Latest / The Bald Brothers Podcast / 162: The Odyssey FULL REVIEW (SPOILERS)
Transcript
- 0:00Speaker 1: What up y'all? Boy keme on stage The Bob Brothers
- 0:04Speaker 1: New and Improved. We're talking mostly movies now.
- 0:08Speaker 2: After summer hours, me and Tony decided it's mostly gonna
- 0:11Speaker 2: be a movie podcast.
- 0:13Speaker 1: We did our sports. We might rank some cereals.
- 0:15Speaker 3: And things in the life.
- 0:16Speaker 2: Same music stuff, music stuff, but we love movies.
- 0:20Speaker 1: Movies. Me and Tony love movies.
- 0:23Speaker 3: And they always coming out and they always come in.
- 0:26Speaker 3: It will be falling off man.
- 0:28Speaker 4: Yeah, I ain't been passionate about cereal in a long time.
- 0:31Speaker 3: I'm passionate about movies all.
- 0:33Speaker 1: The time, all the time.
- 0:35Speaker 2: So this is a little bit delayed because we was
- 0:36Speaker 2: on summer break. But we talk in the Odyssey Christopher Nolan.
- 0:42Speaker 2: Christopher Nolan's dare I say epic epic?
- 0:46Speaker 3: This was an epic epic.
- 0:47Speaker 1: This might be his most epic. This three hours, three
- 0:50Speaker 1: hours didn't feel like it though.
- 0:51Speaker 3: It didn't feel like three hours.
- 0:52Speaker 2: And that's I didn't seen some three hour movies that
- 0:56Speaker 2: felt like Avatar.
- 0:57Speaker 1: I was like Splash It, Year Man, Swim Again.
- 1:01Speaker 3: Killers of the Flower Moon.
- 1:03Speaker 1: I didn't even watch that.
- 1:04Speaker 4: It felt like seventeen hours. It felt like a full
- 1:11Speaker 4: word shift week part.
- 1:13Speaker 3: Time in McDonald's That movie was long.
- 1:17Speaker 4: Man.
- 1:18Speaker 3: It wasn't that it was bad.
- 1:20Speaker 4: I just felt every mill every more. So yeah, less
- 1:26Speaker 4: America and I could take a long movie.
- 1:29Speaker 2: Man.
- 1:30Speaker 3: I remember.
- 1:32Speaker 1: Martin Scorsese's The Irishman.
- 1:35Speaker 2: It felt long, but it felt what I didn't like
- 1:37Speaker 2: about that movie before we get into The Odyssey. That
- 1:40Speaker 2: felt like two movies because Jimmy Hoffa didn't come in
- 1:43Speaker 2: for like an hour.
- 1:44Speaker 4: And once he came in, he reinvigorated the thousand that was.
- 1:49Speaker 4: That was Alpacino's best performance in a long time.
- 1:51Speaker 1: I agree.
- 1:52Speaker 2: I was like, I just didn't buy him stumming somebody
- 1:55Speaker 2: out at seventy plus.
- 1:57Speaker 3: Yeah, I mean everybody was too old man, Jimmy Hoffer was.
- 2:03Speaker 4: Alpucino was older than Jimmy Hoffer was when he died.
- 2:07Speaker 2: Yeah, it was like, yeah, spoilers also, Bob Brothers, if
- 2:12Speaker 2: we were viewing something, know this, knowing now, do.
- 2:16Speaker 1: Not watch us if you ain't seen it.
- 2:17Speaker 3: Yes, we spoiling it.
- 2:20Speaker 1: This is for people who have seen The Odyssey. Initial
- 2:23Speaker 1: thoughts Tony.
- 2:24Speaker 3: Becker, Oh, initial thought, initial thoughts. It lived up to
- 2:29Speaker 3: the height.
- 2:30Speaker 2: Were you okay with the black helling of Troy and
- 2:32Speaker 2: your walk, the Walk left and the trans transactor.
- 2:40Speaker 1: You got a black fictional character.
- 2:42Speaker 2: Elliot Peter Helling of Troy is not historically accurate.
- 2:50Speaker 5: How is how is Elliott Page playing Achilles? Nobody ever
- 2:55Speaker 5: said that? Nobody ever was he not playing Achilles? Ain't
- 3:01Speaker 5: even in the movie.
- 3:03Speaker 2: Shut the hell out, y'all talking about movie you ain't
- 3:06Speaker 2: even seen. And the craziest thing is Elliott Page killed
- 3:12Speaker 2: for sure?
- 3:12Speaker 4: I mean, hell yes, that Page made the most. People
- 3:18Speaker 4: made the most of their time.
- 3:20Speaker 3: In this movie.
- 3:21Speaker 1: Everybody accept Oh Charo Lee's.
- 3:26Speaker 3: They could replace her with just just what.
- 3:30Speaker 4: She been seen in board the whole rollout too, like
- 3:34Speaker 4: when you when You, when You. I don't know if
- 3:35Speaker 4: he was keeping up with like keeping all the press
- 3:38Speaker 4: rollouts for sure, alive and happy and investing. Char Lee's
- 3:43Speaker 4: looked sad and like bored and just like stay on
- 3:46Speaker 4: my island, y'all, But you're not really selling me on
- 3:49Speaker 4: the stale the island.
- 3:50Speaker 2: I was, Yeah, made that song with Wallie that's too king.
- 3:57Speaker 3: Of a song for she.
- 3:58Speaker 2: Just like Callipse and Oh Diny is supposed to be
- 4:01Speaker 2: in love. He's supposed to not want to leave because
- 4:05Speaker 2: he can't leave her.
- 4:07Speaker 4: She was like, all right, man, he's supposed to be
- 4:09Speaker 4: loving it up and then at night he's sitting on
- 4:11Speaker 4: the rocks like I'm missing something. Yes, that's that's how
- 4:15Speaker 4: it was supposed to be. They didn't paint that picture
- 4:17Speaker 4: at all.
- 4:18Speaker 2: He just seemed disoriented and she just feel like, I
- 4:21Speaker 2: don't know, I don't know where the map is.
- 4:22Speaker 3: That's crazy.
- 4:26Speaker 4: Put some flowers on that salad. Yeah, it situations take
- 4:30Speaker 4: at the lotus flower man.
- 4:32Speaker 2: But other than her, Yeah, everybody, everybody's live. But go ahead,
- 4:37Speaker 2: you said Travis Scott, two people.
- 4:41Speaker 3: Here's my thing. Man, I feel like.
- 4:43Speaker 4: Cavs being too hard on Travis Scott shimply because he's
- 4:46Speaker 4: Travis Scott. If that was an actor, nobody knew that
- 4:50Speaker 4: would have just rolled right past.
- 4:52Speaker 3: Okay everyone, you know.
- 4:53Speaker 4: What I'm saying, Like, I feel like gave him nothing
- 4:57Speaker 4: to do, and I feel like he did nothing well.
- 5:01Speaker 1: He did nothing well, or did nothing.
- 5:03Speaker 3: He didn't give him nothing to do.
- 5:05Speaker 2: He was just out there talking to the first person
- 5:08Speaker 2: in the movie. I think I was just irritated immediately.
- 5:12Speaker 3: You you just didn't like the fact that it was Travis.
- 5:15Speaker 2: Nah, I didn't come in with no like I'm gonna
- 5:18Speaker 2: dislike travisk I just felt like I knew I was
- 5:21Speaker 2: looking at Travis Scott, you know what I mean, like
- 5:24Speaker 2: he he just feel like he wasn't in there with
- 5:27Speaker 2: them in the Odyssey times. I just felt like I
- 5:31Speaker 2: was looking at Travis Scott saying stuff versus like the
- 5:36Speaker 2: bar like when Kendrick Lamar or Most Deaf or Queen
- 5:41Speaker 2: the Tee or Iced Tea Tupad, various rappers turned actors.
- 5:47Speaker 2: You'll be like, oh they are They're playing a character,
- 5:50Speaker 2: even if the row is little. Look, I felt like
- 5:53Speaker 2: I was watching Travis Scott just to say the line,
- 5:56Speaker 2: and that could have been anybody McGee.
- 5:58Speaker 4: I feel like I feel like, who looks like they
- 6:00Speaker 4: could have been up that time as Yeah, he would
- 6:03Speaker 4: have been great.
