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IT CAME FROM SCREAMBOX: Nekromantik! · WASD and Beyond

• 0:20
  My, my poor little brain tonight, boys.
• 0:24
  Our poor little, our poor little collective brains tonight.
• 0:29
  Oh man, you guys ready to hop, skip and jump into this one?
• 0:35
  You can tell we're all super pumped tonight.
• 0:39
  So welcome back to another episode of it came from
• 0:41
  Screambox. We Your house, Nick, Noah and
• 0:45
  Alex, and we are sponsored by Screambox.
• 0:48
  Thank you Screambox for supporting us and everyone
• 0:52
  should go subscribe to Screambox. 38 bucks a year gets
• 0:54
  you Screambox. Go watch all the movies on it,
• 0:57
  such as the one that we watched tonight.
• 1:02
  While you're at it, go check out the other shows WASD and beyond
• 1:04
  and roll for deception. All links down below
• 1:07
  emailswasdbyond@gmail.com. Let us know what you thought
• 1:11
  about the movie we discussed today and if you've watched it,
• 1:18
  if you've seen this, so you know it's a cult.
• 1:22
  This movie is a cult classic for all practical purposes.
• 1:25
  Like I know tons of people who have seen this movie tons of
• 1:30
  times. It doesn't this it's not helping
• 1:33
  your case. It's not this.
• 1:38
  Tell, tell the audience what you did to us tonight.
• 1:41
  We watched the 1988 cult classic German film Necromantic.
• 1:53
  I had not seen this movie since I was a teenager and I shouldn't
• 1:58
  have seen it as a teenager. I.
• 2:01
  Shouldn't have seen it as an adult.
• 2:03
  I think. I think because I've seen way
• 2:08
  worse than this, but I think as a teenager, I probably watch
• 2:12
  this and went, I don't need this in my brain and I need to absorb
• 2:16
  more of life. So I'm going to take this and
• 2:18
  throw it. And that's what I did because we
• 2:20
  win this movie. And I'm like, I don't remember
• 2:21
  this. I don't remember that.
• 2:22
  I don't remember it being like this.
• 2:27
  For what? This film is the one thing you
• 2:30
  can undeniably not take away from it is its use of sound and
• 2:38
  its effects, you know? Even the camera.
• 2:44
  Even some of the camera works. Really fucking shot.
• 2:46
  Well, yeah, you know, well, I'm going to Necromantic is a movie
• 2:53
  around a very sick man who works for a corpse disposal company
• 2:59
  and he is taking parts home, right, 'cause he has, he's a
• 3:04
  necrophiliac. The movie centers around that
• 3:07
  aspect of what he is, who he is in with his partner as well as
• 3:11
  his, his frow, you may say. And it just, it goes haywire
• 3:19
  there. If you cannot stomach any forms.
• 3:23
  I'm going to say right now any forms of animal abuse 'cause
• 3:27
  there's two instances of it. So right there, right then and
• 3:31
  there, full stop for you right it we, and I'll say it on the
• 3:35
  show, we skipped over those scenes 'cause I just will not
• 3:37
  watch them one. Of them is is is real as we
• 3:42
  learned, but it was it was not shot for this movie this
• 3:48
  existing footage that they that they used and the existing
• 3:52
  footage comes from a. Like a butcher.
• 3:57
  Yeah, like someone who farms those animals, which is.
• 4:01
  So there's at least some justification for that footage
• 4:04
  existing. Silver lining here.
• 4:06
  Yeah, yeah. We skip past it.
• 4:10
  So now you guys know there's a line, right?
• 4:13
  Like Cannibal Holocaust probably won't, probably won't get
• 4:15
  reviewed here because I don't want to watch a turtle get its
• 4:17
  shell ripped off its back. But this film though, it it it,
• 4:22
  it, this is all it is. If you're looking for a deep
• 4:25
  plot, which I guess if you really want to get into the
• 4:27
  psyche of the film. I've seen arguments about what
• 4:30
  this is. There is arguments about what
• 4:33
  this film is and what it is. And I'm going to make arguments
• 4:35
  for it later. I can't wait to hear this
• 4:39
  because to me it's like a poster of fermented illness is what
• 4:44
  this movie was a poster for. And I saw some article saying
• 4:48
  that it was like, you know, promoting safe sex.
