Latest / The Bootleg Kev Podcast / #94 - Isaiah Rashad

Transcript

#94 - Isaiah Rashad · The Bootleg Kev Podcast

0:01
Speaker 1: There. It is what it is, are is a e
0:07
Speaker 1: Welcome to the show. God damn it. We let cap
0:09
Speaker 1: podcast a new addition, new episode. You know, we're getting
0:13
Speaker 1: close to episode one hundred, and I'm gonna probably call
0:17
Speaker 1: in on my good friend Freddy Gibbs to try to
0:19
Speaker 1: come on episode one hundred. I don't know if he's
0:21
Speaker 1: I mean, he'll he'll do it if I ask, but
0:23
Speaker 1: you know he was on episode one. Gotta do episode
0:27
Speaker 1: one hundred. Listen, we got a dope fucking episode today
0:30
Speaker 1: with Isaiah Rashad all right, one of my favorite rappers
0:34
Speaker 1: in the last like seven or eight years. Obviously we
0:36
Speaker 1: get music from him seldomly, but his new album is
0:40
Speaker 1: Fucking Fire, representing TDE. This conversation went off the rails,
0:44
Speaker 1: for sure. It got interesting. There was even some things
0:49
Speaker 1: we took out, you know what I'm saying. A couple
0:52
Speaker 1: of things were just like, you know, let's take that out.
0:54
Speaker 1: You know. But probably the reading the YouTube comments and
1:01
Speaker 1: all the fans are saying it's the best interview he's done.
1:04
Speaker 1: You say, it's like one of the one or two
1:06
Speaker 1: best interviews Isaiah SHOT's done. We just fucking clown on
1:09
Speaker 1: each other and we obviously we talking about the music,
1:11
Speaker 1: but we get into a lot of other cool shit. Man,
1:13
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Speaker 1: you use the keyword bootleg keV. That's one word altogether,
1:42
Speaker 1: bootleg keV at checkout, save twenty percent off. Let's get
1:45
Speaker 1: into the interview with Isaiah Rashad. All right, man, look,
1:49
Speaker 1: Bootleg keV Show Special guests. Finally we got a new
1:52
Speaker 1: album from this guy. I feel like every time I've
1:54
Speaker 1: ran into you for the last you know, X amount
1:56
Speaker 1: of years, I'm like, yo, what's up with the music?
1:57
Speaker 1: What's up with the music? Man? We need it, we
1:59
Speaker 1: need it. Finally we're here. We're here now, and congrats
2:03
Speaker 1: on just the success of the album and the tour man.
2:06
Speaker 1: We're just talking the tours and sold the funk out man.
2:09
Speaker 1: It's news to me. But congrats bro. You know, I
2:14
Speaker 1: think a misconception that a lot of people make, including myself,
2:18
Speaker 1: is that the delay for your new music was a
2:22
Speaker 1: TD thing, but it was really on you, like you
2:25
Speaker 1: you weren't done. Yeah, I mean it's about like can
2:29
Speaker 1: we turn it in start rolling? You can't change it,
2:32
Speaker 1: so you got to take your time going back and forth. Motherfuckers,
2:35
Speaker 1: you know what I'm saying, going back with your homies
2:38
Speaker 1: and all that, and it's whenever I want to do it.
2:41
Speaker 1: Can we get you closer to the mic? I'm like
2:45
Speaker 1: seeing cook over there turning it up. So for you,
2:49
Speaker 1: like you know, personally, what did you go through since
2:52
Speaker 1: the last album? Like, because you know, to take that
2:56
Speaker 1: much time away, I'm sure you had to get reinspired.
2:58
Speaker 1: Was there personal stuff you had to get through the
3:00
Speaker 1: kind of put yourself into another creative place to want
3:03
Speaker 1: to do an album. I guess I'm always recording stuff
3:07
Speaker 1: and because I just like doing this ship and so
3:10
Speaker 1: we always have like a batch of songs and from
3:14
Speaker 1: from time to drop the weed, from time to time party,
3:17
Speaker 1: from from time to time, you like hear a song
3:20
Speaker 1: and it's like this sound like an album track, so
3:22
Speaker 1: you put it aside, and then that shit just happens
3:25
Speaker 1: over months, and then after a while you get to
3:27
Speaker 1: a point where you're like, okay, I got five or
3:30
Speaker 1: six songs that really sound like it's an album. Was like, okay,
3:31
Speaker 1: maybe it sound for me to start making an album
3:34
Speaker 1: that's happy. How many like the pull of songs that
3:37
Speaker 1: you had to pull from to like pick from the
3:40
Speaker 1: album because call them songs, I call them ideas. Yeah,
3:44
Speaker 1: so it'd be like songs maybe like twenty like scratches,
3:49
Speaker 1: maybe like one hundred, so like a hundred ideas or
3:52
Speaker 1: a hundred like attempts to like get something going it's
3:54
Speaker 1: doing in the studio. I used to take like those
3:57
Speaker 1: sessions eight hour or twelve hours sessions, and you should, man,
4:00
Speaker 1: I need to make a song every time. And it
4:04
Speaker 1: was like, no, get off as many ideas as you
4:05
Speaker 1: can in the studio. You gotta go back to the studio.
4:09
Speaker 1: You might as well go back with something almost partially formulated,
4:13
Speaker 1: something that you like, just finish that ship. Yeah, that's
4:16
Speaker 1: how it happens. Talk about just kind of the evolution
4:20
Speaker 1: from album to album for you sonically, like where where
4:24
Speaker 1: do you? Because I feel like each album has kind
4:26
Speaker 1: of been an evolution of like, you know, your first
4:29
Speaker 1: project tape whatever we're calling Sylvia, Sylvia. Yeah, whatever we're
4:32
Speaker 1: calling Sylvia. That was that an album? Take it was?
4:34
Speaker 1: It was? It was. It was a classic, is what
4:37
Speaker 1: it was. Thank you? But I call it it's a
4:38
Speaker 1: demo to me for real, because it was the first
4:41
Speaker 1: fourteen full songs that I made. Man top Hic went
4:44
Speaker 1: through this thing where I sent him stuff and I
4:47
Speaker 1: guess at the time I didn't realize it and he
4:49
Speaker 1: didn't realize it. They would just scratched ideas and I
4:52
Speaker 1: sent him back to see what really, like, what do
4:55
Speaker 1: you want me to do to it? Or what do
4:56
Speaker 1: you think of your type of shit? And but I
4:59
Speaker 1: hadn't went beyond that stage till Sylvia. And that was
5:03
Speaker 1: me getting inspiration from everything that I like, had been
5:06
Speaker 1: around and liked them, and I was emulating at the
5:09
Speaker 1: time from everybody from Outcaster Tyler Scarf, Wayne and all
5:16
Speaker 1: that shit, and then the Sunstarae is me trying to
5:19
Speaker 1: filter out those influences. But I still like that sound
5:23
Speaker 1: and I used to think that I had to change
5:26
Speaker 1: sound from album to album, and I'm like, I mean,
5:28
Speaker 1: like all my favorite artists, soul singers, classic shit, jazz shit,
5:33
Speaker 1: I'm like, they make different variations of these ship. But
5:37
Speaker 1: after a while they started making like a subgenre from that,
5:40
Speaker 1: and I'm like, I want to do that. So I
5:41
Speaker 1: tried that, Like I started building on that with the
5:44
Speaker 1: A and then this one was like less, like it
5:49
Speaker 1: was even more filtered out of other influences. It was
5:52
Speaker 1: like me just really just doing my shit. So this
5:54
Speaker 1: is like more like my sound. It sounds like you
5:56
Speaker 1: identify my sound off this like versus the last project.
6:00
Speaker 1: Producers would just send me like a jazzy beat because
6:02
Speaker 1: that was like the stereotype. I feel like now this
6:04
Speaker 1: one they'll understand kind of more for right right right right, Yeah, No,
6:08
Speaker 1: Like Yo, that Isaiah Vershaw type beat on YouTube definitely
6:10
Speaker 1: has to be jazzy. Yeah, but that's what I'm saying.
6:14
Speaker 1: Like this album definitely there's more bounce to it. There's
6:17
Speaker 1: more you know what I'm saying, losing that ship without
6:20
Speaker 1: losing what people love you for. That was important to me. Yeah,
6:23
Speaker 1: And I also think too, like some of the features
6:25
Speaker 1: you picture this album are dope like Jay Worthy's dope,
6:27
Speaker 1: like super Underrated Duke is dope. Like what was like,
6:31
Speaker 1: uh for you? Like you know, having for people who
6:35
Speaker 1: you know, you're you're, you're, you have a cult following? Yeah,
6:39
Speaker 1: you know what I'm saying. People are like, wait, people
6:41
Speaker 1: have been waiting for this album, So how careful were
6:44
Speaker 1: you with like who made the album? I try to
6:48
Speaker 1: I try to trust my gut on I guess knowing
6:53
Speaker 1: that there's a cored like there's a cult following, and
6:55
Speaker 1: I think even inside that quoto there's a chord amount
6:59
Speaker 1: of them that like understand me how I feel like
7:02
Speaker 1: I understood the artists I like growing up and like
7:05
Speaker 1: so they got patience not just in time, but like
7:09
Speaker 1: with experimenting with so thety there for the journey like
7:12
Speaker 1: ten ten projects deep type of ship. And then there's
7:15
Speaker 1: other ones who have an idea of me respects them.
7:19
Speaker 1: But I had to bypass that and think about, man,
7:21
Speaker 1: I want I want, I want to talk to some
7:22
Speaker 1: new people. I want to I want to get to
7:24
Speaker 1: know some new people when we go, not just to
7:26
Speaker 1: not to say the same people, but I don't want
7:28
Speaker 1: to bring necessarily the exact same crowd so that went
7:31
Speaker 1: into it. And I also like knew that, like when
7:35
Speaker 1: I put my stuff out it was gonna for good
7:38
Speaker 1: or bad, it was gonna get some attention. And I
7:40
Speaker 1: was like, why not share with people I like doing
7:41
Speaker 1: this shit with Red to the Rip who did the artwork,
7:47
Speaker 1: to the homies me and already picked the tracks, and
7:51
Speaker 1: the features were just all the homies organic and or
7:54
Speaker 1: people who I looked up to and reached out a network.
