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Criminals of Isla Numus - Episode 6 - The Fatherload · Session Zero Heroes | TTRPG Actual Play Adventures & Improv Storytelling

0:00
Hello weary
0:11
Traveler, I'm not sure what strange magic
0:14
must have brought you here, but you have stepped into a
0:17
realm of my creation, a sprawling
0:20
city filled with danger and glory and, most
0:22
importantly, lots of gold.
0:25
Out.
0:25
I call it Ilanumis. Who am
0:28
I, you might ask? M the name is Jargon,
0:31
and I'm the patron deity of gambling.
0:34
Long story short, this group of
0:37
idiots, or as you may call them, heroes,
0:40
made a bet with me that they had what it took to make a mass
0:43
trove of gold, but left some of the key
0:46
details blank. So I fill them in
0:49
myself. I send them to this pocket
0:51
dimension, into the city I had created
0:54
with brand new bodies they'd have to attune
0:57
to. Can these fools pass my test?
1:00
Or will they be trapped, uh, here forever?
1:02
So, experience, um, my world of trials
1:05
and tribulations and join alongside this
1:08
posse of pitiful people. Or as I like to
1:11
call them, the criminals of
1:13
Islamis.
1:16
All right, everybody, welcome back to another episode of the
1:19
Criminals of, uh, Numis.
1:21
Did I get it?
1:21
It's criminals, right?
1:23
Sure.
1:24
I'm pretty sure it is. Okay.
1:25
I thought we were heroes.
1:28
Hang on a second.
1:29
You're telling me just because we killed a few people, that makes
1:32
us criminals?
1:33
Okay, you worked with a criminal to do the
1:36
crime, but then you killed the criminal. What does that make
1:39
you?
1:39
Uh, uh, that is a vigilante.
1:42
Yeah, that might be awesome. All
1:45
right, cool. We're back again. Uh, there's been a couple of
1:48
little changes. Some people have leveled up, so we're going to get
1:51
into that here in a moment. Um, additionally,
1:54
uh, probably addressing
1:57
something that might have come up in the comment section. Yes,
2:00
we understand a glave is a two handed weapon.
2:02
Uh, and Keto decided to also grab a
2:05
makeshift. Um, mean, it never really
2:08
came into play, so as far as we were concerned, it was just strapped
2:11
to his back. Um, you
2:14
failed the one guy attacking you anyways, so,
2:17
I mean, doesn't really matter. Um,
2:19
but we understand it's two handed. Uh,
2:22
we'll see where that takes things. So, whatever the case,
2:25
uh, welcome back to another episode. Let's go around the table and
2:28
do some introductions. Let's start with Dave.
2:33
Dave here playing Maki,
2:36
a sorcerer,
2:39
now discovering
2:42
his powers and his new Kanku
2:45
body.
2:45
That's right.
2:46
Awesome.
2:47
Um, found some interesting ways to use your powers last
2:50
episode, which is exciting. Moving on,
2:53
we got Quinn, aka Feather
2:55
McGregor, aka Lil
2:58
sauce.
2:59
Yes, sir.
3:00
Uh, not much going on right now.
3:03
We just
3:06
brutally assassinated a few people.
3:09
Now, given your kind of siding with the law,
3:11
uh, you not only just
3:14
killed, know, participated in the
3:17
killing of a very prestigious member of society,
3:20
but also a criminal. What's the
3:23
back and forth going on in Feather McGregor's mind right now?
3:26
At this point, he doesn't care. He's pretty
3:29
much turned full on. He wants to get to
3:32
the real world.
3:33
Okay, fair.
3:34
Uh, mean,
3:37
his goal is this million dollars.
3:39
Sure.
3:39
All right, sounds good. Uh, moving on, we got
3:42
Jackson, aka Dez.
3:44
Uh, this is Jackson playing Dez. Uh,
3:47
once a Triton fighter, now a
3:50
turned, um, Kanku Ranger.
3:53
That's right. Um, and you just leveled up. Yeah, I
3:56
did.
3:56
Uh, level two. Gained two whole hit
3:59
points, uh, to my maximum.
4:01
It's great. It's phenomenal.
4:02
Yes.
4:03
Uh, but now have
4:06
cure wounds and hail of thorns.
4:09
Can you.
4:10
I forget what that spell is called.
4:12
I think you're right.
4:13
Yeah, hail of thorns.
4:15
Nice.
4:15
And taking, uh, the
4:17
archery fighting style.
4:20
Yeah, you don't need all that HP. You're going to be arranged, guy.
4:23
And you can heal yourself.
4:25
Yeah, whatever.
4:26
Awesome.
4:27
Or your friends.
4:28
Or your friends.
4:29
I'm myself mostly.
4:30
Yeah, it's a self.
4:32
I've got the least amount of health in this whole group.
4:34
There you go. Uh, you definitely point,
4:37
uh, Fatty lumpens. Uh, you also just
4:40
leveled up, so tell us a little bit about what, uh,
4:44
uh, Keto is doing.
4:46
Yeah, this is fatty. I'm playing Keto,
4:49
who is a Druid turned
4:53
fighter in the body of a
4:55
cobalt. Uh,
4:58
showing off my level two prowess here,
5:01
uh, which comes with second
5:04
wind and action surge, as well as a
5:07
few health points.
5:08
Right, which, uh, second wind you had
5:11
before. We forgot to mention that, too. But again, not something
5:14
that really came up, so it wasn't an issue. Um, last time
5:17
was the first time you took damage, so that would have been the only time you would need to
5:20
use second wind, and that was moments ago.
5:23
Uh, but, yes, you also have action surge, which gives you an
5:26
additional action. So if you are standing next to a dude and you're
5:28
attacking him and you want to do an additional attack, that
5:31
is an option.
5:33
Fantastic.
5:33
Um, awesome. That'll definitely be beneficial. And
5:36
then finally, we've got Cameron with,
5:39
uh, I keep wanting to say the goblin name that I
5:42
gave you, even though it's kind of irrelevant, but
5:44
Roric, he might play
5:47
into it. Who knows?
5:48
Sure. Go for it.
5:50
Uh, you also just leveled up. Tell us a little bit about, uh, what's
5:53
going on in that neck of the woods.
5:55
I gained eight
5:58
HP.
5:59
Nice. That was it. That's
6:01
it. The rogue will get there. The
6:04
reason I say that is because as a rogue at
6:07
level two, you gain cunning action. But a
6:10
goblin comes base kit with cunning
6:13
action. Essentially.
6:14
Yeah.
6:15
So I gained
6:16
AHP.
6:18
That was it, basically, you get a little
6:21
bit extra. Oh, wait, an extra hit. Dice,
6:25
short rest. Oh, don't, um,
6:28
spoil me.
6:31
That's the base. Awesome. All right, we will
6:34
jump back into things.
6:42
All right, welcome back to, uh, criminals of
6:44
Isla numis. Last time, you guys had
6:47
joined in with the mysterious figure known as
6:50
the Slicer, who invited you along to his little
6:53
job, which turned out to be a transaction
6:56
involving some horse semen. Uh, you
6:59
guys helped him through that transaction, helped
7:02
him take out the guards, uh,
7:04
semi accidentally killed
7:08
the target of the theft, per se. Uh,
7:11
somewhat intentionally, actually. Uh, whatever the
7:14
case, he died, which upset the
7:16
slicer quite a bit. Um, and you guys decided the
7:19
best solution was to get rid of slicer entirely.
7:22
All of the time. While that was happening, uh, our
7:25
good buddy, uh, Maki
7:28
was stealing the cart of,
7:30
uh, the previously mentioned target,
7:33
the, uh, Lord Pendleton,
7:36
from Pendleton Stud Farms.
7:38
Uh.
7:40
Uh, Maki climbed atop this
7:43
carriage, managed to sort of steal it for
7:46
himself. You now have an unconscious
7:48
driver, but, uh, otheRwise, the carriage is yours.
7:51
And I believe you guys are all climbing inside of
7:54
it. If I remember correctly, you guys have looted the
7:56
bodies. You did your leveling up. Uh, you're climbing
7:59
inside of this carriage. Um, Maki, I
8:02
assume you're continuing to be the driver for this.
8:06
Uh, yeah.
8:07
Awesome.
8:08
Uh, wait, guys.
8:13
So that Pendleton guy, he was pretty
8:16
loaded, wouldn't you say?
8:18
Ah.
8:21
He had all this money to throw away on
8:24
horse semen, you say throw away?
8:28
Wow.
8:30
Who said that?
8:34
The driver. Charge him?
8:38
No, I'm just kidding.
8:40
Uh.
8:42
What do you guys do with its body?
8:45
Currently, it is just laying there in the
8:48
alleyway with an arrow sticking out of the side of it.
8:51
But otherwise, aside from the sort of bloody spot
8:54
that's building up in that spot where the arrow
8:57
is protruding from, uh, he looks fairly
9:00
intact. A little pale.
9:03
All right, the way I see it here is
9:07
this driver here. When I first
9:10
got into the carriage, he thought I was Lord
9:12
Pendleton. I had him going for
9:15
a bit. He was going to take me right home to this
9:18
guy's house. So what if
9:21
we let the driver wake up and
9:24
he takes us back to Lord Pendleton's
9:27
house
9:32
and we see where we can go from there?
9:36
Maybe we can let ourselves
9:39
in, see what other kind of
9:42
stuff he has around place.
9:46
I kind of had an idea.
9:49
Uh, so tomorrow,
9:52
there happens to be a, uh, sporting event going
9:55
on. We could kind of push this back a little
9:58
bit. We could head out there, maybe
10:01
a couple of days. Sporting event going on with a pretty
10:04
big purse. Pretty big purse.