• 4:54
  And I'm like, yeah, I, I don't see that, but yeah.
• 4:57
  That's from this at all. That's the movie and it does sit
• 5:00
  around 1 main corpse at one point and then the corpse gets
• 5:05
  taken from him because the his girlfriend leaves so that he has
• 5:10
  nothing. And let's dive into it boys,
• 5:14
  because that's all that really is that we will talk full bore
• 5:18
  about the end, though, at the end of this episode, we'll go
• 5:20
  into the the stabbing. So all right, who are we
• 5:24
  starting with? Who wants to talk first?
• 5:28
  There's not really much to fucking say dude.
• 5:31
  This is. A fuck.
• 5:33
  Like I thought like I was like shocking.
• 5:38
  Well, not Nick, but I thought I was like shocking Noah with dead
• 5:41
  girl and this the dead girl was like.
• 5:44
  A walk in the. Yeah, like, like they're like,
• 5:49
  like that was like an actual movie, Like this is not.
• 5:56
  This movie sometimes, sometimes movies come out that are like a
• 6:02
  movie will come out that is a film, or there'll be a movie
• 6:05
  that is a movie. This movie, they made it
• 6:08
  thinking it was a film, but this is like it.
• 6:12
  It misses the mark 'cause it's sniffing its own farts too much.
• 6:16
  Yes, yeah, it's very up its own ass.
• 6:18
  Art spots, yeah. And I'm, I'll get into my, my
• 6:22
  deeper meaning argument to this, but holy shit was this a rough
• 6:26
  watch. Like when like Dead Girl is the
• 6:31
  best comparison because it's the nearest subject matter and
• 6:35
  you're like, oh, that's going to be like really dark and
• 6:38
  horrible. But at least Dead Girl has a
• 6:41
  compelling story. Yeah, this.
• 6:45
  Yeah, I feel like this works as a silent film.
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  Like, as it is, there's only two or three conversations
• 6:53
  throughout the whole movie. Yeah.
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  And there's very little dialogue at all, but the and the music is
• 7:02
  really loud and overpowering. And I think that that when they
• 7:06
  made this, they might have intended for you to be able to
• 7:10
  watch this with no sound at all. Because a lot of the time you do
• 7:15
  see that when movies have like just really loud music, that is
• 7:18
  sort of an effect of like, you can't just have a movie be
• 7:21
  silent. It has to have something.
• 7:23
  But they're the intention I feel like is that you should be able
• 7:26
  to watch this with no sound and understand what's going on.
• 7:31
  Do you think it plays the movie's advantage though, with
• 7:33
  it, with that? Because I thought the music
• 7:35
  itself and the use of the sound they do utilize, I feel like it
• 7:41
  during the scenes where it's like, OK, we're dragging, but
• 7:44
  I'm listening to this music. I'm like, I'm almost, it's
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  almost playing a trick in my head going, I understand the
• 7:50
  drag here because this music is really kind of bolstering the
• 7:55
  scene and moving it along. And the the music is like, it's
• 8:00
  not what you expect to be hearing what it's playing.
• 8:03
  Like a lot of the time it's a pretty cheering, like cheery,
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  like it's in like a major key. It's this piano track that's
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  playing. And it's not like sinister or
• 8:14
  anything. Like my reading of that is that
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  like this is what is happening in the guy's mind.
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  Like he doesn't see what's obviously wrong with what he's
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  doing. Like they don't, they're so
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  broken mentally that they don't see the problem with this.
• 8:30
  And you're hearing like the music is a cue for that.
• 8:33
  It's. Romanticizing it.
• 8:35
  Exactly. Yeah, it's, it's making it like
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  nice. We know that it's not nice.
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  Because in his head, this is normal.
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  I mean, you see it with how he lives, right?
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  He's got the body parts very close to him.
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  His bed is made out of fences and like gate wire.
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  It's 2. Twins pushed together.
• 8:53
  Two twins, Yeah. I mean, yeah.
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  And there's like a trunk as his like, like it's a car trunk as
• 9:01
  his night stand. And then like I said, like the
• 9:04
  bathtub is just it's, he lives in a squalor.
