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HOW DOES MUSIC MAKE YOU FEEL ? · Blind But Now I See

• 0:00
  Speaker 1: Back at it for another episode. This is the Halfway
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• 0:59
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  Speaker 2: I know that the block and I see the block
• 1:16
  Speaker 2: stuffers never heard before. But yeah, but while you at it,
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  Speaker 4: Take the YouTube out. Looking a little different these days.
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  Speaker 1: Man, we'd be going up dumb nails being us. I'm
• 1:38
  Speaker 1: coming for that number one spot. It's only right, you
• 1:40
  Speaker 1: feel me?
• 1:41
  Speaker 2: So this episode today, in fact, before being to get
• 1:44
  Speaker 2: to the episode, how are you feeling today, my brother.
• 1:46
  Speaker 4: It's been a hard day long. I'm not gonna lie,
• 1:49
  Speaker 4: it's been a long day.
• 1:51
  Speaker 1: Man.
• 1:51
  Speaker 3: I'm really grateful for my job, but man, it's it's
• 1:54
  Speaker 3: certain days it could be really hard.
• 1:56
  Speaker 1: Bro.
• 1:58
  Speaker 2: Before we even introduce to the top, we talk about
• 2:01
  Speaker 2: what song will put what song will represent your mood today.
• 2:06
  Speaker 3: I don't know if they make music that represents my
• 2:10
  Speaker 3: my how I'm feeling today.
• 2:12
  Speaker 1: I don't know.
• 2:12
  Speaker 3: I feel I feel overwhelmed, I feel stressed, I feel anxious,
• 2:18
  Speaker 3: I feel I'm tired.
• 2:20
  Speaker 1: You know what I mean. So hustle, I mean that song,
• 2:25
  Speaker 1: but that's song is energy.
• 2:26
  Speaker 3: Though I don't know if they now you're saying, are you.
• 2:30
  Speaker 4: So you asking me, like what song would make me
• 2:32
  Speaker 4: feel better?
• 2:34
  Speaker 3: Because I don't know a song that makes me that
• 2:36
  Speaker 3: like represents like how I feel.
• 2:38
  Speaker 1: Right now now when you came in, you had the
• 2:40
  Speaker 1: energy right when I came in. It's been a long day.
• 2:44
  Speaker 4: It's been a long day.
• 2:45
  Speaker 1: Hustle. Yeah, I came in us music right now even
• 2:50
  Speaker 1: in the morning.
• 2:50
  Speaker 2: Yeah, But today topic we're going to get into music. Music, music,
• 2:57
  Speaker 2: music gets me. How music is, How music influence us,
• 3:01
  Speaker 2: How music pretty much is the key of life. Like
• 3:06
  Speaker 2: music play a big part of life.
• 3:07
  Speaker 1: It play a big part of my life. Certain songs
• 3:10
  Speaker 1: put me in different mood.
• 3:12
  Speaker 2: It takes you back to that day, like damn I
• 3:13
  Speaker 2: remember with doing this, so like music is big, whether
• 3:18
  Speaker 2: it's words, whether it's just the sound, whether is it beat.
• 3:22
  Speaker 2: Music have a big impact on our lives. So the
• 3:26
  Speaker 2: reason why I'm doing this topic today because I listen
• 3:28
  Speaker 2: to music, more music than I do listening.
• 3:31
  Speaker 1: To TV watch your TV.
• 3:34
  Speaker 2: Let me say, like, certain songs come on and depending
• 3:39
  Speaker 2: on what mood I'm in, it'll make me cry, it
• 3:42
  Speaker 2: makes me smile, it makes me laugh, and it brings
• 3:46
  Speaker 2: me back to that day that I'm like, damn, I
• 3:47
  Speaker 2: was with this person.
• 3:49
  Speaker 1: It brings like music brings back good memories.
• 3:53
  Speaker 2: Same time it can break you down because it's like, damn,
• 3:57
  Speaker 2: I don't want to remember this.
• 3:58
  Speaker 1: When I listen to a.
• 3:59
  Speaker 3: Certain song, that's weird, bro, like certain sometimes just more
• 4:03
  Speaker 3: to your point, like, sometimes I listen to a song, bro,
• 4:06
  Speaker 3: and it'll make me think about something that's not even
• 4:08
  Speaker 3: related to what they're talking about in the song, but
• 4:10
  Speaker 3: something about it though. Yeah, So sometimes songs can make
• 4:13
  Speaker 3: you happy and then other times it could that shit
• 4:15
  Speaker 3: how you feeling some other ways too.
• 4:17
  Speaker 1: True true, So I question when what should go to
• 4:23
  Speaker 1: love song?
• 4:24
  Speaker 2: Like you you would have Shorty y'ah, y'all vibing, y'all
• 4:29
  Speaker 2: in the mood, but you feeling her, you like her,
• 4:32
  Speaker 2: y'all been dating for a little minute, but you played
• 4:34
  Speaker 2: you put that song on and it's like you can't
• 4:37
  Speaker 2: express how you feel.
• 4:39
  Speaker 1: But by you.
• 4:40
  Speaker 2: Putting this song on, she's gonna get the idea. Oh dann,
• 4:42
  Speaker 2: we'll feel like this about me.
• 4:44
  Speaker 3: That's tough, man, That's tough because there's so many great
• 4:47
  Speaker 3: love songs like s WV Escape Man, some some shit
• 4:54
  Speaker 3: I can't even think about. It's been a long day,
• 4:55
  Speaker 3: you know what I mean. But like the first thing
• 4:57
  Speaker 3: that easily comes to the mind, Jill Scott, long Walk.
• 5:02
  Speaker 3: You're gonna get me with that one every single time.
• 5:04
  Speaker 1: Give me Jill Scott.
• 5:05
  Speaker 3: Yeah about Yeah, I'm a Jill Scott Eric ab type
• 5:08
  Speaker 3: of nigga for sure, and called me Eric Badu.
• 5:11
  Speaker 4: You know what I'm saying. For shure, I'm l.
• 5:16
  Speaker 3: But the likes of insense in this bitch for sure. Yeah,
• 5:20
  Speaker 3: but that's that's my type of Like I grew up
• 5:23
  Speaker 3: listening to that song, in particular on vinyl.
• 5:27
  Speaker 1: My aunt used to pull it out on vinyl.
• 5:29
  Speaker 3: She had like this gray vinyl sound system and ship
• 5:31
  Speaker 3: these bean bags, and her and my mom would be
• 5:33
  Speaker 3: in the back room, probably smoking weed, and we'll be
• 5:35
  Speaker 3: sitting there just like real comfy, just listening to Ship
• 5:38
  Speaker 3: Spin on vinyl, you know what I mean. So, Jill Scott,
• 5:42
  Speaker 3: she she got a special place in my heart for sure.
• 5:47
  Speaker 1: Got it today birthday too? Happy? Oh ship for real?
• 5:51
  Speaker 1: She from my city too, I should know that. Yeah,
• 5:53
  Speaker 1: she's from Dallas.
• 5:54
  Speaker 4: Yeah.
• 5:55
  Speaker 1: Shout out to like me music soul child.
• 5:59
  Speaker 2: I love, don't change that ship like that represents me.
• 6:05
  Speaker 2: If you mind, I want you to know, like I
• 6:09
  Speaker 2: love you. Your head turn gray.
• 6:12
  Speaker 1: You feel me when you think about that? That's real love.
• 6:14
  Speaker 1: I don't care if you gain weight.
• 6:16
  Speaker 2: I don't care if your head turned gray, you lose
• 6:18
  Speaker 2: your teeth, you ball you looking like Frederick Douglass or
• 6:22
  Speaker 2: Stevie Wonder.
• 6:23
  Speaker 1: Shout to Stevie. But when your woman started losing her hand,
• 6:26
  Speaker 1: she looking like Stevie, Like, I still love the girl.
• 6:29
  Speaker 1: Let me kiss that ball spot. I still love you, girl.
• 6:32
  Speaker 2: That's I kissed that ball spot. If that's my hell? Yeah,
• 6:37
  Speaker 2: my one, what baby's okay? We can put a wig
• 6:39
  Speaker 2: on that thing.
• 6:40
  Speaker 1: Baby. I still love you. I don't. It's like that
• 6:43
  Speaker 1: when you listen to that.
• 6:44
  Speaker 2: Song, it's just shown like you don't have to be perfect.
• 6:47
  Speaker 2: I didn't fall in love with the outside of you.
• 6:50
  Speaker 2: I fell in love with the inside of you. So
• 6:52
  Speaker 2: it's like I can't maybe I can't describe that. But
• 6:55
  Speaker 2: this way, I'm gonna put this song on and I'm
• 6:57
  Speaker 2: gonna you know, you just put that song where you
• 6:59
  Speaker 2: get that glee see you just look at her, she
• 7:01
  Speaker 2: looking like, damn, this is how you.
• 7:02
  Speaker 1: Feel about me? Like it's like that, that's that different feeling.
• 7:06
  Speaker 3: You feel like, I need to get more into my
• 7:08
  Speaker 3: love song bag because honestly, that's that's not like, that's
• 7:11
  Speaker 3: not really that's not really like a vibe that I
• 7:14
  Speaker 3: that I'm going to a lot when I'm.
• 7:16
  Speaker 4: Listening to music, I.
• 7:18
  Speaker 3: Listen to my R and B, then I listen to track.
• 7:20
  Speaker 3: I listen to R and B, but it's not but
• 7:22
  Speaker 3: it's not like love per You know. I actually like
• 7:25
  Speaker 3: when R and B songs are not about love.
• 7:27
  Speaker 1: You.
• 7:28
  Speaker 4: Yeah, I actually like that.
• 7:30
  Speaker 3: I feel like sometimes I feel like love is like
• 7:32
  Speaker 3: a like an easy cop out for a singer because
• 7:34
  Speaker 3: it's like all your songs be about love. But yeah,
• 7:37
  Speaker 3: I want to hear a niggas sing bro, and it
• 7:39
  Speaker 3: be about your life, you know what I mean, Like,
• 7:41
  Speaker 3: tell me what it was like picking the kids up
• 7:43
  Speaker 3: from school, tell me about you was making dinner, and
• 7:45
  Speaker 3: then you you spend forty minutes on it and then
• 7:47
  Speaker 3: you fucked it up and now you gotta eat rhymen
• 7:49
  Speaker 3: noodles because you know, like I want to hear about
• 7:51
  Speaker 3: your life as a singer. I feel like a lot
• 7:53
  Speaker 3: of the time, singing is just like an easy cheat code,
• 7:55
  Speaker 3: like I'm in.
• 7:56
  Speaker 4: Love with you, you.
• 7:57
  Speaker 1: Cheated on me, I'm gonna get you.
• 8:00
  Speaker 4: You know what I mean.
• 8:01
  Speaker 2: But see I'm the opposite because I feel this new
• 8:04
  Speaker 2: RN b ever is singing and all that, but women's
• 8:08
  Speaker 2: his bitches.
• 8:09
  Speaker 3: Oh are you saying the women of bitches that's in
• 8:13
  Speaker 3: the songs? That's how it is, what you mean?
• 8:15
  Speaker 2: They singing pretty much saying these women's bitches like these
• 8:19
  Speaker 2: bitches ain't low you this that it like, that's not
• 8:22
  Speaker 2: what happened to the real R and B Like Donell Jones,
• 8:29
  Speaker 2: let me see the penties off this girl and all that.
• 8:31
  Speaker 1: You feel me like damn, like you sat there and saying.
• 8:34
  Speaker 3: Hold on going you were mind you said, donare I'm
• 8:37
  Speaker 3: like it was done Johnes songs, I Love bro Like.
• 8:40
  Speaker 1: You sat there and said hard times that.
• 8:43
  Speaker 2: I want to hear about you sucking up life, jealous
• 8:45
  Speaker 2: life Jennis, Yeah, facts, you're right like that that first
• 8:49
  Speaker 2: album he dropped. Was you mean like people never understand?
• 8:53
  Speaker 1: Must be nice? Like that ship six year seventeen days.
• 8:58
  Speaker 2: Like a lot of them songs he I like, I
• 9:02
  Speaker 2: sat with like that when he's say I'm looking for
• 9:08
  Speaker 2: God at my grandmother's house. In between the kutchen and
• 9:11
  Speaker 2: the couch. I look all around, up and down side
• 9:14
  Speaker 2: to side. That man was nowhere to be found. I
• 9:17
  Speaker 2: felt that, so I called my granny on the phone, like,
• 9:20
  Speaker 2: old lady, you best to get home because God ain't
• 9:23
  Speaker 2: where you say he would be.
