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138: Top 10 Albums With NO Skips | #thebaldbrotherspodcast · The Bald Brothers Podcast

• 0:00
  Speaker 1: Yo.
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  Speaker 2: Before you watch this episode of The Ball Brothers, make
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  Speaker 2: I got too excited. All right, got a going. Hey
• 1:00
  Speaker 2: we're doing today. I'm sorry, we're doing top ten albums
• 1:05
  Speaker 2: with no skips. Okay, now just listen. This is not
• 1:11
  Speaker 2: the full list. This is just five that we can
• 1:15
  Speaker 2: think of. All right, we know there's more me and
• 1:18
  Speaker 2: ton to listen to, very different music, and so we're
• 1:19
  Speaker 2: picking five each, picking five each of any genre, anytime, anywhere,
• 1:26
  Speaker 2: or anytime any play.
• 1:27
  Speaker 1: So we're talking to seventies.
• 1:28
  Speaker 2: We're talking top ten albums with no skips. These are
• 1:36
  Speaker 2: the only rule is I'm talking about press play first song,
• 1:42
  Speaker 2: last song, you don't stop it, and you don't skip
• 1:45
  Speaker 2: the last song. For example, I would love to include
• 1:47
  Speaker 2: justin Timberlake's twenty twenty Experience the first song. However, Blue
• 1:52
  Speaker 2: Ocean Floor can't listen to it.
• 1:55
  Speaker 3: It's out, and any losing skins don't count, right, Yeah, no,
• 2:01
  Speaker 3: we're talking about songs. But I would justin timberla if
• 2:04
  Speaker 3: you left Blue Ocean Floor off, I'm with you. But
• 2:08
  Speaker 3: but that technically is it a skip? If I just start,
• 2:10
  Speaker 3: I'm starting the album.
• 2:11
  Speaker 1: Over, Wait where is that song?
• 2:13
  Speaker 2: It's the tenth song. It's the last song. It's just
• 2:17
  Speaker 2: the one song that I'm like, Man, why technically it's
• 2:21
  Speaker 2: kind of because if you got tenth and that's the
• 2:25
  Speaker 2: tenth one.
• 2:27
  Speaker 1: Oh no, man, it's not a no skip.
• 2:29
  Speaker 2: Okay, that's what I said. That's not no skip because
• 2:32
  Speaker 2: I and I can't listen.
• 2:34
  Speaker 1: It comes to see if it was like a seventeen
• 2:36
  Speaker 1: track album but no skip.
• 2:38
  Speaker 2: Everything to be five okay, cool? Who's going first? It's
• 2:42
  Speaker 2: me or Tom?
• 2:43
  Speaker 1: I think it's I don't know who it's been. Still
• 2:46
  Speaker 1: it first?
• 2:47
  Speaker 2: Okay? Number one off the rip, Good Kid, Matt City,
• 2:52
  Speaker 2: Kendrick Lamar press play. No skips, straight through interludes included
• 2:57
  Speaker 2: on this album because it tells the whole story. I
• 3:01
  Speaker 2: love it. Nothing wrong, not a not a road turned around, left, left, right,
• 3:07
  Speaker 2: another left and right, one crazy night in the city,
• 3:11
  Speaker 2: whatever he says, Good Kid, Mad City, no skips, no debate.
• 3:18
  Speaker 3: I'm trying to think of that album. Make sure no
• 3:20
  Speaker 3: skips in their tone. Uh, I'm going with e Manic.
• 3:25
  Speaker 3: You already knew for sure. I already knew.
• 3:28
  Speaker 2: I didn't.
• 3:31
  Speaker 1: You did that to me before?
• 3:32
  Speaker 4: Man?
• 3:33
  Speaker 3: Though I know, but I didn't miss start. Yeah, I
• 3:37
  Speaker 3: madic for show? Is it no skipper for me? Just
• 3:41
  Speaker 3: turn it on, not just leave it on? Yes, nine
• 3:46
  Speaker 3: actual songs, it's ten tracks, nine actual songs.
• 3:49
  Speaker 1: Fire.
• 3:50
  Speaker 2: I feel like you have a better chance if you
• 3:53
  Speaker 2: don't have a lot of tracks. Sometimes people just y'll
• 3:58
  Speaker 2: just put too many tracks on these albums.
• 4:01
  Speaker 1: Now, yeah, twenty twenty two tracks. Sometimes it pays off.
• 4:06
  Speaker 2: Yes, Okay, I'm going damn, I'm only doing five. I
• 4:11
  Speaker 2: only get to do five.
• 4:12
  Speaker 1: This is tough.
• 4:14
  Speaker 2: Okay. Then I'm doing songs that you just I don't
• 4:16
  Speaker 2: skip nothing on I'm going Control, Okay, scissors, Control is
• 4:24
  Speaker 2: a press play. Now, there's one little end part of
• 4:30
  Speaker 2: I think it's Gardens or Drew Barrymore.
• 4:33
  Speaker 1: Drew very Moore is as.
• 4:35
  Speaker 2: I'm not talking about skipping it. There's a little piece
• 4:37
  Speaker 2: at the end of the song.
• 4:39
  Speaker 1: Don't count.
• 4:40
  Speaker 2: No, No, I'm just saying that's the only thing. I
• 4:42
  Speaker 2: don't even skip the song. But it's just like that
• 4:44
  Speaker 2: little piece probably didn't have to go. But overall album,
• 4:48
  Speaker 2: I just listened to that album. It was yesterday, Sunday,
• 4:51
  Speaker 2: I Control, No Yesterday. I just listened to Control. And
• 4:56
  Speaker 2: then I think it's.
• 4:57
  Speaker 1: A skip though for Control, I think, no, I.
• 4:59
  Speaker 2: Don't skip nothing. Look, then I listen listening to a
• 5:03
  Speaker 2: snooze on the we I mean I snooze. That's a
• 5:05
  Speaker 2: that's the West on the way back.
• 5:06
  Speaker 1: That's that's still in the top team.
• 5:08
  Speaker 2: But control, press play, go, you're up.
• 5:13
  Speaker 3: I gotta, I gotta get this out. Hold on, man,
• 5:15
  Speaker 3: what song is that I'm talking about? I think it
• 5:19
  Speaker 3: was uh.
• 5:21
  Speaker 2: I wanted to shoots the Body, the Heat. I don't
• 5:28
  Speaker 2: think I'm skipping nothing. No, I don't skip nothing on that.
• 5:30
  Speaker 2: There's no skips, control, no skips.
• 5:34
  Speaker 3: All right, So I'm gonna go with y'all want to
• 5:38
  Speaker 3: go old and new and what y'all want from me?
• 5:41
  Speaker 2: Old and new gold in the seventies that you love
• 5:44
  Speaker 2: so much.
• 5:45
  Speaker 1: I'm gonna go Anita Baker's Rapture, no skips.
• 5:49
  Speaker 2: I know, we hear, we do. I do know about
• 5:53
  Speaker 2: that album now. I listened to it because she was
• 5:56
  Speaker 2: nice to you. So you're like, oh, let me, let
• 5:58
  Speaker 2: me do my research. I started listening to Anita Baker.
• 6:01
  Speaker 3: In twenty listening when he said something.
• 6:04
  Speaker 2: To you, that's eight years.
• 6:05
  Speaker 4: That's a good child, man, that's good. Watchildt, y'all watch out.
• 6:16
  Speaker 1: I know now, but bah blah Anita Baker Rapture, all right,
• 6:21
  Speaker 1: no skipps.
• 6:22
  Speaker 2: Let me check that eight see eight songs, thirty eight minutes.
• 6:29
  Speaker 2: Let's get to the point, man, sweet all right, I'm
• 6:32
  Speaker 2: gonna go Fred Hammond Purpose by Design Here we go
• 6:36
  Speaker 2: thirteen track, We Go Together, Thematically Together. If you said
• 6:43
  Speaker 2: that your favorite Fred album, I ain't gonna argue with you.
