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120: Top War Movies | #TheBaldBrothersPodcast · The Bald Brothers Podcast

• 0:00
  Speaker 1: What up, y'all before you watch another episode of The
• 0:02
  Speaker 1: Boar Brothers, wanna let you know that we're about to
• 0:05
  Speaker 1: go on tour, okay next month, get your tickets now,
• 0:10
  Speaker 1: it's a good time. You're gonna laugh. You might pee,
• 0:13
  Speaker 1: you might fire, you might get back with your baby mama,
• 0:16
  Speaker 1: your baby dad. You might be so happy, you're like, man,
• 0:19
  Speaker 1: let that nigga come back in my line, Come pick
• 0:21
  Speaker 1: up your son, come pick up your daughter. All right,
• 0:24
  Speaker 1: that could happen. It could happen.
• 0:27
  Speaker 2: They'd be hit me with that. Tell about it. I
• 0:31
  Speaker 2: am you man.
• 0:32
  Speaker 1: Yeah, all right, anyway, man, we actually the men. We
• 0:35
  Speaker 1: deale with this. But we talk about men movies. We
• 0:37
  Speaker 1: talked about war movies. Top ten war movies before we
• 0:40
  Speaker 1: get into that. The reason we talk about this. I
• 0:42
  Speaker 1: watched Warfare on the plane and then I immediately hit tony.
• 0:47
  Speaker 1: Y'all don't know if y'all ain't seen this spoiler alert.
• 0:50
  Speaker 1: Warfare ain't no traditional war movie, ain't no love story.
• 0:55
  Speaker 1: There's not even a woman that appears in this movie.
• 0:57
  Speaker 1: That's not Oh no, this one.
• 0:59
  Speaker 3: In the family.
• 1:00
  Speaker 1: Yeah, but uh, this is warfare.
• 1:04
  Speaker 3: Niggas around guns, niggas go on a mission.
• 1:09
  Speaker 1: Mission goes bad. Niggas get blown up, barely escape the end.
• 1:15
  Speaker 2: That's it.
• 1:16
  Speaker 1: Ain't no pearl harbor b story, Ain't no love interest,
• 1:20
  Speaker 1: ain't no happy ending, ain't no glory. It's just and
• 1:25
  Speaker 1: they don't even bear. They do not win this scenario.
• 1:29
  Speaker 2: They scrape it out, They get their asses handed to them,
• 1:34
  Speaker 2: and they scramble up out of there. And I love
• 1:38
  Speaker 2: roll credit man, show show the real soldiers.
• 1:42
  Speaker 1: Roll credit by. They don't come back for no retribution. No,
• 1:49
  Speaker 1: these people are killing y'all.
• 1:51
  Speaker 2: We're giving you a little slice of war life. That's it.
• 1:55
  Speaker 1: One day more than nothing I said I had for
• 1:59
  Speaker 1: I didn't know. I just saw because Tony had made
• 2:02
  Speaker 1: a thing about it. And then it was available for
• 2:04
  Speaker 1: download three minutes after air theaters. I was like, great,
• 2:08
  Speaker 1: even wait a second, I was about to be on
• 2:11
  Speaker 1: a plane ride.
• 2:12
  Speaker 3: I was like, you know, I love a good war movie.
• 2:14
  Speaker 3: I'm all in.
• 2:15
  Speaker 1: I had gotten condition to the Hollywood version of war
• 2:18
  Speaker 1: movies where they gonna put that the slow motion.
• 2:27
  Speaker 2: Nam man man.
• 2:28
  Speaker 1: Blown up exposed organ pain, pain for like fifteen minutes
• 2:36
  Speaker 1: of screaming.
• 2:39
  Speaker 3: Morphye.
• 2:40
  Speaker 2: Yes.
• 2:40
  Speaker 1: The craziest thing about this movie the dude spoiler alert
• 2:44
  Speaker 1: spoiler alert. The dude is trying to give his homeboy
• 2:48
  Speaker 1: the morphine shot. He's never done.
• 2:50
  Speaker 2: It, never done it.
• 2:51
  Speaker 1: He goes to stab him. He's got the thing upside down.
• 2:55
  Speaker 1: He shoots morphine into his own thumb and he's like,
• 3:00
  Speaker 1: dude's like what what? He was like, I shot my
• 3:03
  Speaker 1: own thumb. Yes, because y'all are terrified. Dude's tripping. I
• 3:10
  Speaker 1: thought you got shot. He's like, no, man, I just
• 3:12
  Speaker 1: tripped because yes, people are shooting at you. You think
• 3:15
  Speaker 1: everybody's running good you I tripped, fully alive.
• 3:21
  Speaker 2: No gun I be. I can't get on the battlefield
• 3:28
  Speaker 2: like they gon't care. Yeah, he just I just fell
• 3:31
  Speaker 2: over the bushes to we thought you were dead man.
• 3:36
  Speaker 1: And then the main dude Will Palter shots so Will palterr.
• 3:39
  Speaker 3: I hain't seen him.
• 3:40
  Speaker 1: Like that character from that movie with Jason Sadakis is gone.
• 3:43
  Speaker 3: That little girl.
• 3:44
  Speaker 2: Yeah, Meet the Millers, Meet the Millers.
• 3:46
  Speaker 1: He was, yeah, he kind of but he played a
• 3:52
  Speaker 1: little bit into it. But but but in this movie,
• 3:56
  Speaker 1: and he's the leader, the troop leader, and he gets
• 3:59
  Speaker 1: like kind of not shell shocked, but like kind of stunt.
• 4:03
  Speaker 2: Because he couldn't get his feet.
• 4:04
  Speaker 3: He couldn't get his feet together for like thirty minutes.
• 4:06
  Speaker 3: It was like, all right, so.
• 4:09
  Speaker 1: Yeah, what we're gonna do is h and you got
• 4:12
  Speaker 1: the ringing in his ears, his voice is all messed up.
• 4:16
  Speaker 3: The cavalry comes barely and he's like, hey, man, take.
• 4:20
  Speaker 2: Over, takeover, man, take take point. I'm all I ain't
• 4:23
  Speaker 2: got it.
• 4:23
  Speaker 3: I'm all over the place.
• 4:24
  Speaker 2: I fucked up. That's what he said. I'm fucked up,
• 4:28
  Speaker 2: all right. That's real, man, that's real. You gotta humble
• 4:32
  Speaker 2: yourself because you can get people killed if you have
• 4:35
  Speaker 2: and you're still trying to, you know, distribute stuff.
• 4:38
  Speaker 1: Yeah, man, very hard. Watch it's the war it's about
• 4:42
  Speaker 1: like they don't specify, but it's like the war in Afghanistan, Iraq.
• 4:46
  Speaker 1: I think it was there in Iraq. It's just like
• 4:49
  Speaker 1: these groups are doing a mission. It's not really clear.
• 4:53
  Speaker 1: It's not like behind him an enemy lines. We're like
• 4:55
  Speaker 1: Germany nineteen forty. It's like two thousand and six. You
• 4:59
  Speaker 1: don't really know what their mission was.
• 5:01
  Speaker 3: No, they're just.
• 5:03
  Speaker 1: Like we're in this house and the people, the people
• 5:06
  Speaker 1: are just at home sleep and the Americans are like, nigga,
• 5:10
  Speaker 1: we in here.
