Latest / The Real Report with Tony Yayo and Uncle Murda / Tony Yayo & Uncle Murda on G-Unit Sneakers outselling Rick Ross album, Max B meeting up with Diddy, Dr. Dre defending AI music, and Keefe D Trial

Transcript

Tony Yayo & Uncle Murda on G-Unit Sneakers outselling Rick Ross album, Max B meeting up with Diddy, Dr. Dre defending AI music, and Keefe D Trial · The Real Report with Tony Yayo and Uncle Murda

• 0:00
  Speaker 1: Mack said it. Yo, we're going to go pick that
• 0:01
  Speaker 1: up at the gate. We're going to get two Cullinans, helicopter.
• 0:04
  Speaker 1: We're going to have the jet skis on the back.
• 0:06
  Speaker 1: It's going to be a movie. Diddy, we're going to
• 0:08
  Speaker 1: put the long fur on him. We're going to have
• 0:10
  Speaker 1: Jacob put mad watches on his wrists and all that.
• 0:14
  Speaker 2: If they make it the movie, let's keep it real.
• 0:16
  Speaker 2: We're going to watch.
• 0:17
  Speaker 1: Put eight watches. Jacob going to put a watch. Every jeweler, Aviani,
• 0:20
  Speaker 1: Eric the jeweler, Willie, all of them. Everybody going to
• 0:23
  Speaker 1: put a chain on them. Max B in them is
• 0:25
  Speaker 1: going to be there.
• 0:27
  Speaker 2: Signs. Diddy Free Diddy. Family there. It's going to be
• 0:31
  Speaker 2: a movie. Camera.
• 0:32
  Speaker 1: 18 cameras. Going to buy right into that. Going to
• 0:35
  Speaker 1: click right now. Click, click, click, and watch that.
• 0:38
  Speaker 2: That sounds good. We're going to see. It's going to
• 0:42
  Speaker 2: be right there. He didn't get stabbed. Shut the fuck up.
• 0:46
  Speaker 1: Okay.
• 0:46
  Speaker 3: Bruins! Bruins!
• 0:47
  Speaker 2: That's a point you get movies with.
• 0:50
  Speaker 3: Oh!
• 0:50
  Speaker 2: Bruins! Bruins!
• 0:50
  Speaker 3: Bruins!
• 0:52
  Speaker 2: Bruins! Bruins! Bruins!
• 0:54
  Speaker 3: Bruins!
• 0:55
  Speaker 2: Bruins!
• 0:55
  Speaker 3: Bruins!
• 0:59
  Speaker 2: Yeah, this the talk of New York, Tony Ayo. And
• 1:03
  Speaker 2: this the boy Uncle Murda, a.k.a. Learjet Lenny.
• 1:06
  Speaker 1: And you on the Real Report Show.
• 1:09
  Speaker 2: Make some noise, y'all. Come on, make some noise.
• 1:12
  Speaker 1: And today we got a special guest moderating, because, you know,
• 1:15
  Speaker 1: I heard Joe Button said we need a moderator.
• 1:18
  Speaker 2: For real? Tell them who you is, man. I keep
• 1:20
  Speaker 2: it real. I'm going to keep it one thousand. Tell
• 1:22
  Speaker 2: them who you are. Yo, it's your boy E.O.R.U., a.k.a.
• 1:25
  Speaker 2: the Harlem Legend, man. Shout out to my guy Harlem Legend, man.
• 1:28
  Speaker 2: Harlem Legend in the building. Make some noise for Harlem Legend.
• 1:31
  Speaker 2: What's up? What's up? You know why I said we
• 1:33
  Speaker 2: need to moderate it though? Yeah, because we're not professional. Oh,
• 1:36
  Speaker 2: I didn't know that. We're not professional. Damn, I didn't
• 1:38
  Speaker 2: hear that one.
• 1:39
  Speaker 1: You know, we're doing our numbers, but we're not professional
• 1:41
  Speaker 1: and we know it and we love it.
• 1:42
  Speaker 2: All right, all right. You know what I'm saying? So
• 1:43
  Speaker 2: let's get it straight, man.
• 1:44
  Speaker 1: So let's go on to the first story on Harlem Legend.
• 1:46
  Speaker 1: What's going on in the world right now?
• 1:48
  Speaker 3: Man, what's popping, y'all? Man, yo, right away, man. Like,
• 1:50
  Speaker 3: we cannot, without a shadow of a doubt... give it up, right,
• 1:54
  Speaker 3: for the G6s, man.
• 1:56
  Speaker 2: I gotta be out. Keep it real. Why nobody clapping? Clap, motherfucker.
• 2:03
  Speaker 3: G6 is gonna sell out within hours. It's saying two
• 2:08
  Speaker 3: hours worldwide. I say minutes.
• 2:13
  Speaker 2: Keep it real, right? I ain't gonna hold you. Yeah,
• 2:15
  Speaker 2: I gotta ask you, man.
• 2:17
  Speaker 3: Did you expect the G6 sneaker to sell out this quickly?
• 2:21
  Speaker 1: I mean, I seen you do a story selling the
• 2:24
  Speaker 1: G6' s sold out Quicken and Rick Ross album. So I
• 2:28
  Speaker 1: was excited about that, but I knew, I mean, when
• 2:30
  Speaker 1: you look at hip hop and you look at nostalgic music,
• 2:33
  Speaker 1: like a 50 cents, a Nas, a Wu Tang, a Jay-Z,
• 2:37
  Speaker 1: a Biggie, It's nostalgic music, so I know them sneakers
• 2:41
  Speaker 1: was nostalgic. The video game, like I said before, the
• 2:44
  Speaker 1: video game sold. The G-Unit video game sold millions of copies.
• 2:48
  Speaker 1: The sneakers sold millions of fucking sneakers. And it's the
• 2:51
  Speaker 1: same thing coming again. People, all the G-Unit fans, Thank y'all.
• 2:55
  Speaker 2: You know what I'm saying?
• 2:56
  Speaker 1: Because it's nostalgic shit in hip hop. Rick Ross was
• 2:59
  Speaker 1: on there trying to diss him all about him, talk
• 3:01
  Speaker 1: all this shit.
• 3:01
  Speaker 2: He said Costco's. He said Costco's. And they wind up
• 3:05
  Speaker 2: outselling his album. Outselling his album. Ain't that crazy? You
• 3:08
  Speaker 2: know what I'm saying? Worldwide.
• 3:10
  Speaker 1: You know, man, men lie, women lie, but numbers don't.
• 3:13
  Speaker 1: You know what I'm saying? Shout to Reebok. The G6
• 3:16
  Speaker 1: is out there. What you think about it, Murda?
• 3:17
  Speaker 2: What you think? I think it's fire, man.
• 3:19
  Speaker 4: And I wasn't surprised because Me talking with 50, seeing
• 3:23
  Speaker 4: how he's selling out all these shows. So I'm quite
• 3:25
  Speaker 4: sore for sneakers available. Them sisters gonna fly off the shelf.
• 3:28
  Speaker 4: So as far as being surprised, I wasn't surprised. Yeah,
• 3:31
  Speaker 4: 50 Cent can sell shit on a stick.
• 3:33
  Speaker 2: We all know that.
• 3:34
  Speaker 1: So, I mean, with the G6s, what make it nostalgic
• 3:36
  Speaker 1: to me is because it brings me back to marketing.
• 3:41
  Speaker 1: When 50 was mad because we didn't have the sneakers
• 3:43
  Speaker 1: on and we lost some money. Reebok, give us this
• 3:45
  Speaker 1: new money because we're marketing great now for you guys.
• 3:48
  Speaker 2: Oh, shit. Love you guys. And shout out to Complex, too.
• 3:50
  Speaker 3: Yeah, yo, did you think, so you was the first
• 3:54
  Speaker 3: one to actually leak it.
• 3:56
  Speaker 2: Right? Yeah, yeah.
• 3:57
  Speaker 3: So do you think that was genius marketing?
• 4:00
  Speaker 2: I think it was me doing what I do best.
• 4:02
  Speaker 2: I talk.
• 4:02
  Speaker 1: It's the talk of New York. Sometimes I talk too much.
• 4:05
  Speaker 1: You know, I like to talk. I cut people off,
• 4:07
  Speaker 1: they say, all the time.
• 4:08
  Speaker 2: But that time it actually worked.
• 4:10
  Speaker 1: But this time it worked. You know, 50 said I
• 4:12
  Speaker 1: talk too much. And basically, the next time we seen him,
• 4:16
  Speaker 1: he said the sneakers sold out, though. So these sneakers
• 4:19
  Speaker 1: sold out a while ago. And I think this is like...
• 4:22
  Speaker 1: Second or third shipment probably going out. So shout to Reebok.
• 4:25
  Speaker 1: And like I said, it's nostalgic hip hop shit. Know
• 4:28
  Speaker 1: what I'm saying? People are not even fucking, the sneakers
• 4:31
  Speaker 1: are coming in these dope time capsules.
• 4:33
  Speaker 2: People are not even wearing the sneakers. They just putting
• 4:35
  Speaker 2: them up.
• 4:36
  Speaker 1: You know what I'm saying? So that's the best thing
• 4:38
  Speaker 1: about it. It's like, you know, I see Eminem right now.
• 4:40
  Speaker 1: Shout to Eminem. He's doing something where he's signing a
• 4:43
  Speaker 1: lot of sneakers and that's on auction. Because people like
• 4:46
  Speaker 1: 50 Cent and Eminem are nostalgic in hip hop as
• 4:49
  Speaker 1: well as G-Unit, myself, and everybody else that was down
• 4:52
  Speaker 1: with the units.
• 4:53
  Speaker 2: Nostalgic shit. A lot of.
• 4:55
  Speaker 3: You guys think that the fans resonate with G-Unit 23
• 4:59
  Speaker 3: years later. See, this is 23 years later, this sneaker dropping.
• 5:02
  Speaker 2: This is what, 2003?
• 5:04
  Speaker 1: I think G-Unit was a brand that had a cult following.
• 5:07
  Speaker 1: People really fucked with us overseas. We still touring. I
• 5:11
  Speaker 1: went on two tours by myself. Bank still tours. Murda's
• 5:14
  Speaker 1: been on tours. 50's been on tours. We're still touring
• 5:20
  Speaker 1: with 50 and on our own. So I just feel
• 5:22
  Speaker 1: like G-Unit is one of them groups that's a nostalgic group.
• 5:28
  Speaker 2: Mobb Deep is nostalgic. Wu-Tang's nostalgic.
• 5:30
  Speaker 4: And I think 50 said it best the other day
• 5:32
  Speaker 4: when we was on with E-Bro. He said like, he
• 5:35
  Speaker 4: felt like his fan base at the time he was
• 5:37
  Speaker 4: on his run and coming up, he.
• 5:39
  Speaker 2: Felt like they run the world right now.
• 5:41
  Speaker 4: A lot of people like, you know, 20 years ago
• 5:44
  Speaker 4: when these kids was in college and shit like that.
• 5:46
  Speaker 4: Now they own all these businesses. Damn, they're running the world. So, shit.
• 5:51
  Speaker 2: Perfect timing. Perfect example.
• 5:54
  Speaker 1: Look, perfect example.
• 5:57
  Speaker 2: Harlem legend, murder. Shane Gillis. I'm on tires. I'm going
• 6:00
  Speaker 2: to say it again. I know I say it every episode.
• 6:02
  Speaker 2: I'm on tires. Netflix.
• 6:05
  Speaker 1: Shane Gillis is a G-Unit fan. Now I'm on the show,
• 6:09
  Speaker 1: so shout to him. The people, the higher-ups that's in
• 6:12
  Speaker 1: big places with G-Unit fans and what happens is It
• 6:14
  Speaker 1: goes down to their kids because their kids remember their
• 6:17
  Speaker 1: parents listening to the music. So you see G-Unit fans.
• 6:20
  Speaker 1: I done seen kids eight years old that know 50.
• 6:24
  Speaker 1: And that's the point that I'm trying to get to
• 6:26
  Speaker 1: as well.
• 6:26
  Speaker 2: It's marketing. You know what I'm saying?
• 6:28
  Speaker 1: Where an eight-year-old kid will know the Real Report show
• 6:31
  Speaker 1: or the Feed Yale show or whatever I'm doing, you know,
• 6:35
  Speaker 1: acting on, you know.
• 6:36
  Speaker 2: Well, most recently, right?
• 6:38
  Speaker 3: This is even more like getting into it, right? Because
• 6:41
  Speaker 3: y'all was just in L.A. at Joe Diamond. Hey, look, Joe,
• 6:44
  Speaker 3: I ain't going to hold you.
• 6:46
  Speaker 2: Darnell Jones salute. You know what I mean? I'm a
• 6:48
  Speaker 2: fan of both of them. Shout out to both of them, man.
• 6:50
  Speaker 2: Shout out to Joe and Darnell Jones, man.
• 6:53
  Speaker 1: I mean, once we came out, everybody said we was cheating.
• 6:55
  Speaker 1: Even Darnell Jones was like, man, y'all ain't right.
• 6:59
  Speaker 3: To me, just being a fan and just looking from
• 7:02
  Speaker 3: the outside in, He was already smoking Don L. Joe.
• 7:05
  Speaker 4: That's what I heard. They said he was already losing, man.
• 7:09
  Speaker 2: Yeah, it's just, you know, it's the thing about Don L. Joe.
• 7:12
  Speaker 3: To me, he can't sing in person.
• 7:14
  Speaker 1: The thing with Joe, the same way he sounds on
• 7:18
  Speaker 1: live is the same way he sounds on a record. Like,
• 7:21
  Speaker 1: I think that's the main thing that you got to
• 7:23
  Speaker 1: look out for him for. He done plenty of G-Unit records.
• 7:26
  Speaker 1: I got a song on my first album, Curious, with Joe.
• 7:29
  Speaker 1: You know, that was pretty dope. And, you know, he
• 7:31
  Speaker 1: got records with G-Unit, 50 movie soundtracks, you know?
• 7:35
  Speaker 2: So it's like... Classic features. Yeah, classic features. Definitely, man.
• 7:39
  Speaker 2: I think his music is timeless.
• 7:41
  Speaker 4: I think I seen Charlamagne say that, that Darnell Jones
• 7:44
  Speaker 4: can't sing in person.
• 7:46
  Speaker 2: I'm being honest.
• 7:46
  Speaker 4: I don't know why everybody's saying that about Darnell Jones.
• 7:48
  Speaker 4: I think you need to clear that up, Darnell Jones, man.
• 7:51
  Speaker 4: So I don't like what people saying about you, man.
• 7:54
  Speaker 4: Because when I met you out there, you seemed like
• 7:55
  Speaker 4: a cool brother, man.
• 7:56
  Speaker 2: Oh, yeah. I don't like all the backlash about you
• 7:59
  Speaker 2: can't sing live and all that shit, man. We was backstage,
• 8:01
  Speaker 2: so we didn't get a chance to really see too
• 8:03
  Speaker 2: much of it like that. Yeah, man. Everybody hating on
• 8:05
  Speaker 2: the brother, man.
