Latest / Chef's PSA Podcast / Feeding the Senses: How Chefs Impact the Dining Experience Ep. 94
Transcript
- 0:00Hello Chefs, This is Chefs PSA Podcast.
- 0:02I'm your host Andre Natera. On today's episode, we're going
- 0:04to get into the psychology of eating and how chefs can
- 0:08influence the dining experience. Stay tuned.
- 0:22Now before we get into it, if you're watching on YouTube, make
- 0:25sure you hit the Like and subscribe button.
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- 1:20YouTube wherever you listen to the podcast.
- 1:22Also check this out. Chef's PSA Hoodie New.
- 1:24Go get one. I was at a food festival the
- 1:26other day and everyone kept commenting how much they liked
- 1:28my hoodie. I was the most fashionable chef
- 1:31at the food festival. We're in the hoodie, so go get 3
- 1:33because it's white and if it gets dirty, you have another go
- 1:36to. That's what I did.
- 1:37But we digress. Let's get into it.
- 1:38I'm going to share a story with you.
- 1:40When I was at a restaurant, A3 Michelin Star Restaurant, and I
- 1:43went to go eat, there was a golden tree in the center of the
- 1:47dining room. And as I walked by this golden
- 1:49tree, as I was on my way to sit down to eat, I noticed that
- 1:52there was little what looked to be like perfume samples clipped
- 1:56all over the tree. And I thought that was odd.
- 1:58I was wondering what was going on.
- 1:59And now I did think that the restaurant smelled really good
- 2:02when I walked in there. And for those of you that don't
- 2:04know, I'm I'm a little bit of a a super smeller.
- 2:07I like smells. I think.
- 2:08I think that's what's helped me become a successful chef is I
- 2:11really have a heightened sense of smell, strong olfactory
- 2:14senses. I like a lot of Cologne
- 2:16sometimes. Some people say I wear too much.
- 2:18Anyway, what's the best Cologne in case you're asking Tom Ford.
- 2:20Tobacco vanilla or Ude mineral, which is actually really good.
- 2:23Or tobacco Ude. That's what I like.
- 2:25Ude wood is another good one. Anyway, we digress.
- 2:27We can talk about Cologne on a different podcast.
- 2:29As I'm walking by this golden tree, I thought it was pretty
- 2:32odd. I was like, why is there little
- 2:34perfume samples clipped to this tree?
- 2:36Anyway, the courses of food would come out, and every now
- 2:39and again I noticed that I would smell this fragrance.
- 2:42After service, I spoke to the chef there and I asked the
- 2:45question. I said what's up with the
- 2:47fragrance on the tree? Mind you, I was sitting very
- 2:50close to the tree and the chef told me that as courses come
- 2:54out, they spray the fragrance and then after a while they will
- 2:58just spray the fragrance in anticipation of the next course.
- 3:01So that way you anchor the delicious food with the smell.
- 3:04And I thought that was super interesting.
- 3:06So if you know the experiment of Pavlov's dog, it's a famous
- 3:10experiment in NLP, Neuro Linguistic programming.
- 3:13He would give the dog a treat and he would ring the bell and
- 3:16then he would the dog a treat and he would ring the bell.
- 3:18And then after a while, all he had to do was ring the bell and
- 3:21the dog would start salivating for the treat.
- 3:23And it's this conditioning experiment.
- 3:25And so this three Michelin star restaurant was also doing the
- 3:28same conditioning experiment with the people that were eating
- 3:31in the dining room. Now, I thought that was super
- 3:33interesting. And the reason I bring that
- 3:34story up is because that's what today's podcast is all about, is
- 3:37how can you affect the experience that the diner has
- 3:41through their senses and through other means of simple
- 3:44adjustments that aren't necessarily just the food Food.
- 3:46So let's get into it. Now, let's assume that there's a
- 3:49baseline of delicious food that we're talking about.
- 3:51Your food is cooked well, you've thought it through, The menu is
- 3:54well written. One of the biggest effects that
- 3:56you could do is the presentation of the food.
- 3:57And the presentation of the food goes a long way.
- 4:00People will say food tastes better when it's beautifully
- 4:03presented. Now, I've done a podcast where
- 4:05I've explained that taste is superior to plating because
- 4:07plating wears off after a couple of minutes.
- 4:10But that's only if I had to choose.
- 4:12Which one would I rather have taste or presentation?
- 4:15But let's assume taste is there. Then presentation is a definite
- 4:17must. Food that is aesthetically
- 4:19pleasing and beautiful tastes different.
- 4:22It sets the stage as a chef when I would go out and eat and I see
- 4:25something that's beautiful, maybe in a presentation that
- 4:27I've never seen before. I want to take a photo of it.
- 4:30I want to deconstruct it in my mind.
- 4:31I'm stealing little nuance on how they did things.