• 9:24
  Speaker 1: I felt that shit when I got shot, and she
• 9:27
  Speaker 1: like like.
• 9:30
  Speaker 2: That music put me in a more. I'm just like yo,
• 9:32
  Speaker 2: When I got shot, I was lost. I stopped believing
• 9:35
  Speaker 2: in God. I didn't know who God was. It's like,
• 9:39
  Speaker 2: but then I listen to that song, It's like God is.
• 9:43
  Speaker 1: God is dying. The whereest place is you just don't know.
• 9:46
  Speaker 2: So like music touch you in different places, in different
• 9:49
  Speaker 2: moods and different swings.
• 9:50
  Speaker 1: You feel me.
• 9:51
  Speaker 2: So music is like sometimes when I want to get
• 9:55
  Speaker 2: turned up, what I'll put on Dirk, I'll put on Future,
• 9:59
  Speaker 2: put on ge Z. I put on Boosie, like the
• 10:02
  Speaker 2: down South music and all that ship. When I'm in
• 10:05
  Speaker 2: my money mode. I'm listening to jay Z, I'm listening
• 10:09
  Speaker 2: to Young Dolph. If I want to be like drop knowledge,
• 10:13
  Speaker 2: I'm listening to Nipsey. So it's like, if i want
• 10:17
  Speaker 2: to be depressed and sad, because that's the mood I'm in,
• 10:20
  Speaker 2: I'm gonna put rod Wave on, I'm gonna.
• 10:22
  Speaker 1: Cry listen to rod Waves.
• 10:25
  Speaker 2: So it's like music impacts our life and we don't
• 10:28
  Speaker 2: even know it.
• 10:29
  Speaker 3: What do you so when you want when you feel
• 10:31
  Speaker 3: like crying, you feel like you need to cry, you
• 10:33
  Speaker 3: need to release something. Who do you listen to every time?
• 10:39
  Speaker 3: I don't think I've ever actually heard one rod Wave
• 10:41
  Speaker 3: song Emotion dark clouds that get you. They get the
• 10:47
  Speaker 3: tears flowing every time.
• 10:48
  Speaker 1: Because as he's speaking, it's like, this is what I've
• 10:51
  Speaker 1: been through in life?
• 10:52
  Speaker 4: What is it about that song?
• 10:53
  Speaker 1: Though? It's like is he fighting the demons?
• 10:58
  Speaker 3: But like I'm saying, like, when you're listening to that song,
• 11:00
  Speaker 3: right you press play? Is it like and I want
• 11:04
  Speaker 3: you to really think about this. Is it from beginning
• 11:06
  Speaker 3: to end? Or is it like building up to the
• 11:08
  Speaker 3: hook or bid it getting to the ending?
• 11:10
  Speaker 4: Just off rip? As soon as you hear the sound.
• 11:12
  Speaker 2: Come in, you just feeling I had it be ride Dennis,
• 11:17
  Speaker 2: all of these percosets.
• 11:18
  Speaker 1: Wow, it ain't working yet.
• 11:20
  Speaker 2: I've been there when I was popping pails, bought a
• 11:23
  Speaker 2: pound on the bus. You're feeling murdered at like everything
• 11:27
  Speaker 2: he say. Tonight, he say, niggas are stabbing on your
• 11:31
  Speaker 2: back but smelling your face. Niggas act like no, he said,
• 11:34
  Speaker 2: bitches a stab you in your back but smelling your face.
• 11:37
  Speaker 1: Niggas act like they your homies, but they want your place.
• 11:40
  Speaker 1: I felt that shit. I'm looking for peace, begging for space. Low.
• 11:44
  Speaker 1: I'm just a nigga trying to win lo. I'm just
• 11:47
  Speaker 1: a nigga. So I sin, I feel that man.
• 11:51
  Speaker 2: They spent a block, I spend a block. We spend again.
• 11:54
  Speaker 2: That nigga gotta pray for what he did to me.
• 11:56
  Speaker 1: I felt that shit. I've been feeling pained for so
• 11:59
  Speaker 1: long I became numb.
• 12:02
  Speaker 3: I've been at mm hmm. So it's like when I
• 12:06
  Speaker 3: want to cry, when I want to cry, it's a whole.
• 12:13
  Speaker 3: That's a couple of ships. Church music, you know, when
• 12:17
  Speaker 3: it comes to gospel, bro, I can see I grew
• 12:20
  Speaker 3: up in the church like heavy, heavy, like I was
• 12:22
  Speaker 3: going both services and going Monday, Wednesday and Thursday type ship.
• 12:27
  Speaker 3: But gospel music, man, like, some of it is great,
• 12:29
  Speaker 3: but sometimes I feel like gospel music need a revamp, bro, I.
• 12:32
  Speaker 4: Feel like it needs to be updated.
• 12:35
  Speaker 3: That old Oregon Yeah, I grew up like that type
• 12:39
  Speaker 3: of I grew up that type of not that music.
• 12:41
  Speaker 4: Yeah, that's like Southern black.
• 12:44
  Speaker 1: She saw the best in me, that ship that my
• 12:50
  Speaker 1: chursed in church.
• 12:51
  Speaker 4: That's some heat when.
• 12:53
  Speaker 2: Everyone now surround ment to see the worst in me.
• 12:57
  Speaker 1: I understand that.
• 12:59
  Speaker 4: Yeah.
• 12:59
  Speaker 1: No, that's Kurt Franklin. He dance Mary Mary. He it's
• 13:05
  Speaker 1: the guy.
• 13:06
  Speaker 4: Didn't me.
• 13:06
  Speaker 3: But you see what I'm saying, Like it's like up there,
• 13:08
  Speaker 3: like I want to know what gospel sound like. If
• 13:10
  Speaker 3: Pharrell made the soundtrack to it, like that's to me,
• 13:13
  Speaker 3: that would be crazy, like for real, bro, like holy
• 13:17
  Speaker 3: ghosts worshiping music.
• 13:19
  Speaker 4: But it was like for real.
• 13:21
  Speaker 1: And Kanye West, Kanye, Oh, Kanye.
• 13:24
  Speaker 3: West did do it a little bit though he did
• 13:25
  Speaker 3: know he did do it. He did do it, and
• 13:27
  Speaker 3: you know what, it was some cuts on this ship too.
• 13:29
  Speaker 3: It was some cuz like he had twenty four hours.
• 13:32
  Speaker 3: Him and Drake did the They did the Big Meat
• 13:35
  Speaker 3: Benefit concert or whatever like that was a big meat.
• 13:38
  Speaker 1: Not Larry Hoover.
• 13:39
  Speaker 4: Larry Hoover.
• 13:40
  Speaker 3: Yeah you be in tuned, bro, you be fucking me
• 13:41
  Speaker 3: up with that shit, Larry Hoover. And then Drake ended
• 13:45
  Speaker 3: up singing the song that Kanye wrote, but it was
• 13:48
  Speaker 3: like it was fire bro.
• 13:49
  Speaker 1: It was great.
• 13:50
  Speaker 4: So yeah, ship like that though, That's.
• 13:52
  Speaker 3: What I'm saying, like, and to be fair, I don't
• 13:54
  Speaker 3: know if Kanye like really went all the way gospel
• 13:58
  Speaker 3: with it. It was like probably like like eighty percent gospel,
• 14:01
  Speaker 3: but that other percent it kind of probably needed to
• 14:04
  Speaker 3: really get that like we could play this in the
• 14:05
  Speaker 3: church type ship, you know what I mean.
• 14:07
  Speaker 4: But for what it was though, it was good and
• 14:09
  Speaker 4: that's what we need.
• 14:10
  Speaker 1: G sus Oh.
• 14:13
  Speaker 3: Come on, that's just showed me the way and the
• 14:15
  Speaker 3: devil trying to break me down.
• 14:17
  Speaker 1: G Suys walks with me, with me, with me with music.
• 14:22
  Speaker 1: If you wan understand that R Kelly as bad as
• 14:26
  Speaker 1: people don't want to talk about him, I mean he's
• 14:29
  Speaker 1: the goat the gold Yeah.
• 14:31
  Speaker 2: I mean the king of R and B, the goats
• 14:34
  Speaker 2: of all goats.
• 14:36
  Speaker 1: R Kelly is the king of R and B, R
• 14:38
  Speaker 1: and B undisputed undisputed.
• 14:39
  Speaker 2: Who coming next to who's standing next to R and
• 14:41
  Speaker 2: BM R Kelly When it comes to the right, his
• 14:44
  Speaker 2: pen is crazy, his concepts is crazy.
• 14:50
  Speaker 1: Who's fucking with cas?
• 14:52
  Speaker 4: That's your man, that's your man. His music.
• 14:56
  Speaker 1: I wish you wish what his song? The Holy God
• 15:00
  Speaker 1: you put on? I wish.
• 15:03
  Speaker 3: Oh put me on the spot, he said, that's your song.
• 15:11
  Speaker 1: Ship. Damn, I gotta I gotta go. You got me
• 15:20
  Speaker 1: on the spot.
• 15:21
  Speaker 2: When to sing these songs by R Kelly, I wish
• 15:23
  Speaker 2: let me let me look at my God. Damn you
• 15:26
  Speaker 2: got R Kelly, I wish right then you got you
• 15:29
  Speaker 2: saved me, You saved me, gave me your second chance.
• 15:35
  Speaker 2: Like that's a gospel song right there, broke that ship down.
• 15:39
  Speaker 2: In different scenarios, people of life, of their life, somebody
• 15:43
  Speaker 2: had cancer, somebody got shot. God coming down and said,
• 15:47
  Speaker 2: I'm giving you a second chance, right, don't do what
• 15:49
  Speaker 2: you did before? And then they didn't change.
• 15:52
  Speaker 3: You Know A song that makes me cry is I
• 15:55
  Speaker 3: play this song whenever I'm having like a like a
• 15:57
  Speaker 3: panic attack my life by Mary Yeah, yeah, that song
• 16:04
  Speaker 3: is like it it'll get It can bring tears for
• 16:09
  Speaker 3: me for sure.
• 16:09
  Speaker 1: It can bring my everything that's not. What is right
• 16:15
  Speaker 1: is what it's on.
• 16:16
  Speaker 4: You got a map?
• 16:18
  Speaker 3: Yeah, married, Mary gets hello love on the East Coast,
• 16:23
  Speaker 3: So no, she she she gets loved. But it's like
• 16:26
  Speaker 3: we got we got other people that we prioritize. But like,
• 16:29
  Speaker 3: since I've been living here, I haven't been to a
• 16:31
  Speaker 3: couple of little events and functions. And then I really realized, like, oh,
• 16:34
  Speaker 3: Mary's like the Beyonce of the East Coast.
• 16:37
  Speaker 1: Is that a crazy statement? She's beyond She above Beyonce
• 16:44
  Speaker 1: of the East Coast of the world. Billy, sorry, she
• 16:51
  Speaker 1: above Beyonce.
• 16:53
  Speaker 4: You think Mary Jay is above Beyonce? Beyon as far as.
• 16:56
  Speaker 1: What really and truly Beyonce just got the dance to choreography.
• 17:00
  Speaker 4: No, no, don't. You can't say that. Now, you can't
• 17:02
  Speaker 4: say that. What do you mean?
• 17:04
  Speaker 1: She can sing? Agree with this, she can sing and
• 17:08
  Speaker 1: all that. Bro. When it comes to Mary J.
• 17:11
  Speaker 3: Blige and JB, I'll say this, she's not sitting well
• 17:15
  Speaker 3: I say this. I think I'm more aligned with Mary J.
• 17:18
  Speaker 3: Blige's music sonically because she has a more traditional like
• 17:25
  Speaker 3: us type of sound. Let me know if I'm if
• 17:27
  Speaker 3: I'm if I'm you know what I mean. But Beyonce,
• 17:30
  Speaker 3: like her, her goal was to be a megastar, bro,
• 17:33
  Speaker 3: so she had to expand outside of that sound that
• 17:36
  Speaker 3: fits us. Mary got that sound that fits us. You
• 17:39
  Speaker 3: can play that on the block. You can play it
• 17:40
  Speaker 3: on the block all fucking day.
