Latest / philly has heART / Streets Dept. Podcast feat. Conrad Benner
Transcript
- 0:40And today we have Streets Department. Conrad
- 0:45Benner. Hi. Welcome, welcome. Thanks for having
- 0:48me. It's a beautiful little Sunday. Yes, it is.
- 0:50Yes, it is. So we're so excited for you to have
- 0:53us join the podcast. Fun fact, you were one of
- 0:56our Pie in the Sky guests that we declared at
- 0:58the beginning of 2026. The pie is here. Yes.
- 1:01The pie is here in a sweater, no less. And so
- 1:06as we do with each of our guests, could you take
- 1:08us through your journey that brought to you?
- 1:10to your role as project manager of Neural Arts,
- 1:14streets department podcaster, WHYY host, etc.
- 1:18Those moments both big and small that directed
- 1:21you to where you are today. Yeah, and I could
- 1:23probably talk about that for five hours. So what's
- 1:25like the shortest, most interesting version?
- 1:27Let me think. I think my honest answer is I got
- 1:30mono my junior year of high school, right? Okay,
- 1:33so I went to Central High School and I was on
- 1:36track to go to college. I would have been like
- 1:38the second person in my family to go to college.
- 1:40And I think I wanted to be an architect, and
- 1:42that's probably the path I would have gone down
- 1:44or something like that. But I got mono, and it
- 1:46was a really tricky case, what we'd call long
- 1:49mono now, where I had it for two years instead
- 1:51of just a few weeks. Wow. So I had to leave school
- 1:54and get effectively homeschooled. There was this
- 1:56program through Philadelphia Public Schools called
- 1:58Homeward Bound. So I still got my diploma on
- 2:01time, but my transcript was a mess and I didn't
- 2:03apply to college. So instead, I moved to South
- 2:05Street at 19, worked at Whole Foods, met a bunch
- 2:08of weird artists, and just started exploring
- 2:11the art world. So who knows what my life would
- 2:13be if I didn't get mono. You know, that's the
- 2:16big and small. And then it was just like many,
- 2:18many, many steps from there. You began Streets
- 2:21Department as a digital guy in circa 2011, a
- 2:24true pioneer. And did podcasts come shortly thereafter,
- 2:29or did the podcast in WHYY form come first and
- 2:34to be followed by Streets Department podcasts?
- 2:36It started even before then. Like I said, the
- 2:38friends I had growing up, we would go to the
- 2:40movies, we'd walk down South Street, we'd go,
- 2:42you know, to the... to the gallery. But the new
- 2:44friends I was meeting when I was 19, 20, who
- 2:46worked at Whole Foods were a little bit weirder.
- 2:48And they wanted to go to art shows. And I thought,
- 2:50why? What does that even mean? So we'd go to
- 2:53First Friday shows. And at first I went for the
- 2:54wine. Yep. Three glasses of wine. But then I
- 2:57thought the art was really cool. You know, I
- 2:58was one of those people who grew up with very
- 3:00little exposure to the arts. So I thought the
- 3:03arts were just like over there, you know, people
- 3:05who wear suits and go to the ballet sort of thing.
- 3:08In going to First Friday shows in my early 20s,
- 3:10I found it really exciting. And I ended up just
- 3:12bumping into people who offered me opportunities
- 3:13to write freelance for different arts and culture
- 3:16journalism projects around the city. So I wrote
- 3:18for Philly Mag and Philly Weekly over the course
- 3:20of a handful of years. And then when I was 24,
- 3:23a van hit me biking up. Yeah, a lot of my story,
- 3:26I have a lot of... Oh my gosh. Oh my gosh. How's
- 3:30your health insurance right now? The more you
- 3:33hear it, the more your, like, tragedy does just,
- 3:35like, shift people's lives in different ways.
- 3:37Yeah, I didn't have health insurance. I was 24.
- 3:39A van hit me. I was in the hospital for a week.
- 3:41I rotted my leg. $165 ,000 hospital bill. Oh,
- 3:44my God. Obama had just become president, but
- 3:46Obamacare wasn't a thing yet, so I got Medicaid.
