Latest / Fake Doctors, Real Friends with Zach and Donald / 412: My Best Moment

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412: My Best Moment · Fake Doctors, Real Friends with Zach and Donald

• 0:00
  Speaker 1: Hi guys, my friends, happening my friends, Joel, How are you?
• 0:09
  Speaker 1: I'm good? How are you? I am well? Just checking
• 0:12
  Speaker 1: on you, Mama, Yeah, yeah, I had um. Donald Nars
• 0:16
  Speaker 1: was recorded yesterday and I texted early in the morning
• 0:18
  Speaker 1: to be like, I woke up with a fever and
• 0:20
  Speaker 1: body aches. You know me, good morning, yo, get tested.
• 0:27
  Speaker 1: He's like it out of Donald was probably thinking like
• 0:29
  Speaker 1: can I get COVID over my headphones? My heart immediately
• 0:36
  Speaker 1: went to the Queen of all things fake doctor's real
• 0:39
  Speaker 1: friend Joe to make sure, are you okay? How are
• 0:42
  Speaker 1: you feeling? I'm much better today. I think it was
• 0:45
  Speaker 1: just I am a person who has an anxiety disorder.
• 0:49
  Speaker 1: I think I let myself get too stressed. Uh, It's
• 0:51
  Speaker 1: made me sick before. I've been hospitalized for it before,
• 0:54
  Speaker 1: so I, you know, use all my toolbox stuff. And
• 0:57
  Speaker 1: I was like, you know, let me just take a
• 0:58
  Speaker 1: few hours to calm down and then get back in it.
• 1:00
  Speaker 1: And so I did, and I felt much better by
• 1:02
  Speaker 1: like mid afternoon, and no science this morning, So I
• 1:05
  Speaker 1: think we're good. Still scheduled to test anyway, just to
• 1:07
  Speaker 1: be safe, but I think we're fine. Is there anything
• 1:10
  Speaker 1: Donald and I can do to lessen your anxiety. Nope,
• 1:14
  Speaker 1: y'all are great. Okay, that's me and my therapist thing.
• 1:19
  Speaker 1: Just I just I know it's a personal thing and
• 1:22
  Speaker 1: you don't have to share it with the world, but
• 1:24
  Speaker 1: I'm just but I want you to know that if
• 1:26
  Speaker 1: there's anything at all that's contributing your anxiety that comes
• 1:29
  Speaker 1: from Donald and I, we can, we can change it.
• 1:33
  Speaker 1: That's very Donald could be kinder whoa whoa right out
• 1:38
  Speaker 1: of the gate. If I'm any kinder, I am stand
• 1:47
  Speaker 1: and it's dangerous, um, and I'm like, I missed you too.
• 1:52
  Speaker 1: You know what, man, I'm going to tell you something
• 1:54
  Speaker 1: right now, budd ahead, the world has been set ablaze
• 1:59
  Speaker 1: by Megan Arcle and Harry set a place. Dude. I
• 2:08
  Speaker 1: only I only watched some clips. I didn't watch that, dude.
• 2:11
  Speaker 1: All I had to hear was the baby's skin color,
• 2:15
  Speaker 1: and that was a I was like, dude, I don't
• 2:18
  Speaker 1: give I could care less about everything else. That's the
• 2:22
  Speaker 1: one thing that I targeted on right away, like wait
• 2:24
  Speaker 1: to say what, hold on what they said what? Right away? Dude,
• 2:30
  Speaker 1: right away? I don't know about y'all. Yeah, being suicidal
• 2:39
  Speaker 1: was definitely a checker for me. That was another one.
• 2:42
  Speaker 1: That was another one where I was, yeah, that was
• 2:47
  Speaker 1: really frightening actually to hear her say that she she
• 2:51
  Speaker 1: was suicidal and wanted to seek an in treatment program somewhere,
• 2:56
  Speaker 1: and they were like, no, we're sorry. The fact that
• 3:00
  Speaker 1: that's insane, um, I mean that's crazy. Yeah. The fact
• 3:05
  Speaker 1: that she recognized it and was like, yo, I need help.
• 3:08
  Speaker 1: M yeah, and Hart and then they were just like, no,
• 3:12
  Speaker 1: that was nuts. Tyler Perry gave them shelter. Oh my god,
• 3:17
  Speaker 1: that was crazy to me. What Tyler Perry gave them shelter. Well,
• 3:20
  Speaker 1: he freaking put them up for a bit, right, didn't
• 3:23
  Speaker 1: they stay at his house or something like that? So
• 3:25
  Speaker 1: when they left, they didn't get anything from the palace,
• 3:28
  Speaker 1: you know, like they don't have real jobs, and so um.
• 3:32
  Speaker 1: Luckily Harry's mother left him what amounted to being forty
• 3:36
  Speaker 1: million after like um and curred costs and all of that,
• 3:40
  Speaker 1: so they were able to get out of the country.
• 3:42
  Speaker 1: But then they like couldn't go anywhere immediately. And so
• 3:46
  Speaker 1: Tyler Perry is like, here's a house, stay in it.
• 3:48
  Speaker 1: It's mine. Just chill, yeah, back on my feet. The
• 3:52
  Speaker 1: next step, Tyler was like, I don't even know which
• 3:55
  Speaker 1: it's one of my mansions. No one's even in it.
• 4:01
  Speaker 1: It really is an interesting story, if you know, if
• 4:03
  Speaker 1: they if here's where it gets crazy. They thought this
• 4:07
  Speaker 1: was the end of it. This is definitely not the
• 4:10
  Speaker 1: end of it. You know what I mean. Well, they're gonna.
• 4:12
  Speaker 1: I haven't been following it. You want to be gonna.
• 4:14
  Speaker 1: They're gonna have to make a statement or something. I'm
• 4:16
  Speaker 1: dying to know what they're starting. The Palace. The Palace
• 4:19
  Speaker 1: did make a statement. They made a statement already, and
• 4:21
  Speaker 1: it was a positive statement from what I was pretty
• 4:23
  Speaker 1: good wine, yeah, pretty pretty very much like, yeah, well,
• 4:27
  Speaker 1: at least they're hiding out somewhere nice in Santa Barbara
• 4:30
  Speaker 1: near Oprah, and forty million should cover a nice sub
• 4:35
  Speaker 1: style of living for them. Agreed, I'll take I'll take
• 4:39
  Speaker 1: forty million. They can just chill with their chickens and Oprah.
• 4:43
  Speaker 1: You give me forty million, I'm gonna what are you
• 4:46
  Speaker 1: gonna do? We learned you're gonna you're gonna build a submarine,
• 4:48
  Speaker 1: a submerged that's that's what. That's what like the money
• 4:52
  Speaker 1: of forever. So with forty million, you wouldn't build like
• 4:55
  Speaker 1: a small sub like a little pocket sub, like one
• 4:57
  Speaker 1: of those ones. James Cameron's always looking for shipwrecks. That's
• 5:01
  Speaker 1: how he drives too. He drives like this. I would,
• 5:04
  Speaker 1: I would, man. The only guy loves the only thing
• 5:09
  Speaker 1: that guy loves more than making a giant movie is
• 5:11
  Speaker 1: finding a shipwreck. His treasure in shipwrecks. That's like his
• 5:15
  Speaker 1: hobby is like getting in a sub and looking for shipwrecks.
• 5:17
  Speaker 1: He's probably made more money finding shipwrecks than he did
• 5:20
  Speaker 1: with any of his movies. And clue, you and I go,
• 5:22
  Speaker 1: You and I play tennis, You and I go play tennis.
• 5:24
  Speaker 1: He's like, all right, baby, I'm gonna find a shipwreck sub.
• 5:28
  Speaker 1: I might want one of those subs. Because if I
• 5:30
  Speaker 1: said to you, dude, I got a sub, do you
• 5:33
  Speaker 1: want to go find shipwrecks? You remember mom? Let's go? Yeah, dude,
• 5:36
  Speaker 1: if you knew how to drive the sub? Do you
• 5:38
  Speaker 1: remember Octopussy? Of course? Man, it's the best James Bond
• 5:41
  Speaker 1: movie ever. I don't know if it's the best James
• 5:43
  Speaker 1: Bond movie when I was a kid. When I was
• 5:46
  Speaker 1: a kid, that was the best James Bond Why you
• 5:50
  Speaker 1: know why, brother, Because we're close to the same age
• 5:52
  Speaker 1: and that movie came out and we were of the
• 5:54
  Speaker 1: age because I remember it was one of my very
• 5:57
  Speaker 1: first um, I don't know if it was our one
• 6:00
  Speaker 1: of my very first movies I attended where I needed
• 6:03
  Speaker 1: a parent to go with me. Yes, and I didn't
• 6:06
  Speaker 1: really know James Bond. On't how old I was, but
• 6:08
  Speaker 1: I was at the age it was when was what
• 6:09
  Speaker 1: every year? Actually duel? Can you look for me? What
• 6:12
  Speaker 1: year did For Your Eyes Only? Come out? Sorry? Sorry,
• 6:15
  Speaker 1: I'm combining two things. I loved octopusy, but the one
• 6:18
  Speaker 1: I'm talking about is For Your Eyes Only, which was
• 6:21
  Speaker 1: the first one I saw in the theaters and it
• 6:25
  Speaker 1: was right see did you ever see? Never Say Never Again? Never?
• 6:31
  Speaker 1: Never Say Never, Say Never Again? Was the movie that
• 6:35
  Speaker 1: wasn't officially a James Bond movie, but it was a
• 6:37
  Speaker 1: James Bond movie. And it was after Sean Connery left
• 6:41
  Speaker 1: and he came back and played Double O seven one
• 6:44
  Speaker 1: more time and was the movie was called Never Say
• 6:47
  Speaker 1: Never Again? Huh. I know the title, but I don't
• 6:49
  Speaker 1: know if I saw that one. My brother was obsessed with.
• 6:52
  Speaker 1: It was either Never Say Never or Never Say Never
• 6:54
  Speaker 1: Again eighty one, so that would made me six. That's
• 6:58
  Speaker 1: insane to think that I was six years old scene
• 7:00
  Speaker 1: for your eyes only, but I guess I was. When
• 7:02
  Speaker 1: did octopusy come out? I'm just like saying, octopus? Are
• 7:08
  Speaker 1: you drinking? It's my grandmother's favorite word too. What are
• 7:11
  Speaker 1: you drinking? Though? Uh? Apple juice? I worked out heavy today.
• 7:16
  Speaker 1: I don't believe you're drinking apple juice. It's a little
• 7:18
  Speaker 1: early for whiskey though. It's afternoon. It's one. And by
• 7:24
  Speaker 1: the way, I'm what happened to our health? Kick? It's
• 7:26
  Speaker 1: one and COVID is retreating and you got already you
• 7:31
  Speaker 1: got you gotta give up the Tuesday whiskeys, bro. I
• 7:35
  Speaker 1: got up early this that's some COVID shit we're pulling out.
• 7:38
  Speaker 1: I got up early this morning. You're drinking red bull
• 7:41
  Speaker 1: m m yeah. Yeah, you're trying to get high too.
• 7:45
  Speaker 1: You're want the same shit drinking? Motherfuck? Are you trying
• 7:51
  Speaker 1: to get high too? I think right, I think red bulls. Okay,
• 7:54
  Speaker 1: that's right, that's right. You're trying to do it too,
• 7:56
  Speaker 1: don't trip. This is my funny juice, yeah exactly, this
• 7:59
  Speaker 1: is my funny juice, exactly exactly. Um, but what were
• 8:07
  Speaker 1: we talking about? Are you talking about how brilliant Octopussy
• 8:12
  Speaker 1: one year nineteen eighty three, nineteen eighty three, that's when
• 8:15
  Speaker 1: I saw that was I think that's my first James
• 8:17
  Speaker 1: Bond movie. And when I was a kid, I thought
• 8:19
  Speaker 1: that was so dope, and then people were like, you
• 8:21
  Speaker 1: should see Moonraker, and I watched Moonraker, like all of
• 8:24
  Speaker 1: the Roger Moore movies where my introduction into James. Well,
• 8:27
  Speaker 1: we didn't know as little kids that Roger Moore wasn't
• 8:30
  Speaker 1: the Jam until our senior, our senior. He was the
• 8:35
  Speaker 1: second Jam. He was the second Jam. Sean Connery was
• 8:38
  Speaker 1: the first Jam. He was the second Jam. I think
• 8:40
  Speaker 1: there was somebody in between them briefly, yeah, yeah, one
• 8:44
  Speaker 1: one movie, one movie, yeah yeah, but the jam was
• 8:49
  Speaker 1: those guys. I'll tell you this right now. I think
• 8:52
  Speaker 1: Timothy Dalton did a great job as James Bond. I
• 8:55
  Speaker 1: just think some of his movies weren't that good. I
• 8:58
  Speaker 1: think Pierce Brazen before when Rimington Steel was over, should
• 9:03
  Speaker 1: have been James Bond. Or when Rimington Steel was after
• 9:06
  Speaker 1: that one year and it wasn't really that dope and
• 9:09
  Speaker 1: they didn't go he should have been James Bond back then.
• 9:11
  Speaker 1: Instead of being James Bond when he was an old man,
• 9:14
  Speaker 1: you know what I mean. And I think Daniel Craig
• 9:18
  Speaker 1: by far has the best James Bond movies out of
• 9:21
  Speaker 1: all of them. Well, of course now they're they're made
• 9:24
  Speaker 1: with like you know, Sam Mendez with a zillion dollars.