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  He has a pillow made out of beer cans basically.
• 9:09
  Yeah, I mean, they're like this couple is like keeping a corpse
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  around. They hang it up on the wall like
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  it's a sweater. And collect it.
• 9:17
  Go on, Alex. Your average crust punk?
• 9:20
  Sorry. That is your average crust punk.
• 9:23
  They stick to anything. I don't need.
• 9:25
  To go yeah, it's better you don't anyways.
• 9:28
  Stupid joke. I've learned too many things
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  tonight as it is. I have to go to work tomorrow
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  and pretend like everything's fine.
• 9:37
  I the problem for me is I've seen worse.
• 9:41
  But there's just something about necromantic that never struck
• 9:44
  right with me. And like I said, I said it
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  multiple times. I was like, apologize.
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  I'm like, you know, I forgot all about this.
• 9:51
  We almost pulled the plug on this this movie tonight.
• 9:55
  Yeah. We saw it when the guy very
• 9:59
  obviously kills a real rabbit. You know, it's it's that
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  footage, like we said, that was already recorded.
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  So they didn't make it for the movie.
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  So we kind of let them off the hook.
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  We almost stopped right there. And then we almost stopped again
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  when there was a scene with a cat.
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  So pretty much as soon as you if you do want to watch this, first
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  of all, stop. Second of all, if you see the
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  cat skip forward like like. A 4 minutes, it's 4 minutes
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  that's. Egregious dude.
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  That's. That's.
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  He bathes with it. Yeah, it's not good.
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  It's not good. 'Cause he has a full mental,
• 10:35
  that scene is him having a like, he lost everything.
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  So like, he lost the corpse. Whoops, sorry guys.
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  He lost his girlfriend and then he brought her this thing, which
• 10:45
  was the cat. And he's like, well, and then he
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  freaks the fuck out. Yeah, first, the cat is not
• 10:51
  harmed. It's not a real cat.
• 10:52
  Yeah, that that one was not real, but we skipped it because
• 10:55
  I just 'cause this movie, literally, I have here in my
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  notes. Let me find it.
• 11:02
  I have here in my notes. Oh boy.
• 11:07
  I cannot wait while you're on for that.
• 11:09
  Yeah, go on, the man. The man walks in to the room
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  with a cat in a crate. You're on thin fucking ice,
• 11:14
  movie. Don't you dare.
• 11:16
  Noah did say that out loud and then I looked up and I'm like,
• 11:19
  OK, I could skip through this entire scene because it serves.
• 11:23
  It serves no plot. You're not missing anything.
• 11:25
  I cannot wait for like the hardcore horror nerds.
• 11:28
  They'd be like, oh, you guys didn't like Necromantic?
• 11:31
  No, not necessarily. No, it's OK not to like this
• 11:35
  movie. It's OK not to agree with this
• 11:37
  movie, but but I feel like back then in the 80s, movies like
• 11:47
  this were pushing, they were trying to push boundaries of
• 11:52
  what you can do in film. Do I like this movie?
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  No. Do I think it should exist?
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  Yes. Do I?
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  Do think I like this movie on a hot mic?
• 12:06
  I don't hate this movie, but I do think it should exist because
• 12:09
  movies like that, like this and Cannibal Holocaust and Salo and
• 12:14
  I Serbian Film does not need to exist.
• 12:17
  I don't care what anyone says. That's a fucking dog shit butt
• 12:19
  hole poo poo ass movie. Movie sucks, Serbian Film sucks.
• 12:23
  If you like the Serbian Film, you don't like fucking horror
• 12:25
  movies. What about August Underground?
• 12:29
  August Underground is sweet, but that's the pretend.
• 12:35
  Yeah, The thing is. It's it's it's.
• 12:39
  It's a pretend snuff film. It's just gore.
• 12:44
  Fucking Serbian Film focuses an entire scene on a certain thing
• 12:48
  that should not be discussed, and it's gross to be gross.
• 12:51
  August. August Underground is gross to
• 12:53
  be gross. But in a This guy's a stalker
• 12:55
  making snuff. It makes sense.
• 12:59
  Milo in that movie is just a porn star.
• 13:02
  Who? Whatever.