- 3:49I always forget which is which. Yeah, Medicaid
- 3:50for, like, a year, which brought it down, and
- 3:53then it kind of just disappeared, half ignoring
- 3:55it, half, like, the insurance companies and Medicare
- 3:57and a lawyer figuring it out. I think I paid
- 4:00a little bit out of pocket, but it... was a while
- 4:03many many years but through that experience you
- 4:05know I went through a bout of depression I had
- 4:07to move home for a little bit and I was looking
- 4:10for a creative outlet I decided at that point
- 4:11to start going to community college I was turning
- 4:1425 and I thought I wanted some direction in my
- 4:16life I was before that just working at a coffee
- 4:18shop gelato shop for you know seven dollars an
- 4:21hour and while I was doing this I couldn't really
- 4:23do the journalism stuff anymore the arts and
- 4:26culture writing it was just too much on my plate
- 4:28but I wanted some creative outlet and I Recently,
- 4:31I got a camera. A boyfriend had bought me a camera
- 4:33for Christmas the previous year. And I thought,
- 4:36well, I'm walking around everywhere because I
- 4:37was not biking anymore. And, you know, walking
- 4:41around, slower pace, you see a lot more. And
- 4:42plus, I'm walking to community college from Fishtown
- 4:45to the Gaperhood where my dollar shop was, seeing
- 4:47a lot of stuff. And that was 2011 was when I
- 4:50started the blog. And, yeah, it was a photo blog
- 4:53at first. A lot of attention that first year.
- 4:55Time Magazine republished one of my articles.
- 4:57The podcast came many years later in 2017. Streets
- 5:00Department podcast that ran for five years until
- 5:02I then worked with WHOI for two years on Art
- 5:05Outside. But now I'm back with the Streets Department
- 5:08podcast. I'm so excited to be back. Due to many
- 5:11things. Working with WHOI was wonderful, but
- 5:13the Trump cuts did affect sort of their funding.
- 5:16And I was one of the podcasts that got cut through
- 5:18that decision. But, you know, everything's a
- 5:21blessing and a curse in a way. You know, the
- 5:23art outside was wonderful, but it was just conversations
- 5:25with artists, which I found really interesting.
- 5:27But the Streets Department podcast was conversations
- 5:30with creative minds shaping the world around
- 5:32us. So, yes, we talk with people from the arts,
- 5:34but we also talk with politicians and other creative
- 5:36minds. So I like that we're back to that. We're
- 5:38back to a biweekly thing. There's 25 episodes
- 5:41a year where with art outside, it was just five.
- 5:43So, I mean, you know, the more you have to publish
- 5:46a lot to get listeners. So I'm excited to bring
- 5:48it back. and then meal arts is a whole other
- 5:50conversation but I can talk about it too yeah
- 5:51please please it's great so By the end of 2011,
- 5:55I was invited to curate a show with street artists
- 5:58at Philomoka. So it was the first time I curated
- 6:00a project and did very little curation between
- 6:03then and 2015, 2016. But by 2015, 2016, just
- 6:08different opportunities came up with like Visit
- 6:10Philly, different art galleries to curate things.
- 6:13So I was curating regularly by like 2018 when
- 6:16I got the idea to pitch a mural project to Mural
- 6:18Arts called To the Poles, where we would hire
- 6:20local artists. to paint murals about why they
- 6:22vote, why voting is an important value for them.
- 6:25And this was around the 2018 midterm elections.
- 6:29Blue Wave. Yeah, yeah, yeah. Big one, too. Jane
- 6:33Golden, like, gratefully said, yes, can you do
- 6:35it with, like, XYZ money? And I said, that's
- 6:37more money than I've ever been given for a project,
- 6:39so yeah. Still, in the scheme of things, not
- 6:41a lot. It was $30 ,000. But, you know, you have
- 6:44to buy the wood, pay the artists, everything
- 6:45costs money. Pay myself. And that was the first
- 6:48big... project I did with Mural Arts, and then
- 6:50it just kind of slowly ticked up from there.
- 6:52And then post -pandemic, in 2023, they asked
- 6:57me if I wanted to work there part -time and curate
- 6:58projects. So I said, yeah, and I've loved working
- 7:00with Mural Arts since. So yeah, part -time at
- 7:02Mural Arts, full -time at Streets Department,
- 7:04and I see my boyfriend whenever I'm not doing
- 7:09all that. Yes. Work -life balance is in there.
