:00
  Speaker 22: was announced in October twenty twenty five, two hundred and
• 21:02
  Speaker 22: sixty five Palestinian children have reportedly been killed across Gaza,
• 21:07
  Speaker 22: and average of one child every day, while more than
• 21:09
  Speaker 22: four hundred others have been injured, many with severe and
• 21:13
  Speaker 22: life changing wounds. Mister Elder said that children continue to
• 21:17
  Speaker 22: be killed in places where they should be safe, including homes,
• 21:20
  Speaker 22: schools and shelters, and stressed that the constant exposure to
• 21:23
  Speaker 22: violence has left Gaza's children with profound psychological trauma, affecting
• 21:28
  Speaker 22: their ability to eat, sleep, and develop normally.
• 21:31
  Speaker 23: These children were not killed in a war zone. They
• 21:34
  Speaker 23: were killed in their homes, they were killed in their schools.
• 21:37
  Speaker 23: They were killed playing football, they were killed fishing. They
• 21:40
  Speaker 23: were shot, they were bombed, they were struck by cod copters.
• 21:45
  Speaker 23: While the world continues to speak the language of ceasefire,
• 21:49
  Speaker 23: families in Gaza continue to bury their children. However, if
• 21:54
  Speaker 23: a child is being killed every day, surely the debate
• 21:57
  Speaker 23: now is no longer about the quality of the ceasefire.
• 22:01
  Speaker 23: It's about the credibility of calling it one.
• 22:04
  Speaker 22: The UN Refugee Agency UNHCR says that it is deeply
• 22:07
  Speaker 22: concerned by the accelerating spread of the rare and deadly
• 22:11
  Speaker 22: bundobugyo species of ebola in the Eastern Democratic Republic of
• 22:15
  Speaker 22: the Congo. According to UNHCR, eight hundred ninety six confirmed
• 22:19
  Speaker 22: cases and two hundred and thirty two deaths had been
• 22:22
  Speaker 22: reported across thirty one health zones in the DRC as
• 22:26
  Speaker 22: of the seventeenth of June. Uganda has confirmed nineteen cases
• 22:30
  Speaker 22: and two deaths, Although none of the cases involved refugees,
• 22:34
  Speaker 22: the risk of the disease spreading among displaced people remains high.
• 22:38
  Speaker 22: More than two million forcibly displaced people, including over three
• 22:41
  Speaker 22: hundred and twenty thousand refugees live in areas at risk
• 22:45
  Speaker 22: in the DRC, where fighting continues alongside the spread of
• 22:49
  Speaker 22: the Ebola virus, and Saturday marks World Refugee Day, an
• 22:54
  Speaker 22: opportunity to recognize the courage and determination of nearly forty
• 22:57
  Speaker 22: two million people are rooted from their countries by war,
• 23:01
  Speaker 22: violence and persecution. In a statement to mark the day,
• 23:05
  Speaker 22: the head of you in HCR, Barram Sale announced that
• 23:08
  Speaker 22: he intends to cut by half the number of refugees
• 23:11
  Speaker 22: living in protracted displacement and reliant on humanitarian assistance over
• 23:15
  Speaker 22: the next ten years. He called for refugees to be
• 23:18
  Speaker 22: given more opportunities to rebuild their lives with dignity and
• 23:22
  Speaker 22: underline that the status of refugee is meant to be
• 23:25
  Speaker 22: a temporary condition, not a lifelong fate. Connor Lenin UN News.
• 23:31
  Speaker 4: Thank you very much. Connor and Connor Lenin appear today
• 23:34
  Speaker 4: as part of Ruckus Avenue Radio's partnership with the UN
• 23:37
  Speaker 4: News Department. Today's episode is a special one. We'll be
• 23:42
  Speaker 4: interviewing an artist by the name of Uniyah and this
• 23:46
  Speaker 4: song that's playing underneath Me is one of his latest
• 23:49
  Speaker 4: singles that I want you to check out. This song
• 23:52
  Speaker 4: is called Numbo not iron. Here's unial for you.
• 23:57
  Speaker 8: God, yeah, don't go.
• 24:06
  Speaker 12: Down per me dona.
• 24:20
  Speaker 6: Are you.
• 24:23
  Speaker 9: Not no.
• 24:38
  Speaker 6: More?
• 24:41
  Speaker 8: Oh no more, oh no more? Not I.
• 24:58
  Speaker 24: Do know cal macause I'm just so mega b U
• 25:01
  Speaker 24: mamel rumal the Panama band, Maya bats up to the
• 25:05
  Speaker 24: guitar man tail like you and san Ma chars the mail,
• 25:15
  Speaker 24: but manu git reg dinner to get mass goods. What
• 25:21
  Speaker 24: you get just mass position you regain You just cratch.
• 25:25
  Speaker 1: A thing and the two you pin.