• 6:46
  Speaker 2: It's Melissa's favorite.
• 6:47
  Speaker 1: It's the Life of David Man.
• 6:48
  Speaker 2: That's the one Life of David God skips mcgi you
• 6:51
  Speaker 2: a skip mcgeek you. Purpose by Design is no skips, Okay.
• 7:00
  Speaker 2: I don't know if Life David actually has skips either.
• 7:02
  Speaker 1: Yeah, exactly. You know what I'm saying.
• 7:05
  Speaker 2: The other one I was talking about, he was I
• 7:07
  Speaker 2: was like, all right, man, it's on me again. Hold on,
• 7:09
  Speaker 2: what is life from David play? Spirit of David Man? Yeah?
• 7:12
  Speaker 1: You know what I mean? David. I was like, man,
• 7:14
  Speaker 1: what life and Time? Life and Time?
• 7:18
  Speaker 2: I was like, why that don't sound good to man?
• 7:20
  Speaker 2: That song got sixteen tracks. Lowe with You?
• 7:22
  Speaker 1: You skipping with you all on that track?
• 7:27
  Speaker 2: You don't even know Lawyer with You.
• 7:29
  Speaker 1: I'm all, let me listening to Lord you see man,
• 7:33
  Speaker 1: it's on fire.
• 7:39
  Speaker 2: He listening to No Law with you? Man?
• 7:47
  Speaker 3: Yeah, you ain't listening to Law with.
• 7:56
  Speaker 1: You.
• 7:57
  Speaker 2: I don't even know this song man, Purpose by de
• 8:09
  Speaker 2: non skip. He got some other skips Perfect by his eye.
• 8:12
  Speaker 2: He got it, you got it perfectly shy. They loved
• 8:16
  Speaker 2: the look. I was surprised you skip off the rip she.
• 8:20
  Speaker 1: Got she got two albums for me.
• 8:22
  Speaker 3: There's no skills, but I'm gonna just throw that one
• 8:23
  Speaker 3: in there. Look no skips, Short and Sweet, the album Long,
• 8:28
  Speaker 3: I got a pattern here Short album You Do.
• 8:32
  Speaker 1: I love the Love for Show.
• 8:34
  Speaker 2: I'm I might surprise you. I don't know if you
• 8:35
  Speaker 2: agree with that. It doesn't matter how you feel. Beyonce's
• 8:39
  Speaker 2: Lemonade it's a is A is because I listened to it.
• 8:45
  Speaker 2: It's the film first on HBO. It goes She's telling
• 8:49
  Speaker 2: a story of its ad album and You're betrayal coming
• 8:53
  Speaker 2: back together. She came back again by the last six,
• 8:56
  Speaker 2: four or five songs. She was like, all right, and
• 8:58
  Speaker 2: don't mess it up, but Lemonade, Press play the tripp.
• 9:04
  Speaker 2: It wasn't you girl. You you almost left to him.
• 9:08
  Speaker 2: I feel you and you sure should have and get
• 9:14
  Speaker 2: him into formation. Okay Water Lorisia's okay, but I press
• 9:20
  Speaker 2: play on Lemonade. That's my favorite Beyonce album of all time.
• 9:25
  Speaker 1: Dangerously in Love.
• 9:26
  Speaker 2: You love that album. That was the album I couldn't
• 9:28
  Speaker 2: stop listening to Eliminade is my favorite. That is her
• 9:32
  Speaker 2: magnum opus to me. Renaissances is very good as well.
• 9:37
  Speaker 2: But Eliminading is my perfect love. Man, you love that.
• 9:42
  Speaker 2: That's the only Beyonce album. I couldn't stop listening to
• 9:45
  Speaker 2: everything else.
• 9:46
  Speaker 1: I can walk away, come back, walk away. But I
• 9:49
  Speaker 1: was like, yo, I gotta stop listening to this, but
• 9:51
  Speaker 1: I can't help it.
• 9:52
  Speaker 3: And then I was just playing it. I was hitting play,
• 9:56
  Speaker 3: all right, all right. End of the Wood Tang, thirty
• 10:00
  Speaker 3: six Chambers.
• 10:02
  Speaker 1: Is it no skip for me? Man? End of the
• 10:05
  Speaker 1: Wu Tang? That we I think we're like thirteen tracks
• 10:10
  Speaker 1: on that thing.
• 10:11
  Speaker 2: That's a lot.
• 10:11
  Speaker 1: No skips, no skill, no skips for your.
• 10:15
  Speaker 3: Boy, top to bottom. I love that album. I am
• 10:18
  Speaker 3: that album. That album you are. I am that album.
• 10:21
  Speaker 1: Wu Tang is a part of my DNA. It changed
• 10:25
  Speaker 1: my goddamn life. All right.
• 10:28
  Speaker 2: Yeah, let me where were we at? My quit is
• 10:30
  Speaker 2: at eight? That's for each Yep.
• 10:34
  Speaker 1: We're breezing through all right. But there's a lot more
• 10:38
  Speaker 1: albums I get for sure.
• 10:39
  Speaker 2: We're just picking five. Yeah, we just picking five. I'm
• 10:43
  Speaker 2: double checking some real quick man.
• 10:45
  Speaker 1: You're doing sadness.
• 10:46
  Speaker 2: No, I'm checking if I if I was skipping some
• 10:48
  Speaker 2: stuff on this.
• 10:50
  Speaker 3: Uh.
• 10:51
  Speaker 2: I listen to this album all the time. Let me
• 10:53
  Speaker 2: see if I'm skipping anything.
• 10:56
  Speaker 1: I feel like I'm skipping something of Good Kids, Man City.
• 11:00
  Speaker 2: You ain't, Man, I feel like I am.
• 11:02
  Speaker 1: I'm skipping something on Control though it was something that
• 11:04
  Speaker 1: I used to skip. Hold on?
• 11:06
  Speaker 2: What is it? Need you in my gravity?
• 11:15
  Speaker 1: This one?
• 11:17
  Speaker 2: You skipped this?
• 11:19
  Speaker 1: Yeah, this is the one I skipped.
• 11:22
  Speaker 2: Hey me, I'll ride into you. Right, that's the one. Now?
• 11:28
  Speaker 3: What is that anything I'm bringing up? Drew barrymore Man,
• 11:32
  Speaker 3: keep trying to disrespect it.
• 11:33
  Speaker 1: I'm not disrespecting it. Yeah, it's the only one.
• 11:38
  Speaker 3: That's the only because I was like, yo, it's something no,
• 11:42
  Speaker 3: but everything else money that's as normal girl. I'll be
• 11:52
  Speaker 3: singing the top of my lungs like I'm a normal girl.
• 11:58
  Speaker 1: Normal. I wish I was a normal girl. This sounds
• 12:07
  Speaker 1: so good.
• 12:07
  Speaker 2: This is what I was looking for. No, mo, I
• 12:26
  Speaker 2: wish there was a normal There was dudo on the
• 12:30
  Speaker 2: streets in San Francisco and I was just like drug addicts.
• 12:34
  Speaker 1: Normal guy.
• 12:36
  Speaker 2: Uh Uh, I wish I wasn't normal. I'm no normal
• 12:43
  Speaker 2: change that normal girl. I'm saying normal.
• 12:46
  Speaker 1: Girl never changed the lyrics a day of my life
• 12:49
  Speaker 1: on that song. Boy, I'd be like normal girl. I
• 12:53
  Speaker 1: wish I was a normal girl. I love that damn song.
• 12:57
  Speaker 1: All right.
• 12:57
  Speaker 2: I'm going Kirk Franklin in the family.
• 13:00
  Speaker 3: Going going Big Church track, Going Big Church Again, Big
• 13:06
  Speaker 3: Surprise nineteen ninety.