- 7:13Or whatever it is. What is it about murals for
- 7:19you as opposed to museums and galleries or larger
- 7:22scale performing arts? Yeah. How do those murals
- 7:25speak to you the most? I mean, I think it was
- 7:28funny you say scale because I think scale is
- 7:30part of it. Like there's just, when you walk
- 7:32down a, you know, Philly street, Philly is a
- 7:34beautiful, it's the best city in the world. Go
- 7:35birds. Okay. And it's really walkable and it's
- 7:38a walkable city. It's scaled for like. a human
- 7:41to walk down you know we have rural homes with
- 7:44the exception of center city most of our streets
- 7:46are pretty tiny so when you're on like a human
- 7:50scale street which architects talk about a lot
- 7:52and then you come to an intersection where there's
- 7:54a two or three story mural i mean that's impressive
- 7:56it's oftentimes maybe the largest work of art
- 7:59you've ever seen or In the case of a lot of people,
- 8:02sometimes the first work of art they've seen,
- 8:04you know, outside of movies and TVs and books
- 8:06and all that, right? There is like an attendance
- 8:08issue at certain museums and galleries. So a
- 8:12lot of times public art is one of the best ways
- 8:16for people to access the arts. And in Philadelphia,
- 8:19we are the mural capital of the world because
- 8:21with Mural Arts Philadelphia and just the spirit
- 8:23of mural making here in the city, we've created
- 8:26some 4 ,000 to 5 ,000 murals. They don't even
- 8:28know. We have so many of them, right? So they're
- 8:29everywhere. And other cities have districts.
- 8:32You know, other cities, it's like economically
- 8:34driven, driven by developers, where it'll be
- 8:37in a neighborhood around a bunch of businesses
- 8:39or on a street where developers want people to
- 8:42slow down and shop. You know, for example, we're
- 8:45in Philadelphia, decent amount of public funding
- 8:46mixed with grant funding and some individual
- 8:49donors. So the spirit and the leadership over
- 8:53the last 40 years has been to get it into neighborhoods
- 8:55and get it kind of all over the place. Which
- 8:57makes it a challenge running a street art blog,
- 8:58because people come to Philly, they say, where
- 9:00can I just say, you have to live here. Walk outside.
- 9:03Yeah, well, walk outside for sure. But, like,
- 9:05there's no, like, Wynwood Walls here. There's
- 9:07no, like, murals in the market in Detroit. There's
- 9:09no place you can go in 30 murals in one little
- 9:12location. They're really all over the place.
- 9:14The Gabor Hood's probably your best place to
- 9:16go. You know, zigzag up and down 13th Street
- 9:18between, like, Walnut and Locust. You'll see
- 9:22a bunch, but for the most part, they're all over
- 9:24the place, and that's great. So yeah, why murals?
- 9:26I think because murals found me. Then I investigated
- 9:29why I liked them. And my whole career will be
- 9:31understanding why I like murals and why I like
- 9:33public art and why I like art in the public space.
- 9:35And it really was the door that opened to me
- 9:38to this arts world. And I don't even think I'd
- 9:41be going to museums and galleries as much as
- 9:42I do now if I didn't have the door that was opened
- 9:45to me by the public art in our city. So it's
- 9:48valuable. What's next for Connor? Conrad. I'm
- 9:53so sorry. Oh my gosh. What's next for Conrad?
- 10:01What's next for me? I'm very much promoting this
- 10:03podcast. That's next. Current and next. So, okay,
- 10:07this episode comes out June 26th. Is that right?
- 10:10So, drumroll please. Today. Literally today,
- 10:15the day this comes out, we are revealing a project
- 10:18I've been leading. whose name we have yet to
- 10:20announce, but it's an LGBTQ leaders mural project
- 10:23with Mural Arts Philadelphia and lead artist
- 10:25Santiago Galeas. You might know there was a Gloria
- 10:28Castro's mural in the neighborhood a number of
- 10:29years ago that came down because of development.
- 10:32It came down in a really shitty way. That's another
- 10:34conversation. Google it. You will learn a lot
- 10:37about that and how it came down and how murals
- 10:40come down in Philly all the time. That came down
- 10:41in a really unusually bad way. But since the
- 10:45loss of that mural, there have been friends of
- 10:47Gloria. family members of Gloria that have been
- 10:50looking to find a place where we could redo a
- 10:52Gloria mural, Gloria Castro's mural. And the
- 10:55criteria there are, can we find a building owner
- 10:59who we can almost guarantee wouldn't have it
- 11:01come down anytime soon? So it's been a many years
- 11:04struggle to figure out where this could happen
- 11:06and where the funding would come from. But that's
- 11:08been figured out. We've been working on this
- 11:10for the past two years. We had an open call for
- 11:12artists to apply and submit ideas. Santiago Galeas
- 11:16won that competition. And we expanded it to not
- 11:19just Gloria Castro's, but five honorees, five
- 11:22folks that we'll be honoring in the mural. So
- 11:24I would love for folks to go check it out. It's
- 11:27in the back of Voyeur Nightclub on, I always
- 11:30forget those alleys. I know. So the mural was
- 11:33created with Mural Arts Philadelphia, lead artist
- 11:35Santiago Galeas. We have terrific support from
- 11:38council members Mark Squilla and Rue Landau.