• 25:28
  Speaker 24: Hama guy, the pers getting the many run sim the
• 25:33
  Speaker 24: fan courkat man Mana roll Chan command macan Santaman cos
• 25:44
  Speaker 24: control co park.
• 25:44
  Speaker 5: Control, not very need to do c car do need.
• 25:47
  Speaker 24: Your business car Kim and Tero and Qua chaser a
• 25:55
  Speaker 24: bird there to those there's a bromerica SORTI pany guitar
• 26:00
  Speaker 24: to ticket take a cooky ready could teacher good you
• 26:03
  Speaker 24: taste or go to massas handy you party to some
• 26:11
  Speaker 24: pressures pardy and none of the course occupant somebody with.
• 26:19
  Speaker 1: No non a school history for.
• 26:31
  Speaker 25: This now yeah yet you know not such.
• 27:18
  Speaker 26: Je jeh is the boomy Mary j j Ga Baddie
• 27:23
  Speaker 26: the mound NATURALI ch this this avatea do many ky gangadati,
• 27:34
  Speaker 26: but check them in the army Sermy Matta Purney Barney
• 27:39
  Speaker 26: Pardi katapot this.
• 27:46
  Speaker 15: You guy to car.
• 27:49
  Speaker 16: Gat some red ba.
• 27:51
  Speaker 4: Jehu taking the berry.
• 27:54
  Speaker 26: The Kramaani b Romanik likes the Mata Chandy.
• 28:00
  Speaker 4: Y'all Normo not Ryan is the song un y'all is
• 28:04
  Speaker 4: the artist produced by Samo Robert really cool stuff and
• 28:09
  Speaker 4: after this song will be drained by y'all. And here's
• 28:13
  Speaker 4: the song from his last e p called Nonda. Dave expressed,
• 28:16
  Speaker 4: yea program.
• 28:20
  Speaker 6: You may command a giant. So this keeping Italy or
• 28:32
  Speaker 6: won't daddy Blue Bablon saying Lita lebone saying saying bone say.
• 28:53
  Speaker 1: Click click.
• 28:57
  Speaker 4: That Janny.
• 29:00
  Speaker 27: Park the Bazariku culture malali kulan the Lupa Hardik corrected
• 29:06
  Speaker 27: Hamala gold halalikus raikkuplikuliakku on the person hardly sap and
• 29:19
  Speaker 27: said Tamu.
• 29:21
  Speaker 6: Halali kulu saying pon say.
• 29:31
  Speaker 7: On saying.
• 29:35
  Speaker 28: Them said post bar and take game note no God
• 29:47
  Speaker 28: dear good.
• 29:48
  Speaker 24: But the Mara, like the Murga in San ski uk
• 29:55
  Speaker 24: Wet repels with the latim. Did your systems raskill to
• 30:17
  Speaker 24: Chelty name, sir, display whom.
• 30:25
  Speaker 6: He had put, whom he had put.
• 30:30
  Speaker 29: That already, get out, get.
• 30:42
  Speaker 4: Out, all right, folks, and you guys know how long
• 30:52
  Speaker 4: I've been waiting for this. Ladies and gentlemen, let's invite
• 30:55
  Speaker 4: into the show. How are you, sir?
• 30:59
  Speaker 1: I'm good?
• 31:00
  Speaker 30: Any How are you, brother?
• 31:01
  Speaker 4: I'm good, my man, I'm good. Really really nice to
• 31:04
  Speaker 4: have you on the air, somebody that I've been really
• 31:08
  Speaker 4: really raving and talking very highly of. So this is
• 31:11
  Speaker 4: a special moment for us on this show. Thanks for
• 31:13
  Speaker 4: coming on so much. Let's get into it. Brother, There's
• 31:17
  Speaker 4: so much I want to ask you about. Actually, you
• 31:19
  Speaker 4: know what, before I begin, I must ask you this
• 31:22
  Speaker 4: because I think you are a bit of a football
• 31:24
  Speaker 4: person here, a soccer person as we say out here.
• 31:27
  Speaker 4: Oh yeah, who you got in the World Cup?
• 31:29
  Speaker 16: Brother?
• 31:32
  Speaker 4: Make a prediction today? I think, yeah, they look really good,
• 31:43
  Speaker 4: really really good midfield, and then you have Ronaldo running
• 31:46
  Speaker 4: around up front. That's pretty dangerous, very very dangerous for sure. Yeah,
• 31:51
  Speaker 4: that's that's very cool. Listen, brother. You know, and when
• 31:54
  Speaker 4: you talk about Indian hip hop, it is it has
• 31:57
  Speaker 4: always been known to be about Delhi, It's been known
• 32:01
  Speaker 4: to be about Mumbai. It's been known to be about Punjab.