• 5:11
  Speaker 2: Coming up in your crib. We're doing this, we tearing
• 5:14
  Speaker 2: your house opens in the walls.
• 5:17
  Speaker 1: And then we're bloody and we just in the court
• 5:19
  Speaker 1: came in through the wall, busted down with a sledgehammer.
• 5:24
  Speaker 3: That's crazy.
• 5:25
  Speaker 1: And then when the movie ends, the Americans hop into
• 5:27
  Speaker 1: some tanks to leave, and then all the assailants just
• 5:31
  Speaker 1: come outside like.
• 5:32
  Speaker 2: Real track suits. AK forty seven Home. The family comes out,
• 5:37
  Speaker 2: blood on their floor, hosing they walls, just like.
• 5:41
  Speaker 1: Roll credits Warfare. Also, this man really lost his legs
• 5:45
  Speaker 1: and he can't talk now. And these guys faces are
• 5:48
  Speaker 1: blurry because they don't want to be in the movie.
• 5:51
  Speaker 3: That's it.
• 5:52
  Speaker 1: Massive, al this slice of mission was in l Nothing
• 5:57
  Speaker 1: was gained, only lock people died, people were maimed.
• 6:02
  Speaker 2: Movies over movies done. And I felt like they had
• 6:06
  Speaker 2: no political agenda either. They were just like this, this
• 6:12
  Speaker 2: is what happened.
• 6:13
  Speaker 1: There's no winners in war. It was crazy. But anyway,
• 6:16
  Speaker 1: Top ten war movies. I think I'm going.
• 6:20
  Speaker 2: First, Okay, I already saving of course, Private, of course, Ryan,
• 6:26
  Speaker 2: of course, love it perfect, great, Tom Hanks, yes.
• 6:35
  Speaker 1: Tom Size more, yes, rest in peace, Tom Size.
• 6:38
  Speaker 2: I was thinking about him yesterday.
• 6:40
  Speaker 3: Yesterday. But a couple of weeks ago.
• 6:42
  Speaker 2: I just was like, man, I liked him and stuff.
• 6:44
  Speaker 1: He was good in any of the state, was good
• 6:46
  Speaker 1: and save priablely, Ryan Vin Diesels in there, Jim Vonnie
• 6:49
  Speaker 1: Webc's in there, Barry Pepper's in.
• 6:51
  Speaker 2: There, Barry Peppers in there.
• 6:54
  Speaker 1: Tom Hanks one of my favorite roles, aiming in there,
• 6:57
  Speaker 1: young man. That story he tells about his brothers the
• 7:00
  Speaker 1: last night before they left the war. Man, that just
• 7:02
  Speaker 1: good acting, bro, he just was I couldn't tell that
• 7:06
  Speaker 1: story is real. He's real, the brothers are real. Everything's real.
• 7:10
  Speaker 1: You can't make me believe that's not real.
• 7:17
  Speaker 2: That's how you get the best stuff. I mean.
• 7:20
  Speaker 1: See The farm House. Also, the first thirty minutes of
• 7:25
  Speaker 1: that movie, utter freaking chaos.
• 7:30
  Speaker 3: When that dude's arm gets blown off and he's.
• 7:32
  Speaker 2: Just looking for it casually.
• 7:37
  Speaker 3: I was like, yo, and you just a sheer amount
• 7:40
  Speaker 3: of death.
• 7:40
  Speaker 2: Oh my god.
• 7:41
  Speaker 1: It was like, man, I just you know how scared
• 7:44
  Speaker 1: you would be?
• 7:44
  Speaker 2: Told so as soon as soon as the thing opened
• 7:49
  Speaker 2: on the boat, they was getting lit up right then
• 7:52
  Speaker 2: and there, right then and there, You're like, I don't
• 7:56
  Speaker 2: know what I would do.
• 7:57
  Speaker 1: This helmet's blown off, dude gets him blown off, looks
• 8:01
  Speaker 1: at it, shot in it death, they.
• 8:04
  Speaker 2: Throw the water, getting hit the water. It was just.
• 8:07
  Speaker 1: That'spen the warfare. The dude threw the grenade in the
• 8:10
  Speaker 1: house and they never recovered. But they're jumping in the water.
• 8:13
  Speaker 3: They died.
• 8:13
  Speaker 1: All the waters have flown up to the thing.
• 8:16
  Speaker 3: Thousands of people dying. God, yeah, crazy, But.
• 8:20
  Speaker 2: I've never seen warfare. Its showed like that in movies
• 8:23
  Speaker 2: at that time.
• 8:24
  Speaker 3: Yeah, it was on a mask.
• 8:25
  Speaker 2: Saving changed the game after that because I noticed they
• 8:29
  Speaker 2: was getting more gritty after that.
• 8:30
  Speaker 1: And I loved that, like every choice they made cost
• 8:36
  Speaker 1: them lives, every decision. You got to do this, dad,
• 8:41
  Speaker 1: We gotta protect this machine gun, Dad, we gotta go
• 8:44
  Speaker 1: on this out. And then the dude who was scared Chauncey.
• 8:47
  Speaker 2: Yes, oh oh man, because I'm trying to think of
• 8:50
  Speaker 2: the actor's name, because.
• 8:53
  Speaker 1: Me and my brother and my cousin called people Chanceys
• 8:55
  Speaker 1: for that ever since his name was Chauncey, we called him.
• 8:58
  Speaker 2: I don't know what that's saying till this day. Pissed
• 9:01
  Speaker 2: me off when he just couldn't even lend the hands
• 9:04
  Speaker 2: when Goldberg something Goldberg was fighting for his life.
• 9:09
  Speaker 3: Yeah, from New York.
• 9:11
  Speaker 2: He's in a Fargo. He was in the Fargo series
• 9:13
  Speaker 2: in season one.
• 9:14
  Speaker 3: I just seen the image of that. I haven't seen.
• 9:16
  Speaker 2: Yeah, Adam Goldber, he didn't.
• 9:20
  Speaker 3: He couldn't bring the weapon.
• 9:21
  Speaker 2: Who was the actor that played his last name? Wasn't
• 9:25
  Speaker 2: up him? Was it Jeremy Davies? Goddamn?
• 9:30
  Speaker 3: Because the other guy was up him?
• 9:32
  Speaker 2: Yeah? Help him?
• 9:34
  Speaker 1: Oh no, you can now you now, now you can kill.
• 9:38
  Speaker 1: But when the dude is getting his heart stabbed through.
• 9:41
  Speaker 2: Even if you're uncomfortable killing somebody, listen, I've never been
• 9:44
  Speaker 2: in that situation, you know, but I would at least
• 9:47
  Speaker 2: hope that I was just go in there and just
• 9:50
  Speaker 2: shove the German dude. That's all you had to do,
• 9:54
  Speaker 2: was just get you give your man a chance, do something. Man.
• 9:58
  Speaker 2: You just let him slow. You had plenty of time.
• 10:02
  Speaker 2: He could have just went in there like, hey, get get.
• 10:05
  Speaker 3: Off of anything.
• 10:06
  Speaker 1: He just was on the stair with all the bullets
• 10:09
  Speaker 1: and they're running out of AMMO and done, dog, you
• 10:12
  Speaker 1: bringing no value, better off not having you at all.
