Latest / HEAVY Music Interviews / Malicious Intent With SCHMIER From DESTRUCTION

Transcript

Malicious Intent With SCHMIER From DESTRUCTION · HEAVY Music Interviews

• 0:12
  Speaker 1: It met Lands of Australia. There's a Shmir from Germany
• 0:15
  Speaker 1: from the band Destruction, and we're going to talk about
• 0:18
  Speaker 1: our new album Birth of Malice today here on Heavy Radio.
• 0:22
  Speaker 1: Right that's the one brother, thanks for join us today, Pleasure, Pleasure.
• 0:28
  Speaker 2: So we I here to talk about your new album,
• 0:31
  Speaker 2: Birth of Malice, which is your six stage studio album
• 0:34
  Speaker 2: coming out on March is seventh. My life. I know,
• 0:37
  Speaker 2: listen to your first radio you've done the future hours before.
• 0:39
  Speaker 2: But how are you feeling about this particular album.
• 0:42
  Speaker 1: You know, every album is like a baby. You know,
• 0:45
  Speaker 1: you're proud, and you know it's it feels great. It's
• 0:48
  Speaker 1: when it's released and when the first people can can
• 0:51
  Speaker 1: hear it or the baby see it, you know, and
• 0:54
  Speaker 1: you know every baby is the most beautiful baby in
• 0:56
  Speaker 1: the world.
• 0:57
  Speaker 2: You know.
• 0:57
  Speaker 1: So of course you like the new album. But this
• 1:02
  Speaker 1: time we recorded the album already last year and summer
• 1:05
  Speaker 1: we were mixing it, so it's already old to us.
• 1:08
  Speaker 1: So I had time six months now seven months to
• 1:12
  Speaker 1: kind of recap and look back, and I have to
• 1:14
  Speaker 1: say I still like it after such a long time.
• 1:17
  Speaker 1: And that's a good sign normally for a musician because
• 1:20
  Speaker 1: usually we want to change stuff right after, but we
• 1:23
  Speaker 1: worked pretty long the whole summer and little breaks on
• 1:27
  Speaker 1: the album, so everybody's satisfied. So yeah, it feels good.
• 1:31
  Speaker 1: First response is I think here in Germany we never
• 1:34
  Speaker 1: had such great reactions on a new album. It's actually surprising.
• 1:39
  Speaker 1: Like we have some big cover stories and some album
• 1:44
  Speaker 1: of the month's stuff here in the print magazines which
• 1:48
  Speaker 1: are still famous here in Germany, and we have some
• 1:50
  Speaker 1: still some printmacs that are leading the scene still. So yeah,
• 1:54
  Speaker 1: that's actually great surprise after such a long time, much
• 1:58
  Speaker 1: a long time.
• 1:59
  Speaker 2: Yeah, you guys are guys are a thrash meadow band
• 2:02
  Speaker 2: to the Cobra people know what do we expect from
• 2:05
  Speaker 2: a distruction album? But with this album musically, like what
• 2:08
  Speaker 2: were you gone for? Like you do you sort of
• 2:11
  Speaker 2: set goals or past with each album or did you
• 2:13
  Speaker 2: just get in the studio to rock the fucking out.
• 2:15
  Speaker 1: Yeah, I mean we've been a three piece for very long.
• 2:18
  Speaker 1: You know, when you're a three piece, you're writing is
• 2:22
  Speaker 1: always limited because live you only have one guitar. So
• 2:26
  Speaker 1: for me writing as a three piece for a big
• 2:29
  Speaker 1: part of the last you know, twenty years, I think
• 2:33
  Speaker 1: we've been writing. We started with two guitars again in
• 2:36
  Speaker 1: twenty nineteen, you know, so since six years I have
• 2:40
  Speaker 1: all the freedom for riding, and there's more guitars now,
• 2:43
  Speaker 1: there's more possibilities. I always say the sky is the limit.