• 13:08
  Speaker 2: Three, Big Churches hilarious.
• 13:13
  Speaker 1: Going Big Church Again. Eh, what a surprise.
• 13:19
  Speaker 2: I could have win John Vicky's Strength as well, or
• 13:22
  Speaker 2: Travis Green to Hill.
• 13:23
  Speaker 1: I just listen skips on that album is right.
• 13:26
  Speaker 2: This is I'm changing my mind because what I did.
• 13:29
  Speaker 2: When I'm looking at the album, I have the skips
• 13:30
  Speaker 2: already out. She saw.
• 13:33
  Speaker 1: I'm like, man, this is you gotta look at your plate.
• 13:35
  Speaker 2: I think there's one, two, three, four, six, nine, ten.
• 13:39
  Speaker 2: I said, dang. I thought there was more songs on there.
• 13:41
  Speaker 2: That's why I was double checking. I was like ten
• 13:43
  Speaker 2: tracks seven Church, I'm gonna go back, I'm gonna go,
• 13:45
  Speaker 2: I'm gonna go, I'm gonna go. Travis Green and Hill,
• 13:50
  Speaker 2: that's a very cohesive album. I listened to it a
• 13:53
  Speaker 2: million times great on the road trip. That's the song
• 13:56
  Speaker 2: I just press play, I mean the outbuy, press play
• 13:58
  Speaker 2: and I listen, no skips, no skips, no skip, Big Church.
• 14:04
  Speaker 2: I love them like I do, matter of fact. Let
• 14:06
  Speaker 2: me back up. Oh, let me double check this. I
• 14:10
  Speaker 2: just gotta make sure I'm honestly not skipping any song ever.
• 14:14
  Speaker 2: This is ever right, you never skip a song. Let
• 14:20
  Speaker 2: me double check this album real quick.
• 14:22
  Speaker 1: There's so many choices. So I got a lot of
• 14:24
  Speaker 1: choices that you know, we only got limited space. But
• 14:31
  Speaker 1: I think I know what.
• 14:31
  Speaker 2: Let me see, I might skip one on this. Never
• 14:42
  Speaker 2: mind Incredible Marry Mary two thousand and one, sixteen tracks,
• 14:48
  Speaker 2: hour and five minutes. No skips on this, ain't no,
• 14:51
  Speaker 2: you don't even know.
• 14:53
  Speaker 1: Marry me, marry him.
• 14:54
  Speaker 2: I was listening. I see if I'm skipping Incredible not
• 14:58
  Speaker 2: worry God bless.
• 15:02
  Speaker 1: In the morning. I'm chess. Oh that's a skip right there.
• 15:06
  Speaker 1: I'm so go back to that.
• 15:09
  Speaker 2: Yeah, you don't even know this song.
• 15:11
  Speaker 1: I just don't like that noise?
• 15:15
  Speaker 2: Did you incredible?
• 15:20
  Speaker 1: This way? You lose right off the gate? Aut alright,
• 15:27
  Speaker 1: you're up.
• 15:28
  Speaker 3: Okay, So I think I'm gonna go let me double check,
• 15:34
  Speaker 3: let me double check on this or because I'm thinking
• 15:40
  Speaker 3: I'm going Amy Winehouse back to black, but I want
• 15:42
  Speaker 3: to make.
• 15:42
  Speaker 2: Sure I've never even heard that album. What I ain't
• 15:46
  Speaker 2: tap into? Amy Brood. You listen to music every day
• 15:53
  Speaker 2: when you walk?
• 15:54
  Speaker 3: Uh it'd be music, podcast, YouTube videos.
• 15:58
  Speaker 1: Okay, yeah, it'll be all over.
• 16:00
  Speaker 2: I been looking at your numbers. I'd be like, you'd
• 16:01
  Speaker 2: be putting some numbers up. But I ain't know when
• 16:02
  Speaker 2: you're listening to that.
• 16:03
  Speaker 3: You tell my own mind when I do the monthly status, Yeah,
• 16:05
  Speaker 3: I've been listening to music all the time, but on
• 16:09
  Speaker 3: my walk, so I'll be mixing it up now, jim
• 16:11
  Speaker 3: is music though, No it's not not all. Sometimes I'll
• 16:15
  Speaker 3: be listening to like, you know, astronomy stuff or whatever.
• 16:18
  Speaker 2: Astronomy stuff My biggest kind of.
• 16:20
  Speaker 3: Stuff like, uh, what would happen if a black hole
• 16:25
  Speaker 3: was where the sun was?
• 16:27
  Speaker 2: Stuff like that, Like, yep, so what would happen y'all?
• 16:31
  Speaker 2: Is you got gases and.
• 16:32
  Speaker 1: Stuffs, then horizon it's like a star around it, you know.
• 16:37
  Speaker 2: Listening to a lot, I want to take a great
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• 18:45
  Speaker 2: like hundreds and he'll be like this is how they
• 18:47
  Speaker 2: used to have butter back in the day. And I'd
• 18:49
  Speaker 2: be like, okay, tell me more about them. Yeah, Pennsylvania
• 18:53
  Speaker 2: homish and what they was getting me, like bacon back
• 18:56
  Speaker 2: of the day used to look like this, Like oh,
• 18:59
  Speaker 2: he'll make like he'll make like Franklin Roosevelt's favorite dinner
• 19:04
  Speaker 2: was like man, he like col tongue. Every day. He
• 19:08
  Speaker 2: had an every day for steak. For breakfast, he had
• 19:10
  Speaker 2: a sixteen ounce steak like God Dog Roosevelt. His dessert
• 19:17
  Speaker 2: Thomas Jefferson's favorite dessert.
• 19:18
  Speaker 1: I'd be nerd.
• 19:20
  Speaker 2: Yeah, i'd be nerding nowt Colonial time side of the slavery.
• 19:23
  Speaker 3: And I'll be obsessed with people eating stuff. So there's that,
• 19:27
  Speaker 3: all right.
• 19:28
  Speaker 1: I might go Amy wine House back to black. Oh.
• 19:36
  Speaker 1: I can't believe you ain't never listening to this.
• 19:38
  Speaker 2: I ain't never tapped into an Amy wine House album. Oh.
• 19:43
  Speaker 2: I don't even know why I should have said. This
• 19:50
  Speaker 2: is that got the big ones on it.
• 19:54
  Speaker 1: I don't know what you considered the big ones have?
• 20:03
  Speaker 1: Wehab not even closed to the best on the album.
• 20:06
  Speaker 2: Eleven songs, thirty five minutes straight to work.
• 20:11
  Speaker 1: I couldn't stop listening to this album. I'm just curve
• 20:16
  Speaker 1: ball it up.
• 20:17
  Speaker 3: I'm gonna go to twenty fourteen. I'm gonna do J
• 20:19
  Speaker 3: Cole Forest Hills Drive. Okay, Forced Hills Drive is a
• 20:22
  Speaker 3: no skip for me.
• 20:23
  Speaker 1: You love that. I just put that album in.
• 20:25
  Speaker 2: No features, right, yeah, no features, all him, just me rapping. Yeah,
• 20:33
  Speaker 2: all right, cool, We're moving on, moving on, y'all, it's
• 20:36
  Speaker 2: not every.
• 20:36
  Speaker 1: Album I did.
• 20:37
  Speaker 2: There's more, for sure more Alright, we ain't gonna do it.
• 20:41
  Speaker 1: We can come back to it.
• 20:42
  Speaker 2: We can come back and say five more and then
• 20:44
  Speaker 2: just take out the ones we did. People gonna say
• 20:46
  Speaker 2: the stuff we was just said in this How y'all,
• 20:48
  Speaker 2: miss you gave me?
• 20:49
  Speaker 1: What about? All? Right? Now?
• 20:51
  Speaker 2: We're doing top ten features, collaborations, R and B rap combo,
• 20:56
  Speaker 2: whatever you want to do, top ten features and collapse.