10:07
Lots, uh, of money online. If we could win, and, I mean,
10:10
there's quite a few of us. I think we got a
10:13
good shot if you guys are interested. It only
10:15
happens once a year, and tomorrow is
10:18
the day.
10:21
What event is that?
10:23
Well, I'm glad you asked.
10:25
I've never actually participated myself,
10:28
but, uh, seeing as I've got a
10:31
new view on life, I wouldn't be
10:34
opposed. Uh, the running of the
10:36
Minotaur
10:39
is tomorrow morning,
10:42
and, uh, it's a community sport.
10:45
Held annually. A group of minotaurs are captured and
10:48
released upon a group of runners who attempt to outrun
10:51
and survive the incoming wave of horns and
10:54
anger. It's a dangerous sport that not
10:56
many enter due the high mortality rate and likeliness
10:59
of injuries. But the promised prizes are often quite
11:02
valuable.
11:05
All I heard there was prizes. Really?
11:08
I mean, who knows what this guy's got at his house?
11:11
We can rob him anytime,
11:14
but we only got one shot at the running of the minute
11:17
dog.
11:17
Well, the night is young. We got a strike while the
11:20
iron is hot here. They're expecting this
11:23
guy back, I presume sometime
11:26
this evening.
11:27
As long as we get to the running of the Minotaurs, I'm
11:29
down.
11:30
What time of day do we have.
11:32
Time to do both? Uh, is
11:35
the Minotaur m thing tomorrow?
11:37
It's in the morning.
11:37
Oh, in the morning.
11:38
Just turned.
11:40
No sleep.
11:41
It was like 06:00.
11:44
You'Re heading into, like, 730 to
11:47
08:00 p.m., yeah, we.
11:49
Have time to do both.
11:50
Yeah, and even get a short.
11:51
Got, uh, time.
11:52
I've got time. When you've got time, you've got time. I've got
11:55
time.
11:56
Mike says I've got time. And you see he's
11:59
wearing the slicers
12:02
sundial.
12:03
Rolex.
12:04
Sundial.
12:05
What am I? A sundial. Awesome.
12:08
Okay. All right, so you guys climb into
12:11
the, um. All I got to say
12:14
is, uh, tried some of that
12:16
semen. Don't know
12:19
why it costs so much. Just got to say,
12:25
yes.
12:28
You did. Did you
12:31
just dip my finger in and.
12:33
Oh, gosh.
12:33
Uh, the thing is,
12:37
I was curious. I was listening to the talk
12:39
earlier, and the guy said,
12:42
how do we know to be sure it's the good stuff until.
12:45
Well, uh, I guess we'll have to.
12:46
Wait to find out. And I figured, why they have to wait? Why didn't
12:48
they just try some right then?
12:50
There.
12:51
That's how you make sure it's the good stuff. And like I
12:53
said, I don't think it's worth
12:56
1200 gold.
13:00
That's my 1200 gold cents on
13:03
this.
13:06
So anyways, here's my idea. Uh,
13:09
we go into horse breed.
13:12
I realized there's a vacancy in the horse
13:14
breed front. Slicer said something
13:17
about he was one of the six horse breeders. Well
13:20
now there's only five. And that means there's a whole open
13:23
slot in the horse breeding front. So
13:27
insert fizzle.
13:30
Fingers
13:33
feline.
13:33
Wait. I don't know horse stuff. I'll
13:36
have to practice. But all I'm saying is we
13:39
create a business. Oh, there's a hole in the market.
13:42
Hey, didn't one of you guys find some
13:45
uh, cement?
13:47
Yes, lots of it. And I think we could use it as
13:50
a good starter.
13:52
Wait, there's more semen.
13:54
Yeah, under the bench here.
13:59
There is not more.
14:00
That's just.
14:03
Half of.
14:06
My milk is delicious.
14:08
Oh gosh.
14:09
Some sort of tickets.
14:13
Do you guys need a reminder? Uh, I didn't
14:16
pick up. I jotted it down. Okay.
14:18
Uh, I have the Reg Horse race
14:20
invitation on my person.
14:22
And just to clarify, um,
14:25
if Fizzlefingers, Roric whatever said
14:28
it that way, that's fine. But just to let you know, uh, he's
14:31
one of the six members of the Reg
14:34
Horse racing committee. Not one
14:37
of the six breeders. Although he is definitely one of the
14:40
breeders. Giving that he had a Pendleton
14:43
farm, stud farms or what have you. But
14:45
just putting that out there. He's one of the members of the horse
14:48
racing committee.
14:50
Um. Yeah.
14:54
We're not just going to be able.
14:55
To walk in and take over say the event is.
15:00
It didn't.
15:01
Not to my knowledge. There's not an event.
15:03
It's just an invitation.
15:04
It's an invitation to a reoccurring event. So
15:07
you wonder. It happens semi regularly.
15:10
Yeah.
15:10
Okay.
15:12
Weekly.
15:12
Uh, potentially weekly.
15:17
If he had this
15:21
uh, big jar of semen, it
15:24
probably has a Philly at home he
15:26
was going to use it on.
15:30
Yeah, I don't like where this is going.
15:33
I'm just saying, if there's a horse
15:35
race, this guy's probably got some
15:38
horses.
15:39
Yeah.
15:41
Who's to say we don't just take those
15:43
horses and enter them in the race
15:46
ourselves?
15:49
Yeah, see, I like the way this guy
15:52
thinks.
15:53
I don't got any buttons.
15:55
That conversation.
15:57
We rob the house and the uh,
15:59
ponies.
16:00
Uh, who wants to go see what we
16:03
can.
16:03
More profitable to sell said horses.
16:07
If they were valuable race horses.
16:11
Why gamble when you could just have.
16:14
Sure.
16:15
I don't care what we do with the horses. All I know is I need
16:17
some water or something to get this taste out of my
16:20
mouth. Oh, gosh, uh.
16:24
Salty.
16:27
Are you guys just sitting in the back of this? Yeah, we're waiting for
16:30
this guy to wake up.
16:33
This way.
16:33
He does wake up, and you just hear
16:36
salty. Where
16:39
am I? And, uh, there's a moment of silence
16:42
as he kind of looks around and takes his bearings, and
16:45
he.
16:47
Yeah, I'm driving the car.
16:50
Uh, I'll nudge
16:53
Maki to get
16:56
him to go.
16:59
Oh, dear. Um, Mr.
17:01
Pendleton, are you back?
17:08
Oh, I'm so sorry,
17:11
Mr. Pendleton. Oh, I just think I fell
17:14
asleep. Um, I, uh, must have
17:17
just dozed up. How long have you been waiting, Mr.
17:19
Pendleton?
17:21
My stud farm next.
17:24
Oh, my. I'm so sorry.
17:26
All right, horses, we better get all back
17:29
home.
17:30
I was doing Maki's voice. This is supposed to be
17:33
Maki remixing. M what Pendleton said
17:36
before, to clarify.
17:37
Yeah, exactly.
17:39
Um.
17:45
You'Re all kind of pushed back against the walls of this carriage as
17:48
it lurches forward, heading off,
17:51
uh, quickly down the road. You don't hear
17:54
much from the driver as he's trying to
17:57
focus on getting you home as quickly as possible.
18:00
Feeling terrible, hoping he doesn't get fired at the end of
18:03
this trip. Quickly, um, he rushes you home.
18:06
It's maybe a ten minute horse drawn carriage
18:08
ride before suddenly it comes to a stop.
18:11
All right, Mr.
18:14
Uh, Lord Pendleton, uh, you're home.
18:16
I got you home. Sir, I sincerely apologize.
18:18
Please feel free to hop on out, and, uh,
18:21
I'll go put the horses.
18:23
In the carriage away.
18:24
Unless you plan on going anywhere else tonight.
18:31
No.
18:33
All right. Again, I sincerely apologize,
18:36
Mr. Pendleton. I truly apologize
18:39
for this situation.
18:42
I, uh, assure you it'll never happen again.
18:45
And, um, uh, you guys are sitting in there
18:49
as he waits.
18:52
I'm gonna hop on, try and kill him.
18:57
Is this a real thing?
18:58
Yeah, I'm gonna hop on, kill him.
19:00
All right. Uh,
19:03
I'll give you a surprise round, I guess.
19:05
All right.
19:06
How are we supposed to get to.
19:07
The with advantage, right?
19:09
Anywhere.
19:10
Anywhere.
19:11
Uh, I don't know.
19:12
Can you drive a carriage?
19:13
Twelve.
19:14
I might.
19:14
Twelve. He's not wearing any kind of armor or anything. So you're
19:17
already here.
19:18
I can drive.
19:19
What are you using?
19:20
Firebolt.
19:21
Oh, okay. You can
19:24
change the body, but you can't change the sailor.
19:26
Which one is this?
19:27
Eight. This is ten.
19:28
Let me drive the boat.
19:29
Let me drive the boat.
19:30
What's little sauce doing? Told him this
19:33
guy has three kids.
19:34
Which one is
19:39
which one's which hEre.
19:40
Scampering out, the zero is
19:43
a ten. That's a D ten.
19:48
Uh, four damage
19:51
plus.
19:52
Just as it, uh, you
19:55
leap out, you shoot a firebolt at
19:58
this strange man. It slams into his
20:01
face. His beard, long beard, catches on
20:03
fire. He's
20:06
furiously clawing at the area in front of his face.
20:09
It's hot. Can't see. Uh, the horses immediately
20:12
panic. They rear back, having fired, been
20:14
blasted right behind them, and they start to take off.