• 13:03
  Anyways, necromantic. Yes, Alex.
• 13:08
  Yeah. Well, we got actually, we got
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  what? Talk about what you thought of
• 13:13
  the movie. And then I want to go back to
• 13:14
  Noah because you have more stuff on the film.
• 13:16
  Just a list of words banned. Not bad.
• 13:22
  I don't know, dude, It's some of the shots.
• 13:26
  Like I can tell, like why you say it's significant on farts,
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  but some of the shots are like super done well and nice and the
• 13:34
  editing is really good. Like the whole him looking over
• 13:37
  to the corpse on the wall and it's not there, but you can see
• 13:40
  where the fucking stain was from all of its juices and it just
• 13:44
  cuts back and forth to where it was there.
• 13:46
  Like, that was kind of fucking dope.
• 13:49
  It was actually. When I say that the movie is
• 13:51
  sniffing its own farts, it's more in what they're trying to
• 13:55
  do. And I'll get to that in like
• 13:57
  when we kind of wrap this up. But it's it because it is shot
• 14:01
  well, The effects are really good.
• 14:02
  Like the prosthetics they use are really good.
• 14:07
  It's just more than the message. Wrap it up like the wooden stick
• 14:12
  stuck on the corpse. Fucking this movie features.
• 14:17
  Which have been recording during that because I was crashing out
• 14:20
  pretty hard. Dude I, I, I I almost started
• 14:23
  recording our reactions in stream labs while we were
• 14:26
  watching and I was like why? I need to just click play, I
• 14:29
  need to click record and I just didn't and I don't know why.
• 14:32
  I did gag. I can't lie.
• 14:34
  I did gag at one point. It was the sucking out the
• 14:39
  eyeball. There's you could you could see
• 14:42
  it go into as oh dude. There's pretty long scenes of
• 14:46
  sex in this movie involving. Extended I would say.
• 14:50
  Yes, extended scenes of sex involving this corpse that we we
• 14:56
  are discussing here and it's gross because it's this is like
• 15:01
  a not fully decomposed corpse. It is at the point of
• 15:06
  decomposure where the bones, like it's pretty much just a
• 15:11
  skeleton on the inside. Yeah.
• 15:13
  And it's. But it's Jelly on the out.
• 15:16
  It yeah, it's. Alex.
• 15:18
  It's like disintegrating. Oh dude, I got that.
• 15:22
  That's that's a clip right there, buddy.
• 15:25
  They fucking they're like. Fucked Noah's like oh I just
• 15:29
  what are we rapping? They're they're touching and
• 15:31
  caressing it and then they touch each other's fucking faces and
• 15:34
  kiss you, you fucking foul. I know these guys.
• 15:38
  These just getting a fucking UTI for sure, I guarantee it.
• 15:42
  No, there's a, there's a actual like disease of like people
• 15:45
  fucking corpses and it's bad. I think it just fairly off dude.
• 15:50
  Even Ed Geen didn't like it. He he just, he just collected an
• 15:55
  ate, that's right, not really even ate.
• 15:57
  He didn't really even eat it. He just had it.
• 16:00
  He just it was. Just there, great furniture.
• 16:02
  Well, yeah, I, I, yeah, like the, the effects are good, you
• 16:09
  know, but it's, it hurts the movie a little bit.
• 16:13
  The only thing that makes it watchable is that sometimes you
• 16:16
  look at a prop and you're like, that's like a rubber suit or
• 16:20
  that's like a rubber mask. And you're like, oh, that's
• 16:22
  sweet. It's just reminding you like,
• 16:25
  hey, you're not. This isn't real.
• 16:28
  I think that is the movie's way of saying we're not past the
• 16:32
  line here, guys, which is. Important.
• 16:36
  What happened to the the drunk dude sitting there playing with
• 16:40
  a gun and he shot the dude in the neck?
• 16:42
  Whatever. Nothing.
• 16:44
  I mean, I guess the situation is that he called.
• 16:47
  The company. The corpse disposal.
• 16:48
  Oh, the corpse disposal people, that OK?