• 21:01
  Speaker 1: Who is it tough?
• 21:03
  Speaker 2: Whoo? Let me tell you what I hate before we go.
• 21:06
  Speaker 2: What you love? Usher and Lisia Keys my blue Man
• 21:09
  Speaker 2: shut up? I hate that song, my oh my whole
• 21:14
  Speaker 2: my hoop. I hate that I like that song. I
• 21:21
  Speaker 2: like it too, man, watch out man, I don't like
• 21:25
  Speaker 2: it and I saw it on her and I had
• 21:28
  Speaker 2: to tell y'all, I think you go first.
• 21:30
  Speaker 1: This talking is on me. Yeah, I like what you
• 21:33
  Speaker 1: got up in here. You know what I'm saying?
• 21:34
  Speaker 2: That good black woman.
• 21:35
  Speaker 3: I'm loving this, uh method man in Mary J man
• 21:43
  Speaker 3: Eminem p up Eminem.
• 21:48
  Speaker 2: I was in middle school when this came.
• 21:49
  Speaker 3: Nice Weed Morning, and it has to be the remains
• 21:52
  Speaker 3: the one on the one on the album.
• 21:55
  Speaker 1: It's not hitting the same. It has to be this
• 21:57
  Speaker 1: version of it.
• 21:58
  Speaker 3: Yes, yeah, Dune Dune, Dune, Doom, Dune Doom doom.
• 22:04
  Speaker 1: Yeah.
• 22:04
  Speaker 3: They was a perfect duo Mary Jay and methand Man,
• 22:07
  Speaker 3: I'll be there for you. You're all I need to
• 22:09
  Speaker 3: give by absolutely, I would.
• 22:11
  Speaker 2: Go Big Pun and Joe. Still not a player.
• 22:16
  Speaker 1: I'm so tired of that god damn song. What they
• 22:22
  Speaker 1: did know this is when I was going to the clubs,
• 22:26
  Speaker 1: they played the ship out of that goddamn song.
• 22:30
  Speaker 3: I'll get why you put it here. If I never
• 22:32
  Speaker 3: heard it again, I would be perfectly fine. Oh, they
• 22:36
  Speaker 3: played this ship out of it. And also I like
• 22:41
  Speaker 3: the original version better.
• 22:44
  Speaker 2: That's good.
• 22:45
  Speaker 1: I like that. You don't even know the original version.
• 22:47
  Speaker 1: Oh you don't. How it go? It's still not.
• 22:52
  Speaker 2: A player, still not a player, Still not a player.
• 22:57
  Speaker 1: This original version. Why no, no, you don't, my darling
• 23:04
  Speaker 1: dollar Dad, Big.
• 23:06
  Speaker 3: Joe, Big Punk said Big big Joe, Fat Punk, Fat
• 23:12
  Speaker 3: Pun or big Joe.
• 23:16
  Speaker 1: You ain't never heard this day in your life until
• 23:18
  Speaker 1: this very moment. This is this original version. Yeah, because
• 23:24
  Speaker 1: it all right, we're about to switch it up now, Joe,
• 23:30
  Speaker 1: this ship I prefer, I prefer this version on thousand percent. Wow.
• 23:41
  Speaker 1: Oh yeah, oh, pun Punk gonna take it there. One
• 23:44
  Speaker 1: thing he ain't gonna do is take it there.
• 23:46
  Speaker 2: Yeah, all right, you're up.
• 23:48
  Speaker 1: It's back. Oh, it's back on me. All right.
• 23:49
  Speaker 3: Uh, I'm gonna do Oh it's a good one. Mariah
• 23:54
  Speaker 3: Carey O d B fantasy.
• 23:56
  Speaker 2: That you took it right, I mean you took your.
• 24:04
  Speaker 1: Three woo Tan Clean Do you feel me? They're feel me?
• 24:10
  Speaker 1: They're great.
• 24:12
  Speaker 2: All right, I'm gonna go Kanye West, Jamie Fox, go digger.
• 24:16
  Speaker 3: You already used that earlier in a different episode if
• 24:19
  Speaker 3: you but if you're watching to day, man, we don't
• 24:21
  Speaker 3: have been that.
• 24:22
  Speaker 2: That still makes sense, all right, Tony Okay, okay, finding
• 24:26
  Speaker 2: Michael Jackson, Pap McCartney The girl is Girl is Mine?
• 24:31
  Speaker 2: The ways. The only thing I don't like is when
• 24:34
  Speaker 2: they are talking to each other. Pay Oh, you're listening
• 24:40
  Speaker 2: to Michael Girl's mind. I don't believe girl. The boy
• 24:45
  Speaker 2: is Mine. Monica and Brandy is a better version of
• 24:48
  Speaker 2: that song because I buy them more. Paul and Michael Jackson,
• 24:53
  Speaker 2: y'all not going for the same girl. No ways, Your
• 24:55
  Speaker 2: turn Monica and Brandy, y'all is better.
• 25:00
  Speaker 1: They might go for the same girl. It seems like
• 25:02
  Speaker 1: Michael Jackson had the centric tastes when they came to women.
• 25:05
  Speaker 2: Now, I don't think even Paul McCartney was looking at
• 25:07
  Speaker 2: the same woman like damn she Actually they might have been.
• 25:11
  Speaker 1: Looking at his taste. What was his taste? I don't
• 25:15
  Speaker 1: know why. Some Marie Presley white Ball was like, yeah,
• 25:20
  Speaker 1: she's looking good.
• 25:21
  Speaker 2: Liverpool, Liverpool, boy's mind. Okay, they went on tour. They
• 25:29
  Speaker 2: cost us some tickets in Chicago, a good amount of tickets.
• 25:33
  Speaker 2: Wait whatever people was going there was like seeing us
• 25:36
  Speaker 2: in the streets like, what's up, y'all, I'm going to
• 25:38
  Speaker 2: Brandy and Monica.
• 25:39
  Speaker 1: Yeah, yeah, they did cost his ticket.
• 25:41
  Speaker 2: It cost us some tickets, but the Brandy dipped off
• 25:43
  Speaker 2: and then but Brandy, I understand Brandy Monica, they don't
• 25:47
  Speaker 2: tour together often.
• 25:48
  Speaker 1: I'm gonna do if I ruled the world nine Lord Hill.
• 25:53
  Speaker 2: You're taking this stuff, I would have said.
• 25:54
  Speaker 6: If I could to be you could be mine.
• 26:06
  Speaker 1: We all shout it a rule the world.
• 26:10
  Speaker 3: It was written only got one skip that was almost
• 26:14
  Speaker 3: made my nose skips. It was written at one skip
• 26:17
  Speaker 3: that nas is coming.
• 26:19
  Speaker 2: Okay, okay, I'm not gonna say this. I just want
• 26:25
  Speaker 2: to acknowledge it. But I don't. I don't care about
• 26:28
  Speaker 2: the song One Sweet Day It was a smash, but nah, man, nah,
• 26:36
  Speaker 2: why not?
• 26:37
  Speaker 1: I just don't feel it. Man, I don't want to
• 26:41
  Speaker 1: hear it. One Sweet Day.
• 26:43
  Speaker 2: I know what it was. I know what it was.
• 26:47
  Speaker 2: Little Nas broke the record.
• 26:48
  Speaker 1: It was on there for a long time.
• 26:51
  Speaker 2: Sorry, I'm not playing it man.
• 26:57
  Speaker 3: Man, No, and no, I know you shining down on
• 27:02
  Speaker 3: me from heaven.
• 27:04
  Speaker 2: No lie, no, man, who died?
• 27:08
  Speaker 1: What you got?
• 27:09
  Speaker 6: Then?
• 27:10
  Speaker 1: What you got? Well, don't you got to.
