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Transcript

10 Cloverfield Lane · Movie Meltdown

• 0:00
  Speaker 1: Attention, shoppers!
• 0:02
  Speaker 2: I trust you've got credit cards to.
• 0:05
  Speaker 1: Pay for all that stuff.
• 0:07
  Speaker 2: Hi, this is Captain Mary Stewart, and you're listening to
• 0:10
  Speaker 2: Movie Meltdown.
• 0:17
  Speaker 3: It's showtime.
• 0:18
  Speaker 4: The following feature has been rated R by the Motion
• 0:21
  Speaker 4: Picture Association of America. It is intended for mature audiences
• 0:26
  Speaker 4: and parental discretion is advised.
• 0:28
  Speaker 1: Our nuclear reactor pumping out one million kilowatts of power.
• 1:14
  Speaker 1: What's up and welcome to Movie Meltdown. I'm Brian.
• 1:16
  Speaker 5: I'm Lucy.
• 1:17
  Speaker 1: And we are coming to you live via digital recording
• 1:19
  Speaker 1: with our special guest co-host Laura Sanders and Michael Myers.
• 1:23
  Speaker 6: Hello.
• 1:24
  Speaker 1: Hello. I guess since it's an audio podcast, we should
• 1:27
  Speaker 1: specify one of you is not the person you might
• 1:29
  Speaker 1: think Laura is not Colonel Sanders. Wait, no, that's not.
• 1:34
  Speaker 1: They are getting a lot of comics to play that.
• 1:36
  Speaker 1: Do you think you're going to come into play at
• 1:38
  Speaker 1: some point? The new Colonel Sanders.
• 1:41
  Speaker 7: Oh, ask Colonel Sanders. I'm hoping I can play Bernie
• 1:43
  Speaker 7: Sanders at some point myself.
• 1:45
  Speaker 1: Even better.
• 1:46
  Speaker 7: I think he's been really doing well lately.
• 1:49
  Speaker 1: But, Michael, your name is spelled differently. Does that become
• 1:51
  Speaker 1: an issue?
• 1:52
  Speaker 3: Yeah, everybody, I mean, anytime I, like, get ID'd, someone
• 1:58
  Speaker 3: brings it up. Smartass. And, you know, I mean, I
• 2:01
  Speaker 3: guess it's new to them, but I deal with it
• 2:04
  Speaker 3: every day.
• 2:04
  Speaker 1: I was starting to say, you've dealt with it your
• 2:06
  Speaker 1: whole life, I'm sure.
• 2:07
  Speaker 4: Yeah.
• 2:08
  Speaker 1: One or the other, whichever one. I mean, one's definitely
• 2:10
  Speaker 1: way cooler than the other.
• 2:12
  Speaker 3: I think Halloween was out in the 80, or 1980,
• 2:16
  Speaker 3: and my mom claims that she didn't think it was
• 2:18
  Speaker 3: going to be as big of a phenomenon as it was.
• 2:22
  Speaker 1: You curse her name every day. Damn you, Mom. Well,
• 2:27
  Speaker 1: usually I'll do a little intro and kind of give
• 2:29
  Speaker 1: people a good idea of what you guys do. So
• 2:32
  Speaker 1: I guess I'll leave it up to you how you
• 2:33
  Speaker 1: want to approach it. Do you want to do like,
• 2:36
  Speaker 1: how you got into comedy or do you want to
• 2:37
  Speaker 1: do like road stories? You guys have been on the
• 2:40
  Speaker 1: road a lot or I don't know what, what's a
• 2:42
  Speaker 1: good intro for people to, to what you do.
• 2:44
  Speaker 7: And I go worst bomb.
• 2:47
  Speaker 3: Yeah, let's do worst bomb.
• 2:48
  Speaker 5: Okay.
• 2:48
  Speaker 1: Do you want to go first?
• 2:49
  Speaker 7: You want me to go first?
• 2:50
  Speaker 1: I guess we should say you're, you're comedians in case
• 2:53
  Speaker 1: you haven't been.
• 2:53
  Speaker 7: We're not bad terrorists.
• 2:57
  Speaker 3: I'll go first.
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  Speaker 1: Okay.
• 2:58
  Speaker 3: All right. Well, I guess my worst bomb was I
• 3:01
  Speaker 3: had a lemon thrown at me.
• 3:04
  Speaker 1: They came prepared?
• 3:05
  Speaker 3: Yeah, well.
• 3:07
  Speaker 1: Was it at some sort of fruit and vegetable rally?
• 3:11
  Speaker 3: Yeah, so there was a very talkative audience member, and
• 3:19
  Speaker 3: she was interrupting the entire show. And then I got
• 3:26
  Speaker 3: up there, and I started to say stuff to her,
• 3:28
  Speaker 3: and then I noticed that she was recording me.
• 3:31
  Speaker 6: Nice.
• 3:31
  Speaker 3: And I asked her why she was recording me, and
• 3:33
  Speaker 3: she said, because I want something to laugh at later.
• 3:36
  Speaker 3: And I go, well, you're not laughing now, so clearly
• 3:39
  Speaker 3: you're going to use that to ridicule me. And then
• 3:43
  Speaker 3: she kept recording me. So I started to use some
• 3:47
  Speaker 3: choice words towards her. And an older woman who was
• 3:51
  Speaker 3: in the bathroom at the time and didn't see the
• 3:53
  Speaker 3: whole thing transpired only came out at the end to
• 3:58
  Speaker 3: see me blabbering verbally berating this woman. And then she
• 4:04
  Speaker 3: grabbed a lemon, which the bartender was cutting up lemons,
• 4:08
  Speaker 3: and she just grabbed one off the bar. And, like,
• 4:10
  Speaker 3: I was sitting there, and I could see out of
• 4:12
  Speaker 3: the light just this object come flying at me, but
• 4:16
  Speaker 3: it missed way wide. But I actually kept the lemon.
• 4:21
  Speaker 3: So I have the lemon, and it looks like a
• 4:23
  Speaker 3: dried-up walnut now.
• 4:24
  Speaker 1: Nice.
• 4:25
  Speaker 3: Or just a walnut, I should say.
• 4:27
  Speaker 1: Yeah, they're all. yeah your whole life you can just
• 4:30
  Speaker 1: it's all just approved to that old lady wrong.
• 4:33
  Speaker 3: Yeah i'm throwing but the bartender had my back and
• 4:36
  Speaker 3: everybody else did because they knew how awful this woman
• 4:39
  Speaker 3: in the front was and they knew.
• 4:40
  Speaker 7: How crazy it was to throw lemons to solve problems.
• 4:43
  Speaker 3: Yeah oh yeah and she did before uh she threw
• 4:47
  Speaker 3: the lemon she goes you're being mean and then i
• 4:50
  Speaker 3: saw this lemon flying at me and yeah that's probably.
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  Speaker 7: My worst time to like let her words work. Like
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  Speaker 7: I could see if she's like, you're being mean, let
• 4:59
  Speaker 7: it pause, let you respond. But she like, it was like,
• 5:01
  Speaker 7: you're being mean and I'm throwing this lemon at the
• 5:03
  Speaker 7: same time.
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  Speaker 3: And it should also be stated that, uh, I was
• 5:07
  Speaker 3: not having a good set. So it was very bad.
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  Speaker 3: Like it was bad on my part. Everybody knew it
• 5:13
  Speaker 3: was bad. It was just, uh, you know, giving.
• 5:16
  Speaker 7: You lemons while you're down.
• 5:19
  Speaker 1: So I guess moving forward, were something similar about to
• 5:22
  Speaker 1: go down? Would you take a different road now?
• 5:25
  Speaker 3: What, if I could relive that over again?
• 5:28
  Speaker 1: Well, not that we should ever wish another bad set
• 5:31
  Speaker 1: on you, but assuming it's going that way.
• 5:34
  Speaker 3: There will be plenty of bad sets in my future, but.
• 5:38
  Speaker 1: Just so you handle it differently now.
• 5:39
  Speaker 3: Yeah, I definitely handle it differently. I don't know if
• 5:44
  Speaker 3: I would change that experience, though, because it's... You needed it?
• 5:48
  Speaker 3: It's a good experience, and it's a fun memory. And
• 5:52
  Speaker 3: I still.
• 5:53
  Speaker 1: And you got that walnut now.
• 5:54
  Speaker 3: Plus, like, everything, I don't know, it's always a cliche
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  Speaker 3: to throw fruit at a bombing comedian, but I've never
• 6:00
  Speaker 3: seen it before, and I've never seen it since.
• 6:02
  Speaker 1: No, me neither.
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  Speaker 7: I was at that show. I was lucky enough to
• 6:05
  Speaker 7: be there to hear the set and see the... I
• 6:08
  Speaker 7: don't think I saw just the aftermath of the lemon,
• 6:10
  Speaker 7: but I feel like I was part of comedy history
• 6:12
  Speaker 7: to see that done in modern day.
• 6:14
  Speaker 5: She took a lemon, and she made it a lemon grenade.
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  Speaker 1: Yeah, exactly.
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  Speaker 3: And then she did apologize afterwards.
• 6:20
  Speaker 1: Which is rare. Yeah.
• 6:21
  Speaker 3: But then she apparently kept telling the host how much
• 6:25
  Speaker 3: funnier her daughter would have been upstage. That's what Danny,
• 6:29
  Speaker 3: he told me this years later. He's like, yeah, she
• 6:31
  Speaker 3: kept coming up and making sure that we knew that
• 6:34
  Speaker 3: we weren't funny and her daughter was much funnier than us.
• 6:37
  Speaker 1: I think you need to question the other party that
• 6:39
  Speaker 1: was in the room. Do we really know where Laura was?
• 6:42
  Speaker 1: Do you have an alibi?
• 6:45
  Speaker 7: I was her daughter.
• 6:47
  Speaker 1: And you are funny?
• 6:48
  Speaker 3: I thought I recognized her mom.
• 6:52
  Speaker 1: That was it. He was doing too good and you
• 6:55
  Speaker 1: were threatened. Whipped a lemon in his head.
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  Speaker 8: Yeah.
• 6:58
  Speaker 7: Keep your enemies close.
• 7:01
  Speaker 1: In the car with you. Yes.
• 7:03
  Speaker 3: So, yeah, that's my worst bomb.
• 7:05
  Speaker 4: All right.
• 7:05
  Speaker 1: That's a good one. Any fruit in yours?
• 7:08
  Speaker 7: No fruit, but there was a stripper's. Mine was, I
• 7:13
  Speaker 7: opened for a male strip show, and they don't want
• 7:16
  Speaker 7: women there. When a bunch of women are waiting for
• 7:19
  Speaker 7: a man to just, like, swing their dick around, they don't.
• 7:23
  Speaker 7: want me talking at all.
• 7:25
  Speaker 1: Yeah, that's not what they came for.
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  Speaker 7: And so I was supposed to do a half an
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  Speaker 7: hour set, and then I was performing in front of
• 7:32
  Speaker 7: these women that I've never seen so much hate in
• 7:34
  Speaker 7: someone's eyes directed at me. And then luckily, because at
• 7:39
  Speaker 7: first it was the guy who hired me didn't know
• 7:40
  Speaker 7: the concept of lighting a comedian. to get them off
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  Speaker 7: stage that you can just shine a light and then
• 7:45
  Speaker 7: we'll know that we're allowed to leave.
• 7:47
  Speaker 1: So they brought the hook.
• 7:48
  Speaker 7: Yeah, that's all I wanted, but I was like, I'm
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  Speaker 7: gonna look at these hateful women for 30 minutes if
• 7:52
  Speaker 7: that's what it takes to get my $ 75.
• 7:53
  Speaker 1: Yeah, that's my paycheck, damn it.
• 7:57
  Speaker 7: And so I kept going and then luckily another comic
• 8:00
  Speaker 7: was there and was like, you don't have to have
• 8:02
  Speaker 7: her stay up there the whole time. And so I
• 8:03
  Speaker 7: did about five minutes in an angry cafeteria setting before
• 8:08
  Speaker 7: I walked off stage and Penetration took the stage. And
• 8:12
  Speaker 7: they liked him a lot more than me.
• 8:14
  Speaker 1: I was going to say, is that a code word
• 8:17
  Speaker 1: or did literal penetration?
• 8:19
  Speaker 7: His name was Penetration. He gave me his business card.
• 8:24
  Speaker 7: And he does graduation parties, which was my favorite business card.
• 8:27
  Speaker 5: Detail.
• 8:29
  Speaker 7: He had a lot of bullet points. Graduation parties is
• 8:32
  Speaker 7: one of them. Yeah, all of them. If you need
• 8:36
  Speaker 7: a dick there... Penetration will bring it to you.
• 8:39
  Speaker 1: He is your dick. Yeah.
• 8:40
  Speaker 7: He was very nice, though. He was like, it's hard
• 8:42
  Speaker 7: out there.
• 8:42
  Speaker 1: Oh, that should be on his business card.
• 8:49
  Speaker 6: Oh, man.
• 8:50
  Speaker 1: Well, I guess how has this tour unfolded? You've done
• 8:54
  Speaker 1: this before, haven't you?
• 8:56
  Speaker 7: We haven't traveled together yet. I mean, we've been to
• 8:58
  Speaker 7: Louisville together last year. But this is like, we have
• 9:02
  Speaker 7: like four shows in a row and two of the
• 9:04
  Speaker 7: four have happened and they've gone well.
• 9:06
  Speaker 1: Yeah. Yeah.
• 9:06
  Speaker 7: Last night we were in Indianapolis and it was super fun.
• 9:09
  Speaker 7: And Columbus tree bars, Columbus was always, is always super fun.
• 9:13
  Speaker 1: So. Yeah.
• 9:15
  Speaker 7: We've been eating pie and watching movies. So I can't complain.
• 9:18
  Speaker 3: A nice piece of pie today.
• 9:19
  Speaker 1: It is pie day. Yeah. For those of you in
• 9:22
  Speaker 1: the future.
• 9:23
  Speaker 2: Yeah.