• 17:42
  Speaker 2: I do R and B Fridays every Friday. Okay, you
• 17:44
  Speaker 2: don't really play beyond.
• 17:46
  Speaker 3: But that's what I'm saying though, Like Beyonce not making
• 17:48
  Speaker 3: songs for niggas in the club. Yeah, she got those records,
• 17:53
  Speaker 3: but like she making songs for people universe that Bro,
• 17:56
  Speaker 3: she's selling out stadiums.
• 17:57
  Speaker 1: Bro. That's cool, that's cool.
• 17:59
  Speaker 4: But I'm just saying that's the difference.
• 18:01
  Speaker 2: I love you anyway, even though you cannot stay. You're
• 18:06
  Speaker 2: the only one for me that She's.
• 18:08
  Speaker 1: Not very special, bro.
• 18:11
  Speaker 3: You know at the top of that, you know who
• 18:13
  Speaker 3: else I love as far as like new school shorties,
• 18:15
  Speaker 3: I love Ari Lennox bro Ye to me out of
• 18:18
  Speaker 3: all the girls, out of all the new girls, like
• 18:23
  Speaker 3: people like Sissor, people like Somemmer Walker, you know what
• 18:26
  Speaker 3: I mean. But to me, like when it come to
• 18:27
  Speaker 3: like album Scissor right there, though I can't you know
• 18:31
  Speaker 3: what I'm saying, Like it's nothing bad I can say
• 18:32
  Speaker 3: about Sissy, you know what I mean?
• 18:33
  Speaker 1: But like, like album though, Lennon's got my heart.
• 18:36
  Speaker 2: Bro, but you look like you the more that.
• 18:41
  Speaker 1: That is me though, that's a fact. Though Yeah, okay, okay,
• 18:46
  Speaker 1: she's like she's she's the kid of that. Like it's
• 18:50
  Speaker 1: like Jill Scott and Rikaba do birth Linx. It's like,
• 18:55
  Speaker 1: that's true.
• 18:55
  Speaker 2: That's in that pocket, that's in that pocket. That's in
• 18:58
  Speaker 2: that pocket. I understand and I understand why.
• 19:01
  Speaker 3: That's me all day, you know what I'm saying. But
• 19:04
  Speaker 3: then I like, I like, I like to take your
• 19:05
  Speaker 3: old school, like I like to go. I love Anita Baker,
• 19:11
  Speaker 3: Like come on, you know.
• 19:11
  Speaker 1: What I'm saying. You know what I'm saying. Frankie Beverly
• 19:14
  Speaker 1: and mays happy feelings like I was raised on this.
• 19:21
  Speaker 3: Keith swear you said sweat already swear.
• 19:26
  Speaker 4: Begging.
• 19:27
  Speaker 3: But see that's what I'm saying, that should be begging
• 19:29
  Speaker 3: ass music. That's why I be wanting them to do
• 19:31
  Speaker 3: more than like quit begging. And like I don't want
• 19:34
  Speaker 3: you to be like the new version of like gangster
• 19:36
  Speaker 3: R and B with niggas is rapping and singing. That's
• 19:39
  Speaker 3: that's another thing. I need niggas to start singing again.
• 19:43
  Speaker 1: That's Chris Brown.
• 19:45
  Speaker 4: Chris Brown is one of the He's one of the
• 19:47
  Speaker 4: last grades.
• 19:48
  Speaker 1: Period. They don't give him credit.
• 19:50
  Speaker 4: Shorty came in here the other day, right, she came
• 19:53
  Speaker 4: in here the other day.
• 19:54
  Speaker 3: She was like, who's the close, who's the who's the female,
• 19:58
  Speaker 3: who's the male version of Beyonce? We don't have one.
• 20:01
  Speaker 3: I said, what you mean, it's Chris Brown. She tried
• 20:04
  Speaker 3: to act like, she tried to be like, oh, we
• 20:06
  Speaker 3: got a fan in here, Like, I'm not even I
• 20:08
  Speaker 3: ain't never heard one Chris Brown album.
• 20:11
  Speaker 4: It's just the facts.
• 20:12
  Speaker 2: The discredited him over where his past was. Listen, that's bad.
• 20:17
  Speaker 2: It's just the facts.
• 20:18
  Speaker 3: There is not one other motherfucker man or woman that
• 20:21
  Speaker 3: can dance like that man or woman Like fuck nigga,
• 20:24
  Speaker 3: fuck the gender ship. There's not another motherfucker on this
• 20:28
  Speaker 3: planet that can hold a candlestick to Michael Jackson, let
• 20:31
  Speaker 3: alone Beyonce.
• 20:32
  Speaker 1: It's Chris Brown. It's done. Nobody even, it's not even close.
• 20:37
  Speaker 1: Think he's a better dancer than both of them.
• 20:39
  Speaker 3: He's, without a doubt he's a better dancer than both
• 20:42
  Speaker 3: of them. Absolutely, absolutely, and everything else. You might say,
• 20:46
  Speaker 3: Beyonce got better choreography maybe, but Chris Brown.
• 20:50
  Speaker 1: Doing it all flips, all that ship hanging from I
• 20:54
  Speaker 1: ain't doing that.
• 20:55
  Speaker 3: She ain't doing no flips. He be coming from the
• 20:57
  Speaker 3: sky ship to Chris Brown is a goal and don't
• 21:00
  Speaker 3: want to give.
• 21:01
  Speaker 1: It to him.
• 21:02
  Speaker 4: No, no, no, no no. People do people do that?
• 21:03
  Speaker 2: They really don't. They really don't shower Chris Brown the
• 21:05
  Speaker 2: way they're supposed to.
• 21:06
  Speaker 1: People do, Bro, because when they do what they bring
• 21:09
  Speaker 1: up Rihanna ship.
• 21:10
  Speaker 3: Yeah, but you see the thing is, though, like you
• 21:13
  Speaker 3: you gotta that's just come with it.
• 21:15
  Speaker 1: At this point it should know no, but but it does. Though.
• 21:18
  Speaker 1: You know, when you.
• 21:19
  Speaker 2: Mentioned Michael Jackson being the great, we don't talk about
• 21:21
  Speaker 2: what he had people doing allegations of people do Chris Well,
• 21:25
  Speaker 2: first of all, it's been a lot.
• 21:26
  Speaker 4: It's been a lot.
• 21:28
  Speaker 3: That was the way longer than the allegations of Chris
• 21:31
  Speaker 3: touching on Rihanna when.
• 21:33
  Speaker 4: They Michael Jackson died around the same time.
• 21:37
  Speaker 3: Yeah, it's different though, Like Michael Jackson had a better
• 21:40
  Speaker 3: legacy than Chris Brown too. Here's a he's a stronger,
• 21:42
  Speaker 3: more impactful legacy. Honestly, Bro, I think that people people
• 21:46
  Speaker 3: know what it is about Chris Brown.
• 21:47
  Speaker 1: But let people live like people can't make mistakes.
• 21:50
  Speaker 3: Now they do it, or that's what I'm saying. I
• 21:51
  Speaker 3: feel like we're not doing the justice by bringing it up.
• 21:53
  Speaker 4: Now, you know what I mean?
• 21:55
  Speaker 3: You know what I mean, because I think that, like,
• 21:56
  Speaker 3: at the end of the day, people some people remember
• 21:59
  Speaker 3: the ship about Michael Jackson. People still bring it up bro,
• 22:02
  Speaker 3: and he's dead, so it's easy to like only remember
• 22:05
  Speaker 3: him for the good ship.
• 22:06
  Speaker 1: I get that.
• 22:07
  Speaker 2: But the reason why I brought that up because it's
• 22:08
  Speaker 2: like Chris Brown album songs and he touched his first
• 22:14
  Speaker 2: Grammy this year.
• 22:16
  Speaker 1: That's that's crazy. That's crazy. His first Grammy.
• 22:20
  Speaker 4: That's crazy.
• 22:21
  Speaker 1: He's been supplied to streets for a real long time.
• 22:23
  Speaker 1: Long time he was. He was the soundtrack to My Childhood.
• 22:26
  Speaker 1: Has Drake ever got a Grammy? I don't know. Let
• 22:29
  Speaker 1: me ask you real quick. I think I think so.
• 22:33
  Speaker 3: I don't know if he has bro oh, he had,
• 22:36
  Speaker 3: he totally. I'm about to say, you got a couple
• 22:39
  Speaker 3: your hell yeah, he up there with jay Z's and Beyonce.
• 22:41
  Speaker 3: He is No, you're right, you're right, you're right, you're right,
• 22:43
  Speaker 3: and we talk about Chris Ray got five Grammys.
• 22:46
  Speaker 2: Talk about Chris Brown over fifty nominations, one like he's
• 22:51
  Speaker 2: the soundtrack of my childhood. When back in the days
• 22:55
  Speaker 2: when you used to leave voicemails and playing the music
• 22:57
  Speaker 2: in the girl voicemail, I used to do it like that.
• 23:00
  Speaker 2: I used to do that what he said, I used
• 23:02
  Speaker 2: to go the voicemail I put.
• 23:06
  Speaker 3: Chris Brown got one Grammy and that's just this year
• 23:11
  Speaker 3: for uh for twenty twelve, for his album Fame. You
• 23:16
  Speaker 3: got one for twenty twelve. Yeah, so this is the
• 23:19
  Speaker 3: second one this year.
• 23:20
  Speaker 4: So he just got another one.
• 23:21
  Speaker 3: Yeah, okay, so whatever, So they're not they're not updated
• 23:25
  Speaker 3: on that one yet.
• 23:26
  Speaker 1: But yeah, you got to But.
• 23:27
  Speaker 3: Yeah, you was saying he was doing with the voice
• 23:29
  Speaker 3: with the voice.
• 23:29
  Speaker 2: Man, Yeah, I put the phone next to the voicemam.
• 23:31
  Speaker 2: I used to to say, what's your name is?
• 23:34
  Speaker 1: Oh? Yeah, that fits you. Girls. So the music was
• 23:37
  Speaker 1: playing first, and then you spoke the.
• 23:38
  Speaker 2: Music is playing, and then after music playing, I take
• 23:40
  Speaker 2: a fine like I love you, hang up the phone.
• 23:43
  Speaker 1: You said, I love you.
• 23:45
  Speaker 3: See I didn't have a cell phone when at this time,
• 23:48
  Speaker 3: like when that era was popping, I didn't I didn't
• 23:50
  Speaker 3: have a cell phone.
• 23:51
  Speaker 1: We did. We had free nights and weekends, and when
• 23:54
  Speaker 1: you use up for free nights and weekends, up all
• 23:57
  Speaker 1: your minute. You had to wait to nine o'clock.
• 23:59
  Speaker 4: To use your Yeah, I remember that time.
• 24:01
  Speaker 2: I spent all my money on ringtones. Yeah, just as
• 24:04
  Speaker 2: sign to certain people. Some of them ring tones was bullshit.
• 24:06
  Speaker 2: You remember polytone, polytone, ringtone. It's like you're thinking you
• 24:09
  Speaker 2: buying the song whole time.
• 24:11
  Speaker 3: It's like some the beat fake by some cheap ass
• 24:14
  Speaker 3: beat version of the ship. Sound like a phone, sound
• 24:17
  Speaker 3: like a no Kia. Yeah, sound like some shiit a
• 24:19
  Speaker 3: nigga made it with, like a toiler made that ship.
• 24:20
  Speaker 1: Yeah.
• 24:21
  Speaker 3: I didn't have a cell phone at that time though,
• 24:22
  Speaker 3: so I was I was trapping off my my granny
• 24:25
  Speaker 3: housephone and getting in trouble too because I'd be trying
• 24:28
  Speaker 3: to cake on the phone. But my granny was so popular,
• 24:31
  Speaker 3: so mad people calling my granny, and I wasn't clicking
• 24:34
  Speaker 3: over bro to the point where niggas don't play by
• 24:36
  Speaker 3: my granny.
• 24:36
  Speaker 4: Bro.
• 24:37
  Speaker 3: So it's like my granny like she's big in the church,
• 24:38
  Speaker 3: Like people calling her just to check up on her mother.
• 24:41
  Speaker 1: Taylor coming over bro, they coming over.
• 24:44
  Speaker 3: Niggas was dead ass, pulling up like, yo, you're good
• 24:46
  Speaker 3: because I don't called about two three times?