• 27:13
  Speaker 3: Bring it now? You better not coming though horseship after
• 27:16
  Speaker 3: you even swapped that. Damn what you got? You better
• 27:18
  Speaker 3: come correct? Doctor dre Facher snoopy dog?
• 27:22
  Speaker 1: What nothing you think? The next episode?
• 27:26
  Speaker 2: And I was listening to Dunky Starle too. Yo. You
• 27:28
  Speaker 2: didn't believe me when I told you I had that album.
• 27:30
  Speaker 1: Well, first of all, it's a different album.
• 27:31
  Speaker 2: I know. I just it just brought up the point
• 27:33
  Speaker 2: that you didn't believe me.
• 27:34
  Speaker 1: You don't even know what album is on.
• 27:35
  Speaker 2: This is on rap music from California.
• 27:38
  Speaker 3: You got the now that's rap volume twenty four. You
• 27:42
  Speaker 3: heard it on now this is RAT twenty four. This
• 27:46
  Speaker 3: is the CDs. You was getting nigger you radio hits McGee,
• 27:51
  Speaker 3: I don't care radio.
• 27:52
  Speaker 2: Hits on you.
• 27:54
  Speaker 1: Man.
• 27:54
  Speaker 2: We're talking about this at the box the bar B.
• 27:56
  Speaker 2: We didn't make it to the stage. Tony said he'll
• 27:58
  Speaker 2: break up with the girl if she only listened to
• 28:01
  Speaker 2: the radio and that's it. And she didn't know no
• 28:05
  Speaker 2: albums or deep because he said he was, We're not
• 28:08
  Speaker 2: gonna why deep cuts matter that much?
• 28:10
  Speaker 1: Cause man, I need to know that you into albums themselves.
• 28:14
  Speaker 3: Why I can't just be out here radio hits McGee,
• 28:17
  Speaker 3: macchie gonna drive up.
• 28:20
  Speaker 1: I'm gonna be over there driven be like you want
• 28:23
  Speaker 1: something and not be like, no, I'm good. Just keep
• 28:27
  Speaker 1: listening to your little hits. Put me onto something, all right.
• 28:34
  Speaker 3: So I'm going one sweet motherfucking day, Barah, carry boys
• 28:41
  Speaker 3: to man.
• 28:41
  Speaker 1: Man, it's on me something.
• 28:45
  Speaker 3: When you lost somebody, man, that.
• 28:49
  Speaker 1: Ain't one sweet day. That's making it. That was a
• 28:53
  Speaker 1: beautiful combination.
• 28:54
  Speaker 2: New Ish, I'm going Daniel Caesar and her best part.
• 28:59
  Speaker 2: That is one of my favorite songs that was sung
• 29:02
  Speaker 2: at my wedding. I was like, we just went to Yeah,
• 29:06
  Speaker 2: I remember, Yeah. I was sweating and we were sweating
• 29:10
  Speaker 2: tough that was the only negative of that whole week,
• 29:14
  Speaker 2: and it wasn't even that hot that day prior. If
• 29:17
  Speaker 2: we had hated, we just had to do it on
• 29:19
  Speaker 2: the actual day we got married. Man. I was up
• 29:22
  Speaker 2: there on three seventy five with soil on the top
• 29:25
  Speaker 2: man by me. I was like, God, dressed up, what's crazy?
• 29:34
  Speaker 2: Cameras overheating and everything. But yeah, Her Daniel Caesar and
• 29:39
  Speaker 2: Her both put that song on their album. Yeah, I
• 29:42
  Speaker 2: did my part. I was on the guitar. I was
• 29:44
  Speaker 2: on the guitar.
• 29:45
  Speaker 1: I love that s It's a beautiful comedy.
• 29:47
  Speaker 2: Yeah, very well written song as well. Go ahead, Tom,
• 29:51
  Speaker 2: I'm gonna go.
• 29:51
  Speaker 3: With Tupac Doctor Dre. We're riding your trout shout out
• 30:01
  Speaker 3: to Roger Troutman. That's the age, the whole and that's
• 30:03
  Speaker 3: a California. That song is fire.
• 30:08
  Speaker 1: They delivered all right.
• 30:10
  Speaker 2: I'm gonna go now this. I'm gonna just tell you.
• 30:13
  Speaker 2: This is heavily influenced by the music video Busta Rhymes,
• 30:18
  Speaker 2: Janet Jackson, What's it Gonna be?
• 30:21
  Speaker 1: That's a good one.
• 30:22
  Speaker 2: Janet was so dog Hype Williams on the music video
• 30:31
  Speaker 2: direction you make, Gonna make, Gonna make your bodies fast
• 30:35
  Speaker 2: and Janet with.
• 30:35
  Speaker 1: The dick rings as the extra costume pieces.
• 30:39
  Speaker 2: Yes, yeah, whatever. I didn't know that either. I didn't
• 30:44
  Speaker 2: know that till right now. Yes, I didn't know what
• 30:46
  Speaker 2: you were talking about. Actually rings, I thought they were
• 30:50
  Speaker 2: just rings.
• 30:51
  Speaker 1: How do you know there was somewhere? I was like, what,
• 30:54
  Speaker 1: Jane is filthy?
• 30:56
  Speaker 2: I don't feel like we really know who Janet is.
• 30:59
  Speaker 2: The only thing I know about her. She didn't know
• 31:00
  Speaker 2: what hot cheetos were, Yeah, she didn't.
• 31:03
  Speaker 3: It makes sense though, all right, Oh dang they are.
• 31:09
  Speaker 3: They're big enough, that's what they said.
• 31:12
  Speaker 2: It could be the ones on the neck might be
• 31:14
  Speaker 2: too big, depending on your helmet size. Jan I liked her.
• 31:19
  Speaker 1: All right, I'm gonna go. Is this the last one?
• 31:22
  Speaker 2: Last one? I think I want to take a quick
• 31:24
  Speaker 2: break from the show to talk to you about Hello
• 31:26
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• 31:30
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  Speaker 1: All right.
• 32:30
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  Speaker 2: new subscribs only. Varies by plan. And now back to
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  Speaker 2: the show that was I kicked it off.
• 33:09
  Speaker 1: Oh we're good.
• 33:10
  Speaker 2: Okay, then all right, all right, this or that?
• 33:15
  Speaker 1: Who's giving it to.
• 33:16
  Speaker 2: I'm gonna give it to you, Paul, Yeah, no, pause,
• 33:20
  Speaker 2: press player, this or that, their whole catalog, one must go.
• 33:27
  Speaker 1: You ain't worth it.
• 33:31
  Speaker 2: There we go, their whole catalog. One gotta go. Michael
• 33:35
  Speaker 2: Jackson Verse, Prince, who gotta go with this? We're doing
• 33:40
  Speaker 2: out the game at the Gate special is an episode. No,
• 33:45
  Speaker 2: I'm in the end of this, this whole list man, Oh,
• 33:48
  Speaker 2: Michael Jackson and everything they did. All right, So I'm
• 33:52
  Speaker 2: on you. I'm gonna say my stuff after you say
• 33:56
  Speaker 2: your you first.
• 33:58
  Speaker 1: Whole cat love.
• 33:59
  Speaker 2: Okay, this is not even a question for me.
• 34:02
  Speaker 1: I already know his answer. He's gonna he go for
• 34:04
  Speaker 1: what's popular all the time in gospel, and you know,
• 34:10
  Speaker 1: what he going with it? Knowing his answer, one gotta
• 34:15
  Speaker 1: go whole catalog, have it.
• 34:21
  Speaker 2: You don't end up on the same side as me
• 34:22
  Speaker 2: with all that stuff. You just think about the boy
• 34:24
  Speaker 2: you think you better than because you thought about it.
• 34:25
  Speaker 2: It don't matter if you think about it longer, slow,
• 34:27
  Speaker 2: it's long. We did the same thing, then we're into
• 34:29
  Speaker 2: the same thing. What are you taking all this start for?