• 9:27
  Speaker 1: I think they're really fucking great. But Sean Connery, dude,
• 9:31
  Speaker 1: was was the man and Sean you can't pare anybody, absolutely,
• 9:34
  Speaker 1: but this was a different type of James. He was
• 9:36
  Speaker 1: a different type of James Bond. You know. He was
• 9:39
  Speaker 1: very rough on the ladies. He was you know what
• 9:40
  Speaker 1: I mean? He was you know, he was very abusive.
• 9:43
  Speaker 1: When I say rough on the ladies, he would smack
• 9:45
  Speaker 1: ladies around and hit yeah, I mean you know what
• 9:47
  Speaker 1: I mean, your life do you mean? In the movies
• 9:49
  Speaker 1: are in his realm? He would do it. He did it,
• 9:51
  Speaker 1: and the movies too, Buddy, in the movies too. My
• 9:54
  Speaker 1: point is I think Daniel Craig has the best ones.
• 9:57
  Speaker 1: I would love it if James Bond is a number
• 10:02
  Speaker 1: and a code name and not a person and these
• 10:06
  Speaker 1: aren't all the same, dude, because I feel like we
• 10:12
  Speaker 1: might have missed the boat already and this was a
• 10:13
  Speaker 1: big deal. But I feel like Idris album would have
• 10:16
  Speaker 1: been the best. James would have been a great James
• 10:18
  Speaker 1: Bond and and that should have happened and it and
• 10:21
  Speaker 1: it didn't happen, And well, why do you know that
• 10:22
  Speaker 1: it won't happen in the future. He's not too old
• 10:24
  Speaker 1: to play James Bond. Then they weren't going to do that, Yeah,
• 10:30
  Speaker 1: which was frustrating an African American man. Yeah. And then
• 10:35
  Speaker 1: they said pretty specifically that they were going to do Idris,
• 10:37
  Speaker 1: which was like, yea, you're bug You're bugging dude. You
• 10:43
  Speaker 1: want to talk about you want to talk about box
• 10:45
  Speaker 1: office appeal to so many people, Idris is a great
• 10:51
  Speaker 1: you know, we would have more of a fucking box
• 10:52
  Speaker 1: office appeal than Edriss Elbow Donald motherfucker fath On. No, no, no,
• 10:56
  Speaker 1: I don't want to no less. To be honest about it,
• 10:59
  Speaker 1: I think, come on, you need to put that show
• 11:00
  Speaker 1: on your whiteboard. Star Wars nonsense. You want to be
• 11:03
  Speaker 1: James motherfucking Bond. You gotta be British to be James
• 11:07
  Speaker 1: James A day of Shoon Bond, Well, it would be
• 11:10
  Speaker 1: dope if James Bond was a Nigerian. Uh that moved
• 11:14
  Speaker 1: to I made that A lot of Nigerians in the UK. Baby,
• 11:18
  Speaker 1: I'm just putting it out there. A lot of West
• 11:22
  Speaker 1: Africans out there, y'all. I'm just putting it out there.
• 11:25
  Speaker 1: We get into this, baby, why don't we count in
• 11:28
  Speaker 1: box six seven eight about show? We made a lot
• 11:33
  Speaker 1: of bunch of nurses. The stories so yetto around Yere yeadoo,
• 11:45
  Speaker 1: around Yere. Funny episode, very fun. I cried at the
• 11:54
  Speaker 1: end of this episode. I was my removed. My wife
• 11:57
  Speaker 1: cried at the end of this episode, clutching my pearls.
• 12:01
  Speaker 1: She who directed this? By the way, who do you think?
• 12:04
  Speaker 1: Fucking Chris Cotch? The g fucking mc daddy? Wow, he
• 12:09
  Speaker 1: did such a great job. And who speaking of directing accolades,
• 12:12
  Speaker 1: did you hear that I'm nominated for Director's Guild of
• 12:14
  Speaker 1: America Awards? You didn't heard. I did not hear about this.
• 12:20
  Speaker 1: Through all the emails and texts and stuff that I saw,
• 12:24
  Speaker 1: I did not hear about this. Turned my key. I
• 12:30
  Speaker 1: gotta tell you guys, to be sentimental for a second.
• 12:33
  Speaker 1: I really really really was moved by this. I you know,
• 12:37
  Speaker 1: for those of you not in the industry, the Director's
• 12:39
  Speaker 1: Guild of America. The DGA is the union for directors
• 12:43
  Speaker 1: in both televis directing television and film, and not just
• 12:47
  Speaker 1: the director as the leader of the film set, but
• 12:50
  Speaker 1: all of the assistant directors that work with the director
• 12:53
  Speaker 1: to execute everything. And so it is the ultimate version
• 12:58
  Speaker 1: of an acknowledgement from your peers. So I certainly didn't
• 13:02
  Speaker 1: think when I directed the second episode it said last
• 13:05
  Speaker 1: so that it would have the reaction it did. And
• 13:07
  Speaker 1: I just assumed, oh, if they nominate Tad last, so
• 13:09
  Speaker 1: they'll nominate the pilot because it's the first episode. But
• 13:12
  Speaker 1: my episode sort of kind of showed that the show
• 13:15
  Speaker 1: would have some heart and emotion and drama and and heartbreak,
• 13:21
  Speaker 1: and I don't know, I was so I was very
• 13:23
  Speaker 1: truly shocked. But I haven't haven't been able to wipe
• 13:27
  Speaker 1: this smile off of my face. I'm so happy about it.
• 13:29
  Speaker 1: It's so amazing, buddy, It's so amazing, dude. The fact
• 13:32
  Speaker 1: that your peers are the ones that nominated you too, Yeah,
• 13:36
  Speaker 1: really awesome, man. And I got really awesome texts from
• 13:39
  Speaker 1: directors I really love, and just awesome support from from
• 13:43
  Speaker 1: the community, And yeah, I just I don't know. I'm
• 13:45
  Speaker 1: very I'm just very proud. I'm so proud. I told you,
• 13:49
  Speaker 1: I always told you, buddy, you're a really good actor.
• 13:52
  Speaker 1: But you know what you are, you know what you
• 13:53
  Speaker 1: do best, you know where you shine best. Because when
• 13:56
  Speaker 1: you're directing, man, very very very good. It's storytelling. Thank you,
• 14:01
  Speaker 1: very good at it, and writing too, you shine there too,
• 14:05
  Speaker 1: very good at storytelling man. And this is a fact.
• 14:07
  Speaker 1: And I I am so happy that the DGA has
• 14:13
  Speaker 1: stepped up and said, you know what, Donald Fazon is right,
• 14:18
  Speaker 1: does tell great stories. Thank you, thank you, thank you.
• 14:22
  Speaker 1: Why it's all ever all I truly ever wanted to
• 14:24
  Speaker 1: be was a director. I'm so thrilled and blessed. And
• 14:28
  Speaker 1: it's grateful that I had this acting career, but not
• 14:31
  Speaker 1: but and to be able to work as a director
• 14:36
  Speaker 1: and not alone, let alone, have the d GA say, hey,
• 14:40
  Speaker 1: we chose five directors who we thought made the best
• 14:43
  Speaker 1: comedy episodes this year and you're one of them. That's
• 14:46
  Speaker 1: just really fucking cool. And I'm younger me wouldn't even
• 14:50
  Speaker 1: believe that it happened. So there you go. There it is.
• 14:53
  Speaker 1: Fairy tales can come true. It could happen to you.
• 14:58
  Speaker 1: That's if you're young at art. I am young in heart,
• 15:01
  Speaker 1: Yeah you are. I don't look about turned forty six,
• 15:04
  Speaker 1: do I look at No? I look like kid. I
• 15:07
  Speaker 1: remember where Casey turned thirty when she was walking around
• 15:10
  Speaker 1: telling everybody when we went out that we were forgot.
• 15:14
  Speaker 1: She was like, I just turned thirty and I looked
• 15:16
  Speaker 1: like I'm twenty six, So I'm fine. The show is
• 15:23
  Speaker 1: very funny and very moving, and for those of you
• 15:26
  Speaker 1: playing along at home, it's episode four twelve, My Best Moment.
• 15:30
  Speaker 1: And you know the structure of this is the classic
• 15:35
  Speaker 1: Bill Lawrence structure in which you're there's all these seeds
• 15:40
  Speaker 1: laid through the episode about the theme being what was
• 15:44
  Speaker 1: your proudest moment as a doctor? What's one of your
• 15:46
  Speaker 1: best memories? And we cut lots of people's favorite memories
• 15:50
  Speaker 1: and then only to find in the end when they
• 15:52
  Speaker 1: saved the day that this this saving of this one
• 15:56
  Speaker 1: patient on Christmas has become their favorite moment and they
• 15:58
  Speaker 1: all tell it from a different perspective, and it was
• 16:01
  Speaker 1: really moving, you know. Just by the end, I had
• 16:03
  Speaker 1: goosebumps all over my body, and Donald I cried, my
• 16:07
  Speaker 1: wife cry, like I wasn't uncontrollably crying. But it was like, wow,
• 16:11
  Speaker 1: this is I am fucking emotional right now because of this,
• 16:17
  Speaker 1: and you know, and it has so many I think
• 16:20
  Speaker 1: what helps is that it has so many funny moments
• 16:24
  Speaker 1: in it. Like even when we start off, you carrying
• 16:28
  Speaker 1: JD carrying Turk and talking about and Turk telling him
• 16:32
  Speaker 1: about how he has to do surgery in front of
• 16:36
  Speaker 1: the you know, the family members, and how you turned
• 16:40
  Speaker 1: it into a movie where the white family isn't saying anything,
• 16:44
  Speaker 1: they're just staring, but the black family is like, Oh,
• 16:46
  Speaker 1: you're gonna find a tuma back there. I know you're
• 16:49
  Speaker 1: gonna find a tumba up. Oh that's that tuma. And
• 16:53
  Speaker 1: then we address and then you go, you go, did
• 16:55
  Speaker 1: you go to the blood? Did you go to the
• 16:58
  Speaker 1: Black family? Watching a movie? Staring type in your fantasy?
• 17:01
  Speaker 1: And I'm like like a beard of honey. Yeah, all right.
• 17:06
  Speaker 1: I'm gonna say one thing, what I've been to so
• 17:10
  Speaker 1: many movie theaters before in my life. I'm a connoisseur
• 17:14
  Speaker 1: of theaters like in Times Square, which is probably quite
• 17:18
  Speaker 1: an experience. And I grew up in Times Square that
• 17:20
  Speaker 1: that's my actual neighborhood is Times Square where I grew up,
• 17:26
  Speaker 1: so I guess that the stereotype has a basis in
• 17:28
  Speaker 1: reality or not. No, it's real. It's it's true, you know,
• 17:32
  Speaker 1: it's definitely true. That's it's not a stereotype. This is honestly,
• 17:36
  Speaker 1: at least, I take it back. I take it back.
• 17:38
  Speaker 1: It's fact. For at least when I was growing up
• 17:42
  Speaker 1: and experiencing going in seeing movies in African American UH
• 17:48
  Speaker 1: communities like the Apollo Theater, like the Apollo Movie Theater
• 17:51
  Speaker 1: in Harlem and and all of these others. I went
• 17:54
  Speaker 1: and saw School Days at the Apollo Movie Theater in Harlem.
• 17:57
  Speaker 1: And let me tell you something right now, when they
• 17:59
  Speaker 1: were doing step shows, people jumped up from the audience
• 18:03
  Speaker 1: and there was like this little stage on the side,
• 18:05
  Speaker 1: and we're doing step shows with school Days and Spike
• 18:07
  Speaker 1: Lee joined by the way, y'all, we're doing the steps
• 18:10
  Speaker 1: with the people in the movie, with Laurence Fishburne and
• 18:13
  Speaker 1: and John Carlo Esposito and and and Titia Campbell and
• 18:18
  Speaker 1: come and all of these people doing it, you know
• 18:21
  Speaker 1: what I mean, doing it on screen and in the audience.
• 18:25
  Speaker 1: It's an experience and it's a lot of fun, and
• 18:27
  Speaker 1: it's easy. It's easy to make fun of. But I
• 18:30
  Speaker 1: have a cushion. Do you have to be in the
• 18:31
  Speaker 1: mood for I mean, I've only I haven't not had
• 18:34
  Speaker 1: this experience. But I imagine if it was the right movie,
• 18:37
  Speaker 1: I would be laughing my ass off at people participating
• 18:41
  Speaker 1: Alliance the wrong movie. I'd be so annoyed. I'd be like,
• 18:44
  Speaker 1: please shut up, go ahead, I'm just sitting it lake. Listen,
• 18:49
  Speaker 1: if you're going to a certain movie theater where you
• 18:51
  Speaker 1: know that's prominent, even if it's a movie where you
• 18:54
  Speaker 1: shouldn't be doing that. I saw Precious on the South
• 18:57
  Speaker 1: Side of Chicago. That's not a movie where you're supposed
• 19:00
  Speaker 1: to react. But would I tell you, like the whole
• 19:04
  Speaker 1: audience was it like we hear you girl, now, rude? Rude.
• 19:09
  Speaker 1: Somebody brought Harold's chicken in and so when she goes
• 19:12
  Speaker 1: to KFC, they were really mom on out. Like also,
• 19:14
  Speaker 1: dream Girls, which is a movie you absolutely should react at.
• 19:17
  Speaker 1: It was great, like people singing with Danif it's just
• 19:20
  Speaker 1: it's it's it's a different way to watch a movie.