• 24:48
  Speaker 4: Who days damn.
• 24:52
  Speaker 2: But the same time we set up there, we talking
• 24:54
  Speaker 2: about how music make us feel good and all that
• 24:58
  Speaker 2: music can be a downfall too, because I.
• 25:01
  Speaker 1: Ain't gonna lie. I can Li's to Dirk, listen to Vaughan.
• 25:04
  Speaker 1: I listened to all these different people, and it makes
• 25:07
  Speaker 1: me want to go out there and drill.
• 25:08
  Speaker 4: Listen to Von.
• 25:09
  Speaker 3: It could it could get a little scary because his
• 25:11
  Speaker 3: music is actually really fucking good.
• 25:13
  Speaker 4: But then you really really good. But then you think, like, yo, this.
• 25:16
  Speaker 3: Man listen to he looks in real life, in real life,
• 25:21
  Speaker 3: this man is a is a serial killer, man took
• 25:26
  Speaker 3: lives from this planet. Turn his TV off, turn his
• 25:29
  Speaker 3: TV off. He was doing that. He was turning TVs off.
• 25:32
  Speaker 2: Man club and that ship drop and you see how
• 25:36
  Speaker 2: the club just move to him talking about how he
• 25:40
  Speaker 2: killed ship.
• 25:41
  Speaker 1: It's like, I think the best ever did coming out
• 25:44
  Speaker 1: the streets.
• 25:46
  Speaker 3: No, that's saying you're doing You're saying too much. Now,
• 25:50
  Speaker 3: what do you mean he's the best of What.
• 25:52
  Speaker 4: Do you mean?
• 25:53
  Speaker 1: Like in that drill, think for drill.
• 25:58
  Speaker 4: I don't know, Bro. You know what I'm saying.
• 25:59
  Speaker 3: You got Herbo g Herbal, Bro, I don't know you
• 26:04
  Speaker 3: Herbro good Vaughn wasn't around long enough.
• 26:06
  Speaker 1: Maybe he wasn't right, but the time he was six.
• 26:09
  Speaker 4: Hundred breezy, Like what the fuck?
• 26:12
  Speaker 1: Bro, Vaughan had Chicago Vaughan one album.
• 26:18
  Speaker 4: He the best. He the last best thing to come
• 26:20
  Speaker 4: out of Chicago.
• 26:21
  Speaker 1: He the best thing that came out. I don't know
• 26:23
  Speaker 1: if that's fair to say. Bro.
• 26:24
  Speaker 2: Now you got Chief Keith and all them yetting That's
• 26:27
  Speaker 2: what I'm saying. Cool, whatever the case may be, Dirk,
• 26:30
  Speaker 2: Dirk and but.
• 26:32
  Speaker 3: With Vaughan did not over Herbo. Bro, But Vaughan I'm
• 26:36
  Speaker 3: taking you're not a Herbo fan. I could tell you
• 26:38
  Speaker 3: listen to Herbo. I'm taking over Herbal. I'm taking on
• 26:42
  Speaker 3: over Herbal. I'm taking Dirk over over Herbal. To me,
• 26:47
  Speaker 3: Dirk is the best thing that came out of out
• 26:49
  Speaker 3: of Chicago.
• 26:50
  Speaker 1: Hands down. He's the best thing that came out.
• 26:52
  Speaker 5: You know.
• 26:52
  Speaker 3: My thing about Dirk is is like, I don't know,
• 26:56
  Speaker 3: he just kind of got into this like commercialized version
• 26:59
  Speaker 3: of him. He started getting money, you know what I mean?
• 27:00
  Speaker 3: And I'm not saying the music got bad. I just
• 27:03
  Speaker 3: don't necessarily care for Like, let me not even speak
• 27:06
  Speaker 3: on that too much because I don't even listen to.
• 27:08
  Speaker 1: Dirk for rial.
• 27:08
  Speaker 4: I can't even speak to you every day. But the bro.
• 27:12
  Speaker 3: But but g Herbo, like when he was first clicking
• 27:15
  Speaker 3: and then like welcome to Phase on LAMB mixtape Stop
• 27:18
  Speaker 3: at the Light and on my Soul Rondo.
• 27:21
  Speaker 1: Yeah, but Dirt, I don't see none of that I'm saying
• 27:24
  Speaker 1: with Dirk. I'm just sorry. I'm sorry.
• 27:27
  Speaker 2: Okay, Dirk commercialized right, commercials starting to be a commercial.
• 27:32
  Speaker 1: All my life. But when you take away all my life,
• 27:35
  Speaker 1: you go deeper to the album.
• 27:38
  Speaker 4: I don't like his style, bro, like I don't.
• 27:40
  Speaker 1: I don't.
• 27:40
  Speaker 3: His style doesn't resonate with me, like I wish I
• 27:43
  Speaker 3: could find the right words to like the like the
• 27:46
  Speaker 3: singing style that he'd be doing, it's not for.
• 27:48
  Speaker 1: Me pretty much. That's what was doing. Yeah, I think
• 27:55
  Speaker 1: that's what Max B was doing. No, why not?
• 27:58
  Speaker 3: Max B was like hood nigga singing though these niggas
• 28:03
  Speaker 3: is like yodeling on some records with auto tune. It's
• 28:05
  Speaker 3: like it's different, Like it's like it's it's it's different.
• 28:08
  Speaker 3: Max B was different there. It's like some it's almost
• 28:10
  Speaker 3: like like Nate Dogg type ship. How Nate Dogg be
• 28:13
  Speaker 3: singing but he a hood nigga.
• 28:14
  Speaker 4: That's Max B.
• 28:15
  Speaker 2: I just felt like they did Max B. And I'm
• 28:17
  Speaker 2: just they just didn't have auto tune onto it. Maybe
• 28:21
  Speaker 2: not they like yeah, maybe for the best, Like it's
• 28:28
  Speaker 2: just a singing and ship. Like I don't want to
• 28:29
  Speaker 2: hear you crooning on a on a record, you know
• 28:31
  Speaker 2: what I mean? Like is it singing is a rap?
• 28:33
  Speaker 1: Like I don't know.
• 28:34
  Speaker 3: I'm not saying you can't sing, but like when Drake is,
• 28:36
  Speaker 3: I don't know, that's maybe not.
• 28:37
  Speaker 4: Let me not go through that.
• 28:39
  Speaker 3: Yeah, maybe John Rod did it, fifty did it. Yeah,
• 28:43
  Speaker 3: but they was gangster though I'm not saying he's not gangster.
• 28:47
  Speaker 3: But what I'm saying, like, I just I just it's just
• 28:49
  Speaker 3: not it's not for me, That's all. That's all I'm saying.
• 28:51
  Speaker 3: It's not for me.
• 28:51
  Speaker 4: Listen, don't don't have nobody coming for me, nigga.
• 28:56
  Speaker 1: We ain't going to the rack.
• 28:57
  Speaker 4: You don't don't have.
• 28:58
  Speaker 1: Nobody coming from me, nigga. You know what I'm saying,
• 28:59
  Speaker 1: I say, like the bad I feel like the ship
• 29:02
  Speaker 1: that Vaughn and talked about. Yes, fucked up bro.
• 29:05
  Speaker 2: With a lot of people n music is good, called
• 29:08
  Speaker 2: a lot of people welcome to old Block.
• 29:10
  Speaker 3: But I feel like like the way I feel about
• 29:12
  Speaker 3: listening to Big L right, Like I think Big L
• 29:14
  Speaker 3: is just like amazing, bro. But I can't listen to
• 29:17
  Speaker 3: Big L though, because it's like the music is just
• 29:19
  Speaker 3: too demonic. Bro, it's too demonic, you know what I mean?
• 29:23
  Speaker 3: I feel And it's the same thing with him. It's
• 29:25
  Speaker 3: like vin like this music is even Dolf at some point, Bro,
• 29:28
  Speaker 3: like you listen to like I fucking it.
• 29:30
  Speaker 4: I loved off, Bro, But at some point.
• 29:32
  Speaker 3: It's like, Yo, this music is like and we let
• 29:35
  Speaker 3: a lot of shit slide, bro, a lot of music
• 29:37
  Speaker 3: Like I'm not even like, I don't even apply this
• 29:39
  Speaker 3: to everything. Like a lot of the time he'd be like, Yo,
• 29:41
  Speaker 3: longest is good and it ain't too crazy.
• 29:44
  Speaker 4: We can make it happen.
• 29:45
  Speaker 3: But like with so with Young Dolph, right right before
• 29:49
  Speaker 3: he passed, he ended up releasing his project and the
• 29:52
  Speaker 3: cover ard with him. He had to like the he
• 29:54
  Speaker 3: put his hands together almost like he was throwing the
• 29:56
  Speaker 3: rock up, but he like put it over his eyes.
• 29:58
  Speaker 3: So it kind of gave like this like Illuminati type of.
• 30:01
  Speaker 4: M's like why are you doing that?
• 30:02
  Speaker 1: Bro?
• 30:03
  Speaker 4: Why you doing that?
• 30:04
  Speaker 3: And then it was like certain he did a music
• 30:06
  Speaker 3: video where he was he was on fire or something
• 30:08
  Speaker 3: like that.
• 30:09
  Speaker 1: That's yourselves, you funk all that, nigga.
• 30:12
  Speaker 4: Yeah, you in jail. I mean you in hell.
• 30:14
  Speaker 6: Well, I don't want to say that. I'm gonna take that.
• 30:17
  Speaker 6: I'm gonna take the ba I'm gonna take the back
• 30:18
  Speaker 6: because I hope my man is not in hell. You feel,
• 30:20
  Speaker 6: but it's certain symbols you be playing with. It's like,
• 30:23
  Speaker 6: I don't think my God gonna like that.
• 30:27
  Speaker 1: How we get it that?
• 30:29
  Speaker 4: Now, let's go, let's go, let's get into it.
• 30:30
  Speaker 3: How we know what's God approval? I feel like certain
• 30:35
  Speaker 3: it's entertainment. Nah, God don't play with entertainment.
• 30:38
  Speaker 1: It's entertainment. It's like a lot of movies that's being made.
• 30:42
  Speaker 4: God don't play with entertainment.
• 30:43
  Speaker 1: How do we know that? I know that a lot
• 30:46
  Speaker 1: of these movies, So a lot of the movies be
• 30:47
  Speaker 1: gonna have a lot of movie that's being made. It's
• 30:51
  Speaker 1: the same thing.
• 30:52
  Speaker 3: I think the difference though is I'm not even I
• 30:54
  Speaker 3: don't even care to argue that too much because I'm
• 30:56
  Speaker 3: you're probably be right. But the difference though, and this
• 30:59
  Speaker 3: is an issue with like me and Art. Me and
• 31:02
  Speaker 3: Art argue about this all the time. Music hip hop
• 31:06
  Speaker 3: music is predicated on facts. A movie is depicted on
• 31:11
  Speaker 3: telling a story. Come on, see, I really don't think
• 31:15
  Speaker 3: hip hop is really on facts, bro, Come on bro,
• 31:18
  Speaker 3: and that's what I'm be saying, Like, Bro, I really
• 31:20
  Speaker 3: don't think, but it really is, though.
• 31:22
  Speaker 1: The words of the great jay Z. Don't believe everything
• 31:25
  Speaker 1: your elos cap shit is mostly backwards.
• 31:28
  Speaker 3: Yeah, don't believe though, But these people are telling you
• 31:30
  Speaker 3: this story as if they're actually doing what they're said
• 31:33
  Speaker 3: that they're doing, and they actually did it before.
• 31:36
  Speaker 4: That's the whole appeal.
• 31:37
  Speaker 3: Because if that's not the appeal, that we wouldn't listen
• 31:39
  Speaker 3: to it.
• 31:40
  Speaker 1: It's great entertainment.
• 31:42
  Speaker 3: No, bro, if you believe that dark, If you believe
• 31:44
  Speaker 3: that dark like pick painted picture real quick.
• 31:47
  Speaker 2: Dirk, Yeah said, I.
• 31:51
  Speaker 1: Believe, bro.
• 31:52
  Speaker 3: And if you didn't believe it though, if you thought
• 31:54
  Speaker 3: the niggas was just capping.
• 31:56
  Speaker 2: But I'm sorrying everything that jay Z said about having
• 31:58
  Speaker 2: coming in the game a strong enough.