• 34:32
  Speaker 2: By Prince? I love you gone now with your booty
• 34:36
  Speaker 2: cheeks out. It was Michael Choseph Jackson, What the hell
• 34:39
  Speaker 2: you talking about?
• 34:40
  Speaker 6: Man?
• 34:41
  Speaker 2: The hell you're talking about?
• 34:42
  Speaker 4: Man?
• 34:43
  Speaker 3: The whole cattalog, the whole cattle and everything they wrote,
• 34:47
  Speaker 3: everything they wrote for other.
• 34:48
  Speaker 1: People, whole cattalog. If they're not there everything, they.
• 34:53
  Speaker 2: Don't get the right.
• 34:55
  Speaker 3: I'm losing Michael Jackson, ain't no way, Yeah, Prince, Prince
• 35:01
  Speaker 3: Rogers Nelson, you losing all the Jackson Jackson five off
• 35:07
  Speaker 3: the Wall thriller.
• 35:10
  Speaker 2: Bad.
• 35:11
  Speaker 1: And then you can stop right there, because I can
• 35:13
  Speaker 1: lose everything else after that.
• 35:15
  Speaker 2: You remember the time is so good.
• 35:17
  Speaker 1: I can lose dangerous, I can lose goddamn invincible, I
• 35:20
  Speaker 1: can lose history.
• 35:23
  Speaker 2: I mean move Walker.
• 35:24
  Speaker 3: Yeah, what was the movie called Moonwalker? Well, uh, yeah,
• 35:31
  Speaker 3: I'm gonna lose MJ.
• 35:33
  Speaker 2: I'm losing Prince.
• 35:35
  Speaker 1: Don't keeping Prince.
• 35:35
  Speaker 2: I'll keep my I listen, listen, y'all. Obviously this is
• 35:41
  Speaker 2: hard on purpose. Obviously we listen to Prince's music and
• 35:45
  Speaker 2: Michael Jackson music. That's the points to make it tough.
• 35:48
  Speaker 2: But I can do more Michael Jackson's music. Yeah, and
• 35:51
  Speaker 2: the music videos alone. He just what he did for
• 35:53
  Speaker 2: music videos. He changed the game overall. There's short films.
• 36:00
  Speaker 1: Have no Purple Rain movie. Though Purple Rain is not.
• 36:03
  Speaker 2: A good movie. The music from Purple but it's good.
• 36:08
  Speaker 1: It's a bad movie, but it's great.
• 36:11
  Speaker 2: Morris Day was my favorite part about it. Was such
• 36:15
  Speaker 2: a little jerk.
• 36:17
  Speaker 1: It was fine.
• 36:18
  Speaker 2: Yeah, all right, okay, Jodasy verse Drew Hill.
• 36:22
  Speaker 1: I'm losing Druid Hill and I'm losing joas C.
• 36:31
  Speaker 2: Druid Hill from Ball.
• 36:33
  Speaker 1: I got him lose. I gotta lose Drewid.
• 36:35
  Speaker 2: We were.
• 36:37
  Speaker 1: Step man. I don't know how longer. I gotta keep
• 36:42
  Speaker 1: the Jodasy.
• 36:43
  Speaker 2: Man what you do and you be skipping their albums
• 36:45
  Speaker 2: left and right, skip.
• 36:50
  Speaker 1: Skip.
• 36:51
  Speaker 3: But the Jodasy hits though, yeah, the hits hiss come on, man,
• 36:56
  Speaker 3: Drew hill Man, watch out all right, Whitney and Mariah
• 37:00
  Speaker 3: carry We were just having this discussion on two weeks ago,
• 37:04
  Speaker 3: and Melissa wasn't trying to hear it.
• 37:06
  Speaker 2: Melissa wasn't trying.
• 37:07
  Speaker 1: To shit whole catalog, damn.
• 37:15
  Speaker 2: Which means Mariah Carey's rolling precious is gone, and.
• 37:20
  Speaker 3: Well, glitter can go, Glitter can get the fuck out
• 37:24
  Speaker 3: of here regardless. Huh, I'd be liking Mariah Carey albums better.
• 37:34
  Speaker 1: And I'm an.
• 37:35
  Speaker 2: Album guy, Yeah, radio hits McGhee.
• 37:38
  Speaker 1: I'm an album guy. Whitney got them got damn hits.
• 37:43
  Speaker 2: But you know, Whitney's greatest album is a soundtrack. You
• 37:47
  Speaker 2: could make that argument.
• 37:48
  Speaker 3: She ain't on the full thing, so she didn't half
• 37:51
  Speaker 3: the credit. Yeah, I'm losing Whitney. I'm losing Whitney.
• 37:58
  Speaker 2: Let me tell you what, Tony, Me and Mariah don't
• 38:00
  Speaker 2: go back like babies about suppliers. Old Dirk Dog is
• 38:03
  Speaker 2: a liar because I'm losing Mariah care Preacher's Wife soundtrack alone,
• 38:09
  Speaker 2: I got you got to have it. Whitney's highs are
• 38:13
  Speaker 2: higher this nigga. Whitney was selling the Star Spango Banter
• 38:16
  Speaker 2: Performance lives, selling you what are you even talking about?
• 38:21
  Speaker 2: Who else can sell? But the National had to be
• 38:25
  Speaker 2: saying a billion times. People were like, man, you know what,
• 38:27
  Speaker 2: I want to buy hers though, I want to listen
• 38:30
  Speaker 2: to that again. Sweat on the Top, the Dog Conic.
• 38:37
  Speaker 2: It's sold a lot. Oh yeah, yeah it was it.
• 38:39
  Speaker 1: I never on Apple Music.
• 38:42
  Speaker 2: Yeah, what's the purple part of this?
• 38:44
  Speaker 1: I never seen this every time?
• 38:51
  Speaker 2: These don't everybody's in here.
• 38:55
  Speaker 3: Y'all can be discussing with me all you want to,
• 38:57
  Speaker 3: But I'm just saying, fans, I don't be listening.
• 39:02
  Speaker 2: Mariah Carey has This is what we was talking about
• 39:05
  Speaker 2: on the tour. Yeah, Marian Carey has had a lot
• 39:08
  Speaker 2: of good, full albums and she has.
• 39:12
  Speaker 1: So many feet.
• 39:14
  Speaker 2: Her hip hop game was crazy crazy, That's how she
• 39:18
  Speaker 2: was selling so many reps. Yeah, she was like Maria
• 39:21
  Speaker 2: Carrey get her. Yes, yeah, she had the.
• 39:25
  Speaker 1: Future game on lot. But and then she was able
• 39:27
  Speaker 1: to last a little bit longer than Whitney.
• 39:28
  Speaker 2: Yeah.
• 39:29
  Speaker 1: Whitney came out in the eighties. She was killing. She
• 39:31
  Speaker 1: was killing by the guards, she was killing and then preachers.
• 39:34
  Speaker 2: It was heartbreaker and came out late in her career.
• 39:40
  Speaker 1: What I'm saying she came back and late in the game.
• 39:45
  Speaker 2: It's a great album for as late as it is
• 39:47
  Speaker 2: in her career, and her highest highs so early. You
• 39:51
  Speaker 2: don't usually see artists reinvent themselves that high.
• 39:56
  Speaker 1: Do it that.
• 39:57
  Speaker 2: I was a man with children when that came. I
• 39:59
  Speaker 2: was working keep Bank when that album came out, and
• 40:02
  Speaker 2: she was going at M and M too was corproporation.
• 40:06
  Speaker 2: She won singing You Want to Battle Rap, singing Baby
• 40:11
  Speaker 2: Tonight though that's the X Men song. All right, New
• 40:16
  Speaker 2: audition versus Boys to Men, one gotta go in their
• 40:20
  Speaker 2: whole catalog.
• 40:22
  Speaker 1: You can't have one sweet day. I have to lose
• 40:25
  Speaker 1: Boys to Men.