• 19:22
  Speaker 1: So if you're in the mood because you know, i'n't
• 19:24
  Speaker 1: going to film festivals and stuff, and sometimes you're like
• 19:26
  Speaker 1: I want to sit and like absorb this movie. This
• 19:29
  Speaker 1: is a different form of entertainment. It's like you're there
• 19:31
  Speaker 1: as much to see the movie as you are to
• 19:33
  Speaker 1: see the audience, and that's what makes it like a
• 19:34
  Speaker 1: fun experience. I went and saw Back to the Future. Yes,
• 19:40
  Speaker 1: and let me tell you something right now, I never
• 19:43
  Speaker 1: laughed so hard at the commentating on how stupid George
• 19:48
  Speaker 1: McFly is. Dude, this is a guy who goes on
• 19:52
  Speaker 1: to make millions of dollars after Martis, his son, saves
• 19:57
  Speaker 1: his freaking marriage, he goes on to make millions. I've
• 20:01
  Speaker 1: never seen more people freaking laugh at his stupidity in
• 20:05
  Speaker 1: my life. When freaking he can't put together, when he
• 20:09
  Speaker 1: finally puts together what the plan is between him and
• 20:12
  Speaker 1: Marty and freaking what they're gonna do to Lorraine at
• 20:16
  Speaker 1: the dance, and he's like, you're gonna go and you're
• 20:18
  Speaker 1: gonna touch her. You're gonna touch her, and somebody in
• 20:21
  Speaker 1: the audience finally yelled her nipples George, and the whole studio,
• 20:26
  Speaker 1: the whole audience laughed so hard. I imagine if the
• 20:30
  Speaker 1: people yelling out shit are genuinely funny. I mean, it's
• 20:34
  Speaker 1: just I don't know. It's a bizarre I mean, this
• 20:36
  Speaker 1: is such a like an experience I never had and
• 20:40
  Speaker 1: I would like to have. But I imagine if the
• 20:42
  Speaker 1: people who are yelling shit out are funny, then it
• 20:43
  Speaker 1: would be a good time. It's the best, it's the best.
• 20:46
  Speaker 1: You gotta be the right movie, though. You got to
• 20:47
  Speaker 1: pick the right movie because it can be. It can
• 20:49
  Speaker 1: be any movie. You just have to be in the movie. Now.
• 20:52
  Speaker 1: It can't be in a movie that you know, a
• 20:54
  Speaker 1: drama that you want to like get lost in. Right,
• 20:56
  Speaker 1: don't go to fucking don't go and watch a movie
• 20:58
  Speaker 1: that she said she watched fress But that works though,
• 21:02
  Speaker 1: that works for that, that works, man. Look think about it, man.
• 21:07
  Speaker 1: Tyler Perry has made millions offered plays that really have
• 21:13
  Speaker 1: great audience participation. It might not be them on the
• 21:17
  Speaker 1: stage and stuff like that, but they feel like they're
• 21:19
  Speaker 1: living what's going on stage. Man, And he went and
• 21:22
  Speaker 1: did it. And the way he did it was he
• 21:25
  Speaker 1: took it to small venues where he could pack the
• 21:28
  Speaker 1: audience with African American church people and they can listen
• 21:34
  Speaker 1: to one the gospel two so they're learning, they're learning
• 21:38
  Speaker 1: a lesson two. Uh, they can listen to things that
• 21:42
  Speaker 1: they you know, they can experience situations that they can
• 21:45
  Speaker 1: relate to. You don't get that when you go to
• 21:48
  Speaker 1: the movies and you're black and you see all of
• 21:50
  Speaker 1: these white movies. Man, that's all that's that's all that's
• 21:52
  Speaker 1: out there. Man. You don't get that shit in real life.
• 21:55
  Speaker 1: But Tyler Perry provided that and so people. So because
• 21:58
  Speaker 1: of that, that's why you have these media movies and
• 22:01
  Speaker 1: stuff like that, because we can relate to stuff like that.
• 22:04
  Speaker 1: He started something and we were like, oh shit, that's funny.
• 22:08
  Speaker 1: Now now I want to be as rich as Tyler Perry.
• 22:13
  Speaker 1: I wish I would have gotten on board back in
• 22:15
  Speaker 1: the day. I'm sorry I did it us. I wish
• 22:20
  Speaker 1: I would have not being and not being in this stuff.
• 22:23
  Speaker 1: But I wish I would. I wish I would. I
• 22:26
  Speaker 1: wish I would have seen I would have seen. I
• 22:28
  Speaker 1: wish I would have seen his vision. I wish I
• 22:30
  Speaker 1: would have I wish I would know. He's employed. Absolutely,
• 22:35
  Speaker 1: he's employed so many African American actors. It's ridiculous how
• 22:38
  Speaker 1: many he's employed. Like, he's employed more than Hollywood has.
• 22:42
  Speaker 1: I'd say, by now you know what I mean He's
• 22:44
  Speaker 1: put so many people into great positions and now some
• 22:49
  Speaker 1: of them are movie stars. Real talk, real talk? Am
• 22:52
  Speaker 1: I wrong? Where's the line? I know? Because I'm so
• 22:57
  Speaker 1: passionate about this? Now, where's the lie that whiskey? Though?
• 23:02
  Speaker 1: I never knew that. I never knew you were so
• 23:04
  Speaker 1: passionate about mister Perry. I just I appreciate what he's
• 23:08
  Speaker 1: done as an African American actor, and and and not
• 23:11
  Speaker 1: being able to see all you know what I mean,
• 23:13
  Speaker 1: like I hear not being able to see people like
• 23:16
  Speaker 1: me in movies growing up. I appreciate him, and I
• 23:21
  Speaker 1: think he's a very inspirational story because you know, everyone
• 23:24
  Speaker 1: was passing on a ship, no one wanted to make it,
• 23:26
  Speaker 1: no one would give him a dime, and he built
• 23:29
  Speaker 1: a fucking empire, empire on his own and uh and
• 23:34
  Speaker 1: and now as his own studio and backlot and and
• 23:37
  Speaker 1: he's just incredible, incredible inspiration. Yeah, absolutely, absolutely, all right,
• 23:42
  Speaker 1: let's get back to the episode. It's crazy how this
• 23:45
  Speaker 1: all stemmed from African American people in movie theaters. Man, Listen,
• 23:51
  Speaker 1: everyone admires how on topic we stay. I laughed when
• 23:57
  Speaker 1: I'm lecturing these med students. And do you think I'm
• 24:01
  Speaker 1: giving them medical advice. But no, I'm just telling about
• 24:04
  Speaker 1: which product of hair moose I use I wrote that
• 24:08
  Speaker 1: down with the special hair. Yeah. And then they cut
• 24:12
  Speaker 1: U and I toss him the gel or whatever it is,
• 24:15
  Speaker 1: and when they cut back to him, his hair is
• 24:16
  Speaker 1: just perfect like mine, all like it starts off. He
• 24:21
  Speaker 1: needs a haircut, real bad. I didn't know the gel
• 24:23
  Speaker 1: trimmed it down to the perfect height. I don't know
• 24:26
  Speaker 1: what I didn't know. The jail miraculously also gave him
• 24:29
  Speaker 1: a haircut. But we'll take it. This is the should
• 24:33
  Speaker 1: we should mention that this is the Christmas episode. Also, yes,
• 24:36
  Speaker 1: it is a Christmas episode and has a very warm
• 24:38
  Speaker 1: Christmas message at the end, Um, I'm bragging. What is this?
• 24:43
  Speaker 1: Bragging about having sex with a grandma? Oh so then
• 24:46
  Speaker 1: there's this flashback where I'm there's like a what do
• 24:50
  Speaker 1: you call a guilf a hot grandma? Yes, well yeah,
• 24:54
  Speaker 1: that's that would be a guilt. Yeah. So there's this
• 24:57
  Speaker 1: guilf and jd um is bragging that he delivered a baby,
• 25:01
  Speaker 1: but it's actually Mickhead who did the delivery. Yeah, no,
• 25:05
  Speaker 1: it was his best moment. That would be laughing at
• 25:07
  Speaker 1: Danel you never heard guilt before. No, it's just every time,
• 25:11
  Speaker 1: it's just funny. Yes, a guilt, of course, there are
• 25:15
  Speaker 1: a lot of young guilts out there, there are. I
• 25:17
  Speaker 1: don't think i've ever I don't think I've ever encountered
• 25:19
  Speaker 1: a guilt. I've met several young guilts. I've met women
• 25:23
  Speaker 1: who I've met women who had kids at a young age,
• 25:27
  Speaker 1: had or had a kid at a young age, and
• 25:29
  Speaker 1: then their kid had a kid at a young age,
• 25:31
  Speaker 1: and that made them a guilt because you look at them,
• 25:34
  Speaker 1: you were like, oh snap, you a grandma. Right, I'm sure.
• 25:40
  Speaker 1: I'm sure there's plenty of guilts. I'm sure there's plenty
• 25:43
  Speaker 1: of guilts. I just don't know that I've met a guilt. Yeah.
• 25:49
  Speaker 1: Oh really, so you've encountered gilts? Absolutely? Yes, Okay, all right, Daniel,
• 26:00
  Speaker 1: have you encountered a guilt? But I have encountered a guilty?
• 26:04
  Speaker 1: You never look. There's there art, There are beautiful women
• 26:09
  Speaker 1: all around. I don't say they're not beautiful. I'm a
• 26:12
  Speaker 1: guilt means you want to have sex with that woman,
• 26:15
  Speaker 1: You desire her sexually, and she's a grandma. That has
• 26:18
  Speaker 1: not happened to me yet. I'm sure it will. I
• 26:19
  Speaker 1: look forward to it. There are a lot of young
• 26:23
  Speaker 1: women out there who are grandma. Just put it out there.
• 26:26
  Speaker 1: Guilt doesn't have to be a guilt doesn't have to be. Look,
• 26:30
  Speaker 1: let's put it this way. It's not saying. It's not saying,
• 26:32
  Speaker 1: but that's a beautiful woman. It's saying, I want to
• 26:35
  Speaker 1: put my penis in her. Oh, I don't want to
• 26:37
  Speaker 1: put my penis in That's what fucking guilt stands for.
• 26:40
  Speaker 1: Ass neck. I thought held on the ils is, you
• 26:49
  Speaker 1: know you guilph is not? Oh, what a pretty older woman?
• 26:54
  Speaker 1: Guilt is. I want to lay my peep beside her,
• 26:59
  Speaker 1: but not on the side. I want to and I
• 27:02
  Speaker 1: want to drape my peep on her. It has to be. Oh,
• 27:07
  Speaker 1: I didn't know the end part. That's new when you
• 27:09
  Speaker 1: write that down, I don't. Okay, I take that back.
• 27:13
  Speaker 1: I get off this topic. I have not met a guilt. Yeah,
• 27:16
  Speaker 1: I didn't think. Oh, listen, we're forty six. We're probably
• 27:22
  Speaker 1: gonna meet some guilts along the way. But I haven't.
• 27:25
  Speaker 1: I have yet to meet a guilt. I take it back.
• 27:28
  Speaker 1: I thought we were talking about hot grandma's That's right, alright,
• 27:32
  Speaker 1: let's get back on topic here, let's get off. Let's
• 27:34
  Speaker 1: get off. We still want to say we're on the
• 27:36
  Speaker 1: right topic. That has everything to do with the show.
• 27:38
  Speaker 1: J D had sex. Oh yeah, and then I do
• 27:40
  Speaker 1: sort of a victory punch. I don't know what that
• 27:42
  Speaker 1: was about. Did you see that? I did a little like, yeah, oh,
• 27:44
  Speaker 1: I know what it is. It's a gift that I've seen.
• 27:47
  Speaker 1: I'm at the lectern, and the gift of me doing
• 27:50
  Speaker 1: sort of like a victory punch. Um, I've seen that before,
• 27:53
  Speaker 1: so that's why I wanted to point it out. I
• 27:55
  Speaker 1: don't think that's the first time. I don't think that's
• 27:56
  Speaker 1: the last time you do that either, though. No, but
• 27:58
  Speaker 1: I mean that particular one. I think there's there's like
• 28:00
  Speaker 1: Christmas decorations and I'm standing in a lecturn. I've seen
• 28:03
  Speaker 1: that one before. Like it's like a good gift if
• 28:05
  Speaker 1: you need to say, like you are using lecturn really well,
• 28:08
  Speaker 1: I just sort of like the word lecturn. Do you
• 28:10
  Speaker 1: remember in your school down you like, um, maybe you
• 28:13
  Speaker 1: were a theater techie geek like I was, but your
• 28:17
  Speaker 1: school would have that thing, right, it was a it
• 28:19
  Speaker 1: was a speaker on a cart and then this part
• 28:22
  Speaker 1: would flip down to make a lecturn and it had
• 28:25
  Speaker 1: a mic and I was on the AV. This is
• 28:28
  Speaker 1: how fucking dorky I was, you guys, I was so
• 28:32
  Speaker 1: proud to be on the AV squad. Now you might
• 28:36
  Speaker 1: be like, what's an AV squad? Yeah? Do you remember?
• 28:39
  Speaker 1: When you do? You remember when someone would someone really
• 28:42
  Speaker 1: fucking cool would roll into your into your classroom, like
• 28:47
  Speaker 1: a film strip or or one of those machines that
• 28:50
  Speaker 1: would go BIEP and you'd change the fucking slide, or
• 28:55
  Speaker 1: or even you know a TV with a VCR. Remember
• 28:59
  Speaker 1: these people? Oh yeah, that was me. I was part
• 29:01
  Speaker 1: of the A V team. My hear. That's that's how
• 29:07
  Speaker 1: badly I wanted to be in a film. I was like, oh,
• 29:10
  Speaker 1: so I get to wheel, I get to look like
• 29:13
  Speaker 1: fucking Fonsie wheeling this projector into the classroom. The girls
• 29:17
  Speaker 1: are going to think I'm so cute, as I thought
• 29:22
  Speaker 1: it was just because you wanted to get out of class. No, no, no, no, no,
• 29:25
  Speaker 1: no dude, I thought. I thought when I was setting
• 29:30
  Speaker 1: up a bit of a V gear that I looked
• 29:32
  Speaker 1: really cool. I figure, if you said I'm on a
• 29:36
  Speaker 1: V squad, you could use it to get out of class.