20:17
The rest of you, dive out of the cart.
20:19
Okay?
20:19
You dive out. Okay. Uh,
20:23
it hasn't quite gotten up to speed, so I'm not going to make you do a check or
20:26
anything. Uh, what are the rest of you doing? As
20:29
this suddenly lurches forward and starts.
20:31
Shooting away, as
20:34
he starts running away, uh, uh, what
20:37
did the guy say? Is there anything I could take that he said
20:39
just be like, I don't know,
20:42
I could just yell. Because he's all worried about getting fired,
20:45
right?
20:46
Well, I don't think he's worried about getting fired. Well, now he's worried about being
20:49
literally fire.
20:50
Now he was on fire.
20:52
Did he say that, uh, his world's on fire?
20:55
How about yours?
20:56
Yeah, uh, I'll just let it go.
20:59
Start playing music.
21:02
Start playing the music open to.
21:04
I've got a limited amount of royalty free
21:07
music that I can use again. YouTube funny.
21:10
YouTuber funny. That is not how this works. If
21:13
it's not commercially, how far away is
21:16
this driver? Uh,
21:19
he's outside the cart. He's like within
21:21
5ft, essentially, just outside the,
21:24
you guys are inside the cart. He's just outside of it on the little
21:27
seat. It's kind of like a, now here we go
21:30
again.
21:33
Maki scrambles to the roof of the carrot,
21:36
okay. Attempts to,
21:39
uh, and
21:43
he reaches for that power he felt before,
21:46
and he says, 90 night.
21:48
Oh, gosh.
21:49
All right, he's going to try to make, oh, no, he's going
21:52
to put.
21:52
All of us to sleep. No, I think it's
21:55
your choice of creature.
21:56
Try to put the horses in the.
21:59
Driver'S control over
22:01
this.
22:02
Hold your horses again.
22:03
Yeah, 90 night works. It's okay.
22:08
90 night.
22:09
I was thinking, uh. All right, roll
22:12
the amount of pins.
22:13
Um, he's not holding the horses. Otherwise you just grab
22:16
the rain.
22:22
Not going as well.
22:25
1819. Oh, goodness.
22:28
Okay. One, um, of the horses
22:31
falls asleep. The other one continues
22:34
going. This causes a
22:36
horrible turn in the cart, which causes
22:39
it to start rolling. The driver is immediately
22:42
thrown off. Uh, you don't see where he goes.
22:44
Uh, you hear a. As he hits the ground, and that's
22:47
the last thing you hear as far as he goes.
22:50
Uh, the rest of you are inside the cart. I grab
22:53
onto keto. Okay, you grab onto Keto,
22:56
mind you, which is the first thing I did, actually, when the cart took
22:59
off.
23:00
I hope, uh, you wash your hands after that jar.
23:04
Uh, yeah, about the jar. It was
23:06
open
23:10
as the cart.
23:15
Just two people inside. There's only two people inside.
23:20
You take two damage. Uh,
23:23
bludgeoning, if that matters. Um,
23:27
what have I done? As semen goes flying
23:29
everywhere inside of.
23:31
The cabin of this carriage,
23:34
you open the door.
23:35
It's like cobwebs of just dripping.
23:39
Murphy and Johnny
23:43
saving throw as you are
23:46
on top of the cart as it.
23:47
This guy died.
23:48
Did he, like, fly off and die?
23:51
An added 20. You carefully
23:54
dive onto the ground as, uh, the cart
23:56
starts to roll. It goes flying over top
23:59
of you upside down. Uh,
24:02
a little bit of some strange
24:05
viscous liquid drips out from one of the
24:07
windows and falls next to you, but not onto
24:10
you. Uh, you have no idea what that was, but it
24:13
did catch your attention in the slow motion moment as
24:16
this cart starts past you. Otherwise, it
24:19
hits the ground, uh,
24:22
wheels smashing. A chunk of the
24:25
carriage itself is kind of pressed inwards.
24:28
Um, the horse is probably
24:30
dead. The other one wakes up instantly,
24:33
taking damage, but also has been
24:36
thrown itself and twisted. Um, it's a
24:39
horrible, disturbing mess. You hear horses
24:42
that are still. The horse that's still alive,
24:45
making a horrible sound. Uh, the whole
24:47
crash scene is just a disturbing mess. But
24:50
sure enough, your two colleagues come crawling out of
24:53
the cabin covered in a very similar.
24:56
Yeah. Drenched in a very strange viscous
24:58
liquid that seems familiar.
25:00
Large jar.
25:01
I just want to state, I would have not, uh, thought of this had.
25:04
You not made the hoped you washed.
25:06
Your hands rEmark, made
25:09
this easy mark made this scene so much
25:11
better. How far away were they? They landed
25:14
about.
25:18
I'm going to run over there. I'm going to look to finish off.
25:20
The guy, make sure he's dead.
25:23
Is he.
25:24
I'm going to lose body.
25:25
Does he have anything on him? Uh,
25:28
he has a wallet, and inside of
25:31
it, it's a picture of his wife. And he's
25:34
got a thing that rolls out, and it's just
25:37
pictures, family pictures of him with his kind of obscured
25:40
right now.
25:40
Yeah, I'm going to take it. Take it out.
25:43
Rip it up.
25:44
Tearing it.
25:45
Rip it up and throw it.
25:46
Oh, my word.
25:50
This is what losing your reality
25:53
insanity.
25:54
Does to a man.
25:55
Okay, I've gone through a lot.
25:57
You just found out your hole.
25:58
Yeah, I know. Your only
26:01
way out is to get a million dollars. Yeah.
26:04
Do what it takes.
26:04
I'm not trying to tell you I.
26:05
Don'T think ransom God, but to be fair,
26:08
this deity did say I created everything
26:11
that's in this world. These are still people living
26:13
lives just in a pocket world. As opposed
26:16
to the outcome doesn't
26:19
matter.
26:21
If you kill a man in a dream.
26:26
That's how I feel like this is just. He created this out of
26:29
a bet. We're meaningless to this guy.
26:31
We mean nothing to him.
26:33
Sure, whatever. I'm not here to
26:36
argue.
26:37
I'm just saying he's going to do some dark things to get out of
26:40
here. He's going to do some dark things to get out of
26:43
here.
26:43
Oh, guys, uh, that would have. Now, down the road, you might
26:46
calm.
26:46
It down a little bit. But this is still, what, 3 hours
26:49
after you talked and found out that his life is
26:52
meaningless?
26:54
I'm going to, uh, stealthfully go into the
26:57
manor.
26:58
Okay. Yeah.
26:59
Did the carriage flip over
27:01
completely?
27:04
A couple of times, yeah.
27:06
Is it, like, wreck?
27:09
I'm going to go crawling out. I'm going to be like, oh, wow. I would
27:11
have thought I'd been a lot harder to get out of that wreckage, but I'm a
27:14
lot flippier than normal. Nobody's
27:17
crawling out and saying, I'm all right.
27:20
The real cliche.
27:24
All right. Oh, brother. You guys
27:27
are covered in some sort of.
27:35
I could just clean that. That would
27:38
be great. As Maki puts his
27:41
hands up, uh, and almost expresses this
27:44
desire and
27:47
magic pours from his hands
27:49
and he casts prestige
27:52
cleans. A, uh, cubic square foot
27:55
of your.
27:56
Just a cubic. It only does it.
28:01
Bottom half of fizzle fingers.
28:03
Yeah.
28:03
Body.
28:07
It's only a cubic foot.
28:09
That's crazy.
28:09
Well, uh, yeah, maybe I shouldn't have killed that guy, guys.
28:12
Um.
28:12
My bad.
28:13
Whoa.
28:14
How'd I do that?
28:15
Do that again.
28:17
Let me see how I did it.
28:21
You repeat process.
28:24
It tickles.
28:27
Eddie.
28:27
Cleans you up.
28:29
Oh, wow.
28:30
Uh, Keto
28:36
still in the wreckage upside down.
28:40
What are you doing?
28:43
Looking at myself in disgust and doing
28:46
some walk of shame. And I think I'll probably culminate
28:49
it by just putting this horse out of his
28:51
mist.
28:52
Call it the walk of shame.
28:53
It's like a double on time.
28:59
Oh, no.
29:01
The fan art. We're going to get. What? No,
29:04
I hope not. All
29:07
right.
29:07
Awesome.
29:07
So you guys have all, uh, removed yourselves
29:10
from the destroyed carriage. I
29:12
assume, uh, Maki is going to use prestige
29:15
digitation to, for the most part, clear off
29:19
any of this from his friends.
29:21
Substance going to be salvageable.
29:25
I have the jar there. Maki
29:27
Keto. A medicine check.
29:30
A medicine check
29:33
in relation to medical
29:36
concepts.
29:38
I don't know what does that even fall?
29:40
It's one of the skills.
29:42
16.
29:43
You know that this is not.
29:46
How much horse.
29:51
Explicit.
29:52
You can't say that.
29:55
How much horse semen ring out of
29:58
my sweater.
29:59
I almost wish you had rolled low and that would have been like, man, this
30:02
stuff is still good, though. But
30:04
are you any left in the jar? No.
30:08
That bad, huh? Well, I mean, you've introduced
30:11
it to the elements and the air. It's not
30:13
like, pressure sealed anymore. It's not?
30:17
Well, this was put in pressure sealed. Yeah, it made
30:20
like a. When you opened it, did it? Oh,
30:23
yeah. Like, released carbon
30:25
dioxide. It fizzed a
30:27
little. I guess rock was too excited to get to the
30:30
good stuff. I mean, he didn't
30:33
notice.