• 2:46
  Speaker 1: I have two great guitar players, so we have progressed
• 2:50
  Speaker 1: the guitar in all the way. There's more guitars on
• 2:53
  Speaker 1: the album. There's more twin guitars, lead guitars, solos, so
• 2:57
  Speaker 1: it's a really guitar driven record. And I think this
• 3:00
  Speaker 1: is the biggest kind of difference to older Destruction albums
• 3:05
  Speaker 1: that there's a lot of amazing guitars going on and
• 3:08
  Speaker 1: also some more unusual stuff, you know, like more melodic
• 3:13
  Speaker 1: solos and stuff that we weren't doing before so much,
• 3:17
  Speaker 1: maybe on the first albums, but then we kind of
• 3:19
  Speaker 1: lost it. Now we're back to that that. You know,
• 3:23
  Speaker 1: I'm a guitar guy, even as a bass player, but
• 3:25
  Speaker 1: I love the time. So you have to admit the
• 3:28
  Speaker 1: guitars have to be loud and everywhere on the album,
• 3:31
  Speaker 1: and that's what they are. Yeah, said brother.
• 3:34
  Speaker 2: So you released the singles Ain't Destruction and Ni Kings
• 3:37
  Speaker 2: Thy Masters, so had a good idea of what you
• 3:40
  Speaker 2: expect from the whole album, or that just sort of
• 3:42
  Speaker 2: just a mere sample. Yeah.
• 3:44
  Speaker 1: Yeah, I mean no, you know, usually we always released
• 3:47
  Speaker 1: like the heaviest songs first, and this time because the
• 3:50
  Speaker 1: album has a wide range, there's a lot of fast
• 3:53
  Speaker 1: stuff but also some diverse and groovy songs on it,
• 3:57
  Speaker 1: so we said, let's show the people how diverse the
• 4:00
  Speaker 1: album is. And that was a little surprise. The reactions
• 4:02
  Speaker 1: on Angst, the second single, which is more like a
• 4:05
  Speaker 1: very grim groovy song, were completely great, almost all the way.
• 4:11
  Speaker 1: So I was surprised that the Destruction fans also, you know,
• 4:15
  Speaker 1: kind of liked the groovy part because I mean, we're
• 4:20
  Speaker 1: a band that has a lot of fast songs. You know,
• 4:22
  Speaker 1: we define on speed and and and heaviness, so it's
• 4:26
  Speaker 1: so much different. But I'm very happy that the reactions
• 4:29
  Speaker 1: were great on that one too, So yeah, as you said,
• 4:32
  Speaker 1: it kind of shows a little bit the range the
• 4:34
  Speaker 1: album has. It's it's very heavy, very fast, but on
• 4:37
  Speaker 1: on the other hand, has some really groovy elements and
• 4:41
  Speaker 1: and some more melodic parts and the guitars, harmonies and stuff,
• 4:45
  Speaker 1: you know, So I think there's some surprises on the album.
• 4:48
  Speaker 1: Still even if it's the sixteenth album, we still have
• 4:52
  Speaker 1: new elements here and there. For sure, not too new,
• 4:55
  Speaker 1: but you know, within the range of a thrash metal man.
• 5:00
  Speaker 2: The album starts through the title track, Birth of Mallace,
• 5:04
  Speaker 2: which is a lot of piece that guy is from
• 5:06
  Speaker 2: minute with it for Menca guitars. It's almost dreamy until
• 5:10
  Speaker 2: the end when it sort of starts getting a bit
• 5:12
  Speaker 2: of a devilish whisper and becomes more sinister break Bay
• 5:16
  Speaker 2: to start the album.