• 32:05
  Speaker 4: Here you come with a brand new voice. And I
• 32:08
  Speaker 4: know that you've been influenced a lot by Delhi uh
• 32:11
  Speaker 4: and by the movement that's happened in Delhi. But tell
• 32:14
  Speaker 4: us it's a brand new it's a brand new narrative
• 32:16
  Speaker 4: that you bring to the table. Tell us about that.
• 32:19
  Speaker 30: So, I think I never wanted to, you know, get
• 32:25
  Speaker 30: a wave from this. I just wanted to like make
• 32:30
  Speaker 30: a different kind of music and most importantly psychedelic fusion.
• 32:37
  Speaker 6: With hip hop.
• 32:39
  Speaker 30: And I always say things that I see around me
• 32:43
  Speaker 30: and I feel in my heart and I think that
• 32:47
  Speaker 30: people should hear, and the things that are collectively, I
• 32:54
  Speaker 30: mean it's voice of I think people that I say, Yeah,
• 33:00
  Speaker 30: I love it. So it's common. It's it's a common
• 33:03
  Speaker 30: voice that I don't know. I think it's it was
• 33:07
  Speaker 30: time for it. Maybe I think it just happenned. Yeah,
• 33:13
  Speaker 30: whatever I learned, I mixed it with the situation here. Yeah,
• 33:21
  Speaker 30: that just came out pretty well.
• 33:23
  Speaker 4: Yeah, I would say so too. As I as I
• 33:26
  Speaker 4: got to know about your story, you really became a
• 33:30
  Speaker 4: hip hop artist during the COVID time, you know. Tell
• 33:35
  Speaker 4: us about that transition here, You are in Delhi, you're
• 33:38
  Speaker 4: your student, and now all of a sudden, COVID comes
• 33:41
  Speaker 4: along and you decide to go into this art form.
• 33:45
  Speaker 4: You know, what was that moment like for you when
• 33:47
  Speaker 4: you decided to go all in on becoming a hip
• 33:49
  Speaker 4: hop artist.
• 33:50
  Speaker 30: Yeah, so at that time, after completing my standard from
• 33:55
  Speaker 30: Delhi throse COVID, I moved back to trakh And and
• 34:00
  Speaker 30: I had plenty of time to think about my future.
• 34:03
  Speaker 30: What should I what should I do?
• 34:06
  Speaker 9: Right?
• 34:06
  Speaker 30: So at that time I was set up with the
• 34:11
  Speaker 30: studying and preparing for exams and everything. And during this
• 34:17
  Speaker 30: time I heard my friends. I mean, he suggested me
• 34:21
  Speaker 30: some hip hop tracks. It was Divine, it was c Demos.
• 34:26
  Speaker 30: So these were some artists that I listened at the
• 34:31
  Speaker 30: very beginning. And it kept on listening to hip hop
• 34:36
  Speaker 30: every day during COVID, every single day. Every time I
• 34:40
  Speaker 30: had just I had my earphone with me. So everybody
• 34:44
  Speaker 30: was annoyed with me because every time everywhere I used
• 34:49
  Speaker 30: to put my earphones on, I still listen to hip hop.
• 34:52
  Speaker 30: Continue listening to hip hop all day, all night. So yeah,
• 34:57
  Speaker 30: that's when I thought he was And you suggested me
• 35:01
  Speaker 30: that I should write something, and I wrote it. I
• 35:05
  Speaker 30: recorded my verse in my phone, uploaded it on Instagram,
• 35:08
  Speaker 30: and it got I mean, I got supported by people.
• 35:13
  Speaker 30: I never expected it, but I loosed my confidence. So
• 35:19
  Speaker 30: I thought, let's write two songs now.
• 35:24
  Speaker 4: The first EP you released called The None That They
• 35:27
  Speaker 4: V Express, which I really love the title of because
• 35:31
  Speaker 4: if you know anything about The None That They V Express,
• 35:33
  Speaker 4: it goes from the mountains into the plains. And I
• 35:37
  Speaker 4: feel like you are doing the same thing with your music.
• 35:41
  Speaker 4: You're bringing it down from the mountains for the rest
• 35:44
  Speaker 4: of the country to enjoy.
• 35:47
  Speaker 31: You know that.
• 35:48
  Speaker 4: I find that to be a very interesting thing.
• 35:51
  Speaker 2: You know.
• 35:51
  Speaker 4: Do you do you feel that the rest of the country,
• 35:55
  Speaker 4: you know, when it comes to hip hop, was ready
• 35:57
  Speaker 4: for this movement?
• 36:00
  Speaker 6: I don't.
• 36:01
  Speaker 4: I don't know.