• 9:24
  Speaker 1: You missed it. Yeah.
• 9:26
  Speaker 3: So yeah, it's been good. But it's just we recorded
• 9:29
  Speaker 3: albums together, so they are out. And then we decided
• 9:32
  Speaker 3: to go on a couple shows to promote them.
• 9:35
  Speaker 1: Recreate that live event. Yeah.
• 9:39
  Speaker 7: And tell new jokes because we were very sick of
• 9:41
  Speaker 7: the album jokes.
• 9:42
  Speaker 3: Yeah.
• 9:43
  Speaker 7: So those are recorded and you can buy them and
• 9:44
  Speaker 7: hear them now. And if you see us live, you
• 9:46
  Speaker 7: won't hear them anymore.
• 9:47
  Speaker 3: Yeah.
• 9:49
  Speaker 4: Refresh yourself.
• 9:50
  Speaker 3: It's intermission time.
• 9:52
  Speaker 4: The concession stand is open and ready to serve you.
• 9:58
  Speaker 4: Imagine it's 1944.
• 10:00
  Speaker 1: 1944.
• 10:00
  Speaker 4: Imagine you're in a small room about the size of
• 10:02
  Speaker 4: a closet. It's dark. There's no air moving. You're in
• 10:07
  Speaker 4: that room with a half dozen other people, people you've
• 10:09
  Speaker 4: known only a few days. The loudest sound you hear
• 10:12
  Speaker 4: is your own heartbeat. If you or any of the
• 10:15
  Speaker 4: others in that room make a sound, your life will
• 10:18
  Speaker 4: probably end. Outside, the people who own the home, the
• 10:22
  Speaker 4: people who have helped you hide, are about to be
• 10:24
  Speaker 4: taken to a concentration camp for helping you, for caring.
• 10:28
  Speaker 4: You're experiencing The Hiding Place, a new motion picture, a
• 10:32
  Speaker 4: true story. The Hiding Place, starring Julie Harris, Eileen Hackert,
• 10:36
  Speaker 4: and Arthur O'Connell. Introducing Jeanette Clint. Filmed on location and
• 10:39
  Speaker 4: color by Worldwide Pictures. If caring means anything, if love
• 10:43
  Speaker 4: matters at all, see The Hiding Place.
• 10:49
  Speaker 6: This episode is sponsored by World of Leathercraft. Specializing in
• 10:52
  Speaker 6: handmade leathercraft items with a specific nod to the geeky genres.
• 10:57
  Speaker 6: Whether you're looking for a wallet, purse, keychain, bracelet, money clip,
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  Speaker 6: aren't messing around with store-bought junk. Your fandom runs deep
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  Speaker 6: because you're carrying a handmade work of art. And since
• 11:21
  Speaker 6: you're a Movie Meltdown listener, you get a special deal.
• 11:24
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• 11:28
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• 11:32
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• 11:35
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• 11:39
  Speaker 1: Let's rock!
• 11:48
  Speaker 5: Hey everyone, this is Jeanette Goldstein and you are listening
• 11:52
  Speaker 5: to Movie Meltdown.
• 11:55
  Speaker 1: Look, man, I only need to know one thing.
• 11:59
  Speaker 2: Where they are.
• 12:01
  Speaker 6: Any time, anywhere.
• 12:02
  Speaker 2: Get more out of life.
• 12:04
  Speaker 1: Go out.
• 12:10
  Speaker 3: To a movie. Out of town.
• 12:12
  Speaker 6: Out of town. Out of the night.
• 12:16
  Speaker 1: Out of town.
• 12:35
  Speaker 5: What are you going to do to me?
• 12:38
  Speaker 6: I'm going to keep you alive.
• 12:41
  Speaker 1: You were in an accident.
• 12:44
  Speaker 9: And I saved your life by bringing you here.
• 12:46
  Speaker 6: And everyone outside of here is dead.
• 12:50
  Speaker 7: What happened to your arm?
• 12:51
  Speaker 1: Were you trying to escape? I was trying to get in.
• 12:54
  Speaker 6: What was that?
• 12:56
  Speaker 4: Quiet.
• 12:56
  Speaker 5: How do you know that this is real?
• 13:02
  Speaker 2: They're going to get all of us killed!
• 13:10
  Speaker 5: No!
• 13:10
  Speaker 2: Don't open that door!
• 13:17
  Speaker 1: Something's coming.
• 13:18
  Speaker 6: No!
• 13:21
  Speaker 4: Where danger happens.
• 13:22
  Speaker 2: The jungle.
• 13:24
  Speaker 7: I'll take you captive.
• 13:26
  Speaker 1: The jungle.
• 13:28
  Speaker 4: Where danger happens.
• 13:30
  Speaker 1: The jungle. I'll take you captive. Come take a ride
• 13:35
  Speaker 1: with this wild thing. Yeah.
• 13:37
  Speaker 7: I'm your tour guide for this wild safari.
• 13:40
  Speaker 1: I'm trying to take you where my heart is.
• 13:44
  Speaker 5: Babe.
• 13:45
  Speaker 1: Not like them other journeys. So far from ordinary.
• 13:49
  Speaker 9: I can you're coming with me boy no need to resist.
• 14:26
  Speaker 1: Is there any other things we want to get to
• 14:37
  Speaker 1: before the meeting?
• 14:39
  Speaker 7: All I'm thinking about is the movie right now. We
• 14:41
  Speaker 7: just saw it.
• 14:41
  Speaker 1: That's true. You guys just got it.
• 14:42
  Speaker 7: We saw it and then drove over here.
• 14:45
  Speaker 3: I'm still very anxious from the movie.
• 14:47
  Speaker 7: Yeah, I was stressed out.
• 14:49
  Speaker 1: That's a good sign.
• 14:51
  Speaker 7: Yeah, I was real stressed out. I had to change defensive.
• 14:54
  Speaker 7: I have a few defensive positions when I'm watching scary movies,
• 14:57
  Speaker 7: and I had to use all of them.
• 14:59
  Speaker 3: You were very animated watching the movie.
• 15:01
  Speaker 7: I react strongly to scary movies, especially because we're all
• 15:04
  Speaker 7: trying to be professional, so I can't grab onto people
• 15:06
  Speaker 7: next to me. So I was very self-contained. And a
• 15:11
  Speaker 7: lot of, like, you know, hand gestures.
• 15:13
  Speaker 3: I just did a lot of face rubbing. Like, aggressive
• 15:17
  Speaker 3: face rubbing.
• 15:18
  Speaker 2: Like, oh, boy.
• 15:20
  Speaker 5: All right.
• 15:21
  Speaker 1: Well, we did go. It's a big deal when we
• 15:23
  Speaker 1: actually go to the house and go out on the town.
• 15:25
  Speaker 1: So this week's out on the town feature was 10
• 15:28
  Speaker 1: Cloverfield Lane. The year is 2016. The director is Dan Trachtenberg,
• 15:34
  Speaker 1: which I will note right up front, podcaster. It's been
• 15:37
  Speaker 1: a good many years podcasting, so see, we can turn
• 15:40
  Speaker 1: into something. Somebody please tell my family. And the plot,
• 15:44
  Speaker 1: according to IMDb, is after getting in a car accident,
• 15:47
  Speaker 1: a woman is held in a shelter with two men
• 15:49
  Speaker 1: who claims the outside world is affected by a widespread
• 15:52
  Speaker 1: chemical attack. Spoiler alert, we're going to ruin the hell
• 15:55
  Speaker 1: out of this. And it's relatively new, so fair warning,
• 15:58
  Speaker 1: you're supposed to have gone and seen it beforehand. I
• 16:02
  Speaker 1: guess beforehand. Before we get into it, I was going
• 16:04
  Speaker 1: to ask everybody, did everybody see Cloverfield? No.
• 16:08
  Speaker 2: No.
• 16:09
  Speaker 1: All right. Yes. That was going to be my point,
• 16:13
  Speaker 1: is it's a very different movie if you haven't seen Cloverfield,
• 16:18
  Speaker 1: especially if you don't even know what Cloverfield was. If
• 16:20
  Speaker 1: you just turn this on in the middle of the
• 16:22
  Speaker 1: night on cable and start watching it, you're going to
• 16:24
  Speaker 1: get to the end and be like, oh, shit. It's
• 16:26
  Speaker 1: going to be a whole different experience for you.
• 16:29
  Speaker 7: I knew the gist of Cloverfield going in, that it wasn't.
• 16:33
  Speaker 7: that there was a supernatural element to Cloverfield. But yeah,
• 16:36
  Speaker 7: other than that, I didn't.
• 16:37
  Speaker 1: Really know much about it.
• 16:38
  Speaker 7: But if you need to spoil Cloverfield at this point,
• 16:40
  Speaker 7: that's fine. I give full permission.
• 16:42
  Speaker 1: I mean, if you get to the end of this movie,
• 16:44
  Speaker 1: it's spoiled for you. I mean, the fact that it
• 16:47
  Speaker 1: happens pretty early on in Cloverfield that there's giant creatures
• 16:50
  Speaker 1: that show up on Earth. We're not really... Actually, in Cloverfield,
• 16:54
  Speaker 1: because I did rewatch it going into this weekend, and
• 16:57
  Speaker 1: I was like, they never pin down where or what.
• 16:59
  Speaker 1: There's no real backstory. It's all like told... cinema verite
• 17:03
  Speaker 1: style like found literally they bring up the footage that
• 17:06
  Speaker 1: they found they say where they found it after the
• 17:08
  Speaker 1: fact so like we're watching it through home video type
• 17:11
  Speaker 1: stuff and they're um during that like t.j miller for
• 17:15
  Speaker 1: other comics out there is supposedly uh he literally is
• 17:18
  Speaker 1: the guy holding the camera in there but you hear
• 17:20
  Speaker 1: a lot of him talking behind the camera the whole
• 17:22
  Speaker 1: time and he's the one that throws out all the
• 17:24
  Speaker 1: theories so i just listening to it like immediately they
• 17:27
  Speaker 1: kind of jump to whether or not it's aliens from
• 17:29
  Speaker 1: space At one point, he has the theory that they
• 17:32
  Speaker 1: come up from a crevasse out of the ocean, which
• 17:35
  Speaker 1: I was like, isn't that the last in the Del
• 17:38
  Speaker 1: Toro movie?
• 17:39
  Speaker 7: Oh, it was Pacific Rim?
• 17:40
  Speaker 1: Yeah, something like that. Before Pacific Rim came out, he
• 17:43
  Speaker 1: threw out the... So I wonder if they knew and
• 17:45
  Speaker 1: made a joke about it, because it was probably already
• 17:47
  Speaker 1: in production at that point. And then somewhere before the end,
• 17:51
  Speaker 1: he throws out, like, while they're running around, he's just
• 17:53
  Speaker 1: making conversation, because he's T.J. Miller, and that's what he does.
• 17:56
  Speaker 1: Talks constantly. So he's like... I don't know, maybe it's
• 17:59
  Speaker 1: like government made them or something and these are some
• 18:01
  Speaker 1: secret thing gone wrong. So he throws out a lot
• 18:03
  Speaker 1: of these options, which now it seems like we're leaning
• 18:07
  Speaker 1: more towards One Direction with this new one. But again,
• 18:10
  Speaker 1: we never really have the full story.
• 18:12
  Speaker 3: Are the creatures the same?
• 18:13
  Speaker 1: No, totally different creatures, which I thought was kind of interesting.
• 18:17
  Speaker 1: It's very different than the jaguar worm that we get.
• 18:21
  Speaker 7: Is this supposed to be before or after Cloverfield? Or
• 18:25
  Speaker 7: we're not supposed to know?
• 18:26
  Speaker 1: I mean, I think it's, Just around that time.
• 18:29
  Speaker 7: Okay, same time.
• 18:31
  Speaker 1: Yeah. Different area. Right after, I suppose, because we're getting, well, again,
• 18:36
  Speaker 1: depends on how you look at it. We're watching footage
• 18:38
  Speaker 1: from way after the fact because it's somebody going through
• 18:41
  Speaker 1: and cataloging all the stuff, but the actual footage we're
• 18:44
  Speaker 1: watching is like it happens during them filming. They're having
• 18:47
  Speaker 1: a party, and they're filming the party, and midway in...
• 18:50
  Speaker 1: There's just this explosion and giant monster attacks the city.
• 18:53
  Speaker 1: So it literally happens during the filming of the first one.
• 18:57
  Speaker 1: So now we're assuming at the gas station is probably
• 19:00
  Speaker 1: around that same time in this one. And then from
• 19:03
  Speaker 1: that point on is after the fact a little, but
• 19:05
  Speaker 1: we don't know the time frame really.
• 19:06
  Speaker 5: Is there time stamping on the video? I don't remember
• 19:08
  Speaker 5: Cloverfield at all. I'm in essentially the same situation you're in.
• 19:13
  Speaker 1: They give you time.
• 19:14
  Speaker 5: Except I lost two hours of my life.
• 19:15
  Speaker 1: Jay-like kind of thing. But it's all over a 12-hour period.
• 19:19
  Speaker 1: Because I think he even says at the end of
• 19:21
  Speaker 1: it when he's wrapping up, he's like, approximately 12 hours
• 19:23
  Speaker 1: ago this happened. So it's all within that span of time.
• 19:27
  Speaker 1: And they just give you a time when it starts
• 19:29
  Speaker 1: and when it comes back around.
• 19:30
  Speaker 5: But there's not like a year ascribed.
• 19:31
  Speaker 1: But it's... No, but again, I think that was just
• 19:34
  Speaker 1: to not date it immediately. So, but yeah, so I, yeah,
• 19:39
  Speaker 1: that was my take is how everybody was approaching it
• 19:42
  Speaker 1: because I feel like it's a very different experience if you,
• 19:45
  Speaker 1: because it's almost like you're, going along for the ride
• 19:48
  Speaker 1: if you haven't seen the other one because he could
• 19:50
  Speaker 1: be a crazy person that's just capturing her.