- 11:41Of course, Warrior Nightclub, Washington Square
- 11:44West Civic Association. I mean, you have to name
- 11:46all the partners because incredible works of
- 11:48public art like this don't just happen overnight.
- 11:49They are the result of people really pushing
- 11:51forward. And the people that are going to be
- 11:53honored in the mural include, as I mentioned,
- 11:55Gloria Caceres, Michael Henson Jr., Don Marano,
- 11:59Tyrone Smith. and Nisa Morris. If you're hearing
- 12:03this, it means the mural's up. We are dedicating
- 12:05it today. I mean, if you're catching this first
- 12:06thing, come step by. We'll be dedicating from
- 12:0811 a .m. to 1 p .m., but it'll be there for,
- 12:10you know, as long as it's there. We're very proud
- 12:12of it, and I hope we continue to make more murals
- 12:14in the neighborhood that represent real queer
- 12:17history and culture. 4 ,000, 5 ,000 murals in
- 12:19this city. There are very, very few that honor
- 12:22queer history, so very happy to work on this
- 12:24and thankful to everyone involved. Conrad, have
- 12:27you ever... created a mural yourself or has been
- 12:30a part of a group that has created a mural and
- 12:34what mural would you create in the future? That's
- 12:39a good question. Well, I've curated a lot of
- 12:41murals. A lot of them are temporary and I often
- 12:44help the artists to paint those. So I've certainly
- 12:46helped paint a mural. Yeah, maybe one day. I
- 12:49mean, it's like the journalists who run for...
- 12:52To become a politician one day, like maybe one
- 12:53day after curating for 20 years, I'll become
- 12:56an artist too. What would my mural be? I don't
- 12:58know. I really do not know. I don't have a good
- 13:00answer to that. And I saw it in your notes beforehand,
- 13:02so I appreciate you saying it. But I don't know.
- 13:06I just have to feel it. Yeah. I want more fun,
- 13:10weird stuff. Yeah. 40 years old. I grew up with
- 13:13Nickelodeon. Oh, that splat of orange. Yeah,
- 13:17like, you know. One of the blessings of living
- 13:20in a city like Philadelphia and having a community
- 13:21mural program is that the community really leads
- 13:24a lot of the decisions about what murals are
- 13:26made in the city. So what it means is that a
- 13:29lot of the murals are like the ones I just described
- 13:31that are honoring real people and we want to
- 13:33hold those murals with a lot of deference and
- 13:35you're not going to paint. you know, a big booger
- 13:38on a mural. But I like to see some dumb murals,
- 13:42too. Yes, exactly. And dumb maybe isn't the word
- 13:45for it, but, you know, just silly, silly, silly.
- 13:47In my work with Mule Arts Philadelphia, I'm trying
- 13:50to find walls like that. We do the thing called
- 13:52Front Street Walls in Fishtown, where we let
- 13:54the artists kind of lead those walls there. I
- 13:57don't know why booger is the thing I'm stuck
- 13:59on right now. Oh, it's because it's out. Because
- 14:01we're thinking of Ren and Stimpy. Yeah, Ren and
- 14:03Stimpy. Yeah, he's the guy with the eyes, like
- 14:05all the gross little angels. But yeah, Front
- 14:10Street Walls is an example of a project where
- 14:12artists sort of lead the decisions. And we've
- 14:15done two iterations there, eight different murals.
- 14:17They're temporary. They rotate over the year.
- 14:19And, you know, you can see some examples of like
- 14:21artist -driven work there. One of my favorites
- 14:25was El Toro, who we just lost, actually. But
- 14:27he was a really pioneering sticker artist here
- 14:29in Philadelphia who had yet to create his first
- 14:33permanent mural. So in my mind, this was like
- 14:35a step in that direction, this temporary mural.