• 5:16
  Speaker 1: Where where did that come from? Yeah, because we we
• 5:20
  Speaker 1: thought we never had like a song that is called
• 5:24
  Speaker 1: like the album. There was the intro, you know, and
• 5:28
  Speaker 1: when the album was written, the intro was the stuff
• 5:30
  Speaker 1: we did at the end, and at that time it
• 5:33
  Speaker 1: still didn't have the title. And when we named it
• 5:36
  Speaker 1: Birth of Melos, because it's like it starts very like
• 5:39
  Speaker 1: slow and mellow and evil, we thought it would be
• 5:44
  Speaker 1: a good title for the album. Also because there was
• 5:46
  Speaker 1: two ways to call the album, either Destruction like the
• 5:49
  Speaker 1: first real song on the album, the first heavy song,
• 5:52
  Speaker 1: the intro song, or call it Birth of Melas, which
• 5:56
  Speaker 1: reflects a lot of the lyrics of the album, you know,
• 6:00
  Speaker 1: and the Destruction is a perfect something to go and
• 6:02
  Speaker 1: do straight after because it just rips your face off.
• 6:05
  Speaker 1: It's fucking it's full on exactly yead of us the
• 6:09
  Speaker 1: idea behind it. You know, the Birth of Malice is
• 6:11
  Speaker 1: the intro. They're also going to be a great intro
• 6:13
  Speaker 1: for the live shows and then you know, all hell
• 6:17
  Speaker 1: breaks loose when destruction blasts out of the speakers.
• 6:21
  Speaker 2: Yeah, well done. Now this is your sixteenth album as
• 6:24
  Speaker 2: a band, right, So does it become easier or harder
• 6:27
  Speaker 2: to come up with new material the more you're right,
• 6:29
  Speaker 2: you think.
• 6:30
  Speaker 1: I think because you're measured, it's maybe easier because for
• 6:34
  Speaker 1: for a while in the middle of the career, you
• 6:37
  Speaker 1: start to question yourself. You start to ask yourself, I'm
• 6:40
  Speaker 1: on the right track? Do I repeat myself? Why do
• 6:43
  Speaker 1: I want to go? Do I want to change the band?
• 6:46
  Speaker 1: And when you're measured and old like me, now, you
• 6:49
  Speaker 1: know what you can do best. You stick to the guns.
• 6:52
  Speaker 1: You try new stuff. I have a great team around
• 6:55
  Speaker 1: me with my boys, and they're very great musicians, so
• 6:59
  Speaker 1: we can do everything we want basically, but the formula
• 7:03
  Speaker 1: now is easier than it was in the past because
• 7:07
  Speaker 1: we just experienced more experience and the music music and
• 7:10
  Speaker 1: skills are better, of course, you know, as you don't
• 7:13
  Speaker 1: struggle when you go to the studio. You're excited to
• 7:16
  Speaker 1: go to the studio. When you're younger, you question yourself
• 7:20
  Speaker 1: too much and sometimes you do stuff that you might
• 7:23
  Speaker 1: regret later. And when you're older, I think it's you're
• 7:28
  Speaker 1: more measured. I mean, I still have I still feel
• 7:30
  Speaker 1: the drive in my heart. I'm still seventeen, you know,
• 7:33
  Speaker 1: and it's just the the you know, the experience that
• 7:38
  Speaker 1: sometimes paces me down. But I think it's a good
• 7:42
  Speaker 1: mix to keep this, you know, music at hard young,
• 7:46
  Speaker 1: music keeps you at hard young anyways, you know. So
• 7:49
  Speaker 1: I think it's a good mix. The way we're right nowadays,
• 7:52
  Speaker 1: it's easier for me than it was ten years ago. Actually, yeah, yeah.
• 7:57
  Speaker 2: Cool now you started to be back in ninety ninety
• 8:00
  Speaker 2: to mate, So was a musical climate.
• 8:02
  Speaker 1: Like that gave birth to Destruction?
• 8:04
  Speaker 2: And where did you fit in? Back in those days?