- 6:04Speaker 3: He's been a great in that room.
- 6:06Speaker 1: He would have been perfect.
- 6:06Speaker 3: I'd be like, it looks like he really living that time.
- 6:09Speaker 1: Yes, Like I'm saying, she's a theatrical rapper.
- 6:14Speaker 3: I would have saw now.
- 6:16Speaker 2: I think she could have blended in. I think you
- 6:18Speaker 2: need a little more theater. The theater part of your
- 6:22Speaker 2: rapping ability more than your rapping ability, you know.
- 6:26Speaker 3: What I mean. I don't know enough about Travis Scott
- 6:28Speaker 3: to really saying anything.
- 6:29Speaker 1: Here's the thing, bygones, be back like it ain't irritate me.
- 6:34Speaker 1: Like I was just like, man, watch out that.
- 6:37Speaker 3: I felt like, all right, bro, I was just like,
- 6:40Speaker 3: don't don't fuck it all. Run was looking at him,
- 6:44Speaker 3: don't fuck it all up to where it was just like,
- 6:46Speaker 3: oh God, just just blending.
- 6:49Speaker 1: Yeah, yeah, yeah, it wasn't terrible. I'm being harsh.
- 6:52Speaker 3: Just don't ruin.
- 6:53Speaker 1: Yeah yeah, I agree with you.
- 6:54Speaker 3: You know what I'm saying.
- 6:55Speaker 1: All right, well keep going initially on the initial.
- 6:57Speaker 4: Tiph so on the initial So anytime you got Christopher
- 7:00Speaker 4: Nolan's name attached, the hype goes up automatically, no matter
- 7:04Speaker 4: what he does. So now you got the Odyssey, This
- 7:06Speaker 4: stuff we all had to read in high school, you
- 7:09Speaker 4: know everybody, not everybody, of course, a lot of people
- 7:11Speaker 4: know about the Odyssey somewhat. You know what I'm saying.
- 7:14Speaker 4: It has it has a long film pedigree. So it
- 7:17Speaker 4: was just like, oh, he tackling this, put that Christopher
- 7:19Speaker 4: Nolan on it, and then the cast was super stacked.
- 7:23Speaker 4: So it's just like, man, this is this is it
- 7:26Speaker 4: gonna live up to the cast. The director he coming
- 7:29Speaker 4: off of Oppenheimer. He coming off the Best Picture Best
- 7:32Speaker 4: Director win.
- 7:33Speaker 2: Yes, so thistament was hived from announcement.
- 7:38Speaker 1: Like before we.
- 7:39Speaker 3: Shot on Imax, did you see that thing.
- 7:42Speaker 2: Where they was like I couldn't look directly at you.
- 7:46Speaker 2: I had to like have a mirror set up. Thing
- 7:48Speaker 2: like the fact that they turned those type of performances
- 7:51Speaker 2: in speaking to a mirror a lot of.
- 7:53Speaker 1: Time on the one on one scenes. That's a level
- 7:56Speaker 1: of acting that's really hard. I think one thing. I
- 7:57Speaker 1: was struggled with that and like being on a green
- 8:00Speaker 1: screen for me would be hard.
- 8:01Speaker 3: Oh yeah, I feel like I was gonna talk to
- 8:03Speaker 3: the tennis ball man.
- 8:04Speaker 2: I felt like I would struggled with that if I
- 8:07Speaker 2: was on set like they was on that ship for real.
- 8:10Speaker 1: I feel like I could get into that. But like
- 8:12Speaker 1: you know a lot of my movies, just like most
- 8:15Speaker 1: capture suits, green screen.
- 8:17Speaker 3: On the Moon.
- 8:17Speaker 4: Yeah, it was just all green screen tennis ball and
- 8:20Speaker 4: you give it. Don't just do this to me looking
- 8:23Speaker 4: at the tennis ball, full tears and emotion, crying your
- 8:26Speaker 4: heart out to the tennis ball.
- 8:29Speaker 3: But like.
- 8:32Speaker 4: I was just like Yo and Imax and they had
- 8:34Speaker 4: to do it in three three minute increments.
- 8:36Speaker 3: Oh, I didn't know they had to reload the film.
- 8:39Speaker 4: You gotta get three minutes, so you can't get out
- 8:41Speaker 4: here sucking up the line.
- 8:43Speaker 3: Oh snap. So it's like.
- 8:46Speaker 4: We we ain't gotta unlimited, you know, retake, retake, retail
- 8:51Speaker 4: three minutes.
- 8:52Speaker 3: We gotta reload the big ass Cannis.
- 8:54Speaker 4: I didn't know after was coming in, like you know,
- 8:58Speaker 4: them near theater for sure, because as an actor, theater
- 9:02Speaker 4: is more rewarding. So I'm sure they appreciate it having
- 9:05Speaker 4: everything down, Yeah, for sure, what I mean. And so
- 9:09Speaker 4: but then you know, so the hype, the build up,
- 9:12Speaker 4: the hate, you know what I'm saying, is he gonna
- 9:15Speaker 4: nail it? The box office gross it's two hundred and
- 9:17Speaker 4: fifty million.
- 9:18Speaker 2: Speaking everything with Sky box Office, Nerd Time box Office Nerd,
- 9:23Speaker 2: Tony run the numbers two weekends. We was talking yesterday
- 9:27Speaker 2: about the drop offs, give the people the box office
- 9:30Speaker 2: nerd skinny.
- 9:31Speaker 3: So I'm gonna nerd y'all love.
- 9:32Speaker 2: This is gonna be the most recurring segment we have,
- 9:35Speaker 2: is Tony full tism, full nerdous office nerd Time.
- 9:42Speaker 3: Let me nerd out.
- 9:43Speaker 4: So the odyssey they they anticipated, so usually they do
- 9:48Speaker 4: like a tracking thing.
- 9:49Speaker 3: So based on early ticket sales. We know about early
- 9:53Speaker 3: sales by early on, you know, even for the big movies.
- 9:56Speaker 4: They want people to buy early so they can kind
- 9:58Speaker 4: of track movies gonna do.
- 10:00Speaker 3: It's gonna have a lot of walk up.
- 10:02Speaker 4: So the Odyssey, they was like, all, it's gonna do
- 10:04Speaker 4: about eighty to one hundred million. That's where it was tracking.
- 10:07Speaker 4: So as the as the opening uh date gets closer,
- 10:12Speaker 4: some films may fall or rise depending on So once
- 10:16Speaker 4: Friday comes in, yeah, they'd be like, all right, that
- 10:19Speaker 4: is tracking at you know, the tracking kept going up
- 10:23Speaker 4: throughout the weekend. Were looking at the one ten, y'all know,
- 10:27Speaker 4: we're looking at one twenty y'all. It just kept going up,
- 10:30Speaker 4: which means good word of mouth, people are enjoying it,
- 10:34Speaker 4: people are invested. So it performed way above initial expectations.
- 10:39Speaker 4: So it did like one twenty something domestically opening weekend worldwide.
- 10:44Speaker 4: It was already a three dreds and something so the
- 10:48Speaker 4: second weekend, so it made one twenty three first weekend domestic,
- 10:53Speaker 4: ninety million second weekend domestic domestic. So it went from
- 10:58Speaker 4: one twenty three tonight million. That's a twenty seven percent
- 11:02Speaker 4: drop on a movie that opened over one hundred million,
- 11:05Speaker 4: So give us these movies that open that big are
- 11:09Speaker 4: not going to have a drop off that low. Like
- 11:12Speaker 4: if you if you have open the weekend of seventeen million,
- 11:15Speaker 4: you can you can have a slow drop off. But
- 11:17Speaker 4: like when you open that bigs that many people came yo,
- 11:21Speaker 4: were coming back or we just waited.
- 11:23Speaker 3: Oh oh, y'all said all this, let me go see it.
- 11:26Speaker 4: So a twenty seven percent drop is one of the
- 11:28Speaker 4: best second weekend drops.
- 11:30Speaker 2: So what is like a range of a normal one
- 11:33Speaker 2: hundred million? What would you say, Okay, that's regular.
- 11:36Speaker 3: What percent you looking at fifty plus on the drop
- 11:41Speaker 3: off the norm.