• 29:38
  Speaker 1: A couple of times, like if your teacher was like
• 29:40
  Speaker 1: if your teacher was ever like if your teacher was
• 29:42
  Speaker 1: ever like, mister Braff, you miss class. You could be like, well, oh,
• 29:47
  Speaker 1: mister Patterson, I had an av assignment I had to
• 29:51
  Speaker 1: take care of in such and such as class, and
• 29:54
  Speaker 1: jim or and you could lie and it would take
• 29:57
  Speaker 1: a while for that lie to catch describing a different child.
• 30:00
  Speaker 1: I'm telling you that I was like, look, how fucking
• 30:04
  Speaker 1: cool I'm gonna look wheeling in this VCR. You are
• 30:08
  Speaker 1: absolutely right, you were a dork. You were a dork,
• 30:11
  Speaker 1: but it's a specific type of dork. It's like because
• 30:15
  Speaker 1: I wasn't like a calculus dork. I was a fucking
• 30:17
  Speaker 1: like theater techie geek door. But that's a good. Okay,
• 30:23
  Speaker 1: that's good. Remember I'll tell you I've never even told
• 30:26
  Speaker 1: anyone the story, and maybe it's not even interesting anyone.
• 30:28
  Speaker 1: But do you remember the old school giant like public
• 30:31
  Speaker 1: school lighting boards. They weren't know nowadays they're all computers,
• 30:34
  Speaker 1: but like you know, the giant levers. And I just
• 30:37
  Speaker 1: thought that was the coolest fucking thing I'd ever seen.
• 30:39
  Speaker 1: And I would like I would sneak into the theater,
• 30:42
  Speaker 1: like some kids are cutting class to go smoke cigarettes
• 30:45
  Speaker 1: behind the fucking school. I was sneak in the theater
• 30:48
  Speaker 1: and when no one's looking, play with the giant leavers.
• 30:55
  Speaker 1: I was like yes, I was like, I bring this
• 30:58
  Speaker 1: giant leaver up in all the lights come up on
• 31:01
  Speaker 1: the stage like Jay, you know, at William j Oshay
• 31:08
  Speaker 1: I S forty four. That was the only place where
• 31:12
  Speaker 1: we had where I've ever experienced an auditorium. After that,
• 31:15
  Speaker 1: I was in private school and we ain't at the
• 31:17
  Speaker 1: gym was the auditorium. This was the only time in
• 31:21
  Speaker 1: public school I US forty four in New York City
• 31:23
  Speaker 1: on seventy seventh Street. In Amsterdam, I used to sneak
• 31:27
  Speaker 1: into the freaking auditorium behind the stage and fuck with
• 31:32
  Speaker 1: the big But there they were only on the stage.
• 31:36
  Speaker 1: There were none in the audience because the freaking auditorium
• 31:38
  Speaker 1: was so big, right, the freaking thing is so big.
• 31:41
  Speaker 1: So there's the projector at the top and of the
• 31:44
  Speaker 1: of the the big light, the spotlight at the top,
• 31:48
  Speaker 1: and that's it that one person got to operate. And
• 31:50
  Speaker 1: then there were alrea these set lights that you could
• 31:52
  Speaker 1: freaking different colors. I remember this so I go, there'd
• 31:56
  Speaker 1: be a lever that was like a full stagewash of blue,
• 31:59
  Speaker 1: and I just be like, eat, this might be the
• 32:02
  Speaker 1: one thing that we have in common from high school,
• 32:06
  Speaker 1: I mean from junior I did it in junior high school.
• 32:09
  Speaker 1: This might be the one thing that we have in
• 32:10
  Speaker 1: common when I just think it's so funny and I've
• 32:12
  Speaker 1: never told the story and it's hilarious that you were
• 32:14
  Speaker 1: doing the same thing. But while other kids were like
• 32:16
  Speaker 1: cutting class to go do like real like trouble, like
• 32:19
  Speaker 1: get into trouble, I was like sneaking into the theater
• 32:22
  Speaker 1: to play with the theater lights. Dude, I was doing
• 32:25
  Speaker 1: but I was, And I was like, I hope I
• 32:26
  Speaker 1: don't get caught the fact that we've never had this
• 32:30
  Speaker 1: conversation before either that I did it as a kid
• 32:33
  Speaker 1: because my parents were a part of a theater in
• 32:35
  Speaker 1: the National Black Theater, right uh And they had this
• 32:39
  Speaker 1: whole lighting system there too, and I used to sit
• 32:41
  Speaker 1: in the freaking booth and watch the light guy do
• 32:45
  Speaker 1: the light queues and stuff like that. And there were
• 32:47
  Speaker 1: times where I would have to be the light que
• 32:50
  Speaker 1: guy because like you know, there would be uh am,
• 32:55
  Speaker 1: like they would do stand up nights. So like the
• 32:57
  Speaker 1: Uptown Comedy Club, all of these things that made it
• 32:59
  Speaker 1: to television started at my theater that my parents were
• 33:04
  Speaker 1: a part of when I was growing up, and so
• 33:09
  Speaker 1: I remember, uh messing having to do the lights there.
• 33:14
  Speaker 1: And so when I went to school at a very
• 33:16
  Speaker 1: young age, I thought, I'm so fucking dope because I
• 33:19
  Speaker 1: can do the lights at the theater. I can do
• 33:21
  Speaker 1: this shit at the school too. I should you. But
• 33:24
  Speaker 1: you were enjoying being a light board. Absolutely, that's the best.
• 33:28
  Speaker 1: We missed out on the thrill of wheeling in a
• 33:30
  Speaker 1: projector bro. I didn't want to do that. It looks
• 33:34
  Speaker 1: like the board looks the things look like you're pushing
• 33:38
  Speaker 1: the Millennium fall. I was waiting for this to circle
• 33:45
  Speaker 1: around to something Star Wars. The light board handles reminded
• 33:48
  Speaker 1: you of the Millennium valcum, it did? I do remember that.
• 33:51
  Speaker 1: That was really cool, man. You know it's funny nowadays,
• 33:53
  Speaker 1: you know theater lighting is all programmed into a computer
• 33:56
  Speaker 1: and literally someone just sits there and hits a button
• 33:59
  Speaker 1: because it's all been pro program And that's fine, it's
• 34:01
  Speaker 1: twenty twenty one. But there was such an art to
• 34:04
  Speaker 1: doing it back in the day when you were literally
• 34:07
  Speaker 1: adjusting different things live on the fly, and it was
• 34:10
  Speaker 1: kind of like I imagine being a DJ in a
• 34:12
  Speaker 1: sense that you had to be like at the right
• 34:14
  Speaker 1: moment this had to happen. Then you had to not
• 34:16
  Speaker 1: forget to do that and like it was, it was
• 34:18
  Speaker 1: I don't know, I fucking loved it. Anyway, We're gonna
• 34:20
  Speaker 1: go a break and when we will talk more about
• 34:21
  Speaker 1: the television show Scrubs when we come right back and
• 34:31
  Speaker 1: we're bad and we're bad Todd's I think Todd's storyline
• 34:37
  Speaker 1: his his. I think the best His is the best one.
• 34:40
  Speaker 1: I think him and Cox have the best one. Yes,
• 34:42
  Speaker 1: so Todd Miracle five's a patient back to life. Yes,
• 34:46
  Speaker 1: in his mind he does, or he thinks. Isn't his
• 34:48
  Speaker 1: miners at reals? He One thing I understand about all
• 34:51
  Speaker 1: these memories everyone's having is like they're they're supposedly real stories. Yes,
• 34:57
  Speaker 1: it has Sarah rides a pony to work. It's not
• 35:00
  Speaker 1: a fantasy. That's not a fan that. That was very
• 35:02
  Speaker 1: weird too, Like they literally walk into Sacred Heart Hospital. Yea,
• 35:12
  Speaker 1: but yeah, she's not even tying off the pony outside
• 35:14
  Speaker 1: of the ring. No, no, no, no, no, riding it in.
• 35:16
  Speaker 1: She's riding it inside. She's gonna ride it all the
• 35:19
  Speaker 1: way to I see you because she has to do
• 35:21
  Speaker 1: rounds with this pony once she gets to work. I
• 35:25
  Speaker 1: don't understand. I guess she's gonna do rounds with the pony.
• 35:28
  Speaker 1: I had a little trouble with the fact that Todd
• 35:32
  Speaker 1: both Todd High five someone back to life and Sarah
• 35:35
  Speaker 1: wrote a pony to work as part of her commute,
• 35:37
  Speaker 1: and they were not fantasies. Yeah, yeah, um, but everybody
• 35:44
  Speaker 1: Todds was funny. Todd's was very funny, man. Yeah, but
• 35:47
  Speaker 1: everybody's fantasy was kind of like, like what was Kelsel's.
• 35:53
  Speaker 1: I mean, what was Kelso's fantasy? He's on the He's
• 35:56
  Speaker 1: on the all right, he's on the vacation. You know.
• 36:00
  Speaker 1: It's a funny little tidbit, you know. So um. You know,
• 36:03
  Speaker 1: sometimes when you're an actor, you're doing the scene, they'll
• 36:05
  Speaker 1: just be like, all right, before the lines, just we
• 36:07
  Speaker 1: need you guys to chatter. You know, You're just you're
• 36:09
  Speaker 1: just shooting the shit and and wait till the camera
• 36:11
  Speaker 1: lands and then we'll get into the scene. So Ken
• 36:14
  Speaker 1: in this moment is just chatting up some beautiful ladies
• 36:17
  Speaker 1: because he's at a retreat for Plomax, the pharmaceutical company.
• 36:21
  Speaker 1: And what what you hear? Can I'm assuming improvs are
• 36:25
  Speaker 1: these two women? Is well, I can't do this all
• 36:27
  Speaker 1: on my own? Really? Is that? What you notice that?
• 36:31
  Speaker 1: I didn't notice that he couldn't he and there was
• 36:35
  Speaker 1: three of them too, He could mean yeah, no, no,
• 36:40
  Speaker 1: I get what he says, but it's it's appropriate because
• 36:43
  Speaker 1: he's saying I can't do the three of you ladies
• 36:46
  Speaker 1: by this old man can't do the three of you
• 36:48
  Speaker 1: ladies on his own. Oh, I didn't even think of that.
• 36:51
  Speaker 1: I just thought of his like. I don't know if
• 36:53
  Speaker 1: Bill or someone said, you know, add this line or what,
• 36:56
  Speaker 1: but it's of all things that he's flirting with, he's
• 36:59
  Speaker 1: using the pickup line, I can't do this all on
• 37:01
  Speaker 1: my own because he knows where it's going. Well, that
• 37:06
  Speaker 1: was very funny, and I love the running gag of
• 37:08
  Speaker 1: Plomax being like the pharmaceutical, the evil pharmaceutical. It's just
• 37:13
  Speaker 1: sending as they do, sending doctors on trips to the Caribbean.
• 37:18
  Speaker 1: I laughed at Elliott being scared of tiny hands. That
• 37:22
  Speaker 1: very funny. That shot of her looking down at the
• 37:24
  Speaker 1: tiny hand. That made me laugh. Really, what about Um
• 37:28
  Speaker 1: Deonte with his dreads? I didn't see Deonta is that? Oh? Yeah?
• 37:33
  Speaker 1: Deonte Donald stand in slash our friend. Um always makes
• 37:37
  Speaker 1: cameos here and there, and he was an orderly with
• 37:41
  Speaker 1: newly discovered beautiful dreads. Oh good for him. Um, what
• 37:45
  Speaker 1: about the flashback? One of the funniest l ols in
• 37:48
  Speaker 1: the episode is are you getting Model? Yeah? It was
• 37:54
  Speaker 1: so well done. It looks like Super eight film, and
• 37:56
  Speaker 1: it's like you're panning around the room. You're panning around
• 38:00
  Speaker 1: the room and everyone's making out, everyone's making out, And
• 38:03
  Speaker 1: then you get to the couch and I'm sitting there
• 38:05
  Speaker 1: with the most glorious mullet and this girl turns from
• 38:09
  Speaker 1: her man that she's making boy that she's making out with,
• 38:12
  Speaker 1: and just sneezes in my face and then comes goes
• 38:15
  Speaker 1: back to making out. Yeah, and someone's like, mono, I
• 38:18
  Speaker 1: thought the only way to get that was from kissing.
• 38:20
  Speaker 1: And they showed the fantasy and they cut back and
• 38:22
  Speaker 1: I go, no, there there are other ways. This will
• 38:26
  Speaker 1: pay dividends When Jad has a child wight Uh Elizabeth
• 38:34
  Speaker 1: Elizabeth Banks in the future, Um, this joke comes back around.