30:38
Uh, all right, I guess there's no.
30:40
Need to put that on ice anymore.
30:42
That's right. Uh, you guys are all outside the cart.
30:45
You're outside of this very nice, lavish
30:47
house. It's pretty darn close to
30:50
a mansion, if not officially a mansion. I don't know what to
30:53
cut off there. Manor, has anyone
30:55
noticed?
30:56
Goes, like, shack
30:59
house, everyone. Manor,
31:02
mansion.
31:02
Got it. Okay.
31:03
This is a manor for sure. There, uh, are a number of
31:06
stables that are out here. Uh, you
31:09
hear various horses kind of scattered about within
31:12
these stables that are around you. Um, but right now, you see
31:15
the manor. Uh, you see a couple of lights on, maybe some
31:18
lanterns that are lit on the inside. Nobody
31:20
seems to have noticed the scene that's happening
31:23
around you, the whole
31:26
crash, the wreckage, et cetera, uh,
31:29
which is probably for the best. There wasn't a huge amount of noise
31:31
involved with it. Just maybe the crash when the cart kind of
31:34
rolled and hit the ground. But, uh, other than that, that's where
31:37
you guys are at. What would you like to do?
31:40
Uh, take off.
31:43
I'm in the house.
31:44
You already went to the house?
31:45
Yeah, I said I'm stealthily going into said man.
31:48
Okay, well, then we'll jump to that. All right. Just ran off.
31:50
Everyone else just joins.
31:52
You approach the door, and you reach up to the handle, and sure
31:55
enough, it's unlocked.
31:56
So you open it up, and inside.
31:59
Uh, the lights are on. You see a very lavish living room
32:02
area. Um, you see to your right, there's a big
32:05
grand piano. You, uh, see to
32:08
your left and straight ahead, there are some
32:11
hallways that seem to go deeper into the house,
32:14
you notice there are very nice velvety curtains on
32:16
all the windows. Um, there's a variety of furniture.
32:19
They all have nice doilies on the
32:22
cushions, on the armrests.
32:25
Uh, things along those lines. Very nice house. Very
32:27
classy.
32:29
Um, I would like to search the rooms.
32:31
Stealth fulling.
32:32
Okay.
32:33
And if I can find anything that resembles,
32:36
like, some wealthy man's quote
32:38
unquote Den.
32:40
Den.
32:40
Okay.
32:41
Like an office type.
32:42
Okay.
32:43
Um, you creep throughout the house. You find a kitchen.
32:46
Nobody's there. Um, you see an
32:49
upstairs, which you hear what sounds
32:52
like maybe a voice of a person upstairs. So you feel
32:55
like if there is anybody in this house, which you assumed already
32:58
based on the fact that the lights were on, they are probably
33:00
upstairs. Uh, you continue to creep through.
33:03
Uh, you find a back room.
33:06
Uh, doors are locked. Um, but you wonder
33:09
if maybe this might be the proverbial
33:11
den that you were thinking of.
33:14
Can I pick the lock?
33:16
You can attempt.
33:16
Do you have lock picking tools?
33:22
Mmm. M.
33:25
No.
33:26
Okay.
33:27
Can't pick the lock.
33:28
Okay.
33:29
Can I break the lock?
33:31
You could attempt to, sure. Give me
33:33
an athletics check.
33:38
Okay.
33:42
That is a ten.
33:44
That is a ten. Uh, you slam into the door.
33:47
It does not break the door or the lock that is
33:49
holding it shut. Um, you do hear, uh, the
33:52
voice that's upstairs suddenly get quiet,
33:55
and you start to hear footsteps starting to move towards
33:58
the stairway. M
34:01
Hide.
34:02
Hide.
34:03
Okay, uh, do me a
34:05
stealth.
34:08
Uh.
34:09
What is that? A
34:12
1414.
34:13
Okay. Uh. Awesome.
34:13
You leap behind a piece of furniture, uh, quickly
34:16
hiding yourself behind it. You hear a voice call from
34:19
upstairs.
34:20
Pendleton. Pendleton, is that you?
34:23
Are you home, dear?
34:25
No answer.
34:25
No response. I had to keep myself from
34:28
saying.
34:29
Must have just been the clap of my ass cheek.
34:33
You can't say that on the radio. That's why
34:36
we're not going to do.
34:44
Uh. Uh.
34:48
Hey, uh, everyone, Skyler here. Are you a fan of session zero
34:51
heroes and the shows we produce or the characters involved?
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you can get. Now back to the show.
35:24
After a couple of moments, uh.
35:28
You.
35:29
Once again hear the sound of footprints as
35:32
whoever the woman is upstairs decides to
35:35
walk away. Okay, ignore whatever it
35:38
is that she thought she heard.
35:41
So are we, like, going up to the house?
35:43
Yeah, sure. By this point, you guys have all made it up to the house. Do you see the door
35:46
is cracked open a little bit? If
35:49
you.
35:49
I'm going to wave you guys over this way.
35:51
Uh, yeah, we can see him.
35:53
I thought he was hiding.
35:56
Scooby Doo, gang, creep over
35:59
to where? Desert.
36:01
Okay. All right.
36:02
Did you clean off, um,
36:06
Keto?
36:08
Yes.
36:08
Or is he just making a sticky sound?
36:14
Clean as a whistle.
36:15
And I cleaned off the
36:18
jar.
36:22
And.
36:22
Then he went to the record. So you left the wreckage alone, though, so it's
36:25
just covered on the inside. Wow,
36:28
that's going to be interesting. Whoever's the first person
36:31
to find that. What happened?
36:34
Imagine you guys brought the dead body of Pendleton
36:37
along with you. And in there,
36:42
that people would find.
36:43
You like, oh, Lord. Pendleton. He's dead and
36:46
he's covered in his own horse's semen.
36:49
What could have possibly happened to this man?
36:52
Would they assume horses? Just
36:54
saying.
37:03
Could you differentiate between the two? Is there
37:06
a distinct visual?
37:07
Because I don't think there would be a new type
37:10
of crazed psychopath running
37:13
around this.
37:16
You guys missed out on a great opportunity to cover your tracks.
37:19
They would be so mind ass that they
37:22
wouldn't even know how to piece that, ah, part together.
37:26
Wow. Anyways, well, that didn't
37:29
happen, so. Yeah, there's just a carry. There's a
37:32
nearby flip driver. That's true.
37:35
He might have summon. Who knows? Who knows what
37:38
they're going to. That's for me to figure out, I guess. Thanks,
37:41
guys. Whatever the case, you guys are
37:44
inside the house. You are no longer covered in horse
37:47
semen.
37:48
Um.
37:50
Oh, thank goodness you're creeping
37:53
around. Uh, you find Des
37:56
standing in front of a closed and locked
37:58
door.
38:03
I'll do hands, uh, to get
38:06
someone to open it.
38:07
I have thieves tools.
38:09
I do, too. We all pull
38:12
out our thieves
38:19
that have these tools. Who would
38:22
like to attempt
38:25
power of friendship
38:28
and then add your sleight of hand?
38:31
It'd be done.
38:31
Uh, I have
38:34
14 1414. All right, sure enough, you
38:37
put your thieves tools carefully into the lock
38:40
and you fidget it around a little bit here and there, and then
38:43
that's a skill. Momentarily you hear
38:45
click, the door opens itself in front of you.
38:48
I really am restraining myself from playing my creepy music
38:51
right now and just going on a murderous rampage.
38:53
But.
38:56
All right, we may need to have an intervention.
38:58
Yeah, we may need to size something, open it up. And
39:01
inside you find a sort
39:04
of kind, uh, of a library
39:06
themed man
39:09
cave.
39:10
Perfect.
39:10
Uh, yeah, kind of a thing.
39:13
Uh, in addition to a couple of shelves
39:16
with books lining all of the different
39:18
layers, uh, you see a very
39:21
nice, ornate, uh, main desk with a
39:24
chair behind it, obviously, where he keeps
39:27
a lot of his personal things, um,
39:30
as the man of the house. Additionally, you see a
39:33
lot of horse themed decor
39:35
spread across this room. Little statuettes,
39:39
horse, um, busts, uh, anything.
39:41
Worth value, uh,
39:44
as far as the.
39:45
Artwork goes and the decorations, you're unsure, but
39:48
you assume it must be to some extent, because he's a fairly
39:50
wealthy man. Obviously.
39:52
I sit there and think, man, I wish that Kurt, uh,
39:55
wouldn't have gotten wrecked.
39:57
Yeah, that's true.
39:58
M that could have been not my fault.
39:59
I'm sure he's got another one.
40:01
Whatever the case, you guys are inside of this den. Now, this.
40:04
This perverted. What kind of torture chamber
40:07
is this?
40:10
Books.
40:10
Yeah.
40:13
I've been one of these before.
40:17
Worst day of my life.
40:20
One day of school, one day of school. Never
40:23
back again.
40:26
Maki looks around for any, uh,
40:28
sort of decanter. Fine
40:31
liqueurs.
40:34
Okay.
40:34
Oh, yeah, right there, right on the desk, you see a
40:37
very beautiful glass decanter
40:40
with three matching
40:43
glass cups. Like, kind of. I, um, don't know what those
40:46
are called. Those, like, small cups for
40:48
alcohol. I'm not really somebody that drinks a lot, so
40:51
I don't know, flask.
40:52
Crystal.
40:53
Yeah, like, Crystal. Where that would be a
40:56
decanter. Yeah, but I'm saying, like, the cups themselves.
40:59
Um, I think there's a word for them. But whatever the case,
41:02
um, inside the decanter, you can see it's
41:04
corked with a glass cork, uh, on top.