• 16:51
  That's one of the reasons why I think this movie was meant to
• 16:53
  work with no dialogue because it's show because the main to
• 16:58
  the the main message of this movie is people being
• 17:02
  desensitized to violence. So it's kind of showing you like
• 17:07
  that this like this casual reaction to extreme violence is
• 17:13
  everywhere. And I figured that was just like
• 17:16
  a little vignette. Like it was like, here's another
• 17:19
  thing that just happened. And then it shows the thing with
• 17:21
  the movie theater or like everybody's reacting very calmly
• 17:26
  to this brutal attack that's happening.
• 17:29
  And then they're all like, they're all, like, getting off
• 17:32
  on it. Yeah.
• 17:33
  Like, it really excites them because they're so used to
• 17:36
  seeing, like, horrific stuff happen that it just completely
• 17:43
  flips, like, their brains, they're just completely broken.
• 17:47
  They can't even process what they're seeing anymore.
• 17:50
  And that's the thing that, like, people can relate to now,
• 17:54
  especially in this country where you see, like, horrific shit
• 17:57
  that you should never have to see.
• 17:58
  And it, it desensitizes you, but the movie I feel really misses
• 18:03
  the mark by going too far with it.
• 18:07
  Right, 'cause they enter a realm of like extreme depravity that
• 18:11
  it would take a lot more than just watching horror movies to
• 18:14
  get there. I feel like you can show extreme
• 18:19
  depravity, but you have to really, really home run the
• 18:24
  message. And here you're seeing scenes of
• 18:27
  extreme depravity, but it's focusing too much.
• 18:32
  Like there's that whole cemetery scene and it's like, OK, cool.
• 18:37
  Like we know that he can only get off to something dead in
• 18:41
  front of him. Basically.
• 18:42
  We understand that. We understood that with the
• 18:44
  corpse and his girlfriend. Well, that is a different, that
• 18:48
  is the the girlfriend after she leaves him, it's not the same.
• 18:53
  Yeah, that's the girlfriend. So that whole thing is like, she
• 18:59
  fetishized violence so much, and then that's what ended up
• 19:02
  killing her. I didn't see that at all.
• 19:07
  I. I I didn't notice that it was
• 19:09
  her. I thought that.
• 19:10
  Was a prostitute? No, that was a prostitute.
• 19:12
  That was a that. Was a prostitute.
• 19:13
  She had no idea who he was. Yeah, yeah, yeah, yeah 'cause
• 19:15
  the girlfriend. We'll get to that, but.
• 19:18
  He sorry he went to go pick up like a another prostitute and
• 19:22
  like she turned him down good. On her she was like Nope.
• 19:25
  Well, I'm not going to go back to find out.
• 19:28
  Rewatch No, yeah, no, it it swings and misses.
• 19:35
  This movie's an entire swing and miss minus a few cool things,
• 19:40
  but I think it should exist. Something like this I think
• 19:42
  should exist because it's it just it it just should think
• 19:48
  it's a fucked up movie. And now we've talked about on
• 19:52
  screen box. Uh huh.
• 19:55
  Now, I mean, like what you're saying like a yes, it should
• 19:58
  exist. Like horror movies are meant to
• 20:01
  push the bounds and make you feel uncomfortable.
• 20:03
  A lot of time horror movies have more of like a they might have
• 20:07
  like a profound message to them, but this one, like I said, it
• 20:09
  just, it just went too far with it.
• 20:12
  Like at that point, there's no message that you're going to
• 20:15
  pass on from a story like that. There's no What do you got to
• 20:21
  say here, Alex? It's too extreme.
• 20:23
  Because they have a vinyl of the music.
• 20:27
  That's crazy. So it wouldn't be something I
• 20:29
  wouldn't not want to have. If you walk into someone's house
• 20:33
  and you hear this music, leave immediately.
• 20:36
  And call the police. Hey, I think, I think.
• 20:39
  My call the military if you can, honestly.
• 20:42
  He's unstoppable. Let's cap off the actual movie
• 20:47
  and then go into our review. The movie ends with our main
• 20:52
  character committing suicide, so also if you can't stomach stuff
• 20:58
  like that, this is not your movie.
• 20:59
  If if if everything else was fine and suicide is like where
• 21:03
  you draw the line, this is a pretty fucking wild suicide.