• 38:38
  Speaker 1: I want to talk about something else. You mean, because
• 38:40
  Speaker 1: of there was what was it like, there was fire
• 38:44
  Speaker 1: friendly there? Let's just say there was. I don't remember
• 38:47
  Speaker 1: there was there was fire in the in the general area,
• 38:52
  Speaker 1: outer regions or something. That speech is fucking hilarious. I
• 38:57
  Speaker 1: can remember. I remember laughing so hard trying to trying
• 39:00
  Speaker 1: to deliver the line. I remember that. I think I'm
• 39:02
  Speaker 1: saying it to you and Judy, right, and you're it's
• 39:04
  Speaker 1: all three of us. It's all three of us. You
• 39:06
  Speaker 1: guys like you guys like yeah, you say you didn't
• 39:10
  Speaker 1: do to such a How are you telling me you
• 39:14
  Speaker 1: got her pregnant and you never had any course? Yeah, yeah,
• 39:17
  Speaker 1: something like that. Um, this is something I want to
• 39:20
  Speaker 1: talk about. This joke didn't make sense, and this is
• 39:24
  Speaker 1: the first time it's ever happened. Elliot asks Laverne, what
• 39:30
  Speaker 1: are you doing this weekend? And Laverne says, minding my
• 39:34
  Speaker 1: own business? How about you? She wasn't really minding her business.
• 39:40
  Speaker 1: If she asks what about? What if Elliot's doing? What
• 39:43
  Speaker 1: was Elliots doing? I think she might be overthinking. I
• 39:45
  Speaker 1: think she's just being a classic Laverne sassy. But why
• 39:48
  Speaker 1: did she Okay, I'm just saying, mind in my own business.
• 39:53
  Speaker 1: If you mind in your own business, you know what
• 39:54
  Speaker 1: you do after that, you keep it moving real Laverne
• 40:01
  Speaker 1: is means sometimes Yeah, Elliott was just being friendly, but
• 40:05
  Speaker 1: so was she. She wound up. It was clear that Laverne,
• 40:07
  Speaker 1: that's just her thing and that's how she is with
• 40:10
  Speaker 1: with her friends. Yeah, unless I'm going to see my
• 40:12
  Speaker 1: nephew play Pip and who's he playing? But I'm not
• 40:19
  Speaker 1: even doing it right because you got to have the
• 40:20
  Speaker 1: face of like, how dare you even ask? You think
• 40:23
  Speaker 1: my nephew is in the ensemble? Right, he's pippin motherfucker pivot.
• 40:32
  Speaker 1: That was my one of my favorite Alma reads that
• 40:35
  Speaker 1: she just goes Pip. Oh wait, first, this is the
• 40:44
  Speaker 1: big one. This is the inaugural it's beard Falset. We
• 40:48
  Speaker 1: hadn't said beard Face yet either, though I know. This
• 40:51
  Speaker 1: is his first line. This is his first line. This
• 40:54
  Speaker 1: is the first time we ever addressed that there's a
• 40:57
  Speaker 1: character named beard Face. Yes, and then he says no,
• 41:01
  Speaker 1: it's pronounced beard fasse. And then for the rest of
• 41:04
  Speaker 1: the show we call him beard Face. It's the stupidest
• 41:06
  Speaker 1: slash funniest joke. Now, I think we've settled in that
• 41:10
  Speaker 1: Beard Fusse. Maybe I've had some feedback from people on
• 41:13
  Speaker 1: my Instagram account because I've I've been really troubled by
• 41:16
  Speaker 1: the fact that Beard Fesse is so often in the pharmacy.
• 41:20
  Speaker 1: And someone commented that an anesthesiologist might often be in
• 41:25
  Speaker 1: the pharmacy but also in and around all of the
• 41:29
  Speaker 1: other many rooms of the hospital. So and then when
• 41:32
  Speaker 1: I saw Beard Fasse in your room, I thought, oh,
• 41:36
  Speaker 1: maybe he's an anesthesiologist. Okay, well, I want to say
• 41:40
  Speaker 1: this then, if we're going to talk about Beard Fasse.
• 41:44
  Speaker 1: We once had a trivia conversation, or not a trivia
• 41:49
  Speaker 1: but we were wondering what Beard Fessse was in. And
• 41:52
  Speaker 1: I thought it was a James Bond movie and you
• 41:54
  Speaker 1: and you turned out you turned it turned out to
• 41:56
  Speaker 1: be a Fincher movie. A Fincher the direct girl with
• 41:59
  Speaker 1: the drag tattoo. That's still that's still starred the star
• 42:04
  Speaker 1: of James Bond. Yes, oh, you're probably around. In the
• 42:08
  Speaker 1: initial conversation, absolutely, and comes back to Daniel Craig. It
• 42:13
  Speaker 1: all comes back to Daniel Craig. I wonder if Beard
• 42:16
  Speaker 1: Fasse got to hang out with Daniel Craig or if
• 42:19
  Speaker 1: he was just like too shy to approach him on them.
• 42:22
  Speaker 1: I remember exactly where it was too. It's on a plane.
• 42:25
  Speaker 1: I don't think Beard, I don't think. I don't think
• 42:27
  Speaker 1: Beard Fasse is that shy in real life. Like I remember,
• 42:31
  Speaker 1: he was a gregarious fellow. He Remember he was a
• 42:35
  Speaker 1: very good artist. He was a cartoonist. Okay, he would
• 42:38
  Speaker 1: draw I believe he he had this thing. I think
• 42:42
  Speaker 1: it was where he would draw cats in cartoons and
• 42:45
  Speaker 1: he would call it cattoons instead of cartoons. Oh wow,
• 42:49
  Speaker 1: you know. And they were good too, Like he was
• 42:53
  Speaker 1: a good artist. He is a good artist. I still
• 42:55
  Speaker 1: every now and then talked to Mick Head. Frank, you
• 42:59
  Speaker 1: should ask him about he talks about has all of
• 43:04
  Speaker 1: like he listens to the show, and it would be
• 43:08
  Speaker 1: a great I think it would be a great pleasure
• 43:11
  Speaker 1: to have him, Frank. Yes, dog Snoop dogg manly, I
• 43:17
  Speaker 1: think we should have them on the show. Can you
• 43:19
  Speaker 1: organize that please? We've been talking about that could be
• 43:21
  Speaker 1: not an episode. We'll be a conversation with background performers
• 43:25
  Speaker 1: who became foreground performers on the show. Scrubs and we'll
• 43:29
  Speaker 1: get like the three or four that the core, Deonte
• 43:36
  Speaker 1: Manly who was Snoop Dogg, M Beard Fact whose name
• 43:40
  Speaker 1: I forgot. I'm so sorry, Um. And we should try
• 43:43
  Speaker 1: to get. We should try to get we should try
• 43:45
  Speaker 1: to get I'll talk to Frank, but we should really
• 43:48
  Speaker 1: try to talk to Uh Katia, Renee Rabbidu and Deontay
• 43:53
  Speaker 1: also because they lived the exact same lives that we did,
• 43:57
  Speaker 1: but it never got filmed. They did the exact same
• 44:00
  Speaker 1: Just to remind everyone, those were the standings that at
• 44:03
  Speaker 1: the four of us had and we spent them. They
• 44:07
  Speaker 1: would have to do all of the walk and talks
• 44:09
  Speaker 1: and everything that we did, but it never got put
• 44:12
  Speaker 1: onto film in any way. And they were awesome and
• 44:16
  Speaker 1: they were an awesome group because we spent all the
• 44:19
  Speaker 1: time with them and we had so many fucking great
• 44:22
  Speaker 1: laughs with those people. Yes, I think that would be
• 44:25
  Speaker 1: really awesome. Well that's another show. Yeah, we could do
• 44:28
  Speaker 1: an episode that's like a conversation with our standings and
• 44:31
  Speaker 1: we can bring in um, like you said, Renee Katia
• 44:34
  Speaker 1: Scott Rabidu, Um and if they and if they turn
• 44:37
  Speaker 1: out to be and if they turn out to be duds,
• 44:40
  Speaker 1: then we'd never air them. That's simple, that's simple, they
• 44:44
  Speaker 1: would be duds. They're funny. I remember laughing our asses
• 44:46
  Speaker 1: off with those guys. Yeah. I always laugh with Deante.
• 44:50
  Speaker 1: I laugh a lot with Frank too. How about how
• 44:52
  Speaker 1: JD comes into the ICU with an ice cream cone? Um,
• 44:57
  Speaker 1: I mean like like the doctor is coming into the
• 44:59
  Speaker 1: ice with ice going and then when someone's like, oh,
• 45:02
  Speaker 1: give me oh, I think it's Judy. She's like, oh,
• 45:03
  Speaker 1: you brought that for the little boy, and I'm like yeah, sure,
• 45:08
  Speaker 1: and I give it to him and I go it's
• 45:11
  Speaker 1: a waffle cone, like so Forloren. So Forloren that I've
• 45:17
  Speaker 1: given him away my fucking waffle going to a child.
• 45:20
  Speaker 1: And what's what's what's really crazy is that you're not
• 45:23
  Speaker 1: Jady's not sympathetic about it either, after he watched the
• 45:26
  Speaker 1: kid come in with his dad who's sick. You know kids.
• 45:30
  Speaker 1: Probably the kid probably gave me the idea that I
• 45:32
  Speaker 1: wanted an ice cream call, that you wanted the ice cream.
• 45:34
  Speaker 1: And then I'm come into the room off hockey like
• 45:36
  Speaker 1: I got my ice cream cone, and Judy's like Carla's like,
• 45:39
  Speaker 1: oh that's so sweet. You got him. I dream going.
• 45:40
  Speaker 1: I'm like, yeah, it's a waffle cone. Like it's almost
• 45:47
  Speaker 1: to say like I spent extra money. I spent extra
• 45:50
  Speaker 1: money for that waffle cone. That was plus fifty cents
• 45:55
  Speaker 1: for that waffle gone. Oh boy, um um, all right,
• 46:01
  Speaker 1: we got we got um stealing the old woman's dentures
• 46:05
  Speaker 1: and wearing them around my neck. That's gross growths. Now,
• 46:11
  Speaker 1: this weird gum thing, I give you her gum. I
• 46:13
  Speaker 1: read on scrubs Wiki that there's I guess there's a
• 46:16
  Speaker 1: deleted scene where we the gum has a totally different storyline,
• 46:19
  Speaker 1: Like I thought it was something else and it turns
• 46:23
  Speaker 1: out to be bad taste and gum, and then I
• 46:26
  Speaker 1: don't know, we changed what the gum was about in
• 46:29
  Speaker 1: post production. I think, oh, well that you noticed that
• 46:32
  Speaker 1: the gum has Asian writing on it? Yeah, I did
• 46:34
  Speaker 1: see that. Apparently there's a deleted scene on one of
• 46:37
  Speaker 1: the DVDs, which we should We should get into those two.
• 46:41
  Speaker 1: How funny would it be to look at that shit? Joel, Joel,
• 46:43
  Speaker 1: we should have an episode called Zack and Donald look
• 46:46
  Speaker 1: at Deleted Scenes. Okay, I love it, here goes. Hold on,
• 46:50
  Speaker 1: let me just tell you what this says here. Um,
• 46:52
  Speaker 1: the denture gum that JD tries to tempt Turk with
• 46:55
  Speaker 1: has Chinese writing on it. This is explained in a
• 46:57
  Speaker 1: deleted scene available on the DVD, which show is that
• 47:00
  Speaker 1: it was originally intended to be what JD thought was
• 47:02
  Speaker 1: eggnog gum, remember, and he bought it in Chinatown, only
• 47:07
  Speaker 1: to realize that it was in fact egg gum. That's hilarious.
• 47:16
  Speaker 1: I wonder why it didn't fly. I don't know, but um,
• 47:20
  Speaker 1: I want to say, I want to ask this question
• 47:22
  Speaker 1: to the three of you. Go ahead, because we never
• 47:27
  Speaker 1: meet this character, but this character has always talked about
• 47:31
  Speaker 1: Kelso's son. Yeah, who he's definitely and is definitely an
• 47:36
  Speaker 1: out gay man. Who could have played Kelso's son if
• 47:40
  Speaker 1: you had to choose Andrew Reynolds. Andrew? Who's Andrew Reynolds? Oh,
• 47:45
  Speaker 1: Andrew Reynolds. You know Andrew Reynolds? Um, skateboarder? Am I
• 47:52
  Speaker 1: saying his name right? He was? He was the star
• 47:54
  Speaker 1: of Book of Mormon, which broke him. Um and uh um,
• 48:00
  Speaker 1: he's in the prom recently. I know who you're talking
• 48:03
  Speaker 1: about now, I don't know who. I don't know him
• 48:05
  Speaker 1: to show you his picture I know who you're talking about.
• 48:07
  Speaker 1: I don't know his name, though, let me show you
• 48:09
  Speaker 1: his picture. He's very talented. He was on Girls, he
• 48:11
  Speaker 1: was in Girls. He was on Girls. This guy, yeah,
• 48:15
  Speaker 1: I know exactly. His name is Andrew Reynolds. Yeah, Andrews. Yeah. Sorry, sorry,
• 48:22
  Speaker 1: sorry I heard. I first saw him on Broadway. You
• 48:26
  Speaker 1: took me to see that show? I did, Yeah, you
• 48:28
  Speaker 1: took me. Then I seen in my life and then
• 48:31
  Speaker 1: I this this guy Andrew Reynolds, who I know a
• 48:34
  Speaker 1: little bit in his a sweetheart, has the sist voice
• 48:37
  Speaker 1: and is so talented, and you know, I just I
• 48:41
  Speaker 1: just think he's so talented. That was the first person
• 48:42
  Speaker 1: that came to mind. We flew to New York because
• 48:45
  Speaker 1: you were like, we gotta see you were there already,
• 48:48
  Speaker 1: and you you were like, fly to New York. I
• 48:50
  Speaker 1: got tickets for this play. I flew to New York
• 48:52
  Speaker 1: with Casey. This is back when we were making money.