- 14:37He just painted a large version of his sticker
- 14:39character. So more space for fun and play, and
- 14:42in addition to all the great... work that we
- 14:45do and can I just clarify my last answer too
- 14:47I just want to say like what I mean by that I'm
- 14:49saying burger just to be like silly right now
- 14:51but what I mean is I just want artists to have
- 14:52more freedom I love that we have a community
- 14:54you know mural program I love that so many of
- 14:57the public artworks in Philly are creative and
- 14:59led by community. And I love our community of
- 15:01artists, and I would just love more opportunity
- 15:02for them to kind of do whatever they want. And,
- 15:04you know, I think we get to learn what we like
- 15:07through that, you know, artist leading decision.
- 15:09So I'd like to see more of that. Do you, and
- 15:11this, we can cut this out if it gets a little
- 15:14too political or controversial, but through working
- 15:18with mural arts, right, a lot of the times it
- 15:23comes down to the funding. opportunities that
- 15:26are out there to then be able to continue them
- 15:28do you think that that has helped the city in
- 15:35their creation of these murals to get those dollars
- 15:39with maybe those dollars come with a certain
- 15:43direction or does it hurt the city so arts funding
- 15:49is A gigantic topic right now. And it's never
- 15:53been tougher than it is now. Philadelphia and
- 15:57Pennsylvania spend less money on arts and culture
- 16:00funding than really any one of our neighbors.
- 16:02Neighboring cities, neighboring states. If you
- 16:04look at like the state level, we spend like 82
- 16:07cents per capita on arts and culture funding.
- 16:09Like even Ohio, God bless Ohio. In the $2, everywhere
- 16:13else, Maryland, New Jersey, New York is in $5
- 16:16capita. Wow. So we spend it next to nothing as
- 16:18it is. One of my guests, by the time this is
- 16:21out, we'll be talking with him, is Nikhil Saval,
- 16:23state senator. We talk about arts funding. He's
- 16:25really dedicated to that. He comes from not only
- 16:28journalism, but writing, cares deeply about the
- 16:30arts. And we talk about that challenge at the
- 16:32state level, how he's in rooms with some of his
- 16:36colleagues. And they have really challenging
- 16:38conversations about this, that, and the other
- 16:41thing. But he was like, arts almost never comes
- 16:43up one way or the other, which is so disappointing
- 16:45to me. And we've understood this as a country,
- 16:48as a city, as a state. We fund arts and culture
- 16:51the same way Tesla gets $20 billion, right? Like,
- 16:54this is soft power. This is, it's a million things.
- 16:58We're living in this world that is so complex
- 17:01that one way to process everything and to move
- 17:04ourselves forward is a... people is through the
- 17:07arts. Everyone's work is important. The work
- 17:09of artists is important as well. And I think
- 17:11it's very undervalued in Philly and in Pennsylvania
- 17:14particularly. So yeah, when funding from the
- 17:17city, state, and federal government becomes lesser
- 17:20than what it was in the past, you have to look
- 17:22in other places. Grants are also really hard
- 17:24to get money from right now. individual donors
- 17:26you know we need the people with money who live
- 17:28in philly well all the kids who work at comcast
- 17:30who listen to this go support these non -profits
- 17:33that are facing financial challenges that are
- 17:36new and they need your support if you want to
- 17:39live in a city with the arts go donate to mural
- 17:41arts philadelphia and a number of the other arts
- 17:43organizations in the city don't take these non
- 17:45-profits for granted they do incredible work
- 17:48The closer I've worked with Mural Arts, the more
- 17:49I'm interested in all of it, including their
- 17:51funding. And I went to a city council hearing
- 17:53once about their work. And like three of the
- 17:56city council people were like, every dollar we
- 17:57give Mural Arts, we get $10 in return. Now I'm
- 18:00paraphrasing. But what they were saying was Mural
- 18:02Arts does so much with the money that they get
- 18:04that it blows their mind every time. Okay. That's,
- 18:07I believe, every arts and cultural organization.
- 18:09Right. And yeah, the unrestricted funding, which
- 18:12is what a lot of government money is, is beautiful.
- 18:13It allows the organization, the artists, the
- 18:16community to lead the decisions about what the
- 18:17artwork is. And when you have to go to grant
- 18:20funding or other funding, yeah, there are like
- 18:22limitations or it has to fit into a certain shape,
- 18:25which isn't bad or good, you know, I mean, necessarily.
- 18:28But as someone who's worked on various different
- 18:31kinds of projects, unrestricted funding. It's
- 18:34the best. Yeah. For all the reasons you're smiling.