• 8:07
  Speaker 1: We were actually the outsiders. I think that in the
• 8:09
  Speaker 1: Destruction song, I think we're the outsiders of society. And
• 8:14
  Speaker 1: it felt like that because in Germany at that time
• 8:17
  Speaker 1: there was no scene. The scene was rising and we
• 8:20
  Speaker 1: were one of the first bands and people were looking
• 8:23
  Speaker 1: at us with disgust, you know, they were like, oh
• 8:25
  Speaker 1: my god, what is this? You know, what is this music?
• 8:28
  Speaker 1: How do you look like? And there was no name
• 8:32
  Speaker 1: for metal heads back then. That's actually crazy, you know,
• 8:34
  Speaker 1: because metal started a new way for British Metal came
• 8:38
  Speaker 1: from England and all of a sudden we had German
• 8:40
  Speaker 1: metal bands and we just had the Scorpions before, you know,
• 8:43
  Speaker 1: so it was kind of new. You have like this crazy,
• 8:46
  Speaker 1: crazy scene and you know, the scene here in my
• 8:49
  Speaker 1: region was just some friends and the band. So we
• 8:53
  Speaker 1: were just a handful of guys, was the only metal heads.
• 8:56
  Speaker 1: There was no shows yet, we had to drive to
• 8:59
  Speaker 1: Switzerland for us hours, you know, to see a show.
• 9:02
  Speaker 1: And so the first years were a struggle, a fight,
• 9:06
  Speaker 1: but also like a little revolution against society. You know.
• 9:09
  Speaker 1: We were very young and wild and we were trying
• 9:12
  Speaker 1: to break out this conservative, Catholic German, rusty germanness, you know.
• 9:18
  Speaker 1: So yeah, I guess I guess it helped us really
• 9:23
  Speaker 1: to you know, to bring some color into our youth.
• 9:29
  Speaker 2: So of course now that you recognized as one of
• 9:31
  Speaker 2: the most influential thresh bands ever, especially to come out
• 9:35
  Speaker 2: of Germany, so do you remember at what point of
• 9:37
  Speaker 2: your career you actually sat back yourself and went like, yeah,
• 9:42
  Speaker 2: we're definitely done already.
• 9:43
  Speaker 1: As I think it took long. Even in the eighties
• 9:47
  Speaker 1: we toured with Motorhead and Slayer. We had some amazing tours,
• 9:51
  Speaker 1: and the eighties were special. It was everything was fresh
• 9:54
  Speaker 1: and new, you know. But I think I could only
• 9:57
  Speaker 1: lean back maybe some years ago when I maybe like
• 10:03
  Speaker 1: the years before COVID, I was like, we're doing well,
• 10:07
  Speaker 1: and then COVID came, you know, and then we're fucked.
• 10:12
  Speaker 1: We're done, And and I think too resurrect from the
• 10:17
  Speaker 1: COVID with the last album and go back on tour
• 10:21
  Speaker 1: and celebrate forty years. There was was a time when
• 10:24
  Speaker 1: I realized that we have a lot of fans worldwide
• 10:28
  Speaker 1: that are very faithful and that supported us really well,
• 10:32
  Speaker 1: and it's really worth it to stick to the guns
• 10:34
  Speaker 1: and continue. But yeah, this is music business. You can
• 10:38
  Speaker 1: never be sure, right na. So I think COVID showed
• 10:42
  Speaker 1: up pretty well that we all thought it over because
• 10:45
  Speaker 1: we couldn't play and we couldn't do shit, and so
• 10:49
  Speaker 1: I mean Australia was even worse. I think. I mean,
• 10:51
  Speaker 1: Joan had a lot of lockdowns and a lot of
• 10:54
  Speaker 1: you know, very strict laws. But you know, for instance,
• 10:59
  Speaker 1: in America, I was much more open. It was easier
• 11:02
  Speaker 1: for to survive there. But yeah, those more difficult years,
• 11:06
  Speaker 1: and I think after that you appreciated much more what
• 11:09
  Speaker 1: you can do and what you have achieved. So I
• 11:12
  Speaker 1: think now I lean back a little bit more. I
• 11:15
  Speaker 1: wouldn't lean back totally because I think it's always, you know,
• 11:21
  Speaker 1: you always need to fight if your musician, you always
• 11:24
  Speaker 1: find obstacles that trying to stop you. You get ripped off everywhere. No,
• 11:29
  Speaker 1: so you gotta still you know, work hard for you
• 11:34
  Speaker 1: for your money, is I think nowadays. But I won't
• 11:37
  Speaker 1: complain because it's going good and and yeah, the world
• 11:43
  Speaker 1: is changing also, you know, because of the the spotifying
• 11:47
  Speaker 1: and and you know, people are buying less and less albums.