- 11:42Speaker 4: Let's look at Let's look at Christopher Nolan. Let's nerd
- 11:44Speaker 4: it out, baby, Let's look at his normal.
- 11:47Speaker 2: Let's look at the Dark Knight Rises right while he's
- 11:50Speaker 2: looking the numbers up. You should always nerd out about something.
- 11:53Speaker 2: Guys nerd out about something, sports, comic books, box office movies. Yes,
- 11:58Speaker 2: paint swatches.
- 12:00Speaker 3: I love people nerding out on, nerd out on.
- 12:02Speaker 1: Your stuff, cosplay, anime, bread be nerds, Yeah, be nerds, y'all.
- 12:08Speaker 4: Dark Knight Rises, open to one hundred and sixty million,
- 12:12Speaker 4: had a sixty one percent drop the second weekend sixty
- 12:17Speaker 4: one percent. You know what I'm saying. So the Dark
- 12:19Speaker 4: Let's look at The Dark Knight, which I feel held on.
- 12:22Speaker 4: They had longer legs than The Dark Knight rises because
- 12:25Speaker 4: it's a better movie.
- 12:26Speaker 3: I say, I stand on that. I agree, I stand
- 12:28Speaker 3: on that.
- 12:30Speaker 4: So Dark Knight did one hundred and fifty eight million
- 12:33Speaker 4: open the weekend, which is crazy.
- 12:35Speaker 3: By the way, at that time that was it drives
- 12:38Speaker 3: fifty three percent.
- 12:40Speaker 1: The second week So is this his best second? Best second?
- 12:43Speaker 3: This best second weekend? You know what I'm saying.
- 12:45Speaker 4: And then and then the haters are still like will
- 12:48Speaker 4: Well the innax tickets and more extensive. They making all
- 12:51Speaker 4: the excuses, they're fudging the numbers, they're paying for these numbers.
- 12:55Speaker 3: They just do not want.
- 12:56Speaker 1: People are going at three am, still on.
- 13:00Speaker 2: At seven am, Tony text me he was going. I
- 13:02Speaker 2: was like, Yo, when you seen honesty, I want to
- 13:04Speaker 2: talk about it. He was like seven a M I
- 13:05Speaker 2: sit laughing motion. He text me the next day at
- 13:08Speaker 2: ten fifteen like, yo, that was good.
- 13:10Speaker 3: I was like, you.
- 13:12Speaker 4: Win seven am, and that's the move, yo. I got
- 13:16Speaker 4: the movie out the way I had the whole day
- 13:18Speaker 4: after that.
- 13:19Speaker 2: I could not believe me time you have to get
- 13:22Speaker 2: up to get down to the theater.
- 13:23Speaker 4: Six about six thirty six, just a phase wash you know,
- 13:27Speaker 4: wash my mouth straight, hand it.
- 13:30Speaker 3: Over to the theater. Man.
- 13:31Speaker 4: And I tried to be on time because I thought
- 13:34Speaker 4: I've been reading that that they weren't trailers at all.
- 13:36Speaker 2: Yeah, they straight mad trailers.
- 13:42Speaker 4: It was mad trailers. I was like, man, I'm be
- 13:44Speaker 4: trying to avoid trailers. Although I did see a good one.
- 13:46Speaker 2: Yeah, the other mommy, the other mama, see, I'm gonna
- 13:49Speaker 2: watch it tone for the pot.
- 13:50Speaker 4: I'm that movie The Creepy all right, So Oppenheimer, which
- 13:54Speaker 4: was Chris's last movie.
- 13:55Speaker 3: It dropped forty three percent.
- 13:58Speaker 1: Hey, okay weekend.
- 14:00Speaker 3: And that movie hell well yeah yeah.
- 14:02Speaker 4: And so so now once you see we can't drop
- 14:05Speaker 4: that low, it'll probably be bigger than this third weekend
- 14:07Speaker 4: because now Spider Man is coming out. That's gonna affect
- 14:10Speaker 4: you number, which will be covering absolutely absolutely ill probably watched.
- 14:16Speaker 2: It Thursday's episode. Yeah, Thursday's episode. So where's it out
- 14:20Speaker 2: right now?
- 14:20Speaker 3: Right now? You know what I'm saying. You know, as
- 14:23Speaker 3: we record this, take the devil out of this.
- 14:25Speaker 4: But it's sitting at six hundred and sixty six million
- 14:27Speaker 4: dollars worldwide across a billion. Yes, for sure, it's tracking
- 14:34Speaker 4: over a billion. They some people have said one point three,
- 14:37Speaker 4: one point five, So that's that's the big that's living
- 14:41Speaker 4: up to the hype man for sure.
- 14:43Speaker 3: People people making all kind of excuses like it's only
- 14:45Speaker 3: doing this because the stars in the bird Star Setting
- 14:50Speaker 3: movies bomb all the.
- 14:51Speaker 4: Time, bomb atomically, Muana Cousset two hundred and fifty.
- 14:56Speaker 2: It's bombing a big bomb. Supergirl one seventy huge, it wasn't.
- 15:01Speaker 2: I feel like we're gonna come back to odyssee. I
- 15:04Speaker 2: feel like they rushed the live action Mowana they did.
- 15:08Speaker 1: There's there.
- 15:09Speaker 2: You just came ma Wana to like three years ago.
- 15:12Speaker 2: It's too early to go live action. We we just saw.
- 15:15Speaker 3: I feel like I just saw literally just came out.
- 15:18Speaker 1: It just came out and we.
- 15:20Speaker 3: Animation and I get it. It made it made mad money,
- 15:25Speaker 3: it did.
- 15:25Speaker 1: But it I don't feel like I'm missing out on nothing.
- 15:29Speaker 4: And Stitch worked because Lelo and Stitch came out early
- 15:34Speaker 4: to early two.
- 15:35Speaker 1: Yeah, you know what I'm saying.
- 15:36Speaker 4: So you get the nostalisier, you get it's a long
- 15:39Speaker 4: time since we've seen Stitch.
- 15:40Speaker 1: We just saw.
- 15:43Speaker 3: Wana just came up. Let's get a live action.
- 15:45Speaker 2: I feel like y'all just being like stars stars stars McGee.
- 15:48Speaker 2: It ain't happening all right. Moving on, favorite scenes.
- 15:51Speaker 3: Oh, favorite scenes in the Odyssey, man, uh For one,
- 15:56Speaker 3: I want to highlight the ending ending stuck the landing Tony.
- 16:02Speaker 2: When that nigga Odysseus pulled that bowl down and boom, Tony,
- 16:10Speaker 2: I wanted to run through a wall. It was like,
- 16:16Speaker 2: as a musician, I don't know this true music theory.
- 16:18Speaker 2: People correct me. It felt like a resolving chord like
- 16:23Speaker 2: dude doo boom. And when they were like setting it up,
- 16:27Speaker 2: I was like, oh, he does that for the hunt.
- 16:29Speaker 2: He did it a few times throughout the movie. When
- 16:31Speaker 2: he did that last one, I pulled my own sword
- 16:34Speaker 2: out of my sh and the way Ed Hathaway turned around, like,
- 16:41Speaker 2: that's my baby daddy, y'all, I know that boom. Ain't
- 16:45Speaker 2: nobody else boom this and twenty here. Ain't nobody boom
- 16:51Speaker 2: in twenty Man, that's my baby's father, because ain't nobody
- 16:55Speaker 2: did it? He looked like I said that go.
- 17:00Speaker 3: She went in there, closed up shots. She was about
- 17:02Speaker 3: to go down.
- 17:03Speaker 1: Close the doors, Marvin the door, closed the door. Yeah,
- 17:08Speaker 1: with the work. Oh when I tell you, you know what
- 17:12Speaker 1: character I would have been in there?
- 17:14Speaker 2: You see them people who bent the knee before you
- 17:16Speaker 2: finished fight?
- 17:17Speaker 1: Hey, man, the.
- 17:18Speaker 2: Way this is going go back, go ahead and yeah
- 17:21Speaker 2: this has got it the way things are going.
- 17:24Speaker 3: Yeah, me back, I go both knees.
- 17:27Speaker 1: I ain't even gonna hide. Told him. They was like, yeah,
- 17:31Speaker 1: that's him because they were fighting at first, and they
- 17:34Speaker 1: was like him, he's kind of killing everybody out.