• 19:53
  Speaker 7: I think he was.
• 19:54
  Speaker 1: He was.
• 19:56
  Speaker 7: No matter the circumstance, whether or not those aliens were real,
• 19:59
  Speaker 7: he was in fact a crazy person.
• 20:00
  Speaker 1: He was a crazy person. But again, we go through
• 20:02
  Speaker 1: these several reveals, but truth be told, either way, you
• 20:07
  Speaker 1: could have gotten to the end and he was making
• 20:08
  Speaker 1: it all up and she was just safe and drove away.
• 20:10
  Speaker 1: But the fact that... people who saw the first one
• 20:13
  Speaker 1: are like, well, obviously this is after that other one.
• 20:16
  Speaker 1: And there's some, there really is some sort of alien
• 20:17
  Speaker 1: out there.
• 20:18
  Speaker 3: But I thought that like in watching the movie, cause
• 20:20
  Speaker 3: I knew that it wasn't really related to the original
• 20:24
  Speaker 3: in terms of a plot. But like, uh, I thought
• 20:28
  Speaker 3: that maybe they had called it Cloverfield so that you,
• 20:32
  Speaker 3: it's like related only in name so that when you're
• 20:35
  Speaker 3: watching it, you're always guessing whether or not this is
• 20:37
  Speaker 3: a real thing that's happening or if it's just like this, uh,
• 20:41
  Speaker 3: like psychological trick.
• 20:43
  Speaker 1: Which is still kind of, you know, I mean, it's
• 20:45
  Speaker 1: all sort of what you want to do with it.
• 20:47
  Speaker 7: When she first got out of the bunker, I really
• 20:50
  Speaker 7: was like, oh, maybe this is the end. I'm very optimistic.
• 20:54
  Speaker 1: Well, I thought, I was like, this seems a little
• 20:56
  Speaker 1: early for it to be the end. I'm assuming we're
• 20:58
  Speaker 1: going to get some sort of aliens in a minute here.
• 21:00
  Speaker 7: And you were so right.
• 21:04
  Speaker 1: We were trying to not talk about it earlier. Lucy,
• 21:06
  Speaker 1: which way did you go with it? I was trying
• 21:08
  Speaker 1: to decide your take on it.
• 21:10
  Speaker 5: I mean, that's a lot to kind of jump into.
• 21:14
  Speaker 5: My thumbs up or my thumbs down?
• 21:16
  Speaker 1: We can start there.
• 21:17
  Speaker 5: My thumb was solidly up until the third act, and
• 21:20
  Speaker 5: then it was as down as it could possibly go.
• 21:23
  Speaker 3: When the aliens came?
• 21:24
  Speaker 5: When the aliens came. It just turned into a crazy
• 21:28
  Speaker 5: shit show of CGI. I felt like the thing that
• 21:31
  Speaker 5: was sort of problematic about the movie generally was that
• 21:34
  Speaker 5: there wasn't a lot of emotional resonance. Like it was
• 21:36
  Speaker 5: like buildup of sort of scenes and then like this
• 21:39
  Speaker 5: very quick sort of denouement and then it would move
• 21:42
  Speaker 5: on to the next thing and then that would be resolved.
• 21:44
  Speaker 5: Like Emmett, like all of a sudden that's resolved in
• 21:46
  Speaker 5: like the craziest, most rapid, literal rapid fire way possible.
• 21:50
  Speaker 5: And then you get out and we've just had time
• 21:54
  Speaker 5: to like assimilate to the destruction of John Goodman's character,
• 21:58
  Speaker 5: who's been sort of the center of the plot all along.
• 22:00
  Speaker 5: And then, oh, by the way, there's Aliens. And I
• 22:02
  Speaker 5: think she even says at some point, like, really or
• 22:05
  Speaker 5: seriously or something like that. And it's just like, oh, yes,
• 22:08
  Speaker 5: thank you for speaking for all of us. Because then
• 22:11
  Speaker 5: it just turns into this whole completely different movie.
• 22:13
  Speaker 3: I did have that same thought because it was kind
• 22:16
  Speaker 3: of like. Because it's like gravity almost where the anxiety
• 22:21
  Speaker 3: never ends. And you're just like, God, she got back
• 22:24
  Speaker 3: on Earth and now she's drowning.
• 22:25
  Speaker 1: In the mud.
• 22:26
  Speaker 5: Surely it'll be a shark.
• 22:28
  Speaker 3: Yeah, and then it's like, oh, she got out and
• 22:29
  Speaker 3: she can breathe the air. And now there's a giant
• 22:32
  Speaker 3: space monster.
• 22:34
  Speaker 1: Don't you hate when that happens? I kind of liked
• 22:37
  Speaker 1: that addition to it just because I feel like without
• 22:42
  Speaker 1: that third act what's the point like you're you're setting
• 22:45
  Speaker 1: up to be something you kind of need a payoff
• 22:47
  Speaker 1: at the end otherwise you get that like well wait
• 22:50
  Speaker 1: that that's it he was just a crazy person like
• 22:52
  Speaker 1: i feel like it's gonna be uneven if she just
• 22:54
  Speaker 1: gets so out and drives away and there's no aliens
• 22:56
  Speaker 1: i feel like.
• 22:56
  Speaker 7: There was a big payoff for her when she escaped
• 22:58
  Speaker 7: that murder guy but like murder that was like plenty
• 23:02
  Speaker 7: of payoff that she's like wow i survived uh Murder guy,
• 23:07
  Speaker 7: a pool of acid, a giant explosion.
• 23:10
  Speaker 3: I had to make my own gas mask.
• 23:13
  Speaker 7: And then it's like, did you even try before the aliens?
• 23:15
  Speaker 1: Did you even do anything? No. You just need to
• 23:20
  Speaker 1: fight aliens immediately.
• 23:22
  Speaker 7: Also, can we just note what kind of MacGyver descendant
• 23:26
  Speaker 7: she was that she was so good at problem solving?
• 23:28
  Speaker 7: You were like, she was a MacGyver right after.
• 23:30
  Speaker 3: Like the Molotov cocktail at the end in a car
• 23:34
  Speaker 3: that's about to be eaten. was insane. Just the rapid
• 23:39
  Speaker 3: fire thought of that.
• 23:40
  Speaker 7: Yeah, I would never. I thought you were just going
• 23:42
  Speaker 7: to grab it.
• 23:42
  Speaker 1: I would have just grabbed that and been like, well,
• 23:44
  Speaker 1: might as well be drunk. I don't know if that's
• 23:48
  Speaker 1: going to save you, but it'll dull it a little.
• 23:51
  Speaker 1: I guess we can kind of address the cast, because
• 23:53
  Speaker 1: I thought the cast was amazing. That's Mary Elizabeth Winstead,
• 23:57
  Speaker 1: which I didn't realize I've watched her so much over
• 24:01
  Speaker 1: the years. Then going back, and I'm like, oh yeah,
• 24:03
  Speaker 1: she was in that. Oh yeah, I really kind of
• 24:06
  Speaker 1: was paying, we did a whole episode on that thing,
• 24:09
  Speaker 1: that pre-thing, whatever the hell that was, which she is
• 24:11
  Speaker 1: the best part of that. She is kind of what
• 24:14
  Speaker 1: makes that okay. Her performance makes it, most people hate
• 24:20
  Speaker 1: it anyway. I think there's good aspects to it. I
• 24:23
  Speaker 1: don't know that it was necessary, but I think she
• 24:25
  Speaker 1: makes it better than what it could have been. But
• 24:29
  Speaker 1: then looking back, it's like, I hadn't watched Scott Pilgrim initially,
• 24:34
  Speaker 1: and I just watched it like in the last year
• 24:36
  Speaker 1: or so when I already knew who she was. I
• 24:38
  Speaker 1: forgot she's in Death Proof, which now I'm going to
• 24:43
  Speaker 1: have to go re-watch Death Proof.
• 24:44
  Speaker 5: I feel like that's the only thing I would recognize
• 24:46
  Speaker 5: her from, but I don't remember her.
• 24:47
  Speaker 1: How did I forget she's the one in the cheerleader outfit,
• 24:50
  Speaker 1: for God's sakes?
• 24:51
  Speaker 7: I remembered her in Scott Pilgrim, but I've never seen
• 24:53
  Speaker 7: Death Proof, and I was like, really?
• 24:54
  Speaker 1: It's got problems, but now I guess I'm going to
• 24:57
  Speaker 1: have to re-watch it just to... I forgot about that, too. Yeah.
• 25:01
  Speaker 3: I like Death Proof.
• 25:02
  Speaker 7: What is that one?
• 25:04
  Speaker 3: That's a Kurt Russell movie.
• 25:05
  Speaker 7: Oh, I'll watch it then, just for you.
• 25:08
  Speaker 3: She asked what we wanted to talk about, and I said,
• 25:10
  Speaker 3: I really like Kurt Russell.
• 25:12
  Speaker 1: Have you seen Bone Tomahawk? And he's like, anything Kurt Russell?
• 25:14
  Speaker 7: And I was like, I haven't seen anything with Kurt
• 25:16
  Speaker 7: Russell in it.
• 25:17
  Speaker 1: Have you seen Bone Tomahawk?
• 25:18
  Speaker 3: Have I seen what?
• 25:19
  Speaker 1: Bone Tomahawk?
• 25:22
  Speaker 3: That's on Netflix now?
• 25:23
  Speaker 1: Put it right on the top of your list.
• 25:25
  Speaker 3: Okay, yeah.
• 25:26
  Speaker 1: I mean, it plays kind of like Kurt in a
• 25:27
  Speaker 1: standard Western, and then it's not. So it's worth watching.
• 25:31
  Speaker 3: I'll watch it.
• 25:32
  Speaker 7: I did see Death Proof, and I'm sorry.
• 25:33
  Speaker 6: Oh, yeah.
• 25:36
  Speaker 7: I forgot that it was called Death Proof. I call
• 25:37
  Speaker 7: it Grindhouse.
• 25:39
  Speaker 3: Well, yeah, it was part of Grindhouse.
• 25:40
  Speaker 1: It was half of it. So, yeah, I think she
• 25:43
  Speaker 1: does a great job and is a super smart hero
• 25:46
  Speaker 1: for this little story that, like, you've don't really know
• 25:50
  Speaker 1: that's what we're getting into midway in and you don't
• 25:52
  Speaker 1: really she doesn't have any idea what she's in for
• 25:55
  Speaker 1: what i've realized is we you just don't want to
• 25:57
  Speaker 1: wake up after a horrible apocalypse has happened like it
• 26:00
  Speaker 1: seems to be running theme through all these different little
• 26:03
  Speaker 1: weird genre stories it's like 28 days later walking dead
• 26:08
  Speaker 1: this one it's like you wake up you're in some
• 26:10
  Speaker 1: sort of hospital scenario and everything has gone horribly wrong
• 26:13
  Speaker 1: with your planet.
• 26:14
  Speaker 3: Yeah i'm It's not a good thing. See, those are
• 26:17
  Speaker 3: the things that I think about when I watch those movies.
• 26:20
  Speaker 3: It's like, I don't know if I would want someone
• 26:23
  Speaker 3: to save me.
• 26:24
  Speaker 1: Like, I would rather just die.
• 26:26
  Speaker 2: Yeah.
• 26:27
  Speaker 5: And that's the brilliant thesis of this film, because I
• 26:29
  Speaker 5: don't think that I'd really extrapolated, like, what happens. Like,
• 26:32
  Speaker 5: all of these people, these survivalists, like, if the apocalypse happens...
• 26:37
  Speaker 5: then we're going to have a world of survivalists. And
• 26:39
  Speaker 5: that's going to be the craziest fucking world ever.
• 26:41
  Speaker 1: I know a few people that fall into that category.
• 26:44
  Speaker 1: And I was like, I will question them occasionally. I'm like,
• 26:48
  Speaker 1: what is going to be left for you to bother
• 26:50
  Speaker 1: being in your bunker with at the end of it?
• 26:52
  Speaker 1: I'm like, if you're the one that like... is the
• 26:55
  Speaker 1: only one left, and you've stockpiled your canned goods. And
• 26:57
  Speaker 1: I'm like, what are you waiting for? How is it
• 26:59
  Speaker 1: going to be any better than just getting taken out
• 27:01
  Speaker 1: with everybody else?
• 27:02
  Speaker 7: Yeah, and I feel like people are like, oh, well,
• 27:04
  Speaker 7: we have to survive to repopulate the Earth because we
• 27:06
  Speaker 7: need to save the Earth. But I'm like, the Earth
• 27:08
  Speaker 7: will be fine without humans.
• 27:09
  Speaker 1: That's actually the best thing that could happen to this
• 27:13
  Speaker 1: planet is get rid of the damn humans.
• 27:14
  Speaker 3: Right, maybe the Earth is like, no, you guys need
• 27:17
  Speaker 3: to go.
• 27:17
  Speaker 7: Please, just go. It's not the Earth is like, where
• 27:22
  Speaker 7: did all my humans go? It'll still be a rock.
• 27:26
  Speaker 1: It'll be like, finally, I can get back to business.
• 27:27
  Speaker 3: I may have a theory on what the aliens were
• 27:30
  Speaker 3: doing now. Earth is like, look, I can't physically kill
• 27:34
  Speaker 3: these humans, so they called out for their alien friends
• 27:37
  Speaker 3: and be like, these guys are really like.
• 27:39
  Speaker 7: The rock is like friends with these aliens.
• 27:42
  Speaker 1: It's like a whale and it puts out a sonic
• 27:44
  Speaker 1: thing and other aliens off in a distant galaxy are
• 27:47
  Speaker 1: just like, oh, they need us.
• 27:49
  Speaker 3: And they're like, oh, man, Fred needs us. Earth is
• 27:52
  Speaker 3: actually called Fred. His name isn't even Earth.
• 27:54
  Speaker 7: We've just been calling him Earth all this time. And
• 27:55
  Speaker 7: he's like, my name is Fred. If you stand on me,
• 27:58
  Speaker 7: on my face one more time and call me Earth,
• 27:59
  Speaker 7: please just so help me.