• 10:14
  Speaker 1: Shut down Tom Hanks and they're about to kill each
• 10:18
  Speaker 1: other and he's like, I'm an English teacher, guys.
• 10:21
  Speaker 2: Yeah, he just came in out of nowhere English.
• 10:25
  Speaker 1: At that moment I knew he wasn't gonna go home,
• 10:27
  Speaker 1: by the way, Yeah, the moment he said that when
• 10:29
  Speaker 1: you talk about home, you're done. Don't you worry about it.
• 10:32
  Speaker 2: You're done.
• 10:32
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• 10:33
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• 10:38
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  Speaker 2: back to the Ball Brothers. The only survivor what besides
• 12:55
  Speaker 2: upp them do Ed Burns. He was from Brooklyn, That's
• 12:58
  Speaker 2: all I knew about.
• 13:00
  Speaker 3: He survived.
• 13:01
  Speaker 2: He survived, so him upp them in Matt Damon. Yep,
• 13:06
  Speaker 2: that's it. But I didn't know nothing about him.
• 13:09
  Speaker 3: I just knew Brooklyn. Tom Hanks are shooting the tank.
• 13:12
  Speaker 2: Yeah, yep, saving Private ryand is so good.
• 13:17
  Speaker 1: I still watched that movie. That was gonna be all
• 13:18
  Speaker 1: my lesser movies. I seen the most part of the way.
• 13:20
  Speaker 1: Oh yeah, all right, you're up.
• 13:22
  Speaker 2: All right, so war movies, I'm gonna go with through Platoon.
• 13:28
  Speaker 3: I'm platoon.
• 13:29
  Speaker 2: Yeah that was That was a good ass time right there. Man. Yeah,
• 13:33
  Speaker 2: I remember I had no interest in seeing it, and
• 13:35
  Speaker 2: then when I watched it, I was like, Yo, this
• 13:37
  Speaker 2: is as good as hell you talk about like it's
• 13:39
  Speaker 2: the opposite of the warfare. We're getting were getting character development,
• 13:43
  Speaker 2: We're getting them fighting for the soul of Charlie Sheen's
• 13:47
  Speaker 2: character pretty much. You got William Dafoe's character, you got
• 13:51
  Speaker 2: Tom Barringer's character pretty much representing two different sides of
• 13:54
  Speaker 2: a coin, and the ensemble reading this of it on
• 14:01
  Speaker 2: Big Grit, Big Grit Man, Platoon. The music, Yeah, Willem
• 14:05
  Speaker 2: Defoe and Tom Berenger, they were fantastic in this movie.
• 14:09
  Speaker 1: It's a classic too of movies, not just war movies.
• 14:12
  Speaker 1: It always gets mentioned. It great five all time.
• 14:15
  Speaker 2: So Platoon, I got it on the list for show.
• 14:17
  Speaker 3: I'm gonna go more recent nineteen seventeen.
• 14:20
  Speaker 1: Okay, I love nineteen seven about that movie and some yeah, one.
• 14:24
  Speaker 2: One one, the one shot man one shot. Yeah, that
• 14:29
  Speaker 2: but that pulled back.
• 14:30
  Speaker 1: When he's running and they're all going and he trips.
• 14:33
  Speaker 1: Apparently that wasn't even bland. Keep it going, man, it
• 14:37
  Speaker 1: was good.
• 14:39
  Speaker 2: It was good, well made, well made.
• 14:42
  Speaker 1: Behind nineteen seventeen, great scale. Yeah, and uh and usually
• 14:50
  Speaker 1: there's not as many movies on the First World War.
• 14:53
  Speaker 2: Yeah, they always go to two in Vietnam. Yeah, plenty always,
• 14:58
  Speaker 2: but one let me be like, man, watch one of two.
• 15:01
  Speaker 2: Just they're the same one.
• 15:04
  Speaker 1: Ain't really got nothing going on, not going on in two.
• 15:07
  Speaker 1: But as far as one goes, there's not as much.
• 15:10
  Speaker 1: But that was that was good.
• 15:12
  Speaker 2: I'm gonna go with black Hawk. Damn whoa. Yeah, this
• 15:16
  Speaker 2: movie was intense. This movie had me sweating man. Man,
• 15:21
  Speaker 2: it was just going down left and right. It was wild,
• 15:24
  Speaker 2: it was gritty, it was it was just crazy. I
• 15:28
  Speaker 2: was just like, yo, this is insane.
• 15:31
  Speaker 3: That's another movie. If you're like, what do you do?
• 15:33
  Speaker 2: What are you doing this?
• 15:34
  Speaker 3: What's closing in on you?
• 15:36
  Speaker 2: My god?
• 15:36
  Speaker 1: What do you do?
• 15:37
  Speaker 2: They running up with the sweatsuit with the suits, and
• 15:43
  Speaker 2: then like, I take you out.
• 15:45
  Speaker 1: I live here, bro, like y'all just here. If I die,
• 15:49
  Speaker 1: I gotta pretend like that's like people fighting in your neighborhood.
• 15:53
  Speaker 1: I'm trying to kill y'all because I got nowhere else
• 15:55
  Speaker 1: to go.
• 15:55
  Speaker 2: Right, this is home.
• 15:56
  Speaker 1: This is my house. My wife and kids is in here.
• 15:59
  Speaker 1: But I gotta kill y'all.
• 16:00
  Speaker 3: Yeah they know.
• 16:01
  Speaker 1: Ain't know when we got to kill y'all. You and
• 16:03
  Speaker 1: with every death of mine, you create another soldier. You
• 16:05
  Speaker 1: kill me Jojo who more weren't soldiers are now soldiers.
• 16:08
  Speaker 1: He's in he ain't he ain't he's up.
• 16:10
  Speaker 2: Now.
• 16:10
  Speaker 3: You don't kill CAV.
• 16:12
  Speaker 1: He's an attack dog.
• 16:13
  Speaker 2: I ain't know he did yeh, you're doing that.
• 16:15
  Speaker 1: He't got no human eyes now man now but yeah,
• 16:19
  Speaker 1: black black now intense. I'm gonna go recent again. All
• 16:24
  Speaker 1: quiet on the Western Front, so Netflix warm.
• 16:27
  Speaker 2: I haven't seen them. Oh, I haven't seen this. That
• 16:32
  Speaker 2: war War one again.
• 16:33
  Speaker 1: It is, Yeah, nineteen fourteen's on the other side. You
• 16:38
  Speaker 1: rarely get to see war movies from the other people's side.
• 16:43
  Speaker 1: This is the German side, This is the German side. Yeah, yeah,
• 16:49
  Speaker 1: nineteen fourteen. Paul and his classmates theydn't listened to the
• 16:51
  Speaker 1: army to serve the fatherland, I said, because the war
• 16:54
  Speaker 1: movies is always from the American always right.
• 16:56
  Speaker 3: All quite on the Western Front from the German point,
• 16:58
  Speaker 3: don't you have to check that out?
• 17:00
  Speaker 1: Yeah? And it was like part of German I know,
• 17:02
  Speaker 1: one part I'm saying, Ye, see what y'all people was doing. Yeah,
• 17:04
  Speaker 1: I wanted to see what was going on back the
• 17:06
  Speaker 1: World War.
• 17:07
  Speaker 2: Why not even be in there.