- 17:39Speaker 2: Of the time.
- 17:40Speaker 3: My shoe the whole fight, Like, man, I can't get
- 17:42Speaker 3: my shoe top.
- 17:44Speaker 4: Sanduels is stripping, man, you can't get your sandals town, Like, what.
- 17:49Speaker 2: Are we doing chow with no weapons? Man, he was
- 17:53Speaker 2: out here no weapon. Nah, bro, it's good we lost.
- 17:58Speaker 2: You know, you ain't one of the suit. There's no
- 18:00Speaker 2: way you're not gonna beat that intenuist.
- 18:03Speaker 3: I can never get his name correct.
- 18:05Speaker 2: Robert Pattinson is number one, Corey Hawkins is probably number two.
- 18:10Speaker 1: They getting the draws. I can't beat him. I'm just yeah, man,
- 18:15Speaker 1: you got it.
- 18:16Speaker 4: Put on boys and men on Ben that's my favorite.
- 18:21Speaker 1: You got it, you got it. His coming man.
- 18:25Speaker 4: I like the fact that because I went in semi
- 18:30Speaker 4: like coming in fresh, fresh in terms of the mythology,
- 18:33Speaker 4: like I didn't go back and dig back.
- 18:35Speaker 1: Into the Odyssey. I wanted to come in fresh.
- 18:38Speaker 4: And so a lot of this stuff felt new to me.
- 18:41Speaker 4: I was just like, wait, what's gonna happen.
- 18:42Speaker 1: At the end of this? And he switched up a
- 18:45Speaker 1: switch up some stuff.
- 18:46Speaker 2: Yeah, because the Cyclops first of all, Cyclops just wanted.
- 18:52Speaker 1: To make his cheese.
- 18:53Speaker 3: I feel bad for Cyclops. Bro, he had the cheese.
- 18:57Speaker 2: They came in his house, ate his cheese, then poked
- 19:01Speaker 2: him in the hot He's like, bro, I'm just making
- 19:04Speaker 2: you know.
- 19:04Speaker 1: He ain't selling. But I'm saying like I feeling completely.
- 19:10Speaker 1: But it wasn't a vicious eat.
- 19:12Speaker 3: It was just like a matter of fact. It was like, oh,
- 19:14Speaker 3: hold snacks.
- 19:15Speaker 1: It's like you come home and there's there's a bullet chip.
- 19:17Speaker 4: He ate two soldiers and with the beg you imagine
- 19:20Speaker 4: your Hoomi's getting eating alive and.
- 19:22Speaker 3: Then crazy, what a day? What a day?
- 19:30Speaker 2: Man?
- 19:31Speaker 3: They just ate two of your boys.
- 19:33Speaker 4: They was your boys all through out military Steve Roderick.
- 19:40Speaker 3: And you can't even cry out because he might see you,
- 19:48Speaker 3: just like the cheese ain't worth it.
- 19:50Speaker 1: Man. He didn't have no blanket, but I felt like
- 19:53Speaker 1: he was like he would have covered smooth.
- 19:56Speaker 3: Man.
- 19:57Speaker 1: Sorry about that for y'all, boy, because that's.
- 19:59Speaker 3: The way the end of the day. Oh man, what
- 20:00Speaker 3: is hell?
- 20:04Speaker 1: Yeah? Like it was somebot, I mean a string tease.
- 20:08Speaker 2: He's oh yeah, yeah, strip house, good night, good night?
- 20:15Speaker 1: Now you poking my one eyes? Dark trapped in here.
- 20:23Speaker 2: There?
- 20:23Speaker 3: Man? And so I thought that was a great scene.
- 20:28Speaker 1: When that cyclops screamed, the sound entered my body. It
- 20:34Speaker 1: was so loud. I felt him.
- 20:38Speaker 3: He was like a man.
- 20:41Speaker 1: It was his only.
- 20:44Speaker 3: He could walk around with a patch on his eye.
- 20:46Speaker 1: I mean still got the patch is a headband.
- 20:51Speaker 3: They did him dirty, man.
- 20:52Speaker 1: He was his own business. That scene my favorite scene.
- 20:58Speaker 1: The witch. Uh, all the wishes turning.
- 21:03Speaker 2: Seriously, Okay, they didn't notice the armor in the backyard.
- 21:10Speaker 1: What she said, put your stuff out here.
- 21:13Speaker 3: Dead man's stuff. I've been wait a minute, armored.
- 21:18Speaker 2: They was like, man, I'm hungry. I don't care nothing
- 21:21Speaker 2: about none of that.
- 21:22Speaker 3: Yo. Soldiers don't have questions.
- 21:26Speaker 4: Like I've been like, I'm a question asking person. So, uh,
- 21:31Speaker 4: you get a lot of guests coming through.
- 21:34Speaker 1: What's all the armor? The shields?
- 21:38Speaker 2: This?
- 21:39Speaker 4: So soldiers always come through here? This is this small talk,
- 21:42Speaker 4: this small tone. So how long you've been taking soldiers in?
- 21:50Speaker 4: I would have had ay they left without the naked
- 21:54Speaker 4: that's rare.
- 21:55Speaker 1: They're like a skinny dipping. We never leave our equipment behind. Yeah,
- 21:59Speaker 1: for you got loads of it.
- 22:01Speaker 3: That's the that's the golden rule.
- 22:03Speaker 1: They was like, man, stew and what was in the stew?
- 22:07Speaker 3: This stu didn't look good? Like what was that long
- 22:10Speaker 3: clear piece? What? What? What was that?
- 22:15Speaker 2: They was sucking that long part for long. I was like,
- 22:18Speaker 2: is this octopus on the way they was eating it?
- 22:24Speaker 2: They was all like possessed. I was like, yo, this
- 22:27Speaker 2: is disgusting me, man.
- 22:30Speaker 1: And then when she pulled them faces, I.
- 22:32Speaker 3: Said, man, she was like this man, the face is done.
- 22:37Speaker 1: Bring your nose down.
- 22:39Speaker 3: Just let's get the ears. Yeah.
- 22:41Speaker 1: Yeah, it was disgusting.
- 22:45Speaker 2: And then when this is grabbed that bird and I
- 22:48Speaker 2: know that your somebody that bursts, chill, chill, I'll kill that.
- 22:53Speaker 3: You got I'm saying for something, kill him. I snapped
- 22:57Speaker 3: this killer chim chip chip all right.
- 23:00Speaker 2: And then when she was like back into your disguises
- 23:02Speaker 2: when they turned back into men, that little bird was like,
- 23:07Speaker 2: the little Twitter was in there, that's your problem.
- 23:09Speaker 1: She was on Twitter for a little bit.
- 23:11Speaker 2: But I love that because she was like, you know,
- 23:14Speaker 2: this is who these men are, Like eventually they might
- 23:17Speaker 2: not have abused me now, but eventually they was gonna abuse.
- 23:22Speaker 1: So yeah, I knew she knows. She wasn't wrong.
- 23:25Speaker 2: She knew.
- 23:27Speaker 1: They would have been pigged forever. And I like that.
- 23:32Speaker 2: My other favorite scene this part I forgot about the
- 23:34Speaker 2: mycology was completely the Lagenstinos.
- 23:39Speaker 3: Oh yeah, the Logisterians.
- 23:42Speaker 1: Man told can.
- 23:44Speaker 2: You imagine me and you in battle and were running
- 23:47Speaker 2: and these niggas come out.
- 23:48Speaker 1: And smack my head off.
- 23:50Speaker 4: Man, They was smacking smacking his off, slapping people through trees.
- 23:55Speaker 4: The trees were getting in on it, like trappy trappy
- 24:00Speaker 4: trees was trapping people. And I love the fact there's
- 24:04Speaker 4: no explanation, there's no intro, there's no Oh, these are
- 24:08Speaker 4: the people that we don't know what the hell's going on.
- 24:11Speaker 4: They just killing everything, moving no time, get on the ship.
- 24:16Speaker 4: Fuck your ship. They're not even saying that. They're just
- 24:19Speaker 4: like man breaking down and you on.
- 24:21Speaker 3: The ship leaving and you're just seeing the homies.