• 40:27
  Speaker 2: It's the same argument as the seventies. You gotta build
• 40:30
  Speaker 2: on top of what came before. Without new edition, you
• 40:32
  Speaker 2: don't get no boy to Me.
• 40:34
  Speaker 3: It's a little it's a little different this time because
• 40:37
  Speaker 3: you you can still Boys to Men because it's still
• 40:39
  Speaker 3: been a group without new addition.
• 40:41
  Speaker 2: So why are you what's the argument you're making?
• 40:43
  Speaker 1: But new addition?
• 40:44
  Speaker 3: They they got the hits together as a group. Then
• 40:47
  Speaker 3: you got Bill Bill Devo's Poison album, which was crazy.
• 40:51
  Speaker 3: Then you got Johnny Gill's debut album, and then you
• 40:54
  Speaker 3: got then.
• 40:56
  Speaker 2: It's just just New Additions catalog or oh we're just
• 40:59
  Speaker 2: doing group only. I was just thinking of the group.
• 41:01
  Speaker 1: I was thinking about the whole totality of New Edition.
• 41:04
  Speaker 2: Because I was thinking about the group initially. But if
• 41:06
  Speaker 2: you get rid of the group exact, yeah, so I
• 41:10
  Speaker 2: gotta go, well that then I'm on your Well yeah,
• 41:14
  Speaker 2: well that's different.
• 41:16
  Speaker 1: If it's group the group. Do you let me know
• 41:18
  Speaker 1: is it group the group?
• 41:19
  Speaker 2: Well, because then Drew Hill, you got Cisco's solo career's
• 41:22
  Speaker 2: separate than Drew group the group, New Edition could go okay,
• 41:26
  Speaker 2: I'm about to say, because I was only thinking of
• 41:29
  Speaker 2: them versus them.
• 41:30
  Speaker 1: Because New Additions don't have a coolie high harmony or two.
• 41:33
  Speaker 2: No and and uh well, Boyevan didn't split off and
• 41:38
  Speaker 2: have they didn't have because shooting and you got Bobby
• 41:42
  Speaker 2: Brown's solo solo career and Bell separate. I'm just saying, Yeah,
• 41:53
  Speaker 2: you'ren't saying Bobby Brown.
• 41:55
  Speaker 1: I was getting. I was giving you. I said Bell,
• 41:58
  Speaker 1: bidevo round treand man that Bobby Brown. And yes you
• 42:02
  Speaker 1: said that. You were sitting right next to me when
• 42:05
  Speaker 1: I said, everybody in New.
• 42:06
  Speaker 2: Edition, I'm thinking about lunch a little bit.
• 42:08
  Speaker 1: But anyway, but if it's just group, the group new
• 42:11
  Speaker 1: edition could.
• 42:12
  Speaker 2: Go Yeah, boy man, greatest selling mal R and B
• 42:15
  Speaker 2: act of all time. All right, cool? No, you a
• 42:18
  Speaker 2: dirty dog for this one, Eric Abode.
• 42:22
  Speaker 1: Jill Scott, you a dirty.
• 42:26
  Speaker 2: You pitting black women against each other as a black woman?
• 42:31
  Speaker 2: Who that that is tough?
• 42:35
  Speaker 1: This is writing my soul piece.
• 42:37
  Speaker 2: And Jill Scott was the original voice on Erica on
• 42:42
  Speaker 2: the the Roots, Erica but got a Grammy for Jill
• 42:45
  Speaker 2: Scott wrote that song. I think she was on the demo, right, yeah, yeah,
• 42:49
  Speaker 2: that was I been know who I saw? That's Jill Scott.
• 42:54
  Speaker 1: So Jill Scott still gets the Grammy though.
• 42:56
  Speaker 2: I mean, well yes, but but Erica I do is
• 42:59
  Speaker 2: like the face of the Grip Club.
• 43:00
  Speaker 1: I went to it my homies, baby.
• 43:02
  Speaker 2: You know, after I knew that, I was like, this
• 43:03
  Speaker 2: absolutely is Jill Scott?
• 43:05
  Speaker 1: What mean?
• 43:06
  Speaker 2: I think Erica was already out at the time. Joe
• 43:11
  Speaker 2: Scott was just like, you know what I'm saying.
• 43:12
  Speaker 1: The game. It was one of those record label moves.
• 43:16
  Speaker 1: We don't know who Jill Scott is.
• 43:17
  Speaker 3: So it was like that's probably why she said who
• 43:19
  Speaker 3: is just got next staff? Because somebody said, who is
• 43:25
  Speaker 3: Jill Scott put coming together? Was like, bro, you know
• 43:28
  Speaker 3: what I'm saying. They brought me the song. I didn't
• 43:30
  Speaker 3: know exactly. She wasn't like taking it from her.
• 43:32
  Speaker 1: It's just like, no, it wasn't. It wasn't Erica.
• 43:36
  Speaker 2: That's why you need a little adversity because they didn't.
• 43:39
  Speaker 3: They didn't even give Eve credit on the on that
• 43:43
  Speaker 3: song either, because he never says his feature because he
• 43:46
  Speaker 3: wasn't even out yet.
• 43:48
  Speaker 1: Because he wraps on.
• 43:50
  Speaker 2: He wraps on. I love Pitbull in the skirt. I
• 43:53
  Speaker 2: love she looks amazing, but she does she married that
• 43:56
  Speaker 2: man and was like, man, don't you more?
• 43:58
  Speaker 1: She is aging, Like I.
• 44:00
  Speaker 2: Feel like she was like, don't talk to me after
• 44:02
  Speaker 2: that show. After the show, I don't know. I remember
• 44:05
  Speaker 2: last time she at least music, but I feel like
• 44:07
  Speaker 2: she kind of like faded a little bit. Then when
• 44:09
  Speaker 2: she got married, she's like, bor right, I i'mum, super out,
• 44:11
  Speaker 2: but go ahead anyway. This is tough. And these are
• 44:14
  Speaker 2: two artists, I really really really this is.
• 44:17
  Speaker 3: I gotta sit those dudes and this this is this
• 44:20
  Speaker 3: is hard because they are they both got classic debuts
• 44:24
  Speaker 3: that I equally rocked with heavily.
• 44:26
  Speaker 1: Both of them know skips. In my opinion, yes, then
• 44:30
  Speaker 1: they followed them up with equally.
• 44:32
  Speaker 3: I would say Mama's Gun is a little bit stronger
• 44:34
  Speaker 3: than Jill Scott's follow up on the second tip. But
• 44:38
  Speaker 3: I listened to that second Jill Scott album like crazy,
• 44:40
  Speaker 3: the Family Reunion. We have the Family Reunion, telling jokes
• 44:45
  Speaker 3: and playing space. But that Mama's Gun album. Man, Oh god, damn,
• 44:50
  Speaker 3: I'm sorry. But then we got the movies with Jill Scott.
• 44:53
  Speaker 3: Jill got can act. She had the number one Ladies
• 44:55
  Speaker 3: Detective Agency, which I love.
• 44:57
  Speaker 1: We think of movies too, Oh, music, what we're doing?
• 45:01
  Speaker 2: I was just thinking music because.
• 45:05
  Speaker 1: The movies like that. She did act in Inside of
• 45:08
  Speaker 1: the House Rules.
• 45:10
  Speaker 2: All right, So.
• 45:15
  Speaker 3: Erica got that live album does I'm in crisis right now?
• 45:23
  Speaker 3: I'm in crisis. I don't go see them live. I
• 45:29
  Speaker 3: ain't seen nothing. The concerts ain't got nothing to do
• 45:32
  Speaker 3: with me. Concerts ain't got nothing to do with me. Right,
• 45:36
  Speaker 3: I ain't experience. Don't worry about it.
• 45:39
  Speaker 5: This is.