• 17:10
  Speaker 1: I loved it because it was like, you can't escape.
• 17:14
  Speaker 3: All your friends is joining. Same thing on the American side,
• 17:17
  Speaker 3: your friends is joined.
• 17:18
  Speaker 1: And then of them on the Nazi side, they was
• 17:20
  Speaker 1: actually trying to leave and they was like we'll kill you.
• 17:23
  Speaker 2: Were they Nazis? Then?
• 17:25
  Speaker 3: No?
• 17:25
  Speaker 1: No, Well, I guess the German side. I'm saying, you're right.
• 17:27
  Speaker 1: Technically they became the people who became Nazis. But on
• 17:31
  Speaker 1: the German side, they're like, I'm quitting, like we're losing
• 17:34
  Speaker 1: the war. I'm trying to leave, and they're like, we'll
• 17:35
  Speaker 1: shoot you to death right now.
• 17:37
  Speaker 2: They have no choice.
• 17:38
  Speaker 1: Bro, you you you're going, You're going. I will kill you.
• 17:42
  Speaker 1: The military will kill you. And it was killing people.
• 17:45
  Speaker 1: She's like, I'm finna go. And he had the same thought.
• 17:47
  Speaker 1: He runs, pow. You know what I was.
• 17:51
  Speaker 3: I love war.
• 17:52
  Speaker 1: I like war now. It was I had never seen
• 17:56
  Speaker 1: it from the other point. It's always the American side
• 17:59
  Speaker 1: never seen it. And I think that was smarter to
• 18:01
  Speaker 1: do in the First World War in the second because
• 18:02
  Speaker 1: he ain't really trying to see.
• 18:03
  Speaker 2: What you second time. We don't want to hear nothing
• 18:05
  Speaker 2: you're talking about.
• 18:06
  Speaker 3: I ain't trying to hear nothing you talk about.
• 18:07
  Speaker 2: We don't want to hear nothing about that first time.
• 18:10
  Speaker 2: That's what makes that war so fascinating because it was
• 18:12
  Speaker 2: clear cut villainy.
• 18:15
  Speaker 3: Yes.
• 18:16
  Speaker 2: In World War Two, yes on the German tip, on
• 18:18
  Speaker 2: the German tip. Japan, it gets a little slipper.
• 18:22
  Speaker 1: We ain't know what that was going on. But also
• 18:24
  Speaker 1: nineteenth the l Germany took from the First World.
• 18:27
  Speaker 2: War was that's why they was able to do it.
• 18:30
  Speaker 3: You see what they did.
• 18:31
  Speaker 1: Everybody hates us, now, how about not no more? It
• 18:34
  Speaker 1: was like, yeah, man, people start picking up stuff for Germany.
• 18:40
  Speaker 2: Because they got their asses kicked and the man shamed
• 18:43
  Speaker 2: for it. Absolutely all right, I'm gonna go with full
• 18:46
  Speaker 2: Metal Jacket. That was one that was full metal Jacket, man, Harley,
• 18:53
  Speaker 2: because that's when we really dug into because the whole
• 18:56
  Speaker 2: thing about full Metal Jacket is it's the bloot camp process. Yes,
• 19:02
  Speaker 2: the drill sergeant versus the unstable, you know what I say.
• 19:07
  Speaker 2: Vincent d Offering always fumbled his las. Vincent, that's him,
• 19:15
  Speaker 2: That's what That's what catapulted him into Regulus.
• 19:20
  Speaker 1: He must like the punisher in there, like the way
• 19:22
  Speaker 1: his eyes were when he lost it finally.
• 19:25
  Speaker 3: Oh yeah, not early, but towards the end.
• 19:28
  Speaker 1: Yeah, that's the punisher because he's a perfect casting for
• 19:31
  Speaker 1: the punisher.
• 19:32
  Speaker 2: You mean king Pin or k oh Yeah, yeah.
• 19:34
  Speaker 1: I said the punch.
• 19:35
  Speaker 2: I meant k right man. But that that movie right there, man,
• 19:39
  Speaker 2: Stanley Kubrick.
• 19:40
  Speaker 3: Sanley Kubrick, Yeah, man, everybody loves him.
• 19:43
  Speaker 2: They be loving him, but I don't love him all.
• 19:45
  Speaker 1: Do you see when they asked Jael his favorite standley
• 19:47
  Speaker 1: Korean movies and he was like.
• 19:49
  Speaker 2: You shut that down in the streets. I was like,
• 19:53
  Speaker 2: damn this said when I was watching the movie Guy
• 19:56
  Speaker 2: man on somewhere with that man, I like movies, Like, yeah,
• 20:02
  Speaker 2: don't be watching movies, man, move really acting.
• 20:05
  Speaker 1: I'm like, what it was like, man, that you would
• 20:08
  Speaker 1: be doing a monologue and the director is pushing in
• 20:10
  Speaker 1: on your foot. Yeah, he's like in another stage is
• 20:13
  Speaker 1: where its you? Was doing a thousand movies.
• 20:17
  Speaker 3: They don't like interviews either, but I get them.
• 20:19
  Speaker 2: Though, Like theater is way more satisfying than shooting on film.
• 20:24
  Speaker 3: For sure.
• 20:26
  Speaker 2: We characters straight through and through, so it's like, you know,
• 20:29
  Speaker 2: all right, today we're doing page this and that. So
• 20:32
  Speaker 2: I'm coming in like this and that cut all right,
• 20:35
  Speaker 2: We're done with that. Theaterre you stay in the zone.
• 20:39
  Speaker 2: So I get I got this one thousand percent of that.
• 20:43
  Speaker 2: He's like, he's zooming in on your foot. That's a
• 20:46
  Speaker 2: filmmakers media. The it is for the actors. I was like, man,
• 20:50
  Speaker 2: I feel you alright?
• 20:51
  Speaker 3: What you got all right, I got Brave Heart.
• 20:56
  Speaker 2: Oh, I didn't even think about that type of war.
• 20:58
  Speaker 2: That's a war swords and.
• 21:00
  Speaker 1: Origins, kings, kings, kids.
• 21:02
  Speaker 2: They can never take.
• 21:05
  Speaker 1: Man male giftson in that scene.
• 21:07
  Speaker 3: It was crazy. I said, you dead. You can't give
• 21:10
  Speaker 3: a speech like that.
• 21:11
  Speaker 2: He died anime. People always does stabbing, it always, let
• 21:20
  Speaker 2: you know.
• 21:21
  Speaker 1: But that was Scottish bro that. Yeah, they fight for land.
• 21:26
  Speaker 1: We gotta live here, We.
• 21:27
  Speaker 2: Got to live here. Man with a long shanks. Brave
• 21:31
  Speaker 2: was a good time. Yeah, he had the blue because
• 21:34
  Speaker 2: I reverybody. I didn't even want to see that movie.
• 21:36
  Speaker 3: Then when I saw Hell, Yeah, yeah, I love break Heart.
• 21:39
  Speaker 3: It was good.
• 21:39
  Speaker 2: That was a good song. You're all right, all right,
• 21:42
  Speaker 2: I'm gonna throw a little subtle joint on here. Enemy
• 21:45
  Speaker 2: at the gates man. I enjoyed that one.