7:59
Speaker 1: Was there was there anything that like almost made the
8:01
Speaker 1: album that didn't make the album maybe feature that came
8:03
Speaker 1: into late or a record that like maybe the everything
8:06
Speaker 1: almost didn't make the album, it didn't make it, you
8:09
Speaker 1: know what I'm saying, Like like like was there something
8:10
Speaker 1: that didn't make it that was like because maybe the
8:12
Speaker 1: sample didn't get cleared last minute? Anything that didn't make
8:15
Speaker 1: it is probably because it's sample or because it wasn't finished.
8:19
Speaker 1: That's fair. Everything is like interchangeable, like I was trying
8:21
Speaker 1: to go for to me like a steady seven eight
8:26
Speaker 1: if I was judging it off my head, for everyone else,
8:28
Speaker 1: like every individual, so something like married ship right right,
8:32
Speaker 1: And I always when I played it back, I'm like, Okay,
8:34
Speaker 1: this is as long as ain't no six in there,
8:36
Speaker 1: and it's a at average seven eight. I know, if
8:38
Speaker 1: you don't like it, you just don't like it. And
8:41
Speaker 1: if you like it, you gonna love it. And that ship.
8:43
Speaker 1: That's how it just went about the whole project. Yo.
8:46
Speaker 1: I randomly went to Chattanooga, like and when we were
8:50
Speaker 1: in Atlanta to shoot a music video with my artists
8:52
Speaker 1: because my friend's family has like a farm in the
8:55
Speaker 1: middle of Chattanooga Chattanog. I don't even know it's like
8:58
Speaker 1: outside of Chattanooga, but for Overthorp for it's like in
9:03
Speaker 1: the middle of the forest is where my boy's property is.
9:07
Speaker 1: But I was like, next time I see Isaiah, I
9:09
Speaker 1: gotta be like, man, I drove through Chattanooga, did you
9:11
Speaker 1: eat anything like some fast food? So I'm just mad
9:14
Speaker 1: that when you came up you had me come up
9:16
Speaker 1: here and talk about chatting and you brought up Chattanoo
9:18
Speaker 1: that you said that the only thing you can describe
9:19
Speaker 1: it was it was forest. It was just a lot
9:22
Speaker 1: of trees. And then now nobody's gonna understand what chattering. Well, listen,
9:26
Speaker 1: it's if you're in Atlanta. Ever, it's a hop, skip
9:28
Speaker 1: and a jump, you know, it was like a two
9:31
Speaker 1: hour drive is a two hours Yeah, bring bring Chattanooga
9:34
Speaker 1: some tourism. What what what is there to do there
9:36
Speaker 1: outside of have great Southern food? And what I did was,
9:42
Speaker 1: I mean, we just did ship in the and we
9:44
Speaker 1: just I'm like, it's chill. I mean, it's an aquarium.
9:50
Speaker 1: It's an aquarium. Aquarium, this is zoo. It's good for
9:53
Speaker 1: the kids, good for fam you know what I'm saying.
9:56
Speaker 1: Don't bring your bullshit to chat. Bring your family the chat.
9:58
Speaker 1: It's a family town, family town, good place to race
10:01
Speaker 1: of family. If you're doing that, yeah, that's fair. You
10:05
Speaker 1: and Kenny Beats got a crazy chemistry. I think Kenny
10:10
Speaker 1: is probably the most underrated producer in hip hop. When
10:12
Speaker 1: we just when we when we talk about like the
10:14
Speaker 1: beat has his following's insane shot the twitch because those
10:18
Speaker 1: twitch people are they're a different type of dedicated. But
10:21
Speaker 1: but he's he's a beast. Talk about your guys is
10:24
Speaker 1: just you know, chemistry and how did that relationship start?
10:26
Speaker 1: And ken't even knowing each other for probably like five years.
10:29
Speaker 1: And when he first started seeing me Beats or playing
10:32
Speaker 1: me beats, I ain't like none of them and they
10:35
Speaker 1: were like similar to the ones that he made right
10:38
Speaker 1: right now, but like they weren't exactly of the same.
10:41
Speaker 1: He hadn't had I guess whatever lessons that he got
10:43
Speaker 1: to get here, he didn't have those all the way.
10:45
Speaker 1: But then I heard his ship with Key Project and
10:48
Speaker 1: I was like, damn, I want something mind you. I
10:52
Speaker 1: only know Kenny. I wasn't think about Kenny beats because
10:55
Speaker 1: I don't even think Rory had introduced me to him
10:57
Speaker 1: like that, right, And it was like a while. So
11:00
Speaker 1: when I'm like, bro, I want to get some beats
11:01
Speaker 1: from Kenny Bees, He's like, I'm like, that's Kenny, Like yeah,
11:06
Speaker 1: So I went and saw Kenny on the Humble and
11:09
Speaker 1: I came back and I'm like, can you help me?
11:11
Speaker 1: And then that's wild he was he fucked with my ship,
11:16
Speaker 1: so he was enthuseday, and like, dude, the ship. We
11:18
Speaker 1: both tourists, so it'd be a challenge. It's a tourist connection, Yeah,
11:23
Speaker 1: I guess. I guess it's more like we both like
11:26
Speaker 1: a challenge. Talk about this record with Uzzi. Man Uzzi's obviously, Uh,
11:32
Speaker 1: he's kind of like a walking enigma. I feel like
11:34
Speaker 1: he's kind of like a real life like this he
11:36
Speaker 1: put up to the music video like that. I don't
11:39
Speaker 1: doubt I thought. I've seen him twice and I think
11:42
Speaker 1: the first time I seen him, we were at the
11:45
Speaker 1: Hip Hop Awars for rehears was like twenty sixteen, and
11:49
Speaker 1: he was like that, but he was way more like bouncy.
11:53
Speaker 1: He's still bouncy. It was like like super young. And
11:58
Speaker 1: now it's like it's like you just knew he came
12:01
Speaker 1: into the room. It's kind of crazy. It was kind
12:03
Speaker 1: of it's some real I ain't never been nobody like that.
12:05
Speaker 1: It's type though. You know, I think he's got like
12:07
Speaker 1: an aura. There's very few people that have been around
12:09
Speaker 1: that I feel like they have like an aura that
12:11
Speaker 1: you like, Let's say he's a professional. I mean, yeah,
12:13
Speaker 1: it seems like a professional. He's not a nice kid too.
12:16
Speaker 1: He's not on like some weirdo like rapper shit, you
12:18
Speaker 1: know what I'm saying. Definitely professional on this album that
12:21
Speaker 1: you've had, Like I feel like on your your last
12:23
Speaker 1: two projects, you had in some vulnerable moments, like records
12:26
Speaker 1: like Heavenly Father. I don't feel like we got as
12:28
Speaker 1: much of that on this project. Was there wrapped around
12:32
Speaker 1: other shit. It's sitting there. It just wrapped this shit.
12:35
Speaker 1: I said, like, don't shoot, I say all heard for me.
12:38
Speaker 1: It's like it's it's it's just like poetry, but it's
12:42
Speaker 1: a lot of shit and there's a lot of like
12:44
Speaker 1: all herb is really about. All this shit is about
12:46
Speaker 1: emotional like breakups and all that type of shit. It's
12:48
Speaker 1: just wrapped in stuff that it's more about you feeling it.
12:51
Speaker 1: And if you're a nerd, you're gonna figure it out,
12:54
Speaker 1: you know what I'm saying. Like I like I said,
12:56
Speaker 1: used the word likely like I was, you know what
12:58
Speaker 1: I'm saying writing that ship down, deciphering this ship. But
13:01
Speaker 1: if you just want to listen to music, yeah, and
13:05
Speaker 1: I try to design the music to be like that.
13:07
Speaker 1: Did you go through did you go through a breakup?
13:09
Speaker 1: Since since we're on the album no, no, I mean
13:13
Speaker 1: know you just said that record is about, you know,
13:15
Speaker 1: some breakup ship. I mean it's that's the vibe. You know,
13:18
Speaker 1: you go through bad, you go through qualms in your relationships,
13:21
Speaker 1: you go through ups and downs and you feel them.
13:25
Speaker 1: I don't to write something out like da da da dad,
13:29
Speaker 1: you hurt my feelings. Just happened. That happened, makes it
13:33
Speaker 1: more in the moment versus how like I actually felt. Okay,
13:38
Speaker 1: the way I write it is about how I felt,
13:41
Speaker 1: not exactly what was going on. No, that's fair. Yeah,
13:46
Speaker 1: sometimes yeah that's fair. You know, you and Sissa, I
13:50
Speaker 1: feel like TD diehards. We always kind of like associate
13:54
Speaker 1: you too. Is like, you know, we're always waiting for
13:57
Speaker 1: new music from Sissy and from Isaiah Rashad. Right, we've
14:00
Speaker 1: been waiting for what Sissa dropping twenty seventeen. It's been
14:02
Speaker 1: a while since Control dropped, but I feel like you're
14:05
Speaker 1: still in the charts. It might be it was fucking
14:09
Speaker 1: one of the best albums in the last decade, for sure,
14:11
Speaker 1: But I feel like you two are are kind of
14:14
Speaker 1: like obviously there's the core TD members and then there's
14:16
Speaker 1: Isaiah Shot and Scissa, and for whatever reason, we always
14:19
Speaker 1: have to wait very long times to get music from
14:21
Speaker 1: both of you guys. We came after like the Four
14:27
Speaker 1: Horsemen or whatever the fuck, you know what I'm saying, right,
14:29
Speaker 1: and like after Black Hippie, and that expectation is pretty high. Well,
14:33
Speaker 1: especially I think for her being like some R and
14:36
Speaker 1: B soul pop type of shit, like she knew she
14:39
Speaker 1: had to like diversify her so and not only separated
14:42
Speaker 1: itself from like the boys, from all the girls. So
14:46
Speaker 1: her ear and her critique for herself is hiring for me.