41:08
And inside the decanter is a deep
41:11
brown liquid.
41:12
What do we have here?
41:16
Maki takes a little whiff.
41:19
It smells of a fine whiskey.
41:22
And he takes his.
41:24
Oh, no.
41:25
Water skin, assuming he
41:28
has one. Oh, yeah. He pours
41:31
that into the potted plant,
41:35
and he fills it up with the good stufF.
41:37
All right. You now have a water skin full
41:40
of very fine whiskey,
41:43
as opposed to life giving water
41:47
Matt Rourke asked for earlier, mind you, never
41:50
got.
41:54
Is, uh, there anything anyone else would like to do while you. I'm going through
41:57
all the books looking for any with pictures in it. Uh, if they don't
42:00
have pictures, I throw it on the ground and go to the next one. You
42:02
do throw a few on the ground, but amidst the ones that you throw on the ground, you find
42:05
very various ones, all with pictures of horses. I
42:08
point and laugh at them as I
42:11
do. Um, that. So I'm making two piles.
42:14
Okay. Pile a.
42:17
Boring.
42:17
Books without pictures.
42:19
Pile B. Funny. Books with pictures of
42:22
horses. Yes. Now, you are actually surprised
42:25
because pile B seems to be larger than
42:27
pile A. This might be the best library
42:30
Royce ever found.
42:34
Hasn't been in many, but most of them don't
42:36
have pictures. That's true.
42:39
Keto, Des, feather, anything you
42:42
guys are after inside of this den, I'd
42:45
like.
42:45
To search, um, the drawers for either a
42:48
key to a safe.
42:50
Sure.
42:50
Or, um, any kind of
42:53
valuable esque.
42:56
Okay.
42:56
All right.
42:57
Likeness.
42:58
Yes.
42:58
Um, you find a couple of drawers. One of
43:01
them has paperwork inside of it. Um,
43:04
actually, probably two or three of them have paperwork inside of it. Just different
43:07
kinds of paperwork. One of them, you open up and
43:10
you see more of those little cards that are
43:13
invitations to the horse races. Okay.
43:16
Uh, there are six more inside of there.
43:18
I'll grab those.
43:19
Okay.
43:20
Um, one of them, you see
43:23
a sort of identification, and it
43:26
says, Vicount Cornelius
43:29
Montague Pendleton Fitzgerald.
43:31
Member, official member of the
43:34
Royal Equestrians Guild.
43:37
What? Official memory.
43:42
Um, and then you find,
43:44
uh, one of them has a
43:48
little, ah, pouch with 100 gold pieces in it.
43:51
Grabbed.
43:52
Awesome.
43:52
I figured, um, currently, that's the
43:54
primary things that you find within these.
43:57
Uh.
43:59
Okay, so I grabbed the horse race invitations
44:02
and his ID card.
44:03
Okay.
44:04
I imagine that could get us into.
44:06
Something potentially, uh,
44:10
any of the paint. You said that there's paintings and stuff?
44:12
Worse.
44:13
Oh, man. There are some horse paintings in here,
44:15
man.
44:17
So I want to grab one down and cut it out of the frame and roll
44:20
it up like you're stealing it. Okay, so I'm assuming I need to
44:23
roll to see if I cut it out. Well,
44:27
um, how many pings would you.
44:29
Say there are probably
44:32
in this room? There's probably six.
44:35
Obviously, I don't want to damage the ping, but I'm cutting them out of the frame.
44:38
Yeah, give me a roll. Uh, let's do sleight of hand.
44:40
Sleight of hand.
44:45
13.
44:45
Uh, 13.
44:46
Okay.
44:47
Yeah, you do a pretty good job. Uh, let's say that you only mess up
44:49
on one of them. You got
44:52
five. Good quality, pretty, uh, confident in the
44:55
paintings. They look good. Um, you don't
44:58
recognize any of the painters? Like they have their little
45:01
signatures in the bottom or something. Or maybe on the back of them. Once
45:03
you cut them out, you don't recognize
45:06
paintings what?
45:07
Is there anything hidden in the paintings behind them?
45:09
No. Um, something that you notice
45:12
on, uh, any of the statues that he
45:15
has decorating the room with the horses on them.
45:17
Um, any of them that show
45:20
like the full body of the horse? Uh, I want to
45:23
emphasize that it shows the whole body.
45:26
Uh, you can very much see the horse
45:29
bits
45:32
very prominent.
45:36
In the painting.
45:37
Not in the painting, the, uh, statues. Statues, yeah, any full
45:40
bodied horse statues.
45:41
Just something I'm letting you guys know,
45:44
very prominent.
45:45
Yeah, very prominent parts.
45:49
Pick up the statue. I'm looking at it. Okay,
45:51
that's really kind of strange. It
45:54
is quite nothing strange with the statue at all.
45:57
No, uh, I'm not trying to hint at anything. I didn't know if I
46:00
needed a bunch, uh, of.
46:04
No, that's what you're alluding to or not.
46:07
Well, just emphasizing the fact that this is a stud
46:09
farm and you can tell where his focus
46:12
is
46:15
as a business. As a business. To clarify,
46:20
we have created quite the podcast here.
46:22
It's very niche. Yeah. What are you up
46:25
to? Yeah, you don't know? He's
46:28
so traumatized. The
46:31
things that you could join
46:35
the statues surrounding you are not helping.
46:38
I'm going to find an immaculately embroidered hand
46:41
towel. Oh, yeah, wipe my hands
46:44
up. Absolutely, yes, absoLutely,
46:46
100%. Very fair. As you guys
46:49
are finishing up with all this stuff, uh, you start to hear
46:52
footprints. Uh, footprints,
46:55
steps.
46:55
Steps.
46:56
Uh, we're going crazy. People
46:59
imprinting their foot into the ground up. You
47:01
hear the sound of footsteps as they are making
47:04
their way across the upper floor and towards what
47:07
you saw as the stairwell. Somebody, uh,
47:10
is moving in your direction. What
47:13
do you do?
47:14
I'm going to close the door gently as
47:17
if someone had meant to do it with.
47:23
Just act normal.
47:24
Okay.
47:25
A normal door closed. Not like, but also not
47:28
like, uh.
47:29
Yes, not like I'm trying to hide anything, but
47:32
also not that I'm trying to rush.
47:33
Okay, sounds good. All right, you do that. Anybody else
47:36
doing anything?
47:37
Nothing.
47:39
Laughing. Odd, but okay.
47:42
No, I'm pointing at the pictures. Oh, that's true.
47:44
Okay, have I finished?
47:47
No, there's a lot of books. Keep going then.
47:49
All right, Maki goes over to the
47:51
desk. He's, uh, going to
47:54
grab some of the stationery,
47:57
some just like paper and
48:00
extra ink or quills or
48:03
whatever it's going to
48:05
hide, uh, behind the desk in case somebody walks
48:08
in.
48:09
Okay, sounds good.
48:10
All right.
48:11
Uh, you hear the footprint.
48:14
Steps, dang it. You hear the footprint,
48:16
dang it. You hear the
48:19
footsteps make their way down the
48:21
stairs. Uh, and you hear a soft
48:24
knock at the door, and you hear,
48:27
Pendleton.
48:28
Pendleton, is that you? Are you
48:31
home?
48:32
I'll nudge Maki.
48:33
This is wife using his last name.
48:36
Of course I have the semen.
48:42
Oh, I'm so glad that your business deal went well,
48:45
honey. By chance, did you
48:48
happen to wreck another horse carriage out in the
48:51
front? Another one?
48:54
We got lucky with that.
48:56
Of course,
49:01
the men.
49:06
I didn't catch that last part, but, uh,
49:09
well, they are your characters, honey. I know you know best,
49:12
so I'm going to leave you to it. I'm headed to bed here
49:15
momentarily, but feel free to join me
49:18
whenever you're ready.
49:21
Excellent.
49:24
You hear the footsteps. Walk away and head back
49:26
upstairs. Um, you hear one last
49:29
as she.
49:30
Calls back, I'm going to turn the lights off,
49:34
but I'll leave the one on by the stairs.
49:38
Excellent.
49:39
All right, sounds good. And with that,
49:43
you hear the footsteps kind of walk into the living room area,
49:46
back and forth a little bit here and there. Um, you start to notice
49:49
that the light outside of the den that you're in kind of start
49:51
to dim as she blows out all the torches
49:55
or, uh, sconces, et cetera.
49:56
It just has torches mounted on the.
50:01
Caved,
50:05
um, around the room. And then you hear her
50:08
footsteps go back upstairs as, uh, she makes her way
50:11
back to the bedroom.
50:13
Perfect.
50:14
Uh, you guys are now left unattended.
50:21
Just everyone's going to bed.
50:24
Everybody's going to bed. It's dark in the rest of the
50:27
house.
50:27
I'm just going to loot the
50:30
house.
50:31
Yeah.
50:34
All right, you guys make your way
50:37
throughout the rest of the house. Uh, you do not find
50:40
Keto, you do not find an armory. Uh, this guy did not seem
50:43
like the type to keep weapons, per se.
50:46
Um,
50:48
I would say you find another
50:51
125 gold pieces, kind of
50:54
here and there in different spots. Um, as
50:57
far as valuables go, it's kind of hard
51:00
to say. Like I said, there's some
51:02
decorations and things that you feel like would be valuable, but it's
51:05
just a matter of how are we going to get that?
51:07
How are you going to fence that?
51:08
Yeah, exactly. Um,
51:11
I don't know any fences. Yeah, most of the ones don't
51:14
even speak. Very fun.