• 21:47
  Speaker 1: Oh, I know this is older one, isn't it like
• 21:50
  Speaker 1: ninety nine?
• 21:54
  Speaker 2: What two thousand Jude Law two thousand and one. It's
• 21:58
  Speaker 2: a Juwe law. He's a sniper. He was blowing up
• 22:00
  Speaker 2: on the Russian side and they sent a German sniper
• 22:03
  Speaker 2: to come after us with Ed Harris is the other sniper. Yeah,
• 22:08
  Speaker 2: I like that joint.
• 22:09
  Speaker 1: Man, that was a good one. I was like, I've
• 22:10
  Speaker 1: seen this. I couldn't remember, but yeah, I saw that one.
• 22:12
  Speaker 2: Yeah that was a good one.
• 22:13
  Speaker 3: No, that was fantastic. I love that one. That was
• 22:16
  Speaker 3: a little subtle tip, yeah.
• 22:17
  Speaker 2: A little on the side. Man, it was more, you know,
• 22:20
  Speaker 2: smaller scale. Yeah, I'm a go. American Sniper.
• 22:24
  Speaker 1: Yeah, Brandy Cooper has had a lot.
• 22:27
  Speaker 2: Of good yeah, rolls, hangover over the Wedding Star is Born.
• 22:34
  Speaker 1: He was, man. I believed him me too. When he peeded,
• 22:39
  Speaker 1: I had felt bad. I was like, dang man, Yeah, he.
• 22:45
  Speaker 2: Was the feed on himself. Man's like, come on, man,
• 22:51
  Speaker 2: I cared about their relationship in that movie. Yeah, it
• 22:53
  Speaker 2: was great.
• 22:54
  Speaker 1: Lady got guy.
• 22:56
  Speaker 2: Yeah she's good.
• 22:57
  Speaker 1: She's good.
• 22:58
  Speaker 2: She's so good as an actress. She could be forgetting
• 23:01
  Speaker 2: about the singer.
• 23:04
  Speaker 3: Good joke.
• 23:05
  Speaker 2: I know you didn't like it, and she was squandered
• 23:09
  Speaker 2: in it. Yeah, I saw a clipper that I didn't
• 23:11
  Speaker 2: even think it was rick my god. But yes, American
• 23:18
  Speaker 2: Sniper was a good time. Very straightforward. But that's Clinton
• 23:22
  Speaker 2: Clint Eastwood style. That's how that's his style of filmmaking.
• 23:27
  Speaker 2: Straight forward, meat potatoes.
• 23:29
  Speaker 1: He's German food, meat potato, Chris Kyle killing people.
• 23:38
  Speaker 2: Killing people, sniping him, being at home, back to war
• 23:43
  Speaker 2: and then fade out. He's gonna go off and eventually
• 23:47
  Speaker 2: that somebody he was trying to help, which is tragic.
• 23:52
  Speaker 2: But yeah, so how many we got? All right, So
• 23:57
  Speaker 2: mine's not gonna make it. We always got room for
• 24:00
  Speaker 2: the honorable mention. So I guess some some stuff written down,
• 24:07
  Speaker 2: But I'm gonna just throw glory in there, man, glory.
• 24:10
  Speaker 2: I want to throw glory in there. The Civil War,
• 24:13
  Speaker 2: Denzel's icronic performance man, the whole, the whole conflict between
• 24:19
  Speaker 2: like Morgan Freeman's character and Denzel's character and just that
• 24:22
  Speaker 2: whole dynamic. Matthew Broderick, Oh my god, he was a
• 24:28
  Speaker 2: baby in that. He was he always he always looked
• 24:30
  Speaker 2: like a baby.
• 24:31
  Speaker 3: He does.
• 24:32
  Speaker 2: He got young quality. Even now it's like, no, you're right, yeah,
• 24:39
  Speaker 2: he always gonna look babyish. But glory, man, the glory
• 24:42
  Speaker 2: tears legendary. Man.
• 24:44
  Speaker 1: I watched that in class.
• 24:46
  Speaker 2: Yeah, I think I think we did too.
• 24:48
  Speaker 3: Why would you show that to children?
• 24:51
  Speaker 2: Why not? It's a lot, I mean, you know, yeah,
• 24:54
  Speaker 2: let these kids grow up. Let these kids know, man,
• 24:57
  Speaker 2: what was going on the Civil War wasn't pretty know
• 25:00
  Speaker 2: it was at stake, and you know what I'm saying,
• 25:01
  Speaker 2: the slavery aspect. Show these kids man with you when
• 25:04
  Speaker 2: you're right, cut it on, cut it off, no sugar,
• 25:08
  Speaker 2: let me mentioned it.
• 25:11
  Speaker 3: The Five Bloods.
• 25:12
  Speaker 2: Oh really, that's making the top.
• 25:15
  Speaker 3: I really enjoyed that.
• 25:17
  Speaker 1: Vietnam doesn't get that many war movies. Black people don't
• 25:21
  Speaker 1: get that much.
• 25:23
  Speaker 3: We get about We.
• 25:24
  Speaker 2: Got like The Five Bloods, The Walking Dead, it was
• 25:28
  Speaker 2: a Vietnam movie, like Apaigne, Eddie Griffin at that, Joe Morten. Uh,
• 25:35
  Speaker 2: we also got on the Vietnam tip. Miracle of Saint
• 25:39
  Speaker 2: Anna was actually war war that was World War Two.
• 25:42
  Speaker 3: Then I love that movie. Actually, I like that more
• 25:44
  Speaker 3: than the Five Blood.
• 25:46
  Speaker 2: What's his name? In the corn Bread in there he
• 25:49
  Speaker 2: showed business Miller. Uh, what's his name?
• 25:52
  Speaker 3: Antoine Fisher, Derek Luke.
• 25:54
  Speaker 2: Yeah, but I think the Five Blood Brothers I like.
• 25:58
  Speaker 1: I actually think I liked it because I didn't expec
• 26:00
  Speaker 1: from Spike though. Yeah, more than I liked it. Liked
• 26:02
  Speaker 1: it as a war movie. But the Five Bloods man
• 26:05
  Speaker 1: Del Rod was a Trump supporter in there. Johnathan Majrix
• 26:09
  Speaker 1: was good in there. Chadwick, it was a great ensemble. Yeah,
• 26:13
  Speaker 1: beginning of the pandemic, I was like, yo, this is good,
• 26:15
  Speaker 1: like and again it's a movie. I didn't think even
• 26:18
  Speaker 1: though he did a war movie by this time, I
• 26:19
  Speaker 1: was like, you did it again, kid?
• 26:21
  Speaker 2: Yeah, man, you know what I'm saying.
• 26:22
  Speaker 1: Be out here, man Forrest Gump.
• 26:24
  Speaker 2: He had to lose a little war movie for a
• 26:26
  Speaker 2: little war piece in there for a little bit, you
• 26:27
  Speaker 2: know what I'm saying.
• 26:28
  Speaker 3: Lieutenant. That was a chunk of that movie.
• 26:30
  Speaker 2: With lieutenant and he was over there for a while.
• 26:32
  Speaker 3: How was it in Vietnam for a minute?
• 26:34
  Speaker 2: It was.
• 26:35
  Speaker 3: That was a lot of it.