14:48
Speaker 1: I just didn't want to sound like them without getting
14:51
Speaker 1: the same respect. So yeah, I think like when it's
14:55
Speaker 1: Jay Rock, ab sol Q and Kendrick and you're the
14:58
Speaker 1: you're like the first rapper, I feel like kind of
15:00
Speaker 1: got brought on after this initial success. No matter what
15:05
Speaker 1: you do, you're gonna get compared to and critique and
15:08
Speaker 1: countrigue to the highest level. And like, you know, even
15:12
Speaker 1: like like you know, with with the reason, you know,
15:15
Speaker 1: like reason no matter what, Like people compare Reason to
15:17
Speaker 1: Kendrick and I'm like, they don't tell, but he'd be
15:19
Speaker 1: rapping because he could rap just because you know what
15:22
Speaker 1: I'm saying, that's not a lot of people can rap,
15:24
Speaker 1: you know what I mean? But was that like that
15:27
Speaker 1: like how much of getting over that hump with the
15:31
Speaker 1: TD ship and just kind of earning those fans where
15:35
Speaker 1: they saw you as Isaiah as opposed to like, is
15:39
Speaker 1: this the new Kendrick? Like I think it's happening right now?
15:43
Speaker 1: Do you think it's finally? I feel like right now,
15:45
Speaker 1: like this album you're kind of separate. Yeah, does it
15:48
Speaker 1: feel good? I like, I'll just be seeing it. What
15:53
Speaker 1: have you seen that's that's made you feel like like
15:54
Speaker 1: like finally that moment's come. It's like the way people
15:58
Speaker 1: seem to appreciate it where they come come about it.
16:01
Speaker 1: I don't even see people mention them in my comings,
16:04
Speaker 1: like I'm sorry, I don't see people mention them like
16:07
Speaker 1: in a comparison way in the comments where I'm sure
16:10
Speaker 1: previously that probably happened a lot. It was like a
16:12
Speaker 1: lot of Kendrick sometimes rock, but like that was it
16:16
Speaker 1: and it but it was light though back then. So
16:18
Speaker 1: I knew that they had appreciation for my music then,
16:20
Speaker 1: but now it's like it's just me. So we're like
16:25
Speaker 1: like when you go back and like, how often do
16:27
Speaker 1: you go back and listen to the Sylvia Project because
16:30
Speaker 1: I feel like that's still into it. Like the day
16:32
Speaker 1: the album came out, like this album, did you just
16:35
Speaker 1: go through the whole discography? Yeah? That's how somebody doing
16:38
Speaker 1: it on Twitter, So I was like, let me just
16:39
Speaker 1: do it. Yeah, how does that feel that like listening
16:42
Speaker 1: to it now because I still feel like that's one
16:43
Speaker 1: of the more underappreciated albums. I was like, Nah, you're crazy, bro.
16:47
Speaker 1: I was like, man, I'm like, this is really slow
16:50
Speaker 1: and moody. I hear all everything that I used to
16:52
Speaker 1: get contigued about. I hear it. Now you hear it.
16:56
Speaker 1: You feel like finally you you're in your pocket. Like fully,
17:00
Speaker 1: like as far as like I'm just learning, I go
17:03
Speaker 1: up the projects, not like necessarily like the years or
17:07
Speaker 1: the time, because it's about the result, showing food type
17:11
Speaker 1: of ship. So I'm like, this is my third project,
17:13
Speaker 1: like the fourth one should be I'm like, this is
17:14
Speaker 1: my third one. If I do six and I'm keeping
17:17
Speaker 1: the same makes a versation for myself to six, like
17:19
Speaker 1: that should be crazy? Respectfully, how late? How long are
17:22
Speaker 1: we gonna have to wait until the fourth one? I
17:24
Speaker 1: mean I was rapping yesterday, so you know, but like
17:27
Speaker 1: you know, there's gonna be like four years. I'm better
17:29
Speaker 1: at finishing songs now, so definitely not four years. Maybe,
17:33
Speaker 1: like who knows, maybe next year, maybe not, maybe two
17:38
Speaker 1: years from now, maybe not that's fair. I don't know. Yeah,
17:43
Speaker 1: he's I have no fucking idea. I got he had
17:45
Speaker 1: a hard draw full of music and if they decided
17:47
Speaker 1: to be like, yo, let's put out an album. I'm
17:50
Speaker 1: not gonna necessarily be like no, right, right, right, right,
17:53
Speaker 1: right right. Did you see the new tattoo that Anderson
17:56
Speaker 1: pack he got tattooed? Don't put my ship out pretty much? Yeah,
18:00
Speaker 1: first of all, pretty wild thing to get tattooed. But
18:04
Speaker 1: how do you like, how do you feel about that?
18:06
Speaker 1: Like if you were, if you would unfortunately pass away,
18:09
Speaker 1: don't put it out music, but just not an output album.
18:12
Speaker 1: Don't put it under a thing making it like as
18:15
Speaker 1: a music. Okay, so put it out, just not as
18:17
Speaker 1: a body of work. Edit it, don't finish the songs,
18:21
Speaker 1: put everything out. Yeah. I think we just saw that
18:25
Speaker 1: with like Pop Smoke, Like were the first Pop Smoke
18:27
Speaker 1: album after he passed. You could tell where like songs
18:29
Speaker 1: that he had like actually wanted to come out. And
18:32
Speaker 1: then this last album you could tell they threw some
18:35
Speaker 1: ship together and it's like if it's feeding a family,
18:38
Speaker 1: I understand that, respectfully. Put out my scratches man, like
18:44
Speaker 1: some art ship. Seeing how the process goes. People might
18:47
Speaker 1: appreciate that in a different level, like some untitled on
18:50
Speaker 1: the master Ship more you mentioned earlier when you were
18:56
Speaker 1: growing up, there are certain artists that you just kind
18:57
Speaker 1: of like thought you knew everything about that. You you
19:00
Speaker 1: and you have fans like that, a very small core
19:02
Speaker 1: of your fans that feel that way about you. Who
19:04
Speaker 1: are those artists for you? Though? Growing up master P,
19:07
Speaker 1: we paid Fiasco who else? Everything about okay, both of them.
19:14
Speaker 1: I don't know why. I used to read all those
19:16
Speaker 1: fucking magazines dude and me too, XXL source all that
19:21
Speaker 1: ship one Wikipedia before Nigga knew Wikipedia was and all
19:26
Speaker 1: that type of ship did you go look up lyrics
19:29
Speaker 1: and ship like? I used to always go, like when
19:30
Speaker 1: when the Internet first became accessible to me, I would go, like,
19:32
Speaker 1: on the there was like those lyrics sites you go
19:34
Speaker 1: before genius. I would people, I don't know what you're
19:36
Speaker 1: talking about. Then there'd be message boards where you like
19:40
Speaker 1: all kinds of like Yeah, I would go on there,
19:42
Speaker 1: and I realized that people were getting lyrics wrong. It's
19:46
Speaker 1: when I started listening to songs more than like I started.
19:49
Speaker 1: When I hear a song, I'll be doing the lyrics now. So, uh,
19:53
Speaker 1: what is your favorite Cast album ever? Man? It flows
19:59
Speaker 1: between the first just because I like Southern Players and
20:02
Speaker 1: Cadillac Music. I like that one because how wrong and fresh.
20:05
Speaker 1: They were m hm. And but I like Equimini because
20:10
Speaker 1: it seemed like some prime rap ship, but then because
20:14
Speaker 1: it like was a glimpse of what they could do.
20:17
Speaker 1: I don't think there's really any songs that much bigger
20:19
Speaker 1: than Bombs. I mean Bombs over back. That is, like
20:22
Speaker 1: I remember learning the lyrics of that song as a kid,
20:25
Speaker 1: like it's one of the that's one of those songs.
20:26
Speaker 1: I can sing that ship front to back, you know
20:28
Speaker 1: every fucking word, and it's a hard song to learn.
20:31
Speaker 1: Me and my homies like we all like we at
20:32
Speaker 1: school trying to figure out the fucking lyrics of that record.
20:35
Speaker 1: It was and that video writ andre running into fucking
20:38
Speaker 1: purple brass writing. They were making rap songs that were
20:42
Speaker 1: like songs composing arts. There's a whole fucking guitar solo
20:46
Speaker 1: in that ship, Yeah, not for sure, And it was
20:48
Speaker 1: like some trippy ass like Tom Morello type guitars. Yeah. No,
20:52
Speaker 1: I'm an Equimini guy. Though. Equimini to me is like
20:55
Speaker 1: about as good as rap music, and I think it's
20:57
Speaker 1: usually just like the last three songs, they could have
21:00
Speaker 1: kept that Mama see, but could have kept that off
21:03
Speaker 1: the last three songs on probably all their projects together,
21:07
Speaker 1: that's probably the best album. You think, the last three
21:10
Speaker 1: songs on equipment, every one of the albums from Southern
21:14
Speaker 1: Playlistic Eightiliens, Equiminik on that and and and the probably
21:22
Speaker 1: the last two if you take the last two or
21:23
Speaker 1: three from their solo is a piece. If you put
21:26
Speaker 1: them in the list, and I'm going off my own faith,
21:29
Speaker 1: I bet it's probably it ain't gonna be like a
21:31
Speaker 1: whole bunch of fucking singles, but it'll probably be like
21:34
Speaker 1: the best ship to listen to. Mm hmmm. I think
21:38
Speaker 1: that what's crazy Liberations in there, Stank Loves and day
21:42
Speaker 1: Life of Andreas and there Life and them. I mean
21:47
Speaker 1: with a lot of ships in there, even elevators in there.
21:51
Speaker 1: Because they got the ninety six remix of that. Count
21:54
Speaker 1: that all of it you gotta count. I just I
21:57
Speaker 1: wish I meant that. Like every time I think Outcast,
22:01
Speaker 1: it makes me miss physical packaging because I always remember
22:05
Speaker 1: in my CD book, I would have like four pages
22:07
Speaker 1: or four with titties every Yeah, they had eight aliens,
22:11
Speaker 1: had a little comic built in, but like every CD
22:14
Speaker 1: had a naked girl on it. Yo, that might have
22:16
Speaker 1: been might have got me in the comics bro eighty Aliens. Yeah, yeah,
22:21
Speaker 1: they had like the whole little comic because I was
22:25
Speaker 1: like six. Yeah, they stopped doing the nudity ship with
22:28
Speaker 1: the leve below and speaker box. They broke the streak. Yeah,
22:33
Speaker 1: they broke the streak. What about Loupe, who I think
22:36
Speaker 1: is lyrically a fucking alien obviously? You know a couple
22:40
Speaker 1: of classics, uh rapping that tests ship tattoo on Youth
22:45
Speaker 1: Murals nine minutes straight, that one song. That song Murals
22:50
Speaker 1: is so crazy one though. You know what's crazy about
22:54
Speaker 1: the cool is I don't think it aged that well.