• 8:06
  Speaker 1: Definitely when 50 came out and we came out, they
• 8:08
  Speaker 1: said we killed the game.
• 8:09
  Speaker 2: They said it was over.
• 8:09
  Speaker 1: Nobody was expecting to see 50 on Versus.
• 8:13
  Speaker 2: Shout to Versus. Shout to Complex.
• 8:15
  Speaker 1: You know, a lot of people was there. Swizz Beatz
• 8:17
  Speaker 1: was there. Tyrese was there.
• 8:20
  Speaker 2: Yo-Yo.
• 8:21
  Speaker 1: You know, Kim, don't play with my yo-yo. So I'm
• 8:23
  Speaker 1: a fan of nostalgic hip hop. There was so many people.
• 8:27
  Speaker 2: 702 was there.
• 8:27
  Speaker 1: Shout to them. Who else was there back there? There
• 8:29
  Speaker 1: was a lot of people back there. There was so
• 8:30
  Speaker 1: many people back there, man. Mona Scott was in the building.
• 8:34
  Speaker 2: Oh, yeah. Mona Scott was back there. Definitely. Wow. Okay, hey, look.
• 8:40
  Speaker 1: Got a chance to watch Ebro and 50 argue, so
• 8:42
  Speaker 1: that was entertaining.
• 8:43
  Speaker 3: Yeah, I was that, man, because I've seen 50 going
• 8:45
  Speaker 3: back and forth. Is that a true statement when he says,
• 8:48
  Speaker 3: 60 plus, you shouldn't be great at anything in rap?
• 8:53
  Speaker 2: Who said that? 50 said that. I said that's 60
• 8:55
  Speaker 2: years old.
• 8:57
  Speaker 1: I mean, at 60 years old, people think you just,
• 8:59
  Speaker 1: at this time in life, you retired.
• 9:01
  Speaker 2: At 60.
• 9:04
  Speaker 3: You think murder at 60, you could still be rapping?
• 9:07
  Speaker 4: I don't think you should be rapping that 60, man.
• 9:10
  Speaker 4: But if you still rapping that 60, just make sure
• 9:12
  Speaker 4: this just sound dope. And I hope you got a
• 9:14
  Speaker 4: fan base that still want to hear you rapping that 60.
• 9:17
  Speaker 4: But I don't think we had a rapper rapping that
• 9:20
  Speaker 4: 60 right now.
• 9:21
  Speaker 2: I don't think so. I mean, the 50 is the
• 9:23
  Speaker 2: new 60. Like, you heard me. All right, got you. Okay, okay, okay.
• 9:26
  Speaker 2: Got you, got you. You know, I mean, is the
• 9:29
  Speaker 2: younger demographics going to buy it? I don't know. Hell no.
• 9:32
  Speaker 1: It's in the air because now music is different. We
• 9:35
  Speaker 1: used to have, look, used to have 10 seconds of
• 9:37
  Speaker 1: listening time, right? 10 seconds on a record to get
• 9:40
  Speaker 1: somebody's eye. With these YNs now, it's two seconds.
• 9:45
  Speaker 2: I don't know. Two seconds.
• 9:46
  Speaker 3: I got to bet you're different on that because I'm
• 9:48
  Speaker 3: kind of comparing it to the G6s.
• 9:51
  Speaker 2: These sneakers came out in 2003, man.
• 9:53
  Speaker 3: There's kids that's 23 years old today that didn't know
• 9:55
  Speaker 3: anything about this shoe, and I guarantee they bought them.
• 9:59
  Speaker 2: It's sold out worldwide. bro. Rob Markman, Jr.: But G-Unit
• 10:02
  Speaker 2: is something different, though. Rob Markman, Jr.: Okay.
• 10:04
  Speaker 4: Well, you know, he said a nigga shouldn't want to
• 10:05
  Speaker 4: be the best at it. Not say you still can't rap.
• 10:10
  Speaker 4: Some motherfuckers at our old age still want to be
• 10:13
  Speaker 4: the best, or think they the best. I think 50%
• 10:16
  Speaker 4: at that age, you can still rap and do what
• 10:18
  Speaker 4: you want to do, but don't be out here thinking
• 10:20
  Speaker 4: you the illest doing it when you motherfucking 50, 60
• 10:23
  Speaker 4: years old. There's a whole younger generation like, what the
• 10:27
  Speaker 4: fuck is he talking about? You know what I'm saying?
• 10:29
  Speaker 3: To clear it up, because I'm not saying you can't
• 10:31
  Speaker 3: be rapping at that age, but don't be thinking you
• 10:33
  Speaker 3: the The illest one doing it at that motherfucking age.
• 10:37
  Speaker 2: That's not the case no more. Of course, because there's
• 10:38
  Speaker 2: a whole new regime.
• 10:39
  Speaker 1: There's a whole new breed in the game. So, I mean,
• 10:42
  Speaker 1: at that age, you would think a nigga's going to retire,
• 10:44
  Speaker 1: just lay back with his bread or do what he do.
• 10:47
  Speaker 1: That's what I think, when you hear that, that's what
• 10:50
  Speaker 1: it says to me. Like, at 60, you chilling or
• 10:52
  Speaker 1: into some other shit.
• 10:54
  Speaker 2: Okay.
• 10:55
  Speaker 3: Okay. I got to get y'all reaction to this, right? So,
• 10:57
  Speaker 3: the Keefie D trial is going on.
• 10:59
  Speaker 2: Oh, man.
• 11:00
  Speaker 3: Have you guys been paying attention to the Keefie D trial, right?
• 11:04
  Speaker 2: It's a bit wild, right? Um.
• 11:07
  Speaker 1: I agree with you. I've seen the Mob James testimony.
• 11:11
  Speaker 1: He said he was a hostile witness. No, because a
• 11:13
  Speaker 1: lot of times the Fed subpoena you and there's really
• 11:16
  Speaker 1: nothing you could do about it if you don't have
• 11:17
  Speaker 1: the lawyer money or go and sit up to do
• 11:19
  Speaker 1: the time. So he said he was a hostile witness
• 11:22
  Speaker 1: and he was basically on Keefie D's side.
• 11:24
  Speaker 2: But he had a lot of jokes on there. He's definitely-
• 11:26
  Speaker 2: He's testifying for the prosecution, right?
• 11:29
  Speaker 1: Yeah, but he also said to the prosecution, I'm here
• 11:32
  Speaker 1: to help Keefie D.
• 11:33
  Speaker 2: I watched it. So he said, let me get this right.
• 11:36
  Speaker 2: I'm here to help Keefie D. I don't think he helped.
• 11:39
  Speaker 1: Well, he didn't say anything too incriminating against Keefie D
• 11:41
  Speaker 1: if you watched it.
• 11:42
  Speaker 2: You know what I'm saying? Well, let me get your reaction.
• 11:44
  Speaker 1: I just felt like he got subpoenaed by the feds.
• 11:46
  Speaker 1: And sometimes you get subpoenaed by the feds and you
• 11:48
  Speaker 1: might not have the money to get a lawyer to say, yo,
• 11:52
  Speaker 1: I don't want to come. Or you old man, he
• 11:56
  Speaker 1: damn near 70 years old, don't want to do that
• 11:58
  Speaker 1: little bit of time for.
• 11:59
  Speaker 2: Being in contempt of court. I get it. I thought
• 12:00
  Speaker 2: it was funny.
• 12:00
  Speaker 4: But I just think what he's saying, man, I don't
• 12:02
  Speaker 4: want to say nothing to incriminate this man.
• 12:04
  Speaker 2: That's like saying something to incriminate this man. He says
• 12:06
  Speaker 2: as much as I don't like him, murder.
• 12:07
  Speaker 4: Yeah, he says as much as I don't like him,
• 12:08
  Speaker 4: I don't want to say nothing that can incriminate him.
• 12:10
  Speaker 2: So that's like, you know, incriminating him.
• 12:12
  Speaker 1: You got to watch the clips because when they started
• 12:14
  Speaker 1: getting extra, when the prosecutor started getting extra questions, he
• 12:16
  Speaker 1: was like, I'm not answering that. All I can tell
• 12:19
  Speaker 1: you is she got crazy. So everything was vague answers.
• 12:23
  Speaker 1: And he said, another thing is, I'm not up here,
• 12:26
  Speaker 1: I'm a hostile witness. That's what Marv James said. Everybody
• 12:29
  Speaker 1: was laughing like, they forced me to be up here
• 12:31
  Speaker 1: type shit. I'm here to help this man. Keefy D
• 12:34
  Speaker 1: didn't do anything.
• 12:35
  Speaker 2: So it was a funny, and he had mad jokes
• 12:38
  Speaker 2: on this thing. I enjoyed it. I gotta get y'all reaction.
• 12:41
  Speaker 2: But him with a legal aid is crazy. Listen, this
• 12:43
  Speaker 2: was the highlight. This was the super highlight. What was
• 12:46
  Speaker 2: the highlight?
• 12:48
  Speaker 3: A detective took the stand and said, Diddy paid to
• 12:54
  Speaker 3: get Tupac murdered. Although the money never reached Keefie D's hands,
• 12:58
  Speaker 3: the guy that got the money that's supposed to pay
• 13:01
  Speaker 3: Keefie D has taken.
• 13:02
  Speaker 2: Off with the money, whatever's going on with that. But he.
• 13:06
  Speaker 3: I mean, I don't want to put indictments on people, right?
• 13:10
  Speaker 3: We don't want to do that over here, right?
• 13:11
  Speaker 2: Oh, no, no. We're not going to do that over here.
• 13:15
  Speaker 3: A private detective, not a private detective, a detective that
• 13:18
  Speaker 3: was on the case at that time, he took the
• 13:20
  Speaker 3: stand and said, he did, he paid.
• 13:24
  Speaker 2: To actually get Tupac murdered. That's a legend. You know what? Hey,
• 13:27
  Speaker 2: a detective said it. I didn't say detectives lied before, though.
• 13:31
  Speaker 2: A detective said it. I mean, they lie.
• 13:33
  Speaker 1: You know, but when you in the penitentiary and the
• 13:35
  Speaker 1: feds are ready, Diddy went to go take a shit
• 13:37
  Speaker 1: hearing that.
• 13:37
  Speaker 2: You know, that nigga's stomach was rumbling. Like, what? Nigga
• 13:40
  Speaker 2: said my name in his trap? Yes.
• 13:43
  Speaker 1: I'm going to take a shit. I'm like, oh my God,
• 13:46
  Speaker 1: call the lawyers. Just to hear your name in a
• 13:48
  Speaker 1: case like that is crazy.
• 13:51
  Speaker 2: Allegedly.
• 13:52
  Speaker 3: This ain't allegedly, though, because Max B recently did an interview,
• 13:57
  Speaker 3: and he said he's picking up Diddy at the gate.
• 14:00
  Speaker 3: He said, yeah, me and French, we going to pick
• 14:02
  Speaker 3: Diddy up at the gate. I didn't really get your
• 14:04
  Speaker 3: reaction to that. You know, is a lot of people
• 14:09
  Speaker 3: going to be switching sides when Diddy touches around?
• 14:12
  Speaker 2: I mean, I think a lot of people fuck with Diddy, and,
• 14:14
  Speaker 2: you know, that's their business. You know what I mean?
• 14:16
  Speaker 2: But I think a lot of people going to fuck
• 14:17
  Speaker 2: with Diddy, man. It is what it is. Can he
• 14:21
  Speaker 2: still be great? Can he still make the music that
• 14:24
  Speaker 2: he used to make?
• 14:25
  Speaker 1: As long as he got that money, he's going to
• 14:27
  Speaker 1: be great to a lot of niggas and a lot
• 14:29
  Speaker 1: of people in the game. To me, he might not
• 14:31
  Speaker 1: get as much advertising at first or whatever, but if
• 14:34
  Speaker 1: he tell a story, maybe people might buy it. I
• 14:37
  Speaker 1: don't know, but I can tell you this. As long
• 14:38
  Speaker 1: as he got money left, the money ain't going. You're
• 14:41
  Speaker 1: going to always have people that want to be your friend.
• 14:44
  Speaker 1: And I know Max was fucking with him and French
• 14:46
  Speaker 1: got a relationship with him. So I understand that. That's
• 14:48
  Speaker 1: the man. So I ain't going to hate on that.
• 14:50
  Speaker 2: Right, Murda?
• 14:51
  Speaker 1: But he got that bread. So of course they're going
• 14:54
  Speaker 1: to go pick him up at the gate. He still
• 14:55
  Speaker 1: got bread.
• 14:56
  Speaker 2: If a nigga was broke, niggas going to pick him
• 14:58
  Speaker 2: up at the gate? That's the question.
• 15:02
  Speaker 4: I don't think everybody going to feel how Max B feel.
• 15:05
  Speaker 2: That's actually cool with Diddy.
• 15:09
  Speaker 4: I think some people ain't going to be trying to
• 15:11
  Speaker 4: hang with Diddy in the public eye.
• 15:13
  Speaker 2: I think a lot of niggas still is. It is
• 15:15
  Speaker 2: what it is.
• 15:17
  Speaker 4: I think some people not, though. Honestly, I think some
• 15:19
  Speaker 4: people going like, oh, man, I ain't going to be
• 15:21
  Speaker 4: cool with Diddy in the public eye like that. I
• 15:24
  Speaker 4: think that. I think it's going to be a little
• 15:27
  Speaker 4: different this time around because of everything that's going on.
• 15:30
  Speaker 3: Yeah, and I feel like guys like French Montana is
• 15:33
  Speaker 3: basically not coming out publicly.
• 15:36
  Speaker 2: See, this was like a glimpse.
• 15:38
  Speaker 4: Max B said that, but you ain't hear French say that. See,
• 15:42
  Speaker 4: your Frenchman's standing away from that shit, keeping everything he
• 15:44
  Speaker 4: got going on.
• 15:45
  Speaker 1: But if Max B is coming off of it, he
• 15:48
  Speaker 1: just came out the penitentiary, he's still walking the yard.
• 15:51
  Speaker 2: Let's be serious. Max B still walking the yard. He's
• 15:55
  Speaker 2: on one. He's doing interviews. He got the chains on.
• 15:59
  Speaker 2: Come on.
• 15:59
  Speaker 1: I did two years and came home crazy like that,
• 16:02
  Speaker 1: feeling good. So he's just out there saying whatever. French, yeah,
• 16:08
  Speaker 1: he publicly never said it, but that's how French feel.
• 16:12
  Speaker 1: He said, we going to pick.
• 16:12
  Speaker 2: Him up the gate.
• 16:14
  Speaker 1: Maybe French ain't never feel like saying it, Cause you
• 16:19
  Speaker 1: know what I'm saying?
• 16:20
  Speaker 2: Shout the French in, Max. But Max said it. It's cool.
• 16:25
  Speaker 2: He jumped all over him as soon as he got
• 16:26
  Speaker 2: up off that interview. Yo, my man, what would you say? Yo,
• 16:28
  Speaker 2: my nigga. My nigga. How you know what the fuck
• 16:31
  Speaker 2: I'm doing when that nigga come home?