• 21:06
  Honestly, if you make it that far in the movie.
• 21:11
  That was so sleepy. Now he's like, I'm just tired
• 21:13
  from being so angry at this thing.
• 21:14
  It just took me out. He he stabbed himself in the gut
• 21:21
  after struggling for a while and.
• 21:27
  Well, what Nick? Our boys got a honker because he
• 21:31
  is fully erect and he is. He is eoculating everywhere.
• 21:38
  These are what a prop that was. It didn't even match the skin
• 21:42
  tone. It's a little bit goofy and it
• 21:46
  is like the extreme culmination of his like fascination and
• 21:53
  fetish with death is that death is like the ultimate experience,
• 22:00
  so to speak for him, which it's it's crazy.
• 22:04
  But I mean, he I, I thought it was pretty goofy, but I see what
• 22:08
  they were going for. It goes on for too long, like
• 22:11
  most things in this movie. Well, he was.
• 22:13
  He was coming a lot. And then he came Blood.
• 22:17
  Alex was waiting for that line. We're Cannibal.
• 22:21
  We're Cannibal Corpse fans, dudes.
• 22:24
  Campbell Corpse. Good band.
• 22:27
  I'm a lady. Sit in this this silence for a
• 22:29
  while. I have during movie.
• 22:33
  I apologized and I was told promptly, don't apologize.
• 22:37
  It's all right, it's all right. Shut up.
• 22:39
  Stop. Apologize.
• 22:41
  Who knows? I mean, we, I felt this way
• 22:43
  about Dead Girl, where I was like, what are we even going to
• 22:45
  say? And that's like one of our best
• 22:47
  episodes. Because these movies don't, even
• 22:52
  if it's not something you agree with or if it's not something
• 22:55
  you enjoyed, it still does its job.
• 22:57
  It makes you fucking feel something.
• 22:59
  It makes you go, what the fuck? And it makes you think, right?
• 23:04
  Because the biggest thing about this is there are people out
• 23:06
  there like this. This is this is a far fetched
• 23:09
  example of it, but there are people who fucking this is their
• 23:15
  lives, which is fucking wild to think about, right?
• 23:19
  Like, you know, I don't want to Jack off to a dead person, but
• 23:26
  somebody might. I'm going to kink shame you
• 23:31
  though, if that's what you want to do.
• 23:33
  There you go. Put a number.
• 23:35
  You have to kink shame them. You have to bully them, bully it
• 23:37
  out of them. Bring bullying back to
• 23:42
  necrophiliacs. Stop with your hands boys.
• 23:50
  I know I did a bad I didn't. I didn't see this movie since I
• 23:54
  was like 14 years old and I don't even know how I saw this
• 23:57
  movie. I don't remember how I saw.
• 24:01
  It what? What rating did it give it?
• 24:04
  .5 dude it's it stays on the board because of the effects and
• 24:13
  the music. Yeah, OK.
• 24:18
  Go ahead, Noah. One out of five good effects.
• 24:21
  Don't watch this, don't don't recommend you watch this.
• 24:24
  I think what they're the message they're going for.
• 24:28
  I see what they're trying to do, but they missed the marks so
• 24:31
  hard and for way too long. And but yeah, good.
• 24:37
  Some good prosthetics, some good effects, but one out of five.
• 24:42
  Where's my wedding going on to have a little hand hug for
• 24:46
  myself because I feel bad? Go on, Alex.
• 24:49
  I was going to give it a two. I'm going to give it a 2.
• 24:52
  All. Right, I had that.
• 24:54
  Prior I. Don't want to go too low, but
• 24:57
  low. All right, why A2?
• 25:01
  Why A2? Because it's really not that bad
• 25:03
  if you can get past the animal parts, which like animal death
• 25:08
  and horror is a thing, should be a thing.
• 25:11
  Because horror is meant to make you feel uncomfortable and not
• 25:14
  safe. Yeah.
• 25:17
  But keep the real animals out of it.
• 25:19
  Other than that. Yeah.
• 25:22
  I will. I'll renege.
• 25:26
  It'll get a one because I think it does do its job.
• 25:31
  It does its job of being provocative.
• 25:35
  We're talking about it, aren't we?