• 48:55
  Speaker 1: I flew to New York with Casey to watch Book
• 48:58
  Speaker 1: of Mormon with you and we had a night out
• 49:00
  Speaker 1: on the town after and everything like that. And it
• 49:03
  Speaker 1: was it was I think it was like theater appreciation
• 49:06
  Speaker 1: week and everybody was trying to raise money and so
• 49:08
  Speaker 1: at the end of the show, after the bow, Josh Gad,
• 49:12
  Speaker 1: this was my first time being like, let me stop you,
• 49:15
  Speaker 1: let me stop you. Not in theater bridge they do
• 49:17
  Speaker 1: this campaign for AIDS. Uh okay, thank you. They fund
• 49:21
  Speaker 1: raised money for AIDS and it's a certain time every
• 49:24
  Speaker 1: year the theater community. After the bow, all the shows
• 49:28
  Speaker 1: compete who can raise the most money for this Aid's
• 49:31
  Speaker 1: charity and they and they they stop after the bow
• 49:34
  Speaker 1: and say, Okay, we're gonna come around with buckets. This
• 49:36
  Speaker 1: is for a great cause. We want to win sy
• 49:38
  Speaker 1: This is my first this is my first experience of
• 49:44
  Speaker 1: how cool of a person Josh Gad was. In front
• 49:46
  Speaker 1: of the whole theater. He campaigns for the money and
• 49:50
  Speaker 1: he did it in such a great way after this
• 49:53
  Speaker 1: really freaking funny show. He did it in such a
• 49:55
  Speaker 1: great way that I wanted to give money uh to
• 50:00
  Speaker 1: the cause. And so when he did, wish I was
• 50:04
  Speaker 1: here all like my first time meeting Josh. That was
• 50:08
  Speaker 1: the one thing I could think about was Wow, this
• 50:10
  Speaker 1: dude knows how to command a room. And it was
• 50:15
  Speaker 1: it was I just remember going to see that play
• 50:18
  Speaker 1: with you because you were like, we have you have
• 50:21
  Speaker 1: to see this play. It's so good and it was
• 50:23
  Speaker 1: life changing. Man. It was one of those things where
• 50:25
  Speaker 1: it was like Broadway could do that. I didn't know
• 50:27
  Speaker 1: that Broadway could be that because they do some outrageous stuff.
• 50:30
  Speaker 1: Have you guys seen The Book of Mormon? Daniel, yes, Joel? Yeah?
• 50:34
  Speaker 1: Did you see it with Josh gadd and Andrew? Yeah?
• 50:37
  Speaker 1: Unfortunately now I laughed my ass off on that show. Dude.
• 50:41
  Speaker 1: Let me tell you something. It's rare that you do this.
• 50:44
  Speaker 1: There's I can name the shows where I went out
• 50:46
  Speaker 1: and bought the soundtrack right after five guys named Mom
• 50:50
  Speaker 1: the Book of Mormon, and that's it. Those are really
• 50:55
  Speaker 1: the only ones that I've ever done it with five
• 50:58
  Speaker 1: guys named Mo and the Book of Morning, and on Sarafina.
• 51:00
  Speaker 1: When I saw Sarahina, I would and bought chuck it
• 51:04
  Speaker 1: your way. And so those are the three. Can you
• 51:10
  Speaker 1: remember yours? Or did you buy all of them? Oh?
• 51:14
  Speaker 1: And I bought the Mulan Ruge right after we saw
• 51:15
  Speaker 1: the Mulan Rug. When we went and saw the Mulan Ruge,
• 51:17
  Speaker 1: I would have brought that new one too. That shit
• 51:19
  Speaker 1: is fire, dude, That ship is fire. Listen all ye
• 51:24
  Speaker 1: you're talking about the theater soundtrack. Yeah, when you went, Yeah,
• 51:31
  Speaker 1: I went and bought that the next day. I bought
• 51:34
  Speaker 1: it because of my favorite number. There's two numbers in
• 51:36
  Speaker 1: it that I love, one freaking chandelier and two royals
• 51:43
  Speaker 1: to the two best performances in the show. My opinion. Yeah,
• 51:47
  Speaker 1: that was a great show. I think that might survive COVID.
• 51:52
  Speaker 1: A lot of people from that show got COVID, didn't they. Yes,
• 51:57
  Speaker 1: well I am. I'm really uh hoping that Broadway comes
• 52:02
  Speaker 1: When Broadway comes back, I'm hoping that some of those
• 52:06
  Speaker 1: big shows are able to survive. In a handful of
• 52:09
  Speaker 1: them just had to close, and I'm hoping that some
• 52:12
  Speaker 1: of those ones like that one and are able to survive.
• 52:15
  Speaker 1: It would be great if Broadway can come back stronger. Yes,
• 52:20
  Speaker 1: we all, we all miss it. Those of us who
• 52:21
  Speaker 1: love it miss it, and maybe well, well we need
• 52:23
  Speaker 1: to support it more than ever. If you're a theater
• 52:25
  Speaker 1: lover in order to help resuscitate this, this precious industry,
• 52:29
  Speaker 1: we're all going to have to go see lots of plays,
• 52:31
  Speaker 1: which I will do. I wanted to say, I got
• 52:35
  Speaker 1: full body goosebumps at the It's embarrassing that I gave
• 52:39
  Speaker 1: myself goosebumps, But I did when my character right before
• 52:43
  Speaker 1: the commercial break goes, why are you sick? There was
• 52:47
  Speaker 1: just something about it that was goosebumpy. That's good. The
• 52:52
  Speaker 1: mystery of the mystery of these people who are have
• 52:54
  Speaker 1: such good intentions, who are just sitting there trying to
• 52:57
  Speaker 1: solve the mystery like all of these amazing real life
• 53:00
  Speaker 1: heroes do every day. And I just I don't know.
• 53:03
  Speaker 1: I found it. I found I was moved by myself.
• 53:06
  Speaker 1: I have a question, go, did you remember this episode? Um,
• 53:13
  Speaker 1: anything in this episode at all? Did you remember anything
• 53:15
  Speaker 1: in this episode at all? Um? Not much. No, I
• 53:22
  Speaker 1: didn't remember one ounce of this episode, not an ounce
• 53:26
  Speaker 1: of not not even a smidgeon of it. And that's
• 53:29
  Speaker 1: why I think, and that's why I think it Like
• 53:31
  Speaker 1: I thought, we didn't do any more themed episodes like
• 53:34
  Speaker 1: Christmas or the Thanksgiving or those type of episodes anymore
• 53:38
  Speaker 1: after the third season. Yeah, I don't really remember. I
• 53:41
  Speaker 1: think I remember the weird lady with their with their
• 53:43
  Speaker 1: dentures of seat through the Venetian blinds. I didn't remember
• 53:47
  Speaker 1: any of it. I think that's why I was so
• 53:49
  Speaker 1: moved at the end, because it caught me off guard.
• 53:53
  Speaker 1: Let's talk about how fucking funny it is when Sarah
• 53:55
  Speaker 1: slams the door on the crying med student. I laughed
• 53:59
  Speaker 1: out loud, read too. He's giving the little kid a tour,
• 54:03
  Speaker 1: and she's like, I used to hide in here, and
• 54:05
  Speaker 1: she opens it up to reveal like the you know,
• 54:07
  Speaker 1: the brand new med student crying because he's had he's
• 54:10
  Speaker 1: watched The Death or something. She's like, hang in there,
• 54:13
  Speaker 1: hanging there, and then she like slams the door closed.
• 54:16
  Speaker 1: She's like, suck it up. I'm trying. Um and then
• 54:22
  Speaker 1: um that funny sequence where Cox's favorite memory is the
• 54:26
  Speaker 1: double himlick. Yeah, that's that. Like I said, the Todd
• 54:30
  Speaker 1: and Cox have the two best The double himlik is
• 54:34
  Speaker 1: pretty awesome. And you know the first yeah, you know
• 54:38
  Speaker 1: who the first time, like was that Jared. Yeah, it
• 54:40
  Speaker 1: was one of our one of our PA's office pas.
• 54:43
  Speaker 1: I believe was his job at first. He probably he
• 54:45
  Speaker 1: probably got I think I think he's an executive now
• 54:49
  Speaker 1: where he produces shows. I'm sure he does, but back
• 54:51
  Speaker 1: in the day, he started as an office PA and
• 54:53
  Speaker 1: then worked his way up. But that's the guy Cox's
• 54:56
  Speaker 1: first time looking. Then the gum goes into the gum. Yeah,
• 55:00
  Speaker 1: it was gum goes into a jumps from his mouth
• 55:04
  Speaker 1: to another random woman's mouth. Then he runs over. He
• 55:06
  Speaker 1: gives her the Heimlich maneuver, and then that goes into
• 55:08
  Speaker 1: the garbage swish swish into the basket over the garbage can,
• 55:12
  Speaker 1: which he's missing when he's shooting it with his hands.
• 55:15
  Speaker 1: He's missing with the paper, but he does it with
• 55:17
  Speaker 1: the Heimlich maneuver and the gum. How about when fucking
• 55:20
  Speaker 1: Sarah is talking to you in French and you go
• 55:23
  Speaker 1: and your French, I haven't I have a thoughtful tower
• 55:26
  Speaker 1: and my pants? Yeah, And then she goes, she says
• 55:28
  Speaker 1: something else, and you just gompla grapefruit. Grapefruit. That's all
• 55:34
  Speaker 1: you know is that's all you know is I have
• 55:36
  Speaker 1: an Eiffel tower in my pants and grape fruit. That
• 55:39
  Speaker 1: was very funny. And then uh, Kelso with a heart.
• 55:44
  Speaker 1: Kelso has a heart. That was that first of the
• 55:49
  Speaker 1: first times Kelso has a heart. Not only that, it
• 55:51
  Speaker 1: was so it was so it was so offsetting that
• 55:55
  Speaker 1: even Kelso has to comment, it's you know, the person
• 55:58
  Speaker 1: that he's talking to, this really doctor Kelso. He goes, yes,
• 56:01
  Speaker 1: that's really doctor Kelso. Yeah, that little kid warms his heart,
• 56:05
  Speaker 1: and he decides to let his father stay in the
• 56:07
  Speaker 1: hospital even though he doesn't have insurance. Well, his kid
• 56:10
  Speaker 1: reminds him how much he loves his son too. You know,
• 56:13
  Speaker 1: he loves his gay son as much as he makes
• 56:15
  Speaker 1: fun of his son. Yeah, as much as he makes
• 56:18
  Speaker 1: fun of him. The little boy reminds him of the goodness.
• 56:22
  Speaker 1: Make that face of my little puppy so cute. Are
• 56:25
  Speaker 1: we gonna break? And I'm gonna have a guest. We'll
• 56:27
  Speaker 1: be right back and we're bad back at fake doctor's
• 56:40
  Speaker 1: real friends. Let's welcome. Not tell your artis mad clear,
• 56:51
  Speaker 1: definitely not her name, not Daglia, Madaglia, Madaglia. Let's welcome
• 56:58
  Speaker 1: to tell you artes Medaglia, Ortiz, Medaglia or tez Ortiz.
• 57:05
  Speaker 1: What is it the program? Thank you guys, Thank you
• 57:17
  Speaker 1: Joel for picking me this week. Thank you you made it.
• 57:21
  Speaker 1: You made it, You made it. By the way, Joel,
• 57:22
  Speaker 1: has there been any incoming mail so far to the date?
• 57:26
  Speaker 1: Joel Monique Gmail. Yeah, there's a couple of letters in there.
• 57:30
  Speaker 1: I haven't opened them yet, so I don't know. You're
• 57:34
  Speaker 1: you're eyeing, you're eyeing them, Joel, you're just eyeing them right. Well, listen,
• 57:37
  Speaker 1: I want to remind everyone on the live show, which
• 57:40
  Speaker 1: is going to happen m March twenty sixth, right, Joel,
• 57:43
  Speaker 1: that's the date, Yes, March twenty sixth, and um, we're
• 57:47
  Speaker 1: gonna have a segment called uh, I want to Date
• 57:50
  Speaker 1: Joelle Monique and um, if you'd like to apply to
• 57:53
  Speaker 1: be one of Joelle's suitors, you send an email to
• 58:00
  Speaker 1: date Joel Monique at gmail dot com. That is correct,
• 58:05
  Speaker 1: and her name is spelled j O E L L
• 58:07
  Speaker 1: E m O n I q u E so um
• 58:12
  Speaker 1: so so slide into her um uh email uh and
• 58:16
  Speaker 1: write a very romantic and appropriate message and maybe you'll
• 58:20
  Speaker 1: be selected to be one of the candidates on Date
• 58:23
  Speaker 1: Joel Monique. But enough of that, Zach, Let's get to Natalia. Okay, Natalia,
• 58:28
  Speaker 1: how are you welcome? Good Joel, I actually might have
• 58:32
  Speaker 1: someone for you. He's my my goodness. I gotta put
• 58:36
  Speaker 1: his hat in the rink because he's just like the
• 58:39
  Speaker 1: most awesome human being in the world. He loves Star Wars.
• 58:43
  Speaker 1: I have like movie quote like you know, trivia. How
• 58:47
  Speaker 1: does he feel about jazz cabbage? He does Joel love
• 58:55
  Speaker 1: it first Inhale. We've set the bar. So you like
• 59:01
  Speaker 1: game over, Well, I'm sorry, but down to get you
• 59:06
  Speaker 1: the first date. Listen, listen. You gotta have some common
• 59:10
  Speaker 1: there's levels to this. There's levels. We gotta have common interests.