• 16:33
  Speaker 1: Nah, I don't think so. That nigga said, we gonna
• 16:37
  Speaker 1: pick him up at the gate. French might have not
• 16:39
  Speaker 1: said nothing about it, but Max is. You be with
• 16:42
  Speaker 1: this nigga every day, so you know how he's feeling.
• 16:44
  Speaker 1: He wouldn't say that if he didn't feel like that.
• 16:46
  Speaker 2: So that's the big bro. Yeah.
• 16:48
  Speaker 1: Yo, we gonna go pick that nigga up the gate.
• 16:50
  Speaker 1: We gonna get two Cullinans, helicopter. We gonna have the
• 16:53
  Speaker 1: jet skis on the back. It's gonna be a movie. Diddy,
• 16:55
  Speaker 1: we gonna put the long fur on him. We gonna
• 16:57
  Speaker 1: have Jacob put mad watches on his wrists and all that. Nigga,
• 17:02
  Speaker 1: if they make it the movie, let's keep it real.
• 17:04
  Speaker 1: Niggas going to watch. Put eight watches. Jacob going to
• 17:06
  Speaker 1: put a watch. Every jeweler, Aviani, Eric the jeweler, Willie,
• 17:09
  Speaker 1: all them niggas. Everybody going to put a chain on them.
• 17:12
  Speaker 1: Max B and them is going to be there. Mad bitches, signs, Diddy,
• 17:16
  Speaker 1: Free Diddy, family there. Niggas is going to be, it's
• 17:19
  Speaker 1: going to be a movie. Camera, 18 cameras. Niggas going
• 17:22
  Speaker 1: to buy right into that. Niggas going to click right now. Click, click, click,
• 17:24
  Speaker 1: and watch that shit.
• 17:26
  Speaker 2: That shit sound good, we gonna see.
• 17:28
  Speaker 1: Nigga's gonna be right there, yo. Yo, Diddy, welcome home,
• 17:33
  Speaker 1: because he still got the bag. If he had a bag,
• 17:35
  Speaker 1: if the feds would have seized all that bread, niggas,
• 17:37
  Speaker 1: only people would be out.
• 17:38
  Speaker 2: There is family. Let's keep it a hundo. But he
• 17:41
  Speaker 2: still got the bag.
• 17:42
  Speaker 1: He still got like 800, 500, whatever it is. Billy,
• 17:46
  Speaker 1: whatever it is, he still got the bag, so niggas
• 17:48
  Speaker 1: gonna embrace him.
• 17:49
  Speaker 3: Okay, this next one, right? First of all, I want
• 17:53
  Speaker 3: to say rest in peace to T. Dow Woo, rest
• 17:55
  Speaker 3: in peace to Pop Smoke, right? So, Favio Foreign, Brooklyn native,
• 18:03
  Speaker 3: has went gospel.
• 18:06
  Speaker 2: And the music is dope. I love the record. You
• 18:10
  Speaker 2: put me onto the record. I love the record. I
• 18:13
  Speaker 2: didn't get to hear it yet. I'm not going to lie.
• 18:16
  Speaker 2: I didn't hear it yet. Nah, it's kind of dope, bro.
• 18:19
  Speaker 2: He got something going on. I like the record. He
• 18:22
  Speaker 2: got a choir. It's a dope video. It's visuals.
• 18:25
  Speaker 1: Anybody giving up to God, you see what I say
• 18:27
  Speaker 1: on my hat, child of God.
• 18:29
  Speaker 2: Right? I believe. That's a fact, man. God is good
• 18:31
  Speaker 2: all the time. So God is good and he's going
• 18:32
  Speaker 2: in another direction.
• 18:34
  Speaker 1: Right?
• 18:35
  Speaker 2: I'm surprised. I did not know this. Okay.
• 18:37
  Speaker 1: He's going in another direction. We recently seen him get baptized.
• 18:40
  Speaker 1: You know what I'm saying?
• 18:42
  Speaker 2: Yes. He just got baptized. Shout out to Fabio Foreign.
• 18:45
  Speaker 2: I'm happy for him. But what was you saying? You
• 18:48
  Speaker 2: were saying... So I think there's a problem here, right?
• 18:50
  Speaker 2: Tell me the problem. That's what we was talking about. Yeah,
• 18:52
  Speaker 2: let's get back to it. To me, Fabio Foreign, right?
• 18:55
  Speaker 2: He's gone gospel, right?
• 18:56
  Speaker 3: But I just feel like So a lot of critics
• 19:00
  Speaker 3: are saying now, right, since he's went gospel, it's been GDK.
• 19:04
  Speaker 3: I mean, they've lost all these guys, all these so-called soldiers.
• 19:08
  Speaker 2: Rest in peace, yes. Street violence, we ain't with none
• 19:11
  Speaker 2: of that, right? But we understand it. But we understand it.
• 19:14
  Speaker 2: Coming from where we come from, yeah.
• 19:15
  Speaker 3: And a lot of guys have lost their lives throughout this, right?
• 19:19
  Speaker 3: And we commend what Fabio's doing. But it's been GDK
• 19:23
  Speaker 3: for so long, him turning to God, does it change
• 19:28
  Speaker 3: his ops?
• 19:29
  Speaker 2: That's a Brooklyn murder question. Well, that's a Brooklyn murder question.
• 19:32
  Speaker 2: Definitely want to go to Brooklyn. Want to go to
• 19:34
  Speaker 2: Brooklyn with it. I'm going to go to Brooklyn.
• 19:36
  Speaker 4: I mean, I'll tell you one thing, right?
• 19:40
  Speaker 2: Because he found God. Don't mean other niggas found God. Yeah,
• 19:45
  Speaker 2: don't mean that his opps might not still be on
• 19:47
  Speaker 2: D-Day time. I agree with you. I'm not going to
• 19:49
  Speaker 2: lie to you.
• 19:49
  Speaker 4: Being that he found God, that don't mean that his
• 19:52
  Speaker 4: opps found God or they going to feel any different
• 19:54
  Speaker 4: about him. So I feel like you still got to
• 19:57
  Speaker 4: be on point for shit like that.
• 19:58
  Speaker 1: Now, this is the question I got for y'all two.
• 20:01
  Speaker 1: Can he come back and make drill music after he
• 20:03
  Speaker 1: does the gospel record?
• 20:04
  Speaker 2: No. Because I like the record. No. So he can
• 20:06
  Speaker 2: never shoot him a bang bang no more after this record? No,
• 20:09
  Speaker 2: that's done. That's done. And music is already suffering. So no,
• 20:13
  Speaker 2: you heard no, no. Stay gospel. I didn't hear the
• 20:16
  Speaker 2: records yet. Put them on a track. I didn't hear
• 20:18
  Speaker 2: the records yet. What do you mean?
• 20:20
  Speaker 1: Your drip rap is not suffering all the way because
• 20:24
  Speaker 1: we might not listen to it, but I know the
• 20:27
  Speaker 1: younger kids are still listening to it. Like I told you,
• 20:31
  Speaker 1: I heard some shit called Breaking Bones the other day.
• 20:33
  Speaker 1: And it was straight drill, shoot him up, break his bones.
• 20:36
  Speaker 1: Some crazy record. I don't know the artist, but it's
• 20:38
  Speaker 1: a dope record. But there's still a lane for that.
• 20:41
  Speaker 1: We just might not know all the drill rappers out there.
• 20:44
  Speaker 1: You agree? There's a lane. He still listen to drill.
• 20:47
  Speaker 1: We might not listen to drill as much like that.
• 20:50
  Speaker 2: Okay, let me tell you, let me just put that
• 20:52
  Speaker 2: out there. He's young. He's impressionable.
• 20:54
  Speaker 4: I got to go hear this five-year-old gospel record, man.
• 20:58
  Speaker 3: Yeah, when you young like that, you're going to watch that.
• 21:00
  Speaker 3: I think it's garbage music.
• 21:02
  Speaker 4: But I don't think he's going to go back to
• 21:03
  Speaker 4: making drill music if he's already.
• 21:06
  Speaker 2: If.
• 21:06
  Speaker 4: He doesn't decide to change his life, I don't think
• 21:08
  Speaker 4: he's going to go back to making drill music, like
• 21:11
  Speaker 4: y'all say.
• 21:12
  Speaker 2: If he doesn't change his life, man.
• 21:13
  Speaker 3: You got to stay the course. And I think the
• 21:15
  Speaker 3: music is actually dope that he's making.
• 21:18
  Speaker 2: The record is dope because he's telling his life... in
• 21:21
  Speaker 2: the music.
• 21:22
  Speaker 1: So I think whenever you tell your life what's going on,
• 21:25
  Speaker 1: you mentally shout to Fabio, I know a lot's been
• 21:27
  Speaker 1: going on, locked up, all kinds of shit, rehab, whatever,
• 21:30
  Speaker 1: so-and-so shit.
• 21:31
  Speaker 2: Yeah, he's sober now too, right? Yeah, he's sober.
• 21:34
  Speaker 1: Any man that find God, yeah, you happy for him,
• 21:37
  Speaker 1: but like you said, can you go back to the
• 21:40
  Speaker 1: drill music?
• 21:42
  Speaker 2: No. No, it's over.
• 21:44
  Speaker 4: Or do you think that's what the young people want
• 21:45
  Speaker 4: to hear right now? You think they want to hear
• 21:48
  Speaker 4: Fabio make gospel music?
• 21:50
  Speaker 2: No. Of course not. Yeah, I think 18 and under,
• 21:55
  Speaker 2: like him shaking his head back there. Oh, you said no?
• 21:58
  Speaker 2: People don't want to hear that shit? He said no.
• 21:59
  Speaker 2: He's 18 years old.
• 22:00
  Speaker 1: For me, I think it was a dope record. It
• 22:02
  Speaker 1: had a lot of substance. I think it was something
• 22:04
  Speaker 1: different for him.
• 22:05
  Speaker 2: But your ops don't change. You're still a target. Yeah,
• 22:08
  Speaker 2: the ops. But do you think that's the problem?
• 22:12
  Speaker 4: But do you think that's the problem that people don't
• 22:14
  Speaker 4: want to hear that type of music?
• 22:15
  Speaker 2: Like, that's the problem right there, man? Like, is that
• 22:17
  Speaker 2: a problem? No, because you have a choice. You have
• 22:20
  Speaker 2: a choice to listen to what you free for. It's America, brother.
• 22:23
  Speaker 2: I agree. It's America. And I just think.
• 22:26
  Speaker 3: Music is suffering as a whole.
• 22:28
  Speaker 2: It's a hole.
• 22:29
  Speaker 3: It's suffering everywhere.
• 22:30
  Speaker 4: R & B is no longer- I'm surprised because I
• 22:32
  Speaker 4: didn't hear about this. Nobody's supporting it, I feel like,
• 22:35
  Speaker 4: because I didn't hear nothing about it. I didn't hear
• 22:36
  Speaker 4: the record or nothing. They're not playing it on the
• 22:38
  Speaker 4: radio because I must have not heard it.
• 22:40
  Speaker 2: I don't know. I didn't see these sites posting it up.
• 22:43
  Speaker 2: You got to go on YouTube. I caught it on-
• 22:44
  Speaker 2: It was fire. YouTube. It's a real dope record. When
• 22:48
  Speaker 2: you listen to it, I think you're going to like
• 22:50
  Speaker 2: it because it's not just a regular church record. It's
• 22:54
  Speaker 2: a record. Soulful, we got a choir. It feels almost
• 22:57
  Speaker 2: like how like Dirk had the kid singing on his.
• 23:00
  Speaker 1: Record with J. Cole, which he won a Grammy for.
• 23:03
  Speaker 1: It felt like one of them kind of records. Dope
• 23:05
  Speaker 1: choir in the back. Video was crazy. And he's more
• 23:08
  Speaker 1: talking about his life and what he went through and
• 23:10
  Speaker 1: how he found God.
• 23:12
  Speaker 2: Will the ops understand it? Hell no.
• 23:14
  Speaker 1: The ops, they not trying to hear that shit. They
• 23:16
  Speaker 1: on demon time. So I understand what you're saying. But
• 23:19
  Speaker 1: can he go back to that kind of music? Or
• 23:22
  Speaker 1: will people accept that kind of music from him?
• 23:24
  Speaker 4: It's just crazy how I don't really hear about it.
• 23:26
  Speaker 4: I know if it was some type of, if it
• 23:27
  Speaker 4: was a different record, you'd hear about it. You know,
• 23:29
  Speaker 4: the Ignorant record, the Turn Up record, something for the streets.
• 23:33
  Speaker 4: You'd hear about it. But this record, I just, I
• 23:35
  Speaker 4: guess I didn't hear about this. We all know negative
• 23:36
  Speaker 4: news spreads fast.
• 23:37
  Speaker 2: Yeah, that's what it's looking like. That's definitely what it's
• 23:39
  Speaker 2: looking like. That's just how life it is. That's how
• 23:41
  Speaker 2: it is. But, you know, he's doing something different. On
• 23:43
  Speaker 2: to the next topic, though. What else? We got some stuff.
• 23:45
  Speaker 2: God bless that brother. Yeah. Amen.
• 23:47
  Speaker 3: QCP, Pierre Thomas, the legendary label owner, right?
• 23:52
  Speaker 2: Atlanta. Y'all know what it is, man. He had a
• 23:55
  Speaker 2: recent heart attack. Right. Give me your thoughts on that because,
• 23:59
  Speaker 2: you know, reports came out right away that he was gone. Yeah, yeah.
• 24:04
  Speaker 2: That was definitely negative.
• 24:06
  Speaker 1: The family put a statement out there.
• 24:08
  Speaker 2: Shout to QCP. Get better. Pray for him.
• 24:11
  Speaker 1: Legend in the game broke the Migos, broke Rich the Kid, broke.
• 24:18
  Speaker 2: The City Girls. Who else? Who else I'm missing here?
• 24:23
  Speaker 2: Lil Yachty. Lil Yachty, Lil Baby.
• 24:26
  Speaker 1: So pray for QC to get better, man, whatever it is, man.
• 24:30
  Speaker 2: I fuck with QC.
• 24:31
  Speaker 1: I remember one time we was in a casino and
• 24:34
  Speaker 1: he was betting mad money. He was like, yo, yo, yo, Murda,
• 24:38
  Speaker 1: I just lost a million dollars. And I was just
• 24:40
  Speaker 1: bugging because it was like 12 o'clock in the day, right?
• 24:43
  Speaker 2: Yeah.
• 24:44
  Speaker 1: It was like 12 in the afternoon. So that was
• 24:46
  Speaker 1: like my illest QC story right there, man.
• 24:49
  Speaker 2: Shout to him. Pray for him to get better. Murray,
• 24:51
  Speaker 2: you ever met QC? You ever met Pierre Thomas? Yeah,
• 24:54
  Speaker 2: I met Pierre. I just told you the story. We
• 24:56
  Speaker 2: just was in a casino.