- 24:24Speaker 1: He was boxing the ship. The dudes on the broke
- 24:31Speaker 1: was like, hey, y'all or this.
- 24:32Speaker 2: That was like, I don't know, man, man, come come
- 24:37Speaker 2: with us. Can you imagine a nigga punching your ship
- 24:42Speaker 2: and it's breaking it's.
- 24:43Speaker 3: Breaking down, man, No explanation, no conversation. That's it. And
- 24:51Speaker 3: I love the fact we don't know nothing else about him.
- 24:54Speaker 1: No, they didn't talk straight hands.
- 24:57Speaker 4: That kid was like, ah, what's it?
- 25:01Speaker 3: Pat Pat mac slap kill murdered Philly. Run, Let's get
- 25:07Speaker 3: the hell out of here. That's it. Don't come back.
- 25:12Speaker 4: That's how the island is in real life island where
- 25:15Speaker 4: they've been out there. Yeah, anybody that comes closed, they
- 25:19Speaker 4: get killed.
- 25:20Speaker 1: Because I feel like they killed one of them dudes.
- 25:23Speaker 3: They killed one. I saw shoot the arrow and one
- 25:25Speaker 3: of them. He did one. Yeah, I don't even know
- 25:29Speaker 3: if he died. He might just good pat strong backhands. Man.
- 25:38Speaker 4: Imagine if we still live like that, we're just pulling
- 25:41Speaker 4: up on random places.
- 25:42Speaker 3: This place lives, all right, Run man, Jock's get the
- 25:50Speaker 3: van doing, Get the van doing, man. I thought we
- 25:54Speaker 3: can get gas here.
- 25:55Speaker 2: So many of their escapades and with them running back
- 25:58Speaker 2: to the ship and they had to they had to
- 26:01Speaker 2: take out some escapade they did. They was like, man,
- 26:05Speaker 2: I have time for all of them. But that scene
- 26:08Speaker 2: was so good. I love the shade scene when they
- 26:12Speaker 2: was all black and uh that's when.
- 26:17Speaker 1: Yelling paid.
- 26:18Speaker 3: Who was that hades?
- 26:19Speaker 1: He was in some Christopher on the movie before, wasn't he?
- 26:22Speaker 4: Oh the dude that was given the blind Yeah, oh
- 26:25Speaker 4: that's James remark he he's Dexter's dad.
- 26:30Speaker 5: Oh that's what was Yeah, welcome to Darry.
- 26:35Speaker 4: Yes, welcome forty eight hours. Man went around for a
- 26:39Speaker 4: long time. Sin on little scene when he was.
- 26:43Speaker 1: Like, Man, I believe John.
- 26:46Speaker 4: Yeah, I believe y'all. He was the cool party. They
- 26:48Speaker 4: never told him the plan Man watch out was in
- 26:51Speaker 4: that old time Yo was in the horse and holds.
- 26:56Speaker 1: Oh, what can you imagine? I needed to If I
- 27:00Speaker 1: told you, you wouldn't have been believable.
- 27:01Speaker 3: They would have got it out of you for sure.
- 27:04Speaker 1: So I couldn't tell Man out. I hate you, man.
- 27:10Speaker 3: But where was Senna when they because they had to
- 27:12Speaker 3: build a.
- 27:13Speaker 4: Horse, That's one that part confusing, and they had to
- 27:15Speaker 4: load up in there.
- 27:16Speaker 3: What was Senaan doing? Hey? What y'all? Doing getting in
- 27:20Speaker 3: that horse. You didn't say that, You didn't what was.
- 27:25Speaker 1: What was Troy? Troy right tinge.
- 27:29Speaker 3: When they brought the horse up, they ain't nobody looking
- 27:31Speaker 3: out the window.
- 27:32Speaker 2: So I was I was going balls deep in this.
- 27:35Speaker 2: There was like the whole Zeus's Law thing. They was
- 27:38Speaker 2: just like, man, this is a gift.
- 27:40Speaker 3: I get why they brought it in.
- 27:43Speaker 1: Nobody was overlooking over it, like looking out the window like.
- 27:46Speaker 4: Y'all seeing, wait, the soldiers are going. You had to
- 27:49Speaker 4: build that goddamn horse. You had to load it up
- 27:53Speaker 4: ship parts. Probably they probably broke a ship. It wasn't
- 27:55Speaker 4: even the woods say out flat land saying you can
- 27:59Speaker 4: see cast miles away what they're building down there?
- 28:04Speaker 3: Who he is?
- 28:05Speaker 2: Then maybe they thought they just built it as a
- 28:07Speaker 2: gift and then was like all right, y'all, y'all won.
- 28:10Speaker 4: And then you gotta bring it, you gotta deliver. That
- 28:12Speaker 4: ship was heavy. It took and that was a that
- 28:16Speaker 4: was a city effort.
- 28:17Speaker 2: That was like forty five thousand people bullying chains.
- 28:20Speaker 1: It took all day and then they were stabbing it.
- 28:24Speaker 3: Man.
- 28:25Speaker 1: They stabbed on board and man.
- 28:27Speaker 3: Had to wap the blade like the hell up, I
- 28:31Speaker 3: can step and he got stabbed, right, he gotta stap
- 28:35Speaker 3: clean like, oh.
- 28:38Speaker 2: Fuck, I know they got machine guns now, the whole
- 28:47Speaker 2: rule they once they shake me up.
- 28:52Speaker 4: Fuck all right, y'all that movie were old.
- 28:58Speaker 1: I don't know we kidding stand.
- 29:00Speaker 4: You know they was gonna stand me in. Man, damn it,
- 29:05Speaker 4: i'd have been talking to they got me, y'all, Cam.
- 29:10Speaker 3: Josh, they stabbing. Then the chickens up, y'all.
- 29:14Speaker 1: Just open it up, shut the hurd up.
- 29:17Speaker 4: They heard us already, man, they get they're about to
- 29:19Speaker 4: set us on fire. Oh, we didn't even think about
- 29:21Speaker 4: setting y'all on fire. That's a good idea. Oh ship, y'all,
- 29:26Speaker 4: we gonna roll. Let's roll together, y'all.
- 29:30Speaker 1: I'm not the right guy, Roses. Just yere.
- 29:33Speaker 4: Let me let me down off from the staff mom first,
- 29:35Speaker 4: I don't want to burn it doing.
- 29:36Speaker 3: I'm hot.
- 29:39Speaker 1: I'm not a real man like that. I'm sorry. Man,
- 29:42Speaker 1: I'd be like, ah out, shut out, Capni. You didn't
- 29:47Speaker 1: get staffed, yard I got staffed.
- 29:51Speaker 2: Yeah, hang, y'all, this was odys this plan. Oh d
- 29:57Speaker 2: I was gett confused e why yes, ye no, why
- 30:01Speaker 2: you know.
- 30:03Speaker 3: It was him. We gotta latch in the chest piece
- 30:07Speaker 3: of the horse. Just come on here, y'all.
- 30:10Speaker 4: Just open it up, man, that's how we're getting out.
- 30:16Speaker 1: I have ruined it on the staff. But when they
- 30:19Speaker 1: open that gate, first of all, the nigga like a memnon.
- 30:22Speaker 1: That's that nigga right there. He don't talk. He also
- 30:26Speaker 1: don't fight.
- 30:26Speaker 3: He don't do nothing.
- 30:27Speaker 1: But he got the fit off.
- 30:29Speaker 3: Once you get the right fit, all you gotta do
- 30:31Speaker 3: is wear what's up, y'all. That's all you gotta do
- 30:35Speaker 3: is with gold trim.
- 30:36Speaker 2: I got the bones and a pony tail, black or
- 30:38Speaker 2: gold trim. You can't get this as she in. This
- 30:42Speaker 2: is norse strum. If you ever seen him, one after
- 30:44Speaker 2: him and no, you lose for sure. This man load up, y'all.
- 30:52Speaker 2: He ain't soft down here man, that nigga when they
- 30:54Speaker 2: opened the door and he was standing nasty, y'all finna die.
- 30:58Speaker 3: And people was hating on that look online when they
- 31:00Speaker 3: initially dropped them.
- 31:02Speaker 4: It was hating on the agamem nine look initially when
- 31:05Speaker 4: they first dropped that photo image.