• 32:01
  Speaker 1: Believe that, Yeah, you believe that. Yeah, it's easy to believe.
• 32:06
  Speaker 3: I came into this motherfucking hundred grand strong known to
• 32:11
  Speaker 3: be exact from grinding G packs. That makes sense. Hundred grand,
• 32:16
  Speaker 3: he said, not a hundred million, and not a million.
• 32:18
  Speaker 3: He said, one hundred grand. That's one hundred grandon two
• 32:22
  Speaker 3: million four That makes sense to me.
• 32:25
  Speaker 4: He got a line, he said, what's the position you hold?
• 32:28
  Speaker 3: Can you really match a triple platinum artist buck By
• 32:30
  Speaker 3: buck By only a single going goal?
• 32:32
  Speaker 1: Jay Z?
• 32:33
  Speaker 3: The number has always been there for whole you know
• 32:34
  Speaker 3: what I mean, especially back in the day when they
• 32:36
  Speaker 3: was getting the physical units off. He said, what's the
• 32:38
  Speaker 3: position you hold? Can you really match a triple platinum artist?
• 32:43
  Speaker 3: Platinum is like a million, So he's saying he did that,
• 32:46
  Speaker 3: and and in the context of this bar, what's the
• 32:49
  Speaker 3: position you hold? Can you really match a triple platinum
• 32:51
  Speaker 3: artist buck By buck By only a single going goal?
• 32:54
  Speaker 3: So jay Z saying I only had a single my
• 32:56
  Speaker 3: single win gold, you went triple platinum by How I
• 32:59
  Speaker 3: make more money than you though, because the way my
• 33:02
  Speaker 3: business is set up, my business, I'm getting you, you get
• 33:04
  Speaker 3: your little triple platterm. You gotta split it with full
• 33:06
  Speaker 3: fifty four mold niggas and you barely get up. You know,
• 33:09
  Speaker 3: you get pennies off that versus me. I just got
• 33:11
  Speaker 3: my gold is five hundred thousand.
• 33:14
  Speaker 1: Honestly, feel like music is not facts.
• 33:18
  Speaker 4: Music.
• 33:19
  Speaker 3: Hip hop music is predicated on facts. It's always been
• 33:22
  Speaker 3: predicated on facts. Us to us, Yeah to us, really facts,
• 33:29
  Speaker 3: I'm not if I feel like you're ship not facts.
• 33:31
  Speaker 3: I'm not listening. You know, I'm not listening music the niggas.
• 33:35
  Speaker 3: I listen the niggas. I listening to Fat Like my
• 33:39
  Speaker 3: favorite Rappinggize Facts Shall Facts, Esco Facts. You know what
• 33:46
  Speaker 3: I'm saying. I'm listening to to park Like Facts.
• 33:52
  Speaker 1: You know what I mean.
• 33:52
  Speaker 4: Like I'm listening to.
• 33:53
  Speaker 3: Like Kendrick Big Cole, I'm big, I'm all the niggas.
• 33:56
  Speaker 3: I fuck with all them niggas, Kendrick.
• 34:02
  Speaker 1: Like period all the time.
• 34:04
  Speaker 4: That ship is tough, bro. I'm gonna just spin some
• 34:06
  Speaker 4: ship out there.
• 34:06
  Speaker 3: My tip five. Fuck bro, this is really tough.
• 34:15
  Speaker 1: Fuck Common mm hmm. Common is my nigga. I fun
• 34:20
  Speaker 1: with comming.
• 34:20
  Speaker 3: That's the only nigga in the studio ever was like
• 34:22
  Speaker 3: petrified to meet nervous. I ain't get a chance to
• 34:24
  Speaker 3: really meet him, but he was here though. I was
• 34:27
  Speaker 3: nervous than the motherfucker bro for real, because I rather
• 34:30
  Speaker 3: I really fun with Common for real, common hole Esco.
• 34:36
  Speaker 3: That'sco my favorite rapper period. So he just number one Esco.
• 34:40
  Speaker 3: This one should get fucked up.
• 34:43
  Speaker 1: Ah that's three. Ah.
• 34:52
  Speaker 3: I'm gonna change If you ask me this again, I'm
• 34:54
  Speaker 3: gonna change it. But this is what I'm gonna say
• 34:56
  Speaker 3: right now. Ah, Dom Kennedy, Ah, Dom Kennedy.
• 35:09
  Speaker 1: Fuck dude, I said Kendrick, I ain't said Kendrick Kendreck.
• 35:16
  Speaker 1: Fuck a.
• 35:23
  Speaker 2: Cold Kendrick Cold and thousand. I'm gonna throw cold on there.
• 35:31
  Speaker 3: I'm gonna throw coal over Kendrick because like the warm
• 35:33
  Speaker 3: Up and Friday Night Lights, it means so much to me, Bro,
• 35:37
  Speaker 3: Like like when I tell you, like, I'm just like
• 35:41
  Speaker 3: on some real grown man ship. Those two projects they
• 35:44
  Speaker 3: mean a lot to me, bro for real. They do
• 35:46
  Speaker 3: something special to my heart. They helped me get through
• 35:48
  Speaker 3: a very They helped me get through a time in
• 35:51
  Speaker 3: my life where I needed that music. And I love
• 35:54
  Speaker 3: Kendrick Lamar to death. I actually think he's the better
• 35:56
  Speaker 3: of the three. When it comes to everything included but cold, Bro,
• 36:01
  Speaker 3: I can never I can never pay Jay call back
• 36:03
  Speaker 3: for giving me that music as a kid.
• 36:05
  Speaker 4: Bro, I can never pay him back for that.
• 36:07
  Speaker 1: Bro. I'm forever indebted to that man, like on some
• 36:10
  Speaker 1: real ship.
• 36:10
  Speaker 3: Like I will forever be grateful to j Cole for
• 36:12
  Speaker 3: giving me the warm up and Friday Night Lights that music.
• 36:15
  Speaker 4: Bro, It what that did.
• 36:16
  Speaker 1: For me even now, Bro, I put that ship on.
• 36:18
  Speaker 4: Now you know what I'm saying.
• 36:20
  Speaker 1: I love I think Kendricks.
• 36:22
  Speaker 3: I think Kendrick the better when it comes to all
• 36:24
  Speaker 3: three of them, Like Kendrick got great ship, but like
• 36:27
  Speaker 3: man the way I fell in love with them two projects.
• 36:29
  Speaker 1: So yeah, that's how I'm I do. That's how I do.
• 36:30
  Speaker 1: What about you?
• 36:33
  Speaker 2: Okay, hold one, I'm not gonna really say big because
• 36:38
  Speaker 2: that's what everybody will want to say because I don't
• 36:41
  Speaker 2: listen to big enough. I listened big, but biggest something
• 36:44
  Speaker 2: I don't have to listen to every day type ship. Okay,
• 36:47
  Speaker 2: if you want here, big a lot because this is
• 36:49
  Speaker 2: they dies coming zones.
• 36:51
  Speaker 1: So we goad big a lot. But Peces mom his
• 36:53
  Speaker 1: mom just past wilds. But Jay the content he gave
• 36:59
  Speaker 1: us Park and big Mom died and the sons what
• 37:03
  Speaker 1: they with their sons? Yeah? Crazy, I'm going Jay, that's one.
• 37:09
  Speaker 1: I'm going Ross.
• 37:12
  Speaker 3: Interesting, you know Ross, he said ten years Rum and
• 37:14
  Speaker 3: it's still nobody's favorite or whatever the he said while
• 37:18
  Speaker 3: Ross like.
• 37:20
  Speaker 1: Ross is a hilarrious like certain Ross songs.
• 37:26
  Speaker 2: Residnight, I close my eyes, I could like he painted
• 37:30
  Speaker 2: that picture.
• 37:31
  Speaker 1: So you fuck with you funk with Rick Ross? With Ross?
• 37:34
  Speaker 1: What what Ross songs? You fuck with? My favorite Rick
• 37:38
  Speaker 1: Ross songs? Tears of Joy? I go last night I
• 37:41
  Speaker 1: cried tears of joy? What did I do to deserve this?
• 37:45
  Speaker 2: I felt that ship because that day, like when my
• 37:49
  Speaker 2: best friend died, I play, I had that ship over
• 37:52
  Speaker 2: the peat m hmm, like different Ross, Rich Forever.
• 37:58
  Speaker 1: That's that's the one that's everybody favorite Ross album, Rich Forever.
• 38:03
  Speaker 2: The album the song Rich Forever. I remember being blind
• 38:08
  Speaker 2: to it to that day. I put my mind to
• 38:10
  Speaker 2: it depth Jim on my heel, should I sign to it?
• 38:14
  Speaker 1: Like that ship is real?
• 38:15
  Speaker 2: Like I listened to that song and I'm like, every
• 38:17
  Speaker 2: time I listened to that song, I just said, say
• 38:19
  Speaker 2: it's a.
• 38:19
  Speaker 1: Contract with my name. O here they ain't just didn't
• 38:22
  Speaker 1: dry yet for.
• 38:22
  Speaker 2: Me to sign this ship and ain't like like a
• 38:26
  Speaker 2: lot of Rick Ross songs like the main back album, like.
• 38:30
  Speaker 3: Yeah, his his ear, for his beats, inside, his voice.
• 38:37
  Speaker 4: His tone insane.
• 38:40
  Speaker 1: Like everything that Rick Ross brings to a track, he
• 38:45
  Speaker 1: makes a track better.
• 38:46
  Speaker 4: What's the album that he dropped?
• 38:50
  Speaker 1: Hold on?
• 38:51
  Speaker 4: I'm about to pull it up right now.
• 38:52
  Speaker 3: He dropped this one album, bro, and I promise you
• 38:55
  Speaker 3: whenever I feel like listening to Ross, I go back
• 38:57
  Speaker 3: to this one album. Hold On, fuck man, It's it's
• 39:02
  Speaker 3: Santorini Greas is on there is that I'm gonna tell
• 39:07
  Speaker 3: you in like two seconds. Santorini Grease is on there.
• 39:11
  Speaker 4: Oh man.
• 39:12
  Speaker 3: Some of the best Ross production, which is saying saying
• 39:14
  Speaker 3: a lot, you know what I mean? Because he you know,
• 39:16
  Speaker 3: he has great productions, just in totality is different. Yeah,
• 39:19
  Speaker 3: he different, He different, He different.
• 39:21
  Speaker 1: Fuck man, while I my signal acting like I don't
• 39:23
  Speaker 1: want to work, stepping on my feet to get you
• 39:25
  Speaker 1: fucked up? That nigga voice is it? Yeah, he got
• 39:29
  Speaker 1: one of the greatest voices in rap.
• 39:31
  Speaker 3: Oh rather you than me? Oh yeah, rather you than me?
• 39:34
  Speaker 3: It's some songs on here, Santorini Grease. I think she
• 39:39
  Speaker 3: liked me. Game ain't based on sympathy. Yeah yeah, yah yeah,
• 39:44
  Speaker 3: yea yeah yeah yeah yeah well rap rap.
• 39:48
  Speaker 1: Yeah, I know exactly. That's my ship. It has become rivals.
• 39:53
  Speaker 1: I think it's the one where he did bird Man.
• 39:57
  Speaker 2: Uh huh Chris Rock and st to Rainey Yeah nah
• 40:02
  Speaker 2: Fox with that one.
• 40:05
  Speaker 1: Mm hmm. You hear that voice like shout out to
• 40:19
  Speaker 1: ross Man. Ross is great. He don't get enough credit.
• 40:22
  Speaker 1: You don't get enough credit.
• 40:23
  Speaker 3: Ross Okay, Jay Ross, Meek Meek, but you you be
• 40:30
  Speaker 3: listening to Meek albums though, h You're just a dream
• 40:33
  Speaker 3: dreams of night mans.
• 40:34
  Speaker 1: Type of album?
• 40:35
  Speaker 4: Which album was listening to?
• 40:36
  Speaker 1: Album My best work, d C mixtapes, d.
• 40:42
  Speaker 3: Oh Yeah, Flamers and Ship d C two, d C
• 40:45
  Speaker 3: three Full That ship burns, that ship burn?
• 40:50
  Speaker 1: Oh man? What he did off that? He said?
• 40:55
  Speaker 2: Ready you care? How nigga damn fly sipping all of
• 41:01
  Speaker 2: this purple day got me too damn high. They teld
• 41:03
  Speaker 2: me life is a dream. I'm playing two damn side.