• 24:57
  Speaker 4: Yeah, but I met him before that, though. I met
• 24:58
  Speaker 4: him and Coach. They had an artist named Young Greatness.
• 25:04
  Speaker 4: Rest in peace to Young Greatness. So we had a
• 25:06
  Speaker 4: dealings from way back then, but I met him.
• 25:08
  Speaker 2: Before, yeah.
• 25:09
  Speaker 4: Yeah, I remember the artist Young Greatness. Yeah, yeah, yeah,
• 25:11
  Speaker 4: rest in peace to Young Greatness, man. He was dope, man.
• 25:14
  Speaker 4: He was from New Orleans. We had a record called
• 25:16
  Speaker 4: Real Niggas Back. It was real dope. We was going
• 25:19
  Speaker 4: back and forth about the record for a little while,
• 25:22
  Speaker 4: me and him, and then we had figured it all
• 25:24
  Speaker 4: out with P and Coach at the time.
• 25:27
  Speaker 2: So that was dope. Shout out to Coach K.
• 25:28
  Speaker 1: Last time I seen him, he was in Paris at
• 25:30
  Speaker 1: one of them crazy hotels.
• 25:32
  Speaker 2: Shout out to Coach K. It was one of them
• 25:34
  Speaker 2: real bougie joints. You know what I'm saying? And Paris,
• 25:37
  Speaker 2: shout out to Coach K, man. And QC, get better, man.
• 25:39
  Speaker 2: Get better. Okay, so Dr. Dre. Shout out to Dr. Dre.
• 25:43
  Speaker 2: Shout out to Matt. Shout out to the doc, man.
• 25:46
  Speaker 3: He's recently come out and defends AI in music.
• 25:51
  Speaker 2: Oh, okay.
• 25:51
  Speaker 3: Okay, he says this is the new wave, and he
• 25:54
  Speaker 3: feels like a lot of people need to get with it.
• 25:56
  Speaker 2: How do y'all feel about AI music?
• 25:59
  Speaker 1: Well, one thing I learned from Dr. Dre and Jimmy Iovine,
• 26:03
  Speaker 1: they see the future.
• 26:04
  Speaker 2: So if Dr.
• 26:04
  Speaker 1: Dre is saying AI is the shit, this is the future,
• 26:08
  Speaker 1: I believe in Dr. Dre, because they always see the future.
• 26:11
  Speaker 1: You know what I mean? Shout out to Dr. Dre
• 26:13
  Speaker 1: and Jimmy Iovine. That's one thing I learned being around
• 26:16
  Speaker 1: them two for the time I've been around. is they
• 26:19
  Speaker 1: know what's next.
• 26:20
  Speaker 2: They're getting a lot of backlash right now online. I
• 26:23
  Speaker 2: know you're going to get a lot of backlash. Some
• 26:24
  Speaker 2: of them is getting a lot of backlash from it too. Yes,
• 26:26
  Speaker 2: he was. He was. He was. But I see Dr.
• 26:29
  Speaker 4: J say something like, only the people that's not creative
• 26:34
  Speaker 4: is scared of AI. And I kind of agree with
• 26:39
  Speaker 4: that a little bit. But also it's how you use AI.
• 26:44
  Speaker 4: Like the kid who, what's his name? The kid we
• 26:46
  Speaker 4: was just talking about.
• 26:47
  Speaker 2: Phoenix. Phoenix.
• 26:48
  Speaker 3: Yeah. So his song is very viral.
• 26:51
  Speaker 2: My watch is feeling ticker.
• 26:53
  Speaker 4: The way he used it. I think the way he
• 26:56
  Speaker 4: did it was wrong. Meaning it probably made him a
• 26:59
  Speaker 4: lot of money. The record is doing good.
• 27:00
  Speaker 2: It's popping.
• 27:01
  Speaker 3: But trying to deny that you was using it. It
• 27:05
  Speaker 3: was like, that was whack.
• 27:07
  Speaker 4: And then to come find out the CEO of the
• 27:09
  Speaker 4: company go, no, yes, our company has something to do
• 27:12
  Speaker 4: with that whole record.
• 27:13
  Speaker 2: You know what I mean?
• 27:14
  Speaker 4: So I think that's whack. But if you letting people
• 27:16
  Speaker 4: know you're using AI, and I feel like it's how
• 27:19
  Speaker 4: you use AI. You know what I'm saying? Like, don't
• 27:22
  Speaker 4: let AI create the whole record for you and then
• 27:24
  Speaker 4: act like you was the one that did it.
• 27:27
  Speaker 2: So, I don't know.
• 27:28
  Speaker 3: Do y'all think it's right or it's replacing human creativity, though?
• 27:31
  Speaker 1: I feel like, I feel like this. The reason why
• 27:34
  Speaker 1: he probably lied about it, because the song was fire, nigga.
• 27:38
  Speaker 1: So he was like, niggas was like, yo, that's A.I.? Nah.
• 27:41
  Speaker 2: Shit, it's me. That's all me. Really think about it.
• 27:45
  Speaker 2: You got a fire song now. You know it's A.I., right?
• 27:48
  Speaker 2: Rob Markman That's what he did, yeah.
• 27:49
  Speaker 1: Rob Markman Now, look, that's like we put out a
• 27:52
  Speaker 1: hot song and I'd be like, yo, you might be like, yo, yeah,
• 27:56
  Speaker 1: I ain't gonna lie.
• 27:56
  Speaker 2: This shit is a Grammy hit. That's A.I.? And I'd
• 27:59
  Speaker 2: be like, no, maybe that shit was old me.
• 28:01
  Speaker 1: A nigga ain't gonna be like, it's AI in the beginning,
• 28:04
  Speaker 1: but now they got the technology to know if it's AI.
• 28:08
  Speaker 2: Don't listen to him, kids.
• 28:10
  Speaker 3: You see what happened to that kid Phoenix, right?
• 28:14
  Speaker 2: I mean, look, niggas was still bumping the song.
• 28:17
  Speaker 3: No, I would agree with that because that shit is
• 28:19
  Speaker 3: still getting played on the radio today.
• 28:21
  Speaker 2: Yes, it's still bumping the song. So he's right about that.
• 28:24
  Speaker 2: Niggas don't give a fuck. He's right about that. If
• 28:26
  Speaker 2: he could perform it... Yeah, fuck it. Think about it.
• 28:30
  Speaker 2: It might be something new. Because like you.
• 28:32
  Speaker 1: Said, niggas got, people got mad after they heard the
• 28:35
  Speaker 1: record was A.I. Because it was stacking cards and stacking chips.
• 28:39
  Speaker 1: That shit was just perfect.
• 28:41
  Speaker 2: Well, look it up.
• 28:41
  Speaker 4: You got somebody, an artist that just did a deal, right?
• 28:44
  Speaker 4: She's a writer, I think, and she did a deal.
• 28:46
  Speaker 2: Mm-hmm.
• 28:47
  Speaker 4: I think she did like a three or four million
• 28:49
  Speaker 4: dollar deal for AI artists. And I think she made
• 28:52
  Speaker 4: a whole female AI artist. And one of these labels
• 28:56
  Speaker 4: actually signed them for about three, four million dollars. And
• 29:00
  Speaker 4: I think the girl is a songwriter and she's actually
• 29:02
  Speaker 4: doing pretty good with the whole AI shit. You see
• 29:05
  Speaker 4: that over there, Legend, what I'm talking about? Y'all looking
• 29:09
  Speaker 4: that up?
• 29:10
  Speaker 2: You see that? What's the name? Zaina Monet. Zaina Monet, right?
• 29:14
  Speaker 2: And she did a deal for about four million, I think,
• 29:16
  Speaker 2: a label. A $ 3 million deal. A $ 3 million deal
• 29:19
  Speaker 2: for work.
• 29:19
  Speaker 4: And she created like a whole AI artist. I think
• 29:23
  Speaker 4: she writes the songs and she got the AI artist
• 29:25
  Speaker 4: singing the songs and shit like that, right? Now, something
• 29:28
  Speaker 4: like that is kind of dope. I feel like that's
• 29:31
  Speaker 4: kind of dope. If you actually... you writing the records
• 29:36
  Speaker 4: and say you might not have an artist that you,
• 29:40
  Speaker 4: could find to work with. And you're like, you know what?
• 29:42
  Speaker 4: I got all these dope songs that I wrote. I
• 29:44
  Speaker 4: can't get these records to the labels and nobody like that.
• 29:48
  Speaker 2: You know what? Let me create an AI artist to
• 29:50
  Speaker 2: get my music out there. And if you do.
• 29:52
  Speaker 4: Something like that, I think that's dope. And that's what
• 29:54
  Speaker 4: the girl did, I think, over there, right? That got
• 29:56
  Speaker 4: the $ 3 million deal.
• 29:57
  Speaker 3: Yeah, she was created by a 31-year-old Mississippi native. a
• 30:01
  Speaker 3: poet and designer and a studio owner, Talisha Jones.
• 30:05
  Speaker 2: You seen that, something like that?
• 30:07
  Speaker 4: Fire, dope, that's how you use AI because you still creating,
• 30:11
  Speaker 4: you just getting the AI to actually sing it for
• 30:13
  Speaker 4: you and bring it to life.
• 30:14
  Speaker 2: Now that's dope.
• 30:15
  Speaker 3: Don't have AI create something for you and act like
• 30:18
  Speaker 3: you did it. But what about the artists.
• 30:20
  Speaker 2: That actually work hard in the studio?
• 30:23
  Speaker 3: And you, you putting in hardcore work, coming up with
• 30:26
  Speaker 3: your own lives.
• 30:27
  Speaker 2: Unless you using chat GPT. Listen, listen. This is what
• 30:30
  Speaker 2: I want to say to you. You coming up with
• 30:32
  Speaker 2: your own concept, your own thing. This is what I
• 30:34
  Speaker 2: want to say to you.
• 30:35
  Speaker 3: And then somebody could just get a phone and say,
• 30:37
  Speaker 3: I'm hotter than you.
• 30:37
  Speaker 2: I got a point, bro. No, it's not like that.
• 30:39
  Speaker 2: But go ahead, get your point out first. I got
• 30:41
  Speaker 2: one point, right?
• 30:42
  Speaker 1: Like, when you watch the news, right, and you hear America.
• 30:46
  Speaker 2: And China are arguing over AI. Right?
• 30:51
  Speaker 1: Who's going to have the most AI, because it's the
• 30:53
  Speaker 1: technology that they all search for, AI, right? When you
• 30:57
  Speaker 1: hear Elon Musk say, oh, we're going to get a chip,
• 31:01
  Speaker 1: he's going to do a microchip company to have the
• 31:03
  Speaker 1: AI and the chips. This is called Chip 12. This
• 31:06
  Speaker 1: could do this for this car. I think not even
• 31:09
  Speaker 1: over just the music. Dudes are making robots. You look online,
• 31:14
  Speaker 1: you see robot war machines. You see everything we've seen
• 31:17
  Speaker 1: in Terminator 2. You kind of see it now, bro.
• 31:21
  Speaker 1: So I think all around, like in the next four
• 31:24
  Speaker 1: to five years, 10 years, I think AI, that's what
• 31:29
  Speaker 1: I think when Dr. Dre means that. Because AI is
• 31:32
  Speaker 1: not just in music. AI is in all kinds of
• 31:35
  Speaker 1: other stuff too. You know what I'm saying? So I
• 31:38
  Speaker 1: think that that's going to be, when he says the future,
• 31:41
  Speaker 1: I don't think he's just talking about just music only.
• 31:43
  Speaker 1: You got AI girls on Instagram, right? You got AI
• 31:47
  Speaker 1: people that are.
• 31:49
  Speaker 2: Or promoting products and stuff like that.
• 31:52
  Speaker 1: When you call these phone companies now, banks, you talking
• 31:55
  Speaker 1: to AI people on the phone.
• 31:57
  Speaker 2: Right? You know what I'm saying?
• 31:58
  Speaker 1: It seems like it's the next thing, bro. Now with
• 32:01
  Speaker 1: the music, I understand what he's saying. He was feeling
• 32:04
  Speaker 1: so good about the record stacking cards and I wrote that.
• 32:08
  Speaker 2: No, you can't do that. That's not cool.
• 32:11
  Speaker 1: No, I agree with you. But Murder, you know how
• 32:13
  Speaker 1: he's feeling? I wrote that whole shit. Until they found
• 32:16
  Speaker 1: the company that can find... He rode that wave till
• 32:20
  Speaker 1: they found the company like, oh, all right, cool. Because
• 32:23
  Speaker 1: that's how he's going to generate millions. So that's why
• 32:26
  Speaker 1: I would think he lied, right? If he could write
• 32:29
  Speaker 1: another one of those, oh shit, let's sign them to
• 32:31
  Speaker 1: this multi-million dollar deal.
• 32:33
  Speaker 2: Once they hear it's AI, I might have fucked this
• 32:35
  Speaker 2: deal up. Rob Markman, Now see, I hear what you saying, Ledger.
• 32:37
  Speaker 4: You saying, what about the artists that work hard, that's
• 32:39
  Speaker 4: in the studio going there for hours.
• 32:42
  Speaker 2: It doesn't matter anymore.
• 32:43
  Speaker 3: No, no, no, no.
• 32:44
  Speaker 4: It still matters because don't nothing change. You still got
• 32:48
  Speaker 4: to do that, though.
• 32:49
  Speaker 2: You still got to do that.
• 32:51
  Speaker 4: If you creative, right, if you as an artist, as
• 32:53
  Speaker 4: a creative artist, You're not going to stop doing that
• 32:57
  Speaker 4: just because Dr.
• 32:58
  Speaker 2: Dre said, yo, AI is the future. Nah, you're going
• 33:01
  Speaker 2: to listen to what Dr. Dre said. Now, one artist
• 33:04
  Speaker 2: might go, damn, that's what Dr. Dre said? All right,
• 33:07
  Speaker 2: fuck it.
• 33:07
  Speaker 3: Let me see how I can add some AI into
• 33:10
  Speaker 3: my shit and make it doper, right?
• 33:13
  Speaker 2: Or you might have.
• 33:14
  Speaker 4: Another artist that go, Dr. Dre said what?
• 33:16
  Speaker 3: AI?
• 33:17
  Speaker 4: Nah, I'm good on that, man. I'm going to continue
• 33:19
  Speaker 4: doing it the way I'm doing it. I don't need that.
• 33:21
  Speaker 4: I'm good on that.
• 33:22
  Speaker 2: I agree. And neither of them is wrong.
• 33:25
  Speaker 4: You might have one artist that go, you know what,
• 33:26
  Speaker 4: let me entertain AI. Now, depending on how he use it,
• 33:29
  Speaker 4: don't be having AI write a bunch of shit for
• 33:31
  Speaker 4: you acting like you did it or have AI making
• 33:34
  Speaker 4: the beats and this, that, and the third and acting
• 33:36
  Speaker 4: like it's your work.
• 33:37
  Speaker 2: But depending on how you use it, I think it's okay.
• 33:40
  Speaker 3: Are we saying no AI is the future and it
• 33:44
  Speaker 3: is proven?