- 31:07Speaker 1: That was I thought my ticket right there.
- 31:10Speaker 3: Thought it was fired.
- 31:11Speaker 1: I don't even remember Agamemnon.
- 31:12Speaker 4: People been fussing the whole and that's why I like
- 31:15Speaker 4: about Christopher Nolan.
- 31:16Speaker 1: Y'all you said all that.
- 31:18Speaker 2: Stuff, racism, sexism, transphobia, walk right, all that six hundred
- 31:26Speaker 2: and fifty.
- 31:27Speaker 3: Million, six hundred and sixty six million dollars.
- 31:31Speaker 1: I hate watching that. Nigga went took you to the
- 31:34Speaker 1: cleaners immediately.
- 31:35Speaker 3: And then people just hating they watched it.
- 31:38Speaker 1: I seen them. They was like, well, most of it
- 31:41Speaker 1: was actually good. I've seen some people like, let's just
- 31:43Speaker 1: move on, y'all.
- 31:46Speaker 4: The hell up man, the fudging the numbers man, fudge
- 31:49Speaker 4: your number.
- 31:50Speaker 2: Also, when acamem Nam took them clothes offs, they had
- 31:52Speaker 2: no ore got stabbed, saying Lupita, and younger was like,
- 31:56Speaker 2: you killed my baby.
- 31:57Speaker 3: She knew the real here. She knew how he rolled
- 32:00Speaker 3: without the ghetto.
- 32:01Speaker 1: He's on soft without the cloth, so hard on with
- 32:04Speaker 1: the helmet. He flashed and said what he was.
- 32:09Speaker 3: That is a she and she looked good as hell.
- 32:14Speaker 1: Shout. I said, hello Detroit, nigga, I don't care if
- 32:17Speaker 1: held up Detroit.
- 32:19Speaker 3: She looked good at hell. She set him up. I
- 32:22Speaker 3: was like, see now that I started war, that's the thing.
- 32:28Speaker 3: She looked good as hell.
- 32:29Speaker 1: They's thousand ships. You stab him up.
- 32:34Speaker 3: Shaky.
- 32:34Speaker 1: He was in there.
- 32:35Speaker 2: He had to close on the death though. He's like,
- 32:37Speaker 2: let me get my fit before you get to fit
- 32:39Speaker 2: back on.
- 32:39Speaker 3: When I'm in Hades, man, I can't lose the door.
- 32:42Speaker 3: So he got his orders.
- 32:43Speaker 2: Imagine going if you have that fit to her whole life,
- 32:45Speaker 2: then you go to Hades with the hoop shorts and
- 32:47Speaker 2: the hoodie like, hey, no, y'all, was.
- 32:51Speaker 1: This no agon?
- 32:54Speaker 3: Now?
- 32:55Speaker 2: Oh you ain't though, all right, let's switch gears. How
- 32:59Speaker 2: telling we got Josh Okay, we got hell of stuff
- 33:03Speaker 2: to cover.
- 33:04Speaker 4: Still, Oh, but I want to also have like Robert Pattinson,
- 33:08Speaker 4: that's I'm gonna ask you.
- 33:09Speaker 1: Favorite performances was my next question.
- 33:11Speaker 4: I thought he was moving on to movies. No, no,
- 33:14Speaker 4: I want to move on to the rest of this
- 33:18Speaker 4: favorite performances. John Leguizamoo. John Also, what a career Range?
- 33:25Speaker 3: Oh my god? You talking about Range.
- 33:27Speaker 2: He's done everything from super comedy, Yes, that Booker movie.
- 33:31Speaker 4: When fully all in comedy like the past, the past,
- 33:35Speaker 4: you know what I'm saying. Two long food and Juliet
- 33:42Speaker 4: John Wick, Yes, uh, that that movie Empire.
- 33:46Speaker 3: Yes, so he gonna give you crime gangster sting.
- 33:48Speaker 1: He was perfect. He was great, and I believe he
- 33:52Speaker 1: was visioning.
- 33:53Speaker 3: I believe every moology that was roughing him up.
- 33:56Speaker 2: They threw the dog on the dune heat he was
- 33:58Speaker 2: tossing puffies off the cliff.
- 33:59Speaker 1: What was that?
- 34:00Speaker 4: It was a different time. I was the dogs. Spartans
- 34:03Speaker 4: was tossing kids off the mountaintop.
- 34:05Speaker 1: But why did he throw the dogs off?
- 34:08Speaker 4: They weren't good dogs, man. It's like it's like, how
- 34:11Speaker 4: it's cruel.
- 34:12Speaker 1: Every dog is a good dog, you hear me?
- 34:15Speaker 2: And also just let them go run that niggas like, man,
- 34:19Speaker 2: man cruel.
- 34:20Speaker 4: But you know we're looking at it with today's eyes
- 34:23Speaker 4: first of all. And dogs will do that to.
- 34:25Speaker 3: Their own litter.
- 34:27Speaker 1: They know that's intercommunal.
- 34:29Speaker 3: Yeah, yeah, they'd be like, man, these puppies fucked up.
- 34:35Speaker 3: That's what That's what the mothers say.
- 34:37Speaker 4: These bullies ain't no, no, they're like, nah, man, y'all
- 34:40Speaker 4: don't want these dogs.
- 34:41Speaker 3: I saw it with my own eyes. This ship is heartbreaking.
- 34:43Speaker 1: Really.
- 34:44Speaker 3: We had a dog named.
- 34:45Speaker 4: Keina and this was like maybe her fourth or fifth
- 34:48Speaker 4: litter that she had, and she was just taking them
- 34:50Speaker 4: out one by one, just kind of like laying on them,
- 34:53Speaker 4: suffocating them.
- 34:54Speaker 3: So we're like no. So we grabbed the remaining puppies
- 34:58Speaker 3: and we tried to.
- 34:59Speaker 1: You saw dog murder.
- 35:00Speaker 4: Yeah, we tried to keep him alive. You know, we
- 35:03Speaker 4: were bottle feeding them. They was dying off.
- 35:05Speaker 1: She was like, y'all just wasting time.
- 35:07Speaker 4: I was like, I'm telling you those dogs are not
- 35:09Speaker 4: good and you're no. Well, no, I was feeding them puppies.
- 35:13Speaker 3: Man, it was a big one. I was like, this
- 35:14Speaker 3: was gonna make it.
- 35:16Speaker 1: This is gonna be the one. By the way, speaking
- 35:18Speaker 1: of dogs, I want to hear what you say.
- 35:20Speaker 2: When Odysseus his dog recognized him and then died, I
- 35:25Speaker 2: was like, I came up and talked to Monty. Just
- 35:30Speaker 2: switch away from me for seventeen years when they tore
- 35:35Speaker 2: up my house and die immediately when I can come back,
- 35:39Speaker 2: that dog.
- 35:39Speaker 1: Was like, Odisseus, I do he coming back?
- 35:45Speaker 4: Man?
- 35:46Speaker 2: My eyes were wiggily okay. John Leguizamo, John Leguizamo.
- 35:50Speaker 3: Yeah, Anne had the way.
- 35:55Speaker 2: Robert Pattinson, somebody get these beggars out of here.
- 35:59Speaker 1: I couldn't say that every the blink says that.
- 36:02Speaker 3: Here, just just the so get.
- 36:05Speaker 1: These beggars out of here.
- 36:07Speaker 3: Hard are he said, beggars? So hard?
- 36:10Speaker 1: Hard?
- 36:10Speaker 2: A are They gave him a race based film based
- 36:14Speaker 2: on that line.
- 36:14Speaker 1: Ago Robert Pattinson and Cool Dealer. Yes, right, and his
- 36:23Speaker 1: first time.
- 36:24Speaker 2: No, Christopher Nolan gonna run them back. He Matt Damon
- 36:29Speaker 2: had three Pattinson was in, was in he was Intendant.
- 36:33Speaker 3: He's intended. I think Tenant is his first one.
- 36:35Speaker 1: Yeah, he was intended. This is second.
- 36:37Speaker 4: We always has connective tissue acter Wise and Way three,
- 36:41Speaker 4: Matt Damon three, he was in UH was an Interstellar's
- 36:45Speaker 4: the Interstellar?