• 36:02
  Speaker 30: I don't think so anyone was ready. It was it
• 36:07
  Speaker 30: was all of a sudden. It happened all of a sudden,
• 36:11
  Speaker 30: and mean I released it in two thousand and twenty four,
• 36:17
  Speaker 30: during September, I think, but it blew up after eight
• 36:23
  Speaker 30: six to eight months. It was like this, It was
• 36:28
  Speaker 30: like volcano, but I mean looks but during March and
• 36:34
  Speaker 30: April it blew up like I never expected my music
• 36:40
  Speaker 30: to as a Hoga was in April. My music will
• 36:47
  Speaker 30: blow up, so I was not expecting that. How can
• 36:53
  Speaker 30: people around the country expect?
• 36:56
  Speaker 4: Well, let's get into it. Your song, Vataman from me
• 37:00
  Speaker 4: on this show. We do a Top twenty Countdown show
• 37:03
  Speaker 4: every weekend, and part of our Top twenty Countdown show,
• 37:06
  Speaker 4: you were the number one song on our show for
• 37:09
  Speaker 4: a good couple of weeks with that song. And if you,
• 37:13
  Speaker 4: at any point over a given month were in my car,
• 37:17
  Speaker 4: that's probably the only song you heard on repeat. When
• 37:20
  Speaker 4: I heard that song originally, not only the music video,
• 37:24
  Speaker 4: the visuals, how you were telling the story, but just
• 37:28
  Speaker 4: the flow. And if there's one thing that I would
• 37:31
  Speaker 4: like everybody to stop and recognize is when I first
• 37:34
  Speaker 4: heard the Nanda Davi Express EP, the very first reaction
• 37:38
  Speaker 4: to it from my side was, oh, my goodness. He
• 37:41
  Speaker 4: has found a flow in every movement of the music
• 37:45
  Speaker 4: and most importantly the way it evolves throughout the song.
• 37:49
  Speaker 4: He builds it. I want to talk about your flow.
• 37:51
  Speaker 4: I want to talk about what you do as a rapper.
• 37:54
  Speaker 4: To me, I think it's you're on a next level
• 37:57
  Speaker 4: when it comes to that coming out of India. Is
• 38:00
  Speaker 4: that something that you pay attention to or is it
• 38:02
  Speaker 4: just naturally happening when you're writing that you're building this
• 38:06
  Speaker 4: energy and you're building this flow, or are you conscious
• 38:08
  Speaker 4: of it.
• 38:11
  Speaker 30: I become conscious when the flow is getting repetitive.
• 38:18
  Speaker 29: I don't.
• 38:19
  Speaker 30: I mean, I think of it like it's like I
• 38:23
  Speaker 30: wrote sixteen bars and they're like repetitive. Then I think
• 38:27
  Speaker 30: of changing the flow. Then I try to figure out
• 38:30
  Speaker 30: words and rhythms to you know, break the flow. Otherwise,
• 38:35
  Speaker 30: I hear the beat.
• 38:36
  Speaker 8: And I.
• 38:39
  Speaker 30: Keep rhyming on the beat, and then few words, two
• 38:45
  Speaker 30: words come up, and I mix them to create a sentence.
• 38:50
  Speaker 5: And that's how I.
• 38:52
  Speaker 30: At the next line, rhyme the next line with the
• 38:55
  Speaker 30: previous one.
• 38:56
  Speaker 5: So that's how I form it. I think what I do.
• 39:00
  Speaker 30: I used to do it earlier a lot that I
• 39:04
  Speaker 30: used to be conscious and I I mean I intentionally
• 39:11
  Speaker 30: another ka now influence the case it should not be.
• 39:21
  Speaker 30: I mean, obviously I'm influenced by many artists, but obviously
• 39:28
  Speaker 30: style heard John drama common. So I used to do
• 39:40
  Speaker 30: it earlier, but now it's a natural process. It I
• 39:45
  Speaker 30: speak what I like, I speak what I think.
• 39:49
  Speaker 1: That's it.
• 39:50
  Speaker 4: Yeah, it's beautifully done, brother, really, really you know. I
• 39:54
  Speaker 4: I love the cultural references in your music. You're free
• 39:58
  Speaker 4: with the references of your culture and where you're from,
• 40:03
  Speaker 4: whether it's religious, whether it's a reference to the community
• 40:08
  Speaker 4: of Utra Kand it's very authentic to me and you
• 40:13
  Speaker 4: even in your visuals you are you come across like
• 40:17
  Speaker 4: to me, that takes someone that takes a lot of
• 40:20
  Speaker 4: pride in where they're from. Tell us about that, you know,
• 40:24
  Speaker 4: tell us about your connection to where you're from and
• 40:27
  Speaker 4: the story that you're telling to the rest of the world. Yeah.
• 40:31
  Speaker 30: So I'm from a town named Taraali that is Intrakan,
• 40:36
  Speaker 30: and I spent my childhood there. I had beautiful memories
• 40:41
  Speaker 30: over there. I like the slang most effortuantly. I like
• 40:46
  Speaker 30: the way people we people, they speak the local slangs.
• 40:51
  Speaker 30: I just wanted to use them anyhow, no matter people
• 40:55
  Speaker 30: understand it or not.