• 25:36
  Yeah, dude, I mean, as Alex said right there, this is not the
• 25:41
  worst thing I've ever seen in my life, dude.
• 25:44
  This is nothing compared to some of the other films I've seen.
• 25:47
  But it's the way in which it's done where it's like it becomes
• 25:51
  not tasteful at all. And you're like, dude, just it's
• 25:54
  just dragging and too long. Kind of like this episode right
• 25:58
  now because. We like if you when you see the
• 26:01
  the rabbit thing and that's looks and that is real and then
• 26:06
  you see like a cat show up. Puts you in.
• 26:08
  A. You should be forgiven for
• 26:09
  thinking that they might actually, yeah, do it again.
• 26:14
  It will put you in a mood at that point.
• 26:17
  Which thing? That's again.
• 26:19
  That's it does it's. Point of That's the whole point
• 26:21
  of horror. Yeah, so if you.
• 26:25
  If you watch this by yourself and you enjoy it, I am judging
• 26:29
  you. This is a movie you watch with
• 26:31
  your friends and just squirm and giggle 'cause you don't know how
• 26:35
  else to react. We did it Noah, before we before
• 26:43
  we sign off. Where was it banned?
• 26:45
  This movie is banned currently in Iceland, Malaysia, Singapore,
• 26:50
  Nova Scotia on and Ontario, Finland, New Zealand and it was
• 26:54
  banned in Great Britain until 2018 when it was released with a
• 26:59
  their equivalent of like an like an R rating.
• 27:02
  This is just an R rated movie over there.
• 27:04
  I thought this was like an NC 17 movie over here.
• 27:08
  NC 17 would be less than R, right?
• 27:13
  NC 17 Trump's RI Know it sounds weird.
• 27:18
  I don't know. I know in in Great Britain it it
• 27:20
  says it has a. It it has like a it says an 18
• 27:36
  certificate which is their version of R rating I think.
• 27:40
  OK, they probably, Yeah, well, you know, watch this at your own
• 27:45
  risk. Don't watch it.
• 27:47
  You're not missing much here. And let's just remake
• 27:49
  eventually. We'll see what happens if that
• 27:50
  ever happens. No, no.
• 27:53
  No, we won't. No, because they're going to.
• 27:55
  They're going to fuck it up. They either go too soft or like
• 27:58
  way too fucking hard and be like anyways.
• 28:02
  Yeah. You boys ready to wrap it up?
• 28:05
  Put the put the squishy little bow on top of this movie.
• 28:07
  One out of five. One out of five.
• 28:11
  Those. Those out of five.
• 28:13
  All right. Cool.
• 28:15
  All right, thank you all for checking out this episode.
• 28:19
  It came from screen box. We hope you enjoyed it.
• 28:22
  We have, let's see, we have this episode coming out and then
• 28:26
  we're going to, we'll probably record before we go to the
• 28:30
  Frogman Festival because we're going to that in a couple weeks.
• 28:33
  Yep. So if you're going to be in
• 28:35
  Loveland, OH for that, come say hi.
• 28:38
  And then there'll be two more episodes before that.
• 28:42
  Yes, one that we're waiting to announce.
• 28:47
  Yeah, that's that's going to be after I thought, oh it.
• 28:52
  Is going to be after, isn't it? Yeah.
• 28:54
  Yeah, OK, cool. You'll you'll hear about it.
• 28:56
  Yeah, so you'll be there. You'll hear about it.
• 28:58
  So we got a couple episodes coming out still.
• 29:00
  But then like I said, if you're in Loveland, OH for the Frogman
• 29:02
  festival, you want to come say hi to us?
• 29:04
  Please do. We'd love to meet you guys,
• 29:06
  whoever you may be listening. Check out the sponsors down
• 29:09
  below, screen box, final boss, stock longing.
• 29:11
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• 29:13
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• 29:17
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• 29:21
  and the other shows, give it a like, subscribe, follow.
• 29:24
  It helps us bro. But until next week guys, take
• 29:26
  it easy and be safe and don't watch this.
• 29:29
  Movie, no point. I just want to talk screen box
• 29:32
  just real quick. We're not mad, we're just
• 29:36
  disappointed. Yeah.
• 29:38
  Yeah.