- 36:46Speaker 3: He was in UH one more.
- 36:50Speaker 1: Oppenheimer.
- 36:51Speaker 3: There's always connective tissues.
- 36:52Speaker 4: So so these casts we've seen for the first time,
- 36:57Speaker 4: they're probably gonna be back when you're probably gonna have Lupe,
- 37:00Speaker 4: You're probably gonna have John.
- 37:01Speaker 2: Like he giving Lupita a starro y'all was bad about
- 37:03Speaker 2: this because she did with such a little real estate.
- 37:06Speaker 2: She delivered a performance.
- 37:08Speaker 3: Matt Damon, Matt Damon, he did, he did his That's
- 37:14Speaker 3: a lot of pressure, man.
- 37:15Speaker 2: I feel like I ain't seen Matt no disrespect Carrie.
- 37:18Speaker 2: Carrie carry a solo movie, solo movie in a minute.
- 37:22Speaker 1: I didn't think he was since the Martians.
- 37:24Speaker 2: Since the Martian and he carried Odysseus's pain real quick.
- 37:29Speaker 2: I want to make a quick aside the switch from
- 37:32Speaker 2: Odysseus being like all pride, all hubris to a PTSD
- 37:38Speaker 2: version of of Odysseus.
- 37:40Speaker 1: They became the sea people. They're the ruins of the
- 37:43Speaker 1: sea people don't respect Jus's law.
- 37:45Speaker 2: He was like, yo, we was terrible when we came
- 37:48Speaker 2: out of that horse man, we was we was wild
- 37:51Speaker 2: and man the end man it was.
- 37:54Speaker 1: Great because usually it's like Odysseus is the smartest, the best.
- 37:57Speaker 2: And brilliant, and now this is is like I'm actually
- 38:00Speaker 2: really I feel really bad.
- 38:02Speaker 4: About this man and the fact that you know, it's
- 38:05Speaker 4: it's kind of up to us to interpret that. Yeah,
- 38:07Speaker 4: Athena was Athena was in they are really a real
- 38:12Speaker 4: person and and now she's haunting him as Athena or
- 38:18Speaker 4: or is Athena real and that's what she really looks like.
- 38:21Speaker 2: I think Athena personally, I think she took the form
- 38:24Speaker 2: of that priestess in the outside of her temple when
- 38:28Speaker 2: they cut Athena's head off, she took the form to
- 38:31Speaker 2: haunt him. Yeah, that's what I think, because like, you
- 38:33Speaker 2: while you violated because in the story story Athena is
- 38:38Speaker 2: more helpful to like Teculus.
- 38:42Speaker 1: Telling Macus they was rolling.
- 38:45Speaker 3: Up a lot, like the guys was interfering tough, and.
- 38:47Speaker 2: Yeah, she's the one that gets Mentor to like help him,
- 38:51Speaker 2: you know, by the way, Mentor being the Greek name
- 38:52Speaker 2: for like somebody who guides you. I was like, man,
- 38:55Speaker 2: that is mentor, Like that's that's like if your name
- 38:58Speaker 2: was comedy, right, this dude is no, this is comtist.
- 39:05Speaker 3: Bakers always had.
- 39:07Speaker 2: My name is mentor. What do you do? So what
- 39:09Speaker 2: I do mostly is the mentor. I like to help
- 39:12Speaker 2: god young men who are looking for the I'm like
- 39:15Speaker 2: a guiding figure. So your name is just what you do? Yeah,
- 39:19Speaker 2: mostly just just mentors what I kind of do till
- 39:22Speaker 2: they killed the staff yeh.
- 39:25Speaker 1: But but yeah, I think performance wise.
- 39:28Speaker 3: He was layered.
- 39:28Speaker 4: He was carrying those layers just like because he did
- 39:32Speaker 4: have those moments of just like you know, uh, I'm
- 39:36Speaker 4: this guy Cyclones going against his crew, like you know,
- 39:40Speaker 4: but then the internal conflict, the long and the then
- 39:43Speaker 4: the confidence, the.
- 39:44Speaker 2: You know, with the fight the gods to the moment
- 39:47Speaker 2: when them niggas had a barbecue when he told them
- 39:49Speaker 2: not to.
- 39:50Speaker 1: That was so funny he was looking for.
- 39:53Speaker 3: That was so funny because he was already like keeping
- 39:56Speaker 3: secrets from them.
- 39:58Speaker 4: He didn't he didn't tell him about Yo, we're gonna
- 40:02Speaker 4: have to come across. It's gonna be a whirlpool, or
- 40:04Speaker 4: we gotta go to the sixth headed monsters. I gotta
- 40:08Speaker 4: make a decision. I'm gonna pick the six y'all gonna die.
- 40:12Speaker 1: You couldn't tell me that. You gotta make the choice
- 40:15Speaker 1: as the leader had to make the choice.
- 40:16Speaker 3: Yeah, And that was funny when when they when he
- 40:19Speaker 3: made the decisions.
- 40:21Speaker 1: Yeah, man, we did. This is we man?
- 40:26Speaker 4: Yeah, he was mad excited dog because they highlighted his
- 40:32Speaker 4: excitement the camera here.
- 40:35Speaker 1: Like yeah, oh this is man.
- 40:39Speaker 3: Whoa most college man?
- 40:40Speaker 4: You it was just grabbing up sick and you the
- 40:48Speaker 4: most excited.
- 40:49Speaker 3: Six get the most excited six.
- 40:52Speaker 1: Because they because they didn't believe we told him about
- 40:55Speaker 1: the ceiling.
- 40:55Speaker 4: Whoa. And then and then when they was on the
- 41:02Speaker 4: Helios Island or whatever, they're like, yo, man, we can
- 41:05Speaker 4: we can chill here. We could just eat grains and fruit,
- 41:07Speaker 4: which is right. I have survived.
- 41:10Speaker 3: You would have been right.
- 41:12Speaker 2: You would have been in there with the car. I
- 41:14Speaker 2: told him not that man, come on, would have had
- 41:16Speaker 2: the bowl of fruit. Oh yeah, I'm avocado.
- 41:20Speaker 3: Ya, i'mna telling y'all get it on his avocado to
- 41:24Speaker 3: Now this is man.
- 41:24Speaker 4: I know they say your whole crew got to die,
- 41:26Speaker 4: but bring me with you. I never ate the cattle.
- 41:30Speaker 1: So disappointed tone when he came over.
- 41:32Speaker 3: The end was dead.
- 41:35Speaker 4: He woke up like, I know, I know these Once
- 41:37Speaker 4: he woke up and saw that they wasn't around.
- 41:39Speaker 1: How do you smell?
- 41:41Speaker 3: I know these niggas is grilling. He went over there.
- 41:45Speaker 4: They was down there and they're like, see you got
- 41:48Speaker 4: you gotta put the sauce on them.
- 41:51Speaker 3: Oh hell this we know what we're doing.
- 41:54Speaker 4: Man, fucking fucking if we gonna die, we're gonna die
- 41:59Speaker 4: with ribs.
- 42:00Speaker 3: They were.
- 42:01Speaker 4: They were just sitting in the little hole they created. Boy,
- 42:05Speaker 4: you've been lying on us the whole time. Man fucking
- 42:08Speaker 4: we're gonna have brisket, nigga, we gonna have briskey.
- 42:14Speaker 1: I could see myself being like, man, I'm sorry, bro,
- 42:17Speaker 1: you live once. Man, we gonna die. We can't fingers
- 42:21Speaker 1: greasy and I know supper brisket or I know that
- 42:26Speaker 1: was five was because they turned around.
- 42:29Speaker 4: They were like sorry, man, get in on this. Man,
- 42:34Speaker 4: you're looking at us now because you ain't had nothing.
- 42:38Speaker 4: Get in on this going to town. We got oxtel
- 42:43Speaker 4: over here.
- 42:44Speaker 1: We got Shorter Loy Sir Lloyd, Chuck Carnals.
- 42:50Speaker 3: Whatever you need.
- 42:51Speaker 4: I can see one of the guys didn't one of
- 42:53Speaker 4: us barbecue and this.
- 42:54Speaker 3: Because this ship is ruths. Chris ain't got nothing on
- 42:58Speaker 3: this come down. This was like and then they were like, man.