• 40:57
  Speaker 6: Even the.
• 40:59
  Speaker 8: Are do you attacked for some.
• 41:02
  Speaker 30: Which means that Betaka I'm from Beita Beta is another
• 41:09
  Speaker 30: town in Okra that is near to thor Ali. Yeah,
• 41:14
  Speaker 30: these small things, I think people connected with it a lot,
• 41:18
  Speaker 30: and I intentionally I use them in my songs to
• 41:24
  Speaker 30: connect people of my community especially and to catch other
• 41:29
  Speaker 30: people's attention also that don't understand it, but I think
• 41:33
  Speaker 30: it's catchy. Yeah, that's why I love keeping it. And yeah,
• 41:37
  Speaker 30: because I love the place. I love the mountains, I
• 41:41
  Speaker 30: love my hometowns. That's my love for my place that
• 41:47
  Speaker 30: is coming out in to my music.
• 41:50
  Speaker 4: Yeah, I love it, brother, love it, love it, love it.
• 41:52
  Speaker 4: I wanted to talk about your relate, your working partnership
• 41:55
  Speaker 4: here with with with Sumio Robot. Tell us about that produce, sir,
• 42:00
  Speaker 4: I believe he's the person in vatman says.
• 42:05
  Speaker 1: And no, no, was that him?
• 42:08
  Speaker 4: Or No, that's okay, that's and that was very catchy
• 42:11
  Speaker 4: that way. And I hear his voice quite often in
• 42:13
  Speaker 4: a lot of the songs. But the partnership that you
• 42:16
  Speaker 4: have there with a producer. Every hip hop artist finds
• 42:20
  Speaker 4: their way when they find a producer that they connect with.
• 42:23
  Speaker 4: And then you know, and I know that you produce
• 42:26
  Speaker 4: as well, and you've programmed a lot of the music
• 42:28
  Speaker 4: that you've been a part of. But tell us about
• 42:31
  Speaker 4: the relationship between you and and and this producer.
• 42:35
  Speaker 30: Yeah, so me and so may belong to the same town,
• 42:39
  Speaker 30: the same place. Yeah, and we never met each other
• 42:43
  Speaker 30: before COVID. It was COVID and in the morning, we
• 42:46
  Speaker 30: used to go to the ground to play football together,
• 42:49
  Speaker 30: all the boys from the town. So I met him
• 42:52
  Speaker 30: there for the first time and second time when I went.
• 42:56
  Speaker 4: To I came to the Heagon to meet him.
• 42:59
  Speaker 8: It was a gig.
• 43:02
  Speaker 6: It was a hip hop gig.
• 43:04
  Speaker 30: So we met there and as I said, I was
• 43:07
  Speaker 30: doing college and he was also doing college in the Haraguon.
• 43:10
  Speaker 30: I was in other plays, so I used to send
• 43:12
  Speaker 30: me beats. I used to send him my work, but
• 43:15
  Speaker 30: we never really worked together. But when I moved after
• 43:18
  Speaker 30: completing my college to the Heragon, that's when he started.
• 43:22
  Speaker 30: I rented out a small room in the Ragon and
• 43:26
  Speaker 30: he used to come daily in the morning. He used
• 43:29
  Speaker 30: to skip his college every day almost He used to
• 43:34
  Speaker 30: come there, make a beat come and I used to
• 43:38
  Speaker 30: select whatever I like to write it. Those were The
• 43:42
  Speaker 30: first song that we made together was Oh Wow Andvari's verse.
• 43:48
  Speaker 30: I wrote it in some other beat, but I was
• 43:51
  Speaker 30: not sure about it. So he played this beat for
• 43:54
  Speaker 30: me and I started spitting Varli on it and it
• 43:58
  Speaker 30: was perfectly blending. So that's how it happened. Then I think, yeah,
• 44:03
  Speaker 30: then Vertuman happened, so I think it's really. I mean,
• 44:08
  Speaker 30: I'm blessed to have him around me because I think
• 44:12
  Speaker 30: he's one of the best music producers out there in
• 44:15
  Speaker 30: the world. Yeah, so uh, And we being from the
• 44:20
  Speaker 30: same place, we have the same connection, We have the
• 44:22
  Speaker 30: same and the best thing is we have a very
• 44:28
  Speaker 30: similar taste in almost everything. He likes football, I like football,
• 44:34
  Speaker 30: and the same. We have same music references, the same
• 44:38
  Speaker 30: artists that we that got us into music, same hip
• 44:42
  Speaker 30: hop artists, same I mean, there are a lot of
• 44:46
  Speaker 30: similarities of taste. So it's very easy to work with him.
• 44:51
  Speaker 4: I think. Yeah, I your track Normo not Ian starts
• 44:58
  Speaker 4: very vibe at first, and it kind of kicks in,
• 45:01
  Speaker 4: and the production there and the presentation that the both
• 45:06
  Speaker 4: of you guys put forth is very forward thinking to me.