22:57
Speaker 1: Go watch Fire. I just re listened to the on
23:00
Speaker 1: a road trip like a few months ago, and there's
23:02
Speaker 1: still some shit on there. There's like timeless, but it's
23:04
Speaker 1: like twenty songs. Bro. Yeah, there's just some shit on
23:07
Speaker 1: there that in the age as well as i'd hope
23:08
Speaker 1: do you kill six? And it's still like twelve of them.
23:11
Speaker 1: Moment I think it's still good. I like Food and
23:13
Speaker 1: Liquor the og leak though, are you really listening to American? Yeah?
23:17
Speaker 1: I am listening to American Yo. The American Terrorist three
23:21
Speaker 1: that wasn't on an album. That shit is crazy. I
23:24
Speaker 1: never heard it. He's like he's like he's like rapping
23:28
Speaker 1: from the perspective of a soldier who's about to like
23:32
Speaker 1: blow up a building or something, and he's like writing
23:34
Speaker 1: his wife, you heard that, dude, It's fucking crazy, and
23:39
Speaker 1: like he's talking in code and ship to his girl,
23:41
Speaker 1: like I got I can only listen. I honestly only
23:44
Speaker 1: listen to Kim I mean Loup. Only listen to when
23:50
Speaker 1: I'm playing that video game. Hmm, that's good video game music.
23:54
Speaker 1: I feel like you could appreciate some like hardcore lyrical
23:56
Speaker 1: ship while playing games. For some reason, a little bit
23:58
Speaker 1: more riding around the loop is like kind of not
24:02
Speaker 1: you know, it's for me. Yeah, it's a lot to
24:04
Speaker 1: think about, Like at the crib doing my ship zone out.
24:09
Speaker 1: I want to hear a good story. Well, you mentioned
24:11
Speaker 1: master P too. Master P was probably the first, like
24:14
Speaker 1: uh it was it was it was Snoop pocket master
24:18
Speaker 1: P for me as like a little kid that like
24:20
Speaker 1: really had me like obsessed about hip hop, and that
24:23
Speaker 1: was like he look so independent. Ghetto dope was like amazing,
24:28
Speaker 1: and I had a no limit chain and then and
24:31
Speaker 1: then me and my my best friend Ramse just went
24:33
Speaker 1: into my dad's bedroom to grab the keys to his car,
24:35
Speaker 1: and like found crack in his drawer and we opened it.
24:38
Speaker 1: Like my boy ram was like, bro, that's that master P.
24:42
Speaker 1: And I was like, damn, my dad's smoking crack. Fucked up.
24:49
Speaker 1: He's good now, obviously he's good. I mean I think
24:51
Speaker 1: he was more of a recreational crack smoker to be fair. Yeah,
24:56
Speaker 1: my dad was never like like putting this out over crack,
24:58
Speaker 1: but he I feld crack. My dad's George for sure,
25:01
Speaker 1: And then my mom confirmed later, Yeah, your dad had
25:03
Speaker 1: his little cracks cracked time, his cracked time. But no,
25:08
Speaker 1: master P, like man Ghetto Dope was fucking man amazing.
25:11
Speaker 1: But but also master P is another one of them
25:16
Speaker 1: artists that like as a kid, I loved it, Like
25:19
Speaker 1: I still love a lot of his ship, but like
25:20
Speaker 1: the music, didn't hate say video, Oh yeah, the basketball.
25:24
Speaker 1: Mysticol was so bro mist cool quit catch charges, bro,
25:29
Speaker 1: Yeah he gotta stop raping bitches. What he gotta do.
25:31
Speaker 1: He's getting accused of getting off. He got now he
25:35
Speaker 1: didn't get off the first time. He didn't. Nah, But no,
25:39
Speaker 1: Mysticol was a fucking alien. I remember when I first
25:42
Speaker 1: heard myst the cool it was like, uh, was a
25:45
Speaker 1: serial rapist we can't talk about? Yeah? Well, I mean,
25:48
Speaker 1: I mean yeah, allegedly, right, I think he's a singular
25:52
Speaker 1: rapist for sure. Sharp lifts, I don't know. Was he
25:57
Speaker 1: convicted of that? Sharp? He did a song. He did
26:02
Speaker 1: a song with Mark Ronson after he got out of jail.
26:04
Speaker 1: I can't imagine, No, I can't imagine Mark Ronson would
26:07
Speaker 1: do a song with him if he was out here. Really,
26:11
Speaker 1: I remember when Mark played it for us and Yo,
26:14
Speaker 1: you'll never guess what I got on the new song, Guys,
26:16
Speaker 1: You'll never guess. And then he played it and mystical
26:19
Speaker 1: sound like James Brown, And I was like, this type sexual,
26:26
Speaker 1: sexual battery and extortion. Was he convicted? What was he convicted?
26:34
Speaker 1: It sounds like pimping. Sounds like pimping. It sounds like
26:38
Speaker 1: pimping and panderin. That's all good. You don't got to
26:43
Speaker 1: put the thing on there. Just you might want to
26:45
Speaker 1: flip that around though. Yeah, there you go, good content. Oh.
26:50
Speaker 1: He was forcing a hairstyle his hair, his hairstylist, and
26:53
Speaker 1: he had some great braids. For see who was doing
26:56
Speaker 1: what forcing his hairstylists to perform sex acts. Well, you know,
27:02
Speaker 1: Mystical's hair was on point, though, what you mean though
27:05
Speaker 1: she didn't a job? His grades were Listen, I don't
27:16
Speaker 1: want you to. We're not trying to get you canceled.
27:18
Speaker 1: Isaiaha shotut today. I'm not gonna get count No. I
27:21
Speaker 1: appreciate this guy said, he said, my name's been in
27:24
Speaker 1: and I'm not in it. I'm over here, you know,
27:28
Speaker 1: I'm over here trying to figure it out too. It's like,
27:30
Speaker 1: what the fuck? Man, oh man, uh yo? Do you
27:35
Speaker 1: have Do you have any sort of update on Scissor's
27:37
Speaker 1: project or, like, have you heard a lot of her
27:39
Speaker 1: music she's sitting on. Can you give us any sort
27:41
Speaker 1: of window into like what that sounded like? Can we
27:45
Speaker 1: get this or that? Is it good? Is it bad?
27:47
Speaker 1: Is it? I mean, you haven't heard any unreleased music?
27:51
Speaker 1: Two songs? Okay, how are the two songs you've heard?
27:53
Speaker 1: So you think Sissy has a bad two songs? No,
27:56
Speaker 1: I don't think has got any bad music. I think
27:58
Speaker 1: she's trying to figure out I'm a power of gold,
28:01
Speaker 1: which was the shiniest that's fair? Mm hmm. You fuck
28:07
Speaker 1: with you feel me? Sometimes? I want to do the
28:11
Speaker 1: Lebron thing, but I'm not athletic enough. Yeah, who is
28:15
Speaker 1: your basketball team? Being from Tennessee, I would love if
28:18
Speaker 1: the Grizzlies one, But I'm more of like I think
28:22
Speaker 1: a lot of teams fail because of the coaching staffs.
28:26
Speaker 1: I'm not a basketball expert, so I'm more of a player.
28:29
Speaker 1: So who's your guys for the past eight years, I'm
28:32
Speaker 1: not new to this true Janni's Kawhi fuck with Chris
28:38
Speaker 1: Paul said it had to be him. I'm a Son's fan,
28:41
Speaker 1: so let's not even you know what I'm saying. Katie
28:44
Speaker 1: love Russell as of late Russell Dame step all this
28:51
Speaker 1: ship and Lebron Lebron he gets his love praise. He
28:55
Speaker 1: hasn't played my song. I've been waiting for him to
28:57
Speaker 1: pull that. He's in the back of the car and
28:59
Speaker 1: he starts senior ship with me. He listens to everything.
29:04
Speaker 1: Lebron James has like the most like eclectic taste in
29:07
Speaker 1: rap music, like future one day and the next day
29:10
Speaker 1: it's like fucking Griselda album cut I feel me. Yeah,
29:14
Speaker 1: It's like it's this kid, He's just playing his kids,
29:16
Speaker 1: playing this bro. You think it's just you think it's
29:18
Speaker 1: a kid. I don't think his kids. Listening to Benny
29:20
Speaker 1: the Butcher, I'm about to say, I'm thirty four, Bro, Relax,
29:24
Speaker 1: you young kid, I'm thirty four. I thought she was
29:27
Speaker 1: super season. Do you think I am? Bro? I thought
29:29
Speaker 1: she was like as old as Socaco Bill. So I
29:34
Speaker 1: look that old. You be hanging with some old niggas? Bro,
29:38
Speaker 1: who do I hang with this old besides him? He's
29:41
Speaker 1: really old. That's one of my best friends. He's an
29:43
Speaker 1: old man. But who do I hang out with that's old?
29:46
Speaker 1: I think I just think when I think of when
29:48
Speaker 1: I think, I think of like old people, you think
29:52
Speaker 1: of like a generation before me and rap. I'm like
29:55
Speaker 1: you think you think like, oh, look, that's what he's like.
29:56
Speaker 1: He's like a Quasi Rosenberg over here on the West Coast,
30:00
Speaker 1: just an old rap guy. Maybe. Yeah, Listen, I wouldn't
30:03
Speaker 1: say I'm like, I'm how old are you? Thirty three? Thirty? Okay?
30:07
Speaker 1: Because I try to do the math on the t
30:09
Speaker 1: pain thing older. You're just a little bit older than me,
30:11
Speaker 1: I'm saying, but you know you sees it, bro, so
30:13
Speaker 1: are you? But you've been doing this way longer than me? Yeah,
30:19
Speaker 1: I mean having to do this since I was like seventeen,
30:21
Speaker 1: I don't say you look old. Thank you well, I
30:23
Speaker 1: appreciate the h I thought she was a young looking
30:25
Speaker 1: old dude. Now you're an old looking young dude. I
30:32
Speaker 1: get it. I'm not sure I've ever felt more attacked
30:37
Speaker 1: on my show, and I don't know if I'm supposed
30:40
Speaker 1: to take this is a good or a bad thing.