• 28:01
  Speaker 1: These idiots are not only destroying him, they don't even
• 28:03
  Speaker 1: know his name. That's probably what it was.
• 28:07
  Speaker 7: You just solved it.
• 28:08
  Speaker 3: Yeah, I think so. Well, I actually talked to J.J.
• 28:12
  Speaker 3: Abrams before this.
• 28:13
  Speaker 1: He called you. Get some pointers. I'm sweet of him.
• 28:16
  Speaker 4: Yeah.
• 28:18
  Speaker 1: So yeah, I think it does become more of a
• 28:20
  Speaker 1: character piece in that middle part there. I will agree
• 28:24
  Speaker 1: with you, Lucy. There are moments when I'm like, how
• 28:26
  Speaker 1: are we going to get back? I think by the end,
• 28:28
  Speaker 1: it's too far gone. It's just, by that last one
• 28:31
  Speaker 1: when we've killed Emmett, it's just, it's normal in quotes
• 28:34
  Speaker 1: for John Goodman's character maybe, but she already, she knows,
• 28:38
  Speaker 1: she's just, dead or wishes she was dead. There's no
• 28:40
  Speaker 1: coming back to normal for her. The one that I
• 28:42
  Speaker 1: was just like, after she hits him with a bottle
• 28:45
  Speaker 1: and then they go back to life as normal, I
• 28:47
  Speaker 1: was like, wait a minute. That seems.
• 28:50
  Speaker 3: See, but I thought that that was good because it
• 28:52
  Speaker 3: kind of showed, it made you think that John Goodman
• 28:55
  Speaker 3: was a very kind and forgiving person.
• 28:57
  Speaker 5: Yeah.
• 28:57
  Speaker 3: So he was like, he's like, look, I realize that
• 29:00
  Speaker 3: you might be paranoid about what's going on, but I'm
• 29:03
  Speaker 3: telling you the truth. So I understand why you did that.
• 29:07
  Speaker 3: but now you know that I'm not lying and you
• 29:10
  Speaker 3: can love me now.
• 29:11
  Speaker 7: Yeah, I feel like he was like, I gotta forgive you. One,
• 29:15
  Speaker 7: because like, I'll show that I'm understanding and that you're scared.
• 29:18
  Speaker 7: And two, you're my only woman left to trap into
• 29:21
  Speaker 7: being a wife.
• 29:22
  Speaker 1: You're the last woman on the planet.
• 29:25
  Speaker 7: I realize we got in a fight, but breaking up
• 29:28
  Speaker 7: isn't an option. So I'm going to wait and force
• 29:30
  Speaker 7: you to be my young bride.
• 29:31
  Speaker 5: And my temper really messed things up with the last
• 29:34
  Speaker 5: one here.
• 29:35
  Speaker 9: Yes, exactly.
• 29:35
  Speaker 5: So I'm going to take my time with you.
• 29:36
  Speaker 1: He's recreating the call from the beginning. Look, we had
• 29:39
  Speaker 1: a fight a couple of have fights. You don't have
• 29:40
  Speaker 1: to go. You don't have to run out with the
• 29:42
  Speaker 1: dead pigs. It's okay. Just come back inside.
• 29:45
  Speaker 5: Yeah.
• 29:45
  Speaker 3: Do you think that that was like a convenient coincidence though?
• 29:49
  Speaker 3: The end of the, like the aliens coming? Like, He
• 29:52
  Speaker 3: had probably just built the bunker to trap people.
• 29:55
  Speaker 1: I think so. I mean, as we get into it,
• 29:58
  Speaker 1: we find he'd already done this. So I think maybe
• 30:00
  Speaker 1: it was all of it. I started to feel like
• 30:03
  Speaker 1: he is a crazy survivalist. He started putting the bunker together. Now,
• 30:06
  Speaker 1: midway in, he also decided, you know, I've got this
• 30:09
  Speaker 1: thing just sitting here. That girl that lives down the
• 30:12
  Speaker 1: street there, because the daughter leaves, so he already has
• 30:15
  Speaker 1: nothing else in his life, and he starts getting crazier.
• 30:17
  Speaker 1: If the daughter existed at all. That's arguable, but they
• 30:21
  Speaker 1: had a.
• 30:21
  Speaker 3: I thought that Emmett was like, that's not Megan.
• 30:24
  Speaker 1: His daughter. Like they really did. Megan was a real person.
• 30:27
  Speaker 6: I guess.
• 30:28
  Speaker 1: I mean, that would be like why he would be
• 30:31
  Speaker 1: sort of normal at some point. And then when wife
• 30:34
  Speaker 1: and daughter are gone, he's left to be crazy by
• 30:37
  Speaker 1: himself and drive himself crazy again. Oh, like he wanted
• 30:39
  Speaker 1: a family down there. Or he wanted this little girl
• 30:42
  Speaker 1: in his life, and it became this replacing this little girl.
• 30:45
  Speaker 7: I don't think he was replacing her to be his daughter.
• 30:48
  Speaker 1: No, I don't think he was either. But I think
• 30:50
  Speaker 1: that's a fine line. When you start going that crazy,
• 30:53
  Speaker 1: it's like... Because that's how he always referred to it. That,
• 30:56
  Speaker 1: I thought, was one of the cute little clues they
• 30:59
  Speaker 1: put in there when... they're playing that game and he
• 31:02
  Speaker 1: refers to it as a little princess he would never
• 31:04
  Speaker 1: even call her a woman she was a girl at
• 31:06
  Speaker 1: most but by the end he said little princess but
• 31:08
  Speaker 1: then i'm like oh he's.
• 31:10
  Speaker 7: Creepy super creepy because i guess little princess but that
• 31:12
  Speaker 7: doesn't mean like i only look at you as a
• 31:14
  Speaker 7: little girl because then he like shaved after he murdered
• 31:17
  Speaker 7: emmet and like tried to be all like okay it's
• 31:19
  Speaker 7: date night let's have dessert first let's be like spontaneous.
• 31:22
  Speaker 1: That's still very parental, though. So again, I think there's
• 31:26
  Speaker 1: a way, or maybe.
• 31:26
  Speaker 7: It is not parental to become more attractive after you
• 31:29
  Speaker 7: murder a man in front of your daughter.
• 31:30
  Speaker 1: It's not? Wait a minute. Every time I'm... I mean,
• 31:34
  Speaker 1: never mind.
• 31:34
  Speaker 7: That is bad parenting.
• 31:36
  Speaker 1: Well, again, now I'm like, maybe that wasn't something that
• 31:40
  Speaker 1: just started happening once they left town. Maybe that's why
• 31:43
  Speaker 1: mom and the daughter left. I mean, we don't know
• 31:46
  Speaker 1: how disturbed this dude is. So maybe it's always been,
• 31:49
  Speaker 1: there's no line there. Maybe dad and... i'm with you
• 31:53
  Speaker 1: is all the same thing in his creepy creepy mind so.
• 31:56
  Speaker 3: We don't know that much about it the movie to
• 31:59
  Speaker 3: me was just completely insane though because it was like
• 32:03
  Speaker 3: it was i said two movies wrapped up into one
• 32:06
  Speaker 3: it was so.
• 32:07
  Speaker 1: Many more it's more like three or at least three
• 32:10
  Speaker 1: or four because.
• 32:11
  Speaker 7: There's like trapped in a murderer's house movie there's.
• 32:15
  Speaker 1: Like Alien movie. Their survival is making good into the
• 32:19
  Speaker 1: world because that middle part, they're almost okay for like 15,
• 32:23
  Speaker 1: 20 minutes. There's a span of them like, all right,
• 32:25
  Speaker 1: we're going to make the best of it. And you're like, well, okay,
• 32:29
  Speaker 1: I guess this could work if you want to be
• 32:31
  Speaker 1: trapped like this forever. Okay. So like John Goodman's not
• 32:35
  Speaker 1: as creepy for 15 or 20 minutes. And you're like,
• 32:37
  Speaker 1: maybe he was just, no.
• 32:38
  Speaker 6: He's creepy.
• 32:39
  Speaker 7: There was like potential indie romance movie between Annette and Michelle.
• 32:43
  Speaker 1: I think we all knew that wasn't going to be
• 32:44
  Speaker 1: allowed regardless. That's the thought. I feel like it was,
• 32:48
  Speaker 1: he started out so creepy and he had to make
• 32:52
  Speaker 1: that turnaround. So that's why I was never really like
• 32:54
  Speaker 1: suckered back into being like, no, he's just misunderstood. Like
• 32:58
  Speaker 1: you get that moment of like him getting out the
• 33:00
  Speaker 1: daughter's photo and you can feel like he's almost trying
• 33:03
  Speaker 1: to do that because he was. But I feel like
• 33:05
  Speaker 1: they started so mean and hostile with him that like,
• 33:09
  Speaker 1: He always just came off as creepy and overbearing to
• 33:11
  Speaker 1: me that like more so than a normal crazy survivalist,
• 33:15
  Speaker 1: which we find out he certainly is by the end
• 33:18
  Speaker 1: of it. So, yeah, I don't know. I feel like
• 33:21
  Speaker 1: it never got back to that. You never would have
• 33:23
  Speaker 1: trusted him again. I never, yeah, I never trusted him
• 33:25
  Speaker 1: even just as a character. I was like, this guy's,
• 33:28
  Speaker 1: he's too creepy. There's something up with this. I felt
• 33:30
  Speaker 1: like there was another reveal coming somewhere down there.
• 33:33
  Speaker 5: See, I was hoping that the reveal was going to
• 33:34
  Speaker 5: be that Emmett was the bad guy.
• 33:36
  Speaker 7: That's what I was thinking.
• 33:37
  Speaker 5: And that he was misleading her and convincing her that
• 33:39
  Speaker 5: there was this girl and there wasn't. That that really
• 33:41
  Speaker 5: was the daughter and that it really was a sweet story.
• 33:43
  Speaker 7: Oh, I was thinking that Emmett was the bad guy,
• 33:46
  Speaker 7: but he literally murdered the young girl. They were in
• 33:48
  Speaker 7: it together somehow.
• 33:49
  Speaker 5: Yes, yes, yes. Well, I didn't think they were together,
• 33:51
  Speaker 5: but I did hope that that's what had happened.
• 33:52
  Speaker 7: That he was framing Jonathan.
• 33:53
  Speaker 1: Yeah.
• 33:54
  Speaker 5: And then he was not, she was going to turn
• 33:56
  Speaker 5: her against John Goodman. And then they were going to
• 33:57
  Speaker 5: attack John Goodman.
• 33:58
  Speaker 7: And then he ends up being the bad guy.
• 33:59
  Speaker 4: Yeah.
• 34:00
  Speaker 1: That's where I was.
• 34:00
  Speaker 3: That would have been pretty, pretty sneaky. Oh man.
• 34:03
  Speaker 1: That would have been a really good.
• 34:04
  Speaker 5: I think we just wrote a better movie.
• 34:05
  Speaker 7: Maybe we should work on that.
• 34:07
  Speaker 1: Hollywood. Yeah.
• 34:08
  Speaker 5: Cloverfield three.
• 34:09
  Speaker 6: Yeah.
• 34:09
  Speaker 1: That can happen. But nope.
• 34:12
  Speaker 5: John Goodman.
• 34:12
  Speaker 7: John Goodman though is a fantastic villain because he is
• 34:16
  Speaker 7: a man that I want to love so much and do.
• 34:18
  Speaker 7: And so whenever he plays a creepy character, I love
• 34:21
  Speaker 7: it a lot. Like his short temperness and his, oh,
• 34:24
  Speaker 7: he was just so spooky all the time. Even when
• 34:26
  Speaker 7: he was being nice, you're like, and his subtleness, because
• 34:28
  Speaker 7: I feel like a lot of villains, they make me
• 34:30
  Speaker 7: like very villainous right away. But just when he was
• 34:33
  Speaker 7: like trying to keep his patience at the dinner table
• 34:35
  Speaker 7: and trying to keep everything just so, you're like, ooh,
• 34:37
  Speaker 7: he is.
• 34:38
  Speaker 3: Plus, like you were saying, he's just a, as a person,
• 34:42
  Speaker 3: he's just a big, powerful person. You could see like
• 34:46
  Speaker 3: if he got mad. I feel like he could just
• 34:49
  Speaker 3: crush your throat.
• 34:50
  Speaker 1: He could just pummel Emmett if he wanted to, even
• 34:52
  Speaker 1: without the way that he went out. Yeah, totally. Again,
• 34:58
  Speaker 1: as much as I didn't trust his character, John Grimman's
• 35:00
  Speaker 1: performance was amazing because he does feel like such a
• 35:04
  Speaker 1: real guy, which is what I thought was always so
• 35:07
  Speaker 1: good about him, even on something as normal as Roseanne.
• 35:10
  Speaker 1: You bought him as a real person in the world,
• 35:14
  Speaker 1: and even when he gets in this weird scenario, you're like,
• 35:17
  Speaker 1: you still kind of believe him as a real person.
• 35:19
  Speaker 1: You start to not trust him, but you definitely still
• 35:22
  Speaker 1: kind of buy him as a real guy. He's always
• 35:25
  Speaker 1: been able to do that really well, I feel like.
• 35:27
  Speaker 3: Yeah, I thought the movie was really well acted. And
• 35:30
  Speaker 3: the whole movie, I enjoyed the movie. I will say
• 35:32
  Speaker 3: that the end was kind of the thing that just
• 35:36
  Speaker 3: threw me for a loop. It got a little out
• 35:38
  Speaker 3: of hand. It was just like you're trying to pack
• 35:40
  Speaker 3: so much in, and I'm already like, pride mentally by.
• 35:44
  Speaker 7: What's going on I just picture them like plastering that
• 35:48
  Speaker 7: same ending on like any movie to be like surprise
• 35:50
  Speaker 7: it's about aliens like you picture any character like they
• 35:52
  Speaker 7: could put it on the end of gravity like where
• 35:55
  Speaker 7: it's any character escapes a hard situation and they're like
• 35:57
  Speaker 7: I made it and then they're like wait a.