• 45:10
  Speaker 4: And you guys are really genre busting, like what you know,
• 45:13
  Speaker 4: let's just call it what Indian hip hop has been
• 45:15
  Speaker 4: doing so far. I feel like you guys are stretching
• 45:17
  Speaker 4: it in a new direction. So whatever you guys are
• 45:20
  Speaker 4: doing up there together with the football and the music
• 45:23
  Speaker 4: and everything else, brother, it's working. Keep doing it. Listen,
• 45:28
  Speaker 4: let's let's do this, you know, tell us about what
• 45:32
  Speaker 4: we're going to expect. Here from you in the coming
• 45:35
  Speaker 4: months and maybe years. Here you have fans here across
• 45:39
  Speaker 4: North America and around the world that have been following
• 45:42
  Speaker 4: your story here through this show. What can we look
• 45:44
  Speaker 4: forward to?
• 45:45
  Speaker 13: Uh?
• 45:47
  Speaker 30: I think you can expect album in upcoming months. But
• 45:56
  Speaker 30: I to be honest, very honestly, I don't know what
• 46:00
  Speaker 30: it's going to be about. I don't know how it's
• 46:03
  Speaker 30: gonna sound. I have a few songs in my world,
• 46:06
  Speaker 30: but I'm not releasing it, never releasing it. But yeah,
• 46:10
  Speaker 30: it's I'm just we are just in the process of
• 46:13
  Speaker 30: making new music. But I mean, let's see what happens.
• 46:19
  Speaker 30: But I will deliver a very great project. The next
• 46:23
  Speaker 30: project would be my first album.
• 46:25
  Speaker 4: I think.
• 46:27
  Speaker 30: So it would. It will be special and again it
• 46:31
  Speaker 30: will be very experimental, very experimental. It will be a
• 46:35
  Speaker 30: totally new song. That's my aim, and I don't know
• 46:43
  Speaker 30: it will happen with the album, but yeah, it's gonna
• 46:46
  Speaker 30: be good. It's going to be great.
• 46:48
  Speaker 4: If it's anything like what you've been doing, brother, it's
• 46:50
  Speaker 4: going to be amazing. So we can't wait. We can't wait.
• 46:54
  Speaker 4: First of all, I wanted to thank you for your
• 46:55
  Speaker 4: time today. It was really a complete joy for me
• 46:59
  Speaker 4: personally to talk to you here on the air. My
• 47:01
  Speaker 4: my audience here will tell you I've been I've been
• 47:03
  Speaker 4: trying to make this happen for a while, so this
• 47:06
  Speaker 4: was truly a personal dream come true on the show.
• 47:09
  Speaker 4: I want to say something to you now, if you
• 47:11
  Speaker 4: don't mind, can you please introduce this song for us.
• 47:15
  Speaker 4: It's the one that made us fall in love with
• 47:16
  Speaker 4: your work. It's called Vartaman, sir, please take it away?
• 47:20
  Speaker 30: Alright, all right, hey everyone, I'm and this is my
• 47:25
  Speaker 30: song worth on Hi folks.
• 47:27
  Speaker 4: Here's the song bart the Man.
• 47:31
  Speaker 1: And Blush a criminal snack you go, kis Ka.
• 48:03
  Speaker 32: So Man's Currica to Command Roka, Mark mc man, poney.
• 48:17
  Speaker 12: It is.
• 48:17
  Speaker 5: That's a Kim John Krishna.
• 48:23
  Speaker 32: Lum as Guard Malum and Stebanxludo Malulu again could be
• 48:45
  Speaker 32: my rust.
• 48:59
  Speaker 6: Loud.
• 49:08
  Speaker 4: I really enjoyed that conversation. All came across very honest
• 49:12
  Speaker 4: to me and very forthright about his career and very
• 49:15
  Speaker 4: humble as well. I'm really excited to keep in touch
• 49:19
  Speaker 4: with his work and that song Bartaman is one of
• 49:21
  Speaker 4: our favorites here on this show, really really great hip
• 49:24
  Speaker 4: hop song. And I'll break it down a little bit
• 49:26
  Speaker 4: more in my closing remarks, here's the.
• 49:30
  Speaker 33: Hi everyone, this isa you're Rokasavni Radio Music Crispondent back
• 49:34
  Speaker 33: with another.
• 49:35
  Speaker 3: Artist, Spotlight.