30:42
Speaker 1: He's like, I thought you were a young looking old dude.
30:44
Speaker 1: Now you're an old looking young dude. Listen, it is
30:48
Speaker 1: what it is. Man. You know I'm not the only one. Yeah,
30:53
Speaker 1: hey him, he's he's like fucking fifty. But you know,
30:56
Speaker 1: black don't crack respectfully it don't you work out? Filipinos
31:00
Speaker 1: and black people age better than anyone if you work out. Yeah,
31:04
Speaker 1: Like I know Filipino people who are like fifty that
31:06
Speaker 1: look like they're nineteen. If you if you work out,
31:08
Speaker 1: if you eat good and kind of work out, do
31:11
Speaker 1: you work out? You keep saying that I'm back to it.
31:14
Speaker 1: You like, I came from a gym like this, so
31:16
Speaker 1: like you're fucking you know you're in the gym. I'm
31:18
Speaker 1: just running Cardio. That's it stage right now, I'm not.
31:21
Speaker 1: I'm not ready for waits and I know I don't
31:22
Speaker 1: want to hurt myself. What about diet do you, like,
31:25
Speaker 1: do you have any weird are you like a vegan
31:26
Speaker 1: or anything? Everything that they tell you I should go
31:29
Speaker 1: light on. I don't eat eat a whole bunch of bread,
31:32
Speaker 1: eat any dairy really so anything. People are like, yo,
31:35
Speaker 1: don't do that. You're just like, I'm good on that
31:37
Speaker 1: old I don't eat anyway? What's your bread substantute? It's
31:41
Speaker 1: not that I don't eat bread, It's like I only
31:43
Speaker 1: eat bread like to be like a sandwich. Have you
31:45
Speaker 1: ever tried they have like haliflower crust and like, I'm
31:49
Speaker 1: not trying to be like that. My intake of regular
31:51
Speaker 1: shit is so like at a healthy place. I don't know,
31:55
Speaker 1: what's the worst thing you've eaten this month? Like, what
31:57
Speaker 1: was that meal that you felt like shit afterwards? You're like,
32:00
Speaker 1: damn it? For me, it was like in and out
32:02
Speaker 1: like three day jolly Be, jolly Be. That's the Filipino spot, right, Yeah,
32:09
Speaker 1: they both. I still fuck with jolly Be. Just today
32:13
Speaker 1: didn't hit like it was you know, I never had
32:15
Speaker 1: had it. And Crispy Crispy is chicken Crispy. My producer
32:19
Speaker 1: is Filipino, and he does a lot of stuff with
32:22
Speaker 1: this Filipino agency, and they delivered Jolly Be to my house.
32:26
Speaker 1: It wasn't good, but I don't know if it was
32:29
Speaker 1: because it was in the car and made a bunch
32:31
Speaker 1: right there. Yeah, And it also kind of threw me
32:34
Speaker 1: off because it was it was spaghetti and fried chicken.
32:37
Speaker 1: You gotta give it a go, and I was. I
32:39
Speaker 1: opened it and I just looked at it. I took
32:40
Speaker 1: a bite of the chip, like, no, this ain't it.
32:42
Speaker 1: Champ's Filipino. Is it really spaghetti or is it dry
32:48
Speaker 1: rumen with like tomato sauce? Think so, because it's Filipino,
32:56
Speaker 1: it might be dry ramen spaghetti of stereotypically, I don't
33:01
Speaker 1: know what kind of racist ship we're getting into here.
33:04
Speaker 1: What do white people eat baloney? I knew that, so
33:10
Speaker 1: I'm gonna guess that. I don't think he's just killing
33:13
Speaker 1: spaghetti over there. They're not killing spaghetti. They're killing dry
33:16
Speaker 1: ramen over here. What's the fake egg rolls Filipinos like
33:23
Speaker 1: Lumpia's fire Well, you know what I mean. It's like
33:26
Speaker 1: a long time I just dabble would have a question.
33:28
Speaker 1: You dump, you jumped full into it. I love Lumpia.
33:31
Speaker 1: E forty has a Lumpia company. E forty has everything.
33:34
Speaker 1: Company forty has every type of liquor. And he's slaying
33:38
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34:33
Speaker 1: Or would you get into any sort of entrepreneur peneurial
34:36
Speaker 1: situations where you know, maybe you know somebody they ever
34:38
Speaker 1: shot French fries or something or bro if I could
34:41
Speaker 1: have like something like a waffle house out here, do
34:45
Speaker 1: you miss that about being in the South, Like just
34:48
Speaker 1: I like the quality of stuff in LA. I like
34:51
Speaker 1: the convenience and the familiarity and stuff in the South,
34:54
Speaker 1: So I probably like try to make something this taste
34:57
Speaker 1: it a little bit better than waf house. Price about
35:00
Speaker 1: the same, Yeah, because like low key in LA like
35:03
Speaker 1: as much I mean, and I mean, how about this
35:06
Speaker 1: low key in the valley because I don't want to
35:07
Speaker 1: say La because you'll be able to find a taco
35:09
Speaker 1: truck in LA. But like the all night food is
35:11
Speaker 1: very it's over about nine o'clock. It's weak. You would
35:15
Speaker 1: think there'd be the ill fire. Like it's four in
35:18
Speaker 1: the morning. We're leaving the studio in Arizona. We have
35:21
Speaker 1: a place called Philiberto's. It's just burritos all night and
35:24
Speaker 1: out in the South and then we also have waffle
35:26
Speaker 1: House in Arizona, but like waffle House is like fucking
35:29
Speaker 1: I'm the type. I used to be the type that
35:31
Speaker 1: I would travel for that for waffle House. Yeah yeah,
35:35
Speaker 1: like I go cross state lines for that amazing and
35:38
Speaker 1: it's very slept on. And you know what I like
35:39
Speaker 1: about waffle House is when you're really shit faced and
35:42
Speaker 1: you had a waffle House, it's like three thirty in
35:44
Speaker 1: the morning, I feel you. That's cool. You conversate with
35:47
Speaker 1: the people cooking your food because you're drunk, but they're
35:50
Speaker 1: right there, they're making it. My memory come from like
35:53
Speaker 1: going with my grandma when I was like I didn't realize,
35:55
Speaker 1: you know what, you don't realize you're poor, and then
35:57
Speaker 1: you're going and do shit with your grandparents just fire.
36:01
Speaker 1: Then I grew up and realized it's just like seven dollars, right,
36:04
Speaker 1: I'm like that ship is high memory quality for super Bucks. Baby.
36:08
Speaker 1: You know, when I was a kid, I used to
36:10
Speaker 1: think apple Bee's was like the fanciest restaurant in the world.
36:13
Speaker 1: I mean, you just got bad taste and then no, no, no,
36:15
Speaker 1: because it was like the ship you see the commercial.
36:17
Speaker 1: You know, my parents was taking me the fucking beast trash. No,
36:20
Speaker 1: I'm not saying that. I'm saying this was good. I
36:21
Speaker 1: would think of apple Bee's and Chili's. I always would
36:25
Speaker 1: think apple Bee's and Chilies were like expensive restaurants. Like Man,
36:29
Speaker 1: one day I get to go to Applebee's Chilis when
36:31
Speaker 1: they still had Country Fried stick. I take it as
36:35
Speaker 1: a two and a half star. Apple Bee's is for
36:38
Speaker 1: sure two stars, but apple Bee's you get the two
36:41
Speaker 1: for twenty. That's what I mean. Okay, if it's fire,
36:44
Speaker 1: I don't need it. I don't need a coupon. It's
36:47
Speaker 1: not a coupeon. It's just what they do. It's basically
36:50
Speaker 1: you ever. Yeah, I mean, you know you're a certain
36:52
Speaker 1: point in life when you take a girl on a
36:53
Speaker 1: day Apple best for twenty everybody gets and they get
36:57
Speaker 1: half half priced appetizers during happy hour. Now, by the way,
37:00
Speaker 1: there's no Applebe's anywhere near here. It pisses me off.
37:03
Speaker 1: It's frustrating. I kind of am pre plug cut the
37:08
Speaker 1: check Applebee's. God damn it. Uh. What's your biggest vice
37:11
Speaker 1: in twenty twenty one? Man buying pants? Buying pants? Mhmm,
37:20
Speaker 1: what kind of pants cargo? Something like I don't know,
37:26
Speaker 1: fluid and shit. I try to have to go into
37:28
Speaker 1: some like super bag. But I just like nice pants.
37:32
Speaker 1: So you're just a pants guy. When you see me,
37:36
Speaker 1: you always got some nice pants on every time, nice shoes. Pants.
37:43
Speaker 1: It's a special kind of guy, like Loope was a
37:46
Speaker 1: pants guy. Taste hmmmpe, I remember Lupe put me on
37:50
Speaker 1: all kinds of Japanese denim and shit. It's okay. The
37:53
Speaker 1: rest of it don't really matter. You know. That's the
37:55
Speaker 1: opposite kind of take too, because most people don't care
37:57
Speaker 1: about their pants. It's me and the pants. M me
38:02
Speaker 1: and the pants, and the rest is just accessory. I
38:06
Speaker 1: need the pants. What's the most expensive pair of pants
38:09
Speaker 1: you've you've purchased? I don't know, like six. I don'm
38:15
Speaker 1: gonna be doing that type of ship. I'm a regular dude,
38:17
Speaker 1: Like I like to dress like the manager would by pants?
38:21
Speaker 1: Would you go to H and M and by pants?
38:24
Speaker 1: Were they paying me to be there? No? No, Like
38:26
Speaker 1: if you were like, hey, look I need some pants.
38:27
Speaker 1: Oh look there's an H and M. Let me go
38:28
Speaker 1: get some cause they're like nineteen dollars. I usually have pants.
38:31
Speaker 1: They have pants there a little bogie so so but
38:35
Speaker 1: you just said you weren't that kind of guy. No, no, no, no,
38:38
Speaker 1: I'm not above it would I mm, so you're bougie
38:41
Speaker 1: but not bougie? What I what I if I didn't
38:44
Speaker 1: have to? Yeah, okay, see what kind of pants right now?
38:52
Speaker 1: What do we got right now? I got some Grizzlies?