• 41:06
  Speaker 2: I'm like, niggas ain't lawyer? What bitches ain't lawyer? Voices
• 41:10
  Speaker 2: in my head saying niggas ain't for you. But when
• 41:12
  Speaker 2: they're looking Sonny, them niggas that rain on you. What
• 41:16
  Speaker 2: is a dark cloud over me? Money to control of me?
• 41:18
  Speaker 2: I'm barely getting time to see my son, and that
• 41:20
  Speaker 2: shit hurting me. Baby mama tripping out. I'm trying to
• 41:23
  Speaker 2: work with me.
• 41:24
  Speaker 1: I'm on patation, still strap because niggas want to murder me.
• 41:27
  Speaker 1: What are okay? Okay, you fuck with me? With me?
• 41:31
  Speaker 2: Okay, DC one like DC three, huge two. Some niggas
• 41:38
  Speaker 2: go to college. Some niggas go to hell with him
• 41:40
  Speaker 2: and kiss meet three. I got it though, kissing there, Yeah,
• 41:47
  Speaker 2: got it? Don't kiss it? What's your favorite kids? Verse?
• 41:50
  Speaker 1: Hold on?
• 41:51
  Speaker 3: Don't even say yeah, hold on, think about it, just
• 41:54
  Speaker 3: think about it. Hold on, you got it.
• 41:56
  Speaker 2: I'm sorry. Kiss versus is all about of Benjamin's.
• 42:02
  Speaker 1: Hold on, hold on, hold on, hold on. I'm about
• 42:04
  Speaker 1: to ask you, matter of fact, what's your what's your
• 42:06
  Speaker 1: favorite kids? Verse?
• 42:07
  Speaker 4: Kissing your top five?
• 42:09
  Speaker 2: I gotta put kissing my top five? What's your favorite kids?
• 42:12
  Speaker 1: Like? The money? Power?
• 42:14
  Speaker 2: Respect? Okay, the victory? Okay, kiss like kiss don't get
• 42:22
  Speaker 2: enough credit. You really don't kiss, even the new up
• 42:26
  Speaker 2: to date kiss. But he did he did after that verse,
• 42:28
  Speaker 2: after the verses.
• 42:29
  Speaker 1: But look what it had to take for him to
• 42:30
  Speaker 1: get that.
• 42:31
  Speaker 4: Yeah, but that was a very that was a very
• 42:33
  Speaker 4: legendary moment.
• 42:34
  Speaker 1: Brook Like, see this ship is hard because it's.
• 42:38
  Speaker 2: Like fab we got fab Yeah the Grizel does we
• 42:43
  Speaker 2: got Yeah?
• 42:45
  Speaker 3: Yeah, Yeah, Bennie and Conway man say them boys, them boys,
• 42:52
  Speaker 3: them boys, they they in my rotation faithfully, ah.
• 42:57
  Speaker 2: The last one. And I got a different respect for
• 43:03
  Speaker 2: Ni absolutely. So it's like, man, who can I put
• 43:08
  Speaker 2: at that last spot?
• 43:11
  Speaker 4: Man?
• 43:12
  Speaker 1: Because I oh ship.
• 43:16
  Speaker 2: See I'm not a nice type of person. No, I'm
• 43:20
  Speaker 2: not any What is it about Esco?
• 43:21
  Speaker 4: You don't like?
• 43:22
  Speaker 1: It's I can't. I just can't put like he don't
• 43:28
  Speaker 1: move my like he don't move my.
• 43:29
  Speaker 3: Gears okay, like like like you got a couple of
• 43:34
  Speaker 3: songs that I definitely funk with, but he just don't.
• 43:36
  Speaker 2: Move my giars to say damn like you don't WITHDIC
• 43:41
  Speaker 2: Yeah I do. But it's not nothing crazy, Like it
• 43:43
  Speaker 2: ain't something I got in rotation.
• 43:46
  Speaker 1: Not something I got in rotation.
• 43:47
  Speaker 2: Like how many times have you heard ematic? A couple
• 43:51
  Speaker 2: of times? Like I'm I come from a house of
• 43:55
  Speaker 2: hip hop.
• 43:55
  Speaker 1: Wou tang? Like not for that I put the mix
• 43:59
  Speaker 1: in my tipe off. Okay, okay, I'll put X in
• 44:03
  Speaker 1: my time five.
• 44:05
  Speaker 2: Top five all over the place, but I put X
• 44:07
  Speaker 2: in my time file like, I'm not an l L
• 44:10
  Speaker 2: type of nigga.
• 44:11
  Speaker 1: I'm not a NAS type of nigga. So this is
• 44:15
  Speaker 1: a queen's thing. It's it's it's not a queen. But
• 44:19
  Speaker 1: what I was like, Okay, what's going on?
• 44:22
  Speaker 2: Even in my top five, I can say I would
• 44:25
  Speaker 2: even do fifty cent because he had an impact on
• 44:27
  Speaker 2: my life. That givers god trying. Oh I thought I
• 44:30
  Speaker 2: was fifty cent tank tops on chain.
• 44:34
  Speaker 3: You don't like conscious niggas, yeah.
• 44:37
  Speaker 1: Pretty much. You said it right. I'm not that conscious rapper.
• 44:42
  Speaker 3: You don't like conscious niggas. What's wrong with conscious niggas
• 44:45
  Speaker 3: is not wrong with it wrong with the last.
• 44:48
  Speaker 1: Person I'm putting.
• 44:49
  Speaker 3: G Z and that ship Okay, yeah, you you want
• 44:52
  Speaker 3: all your niggas selling bricks.
• 44:55
  Speaker 1: They're talking that talk, that money ship. I like that ship. Yeah,
• 44:59
  Speaker 1: give me that.
• 44:59
  Speaker 2: I like that ship, that money talk like, yeah, that
• 45:03
  Speaker 2: conscious speaking.
• 45:05
  Speaker 1: Like I like cold too. I like cold. I can
• 45:08
  Speaker 1: listen to cold more than open them.
• 45:10
  Speaker 2: But really, why uh, it's just something about cold flow
• 45:16
  Speaker 2: his work like wordplay.
• 45:18
  Speaker 1: I'm big one work cold word. So Kendrick like you done?
• 45:22
  Speaker 1: He's like, ain't no Kendrick for you with Kendrick. Not
• 45:26
  Speaker 1: I don't sit in the house and listen to Kendrick
• 45:28
  Speaker 1: all day?
• 45:30
  Speaker 4: Why I gotta be all day?
• 45:32
  Speaker 1: Why you can't just listen to it every now and there?
• 45:33
  Speaker 1: Give me? Give me? I ain't with you, But the
• 45:38
  Speaker 1: did J cole Bro said Kendrick give him headaches? Bro? Yeah, Kendrick,
• 45:44
  Speaker 1: what you mean? Can you give me?
• 45:47
  Speaker 4: Why does he make you think?
• 45:48
  Speaker 2: Dude? You bust your head sometimes? God damn this ship
• 45:52
  Speaker 2: on when we put young Thug on?
• 45:53
  Speaker 3: Like, oh no, that's no way, that's crazy, you said
• 46:00
  Speaker 3: he So you're putting Young Thug on as a palate cleanser.
• 46:02
  Speaker 1: The Kendrick Lamar not for nothing? Dog, just move my game?
• 46:10
  Speaker 1: No no, no, no no.
• 46:16
  Speaker 4: I can't let you do. I can't let you get
• 46:18
  Speaker 4: that off.
• 46:18
  Speaker 1: Kendrick. Is that nigga?
• 46:21
  Speaker 3: But I'm not that bro? You you bro? You chasing
• 46:25
  Speaker 3: a shot of Kendreck Lamar with with Young Thug.
• 46:29
  Speaker 1: When Kendrick sitting me down and I need to take
• 46:32
  Speaker 1: that hyper pill.
• 46:33
  Speaker 3: How many Kendricks albums you don't listen to keep it
• 46:36
  Speaker 3: a stack.
• 46:37
  Speaker 1: Like, let's go through the first album. That's the first album. Yeah,
• 46:43
  Speaker 1: I love that album.
• 46:45
  Speaker 3: You love that album album. She's talking about the games.
• 46:50
  Speaker 3: You like that ship. That's your bad okay, But to
• 46:55
  Speaker 3: Pipper Butterfly, they didn't do that for you.
• 46:58
  Speaker 4: You're a buggy.
• 47:00
  Speaker 1: You're bugging. It's not that. That's that conscious. Ship's conscious.
• 47:05
  Speaker 1: You want that.
• 47:05
  Speaker 4: You heard that whole album paper But hold on, gag no, no, no.
• 47:09
  Speaker 1: No, no, no, no, no, no, no, no, no.
• 47:10
  Speaker 2: No no.
• 47:11
  Speaker 4: This this is what we're about to do. This is
• 47:12
  Speaker 4: what we better do.
• 47:13
  Speaker 1: What I want to be with you.
• 47:16
  Speaker 4: No, that's damn.
• 47:17
  Speaker 1: Oh yeah, I fun with damn album. Damn damn.
• 47:21
  Speaker 3: See, this is what we're about to do. If I
• 47:23
  Speaker 3: got to mute this ship, we'll mute this ship. But
• 47:25
  Speaker 3: this is what we're about to do. Hold on, I
• 47:26
  Speaker 3: just I just need to.
• 47:27
  Speaker 4: I just need to.
• 47:28
  Speaker 3: I just need you to hear just a little bit
• 47:29
  Speaker 3: of this. Okay, hold on you ready, I'm about to
• 47:34
  Speaker 3: put the phone in your hand.
• 47:38
  Speaker 1: Hold on, let me to be giving conscious already. Mm hmm.
• 47:57
  Speaker 7: Hold on, just get a couple of bars, a couple
• 47:59
  Speaker 7: of bars, right, conscious?
• 48:24
  Speaker 4: What is it as you listening.
• 48:25
  Speaker 3: Hold on as you listening to this right now, let
• 48:28
  Speaker 3: me turn it down this a little bit because because
• 48:29
  Speaker 3: I wanted to still be as you listening to this
• 48:32
  Speaker 3: right now? What is it that you don't like? What
• 48:34
  Speaker 3: are you identifying that you don't like. I'm not saying
• 48:36
  Speaker 3: I don't like his music. I'm what I'm saying, like,
• 48:39
  Speaker 3: when you're listening to this, though, what is it that
• 48:41
  Speaker 3: you're picking apart that's like this, that that, this, like.
• 48:45
  Speaker 1: This, this?
• 48:46
  Speaker 2: This is a song I gotta listen to over and
• 48:48
  Speaker 2: over because right now that's really standing out to me.
• 48:50
  Speaker 2: It is just the beat you'd like to beat. It's
• 48:53
  Speaker 2: the beat, okay, like the beach reaching out to me.
• 48:56
  Speaker 2: It's like I listened to before, I say, this is
• 48:58
  Speaker 2: a great album. I gotta listen to the Ship over
• 49:00
  Speaker 2: and over. The really hit the new one he Dropped.
• 49:02
  Speaker 1: Is a good album. G X.
• 49:04
  Speaker 4: Yeah, gen X is good with that album.
• 49:06
  Speaker 3: Yeah, but I understand why you fuck with that album
• 49:08
  Speaker 3: because it's it's closer to you than it is, like
• 49:11
  Speaker 3: it's made to be to bridge the gap between you're
• 49:14
  Speaker 3: not liking the Conscious Ship and then you're still sucking
• 49:16
  Speaker 3: with Kendrick.
• 49:17
  Speaker 4: Yeah, album that makes sense.
• 49:20
  Speaker 2: I'm just not a can I like the Dirks, I
• 49:24
  Speaker 2: like the Baby like the Damn.
• 49:28
  Speaker 1: I forgot Wayne? How I forget Wayne Gang? Like Little Wayne?
• 49:34
  Speaker 4: Can you forget Wayne Gang?
• 49:36
  Speaker 1: Like? Music?
• 49:37
  Speaker 2: Like I said, music put me in different moves. Right,
• 49:40
  Speaker 2: I'm in the strip club. I want to hate some change. Okay,
• 49:43
  Speaker 2: I want to hit j Z. When I'm in the
• 49:44
  Speaker 2: strip club. It's tuned about that Z make you want
• 49:47
  Speaker 2: to stand on couches, no money. You're a boss when
• 49:50
  Speaker 2: you're in the clubs that j Z.