• 49:36
  Speaker 33: Let's talk about Hastinder, the Punjabi singer and songwriter known
• 49:39
  Speaker 33: for his soulful vocals and emotionally rich storytelling that blends
• 49:43
  Speaker 33: classic Punjabi folk influences with modern production. Over the last
• 49:47
  Speaker 33: few years, Hastinder has built a strong fan base through
• 49:50
  Speaker 33: heartful tracks and consistent releases, becoming recognized for songs like
• 49:54
  Speaker 33: Nashti Ton and Parha, which continued to rack up millions
• 49:58
  Speaker 33: of streams worldwide. In twenty twenty five, he expanded his
• 50:01
  Speaker 33: catalog with projects like the EP Timeless, featuring songs such
• 50:05
  Speaker 33: as Punjab Will Noom and Walked, showcasing both the romantic
• 50:09
  Speaker 33: melodies and upbeat vibes. Heading into twenty twenty six, has
• 50:13
  Speaker 33: Cinder kicked off the years strong with the new EP
• 50:15
  Speaker 33: Him and Her released February tenth, including tracks like Musla, Rung, Jetti,
• 50:20
  Speaker 33: gent A and Name, highlighting his versatility across emotional ballads
• 50:24
  Speaker 33: and modern Punjabi pop sounds. SAMs continued to praise his
• 50:28
  Speaker 33: consistency and authentic lyricism, with many in the Punjabi music
• 50:32
  Speaker 33: community calling his recent work some of his strongest yet.
• 50:36
  Speaker 33: With nearly half a billion total streams and a style
• 50:39
  Speaker 33: that balances nostalgia with contemporary energy, Hastinder remains one of
• 50:43
  Speaker 33: the most respected and steadily rising voices in Punjabi music today.
• 50:48
  Speaker 33: Oh that's all for me, stay tuned for more only
• 50:50
  Speaker 33: on Ruckus Avenue Radio.
• 50:52
  Speaker 4: Thank you so much, Deuta. Yes, Tinder has found himself
• 50:55
  Speaker 4: a nice space here in the Punjabi music industry for sure.
• 51:00
  Speaker 4: Great voice, great lyrics. And here's got a great collaboration
• 51:04
  Speaker 4: here with.
• 51:06
  Speaker 7: How may you leave it your tops? A polia money?
• 51:11
  Speaker 21: He may you leave it the tops?
• 51:14
  Speaker 7: The polia honey.
• 51:16
  Speaker 12: Louis for Dona? Did you think? And Ali you say
• 51:18
  Speaker 12: love letter?
• 51:19
  Speaker 20: Remember me across kerk No they on remember see across,
• 51:25
  Speaker 20: they remember see across.
• 51:29
  Speaker 34: Oh, come Holyta, come here, Holy Aunt.
• 51:37
  Speaker 6: On the darter.
• 51:39
  Speaker 5: Oh mod on't I on the come holiday go the card?
• 51:42
  Speaker 1: And this one Noman?
• 51:43
  Speaker 6: Nothing not.
• 51:46
  Speaker 8: In this a Norman?
• 51:47
  Speaker 1: Nothing not in this one woman nothing.
• 52:02
  Speaker 21: Yeah, if I for the gate there items some vigine
• 52:05
  Speaker 21: on there de Luck there and cut him off, Baconie
• 52:12
  Speaker 21: De Luck there and cut him off.
• 52:14
  Speaker 20: Baconie don't know off they got v like hot guy.
• 52:22
  Speaker 20: This is a crock firthy beef to ley. This is
• 52:25
  Speaker 20: a crock birthy beef to lectivate a.
• 52:29
  Speaker 5: Makaa the holy so much.
• 52:34
  Speaker 34: Now you pays a polo to Panie nasty by Mushy.
• 52:39
  Speaker 34: Now you pays a borlow mad to Panie lastee bony.
• 52:44
  Speaker 34: They they know kind of light You need hond on
• 52:48
  Speaker 34: deductible list the groop you need to stubbingductibly goop.
• 52:54
  Speaker 35: You need nubble, make vikarty mary Lama.
• 53:09
  Speaker 1: You need it, you get it.
• 53:11
  Speaker 12: Minds, minds.
• 53:21
  Speaker 20: Manya Yahagian Bunny Bannagan Aligiani money ter baitan Algian.
• 53:34
  Speaker 8: Old like mister, I'll bring the good heavenly is honey shooting.
• 53:43
  Speaker 5: I'll be the heavenly horry shooting.
• 53:49
  Speaker 4: Sheep. The song is called well Known. It's hustender good
• 53:54
  Speaker 4: last actor. I'll be right back after this next song
• 53:58
  Speaker 4: with my closing ram ark. This song is called one Day.
• 54:02
  Speaker 4: It's to you do that great.