• 59:13
  Speaker 1: The guys gotta love puppies, star Wars and weed or
• 59:16
  Speaker 1: it's or the guy or gal sorry or this is
• 59:18
  Speaker 1: a non starter. So we just need to know the basics.
• 59:21
  Speaker 1: And that's how you're saying you may have a candidate.
• 59:23
  Speaker 1: Well let's get him. Let's get him into the into
• 59:25
  Speaker 1: the website. I mean, let's get him into the email box.
• 59:29
  Speaker 1: Give him the email adject. All right, I'm all right, um, Natalia,
• 59:34
  Speaker 1: do you have a question for us? Go ahead, I
• 59:37
  Speaker 1: do actually have a couple of questions. You get to
• 59:40
  Speaker 1: pick one. You get to pick one question. I'm gonna okay,
• 59:43
  Speaker 1: Well see you don't agree. I'm of the school just
• 59:45
  Speaker 1: audience that um that we we should The calls are
• 59:50
  Speaker 1: getting no offense to un tell you, this is before
• 59:52
  Speaker 1: we met you. The calls are getting a smidge in long,
• 59:55
  Speaker 1: and we should do one question, and Donalds might be
• 59:58
  Speaker 1: on the fence and say no, I prefer the two
• 1:00:01
  Speaker 1: questions thing, right, Donald, Yeah, Well, we'll let the audience decide.
• 1:00:06
  Speaker 1: If the audience says, you know what, guys, you fuck
• 1:00:09
  Speaker 1: the whole show up. Go back to two questions. We will,
• 1:00:11
  Speaker 1: but natality, you're going to be our pilot program of
• 1:00:13
  Speaker 1: one question you're gonna get okay, all right, So I
• 1:00:18
  Speaker 1: guess I'll go with the most important one. So I
• 1:00:21
  Speaker 1: love films since I was eight years old. I've been
• 1:00:23
  Speaker 1: actually studying it since I was a so like I
• 1:00:25
  Speaker 1: studied Steven Spielberg, Kubrick and all these other directors. And
• 1:00:29
  Speaker 1: I just have a question for you, Zach, how did you,
• 1:00:31
  Speaker 1: uh like, when you first started directing, did you have
• 1:00:35
  Speaker 1: like insecurities about it, like when you started, you know,
• 1:00:38
  Speaker 1: when you directed Scrubs, where you like, Oh, even though
• 1:00:42
  Speaker 1: I know these people, I'm a little bit, you know,
• 1:00:45
  Speaker 1: scared about it. I've insecurities when I direct now and
• 1:00:49
  Speaker 1: I've been doing it for a long time. How do
• 1:00:52
  Speaker 1: you overcome that? Well? You um? Um. The way I
• 1:00:57
  Speaker 1: overcome it, um is being super prepared, being the most
• 1:01:02
  Speaker 1: prepared person on the set. I have to know more
• 1:01:08
  Speaker 1: about the script I'm making than anybody else that's there.
• 1:01:13
  Speaker 1: And also having the humility to know that you're not
• 1:01:16
  Speaker 1: always going to know the answer, that you surround yourself
• 1:01:19
  Speaker 1: with a team of people that are your brain trust,
• 1:01:22
  Speaker 1: that you can that you can rely on. I can't
• 1:01:25
  Speaker 1: do this all on my own, right, So it's about
• 1:01:27
  Speaker 1: it's about bringing on a cinematographer who knows way more
• 1:01:31
  Speaker 1: about photography than you do, and bringing on an actor
• 1:01:34
  Speaker 1: or an actress who knows way more about acting than
• 1:01:36
  Speaker 1: you do, surrounding yourself with amazing people and and and
• 1:01:42
  Speaker 1: they're your support system. You're like, I can't you know,
• 1:01:46
  Speaker 1: not every shot'll be amazing, but I can't fail with
• 1:01:48
  Speaker 1: this cinematographer. Look at his or her work, it's amazing.
• 1:01:52
  Speaker 1: This actress, oh my gosh, she's incredible if she's saying
• 1:01:56
  Speaker 1: these words. So so what you do is you you
• 1:01:59
  Speaker 1: get the best team together that you possibly can. And
• 1:02:01
  Speaker 1: this could go for a big ass movie or a
• 1:02:03
  Speaker 1: little short that you're going to make, um you know,
• 1:02:05
  Speaker 1: with your with your friends, as you build your your
• 1:02:08
  Speaker 1: reel and your resume. It's about bringing on a group
• 1:02:11
  Speaker 1: of people that will support you in a in a
• 1:02:13
  Speaker 1: positive way. And this goes for you know, obviously, any
• 1:02:16
  Speaker 1: endeavor people take on it doesn't have to do with
• 1:02:18
  Speaker 1: just filmmaking. But if you're going to be the leader,
• 1:02:21
  Speaker 1: I would say getting to know the material as as
• 1:02:25
  Speaker 1: as as well as you possibly can. And then and
• 1:02:28
  Speaker 1: then having the humility to when a question comes up,
• 1:02:32
  Speaker 1: turning to your team and going, I don't know, does
• 1:02:35
  Speaker 1: anyone else have ideas? And that's all brainstorm together. Do
• 1:02:40
  Speaker 1: you know what I mean? Yeah? No, I got it. Yeah,
• 1:02:43
  Speaker 1: But insecurity doesn't go away. You know. I'm telling you
• 1:02:46
  Speaker 1: like you're always going to I said the other day,
• 1:02:49
  Speaker 1: and it's true. I get nervous when I'm dialing in
• 1:02:51
  Speaker 1: to do this podcast because I want to do a
• 1:02:53
  Speaker 1: good job. I want the show to be fun. I
• 1:02:55
  Speaker 1: want everyone to enjoy it who's listening all around the world.
• 1:02:59
  Speaker 1: But then then you sort of you you you channel it,
• 1:03:03
  Speaker 1: you just step up and do it. I'm I'm willing
• 1:03:07
  Speaker 1: to bet that Lebron James before he plays basketball still
• 1:03:11
  Speaker 1: gets nervous. Yeah, I'm willing to bet. I'm willing to
• 1:03:14
  Speaker 1: bet anybody I bet. I'm willing to bet any surgeon
• 1:03:17
  Speaker 1: before they going to surgery go into surgery, even though
• 1:03:21
  Speaker 1: they've done it several times, still gets a bit nervous.
• 1:03:24
  Speaker 1: You know. I think that's I think that's a part
• 1:03:26
  Speaker 1: of you know, who we are as humans. I think
• 1:03:31
  Speaker 1: that's you know, the fear of failure or the fear
• 1:03:35
  Speaker 1: of success can be debilitating something. And the fear of
• 1:03:38
  Speaker 1: the unknown, you know. But yeah, the fear of the
• 1:03:42
  Speaker 1: unknown can be debilitating sometimes. And it's up to you, Natalia,
• 1:03:50
  Speaker 1: to say, Yo, you know what, I'm gonna step up
• 1:03:53
  Speaker 1: and I'm gonna conquer this. Whether I fail or succeed,
• 1:03:57
  Speaker 1: I'm still going to give my best. Bet Zach's way
• 1:04:01
  Speaker 1: of doing it. It's perfect. I'm gonna prepare. I'm gonna
• 1:04:04
  Speaker 1: prepare as much as I possibly can. Not only am
• 1:04:06
  Speaker 1: I going to prepare when I get there, I'm gonna
• 1:04:08
  Speaker 1: be willing to accept more information so that I can
• 1:04:14
  Speaker 1: get the best from everybody. Yeah, that's a big thing
• 1:04:18
  Speaker 1: to do. A lot of people can't do that. A
• 1:04:21
  Speaker 1: lot of people feel like because I'm the director, I'm
• 1:04:24
  Speaker 1: the boss, and therefore it's my way or the highway. Yeah.
• 1:04:29
  Speaker 1: It never works, it don't. Yeah, I don't find that's
• 1:04:32
  Speaker 1: a very effective way to It never really works well
• 1:04:35
  Speaker 1: inspire people. You know. As a director, I think one
• 1:04:39
  Speaker 1: of the main jobs you have is inspiring people to
• 1:04:43
  Speaker 1: do their best work. You know, you don't want a
• 1:04:45
  Speaker 1: set of people phoning it in, like, oh, I gotta
• 1:04:48
  Speaker 1: fucking work on Antalis movie this weekend. You want a
• 1:04:50
  Speaker 1: group of people that are like, oh shit, did you
• 1:04:53
  Speaker 1: reading to tell you a script? It's really good. Yeah,
• 1:04:55
  Speaker 1: h what are we shooting? We're gonna shoot in that bridge. Oh,
• 1:04:56
  Speaker 1: that's gonna be so frecking cool. You want to surround
• 1:04:59
  Speaker 1: yourself with people that they're as stoked as you are
• 1:05:01
  Speaker 1: now when you're when you're starting out and you're working
• 1:05:03
  Speaker 1: on smaller projects that will be your friends and your
• 1:05:05
  Speaker 1: other and your classmates and whoever else is into it,
• 1:05:08
  Speaker 1: and as you get into under the professional world, you
• 1:05:10
  Speaker 1: don't want to hire anybody. You want to hire people
• 1:05:12
  Speaker 1: that that really are believe in in in your project
• 1:05:16
  Speaker 1: and are stoked about it. Doesn't feel like just to
• 1:05:18
  Speaker 1: check to them. Of course the check is important, but
• 1:05:20
  Speaker 1: they're passionate about it, and they and they want to
• 1:05:23
  Speaker 1: and they want to do their best. They're inspired to
• 1:05:25
  Speaker 1: do their best. And one of the main jobs of
• 1:05:27
  Speaker 1: a filmmaker is to inspire everybody, is to get everyone
• 1:05:30
  Speaker 1: riled up and be a be a cheerleader. Right, I mean, yeah,
• 1:05:36
  Speaker 1: I get what you mean. I actually I work as
• 1:05:39
  Speaker 1: like a freelance assistant director and also like a COVID
• 1:05:43
  Speaker 1: compliance officer. And I've seen so many times like the
• 1:05:45
  Speaker 1: director kind of like y'all at the ad or yell
• 1:05:49
  Speaker 1: at me, you know, and it's just like, you know,
• 1:05:51
  Speaker 1: I take it as like, Okay, he's he's stressed out,
• 1:05:54
  Speaker 1: So I like, I already know my job is, so
• 1:05:57
  Speaker 1: I kind of cool him down. Um. But I mean,
• 1:06:00
  Speaker 1: I don't want to say it's unpleasant to work there,
• 1:06:03
  Speaker 1: because like I understand that like the amun a work
• 1:06:06
  Speaker 1: that carries on to them, you know. But it's also
• 1:06:10
  Speaker 1: like sometimes it's like, oh, I have to go into this,
• 1:06:13
  Speaker 1: this guy is well one of the best NAT tell
• 1:06:17
  Speaker 1: you one of the best things, one of the best
• 1:06:19
  Speaker 1: things I can say that you're already doing that. I
• 1:06:21
  Speaker 1: recommend anyone that wants to be a filmmaker is as
• 1:06:23
  Speaker 1: soon and as early as you can work on sets
• 1:06:26
  Speaker 1: and whatever capacity you know you're working as a COVID
• 1:06:29
  Speaker 1: compliance person. I've told everyone on the here before I
• 1:06:32
  Speaker 1: was a PA on music videos and commercials, and the
• 1:06:35
  Speaker 1: best education four years at Northwestern Film School didn't teach
• 1:06:38
  Speaker 1: me anything compared to what I learned peeing on music
• 1:06:43
  Speaker 1: videos at the end of the nineties in Manhattan for
• 1:06:46
  Speaker 1: like twenty four hour shifts. That's the education. So I think,
• 1:06:51
  Speaker 1: nattell you, since you're an aspiring filmmaker, one of the
• 1:06:54
  Speaker 1: things that's going to happen is when you're on these sets,
• 1:06:57
  Speaker 1: as it happened with Donald and I on scrubs, I
• 1:06:59
  Speaker 1: would go, oh, I don't I don't really like the
• 1:07:01
  Speaker 1: way that person's talking to the crew. I'm not going
• 1:07:04
  Speaker 1: to be like that. I don't really like the way
• 1:07:07
  Speaker 1: that that producer is dealing with everyone. When it's my set,
• 1:07:10
  Speaker 1: that shit's not going to happen. So you can you're
• 1:07:12
  Speaker 1: digesting all of this stuff, and you know, on scrubs
• 1:07:15
  Speaker 1: it was amazing. We had a different director every week,
• 1:07:17
  Speaker 1: so I would be like, oh, I love this director.