• 36:00
  Speaker 1: Minute by the way aliens yeah.
• 36:02
  Speaker 5: Exactly I would like to see more movies like that
• 36:04
  Speaker 5: yeah I just felt like it would have been equally
• 36:06
  Speaker 5: if not more effective if she just walked out and
• 36:08
  Speaker 5: there were in fact aliens and then that was it
• 36:11
  Speaker 5: like Did that just not play with test audiences? Did
• 36:13
  Speaker 5: we need to have her fight them and then persevere,
• 36:15
  Speaker 5: but then also not persevere? And by the way, there's
• 36:17
  Speaker 5: more aliens, and now we're going to go off into
• 36:19
  Speaker 5: the distance.
• 36:19
  Speaker 1: See, I like that ending at the very end, because
• 36:22
  Speaker 1: I think that, again, that just shows her character. And
• 36:26
  Speaker 1: she's so damn strong throughout all of this. So watching
• 36:28
  Speaker 1: her at the end, it's like, hey, if you just
• 36:30
  Speaker 1: want to go be a survivor, go over here. If
• 36:32
  Speaker 1: you want to help us fight this, and we kind
• 36:35
  Speaker 1: of know, he's like, that's who she is. Again, I
• 36:38
  Speaker 1: think it just makes her a much stronger character being like,
• 36:41
  Speaker 1: I didn't just survive. I didn't just survive this nonsense
• 36:44
  Speaker 1: to then come out and be a victim to aliens.
• 36:46
  Speaker 1: I'm like, screw this. I've spent this last however many
• 36:50
  Speaker 1: long weeks we were in there fighting and I'm not
• 36:53
  Speaker 1: going to stop. Like, I think that was just kind of,
• 36:56
  Speaker 1: that was kind of my favorite moment for her as
• 36:58
  Speaker 1: a character is just like this decision to go on
• 37:00
  Speaker 1: and continue to fight.
• 37:02
  Speaker 7: Yeah. I think they set that up too with her
• 37:04
  Speaker 7: like saying she didn't help that little girl and that
• 37:06
  Speaker 7: was like her big regret. And so she's like, think
• 37:07
  Speaker 7: of how many little girls I can help in Houston.
• 37:09
  Speaker 3: Yeah, I forgot about that part.
• 37:11
  Speaker 7: So I feel like the whole, like, abuse thing, because I'm...
• 37:14
  Speaker 7: I mean, this is reading into it a lot, but
• 37:15
  Speaker 7: I'm guessing the, like, one fight with Ben was maybe
• 37:17
  Speaker 7: that he was abusive because, like, she had an abusive
• 37:19
  Speaker 7: childhood and then she might have been drawn to that relationship.
• 37:21
  Speaker 1: I'm doing a lot of backstory. I did a little
• 37:24
  Speaker 1: earlier with him, too, so it's okay.
• 37:25
  Speaker 7: Yeah, and so then, like, the idea that, like, they're like,
• 37:28
  Speaker 7: now she can finally... You know, like, if it would
• 37:30
  Speaker 7: have been Emmett that got out, you'd be driving to
• 37:32
  Speaker 7: a tattoo shop and getting a bunch of tattoos.
• 37:35
  Speaker 2: Finally!
• 37:35
  Speaker 7: But they're like, it makes a lot more sense to
• 37:37
  Speaker 7: ever help people.
• 37:38
  Speaker 3: What did he want to have tattooed on his forehead?
• 37:40
  Speaker 7: He was just, like, joking and saying, like, Emmett or YOLO.
• 37:43
  Speaker 3: I don't even know. Oh, yeah, that's true.
• 37:44
  Speaker 1: He was just, like, being flirty. Emmett with the thug life.
• 37:48
  Speaker 7: They really just should have, like, killed John Goodman just
• 37:51
  Speaker 7: right away.
• 37:52
  Speaker 1: I was kind of work everything. Yeah. When, when they
• 37:55
  Speaker 1: got to the point of them figuring out the, the,
• 37:57
  Speaker 1: at least first part of the mystery, him going, that's
• 37:59
  Speaker 1: not his daughter. And like, they realize like she found
• 38:02
  Speaker 1: the scratching in the window. Like at that point, I'm like, okay,
• 38:05
  Speaker 1: you know, something's not right here. that's when you get
• 38:08
  Speaker 1: that bottle again and smack him upside the head and
• 38:10
  Speaker 1: just finish him off and be like, at least then
• 38:12
  Speaker 1: you can finish the suit in peace and not have
• 38:14
  Speaker 1: to hide it and then go out and try to
• 38:16
  Speaker 1: find something. At that point, it would make, I mean, yeah,
• 38:19
  Speaker 1: you're a murderer, but the end of the world has come.
• 38:21
  Speaker 1: He's a murderer.
• 38:21
  Speaker 6: Yeah.
• 38:21
  Speaker 1: You're a murderer.
• 38:23
  Speaker 7: Murderer and you're wearing that dead girl's t-shirt because honestly
• 38:26
  Speaker 7: like if i was her and he was just a
• 38:28
  Speaker 7: murderer and i wasn't wearing that dead girl's t-shirt i'd
• 38:30
  Speaker 7: convince myself because i'm a little lazy i'd be like
• 38:32
  Speaker 7: he's not gonna.
• 38:33
  Speaker 1: Do that to me like.
• 38:34
  Speaker 7: I think that i that was just a mistake in
• 38:36
  Speaker 7: his other life and now he's you know trying to
• 38:38
  Speaker 7: do better.
• 38:39
  Speaker 1: Or you were like i really like this t-shirt so
• 38:41
  Speaker 1: that's me yeah so i feel like.
• 38:43
  Speaker 3: Maybe she just is like i work better under pressure
• 38:47
  Speaker 3: so if we could keep him alive i will uh
• 38:50
  Speaker 3: Assemble this suit much better.
• 38:53
  Speaker 1: I like hiding things.
• 38:54
  Speaker 7: I will say also they did not know how to
• 38:56
  Speaker 7: run the whole bunker. So maybe that was like the
• 38:58
  Speaker 7: only reason to keep them alive until they could go
• 39:00
  Speaker 7: out and find help because they're like, oh, he knows
• 39:02
  Speaker 7: how to use the generator. Although Emmett knew how to
• 39:04
  Speaker 7: run the bunker because he.
• 39:05
  Speaker 3: Helped build it.
• 39:05
  Speaker 1: And I feel like she was pretty close to being done.
• 39:08
  Speaker 1: So I'm like, all it's got to do is coast
• 39:09
  Speaker 1: for a couple of days until she gets that done
• 39:11
  Speaker 1: and then at least they can make a trip out
• 39:13
  Speaker 1: and figure something out from the next point. So I mean...
• 39:16
  Speaker 1: Long term, they might be in trouble.
• 39:17
  Speaker 7: Although neither of them cooked very well, so maybe they
• 39:19
  Speaker 7: just really wanted him to keep around for the meals.
• 39:21
  Speaker 1: So you chain him in the kitchen and just make
• 39:23
  Speaker 1: him make dinner for you.
• 39:24
  Speaker 7: Yeah yeah i think that would stop everything.
• 39:28
  Speaker 3: My question was also uh well i guess did he
• 39:31
  Speaker 3: have keys when she like at the end closed the
• 39:33
  Speaker 3: door when she was trying to escape and he got
• 39:37
  Speaker 3: out of that door he had keys okay because.
• 39:39
  Speaker 7: He has the little keys on his belt.
• 39:40
  Speaker 1: Oh yeah that's right yeah or he's just super hulk strong.
• 39:42
  Speaker 3: He's john goodman he's john goodman yeah.
• 39:45
  Speaker 1: Yeah because she didn't have the keys that's why she
• 39:47
  Speaker 1: took the freon or whatever that was she took with her.
• 39:50
  Speaker 3: He was a very uh i don't know very resilient
• 39:53
  Speaker 3: guy i mean he he laid down in acid and
• 39:56
  Speaker 3: then still and then got back up chased her for
• 39:59
  Speaker 3: 10 more minutes yeah and then just like started stabbing the.
• 40:01
  Speaker 7: Vents stabbing the vents he's like stay with me we
• 40:04
  Speaker 7: can make this work he does not have a realistic
• 40:07
  Speaker 7: view of what this.
• 40:08
  Speaker 1: Is not into your melting man please.
• 40:10
  Speaker 7: I don't think any couples counseling would help.
• 40:13
  Speaker 3: This also she had to stitch him up And she's like, look,
• 40:16
  Speaker 3: I don't want to take care of your acid burns.
• 40:19
  Speaker 3: I'm the cause of that. You'll make me take care
• 40:21
  Speaker 3: of that.
• 40:21
  Speaker 7: Yeah, I'm not really into that.
• 40:23
  Speaker 3: Yeah, I don't like ointment.
• 40:29
  Speaker 1: This could be, and that's what they were, I think
• 40:32
  Speaker 1: they didn't even know when they finished it, because I
• 40:34
  Speaker 1: think they were trying to figure out, even through the director,
• 40:37
  Speaker 1: Dan Trachtenberg, I wanted to tell the story, I wanted
• 40:40
  Speaker 1: to make this very specific choice for her at the
• 40:42
  Speaker 1: end to go fight, But I think even he didn't
• 40:45
  Speaker 1: know if this is a... Because it kind of works
• 40:48
  Speaker 1: either way. It can be a great origin story, and
• 40:50
  Speaker 1: then we actually get another part two to this where
• 40:53
  Speaker 1: she's off kicking ass on aliens or whatever she's fighting.
• 40:58
  Speaker 1: Or we could just have this as a one-off. Because
• 41:01
  Speaker 1: that was what I really liked about this, is the fact,
• 41:04
  Speaker 1: and I think it's what you had problems with, but
• 41:06
  Speaker 1: I'm like, I like the fact that it's in the
• 41:08
  Speaker 1: same universe, it's in the same franchise, but they specifically
• 41:13
  Speaker 1: chose to tell an entirely different story. To be like,
• 41:15
  Speaker 1: I know what happened last time, we don't want to
• 41:17
  Speaker 1: do that again, because I feel like so many sequels
• 41:20
  Speaker 1: just try to rehash and do the same. I love
• 41:22
  Speaker 1: when somebody does, okay, We've done that. What if we
• 41:25
  Speaker 1: live in the same general little world, but we go
• 41:28
  Speaker 1: over here, we deal with entirely different people, we deal
• 41:31
  Speaker 1: with a whole new scenario, and we kind of do
• 41:33
  Speaker 1: our own thing, and we don't even worry about what
• 41:35
  Speaker 1: these guys did. I think just as a film, I
• 41:38
  Speaker 1: always like when they do that stuff.
• 41:39
  Speaker 3: And I think that's probably what, because that was my
• 41:41
  Speaker 3: thought too, was like, okay, is this setting this up
• 41:43
  Speaker 3: for another sequel? But then it was like, from what
• 41:47
  Speaker 3: I have heard of Cloverfield... it was very vague in
• 41:51
  Speaker 3: terms of what's going on.
• 41:53
  Speaker 1: Yeah, they never really spell anything out.
• 41:55
  Speaker 3: I can't imagine that they would just be like, okay,
• 41:58
  Speaker 3: because that movie, this one was still kind of vague too.
• 42:01
  Speaker 1: Yeah.
• 42:02
  Speaker 3: So I can't imagine they would go in and be like,
• 42:04
  Speaker 3: all right, we're going to have this character again, and
• 42:08
  Speaker 3: now we're going to explain everything in detail.
• 42:10
  Speaker 1: I mean, I think it all depends on how much
• 42:13
  Speaker 1: money it makes. If it makes a fortune, it'll just
• 42:16
  Speaker 1: become aliens next. And we just see her kicking ass
• 42:18
  Speaker 1: and going, well, we want you to fly up to
• 42:20
  Speaker 1: the alien spaceship and go kick their ass. And she'll
• 42:22
  Speaker 1: be like, all right, because that's the plot of this movie.
• 42:25
  Speaker 1: But I like that. It's sort of its own little
• 42:29
  Speaker 1: free form thing. And it's completely freestanding in this universe.
• 42:33
  Speaker 1: Like the few things I can, I was trying to
• 42:35
  Speaker 1: think of somebody else that kind of does that. Um,
• 42:39
  Speaker 1: a year or two ago, Winter Soldier, does that same thing.
• 42:42
  Speaker 1: It's in the middle of this big superhero universe, but
• 42:46
  Speaker 1: if you watch that second Captain America movie, it's just
• 42:48
  Speaker 1: like a political thriller that they kind of shoehorned in
• 42:52
  Speaker 1: like superhero characters, but for the most part, it plays
• 42:55
  Speaker 1: like it's some sort of weird espionage thriller that doesn't
• 43:01
  Speaker 1: really have to be involving superheroes at all. It just
• 43:04
  Speaker 1: happens to. It's just part of that story. But that's
• 43:08
  Speaker 1: not what makes that story work. It works because it's
• 43:11
  Speaker 1: written to be a cool political espionage kind of thing
• 43:14
  Speaker 1: about the people infiltrating our own governments. I'm like, to me,
• 43:19
  Speaker 1: that's why that thing kind of worked. And I like
• 43:21
  Speaker 1: that it was sort of its own thing. It leaves
• 43:24
  Speaker 1: that franchise. It doesn't have to specifically continue that one
• 43:27
  Speaker 1: story straight along that line. It can veer off and
• 43:30
  Speaker 1: do its own weird thing and then they can still
• 43:32
  Speaker 1: come back. So I'm like, it'll be interesting to see
• 43:35
  Speaker 1: what they do with Cloverfield now if if they just
• 43:37
  Speaker 1: do a Cloverfield 2 that has nothing to do with
• 43:39
  Speaker 1: this and just continues the original story, which I've heard
• 43:43
  Speaker 1: may be a thing.
• 43:44
  Speaker 5: Yeah.