• 54:06
  Speaker 8: God the interior do that could he ter bad? Come
• 54:10
  Speaker 8: good day? You could he yes, hell and lug You're
• 54:14
  Speaker 8: like job but you not crays how they can apparture
• 54:17
  Speaker 8: to put you know, could hard ug you not cod
• 54:22
  Speaker 8: but that create the interior that head bad come good
• 54:29
  Speaker 8: day up for the head, he and jo but you
• 54:35
  Speaker 8: so they can a party to put you out for
• 54:37
  Speaker 8: the hard dry for there may not I can not recordational,
• 54:49
  Speaker 8: you know the gentleman, the movie not the fun of
• 54:58
  Speaker 8: how many could Maril Sadika Curru Sadika okay is hello
• 55:05
  Speaker 8: Marie mother, soverybody does attack. Then he's no ya so
• 55:11
  Speaker 8: all the cave and then he could him nay Mary
• 55:15
  Speaker 8: mad revel Mari mad.
• 55:18
  Speaker 5: Taking the bar room your room girls dyes in.
• 55:24
  Speaker 8: K to not o k easy life.
• 55:36
  Speaker 5: She started to cumber.
• 55:37
  Speaker 7: He's you do that.
• 55:42
  Speaker 8: Cred the interior that kure jad come good dau he.
• 55:47
  Speaker 3: Yes hell and la.
• 55:50
  Speaker 8: Javi but you not crew. They can departure to put
• 55:53
  Speaker 8: you kagig eddy that period that head come a good
• 56:05
  Speaker 8: day up for the head and look but making a
• 56:12
  Speaker 8: party to put you not.
• 56:13
  Speaker 12: To the g.
• 56:18
  Speaker 36: O man the menan keepper, mat crazy, humble and study
• 56:28
  Speaker 36: kind merrily make your girl does hate it?
• 56:30
  Speaker 8: You know in the stack.
• 56:34
  Speaker 37: Of honeyl know Toronto tack Coloni no manager the cord
• 56:46
  Speaker 37: in Carlo cush, do.
• 56:48
  Speaker 38: To arbas to kology, to tell you the does to create,
• 56:54
  Speaker 38: tell thee come to do to career At.
• 56:59
  Speaker 4: Canal Samra, the song is called one day thoroughly enjoyed
• 57:19
  Speaker 4: my conversation with Unial today. Let me tell you, guys,
• 57:23
  Speaker 4: something that you should have picked up from that conversation.
• 57:27
  Speaker 4: Most artists leave home to chase the sound. Un did
• 57:31
  Speaker 4: the opposite. He brought the mountain with him. What gets
• 57:35
  Speaker 4: me most about him and his craft is that it's
• 57:38
  Speaker 4: soaked in where he's from. You can hear the smile
• 57:41
  Speaker 4: when he starts to talk about representing his corner of India.
• 57:46
  Speaker 4: Every reference in his visuals, every line in his story
• 57:50
  Speaker 4: placed with intention, but identity is just the doorway. Walk
• 57:55
  Speaker 4: through it and you find the real gift. It's the
• 57:59
  Speaker 4: way he finds the flow and beats most rappers wouldn't
• 58:02
  Speaker 4: know what to do with. He called his debut EP
• 58:05
  Speaker 4: None that Davy Express and that name is a triple
• 58:09
  Speaker 4: on Tandra, one for the mountains, one for the goddess,
• 58:14
  Speaker 4: and one for the fact that his voice rides into
• 58:17
  Speaker 4: the larger fabric of Indian hip hop. Because that's the
• 58:22
  Speaker 4: work itself, bringing the sound down from the peaks of
• 58:26
  Speaker 4: Utrakhand to the wide plains of India and listen to
• 58:31
  Speaker 4: how he raps, and the name explains itself. His flow
• 58:35
  Speaker 4: moves like water coming off of those mountains. As the
• 58:40
  Speaker 4: song builds, the floe builds with it. Momentum ebbs, the
• 58:44
  Speaker 4: rise and the fall, because hip hop only makes sense
• 58:48
  Speaker 4: in a flow, and a flow is how water moves.
• 58:52
  Speaker 4: And once you hear that, you understand exactly how uni
• 58:56
  Speaker 4: Al raps. He paints a picture with a sound, and
• 58:59
  Speaker 4: it's a refreshing one, not drenched in the usual urban allure,
• 59:04
  Speaker 4: but telling the story of a people who have never
• 59:07
  Speaker 4: haven't never have had an artist with this much lyrical,
• 59:11
  Speaker 4: an aesthetic authenticity to tell the story. So let me
• 59:15
  Speaker 4: say it plainly the way nobody else will yet uni
• 59:20
  Speaker 4: All comes to you from the future. He is one
• 59:23
  Speaker 4: of the best in Indian hip hop. The world just
• 59:26
  Speaker 4: won't say it out loud until they've heard it. Here
• 59:29
  Speaker 4: on the bridge about a great time hanging out with
• 59:32
  Speaker 4: you guys today, here's the latest from Aditya Rikari. This
• 59:37
  Speaker 4: song is called Medi Sasse.
• 59:39
  Speaker 31: Have a great day, everybody, So to Suokona sakur q
• 59:53
  Speaker 31: Karte
• 59:55
  Speaker 6: Khon