• 49:53
  Speaker 1: Then when I'm talking to the kids, I could, I
• 49:58
  Speaker 1: know I can't.
• 50:00
  Speaker 4: Oh that's when you're fucking whatever. When you want to
• 50:03
  Speaker 4: talk to the kids.
• 50:03
  Speaker 3: You see nigga nigga, nigga gonna raise your kids to
• 50:07
  Speaker 3: be great man, And it's like, yeah, but I don't
• 50:09
  Speaker 3: funk with you though.
• 50:10
  Speaker 4: I don't fuck with you though.
• 50:11
  Speaker 3: But if you're teaching my kids how to beat self
• 50:13
  Speaker 3: worth and ship, then it's cool.
• 50:15
  Speaker 2: But you you you can pick little pizzas and the
• 50:18
  Speaker 2: parts of all different music and yeah, it's like all right.
• 50:23
  Speaker 1: Everybody says, say what's your favorite JZ verse? My favorite
• 50:27
  Speaker 1: Z verse? I guess who's but Zack?
• 50:31
  Speaker 2: Still that Doug Motive like I like g like Jez
• 50:39
  Speaker 2: got a whole body of like different like him and Neo.
• 50:44
  Speaker 1: She said, that's my ship. I love that.
• 50:47
  Speaker 2: I love Peace up a Time Dawn like, that's my ship.
• 50:53
  Speaker 2: Dug Motivation, the Dug Motivation album, that's him, fab kiss
• 51:02
  Speaker 2: damn right, like Jez got some ship people sleep on
• 51:06
  Speaker 2: like they don't give g Z enough credit when we
• 51:09
  Speaker 2: throw it. When you throw the King of the South
• 51:11
  Speaker 2: out there, I feel like people don't throw.
• 51:12
  Speaker 1: His name out there too much.
• 51:15
  Speaker 4: Yeah, that's true. I don't.
• 51:16
  Speaker 1: I don't feel it.
• 51:18
  Speaker 2: I relate to j Z more than I rate to
• 51:20
  Speaker 2: relate to t I why, It's just, it's just talking
• 51:26
  Speaker 2: about j Z, like when Jeez talked, you can.
• 51:29
  Speaker 1: See that picture. You don't feel like that about Tip. No,
• 51:33
  Speaker 1: Tip is more.
• 51:34
  Speaker 3: I think Jez got bigger songs than Tip, but I
• 51:36
  Speaker 3: think Tip makes better music though I think so. Yeah,
• 51:40
  Speaker 3: I think t I makes better music than Jez. I
• 51:42
  Speaker 3: think Jez got bigger records, bigger songs, though he probably
• 51:45
  Speaker 3: packed a bigger stadium than t I any day. But
• 51:48
  Speaker 3: Tia is a better rapper, and I think he makes
• 51:51
  Speaker 3: better songs. I think you think I don't think so
• 51:56
  Speaker 3: I think if they was to sell, if they was
• 51:59
  Speaker 3: put to it's out right now and try to sell
• 52:01
  Speaker 3: that venue.
• 52:02
  Speaker 1: T way quicker than I don't know, man speaking maybe
• 52:09
  Speaker 1: with all that he's done, like gz his voice, the
• 52:12
  Speaker 1: unique voice to laugh.
• 52:15
  Speaker 2: Like like I feel like people don't give young enough,
• 52:20
  Speaker 2: just like I feel like people don't get fab enough.
• 52:23
  Speaker 1: It's like.
• 52:25
  Speaker 4: People love fab though, especially in New York.
• 52:28
  Speaker 1: In New York, yeah, but else.
• 52:31
  Speaker 3: People love fab another places trust and believe flat fab
• 52:33
  Speaker 3: Fab get flowers.
• 52:34
  Speaker 4: Trust me.
• 52:35
  Speaker 1: Now he gets flowers, but not like how he's supposed to.
• 52:38
  Speaker 4: Well, the thing is, it's a lot of rappers, bro.
• 52:40
  Speaker 3: And then like the thing is with our culture, we
• 52:42
  Speaker 3: we we keep doing this top five thing. It doesn't
• 52:45
  Speaker 3: leave space for any It don't leave space for a lot.
• 52:48
  Speaker 3: You got to really condense people in when when when
• 52:52
  Speaker 3: you when you think like that, So it's hard for
• 52:53
  Speaker 3: him to get flowers when it's like a top five.
• 52:55
  Speaker 3: It's like, oh, well I don't got I don't got
• 52:58
  Speaker 3: room for nothing else. But what needs to be here
• 53:00
  Speaker 3: if you put like nervouss that I'm putting fab in it.
• 53:02
  Speaker 1: For sure.
• 53:04
  Speaker 4: Fab is great.
• 53:05
  Speaker 1: Fab word play is different. Fab is great.
• 53:07
  Speaker 3: But see, like when you think about like a top
• 53:09
  Speaker 3: five for example, that question, like you think you're considering everything.
• 53:13
  Speaker 3: You're considering like just rapping ability from like a from
• 53:17
  Speaker 3: like a literal perspective, you know, I mean, you're considering
• 53:20
  Speaker 3: like B selection, you're considering like album curating production, you
• 53:25
  Speaker 3: know what I mean, influence, you know what I mean,
• 53:27
  Speaker 3: Like it's a lot and so sometimes like fab like
• 53:29
  Speaker 3: he can get in there a couple of ways, but
• 53:31
  Speaker 3: in some other ways he can't. He gonna get punched
• 53:33
  Speaker 3: out because then it's like there's people who do it on.
• 53:35
  Speaker 4: A higher level than you, you know what I mean.
• 53:37
  Speaker 3: And that's no disrespect to him, definitely, definitely, Yeah, it's
• 53:40
  Speaker 3: just not when you're talking about top five, it's like
• 53:42
  Speaker 3: it's easy for him to not make it and rappers
• 53:45
  Speaker 3: like him because it's like, oh, his own top five.
• 53:48
  Speaker 1: Like when you look at jay Nas.
• 53:51
  Speaker 3: I'm not a big Eminem fan, but like the niggas
• 53:54
  Speaker 3: mentioned Eminem and Ship, it's like it's not future, you
• 53:57
  Speaker 3: know what I mean.
• 53:57
  Speaker 4: It's like you don't you know, yeah about Dirty Spry Too?
• 54:01
  Speaker 3: Classic I was in Vegas when that came out. Dirty
• 54:04
  Speaker 3: Spry Too is classic.
• 54:08
  Speaker 1: Smoking girl Scout, I've been in the fucking bag Classic.
• 54:13
  Speaker 3: I'm gonna listen that on my way home. That's what
• 54:15
  Speaker 3: I listened to when I want to get on some
• 54:17
  Speaker 3: gangster ship. I listened to Dirty Spike too.
• 54:21
  Speaker 1: That's that's your ship. That's my gangster ship.
• 54:26
  Speaker 3: You're looking down on my gangster ship. What's your what's
• 54:29
  Speaker 3: your gangster ship?
• 54:30
  Speaker 1: Smart? Huh? Smart? What's that dirt? That's my gangster ship, Nigga.
• 54:38
  Speaker 4: That's your gangster ship.
• 54:38
  Speaker 1: Bro Dirt, Yeah, my gangster ship. People like dirt, gangster this, that.
• 54:44
  Speaker 1: But if you really listened to.
• 54:45
  Speaker 2: Some of the dirt songs, n he be, Yeah, he
• 54:48
  Speaker 2: be with the ship. He's not gangster ship. He's snapping.
• 54:51
  Speaker 2: He's really talking to the streets the ship. When he
• 54:54
  Speaker 2: said he the boys of the streets. I take that
• 54:56
  Speaker 2: in what about Little Baby Fox with Baby? But I'm
• 55:01
  Speaker 2: more I listen to more dirt than Baby. Like, what's
• 55:07
  Speaker 2: your favorite album from Smart?
• 55:09
  Speaker 1: Just period? Oh? In life and life.
• 55:13
  Speaker 4: I don't even know if I know the answer to this.
• 55:15
  Speaker 1: It's too many albums.
• 55:16
  Speaker 3: Give me, give me, give me, give me three. Give
• 55:18
  Speaker 3: me three of your favorite mixtapes. Five mixtapes? Yeah, three
• 55:24
  Speaker 3: of your five favorite mixtapes. Give Me dream Chaser, okay,
• 55:29
  Speaker 3: Chaser one.
• 55:30
  Speaker 1: Give Me Dream Chases two? Okay, give Me a Little Way?
• 55:43
  Speaker 1: Is that the drought? Uh? No? Little Way dedication? Mm hmm.
• 55:49
  Speaker 1: Three Man Wayne had to So.
• 55:55
  Speaker 2: Tape by fab Okay with that, that's four.
• 56:00
  Speaker 1: That's for Yeah. Rich Fever was an album. I think
• 56:05
  Speaker 1: it was a mixtape. I think it was. It was
• 56:06
  Speaker 1: a mixed That's fine, Okay, I'm still leaving ja, Like,
• 56:16
  Speaker 1: how do you feel about Freddy versus Jesson? It was good.
• 56:20
  Speaker 4: I need to run it back. It's been it's been
• 56:23
  Speaker 4: a minute. Yeah, you know.
• 56:24
  Speaker 3: I feel like when it comes to music, most of
• 56:26
  Speaker 3: the time, especially these days, I'm expecting to to not be.
• 56:31
  Speaker 4: To not fall head over heels in love with the music.
• 56:34
  Speaker 1: You know.
• 56:35
  Speaker 3: I think that's too much expectation these days. I think
• 56:38
  Speaker 3: music is really hard. And sometimes music is about like
• 56:42
  Speaker 3: right time, right place, it's a moment thing. Sometimes it's
• 56:45
  Speaker 3: not about like I got the I got the certain skill.
• 56:47
  Speaker 3: I can just go in and just make Sometimes it's
• 56:49
  Speaker 3: like when it happens, it happens, bro.
• 56:51
  Speaker 1: And trickling down in the podcast.
• 56:54
  Speaker 2: Right on one song that represents Wolf.
• 57:02
  Speaker 4: One song, it's tough man.
• 57:05
  Speaker 1: He said, you gotta pick this song to describe wolf.
• 57:09
  Speaker 1: What would it be?
• 57:12
  Speaker 3: That's tough man. Probably gonna go with just off top
• 57:16
  Speaker 3: just right away. There's there's multiple answers to this, and
• 57:19
  Speaker 3: there's probably even better answers to this, but for right now,
• 57:23
  Speaker 3: I'm gonna go with j Cole two D for the intro. Yeah,
• 57:29
  Speaker 3: partially functional. Half of me is comfortable. The other half
• 57:32
  Speaker 3: is close to the cliff, like Missus Huxtable. Them boys
• 57:34
  Speaker 3: packed them hostes and cliffs. They packed like lunchables like
• 57:37
  Speaker 3: white boys in grade school while we a school made food.
• 57:40
  Speaker 3: Just eyeing. They ship which I was trying. They ship
• 57:42
  Speaker 3: no one. When mama hit the store, she wouldn't buying
• 57:44
  Speaker 3: that ship. I ain't crying a bit, man. That just
• 57:46
  Speaker 3: like that's how that shit work. You reach your hand
• 57:48
  Speaker 3: to fire, you pull it back when you get burned.
• 57:50
  Speaker 3: Gotta learn when you get hurt, even if it's with cupid.
• 57:53
  Speaker 3: He beat you when you went back. He's a he's
• 57:55
  Speaker 3: a he's officially stupid. Oh yeah, I understand that's your man.
• 57:59
  Speaker 3: You had a plan together for sticking to get as fuck.
• 58:02
  Speaker 3: I don't know, but it's like, bro, Bro, that's that
• 58:05
  Speaker 3: that song fuck like white boys in grade school while
• 58:13
  Speaker 3: we a school may food just iron they ship, which
• 58:15
  Speaker 3: I was trying, they ship. No one would mama hit
• 58:17
  Speaker 3: the store. She wouldn't buying that ship Like I can
• 58:20
  Speaker 3: relate to that, you know. I remember watching kids have
• 58:22
  Speaker 3: lunchables and ship and being like, damn, like I don't
• 58:25
  Speaker 3: have that.
• 58:26
  Speaker 4: You know what I mean? I got, I got what
• 58:27
  Speaker 4: I got, you know what I mean?