• 43:45
  Speaker 1: Because this was, yeah, again, it's not the same director.
• 43:47
  Speaker 1: It's a totally different guy they handed this off to.
• 43:49
  Speaker 1: So the other guys could come back and go, I
• 43:51
  Speaker 1: want to finish my story now.
• 43:52
  Speaker 3: Did J.J. Abrams write this? Did he have anything to
• 43:55
  Speaker 3: do with it?
• 43:56
  Speaker 1: He was just producer, I think.
• 43:57
  Speaker 6: I think it's written.
• 43:58
  Speaker 3: He directed Cloverfield, right?
• 44:00
  Speaker 1: No, he was kind of the same thing. He was
• 44:02
  Speaker 1: just producer on that one. So it's one, he always
• 44:04
  Speaker 1: kind of gets credit for it, but he's really not
• 44:07
  Speaker 1: He's just sort of producer. He just kind of found
• 44:09
  Speaker 1: the right guys and went, you do have a good story.
• 44:10
  Speaker 1: Let me help you make it. But it's screen pay
• 44:14
  Speaker 1: on this one is Drew Goddard and Daniel Casey. Yeah,
• 44:18
  Speaker 1: story by isn't even him. So, yeah, it's just.
• 44:23
  Speaker 3: That must be great to get to that point in
• 44:25
  Speaker 3: your career where you're so successful that you don't even
• 44:27
  Speaker 3: have anything to do with the creation of it. You
• 44:29
  Speaker 3: just attach your name to something.
• 44:31
  Speaker 1: Yeah.
• 44:31
  Speaker 3: Because you like it.
• 44:33
  Speaker 7: You just Anna your name is like that Midas touch
• 44:35
  Speaker 7: that like literally like all filmmakers like can you just
• 44:38
  Speaker 7: say this out loud yeah I was told that way
• 44:40
  Speaker 7: about Oprah that I feel like if Oprah said my
• 44:42
  Speaker 7: name out loud one time and said that she liked
• 44:45
  Speaker 7: my comedy my whole life would change.
• 44:46
  Speaker 1: You'd be the greatest comedian we've ever had yeah like
• 44:49
  Speaker 1: I'd just become instantly famous if she was just like
• 44:51
  Speaker 1: you know I heard that Laura Sanders the other night
• 44:53
  Speaker 1: I liked her stuff I'd be like boom rich It's
• 44:56
  Speaker 1: the Oprah touch.
• 44:57
  Speaker 6: Yeah.
• 44:57
  Speaker 1: She's replaced Midas. She's got that much money now. Yeah, yeah.
• 45:00
  Speaker 1: Like J.J.
• 45:01
  Speaker 7: Abrams is that for sci-fi.
• 45:02
  Speaker 6: Yeah.
• 45:02
  Speaker 5: It's like the inverse M. Night Shyamalan. Like that one
• 45:05
  Speaker 5: time he put his name on a movie and everybody
• 45:07
  Speaker 5: was like, well, I'm not going anywhere near that. And
• 45:08
  Speaker 5: everybody was like, no, it's actually really good.
• 45:10
  Speaker 1: It literally killed that movie. Yeah. Which movie was that?
• 45:13
  Speaker 5: It was Satan in an Elevator.
• 45:15
  Speaker 1: I don't remember the name of it. Yeah, whatever that,
• 45:17
  Speaker 1: what was that one? Devil?
• 45:19
  Speaker 5: Yeah, I think it might have just been called.
• 45:19
  Speaker 7: Oh, it wasn't called Satan in the Elevator.
• 45:21
  Speaker 5: I mean, it might have been a working title.
• 45:23
  Speaker 7: That is a not catchy movie.
• 45:24
  Speaker 1: But it was M. Night Shyamalan Presents, and everybody assumed
• 45:28
  Speaker 1: it was his movie, but it was the Presents part,
• 45:30
  Speaker 1: and he didn't direct it, he didn't write it, he just,
• 45:32
  Speaker 1: for some reason, slapped his name on it, and I'm like,
• 45:34
  Speaker 1: that's the worst thing you could do. I know he's
• 45:37
  Speaker 1: a recognizable name, but not a good recognizable name anymore, so...
• 45:41
  Speaker 1: Don't do that.
• 45:42
  Speaker 3: Yeah, he doesn't have a good reputation.
• 45:44
  Speaker 1: No.
• 45:45
  Speaker 3: J.J. Abrams, on the other hand, great reputation.
• 45:47
  Speaker 1: At this point, there's a few haters.
• 45:50
  Speaker 7: At this point, you're like, he'll fall.
• 45:53
  Speaker 3: They all do.
• 45:54
  Speaker 1: They all fall. He's burnt some bridges with the Star
• 45:57
  Speaker 1: Trek fans, but I think he's made enough Star Wars
• 46:00
  Speaker 1: fans happy that now they hand him whatever he wants.
• 46:03
  Speaker 1: So I don't know. On the... shamalan thing i mean
• 46:08
  Speaker 1: do you because i feel like that's the way that
• 46:10
  Speaker 1: could have gone going in going in blind that's what
• 46:13
  Speaker 1: i was thinking i'm like you could just be assuming
• 46:15
  Speaker 1: this is a trapped in a which is weird because
• 46:18
  Speaker 1: i just watched broom about a week ago too so
• 46:20
  Speaker 1: getting into this very quickly i was like this is
• 46:23
  Speaker 1: not really a different story it's an.
• 46:24
  Speaker 5: Interesting companion piece i'm like.
• 46:26
  Speaker 1: This is really not a different story like it's just
• 46:29
  Speaker 1: kind of post-apocalyptic room But, yeah, so, I mean, I
• 46:35
  Speaker 1: still feel like it would have gone that way. So
• 46:37
  Speaker 1: I guess I'm asking the two of you who hadn't
• 46:39
  Speaker 1: seen it, did it feel like it totally took that
• 46:42
  Speaker 1: hard corner, like, in Night Shyamalan style that was just like, oh,
• 46:46
  Speaker 1: my God, and the whole time. Like, it really, it
• 46:48
  Speaker 1: does seem like it's a different reveal if you don't
• 46:51
  Speaker 1: know that there probably are actually aliens out there.
• 46:53
  Speaker 7: I mean, they mentioned, Jacob and I was crazy because
• 46:55
  Speaker 7: they mentioned aliens a few times to try to foreshadow
• 46:57
  Speaker 7: to it. They're like, it's maybe chemical aliens. Or maybe aliens.
• 47:00
  Speaker 7: Where in the sixth sense, it's not like Haley Josman
• 47:03
  Speaker 7: was like, and maybe you've been dead the whole time.
• 47:04
  Speaker 1: By the way, I don't know if I mentioned this.
• 47:08
  Speaker 7: But there was no hinting at it of like, maybe
• 47:10
  Speaker 7: it seems like you've been actually dead since that accident.
• 47:12
  Speaker 7: And so I feel like this was like, oh, maybe aliens.
• 47:15
  Speaker 7: And you don't want to believe it, because he's crazy.
• 47:18
  Speaker 7: But he's like, maybe right about this.
• 47:21
  Speaker 2: You're in our case.
• 47:26
  Speaker 4: No, no. No!
• 47:31
  Speaker 1: No, no!
• 47:35
  Speaker 2: Don't open that door!
• 47:40
  Speaker 1: Oh, God. That door.
• 47:45
  Speaker 2: There's a woman.
• 47:46
  Speaker 7: Open the door.
• 47:48
  Speaker 2: It's okay.
• 47:49
  Speaker 5: I just.
• 47:50
  Speaker 9: I want to come inside.
• 47:51
  Speaker 1: She looks hurt. She wants me to let her in.
• 47:52
  Speaker 2: You can't help her!
• 47:54
  Speaker 3: No one get out!
• 47:55
  Speaker 1: No!
• 47:55
  Speaker 2: No!
• 47:59
  Speaker 7: .
• 48:01
  Speaker 5: .
• 48:04
  Speaker 3: .
• 48:10
  Speaker 2: .
• 48:19
  Speaker 3: with the lady who just like bashed her head into
• 48:22
  Speaker 3: the window.
• 48:23
  Speaker 5: And conveniently showed up at exactly the right time. Yeah.
• 48:26
  Speaker 3: Like that's to me was like, cause when I, when
• 48:30
  Speaker 3: she got out, I was like, okay, this is probably
• 48:32
  Speaker 3: the ending of the movie. Although they didn't explain that
• 48:34
  Speaker 3: woman that was like a scarred and screaming. And then
• 48:39
  Speaker 3: I thought, I was like, okay, well maybe he, John
• 48:41
  Speaker 3: Goodman had burned her with acid, but how would that
• 48:44
  Speaker 3: have worked out that she escaped at that time?
• 48:46
  Speaker 8: Yeah.
• 48:48
  Speaker 5: Yeah, I thought maybe he just like found her on
• 48:50
  Speaker 5: Craigslist and paid her.
• 48:51
  Speaker 1: That's what I was thinking. I was thinking if, again,
• 48:54
  Speaker 1: it was because I knew there probably really are aliens
• 48:57
  Speaker 1: because I saw the other movie. But I was thinking
• 48:58
  Speaker 1: if this weren't that movie, I was like, what if
• 49:01
  Speaker 1: he really did set all this? Like he just found
• 49:04
  Speaker 1: two rotting pigs, drug him in front of the window,
• 49:06
  Speaker 1: paid this woman to go get makeup put on and
• 49:08
  Speaker 1: come up here and like totally convince her that she
• 49:11
  Speaker 1: has to spend the rest of eternity with him. I mean,
• 49:13
  Speaker 1: that really would be it's own weird little twist if
• 49:16
  Speaker 1: like if we didn't know that the Cloverfield universe kind
• 49:19
  Speaker 1: of exists which again I guess is all still questionable
• 49:22
  Speaker 1: if you want to take this as it's own separate
• 49:24
  Speaker 1: movie but I think that would have been an interesting
• 49:27
  Speaker 1: turn I mean by the end we kind of see
• 49:29
  Speaker 1: why it's like that that he was just assuming it
• 49:32
  Speaker 1: was all of the air instead they were just kind
• 49:34
  Speaker 1: of agent.
• 49:35
  Speaker 3: Oranging them and like as long as you don't get.
• 49:37
  Speaker 7: Hit with it he built this whole bunker and he
• 49:39
  Speaker 7: worked very hard on it and then he did not
• 49:42
  Speaker 7: have like hazmat suits and gas masks to be able
• 49:44
  Speaker 7: to like and like air tests like air quality tests
• 49:48
  Speaker 7: as far as he's like i feel like he wanted
• 49:50
  Speaker 7: to just stay in there for the rest of their
• 49:52
  Speaker 7: lives that like that was his goal.
• 49:53
  Speaker 1: When you think what he was actually using it for
• 49:55
  Speaker 1: before the end of the world he probably did really
• 49:58
  Speaker 1: just want to stay in.
• 49:58
  Speaker 7: There yeah i feel like he was like very ready
• 50:01
  Speaker 7: to like just live there with met like or britney
• 50:05
  Speaker 7: i guess was.
• 50:06
  Speaker 1: The or any random girl wandering yeah.
• 50:08
  Speaker 7: He was just like ready because i was like why
• 50:10
  Speaker 7: don't you have gas masks and air test things that
• 50:12
  Speaker 7: he can literally if she's like i don't think this
• 50:14
  Speaker 7: is true that he can be like well here is
• 50:17
  Speaker 7: i guess he didn't have an airlock so he couldn't
• 50:19
  Speaker 7: go out because then the.
• 50:20
  Speaker 3: Battery would get also uh if he didn't have such
• 50:24
  Speaker 3: a tiny woman to go fix his air vent, how
• 50:30
  Speaker 3: did he plan on doing that? Because I don't imagine
• 50:33
  Speaker 3: John Goodman crawling through that vent.
• 50:35
  Speaker 7: Well, there was like a hatch and it got blocked.
• 50:37
  Speaker 7: and he just had no back of the plane.
• 50:38
  Speaker 3: He had a big old.
• 50:39
  Speaker 1: Hatch to go through. I think were she not there,
• 50:42
  Speaker 1: he just would have hulked his way through there. As
• 50:44
  Speaker 1: we said, he just would have just busted away through
• 50:46
  Speaker 1: a wall.
• 50:46
  Speaker 7: And then something blocked it, which we never found out what.
• 50:49
  Speaker 7: Probably a dead body of another.
• 50:50
  Speaker 6: I know.
• 50:51
  Speaker 1: I was waiting to see if that was the girl's body.
• 50:53
  Speaker 7: No, he totally hydrochloric acid her. The second I saw
• 50:56
  Speaker 7: the hydrochloric acid, I'm like, oh, he's ready to murder
• 50:58
  Speaker 7: as many people as he wants.
• 50:59
  Speaker 1: Somebody's getting dunked.
• 51:00
  Speaker 3: That's all there is to it. I thought, yeah. I
• 51:04
  Speaker 3: thought he was going to open it up and be like,
• 51:07
  Speaker 3: this is the body of that girl. And then he
• 51:10
  Speaker 3: would have some sort of explanation for why she was
• 51:12
  Speaker 3: there and why she was dead.
• 51:13
  Speaker 7: I was lying to you before.
• 51:15
  Speaker 1: I'm sorry.
• 51:16
  Speaker 7: I was just embarrassed to tell you.
• 51:17
  Speaker 1: That I murdered this girl.
• 51:20
  Speaker 7: Be my wife now.
• 51:22
  Speaker 1: Like he did with the, I have to tell you,
• 51:24
  Speaker 1: I ran into you. And she's like, yeah, I know
• 51:26
  Speaker 1: you weirdo. But his weird like revealing moment, I'm like, again,
• 51:29
  Speaker 1: I'm like, I'm still like, it's just kind of making
• 51:32
  Speaker 1: it creepier that you're doing this now. Like, because she
• 51:35
  Speaker 1: already knew it. Yeah.