• 33:45
  Speaker 2: It's definitely the future. It's definitely the future. And it's
• 33:49
  Speaker 2: also proven.
• 33:50
  Speaker 3: I got a video coming out right now that's with
• 33:52
  Speaker 3: me and Chef G.
• 33:53
  Speaker 2: Free Chef G. Free Chef G. And it's AI. The
• 33:56
  Speaker 2: record is produced by Great Tom. I love that video. Exactly, because.
• 34:00
  Speaker 4: Unfortunately, Chef G's not here for us to actually do
• 34:02
  Speaker 4: the video. But the AI video came out so fucking
• 34:06
  Speaker 4: dope that you can't knock it. And some people look
• 34:08
  Speaker 4: and go, oh shit, that's really Chef G.
• 34:10
  Speaker 2: You know what I'm saying? So it got some parts
• 34:12
  Speaker 2: of it that's super dope. AI is dope. You can't
• 34:14
  Speaker 2: take it away. It is the future, man. Yeah, it's
• 34:16
  Speaker 2: the future.
• 34:17
  Speaker 1: Do you realize when some people mix, and you will
• 34:19
  Speaker 1: probably notice, there's AI programs.
• 34:22
  Speaker 2: Am I right? When you're doing, like when a person's
• 34:24
  Speaker 2: mixing your record. Oh, you better believe it.
• 34:27
  Speaker 1: There's AI programs now for producers and engineers.
• 34:32
  Speaker 4: Engineers, and it's making it way much smoother for them.
• 34:34
  Speaker 4: And there's nothing wrong with that. And who knows? That's
• 34:37
  Speaker 4: probably what Dr. Dre meant, too. Like, sometimes you can
• 34:39
  Speaker 4: just use AI to make a certain sound sound better
• 34:43
  Speaker 4: on the beat. Certain things like that. Like, yo, make
• 34:45
  Speaker 4: this or... make it hit a certain way and it
• 34:47
  Speaker 4: might just actually work. So it don't mean that, that's
• 34:51
  Speaker 4: a fact. So it don't mean that you AI created
• 34:56
  Speaker 4: the shit for you.
• 34:57
  Speaker 3: Nah, I just used AI to enhance the sound and
• 34:59
  Speaker 3: make this shit sound a hundred times better than it was.
• 35:02
  Speaker 2: That's all, so I get it. Okay, shout out to Dr. Dre. Yeah,
• 35:04
  Speaker 2: but A.I. is the future, man. Come on. In the
• 35:06
  Speaker 2: next 10 years, what do you think the future's gonna
• 35:08
  Speaker 2: look like? It's gonna be crazy. But I did see
• 35:12
  Speaker 2: Doja Cat shitting on Tyga for saying he got a
• 35:14
  Speaker 2: whole A.I. album. She called him a pause. Yeah, she
• 35:18
  Speaker 2: definitely called him a pause. She called him a pause.
• 35:20
  Speaker 2: That's the way. He's trying to follow the way. Yeah,
• 35:23
  Speaker 2: she shitted on Tyga. I mean, Doja Cat, you know
• 35:25
  Speaker 2: what it is? Because you know what?
• 35:26
  Speaker 1: I think some people look at an artist like, yo,
• 35:29
  Speaker 1: he can't make no hits no more? That's A.I., You
• 35:32
  Speaker 1: know what I'm saying?
• 35:33
  Speaker 2: And A.I.
• 35:33
  Speaker 1: Told you, I walked in the barbershop one day and
• 35:36
  Speaker 1: they thought niggas had a record or something. And they
• 35:39
  Speaker 1: was like, and they thought, and I was like, that's
• 35:41
  Speaker 1: not me. And they swore it was like me on there.
• 35:44
  Speaker 2: And I'm like, nah, that's not me.
• 35:46
  Speaker 3: If you look at Tyga though, he's always followed the
• 35:48
  Speaker 3: wave though. Like everything that's new coming out, he's always trying.
• 35:50
  Speaker 2: Oh, definitely. Tyga got hits, but what I'm saying is
• 35:52
  Speaker 2: he got his records.
• 35:53
  Speaker 4: I just thought it was funny how Doja Cat just
• 35:55
  Speaker 4: shitted on him out of nowhere and nobody even asked
• 35:57
  Speaker 4: her the question. And she just came out of nowhere like,
• 36:00
  Speaker 4: hold up, time out. Oh yeah, and Tiger's a pause
• 36:03
  Speaker 4: for doing that.
• 36:04
  Speaker 2: I was like, yo, she crazy.
• 36:06
  Speaker 1: I mean, because you know what? Because some people are
• 36:08
  Speaker 1: going to look at the greats. They're going to look
• 36:10
  Speaker 1: at the Marvin Gays, the Anita Bakers, the.
• 36:15
  Speaker 2: Nina Simone's like- Rob Markman, Jr.: They would never do that. Exactly.
• 36:20
  Speaker 2: The Michael Jacksons. That wasn't AI. Rob Markman, Jr.: Facts.
• 36:22
  Speaker 1: So you got to think, because when we look at
• 36:24
  Speaker 1: the history of music, I just named, come on, Aretha Franklin,
• 36:28
  Speaker 1: Anita Baker, Roberta Flack.
• 36:30
  Speaker 2: Rob Markman, Jr.: But Tiger was funny.
• 36:31
  Speaker 4: He said, just like when certain people started using auto-tunes
• 36:35
  Speaker 4: and shit like that. I think he said something about
• 36:38
  Speaker 4: her making a demonic album.
• 36:39
  Speaker 2: So he was like, hold up now, you was on
• 36:41
  Speaker 2: your demonic shit. He said that. I'm not with that.
• 36:45
  Speaker 2: So yeah, he was going back and forth with it
• 36:47
  Speaker 2: a little bit. But yeah, A.I. 's here to stay,
• 36:49
  Speaker 2: I think.
• 36:50
  Speaker 1: You can't compare A.I. to Auto-Tune because Auto-Tune is just
• 36:53
  Speaker 1: altering your voice.
• 36:54
  Speaker 2: A.I. is like, they writing.
• 36:56
  Speaker 3: Out fucking songs. That's two different things. That's why I
• 36:59
  Speaker 3: think with the artistry, people is not going to like that.
• 37:02
  Speaker 3: People that wrote hit records and you know Doja got
• 37:05
  Speaker 3: fucking hits that she wrote on her own.
• 37:08
  Speaker 4: That's why I said it's all about how you use A.I.
• 37:12
  Speaker 4: Don't make it create the whole shit. If you using
• 37:14
  Speaker 4: it to make it... certain sounds, sound bedding, things like that.
• 37:18
  Speaker 4: Or if an artist feel like, damn, I can't get
• 37:21
  Speaker 4: nobody to sing my record.
• 37:22
  Speaker 2: Like, hey, I'm a writer.
• 37:24
  Speaker 4: I'm not a singer. I can't get nobody to sing
• 37:26
  Speaker 4: my record. But I could create an artist and make A.I.
• 37:31
  Speaker 4: sing this record for me to get my music heard,
• 37:35
  Speaker 4: I think that's super dope and you can't knock that
• 37:37
  Speaker 4: for them. Just like the girl that got the $ 3
• 37:39
  Speaker 4: million deal that I was telling y'all about that I
• 37:41
  Speaker 4: just read up, you can't knock something like that because
• 37:43
  Speaker 4: she's showing.
• 37:44
  Speaker 2: You, hey, I can write. I'm a writer, I can
• 37:46
  Speaker 2: write my ass off. You know what I'm saying? Let
• 37:48
  Speaker 2: me make an A.I. artist for $ 3 million. What you think?
• 37:50
  Speaker 2: Fuck that. Can't knock that. So I get it. It's
• 37:53
  Speaker 2: all about how you use it, man.
• 37:55
  Speaker 1: It come to a point, though, too, where it's so
• 37:56
  Speaker 1: crazy in the game that I had a person that
• 37:59
  Speaker 1: I knew personally had some records that was fired, right?
• 38:02
  Speaker 1: So he went to a label. The guy from the label,
• 38:06
  Speaker 1: the head dude, was loving the record. You know what
• 38:08
  Speaker 1: I'm saying? Loving the record, loving the record, loving the record.
• 38:10
  Speaker 1: This nigga never would show the artist. Like the artist
• 38:13
  Speaker 1: would never show up. So the first thing nigga say is,
• 38:16
  Speaker 1: what the fuck was the music AI? So it's like,
• 38:19
  Speaker 1: you don't even know what to trust no more. That's
• 38:22
  Speaker 1: the fucked up part of AI. Like I said, what
• 38:24
  Speaker 1: that mean? He playing me these records. I'm bringing his
• 38:26
  Speaker 1: records to his label. I'm playing them for him. And
• 38:29
  Speaker 1: then I'm like, yo, so where's the artist? When the
• 38:31
  Speaker 1: artist gonna show up? Yo, he just kept making excuses, excuses, excuses.
• 38:36
  Speaker 1: And then after a while, the CEO was like, The
• 38:41
  Speaker 1: record is AI, gotta be AI. God never pulls up.
• 38:43
  Speaker 1: Or like they'd be like, well, where's his Instagram? Or
• 38:46
  Speaker 1: where's his Facebook? Or where's his ex, his Twitter? And
• 38:49
  Speaker 1: if you don't have that, you drop the record, niggas
• 38:51
  Speaker 1: ain't gonna believe you. That's what the thing about the
• 38:53
  Speaker 1: AI shit that fucks you up. I remember being overseas
• 38:56
  Speaker 1: and the motherfucker had an AI record, but we knew
• 38:58
  Speaker 1: it wasn't 50. Because it just sounded crazy.
• 39:01
  Speaker 2: But for a hot minute, for like the first two seconds,
• 39:04
  Speaker 2: he was like, hold up. The nigga was in the car.
• 39:06
  Speaker 2: I was like, yo, yeah, you heard this fifth shit before? Yo, never. Like, nah,
• 39:09
  Speaker 2: this shit. This A.I. I said that, of the first
• 39:12
  Speaker 2: two seconds. Yeah, they said, man, now that's A.I., man. Like, nigga, homeboy,
• 39:15
  Speaker 2: this is a fake A.I.
• 39:16
  Speaker 1: Record.
• 39:16
  Speaker 2: It didn't come to a point, even when shit you,
• 39:18
  Speaker 2: this is why Instagram, A.I. taking over.
• 39:20
  Speaker 1: Even when you on a gram and like, say you
• 39:22
  Speaker 1: see some shit like a bear attack somebody, you don't
• 39:25
  Speaker 1: know if it's real or AI. You know what I'm saying?
• 39:28
  Speaker 1: Motherfucker do a jump. Motherfucker jump up. The biggest ramp
• 39:32
  Speaker 1: in the world. If it ain't Red Bull, we know
• 39:33
  Speaker 1: Red Bull, we know it's real. But if it's not on,
• 39:36
  Speaker 1: do some other shit, we don't know.
• 39:39
  Speaker 2: Yo, that's AI. Yeah, AI the future.
• 39:41
  Speaker 1: That shit is the future. It's taking over now already.
• 39:43
  Speaker 1: I think it took over. So I know what Dre
• 39:45
  Speaker 1: is saying.
• 39:45
  Speaker 2: Music and TV.
• 39:47
  Speaker 1: As far as mixing and doing other shit like that, cool.
• 39:50
  Speaker 1: The creative part of records, I know what Murder's saying, though.
• 39:53
  Speaker 1: People that really write and really pen, they look at
• 39:55
  Speaker 1: that as, he cheating. That's how Doja look at Tyga.
• 39:59
  Speaker 2: Nigga's cheating. That's how she look at him, bro. He cheating.
• 40:04
  Speaker 4: Yeah, she wasn't feeling tiger. She was not feeling tiger. Salute, man,
• 40:07
  Speaker 4: to that situation.
• 40:09
  Speaker 1: Imagine Murder going to chat GTP. Yo, write me the
• 40:11
  Speaker 1: wrap up right now.
• 40:13
  Speaker 2: Oh, my God. I think it would take the feeling
• 40:18
  Speaker 2: out of what he does, though. No, it won't. It'll
• 40:21
  Speaker 2: only enhance it. Yo, I'm just being real. It'll only
• 40:25
  Speaker 2: enhance it. ChatGPT, help me write your own rap up.
• 40:29
  Speaker 1: Write your own rap up and have ChatGPT write the
• 40:31
  Speaker 1: other one.
• 40:32
  Speaker 2: ChatGPT wouldn't be as disrespectful. I'm a ChatGPT artist. Yes,
• 40:35
  Speaker 2: it would. Nah, it wouldn't be as disrespectful. Nah, but
• 40:39
  Speaker 2: I got to get into this one with y'all, right? So,
• 40:41
  Speaker 2: Javante Davis.
• 40:43
  Speaker 3: Has took a lot of backlash this week, right?
• 40:46
  Speaker 2: Javante Davis mocks.
• 40:48
  Speaker 1: Shout out to Javante Davis.
• 40:52
  Speaker 2: That's my guy.
• 40:53
  Speaker 3: He mocked a rumor about Devin Haney's mother.
• 40:57
  Speaker 1: No, you saying Devin Haney said something about Javante.
• 40:59
  Speaker 3: No, Javante Davis mocks a rumor about Devin Haney's mother.
• 41:05
  Speaker 3: So they both been going back and forth with each
• 41:07
  Speaker 3: other's family, right? But recently, as of what just happened,
• 41:11
  Speaker 3: it was an unverified rumor that Devin Haney's mother, April Clay,
• 41:16
  Speaker 3: had died.
• 41:17
  Speaker 2: Damn.
• 41:18
  Speaker 4: So Javante Davis- Sorry to hear that. We don't want
• 41:20
  Speaker 4: to hear that about nobody. We don't want to hear that, man.
• 41:23
  Speaker 4: Sorry to hear that.
• 41:24
  Speaker 2: You think Davis crossed the line? Is that a line crosser?
• 41:28
  Speaker 2: Whether David Haney said something about his moms or something
• 41:31
  Speaker 2: like that? They've just been going there on each other's families.
• 41:34
  Speaker 1: Yeah, David Haney said something about his moms, and Javante
• 41:38
  Speaker 1: is going to do what any nigga from Baltimore going
• 41:40
  Speaker 1: to do, shout to BMO, and shout to David Haney
• 41:42
  Speaker 1: and Javante. But he going to do what any real
• 41:44
  Speaker 1: nigga going to do. You know, niggas, even though I
• 41:46
  Speaker 1: wouldn't disrespect the dead, some niggas will.
• 41:49
  Speaker 2: So, you know what I'm saying? But I think.
• 41:51
  Speaker 1: It's crazy when you talk about mothers and all that,
• 41:54
  Speaker 1: but Haney did say something.
• 41:56
  Speaker 2: About his mom. I don't really like that right now.
• 41:58
  Speaker 3: This is a very serious question, and our fight is
• 42:01
  Speaker 3: more focused right now.
• 42:02
  Speaker 2: I think they just need to fight.