• 1:07:19
  Speaker 1: I learned so much from Ooh this director. I don't
• 1:07:21
  Speaker 1: like the way he talks to the actors. I don't
• 1:07:23
  Speaker 1: like the way he talks to the DP. I'm gonna
• 1:07:24
  Speaker 1: I'm not gonna be like that. So it was all learning,
• 1:07:27
  Speaker 1: all learning, learning, learning, and digesting right right, Yeah, definitely
• 1:07:31
  Speaker 1: that Actually that helps a lot. Um Thank you, so
• 1:07:34
  Speaker 1: look at it, even you're welcome, and even when you
• 1:07:36
  Speaker 1: have a shitty day and someone's being a jerk, just
• 1:07:39
  Speaker 1: kind of I mean, obviously, if it's crosses a line,
• 1:07:42
  Speaker 1: you fucking report them to HR. But as long as
• 1:07:44
  Speaker 1: it's like just some somebody being a jerk on set
• 1:07:47
  Speaker 1: in a normal way. People are jerks at any job,
• 1:07:49
  Speaker 1: you know, just just look at it, like I'm learning,
• 1:07:51
  Speaker 1: I'm digesting. That's not the way I'm going to do
• 1:07:54
  Speaker 1: it when I'm running my own sets. You know, just
• 1:07:56
  Speaker 1: look at everything as a learning experience. Well. I graduated
• 1:08:00
  Speaker 1: US year in May, um, like I had a COVID graduation,
• 1:08:04
  Speaker 1: and like you know, even before, like like working on
• 1:08:09
  Speaker 1: my little student phones, I saw the way that people were,
• 1:08:12
  Speaker 1: you know, the way the personalities and the way that
• 1:08:14
  Speaker 1: they were. Like I'm like, okay, I have to kind
• 1:08:16
  Speaker 1: of learn, like kind of learn how to deal with
• 1:08:18
  Speaker 1: these personalities. You know. That's how I kind of work
• 1:08:22
  Speaker 1: with it. And I mean and in my head, I'm like,
• 1:08:26
  Speaker 1: oh my god. If I was if I was like
• 1:08:28
  Speaker 1: the director and I peeped this, I would have been like, no,
• 1:08:31
  Speaker 1: don't don't do this. No I had um, I had
• 1:08:34
  Speaker 1: someone who was boom who's you know, booming and like
• 1:08:37
  Speaker 1: they were talking in the middle of shooting and I
• 1:08:39
  Speaker 1: was just like I had to take them to the
• 1:08:41
  Speaker 1: side and be like, I was like, look, I know
• 1:08:43
  Speaker 1: you don't want to be here, but you know this
• 1:08:46
  Speaker 1: is our assignment and you know we kind of have to,
• 1:08:50
  Speaker 1: you know, just trying to be uh neutral, you know, um,
• 1:08:54
  Speaker 1: not be bossy because it's hard. But but it's hard
• 1:08:57
  Speaker 1: because like there's a there's like a lot between being
• 1:09:01
  Speaker 1: bossy and being like say it, you know, being a
• 1:09:08
  Speaker 1: what being nice? You have to be a leader. You
• 1:09:14
  Speaker 1: have to be a leader at the end of the day. Leader.
• 1:09:16
  Speaker 1: A leader isn't always a nice person though too. You
• 1:09:19
  Speaker 1: must remember that a leader is somebody who can motivate
• 1:09:21
  Speaker 1: people to do what is necessary to fulfill a task. Right.
• 1:09:28
  Speaker 1: That's a leader. Right, So you don't necessarily have to
• 1:09:32
  Speaker 1: be all freaking happy, go lucky to get the task done.
• 1:09:37
  Speaker 1: It's preferred that it's that way. But if somebody's having
• 1:09:40
  Speaker 1: a problem getting the understanding the message that you are
• 1:09:45
  Speaker 1: sending and is not getting the job done, if all
• 1:09:50
  Speaker 1: is exhausted, then sometimes you have to be a little
• 1:09:53
  Speaker 1: bit aggressive with how you explain things that doesn't mean
• 1:09:57
  Speaker 1: put your hands on them obviously, but it definitely means
• 1:09:59
  Speaker 1: raising boys, and it definitely means being a little bit
• 1:10:02
  Speaker 1: of an authoritarian on that parton that Yeah, I think
• 1:10:05
  Speaker 1: of it like I think of it sometimes. Um, sometimes
• 1:10:08
  Speaker 1: the job is being a coach in a sense that
• 1:10:10
  Speaker 1: think of the coach getting the impassioned, stern fucking pep
• 1:10:14
  Speaker 1: talk at halftime. That's what you call it, right halftime. Yeah,
• 1:10:18
  Speaker 1: you got it. You gotta halftime speak, you got it. Yeah.
• 1:10:20
  Speaker 1: So so there's times where you, as as a filmmaker,
• 1:10:23
  Speaker 1: um Natalia will need to give people that impassioned you know.
• 1:10:38
  Speaker 1: So it gets a little complicated because I'm a woman,
• 1:10:41
  Speaker 1: you know, I you know, say something or I give
• 1:10:46
  Speaker 1: a command, and to them it's like, oh, she's being emotional,
• 1:10:48
  Speaker 1: she's being like bitchy. Like there's always those words that
• 1:10:51
  Speaker 1: kind of like float around. And I've experienced on a
• 1:10:54
  Speaker 1: set where like I'm I'm you know, I'm I do
• 1:10:57
  Speaker 1: grip work too. I'm like, you know, guy, the guys
• 1:11:01
  Speaker 1: would just be like, oh, you're too delicate for that.
• 1:11:04
  Speaker 1: It's okay, you don't have to do that, you know,
• 1:11:06
  Speaker 1: And I just I'm just like I could do it
• 1:11:08
  Speaker 1: like I couldn't lift school too, So I know I
• 1:11:14
  Speaker 1: have a ton of women who are especially you know,
• 1:11:17
  Speaker 1: you're very petite, and like petite women are often like
• 1:11:21
  Speaker 1: You're like they go to lift something, they're like, oh don't, don't,
• 1:11:23
  Speaker 1: I got it. No, mother effer, get off of my stuff,
• 1:11:25
  Speaker 1: and my job's like order, this is what I'm doing.
• 1:11:29
  Speaker 1: You're telling me it took a woman's right situation for
• 1:11:33
  Speaker 1: you to freaking say mother effer instead of saying, motherfucker.
• 1:11:37
  Speaker 1: Are you kidding me? Right now, all of a sudden,
• 1:11:39
  Speaker 1: you're gonna get PC, But now the time to be
• 1:11:42
  Speaker 1: as passionate as a motherfucker for a point to the
• 1:11:46
  Speaker 1: telly this point, you're trying not to swear at these
• 1:11:48
  Speaker 1: people because they're your colleagues, right and the Holly. The
• 1:11:51
  Speaker 1: best advice I got from a woman on set was like,
• 1:11:54
  Speaker 1: remember their names and just do your job. Eventually he
• 1:11:57
  Speaker 1: will be in a hiring position, right if you're going
• 1:12:00
  Speaker 1: to be the director, you're gonna be approving your cruise,
• 1:12:02
  Speaker 1: You're gonna be hiring people. Just remember their names, go
• 1:12:05
  Speaker 1: about your business. There's nothing you can do about it
• 1:12:07
  Speaker 1: if they don't do what you tell them to be like,
• 1:12:09
  Speaker 1: all right, well, I'm find someone else to do it.
• 1:12:11
  Speaker 1: We have to keep moving. You know, you can't. You
• 1:12:13
  Speaker 1: can't force someone to do the work, but you can
• 1:12:15
  Speaker 1: absolutely not hire them when it's time to do that.
• 1:12:19
  Speaker 1: By the way, I love it when I see female
• 1:12:21
  Speaker 1: grips and electrics. That's they're so the most bad ass
• 1:12:23
  Speaker 1: ye remembers ever. When they're all geared up with their
• 1:12:25
  Speaker 1: tools and their belts, they look like badasses. Yeah. That
• 1:12:29
  Speaker 1: that and camera operators too, Yeah, fer I love it.
• 1:12:35
  Speaker 1: I love it. I'm working on a show right now
• 1:12:38
  Speaker 1: that has hired so many women, and it's very diverse,
• 1:12:43
  Speaker 1: and I'm really happy to be a part of it,
• 1:12:46
  Speaker 1: and and and and so to see that is so
• 1:12:51
  Speaker 1: fricking awesome because all we're doing is telling stories, and
• 1:12:55
  Speaker 1: anybody could tell the story. Am I wrong? Why is
• 1:13:00
  Speaker 1: the lie wrong? All right? But in terms of our
• 1:13:04
  Speaker 1: all our other genius advice, you're welcome. You're so, you're welcome,
• 1:13:09
  Speaker 1: and we wish you luck and please hire us all
• 1:13:12
  Speaker 1: one day. By the way, this this fan do a
• 1:13:14
  Speaker 1: fan art picture of us that Donald and I both
• 1:13:16
  Speaker 1: put on our stories and it was a really good drawing,
• 1:13:19
  Speaker 1: really talented artist. But then I zoomed in on Donald's
• 1:13:22
  Speaker 1: growing and I don't know if it's a crinkle in
• 1:13:26
  Speaker 1: the artcurate. It just shows that the artists chose to
• 1:13:31
  Speaker 1: give Donald's quite a bulge and did not give any
• 1:13:36
  Speaker 1: of that attention to my scrubs. Wasn't there a story
• 1:13:40
  Speaker 1: about some type of CGI around the growing area of
• 1:13:45
  Speaker 1: a young Donald Phazon? From what I heard from Randall,
• 1:13:49
  Speaker 1: Randal didn't bring that up. Randon didn't bring that up.
• 1:13:52
  Speaker 1: Randon didn't bring that up. Rand say that this artist,
• 1:13:55
  Speaker 1: if you zoom in like I did on Donald's area,
• 1:14:00
  Speaker 1: he probably did you? Did you? What's the opposite of
• 1:14:03
  Speaker 1: did you dirty? Did you? Did you? But she or
• 1:14:11
  Speaker 1: she did me dirty? Yeah? No wrinkle, I got no
• 1:14:18
  Speaker 1: wrinkle anyway. Anyway, the movie is this, No Dogs, No Chopper. Oh,
• 1:14:25
  Speaker 1: this is the best movie ever. Down down Beverly Hills.
• 1:14:27
  Speaker 1: That's the late Great the Little Richard, Great Little Richard.
• 1:14:33
  Speaker 1: Little Richard plays their neighbor and this Beverly Hills, uh,
• 1:14:36
  Speaker 1: you know, neighborhood. And he feels like he's getting treated
• 1:14:40
  Speaker 1: like shit because he's black, and uh, no choppers and
• 1:14:44
  Speaker 1: the white dogs white, the white family. The white family
• 1:14:49
  Speaker 1: calls the police, and there's like dogs and choppers and
• 1:14:51
  Speaker 1: like a swat team, and little Richard comes out, he
• 1:14:54
  Speaker 1: was I had a burglar in my house. There were
• 1:14:56
  Speaker 1: no dogs, no chopp do you well have you seen
• 1:15:01
  Speaker 1: that movie? I have not seen that. Beverly Hills, Joel,
• 1:15:06
  Speaker 1: Joel Hills when you got to watch Down and Now
• 1:15:11
  Speaker 1: on Beverly Hills, And I remember the dad's Richard Dryfuss
• 1:15:13
  Speaker 1: is the father, and he's amazing, and he's made his
• 1:15:16
  Speaker 1: money off hangers. And he has this monologue where he's
• 1:15:20
  Speaker 1: where he screams at his son. He's his son's being ungrateful.
• 1:15:24
  Speaker 1: He's like, it's hangers that clothe you, it's hangers that
• 1:15:29
  Speaker 1: feed you. It's an amazing movie. I highly recommend it.
• 1:15:34
  Speaker 1: I laughed a lot at that movie. And little Richard
• 1:15:36
  Speaker 1: it's Bett Midler too, right, Bett Middler, Yeah, Bett Midler
• 1:15:40
  Speaker 1: and Richard Richard Dryfuss, Um, Little Richard Richard, the dog
• 1:15:48
  Speaker 1: and the dog and the little chopper no stoppers. All right,
• 1:15:54
  Speaker 1: you can stay on on the tale because I think
• 1:15:56
  Speaker 1: we did it. We did the show. We did it.
• 1:15:57
  Speaker 1: We totally did it. Um. Don't forget to email Joel
• 1:16:00
  Speaker 1: if you want to be a contestant on day Joel,
• 1:16:02
  Speaker 1: and don't forget to buy a ticket to the live show,
• 1:16:04
  Speaker 1: which is March twenty sixth. Where do they go, Juell
• 1:16:06
  Speaker 1: to buy a ticket? Oh boy, I want to remember
• 1:16:09
  Speaker 1: this because it's such a difficult way to say it. Okay,
• 1:16:13
  Speaker 1: you gotta make it simpler on location Live doctor too much?
• 1:16:17
  Speaker 1: Can it be like fake Doctor's live show? Is there
• 1:16:19
  Speaker 1: a way we can make it so that take this
• 1:16:20
  Speaker 1: type fake Doctor's live show, and that's how to give
• 1:16:23
  Speaker 1: I'm sure if you google that it will pop up.
• 1:16:25
  Speaker 1: But the address is on locationlive dot com, slash product
• 1:16:30
  Speaker 1: slash Fake Doctor's Real Friends. That's a lot. Okay, listen,
• 1:16:33
  Speaker 1: it is, but I put it in the show notes
• 1:16:35
  Speaker 1: what it is every episode? Well, can't you do like
• 1:16:38
  Speaker 1: a link tree thing? Can't you do like a bite
• 1:16:41
  Speaker 1: or something? Okay, listen, I will put a link tree
• 1:16:44
  Speaker 1: on my Instagram so you guys can find it. We'll
• 1:16:47
  Speaker 1: put links on our Instagram, Joel, send us links to
• 1:16:49
  Speaker 1: put on our Instagram headers. All right, everybody, we love
• 1:16:54
  Speaker 1: thanks for coming on. And we made about a bunch
• 1:17:02
  Speaker 1: of doctor nurses and a janitor who little bit I said,
• 1:17:06
  Speaker 1: he just stories nephews should go. So gather around you
• 1:17:13
  Speaker 1: here are gather around you here irexpect free watch your
• 1:17:17
  Speaker 1: wins a time no, mm hmmm