- 4:34What is this herb? Where'd they pick that from?
- 4:36What is this bud? What is this flower that they're
- 4:39using? How did they make that sauce
- 4:41shine like that? What is this fluid gel on the
- 4:43plate right? You start to dissect everything
- 4:45on the plate and you start to get impressed with it.
- 4:48Now that's from a chefs perspective.
- 4:49Think about it from a diners perspective, a non chef, a
- 4:51civilian. They're going in, they're
- 4:53looking at the beautiful food and they're stunned.
- 4:55They're experiencing something what people might call visual
- 4:58food art for the first time. If the food is already delicious
- 5:01and it's visually beautiful and stunning, it completely
- 5:04transforms the experience for the guests.
- 5:06And you could do little touches pouring the sauce tableside,
- 5:09finishing with some truffles, putting a spoonful of a
- 5:12finishing ingredient on top. Maybe it's cream, maybe it's
- 5:14caviar. If it's a dessert, maybe you're
- 5:16pouring the on glaze, Maybe you're putting the ice cream
- 5:18inside the souffle, or you're pouring on glaze inside a
- 5:21souffle. Maybe you're blowtorching the
- 5:23creme brulee at the table. All these little things start to
- 5:26change the experience in the diner's mind.
- 5:29And using the example of the creme brulee, if you start
- 5:31burning sugar at the table, not only do they get the visual, but
- 5:33they also get the scent. They're starting to smell the
- 5:36sugar, start to caramelize, and it starts to build the
- 5:38anticipation that it's going to be more delicious.
- 5:40In general, people will say the food tastes better if it's
- 5:43beautiful. You could present to the same
- 5:45dish two different ways, one way beautiful, the other way Sloppy.
- 5:48Have people taste it. And that one that is presented
- 5:51more beautifully, people will say, tastes better than the
- 5:54other one, exact same food. Then there's the auditory
- 5:56experience. Now for those of you that know
- 5:58me, you know, I like hip hop music.
- 5:59And I could say one of my biggest pet peeves in
- 6:01restaurants is they play bad music and I've worked at places
- 6:04that play bad music. I'm not in control of the
- 6:05playlist, but there's nothing worse when the music doesn't
- 6:09match Beyond Beyond. Music sets the stages.
- 6:12Sometimes you want it so people could enjoy it, and sometimes
- 6:14you want it in the background so people could enjoy the
- 6:16conversation and focus on the food.
- 6:18So depending on the type of restaurant that you have, it's
- 6:20going to make an impact. Think about it, when you walk in
- 6:23somewhere and they're playing your favorite song, you're going
- 6:25to like that restaurant a little bit more.
- 6:27However, if they're playing terrible music that just doesn't
- 6:30fit, it's going to slightly ruin the experience for you.
- 6:32Maybe not a lot, but just a slight, A slight notch down.
- 6:35Music could play a big impact. There's restaurants out there
- 6:39that will change change the volume and the tone of the music
- 6:43as dinner progresses. So if you were in a tasting menu
- 6:46style restaurant, the music starts out really low and slow
- 6:49in the beginning and towards the end it builds up and gets more
- 6:52energetic towards the end of the meal.
- 6:54All that has a factor in how you enjoy your dinner, as does the
- 6:57acoustics, right? Is there sound panels?
- 6:59Are there rugs on the floor? A lot of restaurants that want
- 7:03to be loud and buzzy want to have wooden floors because they
- 7:07want the sound to bounce. They want it to feel loud and
- 7:09vibrant when when you're in there dining.
- 7:11Other places wanted to be nice and quiet so you could hear a
- 7:14pin drop and so more carpet effects.
- 7:16That versus hardwood floors, sound panels, art on the wall,
- 7:19rugs, ceilings, all of that plays a part in how the music or
- 7:23how the noise of the restaurant is.
- 7:25And you can also think about restaurants that have open
- 7:27kitchens. Are you the type of restaurant
- 7:29that the open kitchen is, the show?
- 7:30Are the chefs back there playing music and being distracting to
- 7:34what's happening in the restaurant?
- 7:35Are they calling too loud? Are they too disruptive?
- 7:38I've been that chef where I was calling the past a little too
- 7:41loud and I was disturbing the dining room, calling for my
- 7:44scallops. So you have to understand where
- 7:46you're at. Is the open kitchen adding or
- 7:48subtracting from the dining experience?
- 7:50You have to pay attention to that.
- 7:51Do you need to turn your music up a little bit?
- 7:53Do you need to turn it down a little bit?
- 7:54Do you need more energy in the dining room?
- 7:56If you're catering to a young crowd, you want to make sure
- 7:58that that music appeals to them. Same thing to an older crowd.
- 8:01Does the music appeal? Years ago I went to this
- 8:03restaurant in Dallas. Shout out to Matt McAllister.