• 11:50
  Speaker 1: I mean, the CD basically will die out in the
• 11:53
  Speaker 1: next years, you know. I I just saw the pre
• 11:57
  Speaker 1: sales for the new album and we still sell a
• 11:59
  Speaker 1: lot of these compared to younger bands, you know, but
• 12:02
  Speaker 1: I see it's you know, it's going down every year
• 12:05
  Speaker 1: with the CD sails. Actually what's selling really good now
• 12:08
  Speaker 1: is vinyls. You know, vis coming back here nyls. They
• 12:11
  Speaker 1: have the third Spring already. It's kind of amazing, you
• 12:16
  Speaker 1: know that vinyl collectors. Some years ago, I thought the
• 12:20
  Speaker 1: cassette would come back, but it didn't happen.
• 12:22
  Speaker 2: You know when I.
• 12:23
  Speaker 1: Tried yet, i'd actually tried. We did also a cassette edition.
• 12:28
  Speaker 1: It didn't sell well. I think we saw like one
• 12:31
  Speaker 1: thousand copies or something. Yeah, it's just for collectors, just
• 12:35
  Speaker 1: to for the memory. Nobody's going to listen to that
• 12:37
  Speaker 1: ship anymore.
• 12:39
  Speaker 2: Look, I've got a type.
• 12:41
  Speaker 1: As a dead player and remembers, you know, the when
• 12:45
  Speaker 1: I used to come on stuck. Yeah.
• 12:50
  Speaker 2: Yeah, Now, many musical trends have come and gone over
• 12:54
  Speaker 2: the forty plus es a destruction debait around. But you
• 12:58
  Speaker 2: guys have always stuck to your own power, which is admirable.
• 13:01
  Speaker 1: But have you ever been tempted.
• 13:02
  Speaker 2: To sort of try and write the white times and
• 13:05
  Speaker 2: cay what everyone else's doing.
• 13:07
  Speaker 1: I mean, we had our difficulties in the band. We
• 13:10
  Speaker 1: also split for some years, and we had kind of
• 13:15
  Speaker 1: musical differences when we were young. And at the year
• 13:19
  Speaker 1: nineteen eighty nine, that happened and it showed us a
• 13:23
  Speaker 1: lot of things about how the music business works and
• 13:26
  Speaker 1: how we were too young to understand. And with the
• 13:29
  Speaker 1: years you gain confidence and gain knowledge about everything. So
• 13:34
  Speaker 1: I'm more like the ac DC kind of guy, you know,
• 13:38
  Speaker 1: stick to the recipes, stick to the guns, do stuff
• 13:42
  Speaker 1: within your reach, and do what you can do best.
• 13:45
  Speaker 1: And I think ACDC had this also. I remember in
• 13:49
  Speaker 1: the nineties people were laughing about ACDC, like, oh my god,
• 13:53
  Speaker 1: what are they doing? Is doing the same album again?
• 13:55
  Speaker 1: And then the success went down. Also, I remember starting
• 13:58
  Speaker 1: off eighties and nineties, the success went down. They were
• 14:01
  Speaker 1: just not playing the big stadiums for a while anymore.