• 26:37
  Speaker 2: Peace. Listen, y'all. Life doesn't happen bi weekly, right, we
• 26:42
  Speaker 2: know life. It doesn't happen by weekly. So why should
• 26:44
  Speaker 2: pay that?
• 26:45
  Speaker 3: You feel me?
• 26:46
  Speaker 2: The money you earned should be in your hands today,
• 26:49
  Speaker 2: and with earn in it can be. Earn in is
• 26:52
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• 26:54
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• 26:57
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• 27:01
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• 27:05
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• 27:08
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• 27:11
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• 27:15
  Speaker 2: your next paycheck. This would have been beautiful when I
• 27:18
  Speaker 2: was working at dairy Queen for two years. I don't
• 27:20
  Speaker 2: know if a lot of y'all know that, man, I
• 27:21
  Speaker 2: was working a dairy queen for two years. This has
• 27:23
  Speaker 2: been prime real estate for your boy. It was new
• 27:25
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• 27:29
  Speaker 2: It was a try call Quest Beast Rhymes and Life
• 27:33
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• 27:35
  Speaker 2: needed the money for the CDs that was coming out.
• 27:39
  Speaker 2: It wasn't no streaming services then I had to go
• 27:42
  Speaker 2: out and get the albums. And I needed that album
• 27:45
  Speaker 2: money forthwith because if my albums wasn't waiting on my paydays, man,
• 27:51
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• 27:54
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• 27:56
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• 27:59
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• 28:40
  Speaker 2: Now back to the Ball Brothers.
• 28:43
  Speaker 1: When you have the whole the Ping Pong thing is
• 28:46
  Speaker 1: still Vietnam, the.
• 28:48
  Speaker 2: Dan and his whole rehab and man's all the Vietnam,
• 28:51
  Speaker 2: establishing friendship with Bubba and that whole.
• 28:54
  Speaker 1: Thing outside of the childhood. That's probably the biggest part
• 28:58
  Speaker 1: of the movie is the Vietnam Park, a.
• 29:00
  Speaker 2: Big Vietnam portion and dead presidents too. Yep. I love
• 29:04
  Speaker 2: that movie, but I don't consider the warm man aspect.
• 29:08
  Speaker 2: I go crazy over that movie also got honorable mentioned.
• 29:11
  Speaker 2: We were soldiers and hacks Aw Ridge.
• 29:17
  Speaker 1: Love hacks Ridge, Mel Gibson that movie's fire. We were soldiers,
• 29:22
  Speaker 1: We were soldiers.
• 29:23
  Speaker 2: Mail Gibson is in that way, what's Mail Gibson?
• 29:26
  Speaker 3: He's in everything.
• 29:27
  Speaker 2: Yeah, and the Patriots. I got the Patriots here too.
• 29:30
  Speaker 2: Male man, I used to love. I used to love
• 29:34
  Speaker 2: Mail Gibson stuff. He heard my heart because I was
• 29:38
  Speaker 2: a male Gibson.
• 29:39
  Speaker 1: I said, man, man, not as bad as Hawk Hoolgan,
• 29:42
  Speaker 1: as far as like how much I love you?
• 29:45
  Speaker 3: Just you turned man.
• 29:46
  Speaker 2: I loved Mail Gifts. That was just lead the weapon.
• 29:50
  Speaker 2: I was like mal By following Gifts.
• 29:53
  Speaker 3: He was perfect for that casting for the weapons. Absolutely
• 29:56
  Speaker 3: they both were.
• 29:58
  Speaker 1: Yes, Danny Over was like thirty eight man.
• 30:00
  Speaker 2: Yeah he was. He was way than too old for
• 30:03
  Speaker 2: this ship.
• 30:04
  Speaker 3: He gave big fifty.
• 30:05
  Speaker 2: He gave that old man energy. Tapped a bottom man.
• 30:08
  Speaker 2: He sounds old.
• 30:09
  Speaker 3: And the colder helps.
• 30:11
  Speaker 2: Oh yeah, coulder sack on help every sack. You could
• 30:14
  Speaker 2: be seventeen with a colder sack. You're like, he's fifty six.
• 30:18
  Speaker 2: If I grew out my colder sack, y'all, he would
• 30:21
  Speaker 2: be a police chief. Y'all'll be looking at me like
• 30:24
  Speaker 2: man to I want to grow?
• 30:26
  Speaker 3: Could?
• 30:27
  Speaker 2: I don't know?
• 30:28
  Speaker 3: Would you grow for for role?
• 30:30
  Speaker 2: Yeah?
• 30:31
  Speaker 3: I would.
• 30:32
  Speaker 2: I would if I got a role that I wanted
• 30:34
  Speaker 2: to do.
• 30:34
  Speaker 1: No goate stash colder straight cold lethal weapon remake and they.
• 30:40
  Speaker 2: Wanted me to do the Colder Sack? Could you with
• 30:43
  Speaker 2: you for a remake? Wait, I'm not doing no remake, mom.
• 30:47
  Speaker 3: Man, it's leath Web.
• 30:48
  Speaker 2: I'm not doing no remake they want to do with
• 30:50
  Speaker 2: you and who you already remade into a TV show?
• 30:54
  Speaker 3: Dam Wayne? Were they making a movie again?
• 30:56
  Speaker 1: Who's Who's a young person who could be Matt Right
• 30:58
  Speaker 1: and Tony?
• 31:00
  Speaker 2: Too much pressure? Man, they gonna compare it to the original.
• 31:03
  Speaker 1: You getting twenty million.
• 31:04
  Speaker 2: They're not gonna pay me that off time twelve. They're
• 31:07
  Speaker 2: not gonna pay me, like.
• 31:10
  Speaker 3: What would they.
• 31:10
  Speaker 2: Pay you to at my stage? Now?
• 31:13
  Speaker 3: Not scared.
• 31:13
  Speaker 2: They're gonna give me. They gonna give me a cool
• 31:15
  Speaker 2: seven fifty million dollars and you wouldn't do it because
• 31:18
  Speaker 2: I'm not the bux office draw.
• 31:20
  Speaker 1: Now they're like, man told her we rock. I'm turning
• 31:22
  Speaker 1: it down one point two fives.
• 31:24
  Speaker 2: He'll not gonna just be the remake guy, the dude
• 31:27
  Speaker 2: to play Murton And what's his name? Man?
• 31:30
  Speaker 1: Man, I forgot that dude today? You talking about the
• 31:33
  Speaker 1: white dude from the TV one?
• 31:34
  Speaker 3: Yeah?
• 31:35
  Speaker 2: Clean something, I don't know. I don't know, man, No.
• 31:40
  Speaker 1: Remake can't be clean something y'all.
• 31:44
  Speaker 2: Man, Oh money ain't good money? Ken?
• 31:48
  Speaker 3: I no, I know you don't believe that.
• 31:50
  Speaker 2: Huh could be it?
• 31:51
  Speaker 1: Boy? I can't tell y'all what happened, but me and
• 31:54
  Speaker 1: Todd had a deal potential and it required him to
• 31:57
  Speaker 1: wake up early.
• 31:58
  Speaker 2: He was like, it wasn't It wasn't big money.
• 32:03
  Speaker 3: But it could have been.
• 32:05
  Speaker 1: In tone was like six am. That's gonna feel like
• 32:08
  Speaker 1: a job.