- 8:06He had opened up FT 33. And so this was probably, I
- 8:09think, 2013. And I remember when I walked in,
- 8:12it was a little bit taboo at that time to play hip hop music
- 8:15in restaurant, at least good hip hop music.
- 8:17And I remember I walked in and he was banging Wu Tang Clan
- 8:19Method Man. And I just remember saying
- 8:21that's it, I'm in. And I wrote, I wrote a review
- 8:23for him and I put that in. The review was like good music
- 8:26playing Method Man. As soon as you walk in, I'm
- 8:28already happy and it built that environment.
- 8:30It was a cool restaurant and he had cool music going on.
- 8:33So if you're going for that cool vibe, call me up.
- 8:35I'll. I'll give you your hip hop
- 8:37playlist that you want in the restaurant.
- 8:38Anyway, we digress. There's also the tactile senses
- 8:41when you think about the way that the menu feels.
- 8:43The paper that it's on. Is it cheap, flimsy paper?
- 8:46Is it nice cardstock? Did you take a signet ring and
- 8:50stamp it with wax? Is the paper scented?
- 8:52I've seen restaurants that scent the paper a little bit.
- 8:54All of this is important. What's the weight of the
- 8:56cutlery? Is it fine China or is it heavy?
- 8:59You use a heavier China for a more casual restaurant.
- 9:02Use a finer China for more fine dining restaurant.
- 9:04If you were to flip it, it would feel awkward in the setting.
- 9:06It will affect the experience. Not always, but in a lot of
- 9:09cases. What type of linen are you
- 9:10using? Are there things on the table
- 9:12that they could touch? Is there leather or their
- 9:14placemats? What are the placemats made of?
- 9:16The quality of the tactile senses is going to affect how
- 9:20you feel, and it needs to match the restaurant.
- 9:23Take wine glasses, for example. Are you using a nice crystal
- 9:26wine glass or using a proper decanter?
- 9:28If you're going to sell expensive bottles of wine, a
- 9:30wine connoisseur wants to drink it out of a good glass, so
- 9:32that's something that you have to consider as well.
- 9:34While we're on the subject, a good bar program is always going
- 9:37to match the proper beverage to the proper glass.
- 9:39A lot of restaurants don't do that.
- 9:40But is it the right glass for the right beverage?
- 9:43The right glass for the right wine?
- 9:45Red wine, White wine glasses? But there's more than just white
- 9:48and red wine glasses, right? It affects it.
- 9:50It adds elements of luxury, its attention to detail.
- 9:52In the restaurant, there's the descriptive language on the
- 9:54menu. Is it too wordy?
- 9:56Is it not worthy enough? Depending on the type of
- 9:57restaurant you have, maybe you want more descriptive language.
- 10:00Maybe you want less descriptive language.
- 10:02How are the prices written on the menu?
- 10:04Are they ending in 99 or 98? Are they ending in 00?
- 10:09Or are they just round hold numbers, no decimals?
- 10:12Where's the placement of those numbers?
- 10:14What type of font are you using? Is it easy to read?
- 10:16A problem a lot of restaurants have is they have hard to read
- 10:19menus that are printed too small in dark environments and it
- 10:22makes it difficult for the guest to read what's on it.
- 10:25Another thing that's difficult is when you go into a restaurant
- 10:28that is a busy big place and they use a lot of words that you
- 10:30can't understand. Don't always think like a chef,
- 10:33think like the diner, think like the guest.
- 10:36Do they understand this language?
- 10:38Not everything has to be the exact technical term.
- 10:40Sometimes you got to dumb it down a little bit for the
- 10:42audience. You want it easy to understand
- 10:44because if it's too difficult for them to pronounce the words,
- 10:47they may be reluctant to order it.
- 10:48There's this thing called the golden triangle where people's
- 10:51eyes naturally navigate as they look at a menu.
- 10:54So do you place your items there, the items that you want
- 10:57them to order? There's something called the
- 10:58decoy effect where you place a high-priced item next to a lower
- 11:02priced item to make the lower priced item that's also
- 11:05expensive look more attractive. All of this psychology effects
- 11:08how people order. When the server comes up to the
- 11:10table and says I recommend this, people are going to take
- 11:13advantage of that recommendation.
- 11:15It's important that you're training your servers to
- 11:17recommend things that benefit you, your operation.
- 11:19Maybe it benefits the flow of service, but also maybe it
- 11:22benefits the bottom line because sometimes servers just want to
- 11:25recommend things because it tastes good, and not that you
- 11:28shouldn't recommend things that taste good.
- 11:30But there has to be some thought and strategy behind why you're
- 11:33recommending things. Maybe your kitchen is really
- 11:35busy and you say recommend bread for everyone because that buys
- 11:37you time to get the next course out.