38:57
Speaker 1: S Oh you got that? Yeah? Yeah, up grizzlies. By
39:00
Speaker 1: the way, that was at the gym. It was a
39:03
Speaker 1: great shorts quite possibly top five uniform. Ever, Yeah, until
39:09
Speaker 1: you played on two K too much and you just
39:11
Speaker 1: kind of hate seeing it. Is that that's like your
39:13
Speaker 1: go to on two K Joa Moran and fucking Valachun.
39:17
Speaker 1: It's just like if if Rest could shoot a little better. Yeah,
39:22
Speaker 1: about to say, because John's not a great shooter. He's
39:23
Speaker 1: better than Rest though, But that's crazy, right, Just think
39:26
Speaker 1: about it that now he can shoot, yeah, ten percent
39:28
Speaker 1: better than what he shot. Where's he at the league
39:31
Speaker 1: right now? I mean there's been years where he's shot
39:33
Speaker 1: ten percent better than he shot the last few years
39:35
Speaker 1: when he was the MVP. Shoot. But you're always looking
39:37
Speaker 1: at that, well, fucking go up, like is it for
39:40
Speaker 1: the fall? Oh yeah? Yeah, same thing with jamran Ja
39:43
Speaker 1: Moran is disrespectful to his body, Like I'm afraid he's
39:46
Speaker 1: gonna like have like a moment where he fucks himself
39:50
Speaker 1: up because he has no fear just jumping over motherfuckers.
39:53
Speaker 1: He'd be flying. But when he shoot, it's like, I
39:56
Speaker 1: ain't gotta look it. Might it's gonna drop. Maybe if
39:59
Speaker 1: it's a I know scenarios, is gonna drop rust though
40:03
Speaker 1: if he ain't in a rhythm, it's like you just
40:05
Speaker 1: watching it and it's scary. Dog, He's like playing with
40:08
Speaker 1: your heart? Is it? Like? What is kind of the
40:11
Speaker 1: correlation of relation to like Memphis and Chattanooga as far
40:13
Speaker 1: as like distance four hours, it's pretty far. I've been
40:17
Speaker 1: in Memphis like four times in my life. Atlanta's closer, Yeah,
40:21
Speaker 1: because Memphis kind of got rap music, right. I love
40:23
Speaker 1: Memphis music. Memphis is on fire right now. Yeah, But
40:26
Speaker 1: like I ain't ever, I haven't got no relatives out there,
40:29
Speaker 1: no reason too did like Memphis has seemed bleed over
40:31
Speaker 1: to like your you like what you like and what
40:34
Speaker 1: you kind of came up listening to obviously three six
40:36
Speaker 1: months it was I would I didn't go there often.
40:39
Speaker 1: We only went there for what's this your call Matt
40:42
Speaker 1: tupa Tulu Telusa, Tuscaloosa. Oh isn't that in college town? No? No, no,
40:53
Speaker 1: it's right outside of Memphis. We only went there to
40:55
Speaker 1: gamble with I went to I went to Memphis like
40:58
Speaker 1: four times with my parents, with my parents and grandparents.
41:01
Speaker 1: I went through that motherfucker like all the time. Yeah.
41:03
Speaker 1: The driver always fucking gambling. Not my parents. You a
41:07
Speaker 1: big gambler, my uncles and un ship. Are you a gambler? No? No,
41:12
Speaker 1: that never. Someone put you in a casino. You got
41:16
Speaker 1: a hundred let's say that they give a hundred bodet money.
41:18
Speaker 1: It's my money. I said, he, I'm gonna give you
41:20
Speaker 1: a hundred dollars, but you gotta gamble it. What are
41:22
Speaker 1: you gonna play running it? What are you gonna run
41:24
Speaker 1: on tho? You're gonna go to black jack? It matter
41:27
Speaker 1: to me. If it's some ship I didn't earn, I
41:30
Speaker 1: might throw that ship away. I might give it away.
41:33
Speaker 1: And I feel feel the way about my possession. It's
41:35
Speaker 1: kind of crazy. The only thing I really keep a
41:37
Speaker 1: ship there like I cover it exactly? What do you
41:42
Speaker 1: cover it? What's the like? What's the most random thing
41:45
Speaker 1: at your at your house that you're like, this ship
41:47
Speaker 1: lost my rolex? So nothing? Wow? How do you lose
41:51
Speaker 1: a rollie? Weird night? Bad night? Not bad night? I
41:55
Speaker 1: never have a bad night. Weird night? Uber? Did you
41:58
Speaker 1: leave it like at a chick's house? Weird night? Can
42:02
Speaker 1: you tell the story? Weird night? Let's let's end the
42:05
Speaker 1: interview with this. This the night of you weird nights? No? No,
42:09
Speaker 1: what then happened? Man? Did you go to the Claremont
42:13
Speaker 1: Lines in Atlanta and some old lady took it off
42:14
Speaker 1: for you? What happened? Man? I hear everybody that man
42:17
Speaker 1: you heard about that fucking weird night? Which one the
42:21
Speaker 1: one you explained? I've had some weird nights. I had
42:24
Speaker 1: some really bad, really weird nights. But no, you tell
42:27
Speaker 1: me it's yours? And then, I mean most of my
42:31
Speaker 1: weird nights have been off of edibles, dabs or shrooms.
42:34
Speaker 1: Your sounds way more interested in So what happened to York?
42:36
Speaker 1: What happened with you? Yeah? Was your role like stolen
42:43
Speaker 1: or did you lose it? Anybody gonna steal ship for me?
42:46
Speaker 1: So they didn't? So do you? I mean? You know
42:48
Speaker 1: you never know? You know? You hearbody? Okay, so get
42:51
Speaker 1: so you misplaced it? Yeah, some ship. You have a
42:54
Speaker 1: hunch on where you misplaced it this weird night somewhere. Okay,
43:00
Speaker 1: this is being very vague. Is there any sort of markings? Like,
43:05
Speaker 1: is there like a fucking you know, like a TD
43:10
Speaker 1: logo etched into the back? Of course not, he said,
43:17
Speaker 1: who the fucking I don't know the fucking label. Hey,
43:20
Speaker 1: if your girl, if your girl, if your girl gets
43:23
Speaker 1: you tattooed on it, and instead of tattooing your name,
43:25
Speaker 1: she gets your logo tattooed. What do you think? Do
43:33
Speaker 1: you think she's that sure about like how it might
43:37
Speaker 1: have it? Or do you think she just likes your
43:39
Speaker 1: logo more than your name? I have no fucking idea.
43:41
Speaker 1: That's an interesting I don't know. So you're asking if
43:45
Speaker 1: my girl were to get my logo instead of my name,
43:49
Speaker 1: would that means she likes walk me down this path again?
43:55
Speaker 1: Do you think like to me, like, would you think
43:57
Speaker 1: is like she's like she's willing to take that risk.
44:02
Speaker 1: But now willing was signed on the line right there? Mmm,
44:06
Speaker 1: I mean I'm married, So she signed your name? Yeah? Wait,
44:11
Speaker 1: when it's kind of getting to get your name tattooed
44:13
Speaker 1: not to say ghetto. No, if it's abody, my wife's
44:15
Speaker 1: names on my finger, damn, so I'm ghetto, continued behind
44:20
Speaker 1: my ear. Continue we've already we've already established some ghetto.
44:23
Speaker 1: But continue. I go to Apple Bee, that's kind of corny.
44:25
Speaker 1: I go to apple This is corny. Yes, that is corny. Ship. Wow, man,
44:29
Speaker 1: that's like it's like you had to have known since
44:32
Speaker 1: like you were a freshman. We got married when uh
44:36
Speaker 1: we got married four years ago? Okay, how long do
44:38
Speaker 1: you know that? Probably like six years? How long you
44:41
Speaker 1: had to tap? I got the tap before we got married.
44:46
Speaker 1: How long ago is it? Listen? Man? Fuck you Isaiah shot? Damn? Wait?
44:56
Speaker 1: Whose name is tattooed on your fucking head? Taylor? Who's that?
45:00
Speaker 1: It's not even business? It was a weird name. Wait?
45:03
Speaker 1: Do you have a female's name tattooed on you? Who cares? Oh? No,
45:07
Speaker 1: I mean you're calling me corny? We're both corny? Then
45:09
Speaker 1: that shiit tak That shit's close to your face. I
45:12
Speaker 1: could cover this ship up. Nobody sees that. I can
45:15
Speaker 1: see that. I can't get them. You can't see it
45:17
Speaker 1: unless I show it to you. You gotta hot. I
45:19
Speaker 1: put fucking gloves on. Bro. Yeah, exactly, I can fucking
45:23
Speaker 1: I could take my ship up like a guy damn
45:24
Speaker 1: basketball player. You know what I'm saying. Your ship is
45:27
Speaker 1: buying your ear. You gotta grow your hair out. Bro.
45:30
Speaker 1: Where's Taylor at? Now? Your hair out? Where's Taylor at? Now?
45:33
Speaker 1: Over there? Oh? Is that Taylor? Oh? Is that you? Oh? Okay, okay,
45:37
Speaker 1: you know then you get the pass I was gonna say,
45:39
Speaker 1: is Taylor around right now? Well, she's in the same room,
45:42
Speaker 1: so you're not. Is that corny that he got your
45:44
Speaker 1: name tattooed on him? I was fucking like twenty two though,
45:48
Speaker 1: So you guys are like, you're like thirty four. I'm
45:50
Speaker 1: twenty first one. I'm a gron ass man. I knew
45:53
Speaker 1: what I was doing. O bad decisions. Second of all,
45:57
Speaker 1: you're gonna go by yukon. You and I are both
46:00
Speaker 1: like you and I are both the same. We each
46:03
Speaker 1: have a tattoo of the girl we're still with. Right,
46:07
Speaker 1: you got married, like you didn't have to do that,
46:09
Speaker 1: Like this was for you to marry her. This was like,
46:12
Speaker 1: this is the hold off. She just said she's waiting.
46:15
Speaker 1: She said, you're right. This gave me like three years
46:17
Speaker 1: that you've don't. All right, so since we're doing this,
46:19
Speaker 1: what is like what? So? So you did this as
46:23
Speaker 1: like a here, this is like a this will buy
46:26
Speaker 1: me three more years until I have to the porch.
46:30
Speaker 1: So that was eight years ago. This is like four
46:34
Speaker 1: years ago. Okay, but you've known your girl for how long?