• 32:09
  Speaker 2: That's gonna feel like a job. I gotta get up
• 32:12
  Speaker 2: at six am Monday through Friday.
• 32:14
  Speaker 1: What's wrong with a job?
• 32:15
  Speaker 2: I'm finished?
• 32:18
  Speaker 1: Do you think you really couldn't recalibrate back to getting
• 32:20
  Speaker 1: up early.
• 32:21
  Speaker 2: I don't want to. I don't want to have to.
• 32:24
  Speaker 2: I gotta get up in the morning, y'all. I've been
• 32:27
  Speaker 2: living this comedian lifestyle.
• 32:29
  Speaker 3: Man, you got your life. Do you feel like you're
• 32:31
  Speaker 3: missing out on anything now?
• 32:34
  Speaker 2: Because I'm up, I'm awake.
• 32:35
  Speaker 3: You know what I mean?
• 32:36
  Speaker 1: Like, is there any part of your life that you're
• 32:37
  Speaker 1: just like, Okay, this one thing I wish I could
• 32:39
  Speaker 1: have going? Because I feel like you got it perfectly said.
• 32:43
  Speaker 1: All your stuff is, all your cans are perfectly turned.
• 32:46
  Speaker 3: You just got you don't be bothered like.
• 32:49
  Speaker 1: You're gonna be wanting stuff for you, but you don't
• 32:51
  Speaker 1: want it.
• 32:51
  Speaker 2: No.
• 32:52
  Speaker 1: You like, I got my stand up, I got my walks,
• 32:54
  Speaker 1: I got my cats, got my video game.
• 32:56
  Speaker 2: I love what I do for a living. Yeah, I
• 32:58
  Speaker 2: got a house. I like.
• 33:00
  Speaker 3: You got the community you can walk in. Yes, you
• 33:02
  Speaker 3: got the cats going, you.
• 33:04
  Speaker 1: Got the you got the peanut butter balls down the street.
• 33:09
  Speaker 1: You don't even want to be married like that.
• 33:11
  Speaker 2: I'm down for marriage, but I'm not like I need
• 33:14
  Speaker 2: to be married. Like, if I feel it, let's get it.
• 33:17
  Speaker 1: You gotta coot you on the horizon if you want it,
• 33:19
  Speaker 1: it ain't far out of reach I got.
• 33:21
  Speaker 2: I got no complaints.
• 33:22
  Speaker 1: Yeah, man, you got a good thing going.
• 33:24
  Speaker 2: I got no complaints.
• 33:25
  Speaker 1: Somebody's like doing job.
• 33:27
  Speaker 2: Lot six am every morning, Monday through Friday, too, fifty fifty.
• 33:38
  Speaker 1: Tone, that's early, but tone, you don't see that's the
• 33:41
  Speaker 1: thing I'm about to say. You don't have to go
• 33:42
  Speaker 1: on the road for so much, but you don't mind
• 33:43
  Speaker 1: going on the road because you like it.
• 33:45
  Speaker 2: Yeah, six am? Is that what they was off? No? Oh, yeah,
• 33:52
  Speaker 2: that's what I'm saying. They wouldn't know what I'm saying.
• 33:53
  Speaker 2: Like they have to make the price worthy.
• 33:55
  Speaker 1: iHeartRadio to Okay, three hundred and best and final.
• 33:59
  Speaker 3: But you gotta be up.
• 34:00
  Speaker 2: From six to ten Monday through Friday, Sunday through Thursday.
• 34:03
  Speaker 2: You can have Friday to yourself. Sunday through thirsdy you
• 34:05
  Speaker 2: can pre record Friday show on Sunday. So I gotta
• 34:08
  Speaker 2: get up at six am on Sunday.
• 34:10
  Speaker 1: Yep, and then Monday through Thursday as well. Forty six
• 34:15
  Speaker 1: weeks out of the year.
• 34:19
  Speaker 2: Look every morning. But it only takes four hours.
• 34:22
  Speaker 3: It only takes four hours.
• 34:23
  Speaker 2: Do I have to go somewhere?
• 34:24
  Speaker 1: You ain't even gotta go now the way it goes,
• 34:26
  Speaker 1: you ain't even gotta go nowhere.
• 34:27
  Speaker 2: I ain't gotta leave the house, Nope, you gotta.
• 34:29
  Speaker 3: You gotta be in front of your camera, zoom set up.
• 34:31
  Speaker 1: You know what I'm saying. Nowadays, you don't got to
• 34:33
  Speaker 1: go to the studio no more. But you gotta be up.
• 34:35
  Speaker 1: So you gotta get up five. I mean to be
• 34:37
  Speaker 1: ready by a camera, ready by six. You probably gotta
• 34:38
  Speaker 1: be up by five, five fifteen. Take a shower, shave,
• 34:42
  Speaker 1: do your stuff, eat the cat.
• 34:43
  Speaker 2: I ain't taking the shower every time. Sometime I might
• 34:47
  Speaker 2: take the shower the night before.
• 34:51
  Speaker 3: That's from Chummy's contract. I won't be taking a shower
• 34:54
  Speaker 3: every time. I'll tell you that right now. I'll tell
• 34:56
  Speaker 3: you that right now. I won't be. Maybe sometimes I will.
• 34:59
  Speaker 2: I might the night before. But getting up shower just
• 35:02
  Speaker 2: to go sit, it's more of a wake up shower
• 35:05
  Speaker 2: than the clean oh yeah, the way wake up showers like.
• 35:08
  Speaker 1: Clean at night. You're clean in the morning too, but
• 35:10
  Speaker 1: the wake up, the wake up shower is very more
• 35:12
  Speaker 1: effective than coffee time.
• 35:14
  Speaker 2: I don't feel like I don't wake up till I hit.
• 35:15
  Speaker 1: This, hit the warm water, you wake up the en zymes.
• 35:19
  Speaker 2: That's a lot of getting up, really.
• 35:21
  Speaker 3: That's a lot.
• 35:21
  Speaker 1: And that's a lot of And that's the thing about radio.
• 35:23
  Speaker 1: You're gonna have to turn it in. You can't, you can't,
• 35:28
  Speaker 1: dreaded run from it way.
• 35:31
  Speaker 2: But they make it so hard to do anything else
• 35:33
  Speaker 2: with your life.
• 35:34
  Speaker 1: And that's and that's why I think I'm out.
• 35:36
  Speaker 2: You know what I'm saying, we have to do this
• 35:38
  Speaker 2: week and week out.
• 35:39
  Speaker 1: I want if if, which is probably gonna happen soon.
• 35:43
  Speaker 1: Steven Spielberg says, cav we need you to film in
• 35:45
  Speaker 1: Thailand for six months. I'm doing a movie called two
• 35:48
  Speaker 1: seventy Up is the way to go. That's a really
• 35:51
  Speaker 1: specific steam. Yeah, but I got this radio show. You're
• 35:54
  Speaker 1: out see and then he's calling to here. Here's like
• 35:57
  Speaker 1: I was on the flight to Thailand right away and
• 35:58
  Speaker 1: now I'm out. He ain't even two seventy no more, right,
• 36:01
  Speaker 1: and then he's never gonna be fat again. And that's
• 36:05
  Speaker 1: my thing. I don't even have nothing on that. I
• 36:07
  Speaker 1: should have it, but it could happen. And now I
• 36:10
  Speaker 1: got radio.