• 42:05
  Speaker 3: And doing all that online, because that's been a lot
• 42:07
  Speaker 3: going on with these boxers going back and forth.
• 42:09
  Speaker 1: I mean, that's the marketing for the fight. At this point,
• 42:12
  Speaker 1: they just need to settle it in the ring.
• 42:14
  Speaker 2: And that's what give them the fire for the fight. So,
• 42:16
  Speaker 2: I mean, the back and forth is... Let's get the
• 42:18
  Speaker 2: fight going on. Who should we talk to to make
• 42:22
  Speaker 2: the fight happen? Does it make it more interesting? That's
• 42:24
  Speaker 2: the next one. Of course. Definitely do. I mean, of course.
• 42:27
  Speaker 2: We want to see. If they're taking it to that
• 42:28
  Speaker 2: level of disrespect. We all know everybody wants to see
• 42:33
  Speaker 2: Javante fight. Back in the ring. Devin Haney.
• 42:35
  Speaker 1: Devin Haney, Shakur, and probably who else he didn't beat.
• 42:39
  Speaker 1: Because Javante beat everybody, but. I think Shakur and David Haney,
• 42:44
  Speaker 1: people want to see that. Because they had experience sparring
• 42:47
  Speaker 1: at Mayweather joint. Remember that old footage? You can find
• 42:50
  Speaker 1: that up.
• 42:50
  Speaker 2: That's a fact. There was always some kind of bad blood.
• 42:53
  Speaker 2: Pull that up too. Yeah, pull that up. You know
• 42:55
  Speaker 2: what I'm saying? Show that clip.
• 42:56
  Speaker 1: That was kind of crazy. You know what I'm saying?
• 42:58
  Speaker 1: But at the end of the day, talking about each
• 43:01
  Speaker 1: other mother, yeah, it's crazy, but that's the business, man.
• 43:04
  Speaker 2: You know how it is. I think both of them
• 43:05
  Speaker 2: was out of line. They need to settle it in
• 43:06
  Speaker 2: the ring. Let's take it in the ring, man.
• 43:09
  Speaker 1: I agree, but it's going to get even worse at
• 43:10
  Speaker 1: the press conferences now because the blood's spilled already.
• 43:14
  Speaker 2: The blood's on the ground. Just keep them a little separate.
• 43:17
  Speaker 1: So the press conference, it's going to make, they're going
• 43:19
  Speaker 1: to sell more tickets, more pay-per-views. So shout out to
• 43:22
  Speaker 1: Javonte and David Haney. You know, we need both y'all
• 43:25
  Speaker 1: on the show.
• 43:26
  Speaker 2: Fuck it. Who you got your money on, legend? Tank
• 43:29
  Speaker 2: has been going a little crazy for me. I'm going
• 43:31
  Speaker 2: to be honest.
• 43:32
  Speaker 3: I don't know.
• 43:32
  Speaker 2: He on some... Some internet shit.
• 43:35
  Speaker 4: That's not the question. I said, who you got your
• 43:37
  Speaker 4: money on, man? Who you got your money on?
• 43:40
  Speaker 2: Tank Davis, man. All right, stop it. All that shit
• 43:42
  Speaker 2: you said. All that shit you talk about. That's all
• 43:44
  Speaker 2: I ask you, man. You know what I'm saying? Come on,
• 43:46
  Speaker 2: Hall of Legends. We don't want to hear that. You
• 43:47
  Speaker 2: just said Tank, man. That's all. No politics.
• 43:50
  Speaker 1: We just want to hear who you got your money on.
• 43:52
  Speaker 1: Is it going to be a good fight? My money's
• 43:54
  Speaker 1: always going to be on Tank.
• 43:56
  Speaker 2: Heard you. Know what I'm saying, as for, because to me,
• 44:00
  Speaker 2: I'm just.
• 44:01
  Speaker 1: Saying, Haney lost to Ryan Garcia, correct? Fucking, Javante knocked
• 44:06
  Speaker 1: out Ryan Garcia, correct? Let me finish, let me finish,
• 44:10
  Speaker 1: let me finish.
• 44:12
  Speaker 2: Fucking take not Ryan Garcia out, right? So if Ryan
• 44:15
  Speaker 2: Garcia lost.
• 44:19
  Speaker 1: I mean, if Devin Haney lost to Ryan Garcia and
• 44:21
  Speaker 1: Gervonta knocked out Ryan Garcia, of course I'm gonna go
• 44:25
  Speaker 1: with fucking Tank.
• 44:25
  Speaker 4: Sometimes that don't matter. Styles make fights, but I understand
• 44:29
  Speaker 4: what you're saying.
• 44:30
  Speaker 2: You going with Tank? You better believe it. Come on, man.
• 44:32
  Speaker 2: Shout out to Gervonta Davis. You better believe it. Shout
• 44:34
  Speaker 2: out to the whole fucking Baltimore, man. That's a fact, man.
• 44:37
  Speaker 1: You fuck with a Baltimore nigga, a lesson learned, he
• 44:40
  Speaker 1: going to cross.
• 44:41
  Speaker 2: The line, nigga. It's Baltimore. One of the most aggressive
• 44:44
  Speaker 2: places to come from. You know that. We heard about
• 44:48
  Speaker 2: Baltimore niggas from back in the 80s, nigga. I got
• 44:51
  Speaker 2: to send out my guy, YG Tech, man. It's my guy.
• 44:54
  Speaker 2: You know what I mean? I'm going with Devin Haney.
• 44:55
  Speaker 2: So you know Bo Tremor. Oh, now you're switching up.
• 44:58
  Speaker 3: Yeah, he just pitched a draw with Lamar Charles Jr.
• 45:01
  Speaker 3: He just lost his last fight.
• 45:03
  Speaker 2: I mean, come on. How you going to switch up that?
• 45:05
  Speaker 3: Yeah, no, he just pitched a draw.
• 45:07
  Speaker 2: You undecided, my nigga. Yo, Devin Haney, I'll fuck with you.
• 45:10
  Speaker 4: Just because one person beat the other person don't mean
• 45:12
  Speaker 4: they can beat the next person, man.
• 45:13
  Speaker 2: Trust me, man.
• 45:14
  Speaker 1: He ain't been getting busy either, though. He ain't been
• 45:15
  Speaker 1: in the ring. He ain't been doing nothing. That don't matter. Yo, listen,
• 45:19
  Speaker 1: let me explain something to you. Yo, let me explain
• 45:21
  Speaker 1: something to you because this is a lot of Javante hate.
• 45:24
  Speaker 2: You know what I mean?
• 45:25
  Speaker 1: But I'ma explain something to you, bro. Javante remind me
• 45:28
  Speaker 1: of Mike Tyson.
• 45:30
  Speaker 2: Know what I mean?
• 45:31
  Speaker 1: Yeah, he got the drama, he got the money, the cars,
• 45:35
  Speaker 1: everything you see online getting crazy, but you know he's
• 45:38
  Speaker 1: a real motherfucker from Baltimore. His moms don't play, his
• 45:42
  Speaker 1: family look like they don't play. Javante is one of them, bro.
• 45:46
  Speaker 1: Just keep it real. And he's from a place where
• 45:49
  Speaker 1: disrespect is common. We talking about Baltimore. So, yo, so
• 45:53
  Speaker 1: Haney can't talk about a nigga moms, right? And don't
• 45:56
  Speaker 1: respect that, expect the ultimate disrespect to talk about your moms.
• 46:01
  Speaker 1: Even though I don't talk on the dead.
• 46:04
  Speaker 2: Shit. You know he from Baltimore. Is that even confirmed?
• 46:08
  Speaker 2: She did pass away? No, it was unconfirmed, bro. Oh, okay. Yeah,
• 46:13
  Speaker 2: it was unverified. Oh, if his mom's passed away. I
• 46:15
  Speaker 2: don't even want to put that on him like that. Yeah, yeah, yeah, copy, copy.
• 46:18
  Speaker 2: I didn't want to put that on him. So, yeah.
• 46:21
  Speaker 2: That's what I'm saying. That's like some online debacle going
• 46:24
  Speaker 2: on here. They need to just get in the ring, man.
• 46:26
  Speaker 2: So Haney's mom didn't pass away? To my understanding, no.
• 46:29
  Speaker 2: That's what I'm saying. Like, yeah, that's crazy. So what
• 46:32
  Speaker 2: did he say?
• 46:33
  Speaker 3: I just know he mocked her. Like, when somebody says
• 46:36
  Speaker 3: she passed away, yeah, that's why your mom died. You know,
• 46:38
  Speaker 3: that's like mocking someone.
• 46:39
  Speaker 2: Oh, shit.
• 46:40
  Speaker 4: They need to just get in the ring. That's what
• 46:42
  Speaker 4: I'm saying. Just get in the ring.
• 46:44
  Speaker 2: At this point, I mean, yeah, just get in the ring, man.
• 46:47
  Speaker 2: I told you, yeah, just get in the ring, man.
• 46:50
  Speaker 2: It's crazy, man. Shout to both of them.
• 46:52
  Speaker 3: So what Javonte Davis actually say, say crazy how Buddy
• 46:56
  Speaker 3: talked about my mom only for his mom to check out.
• 46:59
  Speaker 3: I mean, check a few weeks later, like basically check
• 47:02
  Speaker 3: out a few weeks later.
• 47:03
  Speaker 2: Now post that, inshallah. Damn. Oh, Chris Chris. That's the thing. Yeah,
• 47:09
  Speaker 2: that's crazy.
• 47:10
  Speaker 1: But I mean, you know, once he gets to the mothers, man,
• 47:11
  Speaker 1: it get personal. You know how, come on, you from
• 47:13
  Speaker 1: the hood. Once you say, everything be good, we can
• 47:16
  Speaker 1: have jokes all day, Ralph. We can have jokes, legend.
• 47:19
  Speaker 1: We can have jokes, murder.
• 47:20
  Speaker 2: But once you say, your mother, that's when you see
• 47:23
  Speaker 2: that punchline. Yeah, that's a fact, man. You know how
• 47:26
  Speaker 2: that is, bro.
• 47:27
  Speaker 4: Just understand, when you start talking like that, whatever happens after,
• 47:31
  Speaker 4: you know, just expect it and be on point for that.
• 47:34
  Speaker 2: So recently, shout to Harlem legend, murder. Salute. Recently, shout
• 47:39
  Speaker 2: to Neon.
• 47:41
  Speaker 1: If y'all didn't notice, I don't know if you see online,
• 47:43
  Speaker 1: that he just gave Delonte West $ 50, 000.
• 47:47
  Speaker 2: You know Delonte West been through a lot of bullshit
• 47:50
  Speaker 2: in his life. Shout to him. Legend.
• 47:53
  Speaker 1: So he gave him $ 50, 000, and I think he's giving
• 47:56
  Speaker 1: it his own streaming platform, I believe on Kik. So
• 48:00
  Speaker 1: he has it all set up for him. All he
• 48:02
  Speaker 1: has to do is go on live, click, and Neon
• 48:05
  Speaker 1: has everything set up for him. Shout to Neon, man.
• 48:07
  Speaker 2: That was positive. And I just seen.
• 48:08
  Speaker 4: Something with him bigging up LeBron James and his family
• 48:12
  Speaker 4: for keeping in touch with him. during these whole rough
• 48:15
  Speaker 4: times that he'd been going through. So I was wondering
• 48:17
  Speaker 4: why that's surfacing, like him saying that, like it was
• 48:20
  Speaker 4: just something recently him saying that.
• 48:22
  Speaker 2: I'm like.
• 48:22
  Speaker 4: So that they reached out to him. So it's crazy
• 48:23
  Speaker 4: that you say that. So I guess that's why, cause
• 48:25
  Speaker 4: I'm seeing that everywhere now.
• 48:27
  Speaker 2: So I guess why. Well, the neon thing is going viral.
• 48:29
  Speaker 1: Like I said, he gave him 50,000, which is a,
• 48:31
  Speaker 1: you know, a good amount of money for somebody, you know,
• 48:34
  Speaker 1: trying to get on their feet.
• 48:35
  Speaker 2: Shout to everybody out there. That's a need. That's dope.
• 48:37
  Speaker 2: And like I said, he set up the kick. That's
• 48:39
  Speaker 2: the lucrative thing.
• 48:40
  Speaker 1: Because if Delonte West kicks off his kick with Neon,
• 48:43
  Speaker 1: I think a lot of people is going to watch it.
• 48:44
  Speaker 2: And we've been watching little clips now. He just got
• 48:47
  Speaker 2: to try to stay clean, man. He said he needed a.
• 48:49
  Speaker 3: Lot of help because it ain't the money. He done
• 48:51
  Speaker 3: made a lot of money before. LeBron and him trying
• 48:53
  Speaker 3: to help him.
• 48:54
  Speaker 4: It ain't the money. He done made a lot of
• 48:55
  Speaker 4: money playing in the NBA. It's the problem that he got.
• 48:59
  Speaker 4: you know, with the habit. So he just gotta try
• 49:01
  Speaker 4: to stay clean. Just need people helping him trying.
• 49:02
  Speaker 2: To do that.
• 49:03
  Speaker 3: Yeah, he said LeBron James and his mother reached, I mean,
• 49:06
  Speaker 3: LeBron James' mom's actually reached out to him. That's what
• 49:09
  Speaker 3: caught everybody's attention. To make sure he was okay.
• 49:12
  Speaker 2: Oh, that's great.
• 49:14
  Speaker 3: But a lot of people are saying, is it to
• 49:15
  Speaker 3: really knock him back down when he's doing okay? Because
• 49:18
  Speaker 3: we know the rumors that came out before. So that's
• 49:21
  Speaker 3: one of the biggest things. It's just out there.
• 49:23
  Speaker 2: Shout out to LeBron. That's the GOAT over here. I'm
• 49:25
  Speaker 2: just putting out there. I know what you said, but
• 49:27
  Speaker 2: that's the GOAT.
• 49:28
  Speaker 1: The whole moral of the story is that Neon is
• 49:31
  Speaker 1: a good person. You know, this kid is a young
• 49:33
  Speaker 1: streamer on the come up. Shout out to all the
• 49:35
  Speaker 1: young streamers out there and the people that wanna stream,
• 49:38
  Speaker 1: you know, and he's making millions of dollars. It's reported
• 49:40
  Speaker 1: that he's, what, 50 million in? A young kid like that.
• 49:44
  Speaker 1: And for him to take 50,000 out of his pocket
• 49:46
  Speaker 1: and say, yo, here, and yo, here's your kick set
• 49:50
  Speaker 1: up right here. That's the ultimate assist where Delonte West
• 49:53
  Speaker 1: could bounce back and make millions of dollars just being
• 49:56
  Speaker 1: on the platform with Neon. So I'm looking past the 50,000.
• 50:00
  Speaker 1: I'm looking at the page that was created for him,
• 50:02
  Speaker 1: the streaming platform that Neon helped him get.
• 50:06
  Speaker 2: So shout to Neon, man. That was definitely a kind
• 50:09
  Speaker 2: thing to do, man.