• 14:05
  Speaker 1: And they still they were still sticking to their guns
• 14:08
  Speaker 1: and they did what they could do best and it
• 14:10
  Speaker 1: came back stronger than ever. Right, good less thing. This
• 14:15
  Speaker 1: shows you know that do what you can do best.
• 14:18
  Speaker 1: You know, don't be the the what do you call
• 14:21
  Speaker 1: this the flag in the wind? We call it in Germany,
• 14:25
  Speaker 1: good algy. Don't don't try to be the trendsetter, you know,
• 14:28
  Speaker 1: be the one that that is confident about what he's doing.
• 14:32
  Speaker 1: And that's what we what we do since many years,
• 14:35
  Speaker 1: I think, and I got the same idea. One of
• 14:38
  Speaker 1: the most humble people I've.
• 14:39
  Speaker 2: Ever Spiker dudes, it's good to hear. Thank you what
• 14:44
  Speaker 2: destruction finished might and hopefully it's It's a long way
• 14:47
  Speaker 2: in the future, but he goes to get to go
• 14:49
  Speaker 2: down as one of the best and most influential thrash
• 14:51
  Speaker 2: bands ever. So what do you hope the inscription would
• 14:54
  Speaker 2: be on the band's musical streamstone.
• 14:57
  Speaker 1: I hope there's no grimstone. I think the hopefully musical
• 15:01
  Speaker 1: journey will go on after our death, you know, because
• 15:05
  Speaker 1: good music should survive, you know. And I'm hopeful that
• 15:09
  Speaker 1: because we were one of the first waves of thrash
• 15:12
  Speaker 1: metal worldwide, that the kids will still remember when I'm dead,
• 15:16
  Speaker 1: that like this guy in Germany back in the day
• 15:19
  Speaker 1: with his weird name, you know, he started thrash Medal
• 15:22
  Speaker 1: in Germany. And yeah, I hope music lives on, you know.
• 15:26
  Speaker 1: That's that's something because I love the stuff from the
• 15:29
  Speaker 1: seventies and sixties and I appreciate the roots. I hope
• 15:33
  Speaker 1: the metal fans in the future will also appreciate the
• 15:35
  Speaker 1: roots of because thrash metal was basically the beginning of
• 15:39
  Speaker 1: extreme metal, and it's just the root of all evil
• 15:45
  Speaker 1: and heavy genre, right, So yeah, I mean yeah, so no, no,
• 15:50
  Speaker 1: gravestone for us. Let's let's let the music do talking,
• 15:53
  Speaker 1: and hopefully we can play this music as long as
• 15:56
  Speaker 1: possible because we're going to be the first generation of
• 15:59
  Speaker 1: thrash bands that will retire.
• 16:02
  Speaker 2: Maybe you know before we got you just record a
• 16:07
  Speaker 2: little plunk for the album. I'll let it up together
• 16:09
  Speaker 2: and I'll send it to Christie's.
• 16:10
  Speaker 1: It's priory for you.
• 16:11
  Speaker 2: So just give good fans a bit of ave been
• 16:13
  Speaker 2: introt of the album and tell them that it's coming
• 16:15
  Speaker 2: out stuff.
• 16:17
  Speaker 1: Yeah. I think this is a guitar driven record, so
• 16:20
  Speaker 1: if you like thrash metal, it will definitely kick your butt.
• 16:24
  Speaker 1: But also has a lot of traditional heavy metal influences
• 16:27
  Speaker 1: because that's what I'm coming from, right. I grew up
• 16:30
  Speaker 1: in the eighties, and the older I get, the more
• 16:33
  Speaker 1: the heavy influences from the early eighties are important in
• 16:35
  Speaker 1: the music. Again, so this album has a lot of
• 16:38
  Speaker 1: reminiscence to the eighty you know metal classics also here
• 16:43
  Speaker 1: and there, you know the Harmony Resolutions, they have some
• 16:46
  Speaker 1: Priests and Maiden here and there. That's my favorites. So
• 16:49
  Speaker 1: I think if you like a metal fan in general,
• 16:52
  Speaker 1: give you the listen. It has a wide range from
• 16:55
  Speaker 1: very speedy to very groovy to to like tank metal
• 16:59
  Speaker 1: songs that just roll over you, you know. And yes,
• 17:02
  Speaker 1: as I said, a lot of catchy guitars, a lot
• 17:04
  Speaker 1: of catchy hooks and check it out fantasy brother.