• 58:29
  Speaker 1: Music and white music was to get wiped out today.
• 58:34
  Speaker 1: You could pick one album to live with? What would
• 58:37
  Speaker 1: it be? That's so tough, that's so tough. What would
• 58:42
  Speaker 1: it be? And what do this album do for you?
• 58:44
  Speaker 4: There's no right answer to this. Definitely not one album.
• 58:49
  Speaker 1: One album that you would have to live with and
• 58:51
  Speaker 1: do this album.
• 58:52
  Speaker 3: It's very few albums that I like from top to bottom.
• 58:57
  Speaker 3: I think a lot of the time I love albums.
• 59:00
  Speaker 3: So like when I say I love an album, sometimes
• 59:01
  Speaker 3: it's like I'm almost going off of a curve because
• 59:04
  Speaker 3: it's like I like four songs out of it that
• 59:07
  Speaker 3: I love to death. That forget the songs I don't like.
• 59:10
  Speaker 3: Because I like the four songs. It's a great album. Right,
• 59:13
  Speaker 3: But when I think about, like if I'm on this,
• 59:15
  Speaker 3: I'm listening to one.
• 59:21
  Speaker 4: Fuck are we being a specific? You say album? So
• 59:24
  Speaker 4: like no mixtape, me.
• 59:26
  Speaker 1: Mix tape, album, whatever you whatever you want to make.
• 59:30
  Speaker 4: This is tough. There's no right answer to this. So
• 59:32
  Speaker 4: I'm gonna just say, for.
• 59:37
  Speaker 3: The fuck man, I'm gonna say for mixtape, it's definitely
• 59:41
  Speaker 3: gonna be some cold ship. It's definitely gonna be it
• 59:46
  Speaker 3: could be warm up or Friday Nightlights. As far as
• 59:48
  Speaker 3: mixtape for an album, mm hmm.
• 59:56
  Speaker 1: Oh man, it should make you.
• 59:58
  Speaker 2: Think, This should make you want to go your phone
• 1:00:00
  Speaker 2: if you scrolling albums, are really listening, And what's fucked
• 1:00:04
  Speaker 2: up is that's not even gonna help me because it's
• 1:00:07
  Speaker 2: so much that's not even gonna help me.
• 1:00:09
  Speaker 1: Impacts of life like dreams of night man, that ship
• 1:00:12
  Speaker 1: it does hard for me.
• 1:00:13
  Speaker 3: That's not even gonna help me. I don't really think
• 1:00:16
  Speaker 3: I have an answer for that. I wish I did,
• 1:00:19
  Speaker 3: I wish I did. I don't have an album, album, album, album, album, album, album, album,
• 1:00:25
  Speaker 3: I don't.
• 1:00:25
  Speaker 1: Well listen, what what what about you? What's your answer
• 1:00:28
  Speaker 1: to that? It's hard.
• 1:00:30
  Speaker 5: I can go with jay Z for for fall, really yeah, reasonable,
• 1:00:35
  Speaker 5: I go with I could go with Meek Mills.
• 1:00:45
  Speaker 1: Mixtapes. I can go with the rich.
• 1:00:50
  Speaker 4: The Rich album like one album that we're listening to,
• 1:00:55
  Speaker 4: like god.
• 1:00:55
  Speaker 1: Damn album that's gonna repeat.
• 1:00:58
  Speaker 4: Currency could easily be in my time file too. But anyway, whatever, I.
• 1:01:02
  Speaker 1: Want to play safe, just chick, Just give me rod
• 1:01:04
  Speaker 1: Wave ghetto gospel. Hey, rocking out off. Really I'm crying,
• 1:01:08
  Speaker 1: I'm singing. I feeling like a soul jump beating on
• 1:01:11
  Speaker 1: my chut Broadway ghetto gospel. So I'm gonna go Jacole.
• 1:01:17
  Speaker 3: Friday night Lights or warm Up, and then I'm gonna
• 1:01:20
  Speaker 3: also go Dom Kennedy from West Side would love too.
• 1:01:24
  Speaker 3: These are two projects that I like, almost love all
• 1:01:27
  Speaker 3: the way top to bottom.
• 1:01:29
  Speaker 1: I can fuck with the Black album.
• 1:01:31
  Speaker 3: I fuck with Malibu by Anderson Park. That's another album
• 1:01:34
  Speaker 3: I like top to bottom. There's not a lot of
• 1:01:37
  Speaker 3: albums that I like top to bottom. You know, if
• 1:01:40
  Speaker 3: I'm just being honest with.
• 1:01:40
  Speaker 1: Myself, album to listen, listen.
• 1:01:45
  Speaker 4: To listen to Illmatic, You bugging not like bro one Love?
• 1:01:53
  Speaker 1: What up? Kid?
• 1:01:54
  Speaker 3: I know Ship was rough doing your bit when the
• 1:01:56
  Speaker 3: cops came. You should have slid to my career, fucking black.
• 1:01:58
  Speaker 3: No time for looking back, it's done plus congratulations. I
• 1:02:01
  Speaker 3: heard you had a son. I heard he looks like you.
• 1:02:03
  Speaker 3: Why don't your lady write? You told her she's sufficient.
• 1:02:06
  Speaker 3: That's when she got hyper flipping talking about the acts
• 1:02:08
  Speaker 3: too rough. He didn't listen. He'd be riffing while I'm
• 1:02:10
  Speaker 3: telling him stuff. I was like, yeah, Surety, don't care.
• 1:02:13
  Speaker 3: She a snake too, fucking with the niggas from that
• 1:02:15
  Speaker 3: fake crew that hate you. But yo, guess who got
• 1:02:17
  Speaker 3: shot in the done piece. Jerome's niece on our way
• 1:02:20
  Speaker 3: home from Jones Beaches. Bug like that nigga bro Bro
• 1:02:22
  Speaker 3: he wrote a three part letter to his man's in
• 1:02:24
  Speaker 3: jail bro in third verse spooky spooky, third verse spooky
• 1:02:30
  Speaker 3: bro spooky like, I don't know what nigga who's telling
• 1:02:33
  Speaker 3: the street life like.
• 1:02:34
  Speaker 1: Esco Brood good.
• 1:02:36
  Speaker 3: Good like telling the street life like Esco like in
• 1:02:40
  Speaker 3: full detail, in full detail.
• 1:02:43
  Speaker 4: I don't know.
• 1:02:45
  Speaker 3: Big Biggie Smalls not like Esco bro not in full detail.
• 1:02:51
  Speaker 3: Because the thing is the way nas raps he fits in.
• 1:02:56
  Speaker 3: Let's say, like a verse sixteen bars. He's getting in
• 1:02:59
  Speaker 3: more more information than Biggie Smiles. Not to say that
• 1:03:02
  Speaker 3: Biggie like Biggie obviously, he do a lot with a little.
• 1:03:05
  Speaker 3: That's what makes him so great. He's like the greatest
• 1:03:08
  Speaker 3: minimalist rapper to ever exist.
• 1:03:10
  Speaker 4: You know what I mean.
• 1:03:10
  Speaker 3: It's like he just a few words and you get
• 1:03:13
  Speaker 3: it all. You get the whole fucking picture. But Nas like,
• 1:03:16
  Speaker 3: I'm telling you, like third verse one, love exceptional Bro.
• 1:03:20
  Speaker 3: I'm talking exceptional work is unbelievable. Like how he put
• 1:03:23
  Speaker 3: those words together. I didn't like fuck man, Bro. If
• 1:03:28
  Speaker 3: I'm met Nas, I will cry. I will cry if
• 1:03:32
  Speaker 3: I'm met Nas, I would cry Bro Like I really, man,
• 1:03:35
  Speaker 3: Nas mean a lot to me, Bro, for real. He
• 1:03:40
  Speaker 3: he on the dreamk guest list for Shure. If you
• 1:03:45
  Speaker 3: were going yeah, because they've got to get in here.
• 1:03:49
  Speaker 1: Five artists that you will love with your.
• 1:03:51
  Speaker 3: Podcast, common Yeah, nas Dom Kennedy, common Dom Kennedy, Joey Badass.
• 1:04:08
  Speaker 3: I'm gonna go past five. I'm sorry, j Cole, Big Sean,
• 1:04:12
  Speaker 3: Kendrick mac Miller's dead. That would have been great. Yes,
• 1:04:23
  Speaker 3: I can, I can, I can, Ben Need the Butcher.
• 1:04:27
  Speaker 3: I think this is very possible ship too. That's the
• 1:04:29
  Speaker 3: crazy part. I'm gonna leave it there. That's a whole
• 1:04:33
  Speaker 3: I'm not I wouldn't say oh, because I just feel
• 1:04:35
  Speaker 3: like that's not possible, like now that it's not possible,
• 1:04:39
  Speaker 3: but I just feel like that's such.
• 1:04:40
  Speaker 4: A stretch, just like forget about it. You know what
• 1:04:43
  Speaker 4: I'm saying.
• 1:04:44
  Speaker 3: Anything's possible that I know it, but it's just like
• 1:04:46
  Speaker 3: it's fine, like Hope, don't want to be bothered by me.
• 1:04:48
  Speaker 4: You really don't.
• 1:04:49
  Speaker 3: And I'm okay with that. But I would be honest though,
• 1:04:51
  Speaker 3: if I could make that happen. What about you give
• 1:04:56
  Speaker 3: me ja Ja, give me Meek Meek, that's super possible.
• 1:05:01
  Speaker 1: Ross, give me fifty.
• 1:05:03
  Speaker 3: Meek and Ross. You can make happen easy. I see
• 1:05:05
  Speaker 3: that for you. Give me fifth, I can see that too,
• 1:05:09
  Speaker 3: Uh Meek Ross Jay Meek, that's fall fifth.
• 1:05:15
  Speaker 4: Jaden.
• 1:05:16
  Speaker 1: Give me kiss yep, I definitely kiss give me let's see.
• 1:05:23
  Speaker 1: I want, I want, I want smirt, dirt Okay, I
• 1:05:27
  Speaker 1: love the dirt. I would love a dog, your dog, yeah,
• 1:05:33
  Speaker 1: I would love dog. Okay. I love g Z too, Okay,
• 1:05:40
  Speaker 1: I love to see that with Jeezy. Raw Wave. Definitely
• 1:05:45
  Speaker 1: give me raw Wave.
• 1:05:48
  Speaker 2: And a lot ten ended. I'm gonna ended on a female.
• 1:05:52
  Speaker 2: Give me two more. Give me missy, give me a
• 1:05:58
  Speaker 2: little kid okay, no, yeah, missy Little Kim give me
• 1:06:02
  Speaker 2: train or two sexy give me give me Jim Jones two.
• 1:06:05
  Speaker 2: I definitely want to say that with Jim Jim Jones
• 1:06:07
  Speaker 2: was definitely part of my growing up reason and.
• 1:06:09
  Speaker 1: All that we gotta wrapt.
• 1:06:12
  Speaker 3: Yeah, we gotta get Jones is super possible for you
• 1:06:15
  Speaker 3: to get on the part.
• 1:06:16
  Speaker 2: Yeah, but the words of the Great Man hold the Joneses.
• 1:06:20
  Speaker 2: Can't keep up stuff of my nigga noads. But I
• 1:06:23
  Speaker 2: got strung as to eat the Wow.
• 1:06:26
  Speaker 1: Well we're going into that note.
• 1:06:28
  Speaker 2: Thanks for coming back for another episode of Flowing Up
• 1:06:31
  Speaker 2: Seat show.
• 1:06:32
  Speaker 1: Well, we're here to get in for you that.
• 1:06:34
  Speaker 3: You can find me at the Halfway Up podcast. So
• 1:06:36
  Speaker 3: I am Wolf Taylor. It's a self development podcast. Yeah, man,
• 1:06:41
  Speaker 3: just just here.
• 1:06:42
  Speaker 2: Man.
• 1:06:42
  Speaker 1: You know what, Man, the words of the Great jay Z.
• 1:06:45
  Speaker 1: I will not lose.
• 1:06:48
  Speaker 2: I'm number one on everybody list. Know, let's see what
• 1:06:50
  Speaker 2: happens when I know no longer exist?
• 1:06:52
  Speaker 1: Fuck this ship? What more can I say? Flying Step,
• 1:06:57
  Speaker 1: Fuck this ship