• 50:10
  Speaker 3: And the latest news, let's get into Cleveland Browns real quick, right?
• 50:14
  Speaker 2: Let's get into the Cleveland Browns.
• 50:16
  Speaker 3: Deshaun Watson is the number one quarterback at the start
• 50:19
  Speaker 3: of the season.
• 50:19
  Speaker 2: How do y'all feel about that? I saw that. That's whack.
• 50:22
  Speaker 2: Overseer Dorsey Sanders.
• 50:24
  Speaker 4: I thought that was kind of whack because I thought
• 50:26
  Speaker 4: they actually played kind of evenly. But I thought Shador
• 50:29
  Speaker 4: did better than him. And Deshaun Watson was just talking
• 50:34
  Speaker 4: about how he ain't even feeling the whole Cleveland fan base,
• 50:37
  Speaker 4: which he do got a valid point because the last
• 50:40
  Speaker 4: time he said the last time he played in Cleveland
• 50:42
  Speaker 4: and he got hurt that the fans was cheering. He
• 50:46
  Speaker 4: was like, yo, how could y'all be cheering that I
• 50:48
  Speaker 4: got hurt and I'm out there playing for y'all city?
• 50:51
  Speaker 2: So I feel him.
• 50:52
  Speaker 4: But he just went and publicly made that statement like, man,
• 50:55
  Speaker 4: I don't really care about the Cleveland fans because they
• 50:59
  Speaker 4: was cheering when I got hurt. He was saying he'll
• 51:04
  Speaker 4: put his oil in Connor when he go on the
• 51:06
  Speaker 4: road and play. Like, man, all right, for all the
• 51:08
  Speaker 4: games that away games, I'm going to go hard.
• 51:11
  Speaker 2: But the Cleveland fan base, I ain't really feeling them
• 51:13
  Speaker 2: too tough.
• 51:14
  Speaker 4: So I was just kind of surprised that they started
• 51:17
  Speaker 4: him after he made those comments when him and Shador
• 51:20
  Speaker 4: Sanders was kind of even during the preseason.
• 51:24
  Speaker 2: And I think Shador, give him his shot, man.
• 51:26
  Speaker 4: I feel like they've been hating on Shador because of Deion,
• 51:30
  Speaker 4: because how vocal Deion be with certain things.
• 51:33
  Speaker 2: I feel like they just hating on Shador Sanders. That's all.
• 51:35
  Speaker 1: My take on it is Shador Sanders is the ticket
• 51:39
  Speaker 1: sales guy.
• 51:40
  Speaker 2: Facts.
• 51:41
  Speaker 1: Everybody was thinking about Cleveland Browns when Shador Sanders actually
• 51:45
  Speaker 1: came to the team. The opening games when he played
• 51:48
  Speaker 1: was sold out. Everybody's coming there in all actuality to
• 51:52
  Speaker 1: see Shador Sanders. The last quarterback, what'd you say his
• 51:56
  Speaker 1: name is?
• 51:57
  Speaker 2: Deshaun Watson. I don't even know him. Nah, he the truth. Nah,
• 52:01
  Speaker 2: he been around. I'm not saying. No disrespect. No, no,
• 52:05
  Speaker 2: but I'm going to say this. He was the truth.
• 52:06
  Speaker 1: All I'm saying is marketing-wise, everybody knows the Sanders family.
• 52:10
  Speaker 2: Bro, they a big deal.
• 52:12
  Speaker 1: Right?
• 52:12
  Speaker 2: Wrong or right? No, that's the fact. But Deshaun Watson
• 52:14
  Speaker 2: was that dude.
• 52:14
  Speaker 3: From college.
• 52:15
  Speaker 2: And they gave him a lot of gas.
• 52:17
  Speaker 4: He got one of them contracts that the Interfederal News
• 52:19
  Speaker 4: would give out, right, where all of his money was guaranteed.
• 52:24
  Speaker 2: They gave him a bunch of money, like 233 million.
• 52:26
  Speaker 3: If I'm not mistaken like that. So they're like, man,
• 52:29
  Speaker 3: we got to see this kid do something. We got
• 52:32
  Speaker 3: to see him do something. We done gave him all
• 52:34
  Speaker 3: this money, guaranteed. They don't even care if he go
• 52:37
  Speaker 3: out there and get hurt at this point.
• 52:39
  Speaker 2: That's why the fans was cheering. Like, yeah, he got
• 52:40
  Speaker 2: this money, which is not cool, clearly the fans.
• 52:43
  Speaker 1: But what I'm saying is, Everybody was paying attention when
• 52:47
  Speaker 1: Shador Sanders went to Cleveland Browns. Everybody wanted to buy
• 52:50
  Speaker 1: his jersey. And then opening games, I believe, was like
• 52:53
  Speaker 1: sold out. Everybody's excited because when you look at it
• 52:57
  Speaker 1: marketing wise, I'm not going to say the money. Cause
• 53:00
  Speaker 1: your guy could be better. Marketing wise, the Sanders family.
• 53:03
  Speaker 3: What is the problem?
• 53:07
  Speaker 1: I feel like he's the guy that's gonna, we come
• 53:10
  Speaker 1: in to see play. I seen what was the last
• 53:13
  Speaker 1: game and he did a great job. He had like
• 53:15
  Speaker 1: all kinds of crazy passes. I feel like I'm going
• 53:18
  Speaker 1: to watch the Browns More because of him.
• 53:20
  Speaker 2: Just my opinion.
• 53:22
  Speaker 4: I was like, you know, Deshaun Watson, he actually used
• 53:26
  Speaker 4: to be that dude. He just, he started going through
• 53:28
  Speaker 4: a couple of things. He had a couple of court
• 53:29
  Speaker 4: procedures he went through. He was hurt, shit like that.
• 53:32
  Speaker 4: But for people that know football, Deshaun Watson was that dude.
• 53:36
  Speaker 4: He was going like back to back with Patrick Mahomes.
• 53:38
  Speaker 4: They was like having shootouts. So Deshaun Watson was that dude.
• 53:42
  Speaker 4: That's why Cleveland gave him all that money. But since
• 53:45
  Speaker 4: he done got injured and all the shit he was
• 53:47
  Speaker 4: going through with these females, you know, massage therapists and.
• 53:50
  Speaker 3: All that, he ain't been the same for a long time.
• 53:53
  Speaker 3: He ain't been the same for a long time.
• 53:55
  Speaker 2: He ain't been the same.
• 53:56
  Speaker 1: I just feel like right now, Shador is the ticket seller.
• 54:02
  Speaker 1: When we knew he was going to the Browns, everybody
• 54:05
  Speaker 1: started paying attention. If he plays, I'm going to tune
• 54:08
  Speaker 1: into the game because he's the quarterback.
• 54:10
  Speaker 3: So it's just the Sanders family. You think that they
• 54:13
  Speaker 3: just don't want to push the Sanders. What is the
• 54:15
  Speaker 3: core problem?
• 54:16
  Speaker 1: I don't know what the problem is, but I know
• 54:19
  Speaker 1: they're all the ticket. Those are the people you want
• 54:21
  Speaker 1: to see, bro.
• 54:21
  Speaker 3: Didn't he get drafted last or something like that, too?
• 54:24
  Speaker 2: Yeah, he didn't get drafted last. He got drafted. in
• 54:27
  Speaker 2: the fifth round.
• 54:28
  Speaker 4: It was a lot of hate on him because he
• 54:30
  Speaker 4: was supposed to at least go in the top ten.
• 54:32
  Speaker 4: Or definitely at least in the first round.
• 54:34
  Speaker 2: But They was hating on him because of DR.
• 54:37
  Speaker 1: Anywhere he goes, he's going to sell tickets, bro.
• 54:39
  Speaker 2: They was hating on him because of DR, man. He's
• 54:41
  Speaker 2: going to sell tickets. They proved him wrong last year.
• 54:43
  Speaker 2: He showed out. It's the kids love him.
• 54:45
  Speaker 1: He led all rookies. Everybody loved the Sanders family. You
• 54:48
  Speaker 1: know what I'm saying? Legendary, their dad is a Hall
• 54:50
  Speaker 1: of Famer. I think just the story all in all
• 54:53
  Speaker 1: that you see, we just love. The chains on the field,
• 54:56
  Speaker 1: diamond chains. It don't matter though.
• 54:59
  Speaker 2: They're living a lifestyle like their dad, flashy. And I think...
• 55:03
  Speaker 2: I'm going to want to see Shador play over. They're
• 55:07
  Speaker 2: going to make the power switch.
• 55:08
  Speaker 3: So it's one of those things where Shador came in
• 55:11
  Speaker 3: a little different. He came in a little different from
• 55:13
  Speaker 3: all the other kids.
• 55:14
  Speaker 2: He had the money already. Come on. That's trying to
• 55:15
  Speaker 2: get into the NFL. Real flashy. He got the selling
• 55:19
  Speaker 2: move and all that that he be doing. So they
• 55:21
  Speaker 2: don't like that. He already had a bunch of sponsors.
• 55:22
  Speaker 1: And now you can make money in college now. So
• 55:24
  Speaker 1: he's making millions already.
• 55:26
  Speaker 3: When Cleveland go 0-3, 0-4, that's when they're going to
• 55:30
  Speaker 3: make the quarterback switch and Shador going to get his
• 55:32
  Speaker 3: shot again. But if they hating on him this bad,
• 55:35
  Speaker 3: when that's like a setup, like you get in the game, yo,
• 55:37
  Speaker 3: this is a real intricate game.
• 55:40
  Speaker 2: It's all good. He's all good. He's got to keep
• 55:42
  Speaker 2: proving himself. Snap of a minute, right?
• 55:45
  Speaker 3: And so if they hating on you that much, like
• 55:47
  Speaker 3: when you want to not play?
• 55:48
  Speaker 4: Nah, because he want to prove himself. He want to
• 55:52
  Speaker 4: prove all the haters wrong.
• 55:53
  Speaker 2: It's all good.
• 55:54
  Speaker 4: Shador been doing that his whole career. So he want
• 55:57
  Speaker 4: to prove them wrong. Oh, yeah, I think I'm only
• 55:58
  Speaker 4: here because of Dion.
• 55:59
  Speaker 2: Okay, watch this.
• 56:01
  Speaker 4: And he showed them that last year, so I don't
• 56:03
  Speaker 4: even know why they hating on him like that right now.
• 56:05
  Speaker 4: But like I said, Deshaun Watson probably gonna go about 0-3, 0-4,
• 56:09
  Speaker 4: then they gonna switch over to Shador.
• 56:12
  Speaker 2: Then I think he gonna show out, man.
• 56:15
  Speaker 3: So I gotta get into this one with y'all now, right?
• 56:17
  Speaker 3: This is a real, this is a big one that's
• 56:20
  Speaker 3: floating around, right? No pun intended, right? Biggie's Children Challenge,
• 56:24
  Speaker 3: last minute changes. to Valetta Wallace's estate.
• 56:30
  Speaker 2: I seen that, man. So, what's going on here is
• 56:33
  Speaker 2: Christopher C.J. Wallace Jr.
• 56:35
  Speaker 3: Alleges that he and his half-sister, Tiana Wallace, were removed
• 56:40
  Speaker 3: from significant portions of their grandmother Valetta Wallace's estate planned
• 56:45
  Speaker 3: just 15 days before her death.
• 56:48
  Speaker 2: That don't sound right. That's crazy. That don't sound right.
• 56:51
  Speaker 3: C.J. is questioning her capacity at the time, challenging the
• 56:56
  Speaker 3: authority The authentication, right?
• 57:00
  Speaker 2: Of her signing it at that time.
• 57:02
  Speaker 3: The signatures and seeking to remove Biggie's former manager, Wayne Barrow,
• 57:07
  Speaker 3: as executive.
• 57:08
  Speaker 2: So this man basically took over everything, bro. To Wayne Barrow.
• 57:12
  Speaker 2: Wayne Barrow.
• 57:13
  Speaker 3: I want to know why is that and why he's not.
• 57:16
  Speaker 4: In communication with the kids? Because you know Biggie and
• 57:20
  Speaker 4: rest in peace to his mother would want that to
• 57:23
  Speaker 4: be for the kids, right? So for Christopher to even
• 57:27
  Speaker 4: have to come to the internet to make this public
• 57:30
  Speaker 4: shows you something ain't right.
• 57:32
  Speaker 2: And I feel like homeboy need to just make that right.
• 57:34
  Speaker 2: Like stop being greedy.
• 57:35
  Speaker 4: I don't know what's going on like that, but I
• 57:38
  Speaker 4: feel like he need to make that right with the
• 57:40
  Speaker 4: kids ASAP.
• 57:42
  Speaker 2: That's Biggie, man. You know what I mean? Like stop playing, man.
• 57:46
  Speaker 1: I think this is the point that we're missing, right?
• 57:48
  Speaker 1: When people die, right? Because we all lose people, right?
• 57:51
  Speaker 1: Every time you see somebody die, I've seen a lot
• 57:53
  Speaker 1: of family, friends. When somebody die, people start arguing over
• 57:57
  Speaker 1: the money, the real estate, the funds, this, that, brothers, sisters.
• 58:00
  Speaker 1: People that are brothers and sisters now. The point that
• 58:03
  Speaker 1: we're missing is, you said 15 days?
• 58:06
  Speaker 2: Of course.
• 58:07
  Speaker 1: That sounds crazy. Now read that back to me. That's
• 58:09
  Speaker 1: the whole point we're missing. 15 days before she died?
• 58:12
  Speaker 3: Yeah, Valetta Wallace's estate plan just 15 days before her death.
• 58:17
  Speaker 1: So if somebody's doing that 15 days before your grandmother died,
• 58:21
  Speaker 1: what makes you think that they're going to be good
• 58:23
  Speaker 1: with business?
• 58:24
  Speaker 2: With you.
• 58:25
  Speaker 3: Should any major will change that close? Should any of
• 58:29
  Speaker 3: that be checked out?
• 58:31
  Speaker 2: Obviously, he knew the news before they knew the news.
• 58:34
  Speaker 2: It feels funny.
• 58:35
  Speaker 1: If he changed it 15 days, if that's correct, that's
• 58:38
  Speaker 1: the foulest shit you could do ever.
• 58:40
  Speaker 2: And that's what people do.
• 58:42
  Speaker 1: Some people die and you could have a fucking, could
• 58:45
  Speaker 1: have insurance on you and you don't even know. Or
• 58:47
  Speaker 1: could have a trust on you and you won't even know.
• 58:49
  Speaker 1: You see it all the time. So to me, that's
• 58:51
  Speaker 1: some sleazebag stupid shit.
• 58:53
  Speaker 3: And what's his name again? His name is Wayne Barrow.
• 58:57
  Speaker 3: Wayne Barrow, we need to figure this out. Wayne Barrow,
• 59:00
  Speaker 3: we need to figure this out, man.
• 59:01
  Speaker 1: How you going to figure out when somebody did the grimest, allegedly,
• 59:05
  Speaker 1: did the grimest thing ever 15 days before she passed away?