51:19
Whatever the case, this is the basic gist of what you
51:21
find throughout the entire first floor of this,
51:24
um, house. Okay. Is there
51:27
any large sacks in this room?
51:31
Find some in the kitchen. How large are we
51:33
talking?
51:35
Flower sack?
51:36
Yeah.
51:37
Big. Yeah. Okay.
51:39
Big enough. It could hold a person.
51:43
We're going to kidnap his flag. Hold a
51:46
whole person?
51:48
I'm going to go look in the kitchen.
51:50
Uh, yeah, you find some flowers.
51:52
Is there, like, in the living room? Is there any
51:54
artwork depicting the family or
51:57
anything?
51:58
Uh, yes, there is a
52:01
very large, ornate portrait just above
52:04
the furnace or the
52:06
fireplace. And it is Mr. Pendleton
52:09
and his wife. They are both riding on
52:12
a horse, a brilliant white horse together
52:15
with the whole horse. Yes, I
52:17
was just going to say the entire horse is depicted
52:20
there.
52:22
I think it's just him and his wife here, guys.
52:26
Des nods in agreement.
52:27
So I think we should be good
52:30
to take our time.
52:33
Again.
52:33
More nodding. Uh, I don't have a button
52:36
for this conversation.
52:37
I'm going to go make a sandwich.
52:42
Fair enough.
52:42
You have all the time in the world to do so. Uh, you
52:45
go into the, uh, kitchen area,
52:48
and there is a sort of ice box, and you pop it open,
52:51
hoping to find some interesting things. Um.
52:55
Um, you find some
52:58
horse cheese.
52:59
Okay.
53:01
Something else.
53:02
And you also find some head of
53:05
meat.
53:06
Head of lettuce.
53:08
Well, other very normal.
53:10
I thought he was going to open the ice box and it was just going to
53:13
be filled with piles.
53:18
Yes. You wonder if there might be another
53:21
ice chest somewhere else in this either house or
53:24
out in one of the, uh, stables where they would keep
53:27
something like that. Entirely possible,
53:30
though that would be a.
53:31
Good way to make money
53:33
unironically so. Because if we go to this horse
53:36
race and we go, like, behind the stables, and we're
53:39
like, all right, gentlemen or
53:42
ladies, whatever, I don't care.
53:46
This big guy left all of these vials
53:48
unattended, and now we're going to sell it to you.
53:52
M. And that dumped them all over a
53:55
carriage.
53:56
That wasn't on purpose. Is there any
53:59
other kind of overarching concept? I'm in the
54:02
kitchen, okay. Alongside
54:05
him. Yep.
54:06
And I'm just rustling through cupboards.
54:08
Sure.
54:09
And do I find a large sack?
54:12
Yes.
54:13
As I said before, you find a couple of empty
54:15
flower sacks, sick burlap or
54:18
whatever they were made. Oh, I see.
54:22
Uh, Maki open the fridge as
54:24
I have a sack, and I just walk over to the
54:27
fridge, as he's just holding it open, and I just grab the thing
54:30
of cheese, throw it in the sack. I just start
54:33
walking out there.
54:34
That's it. Just the cheese.
54:38
Okay, fair enough.
54:39
Maki wants to grab something. That would be good.
54:41
Ah.
54:42
Uh, some, like, hard
54:44
meat, some jerky. I don't
54:47
know, sausage. A link of the
54:50
cartoony link of sausage.
54:53
Big old horse salami.
54:56
Yeah, maybe not. You
54:59
get the flashbacks to scene so far,
55:02
and you kind of question yourself for a moment.
55:06
Uh, I guess he just puts, ah, that around
55:08
his shoulder on whatever. He goes
55:11
back to the entryway and Finds,
55:14
like, a satchel or
55:17
something.
55:17
Okay.
55:19
And he starts picking
55:22
random, shiny knickknacks off of
55:25
the shelves or whatever.
55:26
Okay.
55:28
I mean, is everybody kind of just looning? Uh,
55:31
yeah, yeah, in general.
55:32
Okay.
55:33
Keto's gonna look for a basement or a.
55:38
Um.
55:38
Um, yeah, you definitely kind, uh,
55:41
of hidden in the back of the stairwell. You find a
55:44
doorway, like a little Harry Potter esque
55:46
doorway, and you walk inside of it, and there's
55:49
a stairwell that leads down into some sort of basement
55:52
area. Uh, you head down there, I
55:55
assume. Um, and that is exactly
55:57
where you find the ice chest or the
56:00
whole room. This is a thing.
56:07
Very cold. The further down you go, the colder it gets.
56:10
And sure enough, once you get to the bottom, it is freezing
56:12
cold. And you find a, uh, terrified
56:15
scream from Keto.
56:18
These flashbacks.
56:23
Running on the sand. You stumble into
56:26
the dark.
56:34
Steven falls all over.
56:37
But that did not happen.
56:38
No, I have dark vision. Yes.
56:59
Fantastic.
57:00
I thought so I could look at that.
57:02
Whatever.
57:02
Uh, the case.
57:04
Yes.
57:04
Uh, you find shelves of
57:07
vials. Is there variety of semen?
57:09
Any sort of
57:12
storage receptacle or container that
57:14
one might transport this
57:18
serum?
57:22
Any Bible receptacles,
57:26
cans.
57:26
Yeah, exactly.
57:30
Like I said, they're all in glass cylinders,
57:33
kind of like the one that you had before. Uh, so, I mean, it's really just
57:36
a matter of finding some kind of a bag or something where you could
57:39
safely slide them in. Uh, you know that
57:41
upstairs there were some flower bags.
57:44
Uh, there was a couple of satchels
57:48
scattered about. You could honestly pull a blanket off of
57:51
the couch and just turn that into a makeshift bag.
57:53
Totally up to you. It just depends on how much you want to
57:56
take.
57:57
I'm going to whisper up the stairs. Hey, guys, I
57:59
found the father load.
58:05
That is a term we are allowed to use.
58:09
Also, I want to point out that on each of the
58:11
shelves, you will see a painting of a
58:14
horse that sort of suggests that these
58:17
came from this horse. Uh,
58:20
and additionally you will see kind of a,
58:23
let's say, like, uh, a clipboard. And it
58:25
has some various notes scribbled on them underneath each of the
58:28
horse's paintings. So it says, like, lived this
58:31
long or is currently living good
58:34
health, or if it suffered any kind of health issues,
58:37
that was something that they might take note of for like,
58:40
oh, these
58:42
semens might
58:45
have that potential if we're.
58:47
Ah.
58:49
Uh, might, uh, have that potential to
58:52
cause that whatever that health defect might have been, or whatever the
58:55
case, or maybe there's positives, like this horse
58:58
ran faster than all the others. So we're going to use this semen to
59:00
try to breed more faster horses, so on and so
59:03
forth.
59:04
In any case, I'm going to try loot as much as I can,
59:07
just in general. Or try gather it all
59:10
in a very secure manner, knowing that this probably
59:13
holds more value than most of our other.
59:15
Just going to toss them all into one bag.
59:17
Are you going to keep them separate.
59:19
Including you, from this venture? Because I've already.
59:22
That's not what I was meaning.
59:24
I would say that these would have to have labels
59:28
on the specific vials and such themselves.
59:31
Uh, it simply says a horse's name, a
59:34
horse's type.
59:35
This is all on each file or label.
59:37
These are like the simplified labels on each file.
59:40
Uh, and, like, their weight or size
59:43
or something along those lines. I'm not super expert on
59:46
horse stuff, um, but it would be the very
59:49
necessary basic details of the horse. So,
59:52
like, breed horse was a water type. A water
59:55
type horse. Sorry, breed.
59:58
I do find it funny, though. You're like, I'm not an
1:00:01
expert on this kind of stuff, but you're just assuming that
1:00:04
he has an underground farm of
1:00:06
semen. Oh, yeah, absolutely. This seems like the
1:00:09
way they do it in medieval times.
1:00:10
Actually.
1:00:13
I say that I'm not an expert on horses. As if I didn't come
1:00:16
up with like a half dozen to
1:00:18
eight different horse types
1:00:21
and why they differ. And different stat blocks for
1:00:24
each one. But yes, you are able to find some
1:00:27
variation of, uh, probably load a couple into your
1:00:29
backpack, which I think everybody should have.
1:00:32
Um. Oh, yeah, there's the suitcase
1:00:35
from the exchange. You're able to load some into
1:00:38
there. Uh, that probably still does have some semen on
1:00:41
the exterior of it, since it was part of the
1:00:43
rollout. Uh, but that's
1:00:46
okay as far as
1:00:49
you're okay with it, I suppose. Uh, whatever
1:00:52
the case, yes. You collect, let's, uh, say, a dozen
1:00:55
different vials of, uh, horse semen.
1:00:58
This is going to be interesting equipment.
1:01:00
Yes. I have to sadly erase mine.
1:01:03
I will kind of semi generate jar of what those
1:01:06
are. It's gone.
1:01:08
It's gone.
1:01:09
It's all gone. How many
1:01:11
episodes in a row are we going to title Horse semen? Oh,
1:01:14
we're titling.
1:01:17
Uh, I thought we was going to call it the
1:01:20
father loan. I like that. That is true.
1:01:23
Yeah.
1:01:23
What were you saying there?
1:01:24
I'm going to grab that clipboard of the cheat sheet of all their little,
1:01:27
uh.
1:01:28
Okay, so you just kind of collect all the sheets.
1:01:31
How many vials do you grab of each horse? Well, he
1:01:34
got a total of a dozen. Twelve vials. Is that like twelve
1:01:37
one per horse?