• 36:10
  Speaker 2: Because the other stuff that the other stuff we can shoot.
• 36:13
  Speaker 2: We do do a movie or like a TV season,
• 36:15
  Speaker 2: it's it's.
• 36:16
  Speaker 1: Season, it's seasonal.
• 36:17
  Speaker 2: I can we shun shooting for three months in Toronto.
• 36:20
  Speaker 2: We can do that. Yes, I can plan.
• 36:23
  Speaker 3: I'm gonna turn on.
• 36:24
  Speaker 1: I'll go to her after.
• 36:25
  Speaker 2: Yes, But don't know how Charlamagne doing.
• 36:28
  Speaker 3: That, because well what he's getting the radio makes it
• 36:30
  Speaker 3: easy to do.
• 36:32
  Speaker 2: Yeah, for that, Yeah, he always be doing other stuff.
• 36:37
  Speaker 3: When you get that number, you're getting your butt.
• 36:40
  Speaker 2: I mean, if the.
• 36:40
  Speaker 1: Number is crazy, the number i'd be I would have
• 36:43
  Speaker 1: no choice. Well North seventh figure, oh yeah, you getting red.
• 36:49
  Speaker 1: I'd be up and at him, but you like to
• 36:51
  Speaker 1: be up. My hard thing would be from shooting from
• 36:54
  Speaker 1: ten to two am.
• 36:56
  Speaker 3: That would be the equillent.
• 36:57
  Speaker 2: Yeah, let's get that going care the midnight hours of
• 37:02
  Speaker 2: the Ball Brothers time. Where are you at now? They
• 37:05
  Speaker 2: open your two fifty care ten pm to two am
• 37:09
  Speaker 2: every night? Come on? Can what's up?
• 37:11
  Speaker 3: What's up?
• 37:12
  Speaker 2: Can you signing the contract? Because I'm all in on
• 37:15
  Speaker 2: this show to two A ten pm?
• 37:17
  Speaker 1: You can two?
• 37:19
  Speaker 2: Yes, I'll be up anyway. Oh, I have to be
• 37:23
  Speaker 2: like we got the show tonight.
• 37:25
  Speaker 3: I would be addicted. I'm talking about.
• 37:34
  Speaker 2: Care.
• 37:34
  Speaker 1: They offer us three fifty and I gotta be up
• 37:37
  Speaker 1: until two. That means I can't sleep.
• 37:39
  Speaker 2: This is only five it's only five nights a week,
• 37:43
  Speaker 2: ntil three because I gotta calm down after work. You know.
• 37:51
  Speaker 1: This just seems like the worst thing ever.
• 37:53
  Speaker 2: That's how I feel about the morning.
• 37:56
  Speaker 1: I could do the morning so easy, then I'll be
• 37:58
  Speaker 1: I might be able to go to the gym before six, man,
• 38:00
  Speaker 1: but get staying up. I feel like when I get
• 38:03
  Speaker 1: tired at nine, I gotta no, I can't be.
• 38:05
  Speaker 2: You gotta muster up the energy for four hours, though.
• 38:11
  Speaker 1: I'd be having a hard time staying up to finish
• 38:13
  Speaker 1: the episode. Listen, we'll be trying to watch the show together,
• 38:16
  Speaker 1: and I'd be like, that's who were in the bed
• 38:19
  Speaker 1: watching I'm already doing the thing.
• 38:21
  Speaker 2: That man, it's a rap. No, got to sit up.
• 38:24
  Speaker 1: I don't even be going to sleep. Sleepy going to me, I.
• 38:28
  Speaker 3: Might turn it down.
• 38:30
  Speaker 2: H See, that's why I'm at with the six am
• 38:35
  Speaker 2: every morning is diabolical. My god, what if I was
• 38:39
  Speaker 2: getting busy the night before.
• 38:41
  Speaker 1: See, I gotta get right back up and then I'm
• 38:44
  Speaker 1: thinking about Okay, I go to dinner with Melissa and
• 38:46
  Speaker 1: I can't never fully relax. Man, you've got the show.
• 38:50
  Speaker 1: How much time I got.
• 38:51
  Speaker 2: Finished that steak? Man? Come on to the studio. I
• 38:55
  Speaker 2: don't want to leave.
• 38:56
  Speaker 1: We were having a good conversation. I gotta go to work. Hey, y'all,
• 39:00
  Speaker 1: what up? Welcome to WKZ. I don't give him. I
• 39:03
  Speaker 1: hate this job actually because I had to leave dinner early.
• 39:06
  Speaker 1: Man and tone it here, like, what's up with tonight, y'all?
• 39:10
  Speaker 2: I'm waiting all to thank for this man, I got
• 39:13
  Speaker 2: the snacks going midnight? Sit down, get off for that.
• 39:16
  Speaker 2: But yeah, so any was crazy about that?
• 39:18
  Speaker 3: Whole thing is.
• 39:21
  Speaker 2: Nighttime is better?
• 39:22
  Speaker 3: Man. We couldn't be more different.
• 39:25
  Speaker 2: This six am was just tore me in half. Man,
• 39:29
  Speaker 2: I'm up early every morning now now I'm just nine
• 39:32
  Speaker 2: to five.
• 39:34
  Speaker 1: Too, And I said, no, I just got a job.
• 39:36
  Speaker 2: I got a job now.
• 39:39
  Speaker 1: I was telling them, Like the thing about it is,
• 39:42
  Speaker 1: it have to be so much that it's like the
• 39:46
  Speaker 1: other offers don't even matter because I'm making so much
• 39:49
  Speaker 1: that like it had.
• 39:51
  Speaker 3: To be more.
• 39:51
  Speaker 1: If it was ten pm to two am, double.
• 39:54
  Speaker 3: It make it.
• 39:56
  Speaker 2: We get a million a year.
• 39:59
  Speaker 1: Ten p two as I have to change my whole
• 40:03
  Speaker 1: person now cool million a year.
• 40:05
  Speaker 3: I would do it. Yeah, I would do it.
• 40:09
  Speaker 2: Talk to him about that slide because the man, but
• 40:11
  Speaker 2: how talk to him about the youth. Let's get that going.
• 40:14
  Speaker 1: Do stuff that means I'm not gonna be waking up
• 40:16
  Speaker 1: till ten eleven twelve?
• 40:18
  Speaker 2: What are you?
• 40:18
  Speaker 1: Who even are you?
• 40:19
  Speaker 2: Now? Listen?
• 40:20
  Speaker 3: Then it's three o'clock in New York.
• 40:22
  Speaker 2: I'm gonna get out to the bed till see.
• 40:24
  Speaker 1: Man, by time you get up, I'd be like, man,
• 40:26
  Speaker 1: the day's half over. Ain't nothing half By the time
• 40:29
  Speaker 1: you wake up, I've been up for five hours doing
• 40:31
  Speaker 1: what working out?
• 40:33
  Speaker 2: And watch out, man, you can do that late in
• 40:34
  Speaker 2: the afternoon. You you ain't have to work out early,
• 40:38
  Speaker 2: and that's it. It's better for me, then watch out man,
• 40:42
  Speaker 2: no man on this.
• 40:44
  Speaker 1: We're done with this. BOS Brothers