- 43:03Speaker 4: The weather change, let's get back on the old. They
- 43:09Speaker 4: had meat in their pockets.
- 43:10Speaker 3: On the ship, like we ain't gonna make it. They
- 43:16Speaker 3: was like protein. They was like this, this is some ribs.
- 43:25Speaker 2: I'm for sure. What if I made it all the
- 43:27Speaker 2: way that would have been it. Watch out on this
- 43:31Speaker 2: we got ribs, man, watch out, we got ribs. Nigga
- 43:37Speaker 2: boomed the little bow on that we had ribs. Man,
- 43:41Speaker 2: for I can't eat another leafy green. That cow walk
- 43:45Speaker 2: around plump delicious. Man, watch y'all, I got these lowries
- 43:50Speaker 2: in my my rucksack.
- 43:52Speaker 1: I didn't have these lowries for seventeen years.
- 43:54Speaker 2: Man, fired up, queue up the hostail stew man.
- 44:00Speaker 1: Lady turned me into a pig man.
- 44:02Speaker 3: Watch out, You wasn't the pigs. You don't know what
- 44:05Speaker 3: it was like. They could get the ribs going, man.
- 44:10Speaker 4: Quandas can make some fire ass brisket, Quandas get it going.
- 44:16Speaker 3: Uh, brothers, be a good time.
- 44:20Speaker 1: Quanda's all right. Before we closed, Tony Oscar predictions.
- 44:27Speaker 2: How many oscars does the Odyssey getting nominated for?
- 44:31Speaker 1: What are the categories?
- 44:32Speaker 4: Okay, so you're getting an Oscar nomination for cinematographer, sound Design,
- 44:39Speaker 4: original school, set design, production design, all that good stuff.
- 44:46Speaker 4: All the technicals they in there. That's four day in there.
- 44:51Speaker 4: Possible fire because I'm probably missing, and impossible we're going file. Okay,
- 44:56Speaker 4: So for the majors, you're getting Best Picture, but you
- 45:00Speaker 4: got ten nominees you can do. Yeah, so it's definitely
- 45:03Speaker 4: in there for Best Picture, Best Directory. Now you could
- 45:10Speaker 4: get a couple of people on the supporting. Yes, so
- 45:15Speaker 4: Samantha Morgan is getting an Oscar for sure, getting.
- 45:19Speaker 1: She's for sure. She is shoe in, shoe.
- 45:22Speaker 3: In and halfaway. Might get another nomination for this role.
- 45:25Speaker 2: She might.
- 45:26Speaker 4: She might probably won't beat out Samantha though, now if
- 45:31Speaker 4: they have her as supporting or actress.
- 45:33Speaker 1: Support the same category.
- 45:36Speaker 3: So oh yeah, so she she'd be up against Samantha
- 45:39Speaker 3: double up. So those are the two.
- 45:41Speaker 2: And it's a real supporting role like Samantha's was like
- 45:47Speaker 2: almost like by all the Davis's doubt, like I don't
- 45:49Speaker 2: have it. I ain't through the whole movie. Yeah, I'm
- 45:51Speaker 2: gonna get twelve minutes though. You gonna remember these twelve
- 45:57Speaker 2: Oh yeah.
- 45:57Speaker 3: She was unforgettable.
- 45:58Speaker 1: I said, man, this lady's crazy. I don't know why yet,
- 46:03Speaker 1: pig witch.
- 46:04Speaker 3: And she wasn't even over doing it.
- 46:06Speaker 1: She was like half your feet. Yeah, that's nine.
- 46:09Speaker 3: When she's getting that nomination. I think Anne Hathaway is
- 46:12Speaker 3: gonna get another one because Oscar Oscars already loved her.
- 46:15Speaker 3: I think John Liguizamo might get me. Sure, I would
- 46:17Speaker 3: love it if he does.
- 46:18Speaker 4: I think Robert Pattinson has a case as well. You
- 46:21Speaker 4: think so, Yeah, I'm the supporter.
- 46:24Speaker 3: Yeah, I hated him so good.
- 46:26Speaker 1: Somebody get these niggers out of here. That's what I heard.
- 46:31Speaker 2: I heard, Oh he said nigger, Somebody get these niggers
- 46:34Speaker 2: out of here.
- 46:36Speaker 1: That's what he said.
- 46:37Speaker 2: That's his internal monologue because he delivered it too well
- 46:41Speaker 2: to say beggars.
- 46:42Speaker 1: He looked right at Corey haf the Beckers.
- 46:44Speaker 2: Out of him blinking, though Blink blinks was like he
- 46:49Speaker 2: was disgusted by y'all.
- 46:50Speaker 4: I don't even want to see you beggars. Robert Pattinson
- 46:54Speaker 4: is a good actor.
- 46:55Speaker 3: Though.
- 46:55Speaker 2: You know what's funny about Robert Pattinson, I feel like,
- 46:58Speaker 2: in some ways, kicking his career off, mostly with The Twilight,
- 47:03Speaker 2: severely hindered how people viewed his acting ability, because all
- 47:06Speaker 2: that Edwards stuff for all them years, you just be like,
- 47:09Speaker 2: oh you just uh, We're just gonna put you in
- 47:11Speaker 2: those little kids big it really beat Man Nikki seventeen,
- 47:16Speaker 2: Robert Pattinson was like, I haven't seen oh Man unlike
- 47:19Speaker 2: any role I've ever seen it. And I didn't even
- 47:21Speaker 2: love that movie. I like that director. He directed Parasite
- 47:26Speaker 2: mong Hume. I always forget saying parisite director, but that
- 47:32Speaker 2: to Batman, to Tenant to uh Odyssey.
- 47:37Speaker 4: He does a lot of like he does a lot
- 47:40Speaker 4: of smaller films where he can really dig into Nickhouse,
- 47:44Speaker 4: which is fantastic, and then he does the big stuff
- 47:46Speaker 4: like this. When you look at Batman, you look at this,
- 47:49Speaker 4: you look at you look at all these different roles.
- 47:52Speaker 1: He's so his range is crazy Batman, so.
- 47:55Speaker 4: He he is man like I would have never have
- 48:00Speaker 4: seen where his career would go in terms of like
- 48:02Speaker 4: when you look at I only saw one Twilight said
- 48:06Speaker 4: he was just gonna fall. But I think he might
- 48:10Speaker 4: get a nomination for this as well. I think they
- 48:14Speaker 4: get that's eleven. That's a level eleven on the on
- 48:17Speaker 4: the memory.
- 48:18Speaker 2: You don't think best screenplay possibly, Yeah, I could get that.
- 48:23Speaker 2: I could see best screenplay I love.
- 48:27Speaker 3: I honestly feel like this might get a nomination.
- 48:31Speaker 1: Ensemble.
- 48:32Speaker 4: Oh, they got the ensemble ensemble for sure, and they
- 48:36Speaker 4: got the stub one too.
- 48:37Speaker 1: Man right, they do have stunt.
- 48:40Speaker 4: They do have stunt that obnysty might go ahead and
- 48:43Speaker 4: get nominated for every single category.
- 48:46Speaker 1: Except for a short film and animated.
- 48:49Speaker 2: I could see a world where they eclipse centers on
- 48:55Speaker 2: most nominations. Yeah, I could see them being like, somebody,
- 48:58Speaker 2: get these niggers out of here. Y'all got the best
- 49:01Speaker 2: awards for a nigger movie. Man watch out.
- 49:04Speaker 3: I think I think this might be the most nominated film.
- 49:08Speaker 1: In history, and it's everything Hollywood loves.
- 49:13Speaker 4: They checked all the boxes on the category box office,
- 49:15Speaker 4: because don't.
- 49:16Speaker 1: They have like a box office category?
- 49:17Speaker 2: Two?
- 49:17Speaker 1: Now, what was it was that Golden Globes.
- 49:21Speaker 2: They did something about there was some award that was
- 49:24Speaker 2: box office, a rewarded box office.
- 49:26Speaker 3: You got my attention on that.
- 49:30Speaker 1: I can't remember.
- 49:30Speaker 2: Maybe I'm tripping, but okay, that was good. All right, man,
- 49:35Speaker 2: tune in next time we talking about something else.
- 49:39Speaker 3: The end of