1:01:38
Sure. Yeah.
1:01:39
He has twelve horses.
1:01:41
Oh, yeah.
1:01:41
This guy's got lots of horses. Cool.
1:01:44
He literally runs a stun form. Yeah.
1:01:47
Huh.
1:01:47
I suppose that's true.
1:01:48
M Maki goes down the stairs and looks
1:01:51
for the horse named Smitty
1:01:54
Weberman Jensen.
1:01:56
He was number.
1:01:57
He was number one.
1:01:59
No, but I don't know.
1:02:02
He does try to figure out if
1:02:04
there's
1:02:06
like a, ah, real winner.
1:02:09
I don't know.
1:02:10
A real winner. Okay, absolutely. Uh, there
1:02:12
is, um. There was a horse.
1:02:15
Oh, man.
1:02:15
I didn't come up with names for horses. You guys come up
1:02:18
Matilda.
1:02:21
Sorry.
1:02:21
Blade Runner.
1:02:25
Yeah. More horse at night names.
1:02:27
Yes, there was a Jersey Mike's. Wait,
1:02:31
uh, what was the name?
1:02:33
Come up with a name.
1:02:35
JJ.
1:02:36
German Pharaoh.
1:02:38
German Pharaoh.
1:02:39
Sea Cracker.
1:02:40
Okay, he's taking.
1:02:43
No, German is German Pharaoh is Egyptian
1:02:45
Pharaoh. Right.
1:02:47
Okay.
1:02:47
No, it's American Pharaoh and then Sea.
1:02:49
Biscuit, but he's in sea cracker. He's just taking
1:02:52
famous horse names. Okay, well, I just need one.
1:02:55
Somebody just picked one, uh, one horse named
1:02:57
Knife.
1:03:00
His name is Knife.
1:03:01
Knife.
1:03:02
Okay, Mr. Ghoul.
1:03:04
A horse. His name was Knife.
1:03:07
Um.
1:03:10
He was a good horse.
1:03:13
Uh, the breed of horse was a.
1:03:16
Yes. Wouldn't hurt a soul
1:03:18
kind, which is a great horse.
1:03:22
Back in the medieval times, I believe.
1:03:26
And yes, uh, it was called a taki.
1:03:28
Taki?
1:03:30
Taki with a K.
1:03:33
Yeah, the shine gun.
1:03:38
Dang it. No,
1:03:44
his front legs go backwards and his back
1:03:47
legs or whatever. He's really fat.
1:03:51
No, but he was definitely a fine
1:03:54
specimen of step horse.
1:03:58
He was quite the trotter.
1:04:00
Yeah,
1:04:05
I love my kids.
1:04:10
I'm a good step horse.
1:04:14
No,
1:04:17
I married into type of
1:04:20
horse.
1:04:21
Um.
1:04:25
Whatever the case, his charts show that he
1:04:28
performed very well. Um, so,
1:04:30
yes, his stands out to you.
1:04:33
I'll, ah, fill my
1:04:36
satchel up with a bunch of his violence.
1:04:38
Explicitly. Okay, sounds good.
1:04:42
We could say splooge. We
1:04:45
can use that term.
1:04:46
His flubber.
1:04:47
His flubber. That's probably
1:04:50
copyright. Uh, now, you can't
1:04:53
copyright a word.
1:04:56
Make it up.
1:04:57
You can.
1:04:58
Yeah, exactly. All right. Um,
1:05:00
awesome. So, yes, this is where you're at.
1:05:03
Uh, now that you've got full bags.
1:05:07
Full sacks of semen.
1:05:09
Um, uh, you're feeling
1:05:12
quite weighted down. I won't say you're fully encumbered, but
1:05:15
you're pretty darn close. So we should work our
1:05:18
way out
1:05:20
finding.
1:05:21
I don't want to lose all this stuff we could
1:05:24
use.
1:05:26
Why don't you go look for carriage?
1:05:28
Well, why don't we all go look for a carriage?
1:05:31
Probably because you, um, destroyed the last.
1:05:33
Yeah, I'm
1:05:35
busy. Are you still sorting through
1:05:38
book? Yes. You got some
1:05:41
food out of the kitchen, and I'm eating it in one
1:05:43
hand. And looking at book. I was going to say, you've got cheese. You're
1:05:46
just eating the cheese.
1:05:47
Okay. All right.
1:05:48
What else would I do with it? Well, you made a whole thing about putting it
1:05:51
in a bag. You took it right over to the room, and
1:05:54
then you started eating it, pulled it out of the bag.
1:05:58
Just.
1:05:58
Dragging it along the ground. It was a really heavy cheese. Well,
1:06:01
the sack's sitting there.
1:06:03
It's got.
1:06:03
No, I understand.
1:06:04
Okay. All right. Sounds good. All right.
1:06:05
So, feather, you're headed out to find a new
1:06:08
carriage.
1:06:09
Um. Okay.
1:06:10
Yep. You head out. Uh, you
1:06:13
look around the farm. It's a bit dark. Are you taking. I mean,
1:06:16
I know you guys all claimed you had dark vision,
1:06:18
but technically.
1:06:19
As Cancu's, we only have low light vision. Okay,
1:06:22
so there needs to be some light.
1:06:24
Right? Okay.
1:06:26
I was going to say, I think yours is class based.
1:06:29
My subclass gives me it dark
1:06:32
vision.
1:06:32
Okay, so, feather, it's quite dark outside. Um,
1:06:35
your light vision isn't quite covering the
1:06:38
dark of.
1:06:39
Can I see a barn or anything nearby?
1:06:41
You can vaguely make out the shape of a barn, but that's how
1:06:43
dark.
1:06:44
Side of the barn.
1:06:45
Yeah, you see the broad side, but that's the only side you
1:06:48
see.
1:06:49
We'll work our way over.
1:06:50
Well, I'm saying it's, like, pitch black. I mean, even if you get there, it's still
1:06:53
going to be pretty darn dark.
1:06:56
Interesting.
1:06:56
There's no, like, torches over there?
1:06:58
I can see the house, right? Yeah, I just walked back
1:07:01
to the house. Can I find one? I can't see.
1:07:04
Guys,
1:07:07
there's the sconce. One of those torches? Yeah.
1:07:10
Okay, I think you probably have,
1:07:14
too, in your adventuring. Okay, so there's sconces on the wall, but you
1:07:17
have torches. I don't think I do. I think it's in your adventuring
1:07:20
gear.
1:07:20
I definitely have a tinder box.
1:07:22
We all have torches. And there's also the sconces.
1:07:24
Yeah.
1:07:25
You have ten sheets of paper.
1:07:27
I got some paper.
1:07:29
Piece of paper. I have a hooded lantern. Oh,
1:07:32
do you need that? I got a lantern. All right. That would
1:07:35
work. All right, go over and handcuff my lantern. All right,
1:07:38
you light it using one of the still lit sconces that are
1:07:41
over by the, uh, stairwell that
1:07:44
Pendleton's wife had left on, and you head out. You
1:07:47
make your way to the, uh, go.
1:07:50
There's several stables. Like, several. Quite a
1:07:53
few.
1:07:53
Let's go to the closest ones.
1:07:54
Right.
1:07:55
That's what I was going to get to. So each one that you go
1:07:57
to, it's a lot of horses, but eventually you
1:08:00
do find what looks like not a
1:08:03
fancy, nice carriage, but what looks to
1:08:06
be a cart for hauling hay around
1:08:09
to the different stables.
1:08:10
Good enough. Okay, so I'm going to take
1:08:13
that card. Are there any horses in that same.
1:08:15
Oh, yeah.
1:08:16
All right. Do I need to roll for, like, animal handling or something?
1:08:18
Yes, please, if you would.
1:08:20
21.
1:08:20
21. Holy cow.
1:08:21
Yeah, you. Absolutely. You approach one of the stables.
1:08:24
There's a horse inside. Give me a name for that
1:08:27
horse.
1:08:27
Dinkle beans.
1:08:28
Dinkle beans. Fantastic. All right. Dinkle beans,
1:08:31
uh, is awake. Um,
1:08:34
and you're able to coax him out of there. You find some hay laying
1:08:37
nearby, uh, just out of his reach, and you use
1:08:40
that to kind of coax him close. You touch his mane and
1:08:43
his muzzle. You say, muzzle?
1:08:45
Is that a thing?
1:08:46
Okay. Uh, give him some pets. Give him some
1:08:49
scratches. He seems to like you just fine. You lead him
1:08:52
over to the cart. You get him all hooked up. It's ready to go. For
1:08:54
the most part, um, it was just a matter of getting him
1:08:57
attached to everything. And, uh, sure enough, he's
1:09:00
pulling the cart. You're sitting on top of his back.
1:09:02
Hop out, open the doors, hop back in, and we'll take
1:09:05
the cart up to the front of the house.
1:09:07
All right? Sounds good. So you pull up to the house. You got it?
1:09:10
Ready to go. It's an open cart.
1:09:13
Since it's just a cart, there's no roof over it or anything.
1:09:15
But, uh, walking up, definitely.
1:09:17
I'll tie the reins to post on the house. Something
1:09:20
going. Guys, I got a cart. We can
1:09:23
get out of here. And I might have sold
1:09:26
everything back at my place for the most part, but we can store all this
1:09:29
stuff back at my place if you guys want.
1:09:31
Sold everything. Stockpiles,
1:09:34
semen instead.
1:09:35
Yeah, I mean, I don't have any.
1:09:37
Furniture anymore, but we can store
1:09:40
this at my place.
1:09:41
I just want to check one more thing. Uh, yeah. I want
1:09:44
to see if the old lady's got any jewels.