• 17:09
  Speaker 2: Well, thanks very much for join us all. Be an
• 17:11
  Speaker 2: absolute pleasure to speak with. Your Birth of mouths is
• 17:13
  Speaker 2: out March seven and it is a fucking bolts are right,
• 17:16
  Speaker 2: saf congratulations, I.
• 17:18
  Speaker 1: Thank you very much man, and yeah, I have a
• 17:21
  Speaker 1: great night. You already adnied right in.
• 17:24
  Speaker 2: I had a fucking night brother. I'm gonna have dinner
• 17:25
  Speaker 2: and hit the fat sack after I speak to you.
• 17:27
  Speaker 1: Okay, I have my whole day in front of me. No,
• 17:31
  Speaker 1: it's enjoyed. Brother, will see you when you come out
• 17:33
  Speaker 1: to Australia. Thank you bye.
• 17:37
  Speaker 3: Yeah you want trust them down with no my mind,
• 17:58
  Speaker 3: promise me.
• 18:01
  Speaker 4: Out of sight a dortry mater.
• 18:04
  Speaker 3: We have shady deal, fillions of dollars and a fat
• 18:11
  Speaker 3: spenty little come m don't wait strange your hours. You're
• 18:15
  Speaker 3: corptor we're not a crowd. Burn it down with a
• 18:21
  Speaker 3: line your child, little balls.
• 18:24
  Speaker 4: Waiting on the final vow. Scott black Jeli right now, Wow,
• 18:35
  Speaker 4: can't get right. Scott Black gelan Ray.
• 18:43
  Speaker 1: I won't count you.
• 18:44
  Speaker 3: Just now find't see forever if I feed your was
• 18:48
  Speaker 3: about two three real hours, I refuse super.
• 18:52
  Speaker 4: Bad oh shights right in the doctor's night. I rise
• 18:57
  Speaker 4: up about about back.
• 18:59
  Speaker 1: You explain a little.
• 19:02
  Speaker 3: Con yep, don't way straight your hours. You're corrupt well
• 19:08
  Speaker 3: down a crown burny.
• 19:10
  Speaker 1: Down, what a life?
• 19:12
  Speaker 4: Your job les down as waiting under five bulls.
• 19:21
  Speaker 3: Scott black Chili raise, my walk can't.
• 19:26
  Speaker 2: Get plays.
• 19:29
  Speaker 4: Scott black Chili raise. I don't wanna got your dog.
• 20:09
  Speaker 3: No more shadows of doubts as well.
• 20:13
  Speaker 4: I am going for you from this throng, the.
• 20:16
  Speaker 3: Show, the true, the veil, the lies of doubts and
• 20:22
  Speaker 3: villy and it's.
• 20:24
  Speaker 1: Just south.
• 21:04
  Speaker 2: Your RETI words.
• 21:06
  Speaker 3: Mean not thing to me.
• 21:08
  Speaker 4: I'm the one I'm always to long way too well.
• 21:14
  Speaker 4: It's pay for their lives. Scott back Jimmy raise and
• 21:24
  Speaker 4: walk his brass. Scott back my Ray, I will jun
• 21:33
  Speaker 4: your jack Scott back gy Ray.
• 21:41
  Speaker 3: There's John Jepray.
• 21:45
  Speaker 4: John Bang
• 21:49
  Speaker 3: Always freight too well