• 45:42
  Speaker 1: Just got got fire features. She even rapped with Kanye
• 45:45
  Speaker 1: Conway on the song but Erica can rap too. She
• 45:48
  Speaker 1: was a rapper first, Low key. Can I drink something
• 45:55
  Speaker 1: if I can't pick, can we do this and drink?
• 45:57
  Speaker 1: It's hard, It's hard. I'm gonna I'm gonna lose Jill.
• 46:04
  Speaker 2: I'm gonna lose Jill to really. Yeah, it's it's it's hard.
• 46:08
  Speaker 1: This sucks.
• 46:09
  Speaker 2: And also, and maybe I got a little nostalgia. Unfortunately,
• 46:13
  Speaker 2: Erica was introduced first, so I remember seeing her and
• 46:18
  Speaker 2: being like, Wow, this is different. She is different. Her
• 46:22
  Speaker 2: music videos were different, her her voice, everything about Erica
• 46:26
  Speaker 2: about dude. I couldn't place one on one with somebody else,
• 46:31
  Speaker 2: but post her, you're like, oh, I can see I
• 46:33
  Speaker 2: can hear Lenox and Erica about dude. I can hear
• 46:36
  Speaker 2: even Jill Scott. Unfortunately for the reason we know. But
• 46:39
  Speaker 2: so I think that's also part of it. Win no seat,
• 46:43
  Speaker 2: no one, No Boddy Dallas too.
• 46:48
  Speaker 1: You know. It's a little bit. I ain't got much
• 46:49
  Speaker 1: to do with it, but it's and I think I
• 46:51
  Speaker 1: gotta give the edge to Erica on features. I think
• 46:54
  Speaker 1: Erica has better features over time.
• 46:58
  Speaker 2: She herself, Oh nice, I didn't know that. Every producer
• 47:03
  Speaker 2: own stuff, y'all. Everybody knows it. We got two more
• 47:05
  Speaker 2: Tony Shaka Khan verse.
• 47:09
  Speaker 1: Shaka Khan can go.
• 47:13
  Speaker 2: No disrespected verse, Anita Baker.
• 47:16
  Speaker 1: Come on, man, come on, I mean we all grew
• 47:19
  Speaker 1: up on a banker. This is one of the born
• 47:24
  Speaker 1: and clean up y'all.
• 47:26
  Speaker 2: Anita Baker, y'all man, you know.
• 47:30
  Speaker 1: Y'all for Angel for rapture alone, I'm keeping the Needa Baker,
• 47:36
  Speaker 1: no disrespected shot respect all.
• 47:39
  Speaker 2: I met both of them. You met Sun yep and
• 47:42
  Speaker 2: I facetimed Angel. You did too, FaceTime Angel because she
• 47:46
  Speaker 2: loves Shaka Khan, and Shaka Khan talked to Angel at
• 47:49
  Speaker 2: the We was at the opening of a Black music
• 47:52
  Speaker 2: museum in Nashville. Great and then Anita Baker everybody knows
• 47:56
  Speaker 2: and saw me at her show. MGM Grand said Kevin
• 48:00
  Speaker 2: on stage. I'm really proud of you and everything you
• 48:02
  Speaker 2: stand for, building the independent touring.
• 48:04
  Speaker 1: He had no clue who was talking.
• 48:05
  Speaker 2: Then Roy backstage.
• 48:09
  Speaker 1: Have you met her or no? No?
• 48:11
  Speaker 2: Okay, I talked to her online. Though she talked to
• 48:15
  Speaker 2: both of us. She blocked him though she can't it wrong,
• 48:21
  Speaker 2: but but but the sting remains last one. Tony Baker,
• 48:27
  Speaker 2: Stevie Wonder versu Quincy Jones.
• 48:29
  Speaker 1: All right, so we lose Quincy Jones. We lose Off
• 48:31
  Speaker 1: the Wall Thriller and bad.
• 48:34
  Speaker 2: This one is actually the easiest for me.
• 48:36
  Speaker 1: We lose the Wizz soundtrack cause.
• 48:38
  Speaker 2: Quincy Jones his tentacles are too deep. He's into Frank
• 48:43
  Speaker 2: Sinatra arranging film, the color purple Jazz. He's into his
• 48:52
  Speaker 2: own albums. Michael Jackson's greatest work, Stevie Wonder is great,
• 48:57
  Speaker 2: but but Quincy's He's out out.
• 49:00
  Speaker 1: Here tomorrow, will bring Bitter You, Bitter Me his own.
• 49:03
  Speaker 2: Music, and The Fresh Prince is a TV show, so
• 49:08
  Speaker 2: I don't really give him credit for that. But The
• 49:10
  Speaker 2: Fresh Prince doesn't happen without Quincy Jones. He want to
• 49:13
  Speaker 2: make Will Smith audition that day. Man, He was like,
• 49:16
  Speaker 2: Will Like, I need some time. He's like, all right, man,
• 49:19
  Speaker 2: so let you know, these people ain't gonna be here
• 49:21
  Speaker 2: next time. By the time they g it home, they't
• 49:22
  Speaker 2: gonna be thinking about you. So you can audition right
• 49:24
  Speaker 2: now or is probably not gonna have He.
• 49:25
  Speaker 1: Was like, all right, I'm gonna lose Stevie.
• 49:31
  Speaker 2: Yeah, Stevie, love you. Four albums of the Year in
• 49:34
  Speaker 2: the same decade.
• 49:35
  Speaker 1: Crazy.
• 49:36
  Speaker 2: But when I watch that documentary on Quincy Jones and
• 49:40
  Speaker 2: I found out He just was like, I'm gonna go
• 49:41
  Speaker 2: to Paris and I'm just in jazz. I'm just doing
• 49:45
  Speaker 2: jazz arrangements right now. And he's a musician himself, and
• 49:50
  Speaker 2: Frank Sinatra. This is just the stuff that I didn't know.
• 49:53
  Speaker 2: I knew his hip hop stuff, his albums. I knew,
• 49:56
  Speaker 2: is Michael Jackson stuff.
• 49:58
  Speaker 1: I did not know that man arrange.
• 50:01
  Speaker 2: Some of Frank Sinach's best music don't happen without Quincy Jones.
• 50:04
  Speaker 2: Him and Charles met in Seattle when they were both teens,
• 50:07
  Speaker 2: just as musicians, straight up crazy. I got my trump.
• 50:10
  Speaker 2: I'm blind, but I'm here what you want to get
• 50:13
  Speaker 2: on this? So and Quincy kept doing it until he left.
• 50:19
  Speaker 2: He was still discovering new artists and introducing us to
• 50:22
  Speaker 2: people to.
• 50:23
  Speaker 1: Live the long life. Man, gotta keep working, all right, y'all.
• 50:27
  Speaker 2: It's a great episode. Shout out to Marquita Bradley. Shout
• 50:30
  Speaker 2: out to you. Wash your undergarments. And if you lay
• 50:34
  Speaker 2: that hoodie on top of your your hamper and there's
• 50:38
  Speaker 2: another hoodie on there, you can grab it off the top.
• 50:40
  Speaker 2: But if it's just on top of draws, get a
• 50:43
  Speaker 2: fresh hoodie. Hilarious, Yeah, man, because sometimes I'll be looking
• 50:48
  Speaker 2: at like, but there was on top of draws. It
• 50:50
  Speaker 2: was on top of some sweats or another hoodie or
• 50:52
  Speaker 2: large jacket. Okay, just run to the growth the soil
• 50:55
  Speaker 2: at that point. Yeah, but draws. You can't have draw
• 50:58
  Speaker 2: sweat in this part of your hoodie, big soil crosh
• 51:02
  Speaker 2: It's like crouching here. All right, y'all, will see you
• 51:05
  Speaker 2: next week. Mary Chrismas, Happy New Year. I don't know
• 51:07
  Speaker 2: what time this sairs