1:09:47
Oh, gosh.
1:09:48
I'll go with you.
1:09:49
Is that a euphemism?
1:09:50
No.
1:09:54
So are we going to go up.
1:09:55
And, like, uh, this is something that I
1:09:58
feel like this is something he was doing while you were getting the cart.
1:10:02
Okay? Yeah.
1:10:03
So monkey's going to go upstairs, uh,
1:10:06
stealthily, all right?
1:10:08
You creep up the stairway, following the
1:10:10
lights. As you do to the second floor. You
1:10:13
find a long hallway with a variety of doors. One of them
1:10:16
creeped open ever so slightly. Uh, the
1:10:19
sconces up on this floor, uh, only
1:10:22
cast light in a very small space
1:10:25
as to not disturb those that sleep up here, which at the
1:10:28
moment, you believe is only the one
1:10:30
person. All ah, right.
1:10:32
I
1:10:34
go to
1:10:37
the room that she left the light on by
1:10:40
or whatever.
1:10:40
She'll leave the light on for you. Roll, uh,
1:10:44
a stealth with advanTage, since
1:10:47
nobody really expects you.
1:10:50
Nine?
1:10:52
Yeah.
1:10:53
Okay, you're good. Uh, no
1:10:56
stirring, no awaking or anything seems to
1:10:58
happen. As you slowly creep towards it ever so
1:11:01
slightly. The floor will creak a, uh, little bit,
1:11:04
and you freeze every time it does, waiting to hear
1:11:07
something. And nothing ever makes a sound. So you continue
1:11:10
to creep closer and closer to this room until you're right
1:11:13
at the door. You push it open ever so slightly and you can
1:11:16
see fairly large bedroom, a couple
1:11:19
of, uh, wardrobes, uh, some
1:11:22
mirrors inside, um, a couple of
1:11:24
desks that you could see that somebody might have, like, laid clothes
1:11:27
out on. And then, of course, to, uh, the
1:11:30
sort of back left side of this room. You see a
1:11:33
large bed. And the blanket suggests
1:11:36
a figure is sleeping amidst the sheets
1:11:39
and the various linens on this bed.
1:11:41
I go over. Well, I try
1:11:44
to see if she's listened to the sound and
1:11:47
see if she's honk shoeing
1:11:50
or honk.
1:11:54
She is definitely a.
1:11:57
Is there a feather?
1:12:01
Uh, no, there's no feather. They're all inside the
1:12:03
pillows.
1:12:04
Uh.
1:12:07
Seems like she's asleep or they're
1:12:09
on. You
1:12:15
take a feather off of yourself and
1:12:19
confirms it.
1:12:22
Uh, make my way over to.
1:12:27
The.
1:12:27
Long dresser and
1:12:31
look for the jewelry box on top
1:12:33
or anything like that.
1:12:35
Yes. Roll A. Let's do a perception check, see
1:12:38
if you can see. You do have, uh, dark vision, so.
1:12:40
That'S helpful as well.
1:12:45
15. All right.
1:12:47
Sure enough, you spot a somewhat
1:12:49
ornate box, uh, sitting atop one
1:12:52
of the. Or actually, it's, uh, inside one of the wardrobes. You
1:12:55
open it up, you push back some of the clothes, and on the top shelf
1:12:58
behind them, you see this box is hiding back there.
1:13:01
It's currently locked at the moment,
1:13:04
but it's just a question of whether you even need to, uh.
1:13:07
Yeah.
1:13:07
How big is this box?
1:13:08
It's not incredibly large. It's about
1:13:11
like, let's say, ten X ten inch
1:13:13
box. And it's about,
1:13:17
what would this be, like, five inches
1:13:20
tall? Four
1:13:23
inches?
1:13:23
I'm just going to put the whole thing under my arm.
1:13:26
All right, sounds good. I'll have you do one more
1:13:29
stealth check, since this is a
1:13:32
box full of jingly things.
1:13:39
Matt.
1:13:41
One.
1:13:41
Oh, no.
1:13:42
As you slowly pull this
1:13:45
box full of various
1:13:47
jewels and jewelry from its
1:13:50
shelf, it slips out of your
1:13:53
feathery hands that you still haven't quite gotten used
1:13:55
to yet falls to the ground. It
1:13:58
hits the ground, and you hear a loud
1:14:02
as a variety of fancy metals and
1:14:04
jewels inside make a large clanking sound. The figure
1:14:07
inside the bed quickly sits up
1:14:10
and turns towards you.
1:14:18
Wait, so was I in the closet or what?
1:14:20
You were technically, yeah. I mean, yeah, you were, like, reaching.
1:14:23
Inside of the, uh, wardrobe, I say,
1:14:26
I think Mark thinks to himself, man, if
1:14:29
only Pendleton was actually here
1:14:36
with his innate desires.
1:14:39
He summons a silent
1:14:42
image of Pendleton, uh,
1:14:45
with his sorceress powers.
1:14:48
Oh, I didn't know I could do.
1:14:53
Um, turn around.
1:14:56
And the image turns around
1:14:59
towards his, but he
1:15:02
notices it doesn't make any sound. That's
1:15:05
true. That won't
1:15:07
do. Uh, wait. What if I
1:15:10
just talked for it?
1:15:15
Um, do a deception,
1:15:18
I guess. I'll do either deception or performance
1:15:21
with advantage,
1:15:26
of course.
1:15:29
Um, she reaches over, she grabs a
1:15:32
nearby sconce that's sort of like a portable one that
1:15:35
she keeps by the bed, and she takes, uh,
1:15:38
uh, a match. She strikes it, and she likes it.
1:15:41
So roll either performance or deception with
1:15:43
advantage.
1:15:48
Uh, 1818.
1:15:51
Um, she looks and she goes Pitter
1:15:54
t. What.
1:15:55
What in gobs thing are you doing?
1:15:59
Steaming.
1:16:04
Just
1:16:12
the stuff next level. And he
1:16:14
points towards the top of the.
1:16:19
She just kind of looks for a second, she's like.
1:16:24
Keep it down. Trying to sleep.
1:16:26
Of course.
1:16:29
She'S still a little off, but she
1:16:32
blows out the sconce and tries to
1:16:35
turn back and go back to sleep as best as she
1:16:38
can.
1:16:39
So Maki tries
1:16:41
to keep it down.
1:16:43
And.
1:16:45
Tries to find all the pieces that he spilled on the
1:16:48
ground and put them back into this
1:16:50
box. He's, uh,
1:16:53
maintaining this silent image because he can keep it
1:16:56
going just in case. So he's using
1:16:59
some of this concentration for that.
1:17:01
Yes. Is, um, the image moving? Is he,
1:17:04
like, doing.
1:17:08
Just doing the robot?
1:17:10
It's just kind of, like, stooped over in front of the
1:17:13
door, like, facing Maki.
1:17:16
He's looking through kind of dresser, kind.
1:17:18
Of blocking the view.
1:17:19
If somebody were to come in,
1:17:22
um,
1:17:28
any uh, nice duds.
1:17:29
In this closet, uh,
1:17:32
there are some very fine writing
1:17:35
clothes. Um, you know, nice little
1:17:37
button down, leathery vests of various
1:17:40
kinds, a, uh, couple of top hats. And then
1:17:43
you see some
1:17:44
horsey
1:17:47
thingies.
1:17:49
Uh, yeah, Maki will pick out
1:17:52
an outfit just in case.
1:17:55
Might come in handy later.
1:17:57
Okay.
1:17:58
And then he's
1:18:01
just going to clean up his mess and then try to
1:18:03
sneak on out of there.
1:18:05
And as you're going for the door, um, you
1:18:08
hear one last thing from Pendleton's wife.
1:18:10
She says, dear, you,
1:18:18
Bjorregard was asking for you. He
1:18:21
said that you two were supposed to have a meeting tomorrow.
1:18:23
If you wouldn't mind meeting with him.
1:18:25
Of course.
1:18:27
All right. I just wanted to make sure you knew.
1:18:30
Uh, are you coming back to bed
1:18:33
soon?
1:18:34
This will take men.
1:18:40
Sounds wonderful, dear. Good night.
1:18:46
He got out of it.
1:18:48
Didn't even need the sleep spell.
1:18:53
She jolts awake.
1:18:55
What is that?
1:18:58
Sleep spell?
1:19:01
Oh, man.
1:19:02
Maybe she doesn't honk shoe or Mimi.
1:19:04
Me.
1:19:04
She goes
1:19:08
like a reverse winning.
1:19:10
So.
1:19:22
Uh.
1:19:36
And you ride off into the night.
1:19:42
Uh, did you have something you wanted? Well, I was going to say, when they're
1:19:45
all loading up, Rourke's going to be dragging out
1:19:47
a very filled sack
1:19:51
that's making a lot of thumping noises
1:19:54
as he drags it down the stairs
1:19:57
and is struggling to get it onto the
1:19:59
card.
1:20:01
Is it your picture boy?
1:20:03
I reach down and help him because.
1:20:04
We got to get going. Check it out. It's filled
1:20:07
with books. A lot of books,
1:20:10
and then other various trinkets that he grabs across
1:20:13
that room.
1:20:13
All right, at the top of the
1:20:16
stairs, you see movement, and you
1:20:19
see, apparently, the specter of
1:20:22
Pendleton coming.
1:20:41
And with that, we'll close out this
1:20:44
episode.
1:20:46
Thank you so much for listening to Criminals of Isla Numis,
1:20:49
a Dungeons and Dragons fifth edition actual play podcast
1:20:52
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1:20:54
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