46:37
Speaker 1: I kissed six tomorrow? So seven? Eight mm hmm. So
46:43
Speaker 1: when you're gonna when you're gonna pop the question? Man,
46:45
Speaker 1: I'm just putting you on the spot. I'm thirty. I
46:48
Speaker 1: wasn't get married, so now you're technically in marriage territory
46:53
Speaker 1: because now you're thirty. Got an album, I got like
46:56
Speaker 1: another album that's a while knowing you. You're gonna gonna
46:59
Speaker 1: get married till he's forty, he said, after the next album,
47:03
Speaker 1: which is gonna be in twenty twenty nine. This is
47:07
Speaker 1: guy's the fucking Chattanooga doctor Dre making his way like
47:10
Speaker 1: it's a fucking detox every four years. She well, Taylor
47:14
Speaker 1: turned the tables. Shout out to Taylor, she's here, your lovely,
47:18
Speaker 1: your lovely wife. She's wife by proxy. You know, eight
47:21
Speaker 1: years that's wife, she's your wife. I guess I was.
47:24
Speaker 1: I always hit you with but I would let you go. Good. Listen, hey, listen,
47:28
Speaker 1: we're both in amazing relationships, and we both have our
47:31
Speaker 1: amazing women's name tattooed on our body. I think the
47:33
Speaker 1: only thing that would make this more interesting is the
47:35
Speaker 1: reason was here in pat. Mmmmm yeah, reason. I don't
47:41
Speaker 1: know what it made that. I mean, we just have
47:43
Speaker 1: to do it, okay, reason, Can we eat rooms first? Yes?
47:48
Speaker 1: All right, it's a deal. It's a doozy Isaiah Sho,
47:53
Speaker 1: I'm down. Yeah, tell fifty old motherfucker over there to
47:57
Speaker 1: set it up. No, I won't you find Pat Oswald?
48:00
Speaker 1: Who's Pat? Was that the comedian dude? Like, Oh, that's
48:03
Speaker 1: the that's the fat comedian guy. Right, you're not fat,
48:07
Speaker 1: but you know who I'm talking about. He's like a comedian, right,
48:10
Speaker 1: oh yeah, yeah, he's like he's like one of those
48:12
Speaker 1: legend Well he's like one of those faces you see
48:14
Speaker 1: in shows and you're like, I know that guy because
48:16
Speaker 1: he's in that famous he's like somebody famous. Yeah, but
48:20
Speaker 1: I'm saying he's like a guy who I can never
48:21
Speaker 1: think of his name. You only know like six famous
48:24
Speaker 1: niggas names. The rest of them is just faces. Yeah,
48:26
Speaker 1: so he's famous, you know, George Clooney. Yeah, Brad Pitt
48:29
Speaker 1: took you a long time. And this thing with Brad
48:31
Speaker 1: Pitt from Leonardo DiCaprio, Nah, Leonardo had to do some ship.
48:35
Speaker 1: I don't think, so, I don't think. I don't think
48:37
Speaker 1: I had. At first, I was like, because they're white.
48:40
Speaker 1: Maybe because they're white, I don't like they. You know,
48:43
Speaker 1: they always say white people look the same, and then
48:46
Speaker 1: you talk to like you talk to like some people
48:48
Speaker 1: and they say, he, all Asian people look the same.
48:51
Speaker 1: I think because I'm racist. No, no, no, I'm saying
48:53
Speaker 1: that like I think everybody else crazy. Everyone has had
48:57
Speaker 1: somebody say that a race, everyone looks the same. And
49:01
Speaker 1: since I'm a part of that race and I'm blind,
49:03
Speaker 1: so like a Brad Pitt and Leo, I can distinguish
49:06
Speaker 1: that there are different people kind of look but what
49:10
Speaker 1: like sometimes le Leo looks like a child. Look related
49:13
Speaker 1: le looks like an old ass child. Leo just started
49:15
Speaker 1: looking like an adult exactly fifty. Brad Pitt is like
49:19
Speaker 1: a season like Brad Pitt. I think is like a
49:22
Speaker 1: guy like sixty. Yeah, but I think Brad Pitt's the
49:24
Speaker 1: kind of guy who like Leo, I think I think
49:27
Speaker 1: clean cut. I think Brad Pitt could have bo and
49:29
Speaker 1: it'd be all right if that makes sense. Like no,
49:33
Speaker 1: like if I sat next to Brad Pitt and he
49:34
Speaker 1: had like a natural aroma'd like it's Brad Pitt. Of
49:36
Speaker 1: course he doesn't. Yeah, yeah, yeah, I I said next
49:40
Speaker 1: to Brad Pitt that fuckers some kind of funky But
49:41
Speaker 1: it was Brad Pitt. So you know, you know, like
49:44
Speaker 1: Matthew McConaughey just said, no, Matthew McConaughey just said he
49:50
Speaker 1: hasn't wrote wordy odor in thirty five years. Matthew McConaughey,
49:53
Speaker 1: another white guy. They all whose nose isn't broke, right,
49:56
Speaker 1: I don't know he's gotta like but with this would
50:00
Speaker 1: not broke nose. Yeah, yeah, I love him. Just started
50:02
Speaker 1: to appreciate you see how you're saying all white people
50:04
Speaker 1: look the same their variance. You watch Loki, of course,
50:09
Speaker 1: it's like, well there's like there what we're watching the
50:11
Speaker 1: multiverse like the first time it broke with with white people.
50:17
Speaker 1: The only person that doesn't have a variant is like
50:19
Speaker 1: Angelina Joelee. That's why I'm pretty sure she's not all
50:21
Speaker 1: the way she might be an alien too. She might
50:24
Speaker 1: be m her dad's John Boyd, so that that might have.
50:29
Speaker 1: He's a weird guy. She just she just come if
50:35
Speaker 1: someone told her she was an alien, like, would you
50:37
Speaker 1: be surprised? Yeah, she's one of the ones, like I
50:40
Speaker 1: think if Elon Musk was alien Like yeah, I think
50:42
Speaker 1: she hates everybody and she just participates. She has some
50:46
Speaker 1: weird interesting relationships with Billy, Bob Thornton relationship, Bill, they
50:51
Speaker 1: have relationships with her. Mmm mm hmm. You gotta look
50:59
Speaker 1: at who's on top right now? Talk about him? Who's
51:02
Speaker 1: on top? I ain't watched that fucking Santa Claus movie
51:06
Speaker 1: in a couple of years. No disrespect to him? What
51:09
Speaker 1: bad Shima? Oh bad Santa? Oh yeah, no, I mean
51:12
Speaker 1: Billy actually fucked that. I'm dissing that, nigga. And that
51:15
Speaker 1: first season of Fargo fire. First of all, the first
51:18
Speaker 1: like three seasons of Fargo were crazy, but he was
51:21
Speaker 1: like the devil people. Don't you see you fuck with
51:24
Speaker 1: Fargo on that fact? Not a lot of people do.
51:26
Speaker 1: And the Cohen's brothers my favorite directors ever. Do you
51:29
Speaker 1: love Do you love the Big Lebowski? It's my favorite
51:32
Speaker 1: movie ever. The dude, it's my favorite movie ever. Was
51:36
Speaker 1: my nigga from Armageddon? Was he actually in the movie?
51:40
Speaker 1: Which one? He's the guy he's like the only white
51:44
Speaker 1: guy in Hollywood? Who if he fixed his teeth, we'll
51:47
Speaker 1: get less rose, Oh, Steve Ami. Yeah's like he keeps
51:52
Speaker 1: his teeth like that. He's Donnie. He's Donnie. Yeah, he's Donnie. Yeah,
51:54
Speaker 1: he's dying right now. His name is Donnie and the
51:56
Speaker 1: Big Lebowski. Shut the fuck up, Donnie bro Yo. But
52:02
Speaker 1: Shemi though, is like one of my favorite actis he's
52:06
Speaker 1: he's another guy who was like was he in there?
52:09
Speaker 1: Was he in that movie? You ever heard of that theory?
52:11
Speaker 1: Was he actually in it? He was? Was he? Like?
52:14
Speaker 1: Was his character there? There's a theory that he was
52:17
Speaker 1: never there, like that he's a part of like one
52:20
Speaker 1: of the nigga's imaginations. Oh, you're talking about in the
52:23
Speaker 1: movie within the movie that Donnie never was in the
52:25
Speaker 1: theory that he's that Donnie's character in that movie. His
52:28
Speaker 1: character was actually a fingering in their imagination. He was
52:31
Speaker 1: he was Neil right, his name is Donnie. No, the
52:34
Speaker 1: other one it was it was Walter Walter. He was
52:37
Speaker 1: he was part of Walseron's imagination. I could see that
52:39
Speaker 1: because they shut the fuck up, Donnie, You're out of
52:43
Speaker 1: your element. Yeah, like they was saying. They were saying,
52:47
Speaker 1: like the dude doesn't directly talk to him really in
52:50
Speaker 1: the movie though, that's I mean, m it's always Walter
52:55
Speaker 1: yelling at Donnie, and that's why I like, that's that's
52:57
Speaker 1: why I started getting into the coin. But then they
52:59
Speaker 1: spread Donnie's ashes out of the folders can at the end,
53:03
Speaker 1: and the ashes go into the dude's mouth, So I
53:06
Speaker 1: think Donnie was real Donnie. They say, like Donnie died,
53:11
Speaker 1: he did die, like in the movie, yes, watched before
53:14
Speaker 1: or something. He dies, he literally dies, And then I
53:18
Speaker 1: think that's what it's. No, there's there's an explanation about that.
53:21
Speaker 1: There's an explanation to it, because he talked about Fargo
53:25
Speaker 1: and Cohen's brothers. Coen brothers did something of my favorite directors.
53:28
Speaker 1: It was something about the dude was just participating with
53:32
Speaker 1: Walter doing some crazy ship. There was no Donny. I mean,
53:37
Speaker 1: I I I mean, I'd love to talk to the
53:41
Speaker 1: Cohen's brothers and figure out if that is a thing.
53:44
Speaker 1: I almost went to Lebowski Fest one year, but it's
53:47
Speaker 1: kind of corny. I had to draw the line in
53:49
Speaker 1: the stand there I would That's why. That's how I
53:51
Speaker 1: got into it, like Burn after reading, of course, Burn
53:54
Speaker 1: after readings slept On movie, sucked up slept On. Like
53:56
Speaker 1: the dumb It's like the like when I say the
53:58
Speaker 1: dumb is like in a good Way movie I've ever seen.