• 51:35
  Speaker 7: He was like overhearing them the whole time probably. And
• 51:38
  Speaker 7: so then he's like, okay, she knows for sure that
• 51:40
  Speaker 7: I ran into her. So I have to say like, sorry,
• 51:43
  Speaker 7: I didn't mean to do that.
• 51:45
  Speaker 5: I thought the having Emmett move the vat of hydrochloric
• 51:48
  Speaker 5: acid too was like a really nice moment. It was
• 51:50
  Speaker 5: kind of like a callback to like the old West,
• 51:52
  Speaker 5: like dig your own grave kind of thing. That was,
• 51:55
  Speaker 5: that was pretty poetic.
• 51:56
  Speaker 3: I don't know why the, uh, Well, I guess if
• 51:59
  Speaker 3: you would have submerged him in it, but he used
• 52:02
  Speaker 3: a different container to stuff Emmett. It was like a
• 52:05
  Speaker 3: square locker or like square chest. I don't know why
• 52:09
  Speaker 3: he just didn't.
• 52:10
  Speaker 1: As full as it was, they want to overflow it
• 52:12
  Speaker 1: all over. Displacement and stuff.
• 52:15
  Speaker 7: He wanted extra hydrochloric acid for later.
• 52:17
  Speaker 3: Yeah, he had to save some for her. But how
• 52:19
  Speaker 3: do you transfer that to the box?
• 52:23
  Speaker 1: Just a pitcher.
• 52:23
  Speaker 3: Kool-Aid pitcher.
• 52:24
  Speaker 7: A little plastic pitcher.
• 52:27
  Speaker 1: Smiley Kool-Aid face on it. It's okay. We've all used
• 52:29
  Speaker 1: this for our after. Like you do.
• 52:33
  Speaker 7: It is weird too that he like, I know it's
• 52:34
  Speaker 7: for movie magic and all that, but he's like, okay,
• 52:36
  Speaker 7: I'm going to dissolve him in this box, but I
• 52:38
  Speaker 7: won't close the lid.
• 52:41
  Speaker 1: Actually, it's for horror purposes, so we can go by
• 52:43
  Speaker 1: in a few minutes and go, ew, gross. Yeah, exactly.
• 52:45
  Speaker 7: He's like, let me leave it open just in case
• 52:48
  Speaker 7: she isn't here so she can see that he is
• 52:49
  Speaker 7: not attractive anymore.
• 52:52
  Speaker 1: And realize how attractive I am as the last man
• 52:54
  Speaker 1: on earth.
• 52:55
  Speaker 7: Yeah, he probably saw that from a pickup artist somewhere.
• 52:58
  Speaker 7: It's like, if you shoot a man. The only way
• 53:01
  Speaker 7: to flirt your way back.
• 53:02
  Speaker 1: Please disfigure him so that you look really hot.
• 53:05
  Speaker 7: Yeah, exactly. And bitches love ice cream.
• 53:09
  Speaker 1: There's the real moral of the story.
• 53:11
  Speaker 3: Yeah.
• 53:13
  Speaker 1: They did another one of the, but yeah, you were
• 53:15
  Speaker 1: saying they dropped in a few space hints. The one
• 53:17
  Speaker 1: I don't think I even realized till after the fact
• 53:19
  Speaker 1: is like direct is he's telling you, you should hear
• 53:23
  Speaker 1: his theories on mutant worms. So I'm like, we're wondering,
• 53:28
  Speaker 1: did he really know somewhat of what was really going on?
• 53:33
  Speaker 1: Because they even- He worked for the military. Yeah. Well,
• 53:35
  Speaker 1: that's true. He did work for the Navy. So maybe
• 53:39
  Speaker 1: that is part of it. Maybe we were involved in
• 53:42
  Speaker 1: making these creatures, and that's why he sort of knew
• 53:45
  Speaker 1: what some of them are like. I don't know. It's
• 53:48
  Speaker 1: very strange.
• 53:48
  Speaker 3: Yeah.
• 53:49
  Speaker 1: Because before, they're way more bug-like. It's a little more
• 53:53
  Speaker 1: like Starship Troopers bugs. Then like the, again, it's like
• 53:57
  Speaker 1: a mixture of a Jaguar and a giant worm, like
• 53:59
  Speaker 1: in this new one.
• 54:00
  Speaker 3: Yeah.
• 54:01
  Speaker 1: Like it's a very different, and you never really figure
• 54:04
  Speaker 1: out why, like in the other one, there's bigger ones
• 54:06
  Speaker 1: and smaller ones. And you just kind of assume these
• 54:08
  Speaker 1: are like the offspring or something, but you can't really
• 54:11
  Speaker 1: tell if there's like multiple, multiple types of creatures in
• 54:15
  Speaker 1: that first movie or not. So obviously now there are
• 54:18
  Speaker 1: different variants out there in the space universe.
• 54:21
  Speaker 3: What they should have done is made the aliens like
• 54:24
  Speaker 3: very friendly and So then the aliens come and they're
• 54:27
  Speaker 3: like her saviors. And then it's this very subtle thing
• 54:31
  Speaker 3: like humans are the real monsters.
• 54:35
  Speaker 1: Oh. I mean, is that not the moral of the
• 54:37
  Speaker 1: story anyway? I don't know.
• 54:40
  Speaker 7: I feel like that one alien was acting like a
• 54:41
  Speaker 7: real dick.
• 54:44
  Speaker 1: More so than John Goodman. That's pretty parallel.
• 54:47
  Speaker 7: I guess he wasn't like stay with me forever. The
• 54:50
  Speaker 7: alien just wanted to murder.
• 54:51
  Speaker 4: Yeah.
• 54:53
  Speaker 1: I don't know. Either way, you're dead. Do you want
• 54:56
  Speaker 1: to be tormented first or just be taken out immediately?
• 54:59
  Speaker 7: She thought she was dying and the smoke was getting
• 55:01
  Speaker 7: her and then the hatch opens as an alien and
• 55:03
  Speaker 7: she's scared and then he just reaches out his little
• 55:05
  Speaker 7: tentacle and she grabs it and then curtains.
• 55:09
  Speaker 1: That's the end. It becomes explorers and they go riding
• 55:11
  Speaker 1: around and Flight of the Navigator wrap up.
• 55:15
  Speaker 3: Actually, what the guy does, the alien can read her mind.
• 55:20
  Speaker 3: and change his features to look like something that she loves.
• 55:24
  Speaker 3: And it turns out that she loves Emmett, and the
• 55:27
  Speaker 3: alien changes his face to Emmett.
• 55:29
  Speaker 1: Oh, that'd be, yeah.
• 55:30
  Speaker 3: And now.
• 55:31
  Speaker 7: But then eventually I feel like she needs to love
• 55:33
  Speaker 7: the alien for himself.
• 55:35
  Speaker 3: Yeah. This is probably why we don't write movies.
• 55:39
  Speaker 7: And he's actually Shrek, and it's actually about that the
• 55:44
  Speaker 7: ogre is the more attractive version of a person.
• 55:46
  Speaker 3: And then Haley Joel Osment comes in.
• 55:48
  Speaker 6: Yep.
• 55:49
  Speaker 3: And it was Bruce Willis dead all along.
• 55:52
  Speaker 1: On that note, that is why she kicks such good ass.
• 55:54
  Speaker 1: She is John McClane's daughter.
• 55:57
  Speaker 3: Yeah.
• 55:58
  Speaker 1: I forgot about that one, too. I was like, oh, yeah,
• 56:00
  Speaker 1: she is Lucy. Not you, Lucy. Lucy is the daughter
• 56:05
  Speaker 1: in the John McClane series. Now, sad for her, it's
• 56:07
  Speaker 1: in the two movies I do not want to watch
• 56:09
  Speaker 1: in that series. I can even watch two, but four
• 56:12
  Speaker 1: and five take a hard turn for me. Which one's
• 56:14
  Speaker 1: the hacker's one? four i just live and watch five
• 56:18
  Speaker 1: live free and die hard or live and let die
• 56:20
  Speaker 1: hard oh.
• 56:20
  Speaker 7: Yeah the five is like with his son or.
• 56:22
  Speaker 1: Something well five yeah five's when they go to russia
• 56:24
  Speaker 1: with the sun yeah but she does show up in
• 56:26
  Speaker 1: that one too so she's in both of the other
• 56:29
  Speaker 1: ones as little.
• 56:31
  Speaker 7: John mclean yeah oh yeah not four was uh that
• 56:36
  Speaker 7: one did it for me justin long that actor I'm
• 56:39
  Speaker 7: rooting for him all the time.
• 56:41
  Speaker 1: I think he's adorable.
• 56:41
  Speaker 7: I want him to be great. I saw, in the
• 56:43
  Speaker 7: same year, Die Hard 4 and Jeepers Creepers, and they
• 56:47
  Speaker 7: are some of the worst movies I've ever seen.
• 56:50
  Speaker 1: It's one of those, like, he seems like a very
• 56:53
  Speaker 1: likable guy in the real world. In these movies, he's
• 56:55
  Speaker 1: the most unlikable bastard. You just want to strangle him
• 56:58
  Speaker 1: in Jeepers Creepers. Like, stop your whining, for God's sakes.
• 57:02
  Speaker 1: I hope he kills you now.
• 57:03
  Speaker 7: Yeah, Jeepers Creepers is also the most drastic, like, it's
• 57:07
  Speaker 7: the best opening to a horror movie I've ever seen
• 57:10
  Speaker 7: and the worst horror movie I've ever seen.
• 57:12
  Speaker 1: I think the first third is really, like the truck
• 57:15
  Speaker 1: part of it is really effective. Oh, it's terrifying. It's
• 57:18
  Speaker 1: really effective.
• 57:19
  Speaker 7: But then like, It would be like watching Mad Max
• 57:21
  Speaker 7: and then just in the middle, they're like, oh, let's
• 57:24
  Speaker 7: just build a sandcastle and call it a day and
• 57:26
  Speaker 7: not explain anything. It just is so terrible.
• 57:28
  Speaker 1: I will agree it becomes a different movie about twice more.
• 57:31
  Speaker 1: Once again, once you get to them sliding down the hole,
• 57:34
  Speaker 1: it's a different movie. Once you get to the end
• 57:36
  Speaker 1: where you just see the creature, it's a different movie.
• 57:38
  Speaker 1: So yeah, that one's another one. There's three movies in it.
• 57:42
  Speaker 3: I haven't seen Jeebers Grievers.
• 57:44
  Speaker 7: Watch the first 10 minutes.
• 57:45
  Speaker 1: Speaking of weird abducting.
• 57:47
  Speaker 3: So it should have been just a short film?
• 57:49
  Speaker 7: Yeah, if it was just a scary short film, I
• 57:51
  Speaker 7: would watch.
• 57:52
  Speaker 1: It a bunch. I mean, I feel, again, I feel
• 57:53
  Speaker 1: like that's the problem with Duel is it's too long.
• 57:56
  Speaker 1: So I think that first, like, 20 minutes of it
• 57:58
  Speaker 1: kind of does everything you need from Duel and you
• 58:00
  Speaker 1: get a creepy Cheepers Creepers guy later, but like.
• 58:03
  Speaker 7: That's how I kind of felt about this movie and
• 58:05
  Speaker 7: the alien thing at the end, where I was like,
• 58:07
  Speaker 7: I was very satisfied with, like, the heroin escaping.
• 58:10
  Speaker 1: You just wanted room.
• 58:11
  Speaker 5: Yeah.
• 58:12
  Speaker 7: And then they're like, nope.
• 58:15
  Speaker 3: Yeah, because that That would be an insane psychological trick
• 58:19
  Speaker 3: to convince someone that the world is coming to an
• 58:23
  Speaker 3: end and you cannot go outside because your skin will
• 58:27
  Speaker 3: melt off. It really would have been interesting had he
• 58:30
  Speaker 3: just been pretending.
• 58:31
  Speaker 5: Because the Unbreakable Kimmy Schmidt, right?
• 58:34
  Speaker 7: Yeah, yeah, that's right. Yeah, this was actually a prequel
• 58:37
  Speaker 7: to Unbreakable Kimmy Schmidt.
• 58:38
  Speaker 1: There's a lot of that going around, it seems to be.
• 58:40
  Speaker 1: A lot of bunker stuff. I might abduct you and
• 58:42
  Speaker 1: keep you here for the rest of your life.
• 58:43
  Speaker 5: Maybe we'll make children.
• 58:44
  Speaker 1: Who knows? Yeah. Very disturbing.
• 58:48
  Speaker 2: Yeah.
• 58:50
  Speaker 7: Why is it always the guys with the bunkers that
• 58:51
  Speaker 7: are crazy?
• 58:52
  Speaker 4: I don't know.
• 58:53
  Speaker 3: Why can't there be cool bunker guys?
• 58:55
  Speaker 7: I'm just looking for a nice bunker man to spend
• 58:57
  Speaker 7: the rest of my life with.
• 58:59
  Speaker 1: He did have ice cream and a jukebox.
• 59:02
  Speaker 3: He definitely did have a pretty good setup for a boner.
• 59:04
  Speaker 1: Oh, I was charmed.
• 59:05
  Speaker 7: Like, I was like, if he was not a murderer
• 59:08
  Speaker 7: of women, I would really be into him.
• 59:10
  Speaker 5: It definitely makes all the puzzles in teen magazines creepier, too.
• 59:13
  Speaker 1: Yeah.
• 59:14
  Speaker 5: The whole layer.
• 59:15
  Speaker 1: Yeah.
• 59:16
  Speaker 7: That's, I feel like, where he's like, oh, those are Megan's.
• 59:19
  Speaker 1: Lucy, I figured you'd be excited because we had a
• 59:20
  Speaker 1: special guest appearance by Harry Dean Stanton.
• 59:22
  Speaker 5: We had a Harry Dean cameo. It made me so happy. Also,
• 59:26
  Speaker 5: it was really heartbreaking because of all the movies that
• 59:28
  Speaker 5: are about being a single dad and parenting.
• 59:31
  Speaker 1: It makes it even creepier.