- 11:39Another kitchen might say recommend the steak because
- 11:41that's our big profit margin item.
- 11:43So anyway, use that strategy where you are, tailor it to your
- 11:46needs and to your restaurant. Think about the lighting in the
- 11:48restaurant. Is it too bright?
- 11:49Is it not bright enough? If you don't have windows, do
- 11:51you need to have lamps on the table?
- 11:53Finding the right setting on the dimmer for the restaurant is
- 11:56crucial market. So it's there every single day
- 11:59because a different person sets the light every day and it's
- 12:01always just slightly ajar and it's never just perfect.
- 12:04Lighting matters, as do seating arrangements.
- 12:06You want to make sure that your restaurant is comfortable for
- 12:10the type of restaurant that you are.
- 12:11I'll give you this example in Austin, where I am, I think was
- 12:14one of the first cities to really introduce this communal
- 12:17style dining and food arrives when it arrives, like chefs
- 12:20would say, you know, our type of restaurant is the chef likes to
- 12:23course things out and send it as it's ready.
- 12:25That's that's just their way of saying, yeah, we're just going
- 12:27to put it up as we put it up because we're slammed.
- 12:30And that style of dining was very popular in Austin in a very
- 12:33casual setting. Then you try and introduce that
- 12:35into a different market and it didn't necessarily work because
- 12:38other markets were like, I don't want to sit with strangers.
- 12:40I don't like the communal style seating.
- 12:42I want to sit with my table and I don't want anyone listening.
- 12:45I don't feel like talking to the people next to me.
- 12:46I don't want my food to arrive whenever arrives.
- 12:49I want it to arrive how I order it and how I want it.
- 12:52So understanding that maybe a communal style seating is not
- 12:55appropriate for all restaurants, maybe they want privacy.
- 12:58Maybe you're the type of restaurant where are there for
- 13:00the experience. It's date night.
- 13:02Well, date night doesn't work always at a communal style
- 13:05dining table. But a communal style dining
- 13:11table worked very well for a young social environment type
- 13:14restaurant. So know where you're at.
- 13:16All those things are going to affect it.
- 13:17I know certain restaurants that people enjoy eating there more
- 13:21because the mirror is close to them and they could look at
- 13:22themselves and people liked looking at themselves in the
- 13:25mirror. So a restaurant that I knew
- 13:26would position mirrors so the guests could look at themselves
- 13:29and they enjoyed the meal a lot more.
- 13:31It's interesting how that works. Then you have to think about how
- 13:34color affects the dining room. They say red, which seen a lot
- 13:37of Chinese restaurants, is an appetite stimulant and blue is
- 13:40an appetite suppressant. Most people will tell you don't
- 13:42ever paint your restaurant blue unless you're a seafood
- 13:45restaurant. It's usually an appetite
- 13:47suppressant, hence why there's not a lot of naturally occurring
- 13:50blue foods out there in nature, with the exception of maybe
- 13:53blueberries and blue Gatorade. Wait, blue Gatorade is not
- 13:56naturally occurring, and blue food in general is kind of
- 13:59gross. I don't deep blue, but even the
- 14:02color of the plate has been shown to affect in psychological
- 14:05experiments how salty the food is perceived or how sweet it is.
- 14:09Interesting there was an experiment where people were
- 14:12given a bottomless bowl of soup, meaning that you could eat as
- 14:15much soup as you want. They put the soup in front of
- 14:17you and as your soup got lower they would keep pouring more
- 14:20soup so you could eat all the soup you wanted.
- 14:22And what was interesting about that experiment is people tended
- 14:25to eat 73% more soup, so they ate more soup.
- 14:29But when asked afterwards, those people that had the bottomless
- 14:32bowl of soup or those that had the standard portion of soup,
- 14:35they were both equally satisfied.
- 14:37So more soup didn't necessarily mean more satisfaction.
- 14:41More is not always better. Thomas Keller is very famous for
- 14:44talking about this in his French Laundry cookbook, the very first
- 14:46one about the law of diminishing returns and how after a certain
- 14:50point, more is not always better.
- 14:51Sometimes you want just enough so you could enjoy it and then
- 14:54move on to the next thing. Bigger portions don't always
- 14:56equal bigger satisfaction. When you're designing a
- 14:59restaurant, make sure you're considering it all Auditory,
- 15:02Visual. Kinesthetic.
- 15:04What does your restaurant smell like?
- 15:05What does your restaurant sound like?
- 15:07What does your restaurant look like?
- 15:08What does your restaurant feel like?
- 15:10If you could improve 1% of all of those things, you're better
- 15:13than yesterday. Do your own personal audit on
- 15:15your restaurant and see where you can find the improvement.
- 15:17Anyway, if you want to support the show, you know what to do.
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