54:01
Speaker 1: It's random as fuck, radts, dumb as fu like wearing
54:06
Speaker 1: that fucking little for this looking headphones. Yeah, it's like,
54:09
Speaker 1: I guess that's one of the one of the times
54:11
Speaker 1: I guess I realized maybe there's like a movie that
54:13
Speaker 1: actors would like to watch. No Country for Old Man.
54:16
Speaker 1: Is that shows range of those guys man after his service?
54:24
Speaker 1: Perhaps a friend Walter I could see. I mean, yeah,
54:28
Speaker 1: I mean, obviously he's obviously Walter has PTSD uh. Obviously
54:34
Speaker 1: my dog's name is Labou. The fucking cowboy come back
54:36
Speaker 1: in the like the last season or season before last,
54:39
Speaker 1: so Fargo, I the Chris Rock season I didn't watch
54:42
Speaker 1: it was. I watched the first two or three, so
54:45
Speaker 1: I watched. The last season I watched was the one
54:48
Speaker 1: where they accidentally killed the girl in the the Lady
54:51
Speaker 1: or the accidently killed the girl in the garage and
54:53
Speaker 1: then put her in the freezer. Killed the dude or
54:56
Speaker 1: the dude, Yeah, it was the dude. And then it
54:58
Speaker 1: was like the second season think it might have been
55:00
Speaker 1: season thre three. That was three three. Yeah, with the couple, Yes,
55:04
Speaker 1: with the couple. That's the last one. I was crazy. Yeah,
55:06
Speaker 1: season one is crazy though, That's what it was. No,
55:10
Speaker 1: which was that the one with the call the fucking
55:15
Speaker 1: podcast brand, Welcome the fuck the brothers when they it's
55:20
Speaker 1: it's two brothers. Yeah, brother they played the twins and
55:23
Speaker 1: when of them got the girlfriend? Mm hmm, that's the one.
55:29
Speaker 1: And he comes and and so the cowboy from The
55:32
Speaker 1: Big Lebowski or something, and they like redo the same scene.
55:36
Speaker 1: It's like making everything connected, like bargos and the like
55:40
Speaker 1: they're in the same universe. I like that. And three
55:43
Speaker 1: what are you? What are you watching right now? Though?
55:45
Speaker 1: That is good? You know what's fire is success succession
55:50
Speaker 1: and suicide Squad is fire. I watched the inception over
55:53
Speaker 1: Figure it Out Inception. I never still have not watched it.
55:57
Speaker 1: I feel like I got someone kind of ruined it
55:59
Speaker 1: for me and I was just was like, all right,
56:01
Speaker 1: I'm good I don't need my brain to figure if
56:03
Speaker 1: I want to meet, if I would ever be able
56:05
Speaker 1: to speak to Christopher Nolan, because I'm like, this is
56:07
Speaker 1: the ship to be on your mind, like what's wrong
56:09
Speaker 1: with him? Or like what's wrong with us? And I'm like,
56:14
Speaker 1: that must be who's your favorite director? Uh? Because I'm
56:24
Speaker 1: a nerd? Yeah? Did I say his name? T to
56:33
Speaker 1: t Wakiki? He did fucking throw the third the second
56:39
Speaker 1: when he did Ragnarock. He did what we what were
56:42
Speaker 1: do in the Dark, the Vampire movie. I haven't seen that,
56:45
Speaker 1: but Ragnarrock was amazing. What else he did? He did
56:49
Speaker 1: Bojo or JoJo's Rabbit, Joja Rabbit, I haven't seen that.
56:53
Speaker 1: He's like quirky, but like deepest fucking serious. I mean,
56:57
Speaker 1: I love ragnar Rock. Ragon Rocks like probably my third
56:59
Speaker 1: or fourth favorite Marvel movies. He's probably my favorite director.
57:02
Speaker 1: Or whoever wrote Forrest Cup who did? I don't even
57:07
Speaker 1: know who get that? Who did? Was that? He never asked? Right?
57:10
Speaker 1: Who did? For his Tom Hanks get way too much credit?
57:13
Speaker 1: Fast offense? What do you think Tom Hanks thinks about
57:17
Speaker 1: Chet Hanks signing The Soldier Boys s O d MG.
57:21
Speaker 1: He probably as a parent. Think he's proud. Probably like, man,
57:24
Speaker 1: you're on bro. He signed with the we signed with
57:26
Speaker 1: Big Director. When you work your whole life, I think
57:28
Speaker 1: if you work your whole life to create a pathway
57:32
Speaker 1: for your kids to do whatever they want to do.
57:33
Speaker 1: He literally wants to be a rapper and speak pat
57:37
Speaker 1: and all that ship Like did he get that ship off?
57:41
Speaker 1: Like the Thanksgiving is gonna be better than last year?
57:47
Speaker 1: You got his s D. You got a SD like
57:50
Speaker 1: Tom or Soldier Boy, first rapper to be in Tom
57:54
Speaker 1: Hanks house. He's coming, that photo is coming. Oh, that'd
58:00
Speaker 1: be great. Well, listen album coming up? I hope not.
58:07
Speaker 1: Who's Soldier Boys? Soldier Boys out? Albums coming out? Shout
58:09
Speaker 1: to him. I'm doing a party with tomorrow in Phoenix.
58:11
Speaker 1: Why does know you Soldier? I know his manager. I
58:15
Speaker 1: mean he's been here. He's a hero. Huh. Want to
58:20
Speaker 1: meet him? He's a hero. I just want to say
58:21
Speaker 1: I met soldier That's easy. I want to be the first.
58:26
Speaker 1: You'll be the first Isaiah Shot to meet Soldier Boys. Quite,
58:28
Speaker 1: I don't know. You think that's a pretty common name.
58:30
Speaker 1: Isaiah Shad. Somewhere in the world, there's there's there's I
58:32
Speaker 1: mean it feels like there's there's a lot of Isaiah
58:34
Speaker 1: shan Any tattoo. This a kind of up but kind
58:39
Speaker 1: of like I was like riding Little Flex. It's just
58:42
Speaker 1: do you have any any people out there getting your
58:44
Speaker 1: name tattooed or anything? People tattooed my face on them?
58:47
Speaker 1: Is that weird? Is that ship weird? I don't understand
58:50
Speaker 1: why anybody with tattooed the Sun's tyrade, like the little guy. Yeah,
58:55
Speaker 1: that's kind of fire. That's like different than like your face. Yeah,
58:57
Speaker 1: it's I know that they're going to cover up one day,
59:00
Speaker 1: but your actual face is tattooed on people's bodies like
59:03
Speaker 1: a cartoon ringing in my face. It's weird. Yeah, because
59:07
Speaker 1: I would like talk to Tech nine and I'd always
59:08
Speaker 1: be like, bro, how do you deal with all these
59:10
Speaker 1: juggalos with like your face tattooed on their body next
59:12
Speaker 1: to like the hatchet man. It's just part of the world,
59:15
Speaker 1: I guess, you know it is. I'd just be like,
59:17
Speaker 1: you're gonna regret that probably, Well, we're not going to
59:21
Speaker 1: regret our tattoos or our lovely women's names that we have.
59:25
Speaker 1: I'm trying to get it, like I'm trying to get
59:27
Speaker 1: a ring so I can like low key cover stuff.
59:29
Speaker 1: I feel like this is a you gotta swap them
59:33
Speaker 1: out so you get Okay, okay, okay, let's let's let's
59:35
Speaker 1: figure this out. So, I mean this is on like
59:37
Speaker 1: twenty four hours. So this this decision was, hey, instead
59:41
Speaker 1: of us getting married, instead of instead of us getting married,
59:44
Speaker 1: here's your name tattooed on me, so you know it's real.
59:47
Speaker 1: Once we get married, I'm covering the tattoo up. Yeah,
59:49
Speaker 1: because you got the ring. Swap them out. Swap It's
59:52
Speaker 1: like either or which one would you want? It's contrasts.
59:55
Speaker 1: It's like, right now we're rolling over at thirty, we're
59:57
Speaker 1: rolling over in the free agency. We're thinking about, well,
1:00:00
Speaker 1: we're restricted free agents though, so we're thinking about what
1:00:03
Speaker 1: the rest of our lives are going to be like
1:00:05
Speaker 1: the next next tie you think. So, non married people
1:00:07
Speaker 1: are restricted free agents if they're in relationship restricted free agent.
1:00:10
Speaker 1: Nobody when you're going through those life barriers and you
1:00:14
Speaker 1: come and when you like when you walk into a
1:00:15
Speaker 1: room and Niggas is like, oh so yeah, I ain't married.
1:00:17
Speaker 1: That lets you know that you're in restricted free agency.
1:00:20
Speaker 1: It could go down any day. But it also be
1:00:23
Speaker 1: pretty straight. You're still playing, season still going on, so
1:00:25
Speaker 1: you're you're in restricted free agency. But it's like, because
1:00:29
Speaker 1: we got to make that decision type of shit, it's
1:00:31
Speaker 1: never gonna be anybody's decisions. It's kind of like Kawhi,
1:00:34
Speaker 1: that's not nobody's gonna Kauhi. Everyone knew he was going
1:00:36
Speaker 1: to resign with the Clippers, right, you know what I mean?
1:00:39
Speaker 1: I mean the last couple of days was like, Nah,
1:00:42
Speaker 1: everybody's cap space was eating up. Nobody had any fucking
1:00:44
Speaker 1: money to sign him. It seemed like all this it's
1:00:47
Speaker 1: like you look out there, it's like, yeah, it's like
1:00:49
Speaker 1: if you leave it, that's like the only baverage out there.
1:00:52
Speaker 1: That's interesting. He's one of your favorite players because he's
1:00:55
Speaker 1: just just a very boring guy. Not boring to watch. Now.
1:00:58
Speaker 1: It's a very good taste of music. I didn't even
1:01:00
Speaker 1: know it. That's a good curator. We had a good time.
1:01:06
Speaker 1: I think anything beyond that, he got a patent to
1:01:09
Speaker 1: be here. There it is. And so Isaiah Rashad, the
1:01:13
Speaker 1: new album is out, the tour is going to be crazy.
1:01:16
Speaker 1: Forty eight Cities Man