• 59:33
  Speaker 5: That you liked Pretty in Pink. It does.
• 59:35
  Speaker 1: Very strange.
• 59:36
  Speaker 5: That was good use of Pretty in Pink.
• 59:37
  Speaker 1: She's oddly obsessed with Harry Dean Stanton. For you guys.
• 59:42
  Speaker 3: I did pick him out when I saw him. I
• 59:43
  Speaker 3: was like, oh, there's Harry Dean Stanton.
• 59:44
  Speaker 5: Yep.
• 59:46
  Speaker 1: I don't know. So is that everybody's take on it?
• 59:47
  Speaker 1: You like everything but the Indy?
• 59:49
  Speaker 5: Oh, wait, I'm sorry. Did you say you're a fan
• 59:51
  Speaker 5: of Harry Dean Stanton?
• 59:53
  Speaker 1: I mean, I... Pitch, pitch.
• 59:54
  Speaker 5: We have a festival in Lexington, Kentucky dedicated to Harry
• 59:57
  Speaker 5: Dean Stanton this June 10th through 12th.
• 1:00:00
  Speaker 1: Really?
• 1:00:01
  Speaker 5: Yeah, sixth annual.
• 1:00:02
  Speaker 3: He's one that I never know if he's still alive.
• 1:00:05
  Speaker 5: He's so alive. He's going to be 90 this summer.
• 1:00:08
  Speaker 3: Is he going to be there?
• 1:00:09
  Speaker 5: He will not be there this year. He has come
• 1:00:11
  Speaker 5: in the past. This year's guest will be Brad Dourif,
• 1:00:13
  Speaker 5: and we're going to show Wiseblood. It's going to be
• 1:00:15
  Speaker 5: an all-70s Harry Dean weekend. Just getting the pitch in
• 1:00:19
  Speaker 5: real fast.
• 1:00:21
  Speaker 7: Sounds like a great time.
• 1:00:22
  Speaker 5: It is.
• 1:00:24
  Speaker 1: You're always welcome to work those in. And we do
• 1:00:27
  Speaker 1: talk about Harry Dean Stanton in almost every episode, so
• 1:00:29
  Speaker 1: it's okay. This one, we actually had a reason. He
• 1:00:31
  Speaker 1: was in the movie. He's their Guzman. I was like,
• 1:00:33
  Speaker 1: does he get residuals? Do you get it if you're
• 1:00:35
  Speaker 1: in video, on video, in a video? I'm not sure
• 1:00:38
  Speaker 1: what the.
• 1:00:39
  Speaker 5: That's a really good question. I'm guessing so.
• 1:00:41
  Speaker 1: I would think... I mean, they have to pay the
• 1:00:43
  Speaker 1: studio for showing it, right? So I don't know that
• 1:00:45
  Speaker 1: he gets anything, but I would think maybe they're owned
• 1:00:47
  Speaker 1: by the same studio.
• 1:00:48
  Speaker 3: I'm sure Harry Dean Stanton is like, I'm just more
• 1:00:50
  Speaker 3: concerned with not dying right now.
• 1:00:53
  Speaker 1: He's like, I just want another cigarette.
• 1:00:54
  Speaker 3: I don't really give a rat's ass.
• 1:00:56
  Speaker 1: You and your damn alien movie. They made me be
• 1:00:59
  Speaker 1: in Avengers anyway. It's bad enough. Gotta leave the house.
• 1:01:05
  Speaker 3: But I would say I overall enjoyed the movie.
• 1:01:08
  Speaker 7: Yeah, it was entertaining, worth going to. I don't think
• 1:01:11
  Speaker 7: the best movie I've ever seen, but any movie where
• 1:01:13
  Speaker 7: John Goodman plays a villain, I will see.
• 1:01:17
  Speaker 3: And it kept me very... It kept me very... invested
• 1:01:22
  Speaker 3: in the movie.
• 1:01:23
  Speaker 7: I was nervous the whole time. It was very intense.
• 1:01:27
  Speaker 1: That's what I was going to give Dan Trachtenberg credit for.
• 1:01:30
  Speaker 1: He knows how to kind of work the intrigue part
• 1:01:33
  Speaker 1: of it and the tension part of it to the
• 1:01:35
  Speaker 1: point I do want to see what else he's going
• 1:01:37
  Speaker 1: to direct. Again, he came from the geeky side of things.
• 1:01:41
  Speaker 1: He is sort of one of us that crossed over
• 1:01:43
  Speaker 1: because he had a video podcast and he was on
• 1:01:46
  Speaker 1: audio shows all the time. I knew the name years
• 1:01:49
  Speaker 1: ago when he was just doing that. And he did
• 1:01:52
  Speaker 1: some short films, and he did a crossover one for Portal,
• 1:01:55
  Speaker 1: I think, for the video game, and started doing commercials.
• 1:01:57
  Speaker 1: And this is his first feature film, so I'm kind
• 1:02:00
  Speaker 1: of interested to see where he goes as a director,
• 1:02:02
  Speaker 1: because I think he showed a lot of promise in this.
• 1:02:05
  Speaker 3: Like I said, overall, I'd probably give it a B.
• 1:02:08
  Speaker 7: But like a solid B.
• 1:02:10
  Speaker 3: Solid B, yeah.
• 1:02:12
  Speaker 6: Lucy?
• 1:02:13
  Speaker 5: Yeah, I'd give it a C +.
• 1:02:17
  Speaker 1: I was, again, I wasn't weirded out by the end.
• 1:02:20
  Speaker 1: I think I needed the end to complete it. So
• 1:02:23
  Speaker 1: I don't know. I really was happy with it. I
• 1:02:25
  Speaker 1: think because the rest of it is so well executed
• 1:02:27
  Speaker 1: and I kind of felt like the end was coming
• 1:02:30
  Speaker 1: at some point that I'm like, at some point she
• 1:02:32
  Speaker 1: has to get out of the house. At some point
• 1:02:33
  Speaker 1: we have to see I mean, there has to be
• 1:02:36
  Speaker 1: a reveal of something. Like I said, or it's going
• 1:02:38
  Speaker 1: to be uneven. If we get through all of that,
• 1:02:40
  Speaker 1: she goes out there and there's nothing. Like, again, unless
• 1:02:42
  Speaker 1: it's a super twist of he faked it all, which
• 1:02:45
  Speaker 1: would have been interesting. But otherwise, you know, you're going
• 1:02:47
  Speaker 1: to have to have, especially that it's part of the
• 1:02:50
  Speaker 1: Cloverfield world, you're going to need something there to kind
• 1:02:53
  Speaker 1: of balance out your big finale. So I felt like
• 1:02:56
  Speaker 1: it was coming, but I think that first two-thirds is
• 1:02:58
  Speaker 1: so solid that I ended up just kind of really
• 1:03:00
  Speaker 1: happy with the whole thing.
• 1:03:02
  Speaker 3: The first two-thirds were great.
• 1:03:04
  Speaker 5: Yeah.
• 1:03:05
  Speaker 3: And the end wasn't bad. It was just very strange.
• 1:03:08
  Speaker 5: Just a little much.
• 1:03:10
  Speaker 1: Again, but I think if you're there having seen the
• 1:03:12
  Speaker 1: first one, you kind of won't be... I feel like
• 1:03:16
  Speaker 1: it's more of what you're going to be there for anyway.
• 1:03:18
  Speaker 1: So I think people coming in that aren't used to
• 1:03:21
  Speaker 1: it or didn't know what they were getting into will
• 1:03:23
  Speaker 1: really be thrown off. I would hope the fans of
• 1:03:26
  Speaker 1: Cloverfield will be like, oh, of course there's aliens. I
• 1:03:30
  Speaker 1: don't know. But it'll be interesting to see everybody's take
• 1:03:32
  Speaker 1: on it in the next couple of weeks as If
• 1:03:34
  Speaker 1: everybody ends up... I've heard pretty decent reviews on it,
• 1:03:37
  Speaker 1: but I'm wondering what the public.
• 1:03:38
  Speaker 3: It's got a very positive... Yeah, what the.
• 1:03:39
  Speaker 1: Public's going to think of it.
• 1:03:40
  Speaker 5: Yeah, it's like 90%. It's crazy.
• 1:03:43
  Speaker 1: Again, I think it's solid. I'm really happy with it. So, again,
• 1:03:47
  Speaker 1: I want to see where that director goes, and I
• 1:03:49
  Speaker 1: want to see where the series goes now. If they
• 1:03:51
  Speaker 1: leave this as a one-off, or they continue her story,
• 1:03:55
  Speaker 1: or they continue that story, or they continue both and
• 1:03:57
  Speaker 1: make them crossover. I mean, building universes is what studios
• 1:04:01
  Speaker 1: want to do now, so it'll be interesting if this becomes...
• 1:04:04
  Speaker 1: one of those properties that has got enough of a
• 1:04:06
  Speaker 1: following that can do that.
• 1:04:08
  Speaker 7: Is Houston, Texas a cheap place to film movies in?
• 1:04:10
  Speaker 6: Oh, yeah.
• 1:04:11
  Speaker 1: Well, then. Well, not necessarily Houston, but Texas has built
• 1:04:15
  Speaker 1: its own. Rodriguez basically moved in there and said, yeah,
• 1:04:19
  Speaker 1: I'm going to start making movies here now. So he
• 1:04:21
  Speaker 1: has his own studio in... Austin? Yeah, I think it's
• 1:04:24
  Speaker 1: in Austin that he's set up in, that he has
• 1:04:26
  Speaker 1: got his studio in. And now there's enough people on
• 1:04:29
  Speaker 1: board that there's a good amount of other people filming
• 1:04:31
  Speaker 1: stuff there. They've got the Film Fest there and Fantastic Fest.
• 1:04:34
  Speaker 1: I think they're really super supportive about films being made there.
• 1:04:38
  Speaker 1: So I'm sure they'll be back to do more stuff.
• 1:04:41
  Speaker 1: There's the sequel.
• 1:04:42
  Speaker 6: There you go.
• 1:04:45
  Speaker 1: All right. So that's our take on it. How about
• 1:04:47
  Speaker 1: you guys? What do you have? Do you want to
• 1:04:50
  Speaker 1: tell people what all you're doing? Is it just the
• 1:04:53
  Speaker 1: tour or do you have future plans? I mean.
• 1:04:56
  Speaker 7: I think I'll keep on living after the tour and
• 1:04:58
  Speaker 7: doing more comedy. But as far as for sure, where
• 1:05:02
  Speaker 7: to find me, laurasanderscomedy.com. And please buy my album there.
• 1:05:08
  Speaker 7: There are no aliens in my album, not to spoil it.
• 1:05:10
  Speaker 1: She's roping you in. Some dinosaurs, no aliens. Is it
• 1:05:16
  Speaker 1: physical or downloadable or both?
• 1:05:18
  Speaker 7: Downloadable. It's in the sky.
• 1:05:22
  Speaker 3: And for me, yeah, it'll just be after this going
• 1:05:26
  Speaker 3: back to Chicago and doing more comedy. And then you
• 1:05:30
  Speaker 3: can also buy my album on iTunes or Amazon. It's
• 1:05:34
  Speaker 3: called Michael Myers, No Don Draper. So go ahead and
• 1:05:39
  Speaker 3: buy that. And no aliens in that either. All right.
• 1:05:43
  Speaker 1: And Lucy, tell them to all go to the Harry
• 1:05:45
  Speaker 1: Dean Standfest.
• 1:05:45
  Speaker 5: Yeah, Harry Dean Standfest, June 10th through 12th, 2016.
• 1:05:50
  Speaker 1: All right, well, thank you guys for sitting in, and
• 1:05:52
  Speaker 1: I'm glad we were trying to decide what movie to watch,
• 1:05:54
  Speaker 1: and I wanted to see this anyway, so this was
• 1:05:56
  Speaker 1: a good reason to sit down and hash it out.
• 1:05:59
  Speaker 3: Yeah, thank you for having us.
• 1:06:00
  Speaker 1: Thank you for joining in. Otherwise, that about does it.
• 1:06:03
  Speaker 1: We will return next time, same geek feed. Thanks for listening.
• 1:06:06
  Speaker 2: ¶ Well, a little green man think of a real.
• 1:06:53
  Speaker 9: Half-caste ¶ Rockin' at a lowly to the crazy blast
• 1:06:57
  Speaker 9: ¶ They brought out a sax and they started to
• 1:06:59
  Speaker 9: blow ¶ They brought out the drums and they started
• 1:07:02
  Speaker 9: to roll ¶ My thoughts are rockin' old ¶ My
• 1:07:07
  Speaker 9: thoughts are rockin' old ¶ I couldn't understand the things
• 1:07:11
  Speaker 9: they said ¶ But they're crazy, baby, just to stop
• 1:07:14
  Speaker 9: me dead.
• 1:07:15
  Speaker 8: ¶ Well, I come out of hiding and I started
• 1:07:34
  Speaker 8: to rock.
• 1:07:35
  Speaker 9: Little green men taught me how to do the bop.
• 1:07:37
  Speaker 1: They were three foot high, they had a few bars.
• 1:07:40
  Speaker 1: They thought of rock and roll all.
• 1:07:42
  Speaker 6: The way from Mars.
• 1:07:44
  Speaker 9: My thoughts are rock and roll. My thoughts are rock
• 1:07:48
  Speaker 9: and roll. I couldn't understand a.
• 1:07:51
  Speaker 1: Thing they said.
• 1:07:52
  Speaker 9: It was a crazy video just to start me dead.
• 1:08:03
  Speaker 1: Oh, Emmett.
• 1:08:05
  Speaker 5: We hardly knew you.
• 1:08:06
  Speaker 6: This episode is a production of Movie Meltdown, produced and
• 1:08:09
  Speaker 6: edited by The Oddity Studios, with opening music performed by
• 1:08:12
  Speaker 6: The Empires. For more on how to sponsor or support
• 1:08:15
  Speaker 6: the show, email producer at moviemeltdown.com.
• 1:08:18
  Speaker 3: Talk hard!