- 18:37Right. Exactly. It makes sense. And I think you
- 18:39get some of the best work out of it, too. I don't
- 18:41think you can run any kind of nonprofit the size
- 18:43of Mural Arts without having different funding
- 18:45streams and different funding structures, but
- 18:46the unrestricted funding is important, and I
- 18:48wish we had more of it. I wish they had more
- 18:50of it. Yes. While I work there. Yes. You can
- 18:53say it. So we're going to find you online. Oh
- 18:56my God. Okay. Streets .com is the main place,
- 19:02but websites might be dead. So, I mean, you can
- 19:04find me on all social media platforms at streets
- 19:06with an S D E P T like short for department and
- 19:09go listen to the streets department podcast.
- 19:11It's streets D E P T like short for department
- 19:13podcast. You can find it. wherever you get your
- 19:16podcasts. And don't forget to rate and review.
- 19:18I'm going to rate and review your podcast too.
- 19:20I don't think I've done that yet. I love it.
- 19:22We'll link all those in the show notes. Yes.
- 19:24Excellent. And we'll be right back with rapid
- 19:26fire questions. And we're back with rapid fire
- 19:32questions. This episode is going live Friday,
- 19:35June 26th, National Mural Day is the last Saturday
- 19:39of June. So if you're listening to this episode
- 19:42drop date, that would be tomorrow. Do you have
- 19:45any fun plans? For Mural Day? Yeah. I don't work
- 19:49on the weekend. That's the best. No, I mean,
- 19:54I'm dedicating the mural on that Friday. I'll
- 19:56probably rest. I try to rest as much as I can.
- 19:58Or, you know, plans with friends or my boyfriend
- 20:00or something. No, I don't have any official plans
- 20:02for Mural Day. That's my whole damn life. Mural
- 20:06Day, Monday through Friday. Favorite place to
- 20:11score a cheesesteak? Next. All right. No, I'm
- 20:18vegetarian. Okay. When I was younger, there was
- 20:21a place on Broad and South. I should face the
- 20:24microphone. There was a place on Broad and South.
- 20:25Was it Govinda's? They did really good fake cheesesteak.
- 20:28Yeah. My go -to, I want to feel good food, is
- 20:31Circles, just like Thai food. Circles Thai? Yeah.
- 20:34From Northern Liberties? They have one in South
- 20:37Philly, too. Oh, okay. If you could pick any
- 20:40artist dead or alive to produce a portrait of
- 20:43you, who would it be? I mean, the obvious answer
- 20:44is, like, Basquiat. But, like, does that even
- 20:46make sense? Oh, that's so hard. I knew these
- 20:52questions were coming. I should have thought
- 20:54harder. We switch them out. You never know what
- 20:57you're getting. I'm going to say something weird.
- 20:59Portrait, right? But it can be anything. Yes.
- 21:01I would love to spend a day with Nina Simone.
- 21:07And have her write a song about me as a portrait.
- 21:10Oh, I love that. That's a lot to ask her. She
- 21:12doesn't need to do that. Favorite Philadelphia
- 21:14neighborhood? Okay, I'm from Fishtown. I live
- 21:17in South Philly. I love walking through West
- 21:20Philly. I mean, some of my best days are just
- 21:23walking through West Philly, Baltimore Avenue.
- 21:26I think West is best, unfortunately. Wow. What
- 21:28am I doing right now? I don't know. I got one
- 21:31more. Favorite mural outside of Philadelphia?
- 21:35One that always sticks with me is I was in Boston
- 21:36like 10 years ago. It's not there anymore, but
- 21:38Os Chimos had a mural in Boston for an exhibition
- 21:41they were hosting there. I love their brothers
- 21:44from South America, I believe. You can talk over
- 21:48me at this point if I'm ever wrong. But they
- 21:50just had a great exhibition last year at the
- 21:51Smithsonian. They come from a graffiti background.
- 21:55They have murals all over the globe. Probably
- 21:57no spoiler to say, like, Mural Arts has been
- 21:59trying to work with them for many years to get
- 22:00a mural here. I think it'll happen eventually,
- 22:02but they're very picky, as they should be. I
- 22:04love their work. Excellent. Conrad, thank you
- 22:07so much for your time today. Thank you so much.
- 22:09Pie in the sky. Pie in the sky. Everyone check
- 22:13out Streets Department online and take a listen
- 22:15to Conrad. It's cool as my podcast, y 'all. I
- 22:18love it. And go like every reel. That I post
- 22:20on social media. Yes. All right. Thanks, y 'all.
- 22:23Thank you. Thanks for tuning in to Philly Has
- 22:37Heart. Don't forget to follow, share, and spread
- 22:41the love. Philly has heart. And art.