• 59:09
  Speaker 3: That's why I'm saying we need to figure this out.
• 59:11
  Speaker 3: We need all them other podcasters. We need all these
• 59:14
  Speaker 3: other podcasters to talk about it too, man. Joe Budden,
• 59:17
  Speaker 3: I need you to highlight this too, man. Everybody, highlight this.
• 59:20
  Speaker 3: Should his children actually own the rights to this?
• 59:23
  Speaker 2: Like, they should have everything, you think, the children? Yeah.
• 59:26
  Speaker 2: I think so, man. That's what he worked for.
• 59:28
  Speaker 3: I think they should be- And that's what the mother
• 59:29
  Speaker 3: God bless wanted as well, man. I think they should be-
• 59:32
  Speaker 3: She wanted that. I think- Yes, she wanted that.
• 59:35
  Speaker 2: I love the grandchildren. Yes, she loved the grandchildren. She
• 59:37
  Speaker 2: wanted that, man.
• 59:38
  Speaker 1: I think they should be rewarded. Rest in peace to Nipsey. Like, Nipsey-
• 59:41
  Speaker 1: Daughter was just awarded. I think they should be awarded
• 59:44
  Speaker 1: because Dolph did good business. His kids got a lot
• 59:46
  Speaker 1: of real estate and stuff set up. So, you know,
• 59:49
  Speaker 1: these are smart guys, smart business plays. But when a
• 59:52
  Speaker 1: guy does something 15 days, allegedly, before, you know, Big's
• 59:56
  Speaker 1: mom passed away. They're the greatest rappers in the world.
• 59:59
  Speaker 1: And shout to Big Son. I met his son before.
• 1:00:02
  Speaker 1: That's a fact. That's fam. That's some peoples, man. I mean,
• 1:00:05
  Speaker 1: it's just funny business. I think, yeah, half of the estate...
• 1:00:08
  Speaker 1: or most of the state, or majority of the state,
• 1:00:11
  Speaker 1: she belong to Bigg's kids. Because rest in peace, Biggie Small,
• 1:00:14
  Speaker 1: one of the greatest rappers of all time. I think
• 1:00:17
  Speaker 1: that's what he would want.
• 1:00:18
  Speaker 2: For his kids.
• 1:00:19
  Speaker 4: And even if you feel like they young, so they
• 1:00:22
  Speaker 4: might blow through the money, things can get set up
• 1:00:26
  Speaker 4: where they get a certain amount of money each year,
• 1:00:29
  Speaker 4: so you make sure they're not running through it. But
• 1:00:32
  Speaker 4: the point is, it should be in their hands, and
• 1:00:35
  Speaker 4: they should control it. Big would want his kids to be,
• 1:00:38
  Speaker 4: you know what I'm saying, receiving his money.
• 1:00:41
  Speaker 3: It's been a pattern for years that many artists that
• 1:00:45
  Speaker 3: pass away, it's always the family feud over who get what.
• 1:00:49
  Speaker 3: Why do so many artists, after they leave, It's always that.
• 1:00:54
  Speaker 1: Kind of family feud. I just told you, it's not
• 1:00:55
  Speaker 1: just artists. It's people in regular families. If somebody might
• 1:01:01
  Speaker 1: pass away, a grandfather or grandmother or father or mother,
• 1:01:05
  Speaker 1: whatever it may be, rest in peace, you see it
• 1:01:07
  Speaker 1: all the time.
• 1:01:08
  Speaker 2: There's no trust there. So they're arguing over the house.
• 1:01:11
  Speaker 1: This person might have primary, you know, Beneficiary. Beneficiary to everything.
• 1:01:17
  Speaker 1: And then your sisters and brothers are arguing over, oh,
• 1:01:20
  Speaker 1: what about me? What about them? You see it all
• 1:01:22
  Speaker 1: the time. So what happened then with artists, it's just
• 1:01:25
  Speaker 1: on a whole nother level because we're talking about millions now. Yeah,
• 1:01:28
  Speaker 1: the business don't be set up the right way. We're
• 1:01:29
  Speaker 1: talking about millions now. But if he was management for
• 1:01:33
  Speaker 1: Biggie's mom, allegedly, right? Or doing what he's doing, right? And-
• 1:01:38
  Speaker 1: He did some funny shit changing paperwork, like you said, allegedly.
• 1:01:42
  Speaker 2: 15 days before. We all know it's janky business.
• 1:01:45
  Speaker 4: He should be on the same page with the kids
• 1:01:47
  Speaker 4: to the point where we shouldn't even be speaking about this.
• 1:01:51
  Speaker 4: We shouldn't even know about this. This shouldn't even be
• 1:01:54
  Speaker 4: a topic for us to even be talking about. He
• 1:01:57
  Speaker 4: supposed to be that much on the same page with
• 1:01:59
  Speaker 4: them kids that this shouldn't even be.
• 1:02:00
  Speaker 2: A topic on our show.
• 1:02:02
  Speaker 4: Christopher shouldn't even have to go to the internet to
• 1:02:04
  Speaker 4: talk about this shit.
• 1:02:06
  Speaker 3: Well, you know, he beat out Faith Evans, actually, to
• 1:02:10
  Speaker 3: get the other half of the state, right? So I
• 1:02:13
  Speaker 3: want to ask you guys, right? There was speculation that
• 1:02:18
  Speaker 3: the mother changed it, right? This is what's being said
• 1:02:21
  Speaker 3: in the media. The mother changed it. Valetta Wallace changed
• 1:02:24
  Speaker 3: it because of Faith messing with What's his name? No,
• 1:02:29
  Speaker 3: Stevie J.
• 1:02:30
  Speaker 2: Copy. Running around with Stevie J. Okay. So, the mother
• 1:02:34
  Speaker 2: wasn't feeling... Allegedly with all this.
• 1:02:36
  Speaker 3: Allegedly.
• 1:02:36
  Speaker 2: Allegedly with all this. But that's what's floating around in
• 1:02:38
  Speaker 2: the media. Okay.
• 1:02:39
  Speaker 3: So, she changed it at the last minute. That's what's
• 1:02:43
  Speaker 3: floating around. But what that got to do with the kid? No,
• 1:02:45
  Speaker 3: I'm just adding into the story that that's why he
• 1:02:48
  Speaker 3: might have got it in his hands. You see what
• 1:02:50
  Speaker 3: I'm saying? That's why he may have ended up with it.
• 1:02:53
  Speaker 3: He was one of the closest to the family.
• 1:02:54
  Speaker 2: You know what I mean? He's the manager. He's been
• 1:02:55
  Speaker 2: for years. But the kids ain't feeling that love. Of
• 1:02:58
  Speaker 2: course not.
• 1:02:59
  Speaker 4: The kids should definitely get it. That's why we know
• 1:03:01
  Speaker 4: about it now. Because the kids is not feeling the love.
• 1:03:03
  Speaker 4: They're like, man, something ain't right here.
• 1:03:05
  Speaker 1: At the end of the day, like I said, allegedly,
• 1:03:07
  Speaker 1: if he did that shit 15 days before she passed away.
• 1:03:10
  Speaker 2: Something ain't right. Something ain't right. I'm just putting out
• 1:03:13
  Speaker 2: the other scenarios. That's what lawyers did. That's all. It's for,
• 1:03:16
  Speaker 2: and I hope they work it out. Something ain't right
• 1:03:19
  Speaker 2: with that guy. Because it's big kids. It's your kids.
• 1:03:21
  Speaker 2: Your kids are always... a beneficiary or something, but if
• 1:03:24
  Speaker 2: there's not a trust there, it might be a problem.
• 1:03:27
  Speaker 2: But something ain't right. Nah, we don't want him on
• 1:03:30
  Speaker 2: the show. We want Biggie Son on the show, bro.
• 1:03:33
  Speaker 2: CJ to tell his part. Brooklyn!
• 1:03:37
  Speaker 1: What's going on on the Real Report, man? How you feeling, man?
• 1:03:40
  Speaker 1: I'm feeling amazing, man. I'm gonna keep it real. I
• 1:03:44
  Speaker 1: keep it 1,000.
• 1:03:44
  Speaker 2: Mr. Harlem Legend in the building. How you feel being
• 1:03:47
  Speaker 2: in the building, man? Trying to figure it out. Nah,
• 1:03:50
  Speaker 2: it's good, man. It's good. I like it. We appreciate
• 1:03:53
  Speaker 2: you coming out. Appreciate y'all.
• 1:03:54
  Speaker 1: You know what I'm saying? Got Harlem Legend in the
• 1:03:56
  Speaker 1: building moderating today.
• 1:03:57
  Speaker 2: Yeah, subscribe. Harlem Legend TV. It's another episode. How you feel?
• 1:04:01
  Speaker 2: Eddie forgot our plaques. You know what I'm saying? Eddie,
• 1:04:03
  Speaker 2: where the fuck is my plaque, man? I got mine
• 1:04:05
  Speaker 2: at the crib.
• 1:04:07
  Speaker 3: We had 100,000 subscribers four months ago. We only been
• 1:04:12
  Speaker 3: on air for seven months and we had 100,000 subscribers
• 1:04:16
  Speaker 3: four months ago and I still ain't get my plaque.
• 1:04:18
  Speaker 2: I got my plaque, it's at the crib.
• 1:04:21
  Speaker 1: He should've shouted a volume, he should've ran to the
• 1:04:23
  Speaker 1: office and picked it up.
• 1:04:24
  Speaker 2: Shout out to the value, man.
• 1:04:25
  Speaker 1: Because let me tell you, for me, for real, it
• 1:04:28
  Speaker 1: was one of the biggest accomplishments of my life. I
• 1:04:30
  Speaker 1: put it right next to my rap plaque. And I
• 1:04:32
  Speaker 1: had it on my wall.
• 1:04:33
  Speaker 2: I posted it on the gram. Look, he like that, right?
• 1:04:35
  Speaker 2: He see you get the brag.
• 1:04:36
  Speaker 3: I got my plaque.
• 1:04:38
  Speaker 2: I put up. I mean. And I'm feeling the way.
• 1:04:41
  Speaker 2: Can you bring my plaque? I got you. the next
• 1:04:43
  Speaker 2: time we fail, my brother. Thank you, my brother. Thank you.
• 1:04:47
  Speaker 2: When you get that first plaque. Look at this guy.
• 1:04:50
  Speaker 1: Yeah, you see this guy right here?
• 1:04:54
  Speaker 2: I took his shit, my brother.
• 1:04:56
  Speaker 1: I damn near ran to the volume. So I want
• 1:04:59
  Speaker 1: to tell everybody, man, we love y'all.
• 1:05:01
  Speaker 2: Y'all like, share, subscribe. We definitely love y'all, man. We
• 1:05:05
  Speaker 2: appreciate y'all. Y'all been supporting us. We only been in
• 1:05:07
  Speaker 2: the game for five months. No paid ads and stuff
• 1:05:10
  Speaker 2: like that. No bots. No nothing, just straight grind. Shout
• 1:05:14
  Speaker 2: out to Eddie. We appreciate y'all. We love all the fans.
• 1:05:16
  Speaker 2: We love y'all, man.
• 1:05:18
  Speaker 1: The volume, of course. And like legend, I just had
• 1:05:21
  Speaker 1: to run to the volume to get that plaque, man.
• 1:05:24
  Speaker 1: It's a big accomplishment. And I know from watching Vlad,
• 1:05:28
  Speaker 1: you know, when I walk in his shit, he got
• 1:05:30
  Speaker 1: the hundred thousand and then you don't get another plaque
• 1:05:32
  Speaker 1: till you get that million. So, you know, now the
• 1:05:35
  Speaker 1: million is my goal and I appreciate everybody.
• 1:05:38
  Speaker 2: That watch everything we do. It's your goal too, but
• 1:05:41
  Speaker 2: I'm telling you how I feel. You ain't even going
• 1:05:43
  Speaker 2: to pick up your plaque. I'm about to get mine.
• 1:05:45
  Speaker 2: Just give me it.
• 1:05:46
  Speaker 3: Eddie got my plaque.
• 1:05:47
  Speaker 2: Give me my fucking plaque. I'm not waiting on him
• 1:05:50
  Speaker 2: to get my plaque. We hit a hundred thousand. That's
• 1:05:52
  Speaker 2: another milestone in life.
• 1:06:00
  Speaker 1: So I just want to thank everybody who's subscribing to us.
• 1:06:02
  Speaker 2: That's another milestone. We did it in a couple of months.
• 1:06:05
  Speaker 2: That's a fact, man. We making moves out here. We
• 1:06:07
  Speaker 2: running around. That's the quickest. We did that, my brother. Yeah,
• 1:06:10
  Speaker 2: we did that. We definitely did that. But you got
• 1:06:11
  Speaker 2: to go get your plaque. Now, Eddie got my plaque, man.
• 1:06:14
  Speaker 2: Bring my shit next time. I'm not waiting on nobody
• 1:06:16
  Speaker 2: to get my plaque. I see. Took 100,000 on YouTube.
• 1:06:19
  Speaker 2: Thanks for everybody. I seen his video on Instagram. I said, oh, shit,
• 1:06:22
  Speaker 2: I'm posting. For real, I love y'all and I appreciate y'all.
• 1:06:26
  Speaker 2: God is good. You know, it's been a good year.
• 1:06:28
  Speaker 1: We're going to end up this next five months with
• 1:06:30
  Speaker 1: more videos. You know what I'm saying? And I know
• 1:06:33
  Speaker 1: we get caught up in the numbers sometimes, but it's
• 1:06:35
  Speaker 1: about the marathon.
• 1:06:37
  Speaker 2: Know what I'm saying? I'm tough keeping it real. We
• 1:06:39
  Speaker 2: get caught up in the numbers.
• 1:06:42
  Speaker 4: All of Legend TV, 100,000. And I need y'all to
• 1:06:44
  Speaker 4: tune into my brother, Yayo. Feed the Yayo Show. You
• 1:06:49
  Speaker 4: understand what I'm saying? My boy got some.
• 1:06:51
  Speaker 2: He outside.
• 1:06:52
  Speaker 1: We working, you know what I'm saying? But shout out
• 1:06:55
  Speaker 1: to the volume right now. We got that merch coming soon.
• 1:06:58
  Speaker 2: The Real Report merch on the way.
• 1:07:00
  Speaker 1: We got some big interviews coming soon. So y'all keep
• 1:07:03
  Speaker 1: looking out. Keep watching. Keep subscribing. You know what I mean?
• 1:07:07
  Speaker 1: Look out for the music with Murda. Look out for
• 1:07:09
  Speaker 1: us acting. Look out for us doing everything. Shut out
• 1:07:12
  Speaker 1: the Empire album. It's dead near done. Just waiting for
• 1:07:15
  Speaker 1: about one, two more features and we done.
• 1:07:17
  Speaker 2: Let's go.
• 1:07:18
  Speaker 1: We definitely got a shout out. I guess fucking moderator,
• 1:07:22
  Speaker 1: Harlem legend, TV in the building.
• 1:07:24
  Speaker 2: We out of here. It's the fucking real deal.